Council of Europe Treaty Series - No. 220

Council of Europe Convention on Cinematographic Co-production (revised)
Rotterdam, 30.I.2017

Preamble
The member States of the Council of Europe and the other States Parties to the European
Cultural Convention (ETS No. 18), signatory hereto,
Considering that the aim of the Council of Europe is to achieve greater unity between its
members in order, in particular, to safeguard and promote the ideals and principles which
form their common heritage;
Considering that freedom of creation and freedom of expression constitute fundamental
elements of these principles;
Considering that fostering the cultural diversity of the various European countries is one of theaims of the European Cultural Convention;
Having regard to the UNESCO Convention on the Protection and Promotion of the Diversity of
Cultural Expressions (Paris, 20 October 2005), which recognises cultural diversity as adefining characteristic of humanity and strives to strengthen the creation, production,dissemination, distribution and enjoyment of cultural expressions;
Considering that cinematographic co-production, an instrument of creation and expression ofcultural diversity on a global scale, should be reinforced;
Aware that film is an important means of cultural and artistic expression with an essential role
in upholding the freedom of expression, diversity and creativity, as well as democratic
citizenship;
Determined to develop these principles and recalling the recommendations of the Committeeof Ministers to member States on the cinema and the audiovisual field, and particularly
Recommendation Rec(86)3 on the promotion of audiovisual production in Europe andRecommendation CM/Rec(2009)7 on national film policies and the diversity of culturalexpressions;Acknowledging that Resolution Res(88)15 setting up a European Support Fund for the Coproduction and Distribution of Creative Cinematographic and Audiovisual Works “Eurimages”
has been amended to allow the accession of non-member States;
Resolved to achieve these objectives thanks to a common effort to foster co-operation anddefine rules which adapt themselves to cinematographic co-productions as a whole;
Considering that the adoption of common rules tends to decrease restrictions and encourage
co-operation in the field of cinematographic co-production;

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Considering the technological, economic and financial evolution of the film industry since theopening for signature of the European Convention on Cinematographic Co-production (ETS
No. 147) in 1992;
Believing that this development necessitates a revision of the 1992 Convention in order toensure the continued relevance and effectiveness of this framework for cinematographic coproduction;
Acknowledging that the present Convention is intended to replace the European Convention
on Cinematographic Co-production,
Have agreed as follows:
Chapter I – General provisions
Article 1 – Aim of the Convention
The Parties to this Convention undertake to promote the development of international
cinematographic co-production in accordance with the following provisions.
Article 2 – Scope
1

This Convention shall govern relations between the Parties in the field of multilateral coproductions originating in the territory of the Parties.

2

This Convention shall apply:ato co-productions involving at least three co-producers, established in three different
Parties to the Convention; andb

to co-productions involving at least three co-producers established in three different
Parties to the Convention and one or more co-producers that are not established in such
Parties. The total contribution of the co-producers who are not established in the Parties
to the Convention may not, however, exceed 30% of the total cost of the production.

In all cases, this Convention shall only apply on condition that the work meets the definition of
an officially co-produced cinematographic work as defined in Article 3, sub-paragraph c,
below.
3

The provisions of bilateral agreements concluded between the Parties to this Convention shallcontinue to apply to bilateral co-productions.
In the case of multilateral co-productions, the provisions of this Convention shall override
those of bilateral agreements between Parties to the Convention. The provisions concerningbilateral co-productions shall remain in force if they do not contravene the provisions of thisConvention.

4

In the absence of any agreement governing bilateral co-production relations between two
Parties to this Convention, the Convention shall also apply to bilateral co-productions, unlessa reservation has been made by one of the Parties involved under the terms of Article 22.

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Article 3 – Definitions
For the purposes of this Convention:athe term “cinematographic work” shall mean a work of any length or medium, in particular
cinematographic works of fiction, animation and documentaries, which complies with theprovisions governing the film industry in force in each of the Parties concerned and isintended to be shown in cinemas;b

the term “co-producers” shall mean cinematographic production companies or producers
established in the Parties to this Convention and bound by a co-production contract;c

the term “officially co-produced cinematographic work” (hereafter “the film”) shall mean acinematographic work which meets the conditions laid down in Appendix II, which is an
integral part of this Convention;dthe term “multilateral co-production” shall mean a cinematographic work produced by atleast three co-producers as defined in Article 2, paragraph 2, above.

Chapter II – Rules applicable to co-productions
Article 4 – Assimilation to national films
1

Cinematographic works made as multilateral co-productions and falling within the scope of
this Convention shall be entitled to the benefits granted to national films by the legislative andregulatory provisions in force in each of the Parties to this Convention participating in the coproduction concerned.

2

The benefits shall be granted to each co-producer by the Party in which the co-producer isestablished, under the conditions and limits provided for by the legislative and regulatory
provisions in force in that Party and in accordance with the provisions of this Convention.
Article 5 – Conditions for obtaining co-production status1

Any co-production of cinematographic works shall be subject to the approval of the competentauthorities of the Parties in which the co-producers are established, after consultation
between the competent authorities and in accordance with the procedures laid down inAppendix I. This appendix shall form an integral part of this Convention.

2

Applications for co-production status shall be submitted for approval to the competentauthorities according to the application procedure laid down in Appendix I. This approval shallbe final except in the case of failure to comply with the initial undertakings concerning artistic,
financial or technical matters.

3

Projects of a blatantly pornographic nature or those that advocate discrimination, hate orviolence or openly offend human dignity cannot be accorded co-production status.

4

The benefits provided by co-production status shall be granted to co-producers who are
deemed to possess adequate technical and financial means, and sufficient professional
qualifications.

5

Each Contracting State shall designate the competent authorities mentioned in paragraph 2
above by means of a declaration made at the time of signature or when depositing its
instrument of ratification, acceptance, approval or accession. This declaration may be
modified at any time afterwards.

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Article 6 – Proportions of contributions from each co-producer
1

In the case of multilateral co-production, the minimum contribution may not be less than 5%
and the maximum contribution may not exceed 80% of the total production cost of thecinematographic work. When the minimum contribution is less than 20% or the co-production
is financial only, the Party concerned may take steps to reduce or bar access to national
production support schemes.

2

When this Convention takes the place of a bilateral agreement between two Parties under theprovisions of Article 2, paragraph 4, the minimum contribution may not be less than 10% andthe largest contribution may not exceed 90% of the total production cost of thecinematographic work. When the minimum contribution is less than 20% or the co-production
is financial only, the Party concerned may take steps to reduce or bar access to national
production support schemes.
Article 7 – Rights of co-producers to the cinematographic work.

The co-production contract must guarantee to each co-producer joint ownership of thetangible and intangible property rights of the film. The contract shall include the provision thatthe film master (first completed version) shall be kept in a place mutually agreed by the coproducers, and shall guarantee them free access to it.

2

The co-production contract must also guarantee to each co-producer the right to access thematerial and the film master for use as a medium of duplication.
Article 8 – Technical and artistic participation

1

The contribution of each of the co-producers shall include effective technical and artistic
participation. In principle, and in accordance with international obligations binding the Parties,
the contribution of the co-producers relating to creative, technical and artistic personnel, castand facilities, must be proportional to their investment.

2

Subject to the international obligations binding the Parties and to the demands of thescreenplay, the crew involved in filming the work must be made up of nationals of the States
which are partners in the co-production, and post-production shall normally be carried out inthose States.
Article 9 – Financial co-productions

1

Notwithstanding the provisions of Article 8, and subject to the specific conditions and limits
laid down in the laws and regulations in force in the Parties, co-productions may be granted
co-production status under the provisions of this Convention if they meet the following
conditions:ainclude one or more minority contributions which may be financial only, in accordancewith the co-production contract, provided that each national share is neither less than
10% nor more than 25% of the production costs;b

include a majority co-producer who makes an effective technical and artistic contribution
and satisfies the conditions for the cinematographic work to be recognised as a national
work in his or her country;chelp to promote cultural diversity and intercultural dialogue; anddare embodied in co-production contracts which include provisions for the distribution ofreceipts.

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2

Financial co-productions shall only qualify for co-production status once the competentauthorities have given their approval in each individual case, in particular taking into accountthe provisions of Article 10 below.
Article 10 – General balance

1

A general balance must be maintained in the cinematographic relations of the Parties, withregard both to the total amount invested and the artistic and technical participation in coproduction cinematographic works.

2

A Party which, over a reasonable period, observes a deficit in its co-production relations with
one or more other Parties may withhold its approval of a subsequent co-production untilbalanced cinematographic relations with that or those Parties have been restored.
Article 11 – Entry and residence
In accordance with the laws and regulations and international obligations in force, each Party
shall facilitate entry and residence, as well as the granting of work permits in its territory, oftechnical and artistic personnel from other Parties participating in a co-production. Similarly,
each Party shall permit the temporary import and re-export of equipment necessary to the
production and distribution of cinematographic works falling within the scope of thisConvention.
Article 12 – Credits of co-producing countries

1

Co-producing countries shall be credited in co-produced cinematographic works.

2

The names of these countries shall be clearly mentioned in the credit titles, in all publicity andpromotion material and when the cinematographic works are being shown.
Article 13 – Export
When a co-produced cinematographic work is exported to a country where imports ofcinematographic works are subject to quotas and one of the co-producing Parties does nothave the right of free entry for its cinematographic works to the importing country:athe cinematographic work shall normally be added to the quota of the country which has
the majority participation;bin the case of a cinematographic work which comprises an equal participation fromdifferent countries, the cinematographic work shall be added to the quota of the country
which has the best opportunities for exporting to the importing country;cwhen the provisions of sub-paragraphs a and b above cannot be applied, thecinematographic work shall be entered in the quota of the Party which provides the
director.

Article 14 – Languages
When according co-production status, the competent authority of a Party may demand fromthe co-producer established therein a final version of the cinematographic work in one of thelanguages of that Party.

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Article 15 – Festivals
Unless the co-producers decide otherwise, co-produced cinematographic works shall beshown at international festivals by the Party where the majority co-producer is established, or,in the case of equal financial participation, by the Party which provides the director.
Chapter III – Final provisions
Article 16 – Effects of the Convention
1

This Convention shall replace, as regards its States Parties, the European Convention on
Cinematographic Co-production, which was opened for signature on 2 October 1992.

2

In relations between a Party to the present Convention and a Party to the 1992 Convention
which has not ratified the present Convention, the 1992 Convention shall continue to apply.
Article 17 – Follow-up of the Convention and amendments to Appendices I and II

1

The Board of Management of the European Support Fund for the Co-production andDistribution of Creative Cinematographic and Audiovisual Works “Eurimages” shall be
responsible for the follow-up of this Convention.

2

Any Party to this Convention which is not a member of “Eurimages” may be represented andhave one vote in the Board of Management of “Eurimages” when the Board carries out thetasks assigned to it by this Convention.

3

In order to promote the effective application of the Convention, the Board of Management of“Eurimages” may:amake proposals to facilitate the exchange between Parties of experience and goodpractice;b

formulate its opinion on any question concerning the application and the implementationof this Convention and make specific recommendations to Parties in this respect.

4

In order to update the provisions of Appendices I and II of this Convention to ensure theircontinuing relevance to common practices in the cinematographic industry, amendments may
be proposed by any Party, by the Committee of Ministers or by the Board of Management of
the European Support Fund for the Co-production and Distribution of Creative
Cinematographic and Audiovisual Works “Eurimages”. They shall be communicated by the
Secretary General of the Council of Europe to the Parties.

5

After having consulted the Parties, the Committee of Ministers may adopt an amendment
proposed in accordance with paragraph 4 by the majority provided for in Article 20.d, of the
Statute of the Council of Europe. The amendment shall enter into force following the expiry ofa period of one year after the date on which it has been forwarded to the Parties. During thisperiod, any Party may notify the Secretary General of any objection to the entry into force of
the amendment in its respect.

6

If one third of the Parties notifies the Secretary General of the Council of Europe of an
objection to the entry into force of the amendment, the amendment shall not enter into force.

7

If less than one third of the Parties notifies an objection, the amendment shall enter into force
for those Parties which have not notified an objection.

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8

Once an amendment has entered into force in accordance with paragraphs 5 and 7 of thisarticle and a Party has notified an objection to it, this amendment shall come into force inrespect of the Party concerned on the first day of the month following the date on which theParty has notified the Secretary General of the Council of Europe of its acceptance of theamendment. A Party which has made an objection may withdraw it at any time by notifying
the Secretary General of the Council of Europe.

9

If the Committee of Ministers adopts an amendment, a State or the European Union may not
express its consent to be bound by the Convention without accepting at the same time theamendment.
Article 18 – Signature, ratification, acceptance, approval

1

2This Convention shall be open for signature by the member States of the Council of Europe
and the other States Parties to the European Cultural Convention which may express theirconsent to be bound by:asignature without reservation as to ratification, acceptance or approval; orbsignature subject to ratification, acceptance or approval, followed by ratification,
acceptance or approval.

Instruments of ratification, acceptance or approval shall be deposited with the Secretary
General of the Council of Europe.
Article 19 – Entry into force

1

The Convention shall enter into force on the first day of the month following the expiration of aperiod of three months after the date on which three States, including at least two member
States of the Council of Europe, have expressed their consent to be bound by the Conventionin accordance with the provisions of Article 18.

2

In respect of any signatory State which subsequently expresses its consent to be bound by it,
the Convention shall enter into force on the first day of the month following the expiration of aperiod of three months after the date of signature or of the deposit of the instrument of
ratification, acceptance or approval.
Article 20 – Accession of non-member States

1

After the entry into force of this Convention, the Committee of Ministers of the Council ofEurope may, after consultation of the Parties, invite any State not a member of the Council ofEurope, as well as the European Union, to accede to this Convention, by a decision taken by
the majority provided for in Article 20.d, of the Statute of the Council of Europe, and by theunanimous vote of the representatives of the Contracting States entitled to sit on theCommittee of Ministers.

2

In respect of any acceding State or of the European Union, in the event of its accession, theConvention shall enter into force on the first day of the month following the expiration of aperiod of three months after the date of deposit of the instrument of accession with theSecretary General of the Council of Europe.

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Article 21 – Territorial clause
1

Any State may, at the time of signature or when depositing its instrument of ratification,
acceptance, approval or accession, specify the territory or territories to which this Convention
shall apply.

2

Any Party may, at any later date, by a declaration addressed to the Secretary General of theCouncil of Europe, extend the application of this Convention to any other territory specified in
the declaration. In respect of such territory, the Convention shall enter into force on the firstday of the month following the expiration of a period of three months after the date of receiptof the declaration by the Secretary General.

3

Any declaration made under the two preceding paragraphs may, in respect of any territory
specified in such a declaration, be withdrawn by a notification addressed to the Secretary
General. The withdrawal shall become effective on the first day of the month following the
expiration of a period of three months after the date of receipt of such notification by the
Secretary General.
Article 22 – Reservations

1

Any State may, at the time of signature or when depositing its instrument of ratification,
acceptance, approval or accession, declare that Article 2, paragraph 4, does not apply to its
bilateral co-production relations with one or more Parties. Moreover, it may reserve the rightto fix a maximum participation share different from that laid down in Article 9, paragraph 1.a.
No other reservation may be made.

2

Any Party which has made a reservation under the preceding paragraph may wholly or partly
withdraw it by means of a notification addressed to the Secretary General of the Council ofEurope. The withdrawal shall take effect on the date of receipt of such notification by the
Secretary General.
Article 23 – Denunciation

1

Any Party may, at any time, denounce this Convention by means of a notification addressedto the Secretary General of the Council of Europe.

2

Such denunciation shall become effective on the first day of the month following the expirationof a period of six months after the date of receipt of the notification by the Secretary General.
Article 24 – Notifications
The Secretary General of the Council of Europe shall notify the member States of the Councilof Europe, as well as the European Union and any State which has acceded to thisConvention or has been invited to do so, of:aany signature;b

the deposit of any instrument of ratification, acceptance, approval or accession;c

any date of entry into force of this Convention in accordance with Articles 19, 20 and 21;

dany reservation and withdrawal of reservation made in pursuance of Article 22;8

CETS 220 – Cinematographic Co-production (Revised Convention), 30.I.2017__________________________________________________________________________________eany declaration made in accordance with Article 5, paragraph 5;f

any denunciation notified in accordance with Article 23;gany other act, notification or communication relating to this Convention.

In witness whereof the undersigned, being duly authorised thereto, have signed thisConvention.
Done at Rotterdam, this 30th day of January 2017, in English and French, both texts being
equally authentic, in a single copy which shall be deposited in the archives of the Council ofEurope. The Secretary General of the Council of Europe shall transmit certified copies to theStates mentioned in Article 18, paragraph 1, as well as to the European Union and any State
which has been invited to accede to this Convention.

Appendix I – Application procedure
In order to benefit from the provisions of this Convention, the co-producers established in theParties must, in due time before principal photography or principal animation commences,submit an application for provisional co production status and attach the documents listed
below. These documents must reach the competent authorities in sufficient number for them
to be communicated to the authorities of the other Parties at the latest one month before
shooting commences:-a declaration of the situation of the authors’ rights;
a synopsis of the film;a provisional list of the technical and artistic contributions from each of the countries
involved;
a budget and a provisional financing plan;a provisional production schedule;
the co-production contract or a short-form agreement (“deal memo”) made between the
co-producers. This document must include clauses providing for the distribution of receipts
or territories between the co-producers.

Final co-production status is granted on completion of the film and after examination of thefollowing definitive production documents by the national authorities:-

a complete chain of title;a final script;
a definitive list of the technical and artistic contributions from each of the countries involved;a final cost report;
a definitive financing plan;
the co-production contract made between the co-producers. This contract must include
clauses providing for the distribution of receipts or territories between the co-producers.

National authorities can request any other document necessary for the evaluation of theapplication in accordance with national legislation.
The application and other documents shall be presented, if possible, in the language of thecompetent authorities to which they are submitted.

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The competent national authorities shall send each other the application and attacheddocumentation once they have been received. The competent authority of the Party with theminority financial participation shall not give its approval until the opinion of the Party with the
majority financial participation has been received.

Appendix II – Definition of a qualifying cinematographic work
1

A cinematographic work of fiction qualifies as an official co-production in the sense of
Article 3, sub-paragraph c, if with regard to the elements originating in the States Parties to
the Convention, it obtains at least 16 points out of a possible total of 21, according to the listof elements set out below.

2

Having regard to the characteristics of the co-production, the competent authorities may, after
consulting each other, grant co-production status to a work with a number of points that is lessthan the normally required 16 points.

Elements originating in States Parties to the Convention

WeightingpointsDirector

4

Scriptwriter

3

Composer

1

First role3

Second role2

Third role1

Head of Department – cinematography

1

Head of Department – sound1

Head of Department – picture editing

1

Head of Department – production or costume design

1

Studio or shooting location

1

Visual effects (VFX) or Computer-generated imagery (CGI) location

1

Post-production location

1
_____
21

N.B.
First, second and third roles are determined by numberof days worked.

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3

A cinematographic animation work qualifies as an official co-production in the sense of
Article 3, sub-paragraph c, if it obtains at least 15 points out of a possible total of 23,
according to the list of elements set out below.

4

Having regard to the characteristics of the co-production, the competent authorities may, after
consulting each other, grant co-production status to a work with a number of points that is lessthan the normally required 15 points.

Elements originating in States Parties to the Convention

WeightingpointsConception

1

Script2

Character design

2Music composition1

Directing2

Storyboard

2

Chief decorator

1

Computer backgrounds

1

Layout (2D) or layout and camera blocks (3D)
75% of expenses for animation in States Parties to theConvention

2
3

75% of the cleaning, inter-betweening and colouring in States
Parties to the Convention (2D)or
75% of the colouring, lighting, rigging, modelling and texturing inStates Parties to the Convention (3D)3Compositing or camera

1

Editing

1

Sound

1
______
23

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5

A cinematographic documentary work qualifies as an official co-production in the sense of
Article 3, sub-paragraph c, if it obtains at least 50% of the total applicable points according to
the list of elements set out below.

6

Having regard to the characteristics of the co-production, the competent authorities may, after
consulting each other, grant co-production status to the work with less than the normallyrequired 50% of the total applicable points.
Elements originating in States Parties to the Convention
Director

Weightingpoints4

Scriptwriter
CameraEditor1
2
2

Researcher
ComposerSound
Shooting location
Post-production location
Visual effects (VFX) or Computer-generated imagery (CGI)
location

1
1
1
1
2
1
_____
16

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