CURRICULUM VITAE
Ichiro Fujinaga
555 Sherbrooke Street West, Montréal, Québec, Canada H3A 1E3
Office: 514.398.4535x00944 Fax: 514.398.8061
Email: ichiro.fujinaga@mcgill.ca Homepage: http://www.music.mcgill.ca/~ich
Born: Fukuoka, Japan. 1 April 1956 (Canadian citizen)
Education
1989–96
1982–89
1979–82
1975–79

McGill University
McGill University
University of Alberta
University of Alberta

Ph.D. Music Technology
M.A. Music Theory
B.Mus. Theory and Percussion
B.Sc. Applied Mathematics in Computing Science, Honors

Current Position
Professor (2021–), Schulich School of Music, McGill University
Teach undergraduate and graduate courses in Music Technology Area. Other duties include thesis supervisionadministration, and research.
Research Interests
Optical music recognition, digital prosopography, pattern recognition, machine learning, music perception,
digital signal processing, sound quality, genetic algorithms, music information acquisition, preservation, andretrieval

Employment History
2021/10–

Professor (McGill University)
Canada Research Chair (Tier 1) in Music Information Retrieval (2021-06-01–2028-05-31)
Coordinator, Music Technology Area (2021–2)

2016/01–6/03

Visiting Professor (Tsukuba University)
Graduate School of Library, Information, and Media Studies (Prof. H. Terasawa)

2008/09–9/05

Visiting Professor (Tsukuba University)
Graduate School of Library, Information, and Media Studies (Prof. Y. Hiraga)

2005/08–21/09

Associate Professor (McGill University)
Associate Dean of Research and Administration (2016–7)
Chair, Music Technology Area (2009–12, 2014–5, 2017–8)

2002/08–5/07

Assistant Professor (McGill University)
Chair, Music Technology Area (2002–3)
Acting Director, Centre for Interdisciplinary Research in Music Media and Technology(2003/08–2004/11)

1999–01

Principal Consultant (NSF Digital Libraries Initiative Grant)
Eisenhower Library, Johns Hopkins University
Convert digitally scanned 29,000 pieces of American popular sheet music into computerreadable format and MIDI.

1995–97(summers)

Visiting Professor (Japan Advanced Institute of Science and Technology)
Department of Information Science (Prof. S. Horiguchi)
Independent research, conduct seminars, and direct graduate students in multi–media
application research.

CV: Ichiro Fujinaga

1

12 September 2024

1993–02

FacultyComputer Music Department, Associate Director of Information Technology
Peabody Conservatory of Music, Johns Hopkins University
Teach graduate courses including Digital Music Programming, Synthesis Theory, andseminars on Csound, Max/Pd, SuperCollider, Web/HTML, and Unix. Other duties include
graduate student research consulting and research.

1988–93

Full-time Research AssistantFaculty of Music, McGill University
Develop an optical music recognition system. Environment: Objective-C, C, Open Look, NeWS(NeXT, Sun 386i).

1986–93

Programmer/Consultant
Department of Psychology (Prof. D. J. Ostry), McGill University
Maintain and develop various programs for analyzing scientific data, including interactive 3Dgraphic displays. Environment: Microsoft C, HALO (IBM PC).

1984–93

Systems Analyst
Faculty of Music, McGill University
Installation and maintenance of Unix network and PCs in the faculty used for research andadministration purposes. Consultation and tutorials for all users. Make purchaserecommendation to the faculty. Custom programming.

Academic Committees:
McGill Standing Internal Review Committee (2019/08–2021/08)
McGill (Music) Digital Rights Management Committee (Chair: 2016–7)
CIRMMT Executive Committee (2016–7)
McGill Teaching and Learning Spaces Working Group (2016–7)
McGill University Teaching Labs Working Group (2016–7)
McGill Research Advisory Council (2016–7)
McGill Prizes and Awards Coordinating Committee (2016–7)
McGill (Music) Faculty Executive Committee (2016–7)
McGill (Music) Departmental Tenure Committee (2015–6, 2017–8)
McGill (Music) Academic Committee on Teaching and Programs (2012–4)
McGill (Music) Reappointment Committee (2014)
McGill University Tenure Committee for the University Libraries (2011–3)
McGill Web Management System Migration Steering Committee (2011–3)
McGill Music Library Advisory Committee (2010–5, Chair: 2013–5, 2019–)
McGill Senate (2006–8) (2024–27)
CIRMMT Board of Directors (2005–15)
McGill (Music) Technical Committee on Network Management and Development (Chair: 2004–8)
CIRMMT Executive Committee (2003–4, Chair: 2009–10)
McGill Music Faculty Position Search Committee (2003, 2005, 2010)
Dean’s Essay Competition Selection Committee (2003, 2005–6, 2008)
McGill (Music) Committee of Area Chairs (2002–3, 2009–12, 2014–5)
McGill (Music) Information System and Technology Committee (2002–8)
McGill (Music) Subcommittee of Graduate Studies (2002–)
Peabody Working Group on the Academic Issues (2001–2)
Peabody CFO Search Committee (2000)
JHU Provost’s Undergraduate Research Awards Selection Committee (2000–2)
JHU Technology Fellowship Review Committee (2001–2)
JHU Subcommittee on Electronic and Distance Education (1996–2002)
Peabody Academic Council (1997–2001)
Peabody Committee on Advanced Technologies (1994–2000)
JHU Diversity Leadership Council (1997–9)
Peabody Special Committee on Student Relations (Chair: 1997–9)
Peabody Faculty Assembly (Vice Chair: 1997–9; Chair: 1999–2001)

CV: Ichiro Fujinaga

2

12 September 2024

Research Grants
Co-PI, Centre de recherche interuniversitaire sur les humanités numériques (CRIHN), Program
Strategic Cluster grant, Fonds de recherche du Québec – Société et culture (FRQSC) (PI: Michael
Eberle-Sinatra, Université de Montréal) (71 co- PIs) (Summer 2024–Winter 2027) $420,000.
PI, Digital Research Alliance of Canada, Research Platforms and Portals Grant (2023–24) $9,983
Co-PI, SSHRC Partnership Development Grant “Digital Analysis of Chant Transmission”(PI: Jennifer Bain, Dalhousie University) (2023–2030) $2,459,299
PI, Digital Research Alliance of Canada, Research Platforms and Portals Grant (2023–24) $23,186
PI, SSHRC Partnership Grant “LinkedMusic: Interlinking music resources for enhanced access”(2022–29) $2,500,000
PI, ComputeCanada, Research Platforms and Portals Grant (2022–23) $20,017
PI, Canada Research Chair (Tier 1) in Music Information Retrieval (2021–28) $1,700,000
PI, SSHRC Partnership Grant, Stage I “LinkedMusic: Interlinking music resources for enhanced
access” (2021–22) $19,951
PI, ComputeCanada, Research Platforms and Portals Grant (2021–22) $25,100
PI, FRQSC, Research Team Support Grant “Music Information, Research, and Infrastructure”
renewal (2021–25) $365,602
PI, SSHRC Connection Grant “The 21st International Society for Music Information Retrieval
Conference” (2020–22) $24,976
Co-PI, FWO-SBO (Belgium) “The Sound of Music: Innovative research and valorization ofplainchant through digital technology” (PI: David Burn, KU Leuven) (2020/01–2023/12)€2,349,288 (McGill: €74,750)
PI, ComputeCanada, Research Platforms and Portals Grant (2020–21) $12,172
Academic Partner, Arts and Humanities Research Council (UK) “Cultural identity, evolution andtransition in the cults of medieval Iberian saints” (PI: Emma Hornby, University of Bristol)(2019/09–2022/08) £804,448 (McGill: £4,600)
Co-PI, SSHRC Insight Grant “Mapping the Musical Landscape of the Sixteenth Century”(PI: Julie Cumming) (2019–24) $339,772
Co-PI, SSHRC Partnership Development Grant “Digital Analysis of Chant Transmission”(PI: Jennifer Bain, Dalhousie University) (2019–22) $199,348
PI, ComputeCanada, Research Platforms and Portals Grant (2019–20) $12,623
Co-PI, CFI Cyberinfrastructure Initiative “LINCS: Linked Infrastructure for Networked Cultural
Scholarship” (PI: Susan Brown, University of Guelph) (2018–2021) $2,000,000
Collaborator, SSHRC Partnership Grant “Analysis, creation and teaching of orchestration (ACTOR)”(PI: Stephen McAdams) (2018–26) $2,500,000
Co-PI, SSHRC Partnership Development Grant “Technologies of notation and representation: Tenor
network” (PI: Sandeep Bhagwati, Concordia University) (2018–21) $199,460
PI, ComputeCanada, Research Platforms and Portals Grant (2018–9) $12,426
Co-PI, NSERC Strategic Partnership Grants for Projects “ANR Multimodal Analysis and Knowledge
Inference for Musical Orchestration (MAKIMOno)” (PI: Stephen McAdams) (2017/09–2020/09)$551,773
PI, ComputeCanada, Resources for Research Groups Grant (2017–8) $2,560
PI, FRQSC, Projets franco-québécois en sciences humaines et sociales “Recherche d’Information
dans les corpus de musique notée” (2016–20) $208,176
Collaborator, Andrew W. Mellon Foundation “Enhancing Discovery and Access for Sound
Collections” (2016–8) £70,000 (total: £408,411)
PI, FRQSC, Research Team Support Grant “Music Information, Research, and Infrastructure” (2016–20) $602,118
PI, ComputeCanada, Resources for Research Groups Grant (2016–7) $7,879
Co-PI, SSHRC Connection Grant “The Music Encoding Conference 2016” (PI: Andrew Hankinson)(2015–16) $24,027
PI, SSHRC Partnership Grant “Single Interface for Music Score Searching and Analysis” (2014–24)$2,726,697
PI, SSHRC Insight Grant “Cantus ultimus: Building the ideal online plainchant research environment”(2014–19) $499,694
PI, FRQSC, Emerging Team Grant “Music Information, Research, and Infrastructure” (2014–17)$54,963
CV: Ichiro Fujinaga

3

12 September 2024

Co-PI, FQRSC Programme Regroupements Stratégiques “Centre for Interdisciplinary Research inMusic Media and Technology” (PI: Isabelle Cossette) (2014–20) $1,459,200
Co-PI, SSHRC Partnership Grant “International institute for critical studies in improvisation: apartnered research institute” (PI: Ajay Heble, University of Guelph) (2014–21) $2,500,000
PI, SSHRC Partnership Grant Letter of Intent “Single Interface for Music Score Searching andAnalysis” (2013–4) $20,000
Co-PI, NEH Digital Humanities Start-up Grant: Level-II “Digital Prosopography for RenaissanceMusicians: Discovery of Social and Professional Network” (PI: Susan F. Weiss, Peabody
Conservatory of Music, Johns Hopkins University) (2013–4) $54,466US
Co-PI, SSHRC Public Outreach Grant “Humanities dissemination & Making Publics using the
Resource Description Framework” (PI: Matthew Milner) (2012–3) $66,017
Co-PI, SSHRC Digging into Data Challenge Grant “Electronic Location of Vertical Interval
Successions” (PI: Julie Cumming) (2012–4) $125,000
Co-PI, SSHRC Insight Development Grant “Optical Neume Recognition Project” (PI: Jennifer Bain)(2012–4) $74,633
PI, SSHRC Insight Development Grant “Probabilistic Model for Music Content Analysis” (2011–3)$73,998
McGill Internal Paper Presentation Grant (2011) $1,500
PI, SSHRC Partnership Development Grant “Single Interface for Music Score Searching andAnalysis” (2011–4) $197,903
Co-PI, SSHRC Research Creation Grant “The art of harpsichord playing in the digital age: A
computer-supported exploration of Couperin, basso continuo, and tuning” (PI: Hank Knox)(2011–4) $248,925
PI, SSHRC Standard Research Grant “Optical music recognition of plainchant” (2010–3) $141,393
PI, SSHRC Image, Text, Sound and Technology “Tracing the evolution of harmonic idioms inpopular music through the late twentieth century” (2010–1) $49,906
PI, SSHRC Digging into Data Challenge Grant “Structural Analysis of Large Amounts of Music
Information” (2010–1) $53,966
Co-PI, SSHRC Major Collaborative Research Initiatives Program “Advancing Interdisciplinary
Research in Singing” (PI: Annabel J. Cohen, University of Prince Edward Island) (2009–15)$2,298,474
PI, FQRSC Programme soutien aux équipes de recherché “Evaluation perceptive de la qualité audio”(2008–10) $59,434
PI, FQRSC Programme appui à la recherche-création “Les techniques vocales du repertoire
microtonale historique adaptées à la pratique moderne” (2008–11) $143,756
Co-PI, Andrew W. Mellon Foundation “Networked Environment for Music Analysis” (2008–10)$90,000US (PI: Stephen Downie, University of Illinois at Urbana-Champaign, total: $1,200,000)
PI, SSHRC Image, Text, Sound and Technology “Incorporating lyrics into optical recognition
technology for early vocal music sources” (2008–9) $49,932
PI, The Invitation Fellowship for Research in Japan (Long-Term), Japan Society for the Promotion of
Science “Usability and cultural issues in designing digital music libraries” (2008–9) $35,000
Co-PI, NSERC Major Resources Support Program: Infrastructure “Centre for Interdisciplinary
Research in Music Media and Technology” (PI: Stephen McAdams) (2007–9) $57,630
Co-PI, SSHRC Major Collaborative Research Initiatives Program “Improvisation, Community, andSocial Practice” (PI: Ajay Heble, University of Guelph) (2007–13) $2,663,619
PI, SSHRC Image, Text, Sound and Technology “Enhancing optical music recognition technology of
Early Music prints and manuscripts for musicological applications” (2007–8) $49,943
PI, Audio-Visual Preservation Trust of Canada Music Memories Program “Schulich School of Music
Archival Digitization Project” (2006–7) $9,971
PI, Daniel Langlois Foundation Grant “Image-to-Audio conversion of phonograph records” (2006–7)$35,000
PI, SSHRC Image, Text, Sound and Technology: Networking Grant “Metadata infrastructure forsound recordings” (2006–7) $49,976
PI, SSHRC Standard Research Grant “Feasibility of digitizing Early Music on microfilms for thecreation of large-scale content-searchable database” (2005–8) $145,838
Co-PI, SSHRC-CURA (Community-University Research Alliances) “Documentation and
Preservation of Media Art Heritage: Research and Case Studies” (PI: Alain Depocas) (2005–10)$1,000,000
CV: Ichiro Fujinaga

4

12 September 2024

PI, CFI New Opportunities Grant “Distributed Digital Music Archives and Libraries” (2005–10)$597,748
PI, Richard M. Tomlinson Digital Library Innovation and Access Award “Digitization of Edelberg
Handel Collection: A Pilot Project” (2003–5) $15,198
PI, FQRSC Établissement de nouveaux-chercheurs volet individual “Digitization of Vinyl
Phonograph Records with Automatic Generation of Text and Metadata” (2003–6) $64,628
PI, McGill Research Development Grant “Distributed Digital Music Library” (2003) $38,500
Co-PI, FQRSC Regroupements stratégiques “Centre for Interdisciplinary Research in Music Mediaand Technology” (2003–7) $792,000
Co-PI, NSF Information Technology Research Grant “A Data Capture Framework and Testbed for
Cultural Heritage Materials” (PI: Sayeed Choudhury) (2002–6) $1,500,000US
Co-PI, IMLS National Leadership Grant “Digital Audio Archives Project” (PI: Sayeed Choudhury)(2004–7) $229,352US
Co-PI, NSF Digital Libraries Initiative Grant “Digital Workflow Management: The Lester S. Levy
Digitized Collection of Sheet Music, Phase Two” (PI: Sayeed Choudhury) (1999–2002)$530,000US
Co-PI, Intel Technology for Education Grant “Scalable High-Performance Computing Applications”(PI: Alex Szalay) (1999–2001) Peabody: $154,000US (JHU: $1,700,000US)Awards:Information Processing Society of Japan, Yamashita SIG Research Award 2020, Information
Processing Society of Japan (IPSJ) (¥10,000 / $127CAD)
Best Paper Award. 2019. Information Processing Society of Japan, Computers and the Humanities
Symposium ((JinMonCom) (¥30,000 / $360CAD)
Best Paper Award. 2019. Music Encoding Conference with Martha E. Thomae and Julie E. Cumming.
Transforming Musicology Challenge Paper Prize (Digital Libraries 2014: Digital Library forMusicology Workshop) with Charalampos Saitis and Andrew Hankinson.
Outstanding Paper Award. 2006. International Society for Music Information Retrieval (ISMIR)
Conference with Cory McKay ($500USD / $650CAD)
Literati Awards for Excellence: Outstanding paper. 2004. Emerald Publishing
Best Presentation Award. 2000. International Computer Music Conference (ICMC)
Professional Affiliations:
General Co-Chair, International Society for Music Information Retrieval Conference (2020)
Board member, Music Encoding Initiative (2015–2020)
Advisory Board Member, “Fusing Audio and Semantic Technologies,” an EPSRC project (2014–2019)
Advisory Panel, “Transforming Musicology,” an AHRC Large Grant project (2013–2017)
Member, Centre de recherche interuniversitaire sur les humanités numériques (CRIHN) (2013–)
Guest Editor, Signal Processing: Special Section: Ethnic Music Audio Documents (2010)
Advisory Board, IMLS funded research: Improving Access to Digital Music through Content-based
Analysis. (2009–11)
General Co-Chair, International Society for Music Information Retrieval Conference (2009)
Scientific Advisory Board, International Conference on Music Perception and Cognition (2008)
Reviewer, Canadian Association of Information Science Annual meeting (2008)
Advisory Board, Journal of Interdisciplinary Music Studies (2007–)
Advisory Board, Critical Studies in Improvisation (2007–)
Guest Editor, EURASIP Journal on Advances in Signal Processing, A Special Issue on Music
Information Retrieval Based on Signal Processing (2007)
Paper Committee, co-chair, International Computer Music Conference (2006)
Academic Committee, Judaic Sound Archives, Florida Atlantic University (2005–)
FolkwaysAlive Academic Advisory Committee, University of Alberta (2005–6)
Consultant, Mellon Foundation Research Grant: A Scoping and Feasibility Study towards a Corpus of
Encoded Scores of Classical Music (2005)
Journal of Music and Meaning, Editorial Board (2004–)
Review Committee, SSHRC-MCRI Mid-term review (2004)
Local Organization Committee and Technical Committee, New Interfaces for Musical Expression
Conference (2003)
CV: Ichiro Fujinaga

5

12 September 2024

Paper Committee, co-chair, Web Delivery of Music Conference (2003)
Grants Review Committees: FQRSC Programme d'établissement de nouveaux chercheurs-créateurs(2003); FQRSC Programme de soutien aux regroupements de recherche-création (2003)
Steering Committee, International Conference on Music Information Retrieval (2001–9)
Final Papers Selection Panel, International Computer Music Conference (1999)
Computing in Musicology, Editorial Advisor (1998–2006)
International Musicological Society (1997–)
Manager of Music Theory Online, Society of Music Theory (1997–2007)
Local Organization Committee, American Musicological Society Meeting (1996)
International Computer Music Association (1989–)
Grant reviewer for American Association of the Advancement of Science (USA), Fonds de recherche
du Québec – Société et culture (FRQSC), FWF Austrian Science Fund, Engineering and PhysicalSciences Research Council (UK), IWT (Belgium), National Science and Engineering Council of
Canada (NSERC), Netherlands Organization for Scientific Research, Physical Science Council(The Netherlands), Research Grants Council (Hong Kong), Social Sciences and Humanities
Research Council of Canada (SSHRC)
Paper reviewer for Computer Music Journal, Proceedings of IEEE, Journal of New Music Research,
Critical Studies in Improvisation, Signal Processing, IEEE Transaction on Pattern Analysis andMachine Intelligence, EURASIP Journal on Audio, Speech, and Music Processing, EURASIP
Journal on Image and Video Processing, Journal of Electronic Imaging, International Journal on
Document Analysis and Recognition
Program Committees:
IAPR International Conference on Document Analysis and Recognition (2017–)
IAPR International Workshop on Graphic Recognition (2017–)
Conference on Technologies for Music Notation and Representation (2015–)
Journées d’Informatique Musicale (2015)
International Workshop on Digital Libraries for Musicology (2014–)
Society for Mathematics and Computation in Music (2013)
Joint Conference on Digital Libraries (2010)
Computer Music Modeling and Retrieval Conference (2008)
Canadian Association of Information Science Annual meeting (2008)
New Interfaces for Musical Expression Conference (2007–9)
AXMEDIS (2006)
DAFx (Digital Audio Effects) Conference (2006)
Information Resource Management Association Conference (2005)
International Conference on Automated Production of Cross Media Content for Multi-channel
Distribution (2005)
Conference on the Art of Record Production (2005)
Web Delivery of Music Conference (2004)
International Society of Music Information Retrieval Conference (2001–)
International Computer Music Conference (1996–2007)

CV: Ichiro Fujinaga

6

12 September 2024

PUBLICATIONS
Refereed book chapters
Fujinaga, Ichiro, Andrew Hankinson, and Laurent Pugin. 2018. “Automatic Score Extraction with Optical Music
Recognition.” In Current Research in Systematic Musicology, edited by Rolf Bader, 299–311. Heidelberg:
Springer.
Burgoyne, John Ashley, Ichiro Fujinaga, and J. Stephen Downie. 2016. “Music Information Retrieval.” In A New
Companion to Digital Humanities, edited by Susan Schreibman, Ray G. Siemens, and John Unsworth, 213–
38. Oxford: Wiley-Blackwell Publishing.
McKay, Cory, and Ichiro Fujinaga. 2012. “Expressing Musical Features, Class Labels, Ontologies, and Metadata
Using ACE XML 2.0.” In Structuring Music through Markup Language: Designs and Architectures, edited
by Jacques Steyn, 47–79. Hershey, PA: IGI Global.
Weiss, Susan Forscher, and Ichiro Fujinaga. 2008. “Electronic Sound.” In Renaissance Studies, edited byWilliam R. Bowen and Ray G. Siemens, 93–100. Tempe, AZ: Iter Inc.
Fujinaga, Ichiro, and Susan Forscher Weiss. 2004. “Music.” In Blackwell Companion to Digital Humanities,edited by Susan Schreibman, Ray G. Siemens, and John Unsworth, 97–107. Oxford: Blackwell Publishing.
Fujinaga, Ichiro. 2004. “Staff Detection and Removal.” In Visual Perception of Music Notation, edited by Susan
George, 1–39. Hershey, PA: Idea Group Inc.
Droettboom, Michael, Ichiro Fujinaga, and Karl McMillan. 2002. “Optical music interpretation.” In Statistical
Pattern Recognition, edited by A. Amin, R. Duin, M. Kamel, D. de Ridder, and T. Caelli, 378–86. Berlin:
Springer-Verlag.
Fujinaga, Ichiro, Stephan Moore, and David S. Sullivan. 1999. “Implementation of Exemplar-Based Learning
Model for Music Cognition.” In Music, Mind, and Science, edited by S. W. Yi, 69–81. Seoul: Seoul
National University Press.
Refereed journal papers
Castellanos, Francisco J., Antonio Javier Gallego, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2022. “Domain
Adaptation for Staff-Region Retrieval of Music Score Images.” International Journal on Document Analysis
and Recognition (IJDAR) 25 (4): 281–92. https://doi.org/10.1007/s10032-022-00411-w.
Draginda, Yulia, and Ichiro Fujinaga. 2021. “‘Life, Color, Warmth and Truth’: Expressive Timing in German
Late Romantic Organ Music.” Per Musi 40: 1–17. https://doi.org/10.35699/2317-6377.2020.26080.
Tardón, Lorenzo J., Isabel Barbancho, Ana M. Barbancho, and Ichiro Fujinaga. 2020. “Automatic Staff
Reconstruction within SIMSSA Project.” Applied Sciences (10): 2468.
De Luca, Elsa, Jennifer Bain, Inga Behrendt, Ichiro Fujinaga, Kate Helsen, Alessandra Ignesti, Debra Lacoste,
and Sarah Ann Long. 2019. “Capturing Early Notations in MEI: The Case of Old Hispanic Neumes.”
Zeitschrift der Gesellschaft für Musiktheorie 16 (3): 227–247.
Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Deep Neural
Networks for Document Processing of Music Score Images.” Applied Sciences 8 (5): 654–657.
Siedenburg, Kai, Ichiro Fujinaga, and Stephen McAdams. 2016. “A Comparison of Approaches to Timbre
Descriptors in Music Information Retrieval and Music Psychology.” Journal of New Music Research 45 (1):
27–41. doi:10.1080/09298215.2015.1132737.
Helsen, Kate, Jennifer Bain, Ichiro Fujinaga, Andrew Hankinson, and Debra Lacoste. 2014. “Optical Music
Recognition and Manuscript Chant Sources.” Early Music 42 (4): 555–8. doi:10.1093/em/cau092.
Goebl, Werner, Roberto Bresin, and Ichiro Fujinaga. 2014. “Perception of Touch Quality in Piano Tones.”
Journal of the Acoustical Society of America 136 (5): 2839–50. doi:10.1121/1.4896461.
Pugin, Laurent, Andrew Hankinson, and Ichiro Fujinaga. 2012. “Digital Preservation and Access Strategies forMusical Heritage: The Swiss RISM Experience.” OCLC Systems and Services 28 (1): 43–55.
Rebelo, Ana, Ichiro Fujinaga, Filipe Paszkiewicz, Andre R.S. Marcal, Carlos Guedes, and Jaime S. Cardoso.
2012. “Optical Music Recognition: State-of-the-Art and Open Issues.” International Journal of Multimedia
Information Retrieval 1 (3): 173–90.
De Roure, David, Kevin R. Page, Benjamin Fields, Tim Crawford, Ichiro Fujinaga, and J. Stephen Downie.
2011. “An E-Research Approach to Web-Scale Music Analysis.” Philosophical Transactions of Royal
Society A 369: 3300–17.
Devaney, Johanna, Michael I. Mandel, Daniel P.W. Ellis, and Ichiro Fujinaga. 2011. “Automatically Extracting
Performance Data from Recordings of Trained Singers.” Psychomusicology: Music, Mind & Brain 21 (1–2):
108–36.
Hankinson, Andrew, Wendy Liu, Laurent Pugin, and Ichiro Fujinaga. 2011. “Diva.Js: A Continuous Document
Viewing Interface.” Code4Lib Journal 2011 (14).
Weiss, Susan Forscher, and Ichiro Fujinaga. 2011. “New Evidence for the Origin of Kettledrums in Western
Europe.” Journal of the American Music Instrument Society 37: 5–18.

CV: Ichiro Fujinaga

7

12 September 2024

PUBLICATIONS (cont.)
Canazza, Sergio, Antonio Camurri, and Ichiro Fujinaga. 2010. “Ethnic Music Audio Documents: From
Preservation to Fruition.” Signal Processing 90 (4): 977–80.
Dalitz, Christoph, Michael Droettboom, Bastian Czerwinski, and Ichiro Fujinaga. 2008. “A Comparative Studyof Staff Removal Algorithms.” IEEE Transactions on Pattern Analysis and Machine Intelligence 30 (5):753–66. doi:10.1109/TPAMI.2007.70749.
Fujinaga, Ichiro, Masataka Goto, and George Tzanetakis, eds. 2007. “Music Information Retrieval Based on
Signal Processing.” EURASIP Journal on Advances in Signal Processing 2007 2007.
doi:10.1155/2007/86874.
Fujinaga, Ichiro. 2005. “Distributed Digital Music Archives and Libraries.” The Journal of the AcousticalSociety of America 118: 2031.
Riley, Jenn, and Ichiro Fujinaga. 2003. “Recommended Best Practices for Digital Image Capture of MusicalScores.” OCLC Systems and Services 19 (2): 62–9.
Weiss, Susan Forscher, and Ichiro Fujinaga. 2000. “A study of early music on CD-ROM.” Early Modern
Literary Studies 5.3 (4): 3.1–24.
Choudhury, G.Sayeed, Cynthia Requardt, Ichiro Fujinaga, Tim DiLauro, Elizabeth W. Brown, James W.
Warner, and Brian Harrington. 2000. “Digital Workflow Management: The Lester S. Levy Digitized
Collection of Sheet Music.” First Monday 5 (6).
http://firstmonday.org/issues/issue5_6/choudhury/index.html.
Yoo, Lilit, and Ichiro Fujinaga. 1998. “ZETA violin techniques: Limitations and applications.” Journal
SEAMUS 13 (2): 12–5.
Fujinaga, Ichiro, Bruce Pennycook, and Bo Alphonce. 1991. “The Optical Music Recognition Project.”
Computers in Music Research 3: 139–42.
Fujinaga, Ichiro, Bo Alphonce, Bruce Pennycook, and Nathalie Boisvert. 1989. “Optical Recognition of Music
Notation by Computer.” Computers in Music Research 1: 161–4.
Refereed conference papers
Fujinaga, Ichiro, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024. “Using
Optical Music Recognition in Search of Early European Music.” In Actes Des Journées d’InformatiqueMusicale, 296–302. Marseille, France. https://cloud.prism.cnrs.fr/index.php/s/CXYJzERte7x273Q.
McKay, Cory, Julie Cumming, Ichiro Fujinaga. 2023. “Rhythmic, Melodic and Vertical N-Gram Features as a
Means of Studying Symbolic Music Computationally.” In Book of Abstracts, Digital Humanities 2023, 187–
188. Graz, Austria.
Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary Scavone. 2023. “A Dataset and Baseline for
Automated Assessment of Timbre Quality in Trumpet Sound.” In Proceedings of the International Society
for Music Information Retrieva, 684–91. Milan, Italy.
Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary Scavone. 2023. “Detecting Efficiency in Trumpet
Sound Production: Proposed Methodology and Pedagogical Implications.” In Proceedings of the StockholmMusic Acoustics Conference, 72–79. Stockholm, Sweden.
Castellanos, Francisco J., Antonio Javier Gallego, and Ichiro Fujinaga. 2023. “A Few-Shot Neural Approach for
Layout Analysis of Music Score Images.” In Proceedings of the International Society for Music Information
Retrieval, 106–13. Milan, Italy.
Fujinaga, Ichiro, and Gabriel Vigliensoni. 2023. “Optical Music Recognition Workflow for Medieval Music
Manuscripts.” In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge
Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 4–6. Milan, Italy.
https://doi.org/10.48550/arXiv.2311.04091.
Castellanos, Francisco J., Antonio Javier Gallego, and Ichiro Fujinaga. 2023. “A Preliminary Study of Few-Shot
Learning for Layout Analysis of Music Scores.” In Proceedings of the 5th International Workshop on
Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44–48. Milan,
Italy. https://doi.org/10.48550/arXiv.2311.04091.
McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2023. “Rhythmic, Melodic and Vertical N-Gram Features asa Means of Studying Symbolic Music Computationally.” In Annual International Conference of the Allianceof Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler. Graz,
Austria. https://doi.org/10.5281/ZENODO.8107739.
Thomae, Martha E., Julie E. Cumming, and Ichiro Fujinaga. 2022. “Counterpoint Error-Detection Tools for
Optical Music Recognition of Renaissance Polyphonic Music.” In Proceedings of the 23rd International
Society for Music Information Retrieval Conference, 501–8. Bangalulu, India.

CV: Ichiro Fujinaga

8

12 September 2024

PUBLICATIONS (cont.)
De Reuse, Timothy, and Ichiro Fujinaga. 2022. “A Transformer-Based “Spellchecker” or Detecting Errors in
OMR Output.” In Proceedings of the International Society for Music Information Retrieval Conference,
789–96. Bangaluru, India.
López, Néstor Nápoles, Mark Gotham, and Ichiro Fujinaga. 2021. “AugmentedNet: A Roman Numeral Analysis
Network with Synthetic Training Examples and Additional Tonal Tasks.” In Proceedings of theInternational Society for Music Information Retrieval Conference, 404–11.
Nápoles López, Néstor, Laurent Feisthauer, Florence Levé, and Ichiro Fujinaga. 2020. “On Local Keys,
Modulations, and Tonicizations: A Dataset and Methodology for Evaluating Changes of Key.” In theInternational Conference on Digital Libraries for Musicology, 18–26. New York, NY.
Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020. “Automatic Chord Labelling: A Figured
Bass Approach.” In 7th International Conference on Digital Libraries for Musicology, 27–31. New York,NY.
Ju, Yaolong, Sylvain Margot, Cory McKay, Luke Dahn, and Ichiro Fujinaga. 2020. “Automatic Figured Bass
Annotation Using the New Bach Chorales Figured Bass Dataset.” In Proceedings of the International
Society for Music Information Retrieval Conference, 640–46.
Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020. “Figured Bass Encodings for BachChorales in Various Symbolic Formats: A Case Study.” In Proceedings of the Music Encoding Conference,
71–73. Boston, MA. https://hcommons.org/deposits/item/hc:31943.
Nápoles López, Néstor, and Ichiro Fujinaga. 2020. “Harmalysis: A Language for the Annotation of Roman
Numerals in Symbolic Music Representations.” In Proceedings of the Music Encoding Conference, 83–85.
Boston, MA. https://hcommons.org/deposits/item/hc:31951.
Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. “IIIF-based Lyric and Neume
Editor for Square-Notation Manuscripts.” In Proceedings of the Music Encoding Conference, 15–18.
Boston, MA. https://hcommons.org/deposits/item/hc:31975.
Fujinaga, Ichiro. 2019. “Single Interface for Music Score Searching and Analysis (SIMSSA) Project: Optical
Music Recognition Workflow for Neume Notation.” In Proceedings of the Computers and the Humanities
Symposium (JinMonCom) 2019 (1): 281–286. Osaka, Japan: Information Processing Society of Japan. (BestPaper Award).
de Reuse, Timothy, and Ichiro Fujinaga. 2019. “Robust Transcript Alignment on Medieval Chant Manuscripts.”
In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands, 21–26.
de Reuse, Timothy, and Ichiro Fujinaga. 2019. “Pattern Clustering in Monophonic Music by Learning a NonLinear Embedding from Human Annotations.” In Proceedings of the 20th International Society for Music
Information Retrieval Conference. Delft, Netherlands, 761–768.
Ju, Yaolong, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, and Ichiro
Fujinaga. 2019. “An Interactive Workflow for Generating Chord Labels for Homorhythmic Music in
Symbolic Formats.” In Proceedings of the 20th International Society for Music Information Retrieval
Conference. Delft, Netherlands, 862–869.
Gover, Matan, and Ichiro Fujinaga. 2019. “A Notation-Based Query Language for Searching in SymbolicMusic.” In Proceedings of the 6th International Workshop on Digital Libraries for Musicology. The Hague,
Netherlands: ACM, 79–83.
Nápoles López, Néstor, Claire Arthur, and Ichiro Fujinaga. 2019. “Key-Finding Based on a Hidden Markov
Model and Key Profiles.” In Proceedings of the 6th International Workshop on Digital Libraries forMusicology. The Hague, Netherlands: ACM, 33–37.
Thomae, Martha E., Julie E. Cumming, and Ichiro Fujinaga. 2019. “The Mensural Scoring-Up Tool.” In
Proceedings of the 6th International Workshop on Digital Libraries for Musicology. The Hague,
Netherlands: ACM, 9–19.
Fujinaga, Ichiro, and Gabriel Vigliensoni. 2019. “The Art of Teaching Computers: The SIMSSA Optical Music
Recognition Workflow System.” In Proceedings of the European Signal Processing Conference, 330–334.
A Coruña, Spain.
McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. “jSymbolic 2.2: Extracting Features from SymbolicMusic for Use in Musicological and MIR Research.” In Proceedings of the 19th International Society forMusic Information Retrieval Conference, 348–354. Paris, France.
Condit-Schultz, Nat, Yaolong Ju, and Ichiro Fujinaga. 2018. “A Flexible Approach to Automated Harmonic
Analysis: Multiple Annotations of Chorales by Bach and Prætorius.” In Proceedings of the 19thInternational Society for Music Information Retrieval Conference, 66–73. Paris, France.
Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018. “An Environment for Machine
Pedagogy: Learning How to Teach Computers to Read Music.” In Joint Proceedings of the ACM Intelligent
User Interface Workshops: Intelligent Music Interfaces for Listening and Creation (MILC). Tokyo, Japan.
CV: Ichiro Fujinaga

9

12 September 2024

PUBLICATIONS (cont.)
Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018. “Developing an Environment for
Teaching Computers to Read Music.” In Proceedings of the 1st International Workshop on Reading Music
Systems, 27–28. Paris, France.
Castellanos, Francisco, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Document
Analysis of Music Score Images with Selectional Auto Encoders.” In Proceedings of the 19th International
Society for Music Information Retrieval Conference, 256–263. Paris, France.
Nápoles, Néstor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Encoding Matters.” In Proceedings of the 5thInternational Conference on Digital Libraries for Musicology, 69–73. Paris, France.
Cumming, Julie E., Cory McKay, Jonathan Stuchbery, and Ichiro Fujinaga. 2018. “Methodologies for Creating
Symbolic Corpora of Western Music before 1600.” In Proceedings of the International Society for Music
Information Retrieval Conference, 491–498. Paris, France.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Pixelwise Classification for Music
Document Analysis.” In Proceedings of the Seventh International Conference on Image Processing Theory,
Tools and Applications (IPTA), 342–47. Montreal, Canada: IEEE.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “A Machine Learning Framework for
the Categorization of Elements in Images of Musical Documents.” In Proceedings of the Third Internationalon Technologies for Music Notation and Representation (TENOR 2017), 17–23. La Coruña, Spain.
Ju, Yaolong, Nathaniel Condit-Schultz, Claire Arthur, and Ichiro Fujinaga. 2017. “Non-Chord Tone
Identification Using Deep Neural Networks.” In Proceedings of the International Workshop on Digital
Libraries for Musicology, 13–6. Shanghai, China.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “One-Step Detection of Background,
Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.” In
Proceedings of the International Society for Music Information Retrieval, 724–30. Suzhou, China.
Garfinkle, David, Claire Arthur, Peter Schubert, Julie Cumming, and Ichiro Fujinaga. 2017. “PatternFinder:
Content-Based Music Retrieval with Music21.” In Proceedings of the International Workshop on Digital
Libraries for Musicology, 5–8. Shanghai, China.
Calvo-Zaragoza, Jorge, Ké Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Music
Document Layout Analysis through Machine Learning and Human Feedback.” In 2017 14th IAPR
International Conference on Document Analysis and Recognition (ICDAR), 02:23–24. Tokyo, Japan.
https://doi.org/10.1109/ICDAR.2017.259.
Saleh, Zeyad, Ké Zhang, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Pixel.js: WebBased Pixel Classification Correction Platform for Ground Truth Creation.” In Proceedings of the IAPR
International Conference on Document Analysis and Recognition, 2:39–40. Kyoto, Japan.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Pixel-Wise Binarization of MusicalDocument with Convolutional Neural Networks.” In Proceeding of the IAPR International Conference on
Machine Vision Applications (MVA), 362–365. Nagoya.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Staff-Line Detection on Grayscale
Images with Pixel Classification.” In Proceedings of the Iberian Conference on Pattern Recognition andImage Analysis, 279–86. Faro, Portugal.
Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. “The Music Listening Histories Datatset.” In Proceedings of theInternational Society for Music Information Retrieval, 96–102. Suzhou, China.
McKay, Cory, Tristan Tenglia, Julie Cumming, and Ichiro Fujinaga. 2017. “Using Statistical Feature Extraction
to Distinguish the Style of Different Composers.” In Abstracts of the Annual International Medieval andRenaissance Music Conference, 111. Prague, Czech Republic.
Vigliensoni, Gabriel, and Ichiro Fujinaga. 2016. “Automatic Music Recommendation Systems: Do
Demographic, Profiling, and Contextual Features Improve Their Performance?” In Proceedings of theInternational Society for Music Information Retrieval, 94–100. New York.
Hankinson, Andrew, and Ichiro Fujinaga. 2016. “Cross-Institutional Music Document Search.” In Programme of
the International Association of Music Libraries, Archives and Documentation Centres (IAML), 3. Rome.
Hankinson, Andrew, Reiner Krämer, Julie Cumming, and Ichiro Fujinaga. 2016. “Cross-Institutional Music
Document Search.” In Digital Humanities 2016: Conference Abstracts, 215–7. Kraków.
Laplante, Audrey, and Ichiro Fujinaga. 2016. “Digitizing Musical Scores: Challenges and Opportunities for
Libraries.” In Proceedings of the International Workshop on Digital Libraries for Musicology, 45–8. NewYork.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. “Document Analysis for Music Scores
via Machine Learning.” In Proceedings of the International Workshop on Digital Libraries for Musicology,
37–40. New York.

CV: Ichiro Fujinaga

10

12 September 2024

PUBLICATIONS (cont.)
Fujinaga, Ichiro. 2015. “A Report on Digital Prosopography of Renaissance Musicians Project.” In Program and
Abstract Book of the Annual Meeting of Renaissance Society of America, 199. Berlin.
Horwitz, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2015. “A Browse-Based MEI Editor.” In Proceedingof Music Encoding Conference (2015–2017), 45–46. Tours, France.
Barbosa, Jeronimo, Cory McKay, and Ichiro Fujinaga. 2015. “Evaluating Automated Classification Techniques
for Folk Music Genres from the Brazilian Northeast.” In Proceedings of the Brazilian Symposium on
Computer Music, 3–12. San Paulo.
Weiss, Susan Forscher, and Ichiro Fujinaga. 2015. “Imagining the musical past: Creating a digitalprosopography of Renaissance musicians.” In Proceedings of the Conference on InterdisciplinaryMusicology, 70–1. Shanghai.
Laplante, Audrey, Julie E. Cumming, and Ichiro Fujinaga. 2015. “SIMSSA : Une Interface Unique Pour La
Recherche et l’analyse de Millions de Partitions Musicales Numériques.” In JIM 2015 : Actes Des Journéesd’informatique Musicales. Montreal, Canada: Association Française d’Informatique Musicale.
Fujinaga, Ichiro, and Andrew Hankinson. 2015. “Single Interface for Music Score Searching and Analysis(SIMSSA).” In Proceedings of the International Conference on Technologies for Music Notation &Representation, 109–115. Paris, France.
Fujinaga, Ichiro, Gabriel Vigliensoni, and Hank Knox. 2015. “The Making of a Computerized Harpsichord for
Analysis and Training.” In Abstract of the International Symposium on Performance Science, 44–5. Kyoto.
Bain, Jennifer, Julie Cumming, Andrew Hankinson, Kate Helsen, Debra Lacoste, Barbara Swanson, and Ichiro
Fujinaga. 2015. “The Making of the Digital Salzinnes.” In Abstracts of the Annual International Medieval
and Renaissance Music Conference, 61. Brussels.
Fujinaga, Ichiro, David Sears, Andrew Hankinson. 2014. “Big Data for the Music Perception and Cognition
Community.” In Proceedings of the International Conference on Music Perception and Cognition - AsiaPacific Society for the Cognitive Sciences of Music Joint Conference, 263. Seoul.
Saitis, Charalampos, Andrew Hankinson, and Ichiro Fujinaga. 2014. “Correcting Large-Scale OMR Data with
Crowdsourcing.” In Proceedings of the International Workshop on Digital Libraries for Musicology, 88–90.
London.
Fujinaga, Ichiro. 2014. “Digital Prosopography of Renaissance Musicians: A Progress Report.” In Program and
Abstract Book of the Annual Meeting of Renaissance Society of America, 197. New York.
Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. “Identifying Time Zones in a Large Dataset of Music Listening
Logs.” In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27–32. NewYork.
Fujinaga, Ichiro, Andrew Hankinson, and Julie Cumming. 2014. “Introduction to SIMSSA (Single Interface forMusic Score Searching and Analysis).” In Proceedings of the International Workshop on Digital Libraries
for Musicology, 100–102. London, UK.
Siedenburg, Kai, Ichiro Fujinaga, and Stephen McAdams. 2014. “Technologies of Timbre: On Audio Featuresand Evaluation in Interdisciplinary Music Research.” In Proceedings of the Conference on InterdisciplinaryMusicology, 208–209. Berlin.
Cohen, Annabel J., Ichiro Fujinaga, Nyssim Lefford, Theresa Leonard, George Tzanetakis, and Coralie Vincent.
2013. “A Digital Library to Advance Interdisciplinary Research in Singing.” In Proceedings of theInternational Congresses on Acoustics. The Journal of the Acoustical Society of America, 133:3591.
Montreal.
Burgoyne, John Ashley, Jonathan Wild, and Ichiro Fujinaga. 2013. “Compositional Data Analysis of Harmonic
Structures in Popular Music (Lecture Notes in Artificial Intelligence 7937).” In Proceedings of theInternational Conference on Mathematics and Computation in Music, 52–63. Montreal.
Devaney, Johanna, Jason Hockman, Jonathan Wild, Peter Schubert, and Ichiro Fujinaga. 2013. “Diatonic
Semitone Tuning in Two-Part Singing.” In Conference Program of the Society of Music Perception andCognition Conference, 43. Toronto.
Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. “MusicBrainz for the World: The
Chilean Experience.” In Proceedings of the International Society for Music Information Retrieval
Conference, 131–136. Curitiba.
Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. 2013. “Optical Measure Recognition in Common
Music Notation.” In Proceedings of the International Society for Music Information Retrieval Conference,
125–130. Curitiba.
Burlet, Gregory, and Ichiro Fujinaga. 2013. “Robotaba Guitar Tablature Transcription Framework.” In
Proceedings of the International Society for Music Information Retrieval Conference, 517–522. Curitiba.
Fujinaga, Ichiro, andrew Hankinson. 2013. “SIMSSA: Towards Full-Music Search over a Large Collection ofMusical Scores.” In Conference Abstracts of Digital Humanities, 187–189. Lincoln.
CV: Ichiro Fujinaga

11

12 September 2024

PUBLICATIONS (cont.)
Burlet, Gregory, Marcelo Wanderley, and Ichiro Fujinaga. 2013. “Stompboxes: Kicking the Habit.” In
Proceedings of the New Interfaces for Musical Expression Conference, 41–4. Daejon, Korea.
Devaney, Johanna, Michael I. Mandel, and Ichiro Fujinaga. 2012. “A Study of Intonation in Three-Part Singing
Using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT).” In Proceedings ofthe International Society for Music Information Retrieval Conference, 511–6. Curitiba.
Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, and Ichiro Fujinaga. 2012. “Creating a LargeScale Searchable Digital Collection from Printed Music Materials.” In Proceedings of the Advances inMusic Information Research, 903–8. Lyon.
Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy
Liu, Remi Chiu, and Ichiro Fujinaga. 2012. “Digital Document Image Retrieval Using Optical Music
Recognition.” In Proceedings of the International Society for Music Information Retrieval Conference, 577–
82. Porto.
Fujinaga, Ichiro, and Susan Weiss. 2012. “Digital Prosopography of Renaissance Musicians: Discovery of Socialand Professional Network.” In Renaissance Society of America Annual Meeting Program and Abstract
Book, 357. Washington.
Hankinson, Andrew, Wendy Liu, Laurent Pugin, and Ichiro Fujinaga. 2012. “Diva: A Web-Based HighResolution Digital Document Viewer.” In Proceedings of the Theory and Practice of Digital Libraries
Conference, 455–60. Paphos.
Burlet, Gregory, Alastair Porter, Andrew Hankinson, and Ichiro Fujinaga. 2012. “Neon.Js: Neume Editor
Online.” In Proceedings of the International Society for Music Information Retrieval Conference, 121–6.
Porto.
Hockman, Jason A., Matthew E.P. Davies, and Ichiro Fujinaga. 2012. “One in the Jungle: Downbeat Detectionin Hardcore, Jungle, and Drum and Bass.” In Proceedings of the International Society for Music Information
Retrieval Conference, 169–74. Porto.
Burgoyne, John Ashley, Jonathan Wild, and Ichiro Fujinaga. 2011. “An Expert Ground Truth Set for Audio
Chord Recognition and Music Analysis.” In Proceedings of the International Society for Music Information
Retrieval Conference, 633–8. Miami.
Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. “Automatic Pitch
Detection in Printed Square Notation.” In Proceedings of the International Society for Music Information
Retrieval Conference, 423–8. Miami.
Devaney, Johanna, Michael I. Mandel, and Ichiro Fujinaga. 2011. “Characterizing Singing Voice Fundamental
Frequency Trajectories.” In Proceedings of the Workshop on Applications of Signal Processing to Audioand Acoustics, 73–6. New Paltz.
Smith, Jordan B. L., John Ashley Burgoyne, Ichiro Fujinaga, David De Roure, and J. Stephen Downie. 2011.
“Design and Creation of a Large-Scale Database of Structural Annotations.” In Proceedings of theInternational Society for Music Information Retrieval Conference, 555–60. Miami.
Hockman, Jason A., David M. Weigl, Catherine Guastavino, and Ichiro Fujinaga. 2011. “Discrimination
between Phonograph Playback Systems.” In Audio Engineering Society 131st Convention, 131. New York.
Ehmann, Andreas, Mert Bay, J. Stephen Downie, Ichiro Fujinaga, and David De Roure. 2011a. “Exploiting
Music Structures for Digital Libraries.” In Proceedings of the Joint Conference on Digital Libraries, 479–
80. Ottawa.
Devaney, Johanna, Jonathan Wild, and Ichiro Fujinaga. 2011. “Intonation in Solo Vocal Performance: A Studyof Semitone and Whole Tone Tuning in Undergraduate and Professional Sopranos.” In Proceedings of theInternational Symposium on Performance Science, 219–24. Toronto.
Hankinson, Andrew, Perry Roland, and Ichiro Fujinaga. 2011. “MEI as a Document Encoding Framework.” In
Proceedings of the International Society for Music Information Retrieval Conference, 293–8. Miami.
Ehmann, Andreas, Mert Bay, J. Stephen Downie, Ichiro Fujinaga, and David De Roure. 2011b. “Music Structure
Segmentation Algorithm Evaluation: Expanding on MIREX 2010 Analysis and Datasets.” In Proceedings ofthe International Society for Music Information Retrieval Conference, 561–6. Miami.
Knight, Trevor, Finn Upham, and Ichiro Fujinaga. 2011. “The Potential for Automatic Assessment of Trumpet
Tone Quality.” In Proceedings of the International Society for Music Information Retrieval Conference,
573–8. Miami.
Li, Zhonghua, Qiaoliang Xiang, Jason Hockman, Jianqing Yang, Yu Yi, Ichiro Fujinaga, and Ye Wang. 2010.
“A Music Search Engine for Therapeutic Gait Training.” In Proceedings of the International Conference on
Multimedia, 627–30. Firenze.
Hankinson, Andrew, and Ichiro Fujinaga. 2010. “An Interchange Format for Optical Music Recognition
Applications.” In Proceedings of the International Society for Music Information Retrieval Conference, 51–
6. Utrecht.
CV: Ichiro Fujinaga

12

12 September 2024

PUBLICATIONS (cont.)
Angeles, Bruno, Cory McKay, and Ichiro Fujinaga. 2010. “Discovering Metadata Inconsistencies.” In
Proceedings of the International Society for Music Information Retrieval Conference, 195–200. Utrecht.
McKay, Cory, John Ashley Burgoyne, Jason Hockman, Jordan Smith, Gabriel Vigliensoni, and Ichiro Fujinaga.
2010. “Evaluating the Performance of Lyrical Features Relative to and in Combination with Audio,
Symbolic and Cultural Features.” In Proceedings of the International Society for Music Information
Retrieval Conference, 213–8. Utrecht.
Devaney, Johanna, Jonathan Wild, Peter Schubert, and Ichiro Fujinaga. 2010. “Exploring the Relationshipbetween Voice Leading, Harmony, and Intonation in a Cappella SATB Vocal Ensembles.” In Proceedingsof the International Conference on Music Perception and Cognition, 315–6. Seattle.
Hockman, Jason, and Ichiro Fujinaga. 2010. “Fast vs Slow: Learning Tempo Octaves from User Data.” In
Proceedings of the International Society for Music Information Retrieval Conference, 231–6. Utrecht.
McKay, Cory, and Ichiro Fujinaga. 2010. “Improving Automatic Music Classification Performance byExtracting Features from Different Types of Data.” In Proceedings of the ACM International Conference on
Multimedia Information Retrieval, 257–66. New York.
De Roure, David, J. Stephen Downie, and Ichiro Fujinaga. 2010. “SALAMI: Structural Analysis of Large
Amounts of Music Information.” In Proceedings of the UK E-Science All Hands Meeting. Cardiff.
Vigliensoni, Gabriel, Cory McKay, and Ichiro Fujinaga. 2010. “Using JWebMiner 2.0 to Improve MusicClassification Performance by Combining Different Types of Features Mined from the Web.” In
Proceedings of the International Society for Music Information Retrieval Conference, 607–12. Utrecht.
Ouyang, Yue, John Ashley Burgoyne, Laurent Pugin, and Ichiro Fujinaga. 2009. “A Robust Border Detection
Algorithm with Application to Medieval Music Manuscripts.” In Proceedings of the International Computer
Music Conference, 101–4. Montreal.
Thompson, Jessica, Cory McKay, John Ashley Burgoyne, and Ichiro Fujinaga. 2009. “Additions andImprovements to the ACE 2.0 Music Classifier.” In Proceedings of the International Society for Music
Information Retrieval Conference, 435–40. Kobe.
Pugin, Laurent, Andrew Hankinson, and Ichiro Fujinaga. 2009. “Building a Comprehensive Digital Library for
Nineteenth-Century Swiss Composers.” In International Association of Music Libraries Conference.
Amsterdam.
Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2009. “Interfaces for Document Representation in
Digital Music Libraries.” In Proceedings of the International Society for Music Information Retrieval
Conference, 39–44. Kobe.
McKay, Cory, and Ichiro Fujinaga. 2009. “JMIR: Tools for Automatic Music Classification.” In Proceedings ofthe International Computer Music Conference, 65–8. Montreal.
Burgoyne, John Ashley, Yue Ouyang, Tristan Himmelman, Johanna Devaney, Laurent Pugin, and Ichiro
Fujinaga. 2009. “Lyric Extraction and Recognition on Digital Images of Early Music Sources.” In
Proceedings of the International Society for Music Information Retrieval Conference, 723–8. Kobe.
Li, Beinan, and Ichiro Fujinaga. 2009. “Optical Audio Reconstruction for Stereo Phonograph Records Using
White Light Interferometry.” In Proceedings of the International Society for Music Information Retrieval
Conference, 627–32. Kobe.
Hockman, Jason, Marcelo Wanderley, and Ichiro Fujinaga. 2009. “Real-Time Phase Vocoder Manipulation by
Runner’s Pace.” In Proceedings of the New Interfaces for Musical Expression Conference, 90–3. Pittsburgh.
McKay, Cory, John Ashley Burgoyne, Jessica Thompson, and Ichiro Fujinaga. 2009. “Using ACE XML 2.0 toStore and Share Feature, Instance and Class Data for Musical Classification.” In Proceedings of theInternational Society for Music Information Retrieval Conference, 303–8. Kobe.
Fujinaga, Ichiro, and Cory McKay. 2008. “ACE: Autonomous Classification Engine.” In Proceedings of theInternational Conference on Music Perception and Cognition. Sapporo.
Devaney, Johanna, and Ichiro Fujinaga. 2008. “Assessing the Role of Sensory Consonance in TrainedMusicians’ Tuning Preferences.” In Proceedings of the International Conference on Music Perception andCognition. Sapporo: CD ROM.
McKay, Cory, and Ichiro Fujinaga. 2008. “Combining Features Extracted from Audio, Symbolic and Cultural
Sources.” In Proceedings of the International Conference on Music Information Retrieval, 597–602.
Philadelphia.
Goebl, Werner, and Ichiro Fujinaga. 2008. “Do Key-Bottom Sounds Distinguish Piano Tones?” In Proceedingsof the International Conference on Music Perception and Cognition, 292. Sapporo.
Burgoyne, John Ashley, Johanna Devaney, Laurent Pugin, and Ichiro Fujinaga. 2008. “Enhanced BleedthroughCorrection for Early Music Documents with Recto-Verso Registration.” In Proceedings of the International
Conference on Music Information Retrieval, 407–12. Philadelphia.

CV: Ichiro Fujinaga

13

12 September 2024

PUBLICATIONS (cont.)
Pugin, Laurent, Jason Hockman, John Ashley Burgoyne, and Ichiro Fujinaga. 2008. “Gamera versus Aruspix:
Two Optical Music Recognition Approaches.” In Proceedings of the International Conference on Music
Information Retrieval, 419–24. Philadelphia.
Burgoyne, John Ashley, Laurent Pugin, Greg Eustace, and Ichiro Fujinaga. 2007. “A Comparative Survey of
Image Binarisation Algorithms for Optical Recognition on Degraded Musical Sources.” In Proceedings ofInternational Conference on Music Information Retrieval, 509–12. Vienna.
Burgoyne, John Ashley, Laurent Pugin, Corey Kereliuk, and Ichiro Fujinaga. 2007. “A Cross-Validated Study ofModelling Strategies for Automatic Chord Recognition in Audio.” In Proceedings of International
Conference on Music Information Retrieval, 251–4. Vienna.
Li, Beinan, Simon de Leon, and Ichiro Fujinaga. 2007. “Alternative Digitization Approach for Stereo
Phonograph Records Using Optical Audio Reconstruction.” In Proceedings of International Conference onMusic Information Retrieval, 165–6. Vienna.
Pugin, Laurent, John Ashley Burgoyne, and Ichiro Fujinaga. 2007. “Goal-Directed Evaluation for the
Improvement of Optical Music Recognition of Early Music Prints.” In Proceedings of the Joint Conference
on Digital Libraries, 303–4. Vancouver.
McKay, Cory, and Ichiro Fujinaga. 2007. “JWebMiner: A Web-Based Feature Extractor.” In Proceedings of theInternational Conference on Music Information Retrieval, 113–4. Vienna.
Pugin, Laurent, John Ashley Burgoyne, and Ichiro Fujinaga. 2007b. “MAP Adaptation to Improve Optical Music
Recognition of Early Music Documents Using Hidden Markov Models.” In Proceedings of International
Conference on Music Information Retrieval, 513–6. Vienna.
Lai, Catherine, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, and Brian
McMillan. 2007. “Metadata Infrastructure of Sound Recordings.” In Proceedings of International
Conference on Music Information Retrieval, 157–8. Vienna.
Pugin, Laurent, John Ashley Burgoyne, and Ichiro Fujinaga. 2007. “Reducing Costs for Digitising Early Music
with Dynamic Adaptation.” In Proceedings of the European Conference on Digital Libraries, 471–4.
Budapest.
McKay, Cory, Daniel McEnnis, and Ichiro Fujinaga. 2006. “A Large Publicly Accessible Prototype Audio
Database for Music Research.” In Proceedings of the International Conference on Music Information
Retrieval, 160–3. Victoria.
Lai, Catherine, and Ichiro Fujinaga. 2006a. “Archiving David Edelberg’s Handel LP Collection: Production
Workflow and Issues in Data Acquisition.” In Proceedings of the Archiving Conference, 40–4. Ottawa.
———. 2006b. “Data Dictionary: Metadata for Phonograph Records.” In Proceedings of the International
Conference on Music Information Retrieval, 1–6. Victoria.
Li, Beinan, John Ashley Burgoyne, and Ichiro Fujinaga. 2006. “Extending Audacity as a Ground-Truth
Annotation Tool.” In Proceedings of the International Conference on Music Information Retrieval, 379–80.
Victoria.
Fiebrink, Rebecca, and Ichiro Fujinaga. 2006. “Feature Selection Pitfalls and Music Classification.” In
Proceedings of the International Conference on Music Information Retrieval, 340–1. Victoria.
McEnnis, Daniel, Cory McKay, and Ichiro Fujinaga. 2006a. “JAudio: Additions and Improvements.” In
Proceedings of the International Conference on Music Information Retrieval, 385–6. Victoria, BC.
McKay, Cory, and Ichiro Fujinaga. 2006a. “JSymbolic: A Feature Extractor for MIDI Files.” In Proceedings ofthe International Computer Music Conference, 302–5. New Orleans.
Sinclair, Stephen, Michael Droettboom, and Ichiro Fujinaga. 2006. “Lilypond for PyScore: Approaching a
Universal Translator for Music Notation.” In Proceedings of the International Conference on Music
Information Retrieval, 387–8. Victoria, BC.
Lai, Catherine, and Ichiro Fujinaga. 2006c. “Metadata Data Dictionary for Analog Sound Recordings.” In
Proceedings of the Joint Conference on Digital Libraries. Chapel Hill.
McKay, Cory, and Ichiro Fujinaga. 2006b. “Musical Genre Classification: Is It Worth Pursuing and How Can It
Be Improved?” In Proceedings of the International Conference on Music Information, 101–6. Victoria.
Fujinaga, Ichiro, and Daniel McEnnis. 2006. “On-Demand Metadata Extraction Network (OMEN).” In
Proceedings of the Joint Conference on Digital Libraries, 346. Chapel Hill.
McEnnis, Daniel, Cory McKay, and Ichiro Fujinaga. 2006b. “Overview of OMEN.” In Proceedings of theInternational Conference on Music Information Retrieval, 7–12. Victoria.
Li, Beinan, Catherine Lai, and Ichiro Fujinaga. 2006. “Technical Issues in Digitization of Large Online
Collections of Phonograph Records.” In Proceedings of the Archiving Conference, 151–5. Ottawa.
McKay, Cory, Rebecca Fiebrink, Daniel McEnnis, Beinan Li, and Ichiro Fujinaga. 2005. “ACE: A Framework
for Optimizing Music Classification.” In Proceedings of the International Conference on Music Information
Retrieval, 42–9. London.
CV: Ichiro Fujinaga

14

12 September 2024

PUBLICATIONS (cont.)
McKay, Cory, Daniel McEnnis, Rebecca Fiebrink, and Ichiro Fujinaga. 2005. “ACE: A General-Purpose
Classification Ensemble Optimization Framework.” In Proceedings of the International Computer Music
Conference, 161–4. Barcelona.
McKay, Cory, and Ichiro Fujinaga. 2005. “Automatic music classification and the importance of instrument
identification.” In Proceedings of the Conference on Interdisciplinary Musicology. Montreal.
Sinyor, Elliot, Cory McKay, Rebecca Fiebrink, Daniel McEnnis, and Ichiro Fujinaga. 2005. “Beatbox
Classification Using ACE.” In Proceedings of the International Conference on Music Information Retrieval,
672–5. London.
Fiebrink, Rebecca, Cory McKay, and Ichiro Fujinaga. 2005. “Combining D2K and JGAP for Efficient Feature
Weighting for Classification Tasks in Music Information Retrieval.” In Proceedings of the International
Conference on Music Information Retrieval, 510–3. London.
McEnnis, Daniel, Cory McKay, Ichiro Fujinaga, and Phillipe Depalle. 2005. “Feature Extraction: An Extensible
Library Approach.” In Proceedings of the International Conference on Music Information Retrieval, 600–3.
London.
Lai, Catherine, Ichiro Fujinaga, and Cynthia Leive. 2005a. “Metadata for Phonograph Records: Facilitating New
Forms of Use and Access to Analog Sound Recordings.” In Proceedings of the Joint Conference on Digital
Libraries. Denver: 385.
Lai, Catherine, Beinan Li, and Ichiro Fujinaga. 2005. “Preservation Digitization of David Edelberg’s Handel LP
Collection: A Pilot Project.” In Proceedings of the International Conference on Music Information
Retrieval, 570–5. London.
Lai, Catherine, Ichiro Fujinaga, and Cynthia Leive. 2005b. “The Challenges in Developing Digital Collections of
Phonograph Records.” In Proceedings of the Joint Conference on Digital Libraries, 332–3. Denver.
Young, Diana, and Ichiro Fujinaga. 2004. “Aobachi: A New Interface for Japanese Drumming.” In Proceedingsof the International Conference on New Interfaces for Musical Expression, 23–6. Montreal.
McKay, Cory, and Ichiro Fujinaga. 2004. “Automatic Genre Classification Using Large High-Level MusicalFeature Sets.” In Proceedings of the International Conference on Music Information Retrieval, 525–30.
Barcelona.
Tindale, Adam, Ajay Kapur, George Tzanetakis, and Ichiro Fujinaga. 2004a. “Retrieval of Percussion Gestures
Using Timbre Classification Techniques.” In Proceedings of 5th International Conference on Music
Information Retrieval, 541–5. Barcelona.
Droettboom, Micheal, and Ichiro Fujinaga. 2004. “Symbol-Level Groundtruthing Environment for OMR.” In
Proceedings of the 5th International Conference on Music Information Retrieval, 497–500. Barcelona.
Tindale, Adam, Ajay Kapur, George Tzanetakis, and Ichiro Fujinaga. 2004b. “Towards Timbre Recognition of
Percussive Sounds.” In Proceedings of the International Computer Music Conference, 592–5. Miami.
Zadel, Mark, and Ichiro Fujinaga. 2004. “Web Services for Music Information Retrieval.” In Proceedings of the
5th International Conference on Music Information Retrieval, 478–83. Barcelona.
Droettboom, Micheal, Karl MacMillan, and Ichiro Fujinaga. 2003. “The Gamera Framework for Building
Custom Recognition Systems.” In Proceedings of the Symposium on Document Image Understanding
Technologies, 275–86. Greenbelt, MD.
Fujinaga, Ichiro, and Jenn Riley. 2002. “Digital Image Capture of Musical Scores.” In Proceedings of theInternational Conference on Music Information Retrieval, 261–2.
MacMillan, Karl, Michael Droettboom, and Ichiro Fujinaga. 2002a. “Gamera: A Python-Based Toolkit for
Structured Document Recognition.” In Proceedings of Tenth International Python Conference, 25–40.
Alexandria.
MacMillan, Karl, Michael Droettboom, and Ichiro Fujinaga. 2002b. “Gamera: Optical Music Recognition in a
New Shell.” In Proceedings of the International Computer Music Conference, 482–5. Göteborg.
Srinivasan, Asha, David Sullivan, and Ichiro Fujinaga. 2002. “Recognition of Isolated Instrument byConservatory Students.” In Proceedings of the International Conference on Music Perception andCognition, 720–3. Sydney.
Droettboom, Micheal, Ichiro Fujinaga, G. Sayeed Choudhury Karl MacMillan, Tim DiLauro, Mark Patton, andTeal Anderson. 2002. “Using Gamera Framework for the Recognition of Cultural Heritage Materials.” In
Proceedings of the Joint Conference on Digital Libraries, 11–7. Portland.
MacMillan, Karl, Michael Droettboom, and Ichiro Fujinaga. 2001a. “A System to Port Unit Generators between
Audio DSP Systems.” In Proceedings of the International Computer Music Conference, 103–6. Havana.
Fujinaga, Ichiro. 2001. “An Adaptive Optical Music Recognition.” In Proceedings of the 16th International
Congress of the International Musicological Society, edited by David Greer, 666. Oxford: Oxford
University Press.

CV: Ichiro Fujinaga

15

12 September 2024

PUBLICATIONS (cont.)
MacMillan, Karl, Michael Droettboom, and Ichiro Fujinaga. 2001b. “Audio Latency Measurements of Desktop
Operating Systems.” In Proceedings of the International Computer Music Conference. Havana, 259–62.
Cuba.
Bainbridge, David, Gerry Bernbom, Mary Wallace Davidson, Andrew P. Dillon, Matthew Dovey, John W.
Dunn, Michael Fingerhut, Ichiro Fujinaga, and Eric J. Issacson. 2001. “Digital Music Libraries: Researchand Development.” In Proceedings of the Joint Conference on Digital Libraries, 446–8. Roanoke.
Droettboom, Micheal, Ichiro Fujinaga, Karl MacMillan, Mark Patton, G. Sayeed Choudhury James Warner, andTim DiLauro. 2001. “Expressive and Efficient Retrieval of Symbolic Musical Data.” In Proceedings of theInternational Symposium on Music Information Retrieval, 173–8. Bloomington.
MacMillan, Karl, Michael Droettboom, and Ichiro Fujinaga. 2001c. “Gamera: A Structured Document
Recognition Application Development Environment.” In Proceedings of the International Symposium onMusic Information Retrieval, 15–6. Bloomington.
Droettboom, Micheal, and Ichiro Fujinaga. 2001. “Interpreting the Semantics of Music Notation Using an
Extensible and Object-Oriented System.” In Proceedings of the Ninth International Python Conference, 71–
85. Long Beach.
Fujinaga, Ichiro, and Karl MacMillan. 2000. “Realtime Recognition of Orchestral Instruments.” In Proceedingsof the International Computer Music Conference, 141–3. Berlin.
Choudhury, G. Sayeed, Tim DiLauro, Michael Droettboom, Ichiro Fujinaga, Brian Harrington, and Karl
MacMillan. 2000. “Optical Music Recognition System within a Large-Scale Digitization Project.” In
Proceedings of the International Symposium on Music Information Retrieval, 1–6. Plymouth, MA.
Yoo, Lilit, and Ichiro Fujinaga. 1999. “A Comparative Latency Study of Hardware and Software PitchTrackers.” In Proceedings of the International Computer Music Conference, 36–9. Beijing.
Young, John P., and Ichiro Fujinaga. 1999. “Piano Master Classes via the Internet.” In Proceedings of theInternational Computer Music Conference, 135–7. Beijing.
Fraser, Angel, and Ichiro Fujinaga. 1999. “Toward Realtime Recognition of Acoustic Musical Instruments.” In
Proceedings of the International Computer Music Conference, 175–7. Beijing.
Fujinaga, Ichiro, Stephan Moore, and David S. Sullivan. 1998. “Implementation of Exemplar–Based Learning
Model for Music Cognition.” In Proceedings of the International Conference on Music Perception andCognition, 171–9. Seoul.
Fujinaga, Ichiro. 1998. “Machine Recognition of Timbre Using Steady-State Tone of Acoustic MusicalInstruments.” In Proceedings of the International Computer Music Conference, 207–10. Banff.
Sullivan, David, Stephan Moore, and Ichiro Fujinaga. 1998. “Real-Time Software Synthesis for Psychoacoustic
Experiments.” In Proceedings of the International Conference on Music Perception and Cognition, 151–7.
Seoul.
Boyle, McGregor, Ichiro Fujinaga, and Geoffrey Wright. 1998. “The Computer Music Department at the
Peabody Conservatory of the Johns Hopkins University.” In Proceedings of the International Computer
Music Conference, 315–9. Banff.
Yoo, Lilit, Stephan Moore, David Sullivan, and Ichiro Fujinaga. 1998. “The Effect of Vibrato on Response Timein Determining the Pitch Relationship of Violin Tones.” In Proceedings of the International Conference onMusic Perception and Cognition, 477–81. Seoul.
Fujinaga, Ichiro. 1997. “Adaptive Optical Music Recognition.” In Abstract of the International MusicologicalSociety Meeting, 77. London.
Fujinaga, Ichiro. 1996. “Exemplar-Based Learning in Adaptive Optical Music Recognition System.” In
Proceedings of the International Computer Music Conference, 55–6. Hong Kong.
Tobey, Forrest, and Ichiro Fujinaga. 1996a. “Extracting Musical Expression from Conducting Gestures.” In
Proceedings of the International Conference on Music Perception and Cognition, 259–62. Hong Kong.
Tobey, Forrest, and Ichiro Fujinaga. 1996b. “Extraction of Conducting Gestures in 3D Space.” In Proceedings ofthe International Computer Music Conference, 305–7. Hong Kong.
Hoshishiba, Takayuki, Susumu Horiguchi, and Ichiro Fujinaga. 1996. “Study of Expression and Individuality inMusic Performance Using Normative Data Derived from MIDI Recordings of Piano Music.” In Proceedingsof the International Conference on Music Perception and Cognition, 465–70. Montreal.
Fujinaga, Ichiro. 1995. “Exemplar-Based Music Structure Recognition (Workshop Notes).” Montreal:International Joint Conference on Artificial Intelligence.
Fujinaga, Ichiro, and Jason Vantomme. 1994. “Genetic Algorithms as a Method for Granular Synthesis
Regulation.” In Proceedings of the International Computer Music Conference, 138–41. Aarhus.
Fujinaga, Ichiro. 1993. “An Optical Music Recognition System Which Learns.” In Proceedings Volume 1785
Enabling Technologies for High–Bandwidth Applications, edited by Jacek Maitan, 210–7. Boston.

CV: Ichiro Fujinaga

16

12 September 2024

PUBLICATIONS (cont.)
Fujinaga, Ichiro, Bo Alphonce, Bruce Pennycook, and Glendon Diener. 1992. “Interactive Optical Music
Recognition.” In Proceedings of the International Computer Music Conference, 117–20. San José.
Fujinaga, Ichiro, Bo Alphonce, Bruce Pennycook, and Kharim Hogan. 1991. “Optical Music Recognition:
Progress Report.” In Proceedings of the International Computer Music Conference, 66–73. Montreal.
Fujinaga, Ichiro, Bruce Pennycook, and Bo Alphonce. 1989. “Computer Recognition of Musical Notation.” In
Proceedings of the International Conference on Music Perception and Cognition, 87–90. Kyoto.
Fujinaga, Ichiro, Bo Alphonce, and Bruce Pennycook. 1989. “Issues in the Design of an Optical Music
Recognition System.” In Proceedings of the International Computer Music Conference, 113–6. Columbus,
OH.
Alphonce, Bo, Bruce Pennycook, Ichiro Fujinaga, and Nathalie Boisvert. 1988. “Optical Music Recognition: A
Progress Report.” In Proceedings of the Small Computers in the Arts, 8–12. Philadelphia.

Other publications
Devaney, Johanna, Jonathan Wild, and Ichiro Fujinaga. 2011. “Intonation in Solo Vocal Performance: A Studyof Semitone and Whole Tone Tuning in Undergraduate and Professional Sopranos.” In Proceedings of theInternational Symposium on Performance Science, 219–24. Toronto.
McKay, Cory, and Ichiro Fujinaga. 2007. “Style-Independent Computer-Assisted Exploratory Analysis of Large
Music Collection.” Journal of Interdisciplinary Music Studies 1 (1): 63–85.
Choudhury, G. Sayeed, Tim DiLauro, Robert Ferguson, Michael Droettboom, and Ichiro Fujinaga. 2006.
“Document Recognition for a Million Books.” D-Lib Magazine 12 (3).
http://www.dlib.org/dlib/march06/choudhury/03choudhury.html.
Choudhury, G. Sayeed, Tim DiLauro, Michael Droettboom, Ichiro Fujinaga, and Karl MacMillan. 2001. “Strikeup the Score: Deriving Searchable and Playable Digital Formats from Sheet Music.” D-Lib Magazine 7 (2):378.
Fujinaga, Ichiro. 1996. “Adaptive Optical Music Recognition.” PhD Dissertation, Montreal: McGill University.
Hoshishiba, Takayuki, Susumu Horiguchi, and Ichiro Fujinaga. 1995. “Computer Performance of Piano Music
with Normative Performance Data.” IS-RR-95-0014I.
Fujinaga, Ichiro. 1991. “Automatic Recognition and Related Topics.” In Computing in Musicology, edited byWalter B. Hewlett and Eleanor Selfridge-Field, 7: 107–117.
Fujinaga, Ichiro. 1988. “Optical Music Recognition Using Projections.” Master’s Thesis, Montreal: McGill
University.

CV: Ichiro Fujinaga

17

12 September 2024

INVITED TALKS
Invited Talks
Digital Technologies Applied to Music Research Conference, NOVA University, Lisbon, 27 June 2024. Keynote
Speaker. Digital Echoes from the Middle Ages: A Framework for Analyzing Plainchants.
Medieval and Renaissance Music Conference. Granada, 6 July 2024. LinkedNeumes: The Making of Cantus
Ultimus with Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand and Laurent Pugin. Refereed.
Music Encoding Conference, University of North Texas, Denton, TX, 22 May 2024. Music Instrument Encoding
Matters with Kyrie Bouressa. Refereed.
Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, 8 September 2023.
Brainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study with Elsa
de Luca and Maria Alexandru. Refereed.
Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, 8 September 2023.
Visual or Symbolic? Best Practices for Encoding Neumes with Elsa de Luca, Inga Behrendt, Kate Helsen,
and Stefan Morent. Refereed.
Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, 8 September 2023.
Updates and Outcomes from the Guatemalan Digitization and Encoding Project with Martha E. Thomae,
and Julie Cumming. Refereed.
Hakodate Mirai University, Tokyo, 23 January 2023. Invited Speaker. Optical Music Recognition Workflow for
Neume Notation and its Encoding & The Art of Teaching Computers
Keio University, Tokyo, 17 June 2022. Invited Speaker. Optical Music Recognition Workflow for Neume
Notation and its Encoding & The Art of Teaching Computers
Music Encoding Conference, Dalhousie University, Halifax, 21 May 2022. Keynote Speaker. Optical Music
Recognition Workflow for Neume Notation and its Encoding & The Art of Teaching Computers
Music Encoding Conference (online), Tufts University, Boston, 27 May 2020. IIIF-based Lyric and Neume
Editor for Square-notation Manuscripts, with Juliette Regimbal, Gabriel Vigliensoni, and Caitlin Hutnyk.
Refereed.
Music Encoding Conference (online), Tufts University, Boston, 28 May 2020. Figured Bass Encodings for BachChorales in Various Symbolic Formats: A Case Study, with Yaolong Ju, Sylvain Margot, and Cory McKay.
Refereed.
Music Encoding Conference (online), Tufts University, Boston, 28 May 2020. Harmalysis: A Language for the
Annotation of Roman Numerals in Symbolic Music Representations, with Néstor Nápoles López. Refereed.
International Conference on Digital Libraries for Musicology, The Hague, Netherlands, 9 November 2019.
SIMSSA DB: Symbolic Music Discovery and Search, with Emily Hopkins, Yaolong Ju, Gustavo Polins
Pedro, Cory McKay, and Julie Cumming. Refereed (poster).
Canadian Workshop on Linked Open Data for Cultural Scholarship, Banff, AB, 14 September 2019. Single
Interface for Music Score Searching and Analysis (SIMSSA) Project and Linked Open Data.
Digital Humanities Conference, Utrecht, Netherlands, 11 July 2019. Lessons Learned in a Large-Scale Projectto Digitize and Computationally Analyze Musical Scores, with Cory McKay and Julie Cumming. Refereed.
Digital Humanities Conference, Utrecht, Netherlands, 10 July 2019. Taking Digital Humanities to Guatemala, aCase Study in the Preservation of Colonial Musical Heritage, with Martha E. Thomae and Julie Cumming.
Refereed.
Digital Humanities Conference, Utrecht, Netherlands, 10 July 2019. Overcoming the Challenges of Optical
Music Recognition of Early Music with Machine Learning, with Gabriel Vigliensoni, Alex Daigle, Eric Liu,
Jorge Calvo-Zaragoza, Juliette Regimbal, Minh Anh Nguyen, Noah Baxter, and Zoé McLennan. Refereed.
International Musicological Society (IMS) Digital Musicology Study Group Workshop, Utrecht, Netherlands, 9July 2019. Update on the SIMSSA Project.
TU Wien, Vienna, Austria, 4 July 2019. Invited Speaker. The Art of Teaching Computers: The SIMSSA Optical
Music Recognition Workflow System.
Music Encoding Conference, University of Vienna, Vienna, Austria, 31 May 2019. From Image to Encoding:
Full Optical Music Recognition of Medieval and Renaissance Music, with Gabriel Vigliensoni, Alex Daigle,
Eric Liu, Jorge Calvo-Zaragoza, Juliette Regimbal, Minh Anh Nguyen, Noah Baxter, and Zoé Mclennan.
Refereed.
Music Encoding Conference, University of Vienna, Vienna, Austria, 31 May 2019. Neon2: A Verovio-based
Square-Notation Editor, with Juliette Regimbal, Zoé McLennan, Gabriel Vigliensoni, and Andrew Tran.
Refereed.
Music Encoding Conference, University of Vienna, Vienna, Austria, 31 May 2019. Application of MusicEncoding Technologies to Guatemalan Choirbooks, Facilitating Preservation and Musicological Studies of
the Colonial Repertoire, with Martha E. Thomae, Julie E. Cumming. Refereed. (Best Paper Award).

CV: Ichiro Fujinaga

18

12 September 2024

INVITED TALKS (cont.)
Music Encoding Conference, University of Vienna, Vienna, Austria, 30 May 2019. The Effects of Translation
between Symbolic Music Formats: A Case Study with Humdrum, Lilypond, MEI, and MusicXML, with
Néstor, Nápoles Lopez, and Gabriel Vigliensoni. Refereed (poster).
Music Encoding Conference, University of Vienna, Vienna, Austria, 30 May 2019. Cantus Ultimus’ MEI Neume
Module and its Interoperability Across Chant Notations, with Elsa De Luca, Jennifer Bain, Inga Behrendt,
Kate Helsen, Alessandra Ignesti, Debra Lacoste, and Sarah Ann Long. Refereed.
Music Encoding Conference, University of Vienna, Vienna, Austria, 30 May 2019. Enabling Music Search andAnalysis: A Database for Symbolic Music Files, with Yaolong Ju, Gustavo Polins Pedro, Cory McKay,
Emily Ann Hopkins, and Julie Cumming. Refereed.
Academia Sinica, Taipei, Taiwan, 29 March 2019. The Art of Teaching Computers: The SIMSSA Optical Music
Recognition Workflow System.
The University of Hong Kong, Hong Kong, 26 March 2019. The Art of Teaching Computers: The SIMSSA
Optical Music Recognition Workflow System.
Hakodate Future University, Hakodate, Japan, 22 January 2019. The Art of Teaching Computers: The SIMSSA
Optical Music Recognition Workflow System.
Doctoral Colloquium, Schulich School of Music, McGill University, 23 November 2018. The Art of Teaching
Computers: The SIMSSA Optical Music Recognition Workflow System.
Tutorial at International Society of Music Information Retrieval Conference 23 September 2018. Optical Music
Recognition for Dummies, with Jorge Calvo-Zaragoza, Jan Hajič, Jr., and Alexander Pacha. Video:
https://omr-research.net/2018/11/23/getting-started/IMS Study Group Meeting for Cantus Planus, Linnaeus University, Växjö, Sweden, 7 August 2018. ‘A Neumeby Any Other Name...’: Considering Neumes Described in MEI, with Kate Helsen, Inga Behrendt, Elsa De
Luca, Alessandra Ignesti, Debra Lacoste, and Sarah Long. Refereed.
Music Encoding Conference, University of Maryland, College Park, MD, 22 May 2018. Automatic Scoring up ofMusic in Mensural Notation, with Martha Thomae and Julie Cumming. Refereed.
Music Encoding Conference, University of Maryland, College Park, MD, 22 May 2018. Human-Aided
Automatic Music Document Analysis. with Jorge Calvo-Zaragoza, Ké Zhang, Zeyad Saleh, and Gabriel
Vigliensoni. Refereed.
Information Processing Society of Japan, Special Interest Group on Music and Computer, Summer Symposium,
Hiroshima, Japan, 21 August 2018. Keynote Speaker. The Art of Teaching Computers: The SIMSSA Optical
Music Recognition Workflow.
International Workshop on Digital Libraries for Musicology, Shanghai, China, 28 October 2017. A Database
Model for Computational Music Research, with Cory McKay, Andrew Hankinson, and Julie Cumming.
Refereed (poster).
International Society for Music Information Retrieval Conference: Late-breaking Demo Session, Suzhou, China,
27 October 2017. Characterizing Composers using jSymbolic2 Features, with Cory McKay (presenter), Julie
Cumming. Refereed.
The IIIF Conference, The Vatican, Italy, 7 June 2017. Tripoli: Presentation API Validation and Correction with
Alex Parmentier and Andrew Hankinson. Refereed (poster).
Music Encoding Conference, University of Tours, Tours, France, 18 May 2017. About Agnostic Representation
Of Musical Documents for Optical Music Recognition, with Jorge Calvo-Zaragoza, David Rizo, Jose M.
Iñesta. Refereed (poster).
Music Encoding Conference, University of Tours, Tours, France, 17 May 2017. Integrating the International
Image Interoperability Framework (IIIF) with MEI, with Andrew Hankinson (presenter). Refereed.
Music Encoding Conference, University of Tours, Tours, France, 17 May 2017. A Unified Approach towards
Automatic Recognition of Heterogeneous Music Documents with Jorge Calvo-Zaragoza (presenter) andGabriel Vigliensoni. Refereed.
International Musicological Society Congress, Tokyo, Japan, 19 March 2017. Large-Corpus Music Researchwith Julie Cumming, Andrew Hankinson, Reiner Krämer, Cory McKay, Peter Schubert, and Jon Wild.
Refereed.
The 3rd International Digital Libraries for Musicology workshop (DLfM 2016), New York, NY, 12 August 2016.
The Human History Project: Digital Prosopography of Renaissance Musicians. Poster with Susan Forscher
Weiss. Refereed.
International Society for Music Information Retrieval Conference: Late-breaking Demo Session, New York, NY,
11 August 2016. jSymbolic2: Extracting Features from Symbolic Music Representations, with Cory McKay(presenter), Triatan Tenaglia, and Julie Cumming. Refereed.

CV: Ichiro Fujinaga

19

12 September 2024

INVITED TALKS (cont.)
Music Encoding Conference, Montreal. 19 May 2016. Hartker’s XML: The Optical Neume Recognition Projectand MEI with Katherine Helsen, Jennifer Bain, Andrew Hankinson, Inga Behrendt, and Ichiro Fujinaga.
Refereed.
Music Encoding Conference, Montreal. 19 May 2016. An MEI Score Alignment Application with Andrew
Horwitz, Andrew Hankinson, and Ichiro Fujinaga. Refereed (poster).
The Annual Meeting of Renaissance Society of America, Boston, MA, 1 April 2016. Web-Based Optical Music
Recognition for Renaissance Printed Music with Aruspix and Rodan. Presented by Andrew Hankinson.
Refereed.
The 132nd Research Center for Knowledge Communities Colloquium, Tsukuba University, Tsukuba, Japan. 17
March 2016. Human History Project.
Hakodate Future University, Hakodate, Japan, 7 March 2016. Human History Project. The Research Program of
the Distributed Digital Music Archives and Libraries Laboratory, Single Interface for Music Score
Searching and Analysis.
Queen Mary, University of London, London, UK, 18 February 2016. C4DM Seminar: The Research Program of
the Distributed Digital Music Archives and Libraries Laboratory.
Fusing Audio and Semantic Technologies for Intelligent Music Production and Consumption (FAST) 2nd AllHands Meeting, Paris, France, 16 February 2016. Keynote Speaker. Single Interface for Music Score
Searching and Analysis.
University of Kyoto, Kyoto, Japan. 28 January 2016. The Research Program of the Distributed Digital Music
Archives and Libraries Laboratory.
The 129th Research Center for Knowledge Communities Colloquium, Tsukuba University, Tsukuba, Japan. 26
January 2016. Single Interface for Music Score Searching and Analysis.
Japan Advanced Institute of Science and Technology (JAIST), Kanazawa, Japan. 21 January 2016. Human
History Project.
School of Information Studies Research Seminar, McGill University, Montreal. 13 November 2015. The
Research Program of the Distributed Digital Music Archives and Libraries Laboratory.
Universitat Pompeu Fabra, Barcelona, Spain. 5 November 2015. Single Interface for Music Score Searching andAnalysis Project.
University of Alicante, Alicante, Spain. 2 November 2015. Single Interface for Music Score Searching andAnalysis Project.
International Society for Music Information Retrieval Conference, Malaga, Spain. 30 October 2015. Cory
McKay and Ichiro Fujinaga. Building an infrastructure for a 21st-century global music library. Refereed(poser).
CCS Colloquium, University of Virginia. 2 October 2015. 10 Years of Innovation in Music Digitization &Dissemination.
Department of Music, University of Virginia. 1 October 2015. Single Interface for Music Score Searching andAnalysis.
SSHRC Digital Workshop, Ottawa. 30 September 2015. Music Information Retrieval.
Oxford eResearch Centre Seminar. 28 July 2015. Research Program of the Distributed Digital Music Archives
and Libraries Laboratory.
Transforming Musicology Event at Oxford eResearch Centre, 27 July 2015. SIMSSA: Single Interface for Music
Score Searching and Analysis.
Digital Humanities at Oxford Summer School 2015, 20 July 2015. SIMSSA: Single Interface for Music Score
Searching and Analysis. (Poster)International Association of Music Libraries, Archives and Documentation Centres (IAML) / International
Musicological Society (IMS) Congress, 23 June 2015. Andrew Hankinson and Ichiro Fujinaga. An
introduction to tools and practices for the Music Encoding Initiative. Refereed.
International Association of Music Libraries, Archives and Documentation Centres (IAML) / International
Musicological Society (IMS) Congress, 22 June 2015. Susan Forscher Weiss and Ichiro Fujinaga. Digitalprosopography of Renaissance musicians. Refereed.
Music Encoding Conference, Florence, Italy. 19 May 2015. Andrew F. Fogarty, Andrew Hankinson, and Ichiro.
Fujinaga. A browser-based neume metadata editor. Refereed.
Music Encoding Conference, Florence, Italy. 19 May 2015. Andrew Horwitz, Andrew Hankinson, and Ichiro.
Fujinaga. A browser-based MEI editor. Refereed.
Journées d’Informatique Musicale, Montreal. 8 May 2015. Audrey Laplante, Andrew Hankinson, Julie E.
Cumming, and Ichiro Fujinaga. SIMSSA : Une interface unique pour la recherche et l'analyse de millions departitions musicales numériques. Refereed.

CV: Ichiro Fujinaga

20

12 September 2024

INVITED TALKS (cont.)
Music Encoding Initiative Workshop. Detmold, Germany. 24 May 2015. SIMSSA: Single Interface for Music
Score Searching and Analysis: An overview.
The Annual Meeting of the Renaissance Society of America, Berlin. 26 March 2015. A Report on the Digital
Prosopography of Renaissance Musicians. Refereed.
The Annual Meeting of the Renaissance Society of America, New York, NY. 27 March 2014. Digital
Prosopography of Renaissance Musicians: A Progress Report. Refereed.
Japan Society for Sonic Arts: Keynote Speech, Tokyo, Japan. 2 November 2014. SIMSSA: Single Interface forMusic Score Searching and Analysis, with Andrew Hankinson.
HathiTrust Research Centre, Chicago, IL. 20 February 2014. Finding music scores in books, with D. Bainbridge.
McGill Digital Humanities Work in Progress Talk, McGill University, Montreal. 9 February 2014. Human
History Project: Storing documented human history into a database.
École Polytechnique de Montréal, Montreal. 19 November 2013. Digital Prosopography of RenaissanceMusicians.
Escuela Universitaria de Música, Montevideo, Uruguay. 11 November 2013. Interfaz Única para la Búsqueda yAnálisis de Partituras (SIMSSA).
McGill Medievalists “Works-in-Progress Series” McGill University, Montreal, QC. 23 October 2013. Optical
Music Recognition of Medieval Music.
International Association of Music Librarians Conference, Vienna. 2 August 2013. Andew Hankinson and Ichiro
Fujinaga. Using optical music recognition to navigate and retrieve music documents.
Colloquium at The Catapult Center for Digital Humanities and Computational Analysis of Texts, Indiana
University, Bloomington, IN. 22 March 2013. The Research Program at the Distributed Digital Music
Archives and Libraries Laboratory.
Computer Science Department, Dalhousie University. Halifax, NS. 20 March 2013. Current Research at theDistributed Digital Music Archives and Libraries Laboratory.
School of Information Studies, McGill University, Montreal. 22 February 2013. Machine learning in Digital
Humanities and the importance of ground-truth data.
American Musicological Society Meeting, New Orleans, LA. 1 November 2012. SIMSSA: Single Interface forMusic Score Searching and Analysis.
Peabody Conservatory of Music, The Johns Hopkins University, Baltimore, MA. 31 October 2012. Current
research at distributed digital music archives and libraries laboratory.
International Association of Music Librarians Conference, Montreal. 23 July 2012. SIMSSA: Single Interface forMusic Score Searching and Analysis.
International Musicological Society Congress, Rome, Italy. 7 July 2012. SIMSSA: Single Interface for Music
Score Searching and Analysis.
Cornell University, Ithaca, NY. 12 May 2012. Music: Cognition, Technology, Society: Keynote Speaker. The
research program at the distributed digital music archives and libraries laboratory.
Public Digital Humanities Roundtable, McGill University. 30 April 2012. Music Archivists Without Borders.
IRAB Audio Digitization Workshop, Beirut, Lebanon. 19 April 2012. Introduction to metadata and metadata foraudio.
International Workshop on Advances in Music Information Research, Lyon, France. 17 April 2012. A.
Hankinson, J. A. Burgoyne, G. Vigliensoni, and I. Fujinaga. Creating large-scale searchable digitalcollections from printed music materials.
Renaissance Society of America Annual Meeting, Washington, DC. 24 March 2012. Digital prosopography of
Renaissance musicians: Discovery of social and professional network, with S. Weiss.
New York University, New York, NY. 3 March 2012. SIMSSA: Single Interface for Music Score Searching andAnalysis.
McGill University, School of Information Studies, 17 October 2011. Distributed digital music archives andlibraries.
NFAIS Humanities Roundtable, New York, NY. 3 October 2011. Two current research projects in music
information retrieval at distributed digital music archives and libraries laboratory.
Osaka Symposium on Digital Humanities. Osaka, Japan. 2011. J. S. Downie, D. De Roure and I. Fujinaga.
Large-scale music audio analyses using high performance computing technologies: Creating new tools,
posing new questions.
INESC Porto, Porto Portugal. 18 July 2011. Distributed digital music archives and libraries.
Universitat Pompeu Fabra, Barcelona, Spain. 4 July 2011. Current research at distributed digital music archives
and libraries laboratory.
Joint Conference on Digital Libraries, Ottawa, ON. 14 June 2011. The structural analysis of large amounts ofmusic (SALAMI) project.
CV: Ichiro Fujinaga

21

12 September 2024

INVITED TALKS (cont.)
Digging Into Data Challenge Conference, Washington, DC. 10 June 2011. The structural analysis of large
amounts of music (SALAMI) project.
Télécom Paris Tech, Paris. 29 November 2010. Distributed digital music archives and libraries.
Université de Montréal, Montreal, PQ. 30 September 2010. Distributed digital music archives and libraries.
Queen’s University, Belfast, UK. 23 September 2010. Distributed digital music archives and libraries
laboratory.
University of Oxford, Oxford, UK. 22 September 2010. Optical music recognition research at McGill.
Singapore National University, Singapore. 2 August 2010. Distributed digital music archives and libraries
project.
ACM International Conference on Multimedia Information Retrieval. Philadelphia, PA. 31 March 2010.
Improving automatic music classification performance by extracting features from different types of data,with C. McKay.
North East Music Informatics Special Interest Group (NEMISIG) Workshop, New York University, New York,NY. 29 January 2010. Distributed digital music archives and libraries laboratory.
e-Science for Musicology Workshop, Edinburgh, UK. 2 July 2009. Distributed digital music archives andlibraries laboratory.
Joint Conference on Digital Libraries Workshop, Austin, TX. 20 June 2009. Networked Environment for Music
Analysis: An overview.
HITS for Education Conference: Keynote Speaker, Charlottetown, PEI. 26 June 2009. Distributed digital musicarchives and libraries.
Department of Engineering, University of Tsukuba, Tsukuba, Japan. 28 April 2009. Distributed digital musicarchives and libraries.
Center for Advanced Sound Technologies, Yamaha Corporation, Hamamatsu, Japan. 15 April 2009. Distributed
digital music archives and libraries.
Toho Gakuen School of Music hosted by the Society of Music History and the Associazione Musica Antica
Italiana in Giappone, Tokyo, Japan. 25 March 2009. Iconographic evidence of kettledrums in 14th-century
Northern Italy with S. Weiss.
Showa Academy Musicae, Tokyo, Japan. 24 February 2009. Distributed digital music archives and libraries.
Tokyo University, Tokyo, Japan. 20 February 2009. Distributed digital music archives and libraries.
SIGMUS (Special Interest Group on Music and Computer) Meeting of the Information Processing Society ofJapan: Keynote Speaker, Tokyo, Japan. 17 February 2009. Distributed digital music archives and libraries.
Graduate School of Library and Information Science, University of Tsukuba, Tsukuba, Japan. 13 January 2009.
Distributed digital music archives and libraries.
Tokyo University of the Arts, Tokyo, Japan. 2 December 2008. Distributed digital music archives and libraries.
Japan Advanced Institute of Science and Technology, Kanazawa, Japan. 20 November 2008. Distributed digitalmusic archives and libraries.
Keio University, Tokyo, Japan. 6 November 2008. Distributed digital music archives and libraries.
Tokyo University, Tokyo, Japan. 22 October 2008. Music and biomechanics.
Osaka University, Osaka, Japan. 16 October 2008. Distributed digital music archives and libraries.
Kwansei Gakuin University, Nishinomiya, Japan. 14 October 2008. Distributed digital music archives andlibraries.
18th Conference of International Society for the Research and Promotion of Wind Music (IGEB), Echternach,Luxembourg. 11 July 2008. Evidence of kettledrums in late Medieval Italy with S. Weiss.
City University of New York. 8 May 2008. New evidence for the origins of timpani in Western Europe with S. Weiss.
Music Library Association. 77th Annual Meeting. Newport, RI. 22 February 2008. Metadata infrastructure forSound recordings. (Poster with C. Lai, D. Descheneau, M. Frishkopf, J. Riley, J. Hafner, and B. MsMillan).
North East Music Informatics Special Interest Group (NEMISIG) Workshop, Columbia University, New York,NY. 25 January 2008. Distributed digital music archives and libraries laboratory.
Peabody Conservatory of Music, the Johns Hopkins University, Baltimore, MD. 28 November 2007.
Iconographic evidence of kettledrums in 14th-century Northern Italy with S. Weiss.
American Musicological Society meeting: American Music Instrument Society Study Session, Quebec City, QC.
3 November 2007. Iconographic evidence of kettledrums in 14th-century Northern Italy with S. Weiss.
Pop & Policy Conference 2007. McGill University, Montreal, QC. 6 October 2007. The Archival Restoration
Preservation Society. Panelist.
36th Annual Meeting of American Music Instrument Society, New Haven, CT. 28 June 2007. Iconographic
evidence of kettledrums in 14th-century Northern Italy with S. Weiss.

CV: Ichiro Fujinaga

22

12 September 2024

INVITED TALKS (cont.)
Canadian University Music Society/Canadian Association of Music Libraries, Archives, and Documentation
Centres. 2007 Annual Joint Conference. Faculty of Music, University of Montreal, Montreal, QC. 12 May
2007. Distributed digital music archives and libraries.
Universitat Pompeu Fabra, Barcelona, Spain. 22 February 2007. Distributed digital music archives and libraries.
Digital Music Research Network Workshop 2006, Queen Mary, University of London, London, UK. 20
December 2006. Distributed digital music archives and libraries.
Ecole d’ingenieurs et d’architectes de Fribourg, Switzerland. 26 June 2006. Two approaches to optical music
recognition with Laurent Pugin.
150th Meeting of the Acoustic Society of America, Minneapolis, MN. 21 October 2005. Distributed digital musicarchives and libraries. Journal of Acoustical Society of America 118 (3): 2031.
Summit on Digital Tools for the Humanities, University of Virginia, Charlottesville, VA. 28–30 September
2005. Metasearch and on-demand metadata extraction.
The Art of Record Production Conference, University of Westminster, London, UK. 17–8 September 2005. A
guideline and a metadata schema for building a global database of music recordings.
SIGGRAPH Local Chapter meeting, Montreal, QC. 22 March 2005. Distributed digital music archives andlibraries.
DIAMM Workshop II, University of Oxford, Oxford, UK. 29–30 July 2004. Creation of searchable database fornoteshapes.
Online Chopin Variorum Edition Workshop, University of Pennsylvania, Philadelphia, PA. 26–27 May 2004.
Levy Sheet music project and optical music recognition: Introducing Gamut.
Renaissance Society of America Annual Meeting, New York, NY. 2 April 2004. From manuscript to printingpress to computer chip: Studying early music in digital format, with S. Weiss.
DIAMM Workshop, Oxford University, Oxford, UK. 27–28 November 2003. Levy Sheet music project andoptical music recognition.
Music Technology Area Colloquium. McGill University, Montréal, QC. 13 September 2002. Gamera: Opticalmusic recognition in a new shell.
Digital Resources for Humanities Conference, University of Gloucestershire, Cheltenham, UK. 31 August 2003.
Computer applications and resources in music scholarship: The present and the future, with S. Weiss.
International Musicology Society, 17th International Congress Leuven, Belgium. 5 August 2002. Digitization of
the Lester S. Levy collection of sheet music.
143rd Meeting of the Acoustic Society of America, Pittsburgh, PA. 6 June 2002. Comparison of machine andhuman recognition of isolated instrument tones. Journal of Acoustical Society of America 111(5): 2417.
University of California, Irvine, CA. 5 March 2002. Computer recognition of orchestral instruments.
University of California, Santa Barbara, CA. 4 March 2002. Lazy learning and realtime timbre recognition.
Stanford University. Pal Alto, CA.1 March 2002. The Levy Project: Introducing Gamera.
Music Library Association. 71st Annual Meeting, Las Vegas, NV. 21 February 2002. Toward distributed digitalmusic library.

CV: Ichiro Fujinaga

23

12 September 2024

OTHER CONFERENCES ATTENDED
3rd Meeting of Society of Digital Archive, 15–16 March 2019, Kyoto, Japan
Works, Work Titles, Work Authorities: Perspectives on Introducing a Work Level in RISM, 9–11 May 2019,
Mainz, Germany.
27th Meeting of the Japan Society of Sonic Arts, 4 March 2017, Tokyo, Japan
Japanese Artificial Intelligence Conference, 6–8 June 2016, Kokura, Japan.
International World Wide Web Conference, 11–15 April 2016, Montreal, Canada
110th Information Processing Society of Music Information Science Society meeting, 29 February-1 March 2016,
Osaka, Japan.
Information Processing Society for Accessibility Study Group meeting, 13 February, Tokyo, Japan.
The First Digital Humanities Symposium. 26 January 2016, Tokyo, Japan.
The Digital Scholarship Workshop in DC sponsored by Trans-Atlantic Platform for the Social Sciences andHumanities. 28–9 January 2015, Washington, DC.
Lorenz Center Workshop on Music Similarity: Concepts, Cognition and Computation. 19–23 January 2015,
Leiden, the Netherlands.
American Musicological Society / Society for Music Theory Meeting. 6–9 November 2014, Milwaukee, WI.
International Society for Music Information Retrieval Conference, 27–31 October 2014, Taipei, Taiwan.
IAML (International Association of Music Libraries) Conference. 28 July – 3 August 2013, Vienna, Austria.
Society of Music Perception and Cognition, 8–11 August 2013, Toronto, ON.
Medieval and Renaissance Music Conference. 4–7 July 2013, Certaldo, Italy.
American Musicological Society Meeting. 10–13 November 2011, San Francisco, CA.
International Symposium on Performance Science. 23–28 August 2011, Toronto, ON.
IAML International Conference. 24–29 July 2011, Dublin, Ireland.
AES 42nd Conference on Semantic Audio. 22–24 July 2011, Ilmenau, Germany.
International Workshop on Advances in Music Information Research. 15 July 2011, Barcelona, Spain.
IEEE International Conference on Multimedia and Expo. 11–15 July 2011, Barcelona, Spain.
Medieval and Renaissance Music Conference. 5–8 July 2011, Barcelona, Spain.
LIBER 2011: Association of European Research Libraries Conference. 29 June–2 July 2011, Barcelona, Spain.
Digging Into Data Challenge Conference. 9–10 June 2011, Washington, DC.
Renaissance Society of America Annual Meeting. 24–26 March 2011, Montreal, QC.
Dagsthul Seminar on Multimodal Music Processing. 23–28 January 2011, Dagsthul, Germany.
American Musicological Society / Society of Music Theory Meeting. 23–27 November 2010, Indianapolis, IN.
3rd Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age. 19–20 November
2010, Philadelphia, PA.
IAML, 5–11 July 2009, Amsterdam, Netherlands.
AIRS Start-up Conference, 27–30 June 2009, Charlottetown, PEI.
Joint Conference on Digital Libraries, 15–20 June 2009, Austin, TX.
71st National Convention of Information Processing Society of Japan, 10–12 March 2009, Kusatsu-shi, Japan
Asian-Pacific Conference on Library and Information Education Practice (A-LIEP 2009), 6–8 March 2009,
Tsukuba, Japan
Workshop on Interactive Systems and Software, 26–8 November 2008, Kobe, Japan.
Musical Acoustics Society of Japan Workshop 15–16 November 2008, Kanazawa, Japan.
Entertainment Computing 2008, 29–31 October 2008, Kanazawa, Japan.
Musical Acoustics Society of Japan Workshop 18 October 2008, Tokyo, Japan.
Joint Conference on Digital Libraries, 16–20 June 2008, Pittsburgh, PA.
Canadian Association of Music Libraries Conference, 7–8 June 2008, Vancouver, BC.
Canadian Association for Information Science Conference, 5–7 June 2008, Vancouver, BC.
Association for Recorded Sound Collections Conference, 26–30 March 2008, Pal Alto, CA.
Mellon Foundation: Research in Information Technologies / Scholarly Communications Program Retreat, 28–9
February 2008, Princeton, NJ.
Music Library Association 77th Annual Meeting, 17–24 February 2008, Newport, RI.
Mellon Foundation All-Projects Meeting. 5–7 June 2007, New York, NY.
American Musicological Society / Society of Music Theory Meeting. 1–5 November 2006, Los Angeles, CA.
New Interfaces for Music Expression. 5–8 June 2006, Paris, France.
European Conference on Information Retrieval. 10–2 April 2006, London, England.
American Musicological Society Meeting. 26–9 October 2005, Washington, DC.
International Association of Music Libraries and IASA Congress. 8–13 August 2004, Oslo, Norway.
International Conference on Music Perception and Cognition. 3–7 August 2004, Evanston IL.
Sound Savings: Preserving Audio Collections Symposium. 24–6 July 2003, Austin, TX.
CV: Ichiro Fujinaga

24

12 September 2024

CONFERENCES and WORKSHOPS HOSTED
2024/06/29:

LinkedMusic Workshop V at ECHOES (Lisbon)

2024/04/06:

LinkedMusic Workshop IV at DACT (Halifax)

2023/10/21–22: LinkedMusic Project Meeting II at McGill (Montreal)
2023/07/24:

LinkedMusic Workshop III at Bavarian State Library (Munich)2022/11/19–20: LinkedMusic Project Meeting I at CIRMMT (Montreal)
2022/11/18:

LinkedMusic Workshop II at CIRMMT (Montreal)

021/10/01:

LinkedMusic Workshop I at CIRMMT (Montreal)

2020/10/11–15: International Society for Music Information Retrieval (Montreal / Virtual)
2019/09/21:

SIMSSA Workshop XIX at CIRMMT1 (Montreal)

2019/06/02:

SIMSSA Workshop XVIII at Music Encoding Conference (Vienna)

2018/12/01:

SIMSSA Workshop XVII at CIRMMT (Montreal)

2018/11/01:

SIMSSA Workshop XVI at AMS/SMT2 (San Antonio)

2018/07/27:

SIMSSA Workshop XV at IAML3 (Leipzig)

2018/05/28:

SIMSSA Workshop XIV at CIRMMT (Montreal)

2017/09/30:

Verovio (music engraving software) Hack Day (Montreal)

2017/09/22:

SIMSSA Workshop XIII at Art Gallery of Nova Scotia (Halifax)

2017/08/07:

SIMSSA Workshop XII at CIRMMT (Montreal)

2016/11/03:

SIMSSA Workshop XI at AMS/SMT (Vancouver)

2016/09/24:

SIMSSA Workshop X at CIRMMT (Montreal)

2016/07/09:

SIMSSA Workshop IX at IAML (Rome)

2016/05/21:

SIMSSA Workshop VIII at CIRMMT (Montreal)

2016/05/17–20: Music Encoding Conference (Montreal)
2015/12/12:

Second International Workshop on the Human History Project (Montreal)

2015/09/25:

CIRMMT Workshop on Usability and User Experience for Music Information Systems

2015/07/09:

SIMSSA Workshop VII at MedRen Conference (Brussels)

2015/06/27:

SIMSSA Workshop VI at IAML/IMS (New York City)

2014/11/06:

SIMSSA Workshop V at AMS/SMT (Milwaukee)

2014/09/29:

SIMSSA Workshop IV at CIRMMT (Montreal)

2013/09/07:

SIMSSA Workshop III at CIRMMT (Montreal)

2013/06/21:

CIRMMT Workshop on Human History Project #1 (Montreal)

2012/07/28:

SIMSSA Workshop II at IAML (Montreal)

2011/11/12:

SIMSSA Workshop I at AMS (San Francisco)2010/10/22:

CIRMMT Workshop on Music Information Retrieval and Cultural Data

2009/10/26–30: International Society for Music Information Retrieval (Kobe, Japan)

1

Centre for Interdisciplinary Research in Music Media and Technology
American Musicological Society / Society for Music Theory
3
The International Association of Music Libraries, Archives and Documentation Centres Congress
2

CV: Ichiro Fujinaga

25

12 September 2024

Natural language fluency
English:French:Japanese:
German:reading,reading,reading,reading*,

speaking,
speaking,
speaking,
speaking*

writing
writing*
writing*(* means limited)

Computer language fluency
Programming Languages: Algol, APL, Basic, C, C++, Fortran, Java, JavaScript, Objective-C, Pascal,
PostScript, PL/1, Python, XPL, and Assembler (IBM360/370, M56000, TI320x0,
and 8088/80x86)
Operating Systems:
CP/M, MacOS, MTS, MVS/OS, MUSIC, MS-DOS, OSX, UNIX/Linux,
Windows

Musical career
1988–94 &2003–131985
1979–81
1979–80
1979
1978–801978
1977–81
1975–801974
1973
1972–81

Member of Arashi Daiko (traditional Japanese drum group)
Baroque timpanist, Dietrich Buxtehude:
Cantatas for Lent and Easter (McGill Records 84021).
Percussionist, Edmonton Symphony Orchestra
Composer/Percussionist, University of Alberta Drama Dept.
Percussionist, Ice Capades; Citadel Theatre
Percussionist/Accompanist, Brian Webb Dance Company
Teacher of percussion and drums, The Drum Shop
Drummer, University of Alberta Stage BandFounded Kashim Percussion Quartet, Edmonton’s first professional percussion ensemble
Timpanist/Percussionist, St. Cecilia Orchestra
Percussionist/Timpanist, University of Alberta Wind Ensemble
Percussionist, University of Alberta Concert BandFounded Synthesis, an electronic music ensemble
Drummer, various dance bands

Courses taught
McGill University:

Johns Hopkins
University:

CV: Ichiro Fujinaga

Music and Audio Computing II (2014)
Music and the Internet (2011–3)
Seminar: Music Information Acquisition, Preservation, and Retrieval (2004–7, 2009,2011–5, 2017–8, 2020–22, 2024)
Seminar: Musical Data Mining (2003)
Music and Audio Computing I (2002)
Advanced Multimedia Development (2002–7)
Independent Music, Media & Technology Projects: Music Technology: Beinan Li(2006), Gregory Burlet, Gabriel Vigiliensoni (2012); Jason Leung (2014); Austin
Dunn (2016); Yaolong Ju (2017); 2019: Jacob-Sanz Robinson (2019); Suzuka
Kokubu (2020)
Digital Music Programming (1994–2002)
Synthesis Theory (1994–2002)
Research Practicum (1994–2002)
Introduction to Programming (1998–2000)
Seminar: Music Data Mining (2001)
Seminar: Linux and Music (2000)
Seminar: Designing Web-based Music Applications (1998)
Seminar: SuperCollider (1997)
Seminar: Publishing on the Internet (1996)

26

12 September 2024

Student Advisees
McGill University:
Kyrie Bouressa (Ph.D. 2023–)
John Ashley Burgoyne (Ph.D. 2005–12) Stochastic processes and database-driven musicology.
Gregory Burlet (M.A. 2011–3) Automatic guitar tablature transcription online.
Spencer Campbell (M.A. 2009–11) Automatic key detection of musical excerpts from audio.
Harry Chung (M.A. 2020–23) Gender classification using in-ear microphone.
Alex Daigle (M.A. 2017–20) Evaluation of optical music recognition software.
Timothy de Reuse (M.A. 2017–19) A machine learning approach to pattern discovery in symbolic music.
Timothy de Reuse (Ph.D. 2019–24) Detecting errors in optical music recognition output with machinelearning
Louis Deng (M.A. 2020–24) A hybrid reverberation algorithm
Johanna Devaney (Ph.D. 2007–12) An empirical study of the influence of musical context on intonation
practices in solo singers and SATB ensembles.
Yulia Draginda (2018–2021; co-supervisor) Temporal elasticity as the most important tool for expressive
performance of German late Romantic organ music.
Greg Eustace (M.A. 2006–8) Subjective evaluation of an autoregressive model-based method for the
restoration of audio recordings contaminated with impulsive noise.
Robert Ferguson (M.A. 2002–4) Automatic segmentation in concert recordings.
Rebecca Fiebrink (M.A. 2004–6) An exploration of feature selection as a tool for optimizing musical genre
classification.
Kun Fang (Ph.D. 2023–)
Robert Giglio (M.A. 2014–16; co-supervisor)
Ryan Groves (M.A. 2012–16) Automatic melodic analysis.
Andrew Hankinson (Ph.D. 2007–14) Optical music recognition infrastructure for large-scale music
document analysis.
Sevag Hanssian (M.A. 2020–22) Music demixing with the sliced Constant-Q transform.
Jason Hockman (Ph.D. 2007–13) An ethnographic and technological study of breakbeats in Hardcore,
Jungle, and Drum & Bass.
Andrew Horwitz (M.A. 2013–)
Yaolong Ju (Ph.D. 2016–21) Addressing ambiguity in supervised machine learning: A case study on
automatic chord labelling.
Andrew Kam (M.A. 2017–9) Automatic classification of artist visual aesthetics: Linking fashion and genre.
Stephanie Khoury (Ph.D. 2014–7; co-supervisor) Improvise: Research-creation of a framework andsoftware prototype for creative music learning with technology.
Trevor Knight (M. Eng. 2010–2; co-supervisor) Analysis of trumpet tone quality using machine learningand audio feature selection.
Suzuka Kokubu (M.A. 2019–22) The automatic classification of noh chant books with machine learning.
Catherine Lai (Ph.D. 2003–7) Metadata for phonograph records: Facilitating new forms of use and access.
Beinan Li (Ph.D. 2004–11) Optical audio reproduction for stereo phonograph records by using white-lightinterferometry and image processing.
Wan Yi Lin (M.A. 2020–22) Generating dance motion using musical features.
Lucas March (M.A. 2023–)
Daniel McEnnis (M.A. 2004–6) On-demand Metadata Extraction Network.
Cory McKay (M.A. 2002–4) Automatic genre classification of MIDI recordings.
Cory McKay (Ph.D. 2004–10) Automatic music classification with jMIR.
Kai Mikkelsen (M.A. 2023–)
Néstor Nápoles (Ph.D. 2017–22) Automatic roman numeral analysis in symbolic music representations.
Liam Pond (M.A. 2024–)
Alastair Porter (M.A. 2010–3) Evaluating music fingerprinting systems.
Hannah Robertson (M.A. 2011–3) Testing a new tool for alignment of musical recordings.
Ying Qin (M.A. 2011–3) A historical survey of music recommendation systems: Towards evaluation.
Evan Savage (M.A. 2018–20) Optical music recognition of square notation using generative adversarial
networks.
Jordan Smith (M.A. 2008–11) A survey of approaches to the automatic formal analysis of musical audio.
Dan Scott (Ph.D. 2019–; co-supervisor)
Cole Thierrin (M.A. 2023–)
CV: Ichiro Fujinaga

27

12 September 2024

Martha Thomae (M.A. 2015–7) Automatic scoring up of mensural music using perfect mensuration, 1300–
1500.
Martha Thomae (Ph.D. 2017–22) Guatemalan cathedral choirbooks: From manuscript to digital images toedited symbolic scores
Adam Tindale (M.A. 2002–4) Classification of snare drum sounds using neural networks.
Gabriel Vigliensoni (Ph.D. 2011–7) Evaluating the performance improvement of a music recommendation
model by using user-centric features
Ling-Xiao Yang (M.A. 2014–6) Singing transcription using machine learning with feature selection.
Junhao Wang (M.A. 2020–22) Automatic classification of playing techniques in Guitar Pro songs.
Hanwen Zhang (Ph.D. 2023–)
Yinan Zhou (M.A. 2020–22) Music emotion recognition on lyrics using natural language processing.
Postdoctoral fellows: Laurent Pugin (2006–8); Mathieu Bergeron (2010–2); Andrew Hankinson (2015–6);
Reiner Krämer (2015–7); Clair Arthur (2016–8); Nathaniel Condit-Shultz (2017–8); Gabriel Vigliensoni(2017–9); Jorge Calvo-Zaragoza (2017–8); Finn Upham (2019–20); Anna de Bakker (2021–): Junjun Cao(2024–)
Johns Hopkins University:
Jeff Beman (D.M.A. 1995), Matthew Burtner (M.M. 1997), Michael Droettboom (M.M. 2002), Mark Emon
(M.M.), Takayuki Hoshishiba (JAIST: Ph.D. 2000, M.Sc. 1996, co-supervisor), Charles Kim (M.M. 1998),
Sumi Kim (M.M), Ken Kinnard (M.M. 1995), Marian Lee (D.M.A. 2002), Wan Ching Lee (M.M. 1999),
Wendy Linkin (M.M. 1997), Karl MacMillan (M.M. 2002), Chris Mandra (D.M.A.), Meg Schedel (M.M.
2001), Seong Ah Shin (M.M.), Scott Smallwood (M.M.), Asha Srinivasan (M. M.), David Sullivan (M.M.
2001), Rie Suzuki (D.M.A. 1999), Forrest Tobey (D.M.A. 1997), Michael Urich (M.M. 1996), Gastone
Vinci (M.M.), David Wetzel (M.M. 1998), Tony Willert (M.M.), John Young (M.M. 2003), Takako
Yoshida (JAIST: Ph.D., M.Sc. 1997, co-supervisor), Lilit Yoo (M.M. 2000)
Thesis committees (McGill): Sean Olive (Ph.D. Sound Recording 2004), Jung-Kyong Kim (M.Sc.
Psychology 2003), Finn Upham (M.A., Music Technology 2011), Chelsea Douglas (M.A. Music
Technology 2015), Chris Wood (M.A. Music Technology 2015), Jason Leung ((M.A. Music Technology2015), Elliot Creager (M.A. Music Technology 2015), Nicholas Esterer (M.A. Music Technology 2016),
Wen Xiao (M.A. Music Technology 2017), Na Eun Kim (M.A. Music Technology 2017), Lena Heng (M.A.
Music Technology 2018), Matan Gover (M.A. Music Technology 2019), Camilo Gomez (M.A. Music
Technology 2020)
Doctoral Comprehensive Examination committees (McGill): Song Hui Chon (Music Technology 2010),
Vanessa Yaremchuk (Music Technology 2010), Corey Kereliuk (Music Technology 2010), Brett Leonard(Sound Recording 2011), Dave Benson (Sound Recording 2011), Sven-Amin Lembke (Music Technology2011), Kai Siedenburg (Music Technology 2014), Eddy Kazazis (Music Technology 2016), Tanor Bonin(Music Technology 2018), Julian Neri (Music Technology 2019), Yulia Draginda (D.M.A. Music
Performance, Organ, 2019), Yuval Adler (Music Technology 2020), Behrad Madahi (Music Technology2020), Douglas Beaton (Music Technology 2020), Tobias Tschiedl (Music Theory 2020)
PhD Defense committees (McGill): Brad Vines (Psychology 2005), Charles Antoine Juilen (Information
Studies 2010), Farah Kawtharani (Islamic Studies 2012 as Pro-Dean), Ladan Mahabadi (Computer Science2013), Ahmad Sadek (Mechanical Engineering 2014 as Pro-Dean), Mark Bazett (Human Genetics 2015 as
Pro-Dean), David Weigl (Information Studies 2016), Francesco Tordini (Electrical Engineering 2017),
PhD Defense committees (non-McGill): Sebastian Streich (Music Technology, Universitat Pompeu Fabra,
Spain 2007), Bee Suan Ong (Music Technology, Universitat Pompeu Fabra, Spain 2007), Philippe Hamel(Computing Science, University of Montreal, 2012), Jacek Wolkowicz (Computer Science, Dalhousie
University, 2013), Jorge Calvo-Zaragoza (Computer Science, University of Alicante, Spain 2016), Sergio
Omras (Music Technology, Universitat Pompeu Fabra, Spain 2017), Jan Halič, Jr. (Mathematics andPhysics, Charles University, Czech Republic 2019), Alexandre Pacha (Information Systems Engineering,
TU Wien, Austria 2019), Christopher Wick (Department for Artificial Intelligence and Applied Computer
Science, University of Würzburg, 2020), Florian Henkel (Institute of Computational Perception, Johannes
Kepler University, Linz, Austria 2022)

CV: Ichiro Fujinaga

28

12 September 2024