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JacketFront: “Orlick . . . was very soon among the coal-dust, and in no hurry to come out of it.”Great Expectations . Ch. 15. Illus. F. A. Fraser. Household ed.
Joe the blacksmith knocks down his morose journeyman Orlick for insulting his wife.
Back: “I’ll beat you to pulp, you dogs.” The Old Curiosity Shop . Ch. 6. Illus. Charles Green.
Household ed.
Quilp grabs a thick stick and starts beating both Kit and Tom Scott fighting with eachother.
Table of Contents
Tail End: “For the Better Prevention and Punishment of Aggravated Assaults upon Womenand Children.” An illustration from Punch (19 November 1853).
Policeman: “Now, Mum! What’s the matter?”
Injured Female: “If you please, Mister―I want to give my wretch of a ’usband in charge.
He’s always a knocking of me down and a stampin’ on me!”
Preface
Figure One: “He caught the hand in his, and we stood in that connection, looking at eachother.” David Copperfield . Ch. 42. Illus. Fred Barnard. Household ed.
Enraged at Uriah’s mean action, David strikes him on the cheek.
Figure Two: “Come up and be dead! Come up and be dead!” Our Mutual Friend . Bk. 2, ch. 5.
Illus. James Mahoney. Household ed.
Mr. Riah goes up to the roof garden and sees the face of Jenny Wren “looking downout of a Glory of her long bright radiant hair, and musically repeating to him, like avision.”
Introduction
Frontispiece: “The Cato Street Conspiracy.” A plot to murder Lord Liverpool’s cabinet atdinner in February 1820. Arthur Thistlewood and four fellow-conspirators were arrested
as they assembled in a stable in Cato Street and executed on May Day.
Figure One: “Instinct Stronger than Training.” Illus. Phiz in 1857.
Figure Two: “The Expressions of the Hand: Before Marriage, After Marriage.” Punch . 18
October 1856.
Figure Three: “Heaven help us all in this world!” Hard Times . Bk. 2, ch. 5. Illus. Harry
French. Household ed.
Figure Four: “‘O Christian George King sar berry sorry!’ says the sambo vagabond.” “ThePerils of Certain English Prisoners.” Ch. 1. Illus. Edward G. Dalziel. Household ed.

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Chapter 1: The Pickwick Papers
Frontispiece: “With this, the speaker snatched that article of dress from Mr. Pickwick’s head.”
Ch. 41. Illus. Phiz. Household ed.
Figure One: “The heroic man actually threw himself into a paralytic attitude, confidently
supposed by the two bystanders to have been intended as a posture of self-defence.” Ch.
15. Illus. Phiz. Household ed.
Figure Two: “A compliment which Mr. Weller returned by knocking him down out of head:
having previously, with the utmost consideration, knocked down a chairman for him tolie upon.” Ch. 24. Illus. Phiz. Household ed.
Figure Three: “Mr. Pickwick could scarcely believe the evidence of his own senses.” Ch. 47.
Illus. Phiz. Household ed.
Figure Four: “Snatching up a meal-sack, effectually stopped the conflict by drawing it overthe head and shoulders of the mighty Pott.” Ch. 51. Illus. Phiz. Household ed.
Chapter 2: Oliver Twist
Frontispiece: “Oliver rather astonishes Noah.” Ch. 6. Illus. James Mahoney. Household ed.
Figure One: “Then, stooping softly over the bed, she kissed the robber’s lips.” Ch. 39. Illus.
James Mahoney. Household ed.
Figure Two: “Stop thief!” Ch. 10. Illus. James Mahoney. Household ed.
Figure Three: Anti-Poor Law poster, drawn in 1837 when the New Poor Law was first
introduced in the north of England. The handwritten heading is: “The New Poor Law,
with a description of the new workhouses. Look at the picture. See.” Mike ScottBaumann, The Condition of England 1815-53 (London: Hodder Education, 2008) 88.
Figure Four: “Monks and the Jew.” Ch. 34. Illus. George Cruikshank.
Chapter 3: Nicholas Nickleby
Frontispiece: “Nicholas astonishes Mr. Squeers and family.” Ch. 13. Illus. Phiz.
Figure One: Anon., “Miss Scott as Black Eye’d Susan” (1829). From William Appleton
Collection of Theatrical Correspondence and Ephemera, 1697-1930 .
Figure Two: “The internal economy of Dotheboys Hall.” Ch. 8. Illus. Phiz.
Figure Three: “Mr. Squeers and Mrs. Sliderskew unconscious of visitors.” Ch. 57. Illus. Phiz.
Figure Four: “Ralph makes one last appointment-and keeps it.” Ch. 62. Illus. Fred
Barnard. Household ed.
Chapter 4: The Old Curiosity Shop
Frontispiece: “The strong tide filled his throat, and bore him on its rapid current.” Ch. 67.
Illus. Charles Green. Household ed.
Figure One: “Act V, Scene 3 of Shakespeare’s Coriolanus .” Painted by Gavin Hamilton.
Engraved by James Caldwell. 4 June 1803.
Figure Two: “The door being opened, the child addressed him as her grandfather.” Ch. 1.
Illus. Charles Green. Household ed.
Figure Three: “Taken by a single gentleman.” Ch. 34. Illus. Phiz.
Figure Four: “Laura Bridgman Teaching Olivia Caswell.” Howitt’s Journal of Literature273

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and Popular Progress . 41.2 (9 October 1847): 225.
Chapter 5: Barnaby RudgeFrontispiece: “Hugh.” Ch. 11. Illus. Phiz.
Figure One: “At Rest.” The Old Curiosity Shop . Ch. 71. Illus. George Cattermole.
Figure Two: Anon., “Newgate Prison.” The new prison was almost finished when it wasstormed by a mob during the Gordon Riots in June 1780. From The Burning andPlundering of Newgate and Setting the Felons at Liberty by the Mob (1780). © The
Trustees of the British Museum.
Figure Three: “The Hangman in Difficulties.” Ch. 74. Illus. Phiz.
Figure Four: “Chartist Riots.” Engraved by Alfred Pearse. From Cornelius Browne, TrueStories of the Reign of Queen Victoria (London: Griffith, 1886).
Chapter 6: Martin Chuzzlewit
Frontispiece: “Pecksniff prostrate at the foot of his own stairs.” Ch. 2. Illus. Fred Barnard.
Household ed.
Figure One: “Mr. Pecksniff renounces the deceiver.” Ch. 12. Illus. Phiz.
“Pinch caught Martin in his arms, and Mr. Pecksniff tumbled over a chair, and fell in asitting posture on the ground.”Figure Two: “Warm reception of Mr. Pecksniff by his venerable friend.” Ch. 52. Illus. Phiz.
Figure Three: “Jonas’s stick spins harmlessly in the air, and he himself lies sprawling in theditch.” Ch. 24. Illus. Fred Barnard. Household ed.
Figure Four: “Jiniral Fladdock!” Ch. 17. Illus. Fred Barnard. Household ed.
Chapter 7: Dombey and Son
Frontispiece: “A Thorough Contrast in All Respects to Mr. Dombey.” Ch. 2. Illus. Fred
Barnard. Household ed.
Figure One: “On the Dark Road.” Ch. 55. Illus. Phiz.
It is striking that Mr. Carker the fugitive keeps looking backward but not forward.
Figure Two: “A Chance Meeting.” Ch. 40. Illus. Phiz.
This is a curious scene in that the rich mother and daughter happen to meet the beggarlymother and daughter on the beach of the high-class resort in Brighton, and are able toexplain themselves with a few words.
Figure Three: “Mr. Carker in His Hour of Triumph.” Ch. 54. Illus. Phiz.
The caption is rich in irony as Edith baffles Mr. Carker completely as if they are dueling.
Figure Four: “Polly Rescues the Charitable Grinder.” Ch. 6. Illus. Phiz.
Florence is in danger of getting lost in the street disturbance. Holding on to the hem ofPaul’s baby clothes, she has already begun to resemble a helpless lost girl.
Chapter 8: David Copperfield
Frontispiece: “Mr. Peggotty’s Home.” Ch. 3. Illus. Fred Barnard. Household ed.
“That’s not it!” said I, “That ship-looking thing!”“That’s it, Mas’r Davy,” returned Ham.”

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Figure One: “Tempest.” Ch. 55. Illus. Fred Barnard. Household ed.
They drew him to my very feet – insensible – dead.
Figure Two: “Steerforth and David at Great Yarmouth.” Ch. 22. Illus. Fred Barnard.
Household ed.
“That is a black shadow to be following the girl,” said Steerforth, standing still; “Whatdoes it mean!”Figure Three: “Oh, the river!” Ch. 47. Illus. Fred Barnard. Household ed.
“Oh, the river!” she cried passionately. “Oh, the river!”Figure Four: “Agnes.” Ch. 64. Illus. Fred Barnard. Household ed.
But, one face, shining on me like a Heavenly light by which I see all other objects, isabove them and beyond them all.
Chapter 9: Bleak House
Frontispiece: Gustave Doré, “The Bull’s Eye” (1872).
Policeman shining a light on vagrants in the streets of Dickens’s London.
Figure One: “Who ud go and let a nice innocent lodging to such a reg’lar one as me!” Ch. 19.
Illus. Fred Barnard. Household ed.
Figure Two: “The London Coffee-Stall.” From Henry Mayhew, London Labour and theLondon Poor , compiled in 1951.
Figure Three: “Oliver waited on by Bow-street Runners.” Illus. George Cruikshank for
Oliver Twist , ch. 31.
Figure Four: “Charles Frederick Field (1805-74).”
Chief of the Detective Department at Scotland Yard, best known as the basis for
Inspector Bucket in Bleak House .
Chapter 10: Hard Times
Frontispiece: “A Gallery Lesson.” From E. R. Robson, School Architecture (1874).
Figure One: An illustration from Bracebridge Hemyng, Jack Harkaway’s Schooldays (1871-72).
Figure Two: “James Kay-Shuttleworth (1804-1877).” A photo taken in 1862.
Figure Three: “Children’s Movements in Classroom.” From E. R. Robson, School
Architecture (1874).
Figure Four: “An Equestrian Show at Drury Lane Theatre.” Illustrated London News
(26 November 1853).
Chapter 11: Little Dorrit
Frontispiece: Peter Paul Rubens, Christ between the Two Murderers, the ‘coup de lance’(1619-20).
Figure One: Vincent van Gogh, Self-Portrait with a Bandaged Ear (1889).
Figure Two: William Hogarth, Captain Thomas Coram (1741).
Figure Three: “Under the Microscope.” Bk. 1, ch. 2. Illus. Phiz.
Figure Four: “Five and Twenty.” Bk. 1, ch. 27. Illus. Phiz.

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Chapter 12: A Tale of Two Cities
Frontispiece: “The Sea Rises.” Bk. 2, ch. 22. Illus. Fred Barnard. Household ed.
Figure One: Republicans forcing a former aristocrat to wear a tricolored badge. Illus.
around 1793.
Figure Two: “Patriots and friends, we are ready.” Bk. 2, ch. 21. Illus. A. A. Dixon.
Earnest Defarge shouts a battle cry to patriots and friends.
Figure Three: “The Likeness.” Bk. 2, ch. 3. Illus. Phiz.
The audience are astonished to find Charles Darnay and Sydney Carton look exactly
alike.
Figure Four: “After the Gun Goes Off.” Bk. 3, ch. 14. Illus. John McLenan. Harper’s Weeklyed.
As the smoke cleared, leaving an awful stillness, it passed out on the air, like the soulof the furious woman whose body lay lifeless on the ground.
Chapter 13: Great Expectations
Frontispiece: “And you know what wittles is?” Ch. 1. Illus. F. A. Fraser. Household ed.
Figure One: “It’s a great cake. A bride-cake. Mine!” Ch. 11. Illus. John McLenan. Harper &Brothers ed.
Figure Two: “Panopticon.” The Works of Jeremy Bentham . Vol. 4. Ed. John Bowring. New
York: Russell, 1962. 173.
Figure Three: “We sat down on a bench that was near.” Ch. 59. Illus. F. A. Fraser. Householded.
Figure Four: “‘Do you know this?’ said he.” Ch. 53. Illus. F. A. Fraser. Household ed.

Chapter 14: Our Mutual Friend
Frontispiece: “The Bird of Prey.” Bk. 1, ch. 1. Illus. Marcus Stone. Orig. ed.
Figure One: “The Boffin Progress.” Bk. 1, ch. 9. Illus. Marcus Stone. Orig. ed.
Figure Two: “Better to be Abel than Cain.” Bk. 4, ch. 7. Illus. Marcus Stone. Orig. ed.
Figure Three: Coat of Arms of the City of London
Figure Four: Tom Shepherd, “Middle Temple” (c. 1830).
Chapter 15: The Mystery of Edwin Drood
Frontispiece: Anon., “Tipoo’s Tiger” (India, 1790), Britain’s Empire: Resistance, Repression,and Revolt , by Richard Gott (London: Verso, 2011).
Figure One: “The Medway with the Castle and Cathedral.” Illus. Luke Fildes. Nonesuch ed.
Figure Two: “In the Court.” Ch. 1. Illus. Luke Fildes. Nonesuch ed.
Figure Three: “At the Piano.” Ch. 7. Illus. Luke Fildes. Nonesuch ed.
Figure Four: “The Clemency of Canning.” Punch (24 October 1857).

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