№ 2 – 2019
«Zefiro torna»: three madrigals, inspired by Petrarch ……………………………..… 11Daria A. Kovalevskaya (Moscow) — Lecturer of the Music Theory andHistory Department at the Military Institute of Military University.
E-mail: musicologa@yandex.ru
The musical madrigal of the Renaissance is closely connected with the name by Petrarch. Exactly in 16th century composers took an unprecedented interest in his poems andpoems by his numerous followers — petrarchists.
This article is devoted to three madrigals. Two of these are settings of the 310th sonnetby Petrarch «Zefiro torna e’l bel tempo rimena» by L. Marenzio and C. Monteverdi. The
third (also by C. Monteverdi) is a setting of the sonnet-imitation by O. Rinuccini «Zefiro
torna e di soavi accenti». In the article these works are analyzed to find similarities anddifferences in themes, form and treatment of the poem — to understand, if the madrigal
by Marenzio, written earlier, was a model to two madrigals by Monteverdi, and to determine a place by every of these works in the evolution of madrigal.
Keywords: L. Marenzio, C. Monteverdi, F. Petrarch, petrarchism, the Renaissance,madrigal, sonnet.
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REFERENCES
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4. Bizzarini M., Chater J. M. Luca Marenzio. The career of musician between the Renaissance and the Counter-reformation. Ashgate, 2003. 396 р.
5. Einstein A. The Italian madrigal: in 3 vol. / transl. by Alexander H. Krappe, Roger
H. Sessions, Oliver Strunk. Princeton: Princeton University Press, 1949. 1121 р.

6. Fisher K., D’Agostino G., Haar J., Newcomb A. Madrigal / The New Grove Dictionary of music and musicians. [in 29 vol.] // ed. dy S. Sadie. 2 nd ed. N. Y.: Oxford.
univ.press., 2001. Vol. 15. Р. 545–571.
7. Haramaki G. Beyond the Seconda Prattica: Claudio Monteverdi and the Poetics ofGenre After Orfeo. Biblio Bazaar, 2011. 378 p.
8. Silbiger A. Chaconne / The New Grove Dictionary of music and musicians. [in 29vol.] // ed. dy S. Sadie. 2 nd ed. N. Y.: Oxford. univ. press, 2001. Vol. 5. P. 410–415.
***Ковалевская Д.А. «Zefiro torna»: о трех мадригалах, вдохновленных Петраркой// Ученые записки Российской академии музыки имени Гнесиных. 2019. №2.
С. 11–20
Kovalevskaya D.A. «Zefiro torna»: three madrigals, inspired by Petrarch // Scholarly Papers of Russian Gnesins Academy of Music. 2019. №2. P. 11–20