Art History - Part 2- Right Eye’s Art vs. Left Eye’s Art? Participants: アカーシャ (AkashaKokuu), 有羽 (Alha Iwish), Arianne (ArianneJP), Beragon
Betts, ダン (DanHayase), Fumon Crystal,くにか (Kunika Yoshikawa), Wisdomseeker(Lissena), Lunnna Capalini, Lyr Lobo, Max Chatnoir, ryofuz Quan, Tagline Resident,
知世 'ともよ' (Tomoyo Newall), Talliver Hartnell, Timmy (Whitewand)
Organizer: Jawsome (Jes Cobalt), Chantal Jager (Nymf Hathaway), The Science Circle

Yan: I’ll talk in English and Japanese. It took a long time for me to find adequate Art terms
in English. So I asked Chantal to postpone my presentation one month andArianne-san helped me to find just the words I want to say, and Pat-san also helped myEnglish sentences.
Yan: I’m not a specialist in Art, but I don’t hesitate to talk about Art because this museum
was made for inter-disciplinary discussion.
But real time discussion in English is difficult for me, so please type your comments inlocal chat anytime. I’ll read the chat-log carefully after the presentation.
Yan: I’ll send you today’s chat-log including all slides, my voice manuscript and answers toyour comments later.
[08:05] Chantal: You are doing great!
[08:05] Wisdom: wonderful!
(How to Enjoy Art)

Yan: At first, I want to talk about how to enjoy Art. There are many ways to enjoy Art
1•To find own favorite Art. This is starting point for everyone. Then you begin to want toshare your own favorite Art with someone. Usually you fail, but sometime succeed ingetting sympathy.
•To think about the Beauty or Attractiveness of Art. It is very interesting theme but there
is no time to talk today.
•To think about the relationship between Art and Religion, Economy, Democracy,
Science &Technology, etc. These are the reasons for our Art history museums.
•I like to think about the differences and interaction between Western and EasternWorld Cultures. This is the main theme of today’s presentation.
• I also like to think about communication between different disciplines using
visualization. That is why I’m working on utilization of SL for education.
(Background)

Yan: I'll talk about background. At first, comet Morigi and I built The Modern Museum as acollaboration platform for finding cross-disciplinary relations in modern history, inspiredby the synchronicity of the birth years of Picasso, Einstein and Stravinsky. They were
the initiators of strange physics, strange paintings, and strange music.
Yan: We think there is a reason. To prove it, we arranged Art works and various events
vertically corresponding with their years.
Yan: motoko Moonwall thought that it isn’t enough to find relations between various Art
styles and various cultures, so she introduced second axis, "Left Eye’s Art vs. Right
Eye’s Art", in addition to time axis. I’ll explain today.

2Yan: But before she could finish her work, she died of lung cancer. Her mother looks to thecompletion of her museum, so I visited her room many times to find her intentions.
[08:07] Arianne: We miss Motoko, today she is with us.
[08:15] Wisdom: So good that you are celebrating her legacy[08:16] Lyr Lobo: /me nods and smiles[08:17] Arianne: Motoko must be happy in heaven. Yan has been taking care of her left
mother a lot.
[08:17] Wisdom: :))(motoko’s starting point)

Yan: At the start of her work, she defined as follows;
Left eye : Eyes stare at details of Egyptian religion (Eye of Wadjet or Udjat)
Right eye: All-seeing eye of Christian religion (Eye of Providence)[08:18] Fumon: Trinity in Christianity (キリスト教の三位一体論）（Yan: The equilateral triangle that surrounds the eyes of Providence must mean the trinity of
Christianity.）
Yan: Indeed to say, there is a third eye, but I don’t talk about this today.
(Mannerism vs. Classicism)3

Yan: Next, she related them to Categorization of two Art historians.
One is Heinrich Wolflin.
Yan: Don’t ask me to explain these definitions. Please read Wikipedia,
https://en.wikipedia.org/wiki/Heinrich_W%C3%B6lfflin
but I don’t know you can understand.
Yan: Wolgfflin’s definition is rather old because he didn’t consider Impressionism and waslimited in Western Art.
[08:10] Fumon: I think "Orientalism" by Edward Said is the good book.
(Yan: https://en.wikipedia.org/wiki/Orientalism_(book), Eward W. Said. "Orientalism", 1978
／エドワード・サイード「オリエンタリズム」、平凡社、1993)

Yan: The other is Gustav Hocke. Motoko said Hocke considered Modern Art to someextent.

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This book is written in German and translated in Japanese but I think there isn’t an
English translation yet. So I don’t know whether these English words are adequate ornot.
[08:20] Arianne: https://de.wikipedia.org/wiki/Gustav_Ren%C3%A9_Hocke[08:20] Chantal: Only in German huh[08:21] Arianne: Jawohl (Yes Sir)
[08:21] Chantal: and tjech (Czech)[08:21] Wisdom: translation available into English[08:21] Chantal: true that :))Yan: Motoko combined these two definitions and indicated them at the entrance of Motoko
Museum. But there are many problems. I’ll talk about them next.
(Classicism/ Renaissance)

Yan: Now, I’ll show you typical examples.
Yan: These are Classicism and Renaissance Art. And motoko thought these styles as Righteye’s Art. I think many people feels eternal beauty from these Art works.
[08:23] Chantal: :))) I like your top one :))(Mannerism/ Baroque)5

Yan: And Mannerism and Baroque Art. And motoko thought these styles as Left eye’s Art.
Bodies are twisted and dynamic.
(Mystery of Classicism)
Yan: Art Historians thought ancient Greek Art is an Ideal Art as Classicism. So they shouldbe placed at right side.
But, in the motoko museum, you’ll find “Venus de Milo” and “Nike of Samothrace” areplaced at the left side, Wadjet eye’s side.
Yan: Why left side?
・Greek gods and goddesses are very scandalous in comparison with the Christian’s
strict God.
・Japanese Historian (Shishin Fujimura), wrote in his book that Christians in Europe or
Caucasian people hoped their roots is Ancient Greek to see the white sculptures andarchitectures of ancient Greek.
・But recent reconstruction shows that ancient Greek sculptures and architectures weremore colorful.
・In 1930s, Greek sculptures in British Museum were scraped away some of tone in thecleaning process. At that time, people thought that is intentionally.
Yan: I don’t know the truth, but at least, in Hellenistic age of ancient Greek, “Venus de Milo”
and “Nike of Samothrace” were made in this age, Greek Art became more natural anddynamic.
They looks modest from present day, but please image their lost arms and colorful
paint, and body is twisted and dynamic. So left side is possible.
6[08:25] Wisdom: Are left eye and right eye concepts related at all to brain hemispheres?
(Yan: No. I intend to exclude factors derived from the brain function from definition of Lefteye and right eye.)(Various Hypothesises)

Yan: Then, I suspended “Mannerism vs. Classicism” axis once, I listed up new axis
candidates for “left eye and right eye” like this slide.
Basically all axises may be independent of each other, but some axises may berelated.
I’ll discuss this next.
(Hunting vs. Agriculture)

7

René Huyghe, “Dialogue Avec Le Visible” 1955
Yan: This book is more than one thousand pages, and was placed on motoko’s desk. But
there isn’t any underlines or bookmarks, and she wrote nothing about this book in her
SNS dairy. She remains a lot of memo in SNS about books which were borrowed fromthe city library, but remains nothing in SNS about books which she possessed.
So I missed this important hint of her Art museum for a while.
Yan: Huyghe said;•Hunting culture accepts nature and diversity as they are, people are living
dynamically.
•Agricultural culture uses geometry to manage fixed land area, and they thinks humancan control nature
Yan: He wrote these things to explain why Classicism Art are emotionally hanging on
Geometry.
Motoko was also interested in Earth history and made the Earth and Life evolution
exhibit in Abyss Observatory. So she knows the relationship between climate andagriculture.
Yan: In the glacial period, people needed to move long distances to search for food. 10,000
years ago, climate became warm and stable, and several thousand years ago, sealevel rise also came to an end. Then people became able to stay at fixed land area,
and to start agriculture.
Yan: So we can think one hypothesis: Human’s way of thinking may remember the glacial
period memory. This is a suitable hypothesis for Motoko Museum of Art History.
[08:35] Arianne: https://en.wikipedia.org/wiki/Ren%C3%A9_Huyghe8[08:36] Wisdom: This is such an interesting possible connection!
[08:36] Wisdom: Reading Sapiens right now(Brain’s unconscious response)

Donis A. Dondis, “A Primaer of Visual Literacy”, 1973
Yan: Next, I also found this book deep inside her book shelves. She has lot of books almost
same amount of town library. Literature, history, science, Art and design, Philosophy,
Psychology….
Yan: Dondis wrote about visual communication considering with the brain’sfunction. motoko learned psychology at university and graphic design at college andwas working at an advertising agency for a while. So I think she was interested in thehuman brain’s reaction to visual images.
Semir Zeki, “INNER VISION: An Exploration of Art ant the Brain”, 1999
[08:40] Arianne: https://en.wikipedia.org/wiki/Semir_Zeki
Yan: And this book, perhaps she didn’t know, teaches more detail about brain’s function forvisual images.
This is a schematic view of visual signal root in the brain.
Yan: When humans look at some image, several visual cortexes, V1, V2, V3…. divisionallycollaborate to recognize viewing images.
[08:43] Arianne: https://en.wikipedia.org/wiki/Visual_cortex
Yan: Then, “Color” is the quickest response. Next is “vertical lines” and “horizontal lines”.
Difference from vertical or horizontal is also sensitive. Recognition of Inclined lines isrelating with stereoscopic and movement,

9and recognition of true size and distance.
Yan: The Brain is also stimulated by simple geometric figures, circle, triangle,
rectangle,.... And the Brain can suppose 3D figures from 2D images.
For example, when we are walking on the street and see a fence like this. Then weknow that is rectangle.
Yan: All recognitions are performed unconsciously.
(IDEAS)

Yan: The brain can also distinguish slight differences in human faces and expressions.
Human can’t remember visual images as they are. The brain transforms images tosome kind of features which are suitable to remember.
Yan: Plato thought IDEAS exist only in the outside world and people only see shadow of
IDEAS. But neurophysiology teaches us IDEAS exist only inside the brain.
10[08:48] Arianne: plato はプラトンです。n はありません(Left to right)

Yan: I passed this slide. This is the last example of brain function.
Dondis wrote in his book that eyeball movement is relating with the brain function andaffects human’s recognition of viewing images unconsciously. .
•Western world languages are written from left to right.
•And Western people watch paintings also from left to right unconsciously. Lightingfrom left is also dominated in western paintings.
But Arabic is right to left, and Japanese is up to down.
•Please be careful when you watch Eastern paintings.
(Geometry)11

Yan: Then we’ll re-evaluate new axis candidates based on Neurophysiology.
I said the Human’s brain is strongly stimulated by geometry. Mongorian utilized thequick response of the brain to color, vertical/ horizontal lines and rectangle. He uses
triple reaction of the brain.
Yan: People are attracted by geometry from ancient to contemporary age.
(Realistic in Geometry)

Yan: Strong hanging on to geometry appeared in Ancient Greek and Renaissance Art.
Geometry is also hiding behind realistic paintings. It is difficult for me to find.
We have the tendency to find geometric structure in any image by the brain’s function,
so it is difficult to distinguish this isosceles triangle is intentionally or incidentally.

12

Yan: But many Art historian point out emotionally hanging on Geometry in Renaissance Art,
I’ll keep this axis.
[08:50] Wisdom: So gather left eye and right eye are primarily metaphors(Yan: Yes)
[08:51] Beragon: what is the title of the munch painting?
[08:54] Chantal: Edvard Munch - Weeping Nude
[08:54] Beragon: ty Chantal(Symmetric)

Yan: •Symmetric is often seen in architectures, but seldom seen in paintings.
•Symmetric arrangement is often seen.
•Asymmetric, but well-balanced arrangement, is also often seen.
•Dondis wrote in his book, eyeball movement cuts out well-balanced arrangement
unconsciously.
Yan: So I think "Symmetry" or "Balanced arrangement" is common reaction of eye
movement. So it isn't related to Left and Right eye.
(Realistic vs. Idealized)

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Yan: I said that the brain translates viewing images into a kind of form suitable to remember.
Modificate, deform, transform, symbolize, abstracted, outlined, simplified… I couldn’t
find the adequate word. So I use “IDEAlize” in tribute to Plato’s IDEAS theory.
Artists apply various IDEAlization for figurating image.
Yan: Even this Tiziano’s nude, looks very realistic, but Tiziano must have deleted wrinkle,
flap and sagging.
Modigliani’s nude seems realistic in outline of shape, but we feel quite different
impression compared to Tiziano.
(Face idealization)

Yan: These are examples of face IDEAlization. Once artist creates a figure, the figure starts
to walk on its own.
14

Yan: Arianne-san points out that Artist keeps impression or identity of the figure throughsuch a transformation.
So I think IDEAlized is derived from brain’s function, so it isn't related to Left and Righteye..
[08:58] Wisdom: on a spectrum from representational（具象） to abstract（抽象） maybe?
（Yan: I agree）[08:59] Arianne: yes, you are right wisdom.
(Emotional vs. Logical)

Yan: My first impression for “Left eye’s Art vs. Right eye’s Art” is “Right brain vs. Left brain”.
There is a doubtful story that “Left brain is logical” and “Right brain is emotional”. I
think this is the reason why motoko connects right eye to the Providence eye.
It is known that language capability concentrates in the left brain hemisphere, but there
isn’t scientific evidence about emotional capability dominates in the right brain
hemisphere.
Yan: In anyway, I looked around the Motoko Museum, there are few paintings expressing
emotion. Goya remains 12 “Black paintings” which create a dark feeling in the early 19
century. Paintings that expressed strong emotion appeared in late 19 century. Of
course, there are exception in older ages.
Yan: The reason why there is little emotional paintings, I don’t know, but for painter’s models
it’s difficult to keep strong emotion for a long time.

15

(Sense of Wonder/ Sublime)

Yan: I passed this slide. Another example of emotion: Pyramid isn’t related to humanemotion, but those who saw it feel a kind of emotion.
There are two strange emotions different from delight, anger, sorrow and pleasure（喜怒哀楽）. “Sublime (崇高)” and “Sense of Wonder” is defined like this.
I have a hypothesis about how the brain initiates strange emotion, but no time today.
In anyway, “emotion” is difficult and It seems that Motoko didn’t remark on“emotional
Art” very much, so I abandon this axis.
(Dramatic vs. Modest)

Yan: 2nd impression for “Left eye vs. Right eye” is “Excessive directing services”. No matter
how wonderful work it is, if you watch and listen to it repeatedly, you get bored.
16

To get reputation continuously, Artists make their work more attractive, morestimulative, more gorgeous, more twisted pose….. Dramatic expression will beescalated endlessly like Hollywood movies. And in the end, they return to modest
expression.
Yan: So I think “Dramatic vs. Modest expression” is a basic reaction of Artists and I’ll ignore
this axis tentatively. This is one of reason why I abandon “Mannerism vs. Classicism”
axis.
[09:03] Chantal: Interesting view, Yan[09:04] Arianne: it is same in female fashion lol(Islamic)

Yan: My presentation approaches to an end. I’ll talk about Eastern religions.
In our Art history museum, it is sad, there are few Eastern Art, because there are few
public domain pictures and few information about author and published year.
Yan: Islamic has the same parent with Christian, but is quite different impression compared
to Christian Art. Because Islamic prohibits Iconolatry. Instead of the figure of God, theview fields are filled by a pattern repeatedly in geometric arrangement. Each pattern is
consisted by IDEAlized leaves, ivy, etc. So, I think Islamic Art is basically Right eye'sArt.
[09:05] Chantal: I wonder where to place Escher(Yan: motoko didn't place Escher's works in her museum yet. His works are speculative,
endless theme, and geometric. So I think Right eye's side.)[09:05] Wisdom: because cannot show human figure in art?

17

(Yan: Yes. Koran, top level document, prohibits Iconolatry. So artists avoid to paint not only
God but also human which has risk to be seen Iconolatry. Second level documentof Islamic also prohibits to paint living things, but is not so district, so artists paintplants and animals outside of mosque.)[09:06] Fumon: I think there are close to fractal.
(Yan: Geometry express only static but also infinity using geometric series. So it is difficult tothink relation between Geometry and "Way of thinking" or Geometry and "Brain'sfunction".)[09:06] Wisdom: good guess!
[09:06] Chantal: Good point, Fumon[09:06] Arianne: We need 3rd eye for Escher lol(Yan: From another view point, Escher's world can't be seen in real world like Surrealism.
Subconscious is new world in mind for Artists in early 20 century. Motoko wasthinking 3rd eye- Eyes looking in the unseen.)[09:06] Chantal: Think so too[09:06] Wisdom: true Arianne[09:06] Beragon: Arabic writing is the most beautiful.
(Yan: Arabic is also often used as a pattern of Arabesque and Islamic Art.)(Hindu)Yan: On the other hand, Hindu Art looks dynamic like mannerism Art. In other word, In 16
century, trade in the east and west became active, so western world Art is affectedfrom eastern world.
[09:08] Chantal: reminds me of the advertisements above the frontdoors of pompeii :))[09:08] Wisdom: lol[09:08] Chantal: :))18

[09:08][09:08][09:08][09:09][09:09]Fumon: ah yes
Wisdom: of certain places....
Beragon: Hindu mythology has many great stories and characters to inspire art
Wisdom: very dramatic stories, Beragon?
Beragon: oh yes! the ramayana has a princess captured by a demon and a battle
between demons and forest animals °͜°[09:10] Wisdom: :)(Filled with detail)Yan: When the field of view is filled with detailed figures, a mysterious immersive sensation
is caused. This style is seen both in Islamic and Hindu Art and we get similar feelingfrom both Art. But detail is different. Islamic Art is filled by same patterns
repeatedly. On the other hand, Hindu Art is filled by diversified figures.
Yan: That is to say, “Filled the field of view with detail” induces common response for bothside of eye derived from the brain function.
[09:10] Wisdom: the word immersive is really thought-provoking here
[09:11] Kunika: 音楽ですと右耳と左耳になるのかな？
[09:12] Fumon: その 考え方は なかった（あとで 考えてみるｗ[09:15] Kunika: 音も左右の耳があって立体的に聞こえるから[09:16] Fumon: オーケストラで 一般的に 左側に 打楽器が 配置されるのは 何か理由があるのかもですね ｗ

19

（Yan: Kunika comments about Left ear vs. Right ear for Music. I reply that Left and Right isin the end metaphors as Wisdom's comment. But piano's scale is left to right, or Lefthand of piano plays rhythm part affect arrangement of orchestra.)(New definitions and Hypothesis)
Yan: Finally, I’ll propose a new definition for “Left eye vs. Right eye” under a new
hypothesis.
The new definition is based on “Hunting culture vs. Agricultural culture”. And I neglect
the brain’s reaction which affect both side of axis.
Yan: And I think Art is not affected from Polytheistic or Monotheistic, but from theirinterpretation of the world. So although Ancient Greek is Polytheistic, I think it isbetter to place them right eye’s side, although there are some exception like “Venus
de Milo” and Nike.
Yan: Of course, these new definitions are still confusing, but motoko said definition should
be ambiguous because we can initiate new discussions. She said she want to thinka function to change position by visitors’ voting.
[09:14] Beragon: interesting paradigm[09:14] Wisdom: yes(Last mystery – Buddhism)

Yan: Then, last mystery. Where are Buddhism Art placed?
Buddhism says there is no permanent self or soul.
All living beings are reincarnated.
This interpretation of the world is different a little from both side of eyes.
Yan: Buddhism denies permanent. This is left eye’s side.

20But Buddhism says all living thing continue to exist while reincarnated. This is righteye’s side.
(Asura and Bosatsu)

Yan: Please see this slide. These two statues are most popular Buddhism statue in Japan.
It is sad there are few free good photographs of these statues.
Yan: Motoko placed “Asura” at Right eye’s side, eternal side, in contrast, she placed two
famous ancient Greek statues at left eye’s side.
How do you think?
[09:15] Beragon: is Buddhist reincarnation the same as Hindu reincarnation?
[09:17] Beragon: I think in Hindu you can escape reincarnation by achieving nirvana
through good karma.
(Yan: I surprised how similar Buddhism and Hindu in reincarnation and liberation.
https://en.wikipedia.org/wiki/Buddhism#Liberation It is not strange because
Buddhism and Hindu have same parent. But impression of both statues are quite
different. Hindu is dynamic and rich diversity. On the other hand, Buddhism istranquil and unified. In some Buddhism statues, even the influence of ancient
Greek can be seen.)[09:15] Chantal: Knows too little about religions[09:15] Fumon: voting system? or analytical algorithm? about right-left eye paintings:)(Yan: Yes, she thought so.)
[09:18] Arianne: Motoko suggested a story, but she also stated that people should makeown theory by their view, voting is one of her further suggestion[09:18] Chantal: That will be interesting to see, Arianne
21

Yan: That’s all of today’s presentation. I want you to walk around motoko Museum andthink Left or Right. Please click this board, then you can see destination in Near-bychat and you can teleport to your interesting age.
Yan: If you feel different way, please send me your comment any time.
Thank you!
[09:18] Beragon: Can we acquire copies of the art works here?
(Yan: Basically, I use Wikipedia or WikiArt images. So please teleport tohttp://maps.secondlife.com/secondlife/The%20Science%20Circle/118/137/2548
and take copy if you can. When you can't due to my inadequate setting for
permission, please contact me.)[09:19] Chantal: Yan... points at Beragon's question[09:19] Fumon: .•*❤¨`•Applause•´¨`❤*•.
[09:19] Beragon: A*P*P*L*A*U*S*E!!!
[09:19] Arianne: Sure you can[09:19][09:19][09:19][09:19][09:20][09:20][09:20]ryofuz: 88888888888888888888888888888888888888888888888888888888
Talliver: ty
Beragon: cool °͜°
Arianne: nice work ! Yan
Jes: awesome Yan, thanks! :))Tagline: Thank you
Fumon: Las Meninas is the wonderful object for 3DCG in SL by motoko.

(Yan: Motoko's interpretation of Velázquez's painting. Please teleport tohttp://maps.secondlife.com/secondlife/The%20Science%20Circle/204/75/3639)[09:21] Arianne:
https://ja.wikipedia.org/wiki/%E3%83%A9%E3%82%B9%E3%83%BB%E3%83%A1%E3%
83%8B%E3%83%BC%E3%83%8A%E3%82%B9[09:21] Chantal: Please send me a transcript, Yan?
[09:21] Lyr Lobo: Thank you *grins* fascinating[09:21] Yan:
https://docs.google.com/document/d/1oWJCrLe7bmHgplhB1OAvFy4HuE9yEYKyr
N9F7oexgkU/edit?usp=sharing[09:21] Chantal: :))[09:22] Chantal: Yes, it is an interesting view on art, Yan, I hope you can continue this!
[09:22] Arianne: applause[09:22] Tagline: Thank you!
[09:23] Chantal: Applauds :)) and Thank you[09:23] Chantal: we have a lot :))[09:24] Yan: yw all22[09:24] Lyr Lobo: wonderful work
[09:24] Yan: ty Lyr[09:24] Arianne: I think Motko is a happy girl , who can imagine someone follow our work
after our death .
[09:25] Yan: She deserves it.
[09:26][09:26][09:26][09:26][09:26]

Arianne: もとこさんは幸せな人です。ちゃんと考えや仕事を引き継いでくれる人がいてJes: Waves all, hope you enjoyed :))Jes: and thank you again Yan
Lyr Lobo: yes, thank you *Grins*
Chantal: Yan... might be an idea to create a webpage on sc's about Motoko's workwith a slurl[09:27] Yan: Chan, welcome your idea
[09:28] Yan: I'll think about her memorial page.
[09:27] Yan: できれば、なくなる一年前に会っていればと思うね[09:27] Arianne: 惜しい人を亡くしたものです[09:29] Arianne: You are suitable guy to do that

(References)•Semir Zeki, “INNER VISION: An Exploration of Art ant the Brain/ 脳は美をいかに感じるか”,
1999•Donis A. Dondis, “A Primaer of Visual Literacy/ 形は語る”, 1973
•Gustav René Hocke, “Die Welt als Labyrinth. Manier und Manie in der europäischen Kunst/

迷宮としての世界－マニエリスム美術”, 1957

23

•René Huyghe, “Dialogue Avec Le Visible/ 見えるものとの対話, 1955
Visual impression, Logic vs. Emotion)•Heinrich Wölfflin, “Principles of Art History/美術史の基礎概念”, 1915
All images are from WikiMedia or WikiArt.

24(Language vs.