Contemporary
Japanese
DesignNext Market In-

CONTEMPORARY
JAPANESEDESIGNPROJECT
UNIT 2

JAPAN x GERMANY

www.c-japandesign.net

Craftsmen x Designers

Next Market In-

CONTEMPORARY
JAPANESEDESIGNPROJECT
UNIT 2

JAPAN x GERMANY

Craftsmen x Designers

Ambiente, Frankfurt, Germany, 2016

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CreditNext Market In - Contemporary Japanese Design Project
Date of Publication

January 2016

Publisher

Contemporary Japanese Design Project management officeDirector

Kotaro Nishibori (T.C.I. Laboratory)

Planning

Takuya Hotta (T.C.I. Laboratory/Culture Generation Japan)
Koichi Tagishi (Cross Eight)

DesignYuko Minamide (worldnaive)

Photographer

Hiroko Takano / Ciel Liu Bei

Organizer

Organization for Small & Medium Enterprises and Regional Innovation, JAPANContemporary Japanese Design Project

Photo: Yuko Minamide

CONTACT:
Kotaro Nishibori
546 Dodo-cho, Horikawa Teranouchi-higashi-iru, Kamigyo-ku, Kyoto, Japan
T: +81 75-432-8751 F: +81 75-441-6645
M: info@tci-lab.com
W: www.c-japandesign.net

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Table of Contents

Exhibitors List

05 Exhibitors List

0. MANUFACTURER / Category / Location / Designer

06 Japan - Tradition and Innovation
07 Contemporary Japanese Design Project
08 Projects
36 Contemporary Japanese Design Project Member Introduction

1. APORO / Lampshade / Tokyo / Axel Hildenbrand
2. HATAKEYAMA / Tableware / Tokyo / Axel Hildenbrand
3. KIMOTO / Tableware / Tokyo / Wolf Wagner
4. KISEN / Tableware / Toyama / Wolf Wagner
5. KUROI / Lighthing / Kyoto / Wolf Wagner
6. KYOEI / Golf tools / Hyogo / Wolf Wagner
7. NAKANI / Interior fabric / Osaka / Ines Blume
8. NIGARA / Kitchen knife / Aomori / Wolf Wagner
9. PAPER WORLD / Stationary & Stool / Osaka / Wolf Wagner
10. PRINCE / Tableware / Nigata / Wolf Wagner
11. SAKEI/ Bag & Cusion / Gunma / Ines Blume
12. TOMITA / Fashion item / Tokyo / Ines Blume
13. RYUKOBO / Camera code / Tokyo / Axel Hildenbrand

Aomori X 1

Nigata X 1
Toyama X 1
Kyoto x 1
Osaka x 2
Hyogo x 1

Gunma X 1
Tokyo X 5

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Contemporary
Japanese
DesignThe Contemporary Japanese Design Project.
We want to merge Japanese tradition and innovation and make more global and exciting creations.
The Contemporary Japanese Design Project (CJD-P)
was begun with this concept in mind. We gathered
25 companies; manufacturers and craftsmen withexcellent proprietary techniques from various places
around Japan. We built a wide network of experienced
advisors and distributors from France and Germany.
We married producers with six German and French
designers, all overflowing with talent. Under the conceptual banner of “tradition is continuing innovation,”
the CJD-P started in 2015 as an international projectwith the support of the Japanese government.
Japanese craftsmen and manufacturers and theJapan - Tradition and Innovationinternational advisors and designers all met in Japanand shared a variety of experiences and emotions.
In January and February of 2016, after a full year ofJapan. The long passage of time has made for a unique history and culture here.
Spring, summer, fall, winter, all transition distinctly; a culture of craftsmanship continuing for hundreds of years among this rich natural beauty.
Japan. Bleeding-edge technology is born here. Innovation in the industries of electronics, automobiles, and robotics make Japan a world leader.
In the Metropolis of Tokyo, it is unbelievably advanced. The automated features of
the city; the latest fashions, creations, and technologies; or pop culture including
manga, one cannot help but be filled with excitement and surprise.
In the ancient capital of Kyoto, surrounded by an amazing atmosphere that makes
palpable tradition and culture, one finds himself moved. Hospitality; the face of thecity that changes with the seasons; the beauty of a traditional cityscape centeredaround temples and shrines; and traditional arts, entertainment, and spirituality are
all born of a seemingly eternal history.
The coexistence of tradition and innovation is one of Japan’s unique points. It
could be said that it forms Japan’s identity.

hard effort, the crystallization of this creative work will
be unveiled in the worlds largest trade fair, Maison et
Objet / Frankfurt Ambiente. We will introduce beautifully innovative and functional products, the likes ofwhich have never been seen before.
Please have a look at the creativity and sure skill of the
CJD-P Team.

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Horatio

Designer:

Axel HildenbrandWe are an energetic small factory that is good at special printings that China orother competition printers do not have know-how, are not equipped or are notwilling to do. Particularly, we are good at 1) UV silk screen printing, 2) 7-color
ink jet printing, 3) non-paper printing and processing such as on metal, leather,glass, cloth, plastic, etc. and 4) exceptionally 3-dimensional, non-paper special
material printings.
CONTACT:
Kenichi Shirai
Aporo Manufacturing Co., ltd
1-49-11 Nishi Nippori
Arakawa-ku
Tokyo
116-0013, Japan
T: +81-3-3802-3291
F: +81-3-3802-3294
M: shirai@aporo-ss.co.jp
W: http://www.aporo-ss.co.jp/

Lampshade

What if a print was strong enough to shape the material it is applied
to? What if from pure printed shape a form could be created thatis durable, strong and develops a piece of fabric into a work of art?
The solution is an invention from the Japanese printer Kenichi Shirai. His company Aporo has been experimenting with a special, innovative silkscreen printing technique that Shirai san calls “muscle
print”. Axel Hildenbrand has designed several circular patterns that
enfold to be a spherical shape once attached to a cord. Hildenbrandand Aporo let this cord be an electrical cord that holds a bulb socket and a mounting and – quite magically – turns a simple piece ofcloth into a stylish lamp shade. This new way of applying the “magicmuscle printing” technique literally illuminates the cooperation between the German designer and the Japanese techie with a passion
for print and results in a product development that can be an individual design piece and eventually a consumer product for a larger
target group. This is what happens when people start thinking in 3D.

1. APORO

Title:

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LEVITATE

Designer:

Axel Hildenbrand

One could elaborate on the difficult and extremely time-consuming
task of designing, preparing and creating cloisonné enamel objects,
but all the hard work seems to become insignificant once the finished object shows its incredibly precious colors and utter perfection. Just like a good drink after a hard day’s work. The collaborationof Axel Hildenbrand and Hatakeyama san began in exactly this situation. “Do you like Sake?”, “Yes. Do you?”, “Yes.” was all to say the
first evening and all that needed to be said to work out the idea forthe “Levitate” cup-set. Orient and occident united: the form of thecups with different shapes albeit with the same filling capacity is designed to be produced from 925 sterling silver in a 3D-printer. The
meticulous cloisonné technique which requires quite a large numberof hours of the artist’s time remains untouched and exclusive. The
cup-set consisting of four cups that can be stacked as a beautiful
sculpture of single drops will be produced in an exclusive art editionof 8 pieces. To be levitated to higher spirits even before drinking.

Over 35 years since I inherited my father’s shippo manufacturing, I have beenfascinated by its brilliant colors, and observing its tradition, I have taken in
new techniques, trying to produce works that can be used and loved by many
people. I am determined to work on new expressions of shippo in collaboration
with wonderful designers.
CONTACT:
Hiroshi Hatakeyama
Hatakeyama Shippo Seisakujyo
5-43-4 Minami-Senjyu
Arakawa-ku, Tokyo
116-0003, Japan
T: +81-3-3801-4844
F: +81-3-3801-5296
M: info@tokyo-shippou.com
W: http://www.shippou-hatakeyama.com/

2. HATAKEYAMA Tableware

Title:

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Calyx Beer Glass collection - U & O -Designer:

Wolf Wagner

Beer glass collection for connoisseurs of individual and valuable craft
beers. The current craft beer trend gives rise to new flavors. The guest
tastes different varieties and has a completely new beer experience.
The glasses of the series Calyx allow to enjoy different formed beer
tastes. The beer goblet is on a massive glass base (ice). So the beer is
put into a special position. Offered are glasses in size 0.2 / 0.3 l.

3. KIMOTO

Title:

Tableware

We produce all glass with craftsmanship. We are KIMOTO GLASS TOKYO.
For over 80 years, we have been watching the market trend as a wholesaler.
What do consumers demand in glass products? What elements differentiate
products that sell and don’t. What is required in glass products that are admired by people nowadays? Making full use of our outlook as a wholesaler,
we will proceed in creating new world of glass product by striving together withdowntown Tokyo’s handmade glass factories, Edo Kiriko craftsmen, designers,
and creators.

CONTACT:
Seiichi Kimoto
KIMOTO GLASSWARE CO,,LTD.
2-18-17 Kojima
Taito-ku, Tokyo
111-0056, Japan
T: +81-3-3851-9668
F: +81-3-3861-4712
M: info@kimotogw.co.jp
W: http://kimotoglass.tokyo/

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Tea Tin Set

Designer:

Wolf Wagner

Tea Tin Set For Kisen
Wolf has designed three tins. They are for tea and sweets besides thetea. The tea tins are proportioned as a beautiful product family.

4. KISEN

Title:

Tableware

In Takaoka the founders soul has been handed down four more than four centuries.
Our classic trade name ”KISEN” is fulled with pride of generations as funders.
”Kisen” was reborn to respire the KISEN’s tradition to modern lifestyles. It was
found to be with your happy moments as you gather, cook, dine and relax. Kisen will introduce products that help bond you with someone you love.
CONTACT:
Susumu Yotsukawa
Yotsukawa Seisakusho LTD.
6-5 Kanaya-machi
Takaoka, Toyama
933‐0841, Japan
T: +81-766-30-8108
F: +81‐766-26-1063
M: susumu@kisen.jp.net
W: http://www.kisen.jp.net

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FEM -Function & Emotion Light-

Designer:

Wolf Wagner

From the day of establishment in 1952, Kuroi Electric has been growing as aninnovative company, maintaining originality and ingenuity. We have always given
the highest priority to the development of new products. Our products have taken the Japanese lighting industry by storm. We have developed epoch-making
products, such as wooden lamps with see-through ribbed patterns incorporating
Japanese traditional handicraft, microprocessor controlled dimmer switches andelectronic ballasts, which have become very popular in the Japanese market.
Following our company slogan, “Human Electronics and Lighting”, we combine
high-tech and high-touch in the ancient capital city of Kyoto. The main advantage of our company is that we can design and manufacture the final products asrequested by our customers and that integration of development and manufacturing brings speed, low cost, and high quality to our products.
We are now being requested to reduce our load on the environmental.
We have cultivated energy-saving and resourcesaving technologies in the lighting industry and we are applying them to other fields.
CONTACT:
Sami Yoshida
Kuroi Electric Co., Ltd.
79-1,Toyotachihara
Kyotamba-cho
Funai-gun, Kyoto
662-0231, Japan
T: +81-771-82-1184
F: +81-771-82-1388
M: 1229ohnishi@kuroi.mewnet.or.jp
http://www.kuroi.co.jp/rayson/

Lighting

FEM combines function + emotion
FEM is based on individual spheres of light in diameter of 60 mm. They canbe installed separately or in various arrangements. So individual places canbe built - for example in the gastronomy or even complete installations.
The FEM light illuminates either purely functional in the desired brightness
or emotional - in a cycle between the individual spheres controlled by anApp. The result depends on the setting from harmonic to active dynamic
lighting effects.

5. KUROI

Title:

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ICON Golf iron set / 4-9

Designer:

Wolf Wagner

We have been in business of manufacturing solid-forged iron heads of golf clubs
about 60 years since the foundation of a company in the home of Japan’s golf
here in Ichikawa, Kanzaki-gun. We are long-established mastery iron head manufacturer that have been producing iron heads for many golf club manufactures
as well as professional golf players.
CONTACT:
Mika Mochizuki
Kyoei golf Industry Co.Ltd.
5 Nishikawanabe
Ichikawa-cho
Kanzaki-gun, Hyogo
679-2315, Japan
T: +81-790-26-2211
F: +81-790-26-1131
M: kygolf@silver.ocn.ne.jp
W: http://www.kyoeigolf.co.jp

Golf tools

It is an iconic design, with a new kind of dynamic design within thegolf market.
Based on layers which motivate the player to focus to to the front direction, and it is focusing on the sweetspot as theme, it is rememberable. The iconic symbol itself offers potentials to be a brand within
the product line.

6. KYOEI

Title:

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LongLong

Designer:

Ines BlumeLongLong is based on the Chusen dying technique used for the traditional Tenugui. Three times the length of a traditional Tenugui,
LongLong is a decorative multipurpose product. As such it can be used
as a tablerunner, wallpicture or curtain. According to the nature of thedying process, both sides of the fabric have the same intensity of thecolor. Most images are based on hand drawings.

7. NAKANI

Title:

Interior fabricNakani Co., Ltd was founded in 1966 as a dye-works, processing yukata (Japanese casual summer cotton kimono) and tenugui (cotton handcloth) using aspecial
dyeing technique called chusen. In 1976 the campany installed roll-printers andstarted making gift tea-towels and nightwear. We expanded the business and in2008 introduced a new factory-made brand, Nijiyura, of original chusen-dyed tenugui in addition to existing commsissioned work. These excittingly modern tenugui
designs became popular and we opened 5 shops in Japan in just five years, also
distribute the product to over 200 domestic retailers.
CONTACT:
Hiroki Nakao
Nakani Co., Ltd.
338-6 Kena-cho
Naka-ku
Sakai city, Osaka,599-8266, Japan
T: +81-72-271-1294
F: +81-72-271-3587
M: nakani@jmail.plala.or.jp
W: http://www.nijiyura.jp/

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Anmon Kitchen Knife collection

Designer:

Wolf Wagner

Since being appointed by the domain of Tsugaru to make Japanese swords, Nigara
Forging has a history of over 350 years. As one of the few noble swordsmiths inJapan, we have continued to preserve this art. During the Showa period, Nigara
Kunitoshi, a master swordsmith, was often recognized for his work.
During the period of World War II, the traditional swordsmithing technique made its
impression with the military prior to and during the war, but afterwards has been realigned to creating knives. Carries on the traditions of the castle town of Hirosaki-jo
Castle.The making of swords has been abandoned as a business item since 1965,
but the same forging techniques such as welding and hammering have been kept
alive in the making of our Honuchi knives. One example, the Honyakibocho, a kitchen knife which is made only by steel, has a wavy design on the back after its crest,a striking and artistic feature. Such designs and techniques require intuition andskills developed over decades of experience. Our products were officially certified
as Aomori Prefecture Traditional Crafts in December, 2007.
CONTACT:
Go Yoshizawa
Nigara Forging Co., Ltd.
4-1 Kinzoku-cho
Hirosaki city, Aomori
036-8245, Japan
T: +81-172-88-2881
F: +81-172-88-2882
M: nigara.h@axel.ocn.ne.jp
W: http://www.nigara-forging.com/

Kitchen knife

The company Niagara from Aomori has forged blades and knives foreight generations now! Each under scorching heat handcrafted knife, islike an unique work of art - and at the same time a highly functional
product. Blade and handle are manufactured in one piece, the end of thegrip zone is marked by a round cutout. When developing the knife series
I was inspired by historical samurai swords. I learned that visualizing thefunction can produce perfect beauty. The blades are sharp and look sharp,they possess an aura around their sharpness, evoking respect and caution.
You can feel the embedded power of the product, a force that grows frommasterly craft in connection with deliberate design!
Nigara - forged knives. Blade and handle are manufactured in one piece,
the end of the grip zone is marked by a notch

8. NIGARA

Title:

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BRIX Stool / BRIX Stationery

Designer:

Wolf Wagner- Brix Stool
A stool made of cardboard can be comfortable and attractive: Brix!
It is easy to build by few simple steps. This takes place with Japaneseprecision. If the stools aren’t in use they can be stacked to an appealing sculpture. Different colors and prints make the stools attractive. The
stools are offered in a handy box.
- Brix Stationery
The Brix stationery consists of two practical boxes for storing of writing utensils. Thanks to included magnets, these can always be folded or
unfolded. Brix stationery is made of paper and represents Japanese artof paper in a new form.
Different colors and prints make the series permanently interesting.
A painting by Caspar David Friedrich inspired me to design BrixsStationery: ... nature, risen from nature, the cliffy geometry, almost architectural structures that spring from the underground ...

Paper World was established in 1965 as a cardboard manufacturer. Today,
we are providing, not only cardboards, but also various paper products, fromdesigning to manufacturing. In 2010, commemorating our 50th anniversary,
we have changed company name as Paper World, and we are focusing on,
besides made-to-order, proposing and selling highly design-oriented paperand cardboard products.
CONTACT:
Yu Julia Iwasaki
Paper World Corp.
3-4-4 Uchikyuhoji-cho
Chuo-ku,
Osaka city, Osaka
540-0013, Japan
T: +81-80-6180-4453 (mobile)
F: +81-6-6937-5515
M: yu@paperworld.jp
W: www.paperworld.jp/
www.jotosiki.co.jp/tokyo

9. PAPER WORLD Stationary & Stool

Title:

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Infinity serving set

Designer:

Wolf Wagner

Infinity – An endless line describes the continuity of the nutrition chain:
Nourish yourself consciously and enjoy it, because what you eat will bepart of your body, of your life. With other words: „you are what you eat.“

The separat products of Infinity:-Serving knife for butter, cream cheese, spreads & pestos and more
-Spoon for tapas, antipasti, fruits, legumes, chutneys, marmelades & pudding and more.
The notch at the side allows fluids to be poured.
-Spoon for vegetables, tapas, antipasti, fruits, legumes, chutneys, desserts and others-Spoon for salad, vegetables, potatoes, pasta, among other things-Spoon for salad, vegetables, potatoes, pasta, rice, fish, meat, soups and stews and more
-Fork for tapas, antipasti, fruits, french fries and others-Fork for tapas, antipasti, fruits, fish, meat and more
-Fork for vegetables, tapas, antipasti, fruits, legumes, chutneys, dessert and more
-Fork for salad, vegetables, pasta, fish, meat and others-Fork for salad, vegetables, pasta, fish, meat
-Chopsticks for serving of dishes like salad, vegetables, pasa, fish, meat and more.
Established 50 years ago, we are the number one can opener manufacturer anddistributor in Japan. We specialize in the innovative cooking gears. Functional forvarious types of cooking. Designed beautifully in three dimensions.
CONTACT:
Nobuo Takano
Prince Kogyo co.,ltd
313-1, Kanekoshinden hei,
Sanjyo city, Nigata
955-0814, Japan
T: +81-256-33-0384
F: +81-256-35-2826
M: info@prince-kk.jp
W: http://www.prince-kk.jp

Tablewares

Infinity is a serving set – consisting of different spoons, knives, forks andasian chop sticks. Here four spoons and a knife are shown. With Infinity
nearly all kinds of food from various culinary cultures can be served. Especially the way how it is presented – in the package and later at the table–is defining a new way.

10. PRINCE

Title:

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OriOri 2in1 cushion / OriOri 2in1 bag

Designer:

Ines Blume

OriOri 2in1 cushion
A classic cushion size, 40x40 cm, with a twist. It shows both sidesof the Ori fabric. It can be folded back to front and bound on eitherside with a knot.
OriOri 2in1 bag
Small bag (iPad Size)
The front and backside of the same fabric is used for the bag. Just by
turning it back to front there is a different color image (back to front
not inside out).
Ori is an old established Japanese traditional fabric using a simple
weaving technique with a beautiful effect. The back side of the fabricis the exact opposite than the front. Ori also means “folding” in Japanese. So OriOri in this sense is a foldable Japanese fabric.

OriOri - ‘Structured Fabric’, a new application of traditional Japanese craftsmanship from Kiryu‘Ori’ is one of the long established Japanese traditional fabric that is commonlyused for ‘obi’ the Japanese Kimono belt. By talking to craftsman and observing
the technique, we rediscovered the uniqueness of this ‘ori’ that are tactile delight,
thickness control of the fabric and strength which can actually create structure.
‘Ori’ also means ‘Folding’ in Japanese as you may recognize this in ‘Origami’, theJapanese folding paper craft. So, our ‘oriori’ means foldable Japanese traditional
fabric. It is so unique that we don’t need complicated manufacturing process like
add this and add that. It is simply waving as one go.
CONTACT:
Yoshio Sato
SAKEI-SANGYO Co.,Ltd.
2-9-7 Tenjin-cho
Kiryu city, Gunma
376-0052, Japan
T: +81-277-22-8811
F: +81-277-22-8877
M: sato@hisakataya.jp
W: http://www.hisakataya.jp

11. SAKEI Bag & Cusion

Title:

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EdoKomon Scarf

Designer:

Ines Blume

Edo Komon Scarf Collection
for men / unisex / length 2m
4 scarfs for 4 seasons are designed using hand carved pattern from theEdo period. Each scarf assembles two pattern and a color according toeach season (spring, summer, autumn and winter).

Both collections are produced using the traditional crafts dying technique Edo Komon. The color is applied through stencilled paper patterns, on a classic size of fabric, generally used for Kimono.
With 2 m in length, it is longer than the average men scarf and comfortable to use for trendy binding techniques.

We have been operating a traditional Japanese technique upon dyeing garmentof kimono for nearly 100 years. We currently specialize scarves and stoles formen and women and making them with an exactly the same way as an old time
but with contemporary touch in each style. Our products are produced carefully
all by hand and the quality is promised.
CONTACT:
Atsushi Tomita
Tomita Senkougei Co.,ltd
3-6-14 Nishiwaseda
Shinjyuku-ku, Tokyo
169-0051, Japan
T: +81-3-3987-0701
F: +81-3-6912-5614
M: tomisen@mtj.biglobe.ne.jp
W: http://www.sangyo-rodo.metro.tokyo.jp/shoko/dentokogei/japanese/taiken/detail14_1.html

Fashion item

“Mitsu Uroko” Scarf Collection
for men / unisex / length 2m
The scarfs are designed using different hand carved patterns from theEdo period. Each scarf includes the very classic “Mitsu Uroko” pattern, which represents a good charm to avoid desaster combined with
one additional pattern from the Edo period.

12. TOMITA

Title:

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Paparazzi

Designer:

Axel Hildenbrand

Silk kuminimo (braid) is a silk product that is made by crossing more than 800
silk threads, and its technique has been handed down since 6th century, Asuka
and Nara periods. Kinu-kumihimo (silk kumihimo) is a unique Japanese culture,and has practicality in its strong elasticity of kumihimo. It has, therefore, beenused in samurai’s armor, taking advantage of its characteristics. Its brilliant andrich colors of shinny silk material has also been valued in ornaments of shrines,
Buddhist rites, tea ceremony tools, as well as craft arts.
CONTACT:
Ryuta Fukuda
Ryukobo Co., ltd
4-11, Nihonbashi
Tomizawa-cho
Chuo-ku, Tokyo
103-0006, Japan
T: +81-256-33-0384
F: +81-256-35-2826
M: ryukobo@silver.ocn.ne.jp
W: http//ryukobo.ocn.ne.jp

Camera code

When a wealthy Japanese needs a new obijime, a decorated sash totie his kimono, he will most likely order from Takashi Fukuda - Ryokobo. Fukuda san and his family produce their luxurious belts exclusively from 100% pure Japanese silk since many generations. Of
course, the market for Kimono accessories in Europe is rather small.
To make available the luxury of traditional Japanese craftsmanshipwith an item that is also very useful for consumers all over the world,
Axel Hildenbrand and Fukuda san thought of something that would
show Japanese values in a modern product world and at the same time
be a reminder of Japanese heritage. They came up with the obvious,
an evolution from tradition. A metamorphosis from one shape intoanother allowed to design different functions in one cord. The result
connects the regal practice of weaving with the renowned quality of
another Japanese tradition: the culture of photography. Axel designed
a collection of camera cords that are produced in one piece and are assoft and comfortable to wear as they are indestructible. And of course
they are stunningly beautiful. This imperial equipment will be available as a hand belt and shoulder strap for cameras.

13. RYUKOBO

Title:

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GLOBAL COLLABORATIONS38Contenporary Japan Design Project
Member Introduction

39

UNIT 1 - FRANCE

Coordinator
Isao Kitabayashi (Japan)

CEO of COS KYOTO Co.,Ltd. / T.C.I Laboratory / Doshisha Univ. Lecturer

Main Coordinator

HEADQUARTERS

His concept of business is “Unite materials, techniques and people, and refine by Kyoto
sense”. He will hold “Design Week Kyoto” in 21-28 Feb. 2016. He was one of TEDxKyoto
Directors until 2014.

Kotaro Nishibori (Japan)
Representative of T.C.I. Laboratory, LLC.
TCI Representative Kotaro Nishibori has developed foreign-oriented
designer products and spread them into the markets of 15 new countries, allwhile running the long-established Kyoto store, Hiyoshiya. With that trackrecord as a base, he was tasked with planning and managing the cultivationof international trade in Kyoto and led the program to success in European
and Chinese markets. Our enterprise’s fundamental goal is to spread this to
the whole country.

International Advisor (Distributor)

International Producer (Distributor)
Anna Takino (France)

Representative of JAPAN ROOTS&TREND / EXA partners

Ms. Takino is engaged in translation business for Japanese/French media. She has been
inaugurated as a tourism advisor for the Japanese National Tourist Organization, Paris Office. Since 2009, she has managed the Kyoto Europe-Japan Office and acts as a
tourism representative for incoming visitors to the cities of Kyoto and Kanazawa. She
is also responsible for coordinating Paris exhibits for Kyoto City international market
cultivation business, Kyoto Contemporary.

International Designer
Arthur Leitner (France)

Xavier Lesage (France)

Managing director of Studio Arthur Leitner

Representative of Melys Consulting

After obtaining his architecture degree, Arthur Leitner decided to focus on furniture and product design to be able to follow the creation process step by step, tothe very beginning till it is completed. He wanted to get closer to the makers. After
working for the Studio Campana in Sao Paulo, he spent two years on the Louis Vuitton Nomade Objects collection development. Through both of these experiences, he
was able to work with high-end craftsmen on iconic furniture pieces. He is currently
working as a design consultant for the Carpenters Workshop Gallery and as an independent designer for editors and craftsmen.

Mr. Lesage runs Melys Consulting, a consulting company specialised indeveloping business relationships between Japan and Europe. With a focus
on interior design, homeware and fashion accessories, he holds deep insight
into a wide variety of products, and has an extensive network of recognised
experts in many fields. He also works as an associate professor of strategy
and international business in Fench and European universities.

Saint Antoine (France)

Guillaume Garnier and Florent Linker. Directors and designers of the studio.

PR Advisor
Kentaro Kata (Japan)
Executive Partner of EXA Partners
Born in 1972 in Kamakura (Kanagawa, Japan).
Kentaro worked for The Ministry of Land, Infrastructure and Transport(Tokyo) as legal official, The Boston Consulting Group (Tokyo & Paris) as
Principal, and then he started EXA Partners (Paris) since 2010.
Living in France for over 10 years, Kentaro has been advising Japanesecompanies for their business development in Europe including M&A, strategic alliances, marketing and branding as well as launching start-ups inFrance: EXA-AIR (manufacturing of innovative film packaging / cushioning materials) and Le Canal (PR & digital marketing).
Graduated from The University of Cambridge (LL.M. and MBA) and The
University of Tokyo (Bachelor of Law)

Saint Antoine is a design studio dedicated to unique and limited edition pieces offurniture and lighting.
Saint Antoine works with architects and decorators to create products for their uniquespaces. We develop the project with them and take care of the entire process: fromconcept to delivery. For that we have created a network of craftsmen, selected for theuniqueness of their know-how.
Saint Antoine also offers craftsmen and manufacturer to help them develop their business on very high-ended markets. Starting from a complete analysis of the workshop’s
skills and tools, we design products that fit the requests of high-ended customers.

Elisabeth Vidal (France)
Elisabeth graduated at the Ecole Supérieure de Design Industriel in Paris and received a
Master’s Degree at Domus Academy in Milan in 1990. First teaching assistant, she started her designer profession in 1993 in Netherlands, with projects related to agriculture.
Back in Milan in 1994, she worked for Susani&Trimarchi and for Isao Hosoe Design,on projects related to office furniture, travelling interiors and tableware.
In 1998 she created her own studio in Milan, specialized in the design of objects andretail context, collaborating with companies from Italy and abroad. In 2012, she sets up
her business in Montpellier, her native city, in southern France. Her work is characterized by the gentleness of form, the studies of gestures and their innovation, the rigor
of detail.

UNIT 2 - GERMANY

Coordinator
Takuya Hotta (Japan)

CEO of Culture Generation Japan Co., ltd / T.C.I. Laboratory, LLC.

Takuya Hotta is a founder and CEO of Culture Genration Japan Co., ltd. MBA in Monaco
University.
The company provides a business consulting for manufactures who wants their local products to global market. Funding, Business development, Brand development, assists themin each phases. CGJ has experienced many government projects and accomplished a great
success to introduce Japanese brands to global, especialiy European market.

International Producer (Distributor)
Satomi Suzuki
SATOMI SUZUKI TOKYO Co., Ltd. / Managing Director
Sa:Su Network GmbH / Managing Director
SHU SHU Contemporary Japanese Design / Concept Store Owner

SATOMI SUZUKI is living in Munich, Germany since 21 years and working in several fields.
Since over 20 years, she has been working as a Japan Trade Fair Specialist and managing her
own company offering services at international trade fairs and consulting Japanese companies and governmental offices. Additionally, she owns a concept store in the city center ofMunich, selling selected Japanese design products for high-end international customers aswell as distributing to design stores and museum shops for already 5 years.
In 2013, she established her company in Tokyo, Japan, promoting Japanese design and developing - in cooperation with Japanese manufactures - contemporary Japanese products for
the European market.
Her motto is ALWAYS HAVE FIRE! IN YOUR HEART!

International Designer
Wolf Wagner (Germany)

Founder and managing Director of Studio Wagner:Design
Director of International Industry of the German Designer Club (DDC)
Member of German Japan Society (DJG)

Wolf U. Wagner, 49 is owner and managing director of Studio Wagner:Design in Frankfurt/
Main. Studio Wagner:Design develops products for brands, assists companies in all stagesof product development, cares for brands as creative full-service agency. Wolf relies on the
tradition of German design and his own methods to create products. Wolf studied architecture and industrial design in Germany and the UK, is a guest lecturer at universities.
Studio Wagner:Design has been awarded more than 40 design awards. Wolf is member ofseveral award jurys.
More information: www.wagner-design.de The credo of Wolf: Life is creation!

Ines Blume (Germany)

Co-Founder and Managing Partner at GARDENERSGARDENERS is a Frankfurt based design studio creating and cultivating ideas andtranslating them into distinctive visual concepts and designs for a wide range of projects and clients. Ines Blume studied Communication Design in Offenbach, at the Royal
College of Art, London and in Kyoto. She has always considered the international background a major inspiration of her work.
Ines is Director International of the German Designer Club (DDC).
Credo: Good design contributes to the success of brands and products.
Visit: GARDENERS.de

Axel Hildenbrand (Germany)
Managing director of rutan studio

Axel is a founding partner of rutan studio for Design in Darmstadt, Germany. Along thelines of its credo „we like ideas“, rutan is offering interdisciplinary design solutions in theareas of graphics, IT applications, product design and architecture. Stepping off the beaten
path, the studio is always one step ahead in technology and trends and continuously provides
momentum for design.