ど う じ ょ う じ

道成寺住職の登場・会話

道 成 寺

一

狂言方の後見が数人で鐘の作り物を幕から舞台中央に運び出し、綱を天井中央の滑車にかけ、シテ方の鐘後見が鐘を天井に釣り上げる。

道成寺の住職が従僧や寺男達を従えて登場する。住職は寺男に、鐘の供養をするにあたり、女人禁制を守るよう、固く言いわたす。

-1-〔名ノリ笛〕

At your command, my master.

笛の演奏で住職・従僧・寺男が登場。

Servant

私は紀州道成寺の住職でございます。さて、この寺は、ある事情があって、永い間、

Head Priest
Servant, where are you?

住職

Head Priest
I am the head priest of the Dōjō-ji Temple in Kishū region. This
temple has not had a hanging bell for a long time for a particularreason. However, a new bell is finally cast. Since today is a lucky
day, we would like to hold a Buddhist rite for the new bell.

撞き鐘が絶えておりましたが、この度、鐘を再興し、新たに鋳させました。今日は[nanori-bue]
The head priest, the follower priest, and the servant quietly enter the stage
with solo performance of Japanese flute.

吉日なので、鐘の供養を致そうと存じます。

The head priest of the Dōjō-ji Temple (Waki) enters the stage, followed by afollower priest (Waki-tsure) and a servant (Ai-kyogen). He strictly warns theservant that no woman should be allowed at the rite for the bell.

これ、寺男よ。

Several members of kōken for kyogen-kata bring the tsukurimono, thehanging bell, out from behind the curtain and place it at the center of thestage. They hang the rope connected to the bell in the pulley on the ceiling.
Kane-kōken from Shite-kata pulls the rope to lift the bell up to the ceiling.

住職

1. The Head Priest of the Dōjō-ji Temple Enters, and His Dialogue with Servant

御前におります。

Story

寺男

Dōjō-ji (Dōjō-ji Temple)

住職

寺男

住職

今日は、これから、鐘のつき始めにあたって供養の法会を行うが、少々事情があっはい、鐘楼にあげてございます。ご覧ください。

鐘は、鐘楼に上げたのか。

て女人禁制とする。一人も女性を入れないよう、くれぐれも心してかかるように。

かしこまりました。

-2-

寺男

Shirabyōshi
My sin would have to disappear. My sin must disappear. I would go
to observe the holy rite for the hanging bell.

白拍子の登場[narai-no-shidai]
a kind of entrance music, [shidai] which does not get the rhythm; however,this type of shidai is considered especially important and treated with great
care.

二

Shirabyōshi (Mae-shite) enters the stage. She is in a hurry to observe the rite
for the bell carried out at the Dōjō-ji Temple.

白拍子が登場。道成寺の鐘の供養に立ち合おうと道を急ぐ。

2. Shirabyōshi Enters〔習ノ次第〕

Certainly, master.

今 日 ま で 様 々 な 仏 の 戒 め を 破 っ て き た 私 の 罪 も 消 え る に 違 い な い。 鐘 の 供 養 に 参Servant

ろう。

Head Priest
We are going to hold the rite for the new bell today. For a certain
reason, no woman is permitted at the rite. Pay close attention not
to allow a woman into the temple.

私は紀伊の国のはずれに住む白拍子でございます。道成寺というお寺で鐘の供養がYes, it is already situated in the bell tower, master.

リズムに乗らない登場楽。特別の曲で演奏される。

Story

Head Priest
Is the new hanging bell lifted up to the bell tower?
Servant

白拍子

Dōjō-ji (Dōjō-ji Temple)

あると聞き、参詣したいと思います。

まだ空に残る昼の月はまもなく沈んで、満潮を迎えようとしている。そんな折に、潮煙に霞む小松原を過ぎて、早く着きたいという気持ちがあったからか、日暮れ前のまだ日の高いうちに、日高の道成寺に着いた。

急ぎましたので、もう日高の寺に到着いたしました。さっそく鐘供養を拝ませてい-3-

ただきましょう。

(The servant asks his senior monk, the follower priest, whether he can let
the Shirabyōshi in the precincts of the temple. Although the follower priest
forbids him from doing so, the servant decides to let her in on his own
discretion.)

白拍子と寺男の会話

Shirabyōshi
I am a Shirabyōshi living near this country. I would like to offer
a dance for the rite for the hanging bell. Please permit me toobserve the rite.

三

Shirabyōshi asks to observe the rite for the bell, yet first the request is deniedby the servant, who explains to her that no woman is permitted at the rite.
However, the servant lets her into the temple at the end as she begs to offer adance for the rite. She then starts to dance.

鐘の供養をしたいと懇願する白拍子は、女人禁制ゆえに、はじめ寺男に断られるが、舞を奉3. Dialogue between Shirabyōshi and the Servant

納したいと懇願の末に入れてもらい、舞いを始める。

Shirabyōshi
As I was hurried, I have already arrived at the temple in Hidaka. I
shall now go and observe the rite for the bell.

私は、この国のごく近くに住んでいる白拍子でございます。鐘のご供養にほんの少Shirabyōshi
When the moon has almost set, when the tide has almost ebbed,
I had passed Komatsubara hazed by the mist from the ocean. As
my heart hastens,I could reach the Dōjō-ji Temple before sunset. I
arrived the Dōjō-ji Temple.

しばかり舞を奉納したいと思っております。ご供養を拝ませていただきとうございShirabyōshi
The person before you is a shirabyōshi, who dwells at the edge of
the Province of Kii. Since I overheard that the Dōjō-ji Temple will
perform the Buddhist rite for their new hanging bell, I would liketo visit the temple for it.

白拍子

Story

ます。

〔寺男は従僧に相談して禁じられるが、一存で白拍子を中に入れることにする〕

Dōjō-ji (Dōjō-ji Temple)

白拍子

ああ、嬉しい。それでは舞いましょう。

〔物着（ものぎ）アシライ〕

笛・小鼓・大鼓によるゆったりとした演奏の中、シテは後見座に後ろ向きに座り、烏帽子を被る。

立ち上がり、橋掛りへ行く。

〔アシライ〕-4-〔物着アシライ〕の演奏が終り、大鼓のみの激しい演奏に急変するや、シテはそれに合わせてShirabyōshi performs fast and dynamic dance after ranbyōshi.

舞台に入る。

4. Dance by Shirabyōshi

あそこにおられる宮人の烏帽子を暫しお借りします、と言うや、早くも足で拍子をSurrounded by the cherry flower, Surrounded by the cherry flower, green ofpines stands out among the flowers. In the fullest spring view, day is drawing
to an end with evening glow. Sunset bell echoes in the glow.

白拍子

Shirabyōshi
I would like to borrow the eboshi of a noble person over there.
Even before finishing her words, she starts dancing.

踏み始めた。

Although Shite contemplates the bell from the gangway bridge, when themusic for [monogi-ashirai] ends and lively music performed only by large
hand drum suddenly starts, he or she quickly enters the stage with the music.

辺りは桜の外には松の緑が見えるばかり。そんな春の景色も次第に暮れて、日暮れの入相の[ashirai]

鐘が響いている。

[monogi-ashirai]
With slow music performed by a Japanese flute, small and large hand drums,
Shite has seat at kōken-za, showing his back to the audience, and wears an
eboshi headdress. Shite stands up and goes to the gangway bridge.

白拍子の舞

Shirabyōshi
What a pleasure! Let me dance now.

四

Story

白拍子は、乱拍子につづき速く激しく舞う。

Dōjō-ji (Dōjō-ji Temple)

〔乱拍子〕

小鼓が、単独で特殊な演奏をする。激しい気迫の籠もったかけ声と、長い間をおいて打つ音が、こんりゅう

交互に繰り返されるが、徐々にテンポは速くなる。シテはそれに合わせて足先やかかとを上

きのみちなり道成卿が天皇の勅命を受け、ここに初めて寺院が建った。紀道成が指図して建立しげたり、引いたり、強く足拍子を踏んだりする。

白拍子た寺であるから、道成寺と名付けられたとか。

-5-

山寺の

Dancing wildly, shirabyōshi approaches the hanging bell while the servant
takes a nap. Taking the chance, she jumps inside the bell and it drops over her.

地

5. Shirabyōshi Jumps in under the Bell〔急ノ舞〕

the bell tells you the sunset, and the cherry blossom falls quietly
with the ring. The cherry blossom falls. The flower falls. The flower
falls.

笛・小鼓・大鼓で演奏される非常に速い舞。

Reciters

春の夕暮れに来てみると、Shirabyōshi
Coming at the dusk in spring,

白拍子[kyū no mai]
Quite fast dance accompanied by the music of a Japanese flute, small and large
hand drums.

日の入りを告げる鐘の音に誘われるように花が散っている。花が散っている。花がTo a temple in the mountain,

地

Reciters

散っている。

Shirabyōshi
Lord Tachibana no Michinari received an order from an emperor
and built a temple at this place for the first time. Because thetemple was built by Michinari (the Chinese characters are also
pronounced Dōjō), it was named Dōjō-ji Temple.

白拍子の鐘入り[ranbyōshi]A small hand drum plays peculiar performance alone. Sharp, spirited calls andstrikes of the drum after long pauses are repeated alternately. The length ofthe pauses becomes shorter and shorter. Shite lifts and pulls back his heels andtoes and takes strong steps with the music.

五

Story

白拍子は激しく舞いながら、寺男が眠っている隙を見て、鐘の中に飛び込み、鐘を落として

Dōjō-ji (Dōjō-ji Temple)

白拍子

撞かれるうちに、月は西に沈み鳥が鳴き、霜は雪のように天を覆い、満ち潮は程な

そうこうするうちに、あちらこちらの寺の鐘が

しまう。

地

く引き潮に変わってゆく。日高の寺〔道成寺〕から見える入江の村の漁り火は、人々の眠りを誘い、寺の人々が眠ってしまったのをよい機会と、白拍子は舞い続ける様に装って、鐘を狙って近づき、撞こうとする。思えばこの鐘に恨みがあるのだと、竜頭に手を掛け、飛び上がったかと見ると、鐘をかぶり、そのまま見えなくなって

しまった。

（中入り）

-6-

寺男達から住職への報告と住職からの物語

Head Priest This is an inexcusable situation. Since I was afraid of such adisaster, I forbade the servant from letting a woman in for the rite.
The unacceptable event however occurred.

六

As they were surprised at the sound that the bell dropped, the servant andthe other people in the temple are wakened and rush to report the fact tothe head priest. The head priest (Waki) reprimands the servant and starts toreveal the reason why he prohibited a woman from observing the rite.

鐘が落ち、寺男達は目を覚まし、慌てて住職に報告に行く。住職は寺男を叱責し、従僧に女

6. Servant and Others Report to the Head Priest, and Head Priest Reveals a Story

ことばにならないほど不都合な出来事だ。このようなことになることもあろうかと、[Interlude]

女人禁制を言い置いたのに、大変な不祥事が起きてしまった。

tolled here and there. The moon sets and birds sing. Frost covers
the sky like snow. The tide will soon start to ebb. From the temple
in Hidaka (Dōjō-ji Temple), you can see the lights of fishingboats which have departed from a village at the mouth of the
Hidaka-gawa River. The light looks melancholic. Since the people
in the temple are asleep, shirabyōshi thinks it is a great chancefor her. While she pretends to keep dancing, she approaches thehanging bell and tries to toll it. Yet, she remembers her reproachto the bell, so holds the crown of the bell, jumps up, and then pulls
herself under the bell. She finally hides inside the hanging bell.

人禁制の理由を語り始める。

Story

Shirabyōshi
While dancing, hanging bells in temples are
Reciters

住職

Dōjō-ji (Dōjō-ji Temple)

住職

さあ、皆こちらへおいでなさい。

いえ、存じません。

この鐘の供養にあたり、女人禁制と申したのには訳があったのだが、ご存じか。

従僧

ならばその訳を語って聞かせよう。

しょうじ

住職

ま な ご

昔この地に、真砂の荘司という者がおり、一人の娘がいた。荘司のところは奥州から熊野へ年詣でする山伏が定宿と決めて、いつも来ていた。ある日、荘司は、幼い娘を可愛がるあまりに、「あの山伏こそ、おまえの将来の夫になる人だ」と戯言を-7-言ったのだが、娘は幼心にその話を本気にしながら、年月を送っていた。

After years, when the mountain priest visited the lord’s housein Manago, the daughter came to the mountain priest’s room atnight after people fell asleep and told him, “How long are you
going to leave me alone? Please come marry me soon.” With hersudden request, the mountain priest was astonished. He anyways
managed to soothe her and ran away from the inn during the darknight, and came to this Dōjō-ji Temple.

ある年、その山伏が荘司の家を訪れたとき、かの娘は、夜更けて人々が寝静まった

Head Priest
Once upon a time, in this land, there was a lord of the manor inManago. He had a daughter. His place was a designated inn for achief of mountain priests who visited the sacred shrine of Kumano
from Ōshū annually, so he and his family welcomed the mountainpriest every year. One day, because the lord loved his young
daughter very much, he teased her and joked that the mountainpriest over there must be her future husband. The daughter
however took the story seriously in her childish mind as she grew
up.

ころに、
「いつまで私を放っておくのですか、はやく妻にしてください。」と言った

Following Priest
Please tell us the story.

ので、山伏は非常に驚き、いったん場を収めると、夜の闇に紛れて、この道成寺にHead Priest
Then, let me tell you the reason.

逃げ込んできた。
「どうか、かくまってくれ」と熱心に頼むが、寺には適当な場所

Follower Priest
No, we don’t.

もなく、撞き鐘を下ろしてその中にかくまったのである。

Head Priest
Now everyone, come closer to hear me please.
Do you know the reason why I ordered you not to allow any
woman to observe this rite for the bell?

どうぞ、お聞かせください。

Story

従僧

住職

Dōjō-ji (Dōjō-ji Temple)

一方、娘は山伏を逃してなるものかと追いかけてきたが、日高川の水かさがとんでもなく増して渡ることが出来なかった。しばらく川上や川下を走り回るうちに、とうとう男への執心から毒蛇の姿となり、川を易々と渡り、この寺へやって来た。寺中をそこかしこと探し回り、ふと、鐘が下りているのを不審に思って、竜頭をくわ言葉もありません。こんなにも恐ろしい物語があったものですね。

えて鐘を七廻り取り巻き、炎を吹きかけ尾で鐘を叩くと、鐘はたちまち溶け、山伏

従僧

その女の執念が残っていて、この鐘の妨げになっているのでしょう。私たちが修行も消えてしまった。なんとも恐ろしい話である。

住職

-8-

を積んで成就した力は、こんな時のためにこそあるのですから、一生懸命にお祈り

The head priest begins praying with the other monks.

し、この鐘をもう一度鐘楼へ上げましょう。

7. Prayer of Monks

ごもっともなことです。そういたしましょう。

Following Monk
Certainly. Pray now.

従僧

Head Priest
The resentment of the woman still remains and has become abarrier for the bell. We practice the Buddhism training for such acase. Let us pray hard and lift the bell to the bell tower once again.

僧達の祈祷

Following Monk
We cannot find any words for it. How horrible the story is!

七

For her part, the daughter made up her mind not to let him escapeand she ran after the mountain priest. However, since the waterlevel of the Hidaka-gawa River was high, she could not cross theriver. Although she first ran up and down the river bank, her
excessive attachment toward the man finally transformed her intoa poisonous snake. The snake easily crossed the river and arrived
at this temple. Yet, the snake could not find the mountain priest
after searching all over the temple. Then, the snake felt suspiciousof the bell on the ground. The snake held the crown of the bell
between its teeth, coiled around the bell seven times, and blew
fire to it. When the snake hit the bell with its tail, the bell instantly
melted down. The mountain priest disappeared with the bell
together. What a horrible story!

住職は従僧達とともに、祈祷を始める。

Although he asked Dōjō-ji Temple to shelter him, there was nosuitable room for him. After thorough consideration, the people of
Dōjō-ji Temple took the hanging bell off from the bell tower andlet him in the bell.

不動明王や五大尊王を次々に呼び出し、一心不乱に祈ると、鐘は動き出す。鐘は何もしない

Storyのに響き、激しく揺れ、しまいに鐘楼に戻ってしまう。すると蛇体に変身した女が、鐘の下

Dōjō-ji (Dōjō-ji Temple)

Head Priest
Yamantaka (Daiitoku-myōō) in the west,
Following Monk
Vajrayaksa (Kongō-yasha myōō) in the north,
Head Priest
Acala (Dainichi-Daishō-Fudō- myōō) in the center,-9-にうずくまって姿を現す。

Following Monk
Kundali (Gundari-yasha- myōō) in the south,〔ノット〕

Head Priest
Trailokyavijaya (Gōzanze-myōō) in the east,

ワキ・ワキツレが数珠を手にすると、小鼓が激しい勢いで〔ノット〕を演奏し始め、続いて

ま さ ご

水が逆流し日高川が干上がり、河原から真砂が無くなったとしても、我々の法力が尽きることはあるはずがない。

皆一同に声を上げ、ごうざんぜみょうおう

東方に降三世明王

ぐんだりやしゃみょうおう

南方に軍荼利夜叉明王

Following Monk
Everyone calls together,

大鼓が加わる。祈祷の呪術的な雰囲気を表現する前奏部である。

住職

従僧

住職

従僧

西方に大威徳明王

だいいとく

住職

Head Priest
Even when the water of the Hidaka-gawa River runs back and theriver dries up, even when all the sands disappear from the bank, ourholy power will never run out.

北方に金剛夜叉明王

だいにちだいしょう[notto]While Waki and Waki-tsure hold Buddhist beads, the small hand drum first
begins to play hard notto music, soon joined by the large hand drum. This is
the prelude to show the magical atmosphere of the coming prayer. Soon, Waki
and other performers start to pray.

中央に大日大聖不動明王

He invokes Acala and other members of the five great fierce deities and prays
to them with singleness of mind. Then the bell starts to move and soon to ring
without being tolled. The bell shakes hard without being pulled and eventually
returns to the bell tower where it was. Then the woman transformed into thesnake appears from under the bell where she is coiled.

従僧

Story

住職

Dōjō-ji (Dōjō-ji Temple)

住職 従僧

鐘が動くか動かぬか、不動明王の威力を見よ。

ちがしんしゃそくしんじょうぶつ

ナマクサマンダ、センダマカロシャナ、ソワヤウンタラタカンマン、

ちょおがせっしゃとくだいちえ

聴我説者得大知恵、知我身者即身成仏〔我が説を聴くものは仏の知恵を会得し、我が心を知る者はその身のまま成仏する〕

何の恨みがあるものか。

と、今の蛇体のままの即身成仏を祈るのだから、

住職

それ、撞き鐘が、鐘が動くぞ。ただ祈れ、引き綱を引け。

- 10 -

地

The more we pray, the more the bell sings without a toll and dances withouta pull. Then finally, the bell is pulled up to the bell tower by the holy power ofthe Buddhist monks. Look inside! The snake appears now.

げChant mystic syllables of the Senju-Kannon (Bodhisattva with
One Thousand Arms) and the verse for salvation by the mercy of
Acala, and make smoke just like the flame of Acala. We will pray
devotedly.

く

Look, the hanging bell starts to move. Pray harder and harder. Pull
the rope, pull the rope.

じ

RecitersにHead Priest
How can she leave her grudge?
See, the hanging bellら

As we pray for the woman in the snake to be enlightened and become
Buddha,だ

One who listens to my preaching will acquire the wisdom of
Buddha, and the one who understands my heart will immediately
be enlightened and become Buddha.

千手観音の陀羅尼、不動明王の慈救の偈を唱え、不動明王の火焔のように、黒煙をNamakusamandabasarada, sendamakaroshana, sowayauntaratakanman!

立てて、ただただ祈ろう。

Head Priest and Following Monk
Whether the bell can move or not, look at the holy power of Acala!

祈るほどに、撞いてもいない鐘が響き、引きもしない鐘が、躍り出す。そしてついに、行者

Storyの法力によって、鐘は鐘楼に引き上げられた。すると見よ、蛇が姿を現した。

Dōjō-ji (Dōjō-ji Temple)

八
鬼女と僧達の闘い

かんじょう

鐘から姿を現した鬼女は、僧達を追い払おうと襲いかかる。僧達は蛇体を祈り伏せようと五大龍王を勧請し、激しく闘う。

- 11 -〔祈り〕

As the monks pray, the female ogre is beaten by the prayer andfinally falls down. However, she immediately stands up and blows
her breath upon the bell. Her breath turns out to be a fire, whichburns the snake herself. The female ogre finally cannot bear theagony and jumps into the deep of the Hidaka-gawa River. The
monks are satisfied with their work and return to their own
quarters.

謹んで願い奉る東方の青龍清浄、謹んで願い奉る西方の白帝白龍、謹んで願い奉る

We respectfully ask all the crown dragons in the world. Please give
us your mercy and accept our prayers. Please grant no place for themonstrous snake to live on this earth.

中央の黄帝黄龍、全世界のあらゆる龍王達に謹んで願い奉る。どうか、憐れみをもRespectfully ask the blue dragon, the sanctitude, in the east.
Respectfully ask the white dragon, the white emperor, in the west.
Respectfully ask the yellow dragon, the yellow emperor, in thecenter.

って願いを聞き入れ給え。大蛇の居場所など無いようにし給え。そのように行者がReciters

祈れば、鬼女は祈り伏せられ、ついにかっぱと転んだが、すぐ起きあがり、鐘に向[prayer]
Performed by a Japanese flute, small and large hand drums, and a drum. This
music is structured in four notes of hayashi and characterized by its lively
performance with the drum beating inoriji.

かって息を吐く。するとその息は猛火となって蛇体自身を焼いてしまう。鬼女は、A female ogre appears from under the bell intending to chase the monks away
and attacking them. The monks invoke the five great dragons to overwhelm
the snaked ogre by prayer. A fierce battle rages.

その苦しみに耐えかねて日高川の深淵に飛び込んでいった。

そこで僧たちは、望みはかなったと、それぞれの僧坊へと帰っていった。

8. Battle between the Female Ogre and the Monks

笛・小鼓・大鼓・太鼓により演奏。太鼓が「祈り地」を打ち、それに合わせた勢いのよい激Story

しい演奏に特色がある。

地

Dōjō-ji (Dōjō-ji Temple)

Dōjō-ji (Dōjō-ji Temple)
Synopsis
On a glorious spring day at Dōjō-ji Temple in the Province of Kii, it has been determined thata Buddhist rite for the hanging of a renewed bell will be performed. The head priest of the temple
orders the other monks not to allow a woman in for the rite for some particular reason. However, one
shirabyōshi (a female dancer who wears a male costume) appears to ask the servant of the temple toallow her to perform a dance for the rite and manages to enter the place where the rite will be held.
The woman steps to a peculiar beat and approaches the hanging bell while dancing. She finallylowers the bell and hides in it.
After hearing the news, the head priest of the Dōjō-ji Temple begins telling a horrible story about
the temple. Long time ago, the daughter of the lord of the manor in Manago assumed that she had been
betrayed by a certain mountain priest who visited her house every year. She transformed herself into a
poisonous snake, chased the priest to the ground, and finally destroyed him as he hid under the bell at
Dōjō-ji Temple, by blowing flames of resentment on the bell.
The monks understand that the woman still has her heart set on the man and they pray with all
their sacred power and become successful in pulling the hanging bell up. Then, the woman transformed
into a monstrous snake appears from inside. After a furious battle, the poisonous snake burns herself
with her own flames, which is supposed to burn the bell, and disappears into the deep bed of the
Hidaka-gawa River.

Category
AuthorSubject
Seasonthe fourth category noh, shūnenmono
Kanze Kojirō Nobumitsu“Nihon Hokke Genki,” “Dōjō-ji Ekotoba, “ etc.
Spring (March)

Scenes

Maeba
Nochiba

Tsukurimono

a hanging bellCharacters

Mae-shite (first half lead part)		
Nochi-shite (first half lead part)		
Waki (supporting cast)		
Waki-tsure (the companion of Waki)		
Ai (interluding cast)		

Masks

Mae-shite
Nochi-shiteŌmionna, Wakaonna, Fukai, Shiro-shakumi
Han’nya, Shinja

Costumes

Mae-shitenaga-kazura (a wig longer than a regular wig), kazura-obi (belt for kazura with scale pattern),
tsuba-motoyui (a hair style), karaori (a gorgeous kimono for a lady) in tsuboori-style,kitsuke / surihaku (a kind of kimono with gold or silver foils with white scale pattern),koshimaki / nuimon (black), koshiobi (belt with scale pattern), and oni-ōgi (a fan for ogre).
Wearing maeori-eboshi (eboshi-style headdress wore by female entertainers) at the time ofmonogi.
taking the karaori off and wrapping it around the waist. Holding a beating stick.
kindan-sumibōshi (monk’s regular cowl in gold), purple mizugoromo (a type of knee-length
kimono), kitsuke / shiro-atsuita, shiro-ōkuchi, shiro-koshi-obi, a fan, and Buddhist prayer
beads.
sumibōshi, brown mizugoromo, kitsuke / muji-noshime (noshime style kimono without
patterns), white ōkuchi, koshi-obi, a fan, and Buddhist prayer beads.
nōriki-zukin (a hood for servants of temples), yore-mizugoromo, kitsuke / noshime with nopattern, kukuri-hakama (hakama with drawing strings at the bottom), a pair of gaiters, anda fan.

Nochi-shite
Waki

Highlight
Dōjō-ji is one of the representative works of noh dramas.
One of the highlights of this drama is ranbyōshi, which is performed only by the Shite and a smalldrum player for about fifteen minutes. This is a quite difficult part because the two players mark thetiming of their performance only by breathing. In this scene, the small hand drum player draws up
facing the Shite to create a world keenly focusing on the performance of one other. Besides, this drama isfull of special and gorgeous music. The music creates the distinctive attraction of Dōjō-ji.
The climax of this drama is the scene where the Shite jumps underneath the falling bell. This is aquite dangerous performance. Shite can be injured or even killed if he fails in the timing because the bell
is so heavy. Kane-kōken, who releases the rope holding the bell, is the second most important roll in thisdrama after Shite and thereby performed by a skillful, experienced performer.

In the precinct of Dōjō-ji in the Province of Kii from dusk to the night of the day when therite for the hanging bell is performed.
Midnight on the same day at the same place

Waki-tsure
Ai

Number of scenes two
LengthAbout 2 hours

Shite changes his costume and mask for nochiba in the bell by himself. Dōjō-ji is the only existing
noh drama, which lets Shite change his costume alone without the support of kōken. Shite also has to be
in charge of some stage effects while he is in the bell, such as to shake the bell in accordance with jiutai
and ring nyōbachi (a kind of gong).
Since Dōjō-ji is a story related to the hanging bell of the temple, we might say that the bell plays
the main role of the drama; the bell is hung by Kane-kōken first, then Shite enters the dropping bell inthe middle of the drama, and finally the bell is pulled back to the bell tower. Generally, noh dramas
use the space on the stage horizontally. It is therefore suitable to say that this drama embodies the newchallenge of noh since the author directed his attention to the vertical use of space.

- 12 -

shirabyōshi
a female ogre (poisonous snake)the head priest of the Dōjō-ji Temple
a follower priest
a servant of the Dōjō-ji Temple

道成寺（どうじょうじ）

作者

観世小次郎信光

季節

春（3月）

題材

「日本法華験記」、「道成寺絵詞」など

場面

あらすじ
紀伊の国、道成寺では、春爛漫のある日、再興した釣り鐘の供養が行われることになりました。住職は、訳あって女性が来ても絶対に入れ

作り物

後シテ

てはならぬ、とお触れを出しますが、一人の白拍子の女が供養の舞を舞

白拍子

鬼女（蛇体）

ワキ

道成寺の住職アイ

寺男（能力）

面

前シテ

近江女、または若女、深井、白曲見

装束

前シテ

のうりき

ワキツレ

女は独特の拍子を踏み、舞いながら鐘に近づき、ついに鐘を落としてことの次第を聞いた住職は、道成寺にまつわる恐ろしい物語を語り始
ま な ご

鐘

登場人物 前シテ

わせてほしいと寺男（能力）に頼み込み、供養の場に入り込みます。
その中に入ってしまいました。

前場紀伊・道成寺の境内。鐘供養が行われる日の夕暮れから夜

後場同所、同日の夜半

後シテ

従僧

般若、真蛇

しょうじ

めます。それは、昔、真砂の荘司の娘が、毎年訪れていた山伏に裏切られたと思い込み、毒蛇となって、道成寺の鐘に隠れた男を、恨みの炎で鐘もろとも焼き殺してしまったというものでした。

後シテ

女の執念が未だにあることを知った僧達は、祈祷し、鐘を引き上げる
ことが出来ましたが、鐘の中からは蛇体に変身した女が現れます。争いの末、毒蛇は鐘を焼くはずが、その炎でわが身を焼き、日高川の底深く

場数

みどころ
道成寺は、能のなかでも大曲のひとつです。

鬼扇（おにおうぎ）。物着で前折烏帽子（まえおりえぼし）。
前で壺折にした唐織を脱いで腰に巻く。打杖。

ワキ

金緞角帽子（きんだんすみぼうし）、紫水衣（むらさきみずごろも）、

ワキツレ

角帽子、茶水衣（ちゃみずごろも）、着付・無地熨斗目、白大口、腰帯、アイ

姿を消していくのでした。

長鬘（ながかずら）、鬘帯（鱗）、翼元結（つばもとゆい）、唐織壺折、

着付・摺箔 [白地鱗 ]、腰巻・縫紋 [ 黒地 ]、腰帯 [ 鱗 ]、着付・白厚板、白大口、白腰帯、数珠、扇。
数珠、扇。

能力頭巾、縷水衣（よれみずごろも）、着付・無地熨斗目、
括袴（くくりはかま）、脚絆（きゃはん）、扇。

二場

上演時間 約 2 時間

らんびょうしこの曲の見せ場のひとつである乱拍子は、シテと小鼓で演じられ、15分ほども両者の息使いだけで間を合わせ、続けていく難所です。この場では、小鼓はシテに向かい合うように座り直し、集中した世界を創っていきます。他に、特殊で華やかな囃子の手も多く、道成寺ならではの見せ場がたくさんあります。
最大の山場ともいえる鐘入りは、落ちてくる鐘に、シテが飛び込む大変危険な演技です。鐘はとても重く、タイミングが合わないと、大きなケガを負い、死に至るような危険もはらんでいます。鐘入りで鐘の綱をかねこうけん

手放す「鐘後見」は、シテに次いで重い役割といえ、力量のあるベテランが務めることになっています。
後場への面・装束の付け替えは、シテが鐘の中で、たったひとりで行います。後見なく、ひとりで装束替えを行うものは、現存する曲では道成寺ただひとつです。そのほか、シテは、鐘の中で、地謡に合わせて鐘にょうばちを揺らす、鐃鈸を鳴らすといった特殊効果を務めなければなりません。
「道成寺」は、鐘にまつわる物語であり、始め鐘後見によって鐘が吊り上げられ、曲中、鐘入りがあり、また鐘楼へ戻るといった具合に、ある意味、鐘が主役を担っています。一般に、舞台を水平に使う能の中で、「道成寺」は、空間の垂直性に目を向けた、新たな試みともいえるのです。

道成寺（どうじょうじ） Dōjō-ji (Dōjō-ji Temple) ©2014 the-noh.com

本テキスト作成にあたって、主に下記の文献を参照しています。

発行：2014 年 2 月 8 日（ver 2.0）
編集：the 能ドットコム編集部 http://www.the-noh.com（e-mail : info@the-noh.com）
発行：（株）カリバーキャスト
本テキストは the 能ドットコム編集部によって編纂されたものであり、実際に上演される内容と異なる場合がありますので、ご了承ください。本テキストの著作権は、（株）カリバーキャス
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The text in this article has been edited by the-noh.com editorial department, so there may bedifferences from lines used in actual performance. Copyright of this text is the property of Caliber
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