№ 2 – 2019
Early sonatas by W. A. Mozart for clavier and violin: specificity of the genre and performing interpretation …………………………………………………….…... 21
Esakov Vyacheslav (Moscow) — PhD in History of Arts, Associate Professor, Head of the Chamber Ensemble Section of the Department of Piano Art
at the Moscow A. G. Schnittke Institute of Music.
E-mail: esakovv@yandex.ru
The subject of this article is genre of Clavier sonatas with violin accompaniment,
which is practically unexplored in the russian musical science. The main material of analytical research are early sonatas of Wolfgang Amadeus Mozart — «Parisian» (KV 6–9),«London» (KV 10–15), «Hague» (KV 26-31).
The methodological basis of the study is the study of the material in its historical context, the method of structural and functional analysis, as well as approaches described in
the works of Russian musicologists on the theory and history of texture (T. Krasnikova, M.
Skrebkova-Filatova, Yu.Tyulin, V. Kholopova).
The first part of the article describes the history of the creation, publication and dedications of the early Mozart sonatas, as well as the observations on the structure of the Sonata cycle.
The second part is entirely focused on performing problems. The author describes thedynamics, agogics, articulation features. But a special emphasis is placed on the texture
and the correlation of instrumental parts, as they are the main parameters of the genre of
the accompanying clavier Sonata and, at the same time, the most important step in theformation of the chamber-instrumental Sonata of the pre-classical and classical Viennesestyle.
The relevance and novelty of the presented article is determined by the introduction
into scientific use of information about the previously unexplored genre, as well as the keyrole of W.A. Mozart in the transformation of the accompanying clavier Sonata into achamber violin Sonata, characteristic of the creativity of the Viennese classes.
Keywords: W. A. Mozart, sonatas for clavier and violin KV 6–7, 8–9, 10–15, 26–31,
Sonata cycle, texture, genre, dynamics, articulation.
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***Есаков В.В. Ранние сонаты В.А. Моцарта для клавира и скрипки: особенностижанра и исполнительской интерпретации // Ученые записки Российской академиимузыки имени Гнесиных. 2019. №2. С. 21–29
Esakov V.V. Early sonatas by W.A. Mozart for clavier and violin: specificity of the genre and performing interpretation. // Scholarly Papers of Russian Gnesins Academy of Music. 2019. №2. P. 21–29