ELECRAFT® K3S
HIGH-PERFORMANCE
160 – 6 METER TRANSCEIVEROWNER’S MANUAL
Revision A1, May 26, 2015

Copyright © 2015, Elecraft, Inc.
All Rights Reserved

Contents
Receive Antenna In/Out ................................... 41	
  Buffered I.F. Output for Panadapters ............... 41	
  Using the 100-550 kHz Range.......................... 41	
  Using Transverters ............................................ 41	
  Scanning ........................................................... 42	
  A Note to K3S Owners .................................... 3	  Key to Symbols and Text Styles ...................... 3	  Quick-Start Guide ............................................ 4	  Introduction...................................................... 7	
  K3S Features ........................................................7	  Specifications ......................................................8	  Customer Service and Support ..........................10	
  Front Panel ..................................................... 11	  Control Groups ..................................................11	
  Display (LCD) ...................................................12	  LEDs ..................................................................13	
  Front Panel Connectors .....................................13	
  Primary Controls ...............................................13	
  Multi-Function Controls ....................................14	  
VFO Tuning Controls ........................................14	
  Keypad ...............................................................15	
  Memory Controls...............................................16	
  Message Record/Play Controls..........................16	
  RIT and XIT Controls .......................................16	
  Rear Panel ...................................................... 17	
  Connector Groups ..............................................17	
  Control and Audio Connections ........................18	
  Basic Operation ............................................. 23	
  Receiver Setup ...................................................25	
  Reducing Interference and Noise ......................27	
  Transmitter Setup ..............................................28	
  Voice Modes (SSB, AM, FM) ...........................30	
  
CW Mode ..........................................................32	
  Data Modes ........................................................33	
  Advanced Operating Features........................ 35	
  Text Decode And Display .................................35	
  CW-to-DATA ....................................................36	
  Tuning Aids: CWT and SPOT ..........................36	
  Audio Effects (AFX) .........................................37	
  APF and Dual-Passband CW Filtering ..............37	
  Receive Audio Equalization (EQ) .....................37	
  Transmit Audio Equalization (EQ) ...................37	
  SPLIT and Cross-Mode Operation ....................38	
  Extended Single Sideband (ESSB) ....................38	  General-Coverage Receive ................................38	
  
VFO B Alternate Displays.................................38	
  Alarm and Auto Power-On ................................38	
  Using the Sub Receiver .....................................39	
  Main and Sub Receiver Antenna Routing ..... 43	
  Preamp 2 Limitations........................................ 45	  Remote Control of the K3S............................ 46	
  Options and Accessories ................................ 47	
  Firmware Upgrades ........................................ 47	
  Configuration ................................................. 48	
  Crystal Filter Setup ........................................... 48	
  Module Enables ................................................ 49	
  Miscellaneous Setup ......................................... 50	
  
VFO A Knob Friction Adjustment ................... 50	
  VFO B Knob Friction Adjustment ................... 51	
  Real Time Clock Battery Replacement ............ 51	
  Calibration Procedures ................................... 52	
  Synthesizer........................................................ 52	
  Wattmeter ......................................................... 52	
  Transmitter Gain ............................................... 52	
  Reference Oscillator ......................................... 53	
  Front Panel Temperature Sensor ...................... 54	
  PA Temperature Sensor .................................... 54	
  S-Meter and RF GAIN Control ........................ 54	
  Menu Functions ............................................. 55	
  MAIN Menu ..................................................... 55	
  CONFIG Menu ................................................. 57	
  Troubleshooting ............................................. 69	
  Parameter Initialization..................................... 72	
  Module Troubleshooting .................................. 73	
  Theory Of Operation ...................................... 77	
  RF BOARD ...................................................... 77	
  KAT3A (ATU) and KANT3 ............................ 79	
  KIO3B (Audio/Digital I/O) .............................. 79	  Front Panel and DSP......................................... 79	
  KREF3 (Ref./2nd LO)........................................ 81	
  KSYN3A (Synthesizer) .................................... 81	
  Firmware ........................................................... 81	
  K3S Block Diagram .......................................... 83	  Appendix A: Crystal Filter Installation.......... 84	  Index .............................................................. 88	
  2

A Note to K3S Owners
On behalf of our entire design team, we’d like to thank you for choosing the Elecraft K3S transceiver.
The K3S is the same size and weight (~9 lbs.) as its predecessor, the K3. Yet nearly all internal modules havebeen redesigned, providing enhanced performance and many new features. These include:
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Ultra low-noise synthesizer for exceptional receiver dynamic range and transmit signal purity
USB port for convenient, single-cable computer control and digital audio interface (an RS232 port isprovided, as well, for station compatibility and P3 interfacing); pg. 18
Built-in second preamp for weak-signal work on 12, 10, and 6 meters; pg. 25
Three attenuator settings (5/10/15 dB) to optimize performance in strong-signal conditions; pg. 25
Improved audio circuitry for clean, low-distortion stereo speaker output; pg. 80
Low-loss ATU option with a true bypass relay, maximizing efficiency with every antenna
Accurate high-speed CW transmit timing, even when using SPLIT, RIT, and XIT
100-550 kHz coverage, including low-level 630-meter (472 kHz) transmit; pg. 41

Exterior changes include all-stainless-steel hardware, new display bezel, and a soft-touch VFO tuning knob.
With its unique combination of compact size and world-class performance, your new K3S can handle the mostdemanding operating situations, whether you’re at home or halfway around the world.
73,
Wayne, N6KR
Eric, WA6HHQ

Key to Symbols and Text Styles
Important – read carefully
Operating tip
LSB

LCD icon or characters
LED

.

.

Enter keypad function

XMIT

Tap switch function (labeled on a switch)

TUNE

Hold switch function (labeled below a switch; hold for 1/2 sec. to activate)

SQL

Rotary control without integral switch

PWR

Tap switch function of rotary control (labeled above a knob)

MON

Hold switch function of rotary control (labeled below a knob; hold for 1/2 sec.)

MAIN:VOX GN

Typical MAIN menu entry

CONFIG:KAT3

Typical CONFIG menu entry

3Quick-Start Guide
To get started using your K3S right away, please read this page and the two that follow, trying each of thecontrols. The text uses braces to refer to numbered elements in the front- and rear-panel illustrations below. For
example, {1} in the text refers to 1 . Later sections provide greater detail on all aspects of K3S operation.
The first thing you need to know about the K3S is that most switches have two functions. Tap (press
briefly) to activate the function labeled on a switch. Hold for about ½ to 1 second to activate the function
labeled below the switch. In the text, tap functions are shown like this example: M E N U . An example of a holdfunction is C O N F I G . Additional typographical conventions are shown on the previous page.
Try tapping M E N U {8}. This brings up the M A I N menu. Rotating VFO B {19} selects menu entries, whilerotating VFO A {22} changes their parameters. Tap M E N U again to exit the menu.

4Connections

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Connect a power supply to the DC input jack {26} (see Specifications, pg. 8).
On the K3S /100, a circuit breaker is provided on the fan panel for the 100-W stage {39}.
You can power an accessory device from the switched DC output jack {40} (1.0 A max).
Connect antenna to ANT1 {29} and ground {38}. With an ATU (pg. 24), you can also use
ANT2 {28}. AUX RF {27} is for the sub RX; see pg. 17. ANT3 {30} is used with theinternal 2-m module (K144XV). Connect an RX-only antenna to RX ANT IN {35}.

The Basics••

Press P O W E R {5} to turn on the K3S. If there are any error indications, refer to pg. 74.
T A P and H O L D Functions: Tapping briefly activates the function labeled on a switch.
Holding for about 1/2 second activates the function labeled below a switch.
Tap either end of B A N D {7} to select a band, and M O D E {6} for the mode. Set AF gainusing
AF {2}. Set
RF to max. Plug phones in at {3}. For S U B controls, see pg. 39.
The large knob {22} controls VFO A (upper display, {10}). The medium knob {19}controls VFO B (lower display, {11}). VFO A is main RX/TX except in SPLIT (pg. 38).
C M P / P W R is one of four multifunction controls {24}. Each has two primaryfunctions, indicated by green LEDs. The knob has a built-in switch; tap it to select either
C M P (compression level) or P W R (power output). Hold the knob in to access its
secondary function, M O N itor level. Tap again to restore the primary function.

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Filter Controls

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Voice Modes

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{1}

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CW Mode{37}

Data Modes

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{33}
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Rotate theSHIFT / LO CUT and
HI CUT / WIDTH controls {23} to adjust the filter
passband. Crystal filters F L 1 -F L 5 are automatically selected as you change the bandwidth. Tap either knob to select shift/width or hi cut/lo cut. (See filter info, pg. 85.)Hold
SHIFT / LO CUT to N O R M alize the bandwidth (e.g., 400 Hz CW, 2.8 kHz SSB).
Hold
HI CUT / WIDTH to alternate between two filter setups, I and II (per-mode).
Tap X F I L {13} to select crystal filters manually; this also removes any passband shift.
Hold M E T E R {8} to see C M P / A L C levels. While talking, set
MIC {25} for 4-7 barsof ALC, and
CMP for the desired compression. Then return to S W R / P W R (pg. 30).
Optional: Hold T E S T {6} for TX TEST mode; allows off-air TX adjustments (pg. 13).
Hold
CMP / PWR {24} to set speech M O N itor level; tap to return to C M P / P W R .
Hold V O X {7} to select PTT or V O X . Hold
SPEED / MIC to set VOX D E L A Y .
Details: VOX, pg. 31; TX EQ, pg. 37; MIC SEL, pg. 55; SSB/AM/FM, pg. 30.
SPEED {25} sets the CW keyer speed. Hold this knob to set semi-break-in D E L A Y .
Hold Q S K {7} to select full Q S K (pg. 32.). Hold V O X {7} to select hit-the-key CW.
Hold P I T C H {18} to set sidetone pitch. Hold
CMP / PWR to set sidetone M O N level.
Tap C W T {18} for tuning aid {9} (pg. 36). With C W T on, S P O T auto-spots (pg. 32).
To select CW text decode/display mode, hold T E X T D E C {18}; rotate VFO B (pg. 32).
CW keying is converted to DATA in F S K D and P S K D modes (below and pg. 36).
Hold A P F {13} to turn on audio peaking (APF) or dual-passband filtering (pg. 32).

Tap M O D E {6} until you see the D A T A icon turn on (see Data Modes, pg. 33).
Hold D A T A M D {18}. Use VFO B to select from: D A T A A (PSK31, JT65, and othersoundcard-based modes), A F S K A (soundcard-based RTTY), F S K D (RTTY via data
input or keyer), or P S K D (PSK via data input or keyer). VFO A selects data baud rate
for internal encoder/decoder, if applicable. A P F turns on an RTTY filter (DTF, pg. 34).
Hold P I T C H {18} to select mark tone and shift (for encoder/decoder and RTTY filter).
Hold T E X T D E C {18} to set up text decode. C W T shows tuning aid (pg. 36).
5

VFOs
and RIT/XIT

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R A T E {21} selects 10 or 50 Hz VFO/RIT tuning. See VFO menu entries, pg. 57.

{21} selects 1-Hz steps. C O A R S E selects large steps (MAIN menu, VFO CRS).
Tap F R E Q E N T {21} to enter frequency in MHz using numeric keypad & decimal point.
Tap return () to complete the entry, or tap F R E Q E N T again to cancel (pg. 15).
Hold S C A N to start/stop scanning. S C A N must be preceded by a memory recall (pg. 42).
The R I T and X I T offset knob {17} has LEDs that show -/0/+ offset (pg.16). Tap C L R{16} to zero the offset. Hold C L R for > 2 sec. to add the offset to VFO A, then zero it.
FINE

Transmit,
ATU, andAntenna
Controls•

Preamp andAttenuator••

Tap P R E {13} to turn on the preamp (pg. 25). On 12-6 m, preamp 2 can be used.
Hold A T T {13} to turn on the attenuator (pg. 25). Hold A T T for 2 seconds to go into the
MAIN:ATTEN menu entry; per-band attenuation level can be set to 5/10/15 dB.

NB, NR,and Notch•

Tap N B {12} to enable DSP and I.F. noise blanking. Hold L E V E L to set DSP NB level(VFO A) and I.F. NB level (VFO B). Fully CCW is OFF in both cases. (Pg. 27.)
Tap N R {12} to turn on noise reduction (saved per-mode). Hold A D J to tailor noise
reduction for the present band conditions (pg. 27).

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SPLIT,
BSET,
and SUB

Memories,
Messages, andDVR•

N T C H {12} turns on auto-notch in SSB mode, manual notch in others. M A N turns on
manual notch in any mode, and is also used to adjust manual notch frequency (pg. 27).

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Hold S P L I T {13} to enter split mode (RX on VFO A, TX on VFO B). If VFOs A and B
are on different frequencies in SPLIT mode, the Delta-F LED (∆ f ) will turn on (pg. 13).
Hold B S E T {13} to adjust VFO B / sub RX settings independently of VFO A (pg. 39).
Tap S U B {20} to turn on the sub receiver (pg. 39). VFO B controls its frequency.
Hold D I V {20} to engage diversity mode (pg. 40), which can reduce signal fading.
VFO B can be linked (slaved) to VFO A using CONFIG:VFO LNK menu entry.

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Menus andSwitch Macros

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Other
Features

The T X LED {4} indicates that the K3S is in transmit mode. The ∆ f LED turns on if the
RX and TX frequencies are unequal, e.g. S P L I T , R I T / X I T , cross-mode (pg. 13).
X M I T {8} is equivalent to PTT {36}. T U N E puts out full CW power in any mode.
A T U T U N E {8} initiates antenna matching (pg. 24). A T U enables or bypasses the ATU.
A N T selects A N T 1 or A N T 2 . R X A N T selects main or R X antenna (KXV3B module).

To store a frequency memory, tap V M {14}, then: tap M 1 - M 4 {15} to save a per-band
quick memory; or tap 0 - 9 to save a general-purpose quick memory; or rotate VFO A toselect from memories 0-99, then tap V M again to save. Tap M V to recall. (Pg. 16.)R E C and M 1 - M 4 {15} are also used to record & play voice/CW/DATA messages. The
KDVR3 option is required for voice messages and A F R E C / A F P L A Y (pg. 31).
M E N U & C O N F I G {8} access the MAIN and CONFIG menus. VFO B selects entries;
VFO A changes parameters. In general, CONFIG menu entries are used less often.
Tapping D I S P {8} within menus shows information about each entry on VFO B (pg. 55).

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Menu entries can be assigned to programmable switches P F 1 , P F 2 {16} and M 1 - M 4 {15}(pg. 55). These switches can also be used to create custom SPLITs, etc. (macros, pg. 23).

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RX and TX EQ (MAIN menu) provide 8 bands of receive/transmit equalization (pg. 37).
Tap A F X {18} to enable the selected audio effect (see CONFIG:AFX MD, pg. 55).
Tap D I S P {8} and use VFO B to show time, supply voltage, etc. on VFO B (pg. 38).
The ALARM function (MAIN:ALARM menu entry) can be used to remind you about acontest, net, or QSO schedule, and can even turn the K3S on at alarm time (pg. 38).
The KIO3B module provides a rich set of AF {34} and digital {31-33} I/O (pg. 17).

•6

Introduction
This comprehensive manual covers all the featuresand capabilities of the Elecraft K3S transceiver. We
recommend that you begin with the Quick-Start
Guide (pg. 4). The Front Panel section (pg. 11)
and Rear Panel section (pg. 17) are for generalreference. Basic Operation (pg. 23) and Advanced
Operation (pg. 35) fill in the details.

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Anytime you add new filters or options, refer to
Configuration (pg. 48) for setup instructions.

User Interface

K3S Features•

The K3S offers a number of advanced features toenhance performance and versatility:•

Receiver

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Up to five crystal roofing filters withbandwidths as narrow as 200 Hz (pg. 25)
Optional high-performance sub receiver,also with up to five crystal filters, allows
true diversity receive (pg. 39)
Second preamp for weak-signal work on
12-6 meters (pg. 25)
Three attenuation settings (pg. 25)
Narrow ham-band front-end filters, plus
wider band-pass filters for general-coverage
receive with KBPF3A option (pg. 47);
KPF3A also provides good sensitivity
down to 100 kHz, including 2200-m and630-m bands (pg. 41)

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Remote control via USB or RS232 (pg. 46)
Line-level analog audio jacks, plus digitalaudio via the USB port (pg. 17)
Firmware upgrades via the Internet (pg. 47)•

Front and rear mic and headphone jacks•

Full stereo audio with two speaker outputs••

32-bit I.F. DSP for advanced signal
processing, including full stereo and otherbinaural effects (pg. 37)
Passband tuning and programmable
DSP/crystal filter presets (pg. 14)
8-band transmit and receive EQ (graphic
equalization) (pg. 37)
Versatile digital voice recorder (DVR)
option (pg. 31)

Options and Accessories (pg. 47)

CW and Digital Modes•

Dual VFOs with independent modes,
bands, and filter settings (pg. 14)
100 memories with alphanumeric labels,
plus 4 quick-memories per band (pg. 16)
Dedicated message play controls for use in
CW, data, and voice modes (pg. 32)
Real-time clock/calendar with alarm andautomatic power-on (pg. 38)
Utility displays show voltage, current drain,
RIT/XIT offset, front panel temperature,
PA heat sink temperature, etc. (pg. 38)
Built-in menu help text (pg. 23)
Programmable switch “macros” toautomate often-used operations (pg. 46)
Custom “power-on banner” can bedisplayed on power-up (set up using the K3
Utility program)

Connectivity

DSP•

APF (audio peaking filter) for digging out
weak signals in CW mode (pg. 32)
Internal CW-to-RTTY or CW-toPSK31/PSK63 encoding for casual digitalmode QSOs without a computer (pg. 36)
CW decoded and displayed as you send –great for improving CW skills (pg. 35)
Automatic CW/data signal spotting andmanual fine-tuning display (pg. 32)

Built-in digital-mode demodulation withtext displayed on the LCD (CW, RTTY,
PSK31/PSK63) (pg. 35)
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ATU, sub receiver, digital voice recorder,
100-W PA, 2-meter module, externalreference lock, and other internal options•

Fully integrated P3 Panadapter, 500+ W
KPA500 amplifier and KAT500 automatic
antenna tuner, K3/0-Mini remote control
panel, and other accessories

Specifications
Some specifications apply only if the corresponding option modules are installed (see Options, pg. 47).

GENERAL
Frequency Range

Main and Sub Receivers: 100 kHz - 30 MHz and 44-54 MHz (see receiver Sensitivityspec). Transmitter: Amateur bands between 1.8 and 54 MHz (limits vary by country).
144-148 MHz with K144XV option. 630 m (472 kHz) at ~0.5 mW) with KBPF3A.
Expanded coverage of MARS allocations on request (U.S.).

Tuning Step Sizes

1, 10, 20, and 50 Hz fine steps; user-configurable coarse tuning steps (per-mode).
Direct keypad frequency entry in either MHz or kHz.

Frequency Memories

100 general-purpose memories; 4 scratch-pad memories per band.

Frequency Stability+/- 5 ppm (0-50 C) TCXO standard; +/- 1 ppm TCXO opt. (+/- 0.5 PPM typ., 0-50 C).
K3EXREF option locks TCXO to an external 10-MHz reference (+/- 1 to 2 Hz typ.).

Antenna Jacks

50 ohms nominal. One SO-239 supplied (2nd ant. jack supplied with KAT3A ATU).
BNC jacks for RX antenna in/out and transverter in/out (on supplied KXV3B module).

Modes

USB, LSB, AM, FM, CW, DATA (FSK D [direct], AFSK A [Audio], PSK D [Direct]
and DATA A [Audio]). Built in PSK, RTTY, and CW text decode/display.

VFOs

Dual VFOs (A and B) with separate weighted tuning knobs

Remote Control Port

USB-B port and RS232 port (RJ45 jack plus supplied RJ45 to DE9 adapter). USB port
can also provide line-level audio in/out on the same cable.

Audio I/O

Line-level isolated TX/RX audio interface (mono in, stereo out); front (1/4”) and rear
(1/8”) stereo headphone jacks; stereo speaker jack.

Transverter Interface

Transmit, 0 dBm typ.; XVTR IN/OUT connectors (BNC) on supplied KXV3B
module. KXV3B also includes connectors for K144XV internal 2-meter module.

Buffered IF output

BNC connector (KXV3B); see pg. 41 for interface recommendations.

Other I/O

Key/Keyer/Computer, Paddle, PTT In, and KEY Out. Band information output via
binary interface and AUXBUS on ACC connector.

Real-Time Clock/Calendar

Accuracy: Approx. +/- 20 ppm (+/- 2 seconds/day). U.S. and E.U. date formats.
Battery: 3 V coin cell (see pg. 51 for replacement instructions).

Supply Voltage
and Current

13.8 V nominal (11 V min, 15 V max). 17-22 A typical in TX for K3S/100, 3-4 A
typical in TX for K3S/10. 1.0 A typical RX (less sub receiver). When using reduced
supply voltage (< 12 V), power output should be reduced (e.g. 70 W at 11 V).
Recommended supply: 13.8VDC @ 25A, continuous duty for K3S/100; 13.8VDC @6A for K3S/10. For best results, use the supplied 5 foot (1.53 m) power cable. When abattery is used, both sides of the battery cable should be protected by fast-blow fuses.

Accessory DC output

Switched, 1.0 A max; 13 V no-load, 12 V max load (@ Vsupply = 13.8 V)

Weight (K3S/100)

Approx. 8.5 lbs. (3.8 kg). With KRX3A sub receiver option, 9.5 lbs. (4.3 kg).

Size

Enclosure only, 4.0 x 10.7 x 10.0 in., HWD (10.2 x 27.2 x 25.4 cm). With projections,
4.4 x 11.1 x 11.8 in. (11.2 x 28.2 x 30.0 cm).

8

RECEIVER (Main and Sub)*
Sensitivity (MDS)

HF, Preamp off: -133 dBm. Preamp 1: -138 dBm. Preamp 2 (12/10/6 m): -145 dBm.

(Typical values, in
500 Hz bandwidth)

Reduced sensitivity near 8.2 MHz (first I.F.) and from 44-49 MHz. Sensitivity
decreases gradually below 1.8 MHz due to intentional high-pass response at the T-R
switch. (Use RX ANT input, XVTR IN, or sub receiver’s AUX input to avoid thehigh-pass filter loss.) Note: KBPF3A option required for full general coverage(including 100 to 1700 kHz). Sensitivity falls off below 200 kHz; MDS typically-115 dBm at 137 kHz (2200 m band) using RX ANT IN or XVTR IN.

Dynamic Range

IMD3 at 5 and 20 kHz spacing, 500 Hz BW: ~100 dB. Blocking: ~140 dB.

Image and I.F. Rejection> 70 dB

Audio Output

2.5 W per channel into 4 ohms; typ. 10% THD @ 1 kHz, 2 W

S-MeterNom. S9 = 50 µV, preamp 1 on; user-adjustable

PreampPreamp 1 (all bands): 10 dB; preamp 2 (12/10/6 meters): 20 dB

Attenuator

Main receiver: 5/10/15 dB levels, settable per-band. Sub receiver, 10 dB.

Noise Blanker

Adjustable, multi-threshold/multi-width hardware blanker plus DSP blanker

Receive AF graphic EQ+/- 16 dB/octave, 8 bands

Filter Controls

IF Shift/Width & Lo/High Cut with automatic crystal filter selection* Receive specifications are guaranteed only within ham bands. Dynamic range measurements based on 400-Hz, 8-polefilter. See www.elecraft.com for full list of available crystal filters.

TRANSMITTER *Output Power

K3S/100: 0.1 W –100 W typ. Suggested max from 51-52 MHz, 85 W; 52-54, 70 W.
K3S/10 (or K3S/100 with PA bypassed): 0.1 W –12 W, HF-10 m; 8 W max on 6 m.
XVTR OUT: HF, -10 to +1.8 dBm; at 472 kHz (630 m), -3 dBm (see pg. 41).
K144XV: ~10 W, 144-148 MHz.
Note: K3S/100 output can be set up to 110 W. However, IMD and spurious products
are specified at 100 W, the recommended maximum (lower on 6 m; see above).

Duty Cycle

CW and SSB modes, 100% 10-min. 100W key-down at 25 C ambient

True RF Speech Processor

Adjustable compression

Transmit AF graphic EQ+/- 16 dB/octave, 8 bands

SSB TX Bandwidth

4 kHz max (> 2.8 kHz requires 6 kHz or 13 kHz crystal filter)

VOX

DSP-controlled, adjustable threshold, delay, and anti-VOX

Full and Semi CW Break-In

Adjustable delay; diode T/R Switching

SSB Carrier Suppression> 50 dB

Harmonic / Spurious Outputs> 50 dB below carrier @ 100W (> 60 dB on 6 meters)

CW Offset/Sidetone

300-800 Hz, adjustable (filter center frequency tracks sidetone pitch)

Mic Connector

Front panel, 8 pin; rear panel 3.5 mm; switchable DC bias

* Transmit specifications are guaranteed only within ham bands.

9

Customer Service and Support
Technical Assistance
You can send e-mail to k3support@elecraft.com and we will respond quickly – typically the same day
Monday through Friday. If you need replacement parts, send an e-mail to parts@elecraft.com. Telephone
assistance is available from 9 A.M. to 5 P.M. Pacific time (weekdays only) at 831-763-4211. Please use e-mailrather than calling when possible since this gives us a written record of the details of your problem and allows us
to handle a larger number of requests each day.

Repair / Alignment Service
If necessary, you may return your Elecraft product to us for repair or alignment. (Note: We offer unlimited email
and phone support, so please try that route first as we can usually help you find the problem quickly.)
IMPORTANT: You must contact Elecraft before mailing your product to obtain authorization for the
return, what address to ship it to and current information on repair fees and turn around times. (Frequently we
can determine the cause of your problem and save you the trouble of shipping it back to us.) Our repair location
is different from our factory location in Aptos. We will give you the address to ship your kit to at the time ofrepair authorization. Packages shipped to Aptos without authorization will incur an additional shipping charge
for reshipment from Aptos to our repair depot.

Elecraft 1-Year Limited WarrantyThis warranty is effective as of the date of first consumer purchase (or if shipped from the factory, the date theproduct is shipped to the customer). It covers both our kits and fully assembled products. For kits, before requesting
warranty service, you should fully complete the assembly, carefully following all instructions in the manual.
Who is covered: This warranty covers the original owner of the Elecraft product as disclosed to Elecraft at the timeof order. Elecraft products transferred by the purchaser to a third party, either by sale, gift, or other method, who is
not disclosed to Elecraft at the time of original order, are not covered by this warranty. If the Elecraft product is beingbought indirectly for a third party, the third party’s name and address must be provided at time of order to ensure
warranty coverage.
What is covered: During the first year after date of purchase, Elecraft will replace defective or missing parts free ofcharge (post-paid). We will also correct any malfunction to kits or assembled units caused by defective parts andmaterials. Purchaser pays inbound shipping to us for warranty repair; we pay shipping to return the repaired
equipment to you by UPS ground service or equivalent to the continental USA and Canada. For Alaska, Hawaii, andother destinations outside the U.S. and Canada, actual return shipping cost is paid by the owner.
What is not covered: This warranty does not cover correction of kit assembly errors. It also does not cover
misalignment; repair of damage caused by misuse, negligence, or builder modifications; or any performance
malfunctions involving non-Elecraft accessory equipment. The use of acid-core solder, water-soluble flux solder, or
any corrosive or conductive flux or solvent will void this warranty in its entirety. Also not covered is reimbursement
for loss of use, inconvenience, customer assembly or alignment time, or cost of unauthorized service.
Limitation of incidental or consequential damages: This warranty does not extend to non-Elecraft equipment orcomponents used in conjunction with our products. Any such repair or replacement is the responsibility of thecustomer. Elecraft will not be liable for any special, indirect, incidental or consequential damages, including but notlimited to any loss of business or profits.

10Front Panel
This reference section describes all front panel controls, the liquid crystal display (LCD), LEDs, and connectors.
Operating instructions are covered in later sections.

Control Groups

Primary Controls (pg. 13): These controls
provide basic transceiver setup, including power
on/off, band, operating mode, AF and RF gain andsquelch, ATU and transmit controls, display modes,
and menus.

Keypad (pg. 15): This group of switches isnumbered for use during memory store/recall anddirect frequency entry, but each switch also has
normal tap and hold functions. The upper row ofswitches are VFO controls. The remaining rows
control receive-mode and miscellaneous functions,such as noise reduction and text decode/display.

Display (pg. 12): The LCD shows signal levels,
VFO A and B frequencies, filter bandwidth,
operating mode, and the status of many controls.
The VFO B display is alphanumeric, so it can show
decoded text from digital modes (CW, RTTY,
PSK31/PSK63), as well as menus, time and date,help messages, etc.

Memories (pg. 16): These switches control
frequency memory store/recall, message
record/play, and audio record/playback (with the
DVR). M 1 - M 4 can also be used as up to eight
tap/hold programmable function switches.

Multi-Function Controls (pg. 14): The upper two
knobs set up receiver DSP filtering. The lower twocontrol transmit parameters, including keyer speed,
mic gain, speech compression, and power output
level. LEDs above each knob show which functionis active; tapping the knob alternates between them.
Pressing and holding these knobs (1/2 second or
longer) provides access to secondary functions.

VFOs (pg. 14): The large knob controls VFO A;
the smaller knob controls VFO B. The four
switches between the VFO knobs select tuning rates
and control related functions.
RIT/XIT (pg. 16): Three switches control RIT and
XIT on/off and clear (offset zero). The OFS knob
below the R I T / X I T switches selects the offset.

11

Display (LCD)
Multi-character displays: The 7-segment display(upper) shows the VFO A frequency. The 13segment display (lower) shows VFO B or text.

VFO Icons: The T X icon indicates which VFO isselected for transmit. In TX TEST mode, or when
TX is inhibited externally, T X flashes (see T E S T ).
Shows that VFO A or B is locked (see L O C K ).

Bar graph, receive mode: The bar graph normallyacts as an S-meter. If C W T is turned on, the righthalf of the S-meter becomes a tuning aid (pg. 36).

A

Bar graph, transmit mode: The bar graphnormally shows S W R and R F power output. The
R F scale will be either 5 and 1 0 (low power) or 5 0
and 1 0 0 (high power). In voice and data modes,
transmit scales can be changed to compression(C M P ) and A L C using M E T E R .

TX

TX
B

CW/data tuning aid on ( C W T , pg. 36)
DVR in use (A F R E C / A F P L A Y , pg. 16)
V O X VOX enabled (V O X , pg. 13)
Q S K Full break-in CW enabled (Q S K , pg. 32)
NB
Noise blanker on ( N B , pg. 15)
NR
Noise reduction on ( N R , pg. 15)
A N T Antenna 1 or 2 ( A N T , pg. 13)
RXRX antenna in use ( R X A N T , pg. 13)
A T T Attenuator on (A T T , pg. 15)
P R E Preamp on ( P R E , pg. 15); flashes whenpreamp2 is selected (pg. 25)
A T U ATU enabled (A T U , pg. 13)
RIT
RIT on ( R I T , pg. 16)
XIT
XIT on ( X I T , pg. 16)
S U B Sub receiver on ( S U B , pg. 39)
S P L T Split mode in effect (S P L I T , pg. 38)
CWT

Filter Icons:

I / IIXFIL

VFO B is the transmit VFO; see SPLIT

Other Icons:

Filter Graphic: This shows the approx. bandwidthand position of the receiver’s I.F. passband. See
Filter Passband Controls, pg. 25.

NTCH

VFO A is the transmit VFO

Notch filtering on ( N T C H , pg. 27)
Manual notch (M A N , pg. 27)
Shows selected preset (I / I I , pg. 14)
Crystal filter selection (F L 1 -F L 5 )Mode Icons:
Basic modes (L S B / U S B , C W , D A T A , A M , orF M ) are selected by tapping either end (Up/Down)of M O D E . Alternate modes (C W R E V , D A T A
R E V , A M - S , F M + / - ) are selected by holding
A L T . L S B and U S B are alternates of each other.
+ icon on in SSB modes indicates ESSB (pg. 38).
T indicates FM/tone, CW/DATA text decode, or
AM-Sync auto-tracking.

12

LEDs

Primary Controls

TX [Red] Turns on in transmit mode.

B A N D Tap left/right end to move among hambands. CONFIG:BND MAP disables bands. For“quick” band switching, see CONFIG:MEM 0-9.
V O X Selects voice-operated or CW keyingoperated transmit (V O X icon on), or PTT (V O X
icon off). Also see
D E L A Y (pg. 32) and CW
VOX auto-off control (CONFIG:CW WGHT).

∆ F [Yellow] The Delta-F LED turns on if
transmit and receive frequencies or modes aredifferent due to the use of SPLIT, RIT, or XIT.
[Green] Eight LEDs show which functions arein effect for the Multifunction Controls (pg. 14).
(-)( + ) RIT/XIT OFFSET If theSelects either full break-in (Q S K icon on) or
semi break-in keying, if VOX is selected in CW
mode. Also see
D E L A Y (pg.32).
QSK

OFS control is centered, or you tap C L R , the green
LED turns on (offset = 0). Otherwise, the yellow(-) or (+) LED will be on, indicating the direction of
the offset. See R I T , X I T , and C L R .

M O D E Tap the left or right end of this switch toselect the operating mode. When D A T A is selected,
the D A T A M D switch is used to specify DATA-A,
AFSK A, FSK D, or PSK D (pg. 33).

Front Panel Connectors
PHONES You can use either mono or stereo
headphones at either the front- or rear-panel
headphone jack. Also see A F X (pg. 37).

In L S B mode, switches to U S B (and viceversa). Also selects alternate modes, including:C W R E V , D A T A R E V , and A M - S (pg. 31). In
F M mode, selects + /- or simplex (pg. 31).
ALT

MIC An Elecraft MH2, MD2, Proset-K2, or othercompatible mic can be used (see pinout below). To
select the front- or rear-panel mic, and to turn bias
on/off, use the MAIN:MIC SEL menu entry.
Bias must be turned on for electret mics (e.g. MH2,
MD2, Proset). It must be off for dynamic mics (e.g.
Heil mics using HC4 or HC5 elements).

Selects TX TEST (T X LCD icon flashing);
allows key/mic test without actually transmitting.
TEST

P O W E R Turns the K3S on or off. Note: To
ensure correct save of operating parameters,
turn the K3S off before turning the power supply
off.
MENU

Displays MAIN menu (pg. 23).

CONFIG

Displays the CONFIG menu (pg. 23).

X M I T Manually-operated transmit. Places the K3S
into transmit mode (same as PTT, pg. 28).

Puts out a carrier at the present power level.
Also TUNE Power Level (pg. 29).
TUNE

Mic jack, viewed from front of K3

R X A N T Enables the receive antenna (pg. 24). If
the sub RX is on, holding R X A N T alternates
between the sub’s M A I N / A U X antennas (pg. 39).

1 Mic audio, low-Z (~600 ohms)
2 PTT
3 DOWN button *4 UP button *5 FUNCTION button *6 8V (10 mA max)
7, 8 Ground

D I S P Shows an alternate display on VFO B, suchas time, date, voltage, etc. (pg. 38).
M E T E R Selects voice transmit bar graph modes:
S W R and R F , or C M P and A L C (pg. 30).
A T U T U N E Matches the antenna (transmitting at
up to 10 W) using the KAT3A ATU (pg. 24).

* See CONFIG:MIC BTN menu entry.

Puts the ATU into normal mode (A T U iconon) or bypass mode (pg. 24).
ATUFP ACC This connector (RJ-45, 6 pins) is locatedon the bottom of the transceiver, near the VFO B
knob. At present it is used only for factory test.

Selects A N T 1 or 2 . In BSET mode with the
sub receiver on, selects M A I N or A U X antenna forthe sub receiver (pg. 39).
ANT

13Dual-Concentric Potentiometers

Transmit Controls

AF — SUB AF gain controls for main
receiver (inner, or smaller knob) and sub receiver(outer ring, or larger knob).

The primary functions of the transmit controls are:SPEED

RF / S Q L — SUB RF gain (and/or squelch)controls for main and sub receiver.

MIC
CMP

Two menu entries are provided to control squelch
directly: CONFIG:SQ MAIN, and SQ SUB. They
can also be used to reconfigure the RF gain controls
as squelch for either receiver, and to select FM-onlyor all-mode squelch. See Config Menu (pg. 57).

PWR

The present transmit mode determines whichprimary functions normally apply; for example, in
CW mode, theS P E E D / M I C control defaults to
S P E E D . You can always tap a knob to override
the present selection.

Multi-Function Controls

The secondary functions of these controls are:

The upper two multi-function controls set up
receiver filtering. The lower two controls adjusttransmit settings. Each control has two primaryfunctions (white labels) and a secondary function(yellow). Tap a control knob to alternate between
its primary functions, indicated by two LEDs. Holda knob (~1/2 second or longer) to select its
secondary function.

VOX delay (voice/data) or CW semibreak-in delay, in seconds
MON
Voice or data monitor level or CW
sidetone and alert tone level
You can optionally LOCK the MIC, CMP, andPWR control settings; see CONFIG:PWR SET.
DELAY

VFO Tuning Controls

Filter Controls

VFO A controls the upper frequency display. This
is normally the RX and TX frequency. In SPLIT
mode, VFO B controls the transmit frequency (pg.
38). VFO B also controls the sub receiver (pg. 39).

The primary functions of the filter controls are:SHIFT
LO CUTHI CUT
WIDTH

Shift passband either direction
Adjust low-frequency response
Adjust high-frequency response
Adjust width of the passband

The controls to the right of VFO A include:

As these settings change, so does the filter graphic.
Crystal filters are selected automatically (ormanually using X F I L , pg. 15). Also see Filter
Passband Controls (pg. 25).

Direct frequency entry (pg. 15)

SCAN

Start or stop scanning (pg. 42)

Select 1 Hz tuning for both VFOs
and RIT/XIT offset
C O A R S E Select coarse tuning rate (pg. 24)

Normalize passband

Normalizing the passband sets the bandwidth to a
fixed, per-mode value (e.g. 400 Hz in CW mode)and centers the passband. (Also see user-definednormal settings, N O R M 1 /2 , pg. 26.)
I/II

FREQ ENT

FINE

The secondary functions of these controls are:
NORM

Keyer speed in WPM, 8-50 (8-100
if CONFIG:CW QRQ is O N )Mic gain
Speech compression levelRF output power in watts (pg. 28)

Select preset I or II (per mode)

RATE

Select one of two normal tuning rates(10/50 or 10/20 Hz; pg. 24)

LOCK

Lock VFO A (use B S E T to lock B)

SUB

Turn sub receiver on/off (pg. 39)

DIVTurn diversity mode on/off (pg. 40)

To link VFO B to VFO A, set CONFIG:VFO
LNK to O N . This is not necessary in diversity
mode, where VFO A always tunes both receivers.

Presets I and II each hold a continuously-updated
DSP/crystal filter setup (pg. 26).

VFO A can optionally be coarse-tuned using
the RIT/XIT offset control if both R I T and X I T are
off . See CONFIG:VFO OFS.
14

Direct Frequency Entry

Receiver Control & Misc. (Lower Rows)

To jump to any frequency within the tuning rangeof the K3, tap F R E Q E N T , then enter 1 to 3 MHz
digits, a decimal point, and 0 to 3 kHz digits.
Follow this with Enter ( . . ) to accept or
F R E Q E N T to cancel. The decimal point is
optional if no kHz digits are entered, making it very
easy to get to the low end of most ham bands.

Receiver control functions normally apply to
VFO A/main receiver. If B S E T is in effect, they
apply to VFO B (and the sub receiver if turned on).
PRE

Preamp on/off; also selects preamp 2
if enabled on 12/10/6 meters (pg. 25)

ATT

Attenuator on/off (5/10/15 dB, perband; hold switch for 2 seconds to go
directly to MAIN:ATTEN setting)

AGC

AGC slow/fast (also see CONFIG:AGC DCY, AGC HLD, and other
AGC menu entries)

OFF

AGC off/on (when off, an AF limiteris available; see CONFIG:AF LIM)

XFIL

Select next available crystal filter(see CONFIG:FLx ON)

KeypadAPF

Keypad switches have the tap and hold functions
listed below. They are also used for selecting quick
memories 0-9, and for direct frequency entry.

CW: APF or Dual-passband filtering(see CONFIG:DUAL PB);
RTTY: dual-tone filtering (pg. 32)

NB

Noise blanker on/off (pg. 27)

LEVEL

Noise blanker levels (pg. 27); use
VFO A knob to setup DSP blanker,
and VFO B to setup I.F. blanker

NR

Noise reduction on/off (pg. 27)

ADJ

Noise reduction parameter adjust; use
VFO B knob (pg. 27)

NTCH

Notch filter auto/manual/off (pg. 27)

MAN

Copy VFO A frequency to VFO B;
tapping twice copies all other settings(also see CONFIG:VFO B->A)

Manual notch frequency (pg. 27); use
VFO B knob

SPOT

Spot tone on/off (manual), or autospot (if CWT is on; pg. 36)

Enable SPLIT receive/transmit

PITCH

CW sidetone P I T C H , PSK pitch,
FSK / AFSK MARK tone and shift(pg. 33), or FM tone setup (pg. 31)

CWT

CW/data tuning aid on/off (pg. 36);
turn on to use auto-spot

TEXT DEC

Text decode, CW or DATA (pg. 35);
use VFO B knob to select mode

AFX

Audio effects on/off (pg. 37); use
CONFIG:AFX MD to set mode

DATA MDDATA mode selection (pg. 33); use
VFO B knob

Examples:
1.825 MHz: F R E Q E N T 1 8 2 5 .
1.000 MHz: F R E Q E N T 1. .

.

50.100 MHz: F R E Q E N T 5 0 . 1.

For frequencies under 1 MHz, start entry with adecimal point. If 4 or more digits are enteredwithout a decimal point, a value in kHz is assumed.

VFO Controls (Upper row)
The upper row of numeric keypad switches is used
to set up VFOs A and B. Their functions are:
A / B

Exchange VFO A and B contents

BSET

Set up VFO B and sub RX (see below)

REV

Exchange VFO A and B temporarily(repeater RX/TX swap in FM-RPT)

A

B

SPLIT

If cross-mode operation is not allowed for thepresent VFO A and B modes, you’ll see S P L N / A
if you try to enable SPLIT. If cross-mode operationis allowed, the mode icon for VFO B will flash as awarning. Tap any switch to cancel the flash.
Holding B S E T allows VFO B (and the sub
receiver, if on) to be set up directly (pg. 39). As
long as B S E T is displayed, all VFO-related
controls and display elements apply to VFO B. An
alternative is to exchange VFOs with A / B , set up
VFO A, then exchange them again.
15

Memory Controls

Digital Voice/Audio Recorder (KDVR3)

Frequency Memories

The DVR can continuously record receive audio(up to 90 seconds). To start/stop audio record, hold
A F R E C . To start/stop playback, hold A F P L A Y .
Theicon flashes during DVR use.

The K3S has 100 general-purpose memories (0099), plus per-band memories (M1-M4 on eachband). Each memory holds VFO A and B
frequencies, modes, filter presets, antenna selection,and other settings. Each can have a text label of up
to 5 characters (A-Z, 0-9, and various symbols).

Playback position (0-90 sec.) is shown on the VFO
B display; “*” appears if you’re within the mostrecent segment. Use VFO B to change the position.

The Elecraft Frequency Memory Editor
software application can be used to simplify setup
and use of memories. Refer to our K3/K3S software
web page for details.

For DVR voice message record/play, see pg. 31.

To store a general-purpose memory (0 0 -9 9 ):First tap V M (VFO to Memory), then locate thedesired memory using the VFO A knob. The VFO
A frequencies stored in each memory will be shown
as you scroll through them. When you reach thedesired memory number, tap V M again to store,
or tap M V to cancel the operation.

Five switches provide record and playback ofoutgoing messages: M 1 , M 2 , M 3 , M 4 and R E C .
These switches provide single-tap play, hold-torepeat, and other functions that are convenient forcontests and for sending often-repeated text orvoice messages during QSOs. CW messages can beviewed and edited using K3 Utility, if desired.

To recall a general-purpose memory: Tap
M
V , then select memory 0 0 -9 9 using VFO A.
Tap M V again to exit.

For details on CW message record/play, see pg. 32.
The same messages can be used with CW-to-DATA(pg. 36). For voice message record/play, see Digital
Voice Recorder (pg. 31).

Message Record/Play Controls

Memories 00-09 are quick memories, accessible
with just two switch taps. These could be used to
get to a starting point in each of 10 ham bands.
Memories M 1 – M 4 are per-band quick memories.
For example, you might set up M 1 for each band’s
CW segment, M 2 for the SSB segment, etc.

M 1 through M 4 can alternatively be used as tap
or hold programmable function switches (pg. 23).

RIT and XIT Controls
RIT

RIT (receive incremental tuning) on/off.

PF1

Programmable function switch (pg. 23)

XIT

XIT (transmit incremental tuning) on/off.

PF2

Programmable function switch (pg. 23)

To erase one or more memories: While scrollingthrough memories to save or recall, tap C L R . Not
applicable to per-band quick memories ( M 1 - M 4 ).

CLR

Sets RIT/XIT offset to 0. Hold for 2
seconds to copy present RIT offset to VFO
A before clearing.

To add or change a memory’s text label: First tap
M
V , then select a memory (0 0 -9 9 ) using VFO
A. Next, rotate VFO B to select each label positionin turn as indicated by the flashing cursor. Use VFO
A to change characters. After editing, tap M Vagain. (Labels can be edited at any time, including
when you initially store a memory using V M .)The RIT/XIT offset control sets the offset for R I T
and X I T . Three LEDs above the control show at a
glance whether an offset is in effect (pg. 11).

Memories 00-09 can act as if they were bandswitches; see CONFIG:MEM 0-9.
To store or recall quick memories: Tap V M
or M V as before, but instead of rotating VFO A,
tap 0 - 9 or M 1 - M 4 .

If CONFIG:RIT CLR is set to U N D O O N ,tapping C L R will alternate between 0 . 0 0 and thelast non-zero offset selected, if any.

Adding an asterisk (*) at the start of a label
designates a channel-hopping memory (pg. 42).
16

Rear Panel
Connector Groups

The appearance of your rear panel may varydepending upon the options installed.

KIO3B (pg. 19): Provides computer, auxiliary
control, and audio connections. The USB
connector handles both digitized line-level audio
and data (pg. 18). The RS232/P3 jack (RJ45) isused with the P3 and/or for RS232 station control;an RJ45-DE9 adapter is included (pg. 19).

Antennas: ANT1 (SO-239) is standard. ANT2
(SO-239) is supplied with the KAT3A ATU option,
which includes an antenna switch controlled fromthe front panel. Both jacks are nominally 50 ohms
when the ATU is bypassed. AUX RF (BNC) is foruse with the KRX3A option; see pg. 39 and pg. 43.
ANT3 (BNC, on the KPA3A option panel) is theantenna jack for the optional K144XV 2-m module.

KXV3B: Provides a variety of RF I/O signals,
including receive antenna in/out (pg. 41),transverter in/out (pg. 41), a buffered I.F. output for
use with the Elecraft P3 (pg. 47), and internal I.F.
connections for the K144XV 2-m module. Preamp2, for weak-signal work on 12/10/6 m, is also
included on this module (see pgs. 25 and 45).

DC: 12 VDC IN jack is an Anderson PowerPole
connector rated at 30 amps. (See Specifications, pg.
8, for detailed power requirements.)

External preamps such as the PR6-10 are notneeded with the K3S. See Preamp 2 (pg. 25).

12 VDC OUT (RCA/Phono) provides up to 1.0 A(switched) for use with accessory devices.

Keying: PADDLE (1/4” jack) is the keyer paddle
input (see CONFIG:CW PDL). KEY (1/4” jack)can be used with a hand key, external keyer,computer, or other device. PTT IN (RCA/Phono) is
for use with a footswitch, etc. KEY OUT (RCA/
Phono) is the amplifier T-R relay keying output,
capable of keying up to +200VDC @ 5A.

Ground Terminal: A good station ground isimportant for safety and to minimize local RFI.
KPA3A: This option panel is blank in the K3S/10
except for ANT3 (see above). In the K3S/100, theblank panel is replaced with the fan panel shown,which includes a circuit breaker.

REF IN (SMA): External 10-MHz reference input
for use with the K3EXREF option module (seeCONFIG:REF CAL and CONFIG:XVn OFS).
17

Control and Audio Connections

To connect a computer to the K3S via USB:

The K3S provides a full complement of station
control and audio interfaces on the KIO3B panel.
These interfaces are described in this section.

•

Connect the supplied USB cable from the K3S
to any available USB port on your computer.
(See illustration below.)

USB Port (Control and Audio)•

If you also have a P3, connect it to theRS232/P3 port as shown, using an Elecraftmodel CBLP3Y cable.

•

Set the CONFIG:RS232 menu parameter to
U S B . Exit the menu.

•With the USB cable plugged in and the K3S
turned on, determine which COM or sounddevice ports have been assigned to the K3S.
This can be done from within applications. On
Windows PCs, an alternative is to locate theDevice Manager (Start > Control Panel >System > Hardware), and view its list of Ports.
When you plug in the USB cable from the K3S,
a new COM port will appear in the list.

•

If you plan to do PTT or CW keying from thecomputer, see PTT and Keying (next page).

The USB port can be used for computer-based
remote control. It also acts as the equivalent of abuilt-in USB sound card, eliminating the need forexternal converters and additional cables.
A single USB cable can handle all of these interface
requirements:•••

commands from logging/contesting softwareline-level audio input/output (audio is digitizedby the KIO3B’s USB interface)
PTT and CW keying (via “DTR” and “RTS”)

Most software applications will work with USB
instead of RS232. They will recognize thetransceiver’s USB port as a “COM” port, and/or asa sound device, selectable from within theapplication.

Optional: Using LINE IN/OUT jacks with USB
We recommend using the digital audio line-in/out
capability provided by the USB cable. The analog
LINE IN/OUT jacks can then remain unconnected.
See pg. 22 for further details on LINE IN/OUT.

An Elecraft P3 Panadapter can be connected
directly to the K3S even when the USB port is usedwith your computer. See details at right.

18

RS232 / P3 Panadapter Port (RJ45)

To connect a P3 Panadapter to the K3S, andoptionally connect a computer to the P3 (via
RS232):The RS232/P3 port can be used with an Elecraft P3
Panadapter, or with a computer’s RS232 interface.
In most cases it is preferable to connect thecomputer to the transceiver’s USB port as describedon pg. 18. However, RS232-only installations canalso be used, as discussed on this page.
An adapter cable to convert RJ45 to DE9 (RS232
standard, female) is supplied with the K3S (Elecraft#E980297). This adapter allows you to connect the
K3S to a P3, or to a computer via a user-supplied
RS232 cable, as shown below. The adapter cable’s
DE9 connections are shown on the next page. RJ45
jack connections are shown below.

•

Use the supplied Elecraft #E980297 cable toconnect the P3 to the K3S as shown (seeillustration below). At the K3S end, the cable
is connected to the RS232/P3 jack. At the P3,
the cable connects to the XCVR jack.

•A computer can optionally be connected via
RS232 to the P3’s PC jack as shown. The cable
is user-supplied. (See DE9 signals, next page.)•

Set CONFIG:RS232 to 3 8 4 0 0 .

To connect a computer to the K3S via RS232,
without a P3 Panadapter:If you plan to use the RJ45 jack for PTT or keying
from the computer, see PTT and Keying (pg. 20).
Typically such connections would be made at theDE9 end of the supplied adapter, rather thandirectly at the RJ45 jack.

19•

Connect the RJ45 end of cable # E980297 to
the K3S as shown below. Connect the DE9 end
to a computer, using an additional user-supplied
cable if required.

•

Set CONFIG:RS232 to the desired baud rate.

RS232 Adapter Cable

ACC (Accessory I/O)

The supplied Elecraft #E970297 cable converts
from RJ45 (at the K3S end) to DE9 (RS232
standard). The DE9 end can be connected to a P3’s
XVTR jack, or to a computer’s RS232 port. The
pinout for this end of the adapter is shown below.

ACC connector pinouts are listed below.
ACC is not a VGA video connector. The K3S
does not provide a video output. (The P3 does
have an SVGA video output option; see pg. 47.)

If an additional RS232 cable is required to reachyour computer, it can be wired straight-through,using as few as three wires (RXD, TXD, andground). DTR and RTS are optional.

Pin #This table uses EIA standard descriptions,which are from the perspective of the PC.
Pin #1,6,8,9Description
Not used

Description

1

FSK IN (see FSK Input)

2
3

AUXBUS IN/OUT (see KRC2 or XVSeries transverter instruction manual)
BAND1 OUT (see Band Outputs)

4

PTT IN (in parallel with MIC PTT)

5Ground (RF isolated)

6

DIGOUT0 (see Transverter Control)

72

RXD IN (data to PC from K3S)

3

TXD OUT (data to K3S from PC)

4

DTR (see PTT and Keying, below)

8

K3S ON signal (out) or TX INH (in)(see Transverter Control, TX INH)
POWER ON (see pg. 46)

5

Ground (RF isolated)

9

BAND2 OUT (see Band Outputs)

7

RTS (see PTT and Keying, below)

10

KEYOUT-LP (10 mA keying output)

11

DIGOUT1 (see DIGOUT1)1213Ground (RF isolated)
BAND0 OUT (see Band Outputs)

14

BAND3 OUT (see Band Outputs)

15

EXT ALC input (see External ALC,
pg. 29)

RS232 adapter cable DE9 connections (female)
Serial Port Setup: Set CONFIG:RS232 for thedesired baud rate. Software should be set up at thesame rate; 8 data bits, no parity, 1 stop bit.

PTT and Keying (via DTR and RTS)
In the K3S, these are not used as serial I/O
handshaking lines. Instead, the K3S can use these as
PTT IN or KEY IN (see CONFIG:PTT-KEY). The
default for both signals is inactive. Refer toapplication software documentation to determine if
it can use RS232 signal lines for PTT or keying.

ACC Connector (female, on KIO3B panel)
FSK Input (for FSK D Data Mode)
This is a TTL input pulled up to 5V, compatible
with PC outputs. When used with an RS232 signal
from the PC, a level translator is required.

Use these signals with caution. A computer
may assert DTR or RTS during power-up, causing
the K3S to transmit unexpectedly. If a computer orother device asserts RTS or DTR while you’reusing the PTT-KEY menu entry, the K3S will enter
TEST mode as a precaution, allowing you tochange the menu setting if required.

DIGOUT 1
DIGOUT1 is a per-band/per-antenna output forcontrolling external gear. See CONFIG:DIGOUT1.

20

With CONFIG:KIO3B set to H F - T R N , theBAND0-3 outputs follow the N O R table when HF6 m bands are selected, and the T R N table when atransverter band is selected.

Band Outputs (BAND0-BAND3)
BAND0-BAND3 are open-drain band selection
outputs, with internal pull-up resistors to 5 V. Theirbehavior is controlled by CONFIG:KIO3B (seebelow). Band data is based on VFO A’s frequency.

Transverter Control

In tables below, 0 = pulled to ground (0 V). 1 =floating to 5 V. External pull-up resistors can beconnected a voltage not exceeding 14 V.

Normally, when the K3S is turned on, a 5-VDC
logic signal appears on ACC pin 7 (K3S ON). This
could be used with Elecraft XV transverters as anenable signal (pin 8 of J6 on the transverter).

With CONFIG:KIO3B set to N O R , the BAND0-3
outputs are mapped based on the selected HF-6 mband as shown below. On transverter bands,
BAND0-3 will all be set to zero.
Band
160 m
80 m
60 m
40 m
30 m
20 m
17 m
15 m
12 m
10 m
6m

BAND3
0
0
0
0
0
0
0
0
1
1
1

BAND2
0
0
0
0
1
1
1
1
0
0
0

BAND1
0
1
0
1
0
0
1
1
0
0
1

However, pin 7 can alternatively be configured as atransmit inhibit input line for use in multitransmitter stations. (See TX INH, below.) In thiscase it is not available as a power-on signal for
Elecraft transverters. Instead, the transceiver’s 12VDC switched output could be used as a transverter
ON signal.

BAND0
1
0
0
1
0
1
0
1
0
1
0

For transverter keying, you can use KEYOUT-LP
signal (pin 10 of the ACC connector) or the KEY
OUT jack (RCA).
With KIO3B set to T R N or H F - T R N , the
DIGOUT0 line (ACC, pin 6) will output 0 V when
low power mode is selected for the current
transverter band (CONFIG:XVn PWR). At allother times, DIGOUT0 will be floating (Hi-Z).
TX INH (Transmit Inhibit Signal)

If CONFIG:KIO3B is set to T R N , BAND0-3
reflect the parameters of the CONFIG:XVn ADR
menu entry, as shown below. On HF-6 m they’re
set to 0. Addresses I N T . T R N 0 - 9 are used with
the internal 2-m transverter option (K144XV). I N T
T R N 0 sets all band outputs to 0, while I N T
T R N 1 - 9 have the same decodes as T R N 1 - 9 .

Pin 7 of the ACC connector can be configured as atransmit inhibit input by setting CONFIG:TX INH
to L O = I n h (or H I = I n h ). Holding pin 7 low (orhigh) will then prevent transmit. An external 2.2 to10 K pull-up resistor (to 5 VDC) is required.
If TX INH is set to O F F , pin 7 reverts to its
default output function, K3S ON (see above).

Transverter addresses are also sent to Elecraft XVseries transverters and the KRC2 band decoder
accessory via the AUXBUS line. Note: T R N 1 - 7
are sent as 1-7, but T R N 8 - T R N 9 are sent as 0.
ADR

BAND3

BAND2

BAND1

BAND0

TRN1
TRN2
TRN3
TRN4
TRN5
TRN6
TRN7
TRN8
TRN9

0
0
0
0
0
0
0
1
1

0
0
0
1
1
1
1
0
0

0
1
1
0
0
1
1
0
0

1
0
1
0
1
0
1
0
1

Elecraft KRC2 Universal Band Decoder
An Elecraft KRC2 can be used with the K3 toperform station switching functions; it includes sinkand source relay drivers for all bands. The KRC2
obtains band data via the AUXBUS rather BAND03. (See CONFIG:KRC2 for 6-m band mapping).
Refer to the KRC2 instruction manual for more
information.

21

SPKRS

LINE IN

STEREO or MONO; 4 to 8 ΩMONO, transformer-isolated; 600 Ω (nominal)

Plugging in external speaker(s) cuts off the internal
speaker. A stereo plug is recommended; tip is left
speaker, ring is right. If you must use a mono plug,
set CONFIG:SPKRS to 1 to disable right-channel
audio. (This will result in mono headphone output,
as well, if you also set SPKR+PH to Y E S . )The LINE IN jack on the K3S can be connected toyour computer’s soundcard output. (It is preferable
in most cases to obtain line-in audio via the USB
cable. See pg. 18.)

If the speaker is not working withheadphones unplugged: Locate the CONFIG:SPKR+PH menu entry. Tap 1 on the numeric
keypad until you see P H . R S W – (specifying
inverted logic for the rear headphone jack). This is
the default setting, required for the K3S.

The
M I C gain control on the K3S sets the line
input level when the MAIN:MIC SEL menu entry is
set to L I N E I N .

If a plug is inserted into LINE IN at the K3S, thisline input will override the USB port’s line-in.

The LINE IN level should be set carefully to
avoid transmit signal distortion due tosaturation of the input audio transformer. In
addition, computer sound card gain should be set 6
to 10 dB below the level at which the sound card’s
output stage starts clipping.

PHONESSTEREO or MONO; 16 Ω min. recommended
The front and rear-panel headphone jacks are bothisolated with series resistors. This allows you to use
mono phones on one jack and stereo on the other, if
required. You’ll need stereo phones for AFX (audio
effects) and stereo dual receive (with sub receiver).

LINE OUT
STEREO, transformer-isolated; 600 Ω (nominal)
LINE OUT can be connected to your computer’ssoundcard inputs. (However, this is not necessary if
you’re using the USB port for line-level audio.)
Normally, the left channel is main receiver audio,
and the right channel is sub receiver audio (ifapplicable). In this case the outputs are post-AGC
but pre-AF-gain.

You can plug in headphones and speaker(s) at
the same time, and hear audio in both, if you set
CONFIG:SPKR+PH to Y E S . However, if you set
CONFIG:SPKRS to 1 , setting SPKR+PH to Y E S
will result in mono output for both headphones andspeakers. You can set SPKRS to 2 if you use astereo plug at the external speaker jack, or if noexternal speaker is plugged in.

Use CONFIG:LIN OUT to set the level, or toswitch from a fixed-level setting to = P H O N E S .

MIC

LIN OUT settings above 10 are usually notnecessary. This can in some cases cause
overloading of either the output transformers in the
K3S or the PC soundcard inputs (typically on noise
peaks). Either could degrade the performance of
demodulation software.

MONO; hi- or low-Z
This jack accommodates an electret or dynamic
mic. Use MAIN:MIC SEL to select the rear panelmic (R P ). Tap 1 to turn on Low or High mic gain
range. Tap 2 to turn bias on/off (see pg. 30 forrecommendations based on mic type).

Some computers have only very high-gain,
high-impedance microphone inputs, not line-level
inputs. This can make it difficult to adjust theLINE OUT level, and can also worsen noise
pickup. If a high-impedance mic input must be
used, you can add a resistive attenuator between the
K3S and the mic input to improve signal-to-noiselevel.

For the front-panel mic only, additional microphonegain can be enabled by tapping 7 . Use this only forvery low-output mics. Not required for use with
the Elecraft MH2.
If the rear-panel mic has a PTT line, it can beconnected to either the PTT IN jack or the PTT
input on the ACC connector (pg. 20).

22

Basic Operation

MAIN Menu•

Tap M E N U to access the main menu. (Tapping
M E N U again exits the menu.)•

Use VFO B to scroll through the menu entries,
referring to the list on pg. 55 for details.

Once you’re familiar with the K3S, please go on to
Advanced Operating Features (pg. 35).

•

Change the value (or parameter) of any menu
entry using VFO A.

Using Tap/Hold Switches

CONFIG Menu

This section covers the fundamentals of K3S
receive and transmit operation. It’ll also get you
started using each of the major operating modes.

•

Most K3S switches have two functions. Tapping(pressing for less than 1/2 second) activates thefunction labeled on the switch. Holding (pressing
for more than 1/2 sec.) activates the function
labeled beneath the switch.

•

Initial Power-Up•

Connect a power supply (pg. 8); antenna or
dummy load; key, if used (pg. 16); mic, if used,and station ground (pg. 16).

•

Tap P O W E R to turn the K3S on. The LCD
should illuminate and show VFO A and B
frequencies. (Tapping P O W E R again turns
power off.)•

Hold C O N F I G (hold function of the M E N U
switch) to access the CONFIG menu. Holding
CONFIG for 3 seconds enters TERMinal mode
(for use with the K3/0-Mini panel; see pg. 47).
Use VFO B to scroll through the CONFIG
menu entries, referring to the list on pg. 57.

Menu Help
While in the menu, tapping D I S P shows help
information about the present menu entry. For mostentries, the default parameter value is shown inparentheses at the start of the help text.
Programmable Functions
Menu entries that you’d like quick access to can be
assigned to any of the 10 programmable function
switches, P F 1 , P F 2 , and M 1 – M 4 (tap or hold).
“F u n c t i o n ” menu entries can only be used via
such a switch assignment. (Examples, from the
CONFIG menu: VFO B->A and TTY LTR.)

The VFO B display can show a variety ofuseful parameters in addition to the normal
frequency display. To see these, tap D I S P (leftof the display), then rotate the VFO B knob.
The VFO B display will cycle through time,date, RIT/XIT offset, supply voltage, current
drain, etc. (pg. 38). You can use these displays
to make sure the supply voltage is in range (1115 V), and that current drain is about 1 amp(higher with sub receiver installed and turnedon). Tap D I S P to return to the normal VFO B
frequency display.

To set up a programmable function switch, first use
M E N U or C O N F I G to locate the target menu entry.
Next, hold P F 1 or P F 2 ; or, tap or hold M 1 – M 4 .
For example, if you tap M 2 , you’ll see M 2 T S E T(T for tap), while holding M 2 would show M 2 H
S E T (H for hold). The assigned switch can then be
used as a shortcut to access that entry. M 1 – M 4 caneach be assigned a tap and/or hold function.

Using the Menus

Any M 1 – M 4 switch that is used as aprogrammable function switch will not be available
for message play. To cancel a programmable switch
assignment and restore a previously-saved message,tap R E C , then tap the buffer you’d like to restore( M 1 – M 4 ), then tap R E C again.

There are two menus: M A I N and C O N F I G . Most
entries in the CONFIG menu are used for test,
configuration, and alignment, and are usedinfrequently.
Nearly all menu entries appear in alphanumericorder. In the few exceptions to this, adjacent entries
are still closely related.

MacrosProgrammable switches can also be used toautomate often-used sequences, or macros, such as“SPLIT, A>B, move VFO B up 5.” Refer to the
CONFIG:MACRO x menu entry, K3 Utility help,
or the K3 Programmer’s Reference.
23Band and Mode Selection

Using the VFOs

Tap either end of B A N D to select the desired hamband (160 through 6 meters). You can use direct
frequency entry (pg. 15), or recall a frequency
memory (pg. 16). Individual bands can be mappedout if not needed (see CONFIG:BND MAP).

VFO A is both the main receive and transmit
frequency, except during SPLIT, in which case
VFO B controls the transmit frequency (pg.38).
VFO B also controls the sub receiver (pg. 39).
Tap R A T E to select 10 / 50 Hz per step. The fasterrate can be changed using CONFIG:VFO FST.
The number of counts (or steps) per VFO knob turncan be changed using CONFIG:VFO CTS.
Tapping R A T E briefly flashes either the 10-Hz or
100-Hz digit to indicate slow or fast tuning.

Tap either end of M O D E to select the operating
mode. Hold A L T to select an alternate mode, if
required. This include C W R E V (pg. 32), D A T A
R E V (pg. 33), A M - S (synchronous detection, pg.
31), and F M + / - (FM repeater split, pg. 31).

For 1-Hz steps, tap F I N E ; for wider steps, use
C O A R S E (CONFIG:VFO CRS sets coarse steps
per-mode). When F I N E is in effect, a 1-Hz digit
will appear in the VFO A display. When C O A R S E
is in effect, the 10-Hz digit is not shown.

Antenna Selection and Matching
Main Antennas (ANT1 and ANT2)
With a KAT3A ATU installed, you can connect
antennas to both ANT1 and ANT2; tap A N T to
select. Holding A T U selects A U T O (autotune
enabled) or B Y P A S S mode. In AUTO mode
(A T U icon on), the antenna can be matched for best
SWR by tapping A T U T U N E . Up to 30 ATU
settings are saved for both antennas. See CONFIG:
KAT3 for instructions on clearing ATU memories.

Tap A B once to copy VFO A’s frequency to
VFO B. Tapping A B a second time within 2
seconds also copies VFO A’s filter setup, preampstate, and other settings to VFO B.
exchanges VFO A and B and their settings.
(Also see CONFIG:VFO B->A.) Pressing R E V
only exchanges the VFOs for as long as you holdit in. (Exception: When using an FM repeater
offset, R E V permanently swaps RX/TX.)
A / B

The A T U icon will flash briefly whenever new
settings are automatically loaded.
Tapping A T U T U N E a second time within 5
seconds starts a more extensive match search. The
ATU can even be manually tuned if desired. Refer
to CONFIG:KAT3A for details.

VFO B and the sub receiver can be set up directly
by holding B S E T . While B S E T is in effect, allicons and VFO-related controls apply to VFO B(and to the sub receiver, if turned on; see pg. 39).

Holding A N T allows names to be assigned to
ANT1 and 2 (e.g., ‘Y A G I ’ ). These will be flashedwhen you switch antennas. When editing names,
VFO B selects the character position to change;
VFO A cycles through available characters. Setting
the first character to “- ” disables name display.

Holding S U B turns on diversity mode (pg. 39).

RIT and XIT
The RIT/XIT offset control, at the far right, sets theoffset for R I T and X I T . The offset is shown on the
VFO B display as you adjust the control. Three
LEDs show whether the offset is 0, (-) or (+).

Receive-Only and 2-Meter Module Antennas
Tap R X to select the receive-only antenna (RXANT IN/OUT on the KXV3B module, pg. 41). The
KRX3A sub receiver either shares the main
receiver’s selected antenna or uses an auxiliary
input (see AUX RF, pgs. 39 and 43).

Tap C L R to zero the RIT/XIT offset. Tapping it asecond time restores the offset.
To copy the present RIT offset to VFO A, holdC L R for 2 seconds. VFO A will be moved to the
new frequency before the offset is zeroed.

If a K144XV 2-meter module is installed, connect
its antenna to ANT3. (See K144XV manual.)

If RIT/XIT are both off, the offset control cancoarse-tune VFO A (CONFIG: VFO CRS). Coarse
tuning steps are programmable by mode.

Automatic control of a KAT500 ATU
The K3S can automatically recall settings for aconnected KAT500 ATU as the VFO is tuned. See
CONFIG:KAT3A and the KAT500 owner’s manual.
24

Receiver Setup

Filter Passband Controls

This section explains how to use basic receivercontrols. Setup for specific operating modes is
described in later sections; see Voice Modes (pg.
30), CW Mode (pg. 32), and Data Modes (pg. 33).

As you rotate the filter controls (shift, width, lo cut,
hi cut), the associated parameter value is shown on
VFO B. The filter graphic shows the width andlocation of the passband, as illustrated below. In
these specific examples, segments that turned off asa result of control movement are shown in gray.

Also see Text Decode and Display (pg. 35) andAudio Effects (pg. 37).

Receiver Gain Controls
Use
AF — S U B (pg. 11) to set the desired mainand sub receiver volume level. There are two
overall audio volume ranges, LO and HI, which canbe selected using CONFIG:AF GAIN.

High Cut

Usually, both
RF — S U B controls will be set
fully clockwise (main and sub receiver RF gain).
You may wish to reduce RF gain to optimize
receiver response to high signal levels or noise.

Low Cut

Width

If sub RF gain has been configured as squelch
for both receivers, then main RF gain will control
RF gain for both. (See CONFIG:SQ MAIN.)

Preamp and Attenuator Controls

Shift

Tap P R E to turn on preamp 1 (+10 dB). On 12-6 m,
a second tap turns on preamp 2, a +20 dB, ultra
low-noise preamp for weak-signal work. The P R E
icon flashes when preamp 2 is selected. Use
CONFIG:PREAMP2 to enable preamp 2.

Filter passband controls don’t apply in FM
mode. SHIFT control granularity can be set toeither 10 or 50 Hz in CW and DATA modes; see
CONFIG:PB CTRL. In Sync AM mode (A M - S ),SHIFT selects the upper or lower sideband.

Hold A T T to turn on the attenuator. The main
receiver has 5/10/15 dB settings, selectable perband via the MAIN:ATTEN menu entry. (Holding
the ATT switch for over 2 seconds also takes you
directly to this menu entry.) The sub RX has a 10dB attenuator, switchable in BSET mode (pg. 39).

Each passband control has an integral switch. These
switches are used as follows:
Tapping the control alternates between the two
primary functions for that control, for example
HI CUT and WIDTH. This is indicated by thetwo LEDs above each control.

Crystal Filter Selection
You can install up to five crystal filters in the mainand sub receivers. For diversity receive, matchedfilters should be used (pg. 40). Bandwidths as
narrow as 200 Hz are available. See Appendix A forrecommended filter bandwidths for each mode.

Holding a control activates its secondaryfunction, labeled below the control.
Tapping or rotating a control shows the present
setting. To see the settings of both knob functions
without changing them, just tap the control twice.

To select a crystal filter manually, tap X F I L . The
F L 1 -F L 5 icons show the current selection. This
sets the DSP passband to match the crystal filter,and removes any passband shift or lo cut/hi cut. The
K3S will also select appropriate crystal filters
automatically as you adjust theSHIFT ,WIDTH ,L O C U T , andH I C U T controls.

The secondary functions of the controls are N O R M
and I / I I , described in the following sections.

25

Filter Presets (I/II)

Custom Settings (NORM1 and NORM2)

Each operating mode provides two “floating” filter
presets, I and II, which store filter settings on a
per-VFO, per-mode basis (excluding FM). They are
updated continuously as you change filter settings.
Fixed (non-floating) per-mode filter settings arealso available, as explained below.

In addition to the standard "NORM" values, you
can save two of your own setups in each mode, thenrecall them using the N O R M function. These setups
are referred to as NORM1 and NORM2.
To save a custom normalization setting:

You can alternate between the I and II settings byholding the I / I I switch. This is especially usefulwhen you’re alternating between wide and narrowsettings during contest or DX operation.

••

Filter Normalization (NORM)•

Standard Settings

set up the filter passband as desired for thecurrent mode
hold N O R M until you see < - S A V - > (3seconds)
rotate the knob slightly left or right to save it as
N O R M 1 or N O R M 2 .

(The arrows to the left and right of S A V are areminder that you can rotate the knob to get to thetwo user-defined normalization settings.)

To get quickly to a standard per-mode bandwidthand reset any passband shift or cut, hold N O R M(normalize). The normalized AF bandwidth is 400
Hz in CW and DATA modes, 2.7 or 2.8 kHz in SSB
modes, and 3.0 kHz for AM1.

To recall, hold N O R M until you see < - N O R - >(about 1/2 second), then rotate the knob left or rightto recall N O R M 1 or N O R M 2 .

Whenever you normalize the filter passband,two small "wings" appear at the left and right endsof the DSP filter passband graphic as shown below.

Narrow DSP Filter Selection
For bandwidth settings of 100 Hz or lower, the DSP
normally uses a type of filter that minimizes
ringing: the Finite Impulse Response or FIR filter.

Moving any DSP control makes the "wings"
disappear, as a reminder that the passband is nolonger normalized.

If you’d like steeper filter skirts, and don’t mind asmall amount of ringing, you can select Infinite
Impulse Response” or IIR filters for thesebandwidths. Locate CONFIG:FLx BW menu entry,
then tap 7 until you see I I R O N . Both main and
sub receivers will use the same setting.
IIR filters take longer to change from one
bandwidth to another, so you may hear audio
artifacts when adjusting the DSP controls. If this isobjectionable, use the default FIR filters.
Another narrowband filter alternative in CW
mode is APF (audio peaking filter). This filter has avery narrow peak (~30 Hz) but very little ringing
due to its broader skirts. See A P F , pg. 32.

1

In AM mode, the I.F. bandwidth required for goodfidelity is about twice the AF bandwidth. This is why a 6
kHz or wider crystal filter is needed to effectively use the
3 kHz NORM setting. If an FM filter is installed, it canbe used in AM mode to provide good fidelity at evenhigher AF bandwidth settings.

26

Reducing Interference and NoiseThe DSP noise blanker is in the 2nd I.F., where
it can’t be activated by signals outside the crystal
filter passband. It can be used with high-duty-cycle
and complex-waveform noise generated bycomputers, switching power supplies, lightdimmers, etc. The I.F. noise blanker is in the 1st
I.F., where it can use very narrow blanking widths.
It is most effective at blanking AC line noise,lightning, and other very broadband noise. Often, acombination of the two is the most effective.

The K3S provides several ways to cut interference,
including DSP noise reduction, manual and auto
notch, and noise blanking. Also see Audio Effects( A F X , pg. 37).
There are actually two noise blankers: one at thefirst I.F. (KNB3 module), and the other at the 2nd
I.F. (DSP).
Noise reduction, noise blanking, and notch
filtering should only be used when necessary. Thesesignal processing techniques are very effective, but
can introduce side effects. Sometimes, reducing thefilter bandwidth is the most effective interferencereduction strategy.

Noise Reduction
Noise reduction reduces random background noise
while preserving meaningful signals. It adds acharacteristic “hollow” sound to all signals.

Noise Blanking

turns noise reduction on. It doesn’t apply to
DATA or FM modes, or with AGC turned off.

Tap N B to enable I.F. and/or DSP noise blanking.

Hold A D J to display the NR setting, which issaved per-mode. Use the VFO B knob to tailor NR
for the present band conditions. In general, thehigher the number, the more aggressive the noise
reduction. Settings F 1 - 1 through F 4 - 4 arerecommended. F 5 - 1 through F 8 - 4 use a different
algorithm, where the - x part of the setting indicatesthe degree of mix between the DSP-processed andunprocessed signals (- 1 is about 50% processed, - 4
is 100%). A small M appears to remind you that a
M ixed setting is in effect, e.g. N R M F 5 - 1 .

NRNext, hold L E V E L to set the DSP level (VFO A)
and I.F. level (VFO B). You’ll initially see D S P
O F F and I F O F F on the VFO A and B displays.
Rotating VFO A clockwise will turn on the DSP
NB, showing D S P t 1 - 1 through D S P t 3 - 7 . The
first number shows the relative pulse integration
time, and the second shows the blanking level. The
higher the numbers, the more aggressive the DSP
blanking action.
Rotating VFO B clockwise will turn on the IF NB,
showing I F N A R n , I F M E D n , or I F W I D n ,where n is 1 -7 . N A R /M E D /W I D refers to narrow/medium/wide blanking pulse widths, and n is theblanking level. Higher n means more aggressive
blanking action. Use N A R width when possible tominimize strong-signal interaction effects.

Notch Filtering
Notch filtering removes interfering carriers whileleaving the desired signal relatively unaffected. The
K3S provides automatic and manual notch tuning.
Auto notch will find and remove one carrier, and insome cases more than one. (SSB mode only.)

The N B icon will flash slowly if the I.F.
blanker setting is too high for the present signal
conditions. If this happens, use a lower setting.

Manual notch removes one carrier at a specified
pitch, and can be used in CW and DATA modes aswell as voice. Since manual notching sets up a fixed(rather than adaptive) notch, it can even suppress akeyed carrier, i.e. a Morse code signal.

Both the DSP and IF blanking settings are saved ona per-band basis. If CONFIG:NB SAVE is set to
Y E S , the on/off status of N B will be also be saved
for each band.

Tap N T C H to turn on notch filtering (N T C H icon).
This turns on Auto notch in SSB mode, andManual notch in other modes (addsicon).
Holding M A N U A L directly selects manual notch inany mode. Adjust the manual notch frequency using
VFO B, then tap N T C H again to exit.

27

Transmitter Setup

VOX, PTT, and QSKTransmit Crystal Filter Considerations

In voice and data modes, use V O X to select VOX(pg. 13) or PTT (push-to-talk). PTT can still be
used even with VOX selected. Set VOX gain andanti-vox level using MAIN:VOX GN and
ANTIVOX.

For each operating mode, you must specify which
I.F. crystal filter to use for transmit using the
CONFIG:FLTX menu entry. See pg. 49 forrecommended per-mode transmit filter bandwidths.

In CW mode, use V O X to select either VOX or PTT
transmit. VOX enables “user-activated” (hit-thekey) transmit, while PTT requires the use of PTT
IN (pg. 17) or X M I T before CW can be sent.

Transmit signals are generated on the RF board,
so the set of filters installed on the RF board mustmeet the transmit bandwidth requirements of allmodes you plan to use. (Filters installed on the sub
receiver board are used only in receive mode.)

When the V O X icon is on in CW mode, you can
use Q S K to select full (Q S K icon on) or semi
break-in. For more on break-in keying, see pg. 32.

Transmit Status LEDs and Icons

Transmit Metering

Before putting the K3S on the air, you should befamiliar with the LEDs and LCD icons that pertain
to transmit operation (identified on pgs. 11 and 12).
The most important of these are reviewed here.

Normally, the transmit bar graph shows S W R and
R F (power output). The displayed S W R range is
1:1 to 3:1. The R F control range is 0 to 12 W in
1-W units, or 0 to 110 W in 10-W units. The power
scale changes from watts x1 to watts x10 at 13
watts.

The T X LED turns on during transmit. The ∆ F(Delta-F) LED turns on if the transmit and receive
frequencies differ (SPLIT / RIT / XIT).
The T X LCD icon and associated arrows show
which VFO is being used for transmit. If you plan
to use S P L I T mode, See pg. 38.

In voice modes, you can use M E T E R to switch tocompression (C M P ) and automatic level control(A L C ) metering. See pg. 30 for information on
adjusting the
M I C andC M P controls.

Multifunction Transmit Controls

If you have a KXV3B installed, you can use
milliwatt-level power output. This is intended foruse with transverters, but it can also allow the K3 toact as a very stable, very low-noise signal generator.
To route RX and TX through the XVTR jacks on all
bands, set CONFIG:KXV3B to T E S T .

There are two multifunction transmit controls. Theirprimary functions (mode-dependent) are:
SPEED
MIC
CMP
PWR

CW keyer speed in WPM
Mic gain
Speech compression level in dB
RF output power in watts (6 m andtransverter power settings are
independent of other bands; also see
Per-Band Power Control, pg. 29)

When milliwatt-level output is in effect, rotating
P W R will show milliwatts on VFO A, and dBm(dB relative to 1 milliwatt) on VFO B. The RF bargraph displays power output in tenths of a mW.

Off-Air Transmit Testing

The secondary (hold) functions of these controls
are:
DELAY

VOX or CW semi-break-in delay

MON

Voice/Data monitor or CW sidetone
and alert tone level.

The K3S allows you to listen to your CW keying,
test your mic and compression settings, or monitor
DATA tones, without transmitting an on-air signal.
To do this, hold T E S T (right end of the M O D E
control). While you're in TEST mode, the T X icon
will flash slowly as a reminder that you're off air.
Hold T E S T again to return to normal operation.

28

External ALC

Per-Band Power Control

External ALC should only be used to protect
your amplifier during operation into a failedload, or during a prolonged overdrive condition.
ALC should not be used as a way to clip orcompress fast voice peaks, or as a primarymeans of amplifier or K3S power output control.

If the CONFIG:PWR SET menu parameter is set
to N O R , output on all HF bands follows the present
setting of
P W R . (6 m and transverter bands
are always independent of HF.) If you change PWR
SET to P E R - B A N D , the power level will be saved
independently on each HF band. This is especially
useful with external amplifiers, or for those who use
QRP levels on one band and QRO on another.

DO NOT set the power level to maximum at
the K3S and allow the amp’s ALC to control
power output. This will result in splatter and key
clicks. Instead, adjust the drive on each band so it’s
just below the amp’s ALC activation level. (See
Per-Band Power Control at right.)

When per-band power control is used with an
external amplifier, you can adjust the drive ideallyon each band to prevent external ALC activation
during normal operation.

External ALC Setup

TUNE Power Level

External ALC is set up using the CONFIG:EXT
ALC menu entry. EXT ALC defaults to O F F . To
turn it O N , tap 1 . 6 meter external ALC can beturned on/off separately from HF.

If CONFIG:TUN PWR is set to N O R , power
output during T U N E will follow the present settingof
P W R . If you change the TUN PWR
parameter to a fixed power level, that level will be
used during T U N E , whether or not you’ve selected
per-band power control (see above).

The EXT ALC menu entry provides a default ALC
threshold of - 4 . 0 V, used by many amplifiers.

Transmitter RF Delay

If you select C M P /A L C metering at the K3,
external ALC activity is indicated by 8 or morebars. If you select S W R /R F metering, theC M P /A L C meter icons will flash during external
ALC activity to make you aware of the condition.

Some amplifiers have slow relays whose switchingtime must be accommodated to prevent key clicks
during CW operation. If your amplifier requires
more than 8 ms of relay switching time, you canincrease the delay from key-down to RF output at
the K3S using CONFIG:TX DLY.

Some experimentation may be required todetermine the proper setting of the amplifier’s ALC
output control, if one is provided. Start with thecontrol set for minimum ALC output. Then adjust
power output at the K3S such that the amplifier isjust reaching its maximum level on voice peaks (inSSB mode) or peak CW power in CW mode.

Use the smallest value of TX DLY that works
with your amplifier. Larger values will affect QSK
and keying timing at high code speeds.

Transmitter Inhibit
Some multi-transmitter stations require thattransmitters be able to mutually inhibit each other inorder to prevent simultaneous use of resources. The
transmit inhibit input at the K3S (TX INH) can be
set up for low- or high-active control (pg. 21).

Next, adjust the amplifier’s ALC output control
upward until ALC action just begins (or adjust the
ALC threshold of the K3S with the EXT ALC menu
entry). Finally, reduce the drive power just slightly
to provide some safety margin. The goal is to haveno amplifier ALC action during normal operation.
If you see an ALC indication at the K3S or theamplifier, reduce the drive power.

Fan Speed
The K3S/100 includes two large, quiet fans. Fan
speeds are normally selected automatically, but you
can manually select a minimum fan speed if
desired. See the CONFIG:KPA3 menu entry.

29

Voice Modes (SSB, AM, FM)

Mic Gain and Compression Settings

Mode Selection

See pg. 82 for a general discussion about voicemode ALC. To set up mic gain and compression:

Tap either end of M O D E to select L S B /U S B ,A M , or F M mode. Holding the left end of thiscontrol, A L T , selects an alternate mode. L S B andU S B are alternates of each other. The alternate for
A M is A M - S (synchronous AM, pg. 31). In F M
mode, A L T enables a repeater offset (pg. 31).

•

Set the monitor level as described earlier.

•

Optionally select TX TEST mode (pg. 13) or
set power to zero. This will not affect yourC M P /A L C bar graph readings.

Microphone Selection•

Set

The K3S provides both front- and rear-panel mic
jacks. Some operators use rear-panel jacks tominimize clutter around the front panel. Use
MAIN:MIC SEL to select the front panel (F P ) or
rear-panel (R P ) jack, low or high mic gain range,
and bias voltage for electret microphones.

•

Hold M E T E R to select C M P /A L C metering.

•

While speaking into the microphone in anormal voice, adjust
M I C for a peak ALC
meter indication of about 5-7 bars (see below).

The front-panel mic jack is compatible with the
Elecraft MH2, MD2, Proset-K2, and some other 8pin mics (see pg. 13 for pinout and bias settings).

••

The rear-panel jack is 3.5 mm (1/8”). The rearpanel PTT IN jack can also be used if required.

C M P to 0 .

AdjustC M P for the desired speechcompression level while speaking. The C M P
scale shows approximate compression level.

•

Hold M E T E R to select S W R /P W R metering.

Voice Monitoring•

If you were in TX TEST mode, return tonormal operation by holding T E S T .

Voice monitoring allows you to hear the way you’llsound on the air with your selected mic gain,
compression, and TX EQ settings. For voice
monitoring without any processing or delays, set
CONFIG:TX MON to F A S T .

•If you had
P W R set to 0, set it for thedesired level. Key the rig again and verify thatyou have about the right power output level.
You can LOCK the MIC, CMP, and PWR
settings if required; see CONFIG:PWR SET.

To set up voice monitoring:•

Hold T E S T to put the K3S in TX TEST mode,so you won’t be transmitting (pg. 13).

•

Set

•

Press your mic’s PTT switch or tap X M I T .

•While speaking into the mic, adjust M O N for
the desired level. (DVR playback level can be
set differently; see CONFIG:TX DVR).

•

Exit transmit (release PTT, or tap X M I T again).

•

You can either leave the K3S in TX TEST
mode or go back to normal transmit (holdT E S T ) as you follow the instructions in thenext section.

Power Level for Voice Modes
Voice power may be slightly different from the CW
power you see in when you use T U N E . Increasing
mic gain cannot correct for this. Instead, use the
CONFIG:TXG VCE menu entry (voice transmit
gain). A value of -1.5 to 1.5 dB should make voice
power about the same as when using T U N E .

M I C high enough to hear your voice.

If you’re using an external peak-reading
wattmeter, adjust power such that speech peaks
remain at or below your desired power level. The
RF bar graph may not capture all speech peaks, but
your actual output will be close to that set with
PWR .

30

Voice Mode VOX Setup

Transmit Noise GateV O X selects push-to-talk (PTT) or voice-operated

The noise gate function mutes mic audio below aselected threshold; this may be useful in noisy
environments. See CONFIG:TX GATE for details.

(VOX) transmit (V O X icon on). VOX hold time isset with
D E L A Y (pg 14).
MAIN:VOX GN (VOX gain) should be set to
trigger at normal speech level, but not in response
to incidental noise. Start with low settings (5-10).

AM Operation
A 6 kHz (AM) or 13 kHz (FM) crystal filter isrequired for AM transmit (pg. 49). Use 2.7 to 13
kHz filters for AM receive (6 kHz recommended).

MAIN:ANTIVOX sets VOX immunity to RX audio.
With the mic closer to the speaker than normal,
increase ANTIVOX until the K3S doesn’t switch to
TX mode when listening to a loud signal.

A L T switches from envelope detection to sync

detection (A M - S ). Sync AM can improve copy
during selective fading. When A M - S is in effect,
rotating
S H I F T selects the upper or lower
sideband; one or the other may improve copy.

SSB/CW VFO Offset
The K3S can automatically offset the VFO
frequency when you switch from SSB to CW mode,so other stations will hear the correct CW pitch. See
CONFIG:CW WGHT for details.

Digital Voice Recorder (DVR)

VFO A can automatically track AM signals in A M S mode. This can be useful when listening tosignals mistuned from a nominal frequency. Tap
S P O T to zero in on an AM signal one time; tap
C W T for full-time tracking (T icon turns on).

With the KDVR3 installed, you can record and playvoice messages as well as capture received audio.

Use S P L I T if you don’t want your transmit
frequency to change during auto-tracking.

Transmit Message Record and Playback

You can also listen to AM using LSB or USB
modes. A 2.7 or 2.8 kHz filter will work well.

Tap R E C to start recording, then tap any of M 1 M 4 . Remaining buffer time will be displayed as
you speak. Tap R E C again to end, or C L R to erase.

FM Operation
An FM crystal filter (at FL1) is required on the RF
board and/or sub receiver for FM use; see pg. 48.

Tap M 1 – M 4 to play. To cancel, tap R E C . If
you wish to manually assert PTT when using the
DVR, see CONFIG:KDVR3. MIC gain has noeffect during message play; the gain setting atrecord time is used. However, DVR monitor levelcan be set separately (see CONFIG:TX DVR).

FM mode can be disabled by setting
CONFIG:FM MODE to O F F .
To setup for repeater use:

To auto-repeat, hold (rather than tap) M 1 – M 4 .
MAIN:MSG RPT sets the interval (1-255 seconds).
Hold R E C to select bank 1 or 2 (4 messages each).
Receive Audio Record and Playback
Hold A F R E C to start/stop record. The
icon
will flash slowly while recording. Only the last 90
seconds of audio will be available for playback.
Hold A F P L A Y to start/stop play. The
icon
will flash quickly during play. A seconds counter
will be displayed on VFO B, along with an asterisk(*) if you’re within the most recent segment.
Rotating VFO B adjusts the playback position.

31•

Hold A L T to select simplex, TX up (+ icon), or
TX down (- icon). If an offset is in effect, R E V
swaps RX/TX frequencies and offset direction.

•

Set up repeater offsets with MAIN:RPT OFS,
and VFO step size using CONFIG:VFO CRS.

•

Hold P I T C H to set up tone encode. VFO A
selects pitch in Hz; VFO B turns tone encode
on or off. If 1 7 5 0 Hz is selected (for European
repeaters), an 0.5-s tone burst is sent at the startof each transmission if squelch wasn’t alreadyopen. Or, you can hold P I T C H during TX to
manually generate a tone burst of any length.

•

To see up voice and PL tone deviation, use
CONFIG:FM DEV.

CW Mode

SPOT and Auto-Spot

CW Normal and Reverse

When calling another station, you should try tomatch your frequency to theirs. To facilitate this,the K3S provides both manual and automatic
spotting for use with CW and DATA signals. See
Tuning Aids: CWT and SPOT (pg. 36).

Select CW mode by tapping either end of M O D E .
Hold A L T to alternate between CW normal (lower
sideband RX) and reverse (upper sideband RX).

CW Text Decode/Display

If you S P O T (or auto-spot) a CW signal (pg. 36),
then switch between CW normal and reverse, thepitch of the received signal should stay the same.

The K3S can decode transmitted and received CW
signals, displaying the text on VFO B (pg. 35). Thisis especially useful when you’re learning CW, or if
someone who doesn’t know CW is looking overyour shoulder while you make CW QSOs. It’s also
indispensable for CW-to-DATA operation (pg. 36).

Basic CW-Mode Controls
In CW mode,
M O N sets the sidetone volume.
This is also used as the volume level for alert tones,
such as those heard when switches are pressed.

APF and Dual Passband CW (DUAL PB)

Hold P I T C H to adjust the sidetone pitch. The peakin response of all filters will track this setting.

In CW mode, A P F turns on either a narrow audio
peaking filter (APF) or dual-passband CW (Dual
PB). See pg. 37.

Use A G C to select slow AGC (A G C - S ) or fast
(A G C - F ). Slow is fine for casual operating; fast is
useful during contests or rapid signal fading.

CW Message Record/Play

Hold Q S K to select full break-in (Q S K icon on) or
semi break-in operation. Q S K allows others to“break” your CW transmission by sending one or
two characters. With semi break-in selected (Q S Koff), the K3S returns to receive mode after a timedelay you set using
DELAY.

Messages can only be recorded using theinternal keyer or the message editor in K3 Utility,
not by using a hand key or external keyer.
If text decode is on (pg. 35), CW text sent
using the internal keyer is shown on VFO B (pg.
35). Use T E S T to check messages off-air (pg. 13).

V O X must be turned on in CW mode to enableboth full and semi break-in operation. If PTT is
selected (V O X icon off), transmit must be activatedusing PTT or by tapping X M I T . PTT is sometimes
activated using a foot switch.

There are 8 message buffers (2 banks of 4). Eachholds 250 characters. To switch banks, hold R E C .
Message Record: To start recording, tap R E C ,then M 1 - M 4 . The remaining buffer space will be
displayed as you send. Tap R E C again to stop.

For ultra-fast CW full break-in at up to 100
WPM, set CONFIG:CW QRQ to O N . If CW
QRQ is O F F , max speed using VOX is 60 WPM,
and PTT is required for 60 to 100 WPM.

Message Play: Tap M 1 – M 4 to play. To cancel,
tap R E C or hit the keyer paddle or key.
Message Erase: Tap R E C , then M 1 – M 4 , then
CLR .

Hold T E S T to place the K3S into TEST mode. This
sets power output to zero, useful for CW practice orfor off-the-air checking of recorded CW messages.

Auto-Repeat: To auto-repeat a message, Hold(rather than tap) M 1 – M 4 . MAIN:MSG RPT sets
the message repeat interval (1 to 255 seconds).

Other CW-Mode Configuration Settings

Chaining: Tapping M 1 – M 4 during playback
chains another message onto the message being
played. Holding a message switch during playback
chains a repeating message.

Use the CONFIG menu to set up iambic keying(CW IAMB), paddle norm/reverse (CW PADL),
and keying weight (CW WGHT). The CW WGHT
menu entry can also be used to enable automatic
SSB/CW VFO offset (pg. 31).

32

Data Modes

The following data modes are available:

You don’t need a computer to get started with data
modes on the K3: it can receive and display RTTY
and PSK31 (or PSK63) on its LCD (pg. 35). You
can transmit in data modes using your keyer paddle(see CW-to-DATA, pg. 36).

•

D A T A A can be used for all A udio-shift•

A F S K A also uses A udio-shift transmit, but is•

F S K D is identical to AFSK A, except that
D irect modulation is used, via FSK IN, ASCII,

Using a computer for data modes is also very
convenient on the K3S, as described below. If
you’re using AMTOR or PacTOR, also see pg. 34.

Data Mode Connections
You can transmit and receive data with a computerin three ways:•

Connect your soundcard I/O to the K3S. Use
MAIN:MIC SEL to use LINE IN/OUT, frontpanel mic jack, or rear-panel mic jack. You can
use VOX or PTT to control transmit.

•

Use the soundcard in receive mode, but use a
PC I/O line to do direct FSK (or PSK)
modulation. Connect the PC’s I/O line to the“FSK IN” line on the ACC connector. (If thissignal originates from an RS232 port, it will
require RS232-to-TTL level conversion.)•

Send and receive ASCII text via the RS232
interface. To send, insert text into a “KY”
command (e.g., “KY CQ DE N6KR;”). To
receive, send “TT1;” (text-to-terminal). “TT0;”
turns it off. See the K3/KX3 Programmer’s
Reference, available at www.elecraft.com.

transmit modes, including PSK31/PSK63,
MFSK, AFSK, etc. The VFO displays the
suppressed-carrier frequency, just as when SSB
modes are used for data. USB is “normal” for
DATA A. Compression is always set to 0.
optimized for RTTY. The VFO displays the
RTTY mark frequency, and LSB is “normal”.
The built-in text decoder can be used in thismode (pg. 35), as well as the dual-tone RTTY
filter (DTF, pg. 34).

or the keyer paddle (pg. 36). The text decoder
can be used in this mode (pg. 35), as well as thedual-tone RTTY filter (DTF, pg. 34).
•

P S K D is a D irect-transmit mode for PSK31

and PSK63. It’s the only mode that decodesand displays PSK signals with the text decoder(pg. 35). Like FSK D, PSK D lets you transmit
via FSK IN, ASCII, or the keyer paddle (pg.
36). You can also use auto-spot with PSK D if
the tuning aid is displayed ( C W T , pg. 36).

The D A T A M D display also shows the data speed inbps on VFO A. This is relevant only if the text
decoder is on. In AFSK A, FSK D, and PSK D
modes, multiple data speeds are available; selectthem by rotating VFO A.
Also shown is the current sideband (L S B or U S B ).
If this sideband is considered “data reverse” for thepresent mode, then R E V also appears. You can use
A L T to switch to the other sideband if required.
R E V is not recommended with CW-to-DATA (pg.
36).

Data Mode Selection
Soundcard-based data communications can be doneusing LSB or USB mode. However, DATA modes
offer several benefits not available in SSB modes.
If you prefer to use LSB or USB, you’ll need tomanually set
C M P to 0 to prevent data signal
distortion. Refer to your data communications
software manual to determine how to set up the
VFO and computer for accurate frequency display.

Mark/Shift and Pitch Selection (PITCH)
Hold P I T C H to view and change the received marktone and shift (AFSK/FSK) or center pitch (PSK).
In AFSK/FSK modes, you have a choice of marktone/shift combinations. Use VFO A to select atone/shift combination that’s compatible with yoursoftware. A lower mark pitch makes signal tuningeasier when using the text decoder.

To use DATA modes, tap M O D E until the D A T A
icon appears. Next, hold D A T A M D . The present
data mode is shown on VFO B, and can be changed
by rotating the VFO B knob.

33

RTTY Dual-Tone Filter (DTF)

AMTOR / PacTOR

Hold A P F to turn on the RTTY dual-tone filter(DTF). This creates two filters, one centered on themark tone, the other on space, which can often
improve RTTY copy. The filter graphic changes toreflect this (see below).

AMTOR, PacTOR and similar modes can reliablytransfer data – including e-mail – via HF radio
networks. New modes are under development thatmay provide even greater reliability. Applications
include maritime mobile and emergency
communications where the light weight andexcellent performance of the K3S are advantageous.
General information regarding K3S set up for thesemodes appears below.

When DTF is on, the range of the
WIDTH
control is adjusted to better match thecharacteristics of the filter. SHIFT, LO CUT and HI
CUT are disabled.

•

Frequency stability is important in these modes.
A 1-PPM TCXO is available (KTCXO3-1).

•

Connect modem audio I/O to the LINE OUT
and LINE IN jacks at the K3S (for LINE OUT,
use the TIP contact of a stereo plug). A PTT
connection is also usually required. If themodem operates from 12 V (1.0 A or less), it
can be powered from the K3S (12 VDC jack).

•

Set up the modem (if applicable). Settings mayvary depending on the data mode being used.

•

Locate CONFIG:LIN OUT and set it to 10. A
different level may be better for your modem.

•

The SYNC DATA feature can be used tominimize T-R delays (it forces the same crystal
filter to be used for both receive and transmit).
Locate CONFIG:SYNC DT. Assign it to a
programmable function (e.g., by holding P F 1 ),then exit the menu.

•

Tap M O D E to select D A T A .

•Select an appropriate data sub-mode by holding
D A T A M D , then rotating VFO B. D A T A A(generic data mode, USB) is used in most cases;
see pg. 33 for alternatives, such as A F S K A .
Tap A F X to exit the parameter display.

•

Locate MAIN:MIC SEL and set the audio
source for data to L I N E I N . Exit the menu.

•

If you wish to use SYNC DATA, turn it on byholding P F 1 (or the switch used above). The– S icon will appear. A CONFIG:PTT RLS
value of 10 to 12 may be ideal in this case.

•Some modes may have very high duty cycles;
use less than full power output if required.

The dual-tone filter can be used with A F S K A andF S K D . The on/off state of DTF is saved
independently for each of these modes.

FSK Transmit Polarity
You can invert the logic level of the FSK IN line in
FSK D mode using CONFIG:FSK POL. Thisshould be used only with external keying via
computer programs such as MMTTY; it is notrecommended for use with CW-to-DATA (pg. 36).

Mic Gain, ALC, and Monitor Level
If you’re using an audio-shift transmit mode (L S B ,U S B , D A T A A , or A F S K A ), you’ll need to set
the
M I C level while watching the ALC meter.
You can use the same procedure outlined for voicemodes (pg. 30), except that speech compression
should not be used.
In all cases (SSB modes as well as DATA), you canoptionally use
M O N to monitor your data
signals. The procedure given for voice modes canbe used (pg. 30). Voice-mode and DATA-modemonitor levels are independent.
The
M I C setting does not apply to directmodulation data modes (F S K D and P S K D ),since no audio is used for transmission. However,you can still use
M O N to monitor the signals.

Refer to your application software for instructions
regarding email set up and other operating details.

34

Advanced Operating Features
Text Decode And Display

DATA Text Decode Setup

The K3S can decode CW, PSK31 or PSK63, and
RTTY. Decoded text is displayed on VFO B. In
data modes, you can use the internal keyer totransmit PSK and RTTY signals (pg. 36).

To set up text decode for DATA modes:

Decoded text can also be displayed on an SVGA
screen connected to a P3 Panadapter, or using K3
Utility’s Terminal feature.
When text decode is enabled, rotating the
RIT/XIT offset control doesn’t display the offset.

•

Set M O D E to DATA. Then hold D A T A M D
and select either A F S K A , F S K D , or P S K D
mode using VFO B.

•

Use VFO A to choose a data rate for A F S K A/F S K D (45/75 bps) or P S K D (31/63 bps).

•

Tap A F X to exit the data-mode display.

•

For A F S K A or F S K D , hold P I T C H andselect the desired mark/shift setting. The lowest
mark tone selection (915 Hz) may be more
pleasant to listen to than higher tones. (Thepitch for P S K D mode is fixed at 1010 Hz.)Tap S P O T to exit the pitch display.

•

Hold T E X T D E C , then select O N using VFO
B. Below the D A T A icon you should now see aT, showing that text decode is enabled.

•

Adjust the threshold (T H R ) using VFO A. Start
with T H R 0 . Higher settings prevent text
decode on weak signals or noise. Tap C W T toexit text-decode setup.
You’ll probably want to turn on C W T as atuning aid (pg. 36). This also enables auto-spot(applicable to PSK but not RTTY).

CW Text Decode Setup
To set up CW text decode:•

Set M O D E to CW.

•

If a special VFO B display mode is in effect,
cancel it by tapping D I S P .

•Hold T E X T D E C , then select C W 5 - 4 0(lower WPM range) using VFO B. Below theC W icon you’ll see a T (text decode enabled).
The T X O N L Y setting decodes only CW you
send (internal keyer), so the T does not appear.

•

Adjust the threshold (T H R ) using VFO A. Try
A U T O or 1 - 6 (also see tips below). Tap C W T
to exit text-decode setup.

••You’ll probably want to turn on C W T as atuning aid (pg. 36). This also enables auto-spot.

DATA Mode Text Decode Tips:•

Use F I N E tuning with P S K D . S P O T (orauto-spot) a signal first, then tune slowly in 1Hz steps until recognizable words appear.

•

If you call CQ using PSK31/PSK63 mode, keep
RIT on so you can fine-tune responding stations
without moving your transmit frequency.

•

In difficult conditions, reduce
W I D T H to
the per-mode minimum (typically 50 Hz for
PSK, 200 Hz for narrow-shift RTTY).

•

In A F S K A and F S K A modes, the RTTY
dual-tone filter may help (DTF, pg. 34).

•

RTTY text may shift to figures due to noise.
If you assign CONFIG:TTY LTR to a
programmable function switch, you can tap it
to quickly shift back to letters.

CW Text Decode Tips:•

S P O T (or auto-spot) a signal first, then tune
slowly until recognizable words appear.

•

Noise or fading may result in invalid character
decodes, causing asterisks (* ) to appear. In
difficult conditions, reduce
W I D T H to as
low as 50 Hz (100-200 Hz for faster CW).

••

To optimize text decode, use manual thresholdsettings. Start with T H R 5 . With C W T on,
adjust the threshold so that the C W T bar
flashes in sync with the received CW signal.
To decode very fast CW, use C W 3 0 - 9 0 .

Received CW Speed Display:
Received CW speed (from about 10-70 WPM) canbe displayed using the W P M C H K setting. The left
end of the display shows WPM, e.g. 2 0 w C Q D X .
35

CW-to-DATA

Tuning Aids: CWT and SPOT

You can use data modes completely stand-alone(i.e., without a computer). Just turn on text decode(pg. 35), and send CW using the internal keyer.

Tapping C W T turns the upper half of the S-meter
into a CW/DATA tuning aid. If no bar appears in
the tuning area, the threshold may be set too high;hold T E X T D E C and select a lower T H R value.
When a received CW or PSK31/PSK63 signal iscentered in the passband, the CWT display willappear as shown below.

CW messages can also be used for CW-to-DATA.
This makes it easy to answer a CQ, send a contest
exchange, or play a “brag tape” during a QSO.
To set up for CW-to-DATA operation:•CWT
S1 3 5 7 9Referring to pg. 35, use M O D E , D A T A M D ,T E X T D E C , and P I T C H to set up text decode.
Select either F S K D or P S K D mode. A small
T should appear below the D A T A icon.

•

Try tuning in a few stations (turn on C W T ; pg.
36). Tips for improved copy in tough bandconditions are provided on pg. 35.

•

Plug a keyer into the PADDLE jack. The firsttime you try CW-to-DATA, set
P W R to 0
watts or use TX T E S T mode (pg. 13).

•All CW you send will be transmitted as data
and displayed on VFO B. You’ll hear a CW
sidetone, as well as PSK or FSK tones. Adjust
the data monitor volume using
M O N . To
adjust the CW sidetone monitor level,
temporarily switch back to CW mode.

•

When calling CQ, use RIT to tune in stations
that reply (especially important for P S K D ).

•Whenever you pause, the K3S will remain in adata idle state for about 4 seconds before
dropping. To extend the timeout, send BT,
which is not transmitted as data.

•

To cut the idle transmit period and exit toreceive mode, send ". . - - " (IMmediately exit).
This character is not transmitted as data.

•

When recording CW messages for use during
CW-to-DATA, you can add ". . - - " at the end to
cut the idle time when they’re played back.

SWR

2 3

RF

50

100

In RTTY modes (A F S K A and F S K D ), mark andspace tones are represented by three bars each, withmark to the left of the CWT pointer, and space tothe right. When only weak signals are present in themark/space filters, 1-3 bars will flicker on eitherside, leading to a “ghosting” effect, as shown here.
CWT
S1 3 5 7 9

SWR

2 3

RF

50

100

As you tune the VFO close to an RTTY signal, thenumber of bars will initially increase on one side or
the other. Keep tuning until you see a rough balance
between left and right bars. (Also see DTF, pg. 34,
and CONFIG:TTY LTR.)

Manual SPOT
If C W T is off, you can tap S P O T , then manuallytune the VFO until the received signal’s pitch
matches the sidetone. If you find pitch matchingdifficult to do, try auto-SPOT (below).

Auto-SPOT
To use auto-spot, first turn on C W T . Use a narrow
bandwidth (200 to 500 Hz). Tapping S P O T willthen automatically tune in a received signal that
falls within the CWT display range.

The CW abbreviation for “and” (ES) is not usedin data modes and might lead to confusion. Other
prosigns can be used, including KN, SK, and AR.

Auto-spot may not be usable if more than one
signal is in the CWT range, if the signal isextremely weak, or if the code speed is very slow.

If you set VFO B for CW mode rather than
DATA mode and use cross-mode S P L I T (pg. 38),
your CW will not be converted to DATA.

Auto-spot coarse-tunes PSK signals, but you’ll needto fine-tune them in 1-Hz steps (F I N E ).

36

Audio Effects (AFX)

Receive Audio Equalization (EQ)

If you have stereo headphones or stereo external
speakers, you can take advantage of the DSP’s
audio effects. These create an illusion of greater
acoustic space. For many operators, AFX provides
a less-fatiguing receiver sound.

The K3S provides 8 bands of receive audio
equalization via the MAIN:RX EQ menu entry. RX
EQ can compensate for the physical acoustics ofyour station (room, headphones, speakers, etc.), or
just to tailor the audio to your personal preference.
Two receive EQ setups are provided: one for CW
mode, and the other for voice modes. RX EQ does
not apply to DATA modes.

MAIN:AFX MD is used to select the desired AFX
setting. Available selections include D E L A Y 1 -5
(quasi-stereo), and B I N , which provides a constantphase shift between the left and right outputs.

In the RX EQ menu entry, the VFO A display
shows 8 individual vertical bar graphs. The example
below shows various amounts of EQ for each band.

Tap A F X to turn the selected effect on or off. Thiscan be done even within the AFX MD menu entry.
When the sub receiver is on, turning AFX on
may not have any noticeable effect. This is because
main/sub dual receive is already in stereo, withdifferent material routed to each audio channel.

USB
A
VOX
AGC-S

ANT 2
ATU
PRE
XFIL

NB

RIT

TX
B

FL2

APF and Dual-Passband CW Filtering
In CW mode, A P F is used to turn on either an
Audio Peaking Filter (APF) or Dual-Passband
Filtering. Both are described below. CONFIG:DUAL PB selects the desired function.

The center frequencies of the 8 audio EQ bands are50, 100, 200, 400, 800, 1600, 2400, and 3200 Hz.
To select a band to change, tap 1 - 8 on the keypad.
For example, tapping 1 selects the 50-Hz band.

APF can make a dramatic difference in copy of
weak signals buried in noise. When APF is turnedon,
S H I F T fine-tunes the center pitch, andN O R M resets the pitch to that of your sidetone. The
filter graphic will be similar to that shown below.

Next, rotate VFO A to specify boost or cut (+/- 16dB). The illustration above shows the 800 Hz EQ
band (0 . 8 0 kHz) being set to + 1 dB of boost.
You can tap C L R to reset all of the RX EQ bands
to 0 dB (no cut or boost).

Transmit Audio Equalization (EQ)
Transmit audio equalization can compensate formicrophones and voice variations. MAIN:TX EQ
works exactly the same as RX EQ, and can be usedduring transmit.

Dual-Passband Filtering (Dual PB) sets up a 150Hz-wide focus filter, set within a wider context
bandwidth that is attenuated by about 20 dB. This
lets you hear off-frequency CW signals, which may
be useful if you’re calling CQ, running a net, etc.
W I D T H varies the width of the context filter.
The filter graphic appears as above.

Two transmit EQ setups are provide: one for SSB,
the other for wideband voice modes (ESSB, AM,
FM). TX EQ is not applicable to CW or DATA
modes.

Hold A P F again to exit APF or Dual PB.
When using either APF or Dual PB, you should
reduce theW I D T H setting if there are S9+20 or
higher signals within the crystal filter passband.
This will maintain optimal AGC performance.

While adjusting TX EQ, you can monitor using
headphones (useM O N to set the level), or listen
to your transmitted signal on another receiver.

37

SPLIT and Cross-Mode Operation

General-Coverage Receive

Normally, VFO A is used for both receive andtransmit. When S P L I T mode is selected, VFO B
becomes the transmit VFO. In this case the S P L T
icon turns on, the T X arrow points to B (pg. 12)
and the yellow delta-F LED (∆ f ) turns on if receive
and transmit frequencies or modes differ.

The KBPF3A option includes band-pass filters thatcover the areas between ham bands. The K3S willswitch between its narrow ham-band filters and the
KBPF3A filters as you tune the VFOs.
A KBPF3A module can be installed on the RF
board (main receiver) and/or KRX3A (sub).

Cross-mode operation is possible in some cases,
such as SSB/CW. You can use B S E T to directly
change the mode of VFO B (pg. 24).

CONFIG:VFO CRS selects C O A R S E VFO tuning
rate in each mode. AM coarse tuning rates include
5, 9, and 10 kHz.

You can transmit in CW when SSB mode isselected by just hitting the key or paddle; there’s noneed to use cross-mode split in this case. The SSB
station will hear the signal at your sidetone pitch.
See CONFIG:CW WGHT.

Sensitivity below 1.8 MHz will be reduced dueto the high-pass response of the T-R switch, which
protects the PIN diodes. To avoid this loss, you canconnect your antenna to RX ANT IN (pg. 41).

VFO B Alternate Displays

Extended Single Sideband (ESSB)The VFO B display can show time, date, RIT/XIT
offset, supply voltage, current drain, KPA3A heatsink temperature (PA), and front panel temperature(FP). Tap D I S P to turn the selected display on oroff. Rotate VFO B to select the desired display.

An increase in SSB voice bandwidth may improvefidelity and reduce listening fatigue.
The normal SSB receive bandwidth is about 2.7-2.8
kHz. If you have a 6 or 13 kHz filter installed, you
can useW I D T H to select a wider passband.

If CONFIG:TECH MD is O N , additional VFO B
displays are available. S Y N 1 and S Y N 2 show themain and sub synthesizer status, which is normally
O K . (If you see P L L 1 instead of S Y N 1 , see
Troubleshooting.) S Y N 2 status should be O K if a
2nd synthesizer (for the sub RX) is installed. A F V
shows the true RMS value of receiver AF output(mVp-p), unaffected by AF GAIN control. After the
AFV reading stabilizes, you can use VFO B toselect d B V , which is useful for signal strength
measurements. Also see CONFIG:AFV TIM.

ESSB transmit is set up as follows:•

A 6- or 13-kHz filter on the RF board isrequired. Specify which of these filters to use
for AM transmit by switching to AM mode,
then using FLTX AM).

•

Switch back to SSB mode. Locate
CONFIG:TX ESSB, tap 1 to turn ESSB on,
and use VFO A to select the desired transmit
bandwidth. The + icon will turn on in the modearea of the LCD. See cautions below.

•

ESSB, AM and FM have separate TX EQ from
regular SSB, allowing you to optimize thetransmit passband for these wider-bandwidthmodes. See MAIN:TX EQ.

•Assign TX ESSB to a programmable function
switch if you’ll be turning it on/off frequently.

A F V and d B V apply to the sub receiver if it isturned on. In this case, you may want to selectdiversity mode (pg. 40) so you can tune the sub
receiver’s frequency with VFO A.

Alarm and Auto Power-On
Once you’ve set the real-time clock(CONFIG:TIME), you can use MAIN:ALARM to
set an alarm. This can be used to remind you of aschedule or net, or to start warming up for a contest.

Carrier and spurious signal suppression,
passband shape, delay characteristics, fidelity,
and other aspects of ESSB performance are notspecified. Use ESSB only after carefully
monitoring your signal.

When an alarm is set, (*) appears in the time
display. (Time can be displayed by tapping D I S P .)The K3S will turn ON automatically if it wasoff at alarm time. It will be on the last-used band.
38

Using the Sub Receiver

The sub receiver’s band cannot be set
independently unless CONFIG:VFO IND is set to
Y E S . If it’s set to N O , you’ll see = M A IN when
you tap B A N D during B S E T , and the sub receiverband will be set the same as main.

The KRX3A option adds an independent, highperformance sub receiver to the K3S. It allows you
to monitor a second frequency, using different
bandwidths or modes. Diversity receive is possible
if the main and sub receivers use different antennas.

Sub Receiver Antenna Selection
The sub receiver gets its RF input either from themain receiver (sharing ANT 1-2 or RX ANT IN), orfrom its auxiliary antenna input (see pg. 43).

Dedicated Sub Receiver Controls
Tapping S U B turns on the sub receiver (and S U Bicon). VFO B then controls the sub’s frequency, andalso serves as the TX frequency during SPLIT.

When using B S E T , you can tap A N T to switch the
sub between M A I N (shared) and A U X (the sub’s
AUX input). When M A I N is in effect, the 1 -2 andR X icons show which antenna the sub is sharing
with the main receiver. When A U X is in effect,these icons will all be off (if CONFIG:KRX3 is set
for A N T = B N C ) or will show the non-TX ATU
antenna, 1 or 2 (if KRX3 is set for A N T = A T U ).

You should leave the sub off when not in use.
This turns off the -3 dB passive splitter used when
the sub shares the main receiver’s antenna path.
Holding D I V turns on diversity receive (pg. 40).
The kHz decimal point of VFO A flashes as areminder. VFO A controls both the main and sub
frequencies in diversity receive, but VFO B remains
independent so it can be used as the SPLIT transmit
frequency.

Shortcut: If you’re not in B S E T mode, you canquickly switch the sub between M A I N and A U X byholding R X A N T . (Tapping R X A N T turns RX
ANT on/off for the main path.)

VFO B can be linked to VFO A even in nondiversity mode; see CONFIG:VFO LNK.

The AUX antenna must be well-isolated
from the transmit antenna to avoid damage tothe sub receiver. If keying activates the sub’s
carrier-operated relay (heard as a click) keying,
try relocating the AUX antenna.

SUB AF gain normally sets the sub’s volumelevel. Alternatively, SUB AF can be used as amain/sub balance control (see CONFIG:SUB
AF). With stereo headphones or dual speakers,
you'll normally hear main on the left and sub on theright. CONFIG:L-MIX-R selects various alternate
combinations of main/sub audio mixing.

Using the AUX input for the sub receiverslightly improves sensitivity of both the main and
sub receivers because the splitter is not used.

Sub Receiver Band Independence

CONFIG:SPKRS must be set to 2 if you use
stereo speakers; otherwise, set it to 1 .

If CONFIG:VFO IND is set to Y E S , you can set
the sub receiver to a different band from main.
Hold B S E T , then tap B A N D up/down to select the
sub receiver’s band. If you only use bandindependence for the sub occasionally, you may
want to assign VFO IND to a programmablefunction switch (pg. 23).

SUB RF gain normally sets the sub receiver’s
RF GAIN level. If this knob is assigned to main/sub
squelch (CONFIG:SQ MAIN), then RF gain for
main/sub is controlled by the main RF gain control.

BSET: Additional Sub Receiver Settings
Normally, filter controls, P R E , A T T N , M O D E , etc.,
apply only to the main receiver. To change thesesettings for the sub receiver, first hold B S E T . VFO
A will show B S E T , and the S-meter will show the
sub receiver's signal level. After you’ve made thedesired sub receiver changes, tap A / B or holdB S E T to exit B S E T .

If the two receivers are sharing the main
antenna path, putting the sub receiver on ahigher-frequency band than main may result insignal loss in the sub. This is due to sharing of themain receiver’s low-pass filters. If you select anincompatible band combination, the K3S briefly
displays U S E A U X as a warning. To avoid sub
receiver signal loss, use the sub’s AUX input.

Preamp 2 can be used with the sub receiver, though
there are some limitations (pg. 45). The sub
receiver’s switchable attenuation is fixed at 10 dB.
39

Diversity Receive

Sub Receiver Crystal Filter Considerations

Diversity receive can greatly improve signal copy
during fading (QSB). True diversity requires a pairof identical receivers running from a common
frequency reference and using two different
antennas. The K3S is one of very few transceivers
that offer this capability. Most offer only a lowperformance sub receiver, or “dual watch” (splitI.F.) circuitry, which doesn’t provide for separate
main/sub antennas.

Like the main receiver, the sub has slots for up to
five crystal filters. For best dynamic range, westrongly recommend the use of the narrowest filter
consistent with each operating mode. CW and
DATA operators should have at least one narrowfilter, e.g. 400 or 500 Hz, on each receiver.
For diversity receive, we recommend using
identical crystal filter configurations for the tworeceivers. This will ensure that both receivers havethe same characteristics when strong QRM ispresent.

An antenna with different polarization, or at leastdifferent orientation, should be used for the sub
receiver (via its AUX input). This ensures that thetwo receivers will not experience the same fading
characteristics.

You should also use crystal filters with closely
matched offsets (CONFIG:FLx FRQ). Otherwise,
you may hear a slow phase modulation (similar to abeat note) between the two receivers on somesignals. 8-pole filters are already matched (FLx
FRQ = 0.00). Elecraft can provide pairs of 5-pole
crystal filters with offsets within 40 Hz of eachother on request. When setting up FLx FRQ, use
the average of the filters’ marked offsets as thevalue entered for both filters (main and sub). If you
enter different offsets, you’ll hear phasemodulation, even if the offsets are very close.

To turn on diversity mode: Hold D I V . This sets
the sub to the same frequency as main (VFO A),
matches the sub’s filter bandwidth to main, andswitches the sub receiver to its AUX antenna. The
kHz decimal point of the VFO A display flashes asa reminder. VFO A sets the receive frequency forboth main and sub in diversity mode. This leaves
VFO B free for use as the transmit frequency in
SPLIT mode (see details at right).

SPLIT Mode with the Sub Receiver

Mode and filtering changes made to the main
receiver will immediately be made at the sub, aswell, to preserve diversity characteristics. However,P R E , A T T N and other receive controls remain
independent for the sub. These must be changed
using B S E T . (See pg. 25 for preamp 2 limitations.)

With the sub receiver installed, in a sense all
operation is “split,” since you listen on the sub’s
frequency (VFO B) and listen/transmit on the main
RX/TX frequency (VFO A). Cross-mode and evencross-band operation is possible in this case. Crossband operation may require the use of the sub’s
AUX antenna source to avoid the low-pass filter
problem described on the previous page.

You can change the sub receiver’s antenna selection
by holding B S E T , then tapping A N T . When you’re
not using BSET, holding R X A N T will accomplish
the same thing, providing a convenient shortcut.

If you do turn on S P L I T , the VFO’s roles arereversed, with VFO B controlling the transmit
frequency, and VFO A used only for receive. The
advantage of this is that the receive controls arealways “visible” for VFO A, while receive controls
for VFO B must be accessed using B S E T .

The K3S saves the sub receiver’s MAIN/AUX
antenna selection independently for diversity andnon-diversity modes. The AUX antenna should be
used for diversity, as explained above. You mightuse MAIN with diversity when comparing main/sub
receiver gain, such as when adjusting crystal filter
gain compensation (CONFIG:FLx GN). The builtin true-RMS voltmeter is ideal for this purpose.
Entering diversity mode will allow you to tune both
receivers with VFO A, while VFO B displays thevoltage (see AFV/dBV, pg. 38).

Diversity with SPLIT: In diversity mode you canstill use SPLIT, transmitting on the indicated VFO
B frequency. But both receivers will tuned to thefrequency of VFO A. Both receivers will always bein the same mode, and will use the same filter
settings.
40

Receive Antenna In/Out

Using Transverters

The RX ANT IN/OUT jacks have various uses:

Nine user-definable bands are provided for use withtransverters. These can be used with the Elecraft
K144XV internal 2-m module, Elecraft XV-Series,
or other transverters. See pg. 20 for connections.

•

Low-noise receiving antenna: Connect a
Beverage or tuned loop to the RX ANT IN jack,then tap R X A N T to select it. The R X icon willturn on. On 12-6 m, you can optionally turn on
preamp 2 for weak-signal work (see pg. 25).

•

Band-pass filters: You can connect an externalfilter between RX ANT IN/OUT. Tap R X A N T
to select it (per-band). RX ANT is active only
in receive, so small filter parts can be used.

•

Test signal injection: The RX ANT IN jack is
ideal to inject a test signal, because thegenerator won't be damaged if you transmit.

Transverter Band Setup
Transverter bands are set up using the XV menu
entries. Tap 1 – 9 within menu entries to select atransverter band to configure.
•Set XVn ON to Y E S to enable band n .

•XVn RF sets the operating frequency (MHz).

•

XVn IF specifies the I.F. band (7, 14, 21, 28, or
50 MHz). Use 28 MHz for the K144XV option.

•

XVn PWR sets maximum K3S power output
for the current transverter band, in two ranges:
L . 0 1 - L 1 . 2 7 specifies a power level inmilliwatts; the RF bar graph reads in tenths of amilliwatt in this case (use the XVTR IN/OUT
jacks). H 0 . 0 - H 1 2 . 0 specifies power inwatts, via the main ant. jack.

Use a short, high-quality coax cable between
the K3S and the panadapter.

•

Using the 100-550 kHz Range

XVn OFS can compensate for frequency offset
in the transverter’s oscillator. Two offsets areprovided for the K144XV (see XVn OFS).

•XVn ADR specifies a transverter select address.
Use I N T . T R N 0 - 9 with the K144XV (seeXVn ADR description for details).

Buffered I.F. Output for Panadapters
The K3S provides a buffered receive I.F. signal at
the IF OUT jack (~8.215 MHz). This signal iscompatible with panadapters such as the Elecraft P3(pg. 47). Refer to panadapter manual for interfacing
and operating instructions.

The 100-550 kHz range includes experimental
amateur allocations at 137 kHz (2200 meters) and472 kHz (630 meters). There are also commercial
and military test signals, beacons, highway service
announcements, etc. A link to an article about thisfrequency range appears on the Elecraft home page.

For weak-signal transverter work, you may
wish to eliminate any possible noise contribution
from the HF antennas (ANT1/2 and RX ANT IN).
You can improve isolation between the XVTRIN/OUT and RX ANT IN jack by removing any
antenna connected to RX ANT IN. Also, if you
have a KAT3, tap A N T to select whichever antenna(1 or 2) contributes less noise on the I.F. band inuse. (Note: The A N T 1 /2 icons are not displayed if
XVn PWR is set for L power range. You can use
the H range temporarily to see the icons, if desired.)

To hear signals in this range on the K3S, you’ll
need the KBPF3A band-pass filter option. To avoid
signal attenuation due to the high-pass filter in the
T/R switch, you’ll need to attach your 100-550 kHz
antenna to either RX ANT IN or XVTR IN. You
can also transmit on the 472 kHz band at low power(about 0.5 mW) via the XVTR OUT jack. An
external amplifier with suitable low-pass filtering
will be required.

CAUTION: When possible, use mW-level
drive and the XVTR IN/OUT jacks withtransverters (see XVn PWR). If you use highpower, via ANT1 or 2, you could accidentally
damage a low-level transverter.

To enable XVTR IN/OUT for 100-550 kHz use,
set CONFIG:KXV3B to T E S T , temporarily.

41

Scanning

Channel Hopping

The scanning features let the K3S tune any band
segment continuously, with or without the receiver
muted. Scanning can be used to monitor any portionof a band, from a 1-2 kHz range where a station or
net is expected to appear, to an entire band. (6meter scanning range is limited to 50-54 MHz bydefault; contact Elecraft for details.)

Scanning or manually tuning VFO A over anumbered memory range, rather than a frequency
range, is referred to as channel hopping. This isincluded in the K3S primarily for use on 60 meters,
6 meters, and transverter bands, although it can beused on any band.
The U.S. 60-meter USB channel assignments
correspond to K3S VFO settings of 5330.5, 5346.5,
5357.0, 5371.5, and 5403.5 kHz. The CW channel
assignments correspond to VFO settings of 5332.0,
5348.0, 5358.5, 5373.0, and 5405.0 kHz.

Scanning while muted (normal scanning mode)
allows the K3S to ignore stable carriers, unmuting
only when "interesting" signals are found. Scanning
unmuted (“live” scanning mode) is especially usefulwhen listening for weak signals on very quiet
bands. Both are covered below.

Memories to be used for channel hopping
must be within the same band and haveconsecutive numbers. They also require a text
label that starts with an asterisk (*).

Scanning Setup
To use scanning, you first need to store the desired
tuning endpoints (VFO A and B) in a memory.
After that, you’ll be able to simply recall thememory, then start scanning. You can set up
scanning ranges for various bands, modes, etc.

To set up channel hopping:•

Set VFO A to the first frequency in the intended
channel-hopping range. (VFO B does not haveto be set higher than VFO A for channel
hopping purposes.)•Tap V M , then select a memory (0 0 -9 9 )using VFO A. For 60-meter channels, wesuggest using memories 60-up. Start withmemory 60 for 5330.5 kHz/USB (US), or yourcountry’s first 60-meter allocation. Since eachmemory saves mode as well as otherparameters, you could set up both USB and
CW/DATA memories for channel-hop use.

•

Rotate VFO B to select each memory label
position in turn as indicated by the cursor.

•

Use VFO A to change characters. The firstcharacter must be an asterisk (*); other label
characters are optional.

•

After editing, tap V•

In the same manner, set up all other memories
to be used for channel hopping.

To set up a memory for scanning use:•

Set VFO A to the starting frequency, and VFO
B to the ending frequency.

•

Select the operating mode, preamp/attenuatorsettings, and filter bandwidth. Also select thetuning rate (using F I N E , C O A R S E andR A T E ), which affects speed of scanning.

• Store this setting in any memory (pg. 16).
To start scanning:•

Recall a saved scanning memory using M

V.

Hold S C A N to start scanning. To scan with thereceiver live (unmuted), continue to holdS C A N until you see A F O N (about 2 seconds).
To stop scanning, rotate VFO A manually, or tap
any switch, key, keyer, or mic PTT switch. To
restart, hold S C A N .
•Magain.

To enable channel hopping (manually, with VFO A,
or via scanning), tap M V , use VFO A to locate
one of the memories in the sequential range set up
earlier, then tap M V again. VFO A will cycle
through this range of memories. To disable channel
hopping, tap R A T E or F I N E or change bands.

If the sub receiver is on the same band as themain receiver, and the sub is turned on, you cantune VFO B/sub manually while VFO A/main isscanning.

To start channel-hop scanning, hold S C A N . You
can also use “live” scanning as mentioned at left.
42

Main and Sub Receiver Antenna Routing
The simplified block diagrams in this section show how antennas are routed to the main and sub receivers.
Heavy lines show the default RF path. All antennas are protected from electrostatic discharge by surge arrestors.
Receive-only antenna inputs, indicated by asterisks (*), include carrier-operated relay circuitry (C.O.R.).

Basic Antenna Routing
As shown in Figure 1, the basic K3S is supplied with one antenna jack (ANT1, SO-239). The signal from ANT
1 is routed through the antenna input module (KANT3) to the main receiver (as well as to the transmitter). The
KRX3A sub receiver, if installed, can share the ANT 1 signal via a passive -3 dB splitter and relay K1. Whenthe sub receiver is off or is switched to its AUX RF input (dotted line), K1 bypasses the splitter so it will haveno effect on either receiver.
A separate RF I/O connector for the sub receiver antenna is location is provided on the rear panel (AUX RF,
BNC). The sub receiver’s AUX RF input can be routed to this connector internally. K1 then selects either themain RX path or AUX RF as the sub receiver’s RF source. Any receiving antenna connected to AUX RF mustbe isolated from the transmit antennas so the sub receiver’s C.O.R. will not be activated during transmit. Note:
The sub receiver has its own full set of ham-band and optional general-coverage band-pass filters (KBPF3A),
but its image rejection will be best when sharing the main path, which includes receive/transmit low-pass filters.

Ant 1

KANT3
Ant. Input Module
Main RXSA1

KRX3
Aux RFK1

Sub RX

SA4** Includes C.O.R.

Figure 1. Basic Main/Sub Receiver Routing (no KAT3A)

Receive Antenna (RX ANT IN)
The KXV3B module (Figure 2) adds a separate receiving antenna jack (RX ANT IN). Relay K2 selects either
ANT1 or RX ANT for the main receiver. The KXV3B is also the location of preamp 2, provided for weaksignal work on 12, 10, and 6 meters. Some limitations apply to preamp 2 use with the sub receiver (pg. 45).
Note: The transceiver’s low-pass filters will not be in the path when RX ANT is selected. This will rarely be anissue, since the main receiver has a full set of ham-band band-pass filters. You can use external filters inconjunction with RX ANT IN if required.
Relay K1 allows the sub receiver to share the main receiver’s RF source, or use its AUX RF input. This meansthat two receiving antennas could be used – one for each receiver.
Not shown is the RX ANT OUT jack. The RX ANT IN/OUT jacks can be used together to “patch in” anexternal band-pass or low-pass filter.

43

RX Ant.

* Includes C.O.R.

SA3* KXV3KANT3Ant. Input Module

Ant 1

Main RX

K2

SA1

KRX3
Aux RFK1

Sub RX

SA4*
Figure 2. Main/Sub Receiver Routing Including RX ANT IN on KXV3B Module

KAT3A ATU and Antenna 2
The KAT3A internal ATU option, which can be installed in place of the KANT3 antenna input module,
provides a second SO-239 antenna jack (ANT 2). As shown in Figure 3, relay K3 routes either ANT 1 or ANT 2
to the main RF path. The antenna not routed to the main path (the non-transmit antenna) can optionally be usedas the sub receiver’s AUX RF antenna. This requires that the two antennas connected to the KAT3A be wellisolated from each other. If not, the sub receiver’s carrier-operated relay may turn on during transmit. If thisoccurs, you must either move the two antennas farther apart, or not connect the sub receiver to the KAT3A.
It may be preferable to connect the sub receiver’s auxiliary RF input to the AUX RF connector on the rear panel.
A well-isolated receiving antenna can then be used with the sub receiver when required. (See CONFIG:KRX3
for sub receiver antenna setup.)

Ant 1

KAT3 ATU
SA1Main RX

L-Network

Ant 2
K3

KRX3

SA2

K1

Sub RX

SA4** Includes C.O.R.

Aux RF

Figure 3. KAT3A ATU Antenna Routing

44

Figure 4 shows the antenna possibilities when both the KAT3A and KXV3B are taken into consideration. The
main receiver can use ANT 1, 2, or RX ANT IN. The sub receiver can either share the main receiver’s RF
source or use its AUX RF input. The sub’s AUX signal can be obtained from either the non-transmit KAT3A
antenna or the AUX RF BNC connector, as described earlier. In either case, the sub receiver’s antenna must be
isolated from the transmitting antenna.

RX Ant.
SA3* Includes C.O.R.

* KXV3
Ant 1

KAT3 ATU
SA1Main RXK2
L-Network

Ant 2
K3

KRX3

SA2

K1

Sub RXSA4*
Aux RF

Figure 4. Complete Main/Sub Receiver Antenna Routing

Preamp 2 Limitations
Low-noise amplifier preamp 2 is intended for weak-signal work on the 12, 10, and 6-meter bands. It can be
individually enabled on each of these bands using CONFIG:PREAMP2.
Since preamp 2 is in the main receive path, it is only available for use with the sub receiver under certain
conditions:•

The sub receiver must be sharing the main path, not using its own AUX RF source. This selection is madeby tapping A N T while in BSET mode (pg. 39). If the sub receiver is using its AUX source, preamp 2(PRE 2) may still be used by the main receiver, while the sub receiver can have its preamp either on (PRE 1)
or off.

•

The main and sub receivers must both be on bands between 12 and 6 meters.

Preamp 2 has high gain (20 dB) in order to provide a very low noise figure. If you hear signal artifacts thatsuggest receiver overload, such as a rise in the noise floor when a strong nearby station transmits, switch topreamp 1 or turn the preamp off.

45

Remote Control of the K3S

Remote Power On/Off
A remote-control system can pull the POWER ON
line to ground (ACC connector, pg. 20) to turn the
K3S ON. To turn it OFF, the controller must send
the K3S a “PS0;” remote-control command via theRS232 interface, wait at least 100 ms, thendeactivate the POWER ON signal. This sequence
ensures that nonvolatile memory is updated
correctly before shut-down.

With appropriate software, any computer with a
USB or RS232 port can be used to control the K3S.
A K3S (or K3) can also be controlled remotely fromanywhere in the world using a K3/0-Mini panel (pg.
47). The –Mini provides full control, transmit andreceive audio, and CW keying, all via a single USB
cable to a network-connected local computer. The-Mini duplicates all K3S/K3 front panel functions,as well as the display.

Automatic Antenna Control

Third-party logging and contesting software isavailable for various computers and operating
systems. Existing applications written for the K2 or
K3 should work with the K3S.

Some antenna control units (e.g., those used with
SteppIR™ antennas) can track your band andfrequency by watching for “IF;” (rig information)
packets from the K3S. Some computer
logging/contesting applications set up the K3S tooutput these messages periodically, allowing theantenna control unit to “eavesdrop.”

For a list of compatible software applications,
including configuration requirements, please visit
www.elecraft.com/K3/k3_software.htm

If you’re not using such software, or if you’re notusing a computer at all, you can still set up the K3S
to output “IF;” packets periodically by setting
CONFIG:AUTOINF to A U T O 1 . The packets aresent once per second while the VFO frequency is
being changed, as well as on any band change.

Remote-Control Commands
The K3S has a rich set of remote-control
commands. These commands use ordinary ASCII
text, so they can be easily tested using a terminal
emulator. For example, the command “FA;” returns
the current VFO A frequency. Using the samecommand, you can set the VFO A frequency, e.g.
“FA00007040000;” sets the VFO to 7.040 MHz.

If you’re using logging/contesting software,check with the manufacturer before setting
AUTOINF to A U T O 1 . Some applications may
not be tolerant of unsolicited “IF;” packets.

Many new commands are provided in addition to
the core set of commands supported by the K2.
Some existing commands have been updated todirectly control the sub receiver (e.g., “AG$;”,
which controls sub AF gain). Please refer to the
K3/KX3 Programmer’s Reference for further
details.

CW/DATA Terminal Applications
The K3S directly supports CW, PSK31 and PSK63,
and RTTY ASCII text transmit and receive via its
USB or RS232 port. Our K3 Utility application
includes a simple Terminal function that lets you try
out these modes using your computer’s keyboard
and monitor.

Front-Panel Switch Macros
You can set up any programmable front-panel
switch (e.g. P F 1 ) to execute sequences of remotecontrol commands directly from the K3S. This isuseful for automation of sequences such as: enter
split mode, assign VFO A to B, move VFO B up 5,
and turn on diversity receive. Refer to K3 Utility
help or the Programmer’s Reference for examples.
Also see CONFIG:MACRO x.

Elecraft Frequency Memory Editor
Frequency memories can be easily viewed andchanged using our Elecraft Frequency Memory
Editor application. This program shows thecontents of all 100 regular memories, and optionallythe per-band memories, in a spreadsheet format.
You can also QSY directly to a memory within theeditor program using the provided buttons.

46

Options and Accessories

Firmware Upgrades

KPA500: 500 Watt+, 160-6 m amplifier with builtin low-noise power supply and automatic drivelevel control (see CONFIG:PWR SET). Same sizeand styling as the K3S.

New features and improvements are available to all
K3S owners via firmware upgrades. Upgrades may
also be required when you install option modules.
Please visit the Elecraft K3/K3S software page(www.elecraft.com/K3/k3_software.htm) to obtainour free firmware download application, K3 Utility.
This program runs on PCs, Macs, and Linux
platforms. In addition to firmware downloading,
K3 Utility provides automated RX and TX gain
calibration, a custom power-on banner,configuration save/restore, crystal filter setup,
CW/DATA message editing, and a terminal
function.

KAT500: 500 Watt+, wide-range ATU. The K3S
can be configured to update the KAT500 as the
VFO is turned (see CONFIG:KAT3).
P3: The P3 is a fast, very sensitive panadapter witha high-resolution display that shows signals over a 2
to 200 kHz portion of the band. It is styled to match
the K3S, and does not require a PC for operation.
K3/0-Mini: The 1.5-inch-thick “Mini” panel
duplicates all of the controls of the K3S—but
without the radio. With the Mini connected to acomputer, you can operate a remotely located K3S(or K3) from anywhere in the world.

Some applications or peripheral devices may
interfere with K3S downloads; check the Help
information in K3 Utility if you have difficulty.

K144XV: All-mode, ~10 W output 2-m module.
K144RFLK option locks 2 m to main reference.

Checking your Firmware Revision
Use the CONFIG menu’s FW REVS menu entry to
determine your firmware revision. The serial
number of your transceiver, if needed, can beobtained using the SER NUM menu entry.

Crystal Filters: A wide variety of roofing filters
can be installed, from 200 Hz to FM bandwidths.
KAT3A: Wide-range, internal 100-W automatic
antenna tuner with dual antenna switch and true
bypass relay. ANT2 jack supplied with this option.

K3S Firmware Self-Test

KPA3A: Internal 100-W upgrade for the K3S/10,
with two large fans and separate circuit breaker.

If the K3S detects an error in its firmware (anincorrect checksum), it will flash the TX LED andshow M C U L D on the LCD (with backlight off).

KDVR3: Digital voice recorder, usable both fortransmit messages and general audio recording.

If this occurs, connect the K3S to your computerand reload firmware. While firmware is loading, theDelta-F LED (∆ f ) will flash. When the download iscomplete, the K3S should reset and run normally.

KRX3A: High-performance, fully-independent sub
receiver with its own set of crystal filters, highperformance KSYN3A synthesizer 32-bit DSP,
noise blanker, optional general-coverage filter array(KBPF3, below), and diversity-RX antenna input.

Forcing a Firmware Download

KBPF3A: General-coverage band-pass filter arraythat allows the K3S main and/or sub receiver tocover the entire LF and HF range of 0.1 to 30 MHz.

If you accidentally load an old or incompatible
firmware version and find the K3S unresponsive, do
the following: (1) unplug the K3S from the power
supply and wait 5 seconds; (2) plug the power
supply back in; (3) hold the transceiver’s P O W E R
switch in; after about 10 seconds, you’ll see the TX
LED flash (you’ll also see M C U L D on the LCD);(4) load the correct firmware version.

KTCXO3-1: High-stability TCXO; 1 PPM
nominal, typically better than 0.5 ppm (seecalibration instructions, pg. 53).
K3EXREF: Locks the synthesizer in the K3S to an
external reference (see CONFIG:REF CAL).
PR6 and PR6-10 PREAMPS: These low-noise
preamps are not needed with the K3S, since it has abuilt-in low-noise preamp (on the KXV3B module).
See Preamp 2 (pg. 25).
47

Configuration•

Adjust VFO A so that the parameter matches
FL1’s marked frequency offset (as recorded in
the filter information table, Appendix A). The
default value, 0 . 0 0 , corresponds to the nominal
filter center frequency of 8215.0 kHz. Most 5pole filters will have an offset, e.g. “-0.91”.
(This has no effect on performance; firmware
compensates for the offset.)•

Select the remaining filters and adjust theirfrequency offsets as required.

Configuring the K3S involves installing modules
and filters, then customizing menu settings. Options
come with their own installation manuals. Oncethey’re installed, they must be enabled (pg. 57).
Be sure to save your configuration using
K3 Utility each time you change menu settings.

Crystal Filter Setup
Crystal filter installation is covered in detail in
Appendix A (pg. 84). Once filters have been
installed (or moved), follow the steps below.

Receive Filter Enables (Per-Mode)

The K3 Utility software application can also
be used to view or change crystal filter settings;
click on Configuration tab / Edit Crystal Filters.

•

Use VFO B to locate the FLx ON menu entry.

•

Tap S U B if you’re setting up sub receiverfilters.

Filter Bandwidth•

Tap M O D E until the L S B icon appears. If you
see the U S B icon instead, hold A L T (left endof the M O D E switch) to select L S B .

You must specify which of the five crystal filters is
enabled for receive in each mode.

•

Turn the K3S on.

•

Hold C O N F I G to access the CONFIG menu.

•

Tap 1 or use X F I L to select F L 1 .

•Locate the FLx BW menu entry, which will be
used in the next step to set up filter bandwidths.
“x ” will be replaced with 1 through 5 ,corresponding to crystal filters FL1-FL5.

•

Set FL1 ON to Y E S or N O using VFO A.
You should enable both narrow and wide filters
for use in SSB modes, since they may be usedduring copy of data, SSB, or AM signals.

•

Tap S U B if you’re setting up sub receiverfilters. The S U B icon will flash.

•

Use X F I L to go to FL2-FL5 in turn, and enable
or disable these filters for LSB mode.

•

Tap 1 or use X F I L to select F L 1 .

••Using VFO A, adjust the bandwidth parameterso that it matches the filter installed at the FL1
position. Use the filter information table you
filled out in Appendix A.

Tap M O D E to select each of the other modes inturn (USB, CW, DATA, AM, and FM). For
each mode, set up the FL1-FL5 enables.

••

Filter Loss Compensation

Select the remaining filters by tapping 2
through 5 or X F I L , adjusting their bandwidthparameters according to the table.

You can compensate for the greater loss of narrow
crystal filters by specifying added per-filter gain.
•

Use VFO B to find the FLx GN menu entry.

Stay in the menu for the next filter setup step.

•Tap S U B to set up sub receiver filters.
Otherwise, make sure the S U B icon is OFF.

•Tap 1 – 5 or X F I L to select a filter to modify.

Filter Frequency Offset•

Use VFO B to find the FLx FRQ menu entry.

••

If you’re setting up sub receiver filters, makesure the S U B icon is still flashing (tap S U B if
necessary).

Use VFO A to set the gain in dB. In general,
you’ll want to add 1-2 dB for 400-500 Hz
filters, and 3-4 dB for 200-250 Hz filters.

•

Select any additional filters that require added
gain, and adjust their gain amounts.

•

Tap 1 or use X F I L to select F L 1 .
48

Transmit Crystal Filter Selection (Per-Mode)•KBPF3A general-coverage band-pass filter
module: set KBPF3A to N O R (if you’re
installing a KBPF3A on the sub receiver, firsttap S U B in the menu entry).

•

KXV3B RF I/O module: set KXV3B to N O R .
If the menu entry name is shown as K X V 3(without the B suffix), tap 9 to change it. Thisis required before preamp 2 can be used. (See
CONFIG:PREAMP2 for details on enabling
preamp 2.) If you see E R R X V 3 , see
Troubleshooting.

•

KPA3A amplifier module: set the KPA3 menu
entry to P A N O R . See menu entry description
for information on other KPA3 settings.

•

KRX3A sub receiver: set KRX3A to matchyour selected configuration for the sub
receiver’s AUX antenna: A N T = A T U (KAT3)
or A N T = B N C (AUX RF jack, rear panel). For
details on sub receiver antennas, see pg. 39.
You may also need to set up crystal filters forthe sub receiver as described on the previous
page.

•

K144XV 2-meter module: Set up all transvertermenu entries for this band (starting with
CONFIG XVn ON, etc.).

•

K3EXREF: If your K3S is equipped with a
K3EXREF module (to lock the synthesizers to
an external 10-MHz reference), see
CONFIG:REF CAL for instructions on
enabling it.

•

KDVR3 voice recorder: set KDVR3 to N O R .

This step applies only to filters on the RF board.
•

Select CW mode by tapping M O D E .

•Use VFO B to find the FLTX CW menu entry.

•

Rotate VFO A to select a CW transmit filter(2.7 or 2.8 kHz). Note: Key clicks may result if
a narrower filter is selected for CW transmit.

•

Tap M O D E to select L S B or U S B . The menu
entry will become FLTX SB.

•

Select the filter to be used during SSB and
DATA transmit (2.7 or 2.8 kHz).

•If applicable, select a 6- or 13 kHz filter for AM
and ESSB (FLTX AM), and 13 kHz for FM(FLTX FM).

If you’re using a 2.7-kHz 5-pole filter for SSB
transmit, you can optionally fine-tune its FLx FRQparameter to equalize LSB and USB transmit
characteristics. Monitor with a separate receiver anduse headphones, or have another station listen.

Module Enables
This section explains how to set up the various K3S
internal modules. Some are supplied with the basic
K3S, while others are optional. Module set up canbe performed at any time.
Be sure to save your configuration using
K3 Utility each time you change menu settings.
Once any option module has been installed, use theassociated CONFIG menu entry to enable it (seebelow). Then turn the K3S off for 5 seconds, andback on so the K3S can find and test the module.
•

KAT3A ATU module: set KAT3A to B Y P . If
you also have a KAT500 ATU (external 500-W
antenna tuner) connected to the K3S, refer tothe KAT3A menu entry for details on how to
enable VFO tracking. This can be used to keep
the KAT500 ATU’s L-network updated as youtune VFO A on the K3S. (In SPLIT mode, the
VFO B frequency is sent to the KAT500 rather
than VFO A.)

49

Miscellaneous Setup

Power-On Banner

We suggest setting up at least the items below. You
may wish to review the other menu entries as well,starting on pg. 55.

You can have your call sign or other message
shown on power-up. Use K3 Utility (Configurationtab) to edit the message.

Mic Gain / Bias

K3/0-Mini Control

MAIN:MIC SEL is used to select either the frontor rear-panel mic, or L I N E I N . If a mic is selected,
you can also tap 1 to select L o or H i mic gain
range, and tap 2 to toggle mic bias on/off. See pg.
13 for Elecraft mic bias recommendations. Tap 7 toboost gain for very low-output front panel mics.

To use a K3/0-Mini panel to control a remotely
located K3 or K3S, you must put the –Mini into
“Terminal” mode. To do this, hold M E N U forabout 3 seconds. (Hold for 5 seconds to exit.) For
further details, refer to the K3/0-Mini manual.

VFO A Knob Friction Adjustment

AF Gain Range

The VFO A knob’s spin rate can be adjusted bymoving the knob in or out slightly. The rubber
finger grip on the VFO A knob covers the knob’s
set screw, so it must be removed first.

CONFIG:AF GAIN specifies L O or H I AF gain
range. The default is H I .

Time and Date

In the following procedure, use only yourfingernails; a tool may scratch the knob.

CONFIG:TIME sets the 24-hour real-time-clock(RTC). Tap 1 / 2 / 3 to adjust HH/MM/SS using
VFO A. K3Utility can also be used to set the time.

Using your fingernails at the point identified below,
pull the finger grip forward slightly. Rotate theknob and repeat until the grip can be pulled off.

CONFIG:DATE MD selects US (M M . D D . Y Y ). or
EU (D D . M M . Y Y ) date format using VFO A.
CONFIG:DATE is used to set the date. Tap 1 / 2 /3 to adjust MM/DD/YY or DD/MM/YY.

Preamp 2
To use preamp 2 for weak-signal work on any of
12, 10, or 6 meters, select each band in turn, thenchange the CONFIG:PREAMP2 setting to O N .

VFO Setup
Several CONFIG menu entries are provided tocontrol VFO behavior:•

VFO CRS sets up the C O A R S E tuning
increment in kHz (separate for each mode). Tap
1 to turn rounding on/off.

•

VFO CTS specifies the number of counts perknob turn (VFO A and B): 1 0 0 , 2 0 0 , or 4 0 0•

VFO FST selects the normal VFO fast tuning
rate (2 0 or 5 0 Hz)•

VFO IND, if set to Y E S , allows VFO B to be
set to a different band than VFO A.

Use the supplied 5/64" (2 mm) Allen wrench toloosen the set screw.
Between the knob and front panel are two felt
washers which, when compressed, reduce the spin
rate. Move the knob in or out in small increments
until the desired rate is obtained. (Re-tighten the set
screw each time so you can spin the knob.) Thenand replace the finger grip.

50

VFO B Knob Friction Adjustment
Use the supplied 5/64" (2 mm) Allen wrench toloosen the VFO B knob’s set screw.
Between the knob and front panel is a felt washer
which, when compressed, reduces the spin rate.
Move the knob in or out in small increments until
the desired rate is obtained, re-tightening the set
screw each time.

Real Time Clock Battery Replacement
K3S components or modules can be easily bedamaged by ESD (electrostatic discharge). To
avoid this, put on a grounded wrist strap (with 1
megohm series resistor) or touch a groundedsurface before touching anything inside theenclosure. An anti-static work mat is strongly
recommended.
The battery for the real time clock/calendar islocated on the left side of the RF board. To accessit, turn power off, then remove the left side panel. If
a sub receiver module is installed (KRX3A), it may
be left in place.
Remove the old battery by gently prying it out of its
socket using a non-metallic tool.
Replace the battery with the same type of 3-V
lithium coin cell (CR2032, BR2032, equivalent).
The (+) terminal is clearly marked on the battery; itmust be oriented as indicated by the (+) symbol on
the battery contact. Re-install the KRX3A module(if applicable) and the top cover.
To set the time, date, and date format, refer to thefollowing CONFIG menu entries: TIME, DATE,
and DATE MD. (Note: the CONFIG:BAT MIN
menu entry refers to a battery used as the DC powersource for the transceiver, not to the 3-V battery.)51

Milliwatt-meter Calibration (XVTR OUT)

Calibration Procedures•

Set the CONFIG:KXV3B menu entry to
T E S T , forcing all bands to temporarily use theKXV3B’s transverter output jack. Power will
be limited to 1.5 mW. The wattmeter
calibration menu entry name will change to
CONFIG:WMTR MW .

•Connect a dummy load and an accurate RF
voltmeter to the XVTR OUT jack.

•Set power to exactly 1.00 milliwatts (0 dBm).

•

The KSYN3A synthesizer used in the K3S does not
require calibration.

Hold T U N E ; adjust the WMTR MW menu
parameter for 0.224 Vrms on the external
voltmeter. Then tap X M I T to exit TUNE.

•

Set CONFIG:KXV3B back to N O R .

Wattmeter

Transmitter Gain

Before doing wattmeter or transmit gain
calibration, set both CONFIG:TUN PWR andPWR SET to N O R .

This procedure is normally done at assembly timeor by the factory. It compensates for per-band TX
gain variation, and must be done on every band.

If desired, T U N E power readings can be calibrated.
This must be done at 5.0 W, 50 W (K3S/100 only),and 1.00 mW.

If a computer is available, you should use theautomated version of the below procedure. Run
K3 Utility and click on the Calibration tab.

Low-Power (5 W) Wattmeter Calibration

Low-Power (5 W) TX Gain Calibration

All calibration procedures are firmwarebased. Please do not adjust any of the trimmer
capacitors or potentiometers inside the K3S.
Be sure to save your configuration using
K3 Utility each time you change menu settings.
Most calibration procedures use Tech-Mode menu
entries. To enable these, set CONFIG:TECH MD
to O N . Set TECH MD to O F F afterward.

Synthesizer•

Switch to 160 meters.

•

Put the ATU into bypass mode (hold A T U ).

•Connect a dummy load to ANT1.

Switch to ANT1 by tapping A N T .

•Switch to ANT1 by tapping A N T .

•Set power to exactly 5.0 watts.

•

Set power to exactly 5.0 watts.

•

Hold C O N F I G and locate the WMTR LP menu
entry. Stay in the menu for the next step.

•

Hold T U N E ; VFO B should show about 5 W.

•

Tap X M I T to exit TUNE.

Hold T U N E ; adjust menu parameter for areading of 5.0 W on the external wattmeter.
Then tap X M I T to exit TUNE. Exit the menu.

•

Repeat this procedure on 80-6 meters.

•

Switch to 20 meters. If applicable, put the ATU
into bypass mode (hold A T U ).

•Connect a 50-W capable dummy load (5 W for
K3S/10) and an accurate wattmeter to ANT1.

••

High Power (50 W) Wattmeter Calibration
This applies to the K3S/100 only. Use the sameprocedure as shown for 5 watts, but set power to 50
W. The wattmeter calibration menu entry name willchange to CONFIG:WMTR HP.

52

High Power (50 W) TX Gain Calibration

Before attempting to calibrate the reference
oscillator using Method 1 or 2, allow thetransceiver to warm up at room temperature forat least 15 minutes (cover on).

This applies to the K3S/100 only. Use the sameprocedure as shown for 5 watts, but set power to 50
W, and use a 50-W dummy load. The T U N E power
output indication should be about 50 watts. (Use theK3 Utility method if a PC is available.)

Method 1 (Frequency Counter):Milliwatt TX Gain Calibration (XVTR OUT)
Use the K3 Utility method if a PC is available.
•

Connect a non-inductive 50-ohm resistor or
dummy load to the XVTR OUT jack.

•Switch to 160 m.

•

Set CONFIG:KXV3B to T E S T . This forces
all bands to use the KXV3B’s transverter output
jack, and output to be limited to 1.5 mW.

•

Set power to exactly 1.00 milliwatts (0 dBm).

•

Hold T U N E ; output power should be about 1
mW. Then tap X M I T to exit TUNE.

•

Repeat the above procedure on 80-6 m.

•

Set CONFIG:KXV3B back to N O R .

•Tap M E N U to exit the menu.

•

Locate the CONFIG:REF CAL menu entry.

•

Connect a frequency counter with +/-1 Hz or
better accuracy to J1 on the reference oscillator
module. Measure the exact frequency in Hz.

•

Using VFO A, set the REF CAL parameter tomatch this frequency. Then exit the menu.

Method 2 (Zero-Beating):•

Select CW mode. Set
W I D T H to about 2.8
kHz. (A wide filter passband is necessary since
you may need to move the REF CAL parametera significant amount.)•

Tune the K3S to a strong broadcast station or a
known-accurate reference signal. Use thehighest-frequency source you can (e.g. WWV
at 10, 15 or 20 MHz). Set the VFO to thespecified frequency of the signal.

•

Using
M O N , set the sidetone monitor levelto roughly match the volume level of thereceived broadcast or reference signal.

•

Locate CONFIG:REF CAL.

•Tap S P O T to enable the sidetone.

•

Adjust the REF CAL frequency until thesidetone is zero-beated with the signal. As you
approach the correct frequency, you’ll hear an
undulating “beat note” between the signals. The
slower the beat note, the closer they are.

•Cancel S P O T and exit the menu.

Reference Oscillator
The reference oscillator is a TCXO, or temperaturecompensated crystal oscillator. It is normallycalibrated at assembly time or by the factory. There
are two types: 5 ppm and 1 ppm.
Either TCXO can be manually calibrated using an
accurate frequency counter (Method 1), or by zerobeating the sidetone against a reference signal(Method 2). Both are described at right. If a
K3EXREF option module is installed, the TCXO
will be automatically calibrated to an external 10MHz reference. Refer to the K3EXREF manual.
If a K144XV module with reference lock
(K144RFLK) is installed, it can be set up to track
the TCXO (see CONFIG:XVn OFS).
If your K3S is equipped with an externalreference locking module (K3EXREF), see
CONFIG:REF CAL for instructions on enabling it.

53

Front Panel Temperature Sensor•

Turn the K3S OFF. Allow about 15 minutes forthe radio to cool to room temperature.

•

Turn the K3S ON.

•

Locate the CONFIG:FP TEMP menu entry.
Adjust the parameter to match the reading of aroom thermometer. Note: Deg. C = (deg.
Fahrenheit - 32) * 0.555.

Front panel compartment temperature can bemonitored continuously. Tap D I S P , then use VFO
B to select the F P x x C alternate display.

•

Set transmit power to 0.0 W using•

The S-meter has both relative and absolutemodes. Refer to the CONFIG:SMTR MD
menu entry description if you wish to switchfrom relative to absolute. (Relative mode iseasier to calibrate and is the factory default.)•

Turn the attenuator off (A T T ).

•If you have CONFIG:SMTR MD set to N O R ,turn preamp 1 on ( P R E ). If SMTR MD is set to
A B S , turn the preamp off.

•

Tap A G C to select slow AGC (A G C - S ).

•Bypass the ATU, if installed, by holding A T U .

•Set
RF GAIN to maximum (fully
clockwise). (Note: If you’ve assigned the RF
gain control for the present receiver to squelch,
its RF gain will default to maximum unless
you’re controlling RF gain from a remotecontrol computer application.)

PA Temperature Sensor

PWR .

•

Turn the K3S OFF. Allow about 15 minutes for
the PA heat sink to cool to room temperature.
Do not turn the K3S ON during this period.

•

Turn the K3S ON.

•

Normalize DSP filtering (hold N O R M ; pg. 14).

•

Locate the CONFIG:PA TEMP menu entry.
Adjust the parameter to match the reading of aroom thermometer. Note: Deg. C = (deg.
Fahrenheit - 32) * 0.555.

•

Connect the signal generator to ANT1 and set it
for 50 microvolts RF output.

•

PA heat sink temperature can be monitoredcontinuously. Tap D I S P , then use VFO B to selectthe P A x x C alternate display.

Tune to the frequency of the signal generator(tune for peak audio response). You can also
use auto-spot (pg. 32) to accurately match thepitch of the signal, ensuring that it is centered in
the passband.

•

Locate the CONFIG:SMTR PK menu entry;
set it to O F F .

S-Meter and RF GAIN Control•

Locate the SMTR SC menu entry (S-meterscale). Use the VFO A knob to set it to thedefault value (1 4 ).

•Locate SMTR OF (S-meter offset). Adjust it
for an S-9 reading. The default value (2 4 ) may
suffice.

•

Switch the signal generator to 1-µV output; theS-meter should now indicate about S-2 to S-3.
If not, change SMTR SC by 1 unit (try 15 first,
then 13, then 16, then 12). After each SMTR
SC change, re-adjust the SMTR OF setting foran S-9 indication.

•

When you have completed this procedure,
disconnecting the signal generator should now
show NO bars on the S-meter.

S-meter and RF GAIN control calibration isnormally adequate using the factory settings. The
optional S-meter calibration procedure below may
provide better results.
You can optionally linearize main and sub
receiver IF gain using the “Calibrate RF GAIN”
procedure in K3 Utility (Calibration tab). Thisshould be done before S-meter calibration.
Calibrating the S-meter requires a 1-µV/50-µV
signal source (an accurate signal generator such as
an Elecraft XG2 or XG3 can be used).
•

Switch to a band applicable to your signal
generator.

•

Select CW mode.

54

Menu Functions
Save your configuration using K3 Utility after changing menu settings.
There are two groups of menu functions: MAIN and CONFIG. Each group is ordered alphanumerically. MAIN
menu entries are shown below. CONFIG entries, which are used for initial configuration and advanced features,
start on page 57. Tap M E N U to access the MAIN menu; hold C O N F I G to access the CONFIG menu.
Menu entries you’d like quick access to can be assigned to programmable function switches (pg. 23).
Tapping D I S P within a menu entry shows usage information in the VFO B display area. For most entries, thedefault parameter value is shown in parentheses at the start of this help text.

MAIN Menu
Entry
AFX MD
ALARM
ATTEN

Default
Delay 5OFF
10 dB

Description
Audio Effects. Selections: D E L A Y 1 - 5 (quasi-stereo); B I N (L/R phase shift)
Set alarm/Auto-Power-On time. Tap 1 to turn alarm on/off; tap 2 / 3 to set H H /M M .
Main receiver attenuation level (5/10/15 dB, per-band).
Holding A T T for 2 seconds brings up this menu entry. (The sub receiver’s ATT-on
setting is fixed at 10 dB.)LCD ADJ8

LCD BRT
LED BRT

64

MIC SELFP, low
range,
bias off

LCD viewing angle and contrast. Use higher settings if the radio is used at or above
eye level. If adjusted incorrectly, bar graphs will be too light or heavy during keying.
LCD backlight brightness. Use D A Y in bright sunlight, 2 to 8 for indoor lighting.
LED brightness (relative to LCD backlight brightness). Exception: if LCD BRT is
set to D A Y , LEDs are set to their maximum brightness.
Mic/line transmit audio source, mic gain range, and mic bias. Source selections:
F P (front panel 8-pin MIC jack), R P (rear panel 3.5 mm MIC jack), and L I N E I N(rear-panel LINE IN jack).
Note: If a plug is inserted into the LINE IN jack, this audio input will override any
digitized audio line-in signal present at the USB port. This is only relevant if theUSB port has been selected (see CONFIG:RS232).
Tap 1 to toggle between .L ow and .H igh mic gain range for the selected mic. Tap 2
to turn mic B I A S on/off (turn on for electret mics).
For the front-panel mic only, tap 7 to turn on an additional gain stage. Use this onlywith very low-output mics. An apostrophe will appear after the H , e.g. H ’ .

MIC+LINOFF

If set to O N , and MIC SEL is set for F P or R P , the present mic OR line input canbe used for transmit audio.
Note: Setting MIC SEL to L I N E overrides the MIC+LIN menu entry (its parameter
becomes "N-A"). When MIC+LIN is in effect, rotating the MIC control shows MIC
gain. Set MIC SEL to L I N E to adjust LINE IN gain.

MSG RPT

6

Message repeat interval in seconds (0 to 2 5 5 ).
To repeat a message, hold M 1 – M 4 rather than tap. A 6 - 10 sec. interval is aboutright for casual CQing. Shorter intervals may be needed during contests, and longer
for periodic CW beacons.

RPT OFS

600

Sets the transmit offset (in kHz) for repeater operation, from 0 to 5 0 0 0 kHz. Stored
per-band and per-memory. Use A L T to select a +/- offset or simplex operation.
55

RX EQ+0 dB,
eachband

Receiver audio graphic equalizer. VFO A is used as an 8-band bar graph, showing
boost or cut ( - 1 6 dB to + 1 6 dB in 1 dB increments) for each AF band.
The 8 bands are 0.05, 0.1, 0.2, 0.4, 0.8, 1.6, 2.4 and 3.2 kHz. Tap 1 - 8 to select an AF
band. VFO A selects boost/cut. Tap C L R to reset all bands to +0 dB.
CW RX EQ is separate from RX EQ for voice modes.
RX EQ is not applicable to DATA modes.

TX EQ

VOX GNANTIVOX+0 dB,
each
band
0
0

Transmit audio graphic equalizer (voice modes only). Functions the same as RX EQ,
above. TX EQ can be adjusted during transmit.
SSB TX EQ is separate from TX EQ for other voice modes. Not applicable to
CW or DATA modes.
Adjusts the sensitivity of the VOX to match your mic and voice.
Adjusts immunity of the VOX circuit to false triggering by speaker audio.

56

CONFIG Menu
Save your configuration using K3 Utility after changing menu settings.

Tech Mode Entries
Menu entries that include [T] are tech mode entries. These are only visible if CONFIG:TECH MD is set to O N .
They are normally left at their defaults. Entries described as “Advanced” or “Troubleshooting” should bechanged with caution. Tap D I S P to see recommended default values (in parentheses at the start of help text).

Sub Receiver Settings
Menu entries marked SUB have two settings: one for the main receiver, and one for the sub receiver. If a sub
receiver is installed, the menu entries will change to identify which receiver is being set up, with R F (mainreceiver) or S U B (sub receiver) at the left end of the parameter. In the S U B case, the SUB icon will flash.
Prior to adjusting sub receiver menu parameters, you should turn the sub receiver on by tapping S U B . This isespecially important if you’re adjusting crystal filter settings, because it will allow you to hear the changes asfilters are selected and modified. You should also turn SUB AF gain up and MAIN AF gain down.
Even if the sub receiver is turned on, when you first enter the menu, R F will be in effect, and thebe turned off. Tap S U B to switch to the sub receiver parameter as required.

SUB icon will

Terminal Mode (TERM)
If you hold C O N F I G for 3 seconds or longer, the K3S will enter “Terminal” mode, which allows the K3S toemulate a K3/0-Mini panel (pg. 47). In this case the K3S will not function as a radio—only as a controller for aremotely located K3 or K3S. To exit Terminal mode, hold C O N F I G for 5 seconds.
Entry
2 TONE [T]Default
OFF

ADC REF [T]5.00

Description(Troubleshooting) Enables built-in 2-tone generator for SSB transmit tests. Theinternal 2-tone generator only works if LSB or USB mode is selected. Aftersetting 2-tone ON, exit the menu and tap XMIT. You can use
M I C to adjust
the amplitude of one of the tones; the other’s amplitude is fixed.
(Optional) Allows calibration of the voltage reference used by the K3S tomeasure and display certain values, such as the rig’s supply voltage.
First, disconnect anything attached to the ACC jack. Next, locate the ADC REF
menu entry. It will initially show 5.00 volts as the reference voltage. Using a
DMM set to DC volts, measure the actual voltage at pin 2 of the ACC jack. This
must be done while the ADC REF parameter is being viewed in the menu.
Note: The (-) probe of the DMM should go to the chassis ground, e.g. at the
GROUND lug.
Finally, use VFO A to set the ADC REF menu parameter to what you measured
at pin 2.

AF GAIN
AF LIM

HI
NOR

Sets AF gain range. Available selections are H I or L O .
(Advanced) Adjustable AF output limiter for use when AGC is turned off. Thiscan protect your ears if a large signal appears. Signals or noise above thethreshold will sound highly distorted due to the limiting action, reminding you toback down the AF or RF gain. Typical settings for those who often turn AGC off
are 17 to 23; some experimentation will be required.

57

AFSK TXFIL OFF

AFV TIM [T]1000

AGC DCYNOR

AGC HLD

0.00

AGC PLS [T]
AGC SLP [T]NOR
12AGC THR [T]
AGC-F [T]AGC-S [T]
AUTOINF [T]

5
120
20
NOR

BAT MIN

11.0

BND MAP{band} In

CW IAMBA

CW PADLCW QRQ

TIP=DOTOFF

If set to F I L O N , a 400-Hz transmit audio filter is added (via DSP) in order tomaximize transmit signal to noise ratio. This may be useful in high-noisecomputer environments. Applies only to AFSK-A mode (RTTY).
(Advanced) Integration time for A F V and d B V displays in ms. See VFO B
alternate display information (pg. 38).
AGC decay characteristic; applies to both fast and slow AGC. N O R selects
traditional linear decay. The S O F T setting can reduce IMD caused by traditional
AGC, and is especially useful in “pileup” conditions, in some cases making it
unnecessary to turn AGC off. Also see AGC HLD, below, which can reduce
AGC IMD even further.
SLOW AGC “hold” time. Specifies the number of seconds that the SLOW AGC
level is held after the signal drops. This can be used to reduce IMD caused bytraditional AGC, and is especially useful in “pileup” conditions, in some cases
making it unnecessary to turn AGC off. Also see AGC DCY, above.
(Advanced) N O R enables AGC noise pulse rejection.
(Advanced) Higher values result in ‘flatter’ AGC (making signals at all
amplitudes closer in AF output level).
(Advanced) Sets AGC onset point; a higher number moves the onset up.
(Advanced) Sets fast AGC decay rate; a higher number means faster decay.
(Advanced) Sets slow AGC decay rate; a higher number means faster decay.
(Advanced) If set to A U T O 1 , the K3S will send band data on its USB or RS232
port for use with devices such as the SteppIR™ antenna on every band change.
(Note: This setting may not be compatible with PC software applications that use
the “AI” remote control command.)Low-battery warning threshold; 1 1 . 0 recommended. (This refers to a battery
used as the DC power supply for the transciever, not to the 3-V backup battery forthe real-time clock.) If the voltage drops below this level, the operator will bealerted with a B A T L O W message. The menu parameter flashes if this occurs
within the menu, so the level can be easily tested.
Allows you to remove one or more bands from the B A N D rotation. Use B A N D
up/down to select bands, then set them to I n or O u t using VFO A. (Works withtransverter bands, too.) You can still get to mapped-out bands using memory
recall, direct frequency entry, or computer-control commands.
Iambic keying mode (A or B ). Both modes produce self-completing dots anddashes. Mode B is more efficient for operators who use “squeeze” keying(pressing both paddles at once), because an extra dot or dash is inserted onsqueeze release. Mode A lacks this feature, which may be more appropriate forthose who only press one paddle at a time (often called “slap” keying).
Specifies whether left keyer paddle (“tip” contact on the plug) is D O T or D A S H .
(Advanced) Set to O N to provide CW keying speeds of up to 100 WPM andfaster break-in at all speeds. The internal keyer range becomes 8-100 WPM in thiscase. Caution: In QRQ mode, the delay from key down to first RF out may be as
little as 4 to 5 milliseconds. This may be too fast for some external amplifiers.
You can increase the CONFIG:TX DLY setting to compensate, but you should
then listen to your signal on another receiver to ensure that your CW keying
doesn’t exhibit excessive timing variation.
Note: If you use SPLIT, RIT, XIT, or cross-mode, QRQ mode will be temporarily
turned off. Filter passband SHIFT/LO CUT/HI CUT cannot be used when CW
QRQ is in effect.
58

CW WGHT

1.15

Adjusts element/space timing ratio (weight) for the internal keyer.
Additional functions of this menu entry, via numeric keypad (Advanced):
Tap 1 to select S S B - C W (default) or S S B + C W (allows CW in SSB modes).
Tap 2 to select @ = S T O P (‘@’ character terminates KY-packet transmission;
default) or @ = ‘ A C ’ (‘@’ in a KY packet is sent as .--.-. [@] in CW mode).
Tap 3 to select O L D or N E W Q S K (default). N E W reduces AF keying artifacts.
Tap 4 to select V O X N O R (default) or A U T O O F F . The A U T O O F F setting
turns CW VOX off on power-up, avoiding accidental keying by attached PCs, etc.
Tap 5 to select automatic VFO offset on SSB/CW mode change (V F O O F S ) or
no offset (V F O N O R , default). Automatic offset is often used on 6 meters, wheremixed-mode QSOs are necessary during fading. Note: Pitch matching will be
more accurate if USB is paired with CW REV, and LSB with CW normal.

DATE
DATE MD
DDS FRQ [T]DIGOUT1

DUAL PB

EXT ALC [T]FLx BW
SUB

Real-time-clock date, shown as in the format selected by CONFIG:DATE MD(MM.DD.YY or DD.MM.YY). Tap 1 / 2 / 3 to select month / day / year.
US
Select U S (MM.DD.YY) or E U (DD.MM.YY) date formats.
n/a
Not applicable to the K3S.
DIGOUT1 is a general-purpose open-drain output signal on the ACC connector
OFF(pin 11). O F F = floating; O N = pull the line to ground.
DIGOUT1 is per-band, and also per-antenna if the KAT3A ATU is installed. It
can be used to control remote antenna switches, filters, etc.
Max. load current (O N ) is 15 mA; max. load voltage (O F F ) is 25 VDC.
Assigns one of two specialized filter functions to the A P F switch in CW mode:
APF
A P F (audio peaking filter) or N O R (Dual-Passband Filtering, or Dual PB). See
pg. 37 for details on the two functions.
OFF t-4.0 (Advanced) Set to O N only if using external ALC with a high-power amplifier(see pg. 29 for details). When set to O N , the external ALC threshold of the K3S (4 . 0 V by default) can be varied.
2.70 (FL1) Crystal filter F L 1 -5 bandwidth in kHz, where x=1 to 5 (FL1-FL5). Tap 1 - 5 toselect a specific filter, or tap X F I L ( 6 ) to select the next filter. Then set the
bandwidth to that marked on the crystal filter. (If desired, the value entered can beslightly different from the marked value. For example, you might set the
bandwidth of the 8-pole, 400-Hz filter to 0 . 4 5 kHz rather than 0 . 4 0 kHz. Thisdelays automatic filter switching by the WIDTH control to 0.45, which may be
advantageous if you believe the 400-Hz filter still performs well at 450 Hz.)
N/A

Note: An easier-to-use alternative to the F L x menu entries is the Edit Crystal
Filters function of our PC software application, K3 Utility. It shows all filter
setups in a single window.

FLx FRQSUB

FLx GNSUB

FLx ONSUB

Tap 7 to turn IIR DSP filters on (I I R O N ) or off (I I R O F F , default) for the 100
and 50 Hz bandwidths. IIR filters have steeper skirts and slightly more ringing
than the default FIR filters.
0.00 (FL1) Crystal filter F L x center freq as offset from nominal (8215.0 kHz). Use the offset
value specified on the crystal filter’s label or PC board, if any. For example, if an
Elecraft 5-pole, 200-Hz filter were labeled “-0.91”, adjust VFO A for – 0 . 9 1 .
0 dB
Crystal filter F L x loss compensation in dB. 0 d B recommended for wide filters;(FL1)
2 d B for 400 or 500 Hz filters, and 4 d B for 200 or 250 Hz filters.
ON (FL1), Used to specify which filters are available during receive. Each filter must be set
per-mode to O N or O F F in each mode. You can tap M O D E within the menu entry.
59

FLTX{md}FL1 (allmodes)FM DEV

5.0

FM MODEFP TEMPON
N/A

FSK POL

1

FW REVS

N/A

KAT3

Not Inst

Used to specify which crystal filter to use during TX. {md} = C W /S B /A M /F M .
Choose filters with bandwidths as follows: SSB, 2.7 or 2.8 kHz (also applies todata); CW, 2.7 or 2.8 kHz; AM, 6 kHz or 13 kHz; FM, 13 kHz or higher. The FM
filter, if present, must be installed in FL1.
Note: If you’re using a 2.7-kHz 5-pole filter for SSB transmit, you can optionallyfine-tune its FLx FRQ parameter to equalize LSB / USB transmit characteristics.
Monitor your signal on a separate receiver, using headphones.
(Advanced) FM voice deviation in kHz. Tap 1 to change the function to PL
DEV (PL tone deviation).
Note: The deviation setting for sub-audible tones (CTCSS) is separate from thatfor the European standard tone (1750 Hz). Before adjusting PL DEV, select theapplicable pitch using the P I T C H switch.
If set to O F F , FM will be removed from the mode selections.
Used to calibrate the front panel temperature sensor, which reads in degrees C. To
convert °F to °C, use Deg. C = (deg. F–32) * 0.555.
0 = Inverted FSK transmit data polarity, 1 = Normal data polarity. For use onlywith external FSK-D keying via programs such as MMTTY. Not recommended
for CW-to-DATA use.
Rotate VFO A to see firmware revisions: MCU (u C ), main DSP (d 1 ), aux DSP(d 2 , if KRX3A is present), flash parameters (F L ), and KDVR3 controller (d r ).
Tap 1 to see the LCD controller and RF board types. For the K3S, you should see
V E R B / 2 , where B refers to the LCD controller type and 2 refers to the RF
board type. Older types apply only to the K3.
KAT3A ATU mode; normally set to B Y P or A U T O (outside the menu, A T U
alternates between the two). Also see test settings below.
Tap 1 to enable or disable VFO tracking with a connected KAT500 automatic
antenna tuner. KAT500Y (yes) or KAT500N (no) will be flashed on the VFO B
display to indicate the current selection. When VFO tracking is enabled, theKAT500’s L-network will be continuously updated as the VFO is tuned.
Normally the KAT500 tracks VFO A; in SPLIT, it tracks VFO B (the TX VFO).
Tap C L R within this menu entry to clear stored L-network data for the present
band. This is very useful when matching across the band to a new antenna.
Modes L 1 - L 8 , C 1 - C 8 , and C t are used to test KAT3A relays. Mode L C S E T
allows manual adjustment of L/C settings (you must exit the menu first). When in
L C S E T mode, tapping A T U T U N E shows the L and C values; C is changed withVFO A, L is changed with VFO B, and A N T toggles between C a and C t .

KBPF3

Not Inst

SUB

KDVR3

Not Inst

KIO3B

NOR

If KBPF3A option is installed: set to N O R , exit menu, and turn power off/on.
With the KBPF3A installed, the full HF range from 0.1 to 30 MHz can be used.
For information on using the 100-550 kHz range, see pg. 41.
If KDVR3 option is installed: set to N O R , exit menu, and turn power off/on.
Note: Normally, playing DVR transmit messages automatically asserts PTT. To
use manual PTT with DVR transmit (via a footswitch or external sequencing
equipment), tap 1 within the KDVR3 menu entry until you see U S E P T T .
Determines function of BAND0-3 outputs on ACC connector. See pg. 21.
If the menu entry name is K I O 3 (without the B ), then the K3S has not correctly
detected the KIO3B module, and the USB and RS232 ports will not function. Try
turning power off/on. If the problem persists, contact Elecraft.

60

KPA3

Not Inst

KRC2

--

KRX3

Not Inst

KXV3B

NOR

LCD TST
LIN OUTOFFNOR 010

Set to P A N O R if KPA3A 100-W amp installed. Set to P A I O O N if KPA3A is
not installed, but the KPAIO3A transition PC board is. Other settings include P A
B Y P (disables PA if installed), PA fan test settings (P A F N 1 -F N 4 or P A I O
F N 1 - F N 4 ), and P A I O B Y P (if transition board is installed, but not the KPA3A
module, this setting can be used to test the high power bypass relay).
Controls the KRC2 band decoder’s accessory output settings. Shows A C C O F For A C C 1 - 3 if a KRC2 is detected; - - if not.
To ensure compatibility with both old and new KRC2 firmware, two different 6
meter band decodes are provided. Tap 1 to select B A N D 6 = B 6 (addr=10) or
B A N D 6 = B 1 0 (addr=9). Refer to the KRC2 manual for further details.
If KRX3A option (sub receiver) is installed, set the parameter to match yourselected sub receiver AUX RF source: A N T = A T U (the KAT3’s non-transmit
antenna) or A N T = B N C (the AUX RF BNC jack on the rear panel). Turn power
off, then back on.
The KXV3B module is supplied with the basic K3S. If it is installed: set to N O R ,exit menu, and turn power off/on. If not, set to N O T I N S T . The KXV3B
provides RX ANT IN/OUT jacks, transverter I/O jacks (XVTR IN/OUT), preamp
2 (see CONFIG:PREAMP2), a buffered I.F. output for the P3, and internal 2-m
module support (K144XV).
If the menu entry name is shown as K X V 3 (without the B suffix), tap 9 tochange it, then exit the menu and turn power off/on. This instructs the K3S to look
for the KXV3B module, which includes the preamp 2 circuitry. If you see E R R
X V 3 , refer to Troubleshooting.
If KXV3B is set to T E S T , the K3S will transmit at low power (0.10 to 1.50 mW)
on all bands, including HF and transverter bands. RF input/output is via the
XVTR IN/OUT jacks in this case. Used for troubleshooting or, at present, totransmit at ~0.5 mW on the 630-meter band (472 kHz). Note: The T E S T setting
is not available until the KXV3B has been configured as described above.
Rotating VFO A to turn on all LCD segments for test purposes.
Sets the LINE OUT level. LINE OUT connections go to PC soundcard inputs.
Settings above 10 may result in overdrive of the soundcard or saturation of the
KIO3’s isolation transformers; monitor signals using the PC to avoid this.
The LINE OUT jack is active even if CONFIG:RS232 is set to U S B . The USB
port also provides line-out audio via the USB cable. See pgs. 18 and 22.
Note: Normally, LIN OUT sets a fixed-level receive-only output for main/sub(Left/Right), compatible with digital modes. Tapping 1 switches LIN OUT to=PHONES, where the line outputs match headphone audio. In this case, line out
audio level is controlled by the AF/SUB gain controls.

MACRO xFunction

Used to assign macros (sequences of remote-control commands) to any of the
programmable function switches. For example, a single macro can do theequivalent of “SPLIT, up 2 kHz, turn on diversity mode”; setup transmit EQ for a
specific operator; configure the K3S for a contest, etc.
Macros must first be created using K3 Utility and sent to the K3S. Next, locate the
MACRO x menu entry, tap 1 - 8 to select a macro number (x), then hold thedesired programmable switch (e.g. P F 1 ) to assign that macro to it. For details, see
K3 Utility help or the Programmer’s Reference.

61

MEM 0-9

NOR

If the parameter is set to B A N D S E L , frequency memories 0-9 (“quick
memories”) will act like band switches. Once this mode has been selected, exit
the menu, then use V M to assign individual bands to keypad switches 0-9. For
example, use B A N D to get to 160 m, tap V M , then tap # 1 . From then on,
tapping M V , then # 1 , will take you to your last-used frequency on 160 m, justas if you had used the B A N D switch.
This menu entry also controls the behavior of memory recall ( Mselecting memories 00-99 using VFO A:

MIC BTNOFF

L-MIX-RA

B

NB SAVENOPA TEMPN/A

PB CTRL

Shift=.05

PREAMP2OFF

PTT-KEY

OFF-OFFV ) whenNormally, when you tap M V , rotating VFO A through memories 00-99
switches the receiver to the indicated frequency as soon as the VFO stops moving.
You can change this behavior by tapping 1 in the MEM 0-9 menu entry. This
alternates between M > V N O R (“live” memory recall) and M > V D L Y(“delayed”). In the latter case, the receiver will not switch to new frequencies
until you tap M V to return to normal operation.
Set to O N if your mic has UP/DOWN buttons compatible with the front-panel
mic jack. Not applicable to the Elecraft MH2 or MD2 microphones.
Tapping UP/DOWN once moves the VFO up/down one step (based on current
tuning rate); holding UP/DOWN moves up/down continuously. If frequency
moves up/down continuously, your mic is not compatible; set MIC BTN O F F .
Sets left/right mix of main (A) and sub (B) audio. Default is main full left, subfull right. A setting of A B
B would provide main/sub mixing on the left, etc.
Set to Y E S to save noise blanker on/off state per-band. Noise blanker levels, both
DSP and I.F., are always saved per-band regardless of this setting.
If a KPA3A (100-W PA module) is installed, shows PA heat sink temperature andallows it to be adjusted. See calibration procedure on pg. 54.
If you’re operating at high power from a battery, and voltage is dropping enoughto cause an erroneous H I T E M P indication, tap 1 in this menu entry to select R
O N L Y (receive only) temperature sensing, rather than the default (T A N D R ).
(Advanced) Specifies the granularity of the passband SHIFT control on a permode basis: . 0 5 (default) or . 0 1 kHz. Select the desired mode first, then selectthe desired granularity. Limitations: Only applies to CW and DATA modes.
Selecting . 0 1 kHz reduces the SHIFT range and disables HI CUT and LO CUT.
May interfere with spurious signal removal (CONFIG:SIG RMV), i.e. “removed”
signals may not be shifted the right amount, and thus may again be audible.
Set to O N to enable preamp 2 on each of 12, 10, or 6 m, as required. If preamp 2
is enabled, then the PRE switch will have three settings: OFF, PRE 1, and PRE 2.
Use of preamp 2 with the sub receiver has some limitations (see pg. 45).
(Advanced) Allows selection of R T S or D T R lines (via the USB or RS232
ports) to activate PTT or key the K3S. (See pg. 19 for connections.) Example: if
the parameter is set to R T S - D T R , then the RTS line will activate PTT, and DTR
will key the rig. Note: If a computer or other device asserts RTS or DTR while
you’re in this menu entry, the K3S will switch to T E S T mode (zero output) as aprecaution. The T X icon will flash as a reminder. To avoid this, make sure
software has flow control and/or keying options turned OFF while you’rechanging the PTT-KEY selection.

62

PTT RLS20PWR SETNORREF CAL[T]

49380000
Hz(Advanced) Provides a delay between release of PTT and dropping of thetransmit carrier; intended for use with fast turn-around data protocols such as
AMTOR and PacTOR. (No effect in CW, FSK D, or PSK D modes.)A value of 20 or higher may be needed to ensure accurate data transmission withthese protocols. If sync data or – S is in effect (see SYNC DT), a lower value,
typically 10 to 12, is optimal. Also see AMTOR/PacTOR (pg. 34).
If set to N O R , the power level on each band follows the present setting of the
PWR control. If set to P E R - B A N D , the power level is saved on each band. Thisis especially useful with external amplifiers (see ALC discussion on page 82.)
If a KPA500 is connected to the K3S via the ACC cable, two sets of per-band
power settings are saved: one for “barefoot” operation, one for use with the amp.
When the amp is used, an asterisk appears as PWR is rotated (e.g. 3 0 W * ).
Tap 1 to L O C K or U N L O C K the MIC, CMP, and PWR controls.
Used to calibrate the reference oscillator. VFO A is used to set the reference
oscillator frequency in Hz. Typically it will be 49380.000 +/- 1000 Hz. Refer topage 53 for manual reference oscillator calibration details.
If a K3EXREF option is installed and connected to an external 10-MHz reference,
tap 2 to enable it (X R E F I N ).

RFI DETNORRIT CLR

UNDO
OFF4800 bRS232

SER NUM

N/A

With a K3EXREF option installed and an external reference connected, the REF
CAL parameter will be calibrated automatically about 10-15 seconds after powerup. An asterisk will appear in the menu entry name (e.g. REF*CAL); the asterisk
flashes as long as data is being received from the K3EXREF. Tapping 1 saves
the automatically derived value as the default (manual) value. This is not
required, but is useful if the external reference is ever disconnected.
N O R enables detection of high RFI at the antenna in receive mode (see H I R F I
warning, Troubleshooting). Set to O F F to disable the warning.
When this parameter is set to “UNDO ON”, tapping RIT/XIT C L R will alternate
between 0 . 0 0 and the present RIT/XIT offset, if any.
RS232 communications rate in bits per second (bps) or U S B port selection. If
USB is selected, PC control must be done via the USB port; the USB cable canalso handle line-level audio in/out, eliminating the need for a sound card in the PC
and associated cables. If USB is not selected, PC control can be done via theRS232/P3 jack (RJ45) as described on pg. 19.
Note: During firmware download (via K3 Utility), the baud rate is set
automatically to 38400 baud (applies to both RS232 and USB ports). The baudrate is then restored to the value selected in this menu entry.
Serial number of your K3S, e.g. 1 0 0 0 0 . Cannot be changed.

63

SIG RMV [T]NOR(Advanced; Optional) SIG RMV can be used to remove fast-tuning carrier
signals (spurs or “birdies”) that are audible even with an antenna connected.
Limitations: Applies only to CW/SSB/DATA modes, and only to the main
receiver. In CW and DATA modes, SIG RMV should not be used in combination
with a CONFIG:PB CTRL setting of S h i f t = . 0 1 . Set this to S h i f t = . 0 5 first.
To undo SIG RMV: Tapping C L R while you’re in the SIG RMV menu entry
will delete all spur-removal information for the present band, only.
STEPS:(1) Select the desired mode and band (for XVTR bands, use the I.F.).
(2) Adjust SHIFT/WIDTH or LO/HI CUT to settings you use most often.
(3) Locate a “fast-tuning” spur to be removed. A spur is “fast-tuning” if a 50 Hzchange in SHIFT moves the spur 300 Hz or more; such spurs result from highharmonics of the VFO. Ideally, a small shift will move a spur completely out of
the audible passband. If you test a spur using SHIFT, be sure to return SHIFT to
its original setting before continuing, because SHIFT affects the spur frequency.
(4) Change the SIG RMV parameter to 0 . This saves information about the spur,
including its frequency, the current mode, etc.
(5) Try different parameter values, starting with - 1 or 1 , to see if the spur can beshifted out of the audible passband. After changing the parameter each time, exit
the menu and see if the spur is gone. (Each saved SIG RMV entry applies to asingle 100-Hz VFO segment, e.g. from 28135.30 to 28135.39, so you’ll have totune slowly through that 100-Hz range using 10-Hz steps.) You may hear a slighttuning artifact as you tune in and out of the affected VFO segment, especially forlarger parameter values. This results from a shift in the crystal filter passband.
(6) Repeat steps 3 through 5 for adjacent 100-Hz VFO segments if necessary.
(7) If applicable, repeat steps 2 through 6 for other SHIFT/WIDTH or LO/HI
CUT settings you use in the present mode. Note: If you change your sidetone
pitch, you may need to re-do the procedure for spurs removed in CW mode.

SMTR OFSMTR SC024
014

SMTR PK
SMTR MDOFFNOR

SPLT SV
SPKRS

YES
1

SPKR+PHNO

S-Meter offset; see calibration procedure and SMTR SC, below (pg. 54).
S-Meter scale. Typically set so that S-9 = 50 µV and S-2 to S-3 = 1 µV with
Preamp 1 on, AGC ON, WIDTH of 500 Hz, and SMTR MD set to NOR. Seecalibration procedure (pg. 54).
Set to O N for peak-reading S-meter. (Not applicable in FM mode.)(Advanced) S-meter mode: When set to N O R , preamp/attenuator on/off willaffect the S-meter. (The default values of SMTR OF and SMTR SC apply to
N O R .) If set to A B S , the S-meter reading will stay fairly constant with different
preamp/attenuator settings, but SMTR OF and SMTR SC must be re-aligned.
If set to Y E S , S P L I T , R I T , and X I T on/off states are saved per-band.
Set to 2 if using two external speakers. This enables binaural effects inconjunction with the A F X switch, as well as stereo dual-receive if the sub
receiver is installed. For further details on sub receiver use, see pg. 39.
Y E S = Speaker is always enabled, even when headphones are plugged into
PHONES jack. See detailed discussion on pg. 22.
A secondary function of this menu entry is to select the speaker-cutout jack logic:
Tap 1 until you see P H . R S W – . The minus sign (-) indicates inverted switch
logic, required for the jack on the KIO3B audio board. (If this is set incorrectly,
you will not be able to hear any speaker output even with headphones unplugged.)64

SQ MAIN0SQ SUB0

SUB AFNORSW TEST [T]OFF

SW TONEOFF

SYNC DT

Function

TECH MD

OFF

TIME

N/A

TTY LTR

Function

This menu entry normally sets the main receiver squelch value (0 -2 9 ). If VFO A
is rotated fully clockwise, the parameter changes to = S U B P O T . Squelch forboth main and sub receivers will then be controlled by the SUB RF/SQL knob,
and both main and sub RF gain will be controlled by the MAIN RF/SQL knob.
Note: By default, squelch applies only to FM mode. Tapping 1 while in thismenu entry alternates between S Q L = A L L (all-mode squelch) and S Q L = F M .
This menu entry normally sets the sub receiver squelch value (0 -2 9 ). But if
SQ MAIN is set to = S U B P O T , then SQ SUB will also change to = S U B P O T .
Squelch for the sub receiver will then be controlled by the SUB RF/SQL knob,
and both main and sub RF gain will be controlled by the MAIN RF/SQL knob.
If set to BALANCE, then the SUB AF GAIN control becomes main/sub AF
balance when the sub is turned on (including diversity mode). In this case MAIN
AF GAIN controls the AF gain level for both receivers. When SUB AF is at 12 o’clock, both receivers will be at full volume (main left, sub right). If SUB AF is
rotated fully counter-clockwise, you’ll hear only the main receiver. If it’s rotatedfully clockwise, you’ll hear only the sub receiver. At intermediate settings you’llhear both. A balance control is very useful for contesting and split operation. But
it can also save a lot of AF gain control adjustment (i.e., matching main and sub),since MAIN AF controls both main and sub receiver audio.
(Troubleshooting) To turn on switch test, rotate VFO A until the parameter
becomes S C N A D C . Then hold any switch to see its scan row and column ADC
reading. You can also rotate any of the four potentiometers to see their associated
ADC readings (main/sub AF gain and main/sub RF gain). If the SUB RF pot ismapped to main/sub squelch, you must switch to FM mode to see its readings.
If set to O N , enables audible switch feedback tones. Volume level for switch
tones is set using the MON control while in CW mode. (Note: For voice feedbackon switch press, you may wish to use our K3 Voice program for the PC.)
Tones generated: In general, a low-to-high tone pair is generated when a switch
function is turned on, and high-to-low when it is turned off. Following A T U
T U N E , SWR <= 2:1 results in a normal tone; <= 3:1 a medium-pitch tone; andover 3:1, a high-pitched tone. If CONFIG:RIT CLR is set to U N D O O N ,tapping C L R a second time (RIT clear “un-do”) produces a unique low-to-hightone pair.
Some switches do not generate tones because they might interfere with received
or transmitted audio (e.g. R E V , and M 1 - M 4 message play).
(Advanced) When SYNC DT (sync data) is activated in either SSB or DATA
modes, T/R switching times are reduced to optimize for modes such as AMTOR
and PacTOR. The “-S” icon turns on. Do not use SYNC DT for normal
SSB/DATA communications. Cannot be changed within the menu; assign to a
programmable function. Also see CONFIG:PTT RLS (PTT release delay).
Set to O N to enable Tech Mode menu entries (those marked with [T] in this list).
(Advanced) Tap 1 or 2 to show main or aux DSP internal error information. Tap
C L R to clear the error information (parameters will then be F F F F ).
Real-time-clock view/set. Tap 1 / 2 / 3 to set HH / MM / SS. To see the time andother displays during normal operation, tap D I S P (see pg. 38).
Performs an RTTY FIGS to LTRS shift when the text decoder is enabled in
RTTY modes. Cannot be changed within the menu itself; must be assigned to a
programmable function switch.

65

TUN PWRNORTX ALC [T]ON

TX DLYNOR 008

TX DVRNOR

TX ESSB

OFF 3.0

TX GATEOFF 0

TX INH [T]OFF

TX MONNOR

If set to N O R , T U N E power level follows the POWER knob. Otherwise,establishes a fixed power level for T U N E , overriding the present POWER knob
setting. Note1: TUN PWR does not pertain to A T U T U N E , which always uses 5
or 10 W and is internally controlled. It also does not apply to transverter bands
using the low-power KXV3B output (XVTR OUT). Note2: see CONFIG:PWR
SET for per-band power control.
(Troubleshooting) Set to O F F to disable both internal and external transmit
ALC (overrides EXT ALC setting). Used when adjusting band-pass filters in TX
mode, or for troubleshooting. Set parameter to O N during normal operation.
(Advanced) For use with external amplifiers that have slow relays; sets the timefrom KEY OUT jack (active low) to first RF in 1-ms steps. To minimize loss of
QSK speed, use the shortest delay that works with your amp. Most will work withthe default (minimum) setting of 8 ms.
CAUTION: If you use any setting above 008, and you’re using an external keyer
in CW mode, you should listen to your keying on another receiver. At some code
speeds and keyer weight settings, your CW keying may exhibit excessive jitter(per-element variation) that can be heard on the air.
Note: If CW QRQ is set to O N , the minimum delay from KEY OUT to first RF
will be somewhat shorter (approx. 4 to 5 ms rather than 8 ms).
(Advanced) Set to I N D to allow independent control of the DVR transmit
playback level, and the monitor normal transmit speech monitor level. In thiscase, holding the MON knob a second time alternates between DVR level andMON level. Useful for operators who don’t normally use the transmit monitor,
but would like to hear DVR playback audio during transmit.
(Advanced) Extended SSB transmit bandwidth (3 . 0 to 4 . 0 kHz) or O F F . Tap 1
to turn on/off, and rotate VFO A to select the bandwidth. (Also see pg. 38.) If you
turn ESSB on/off frequently, you might want to assign this menu entry to a
programmable function switch (PF1, PF2, or M1-M4).
(Advanced) The TX noise gate can be used to suppress transmitted audio below
a certain level, e.g. that of an amplifier fan. Tap 1 within the TX GATE menu
entry to turn the noise gate on/off. Use VFO A to set the desired threshold. Since
there’s no visual indication that transmit audio is below the threshold, you should
adjust it using the transmit voice monitor (MON), ideally while using
headphones. Set the threshold high enough to cut off transmit audio due to local
noise, but not so high that it causes your voice to drop out too frequently. The TX
GATE threshold can be adjusted in T X T E S T mode.
(Advanced) If set to L O = I N H or H I = I N H , an external logic signal can inhibittransmit (see pg. 21). When transmit is inhibited, the TX LCD icon flashes.
(Advanced) When set to N O R , voice monitor audio will be delayed due to DSP
signal processing, and will reflect the sound of speech compression, if applicable.
F A S T may be preferable if you’re distracted by these effects. In this case,monitor audio will be “dry” (unprocessed).

66

TXGN{pwr}[T]

00

TXG VCE [T]

0.0 dB

VCO MD [T]n/a

VFO B->A

Function

VFO CRS

Per-mode

VFO CTS200

VFO FST

50 Hz

VFO INDNOVFO LNKOFFVFO OFSOFF

WMTR {pwr}[T]
XVn ON100

XVn RF144

XVn IF

28

NO(Troubleshooting) Shows transmit gain constant for the present band and powermode, where {pwr} = L P (0-12W), H P (13-120W), or M W (0.1-1.5 mW). The
gain constant is updated whenever the T U N E function is activated on a given
band at one of three specific power levels: 5.0 W, 50 W, and 1.00 milliwatt. Seetransmit gain calibration procedure, pg. 52.
On 80 m with high power (> 13 W) selected, you should see P R 8 0 as part of the
TXGN parameter display. This indicates that the preamp is turned on during QRO
transmit on 80 m, and is the default. It should only be turned off fortroubleshooting purposes; this is done by tapping P R E .
If TX ALC (above) is O F F , the TXGN parameter can be set manually, at veryfine resolution. This should only be done for troubleshooting purposes.
(Advanced) Balances voice transmit peak power in relation to CW peak powerin T U N E mode. Typically set between -1.5 to 1.5 dB.
The VCO MD setting applies only to the K3, not the K3S.
VFO Tuning Noise Reduction (Advanced; applies to K3 or K3S): Tapping 1
in this menu entry alternates between S P I 1 (default) and S P I 2 . The S P I 2
setting may eliminate a weak “ticking” noise sometimes heard in the vicinity of 5,28, or 50 MHz while rotating the VFO.
Copies VFO B’s frequency to VFO A. Cannot be used within the menu itself;must be assigned to a programmable function switch.
Per-mode coarse tuning rate (hold C O A R S E and tune VFO A or B). Tap 1 to turnrounding on/off. Also applies to the RIT/XIT tuning knob if CONFIG:VFO OFS
is set to O N , and both RIT and XIT are turned OFF.
VFO counts per turn (1 0 0 , 2 0 0 , or 4 0 0 ). Smaller values result in easier finetuning of VFO; larger values result in faster QSY. Doesn’t apply to the C O A R S E
tuning rate, which always uses 100 counts per turn.
Specifies the faster of the two VFO tuning rates ( R A T E ). The faster rate is 5 0 Hz
per step by default, but can be set to 2 0 Hz if desired. In this case, VFO CTS =4 0 0 is recommended to ensure adequate fast-QSY speed.
If set to Y E S , VFO B can be set to a different band than VFO A, which allows
listening to two bands at once (main/sub). See pg. 39 for independent main/sub
band considerations.
Set to Y E S to link VFO B to VFO A. Rotating VFO A will then move both
VFOs. (Note: In diversity mode, VFO B is always controlled by VFO A; it is notnecessary to turn VFO LNK on in this case.)
If O N , the RIT/XIT offset control can be used to tune VFO A in large steps whenboth R I T and X I T are turned off. The step sizes vary with mode (see VFO CRS),
and are the same as the C O A R S E VFO tuning rates.
Wattmeter calibration parameter. {pwr} is the power mode: L P (0-12W), H P(13-120W), or M W (0.1-1.5 mW). See calibration procedure (pg. 52).
Tap 1 – 9 to select applicable transverter band (1 - 9 ). Set parameter to Y E S toturn the transverter band on.
Lower edge for transverter band n (1 -9 ); 0 -2 4 9 9 9 MHz. (Tap 1 – 9 to selectapplicable transverter band.) Normally, 1 4 4 would be used for the K144XV
internal 2-m module. But if the K144XV is being used as an IF for a higher-band
transverter, you can set it to the lower edge of the higher band.
Specify K3S band to use as the I.F. for transverter band n (1 -9 ) . (Tap 1 – 9 toselect the transverter band.) I.F. selections include 7 , 1 4 , 2 1 , 2 8 , and 5 0 MHz.
Use 2 8 MHz for the K144XV internal 2-m module.
67

XVn PWR

L .01

XVn OFS

0.00

Sets upper limit on power level for XVTR band n. (Tap 1 – 9 to select band.)H x . x (H igh power level) specifies a value in watts, and use of the main antennajack(s). This should be used with caution, as you could damage a transverter leftconnected to these antenna jacks accidentally. L x . x x (L ow power level)
specifies a value in milliwatts. L 1 . 0 0 is recommended for the K144XV internal
2-m module. (If CONFIG:PWR SET is set to P E R - B A N D , the K3S will savethe last-used power setting on each band. This is useful for transverter bands.)
Offset (– 9 . 9 9 to +9 . 9 9 kHz) for transverter band n (1 -9 ). (Tap 1 – 9 to selecttransverter band.) Compensates for oscillator/multiplier chain errors.
If the present transverter band is assigned to the K144XV internal 2-m
module (by setting XVn ADR to I N T . T R N 0 - 9 ), the XVn OFS parameter willshow either 1 4 4 or 1 4 6 at the left end of the display, depending on whether you
have the VFO tuned to 144-145.999999 or 146-148 MHz. You can enter an offset
for each of these band segments, which correspond to the 116 and 118 MHz
crystals on the K144XV, respectively. (You must have the 2-m band selected
before setting these parameters.) These offset values are normally set up at thefactory, and are also noted on a label on the K144XV module.

XVn ADR

TRNn or
INT. TRNn

If a K144RFLK module is also installed, the K144XV’s 2-m frequency will belocked to the transceiver’s 49.380-MHz reference. The XVn OFS parameters canbe automatically calculated in this case. Tap 0 on the keypad in the XVn OFS
menu entry until you see R E F L O C K displayed. The XVn OFS parameter willthen be locked to the REF CAL value, which you’ll need to calibrate. Or, you can
use an external reference and the K3EXREF option.
This menu entry assigns optional band-decode addresses (T R N 1 -9 , or I N T .
T R N 0 - 9 ) to each transverter band. Addresses T R N 1 -9 are used to automaticallyselect external transverters, while addresses I N T . T R N 0 - 9 are used to select the
Elecraft K144XV internal 2-meter transverter.
Addresses T R N 1 -T R N 9 and I N T . T R N 0 - 9 can be sent to the BAND DATA
outputs on the KIO3B for use with third-party transverters (BAND0-3; see pg. 21
and CONFIG:KIO3). Addresses T R N 1 -T R N 7 are compatible with Elecraft XVseries transverters and the Elecraft KRC2 band decoder, so they are sent on the“AUXBUS” serial control line (TRN8 and TRN9 are sent as 0 on the auxBus).
Tap 1 – 9 to select the desired transverter band, then rotate VFO A to select thedesired decode address.
Example 1: To configure an Elecraft K144XV internal 2 m transverter as
XVTR band 1, set XV1 RF to 1 4 4 MHz, XV1 IF to 2 8 MHz, and XV1 ADR toI N T . T R N 0 (or any of I N T . T R N 1 - 9 as needed for external address decode).
Example 2: To configure an Elecraft XV432 external transverter as XVTR band
2 , set up XV2 RF as 4 3 2 MHz, XV2 IF as 2 8 MHz, and XV2 ADR as T R N 1(or whatever address matches the DIP switch selection inside the transverter).

68Troubleshooting
The most common symptoms and their causes are listed below, in three categories (general, transmit, andreceive). Most problems are related to firmware or control settings. Subsequent sections cover Parameter
Initialization (pg. 72) and Module Troubleshooting (pg. 73). If the problem persists, please contact Elecraft
support (see pg. 10) or post a question on our email reflector.

General•E R R (error) message appears on the LCD (E R R F W 2 , etc.): Refer to Module Troubleshooting (pg. 73).

•

T E R M displayed on VFO B, and controls do not function: You have entered “Terminal” mode byholding the C O N F I G switch for 3 or more seconds. Terminal mode allows the K3S to emulate a K3/0-Minipanel for remote-controlling another K3S (or K3). To exit terminal mode, hold C O N F I G for 5 seconds orturn power off/on. See K3/0-Mini manual for information on remote control of the K3S.

•

Can’t turn power off: An external device or the KIO3B or KPA3A module may be pulling the POWER
ON line low (on the ACC jack). Disconnect external devices one at a time. If that doesn’t reveal the
problem, unplug the KIO3’s digital I/O board, then the KIO3B main board, then the KPA3A. Also see
Module Troubleshooting (pg. 73).

•

General problem with transmit and/or receive: Many problems can be caused by low power supply
voltage or by a noisy or intermittent supply. Check your power supply’s on/off switch, voltage, fuses (ifapplicable), and DC cabling. The K3S provides both voltage and current monitoring (pg. 38). Also see
Transmit and Receive troubleshooting sections, below.

•

General problem with firmware behavior: (1) Check all relevant menu settings (see MAIN and CONFIG
menu listings in the previous section). In addition to the information in the manual, each menu entry
provides help text by tapping D I S P . (2) Try loading the latest microcontroller and DSP firmware. Review
the release notes for changes that may be related to your symptoms. (3) If the above suggestions don’t help,
you can try reinitializing the firmware (pg. 69). Be sure to save important parameter settings first.

•

Bands missing from B A N D switch rotation: See CONFIG:BND MAP.

•

N E W K 3 U T I L S O F T W A R E R E Q U I R E D message appears on the LCD: This indicates that you must
install a new version of the firmware upgrade program (K3 Utility) in order to load the latest K3S firmware.

After installing the new version of K3 Utility, reload all new firmware (MCU, DSP, etc.).
•

F P F L O A D P E N D I N G message appears on the VFO A and B displays: Use our K3 Utility software•

P L L 1 appears in place of S Y N 1 as the synthesizer status (on VFO B): This indicates that the K3S has•

N / A message (Not Applicable): The function you’re trying to use does not apply in the present context.

•

Mode icon flashes: This is a reminder that you’re about to set the K3S up for cross-mode SPLIT operation(VFOs in different modes). Tap any key to clear. To view and change VFO B’s mode, use B S E T .

•VFO B is blank: You may have CW or DATA text decode display turned on (T E X T D E C , pg. 32) with the
T H R (threshold) control set too high for text decode to proceed.

•

VFO A or B display doesn’t change when the corresponding knob is rotated: You may have theaffected VFO locked (pg. 14).

application to load the FPF data file from a PC. Refer to K3 Utility’s help information for details.
not established communication with the KSYN3A module, and has reverted back to the KSYN3 (normallyused only with the K3). Turn power off and back on. If the problem persists, turn power off and re-seat the
KSYN3A module. If necessary, replace the module.

69

Transmit•

B N D E N D : Attempt to transmit out of the allowed ham band.

•

TX LED on all the time: This could indicate that PTT is being held on by external equipment. (Verify that
CONFIG:PTT-KEY is set to O F F - O F F if not keying via the USB or RS232 ports. Try disconnecting
equipment connected to the ACC, USB, and RS232 jacks.) Also check VOX gain (unplug mic if necessary).

•

H I C U R or H I S W R warning (K3S/100): Check load Z and supply voltage. If voltage is low and/or load•

H I T E M P warning (K3S/100): When operating QRO from a battery, low voltage may cause an erroneous•

A L C O F F is displayed on VFO A during transmit: Set CONFIG:TX ALC to O N . ALC should only be•

Can’t transmit in CW mode: (1) Make sure the key or keyer paddle is plugged into the correct jack.
(2) You must have VOX selected (V O X icon on) in order to use hit-the-key CW. (3) You may be in S P L I T
mode, with VFO B set for a voice or data mode. Tap A / B or use B S E T to check VFO B’s mode.

•

Can’t key external amplifier in CW mode: Some amplifiers require a longer delay from keyline activation
to first RF. See CONFIG:TX DLY. (Caution: Long TX DLY settings may affect keyer timing.)•

Key clicks in QSK CW mode with an external amplifier:. This may be due to a slow amplifier relay (use
CONFIG:TX DLY) or incorrect application of external ALC (see CONFIG:EXT ALC and pg. 29).

•

Can’t use the mic in voice modes: You may be in S P L I T mode, with VFO B set for CW or data mode
rather than a voice mode. Tap A / B or use B S E T to check VFO B’s mode.

•No power output: You may have routed RF through the KXV3’s XVTR IN/OUT jacks, either by switching
to a transverter band, or by setting CONFIG:KXV3B to T E S T . Also try redoing TX GAIN cal (pg. 52).

•

Relay heard switching during keying: If this happens only above a certain power level, transmit signal
leakage may be activating the carrier-operated-relay circuitry on either the KXV3B module (RF I/O) or the
KRX3A (sub receiver). You must improve isolation between transmit and receive antennas or decrease
output power. If a relay switches during keying even at very low power levels, it could be due to: (1) SPLIT
operation with different bands and/or modes, or the receive VFO tuned outside any ham band; or (2) VFO A
is tuned such that a relay switches during T/R due to incorrect VCO calibration (re-run VCO CAL).

Z is under 50 ohms, current can go up for a given requested power level. Reduce power if necessary.
temperature reading (see CONFIG:PA TEMP for details). Otherwise, PA heat sink temperature has
exceeded 84C (PA drops into bypass mode). Check fans, power supply voltage and current, and load
impedance. Allow heat sink to cool. Reduce power if necessary. Make sure the CONFIG:PA TEMP menu
entry is calibrated (allow heat sink to cool to room temperature, then compare menu reading to actual).
turned off during band-pass filter alignment (do not adjust filters without consulting Elecraft support).

Receive•

H I R F I warning: A high-power transmitter may be coupling into the antenna in receive mode. The•

H I S I G warning: An extremely strong, sustained signal (e.g., a broadcast station’s carrier) may be causing
excessive post-mixer amplifier current when operating on the present band. The K3S will automatically turnwarning occurs when the ANT1 or 2 input signal exceeds about 1 to 2 W. Also see CONFIG:RFI DET.

the preamp OFF, and in extreme cases will also turn the attenuator ON.
•

H I C U R or S P K R S = 1 warning: H I C U R may indicate a shorted left speaker channel; the K3S will
reduce AF gain. S P K R S = 1 may indicate that CONFIG:SPKRS is set to 2 , but a mono external speakerplug is in use, shorting the right speaker channel to ground. The K3S automatically sets SPKRS to 1 .

•No received signal: Check (1) receiver being squelched (if RF/SQL controls are assigned to squelch via
CONFIG:SQ MAIN or SQ SUB, rotate squelch controls fully counter-clockwise); (2) RF GAIN too low(set RF gain controls fully clockwise); (3) bandwidth too narrow (set
WIDTH or tap X F I L , and also
verify filter configuration settings); (4) switching to an open receive antenna on the KXV3B (RX ANT IN);
(5) switching the KAT3A to an open antenna jack; (6) CONFIG:REF CAL parameter not adjusted
properly; (7) CONFIG:KXV3B may be set to T E S T , which routes all RF through the XVTR IN/OUT
jacks.
70•Speaker is not working with headphones unplugged: Locate the CONFIG:SPKR+PH menu entry. Tap‘1’ on the numeric keypad until you see P H . R S W – . The minus sign (-) indicates inverted switch logic,
required for the jack on the KIO3B audio board.

•

Received signal level too low: (1) Try setting CONFIG:AF GAIN to H I ; (2) check headphone and speakerplugs and cables; (3) make sure that CONFIG:RX EQ settings are either flat or have not been set for a large
amount of cut; (4) recheck filter configuration, including CONFIG:FLx BW, FLx GN, and FLx FRQ; (5)verify that CONFIG:REF CAL is properly adjusted; (6) make sure RF GAIN is set to maximum.

•

Spurious signals (“birdies”): All high-dynamic range receivers exhibit some birdies. Most will beinaudible with an antenna connected. If you find a birdie that’s audible above normal band noise, see the
CONFIG:SIG RMV menu entry. Autonotch may be useful for removing birdies in voice modes.

•

VFO tuning noise (“ticking”) on some bands, even with antenna connected: (1) Try VFO Tuning
Noise Reduction (see CONFIG:VCO MD). (2) Try using a very low setting of the DSP noise blanker.
(3) If you use the X R E F I N setting of the CONFIG:REF CAL menu entry without a K3EXREF referencelocking option installed, you may hear digital switching noise on the 6-m band. Set it to X R E F O U T .

•Preamp 2 not available (N/A): (1) There are limitations on preamp 2 use with the sub receiver (pg. 45).
(2) Preamp 2 is only available on the 12/10/6-meter bands, and only when enabled on each of these bands
individually using CONFIG:PREAMP2. (3) If you see N/A flashed when attempting to use this menu
entry, and you are on 12, 10, or 6 meters, then the K3S has not recognized the correct RF board type. Try
turning power off/on. If the problem persists, contact Elecraft. (4) Make sure the CONFIG:KXV3B menu
entry name is K X V 3 B , not K X V 3 . Preamp 2 is only present on the KXV3B module. While in this menu
entry, tap 9 to change the menu entry name to K X V 3 B , then exit the menu and turn power off/on. If you
have the wrong type of KXV3 module, you will see E R R X V 3 on power-up.

71

Parameter Initialization
Menu parameters are stored in non-volatile memory (EEPROM and/or FLASH). It is possible, though rare, forparameters to become altered in such a way as to prevent the firmware from running correctly. If you suspect
this, you can reinitialize parameters to defaults, then restore a previously-saved configuration (or re-do all
configuration steps manually; no test equipment is required).
•If you have a computer available to do configuration save and restore, run the K3 Utility program, then use
the Configuration function to save your present firmware configuration.

•

If you don’t have access to a computer, you should write down your menu parameter settings. The mostimportant are CONFIG:FLx BW and CONFIG:FLx FRQ (for each installed filter <x >, also tap S U B toobtain sub receiver crystal filter settings, if applicable). You should also note the settings of all module
enables (all CONFIG menu entries starting with ‘K’, e.g. CONFIG:KAT3) . If you don’t record your crystal
filter and module settings, you may have to remove the transceiver’s top cover (and sub receiver, if
installed) to verify which modules as well as crystal filters are installed, as well as the frequency offsets
noted on the crystal filters (depends on filter type).

•

Turn the K3S OFF (using the POWER switch on the K3S, not the one on your power supply).

•

While holding in the SHIFT/LO knob (which is also labeled NORM below), turn power ON by tapping the
POWER switch on the K3S. Let go of the SHIFT/LO knob after about 2 seconds. You should now see E E
I N I T on the LCD.

•

When E E I N I T completes after a few seconds, you may see E R R P L 1 or other error messages due toinitialization. Tap D I S P to clear each message.

•

If you have a computer, restore all parameters using the Configuration function of the K3 Utility program.

•If you don’t have a computer, manually re-enter all menu parameters that you wrote down, above, then redo firmware configuration and calibration (starting on pg. 48). You can omit any steps pertaining toparameters you’ve already restored manually.

•

See if the original problem has been resolved.

72

Module Troubleshooting
The K3S is a highly modular transceiver. With the information provided here, you’ll be troubleshooting to themodule level, not to the component level. In many cases, problems can be resolved by changing a menu setting,loading new firmware (pg. 47) or initializing parameters to factory defaults (see below).
A full set of schematics can be found on our web site. Due to the use of fine-pitch ICs in the K3, most signal
tracing must be done very carefully using fine-tip probes. Please do not attempt this unless you haveexperience in troubleshooting surface-mount assemblies; otherwise, you could damage your K3S.
DO NOT ADJUST ANY TRIMMER CAPACITORS OR POTENTIOMETERS unless you haveaccess to appropriate lab test equipment and have consulted Elecraft support regarding the proper settings. All
trimmers have been aligned at the factory, and if misadjusted could degrade performance.

Error Messages (E R R x x x )An error message may be displayed on VFO B at power-up or during normal operation. In most cases error
messages are due to a problem with a single PCB module, and may be due to incorrect firmware configuration.
If you see an error message on VFO B (E R R X X X ): Write down the error message, as well as any associatederror data shown on the VFO A display (e.g. E 0 0 0 0 5 ). Then tap any switch to clear the error code. Multiple
errors may occur; in this case, write down each of the messages and VFO A data, if any, before you clear them.
See Error Msg table (next page) for details on specific E R R messages and their associated data values.

Module Removal
TURN OFF THE POWER SUPPLY OR DISCONNECT THE POWER SUPPLY CABLE before
removing or installing modules. If you drop a metal tool inside the K3S with power still applied, you canshort a power supply or control line, resulting in damage to the RF board or other modules.
Module de-installation procedure: To see if a given module is the cause of an error message, you must deinstall it as described below, or you may not be able to tell if removing the module had any effect:•

Turn off power.

•

Remove the module.

•

Set the associated CONFIG menu entry to N O T I N S T . (See CONFIG:KAT3, etc.) Note: If the affected
module is on the KRX3A (sub receiver), you must tap S U B to display its configuration setting. Otherwise
the setting shown applies to the main receiver. This applies to the KBPF3A module, as well as crystal filters,
which are duplicated on the RF and sub receiver boards.

•

Turn power off and wait at least 5 seconds.

•

Turn power back on.

73Error Message List
* = See module de-installation instructions on previous page.
Error Msg
ERR 12V

Problem
The circuit breaker on the KPA3A module
may be open. PA drops into bypass mode, fansswitch to level 2, and PA temp display mode is
not available.

ERR AT3

KAT3A not responding

ERR BP1
ERR BP2
ERR BP3

No response from RF board BPF shift registers
No response from KBPF3A option shift
registers
No response from sub RX BPF shift registers

ERR BP4

No response from sub RX KBPF3A option

ERR DS1ERR DS2ERR DS3

No main DSP SPI echo
Main DSP SPI echo not inverted
No AUX DSP SPI echo

ERR DS4

AUX DSP SPI echo not inverted

ERR DSE

Missing echo from a DSP command

ERR DSGDSP internal gain error

ERR DSX

Extended DSP command timeout

ERR DVR

Digital Voice Recorder not found

ERR EE1

On-chip EEPROM read/write test failed

74

Troubleshooting steps
Check for short from PA module’s 12V
line to ground. If there’s no short, try
resetting the circuit breaker. If there is a
short, remove the KPA3A module. Set
CONFIG:KPA3 to P A I O O N . While
waiting for a replacement, you can use theK3S at reduced power.
*De-install the KAT3A module (seeabove). If this eliminates the error
message, the KAT3A may be defective.
You can substitute a KANT3 antenna input
module temporarily, if available.
*De-install option modules one at a time
*De-install KBPF3A on RF board*De-install the KRX3A module, including
the SUBIN and SUBOUT boards*De-install the KBPF3A module on
KRX3A
Reload DSP1 firmware
Reload DSP1 firmware
Reload DSP2 firmware. Note:
CONFIG:KRX3 must be set to N O T
I N S T unless the KRX3A option is
installed, which includes the aux DSP
module (DSP2) and 2nd synthesizer.
Reload DSP2 firmware. Note:
CONFIG:KRX3 must be set to N O T
I N S T unless the KRX3A option is
installed, which includes the aux DSP
module and 2nd synthesizer.
Reload DSP1 firmware (and DSP2
firmware, if applicable).
Turn K3S off and back on to clear the error
condition. Please report this to Elecraft,along with DSP internal error information.
(In the TECH MD menu entry, tap 1 and 2
to get main/aux DSP info, respectively.)
Reload DSP1 firmware (and DSP2
firmware, if applicable).
DVR module may be defective or
incorrectly installed, or the MCU or DSP
firmware may require updating.
MCU may be defective (front panel). Try
re-loading MCU firmware first; then try
initializing parameters (pg. 72).

ERR EE2

External EEPROM read/write test failed

ERR FP3
ERR FW2

Missing display text in flash memory
General firmware problem

ERR IF1

RF board IF shift registers not responding

ERR IF2

Sub RX IF shift registers not responding

ERR IO1MISO line stuck low (asserted)ERR IO3KIO3B not responding

ERR KEYERR PTT

Attempt to key the transmitter or activate PTT
during power-on

ERR LPFNo response from LPF shift registers

ERR PA1

KPAIO3A module not responding

ERR REF

Missing KREF3 module

75

EEPROM may be defective (front panel).
However, this message may also appear if
power is turned off/on too rapidly, or if thepower supply voltage “bounces” during
turn-on due to inadequate regulation. If thepower supply is not at fault, try re-loading
MCU firmware first; then try initializing
parameters (pg. 72).
Try re-loading FPF (flash memory).
Try re-loading MCU firmware first; thentry initializing parameters (pg. 72).
Try turning power off/on. If the problem
persists, contact Elecraft.
Try turning power off/on. If the problem
persists, contact Elecraft.
*De-install option modules one at a time.
If no failing option module can be found,
there may be a problem on the RF board.
The KIO3B may be defective. Note: The
K3S can be operated temporarily without
the KIO3B installed. You’ll need to use
headphones, and there will be no computeror AF I/O available on the rear panel.
Usually caused by an external device
shorting KEY or PTT to ground;
disconnect such devices until they’re
initialized properly. Also see
CONFIG:PTT-KEY. If necessary, tryremoving the KIO3B module or its digitalI/O daughter board.
*De-install option modules one at a time.
If no failing option module can be found,
there may be a problem on the RF board.
*De-install the KPA3A module and set
CONFIG:KPA3 to P A I O O N . If thiseliminates the error message, the problem
is likely to be on the KPA3A module. If
not, the problem may be on the KPAIO3A
module; remove it as well, and set
CONFIG:KPA3 to N O T I N S T .
Verify that the oscillator can on the
KREF3 is fully plugged in. Make sure allinternal cables are plugged in between the
KREF3 and other modules. If this doesn’t
help, the problem may be on the KREF3
module or the RF board. Note: The K3S
cannot be used without a KREF3 module.

ERR RXF

Invalid receive crystal filter bandwidth

ERR TXF

Invalid transmit crystal filter bandwidth

ERR TXG

Transmit gain constant out of range

ERR XV3KXV3B module not responding, or notselected correctly within menu.

76

The crystal filter selected for receive is too
wide for the current operating mode. If
CONFIG:CW QRQ is O N , the maximum
allowed receive crystal filter bandwidth is
2.8 kHz. To turn off filters by mode, use
K3S Utility or CONFIG:FLx ON.
The crystal filter selected for TX (withCONFIG:FLTX) is either too narrow or
too wide. You must specify a filter that is
2.7 or 2.8 kHz wide for CW/DATA/SSB,
6 kHz or 13 kHz for AM, and 13 kHz forFM).
This usually indicates a problem withband-pass filter alignment or one of the
low-pass filters. In either case it could
affect one or two bands. Consult Elecraft
support before attempting to realign bandpass filters; all settings are aligned at thefactory.
Locate the CONFIG:KXV3B (or KXV3)
menu entry. If the menu entry name isK X V 3 rather than K X V 3 B , tap 9 tochange it, then exit the menu and turnpower off/on. If the error message persists,*de-install KXV3 module and contact
Elecraft.

Theory Of Operation
Please refer to the block diagram of the K3S shown at the end of this section. Schematics and additional details
can be found on the Elecraft web site. Only basic modules are covered here; for option module circuit details,
refer to the individual instruction manuals (KPA3A, KBPF3A, KRX3A, etc.).

RF BOARD
The RF PCB (Printed Circuit Board) is the heart of the K3S transceiver, both physically and electrically. Duringassembly, it serves as an attachment point for other PCBs as well as chassis panels, acting as the glue that holds
things together. During operation, the RF board provides signal routing to and from all modules.
Over two-thirds of the RF board’s components are surface mount devices (SMDs), located on the bottom side of
the board. These are pre-installed so the complete RF board assembly can be aligned and tested at the factory.
The use of SMDs minimizes stray coupling in RF circuits, reduces system cost, and allows the K3S to fit in amodest-size enclosure, compatible with home or field operation.
The RF board is divided into several functional areas, which are described below.

Low-Pass Filters (LPFs)
The relay-switched low-pass filters, used during both transmit and receive, are located in the back-right cornerof the RF board. These filters can easily handle 100 watts, and are common to both the K3S/10 and K3S/100.
Some LPFs cover one band, while others cover two bands that are close in frequency. The input to the LPF
section comes from the KPA3A 100-W amplifier module, if installed; if there’s no KPA3A, the input comesfrom the 10-W amplifier (see below). The output of the low-pass filters is routed through the forward/reflected
power bridge, then on to either the antenna input module (KANT3), or the KAT3A automatic antenna tuner,which plugs in at far right.

Low-Power Amplifier (LPA) and T/R Switching
The large hole near the back-middle area of the RF PCB is where the 10-W low-power amplifier module plugs
in. The LPA has three connectors that mate with the RF board, and its power transistors attach to the rear bottom
cover, which serves as a heat sink. This construction method allows the 10-W module to be tested separately
during production. Also in this area is the T/R (transmit/receive) switch, but you’ll need to turn the RF board
upside down to see most of the components. The T/R switch uses high-power, high-isolation PIN diodes rather
than relays, resulting in no switching noise during keying.

Low Power Amplifier (LPA)
The low-power amplifier module is capable of up to 12 W power output, and in the case of the K3S/10, is the
final amplifier stage. In the K3S/100, it provides drive to the KPA3A module. The LPA has three gain stages,
the last two of which use high-power MOSFET transistors to allow coverage up through 6 meters. At the input
to the first gain stage is a 5-dB attenuator, which is switched in under firmware control at certain power levels to
optimize transmit gain distribution.

Band-Pass Filters (BPFs)
At back-left is the bank of ham-band BPFs. These filters are just wide enough to cover each ham band, so they
provide good rejection of IMD products during both transmit and receive. Hi-Q components, including large
toroids, ensure low loss and high signal-handling capability.
77General coverage receive capability can be added to the K3S with the KBPF3A option, which includes another 8band-pass filters that cover all of the areas from 100 kHz to 28 MHz that are not covered by the filters on the RF
board. The KBPF3A module mounts directly above the main BPF array, and due to its very short connections,has no effect on the performance of the main BPFs during ham-band operation.

First I.F. Stages
The front-left portion of the RF board is dedicated to the receive/transmit first I.F. (intermediate frequency)
circuitry, most of which is on the bottom of the board. The first I.F. is 8.215 MHz, which is low enough topermit the construction of high-quality, narrow-band crystal filters, but high enough to offer good image
rejection. The I.F. stages are reversible; i.e., they’re used in one direction in receive mode, and the other duringtransmit. In receive mode, the filtered signal from the BPFs is first routed through a relay-switched attenuatorwith 5/10/15 dB settings, then to a low-noise diode-switched preamp, high-level switching mixer, and postmixer amp. The signal next encounters the noise blanker (KNB3), then the crystal filters (see below),

Crystal Filters and 2nd I.F.
In either receive or transmit mode, the I.F. signal is routed to one of up to five plug-in, 8.215-MHz crystal filters(FL1-FL5). Following the crystal filters is the receive I.F. and second mixer, which mixes the 8.215 MHz down
to an I.F. of 15 kHz for use by the digital signal processor module (DSP). Excellent 2nd-I.F. image rejection is
obtained by cascading an additional crystal filter just ahead of the second mixer. There’s also a 15 kHz transmit
I.F., which is mixed up to 8.215 MHz on the KREF 3 module, which plugs in near the front-middle of the RF
board.

Support Circuitry
Several other modules plug into the RF board. The KPAIO3A, located at the back edge of the RF board, is avertically mounted board used as an interface between the RF board and the KPA3A 100-W amp module. It
provides current sensing, bypass relay, and other functions for the KPA3A, and eliminates the need for any
interconnecting cables. The KIO3B and KXV3B, in the back left corner, provide RF, audio, and digital I/O. The
main synthesizer, used for the main receiver as well as the transmitter, plugs in at front left and is attached to thefront shield. To the right of this is the reference oscillator module (KREF3), as well as the second synthesizer,
used for the sub receiver. These also attach to the front shield. The Front Panel/DSP module plugs in at the very
front of the RF board. Finally, at the far right you’ll find two low-noise linear voltage regulators, one for 5 voltsand the other 8 volts. Both are heat-sinked to the right side panel.

Noise Blanker
There are two noise blanker subsystems in the K3: the KNB3 module, and a DSP-based blanker (see DSP on
pg. 80). The KNB3 is a narrow I.F. pulse blanker that plugs into the RF board. Its broad input bandwidth
ensures minimum stretching of fast noise pulses, so it’s ideal for suppressing noise from power lines,
thunderstorms, and auto ignitions. The DSP blanker can be used on many other types of noise, including radarand other noise with complex waveforms that might cause heavy intermodulation if an I.F. blanker were
engaged. Using the two blankers in combination is often extremely effective.
The KNB3 includes a triple-tuned bandpass/time-delay filter, wide-range AGC, and a noise gate. You can thinkof the noise gate as a switch that is normally closed, allowing received signals to pass unimpeded. When a noise
pulse appears, it is amplified to a high level and used to trigger a one-shot circuit. This opens the noise gate very
briefly (from 5 to about 100 microseconds) to blank the noise pulse. Both the threshold at which blanking action
occurs and the length of time the gate is opened are under control of the operator.

78

1st Mixer
The 1st mixer combines signals from the input band-pass filters with the output of the synthesizer to obtain the
1st I.F., at 8.215 MHz. The mixer is based on a video switching IC with very low ON resistance, resulting in low
loss and high signal-handling capability. Since this type of mixer requires low drive, there’s very little leakthrough of the local oscillator (synthesizer) signal. The mixer also incorporates a balanced VHF low-pass filter
to suppress both internally and externally generated VHF/UHF spurs. This keeps the HF spur complement
extremely low, despite the use of a down-conversion system architecture.

KAT3A (ATU) and KANT3
The basic K3S/10 includes a KANT3 antenna input module. If you’ve ordered a KAT3A antenna tuner, the
KANT3 is not required and will not be supplied with the kit. In either case, the module plugs into the RF board
at the back-right corner. Both the KANT3 and KAT3A provide antenna surge protection, as well as resistors forbleeding off static DC charge. The KAT3A provides a wide-range, switchable C-in/C-out L-network formatching a variety of antennas with SWR as high as 10:1 (100 W) or 20:1 (10 W). There are 8 inductors and 8
capacitors in the L-network, each switched with a DPDT relay for high reliability. The KAT3A also includes asecond antenna jack and associated switching relay. There’s an additional jack on the board for routing theunused (non-transmit) antenna to the KRX3A sub receiver module.

KIO3B (Audio/Digital I/O)
All audio and digital/computer I/O is routed through the KIO3B. The KIO3B is made up of three PC boards:
Main, Audio IO and Digital IO.
The Main KIO3B board plugs directly into the RF board. It includes a relay to disconnect the right speakerchannel in case a mono speaker is plugged into the external speaker jack, isolation transformers for Line In andLine Out signals, a connection point for the internal speaker, USB and RS232 serial interfaces, and various
control line inputs and outputs for external transverters, band decoders, and the like. This board also contains a
differential output microphone amplifier to equalize the gain between the front and rear microphone jacks, aswell as to provide noise immunity for the microphone signal from the rear panel area.
The USB port provides a single-cable solution for most PC interface needs, including both control and line-level
audio in/out. When the USB port is in use, line-level analog audio is digitized by the KIO3B module and routed
to the USB connector itself. This eliminates the need for a computer sound card and associated cables.
Circuitry to allow use of the USB or RS232 port’s RTS or DTR signals for PTT and/or KEY inputs is also
located on this board. This supports logging and control programs which may use these lines for controllingtransmit/receive switching or CW keying.
The Digital IO board plugs into the KIO3B Main board. It includes a USB connector, an RJ45 connector for use
with RS232 communications and/or the P3 panadapter, and a DE-15 accessory connector for external band
decoders (such as the KRC2), transverters (such as the Elecraft XV series), and similar devices. The DE-15 isalso used for direct FSK or PSK signaling.
The Audio IO board includes three stereo outputs: headphone jack, speaker jack, and a transformer-isolated LineOut jack. It also provides two mono inputs: microphone, and an isolated Line In. The Microphone jack canprovide bias for an electret microphone when enabled via the MAIN:MIC SEL menu entry.

Front Panel and DSP
The Front Panel is a large plug-in module that includes both the Front Panel and DSP boards, as well as the Aux
DSP (if a sub receiver is installed) and digital voice recorder module (if the KDVR3 option is installed).
79Front Panel Board
This board provides the transceiver’s user interface: 35 custom-labeled switches; two dual-concentric
potentiometers for gain and squelch control; seven shaft encoders; custom, 240-segment, high-contrast LCD;
and 13 discrete LED indicators. Mic and headphones can be plugged into the front panel, or optionally at therear panel (see KIO3B description, pg. 79).
The Front Panel PCB also includes the microcontroller unit (MCU), which manages the operation of the K3S.
All inputs, whether from a switch, knob or external PC, are recognized and acted on by the MCU. All control
outputs – such as switching from transmit to receive, sending a CW code element, adjusting the transmitter
power, controlling LED brightness, etc. – are produced by the MCU.
The Front Panel also contains a large amount of EEPROM memory for parameter storage, and FLASH memory
for program storage. This allows the K3S to be re-programmed with the newest firmware by a simple downloadfrom the Internet. It also enables the K3S to remember your favorite settings, particular configurationpreferences, and the last setting of controls when power is removed from the radio.

DSP Board
The Digital Signal Processing (DSP) capabilities provide a rich set of features to help combat QRM and QRN
while generating some of the cleanest signals to be found in Amateur radio today. A 32-bit floating point DSP is
used for highest performance.
In receive, a 15 kHz IF signal from the RF board is buffered and then digitized by a 24-bit Analog to Digital
Converter (ADC). This provides over 100 dB of dynamic range within the passband of the selected crystal(roofing) filter. After the ADC, the DSP converts the signal into a floating point value so dynamic range is notcompromised during further processing. Noise blanking and limiting, AGC, amplification, IF and AF filtering
are all done within the DSP. Several noise blanking algorithms (methods) are available in the DSP, and asophisticated AGC system is employed. AM, FM, SSB and CW detectors are also implemented by the DSP.
Various audio effects, such as Quasi-Stereo and Binaural, are provided here as well as combining the audio
signals from the KRX3A (if installed).
After processing, the resulting audio signals are generated in a stereo 24-bit Digital to Analog Converter (DAC)
and applied to separate amplifiers for headphones (front and rear) and speaker. The speaker amplifier wasredesigned for the K3S to reduce low-level intermodulation products. The power amplifier stage operates at no
voltage gain; instead, the required gain is provided by an extremely low-distortion dual audio driver.
A separate 24-bit DAC and amplifier provide Line Out signals that are not affected by the AF Gain control. This
output is typically used by sound card digital mode software. When the USB port is used for line-level audio
purposes, the analog line in/out signals from the DSP are digitized and added to the USB data stream.
In transmit, Line In, rear or front Microphone signals are sent to a 24-bit ADC and then processed by the DSP.
In speech modes (SSB, AM and FM) and soundcard-based data modes, VOX is derived from these signals aswell as receive audio. Microphone equalization, bandpass limiting, conversion to 15 kHz IF, envelope clippingand filtering (if applicable) are all done in DSP, then the signal is passed to another 24-bit DAC and presented to
the RF board as a 15 kHz IF signal. Direct FSK, direct PSK and CW signals are generated within the DSP for
those modes.
Thus, the DSP is responsible for all signal processing between audio and the 15 kHz IF for both receive andtransmit. Like all other modules in the K3, the DSP is managed by the MCU.

80

The DSP board is piggybacked onto the Front Panel board as part of the Front Panel assembly. The Auxiliary
DSP (used if the KRX3A Second Receiver Option is installed) and the KDVR3 option plug into the DSP board.

KREF3 (Ref./2nd LO)
The KREF3 module’s 49.380-MHz temperature-compensated crystal oscillator (TCXO) is the signal source forthe synthesizers. The high-stability TCXO option is typically better than +/- 0.5 PPM over the 0 to 50 C
temperature range. This signal is also divided by 6 to provide the 8.230-MHz 2nd-LO signal used by the second
receive and transmit mixers. In addition to the TCXO and dividers, the KREF3 provides the 2nd transmit I.F.
mixer, which converts the DSP's 15-kHz transmit I.F. output to 8.215 MHz. This signal passes through a wide
crystal filter to ensure rejection of mixer products before being routed to the RF board. The KREF3 obtains its
DC and low-frequency I/O signals via an 8-pin connector on the RF board, but its RF outputs are fed to the RF
board (and sub receiver) via coax cables. The K3EXREF option locks the KREF3 to an external reference.

KSYN3A (Synthesizer)
Low phase noise is key to both receiver and transmitter performance. The KSYN3A uses an extremely clean,integrated oscillator I.C. to generate a wide-range, low-noise local oscillator signal for injection into the firstmixer. The local oscillator is locked to the internal 49.380-MHz frequency reference to within a small fractionof 1 Hz on all bands.
The KSYN3A is a significant upgrade to the original KSYN3 synthesizer used in the K3. The earlier designused separate stages for the VCO, PLL (phase-locked loop) and DDS (direct digital synthesizer). In contrast, theKSYN3A’s integrated circuitry operates at much higher frequency, and is then divided down to provide the lowjitter signal required to drive the mixer. This results in lower phase-noise at close spacings from the carrier, as
well as faster VFO update during T/R switching, enhancing high-speed CW timing. The KSYN3A can also tune
to much lower frequencies, allowing operation down to 100 kHz.

FirmwareOverview
The K3S is controlled by a Microchip PIC18F8722 microcontroller (MCU) on the Front Panel PCB module. It
uses a highly-optimized, custom operating system to efficiently handle many complex tasks.
At the highest level, the MCU firmware in the K3S runs a continuous executive loop. Within this loop, calls are
made to handlers for the all user interface elements (switches, potentiometers, encoders, LEDs, LCD, etc.), I/O(USB and RS232 command handling, AUXBUS, SPI peripheral control, T/R switching), and process control(timers, state machines, etc.). In addition, a fast interrupt handler runs every 200 microseconds to service highspeed events such as optical encoder state changes and incoming serial data. This interrupt handler also provides
fine-timing services for other functions and state machines, such as RTTY or PSK31/PSK63 text
encode/decode.
The main and aux DSPs are peripherals of the MCU. They execute an extensive set of commands, allowing the
MCU to specify operating mode, BFO frequencies, keying waveform start/stop, sidetone pitch, AF and IF gain,
filter bandwidth and position, and many other parameters. In some cases the MCU polls the DSP for information
periodically. For example, if voice VOX is enabled, the MCU polls every few milliseconds to see if the present
mic level is above the user’s specified VOX threshold, in which case the rig will be switched to TX mode.

81

Transmit ALC and Per-Band Power Control
To eliminate transmit splatter, all ALC in the K3S is applied before the narrow first-I.F. crystal filter. However,with some vocalizations, speech energy may build up within a narrow crystal filter to produce a slight peaking
effect. Because of this, the user should set the transceiver’s power output level such that it peaks at or below thesafe level for any external amplifier under all speech conditions.
To facilitate this, optional per-band power control can be used (see CONFIG:PWR SET). This compensates forper-band gain variation in the external amp or the K3S itself, reducing the need for ALC. For example, allcrystal filters have a small amount of ripple (typ. +/- 0.5 to 1.0 dB) that can result in a slight difference inaverage power output between LSB and USB with some voice characteristics. But since you typically use only
one of the two sidebands on a given ham band, per-band power control can conveniently compensate for small
variations.

82

K3S Block Diagram

83

Appendix A: Crystal Filter Installation
Damage to your K3S due to electrostatic discharge (ESD) can occur if you don’t take proper
precautions. Such damage is not covered by the Elecraft warranty, and could result in costly repairs.
We recommend that you use an anti-static mat and wear a conductive wrist strap with a series 1-megohm
resistor. An alternative is to touch an unpainted, grounded metal surface frequently while you areworking. Do this only when you are not touching any live circuits with your other hand or any part ofyour body.
To avoid marring the finish, place a soft cloth under cabinet panels; do not lay them directly on yourwork surface. Also, do not use a power screwdriver of any kind, as it can slip and gouge the paint.

Installation Procedure
Disconnect the power cable and all other external cables from the K3S.
Remove only the top-cover screws identified in the drawing below.
Press gently at the indicated point near the back edge (X ), then lift off the top cover at the front. Unplug the
speaker, then set the top cover aside in a safe place.
The screws that hold the top cover in place are an important part of the structural design of the K3S. Pleasebe sure to re-install all of them afterward.

Put on your wrist strap or touch a grounded surface before touching any K3S components or
modules in the following steps.
If you have the sub receiver installed (KRX3A), refer to its manual for removal instructions.
If you have the 2-m module installed (K144XV), refer to its manual for removal instructions.

84Locate the crystal filters you presently have installed in slots FL1 - FL5 on the RF board (or sub receiver).

There may be a mix of 5-pole filters (below left) and 8-pole filters (right).

Review the information below to ensure that your crystal filter setup conforms to K3S requirements.
You can install up to five crystal filters (FL1-FL5) on the RF board, and five on the sub receiver (KRX3A). FM
operation requires a 13 kHz wide filter. AM transmit requires a 6 or 13 kHz filter, and SSB/DATA/CW transmit
requires a 2.7 or 2.8 kHz filter; other bandwidths can be used for receive in these modes. Filters as narrow as
200 Hz can be used for CW and narrow-band data receive. A mix of 5-pole and 8-pole filters can be used.
There are two rules regarding where these filters can be installed in the K3S and how they’re used:
Rule #1: If you plan to use a particular filter for both transmitting and receiving (main receiver), you’ll need to
install it on the RF board. You can optionally install a filter of the same or similar bandwidth on the sub
receiver for receive-only use. (This is recommended since it will keep the receivers identical.)Rule #2: You can install any filter in any slot, and can leave any slot empty in anticipation of installing a crystal
filter there later. However, you should install the widest filter closest to FL1, the next widest to its left, etc. Hereare two examples that could each apply to either receiver, assuming you follow the rules above:
FL1
FL2
FL3
FL4
FL5

6 kHz (AM)
2.7 kHz (SSB/CW/DATA)
1.8 kHz (SSB/CW/DATA)
500 Hz (CW/DATA)
200 Hz (CW/DATA)

FL1
FL2
FL3
FL4
FL5
85

{saved for FM filter}
6 kHz (AM)
2.8 kHz (SSB/CW/DATA){saved for another narrow filter}
400 Hz (CW/DATA)

Fill in the table below (include sub receiver info, if applicable). Use pencil, since you may change theconfiguration later. B A N D W I D T H can be obtained from the model number of each filter. 5-pole filters have a
F R E Q O F F S E T marked on the side of one of the crystals, e.g. “-0.85”. The offset for all 8-pole filters is 0.00.
RF BOARD (MAIN RX & TX)
POSITIONBANDWIDTHSUB RECEIVER (RX ONLY)

FREQ OFFSETPOSITION

FL1
FL2
FL3
FL4
FL5

BANDWIDTH

FREQ OFFSET

FL1
FL2
FL3
FL4
FL5

If you’ll be changing RF board filters: Turn the K3S upside down, placing a soft cloth beneath it.
Remove the seven black pan head screws retaining the front bottom cover, then lift the cover off.
Remove the screws holding any existing filters that you’ll need to move to obtain the order listed above (onboth the RF board and sub receiver).

86

Turn the K3S right side up. Unplug all filters to be repositioned (those whose mounting screws have been
removed). Lift the filters at each end carefully, first one end then the other, until the connectors separate.
Reposition the filters as required. They will only fit one way. If you put one in backwards, it will not fit
within its outline, and the standoff will not line up with the screw hole in the RF board (or sub receiver board).
Turn the K3S (or sub receiver module) upside down again. Install the mounting hardware shown below.
Filters may be supplied with either a black 3/16” or bright-plated 1/4” pan-head screw. A screw
longer than 1/4” may extend into the 8-pole filter unit and damage it.
Do not over-tighten the screws. Excess torque may pull out the threaded standoff.

Re-install the bottom cover (if applicable) using seven 4-40 x 3/16” black pan head screws. Replace thescrews securely, but do not over tighten them. All screws must be used to maintain shielding performance.
The top cover and sub receiver (if applicable) will be re-installed in at later step.
Turn to Crystal Filter Setup (pg. 48). Follow all instructions for the main receiver and transmitter.
If you have the KRX3A option, re-install the sub receiver module as described in the KRX3A manual.
Then turn to Crystal Filter Setup and follow all instructions for the sub receiver.
Position the top cover on the K3, with its rear tab inserted under the top edge of the rear panel. Then plug
the speaker wire into P25 on the KIO3B board at the left rear of the K3S.

Secure the top cover with 4-40 x 3/16” flat head screws at all locations.
This completes crystal filter installation.
87

Index
12 VDC IN, 17
12 VDC OUT, 17
1-Hz Tuning, 24
Accessory 12 VDC Output, 17
Accessory I/O (ACC), 20
AF Balance Control, 39, 65
AF Gain Range, 57
AF Limiter, 57
AFSK A Mode, 33
AFV (Audio Voltmeter), 38, 58
AFX (Audio Effects), 37
AGC, 15, 58
Alarm Function, 6, 38
ALC, 28, 29, 30, 66, 82
ALC OFF Warning, 70
ALC, External, 20, 29, 59, 70
ALT Switch (Alternate Modes), 24, 32
Alternate Displays, 38
AM Mode, 30, 31, 85
Amplifier Keying Delay, 66
Amplifier Module, 10 W, 77
Amplifier Module, 100 W, 49, 61
ANT3, 17
Antenna, 5, 6, 17, 41, 43, 47, 52, 54, 70
Antenna Naming, 24
APF, 37
A-to-D Converter Reference, 57
Attenuator, 15
Audio Effects (AFX), 22, 37, 80
Audio Peaking Filter (APF), 37
Auto Info (AI Mode), 58
Auto Power-On, 20, 38, 46, 69
Automatic Antenna Tuner, 24, 60
Automatic Level Control, 28, 29, 30
Auto-Spot, 36
AUX RF, 39, 43
AUXBUS, 8, 20, 21, 68
Band Independence (Main/Sub), 67
Band Mapping, 13, 24, 58
Band Outputs (BAND0-3), 20, 21, 60
Band Switching, 13, 62
Band-Pass Filters, 77
Bar Graph, 12
Binaural Audio (AFX), 7, 64, 80
Block Diagram, 83
Break-In Delay, 14, 28
Break-In Keying (QSK), 32
Buffered I.F. Output, 17, 61
Calibration Procedures, 52
Channel Hopping, 42

Circuit Breaker, 17, 74
Clock/Calendar, 65
Compression, 14, 28, 30
CONFIG Menu, 23, 48, 55, 57, 65
Configuration, 7, 48, 72
Connector Groups, 17
Control Groups, 11
Cross-Mode Operation, 6, 36, 38
Crystal Filter Center Frequency, 9, 48
Crystal Filter Enables, 48
Crystal Filter Installation, 48, 84, 87
Crystal Filter Setup, 14, 48, 85, 87
Crystal Filter, Transmit, 28, 49, 76
Crystal Filter, Variable Bandwidth, 78
Current Drain, 7, 23, 38
Customer Support, 10
CW Keying Weight, 32, 38, 59
CW Mode, 32
CW Normal, 32
CW Reverse, 12, 13, 24, 32
CW Speed Display, 35
CW, Break-In (QSK), 32
CW, Off-Air Keying, 28, 57
CW, Sending in SSB mode, 59
CW, Very High Speed (QRQ), 32, 58
CWT (CW/DATA Tuning Aid), 36
CW-to-DATA, 16, 32, 33, 36
DATA A Mode, 33
DATA Mode, 33
DATA Reverse, 12, 13, 24
Date, 50, 59
dBV (Audio dB Meter), 38, 58
Digital Voice Recorder, 7, 16, 31, 60, 79
DIGOUT0, 20, 21
DIGOUT1, 20, 59
Direct Frequency Entry, 15
Display (LCD), 12, 55
DSP, 7, 47, 80
Dual Passband Filtering, 5, 15, 37
DVR Monitor Level, 31, 66
Error Messages (ERR xxx), 73
ESSB, 38, 66
External ALC, 20, 29, 59, 70
External Reference, 17
Fan Panel, 5, 17
Fan Speed, 29Filter Graphic, 12, 14, 25, 34
FINE Tuning, 24
Firmware Upgrades, 47
FM, 6088

FM Deviation, 60
FM Mode, 13, 30, 31
FP ACC, 13
Frequency Entry, Direct, 15
Frequency Memories, 16
Frequency Range, 8, 42
Friction Adjustment, VFO Knob, 50, 51
Front Panel, 11
Front Panel Accessory Connector, 13
FSK, 33, 34
FSK D Mode, 33
FSK IN, 20, 33, 34
Full Break-In (QSK), 13, 32
Ground Terminal, 17
Headphones, 13, 22, 61, 64
HI CUR Warning, 70
HI RFI Warning, 70
HI SIG Warning, 70
HI SWR Warning, 70
HI TEMP Warning, 70
HICUT (High Cut), 5, 25, 34
I/II, 12, 14, 25, 26
Iambic Keying, 58
IF OUT, 41Intermediate Frequency (I.F.), 78
K144XV, 47
K3 Utility PC Application, 46, 47, 48, 69, 72
KANT3, 43, 44, 74, 77, 79
KAT3, 8, 24, 44, 49, 59, 60
KBPF3, 9, 38, 60, 74, 78
KDVR3, 16, 31
KEY OUT, 17, 21, 66
Keyboard, 46
Keyer Paddle, 17, 32, 58
Keyer Speed, 5, 11, 28
Keying Weight, 32
Keypad, 11
KIO3, 6, 18, 69, 75
KNB3, 27, 78
KPA3, 49, 61
KPAIO3, 61, 75, 78
KRC2, 61
KREF3, 81
KRX3, 51, 74, 75, 84
KSYN3, 81, 83
KTCXO3-1, 34, 47
KXV3, 43
LCD Test, 61
LEDs, 13
LINE IN, 22, 33, 34, 50, 55, 79
LINE OUT, 22, 34, 61
LOCUT (Low-Cut), 5, 34
Low-Pass Filter, 39, 43, 76, 77, 79

LPA, 77
M1-M4, 6, 11, 16, 31, 32
Macros, 23, 46
MAIN Menu, 23, 55
Memories, 16, 62
Memory Label, 16, 42
Menu Help, 23
Message Record/Play, 16, 32
Mic Gain, 11, 22, 30, 34, 50, 55
MIC Up/Down Buttons, 62
Microphone, 30, 79, 80
Mode Selection, 15, 24, 30, 60
Noise Blanker (NB), 9, 27, 78
Noise Reduction (NR), 6, 11, 27
NORM1/2 (Filter Normalization), 14, 26
Normalizing Filter Passband, 14, 26
Notch Filtering, 6, 12, 15, 27
Numeric Keypad, 11
Option Module Enables, 49, 72
Options, 8, 47, 48
PA Interface Module, 61, 74, 75, 78
Panadapter, 41
Parameter Save/Restore, 72, 74, 75, 80
Passband Control Granularity, 25, 62
PF1, PF2, 6, 16, 23, 34
PLL voltage, 38
Pot Test (SW TEST), 65
Power Control Locking, 14
POWER ON Signal, 20, 46, 69
Power Supply, 8
Preamp, 12
Presets, 26
Primary Controls, 11, 13
Programmable Function Switch, 6, 11, 16, 23, 31,
32, 34PSK D Mode, 33
PSK31, 33
PTT (Push To Talk), 20, 28, 31, 62, 70, 75
PTT Release Delay, 63
QSK, 32
Quasi-Stereo (AFX), 37, 55, 80
Quick Memories, 8, 15, 16
Quick-Start Guide, 4, 7
Real Time Clock, 50, 51
Rear Panel, 7, 17
Receive Antenna, 41
Receiver Setup, 25
REF IN, 17
Reference Oscillator, 53, 63, 75, 78, 81
Reference, External, 17Remote Control, 7, 8, 46, 58
Remote Power-On, 20, 46, 69
Repeater Offset, 31, 55
89

RF Board, 77
RF GAIN, 54
RFI Detection, 63
RIT, 6, 11, 14, 16, 24, 67
RIT/XIT Offset, 7, 14, 16, 23, 24, 35, 38, 67
Roofing Filter, 7, 80
RS232, 18, 20, 33, 46, 58, 62, 63, 70, 79
RTC, 50
RTTY, 33, 34
RTTY Letters Shift, 65
RX ANT IN/OUT, 41
RX EQ, 37, 56, 71
Scanning, 6, 14, 42
Semi-Break-In, 5, 14, 28
Serial I/O, 20
Serial Number, 63
SHIFT, 12, 14, 25
Sidetone, 32
S-Meter, 12, 54, 64
Speaker, 37, 39, 64
Specifications, 8
Speech Compression, 14, 28, 30
SPKRS=1 Warning, 70
SPLIT and Cross-Mode Operation, 6, 14, 28, 38,
70
SPLIT Save (Per Band), 64
Spot, 15, 32
Spurious Signal Removal (Receive), 64
Squelch, 14, 65
SSB +CW, 59
SSB Mode, 30
SSB, Selecting Alternate Sideband, 12, 30
SSB/CW VFO Offset, 31, 32
Sub Receiver, 5, 17, 39, 43, 44, 45, 49, 57, 61
Supply Voltage, 8
Switch Test, 65
Switch Tones, 65
Sync Data, 34, 63, 65

Synthesizer, 38, 52, 74, 78, 79, 81, 83
Tap/Hold Switch Functions, 11, 23
TCXO, 8, 34, 47, 53, 81
Tech Mode Menu Entries, 65
Temperature Sensor, 54, 60, 62, 70
Terminal Emulator, 46
Text Decode and Display, 25, 32, 35
Theory Of Operation, 77
Time, 50
Transmit Crystal Filter, 28, 49, 76
Transmit Gain Calibration, 52, 67
Transmit Inhibit, 20, 21, 29, 66
Transmit Noise Gate (Voice Modes), 31, 66
Transmitter Setup, 28
Transverter, 8, 9, 20, 21, 41, 52, 61, 70
Transverter Control, 67
Troubleshooting, 69
Tune Power, 66
Tuning Aids, 36
Tuning Rate, VFO, 6, 24, 38, 50, 67
TX EQ, 5, 6, 30, 37, 56
TX LED, 6, 28, 47, 70
TX TEST, 5, 12, 20, 28, 30, 32, 36, 62
TXGN, 67
VFO B Alternate Displays, 38
VFO B to A Copy, 67
VFO Counts per Turn, 67
VFO Knob Friction Adjustment, 50, 51
VFO Tuning Controls, 6, 24, 38, 50, 67
Voice Modes, 5, 25, 30
VOX Delay, 14
VOX, Voice Modes, 13, 31
Wattmeter, 30, 52, 67
WIDTH, 12, 14, 25
XFIL, 15, 48, 59
XIT, 6, 11, 14, 16, 24, 67
XVTR IN/OUT, 9, 41, 52, 61, 70

90