OFFICIAL SELECTIONFILM FESTIVAL
2023
MONTANA INTERNATIONAL FILM FESTIVAL

TOKYO COWBOY has been chosen as an AMC Artisan Film
“Tokyo Cowboy exemplifies the delicate balance between cultures, blending thequiet subtlety of Japanese filmmaking with the expansive grandeur of theAmerican western. The film’s understated emotional depth, combined with its
unique cross-cultural narrative, makes it a perfect fit for the AMC Artisan Films
program, which celebrates innovative and artistic storytelling. Tokyo
Cowboy surprises with its tender moments and heartfelt journey, offering
audiences a deeply personal story of self-discovery against a visually stunning
backdrop.
In this tale, brash businessman Hideki attempts to transform a failing Montana
cattle ranch into a profitable venture. But when his Japanese Wagyu-beef expert
falters, Hideki is forced to realize that the missing element to success is not justin the land or the livestock—it's within himself. The film’s blend of introspection
and sweeping landscapes makes it a compelling and artful experience, aligningwith AMC's commitment to showcasing films that inspire conversation and offer a
fresh perspective.”- AMC Artisan Films

REVIEWS:"Tokyo Cowboy is everything you want an independent film to be.
It’s got heart, scope, scale, and character"– John Dahl
“A refreshing, transcultural role-reversal drama that is charming and beautifully shot.”-The Japan Times, Roland Kelts
https://www.japantimes.co.jp/culture/2024/06/13/film/tokyo-cowboys/“Tokyo Cowboy is a breezy character piece about self-discovery in
The Wild West that is undeniably disarming”-MUSE TV, Norm Gibneyhttps://www.musetv.net/film-review-tokyo-cowboy/"It’s funny, romantic and charming.
These are the highlights of a type of film we've lost"– Write Drunk Edit Drunk, Clint Westbrookhttps://writedrunkeditdrunk.com/2023/10/08/tokyo-cowboy-review/“A superb movie with a lot of heart that tells an uplifting fish-out-of-water story driven bycross-cultural interaction”-Asian Movie Pulse, Sean Barry
https://asianmoviepulse.com/2023/10/film-analysis-tokyo-cowboy-2023-by-marc-marriott/“Director Marriott keeps it within the indie drama spectrum, which allows him to focus
on the human drama, which lies at the heart of this film”-Film Threat, Alan Ng
https://filmthreat.com/reviews/tokyo-cowboy/“Tokyo Cowboy is a heartwarming journey that does not lean on stereotyping or cliches...
Each interaction seems very authentic and true to the story.
-The Black Cape, Jonita Davis
https://theblackcapemag.com/review-tokyo-cowboy-is-a-beautifully-shot-commentary-on-passion-andwork-55b374ed466a

INTERVIEWS AND ARTICLES:
Creative Screenwriting
In Depth Chat with Marc Marriott, Brigham Taylor & Ayako Fujitani
https://www.creativescreenwriting.com/an-in-depth-chat-with-marc-marriott-brigham-taylor-ayako-fujitanion-tokyo-cowboy/

Behind the Lens with Debbie Lynn EliasInterview with Director Marc Marriott
https://behindthelensonline.net/site/miscellaneous/behind-the-lens-podcast/btl-radio-show-10-16-2023with-guests-marc-marriott-and-jeremy-pion-berlin/

SCREENFISH
1 on 1 with Marc Marriott, Brigham Taylor, and actor Goya Robles
https://youtu.be/63MAiE0oZ6E?si=S86uBK7hErsKDXLcYAHOO NEWS JAPAN -Article (In Japanese)
https://news.yahoo.co.jp/expert/articles/1cebc73e53dc355a5100efc2f22cec9703a23f26?fbclid=IwAR3AL
WsNGd_dJxCTAauB0EKj3CwQTCFIqjVDNxnTD07BoSP60vv0KJXVAjc

STARRING

ARATA IURAGOYA ROBLESAYAKO FUJITANIwith ROBIN WEIGERTand JUN KUNIMURADIRECTED BY

MARC MARRIOTTPRODUCED BY

BRIGHAM TAYLORWRITTEN BY

AYAKO FUJITANI & DAVE BOYLE

DIRECTOR OF PHOTOGRAPHYOSCAR IGNACIO JIMENEZEDITORYASU INOUESTORY BY

MARC MARRIOTT & BRIGHAM TAYLORLOGLINE
A Japanese businessman goes on an unwitting journey of self-discovery
when he takes a company trip from Tokyo to a Montana cattle ranch.

SYNOPSIS
This charming dramedy centers on a Japanese corporate turnaround artist,
Hideki (Arata Iura). Confident that he has the secret sauce to recharge any
stagnant brand, he’s got a slick pitch deck (with a snapshot from his own
childhood), and he’s engaged to the corporate vice-president he reports to.
His company is about to liquidate a money-hemorrhaging cattle ranch inMontana, when he parachutes in for a quick fix. His Japanese beef
consultant goes hilariously native, and Hideki, a smart guy, immediately
sees that his idea for a quick fix was mistaken. Now unsettled and off thegrid in an alien culture, Hideki recalibrates his values and his life goals. It’s
the first narrative feature for director Marc Marriott, who, withcinematographer Oscar Ignacio Jiménez, creates a Big Sky setting that
could reset any of us in need of self-discovery.
-Scott Strickland, Movie Gourmet:
RUNNING TIME
1 hour 58 minutes

ASPECT RATIO
2.35:1 (Cinemascope)

SOUND
5.1 Surround

LANGUAGES
EnglishJapanese (English Subtitles)

DIRECTOR’S STATEMENT
The story of TOKYO COWBOY was born out of my own experience living as a foreigner
in a foreign land. Years ago, I had a profoundly impactful experience living in Japan.
I went as one person and I came home changed. My time in Japan caused me tobecome quieter- to listen more.
I went back a second time as an apprentice to Japanese master Yoji Yamada as hedirected the 42nd film in the “Tora-San” series where Tora-San travels for the first time toa foreign country. In the film, Tora is the odd man out. During my apprenticeship, I wasoften the odd man out. The experience made me observe deeply and again, to listen.
I sometimes felt disconnected in Japan, and when I felt that way, it was throughindividual friendships with people that I found connection. These opportunities of selfdiscovery affected who I am and what stories I want to tell.
As I was having my own fish-out-of-water experience, I began to wonder what it must be
like for a Japanese person traveling to America.
Around this time, I became aware of an actual cattle ranch in Montana that was hosting
Japanese workers learning about ranching in the wide-open American West. Some ofthem even stayed on to become cowboys. I was fascinated by this juxtaposition andfound myself speculating on what kind of experiences someone from Tokyo might haveon a Montana cattle ranch…
…thus was born Hideki Sakai and his journey in TOKYO COWBOY. Displaced anddisconnected in Japan, Hideki Sakai spends his time acquiring other people’s dreams.
Like the characters in my favorite films such as LOCAL HERO, I was charmed by
Hideki’s journey and his growing attraction to a place he has come intending to change,even destroy. Hideki’s bottom-line numbers-focused approach to life has left him
empty- searching for more.
This is a story about finding untapped reservoirs of courage and empathy from your own
culture, while also reaching out and connecting with others. Highlighting this characterjourney is the natural beauty of the Montana landscape: the stunning contrast to the richneon beauty of Tokyo produces a unique visual palette.
The greatest dramatic stakes are when we risk something personal, and humor is mostindelible when it’s derived from a shared human experience. This is what I wanted tofeel in TOKYO COWBOY. I hope audiences are surprisingly charmed by this gentle
narrative about Hideki’s journey. I hope that they can see some of themselves in
Hideki’s desire to listen, slow down, and connect with the land and with the people
around him.

ABOUT THE PRODUCTION
By Producer Brigham Taylor
In assembling a team to tell a cross-cultural story like this, you want every level of yourcast and crew to reflect the cultures represented and insure its authenticities. Our story
would take us to the skyscrapers of Tokyo and the sprawling landscape of Montana, twovery different worlds, and we wanted to bridge the gap between them.
We brought on talented creatives with relevant lived experience to what our film
characters would go through. Recruiting our two screenwriters, a native Japanese
woman who had moved to America, and a Japanese-speaking American who had lived
Japan, was the first step in building this emotionally authentic story. We engaged local
talent and crew in both Tokyo and Montana, inviting them to have creative input into ourdecisions, deepening the authentic texture of the film. We endeavored to not have ourperspective be monolithic, so we needed our local collaborators to be as diverse andinformed as the local populations themselves.
During pre-production we were unable to see and scout various locations as much as
we might normally due to the pandemic. As a result, the process became much morecollaborative with our local teammates on the ground. Amazing unexpected suggestions
for locations and scene moments came from this process, which helps give the film thegenuine texture and life we’re so proud of.
Whether it was surviving the cold of the American west or navigating the crowded
streets of an Asian megacity, shooting with our local cast and crew never failed to
produce incredible results. As with any production, we had our share of curveballs, but
our story about human connection had become crewed with such a tight community
unto itself that there was never any sense of crisis or concern. These disparate
creatives and craftspeople from completely different backgrounds were united in their
passion for this story and their camaraderie with each other.
We continued this approach in post-production, bringing in a native Japanese editor
currently living in America who could help ensure the layers of bilingual nuance stayedcemented into the story as the film came together. Test screenings for friends, family,
and industry colleagues, from America, Japan, and around the world, reaffirmed ourconfidence in this unique story. Every audience member formed their own special
connection with the film and its meaning.
As TOKYO COWBOY rides now to screens around the world, we’re excited to bring thisstory about universal human values and connection to audiences everywhere.

BIOS
DIRECTOR, MARC MARRIOTTMarc Marriott is an award-winning producer/director of television and film. At the start ofhis career, Marriott lived in Japan and apprenticed with renowned Japanese filmmakerYoji Yamada. The creative seed for Tokyo Cowboy was planted during that time. Thisis his first feature film as a director.
During his professional career, Marriott has earned a reputation as a specialist in stories
of real people in extraordinary situations; from the History Channel’s AX MEN, to the
Discovery Channel’s Roush Racing: Driver X. He’s been a Series producer andDirector for The Discovery Channel, History Channel, FOX, VH1, TLC, and The Travel
Channel, among others.
Marriott is a graduate of the Masters directing program at UCLA. His first film, Short
Order won the Prix Canal Plus at the Henri Langlois International Film Festival inFrance and his short film The Snow Child played at Cannes. He has received theIndependent Film Channel Award and the Jimmy Stewart Crystal Heart Award from theHeartland Film Festival. Marriott is a member of the Producers Guild of America.

PRODUCER, BRIGHAM TAYLORBrigham Taylor is a feature film producer best known for producing
live-action Walt Disney Studios films. He produced The Jungle Book with director Jon
Favreau, Christopher Robin, and Lady And The Tramp as one of the marquee launchtitles for Disney+, along with The One And Only Ivan. He was an executive producer
on Tomorrowland and Pirates of the Caribbean: Dead Men Tell No Tales. Other
projects in development include adaptations of The Rocketeer, The Rescuers,
Ichabod Crane, and more. Brigham has been associated with Walt Disney Studios
since 1994, when he joined the company as a production assistant and grew to
Executive Vice President of Production. As an executive, he oversaw many of thestudio’s blockbuster films, including the Pirates of the Caribbean franchise, Tron:
Legacy, Chronicles of Narnia and Oz: The Great and Powerful. Brigham is amember of the Producers Guild of America.

SCREENWRITERSDAVE BOYLE
Dave Boyle is a Los Angeles based writer and director. His critically acclaimed crosscultural mystery, Man from Reno was nominated for the John Cassavetes award at the2015 Film Independent Spirit Awards and won the Grand Prize at the Los Angeles Film
Festival.
Since 2014, Boyle has worked as a writer and creative consultant for Hong Kong based
Edko Films and producer Bill Kong (Crouching Tiger, Hidden Dragon).
In 2017, Boyle made his television directing debut with the Hulu original series
Dimension 404. Boyle is currently writing D for Detektiv, a Cold War adventure story for
Walt Disney Pictures and an untitled adventure series for Netflix Japan.
His past features as a writer/director include Surrogate Valentine (SXSW, 2011) and
Daylight Savings (SXSW, 2012). He produced Lynn Chen's directorial debut
1 Will Make You Mine (SXSW, 2020) and Kenji Tsukamoto's upcoming documentary
debut Ashima (2022) about rock climbing prodigy Ashima Shiraishi.

AYAKO FUJITANI
Ayako Fujitani was 13 years old when she debuted in the Japanese movie GAMERA:GUARDIAN OF THE UNIVERSE. Since then, she has built her career as an actor andwriter for Film/TV, collaborating with international directors and producers. Her firstnovel, Flee Dream, inspired director Hideaki Anno (EVANGELION, SHIN GODZILLA) toadapt it into RITUAL (2000), the first non-animated feature film by Studio Ghibli. Ayako
then starred in SANSA (2003) by French director Siegfried which premiered at theCannes Film Festival.
In 2008, director Michel Gondry (ETERNAL SUNSHINE OF THE SPOTLESS MIND)
hand picked Ayako to play the lead in TOKYO! (2008).
After Ayako moved to Los Angeles in 2009, she starred in MAN FROM RENO (2015),
directed by Dave Boyle, which was nominated for the John Cassavetes Independent
Spirit Award. She also starred in TV shows such as THE LAST SHIP and MOZART IN
THE JUNGLE. She co-wrote a short film with Director Park Chan-Wook (OLD BOY)
called "A Rose Reborn" which premiered at the Berlin Film Festival. She wrote anddirected the short films "The Doors" and "BOW WOW BOW" which premiered to French
audiences at the Clermont-Ferrand Film Festival.

ARATA IURAHIDEKI
Arata Iura is a Japanese actor who embodies his characters with a naturalauthenticity. Since making his film debut in Hirokazu Koreeda’s After Life,he has appeared in over 50 films. Arata co-starred in Yukio
Ninagawa's Snakes and Earrings with Yuriko Yoshitaka and Kengo Kora.
He appeared in Junji Sakamoto's Strangers in the City. He
portrayed Yukio Mishima in Koji Wakamatsu's 11:25 The Day He Chose
His Own Fate. He also appeared in Koreeda's films
Distance and Air Doll.

GOYA ROBLESJAVIER
Goya Robles is a Latino actor of Puerto Rican
and Ecuadorian descent. From playing thevulnerable and volatile to the quirky andawkward, his honesty and unpredictability are astamp in of all his work. In addition to playing
Javier in Tokyo Cowboy, he is playing the roleof Yago as a series regular alongside Chris
O’Dowd and Ray Romano in the EPIX Original
Series GET SHORTY. He has starred innumerous independent films, including a
supporting lead role as Teyo in the film 11:55, starring Victor Almanzar,
John Leguizamo, Elizabeth Rodriguez, David Zayas and Julia Stiles.

AYAKO FUJITANIKEIKO
Ayako Fujitani is an actor as well as theco-screenwriter of Tokyo Cowboy.
Ayako has appeared in numerous films
including Sansa, Tokyo!, and Man from Reno.
She made her first appearance in television in
Gamera: Guardian of the Universe andUltraman Max.

ROBIN WEIGERTPEG
Robin Weigert is an actor in film andtelevision who is best known for her muchlauded portrayal of Calamity Jane in the
HBO television series Deadwood.

JUN KUNIMURA
WADA
Jun Kunimura is a Japanese actor known
for his work in THE WAILING, KATE, and
KILL BILL.

END CREDITSDIRECTED BYWRITTEN BY
STORY BYPRODUCED BY
PRODUCED BY
PRODUCED BYEXECUTIVE PRODUCERSMARC MARRIOTTDAVE BOYLE
AYAKO FUJITANIMARC MARRIOTT
BRIGHAM TAYLOR
BRIGHAM TAYLOR, p.g.a
MARC MARRIOTT, p.g.a.
JERI RAFTERMORIO AMAGIAYAKO FUJITANIDAVE BOYLE
JOHN FOSSJAYNE SULLIVAN

ARATA IURAGOYA ROBLESAYAKO FUJITANIwith ROBIN WEIGERTand JUN KUNIMURA as WADA

Director of Photography
EditorProduction Designer
Costume Designer
Casting Director
Music Composer

Oscar Ignacio Jimenez
Yasu Inoue
Kate Lindsay
Misty Rose
Emily Schweber
Chad Cannon

Executive Producers

Troy Bourne and Amanda Bourne
Christianne Case and Dan Danielson
Todd Fitch and Heather Fitch
Jerry Pennock and Melissa Pennock
Brian Ramos and Charity F. Ramos
Paul White and Debra White
42nd.club
Chris Eastland and Trista Eastland
Brian Fitch and Mary Fitch
Wendy Garff and Matthew Garff

Executive Producers

Executive Producers

Bryan J. Grigg
Stacie Leyva
Steve Morrell and Kristy Morrell
Allan Staker and Kristi Staker
Boad Swanson and Kami Swanson

Executive Producers

Rick Daynes and Robin Daynes
Jonathan Groberg and Katie Groberg
Robert Marriott and Marian Marriott
Joey Paur and Keri Paur
Rich Raddon and Katie Raddon
Spencer Walch and Melissa WalchFree Reyes and Justin Truong

Unit Production Manager
First Assistant Director
Second Assistant Director

Katherine Bitnar
Jeri Rafter
Aaron Murtagh

CAST
HIDEKI
JAVIER
KEIKO
PEG
WADA
LEON
CINDY
BRYCE
SANO
VERONICAPRESIDENT MIWANURSE
VIRGILCRAIG
DENNIS
MATSUYAMAQUINCEAÑERA FATHERQUINCEAÑERA DAUGHTERAIRLINE EMPLOYEEREAL ESTATE AGENTFACTORY MANAGER
IRMA
RENTAL CAR GUY
BAND LEADER

ARATA IURAGOYA ROBLESAYAKO FUJITANIROBIN WEIGERTJUN KUNIMURAGABRIEL CLARKSCOUT SMITH
ZAC THOMASYUSUKE KARITA
STEPHANIE HERNANDEZ
RYO IWAMATSU
JENNA CIRALLIGEORGE DeVRIESDUNCAN VEZAIN
JEFF MEDLEY
MASASHI ARIFUKULUIS JOSE LOPEZ
LILIANA ANTUNESCARA WILDERSAYURI SAKAGUCHI
AIKO SHIGEMATSU
MARISILDA GARCIASTEVEN HARRISANTHONY ANTUNESBAND MEMBERS

BARTENDER
FACTORY WORKERS

MATSUYAMA EMPLOYEESJoel Garcia
Emilio Huerta
Fernando Flores
Robert Quintana
GERALD PENN
Shinichi Yanagisawa
Makoto Saito
Shun Okamura
Zhao Juan Yan
Haruka Kurebayashi
Ei Ei Mon
Thida Khine
Naw Thin Ei Phy
Aiko Okazaki
Tomomi Kumagai
Honami Sone
Yuka Saito
Hisashi Satoi
Naoki Kanda
Shirou Inagawa
Kayo Yoshida
Masako Taguchi
Sachie Masuko

MIWA CORPORATION EXECUTIVES

Yoshiharu Yamada
Shota Furumai
Hiroyuki Fukuda
Kanata Sawa
Chikako Tanaka
Takanori Higashiyama

MONTANA UNIT
Production Supervisor
Stunt Coordinator
Stunt Performers
1st AC
2nd AC
DIT
Script Supervisor
Sound Recordist
Boom Operator
GafferBest Boy Electric
GE Swing

Brittany Brothers
Cooper Taylor
Buck Lunak
Casey Bird
Luis Puente
Hallie Swain
Izzac Nixon
Emily Johnson
Ryan Graham Laughlin
Jared Benge
Eric Mosley
David Brown
Charlie Petrie

Key Grip
Best Boy Grip
Dolly Grip
Visual Effects Supervisor
Location Manager
Location Scout
Location Associate
Set Decorator
Property Master
Set Dressers
Graphic Artist
Art Department Swing
Sign Painter
Costume Supervisor
Key Hair & Makeup
Hair & Makeup Assist
Boss Wrangler
Wrangler
Production Office Coordinator
Casting Associates
Background Casting
Assistant to Producer
Production Assistants

Translators
Transportation Truck Drivers
Medic
Catering provided by
Craft Services
SFX Supervisor
Grip and Electric Powered by
Mechanical Bull Provided by
Insurance Provided by
Travel Agency
Transportation

Mike Jezak
Michael Gunderson
Francis Rasmussen
Bryan Fugal
Lukas Stone
Shera Konen
Rob Story
Laura Lovo
Lindsey Lyford
Thomas Galloway
Maggie Sleipan
Courtney Fitzpatrick
Kelton ColeMark Strand
Sonia Antar
Melissa Oteri
Macee Berry
Duncan Vezain
JD HamLuke Hutchinson
Madison Blank-Plautz
Kate Britton
Ciara Griffin
Shera Konen
Tom Goodall
Alden Marriott
Henry Taylor
Jordan Leyva
Emily Suemitsu
Cristian Seitz
Andrew Delis
Tsukasa Baxter
Devin HydeBart Quarnberg
Mark Gittleman
Kyle Tyler
Apples N Anglers
MTPL8 Catering
Ann Marie Creasy
Melissa O'Hair
Bobby Brooks
Rocky Mountain Grip + Electric
Big Time Inflatables
Front Row Insurance
Navigator Travel Company
Rolling Rentals Transp, LLC-MT
Montana Video Production Rentals

Camera Provided byCarnet Provided by
Payroll Services
Legal

20/20 Camera
Carnets Xpress
Media Services
George RushMONTANA 2ND UNIT
A Camera Operator
Marc Marriott
B Camera Operator // A Camera 1st AC Hallie Swain
2nd ACSam Lowe-Ankar
A Camera 2nd AC // A Camera 1st AC Madison Blank-Plautz
DIT
Brenden Scheller
TOKYO UNIT
Producer
Producer
Production Manager
Production Coordinator
1st AD
1st AC
2nd AC
Data back up
GafferBest boy
Electrician
Electrician
Electrician
Dolly Grip
Grip AssistantSound recordist
Sound assistant
Production designer
CarpenterSet decorator
Assistant set decorator
Casting Director
Hair and Make up
H&MU assistant
Wardrobe
Wardrobe
Transportation Captaiin
DriverDriverDriverBrian Kobo
Naoko Miyamoto
Hiroshi Harada
Moeko Adachi
Yu Inose
Yasushi Miyata
Moe Ariizumi
SynceeKenji Morita
Takuya Kakizaki
Ryosuke Saito
Hideyuki Oka
Taiji Kawashima
Maki Sato
Toshihisa Okamura
Koji “Keefar” Kihara
Hideyoshi Tsushima
Kanako Nakazato
Masato Javier Morita
Rie Isshiki
Wami Igarashi
Ryosuke Koga
Noriko Okamoto
Yuzuka Murasawa
Shinobu Yamazaki
Misaki Hamabe
Shin Aomi
Daiki Mizoe
Taro Karibe
Hideyuki Kon

Production Assistants

Yusuke Adachi
Mao Yoneto
Production Runner
Naoya Ono
Camera Equipment Provided by Capsule Rentals

POST PRODUCTION
Colorist
DREW TEKULVE
Project Manager – Colorist
BRITTANY SCHULTZ
Post Production Supervisor – Colorist MICHAEL STONE
Compositor
BRYSON ALLEY
Sound Designer
Christopher Harvengt
Sound Mixer
Charles Maynes
Dialogue Editor
Lisa O’Donoghue
Music Supervisor
Sam Cannon
Songs“Tokyo Cowboy (Theme Song)”
Written by Chad Cannon (BMI)
Lyrics by Ayako Fujitani
Performed by Mai Fujisawa 藤沢 麻衣
Copyright 2022 Invisible Sea Productions, Inc.
“ISA Championship Intro”
By Chad Cannon
From SURF NATION
Copyright 2022 Invisible Sea Productions, Inc.
“Off to Miyazaki”
By Chad Cannon
From SURF NATION
Copyright 2022 Invisible Sea Productions, Inc.
“Huntington Beach USA”
By Chad Cannon
From SURF NATION
Copyright 2022 Invisible Sea Productions, Inc.
“DOWN AND DIRTY”
Written by James E. Forest
Published by Waldwick Music Publishing Co. (BMI)
Performed by Kidd Scruff
Courtesy of Westwood Music Group

“DON’T GIVE UP”
Written by Alden Marriott
Copyright 2023 Alden Marriott“OUT OF SIGHT”
Written by Alden Marriott
Copyright 2023 Alden Marriott“POCKET FULL OF DREAMS”
Written by Alden Marriott
Copyright 2024 Alden MarriottCountertenor solos by Rain Senavinin
Taiko drumming by Isaku Kageyama 影山 伊作
Cello performed by Niall Taro
Score consulting by Noah Gladstone
Score recorded and mixed by Matthew Snyder
Additional mixing and score editing by Will Chen
Recorded at Allegro Recordings in Burbank, California
Studio managed by Thu-Nga Dan
Tokyo vocal recording engineered by Toshiyuki Takahashi 高橋 利幸
Orchestrations & Transcriptions by Sebastian Winter, Sun-Young Park, and Weijun
Chen
Special thanks to Jedediah Bigelow, Kelsey Leask Lindsay, and Ted Hinckley
Special Thanks
Michelle Taylor
Lisa Marriott
Javier Gullón
Mye Hoang
Judy O'Hair
Justin O'Hair
Jaydon O'Hair
Jarret O'Hair
Wyatt Penfold
Jeremiah Clark
Amy Brewster
Colin Davis
Ching Ling Coleman
Gabriel Chandler

Ron Carlson
Cody Cherry
Virgil Babione
Monica Suemitsu
Matt Rogosienski
Celia Rogosienski
Tim Hanaseth
BJ Johnson
Auto Resource of Billings
Declan Saintonigne
Aaron Rasmussen
Beau Baxter
Hiatt House
TJ's Gas N Convenience
Hardee's

Makeup Supplied by

Atheletis
MTG
KohGenDo

Thanks to Hunter Confectionary

This motion-picture photoplay is protected by copyright and other applicable laws in the
United States and other nations and may not be duplicated, distributed, re-broadcast, orused in any other manner without the expressed written consent of the copyright owner.
This motion-picture is a work of fiction. Any similarity to real persons, living or dead,places, events, or other material is coincidental and unintentional.
Filmed in Montana

Tokyo Cowboy