Graduate Course: Theory ofArchitectural Space and Planning
ワークショップ

SLOWGRAMMINGTOKYO
Workshop SLOWGRAMMING TOKYO
Ana MILJA KI

アナ・ミリアッキ［Associate Prof. Massachusetts
Institute of Technology］［マサチューセッツ工科大学准教授］

Yoshiharu TSUKAMOTO

塚本由晴［教授］●［Prof.］Kayoko OTA

ゲストクリティーク［Architecture Curator, PLAT］

太田佳代子

Yasutaka YOSHIMURA［PLAT 建築キュレータ］［Yasutaka Yoshimura Arthitects］

吉村靖孝

David B.STEWART［Adjunct Prof.］［吉村靖孝建築設計事務所主宰］

Taishin SHIOZAKI［Associate Prof.］

デイヴィッド・─［特任教授］
スチュワートHyunsoo KIM［D4］塩崎太伸［准教授］
Taymour SENBEL［D2］
Noemi Gomez LOBO［D1］─REPORT In January 2018, two-week workshop under the title

Slowgramming Tokyo
was held by Anna Milja ki, Associate Professor at MIT. First was to question thecurrent way of consuming architecture, in which, through the Internet and bombarded
by images curated by others, we build up our criteria and knowledge. The Instagram
application was used as starting point for this reﬂection, as it relies on the power of themoment being disconnected from history. This contrasts with the process of research,that requires to slowdown and to reveal the non-obvious. Considering this and with theobjective of formalising the research into an exhibition, all the projects contributed togive depth into the ﬂatten world of Instagram. Xshibuya project reveals the rhythms
that compose the frenzy atmosphere of Shibuya crossing in an structuralist video.
Capsule club is born from the love stories of the inhabitants of the Nakagin towerwith the building. Tokyo Ghosts digs into the past to rescue the spirits that help toshape Tokyo s metabolising process. Putting on Edward Ruscha s lens, Every Buildingshows all the facades on the Golden Gai in a two meters long book. Paranoia tracks
the links that connect Sky Tree with hidden agents. Tsukiji 2020 questions the statusof reality in the internet by faking the future construction of Kenzo Tange s Tsukiji
project. Tokyo Bluetarp reﬂects on the Instagram s unframed realities trough the storyof a material. The entire process was intertwined with three lectures by Professor Miljaki, among which Fair Use and Ofﬁce US . The workshop culminated with a gallery
talk by the guest critics Ms. Kayoko Ota and Mr. Yastutaka Yoshimura. Then, researchand exhibition was complied into a catalogue under the guidance of Professor Yoshiharu
Tsukamoto inside the Theory of architecture for the urban space class.

ka_042annual 2018ka_042
design journal

大学院
建築空間設計特別演習

大学院建築空間設計特別演習 Graduate course: Theory of Architectural Space and Planning ─ SLOWGRAMMING TOKYO

1｜TOKYO_GHOSTS: THE NEED FOR A CRITICAL MEMORY?
Mohammad Ali EIMAR, Stefano ANDREATTA, Hans HENRIK, HUANG Ke, Siena HIRAOThe Tokyo Ghosts project investigates 27 demolished buildings designed by established architects, and represented in ve ecologies. It aims tobring to life the somewhat forgotten events thatshaped the city we know today through these phenomena: Western in uence and Modernism,Tange and the Metabolists, 1964 Olympics: a new con dent, the Bubble Economy, and towards 2020. We hope to revive the perception ofthese phantom ideas by slowing down the pace, so one is able to digest one building, one idea, and one photo at a time. In doing so we
also hope to create a fuller medium ─ perhaps Instagram, a rather casually used social device, one built with the purpose of regurgitating
replications of what we see here and now in our world, has the power to truly display our newfound conceptions of time and space.

［Noemí Gómez LOBO D1］
課題主旨 2018 年1月、マサチューセッツ工科大学アナ・ミリアッキ准教授を迎え、「スローグラミング東京」と題した二週間のワークショップが行われた。氏はインターネット上に溢れている人々が掲載したイメージに影響を受けており、さらにそれらを基準としてTA知識を構築するという現在の建築の消費方法に疑問を提示している。
インスタグラムは様々なコンテクストから切り離された瞬間のイメージのみが掲載され、早いスピードで消費されるプラットフォームであり、本ワークショップではこれらのイメージを分析のノエミ・ゴメズ・ロボ［D1］対象とし、じっくり読み込みイメージの裏側にある物語性を明らかにすることを目的としている。●各チームはインスタグラムのフラットな世界に深みを与えるためのリサーチを行い、その結果を展覧会形式でアウトプットした。
「Xshibuya」は渋谷交差点の賑

2｜EVERY_BUILDING IN THE GOLDENGAI: FRAGMENTED IMAGES OF THE DISTRICTJI Yuxin, Selma SHIMURA, TAM Kinlaam, Kai KASHIBUCHI, Hiroyuki GONDO
Golden Gai is a small district, which it used to be a prostitution area, composed of tiny bars organised by some very narrow alleys. The
information shared in social media is often super cial, this work proposes to take a closer look to Golden Gai as it is nowadays. Each

物語から生まれる。
「東京ゴースト」は、東京の新陳代謝を形作る精神を救うために過去の歴史を掘り下げている。
「Everybuilding was photographed to reproduce each alley as two continuous façades. To bring the onsite feeling, sounds and smells were

Diploma Projectと偽装することにより、インターネット上のフェイク情報について疑問を投げかけている。
「東京ブルーシート」は、ブルーシートの物

Building」はゴールデン・街のすべてのファサードを長さ2メートルの本で展示している。
「パラノイア」は、スカイツリーとその背Bachelor Courses

Bachelor Courses

increasing number of foreigners brought new prospect to the area and Instagram contributed greatly to the spread of the place. As the

やかな雰囲気を構成するリズムを構造的に映像で表現している。
「カプセルクラブ」は中銀タワーに住む人々の建物への愛のcollected. Also it is given the opportunity to enter some bars through a perspective drawing combined to a story told by the owner. So itis possible to see all the details of this complex interesting part of Tokyo.

後に隠れた様々なプレイヤーのネットワークを追跡している。
「築地 2020」
は、丹下健三の築地プロジェクトを将来に建設するDiploma Project語を構築することで、インスタグラムにおける物語の不在性を批評している。●この展示のギャラリートークは緑ヶ丘 4 号間の地下1階で行われ、太田佳代子氏と吉村靖孝氏がゲストクリティークとして参加した。
また、ワークショップに引き続き行われた塚本教授による「都市空間設計特論」において、リサーチと展示の成果物をカタログにまとめた。

Ana MILJA KI［訳：金賢洙 D4］

Graduate Courses

Graduate Courses

セルビア生まれ。
1972 年、2007年、ハーバード大学で博士号取得。
2008 年よりマサチューセッツ工科大学准教授。
2014 年ヴェニスビエンナーレアメリカ館キュレーター。

Master s Design Project

Master s Design Project

Date:
January 20 th toFebruary 1st 2018

Feature Article

Feature Article

金賢洙［D4］
タイムル・センベル［D2］Location:Midorigaoka
Building 4 B1FInformation

Information

32

3｜XSHIBUYA: INSTAGRAM AS COLLECTIVE MEMORIES

5Tinnakrit KLINHUAL, Sakinah Assy LAZUARDIANI, Eiko TSUCHIYA,Gulbahce Herdem NALAN, Gerbes Roman ALEXANDER, KIM Sehun
As an image of city catalyst, Instagram has a very instant way of capturing general perceptions of public - especially how certain
elements of a city induce personal attraction and interest by the name of the touristic values in the truest, rawest, and most neutral form

6as the users come from various backgrounds. Known as a must-see spot in Tokyo, Shibuya crossing itself has attracted thousands oftourists. Tremendous amount of visual representations of the place has ooded Instagram, indirectly creating collective memories of
Shibuya in chunks. XShibuya, a video project, addresses the image of Shibuya crossing made through collective memories of people on

4

Instagram at the spot. As we architectural students perceive this phenomenon, we recorded something that s more than just an image

1of the city - its rhythm: centrury, year, day, hour cycles.

ka_042design journal

国際大学院プログラム：
建築構想設計特論
International Graduate Program:
Theory of Architectural Design 2

篠原一男の作品分析と住宅設計課題
House in Tateshina
Learning from Kazuo SHINOHARA●担当教員

Shin-ichi OKUYAMA［Prof.］
Taishin SHIOZAKI

奥山信一［教授］［Associate Prof.］

塩崎太伸［准教授］●David B. STEWART

ゲストクリティーク［Adjunct Prof.］

Kentaro ISHIDA
デイヴィッド・［特任教授］［Adjunct associate Prof.］
スチュワート─石田建太朗Ayumi KATSUKI［Assistant］
Akiko FUJIMOTO［D3］［特任准教授］
─TA

香月歩［補佐員］
藤本章子［D3］061

課題主旨 このクラスは国際大学院プログラムの留学生向けに開講されたスタジオであり、2017年

ka_042annual 2018060

1 X Shibuya
2 Capsule Club
3 Tokyo Ghosts
4 Every Building
5 Paranoia
6 Tsukiji 2020
7 Tokyo Blue Tarp

7

建築構想設計特論 Theory of Architectural Design 2 ─ 篠原一男の作品分析と住宅設計課題 House in Tateshina Leaning from Kazuo SHINOHARA

篠原一男の住宅分析と、それをもとに住宅設計を行うも度は34名の学生が履修した。課題は、のである。前半では学生は4つに分類される様式ごとにグループに分かれて分析を行った上で、それぞれの様式に一貫するコンセプトについて議論を行った。後半の住宅設計課題では篠原の遺作となった「蓼科山地の初等幾何」の敷地において、各グループが前半の分析から導き出したキーコンセプトをもとに展開することが求められた。
ASSIGNMENT This class was the house design studio held for foreign students of an international
graduate program. In the rst part of this class, each student analyzed each of architectural styles ofKazuo SHINOHARA. Afterwards they extrancted a key concept from the analysis and developed it
to the situation of the actual site of Shinohara s nal work House in Tateshina Project .

House in silence
Summer house in Tateshina

XU Tianxin,Volodymyr DEREZNICHENKO
1 main space (upper part)2 yard3 living room
4 master plan
5 gound ﬂoor plan
6 main space section

12

3

REPORT Imagine yourself as Kazuo Shinohara, and now you are in the phase of the 5th or even456Shinohara 0house without context

Gabrielle DEBIÈVREValentin HOFER
Charly JOLLIET
7 interior main space
8 design scheme
9 ﬂoor plan

8Feature Article

Feature Article

6 th style. What would the design of the House in Tatenshina look like? It all started with thishypothesis by Taishin Shiozaki. The house in Tateshina, the last work by Shinohara which has neverbeen actualized, is well known for having myriad sketches for a period extending 10 years.
After an opening lecture given by David Stewart, and a tour of the centennial hall building inTokyo Tech designed by Shinoahara, participants were asked to form four groups to study andanalyze Shinoharas four styles through several readings. In the second phase, students began
experimenting and debating based on an established logic extracted from Shinoharss theories. Itwas important to retain a good understanding of Shinohara s work; the participants taking a careful
look at his styles as one continuous saga. Shinohara passed through the phase of being effectedby traditional Japanese and modern architecture in Japan only to later to come up with his own
unique understanding for spaces and machine concept ─ which from there he adapted in using
towards his chaos and city theories. The Shinohara studio allows the opportunity to grasp thekey architectural concepts not only by one of the top notch pioneers in Tokyo Tech, but by one of
the most prominent post-war Japan architects. For me, Shinohara is a Metaphysicist; Shinoharaarchitecture laid the foundation for new perspectives on space meanings. His theories have left
immense traces that can be seen in the works of contemporary of architects as famous as Toyo
［Mohammad Ali EIMAR］
Ito, and Itsuko Hasegawa.

Bachelor Courses

Bachelor Courses

課題前半：篠原一男の住宅作品の分析

79Diploma Project

Diploma Project

The Inclined House
Reality and Virtuality

10 model11 section
12 plan (groundﬂoor&mezzanne)

Graduate Courses

Graduate Courses

Zhanhong LI
Mingxuan WU
Tinnakrit KLINHUAL
11

Master s Design Project

Master s Design Project

長野県茅野市蓼科

敷地総面積1824.75 m2
計画条件

Information

Information

10
最終講評会の様子

敷地条件
計画地

12Invisible MachineHouse In Tateshina

HUANG KeKIM Sehun
GAO Jieqiong

樹木の位置は各自で設定するものとする。
13 model photo (exterior)
14 model photo (interior)
15 structure model
16 section sketch

15

対象敷地066067

131416