Collection 2021/2022

It is of great importancethat the things we purchaseand live with do not need
to be changed, but instead
grow old with dignity
and charm.
Andreas Graversen
Fredericia CEO 1955-1995

Fredericia is afamily-owned design
company establishedin 1911.
We are co-founders ofDanish Modern design.
We believe in clarity,honest materials andhuman empathy.

Our passion is tocreate modern originals
rooted in our heritage
and relevant to a
global audience.
Authentic, purposeful,sustainable designs.
Crafted to last.

About
8—23
Collection
24—403
Overview
404
Designers
416Modern originals

Fredericia is a family-owned company founded in 1911.
Our history is deeply rooted in the development of
Scandinavian furniture design and production. Severalof our products have become indisputable classics,
and a large portion of our collection has been incontinuous production for decades.
At Fredericia, we have always moved forward. We havebeen developing new products throughout our history,
spanning over 100 years. As a result, not only do wehave an impressive design archive, we also have a
profound knowledge and understanding of furniture
design, which has been passed on from generation to
generation. Insights and attitudes about design which
are continuously being shaped by ongoing developments in production, culture and daily life.
We have a proud spirit that can be traced back to
our first workshop – a workshop founded on traditional
craftsmanship and modern industrial production.
The company was initially established as Fredericia
Stolefabrik (Fredericia Chair Factory). From thevery start, Fredericia became known for extremely
high-quality furniture in various traditional styles.
In 1955, visionary businessman Andreas Graversen
integrated Fredericia’s heritage of high-quality furniturewith modernist ideals in a close, well-known collaboration with Børge Mogensen. Mogensen’s intuitive
understanding of materials and strong sense of proportions led to a range of iconic pieces celebrated to thisday - by collectors, museums, architects and designers
around the world.
Ever since the untimely death of Mogensen in 1972,
Fredericia has continuously evolved by staying in tune
with the times. Throughout the years, the Graversenfamily has expanded Fredericia’s circle of designers –who each contribute to the renewal and reinterpretation
the Fredericia design ethos in new context.
Inspired by the creative power of long-lasting
relationships, such as our close collaboration with
Mogensen, Fredericia continues to see designer
collaborations as partnerships based on a deep mutual
trust - forming a creative culture characterised by
the integrity of design, artistic expression, material
expertise and industry knowledge. Always in an effort
to create sustainable furniture that encourages humanwellbeing wherever people live, work and relax.

8Fredericia

Modern Originals

Crafted to Last

9

Timeline

1911

1923

1930

1944

1952

1960

1970

1984

1989

2003

2013

2019

EstablishedUpholsteryexcellence

Thonet licenceproduction

J16
Hans J. Wegner

SøborgBørge Mogensen

Ox ChairHans J. Wegner

Canvas Chair
Børge Mogensen

Rotor Sofa: Foersom& Hiort-Lorenzen

Graversen
and Ditzel

Flamingo: Foersom& Hiort-Lorenzen

Pato Collection
Welling/Ludvik

Calmo Collection
Hugo Passos

Fredericia originallyspecialises in upholsteryproduction. From the start,
the products are known
for their high level ofcraftsmanship.

Fredericia is licenced
production from the Thonet
factories. Wood is introduced
as a core competence.

Wegner designs thefirst version of the J16 forcabinetmaker Johannes
Hansen.

Mogensen launches aseries of steel-legged furniture
for Søborg Møbelfabrik andAndreas Graversen’s firstcompany, Tage Christensen& Son.

At the Furniture Fair in
Fredericia, Wegner launches
the Ox Chair, made by the
AP Workshop.

Fredericia launches theCanvas Chair, designed by
Mogensen as a reaction to
the flashy, pop designs of
the 1960s.

Foersom & Hiort-Lorenzen
and Erik Jørgensen launch
the Rotor sofa, a successful
example of Danish postmodernism.

Nanna Ditzel and Fredericia
second generation Thomas
Graversen present a rangeof avant-garde furniture.

Foersom & Hiort-Lorenzen
design the Flamingo Chair
for Erik Jørgensen.

Fredericia launches the Pato
series by Welling/Ludvik. The
aim is to apply high standardsof craftsmanship to a multipurpose polypropylene chair.

Fredericia introduces the
Calmo Collection by Hugo
Passos, bridging Fredericia’s
sofa heritage with modern
application areas in homes,
hotels and offices.

1913

1938

1945

1955

1962

1971

1988

1993

2007

2016

2020

Furniture Fair
establishedThe Danish
SchoolCabinetmakers’
Guild Exhibition

Graversen
and Mogensen

2213 Sofa
Børge Mogensen

Danish Furniture
Prize

Ox Chair reborn

Trinidad
Nanna Ditzel

DelphiHannes Wettstein

Pon & Taro
Jasper Morrison

Post Collection
Cecilie Manz

The Scandinavian Furniture
Fair is established in the
town of Fredericia.

Wegner, Mogensen and
Risom study together in thesame class at the School ofArts and Crafts in
Copenhagen

Mogensen and Wegnerpresent a joint exhibition
together at the Copenhagen
Cabinetmaker’s Guild,showcasing exclusive,
lightweight furniture.

Andreas Graversen acquires
Fredericia on the condition
that Børge Mogensen would
be the sole designer.

Fredericia introduces the2213 Sofa, designed by
Mogensen in an effort tocreate the ultimate
upholstered sofa.

Mogensen and Graversen
jointly receive the Danish
Furniture Prize for theircollaboration. Mogensen
dies prematurely thenext year.

Wegner updates the internal
upholstery of the Ox Chair
together with Erik Jørgensen,
finally making it possible toachieve a long-lasting internal
foam structure.

Nanna Ditzel and Fredericia
launch the Trinidad Chair,utilising new CNC technology.

Hannes Wettstein designs
the Delphi Sofa, launched by
Erik Jørgensen

Jasper Morrison designs thePon, Taro and Kile collections
for Fredericia.

The Post Collection by Cecilie
Manz is complete with chair
and table, introduced at the
Stockholm Furniture Fair.

Fredericia Stolefabrik isfounded by N.P. Ravnsø.

1910
10

Fredericia

1920 1930

1947

1958

1964

1975

1998

2011

2016

2020

J39
Børge Mogensen

The Spanish Chair
Børge Mogensen

Corona Chair
Poul M. Volther

EJ315 Sofa
Erik Ole Jørgensen

Gallery Stool: Hans
Sandgren Jakobsen

Spine Series
Space Copenhagen

Swoon
Space Copenhagen

The acquisition of
Erik Jørgensen

Mogensen’s J39 is launchedby the Danish Cooperative
Wholesale Society
in Denmark.

The Spanish Chair islaunched at the Copenhagen
Cabinetmakers’ Guild
Exhibition and soon becomes
an icon of the collaboration
between Fredericia andMogensen.

Poul M. Volther breaks
new ground with the Corona
Chair introduced by Erik
Jørgensen.

Erik Jørgensen launches
the EJ315 Sofa designed byarchitect Erik Ole Jørgensen.

Fredericia launches theGallery stool by Hans S.
Jakobsen, where the properties of moulded plywood arepushed to the limit to forma sculptural seating object.

Fredericia launches theSpine Series by Space
Copenhagen, which initiates
the development of expertisein the hospitality segment.

Fredericia launches theSwoon Chair by Space
Copenhagen, reflecting theshift from single-function
lobby furniture towards
comfortable, versatilelounge chairs.

Fredericia acquires Erik
Jørgensen Møbelfabrik,extending the company’s
range of iconic designs andin-house upholstery skills.

1940 1950 1960
Modern Originals

1970
Crafted to Last

1980 1990

2000 2010 202011

Crafted to last

We have been inspiringconscious consumption
ever since Fredericia wasfounded in 1911.
Based on designs madefrom good, honest materials.
Chosen for their innate
beauty and ability to age
with grace.
It’s a mindset inspired by ourwork with Børge Mogensen,
who championed the idea oftimeless, durable designs thatlast from one generation to
the next.
Long-lasting, well-conceived
and crafted ideas that
contribute to a sense of
wellbeing – and bring an
extra dimension to living,working and socialising.
Crafted to last.

The J39 Chairs at the Royal
Danish Academy of Fine Arts areover 40 years old and still
being used today. Image fromthe Apollo Bar in KunsthalCharlottenborg, Copenhagen.

12

Fredericia

Modern Originals

Crafted to Last

13

Responsible design

Respect for natural
materials and the people
who will use our furniture isan ethos at the core of ourapproach to furniture.

At Fredericia, we have a profound passion formateriality, celebrated in countless designs whichhighlight our choice of materials. Consequently,
sustaining the source of raw materials worldwide
is crucial for us.
That’s why we insist on wood sourced from
responsibly-managed forests and high calibre
leather from European partners, who comply withthe highest standards of animal welfare. Eachmaterial we use is kept as pure as possible, able tobe refreshed, repurposed or recycled in the future.
Fredericia supports the United Nations’ Global
Goals for Sustainable Development. Such as
promoting the sustainable use of natural materials,
responsible consumption and production, as well assustainably-managed forests and strategies to help
reduce any impact on climate change. Furthermore,
we have a comprehensive Code of Conduct for our
sub-contractors to comply with. To ensure that raw
materials are traceable, that harmful factors areminimised in materials and manufacturing, and thateverything is handled according to environmental
management systems.

Børge Mogensen's former house,located on Soløsevej in Gentofte
just north of Copenhagen.

14

Fredericia

Modern Originals

Crafted to Last

15

Extensive leather expertise

Leather has been used for making furniture for morethan 1,000 years. As a natural, durable material, leather
creates very long-lasting products. More than anything,leather furniture must be used and lived with in order
to attain the most beautiful appearance – it simply getsbetter with age! As a result, it is our experience thatpeople end up taking better care of leather furniture.
Throughout the years, we have perfected our relationships with leather tanneries so as to offer the finest furniture leather on the market. Denmark used to have along tradition of high quality tanneries up until the early
1990s, when the last Danish tannery closed. From thatpoint on, the Danish tanning industry consolidated in
Italy and, on a smaller scale, in Sweden. All Fredericia
leather is tanned in Italy and Sweden, and directaccess to tanneries is an important part of ourapproach to leather sourcing.
We carefully select premium quality leather in orderto provide the highest calibre leather for our designs.
Genuine leather that will age with grace. Beautiful,high quality leather starts with healthy livestock.
All Fredericia leather comes from well-known, certified
sources, where professionals are trained to respect
animals, while optimising the quality of the raw hides.
Our entire Fredericia Leather collection is comprisedof raw hides guaranteed to be sourced from European
livestock, primarily from Germany, Sweden and
Denmark. For a growing number of articles in ourcollection, we offer expanded traceability, with theability to trace the origin of raw hides back to eachspecific animal.
As part of our approach to recycling and waste
management, excess leather from our furnitureproduction is sold off to third parties for producing
small leather goods, such as gloves, shoes and boxes
Additionally, a portion of our leather remnants is also
donated to local schools for children’s workshops.
It’s a practice that we have had in place at
Fredericia for over 30 years.

16

Fredericia

Modern Originals

Crafted to Last

17

Upholstery excellence

Our two upholstery workshops in Denmark represent a
combined body of upholstery knowledge unapparelledin Scandinavia, where we keep our traditions alive andapply our internal wealth of knowledge. At the sametime, we draw on the insights and expertise of ourstaff to inspire the ongoing evolution of our designs.
The Ox Chair is a perfect example of an innovative
approach to an old craft. With its voluminous upper
body on a delicate steel base, it was a challenge to
produce when it was first launched in the 1960s by the
AP Workshop in Copenhagen. In the late 1980s, Hans
J. Wegner turned to Erik Jørgensen for his upholsteryexpertise and the result was quite cutting edge at thetime. Together they introduced modern block foam tothe chair, making it extremely stable in form over time,
as opposed to the traditional method used before.
Nevertheless, the process of upholstering the Ox Chairremains a very handcrafted technique. The sculpted
lines and organic curves require expert craftsmanshipskills and a certain amount of physical strength. It
actually takes an entire day to make each Ox Chair.
Our Mogensen 22 Collection represents a parallel
combination of traditional craft and modern design.
Meticulous attention goes into the joinery to ensure a
sturdy, stable construction. The hand-filled cushions.
The leather piping detail. Two upholsterers work
together to stretch the carefully-stitched leather overhardwood frames, resulting in a glove-like fit that willkeep its shape for many years to come. In fact, it takes
two trained professionals up to six hours to upholster
one sofa.

Pay attention to theupholstery. Only finecraftsmanship will
provide you with thelongevity that you
wish for.

With two comprehensive Fredericia workshops, we
utilise the latest technology in tandem with traditional
techniques. Still, it’s the dedication of our crafts people
who make the difference. Because only a well-madedesign that serves you well is worth keeping for along time.

Translated from the1924 Fredericia catalogue

18

Fredericia

Modern Originals

Crafted to Last

19

The finest wood

Wood has a warm radiance and an intuitive way of
adding a sense of well-being to interiors. It’s a remarkable, natural material used for furniture since the firstchairs ever recorded in history, in Egypt and China.
In many ways, wooden furniture provides a truly
long-lasting perspective of use. For example, a raw
hardwood table can be sanded down and, to a great
extent, renewed and repaired. However, owners ofwooden furniture share the responsibility of maintaining
their furniture to fulfil a chair’s full life potential.
Traceability and replanting
For more than a decade, it has been our policy atFredericia to work with responsibly-managed andrenewable forests. Raw hardwoods forested fromsources where replanting is required. This ensuresthat a new tree will grow where an old tree was felled.
The FSC® Forest Management certification verifies thata forest is being managed in an environmentallyresponsible manner. The criteria for certification
extends from procedures that preserve biodiversity to
making sure that practices benefit the lives of workers
and the local community. The FSC® standard is being
gradually applied on a product level to our entire rangeof furniture crafted with wood. This makes it easier for
professionals to specify responsibly-produced productswith documentation. Fredericia is FSC® certified under
the license number FSC® 151292.
Wood is a vital part of the world’s ecological circuit
Our wood comes from forests, where oak trees arecultivated for a slow growth, mixed with other tree
species which lead to a tight, resilient grain.
We believe it is our duty to create only high quality,
durable furniture out of respect for the 150 years thatit typically takes to grow a single oak tree suitable for
furniture production.

FSC Licence number
FSC® 151292

20

Fredericia

Modern Originals

Crafted to Last

21

Reflecting ourmutual passion
for materiality andbackground incraftsmanship,
seen in classic
and contemporary
designs witha sculptural
elegance.

22

Fredericia

A kindred spirit in
Erik Jørgensen

In October 2020, Fredericia acquired the Danish
furniture manufacturer Erik Jørgensen. A company
with a long, renowned history of Danish design, with
an approach to quality and craftsmanship that goes
hand in hand with our own.
Erik Jørgensen was founded in 1954 by saddler
and designer Erik Jørgensen. During the 1970s, thecompany was considered a frontrunner in Danish
furniture design. Jørgensen earned a reputation for
his remarkable upholstery skills, inventive upholstered
furniture and unsurpassed expertise in Scandinavia
with sofas.
The Ox Chair by Hans J. Wegner is a prime example.
Originally launched in 1960, it only remained in production for a limited number of years due to the extremely
demanding construction. In the late 1980s, Wegnerreached out to Jørgensen, who rose to the occasion
with an inventive solution. This led to the Ox Chair’s
relaunch in 1988 with unprecedented success.
With Fredericia’s acquisition of Erik Jørgensen,
the outcome is one company with combined areasof expertise from both. Reflecting our mutual passion
for materiality and background in craftsmanship, seen
in classic and contemporary designs with a sculptural
elegance.
As one company under the Fredericia name, we havean exceptional combined knowledge of upholstery withincomparable insights and experience with sofa design.
Together with our comprehensive in-house production
and our workshops in Fredericia and Svendborg, it allcontributes to our ability to innovate - and expand on
our legacy of originality.

Modern Originals

Crafted to Last

23

Collection

Chairs & Stools
BM61 Chair & BM62 Armchair
Eyes
Flamingo Chair
J39 Mogensen Chair
J64 Chair & J63 Stool
Lynderup Chair
Mogensen Bench & 3236 Chair
Pato Executive
Pato Sledge
Pato Swivel & Pato Office
Pato Wood BasePato 4 Leg
Post Chair
The Spanish Dining Chair
Spine
Swoon Chair
Søborg Chair
Trinidad Chair
Verve Chair
Yksi Chair

Lounge Chairs
66
104
88
30
52
38
56
128
132
124
122
114
46
62
96
90
72
82
112
78

The A-Chair
Calmo Chair & Calmo Ottoman
The Canvas Chair
Corona Chair & Corona Ottoman
Ditzel Lounge Chair
EJ50 Club Chair
Eyes Lounge
The Hunting Chair
Lemon Chair
Mono Pouf
Pato Lounge
Savannah Chair
The Spanish Chair
Spine Lounge Chair
Swoon Lounge Petit
Swoon Lounge & Swoon Ottoman
Vodder Chaise
Wegner Ox Chair
Wegner Queen Chair
Wegner J16 Rocking Chair & Stool
Wegner 1788 Easy Chair
2207 Chair, 2204 Wing Chair & 2202 Ottoman

Sofas
200
220
152
192
188
218
214
146
208
222
210
204
140
184
180
172
198
158
164
166
170
148

Calmo Sofa
Delphi Elements
Delphi Sofa
EJ220 Elements
EJ220 Sofa
EJ280 Elements
EJ280 Sofa
EJ288 Sofa
EJ295 Chaise Sofa
EJ315 Sofa
EJ50 Sofa
Haiku Sofa
Hector Sofa
Kile Sofa
Konami Sofa
Mogensen Coupé Sofa
Mogensen 2208 & 2209 Sofa
Mogensen 2212 & 2213 Sofa
Mogensen 2335 & 2333 Sofa
No.1 Sofa
Risom 65 Sofa
Savannah Sofa
Spine Lounge Sofa & Daybed
The Spoke-Back Sofa

Coffee Tables
264
240
238
306
304
284
278
286
290
250
292
296
300
294
270
234
232
228
236
260
274
262
246
256

Corona Table
EJ66 Coffee Table
Eyes Lounge Table
Insula Table
Islets Table
Pal Table
Piloti Stone Table
Piloti Table
Pon Table
Tableau Coffee Table

362
360
364
346
352
350
356
354
344
358

Complements
Fellow Lamp
Gallery Stool
Hydro Vase
Locus Bowl
Magazine Table
Meadow Lamp
Micado Table
Nara Coat Stand
Sequoia Pouf
Silhouette Mirror

374
388
376
378
390
372
386
384
382
380

TablesAna Table
BM71 Library Table
C18 Table
Islets Dining Table
Mesa Table
Post Table
Taro Table
6284 Table
6286 & 6386 Table

24

Fredericia

Modern Originals

Crafted to Last

Project Furniture

332
312
314 Apoluna Box
322 Astral Bench
336 System 2100
328
324
316
318

396
402
398

25

Chairs & Stools

Essentially, a chair must take into consideration human behaviour andthe psychology of space. It should visually enhance an interior – and thewellbeing of the people there to enjoy it. Chairs are one of the primary areasof our expertise. They are also indispensable objects that are fundamental
26
to how
Fredericia we live and work.

Modern Originals

Crafted to Last

27

J39 Mogensen Chair
Lynderup Chair
Post Chair
J64 Chair & J63 Stool
Mogensen Bench & 3236 Chair
The Spanish Dining Chair
BM61 Chair & BM62 Armchair
Søborg Chair
Yksi Chair
Trinidad Chair
Flamingo Chair
Swoon Chair
Spine
Eyes
Verve Chair
Pato 4 Leg
Pato Wood BasePato Swivel & Pato Office
Pato Executive
Pato Sledge

Chairs & Stools

28

Fredericia

Modern Originals

Crafted to Last

30
38
46
52
56
62
66
72
78
82
88
90
96
104
112
114
122
124
128
132

29

A masterpiece in solid wood
While the J39 Mogensen Chair is reminiscentof Mediterranean, Scandinavian and Shaker
furniture, its simple expression and use ofmaterials reflect Mogensen’s personal quest
or design purity. The sturdy yet refined appealof the J39 Chair makes it suitable for private
and public use.

J39 Chair
Wood: Oak oil
Seat: Natural paper cord

To this day, both new and vintage versionsof the chair can be seen in public institutions,
universities, cafés, restaurants and private
homes in Denmark and around the world.
Given its versatility and appeal to virtuallyanyone in any environment, the J39 Chair
has been in continuous production since
its introduction in 1947.

Børge Mogensen, 1947

Model 3239
Chair
W 48,5 D 42,5 H 77 cm
SH 46,5 cm

Wood:
Beech soap, Oak soap, Oak oil, Oaklight oil, Oak white painted, Oak black
lacquered, Walnut oil.
Seat:
Natural paper cord
Black chair available with black
paper cord
PRODUCT SHEET DOWNLOADFREDERICIA.COM

J39 Mogensen Chair
30

Fredericia

Modern Originals

Crafted to Last

31

Björk Brasserie, Milano

32

Fredericia

Modern Originals

Crafted to Last

33

Photo: Hiroki Kawata

J39 Chair. Wood: Oak soap. Seat: Natural paper cord.

34

Fredericia

Modern Originals

Crafted to Last

35

J39 Chair. Wood: Oak black lacquered. Seat: Natural.
C18 Table. Wood: Oak soap.

J39 Chair. Wood: Oak black lacquered. Seat: Natural.

36

Fredericia

Modern Originals

Crafted to Last

37

Stackable & adaptable

Lynderup Chair
Wood: Black lacquered
Base: BlackThe Lynderup Chair connects the past to
the present with a promising future. Designed
by Børge Mogensen in 1954, it has a lightappearance that can accommodate a varietyof purposes and settings. The chair is also
physically light and able to be stacked. With
its simple, straight-forward design, functional
approach and durable construction, theLynderup Chair is a practical solution for
conference rooms, commercial spaces,
work environments and more.

Børge Mogensen, 1954

Model 3080
Chair
W 54 D 50 H 77 cm
SH 46 cm

Model 3081
Chair, seat upholstered
W 54 D 50 H 77 cm
SH 47 cmWood:
Oak lacquered, Black lacquered,
Walnut lacquered, Deep red.

Wood:
Oak lacquered, Black lacquered,
Walnut lacquered, Deep red.

Base:Black, Chrome.

Base:Black, Chrome.
Upholstery:
Leather or fabric

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Lynderup Chair
38

Fredericia

Modern Originals

Crafted to Last

39

Lynderup Chair. Wood: Black lacquered. Base: Black
Taro Table. Wood: Oak light oil.
Hydro Vase

40

Fredericia

Modern Originals

Crafted to Last

41

Lynderup Chair. Shell: Deep red. Base: Black.
Taro Table. Oak soap.

Lynderup Chair. Shell: Oak lacquered. Base: Black.

42

Fredericia

Modern Originals

Crafted to Last

43

Lynderup Chair. Shell: Black. Base: Black
Pato 4 Leg Barstool Upholstery: Leather Max 92 Tan. Base: Chrome.
Hydro Vase

44

Fredericia

Modern Originals

Crafted to Last

45

The innate beauty of wood
Simplicity imbued with a sense of beauty
is at the core of the Post Collection from
Cecilie Manz. Clear, clean lines are thesignature traits of the Post Chair, boasting asolid wood frame that reflects our heritage ofwood craftsmanship and appreciation forauthentic materials.

Post Chair
Upholstery: Leather Omni 301 Black
Wood: Black lacquered

The Post Chair is upright and unassumingwith a light yet sturdy plywood seat and back.
Featuring arms that offer just enough support
with a minimal use of space. Add to that theoption of an upholstered seat in leather or
fabric, and you have a subtle design that could
easily fit into a residential setting, restaurant,
café or corporate environment.

Cecilie Manz, 2019

Taro Table
Wood: Oak light oil

Model 3445
ArmchairW 54 D 49,5 H 79,5 cm
SH 45 cm

Model 3446
Armchair, seat upholstered
W 54 D 49,5 H 79,5 cm
SH 46,5 cm

Wood:
Oak lacquered, Oak light oil,Black lacquered, Ash lacquered.

Wood:
Oak lacquered, Oak light oil,Black lacquered, Ash lacquered.
Upholstery:
Leather or fabric

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Post Chair
46

Fredericia

Modern Originals

Crafted to Last

2021

Post Chair. Upholstery: Leather Omni 301 Black. Wood: Oak black lacquered.

Post Chair. Upholstery: Leather Omni 377 Dark Brown. Wood: Oak light oil.
Post Table. Wood: Oak light oil.
Locus Bowl

48

Fredericia

Modern Originals

Crafted to Last

49

Fredericia

Modern Originals

Post Chair. Wood: Oak light oil.

Post Chair. Wood: Oak light oil.
Post Table. Wood: Oak light oil.

50

Fredericia

Modern Originals

Crafted to Last

51

Nordic folk & Windsor
There is one designer whose work is morewell-known than his name, Ejvind A. Johansson.
His ambition was to create modest, well-made,everyday furniture appreciated for its purity inform and function. An approach instantly
apparent in the J64 Chair designed in 1957,
which references Nordic folk and traditional
Windsor furniture.

J64 Chair
Wood: Black ash

The J63 Stool echoes a similar bare simplicity,with a focus on the functional and the practical.
Clearly evident the J63’s curved seat andsimple, supportive frame. It’s the kind of design
you would welcome as an occasional seat forguests, a small stool in a kitchen, by a bedsideor as a decorative detail in a living room.

The signature spoke-back and gentle, sloping
armrests make this a timeless classic. At thesame time, the curve of the seat and back add
ergonomic comfort, as well as a strong graphic
expression. The J64 is ideal as a dining chairor as a lightweight easy chair, accompanied
by a cushion or blanket.

Ejvind A. Johansson, 1957

Model 3064
ArmchairW 59,5 D 54 H 79,5 cm
SH 45 cm

Model 3063
Stool
W 48 D 34,5 H 47 cm
SH 42,5 cm

Wood:
Ash black lacquered,Ash white painted.

Wood:
Ash black lacquered

PRODUCT SHEET DOWNLOADFREDERICIA.COM

J64 Chair & J63 Stool
52

Fredericia

Modern Originals

Crafted to Last

53

J64 Chair. Wood: Black ash.
Taro Table. Wood: Smoked oak oil.

J63 Stool. Wood: Black ash.

54

Fredericia

Modern Originals

Crafted to Last

55

Refined yet rustic
In 1955, Børge Mogense designed an
entirely new furniture collection for Fredericia.
One of the earliest outcomes was the launchof the 3236 Chair and Bench in 1956. With
its solid, simplified construction, the designreflects Mogensen’s preference for working
with refined yet rustic, natural materials.
Along with his eye for perfect proportions.

Mogensen 3236 Chair
Upholstery: Leather Vegeta 90 Natural
Wood: Oak soap

The robust dimensions of the chair make thisa stable, sturdy design, allowing for hours
of sitting. Adding to the comfort is theupholstered seat characterised by a simple
curve, capturing another signature trait ofMogensen. To never lose sight of a design’s
original intent and functional purpose, while
avoiding any unnecessary elements. The result
is a classic chair ideal as a side chair. Simple,
modest and still self-confident, just likeits creator.

Børge Mogensen, 1956

Model 3171
Bench
D 48,5 H 77 L 171,5 cm
SH 46 cm

Model 3236
Chair
W 53 D 46,5 H 75 cm
SH 46 cmWood:
Oak soap, Oak light oil, Oak black
lacquered, Smoked oak oil.

Wood:
Oak soap, Oak black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Mogensen Bench& 3236 Chair
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3171 Bench. Upholstery: Leather Vegeta 90 Natural. Wood: Oak light oil.

Mogensen Bench. Upholstery: Leather Vegeta 90 Natural. Wood: Oak light oil.

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3236 Chair. Upholstery: Leather Omni 301 Black. Wood: Oak black lacquered.
Taro Table. Wood: Oak light oil.

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A material statement

The Spanish Dining Chair
Upholstery: Natural saddle leather
Wood: Oak soap

With its Danish accent on functionally-driven
design, durability and simple, declarative style,
the Spanish Dining Chair is a modern classic
that’s easy to envision in hotels, restaurants,
homes and countless other settings aroundthe globe.

Børge Mogensen, 1964

Model 2226
Lounge Chair
Page 140

Model 3237
Chair
W 56 D 48 H 84,5 cm
SH 46 cm

Model 3238
ArmchairW 64,5 D 48 H 84,5 cm
SH 46 cmWood:
Oak soap, Oak light oil, Oak oil,
Smoked oak oil, Oak black lacquered.

Wood:
Oak soap, Oak light oil, Oak oil,
Smoked oak oil, Oak black lacquered.

Leather:
Natural or Cognac with brass buckles
Black with chrome buckles

Leather:
Natural or Cognac with brass buckles
Black with chrome buckles

PRODUCT SHEET DOWNLOADFREDERICIA.COM

The Spanish Dining Chair
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The Spanish Dining Chair. Upholstery: Natural saddle leather. Wood: Oak soap.
Post Table. Wood: Oak soap.
Locus bowl

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Only what’s crucial to the construction
Slender yet solid, simple yet striking, theBM61 Chair and BM62 Armchair bring us
back to nature in a welcome return to classic
shapes that capture essence of a concept.
Exposed construction. And authentic materials
that outlast any temporary trend. Both versionsof the chair are a true tribute to our company
credo: to create modern originals crafted to last.

Børge Mogensen, 1957

BM61 Chair
Wood: Oak black lacquered
Seat/back: Linen webbing natural

For their author, Børge Mogensen, a longlasting design starts with clean lines, involving
only what’s crucial to the construction.
Coupled with time-honoured craftsmanshipskills to ensure the purity of each line. What’smore, honest materials add character withoutcompromise. In a design that will age withbeauty and dignity.

Model 3361
Chair, linen webbing
W 48 D 49,5 H 76,5 cm
SH 45,5 cm

Model 3362
Armchair, linen webbing
W 60 D 49,5 H 76,5 cm
SH 45,5 cm

Model 3261
Chair, cane wicker
W 48 D 49,5 H 76,5 cm
SH 45,5 cm

Model 3262
Armchair, cane wicker
W 60 D 49,5 H 76,5 cm
SH 45,5 cm

Wood:
Oak lacquered, Oak oil,
Oak black lacquered.

Wood:
Oak lacquered, Oak oil,
Oak black lacquered.

Wood:
Oak lacquered, Oak oil.

Wood:
Oak lacquered, Oak oil

Webbing:Natural linen
Black chair available with black linen

Webbing:Natural linen
Black chair available with black linen

Webbing:Natural cane wicker

Webbing:Natural cane wicker

PRODUCT SHEET DOWNLOADFREDERICIA.COM

BM61 Chair &BM62 Armchair
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BM61 Chair. Wood: Oak oil. Seat and back: Natural cane wicker.
Taro Table. Wood: Oak light oil.

BM62 Chair. Seat and back: Linen webbing natural. Wood: Oak soap.
6386 Table. Wood: Oak.

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BM61 Chair. Seat and back: Linen webbing natural. Wood: Oak lacquered.
Library Table. Wood: Oak oil.

BM62 Chair. Seat and back: Cane wicker. Wood: Oak oil.
6386 Table. Wood: Oak soap.

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A handcrafted approach to anindustrial dilemma
In 1950, Børge Mogensen introduced theprototype of the Søborg Chair. His fusion offunctionalism, expertise in cabinetmaking
and use of new production techniques led
to a remarkably simple chair that could bemanufactured industrially.
Merging his signature love of solid wood withhis new-found passion for plywood shells,
Mogensen crafted the Søborg Chair with softrounded corners and gentle lines in a timelessdesign that appears light yet solid, with anample-sized seat and back to ensure
endless hours of comfort.

Søborg Chair
Wood: Oak black lacquered
Upholstery: Leather Omni 301 Black
Taro Table
Wood: Smoked oak

It is a handcrafted approach to an industrial
dilemma that highlights the textural properties
of solid wood, plywood and later steel, in a
subsequent version for the frame.
The Søborg Chair remains a favourite for its
simple, unimposing presence. A chair that’s
equally at home in any modern environment.

Børge Mogensen, 1950

Model 3050
Without upholstery
Model 3051
Seat upholstered
Model 3052
Fully upholstered
Chair, Wood Base
W 51 D 48,5 H 80 cm
SH 45,5 cm

Model 3060
Without upholstery
Model 3061
Seat upholstered
Model 3062
Fully upholstered
Chair, Metal Base
W 50,5 D 50 H 78 cm
SH 44 cm

Model 3070
Without upholstery
Model 3071
Seat upholstered
Model 3072
Fully upholstered
Armchair, Metal BaseW 62 D 50,5 H 78 cm
SH 45 cmWood:
Oak lacquered, Oak oil, Blacklacquered, Walnut lacquered.

Wood:
Oak lacquered, Oak oil, Blacklacquered, Walnut lacquered.

Wood:
Oak lacquered, Oak oil, Blacklacquered, Walnut lacquered.

Upholstery:
Leather or fabric

Metal base:
Black, Chrome.

Metal base:
Black, Chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models without upholstery. Measurements may vary between 0,5-1,5 cm when upholstered

Søborg Chair
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Søborg Chair. Wood: Oak black lacquered. Upholstery: Leather Omni 301 Black.

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Søborg Chair. Upholstery: Remix 233. Wood: Oak oil.
Sequoia Pouf. Upholstery: Wool.

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Crafted, compact and versatile
Yksi means “one” in Finnish, reflecting several
elements incorporated into a singular design,
signalling classic elegance with a modern twist.
The Yksi Chair has two pairs of legs that unite
in an upside-down Y-shaped base, as a focal
point of support for the seat. The distinctive
shape crafted in solid oak is a contemporary
take on classic woodworking techniques
aimed at a modern audience.

Yksi Chair
Upholstery: Leather Omni 307 Cognac
Wood: Oak oil

Designed by Thau & Kallio, the structure makes
the chair surprisingly light – both visually andin terms of weight. Two chairs can be stacked
for compact storage, adding extra appeal for
professional work spaces, corporate dining
halls, cafés and private kitchens.

Thau & Kallio, 2018

Pato Table
Table top: White Carrara
Base: Chrome

Model 3340
ArmchairW 54,5 D 49 H 76 cm
SH 46 cm

Model 3341
Armchair, seat upholstered
W 54,5 D 49 H 76 cm
SH 47 cmWood:
Oak lacquered, Oak black lacquered.

Wood:
Oak lacquered, Oak black lacquered.
Upholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Yksi Chair
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Yksi Chair. Wood: Oak black lacquered.
Taro Table. Wood: Oak light oil.

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A post-modern milestone
When designing the Trinidad Chair in 1993,
Nanna Ditzel found inspiration in the elaborate
fretwork from the Gingerbread Facades that
she had seen in the colonial architecture
while travelling through Trinidad. Much likethe facades, the cut-out fretwork of the chair
triggers an interplay of light and shadows,
creating a pattern projected into space and a
subtle sense of motion.
With the Trinidad Chair, instead of eliminating
any ornamentation, which was part of theModernist mantra, Ditzel did the opposite. She
kept the ornamentation as the focal point in a
distinctive chair that challenged the prevailingdesign dogma at the time.

Trinidad
Wood: Grey oak stained
Base: FlintThe cut-outs featured in the curved shell not
only function as a decorative element, they also
dramatically lighten the visual density of thechair. A process involving the most advanced
CNC technology at the time and techniques
normally impossible in plywood shell furniture.

Islets Table
Wood: Oak light oil
Silouette Mirror
Wood: Walnut oil

In fact, when the chair was first introduced,
it was heralded as a breakthrough in design
technology. What’s more, the lightweight design
allows for hours of seating comfort, able to suit
any setting as well the person who sits in it.
The fretwork ensures that the body is always
ventilated and the chair is always kept at room
temperature. At the same time, it provides
excellent acoustics where sound resonanceshould be reduced.

Nanna Ditzel, 1993/1998

Model 3398
Without upholstery
Model 3396
Seat upholsteredChair
W 48,5 D 57 H 85 cm
SH 45,5 cm

Model 3399
Without upholstery
Model 3397
Seat upholstered
ArmchairW 61 D 57 H 85 cm
SH 45,5 cm

Model 3400
Without upholstery
Model 3401
Seat upholstered
Barstool
W 45 D 50 H 112,5 cm
SH 77 cm

Wood:
Beech lacquered, Oak lacquered,
Walnut lacquered, Smoked oak
stained, Grey oak stained, Light grey
oak stained, Black ash.

Wood:
Beech lacquered, Oak lacquered,
Walnut lacquered, Smoked oak
stained, Grey oak stained, Light grey
oak stained, Black ash.

Wood:
Beech lacquered, Oak lacquered,
Walnut lacquered, Smoked oak
stained, Grey oak stained, Light grey
oak stained, Black ash.

Base:Black, Flint, Chrome.

Base:Black, Flint, Chrome.

Base:Black, Flint, Chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models without upholstery. Measurements may vary between 0,5-1,5 cm when upholstered

Trinidad Chair
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The fretwork provides excellent acoustics wheresound resonance should be reduced.
Royal Danish Academy of Music,
Copenhagen

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Trinidad. Wood: Grey oak stained,
Light grey oak stained, Smoked oak
stained. Base: Flint.

Trinidad. Wood: Grey oak stained. Base: Flint.

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Graceful & graphic
Almost like a flamingo standing on its slenderlegs, the Flamingo Chair is at once aesthetic
and poetic. The graceful curves of the seatwith its symbolic “wings” for arms are poised
above the steel frame and long, slim legs. Whilethe back appears as if it’s floating on top. It all
culminates in an exquisite expression of
fluid lines.

Flamingo Chair
Upholstery: Leather Primo 75 Cognac
Base: Brushed stainless steel

In a distinctive silhouette that’s attractivefrom any angle. Flamingo adds elegance todining experiences and a sense of tranquillity
to executive meeting rooms. In a private
setting, it makes for a stunning side chair ora stylish choice for a home office. It’s equally
as appealing in a hotel lobby, opera house orcultural centre as a sculptural statement piece.

Taro Table
Wood: Smoked oak oil
Hydro Vase

Flamingo is a neo-classic from 2003, with an
appeal that’s timeless and trendless. The steel
legs bring a subtle graphic contrast to the soft,organic shape of the chair.

Johannes Foersom &Peter Hiort-Lorenzen, 2003

Model 3370
Chair, X-base fixed
W 65 D 63 H 78 cm
SH 45 cm

Model 3371
Swivel Chair, X-base
W 65 D 63 H 78 cm
SH 45 cm

Model 3380
Grand Chair, X-base fixed
W 68 D 63 H 80 cm
SH 45 cm

Model 3381
Grand Swivel Chair, X-base
W 68 D 63 H 80 cm
SH 45 cm

Base:
Brushed stainless steel, Black.

Base:
Brushed stainless steel, Black.

Base:
Brushed stainless steel, Black.

Base:
Brushed stainless steel, Black.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Flamingo Chair
88

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A sculptural silhouette
Soft, organic lines. A sculptural silhouette. An
elegant design that invites you to come closer.
Encouraging you to live life at a slower pace.
Those are just some of the intentions behind
the Swoon Chair by Space Copenhagen.
Reflecting their intuitive approach to design,
which is inspired by circumstances and thehuman condition.

Swoon Chair Wood Base
Upholstery: Clay 017
Wood: Oak lacquered

Drawing on their impressive projects in the
hotel and hospitality sector, they were keen ona sophisticated look that would lend itself tohours of comfort. Their initial outcome was theSwoon Lounge, which was designed for the
11 Howard Hotel in New York.

Space Copenhagen, 2016/19

Post Table
Wood: Oak light oil

Model 1777
Armchair, Wood baseW 62 D 63 H 86 cm
SH 46 cm

Model 1779
Swivel Armchair, X-base
W 62 D 63 H 86 cm
SH 46 cmWood:
Oak lacquered, Walnut lacquered,
Smoked oak stained, Black lacquered.

Metal Base:
Black, Polished aluminium

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Swoon Chair
90

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Swoon Swivel Chair
Upholstery: Clay 013. Base: Polished aluminium.
BM71 Library Table. Wood: Oak oil.
Sequoia Pouf. Upholstery: Wool.

Swoon Chair Wood Base. Upholstery: Clay 013 Wood: Smoked oak stained.

92

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Swoon Swivel Chair. Upholstery: Clay 012. Base: Polished aluminium.
Taro Table. Wood: Oak oil.
Hydro Vase.

94

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Subtle strength of character

The Jane, Antwerp

Spine boasts strong lines balanced by subtle
curves. Contrasts that merge into a singular
entity. In a design that´s solid and graphic yet
soft and organic. Anchored in Nordic tradition
with a twist that gives it a striking, fresh
aesthetic.
The Spine series has expanded since its initiallaunch to encompass a variety of products anda growing number of variants, found in deluxe
restaurants, bars, hotels and exclusive retailshops worldwide. Adding a touch of tension
and dimension is the interplay between the
upholstery and the base, available in either
wood or metal.

Space Copenhagen,2011–18

Spine in wood is classic and luxurious, exuding
a certain strength of character. Whereas thesleekness of the metal base signals a lookthat’s modern and light. The upholstery is
inspired by techniques that were developed at
our Fredericia workshop for Børge Mogensen’s
exclusive 1960’s leather series. With its gracefulappearance, Spine is all about contrastingelements that culminate in a cohesive concept
that’s inviting wherever you place it.

Model 1721
Chair, Wood base,front upholstered
W 46,5 D 54,5 H 76 cm
SH 46,5 cm

Model 1736
Stool, Wood base,seat upholstered
W 42,5 D 35 H 68/74 cm

Model 1731
Barstool, Wood base,front upholstered
W 45 D 51,5 H 98/104 cm
SH 68/74 cm

Model 1936
Stool, Metal base,fully upholstered
W 42,5 D 35 H 68/74 cm

Model 1931
Barstool, Metal base,fully upholstered
W 45 D 53,5 H 97,5/104 cm
SH 69,5/74 cm

Wood:
Oak lacquered, Black lacquered,
Smoked oak stained.

Wood:
Oak lacquered, Black lacquered,
Smoked oak stained.

Wood:
Oak lacquered, Black lacquered,
Smoked oak stained.

Metal Base:Black

Metal Base:Black

Metal parts:
Black

Metal parts:
Black

Metal parts:
Black

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Spine
96

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97

Spine Wood Base Barstool andSpine Wood Base Stool
Upholstery: Leather Primo 88 Black
Wood: Oak black lacquered

Spine Wood Barstool. Upholstery: Leather Primo 88 Black. Base: Oak black laqcuered.

98

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Spine Chair. Upholstery: Leather Primo 88 Black.

Spine Chair. Upholstery: Leather Primo 88 Black.
Base: Oak black laqcuered.

100 Fredericia

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Spine Metal Base Barstool. Upholstery: Vidar 333. Base: Flint.

Spine Metal Base Stool. Upholstery: Hallingdal 224. Base: flint

102 Fredericia

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The eyes of the beholder
Eyes is an endearing design that can enliven
any interior. The soft organic shape is like awelcoming gesture, inviting you to sit down andstay awhile. Eyes is a versatile series of chairsthat you can truly personalise. Choose from avariety of different bases and an extensive arrayof fabrics, leather and colours for matching any
interior. Allowing you to create the perfect chairin the eyes of the beholder.

Eyes 4-Leg Chair
Upholstery: Gentle 173
Base: Black metal

The Eyes Barstool exemplifies a functionallydriven design where the form is all about
comfort, with a touch of charisma. Seen in asoftly curved shell that’s engineered for leaningback with ease for hours on end. The slim,
steel legs add a graphic element that gives thechair a light, airy feeling. Together with the shell
the effect is understated and elegant.

Taro Table
Wood: Oak oil
Locus Bowl

The seat is a fully-upholstered shell of moulded,
cold-cured foam guaranteeing a high level ofcomfort for hours. Pair the chair with woodenlegs, a cantilever, swivel or tube base, andyou have an attractive, comfortable chair for
corporate meetings, dining at a restaurant,
as side chairs in a lobby or living room.

Johannes Foersom &Peter Hiort-Lorenzen,
2007/2011

Model 4820
Swivel Armchair, X-base
W 53 D 59 H 84 cm
SH 45 cm

Model 4818
Swivel Chair, X-base
W 53 D 59 H 84 cm
SH 45 cm

Model 4808
Cantilever Armchair
W 53 D 59 H 84 cm
SH 45 cm

Model 4810
4 Leg Chair
W 53 D 59 H 84 cm
SH 45 cm

Model 4830
4 Leg Barstool
W 51 D 63 H 104/114 cm
SH 65/75cm

Base:
Black, Polished aluminium.

Base:Black, Polished aluminium.

Base:Black, Brushed stainless steel.

Base:Black, Brushed crome.

Base:Black, Brushed crome.

Armrest:Leather Vegeta 90 natural, Max 95
cognac or Max 98 black.

Upholstery:
Leather or fabricArmrest:Leather Vegeta 90 natural, Max 95
cognac or Max 98 black.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Eyes
104 Fredericia

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105

Eyes 4-Leg Chair. Upholstery: Gentle 173. Base: Chrome.

106 Fredericia

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107

Eyes 4-Leg Barstool. Upholstery: Re-wool 358. Base: stainless steel. Meadow Lamp.

Eyes 4-Leg Chair. Upholstery: Gentle 373. Base: Black.
Islets Table: Wood: Oak light oil.
Locus Bowl

108 Fredericia

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Eyes 4-Leg Barstool. Upholstery: Gentle 183. Base: Black.
Swoon Lounge Chair. Upholstery: Byram 761.

110 Fredericia

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Inspired by the idea of energy
Echoing their urge to avoid anything ordinary,Geckeler Michels reimagined the cup chair
based on three fundamental geometric forms:
the circle, the triangle and the square. True tothe word “verve”, meaning energy, vivacity andenthusiasm, the Verve Chair has a dynamic
dimension and a sense of composure. The
subtle fusion of the triangles results in a lookthat slightly changes, depending on the angle
from which it is viewed.

Verve Chair
Upholstery: Sunniva 717
Base: Black

Behind the chair are references to the use ofgeometric shapes in the work of Nanna Ditzel.
Expressed in a compact design that radiates
spaciousness. An array of fabrics, colours
and frame options extend the possibilitiesof placement from hotels, restaurants andexecutive settings to private residences.

Geckeler Michels, 2017

Model 3744
Armchair, 4 Leg
W 58,5 D 58,5 H 75,5 cm
SH 48 cm

Base:
Black, Chrome.
Upholstery:
Leather or fabric
PRODUCT SHEET DOWNLOADFREDERICIA.COM

Verve Chair
112 Fredericia

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100% recycled & recyclable
With Pato, we’ve applied our legacy ofcraftsmanship and detailing together with
cutting-edge technology to produce anextremely versatile, multi-purpose chair for avariety of applications. Designed by Welling/
Ludvik, it’s based on the desire to create
the simplest chair offering the most
comfort possible.

Welling/Ludvik,
2013/2016/2019

Pato 4-Leg
Shell: Sand
Base: Sand

The Pato 4 Leg Chair is made with a 100%
recycled and recyclable polypropylene (PP)shell. An eco-friendly material offering the rightamount of flexibility in the back. Extra comfort
is achieved by the faceted edge, which adds
sharpness. Available in countless colours, it
can easily accommodate large-scale interiors,a co-working scenario, restaurants and cafés.

Pato 4-Leg
Upholstery: Rime 791
Base: Black
Pato 4-Leg
Upholstery: Nubuck 512 Olive
Base: Ancient Green
Pato 4-Leg
Shell: Dark blue
Base: Dark Blue

Model 4200
Without upholstery
Model 4201
Seat upholstered
Model 4202
Fully upholstered
4 Leg Chair, Stackable
W 55 D 52 H 79 cm
SH 46,5 cm

Model 4210
Without upholstery
Model 4211
Seat upholstered
Model 4212
Fully upholstered
4 Leg Armchair, stackable
W 57 D 52 H 79 cm
SH 46,5 cm

Model 4250
Without upholstery
Model 4251
Seat upholstered
Model 4252
Fully upholstered
4 Leg Center Chair
W 45 D 51,5 H 79 cm
SH 46,5 cm

Model 4305
Without upholstery
Model 4306
Seat upholstered
Model 4307
Fully upholstered
4 Leg Center Barstool
W 45,5 D 51 H 99/109 cm
SH 65,5/75,5 cm

Model 4315
Without upholstery
Model 4316
Seat upholstered
Model 4317
Fully upholstered
4 Leg Center Stool
W 49,5 D 46,5
H 83,5/93,5 cm
SH 68/78 cm

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Base:
Black, Chrome.

Base:Black, Chrome.

Base:Black, Chrome.

Base:Black, Chrome.

Base:Black, Chrome.

Upholstery:
Leather or fabricArmrests:
Black aluminium

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models without upholstery. Measurements may vary between 0,5-1,5 cm when upholstered

Pato 4 Leg
114 Fredericia

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Pato 4-Leg. Shell: Black. Base: Black.

Pato 4-Leg Armchair. Base: Black.

116 Fredericia

Modern Originals

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117

Aarhus University,
Denmark

118 Fredericia

Modern Originals

Crafted to Last

119Atelier the Vijzel,
Amsterdam

120 Fredericia

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Human-centric
The Pato Wood Base is living proof that good
design has the ability to be interesting, evenwhen reduced to its simplest form. It’s ahuman-centric design comprised of a gentle
curved shell that acts as a supportive seatand back. The wooden legs radiate a warm
atmosphere while providing a sturdy base.

Pato Wood Base
Upholstery: Leather Max 96 Dark Brown
Wood: Smoked oak

Adding to its versatility is the choice of
eco-friendly polypropylene for the shell in avariety of contemporary colours conducive
to virtually any interior. Choose from an arrayof fabrics and add a textural dimension withsubtle tonalities.

Welling/Ludvik, 2016

Model 4225
Without upholstery
Model 4226
Seat upholstered
Model 4222
Fully upholstered
Chair, Wood baseW 45 D 53 H 77,5 cm
SH 46,5 cm
Shell:
12 standard colours
Base:
Oak lacquered, Oak black lacquered.
Upholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models
without upholstery. Measurements
may vary between 0,5-1,5 cm
when upholstered

Pato Wood Base
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Comfort & convenience
Given the changing pace of work and thevariety of places we call work, Pato is an
attractive solution with numerous versions andadvantages. The Pato Office Chair boasts a
curved shell ergonomically designed to facilitate
efficiency and productivity. Fitted with a 5-pointstar swivel base on casters, it’s a mobile chairthat can easily move with you. Adding evenmore comfort and convenience is a heightadjustable lift and tilt function for task seating.

Welling/Ludvik, 2014

Pato Office Armchair
Upholstery: Capture 5501
Base: BlackThe Pato Swivel has a similar shell, featuring
a 4-point swivel base with optional casters,
making it ideal for specific tasks, as well as
conference rooms. Both chairs come in a
spectrum of specially selected shades forthe basic polypropylene version. For a more
corporate look, there’s the upholstered version
with a vast range of fabrics and shades tomatching any décor.

Mesa Table
Table Top: Black linoleum
Base: Black

Model 4000
Without upholstery
Model 4001
Seat upholstered
Model 4002
Fully upholstered
Swivel Chair, X-base
W 63 D 50 H 79 cm
SH 45,5 cm

Model 4010
Without upholstery
Model 4011
Seat upholstered
Model 4012
Fully upholstered
Swivel Armchair, X-base
W 63 D 50 H 79 cm
SH 45,5 cm

Model 4020
Without upholstery
Model 4021
Seat upholstered
Model 4022
Fully upholstered
Office Chair
W 69 D 62,5 H 77-89 cm
SH 43-55 cm

Model 4030
Without upholstery
Model 4031
Seat upholstered
Model 4032
Fully upholstered
Office Armchair
W 69 D 62,5 H 77-89 cm
SH 43-55 cm

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Base:
Black, Polished aluminium.

Base:Black, Polished aluminium.

Base:Black, Polished aluminium.

Base:Black, Polished aluminium.

Upholstery:
Leather or fabricArmrests:
Black aluminium

Upholstery:
Leather or fabricArmrests:
Black aluminium

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models without upholstery. Measurements may vary between 0,5-1,5 cm when upholstered

Pato Swivel & Pato Office
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Pato OfficeUpholstery: Leather Max 93 Indian Red
Base: Chrome
Mesa Table
Table Top: Black linoleum
Base: Black126 Fredericia

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Every detail has a purpose
Pure, simple lines form the basis of Pato,a design where everything superfluous iseliminated and every detail has a function.
For Pato Executive, we’ve enhanced the lookto have a touch more impact, with a higher
back and arms that emerge from the baseas discrete lines.

Pato Executive
Upholstery: Leather Primo 75 Cognac
Base: Black

Choose from our selection of fabrics or
premium leather to pair with the 4-point swivel
base, in either polished aluminium or black
painted steel. From conferences, meetingrooms, banks or law firms to home offices,
the Pato Executive makes a singular designstatement with character.

Welling/Ludvik, 2015

Mesa Table
Table Top: Black linoleum
Base: Black

Model 4052
Swivel Armchair, X-base
W 63 D 55,5 H 86,5 cm
SH 48,5 cm

Model 4072
Office Armchair
W 72 D 70 H 81,5-91,5 cm
SH 44,5-54,5 cm

Shell:
12 standard colours

Shell:
12 standard colours

Base:
Black, Polished aluminium.

Base:Black, Polished aluminium.

Armrests:Black

Armrests:Black

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Pato Executive
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Pato Executive. Upholstery: Leather Max 98 Black. Base: Chrome.
6286 Table. Wood: Smoked oak.
Søborg Chair. Upholstery: Leather Primo 88 Black. Base: Black.

Pato Executive. Upholstery: Leather Max 98 Black. Base: Chrome.

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Distinctive & durable
The silky surface, bevelled edge and linear
legs are subtle signature details of a sleek
chair that’s loaded with advantages. The Pato
Sledge. Every detail has a purpose in this light,
versatile, stackable chair, where every part is
100% recyclable. A distinctive design that’s
durable and easy to imagine in conferencehalls, meeting rooms and countless public
sectors.

Welling/Ludvik, 2013

Pato Sledge Chair
Shell: Storm
Base: Chrome

Pato’s shell has been developed with asurface finish that’s unprecedented for achair of this kind, setting a new standard
for polypropylene. Smooth to the touch, theshape is engineered for hours of comfortableseating. With a faceted edge to ensure thatthe chair conforms optimally to the body. The
upholstered version adds endless options forcolours and textures that can complement
any interior imaginable.

Model 4100
Without upholstery
Model 4101
Seat upholstered
Model 4102
Fully upholstered
Chair, Sledge base
W 54,5 D 51 H 79 cm
SH 46,5 cm

Model 4110
Without upholstery
Model 4111
Seat upholstered
Model 4112
Fully upholstered
Armchair, Sledge base
W 55,5 D 51,5 H 79 cm
SH 46,5 cm

Model 4310
Without upholstery
Model 4311
Seat upholstered
Model 4312
Fully upholstered
Stool, Sledge base
W 49,5 D 46,5 H 83-93 cm
SH 67-77 cm

Model 4300
Without upholstery
Model 4301
Seat upholstered
Model 4302
Fully upholstered
Barstool, Sledge baseW 47 D 50 H 97-109 cm
SH 67-77 cm

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Shell:
12 standard colours

Base:
Black, Chrome.

Base:Black, Chrome.

Base:Black, Chrome.

Base:Black, Chrome.

Upholstery:
Leather or fabricArmrests:
Black aluminium

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Measurements are based on models without upholstery. Measurements may vary between 0,5-1,5 cm when upholstered

Pato Sledge
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Ambassador
House Zürich,
Switzerland

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Lounge Chairs

While our associations with lounging haven’t changed, the locations forlounging has. Lounge chairs have moved from an open and inviting place
to relax at home to corporate settings. In wireless offices, where work cantake place anywhere, lounge seating is a key element for any meeting of
the minds. In hotels, retail spaces and public venues, a lounge chair
functions much like a pause button. Allowing you to sit back, relax
136
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enjoy the moment.

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The Spanish Chair
The Hunting Chair
2207 Chair, 2204 Wing Chair & 2202 Ottoman
The Canvas Chair
Wegner Ox Chair
Wegner Queen Chair
Wegner J16 Rocking Chair & Stool
Wegner 1788 Easy Chair
Swoon Lounge & Swoon Ottoman
Swoon Lounge Petit
Spine Lounge Chair
Ditzel Lounge Chair
Corona Chair & Corona Ottoman
Vodder Chaise
The A-Chair
Savannah Chair
Lemon Chair
Pato Lounge
Eyes Lounge
EJ50 Club Chair
Calmo Chair & Calmo Ottoman
Mono Pouf

Lounge138 Fredericia

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One of Mogensen’s masterpieces
Andalucia was the backdrop of inspiration for
one of Børge Mogensen’s many masterpieces– The Spanish Chair. While travelling throughSpain, he observed an ornate chair with wide
armrests, a traditional style involving Spain’s
medieval form of furniture construction.
The chair was launched in 1958 as part ofan innovative living space exhibition at the
Copenhagen Cabinetmaker’s Guild, where alltables were removed from the floor to create
an open living area.

The Spanish Chair
Leather: Black saddle
Wood: Smoked oak oil

The Spanish Chair has quite a strong
presence, with its solid oak construction andsturdy, high quality leather. Over time, as theleather expands, the adjustable straps canbe tightened. Allowing you to sit securely
and comfortably from day one – and for the
rest of your life. One of Mogensen’s mostcelebrated designs, it reflects his uniqueangle on modernity.

Silhouette Mirror
Wood: Walnut oil
Pale Table
Table top: Walnut oil
Base: Brushed stainless steel
Meadow Lamp

A classic found in corporate settings,
hotels, galleries and private residences
around the globe.

The wide armrests serve as a practical place
for a glass, allowing the user to dispense withoccasional tables or other furniture. In doingso, he achieved a more open and informal
space for relaxing and conversing.

Børge Mogensen, 1958

Model 3237
Chair
Page 62

Model 2226
Lounge Chair
W 82,5 D 60 H 67 cm
SH 33 cmWood:
Oak soap, Oak oil, Oak light oil, Oak
black lacquered, Smoked Oak oil.
Saddle leather:
Natural or Cognac with brass buckles,
Black with chrome buckles.

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The Spanish Chair
140 Fredericia

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The Spanish Chair. Leather: Natural saddle leather. Wood: Oak soap.

The Spanish Chair. Leather: Natural saddle leather. Wood: Oak soap.
Pal Table. Table top: Oak oil. Base: Brushed stainless steel.
Sequoia Pouf. Upholstery: Bouclé
Fellow Lamp

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Understated & authentic
The annual exhibition by the Copenhagen
Cabinetmakers’ Guild was an important
platform of local and international exposure for
Danish talent. Established in 1927, it provided
the opportunity to showcase work producedby the designers, architects and cabinetmakers
behind the initiative.

The Hunting Chair was also the first time
Mogensen used an adjustable buckle closure
to secure the leather behind the seat and back,which all slot into the wooden frame. A decisionthat not only allowed for easy construction, it
also resulted in quite a comfortable chair that
automatically adjusts to your body weight.

In 1950, Børge Mogensen rose to the occasion
with his presentation of the Hunting Chair, his
earliest example of designing furniture with asolid wood framework. Combined with saddle
leather, given its sturdy, resilient qualities, which
he used to form the seat and back.

The overall look and logical construction
were inspired by Spain’s medieval Andalusianfurniture, something that Mogensen would
return to time and time again, as seen
in his subsequent development of
The Spanish Chair.

The Hunting Chair
Leather: Natural saddle leather
Wood: Oak soap

The Hunting Chair is one of Mogensen’s mosteye-catching designs. Seen from the side,what’s most notable about the chair is the
sharp diagonal slope from the edge of the front
seat measuring only 30 cm above the floor.

Børge Mogensen, 1950

Model 2229
Lounge Chair
W 70,5 D 87 H 67 cm
SH 28 cmWood:
Oak soap, Oak oil, Oak light oil, Oak
black lacquered, Smoked oak oil.
Saddle leather:
Natural or Cognac with brass buckles,
Black with chrome buckles.

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The Hunting Chair
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A comfort zone
Børge Mogensen was a firm believer thatfurniture should give people the leading role,instead of forcing people to adapt to furniture.
Such is the case with the 2207 Chair.
The graceful slope of the armrests and slight
inclination of the back contribute to the chair’s
ability to comfortably accommodated the body.
Mogensen’s Wing Chair features a sharplydefined silhouette with a soft, encompassing
interior. Boasting a high, cushioned backand neck rest, the curved armrests provide
a natural feeling of comfort, enhanced by
the ample seat cushion.

Børge Mogensen, 1963

Mogensen Wing Chair
Upholstery: Leather Vegeta 90 Natural
Legs: Oak soap

The result is an enclosed feeling from a chairthat invites you to relax. The Ottoman makes
for an ideal companion to either the Wing
Chair or the 2207 Chair. Capturing Mogensen’s
perfect sense of proportions, the base andcushion correspond to the chairs. As a footrest,
the Ottoman adds an extra dimension of
comfort, allowing you to stretch out andrelax even more.

Model 2207
Lounge Chair
W 69 D 84 H 84 cm
SH 43 cm

Model 2204
Lounge Chair
W 69 D 88 H 106 cm
SH 43 cm

Model 2202
Ottoman
W 58 D 58 H 43 cm

Wood:
Oak soap, Oak oil, Oak light oil,
Oak black lacquered, Walnut oil.

Wood:
Oak soap, Oak oil, Oak light oil,
Oak black lacquered, Walnut oil.

Wood:
Oak soap, Oak oil, Oak light oil,
Oak black lacquered, Walnut oil.

Upholstery:
Limited selection of leathers
and fabrics

Upholstery:
Limited selection of leathers
and fabrics

Upholstery:
Limited selection of leathers
and fabrics

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2207 Chair, 2204 Wing Chair& 2202 Ottoman
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Caption

CaptionMogensen 2207 Club Chair. Upholstery: Leather Max 98 Black. Legs: Oak black lacquered.

Spanish Dining Chair. Upholstery: Natural saddle leather. Wood: Oap oak.
Library Table. Wood: Oak oil.
Mogensen 2207 Club Chair. Upholstery: Leather Trace 8146 Olive. Legs: Walnut.
Fellow Lamp

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Earthy informality
Canvas teamed with wood define a morecasual, down-to earth lifestyle in this structuralchair with a strong presence by Børge
Mogensen.
Reflecting values all the more relevant today,
given its broad width that allows people tomerge work and play in comfort. The Canvas
Chair exemplifies Børge Mogensen’s talent
for functionally-driven designs with a focus
on simple forms that capture the essenceof an idea. With nothing to add or subtract.
Drawing on his preference for natural materials,
Mogensen used flat canvas as the seat andback suspended between round pieces ofwood, together with his trademark use ofhorizontal and vertical lines for the frame.

Canvas Chair
Canvas: Natural
Wood: Oak soap

The result is contrast and a remarkable senseof balance. Although it was designed in 1970
as a reaction to flashy furniture from the
1960s, The Canvas Chair takes on even more
relevance today, given its earthy informality
and honest materials. Boasting an unadorned
authenticity which modern audiences findespecially appealing. Prime European oak
and linen canvas are both available in blackor natural coloured versions, with an optionalloose seating cushion in canvas or leather.
One of the last pieces Mogensen designed
before his untimely death in 1972, The Canvas
Chair has remained in our archives ever since– until now.

Børge Mogensen, 1970

Model 2031
Lounge Chair
W 74 D 65,5 H 76 cm
SH 41,5 cm

Wood:
Oak soap, Oak light oil, Oak black
lacquered
Canvas:Natural canvas
Black chair available with black canvas
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The Canvas Chair
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Canvas Chair. Canvas: Black. Base: Oak black lacquered.

Canvas Chair. Canvas: Black. Base: Oak back lacquered.
Calmo Sofa. Upholstery: Clay 12. Base: Black.
Tableau Coffee Table.

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Canvas Chair. Canvas: Natural. Base: Oak soap.

Canvas Chair. Canvas: Natural. Base: Oak light oil.
Pal Table. Table top: Oak oil. Base: Brushed stainless steel.
Calmo Sofa. Upholstery: Clay 12. Base: Black.

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An iconic statement piece
The Ox Chair by Hans J. Wegner is an iconic
statement piece with an irrefutable presence.
A bold, sculptural chair that challenged theunderstated aesthetics of Danish design at thetime, with its distinctive headrest referencing ox
horns and its voluminous body. It demonstrates
his organic, artistic approach to furniture anddesire to redefine traditional seating.

Ox Chair and Ottoman
Upholstery: Leather Primo 88 Black
Base: Brushed chrome

The Ox Chair is arguably his most striking
design, purportedly inspired by his fascination
with Picasso’s abstract paintings, claiming thatdesign doesn’t always have to be so "dreadfully
serious." Wegner chose to furnish his own
home with the Ox Chair, as it was one of his
personal favourites.

Hans J. Wegner, 1960

Pal Table
Table top: Walnut oil
Base: Brushed stainless steel
Meadow Lamp

Model 1000
Lounge Chair
W 99 D 99 H 92 cm
SH 36 cm

Model 1002
Ottoman
W 75 D 55 H 36 cm

Base:
Brushed chrome, Black.

Base:
Brushed chrome, Black.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Wegner Ox Chair
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Ox Chair. Upholstery: Leather Max 95 Cognac. Base: Brushed chrome.

Ox Chair. Upholstery: Leather Max 95 Cognac. Base: Brushed chrome.
Calmo Sofa. Upholstery: Clay 12. Base: Black metal.
Piloti Stone Coffee Table. Table top: Grey Pietra Marble. Legs: Black metal.
Pal Table. Table top: Oak oil. Base: Brushed stainless steel.
Mono Pouf. Upholstery: Grand Linen Natural.
Locus Bowl

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Ox Chair. Upholstery: Leather Max 96 Brown. Base: Brushed chrome.
Calmo Sofa. Upholstery: Clay 12. Base: Black metal.
Islet Coffee Table. Wood: Oak light oil.
Pal Table. Table top: Walnut oil. Base: Stainless steel, brushed
Post Chair. Upholstery: Leather Omni 377 Dark Brown. Wood: Oak light oil.
Post Table. Wood: Oak light oil.
Sequoia Pouf. Upholstery: Wool.

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Regal yet relaxed
The feminine counterpart to the Ox Chair isHans J. Wegner’s Queen Chair, which shares
many of the same features. With its ample,
almost cylindrical armrests and high, majestic
back that extends up to support the neck,the Queen Chair is an equal match for the Ox
Chair’s masculine presence. Regal yet relaxed,
the Queen Chair embodies Wegner’s belief thatfor a design to be striking it must be basedon practicality.

Queen Chair and Ottoman
Upholstery: Divina Melange 220
Base: Brushed chrome

The Queen Chair is one of Wegner’s mostelegant lounge chairs. It’s a true icon in its own
right, admired for its sophisticated construction
and sculptural aesthetic. It captures theessence of Wegner’s innovative approach todesign, which is at once organic and artistic.
While at the same time, firmly based onfunctionalism.

Hydro Vase

In 1960, the Ox Chair and the Queen Chair
were presented together at the Dansk
Købestævne exhibition, an annual showcasefor Danish industry and crafts, which included
an exhibition of furniture. It was a forerunner totrade fairs as a meeting place for craftsmen,
industrialists and merchants to purchase andpromote Danish crafts.

Hans J. Wegner, 1960

Model 1010
Lounge Chair
W 92 D 99 H 90 cm
SH 36 cm

Model 1002
Ottoman
W 75 D 55 H 36 cm

Base:
Brushed chrome, Black.

Base:
Brushed chrome, Black.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Wegner Queen Chair
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The quintessential Danish rocking chair
Hans J. Wegner showed an early interest in therocking chair as a design object and J16 was
one of his first chairs ever put into production.
The very first version was designed in 1944.
After a process to make the chair easier toproduce the production could start. Wegner’s
J16 has proved so viable that it has been in
demand ever since it first came on the market.
For Wegner, a chair was a work of art
conceived to support the human body. In all
his designs, it's easy to recognise his fondness
for form and function, where ergonomics playa primary role. Freedom of movement wasalso key for Wegner, who made every effort
to ensure comfort, achieved by his precise
engineering of the elements that contributeto the graceful rocking movement.

Hans J. Wegner, 1944/50

J16 Rocking Chair & Stool
Paper cord: Natural
Wood: Oak soap
Cushion: Leather Max 96 Dark Brown

The natural paper cord forming the seat adds
support while creating a subtle contrast in
texture to the smooth wooden structure.
The J16 Stool is the rocking chair's faithfulcompanion. Featuring the same cord and visual
lingo, its sturdy structure of solid wood enables
it to double as a small stool. One of Wegner's
most widely recognised pieces, the J16 is partof our proud heritage. It is cherished aroundthe world as the quintessential Danish modern
rocking chair.

Model 16000
Rocking Chair
W 62 D 85 H 107 cm
SH 42 cm

Model 16002
Stool
W 52 D 38 H 42,5 cm

Wood:
Oak soap, Oak black lacquered, Oak light oil, Walnut oil.
Seat:
Natural paper cord
Black chair available with black paper cord

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Wegner J16 Rocking Chair& Stool
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J16 Rocking Chair. Paper Cord: Natural. Wood: Walnut oil.

Caption

J16 Rocking Chair. Paper Cord: Natural. Wood: Black lacquered oak.

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Sculptured spoke-back
The origins of this chair began back in 1945,
when Hans J. Wegner and his colleague
and friend Børge Mogensen designed apresentation for the annual exhibition of the
Copenhagen Cabinetmaker’s Guild called“A Home for the Future”. The focal point of
their stand was a living room, where theypresented a fresh vision for functional furniture.
The outcome for Wegner was his lightweightwooden design with interchangeable cushions.
Wegner’s 1788 Chair was finessed years laterin 1974 to arrive at the current design.

1788 Chair
Upholstery: Leather Omni 301 Black
Wood: Oak black lacquered
Mono Pouf
Upholstery: Grand linen natural

True to its original concept, the spoke-backchair features a stunning profile in the sloping
armrests, reflecting his signature sculpturaldetails and talent for working with wood.

Hydro Vase

As part of the Spoke-Back Collection,
the 1788 Chair has an exposed wooden
construction that’s an intrinsic part of thedesign, as well as cushions attached withvisible straps. The Spoke-Back Collection
reflects Wegner's work with Windsor chairmethodology.

Hans J. Wegner, 1974

Model 1788
Lounge Chair
W 65,5 D 70 H 88 cm
SH 43,5 cm

Wood:
Oak soap, Oak black lacquered.
Upholestry:
Leather or fabric

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Wegner 1788 Easy Chair
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An open invitation to relax
With its continuous curves, lush look andsculptured shape, Swoon echoes Space
Copenhagen's desire for you to enjoy life ata slow pace. Originally launched for the 11
Howard Hotel in New York, the Swoon Lounge
is an open invitation to luxuriate in comfort.
Based on their extensive experience designinghigh-end hotel interiors and Michelin-starrestaurants, Space Copenhagen created
Swoon to fill a gap missing in the market – ahybrid of a lounge chair and an armchair withthe benefits of both.

Space Copenhagen, 2016/18

Swoon Lounge Chair
Upholstery: Byram 161
Legs: Walnut lacquered

The singular shell merges the back, seat
and armrests into one entity, allowing for
exceptional support and a fit that feels natural.
The seat and back cushions are also attached
as one piece for endless hours of comfort.

Pal Table
Table top: Walnut oil
Base: Brushed stainless steel
Fellow Lamp

Swoon is suitable for hotel lobbies, VIP suites,
restaurant reception areas, upscale bars,
lounges and private residences. Of course, theperfect companion to any lounge chair is anottoman. The Swoon Ottoman not only adds toyour ability to stretch out and relax even more,
it’s a decorative element in its own right. Ideal
as a pouf for punctuating any space with style.

Model 1777
Armchair, Wood base
Page 92

Model 1770
Lounge Chair
W 90 D 88,5 H 83,5 cm
SH 36 cm

Model 1771
Ottoman
W 63 D 52,5 H 40,5 cm

Wood:
Oak lacquered, Smoked oak stained,
Walnut lacquered, Oak black lacquered.

Wood:
Oak lacquered, Smoked oak stained,
Walnut lacquered, Oak black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Swoon Lounge & Ottoman
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Swoon Lounge Chair. Upholstery: Byram 361. Legs: Walnut lacquered.
Pal Table. Table top: Oak oil. Base: Brushed stainless steel.
Sequoia Pouf. Upholstery: Bouclé.

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Swoon Lounge Chair. Upholstery: Capture 4601.

Swoon Lounge Chair. Upholstery: Ruskin 10. Legs: Walnut lacquered.
Tableau Coffe Table

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Location: Park House,
London178 Fredericia

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Compact & curvaceousWith its continuous curves and lush look,
The Swoon Lounge Petit has a luxurious look,with a sculptured silhouette that appears
elegant and relaxed. The same feeling isachieved once you sit down, supported by asingular shell that curves to form the seat, arms
and back in one piece. The soft, contoured
cushions add an extra element of comfort
and dimension.

Space Copenhagen, 2019

Swoon Petit Swivel Chair
Upholstery: Carlotto 900
Base: BlackA line extension from the Swoon Lounge,
the Swoon Lounge Petit has a similar shape
but it’s somewhat smaller and more upright.
Available in a variety of alluring fabrics anddifferent bases, it’s a comfy, well-crafted,
curvaceous design, ideal for hotel lobbies andsuites, corporate lounge areas, upscale bars
and homes.

Model 1777
Armchair, Wood base
Page 92

Model 1774
Lounge Chair, Wood base
W 74 D 76 H 85 cm
SH 40 cm

Model 1776
Swivel Lounge Chair, X-base
W 74 D 76 H 85 cm
SH 40 cmWood:
Oak lacquered, Smoked oak stained,
Walnut lacquered, Oak black lacquered.

Base:Black, Polished aluminium.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Swoon Lounge Petit
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Swoon Chair. Upholstery: Carlotto 200.

Swoon Lounge Petit. Upholstery. Sinequanon 001. Legs: Oak black lacquered.
Silhouette Mirror. Wood: Walnut oil.
Fellow Lamp

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Fluid lines in a solid design
The Spine Lounge Suite is a striking example
of fluid lines in a solid, concise design thatexudes luxury from every angle. Seat and backcushions are supported by a singular structure
in solid wood. The detailing on the wooden
back makes the chair as attractive when placedin the middle of a space as it is against a wall.

Space Copenhagen, 2016/19

Spine Lounge Suite Petit
Upholstery: Leather Omni 301 Black
Base: Oak black lacquered

Its smaller sibling is the Spine Lounge Petit.
Both chairs are angled a bit back for hoursof lounging in comfort. With hand-sewn
cushions and piping as a discrete detail. Whileboth chairs lend themselves to hotel lobbies,
lounges and upscale bars, the smaller Spine
Lounge Petit can easily work in a private livingroom paired together or as a stand-alone.

Model 1714
Lounge Wood Chair,
front upholstered
W 65 D 70 H 75 cm
SH 40 cm

Model 1710
Lounge Suite Chair
W 80 D 81 H 71 cm
SH 41 cm

Model 1711
Lounge Suite Chair Petit
W 65 D 70 H 69 cm
SH 41 cmWood:
Oak lacquered, Black lacquered.

Wood:
Oak lacquered, Oak black lacquered.

Wood:
Oak lacquered, Oak black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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Spine Lounge Chair
184 Fredericia

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185

Spine Lounge Suite. Upholstery: Leather Omni 301 Black. Base: Oak black lacquered.
Pal Table. Table top: Walnut oil. Base: Brushed stainless steel.

186 Fredericia

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An escape into spaciousness
Designed by Nanna Ditzel and Jørgen Ditzel
in 1953, the Ditzel Lounge Chair is a welcome
escape into spaciousness. A modern take on
the traditional easy chair, offering a stylishseating solution for settings in search of
intimacy.

Ditzel Lounge Chair
Upholstery: Sheepskin
Legs: Walnut lacquered

The high-pressured PUR foam shell is enforced
with a steel frame and upholstered in a varietyof our exclusive fabrics, including bouclé.
It’s your invitation to escape into a cosy yetspacious comfort zone, which makes the Ditzel
Lounge Chair especially attractive in contexts
that encourage connectivity.

Silhouette Mirror
Wood: Walnut oil
Pon Table
Wood: Smoked oak oil
Mono Pouf
Upholstery: Leather Omni 307 Cognac

Adding extra comfort is the ample width, alongwith the slightly curved back and armrests
as a single entity.

Nanna Ditzel & Jørgen Ditzel, 1953

Meadow Lamp

Model 2631
Lounge Chair
W 81 D 73 H 72 cm
SH 37 cmWood:
Oak Lacquered, Smoked oak stained,
Oak black lacquered, Walnut lacquered.
Upholstery:
Sheepskin, leather or fabric.

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Ditzel Lounge Chair
188 Fredericia

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189

Ditzel Lounge Chair.
Upholstery: Carlotto 500
Legs: Walnut lacquered
Tableau Coffee Table

190 Fredericia

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Challenging conventional seating
The Corona Chair by Poul M. Volther is anexperimental take on Danish design.
Sculptural, eye-catching and original, theCorona is a lesson in geometry. A consequent
design with elliptical-shaped, upholsteredseat pads descending in size. It’s an intriguing
approach that challenges conventional seating,resulting in Corona’s image as a design icon
coveted the world over.

Corona Chair
Upholstery: Melange Nap 111
Base: Brushed chrome

Truly Volther’s masterpiece, Corona has
starred in numerous movies and music videos
and continues its stage career to this day.
Given Corona’s rare combination of organic
shapes and streamlined graphics, the chair isa favourite in business environments, such as
executive offices and reception areas, as wellas private homes.

Volther was a firm believer in functionalism.
An architect and designer who trained asa cabinetmaker, he was encouraged byhis colleague Hans J. Wegner to work at
the design studio of the Danish Wholesale
Cooperative under the leadership of Børge
Mogensen, who stayed until 1950, leaving
Volther in charge. There Volther experimented
with designs that could minimise the use of
fabric, in short supply at the time.

Poul M. Volther, 1964

Model 5000
Lounge Chair
W 88 D 82 H 97 cm
SH 42 cm

Model 5002
Ottoman
W 75 D 49 H 47 cm

Base:
Brushed chrome, Black.

Base:
Brushed chrome, Black.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Corona Chair& Ottoman
192 Fredericia

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Corona Chair. Upholstery: Fiord 961. Base: Brushed chromeCorona Chair. Upholstery: Leather Primo 88 Black. Base: Brushed chrome.
EJ66 Table. Table top: White Carrara. Base: Stainless steel.

194 Fredericia

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195

Corona Chair. Upholstery: Fiord 96. Base: Brushed chromeCorona Table. Table top: Glass. Base: Brushed chrome

196 Fredericia

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197

Following the contours of the bodyWith its thin frame that curves to follow thenatural contours of the body, the Vodder
Chaise captures the essence of designer
Arne Vodder’s approach to design. Reflecting
his fondness for natural, organic shapes freeof sharp edges. The soft, luxurious leather
upholstery adds character to this classic
launched in 1972, which Vodder proudly
showcased in his own home.

Vodder Chaise
Upholstery: Leather Max 96 Dark Brown
Base: Brushed stainless steel

Vodder was part of the “second generation”
of Danish furniture designers. He trained with
Finn Juhl and later left his own mark on MidCentury Modern with his simple, noble designs
comprised of natural materials and subtle
details. The Vodder Chaise can be found inprominent global offices, such as the UN officein Geneva, as well as numerous hotels, banks
and embassies worldwide.

Arne Vodder, 1972

Model 7230
Chaise longue
W 64 D 155 H 84 cm
SH 40 cm

Base:
Brushed stainless steel
Upholstery:Seat cushion in leather or fabric
Structural cover:
Natural canvas
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Vodder Chaise
198 Fredericia

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Modern in any milieu
Jens Risom is known for introducing a
Scandinavian design sensibility to the American
market. There he pursued a successful career
designing an array of pieces which stemmed
from functionality, imbued with a New Yorksense of style and savoir-faire. Risom went
on to leave a legacy of stunning, streamlined
designs. Echoing his sentiment that ”whensizing up a chair, do it sitting down”, Risom’s
design of the A-Chair fuses comfort with awell-tailored sense of class.

A-Chair Metal Base
Upholstery: Steelcut Trio 124
Base: Matt chrome

With the A-frame in the back that cradles
the chair, it began as a functional detail andbecame the signature trait. The slight angleof the back is mirrored in the angles of thearms, adding a sense of equilibrium to theleaned back look. The two-piece back andseat cushion add comfort and are discretely
incorporated into the design as graphic
elements.

Meadow Lamp

It's a graceful, comfort-conscious chair driven
by a purpose. Originally conceived in 1961,
the A-Chair will always look modern in any
milieu, exquisitely executed so lounging feellikes a luxury.

Jens Risom, 1961

Model 6540
Lounge Chair, Wood base
W 78 D 87 H 87 cm
SH 42 cm

Model 6542
Lounge Chair, Metal base
W 78 D 87 H 87 cm
SH 42 cmWood:
Oak lacquered, Black lacquered,
Walnut lacquered.

Metal base:
Black, Matt chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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The A-Chair
200 Fredericia

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A-Chair. Upholstery: Tonus 135. Base: Black lacquered.
Magazine Table
Tableau Coffee Table

A-Chair. Upholstery: Sunniva 717. Base: Walnut lacquered.

202 Fredericia

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203

Leather forms the framework
The Savannah Chair is a masterful merging
of structure, softness and materiality. Saddle
leather forms a framework that wraps aroundthe soft seat and back cushions supported bya solid wooden core. The two smaller innercushions for the armrests enhance the comfort
with almost a cocooning feeling.

Savannah Chair. Upholstery: Fiord 991 / Black leather. Wood: Oak black lacquered.

The chair showcases our heritage ofcraftsmanship and love of natural materials,
seen in the use of leather and fine woodworking.
A variety of leather, wood finishes and fabrics
gives you the freedom to create a matching,monotone colour scheme. Or create contrast
with a mix of tones.

Monica Förster, 2015

Model 8801
Lounge Chair
W 89 D 84 H 80 cm
SH 42 cmWood:
Oak light oil, Black lacquered.
Saddle leather on frame:
Black or Cognac
Upholstery (cushions):
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Savannah Chair
204 Fredericia

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205

Savannah Chair. Upholstery: Balder 612 / Cognac leather. Wood: Oak light oil.

Savannah Chair. Upholstery: Fiord 391 / Black leather. Wood: Oak black lacquered.

206 Fredericia

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Take it easy
Hotel rooms, cafés, cosy lobbies, lounge areas,
meeting rooms and living rooms. Wherever you
have a minimal amount of space, the Lemon
Chair is an intuitive answer for sitting in style.
Able to add a little “twist” to any interior.

Lemon Chair
Upholstery: Melange Nap 111
Base: Stainless steel

The look is simple and embracing in asomewhat small lounge chair that’s big on
comfort. Designed with a soft seat cushion, ahigher curve in the back for extra support andsoftly curved armrests.

Johannes Foersom &Peter Hiort-Lorenzen, 2013

Insula Piccolo Table
Black aluminium

Model 4944
Lounge Chair, Wood baseW 68 D 68 H 75 cm
SH 42 cm

Model 4945
Swivel Lounge Chair, X-base
W 68 D 68 H 75 cm
SH 42 cmWood:
Oak lacquered

Base:
Stainless steel

Upholstery:
FabricUpholstery:
FabricPRODUCT SHEET DOWNLOADFREDERICIA.COM

Lemon Chair
208 Fredericia

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209

Calibrated for comfort
One look at Pato Lounge and don’t be
surprised if you find yourself inclined torelax just at the sight of it. The curve of theseat mirrored in the back are united in one
supportive shell finessed for comfort. The
broad width allows you to nestle in while in a
hotel lobby, waiting room or private living room.
To relax while at work or after work in a bar.

Welling/Ludvik, 2016/17/18

Pato Lounge
Upholstery: Leather Max 96 Dark Brown
Wood: Smoked oak stained

Given its minimalistic aesthetic, the Pato
Lounge leaves room for endless opportunities
to customise. The wooden base exudes a
touch of warmth while the swivel base allows
for freedom of movement. Choose from ourcurated selection of fabrics to fine-tune thevisual impression from subtle to striking.

Pal Table
Table top: Walnut oil
Base: Brushed sainless steel
Meadow Lamp

Model 4382
Swivel Lounge Chair, X-base
W 63 D 67 H 71 cm
SH 40 cm

Model 4372
Lounge Chair, Sledge baseW 63 D 69 H 72 cm
SH 40 cm

Model 4392
Lounge Chair, Wood baseW 63 D 69 H 72 cm
SH 40 cm

Model 4362
Lounge Chair, 4 Leg
W 63 D 69 H 72 cm
SH 40 cm

Metal base:
Black, Polished aluminium.

Metal base:
Black, Chrome.

Metal base:
Black, Chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

Wood:
Oak lacquered, Oak black lacquered,
Smoked oak stained.
Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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Pato Lounge
210 Fredericia

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211

Pato Swivel Lounge Chair. Upholstery: Leather Max 96 Dark Brown.
Base: Polished aluminium.

212 Fredericia

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213

Stay a while
With its gentle curves and slight angle back,the Eyes Lounge is a visual cue to sit back andstay a while. To relax in a hotel lobby, hold an
informal meeting or work on your laptop in yourliving room.
The simple shape lends itself to the opportunity
to customise. Including variants with woodenlegs, a swivel base or a 4-leg tube.

Johannes Foersom &Peter Hiort-Lorenzen, 2007

Eyes Lounge Wood Base
Upholstery: Carlotto 900
Base: Black lacquered

Designers Foersom & Hiort-Lorenzen see
quality and comfort are inseparable. It wouldn’t
be a long-lasting design to have one without
the other.

Pal Table
Table top: Oak oil
Base: Black

With the Eyes Lounge Chair, you have allthat in a stylish expression suitable for any
occasion and any sector, whether corporate,commercial, hospitality or private.

Model 4850
Lounge Chair, 4 Leg
W 65 D 71 H 72 cm
SH 38 cm

Model 4854
Lounge Chair, Wood baseW 65 D 71 H 72 cm
SH 39 cm

Model 4856
Lounge Armchair, Wood baseW 65 D 71 H 72 cm
SH 39 cm

Model 4858
Swivel Lounge Chair, X-base
W 65 D 71 H 72 cm
SH 39 cm

Base:
Black, Brushed chrome.

Wood:
Oak lacquered, Black lacquered,
Smoked oak stained.

Wood:
Oak lacquered, Black lacquered,
Smoked oak stained.

Base:Black, Polished aluminium.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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Eyes Lounge
214 Fredericia

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Eyes Lounge Wood Base. Upholstery: Carlotto 900. Base: Brushed chrome.

Eyes 4 Leg Barstool. Upholstery: Gentle 183. Base: Black.
Eyes Lounge 4 Leg. Upholstery. Carlotto 900. Base: Black.
Meadow lamp

216 Fredericia

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217

Cubism revisited
The EJ 50 Club Chair exemplifies design purity,with its sleek lines achieved with extreme
precision. Every inch is carefully considered toeliminate anything unnecessary and to ensurethat everything is impeccably aligned. Cubist in
shape, the width of the frame is echoed in theseat and back cushions, bringing a beautiful
sense of balance throughout.

EJ50 Chair
Upholstery: Leather Primo 88 Black
Legs: Stainless steel

In this true tribute to the Bauhaus mantra thatless is more. The effect is simple yet striking.
Designed to partner with the EJ 50 Sofa fora visually compelling set-up in a corporate
environment, hotel venue or lounge. Pair two
EJ 50 Club Chairs together to create symmetry.
Or feature one as a subtle statement piece.

Erik Jørgensen Studio, 2004

Model 5021
Lounge Chair
W 69 D 73 H 70 cm
SH 44 cm

Model 5031
Lounge Chair
W 76 D 80 H 70 cm
SH 44 cm

Base:
Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

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EJ50 Club Chair
218 Fredericia

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219

Clean, uncluttered lines
With the Calmo Chair, straight lines anddiscrete curves converge in a singular aesthetic
that signals serenity. The look is linear andexpansive in the structured exterior, softenedby a graceful curve on the inside of thearmrests, accompanied by soft tailored andback cushions.

Hugo Passos, 2019

Calmo Lounge Chair. Upholstery: Tonus 244. Base: Smoked oak stained.
Piloti Stone Coffee Table. Table top: Grey Pietra marble. Legs: Black.
Fellow Lamp

Echoing the same clean design lingo is the
Calmo Ottoman. Perfectly proportioned topartner with the Calmo Chair or Sofa, add it
as an extra element of comfort for stretching,relaxing and lounging. Or for placing booksor blankets. The depth of the seat and roomy
width make the pair a cosy option for working
at home or adding a touch of home to work.

Model 5521/5621
Lounge Chair 80
Wood/Metal baseW 90 D 90 H 75,5 cm
SH 41 cm

Model 5520/5620
Ottoman 80
Wood/Metal baseW 80 D 95 H 41 cm

Model 5551/5651
Lounge Chair 95
Wood/Metal baseW 105 D 90 H 75,5 cm
SH 41 cm

Model 5550/5650
Ottoman 95
Wood/Metal baseW 95 D 65 H 41 cm

Wood base:
Oak lacquered, Smoked oak stained.

Wood base:
Oak lacquered, Smoked oak stained.

Wood base:
Oak lacquered, Smoked oak stained.

Wood base:
Oak lacquered, Smoked oak stained.

Metal base:
Black, Matt chrome.

Metal base:
Black, Matt chrome

Metal base:
Black, Matt chrome

Metal base:
Black, Matt chrome

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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Calmo Chair & Ottoman
220 Fredericia

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221

The essence of versatility

Mono Pouf
Upholstery:
Grand linen 0024
Leather Omni 301 Black
Leather Omni 307 Cognac
Leather Vegeta, 90 Natural

The Mono Pouf is a singular concept witha multitude of possibilities. Either as an
appealing seating option, side table, footrestor decorative item, the cylindrical shape in
different circumferences and heights makes
Mono a welcome addition to any space.
From retail and commercial venues to thehospitality and private sectors.

Birgitte Due Madsen & Jonas Trampedach,
2020

Model 7421
Pouf
D 39 H 43 cm

Model 7423
Pouf
D 55 H 38 cm

Model 7425
Pouf
D 90 H 38 cm

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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Mono Pouf
222 Fredericia

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223

SofasArmed with over 100 years of sofa experience, our sofa competence is second
to none. Our expertise extends from designing sofas to addressing the changing
role of sofas in the landscape of our lives. Today, sofas have moved from theepicentre of private living rooms to flexible workspaces. As a place to luxuriate
in a hotel suite, able to make a public space feel more private and a reception
area more inviting. Add a sofa to a formal setting and people tend to relax.
224
Or Fredericia
transform a cold interior into a warm atmosphere.

Modern Originals

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225

Mogensen 2212 & 2213 Sofa
228
Mogensen 2208 & 2209 Sofa
232
Mogensen Coupé Sofa
234
Mogensen 2335 & 2333 Sofa
236
Delphi Sofa
238
Delphi Elements
240
Spine Lounge Sofa & Daybed
246
EJ315 Sofa
250
The Spoke-Back Sofa256
No.1 Sofa
260
Savannah Sofa
262
Calmo Sofa
264
Konami Sofa now the only one not specified as Sofa? 270
Risom 65 Sofa
274
EJ280 Sofa
278
EJ280 Elements
284
EJ288 Sofa286
EJ295 Chaise Sofa
290
EJ50 Sofa
292
Kile Sofa
294
Haiku Sofa
296
Hector Sofa
300
EJ220 Sofa
304
EJ220 Elements
306

Sofas

226 Fredericia

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227

Designed for Mogensen’s own home
Børge Mogensen advocated the idea thatfurniture should create a sense of tranquility,with a modest appearance that encourages
people to live their lives unpretentiously.

2213 Sofa
Upholstery: Leather Vegeta, 90 Natural
Legs: Oak light oil

The 2212 Sofa is a 2-seater version with all
the same attributes and appeal. Both areclassics found in executive offices, embassies,
government buildings and private homes theworld over.

The Spanish Chair
Leather: Natural saddle leather
Wood: Oak soap

The 2213 Sofa embodies all of that andmore. The armrests feature a curve upwards
towards the back, as a subtle, signaturedetail in a truly comfortable 3-seat sofa that
Mogensen designed for his own home in
1962. With generous proportions and leather
craftsmanship that fulfil another ambition ofMogensen – to create the ultimate sofa.

Børge Mogensen, 1962

Model 2212
Sofa, 2 seater
L 158 cm D 81 H 80
SH 43 cm

Model 2213
Sofa, 3 seater
L 221 cm D 81 H 80
SH 43 cmWood:
Oak soap, Oak oil, Oak light oil,
Oak black lacquered, Walnut oil.

Wood:
Oak soap, Oak oil, Oak light oil,
Oak black lacquered.

Upholstery:
Limited selection of leathers and fabrics

Upholstery:
Limited selection of leathers and fabrics

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Mogensen 2212 & 2213 Sofa
228 Fredericia

Modern Originals

Crafted to Last229

2213. Upholstery: Leather Max 96 dark brown. Legs: Walnut.
2204. Upholstery: Leather Max 96 dark brown. Legs: Walnut.
Piloti Stone Coffee Table. Table top: Grey Pietra marble.
Locus Bowl

230 Fredericia

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231

Understated statement piece
Børge Mogensen’s exceptional sense of
proportions are at the core of this statement
piece sofa. The Mogensen 2209. Capturing
a key aspect of his design mantra, namely
furniture with a calm aesthetic. Seen from theside, the quiet curve of the armrest and thegentle angle of the back are signature details
that make this a simple, noble design. The
Mogensen 2208 has all the same attributes
in a 2-seater version.

Børge Mogensen, 1963

Mogensen 2209 sofa. Upholstery. Leather Vegeta 90 Natural. Legs. Oak light oil.

For both sofa sizes, the ratio of foam toleather for the seat and back cushions has
been carefully measured for comfort. Ourvariety of wood finishes for the base and vastarray of leather options add a touch of cachet
to this simple sofa series, found in embassies,
minister’s cabinets and upscale hotels aroundthe world.

Model 2207
Lounge Chair
Page 148

Model 2202
OttomanPage 148

Model 2208
Sofa, 2 seater
L 128 cm D 82 H 84
SH 43 cm

Model 2209
Sofa, 3 seater
L 186 cm D 82 H 84
SH 43 cmWood:
Oak soap, Oak oil, Oak light oil, Oak
black lacquered, Walnut oil.

Wood:
Oak soap, Oak oil, Oak light oil, Oak
black lacquered, Walnut oil.

Upholstery:
Limited selection of leathers and fabrics

Upholstery:
Limited selection of leathers and fabrics

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Mogensen 2208 & 2209 Sofa
232 Fredericia

Modern Originals

Crafted to Last233

A legacy of lasting lifetimes
The Coupé Sofa has a high, cushioned backthat extends upwards with a cushioned section
for the neck, featuring wings on either side. The
effect is an enveloping experience as a calm
retreat in large, open spaces. Or for a formal
setting in need of cosiness. Mogensen wasalways insistent on the highest quality materials
with an uncompromising approach to comfort.
And the Coupé Sofa is no exception.

Coupé Sofa
Upholstery: Leather Vegetal 90 Natural
Legs: Walnut oil

Each sofa is made by hand, involving expert
craftsmanship skills and the finest leather.
The sturdy construction and subtle angle
backwards allow for sitting upright whilestill relaxed. Seen from the side, the slight
enclosure provided by the wings is meticulously
measured to optimise a sense of intimacy.
In this classic sofa with a legacy of lasting
lifetimes.

Børge Mogensen, 1971

Model 2292
Coupé Sofa, 2 seater
L 154 cm D 89 H 106
SH 42 cmWood:
Oak soap, Oak oil, Oak light oil, Oak
black lacquered, Walnut oil.
Upholstery:
Limited selection of leathers and fabrics
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Mogensen Coupé Sofa
234 Fredericia

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235

A restrained aesthetic

2333 Sofa. Upholstery: Leather Max 95 Cognac. Legs: Oak black lacquered.

Børge Mogensen always aimed for a restrained
aesthetic in designs with clarity and precision.

A range of leather and fabric options,
including velvet, add a tactile dimension
to a concept that continues to be one of
As the last sofa he designed before his untimely Mogensen’s most iconic.
death in 1972, the Mogensen 2333 personifies
his fondness for designs driven by vertical andhorizontal lines. Emphasising the rectangularappearance of the 2333, the inner cushions sit
upright and parallel to the armrests. Giving astrong graphic impression that’s modest
yet self-confident.

Børge Mogensen, 1971/75

Model 2334
Lounge Chair
W 85 D 78 H 78
SH 43

Model 2335
Sofa, 2½ seater
L 180 cm D 78 H 78
SH 43 cm

Model 2333
Sofa, 3 seater
L 207 cm D 78 H 78
SH 43 cmWood:
Oak light oil, Oak black lacquered.

Wood:
Oak light oil, Oak black lacquered.

Wood:
Oak light oil, Oak black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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Mogensen 2333 & 2335 Sofa
236 Fredericia

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237

Able to stand out or blend in
The Delphi is elegant with an expansive feeling.
A sensual, streamlined design that captures theessence of simplicity, in a striking aesthetic able
to stand out or blend in. The unique curve of
the inner armrests at either end is a signaturedetail. In between is an uninterrupted space forsitting, stretching out or lounging. The low backis aligned with the arms, which gives the sofa
a sleek sophistication. All of which has earned
the Delphi its reputation as a contemporaryclassic with a cool factor.

Delphi Sofa. Upholstery: Fiord 151. Base: Brushed aluminium.
Spanish Chair. Leather: Saddle leather black. Base: Smoked oak.
Tableau Coffe Table
Locus Bowl

Delphi was designed by Hannes Wettstein,considered one of the most innovative talentsof his generation. He was a highly-regarded
figure in the industry, known for surprisingly
simple solutions that outlasted time. An awardwinning Swiss designer whose focus spanned
furniture, interior design and architecture to
consumer products and communications.
Wettstein died prematurely in 2008 but his
designs continue to be appreciated aroundthe world to this day.

With the Delphi Ottoman as its companion,
the square shape and generous size allows
you to create a chaise longue look. Use theottoman as extra seating for guests or the kids.
To place your computer, magazines and otheressentials. Or to enjoy as a footrest. The Delphi
concept is all about options, which makes it afavourite in hotels, lobbies and private homes.

Hannes Wettstein, 2007

Model 4510
Sofa
L 205 D 85 H 66 cm
SH 37 cm

Model 4511
Sofa
L 240 D 85 H 66 cm
SH 37 cm

Model 4512
Sofa
L 325 D 85 H 66 cm
SH 37 cm

Model 4516
Daybed
L 205 D 85 H 37 cm
SH 37 cm

Model 4508/4509
OttomanØ 85/120 cm
SH 37 cm

Base:
Brushed aluminium, Oak light oil.

Base:Brushed aluminium, Oak light oil.

Base:Brushed aluminium, Oak light oil.

Base:Brushed aluminium, Oak light oil.

Base:Brushed aluminium, Oak light oil.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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A series of cushions to accompany the series available

Delphi Sofa
238 Fredericia

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Inventive in terms of options
Elegant in its expression, subtle in thedetails and inventive in terms of options,
Delphi Elements is a stunning fusion of Swiss
precision and Danish craftsmanship. The
look is streamlined and stylish in an inviting,ergonomic design that’s a contemporaryclassic.

Delphi Elements
Upholstery: Leather Max 95 cognac
Base: Brushed aluminium

Featuring a depth that’s optimised for sitting or
relaxing for hours. Delphi Elements is suitablefor high-end hospitality venues, corporate
environments, retail spaces and private
residences.

Compared to typical sofas, Delphi Elements
exudes sublime simplicity expressed in amodular, lifestyle solution. Featuring modules
that allow you to create your own bespoke
sofa set-up. Including the seat as a separate
element to stand on its own or to combine
into a chaise longue. As well as versions
without armrests to create sofa clusters ofvarious shapes. In order to achieve the tight,
comfortable shape with no loose cushions,
it involves expert upholstery skills.

Hannes Wettstein, 2007

Module 4501
End module,
left or right
L 120 D 85 H 66
SH 37 cm

Module 4514
End module,
left or rightL 180 D 85 H 66
SH 37 cm

Module 4513
Corner module
L 85 D 85 H 66
SH 37 cm

Module 4502
Seat module
L 120 D 85 H 66
SH 37 cm

Module 4506
Seat module
L 85 D 85 H 66
SH 37 cm

Module 4505
Ottoman
L 85 D 85 H 37
SH 37 cm

Module 4504
Ottoman
L 120 D 85 H 37
SH 37 cm

Module 4503
Side module
L 85 D 120 H 66
SH 37 cm

Base:
Brushed aluminium, Oak light oil, Black.
Upholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Configuration example A
Model 4504/4501(left)/4506/4501(right)
L 325 D 170 H 66 SH 37 cm
SH: 37 cm

Configuration example B – Right
Model 4514(left)/4513/4501(right)
L 265 D 205 H 66
SH 37 cm

Configuration example C
Model 4503/4503/4501(left)/4502/4501(right)
L 360 D 255 H 66
SH 37 cm

Delphi Elements
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Delphi Elements. Upholstery: Leather Max 96 Dark Brown. Base: Brushed aluminium.
Ox Chair. Upholstery: Leather Max 95 Cognac. Base: Brushed aluminium.
EJ66 Coffee Table. Table top: White Cararra. Base: Brushed Stainless steel.
Sequoia Pouf. Upholstery: Sheepskin.
Hydro Vase

242 Fredericia

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Delphi Elements. Upholstery: Leather Max 95 Cognac. Base: Brushed aluminium.
Spanish Dining Chair. Upholstery. Natural saddle leather. Wood: Oap oak.
Islet Coffee Table. Wood: Oak light oil.
Hydro Vase
Locus Bowl

244 Fredericia

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Poetic yet purposeful

Spine Lounge Suite Sofa. Upholstery: Leather Omni 301 Black. Base: Black lacquered.

Spine Lounge Suite is a testament tosimplicity as the ultimate form of exclusivity.
Spine was originally designed for a Michelinstar restaurant in Copenhagen and has since
expanded into an entire series with the same
signature approach. Fluid lines form a solid,
succinct design that exudes luxury fromevery angle.

Space Copenhagen, 2011/16

Model 1710
Lounge Suite Chair
Page 184

Model 1711
Lounge Suite Chair Petit
Page 184

Model 1712
Suite Sofa 2 seater
L 160 D 81 H 71 cm
SH 41 cm

Model 1700
DaybedL 190 D 85 H 45 cm
SH 35 cmWood:
Oak lacquered, Black lacquered.

Wood:
Oak lacquered, Black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Spine Lounge Sofa
& Daybed
246 Fredericia

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Spine Lounge Suite Sofa. Upholstery: Leather Omni 301 Black. Base: Black lacquered.
Piloti Stone Coffee Table. Table top: Grey Kendzo marble. Legs: Black
Spanish Dining Chair. Leather: Saddle leather black. Base: Oak black oil.
Sequoia Pouf. Upholstery: Wool.

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A beautifully composed classic
With the EJ315 Sofa, everything culminatesin a beautifully composed and crafted design.
Given the rapid changes in the work
environment, the EJ315 is appealing forinnovative office concepts emerging around theglobe. It also brings a touch of class to airport
lounges, hospitality venues, reception areasand private residences.

Erik Ole Jørgensen, 1975

EJ315 Sofa
Upholstery: Fiord 96
Legs. Walnut oil

Designed in 1975 by Erik Ole Jørgensen, theEJ315 is emblematic of Danish craftsmanshipand attention to detail. Educated as a furniture
upholsterer and subsequently as an architect,Jørgensen had an intuitive sense of tactility,
also seen in his work with fabrics. The EJ315
is a perfect example.

EJ66 Table
Table top: White Carrara
Base: Brushed stainless steel
Hydro Vase

Model 1521
Lounge Chair
W 71 D 75 H 81 cm
SH 43 cm

Model 1520
Ottoman
W 50 D 62 H 43 cm

Model 1522
Sofa, 2 seater
L 153 D 77 H 81 cm
SH 43 cm

Model 1542
Sofa, 2½ seater
L 180 D 77 H 81 cm
SH 43 cm

Model 1523
Sofa, 3 seater
L 210 D 77 H 81 cm
SH 43 cmWood:
Oak soap, Oak light oil, Walnut oil,Black lacquered.

Wood:
Oak soap, Oak light oil, Walnut oil,Black lacquered.

Wood:
Oak soap, Oak light oil, Walnut oil,Black lacquered.

Wood:
Oak soap, Oak light oil, Walnut oil,Black lacquered.

Wood:
Oak soap, Oak light oil, Walnut oil,Black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

EJ315 Sofa
250 Fredericia

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EJ315. Upholstery: Clay 12. Wood: Oak light oil.
EJ66 Table. Table top: Black Marquina. Base: Brushed stainless steel.

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EJ315 Sofa.
Upholstery: Fiord 771
Legs: Walnut oil

EJ315 Sofa. Upholstery: Fiord 771.

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Multi-purpose personified
Two of Denmark’s most prolific designers fromthe last century, Børge Mogensen and Hans
J. Wegner, were not only friends and school
mates, they were also colleagues with a mutual
passion for simplicity and functionality. Whileeach one made a name for himself during
the Danish Modernism movement, they often
collaborated on a number of projects.

Spoke-Back Sofa
Upholstery: Leather Omni 301 Black
Wood: Oak black lacquered

They transformed their stand into a livingroom, where Mogensen presented a hybridof a daybed and a chaise longue, with ahinged side. While the Spoke-Back Sofa was
acclaimed for its innovative approach, it wasconsidered too sophisticated for post-war
tastes. It wasn’t until 1963 that the sofa wasput into industrial production. Exemplifying
Mogensen's idea of a multi-purpose sofa.

Magazine Table
Wood: Oak black lacquered

Back in 1945, the post-war optimism of WW2
ushered in new opportunities for designers
to re-envision a fresh future. Denmark had
already established itself as a platform for risingstars to showcase their ideas, with the annual
exhibition by the Copenhagen Cabinetmakers’
Guild. Mogensen and Wegner joined forces increating their idea of “A Home for the Future”.

Børge Mogensen, 1945

Model 1789
Sofa, 2 seater
L 160/197 D 76,5 H 86 cm
SH 40 cmWood:
Oak soap, Oak black lacquered,
Oak white painted.
Upholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

The Spoke-Back Sofa
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Spoke-Back Sofa. Upholstery: Cotil 863. Wood: Oak soap.

Spoke-Back Sofa. Upholstery: Cotil 53938. Wood: Oak soap.

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Masterful sense of materials
In 1955, when Andreas Graversen acquired
Fredericia, he did so with one stipulation.
That the production of furniture would bealigned with the vision of Børge Mogensen,
who Graversen had appointed as Head of
Design based on Mogensen’s pure, honest,
unpretentious style. The No. 1 Sofa was thefirst sofa series that Mogensen designed forFredericia, and it marked the start of a close
collaboration.

No. 1 Sofa
Upholstery: Sunniva 242
Legs: Oak light oil

Mogensen imbued the No. 1 Sofa with hismasterful sense of materials and proportions,emphasising the horizontal and vertical lines,
with clean angular armrests. The tightly
upholstered wooden frame is softened byloose, interchangeable buttoned cushions.
It’s all in keeping with Mogensen’s quest to
create functional furniture that would enhancepeople’s everyday lives.

Børge Mogensen, 1955

Piloti Table
Wood: Oak light oil

Model 2002
Sofa, 2 seater
L 143 D 86 H 83 cm
SH 42 cm

Model 2003
Sofa, 3 seater
L 206 D 86 H 83 cm
SH 42 cmWood:
Oak soap, Oak light oil,
Oak black lacquered.

Wood:
Oak soap, Oak light oil,
Oak black lacquered.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

No.1 Sofa
260 Fredericia

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Open yet embracing
Savannah is a sofa series that celebrates
classic craftsmanship, natural materials and amix of textures. It’s comprised of a structure
made from solid wood, wrapped in leather,which creates a beautiful frame that extends
from each side all the way around the back of
the sofa. It’s an open yet embracing sofa by
Swedish designer Monica Förster, known forher strong sense of form, colour and detail,along with her passion for new materials
and technology.

Savannah Chair. Upholstery: Balder 612 / Cognac leather. Wood: Oak light oil.

Förster is an advocate of traditional craft
techniques, which she incorporates in her
process of inventing and renewing typologies
within industrial, furniture and object design.

Monica Förster, 2015

Model 8801
Lounge Chair
Page 204

Model 8802
Sofa, 2 seater
L 180 D 84 H 80 cm
SH 42 cmWood:
Oak light oil, Black lacquered.
Saddle leather on frame:
Black or cognac
Upholstery (cushions):
FabricPRODUCT SHEET DOWNLOADFREDERICIA.COM

Savannah Sofa
262 Fredericia

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In search of serenity
Calmo echoes our heritage of sofa expertisein a fresh typology, from Portuguese designer
Hugo Passos. A firm believer that “designs
must serve their purpose and, more thananything, they should bring you pleasure.”
The outcome is an archetypal sofa thatembraces our rational approach to forms that
follow function – balanced by subtle styling thatgives the series even more international appeal.
Referencing our legacy of sofa design, thewell-conceived construction of Calmo ensures
our decades of knowledge, ensuring theutmost comfort for decades to come. In fact,
the seating comfort of Calmo has undergone
a thorough analysis, incorporating the mostmodern ways people use sofas today.

Hugo Passos, 2019

Calmo Sofa
Upholstery: Ruskin 10
Base: BlackThe depth of the seat is calibrated to make thesofa conducive for working on a laptop as well
as socialising, with enough space to provide
a comfortable, soothing experience. At thesame time, the sofa offers enough support for aseated conversation, reclining and relaxing.

Piloti Table
Wood: Black

Calmo is impeccably crafted in line with oursofa philosophy, where the frame features tight
upholstery, while the loose filling cushions add
contrast and a casual feel to the formality ofthe sofa. From a practical perspective, whenupholstered in fabric, the cushions have fabricon both sides. Adding to the longevity of thelook, the cushions can be flipped over for amore even patina over time.

Model 5550/5650
Ottoman 95
Page 220

Model 5520/5620
Ottoman 80
Page 220

Model 5551/5651
Lounge Chair 95
Page 220

Model 5521/5621
Lounge Chair 80
Page 220

Model 5552/5652
Sofa, 2 seater 95
Wood/Metal Base
L 200 D 90 H 75,5 cm
SH 41 cm

Model 5553/5653
Sofa, 3 seater 95
Wood/Metal Base
L 295 D 90 H 75,5 cm
SH 41 cm

Model 5555/5655
Sofa, 3 seater Chaise 95
Wood/Metal Base
L 295 D 155,5 H 75,5 cm
SH 41 cmWood:
Oak lacquered, Smoked oak stained.

Wood:
Oak lacquered, Smoked oak stained.

Wood:
Oak lacquered, Smoked oak stained.

Metal base:
Black, Matt chrome.

Metal base:
Black, Matt chrome.

Metal base:
Black, Matt chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricModel 5522/5622
Sofa, 2 seater 80
Wood/Metal Base
L 170 D 90 H 75,5 cm
SH 41 cm

Model 5523/5623
Sofa, 3 seater 80
Wood/Metal Base
L 250 D 90 H 75,5 cm
SH 41 cm

Model 5525/5625
Sofa, 3 seater Chaise 80
Wood/Metal Base
L 250 D 155,5 H 75,5 cm
SH 41 cmWood:
Oak lacquered, Smoked oak stained.

Wood:
Oak lacquered, Smoked oak stained.

Wood:
Oak lacquered, Smoked oak stained.

Metal base:
Black, Matt chrome.

Metal base:
Black, Matt chrome.

Metal base:
Black, Matt chrome.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Calmo Sofa
264 Fredericia

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Calmo Sofa. Upholstery: Ruskin 10. Base: Black.
Spanish Chair. Leather: Saddle leather black. Base: Smoked oak oiled.
Tableau Coffe Table
Magazine Table. Wood: Black lacquered.

266 Fredericia

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Calmo Sofa. Upholstery: Ruskin 10. Base: Black.
Piloti Stone Coffee Table. Table top: Grey Pietra marble. Legs: Black.

268 Fredericia

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Minimalism reimagined

Konami Sofa
Upholstery: Vidar 1511
Legs: Black

Stylised curves create a tranquil mood in asofa that ventures into a new vernacular forminimalism reimagined.

Together with the back cushions gently angled
back, Konami was conceived as a welcoming
gesture for you to take a seat, relax andunwind. Adding to the ethereal feeling are the
A beautiful balance of aesthetics and execution slim steel legs that gracefully elevate the sofa
that stays true to its name - a contraction of the up from the floor.
Japanese ’ko’ and ’nami’ which means ’little
wave”. The sensual shape of each cushion is
like a silent wave on the slim frame, echoed in
the soft curve of the inner armrests.

Damian Williamson, 2019

Model 4952
Sofa, 2 seater
L 188 D 104 H 71 cm
SH 42 cm

Model 4953
Sofa, 3 seater
L 277 D 104 H 71 cm
SH 42 cm

Model 4962
Sofa, 2½ seater
L 235 D 104 H 71 cm
SH 42 cm

Model 4961
Loveseat Sofa, 1½ seater
L 125 D 104 H 71 cm
SH 42 cm

Base:
Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Upholstery:
Limited selection of fabrics

Upholstery:
Limited selection of fabrics

Upholstery:
Limited selection of fabrics

Upholstery:
Limited selection of fabrics

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Konami Sofa
270 Fredericia

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Konami Sofa. Upholstery: Vidar 1511. Base: Black.

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An ambience of elegance
The Risom 65 Sofa personifies the designer’s
belief that “comfort vs. function in furniture
can be quickly resolved. A well-designed sofa
settles the question in one sitting.”

Boasting an unadorned simplicity achieved
with architectural precision, the sofa’s purelines, geometric shapes and streamlined
expression are stripped of ornamentation.

Risom designed the sofa to look elongatedand inviting, signalling an instant feeling of
expansion, with loose seat and back cushions
that fit neatly into the concept. The subtle,
recessed base in steel makes the sofa appear
almost as if it’s floating just above the floor.

Originally designed in 1965, the Risom 65
Sofa has an irrefutably elegance that’s timeless.
Easy to envision in any contemporary setting,anywhere in the world.

Jens Risom, 1965

Risom 65 Sofa
Upholstery: Leather Omni 320 Dark Clay
Base: Brushed stainless steel

Model 6562
Sofa, 2 seater
L 186 D 93 H 69 cm
SH 36 cm

Model 6563
Sofa, 3 seater
L 266 D 93 H 69 cm
SH 36 cm

Base:
Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Upholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

Risom 65 Sofa
274 Fredericia

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Risom 65 Sofa. Upholstery: Leather Omni 320 Dark Clay. Legs. Brushed stainless steel.
A-Chair. Upholstery: Tonus 216. Base: Black lacquered.
Tableau Coffe Table

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Symmetry & simplicity
Clear, clean lines set the tone for the EJ280
Sofa, a modern, minimalistic design that’s allabout lounging with ease. Featuring rather
large, long, generous cushions that trigger
the desire to relax. Add the optional ottoman
as an extension of the sofa and to create achaise longue look, and you have a classy sofa
well-suited for countless scenarios. Drawing
on our years of experience in sofa design andproduction, the EJ280 is a beautiful exampleof uncompromising comfort.

Erik Jørgensen Studio, 2010

EJ280 Sofa.
Upholstery: Bardal 7698
Base. Brushed aluminium

Visually, the linear structure is in contrast to
the more relaxed, soft interior. The result is a
simple, harmonious aesthetic. A sofa that’s
versatile enough to create a cosy ambienceat home. Spacious enough to hold informal
meetings at work. Or as a statement piecein a hospitality venue.

EJ66 Table
Table top: White Carrara
Base: Brushed stainless steel

Model 8050
Ottoman 86
L 86 D 68 H 42 cm

Model 8060
Ottoman 100
L 100 D 68 H 42 cm

Model 8052
Sofa, 2 seater 86
L 212 D 90 H 73 cm
SH 42 cm

Model 8062
Sofa, 2 seater 100
L 240 D 90 H 73 cm
SH 42 cm

Sledge base:Brushed chrome

Sledge base:Brushed chrome

Sledge base:Brushed chrome

Sledge base:Brushed chrome

Seperate legs:
Brushed aluminium

Seperate legs:
Brushed aluminium

Seperate legs:
Brushed aluminium

Seperate legs:
Brushed aluminium

Wood:
Oak soap

Wood:
Oak soap

Wood:
Oak soap

Wood:
Oak soap

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

EJ280 Sofa
278 Fredericia

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EJ280 Sofa. Upholstery: Leather Primo 74 Umbra Grey. Base: Brushed aluminium.
Islets Coffee Table. Wood: Oak light oil.
Pon Table: Wood: Oak oil.
Mono Pouf. Upholstery: Grand Linen Natural.

280 Fredericia

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EJ280 Sofa. Upholstery: Clay 12. Base: Brushed aluminium.
Islets Coffee Table. Wood: Oak light oil.
Post Table. Wood: Oak light oil.
BM61 Chair. Cane wicker: Natural. Wood: Oak oil.
Mono Pouf. Upholstery: Leather Vegeta 90 Natural.
Locus Bowl

282 Fredericia

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A corner sofa conceived with comfort
Straight, definitive lines merge with soft, large
cushions in a slender sofa concept that’s easy
to envision anywhere. The EJ280 Elements is
all about simplicity and versatility. Building on aclassic frame with curved details, it’s a corner
sofa conceived with comfort, opening up all
kinds of possibilities for placement.

Erik Jørgensen Studio,
2018

Model 8089
Arm module
W 20 D 85 H 45
SH 36 cm

EJ280 Elements Sofa. Upholstery: Bardal 7698. Base: Brushed aluminium.
EJ66 Table. Table top: White Carrara. Base: Brushed stainless steel.

Given its classy yet casual appearance,
EJ280 Elements has ample seating for all kindsof co-working scenarios. Hotel lobbies. Retailspaces. And private homes. The wooden baseadds a down-to-earth feeling, with a choice offabrics that enhance a sense of softness. Styleit up for more exclusive venues and you still
have a sofa that retains its purity.

Model 8099
Corner module
L 98 D 98 H 80 cm
SH 42 cm

Model 8066
Seat module, 1 seater 100
L 100 D 90 H 80 cm
SH 42 cm

Model 8047
Seat module, 2 seater 76
L 152 D 90 H 80 cm
SH 42 cm

Model 8057
Seat module, 2 seater 86
L 172 D 90 H 80 cm
SH 42 cm

Model 8067
Seat module, 2 seater 100
L 200 D 90 H 80 cm
SH 42 cm

Sledge base:Brushed chrome
Seperate legs:
Brushed aluminium
Wood:
Oak soap
Upholstery:
FabricPRODUCT SHEET DOWNLOADFREDERICIA.COM

Modular example A
Models:8089/8047/8099/8047/8089
L 270 D 270 H 80 cm
SH 42 cm

Modular example B
Models:8089/8057/8099/8057/8089
L 290 D 290 H 80 cm
SH 42 cm

EJ280
Elements
284 Fredericia

Modular example C
Models:8089/8067/8099/8067/8089
L 318 D 318 H 80 cm
SH 42 cmModern Originals

Crafted to Last

285

Everyday informality
The EJ288 is a casual sofa with a
Scandinavian vibe. Adding to its air of
informality is an unconventional wooden frame
coupled with large, soft cushions. The EJ288
boasts numerous fine-tuned details, suchas the double curve for the armrests as asignature part of the design. Where the gentle
curve of the frame at each end is mirroredin the inner arm cushion, resulting in extra
comfort. In a nonchalant look that’s open
and inviting.

EJ288 Sofa
Upholstery: Linara 434
Legs: Oak lacquered

Careful attention has gone into amplifying
the comfort, so the sofa is equally comfortable
sitting in an upright position or leaning back,relaxing and socialising. Soft yet supportive,
comfortable yet surprisingly sturdy, the EJ288
is a welcome addition to both the private andcorporate sectors.

Erik Jørgensen Studio, 2018

Model 8862
Sofa 3 Seater
L 232 D 90 H 78 cm
SH 44 cm

Base:
Brushed aluminium, Oak lacquered,
Oak soap.
Upholstery:
Leather or fabric
PRODUCT SHEET DOWNLOADFREDERICIA.COM

EJ288 Sofa
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EJ288 Sofa. Upholstery: Linara 434.
Sequoia Pouf. Upholstery: Sheepskin.
J16 Stool. Paper cord. Natural. Wood: Oak soap.
Islets Coffee Table. Wood: Oak light oil.
Locus Bowl
Hydro Vase

288 Fredericia

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The sofa that’s a lounge
The EJ295 Chaise Sofa is elegant yet informal
with an understated aesthetic. It features anarray of refined details, which draw on our
extensive upholstery skills. Such as the soft
contours of the seat cushions that provide
maximum comfort for total relaxation, alongwith loose, reversible pillows.

EJ295 Chaise Sofa
Upholstery: Bardal 780
Base: Dark grey

A multi-purpose design that’s part lounge sofa,
part daybed, the EJ295 Chaise Sofa is ideal for
upscale private residences, a spacious country
home and the like. Whether as a stand-alone
centrepiece in a mansion or in the corner of a
spacious interior to create a sense of intimacy.

Erik Jørgensen Studio, 2016/18

Tableau Coffee Table
Hydro Vase

Model 2945
Chaise Sofa 76
L 240 D 168 H 70 cm
SH 40 cm

Model 2955
Chaise Sofa 86
L 270 D 168 H 70 cm
SH 40 cm

Base:
Chrome, Dark grey.

Base:
Chrome, Dark grey.

Upholstery:
FabricUpholstery:
FabricAvailable with right or left handchaise longue

Available with right or left handchaise longue

PRODUCT SHEET DOWNLOADFREDERICIA.COM

EJ295 Chaise Sofa
290 Fredericia

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Geometric precision
The EJ50 Sofa is a linear sofa that dispenses
with any extraneous details. Clean lines andcorners set the scene for cushions alignedwith geometric precision. The firm seat andback built for comfort. And the stainless-steel
frame, which elevates the sofa to create an
airy impression.

Erik Jørgensen Studio,
2004

EJ50 Sofa
Upholstery: Leather 301 Omni
Legs: Brushed stainless steel

Partner the EJ50 Sofa with the EJ50 Lounge
Chair and you have a subtle scenario for aninternational airport, law firm, hotel, loungeor executive headquarters.

Model 5021
Lounge Chair
Page 218

Model 5031
Lounge Chair
Page 218

EJ66 Table
Table top: Black Marquina
Base: Brushed stainless steel

Model 5042
Sofa, 2 seater
L 162 D 80 H 70 cm
SH 44 cm

Model 5033
Sofa, 2½ seater
L 198 D 80 H 70 cm
SH 44 cm

Model 5043
Sofa, 3 seater
L 298 D 80 H 70 cm
SH 44 cm

Base:
Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Base:Black, Brushed stainless steel.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

PRODUCT SHEET DOWNLOADFREDERICIA.COM

EJ50 Sofa
292 Fredericia

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The absence of visual noise
Kile is a modern sofa by Jasper Morrison witha sleek silhouette. Featuring slightly sloping
armrests and a one-piece straight back, thelook is clean, with an honest, unadorned
elegance. In line with Morrison's concept'Super Normal' – for which he has gainedinternational recognition – he dispenses
with any visual noise in this truly streamlined
concept designed for comfort. Where the ends
are angled to be slightly more open to makethe sofa appear even more welcoming.

Kile Sofa. Upholstery: Noise 132. Legs: Oak black lacquered.

Adding to Kile’s inviting shape is its comfortable
construction, built on a solid wood frame anduse of cold-cured foam. The subtle curve of theback is echoed in the arms in this unassuming
sofa that can inconspicuously blend into any
environment.

Jasper Morrison, 2016

Model 2702
Sofa 2 Seater
L 162 D 83 H 70 cm
SH 42 cm

Model 2703
Sofa 3 Seater
L 225 D 83 H 70 cm
SH 42 cmWood:
Oak light oil, Oak black lacquered.

Wood:
Oak light oil, Oak black lacquered.

Upholstery:
FabricUpholstery:
FabricPRODUCT SHEET DOWNLOADFREDERICIA.COM

Kile Sofa
294 Fredericia

Modern Originals

Crafted to Last295

An enclave of intimacy
Balancing classic and contemporary with
an element of the unexpected, GamFratesi
passionately pursue projects that are subtly
embedded with a story. Drawing on theirDanish/Italian roots as architects to create
well-crafted, conceptual ideas that embracecontrasts.
For their Haiku Sofa, inspiration came from theJapanese genre of poetry by the same name.
With Haiku poetry, the aim is to use very few
words to convey a myriad of emotions andassociations. To capture the essence of anexperience with succinct simplicity. Similarly,
GamFratesi’s Haiku Sofa is designed with justa few lines to convey a feeling that’s open yet
encompassing.

Haiku Sofa
Upholstery: Remix 143
Base: BlackTo highlight the contrast between the outershell and the interior is the option to mix ormatch a wide variety of fabrics. To complete
the picture, the delicate, discrete legs give theimpression that the sofa is almost hovering
above the ground.
In large, expansive spaces, the Haiku Sofa
introduces a cosy sense of comfort, where you
can create enclaves of intimacy with clustersof the larger high-back versions of Haiku. For
the hospitality sector and retail environments,
the smaller high-back version, will enhance a
feeling of privacy.

The clear outline of the outer shell is juxtaposed
against the soft interior, providing an intimate
sense of acoustic and visual privacy. At thesame time, the singular seat cushion, loose
pillows and upholstered back add an ample
feeling of comfort.

GamFratesi, 2012

Model 1632
Sofa, 2 seater
L 156 D 88 H 103 cm
SH 44,5 cm

Model 1633
Sofa, 3 seater
L 228 D 88 H 103 cm
SH 44,5 cm

Base:
Black

Base:
Black

Upholstery:
Leather or fabric.
Front side can only be upholsteredin fabric.

Upholstery:
Leather or fabric.
Front side can only be upholsteredin fabric.

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Haiku Sofa
296 Fredericia

Modern Originals

Crafted to Last

297

Haiku Sofa. Upholstery: Cobbelstone 2. Base: Black.
Pon Table. Wood: Oak light oil.

298 Fredericia

Modern Originals

Crafted to Last

299

Where contrast is key
Hector is a sofa that makes a statement
without imposing its presence, where slim lines
set the stage for soft cushions. Contrast plays
a key role in the linear look, enhanced by piping
all around, juxtaposed against the organic
impression of the cushioned interior. By mixing
or matching the fabric-upholstered shell withleather or fabric for the cushions, the result isa sofa you can truly personalise.

Hector Sofa
Upholstery: Leather Max 92 Cognac& Natural Canvas
Base: Brushed stainless steel

Given Hector’s unorthodox composition, with
its relatively high back and exceptional comfort,
it’s easy to imagine in a co-working scenario,
commercial venue or private home.

Pal Table
Table top: Oak light oil
Base: Brushed stainless steel
Meadow Lamp

Hector was conceived by Norwegian designers
Anderssen & Voll, who are keen on emotionallydriven designs that draw on a Scandinavian
aesthetic. Aiming for modern, clean concepts
that translate into a fresh design idiom.

Thorbjørn Anderssen & Espen Voll, 2016

Model 4782
Sofa, 2 seater
L 160 D 90 H 90 cm
SH 41 cm

Model 4783
Sofa, 3 seater
L 235 D 90 H 90 cm
SH 41 cm

Base:
Brushed stainless steel, Black.

Base:
Brushed stainless steel, Black.

Upholstery (cushions):
Leather or fabricUpholstery (cushions):
Leather or fabricUpholstery (frame):
Natural canvas or same fabric as
upholstered on cushions
Not available in leather

Upholstery (frame):
Natural canvas or same fabric as
upholstered on cushions
Not available in leather

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Hector Sofa
300 Fredericia

Modern Originals

Crafted to Last

301

Hector Sofa. Upholstery: Leather Max 95 Cognac / Natural canvas. Base: Brushed stainless steel.

Hector Sofa. Upholstery. Leather Max 95 Cognac / Natural canvas. Base: Brushed stainless steel.
Pal Table. Table top: Oak light oil. Base: Black.
Hydro Vase

302 Fredericia

Modern Originals

Crafted to Last

303

With effortless ease
Part of what makes the EJ220 Sofa awelcome addition to any scenarios is its
unassuming appearance. Long, slender lines
form the framework for a tranquil design where
you can relax with effortless ease. Resulting ina quiet sofa that you can incorporate into any
type of interior of décor.

Erik Jørgensen, 1970

EJ220 Sofa. Upholstery: Ruskin 10. Base. Brushed chrome.
EJ66 Table. Table top: White Carrara. Base: Brushed stainless steel.
Ditzel Lounge Chair. Upholstery: Sheepskin. Legs: Walnut laquered.
Hydro Vase

The soft cushions in contrast to the rigid
lines of the sofa’s back and base provide ahigh level of comfort, reflecting our decadesof experience with sofas and expertise withergonomics. Even though it was launched in
the early 1970s, the EJ220 Sofa is a timelessdesign appreciated for its uncomplicatedapproach to comfort.

Model 2042
Sofa, 2 seater 76
L 163 D 86 H 73 cm
SH 42 cm

Model 2052
Sofa, 2 seater 86
L 185 D 86 H 73 cm
SH 42 cm

Model 2033
Sofa, 3 seater 67
L 212 D 86 H 73 cm
SH 42 cm

Model 2062
Sofa, 2 seater 100
L 212 D 86 H 73 cm
SH 42 cm

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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EJ220 Sofa
304 Fredericia

Modern Originals

Crafted to Last

305

Unadorned expression
Given its slender lines and unadorned
expression, EJ220 Elements is arguably a sofa
concept for everyone. It’s an evolution of theEJ220 Sofa with an extra seat in the corner anda sofa seat just perpendicular. One united entity
in a corner sofa that’s easy to look at and live
with. The back cushions are tilted just a
bit to make sitting back as comfortable assitting upright.

Erik Jørgensen, 1970

EJ220 Elements
Upholstery. Bardal 220
Base: Brushed chromeThat’s in addition to our in-depth sofa
expertise embedded inside. To punctuate
the design, there’s a smaller, soft cushion oneither end just inside the arms. A subtle detail
adding a touch of warmth to a pure designthat’s always welcoming. Suitable for corporate
settings, lobbies and living rooms.

EJ66 Table
Table top: White Carrara
Base: Brushed stainless steel

Model 2089
Arm module
W 6 D 85 H 45 cm

Model 2099
Corner module
L 85 D 85 H 80 cm
SH 42 cm

Model 2066
Seat module 1 seater 100
L 100 D 85 H 80 cm
SH 42 cm

Model 2037
Seat module 2 seater 67
L 133 D 85 H 80 cm
SH 42 cm

Model 2047
Seat module 2 seater 76
L 150 D 85 H 80 cm
SH 42 cm

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Base:
Brushed chrome, Oak lacquered,
Oak soap.

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabricModel 2057
Seat module 2 seater 86
L 173 D 85 H 80 cm
SH 42 cm

Model 2067
Seat module 2 seater 100
L 200 D 85 H 80 cm
SH 42 cm

Model 2038
Seat module 3 seater 67
L 200 D 85 H 80 cm
SH 42 cm

Base:
Brushed chrome, Oak lacquered,
Oak soap

Base:
Brushed chrome, Oak lacquered,
Oak soap

Base:
Brushed chrome, Oak lacquered,
Oak soap

Upholstery:
Leather or fabricUpholstery:
Leather or fabricUpholstery:
Leather or fabric

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EJ220 Elements
306 Fredericia

Modern Originals

Crafted to Last

307

Tables

A table is a platform for sharing ideas, opportunities, emotions and opinions.
It’s rare to see a conference room without a table. A meeting room with justchairs. Or a dining room with no place to dine. A table is an essential elementthat allows people to work, study and socialise. It can be the focal point in an
executive office or an informal place to collaborate. Part of a meet and greet
308
exhibition
Fredericia
space or a statement piece in a retail or commercial venue.

Modern Originals

Crafted to Last

309

BM71 Library Table
C18 Table
6284 Table
6286 & 6386 Table
Islets Dining Table
Taro Table
Post Table
Ana Table
Mesa Table

Tables

310 Fredericia

Modern Originals

Crafted to Last

312
314
316
318
322
324
328
332
336

311

Every detail has a purpose
Børge Mogensen’s Library Table was saw
its initial debut at the Cabinetmakers Guild
Exhibition in 1958. The pure lines and open
construction are emblematic of his approach todesigns driven by function. Where every detailhas a precise purpose that correlates to its
use. By raising and securing the hinged leaves
at either end, the length of the table could be
doubled. When not in use, the hinged leaves
fold down to hang vertically. Resulting in aclean, rectangular profile of a practical,
multi-purpose design crafted in oak.

Library Table
Wood: Oak oil

The concept was inspired by the English
gateleg table dating back to the Baroqueperiod. But it was Mogensen’s refined visualexpression and elimination of anything
unnecessary, which contributed to its iconic
status. Modest in appearance and meticulously
proportioned, the Library Table is perfectly
suited for executive offices, conference rooms,
libraries, law offices, galleries and private
homes.

Børge Mogensen, 1958

BM61/BM62 Chair
Cane wicker: Natural

Model 6271
Dining Table
L 131/189/252 W 93 H 72 cm

Wood:
Oak lacquered, Oak oil.

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BM71 Library Table
312 Fredericia

Modern Originals

Crafted to Last

313

Functionally-driven
Børge Mogensen’s mission was to create
simple, functionally-driven furniture for everyday
use. The C18 Table from 1947 is an ideal
example. The clean lines are inspired by theutilitarian approach behind traditional
Shaker furniture.

C18 Table
Wood: Oak soap

The opportunity to extend the table by 40 cm
at each end allows you to transform the C18
from a dining table for the family to a dinnerparty with numerous guests. Or from a desk ina home office to a multi-purpose work station
with colleagues in a corporate setting.

Børge Mogensen, 1947

J39 Chair
Paper cord: Natural
Wood: Oak soap

Model 6290
Dining Table
L 180 W 90 H 73 cm

Model 6293
Dining Table
L 220 W 90 H 73 cm

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

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C18 Table
314 Fredericia

Modern Originals

Crafted to Last

315

Sense of proportion

6284 Table. Wood: Oak light oil.
Søborg Chair. Wood: Oak black lacquered. Base: Black.

Børge Mogensen designed a series oftables that would be practical and durable
for generations. The 6284 Table from 1958
embodies his desire for longevity in a restrained
aesthetic, made from the finest selection ofsolid oak available in a variety of finishes.
The 6284 has a sober, sturdy simplicity thatmakes it an appealing choice as a dining table
for restaurants, work settings and private
residences.
With the added advantage of additional
leaves that extend the table top by 40 cm
at each end.

Børge Mogensen, 1958

Model 6284
Dining Table
L 180 W 90 H 73 cm

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

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6284 Table
316 Fredericia

Modern Originals

Crafted to Last

317

Shaker style re-defined
Pure shapes and a humble appearance were
key attributes of Børge Mogensen’s designs.
They were also the guiding principles behind
the American Shaker movement, which was
Mogensen’s source of inspiration for the6286 Table from 1964, followed by thelonger 6386 variant.

6286 Table
Wood: Oak light oil

Allowing the texture and character of thematerial, in this case a premium selection ofoak, to be the focal point. The use of woodand craftsmanship involved in the making of
the 6286 adds an element of authenticity togroup dining, conference rooms, exhibition andcommercial spaces, as well as private homes.

Børge Mogensen, 1964

BM61 Chair
Wicker: Natural
Wood: Oak oil
Locus Bowl

Model 6286
Dining Table
L 195 W 97,5 H 73 cm

Model 6386
Dining Table
L 245 W 97,5 H 73 cm

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

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6286 Table
6386 Table
318 Fredericia

Modern Originals

Crafted to Last319

6286 Table. Wood: Oak light oil.
BM61 Chair. Wicker: Natural. Wood: Oak oil.
Locus Bowl

320 Fredericia

Modern Originals

Crafted to Last

321

Contrasts come together
Designer Maria Bruun brings a brilliant senseof equilibrium to the Islets Dining Table. A
cohesive design that juxtaposes a slim, roundtable top supported by solid, cylindrical oak
legs. As a result, the impression is strong
yet still subtle in a sculptural concept thatshowcases the innate beauty and enduring
integrity of oak.

BM61 Chair
Webbing: Linen webbing Natural
Wood: Oak oil

The name Islets takes its inspiration fromseveral small, man-made islands in a
Copenhagen borough called Christianhavn.
A vibrant, urban archipelago structurally
supported by a foundation of oak pillars.
Enjoy a harmonious design able to add
warmth and originality to any
dining experience.

Maria Bruun, 2020

Islets Dining Table
Wood: Oak light oil
Silhouette Mirror
Wood: Walnut
Locus Bowl

Model 6775
Dining Table
Ø 120 H 73 cm

Wood:
Oak light oil

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Islets Dining Table
322 Fredericia

Modern Originals

Crafted to Last

323

Akin to a plank table

Taro Table.
Wood: Smoked oak oil

Useful, understated, responsible design is an
ongoing theme for Jasper Morrison. Seen in
his focus on contemporary archetypes reduced
to their functional essentials, as part of his
definition of good design.

J39 Chair
Paper cord: Black
Wood: Oak black lacquered

The Taro Tables exude the natural appealof oak, which will patinate beautifully overtime, in a simple design that’s unassuming
yet appealing. Whether round or rectangular,
for residential dining or corporate meetings,
Taro commands attention with its solidity andstunning natural patterns of the wood grain.

Jasper Morrison, 2016

Model 6119
Dining/Café TableØ 90 H 73 cm

Model 6121
Dining Table
Ø 120 H 73 cm

Model 6141
Dining TableØ 140 H 73 cm

Model 6106
Dining Table
L 220 W 93,5 H 73 cm

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

Wood:
Oak soap, Oak light oil,
Smoked oak oil.

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Taro Table
324 Fredericia

Modern Originals

Crafted to Last

325

Yksi Chair
Upholstery: Leather Primo 75 Cognac
Wood: Oak oil
Taro Table
Wood: Oak soap
Magazine Table
Wood: Oak lacquered

326 Fredericia

Modern Originals

Crafted to Last

327

Only what’s essential
The Post Table illustrates the idea of eliminating
anything extra to solely focus on the essential.
A classic design expressed with modern
minimalism, the table is made from solid oak,featuring loads of leg room in the wide space
between the legs on either end. The table top
is available in three lengths, supported by thesame cylindrical legs as the Post Chair.

Post Table
Wood: Oak soap

Like the chairs, its minimalist design makes itsuitable for dining or meetings in a corporate,
private or hospitality settings. For designer
Cecilie Manz, her design process starts withexamining the purpose of a piece of furniture.
By stripping the concept down to only what's
necessary, the form that emerges from thefunction is pure and purposeful.

Cecilie Manz, 2020

Model 6438
Dining Table
L 225 W 100 H 73 cm

Model 6440
Dining Table
L 265 W 100 H 73 cm

Model 6442
Dining Table
L 320 W 100 H 73 cm

Wood:
Oak soap, Oak light oil.

Wood:
Oak soap, Oak light oil.

Wood:
Oak soap, Oak light oil.

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Post Table
328 Fredericia

Modern Originals

Crafted to Last

329

Post Table. Wood: Oak lacquered.
Post Chair. Upholstery: Sunnive 717. Wood: Oak lacquered.

330 Fredericia

Modern Originals

Crafted to Last

331

Sleek & discrete
The Ana Table is a dining table with a solid
wood frame and an extendable table top.
Underneath is a butterfly folding system,
providing a discrete place to store the leavesof the table when not in use. Conceived withagility in mind, the easy-to use extension
mechanism makes the Ana Table an enduring
design that allows for up to 12 guests. The
choice of table tops includes nano laminate
versions in a variety of colours, each with adifferent type of oak edge as an accent.

Ana Table
Table top: White nano laminate
Base: Oak soap

Resulting in a harmonious mix of materials
and hues, as well as a tactile experience ofthe smooth matt finish. Given the subtletiesof the design, from the edges in solid woodto the elegance of the extendable table top,it’s an extremely diverse table that could easily
work in combination with any type of chair.
For a multitude of uses, whether at home ina private setting or in a corporate milieu forbusiness meetings.

Arde, 2018

J64 Chair
Wood: Black ash

Model 6490
Dining Table
L 220/320 W 95 H 73 cm

Variants:
White nano laminate table top /Oak soap base and edges.
Almond nano laminate table top /Oak soap base and edges.
Almond nano laminate table top /Smoked oak oil-stained base andedges.
Black nano laminate table top /Smoked oak oil-stained base andedges.
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Ana Table
332 Fredericia

Modern Originals

Crafted to Last

333

Ana Table. Table top: White nano laminate. Base: Oak soap.
Verve Chair. Upholstery: Balder 212. Base: White.

334 Fredericia

Modern Originals

Crafted to Last

335

For virtually any venue
A simple, versatile table that blends seamlessly
into any décor, Mesa gives the impression of aslim line that appears across a room. Boastinga thin, linoleum table top in contrast to the soft
curves of the aluminium frame. Attached to
the frame are the legs, which are placed at theoutermost edges of the table. Allowing for themost leg room possible for any type ofchair imaginable.

Welling/Ludvik, 2013

Mesa Table
Table top: Black linoleum
Frame: Black

Whether as a desk, dining table or conferencetable, Mesa is a discrete, durable solution
that’s easy to assemble and disassemble. Ina streamlined aesthetic that makes it a natural
choice for virtually any situation. Adding a
tranquil sense of simplicity even to thebusiest of environments.

Pato Executive
Upholstery: Leather Max 93 Indian Red
Base: Polished aluminium

Model 4616
Table - dining, counteror bar height
L 160 W 90 H 73/96/105 cm

Model 4618
Table - dining, counteror bar height
L 180 W 90 H 73/96/105 cm

Model 4620
Table - dining or counter height
L 200 W 100 H 73/96 cm

Model 4625
Table - dining height
L 240 W 100 H 73 cm

Model 4630
Table - dining height
L 300 W 120 H 73 cm

Table top:
Black linoleum

Table top:
Black linoleum

Table top:
Black linoleum

Table top:
Black linoleum

Table top:
Black linoleum

Frame:
Black

Frame:
Black

Frame:
Black

Frame:
Black

Frame:BlackPRODUCT SHEET DOWNLOADFREDERICIA.COM

Mesa Table
336 Fredericia

Modern Originals

Crafted to Last

337

Mesa Table
Table top: Black linoleum
Frame: Black
Pato Office Chair
Upholstery: Rime 641
Base: Black

Mesa Table. Table top: Black linoleum. Frame: Black.

338 Fredericia

Modern Originals

Crafted to Last

339

Coffee Tables

Business settings, reception areas, hotel lobbies, lounges and living rooms.
Wherever there’s an opportunity for people to truly connect, there’s a coffee
table. It can be the centrepiece in a room. A practical place for your laptop
in a café or co-working scenario. Or simply a cosy place to gather
340
friends
Fredericiatogether.

Modern Originals

Crafted to Last

341

Pon Table
Insula Table
Pal Table
Islets Table
Piloti Table
Piloti Stone Table
Tableau Coffee Table
EJ66 Coffee Table
Corona Table
Eyes Lounge Table

Coffee Tables

342 Fredericia

Modern Originals

Crafted to Last

344
346
350
352
354
356
358
360
362
364

343

Various visual expressions
Pon is designed to be an alternative to theclassic coffee table. Instead of one table thattakes up space, the compact shape andvariety of sizes opens up a wide range of visualexpressions. From creating a cluster of tables
in different heights to creating contrast withvarious wood finishes to using Pon as standalone pieces in a commercial venue, businesssetting, the hospitality sector or in private
residences.

Pon Table
Wood:
Oak soap
Oak light oil
Oak black lacquered

Crafted entirely in solid wood, it was designed
so there’s no distinction between the table top
and frame. The top is flat with a slightly domed
shape underneath, which is mirrored in thebase. Because of its solidity, Pon is an ideal
addition to public spaces in need of a sturdy,
durable, versatile table.

Jasper Morrison, 2016

Model 1280
Side TableØ 35 H 36 cm

Model 1285
Side TableØ 40 H 41 cm

Model 1290
Side TableØ 45 H 46 cm

Model 1295
Coffee TableØ 90 H 38 cm

Wood:
Oak soap, Oak light oil, Smoked oakoil, Oak black lacquered.

Wood:
Oak soap, Oak light oil, Smoked oakoil, Oak black lacquered.

Wood:
Oak soap, Oak light oil, Smoked oakoil, Oak black lacquered.

Wood:
Oak soap, Oak light oil, Smoked oakoil, Oak black lacquered.

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Pon Table
344 Fredericia

Modern Originals

Crafted to Last345

An asymmetrical equilibrium
It’s rare to find coffee tables that areasymmetrical yet balanced. Organic but stillgraphic. Such is the case with the Insula Table
series by Ernst & Jensen.

Insula Table
Black aluminium

The powder-lacquered aluminium frame with amatching lacquered top give the tables a clean,monochromatic look. Ideal for blending into the
décor of a hotel lobby, reception area at workor living room at home.

Delphi Sofa
Upholstery: Fiord 191
Base: Brushed aluminium
Hydro Vase
Locus Bowl

The slim, curved table top is supported by anangular frame, resulting in a truly distinctive
design conceived in three sizes, which eachattain a perfect sense of equilibrium. Almost
like small islands, the tables have a floating
feeling. Their striking silhouette makes themequally as beautiful as stand-alones orclustered together to form an archipelago.

Anne-Mette Bartholin Jensen& Morten Ernst, 2009/14

Model 5190
Coffee Table
D 72 W 76 H 30 cm

Model 5191
Coffee Table
D 95 W 98 H 34 cm

Model 5192
Coffee Table
D 118 W 121 H 38 cm

Model 5198
Side Table
D 47 W 40 H 38/58 cm

Base:
Black aluminium

Base:Black aluminium

Base:Black aluminium

Base:Black aluminium

Table top:
Black aluminium

Table top:
Black aluminium

Table top:
Black aluminium, Oak soap,
Oak light oil.

Table top:
Black aluminium

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Insula Table
346 Fredericia

Modern Originals

Crafted to Last

347

Picolo Table. Black aluminium.
Delphi Sofa. Upholstery: Leather Max 95 Cognac.
Insula Table. Black aluminium.

Insula Table. Black aluminium.

348 Fredericia

Modern Originals

Crafted to Last

349

Like a companion
Just as its name suggests, Pal is there
whenever you need it. It’s a small, occasional
table that’s movable and easy to access.
For Milan-based, Japanese designer
Keiji Takeuchi, simplicity is the path tosophistication. Seen in Pal’s solid wood table
top crafted to resemble a serving tray andslim stem and base in stainless steel, withthe option of a powder-coated base. Solidwood and well-crafted steel are rich materials
that will acquire a beautiful patina over time.
What's more, they blend seamlessly with othermaterials and colour schemes in virtually
any interior.

EJ315
Upholstery: Leather Primo 88 Black
Legs: Oak light oil

A variety of table top sizes and the ability tochoose a preferred height makes Pal a versatile
design you can personalise. Takeuchi often
describes his designs as “living objects”,
referring to aspects not necessarily visible or
tangible. But rather, something you can sensefrom their presence.

Keiji Takeuchi, 2020

Pal Table
Table top: Walnut oil
Base: Black
Silhouettte Mirror
Wood: Walnut

Model 6751
Side TableØ 37,5 H 38/45/52 cm

Model 6755
Side TableØ 44 H 38/45/52 cm

Table top:
Oak light oil, Oak black lacquered,
Walnut oil.

Table top:
Oak light oil, Oak black lacquered,
Walnut oil.

Base:Black, Brushed stainless steel

Base:Black, Brushed stainless steel

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Pal Table
350 Fredericia

Modern Originals

Crafted to Last

351

A strong, assertive identity
The Islets Table series is a precise design with astrong identity, based on a simple construction,
where details are kept to a minimum. It’s anapproach that reflects the sculptural minimalismof designer Maria Bruun, who seeks a balance
between a light feeling in the expression andpieces with a strong, assertive presence.

Islets Coffee Table. Wood: Oak light oil.
Locus Bowl

Islets consists of a side table, a large coffee
table and a grand dining table all crafted insolid oak and finished with a natural light oil.
Oak is a signature material from Fredericia,
appreciated for its warmth and durable
qualities. The series can work as separate
elements or as a set to anchor an interior from private homes to public spaces.

Maria Bruun, 2020

Model 6775
Dining Table
Page 322

Model 6772
Coffee Table
W 110 L 110 H 30 cm

Model 6770
Side Table
W 40 D 40 H 50 cm

Wood:
Oak light oil

Wood:
Oak light oil

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Islets Table
352 Fredericia

Modern Originals

Crafted to Last

353

A slim line floating in space

Piloti Table
Wood: Oak oil

The word “piloti” refers to the pillars or columns
that elevate a building above the ground. Whilethe legs of our Piloti Tables resemble pillars,
the overall intention is for the table to appear
like a slim line almost floating in space. An
elegant integration of the table top with the legs
ensures a subtle, streamlined transition into
one balanced entity.

Hugo Passos, 2016

Light in appearance yet sturdy in construction,
the Piloti tables in wood are made from solidoak, a naturally beautiful, tactile material thatneeds no adornment. The option of different
sizes gives you the freedom to cluster thetables together in a corner or as part of a sofa
set-up. Place them individually as side tables or
as a matching pair on either side of a bed.

Model 6700
Side Table
L 39 W 31 H 35/41 cm

Model 6705
Side Table
L 46,5 W 39 H 35/41 cm

Model 6715
Coffee Table
L 120 W 39 H 35/41 cm

Model 6720
Coffee Table
L 75 W 75 H 35/41 cm

Model 6725
Coffee Table
L 63 W 63 H 35/41 cm

Wood:
Oak light oil, Oak black lacquered,
Smoked oak oil.

Wood:
Oak light oil, Oak black lacquered,
Smoked oak oil.

Wood:
Oak light oil, Oak black lacquered,
Smoked oak oil.

Wood:
Oak light oil, Oak black lacquered,
Smoked oak oil.

Wood:
Oak light oil, Oak black lacquered,
Smoked oak oil.

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Piloti Table
354 Fredericia

Modern Originals

Crafted to Last

355

No two are alike
Adding to Piloti’s tangible materiality is our
Piloti Stone Table variant, featuring a stone
table top supported by steel legs. Each table
top is one-of-a-kind, with its own subtle
differences in surface patterns and tonalities.
We’ve applied our expertise in craftsmanshipto create a unique profile never seen before inthis type of stone table.

Hugo Passos, 2019

Piloti Table
Grey Pietra marble

The sleek marble top transitions gracefully
with the sturdy cylindrical legs. The result is aseamless visual impression that makes Piloti
in Stone an ideal statement piece, whether for
private homes, hotels or executive settings.

Model 6760
Coffee Table
L 75 W 39 H 35 cm

Model 6750
Coffee Table
L 75 W 75 H 35 cm

Model 6745
Coffee Table
L 120 W 39 H 35 cm

Stone:
Grey Pietra marble

Stone:
Grey Pietra marble

Stone:
Grey Pietra marble

Base:
Flint

Base:
Flint

Base:
Flint

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Piloti Stone Table
356 Fredericia

Modern Originals

Crafted to Last

357

The stunning appeal of stone
It’s quite an accomplishment to craft theTableau Coffee Table in stone, creating synergy
with the soft-corned square top and thex-shaped base. Stone has a universal appeal
as an exclusive material, with subtle differencesin surface patterns unique to each piece.

Tableau Table
Ditzel Lounge Chair
Upholstery: Sheepskin
Legs: Walnut lacquered

Available in three versions, the Tableau series instone makes for a subtle yet striking statement
that’s ideal in a variety of venues. Such asprivate homes, as well as luxurious hotels,
upscale restaurants and exclusive lounges.
Virtually any interior where you want to signal alook that’s timeless and unquestionably elegant.

Calmo sofa
Upholstery: Sunniva 717
Base: Black
Mogensen 6386 Table
Wood: Oak light oil
BM61/BM62 Chair
Cane Wicker. Natural
Wood: Oak oilSpace Copenhagen, 2018

Model 1960
Coffee Table
Ø 100 H 40 cm

Model 1965
Coffee Table
L 140 W 140 H 40 cm

Model 1966
Coffee Table
L 100 W 100 H 40 cm

Stone:
Dark Atlantico limestone

Stone:
Dark Atlantico limestone

Stone:
Dark Atlantico limestone

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Tableau Coffee Table
358 Fredericia

Modern Originals

Crafted to Last

359

Contemporary cool

EJ66 Table
Table top: White Carrara
Base: Brushed stainless steel

Sleek in appearance, stable in construction
and modern in its expression, the EJ66 Coffee
Table is a contemporary classic worth coveting.
The marble table top has an intrinsic beauty
that adds depth to the design. A natural, longlasting, robust material in contrast to the coollook of the stainless-steel legs.

Johannes Foersom &Peter Hiort-Lorenzen, 1999

EJ220 Elements
Upholstery: Bardal 220
Legs: Oak soap

Model 5163
Coffee Table
W 60 D 60 H 31 cm

Model 5165
Coffee Table
W 80 D 80 H 38 cm

Model 5164
Coffee Table
W 100 D 35 H 31 cm

Model 5166
Coffee Table
W 130 D 45 H 38 cm

Stone:White Carrara, Black Marquina,
Grey Pietra.

Stone:White Carrara, Black Marquina,
Grey Pietra.

Stone:White Carrara, Black Marquina,
Grey Pietra.

Stone:White Carrara, Black Marquina,
Grey Pietra.

Base:
Brushed stainless steel,Black.

Base:
Brushed stainless steel,Black.

Base:
Brushed stainless steel,Black.

Base:
Brushed stainless steel,Black.

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EJ66 Coffee Table
360 Fredericia

Modern Originals

Crafted to Last

361

Designed to disappear

Corona Table. Table top: Glass. Base: Brushed chrome.
Corona Chair. Upholstery: Fiord 961. Base: Brushed chrome

In keeping with the geometric simplicity of
the Corona Chair, the Corona Coffee Table
is its perfect companion. Featuring the samestainless-steel base and legs supporting a
spherical-shaped glass table top.
Minimalistic and modern, the Corona Coffee
Table is an enduring design that can partnerwith any chair or furniture scenario.

Poul M. Volther, 1964

Model 5005
Coffee TableØ 90 H 45 cm

Table top:
Glass
Base:
Brushed chrome, Black.
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Corona Table
362 Fredericia

Modern Originals

Crafted to Last

363

Nordic simplicity

Eyes Lounge
Wood Base
Upholstery: Hallingdal 180
Legs: Black lacquered

The Eyes Lounge Table is part of the Eyes
family, designed in size and style to accompany
the Eyes Chair and Eyes Lounge Chair.
Available in two sizes, each one is simple
and soft in expression, which renders themable to complement any chair in any setting.
The sturdy construction reflects a modest yet
modern look that captures the essence ofNordic design.

Johannes Foersom &Peter Hiort-Lorenzen, 2012

Model 4892
Coffee TableØ 60 H 40 cm

Variants:
Mushroom linoleum table top / Oaklacquered edge and base.
Black linoleum table top / Blacklacquered edge and base.

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Eyes Lounge Table
364 Fredericia

Modern Originals

Crafted to Last

365

Complements

Complements is our line of material-driven objects conceived as collector
pieces to complement our portfolio of products. The collection extends fromobjects to small functional furniture. We’ve engaged with the next wave of
talent in Denmark and abroad. Both new and established names, who share ouraffinity for honest materials, compelling shapes, surface textures and exceptional
craftsmanship. Complements encompasses an array of items that - together with
our line of furniture - create a look and feel for an entire interior. Each object isdistinctive, yet they all reflect our pioneering spirit to create essentials with366
presence
Fredericia
and permanence.

Modern Originals

Crafted to Last

367

Meadow Lamp
Fellow Lamp
Hydro Vase
Locus Bowl
Silhouette Mirror
Sequoia Pouf
Nara Coat Stand
Micado Table
Gallery Stool
Magazine Table

Complements

368 Fredericia

Modern Originals

Crafted to Last

372
374
376
378
380
382
384
386
388
390

369

370 Fredericia

Modern Originals

Crafted to Last

371

The soft light of late summer

Meadow Lamp
Pal Table
Table top: Oak oil
Base: Brushed stainless steel

Made from solid stone, glass and brass,
Meadow is a table lamp that balancesmateriality with light. A simple composition ofa dome-shaped shade that is mirrored in the
more diminutive stone base gives Meadow
an organic, unassuming look.

Hector Sofa
Upholstery: Leather Max 95 Cognac& Natural Canvas
Legs: Brushed stainless steel

The name Meadow was inspired by the soft
emission of light and mushroom shape,
reminiscent of a lovely meadow in late summer.
Able to add a gentle illumination to all kindsof interiors, from commercial and hospitality
settings to private homes.

Space Copenhagen, 2020

Model 8115
Lamp
Ø 24 H 30 cm

Base:
Dark Atlantico limestone
Shade:White opal glass
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Meadow Lamp
372 Fredericia

Modern Originals

Crafted to Last

373

Organic & endearing

Fellow Lamp
Pal Table
Table top: Oak oil
Base: Brushed stainless steel

Fellow is both a table lamp and a sculpture in
its own right. Designed by Space Copenhagen,who sought to create a simple, intuitive
composition from two soft, distinctive, organicshaped elements. When combined together,it´s as if they represent the head and body ofa small, kind creature with its own quiet, yetstrong identity. The base is made from solid
limestone, which renders it visuallyand technically static.

Space Copenhagen, 2020

Model 8110
Lamp
W 21 D 35 H 35 cm

Base:
Dark Atlantico limestone
Shade:White painted steel
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Fellow Lamp
374 Fredericia

Modern Originals

Crafted to Last

375

Referencing ancient Greek vessels
Referencing classic ceramic vases andancient Greek vessels The Hydro Vase makesa modern statement that incorporates thematerial properties and appeal of brass.
Chosen because it can be shaped in ways that
resemble iconic pottery, brass exudes evenmore character with a patina that will gradually
emerge over time. With Hydro, Copenhagenbased designer Sofie Østerby establishes anequilibrium between the visual impact of thebrass and the shape itself.

Hydro is cast by a small workshop in Portugalthat has retained the ancient technique ofcreating traditional armour. The dark, almost
black oxidised surface adds a subtle dimension
to an enduring design that seems to defy
time. Culminating in a vase that doubles as adecorative sculpture. Classic yet contemporary– and collectible.

Sofie Østerby, 2020

Model 8210
Vase
Ø 15 H 20 cm

Model 8211
Vase
Ø 22,5 H 30 cm

Material:
Casted solid brass with blackoxidized surface treatment

Material:
Casted solid brass with blackoxidized surface treatment

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Hydro Vase
376 Fredericia

Modern Originals

Crafted to Last

377

Unique textures & tonalities
The Locus Bowl is a modern design inspiredby traditional stone carving techniques. A
decorative bowl, elegantly proportioned andexceptionally crafted with grooves aroundthe outer edge as a graphic expression of
the stone carving process. With the choiceof travertine, Locus embodies designer SofieØsterby’s intuitive approach to balancing
material presence and shape. Travertine isa material native to Italy, used in classicalarchitecture for centuries.

Interestingly, travertine used to have acounterpart in Denmark. The natural limestonethat was mined in the Faxe area south of
Copenhagen is similar in appearance andcomposition to travertine, which makes itfamiliar in a Nordic design context, as well.
Locus is crafted in raw Italian travertine, where
the natural, irregular surface is kept intact
to highlight the innate beauty of the material
properties, boasting unique textures andtonalities that will vary from piece to piece.
Making each Locus Bowl a collectible.

Sofie Østerby, 2020

Model 8215
Bowl
Ø 40 H 7 cm

Material:
Solid travertine with drilled grooves

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Locus Bowl
378 Fredericia

Modern Originals

Crafted to Last

379

Timeless & Trendless
Silhouette is a series of mirrors framed insolid wood, informed by a focus on materials,
craftsmanship and the experience of livingwith design. The concept is based on a simple
geometric equation – a round, a square and arectangle as universal shapes that are timeless,trendless and at the same time, contemporary.
Designed by Copenhagen-based OEO Studio,
the warmth of the walnut frame coupled withcareful detailing add sophistication and aclassic feel.

OEO Studio, 2020

Canvas Chair
Canvas: Black
Wood: Oak black lacquered

A discrete, well-crafted facet and visible
splines in the joints are subtle, unadorned
design details that honour the essence ofa mirror. The lovely wood grain pattern isenhanced by the oiled surface reflecting agraceful use of materials. Add Silhouetteto a small space and watch for a feeling of
expansion. Incorporate it into a large spaceand you have an instant sense of intimacy.

Meadow Lamp
Mono Pouf
Upholstery: Leather Omni 301 Black

Model 8324
Rectangular Mirror
W 70 H 180 D 3,5 cm

Model 8320
Circular Mirror
Ø 100 D 3,5 cm

Model 8322
Square Mirror
W 70 H 70 D 3,5 cm

Frame:
Walnut oil

Frame:
Walnut oil

Frame:
Walnut oil

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Silhouette Mirror
380 Fredericia

Modern Originals

Crafted to Last

381

Soft & sculptural
The iconic Sequoia tunnel tree was theinspiration for Space Copenhagen’s designof the Sequoia Pouf. In contrast to thegigantic American redwood, the Sequoia
Pouf is compact, moveable and versatile.
Sequoia features soft contours and a feeling of
seamless upholstery, in either flat woven wool,
bouclé or fluffy sheepskin.

Key to the Sequoia Pouf’s distinctive appeal
is the sculptural shape with its curved edges.
It’s an inventive, multi-purpose design that’s
ideal as a stool or a place to put a book, aswell as a decorative element for hotels andhospitality, retail venues, commercial settings
and residences. Or simply as a contemporary
conversation piece boasting a quiet presencewith personality.

Space Copenhagen, 2020

Model 1756
Pouf
Ø 40 H 42 cm

Upholstery:
Bouclé, Wool or Sheepskin.

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Sequoia Pouf
382 Fredericia

Modern Originals

Crafted to Last

383

A symbolic wink to deer antlers
Japanese designer Shin Azumi recycled
remnants from wood production to create the
Nara Coat Stand. A sculptural expression ofa functional object intended to capture thebeauty of solid timbre in a simple wooden
structure. Alluding to deer antlers, as
referenced by the name Nara, Japan’s
historical capital city known for its freeroaming deer.

Shin Azumi, 2009

Model 1880
Coat Hanger
W 32 D 42 H 180 cm

Variants:
Oak lacquered with white base
Black lacquered with black base

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Nara Coat Stand
384 Fredericia

Modern Originals

Crafted to Last

385

Clever construction
Micado is an ingenious little side table inspiredby a classic game using sticks. It’s an oak
table with a round top and 3 legs. The legs areplaced through the pre-cut holes in the top
and automatically fit into place to hold the tablesteady. It’s a clever construction assembled
in seconds without the use of screws or hinges.

Cecilie Manz was awarded the Danish Design
Prize for Micado, which she originally created
for an exhibition themed ”Nomad Furniture”.
An apt description, as Micado is rather lightand can be easily used as an occasional table,a side table in a lobby, retail space orliving room.

Cecilie Manz, 2003

Model 1213
Side TableØ 60 H 49 cm

Wood:
Oak lacquered

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Micado Table
386 Fredericia

Modern Originals

Crafted to Last

387

A sense of completenessLaunched in 1998, the Gallery Stool
marked a major breakthrough that pushed theparameters of moulded plywood to the limit.
A move that lead to numerous international
awards and accolades. It’s a lyrical sculpturethat doubles as a stool, where emphasis is on
the simple curves that convey a sense ofcompleteness.

Hans Sandgren Jakobsen, 1998

Model 1610
Stool
W 52 D 36 H 48 cm
SH 42,5 cm

Wood:Black lacquered, Walnut lacquered.

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Gallery Stool
388 Fredericia

Modern Originals

Crafted to Last

2021
389

An iconic collectible
Sweeping diagonal lines with softened cut-outs
and curves echo Jens Risom’s penchant forpracticality in this functional magazine tablewith a striking, sculptural silhouette. Ideal
for any contemporary setting from hotels to
private homes. An iconic design from 1949 thatappeared in the first comprehensive catalogue
from Risom with the slogan “Furniture witha signature."Jens Risom, 1949

Model 6500
Magazine Table
L 57,5 W 40,5 H 47 cm

Wood:
Oak lacquered, Black lacquered.

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Magazine Table390 Fredericia

Modern Originals

Crafted to Last

391

Project Furniture

392 Fredericia

Modern Originals

Crafted to Last

393

Apoluna Box
System 2100
Astral Bench

Project Furniture

394 Fredericia

Modern Originals

Crafted to Last

396
398
402

395

Like a room within a room
Apoluna Box by Studio Hannes Wettstein is
a classic ahead of its time - with a renewed
relevance. It’s a simple sofa that offers ample
seating comfort, as a welcome retreat from theeveryday. Add to that a frame that functions likean alcove, and Apoluna becomes the sofa thatfacilitates silence.

It´s designed to be a mobile, micro-architecturalelement that can be placed wherever people
seek a silent refuge from the noise anddistractions of their surroundings, without theneed to install permanent fixtures. Think openplan offices, a busy setting in the public sector,
especially where acoustics are crucial.

Hannes Wettstein, 2011

Model 4405
Box Sofa 2 1/2 seater
L 200 D 80 H 139 cm
SH 42 cm

Base.
Brushed aluminium, Oak lacquered.
Upholstery:
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Apoluna Box
396 Fredericia

Modern Originals

Crafted to Last

397

Modern, modular and mobile
System 2100 adapts to the rapidly changing
dynamics of how we work, live and socialise.
It’s easy to envision in public venues, coworking environments, educational institutions
and healthcare facilities.
Offering a high degree of comfort in a sturdy,
durable construction with easy upkeep. System
2100 is all about possibilities. The flexible
design allows for countless configurations anduses in multiple settings. Create a row of chairs
teamed with a table in between. A serpentineshaped succession of seats. Or a circularformation of benches in a variety of fabrics.

Friis & Moltke Design, 2013

Choose a cohesive colour scheme, a monochromatic palette or create contrast with a mixof shades. The options are virtually endless.
For designers Friis & Molkte Architechts,
the concept reflects their focus on creating
innovative settings with lasting value, neverlosing sight of the needs of end-users.
By incorporating sociological factors into
the design equation, the outcome is an ideathat’s rich in quality and humanity.

Configuration example 1
Sofa Box, 3 seater

Configuration example 2
3 seater

Configuration example 3
Table pad + 3 seater

Configuration example 4
Table pad + arch + 2 seater

Frame:
Black
Upholstery:
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System 2100
398 Fredericia

Modern Originals

Crafted to Last

399

EJ2100 Sofa
Upholstery: Hallingdal 840/850
Frame: Black

EJ2100 Sofa. Upholstery: Hallingdal 850. Frame: Black.

400 Fredericia

Modern Originals

Crafted to Last

401

A seated sculpture
The Astral Bench is a truly original design,where two elements are repeated to create
a self-supporting structure. One part forms
the seat and the other part forms the back,culminating in an ingenious, integrated
construction of a semi-circle. It’s a clever
design by Per Borre that has garnerednumerous awards ever since its initial launch
in 1979.
The clever configuration of geometric elements
not only soften the linear construction. It also
prevents any need for intrusive, supporting
metal elements.

Adding to the appeal of the open shape is theuse of hard woods, making the Astral Bench
conducive to any socially-engaging space,whether indoors or outdoors. The modular
makeup of the design itself means it can also
be customised for special projects. Simple,
sculptural and distinctive, the Astral Bench
has a graphic look with a universal appeal.
It’s an aesthetically pleasing, practical designthat’s a natural fit for both modern and historicarchitecture.

Per Borre, 1979

Model 1112/1111
Bench
L 350/450 D 175/225 H 81 cm
SH 42 cm

Wood:
Jatoba oil

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Astral Bench
402 Fredericia

Modern Originals

Crafted to Last

403

Visual Index

404 Fredericia

Modern Originals

Crafted to Last

405

BM61 Chair & BM62 Armchair
Eyes
Flamingo Chair
J39 Mogensen Chair
J64 Chair & J63 Stool
Lynderup Chair
Mogensen Bench & 3236 Chair
Pato Executive
Pato Sledge
Pato Swivel & Pato Office
Pato Wood BasePato 4 Leg
Post Chair
The Spanish Dining Chair
Spine
Swoon Chair
Søborg Chair
Trinidad Chair
Verve Chair
Yksi Chair

Chairs & Stools

406 Fredericia

Modern Originals

Crafted to Last

66
104
88
30
52
38
56
128
132
124
122
114
46
62
96
90
72
82
112
78

407

The A-Chair
Calmo Chair & Calmo Ottoman
The Canvas Chair
Corona Chair & Corona Ottoman
Ditzel Lounge Chair
EJ50 Club Chair
Eyes Lounge
The Hunting Chair
Lemon Chair
Mono Pouf
Pato Lounge
Savannah Chair
The Spanish Chair
Spine Lounge Chair
Swoon Lounge Petit
Swoon Lounge & Swoon Ottoman
Vodder Chaise
Wegner Ox Chair
Wegner Queen Chair
Wegner J16 Rocking Chair & Stool
Wegner 1788 Easy Chair
2207 Chair, 2204 Wing Chair & 2202 Ottoman

Lounge Chairs

408 Fredericia

Modern Originals

Crafted to Last

200
220
152
192
188
218
214
146
208
222
210
204
140
184
180
172
198
158
164
166
170
148

409

Calmo Sofa
Delphi Elements
Delphi Sofa
EJ220 Elements
EJ220 Sofa
EJ280 Elements
EJ280 Sofa
EJ288 Sofa
EJ295 Chaise Sofa
EJ315 Sofa
EJ50 Sofa
Haiku Sofa
Hector Sofa
Kile Sofa
Konami Sofa
Mogensen Coupé Sofa
Mogensen 2208 & 2209 Sofa
Mogensen 2212 & 2213 Sofa
Mogensen 2335 & 2333 Sofa
No.1 Sofa
Risom 65 Sofa
Savannah Sofa
Spine Lounge Sofa & Daybed
The Spoke-Back Sofa

Sofas

410 Fredericia

Modern Originals

Crafted to Last

264
240
238
306
304
284
278
286
290
250
292
296
300
294
270
234
232
228
236
260
274
262
246
256

411

Tables

Ana Table
BM71 Library Table
C18 Table
Islets Dining Table
Mesa Table
Post Table
Taro Table
6284 Table
6286 & 6386 Table

332
312
314
322
336
328
324
316
318

Coffee Tables

Corona Table
EJ66 Coffee Table
Eyes Lounge Table
Insula Table
Islets Table
Pal Table
Piloti Stone Table
Piloti Table
Pon Table
Tableau Coffee Table

362
360
364
346
352
350
356
354
344
358

412 Fredericia

Modern Originals

Crafted to Last

413

Complements

Fellow Lamp
Gallery Stool
Hydro Vase
Locus Bowl
Magazine Table
Meadow Lamp
Micado Table
Nara Coat Stand
Sequoia Pouf
Silhouette Mirror

374
388
376
378
390
372
386
384
382
380

Project Furniture

System 2100
Apoluna Box
Astral Bench

398
396
402

414 Fredericia

Modern Originals

Crafted to Last

415

Designers

Designers

Masters

Arne Vodder
Børge Mogensen
Ejvind A. Johansson
Erik Ole Jørgensen
Erik Jørgensen
Hans J. Wegner
Hannes WettsteinJens Risom
Nanna Ditzel
Poul M. Volther

Børge Mogensen

Hans J. Wegner

Nanna Ditzel

Hannes Wettstein1914 – 1972

1914 – 2007

1923 – 2005

1958 – 2008

Børge Mogensen was one of the mostinfluential designers in shaping Danish Modern,
and defined the design vision of Fredericia from1955 until his death in 1972. Mogensen’s mostrecognised pieces were developed during his
collaboration and friendship with Fredericia
CEO Andreas Graversen.

World-renowned designer of iconic Danish
chairs, Hans J. Wegner was keen on infusing
his functional designs with a poetic and playfuledge. His training in furniture making further
nurtured his love of wood and sculptural lines.
Together with Mogensen, he helped makemid-century Danish design popular on aninternational scale.

With her post-modern attitude and rebellious
take on tradition, Nanna Ditzel became aleading figure in the renewal of Danish designin the 1990s. She had an amazing ability totransform her artistic dreams into functional
and purposeful designs, often starting from aperspective that questioned assumptions about
design. Daring to challenge the status quo.

Swiss designer Hannes Wettstein was an
influential talent within industrial design,
furniture and architecture. He had a willingness
to rethink everything determined by design– from human behaviour and how rooms areorganised to the purpose of things. His impulse
to investigate led to refreshing solutions
reflecting his passion for art and technology.

Included in collection:
J16 Rocking Chair, J16 Stool, 1788 Chair,
Queen Chair, OX Chair.

Included in collection:
Trinidad, Ditzel Lounge Chair.

Included in collection:
Delphi & Ottoman, Delphi Elements,
Apoluna Box.

Jens Risom

Erik Ole Jørgensen

Erik Jørgensen

Poul M. Volther

1916 – 2016

1925 – 2002

1928-1998

1923 – 2001

Danish-American furniture designer Jens Risom
was one of the first to introduce a Scandinavian
sense of aesthetics to America. There he madea name for himself with his stylish approachto timeless, functional designs and focus on
natural materials. He was a key figure who
contributed to the Danish Modernism movement, with designs characterised by theirquiet confidence, character andunderstated elegance.

During his career as a designer and architect,
Erik Ole Jørgensen showcased his instinct fortactility and intuitive understanding of materials
in an array of furniture as well as fabric designs.
Armed with an uncanny sense of composition,
his work signals a timeless, effortless elegance.
Clean, uncluttered concepts in classics
executed with expert detailing andcraftsmanship.

Craftsmanship skills were the foundation for
Erik Jørgensen to establish his own furniture
upholstery workshop in 1954. Trained as asaddler and upholsterer, his understanding ofmaterials, passion for furniture and knowledgeof market trends propelled him to design a
number of sofa collections. Simple, functional,
durable designs of high quality, exemplifying his
exceptional competences within sofa design
and upholstery expertise.

Poul M. Volther was an important championof Scandinavian functionalism. Although rooted
in a rationalist design dogma and inspired by
the purpose-driven mindset of the Bauhaus
movement, Volther was eager to experimentwith new methodologies. His unerring sense ofdetail and appreciation of material properties
resulted in simple, stylised furniture with asubtle yet striking aesthetic.

Included in collection:
The Spanish Chair, The Hunting Chair,
Mogensen Bench, 3236 Chair, J39 Chair,
Mogensen Tables, Søborg, No. 1 Sofa,
Spoke-Back Sofa, 22 Collection, 23 Collection
Canvas Chair, BM61 Chair, BM62 Armchair.

Included in collection:
Risom 65 Sofa, A-Chair, Magazine Table.

418 Fredericia

Modern Originals

Crafted to Last

Included in collection:
EJ315

Included in collection:
EJ50, EJ220, EJ280, EJ288, EJ295.

Included in collection:
Corona Chair

419

Designers

Contemporary

Anne-Mette Bartholin Jensen & Morten Ernst
Arde
Birgitte Due Madsen & Jonas Trampedach
Cecilie Manz
Damian Williamson
Friis & Moltke design
GamFratesi
Geckeler Michels
Hans Sandgren Jakobsen
Hugo Passos
Jasper Morrison
Johannes Foersom & Peter Hiort-Lorenzen
Maria Bruun
Monica Förster
OEO Studio
Per Borre
Shin Azumi
Sofie Østerby
Space Copenhagen
Thau & Kallio
Thorbjørn Anderssen & Espen Voll
Welling / Ludvik

Cecilie Manz

Johannes Foersom &Peter Hiort-Lorenzen

Hugo Passos

Jasper Morrison

With a discrete sense of playfulness,
Cecilie Manz’s work demonstrates thatfunctional details capture the aesthetic essenceof an object in a subtle way. Considered oneof the leading Danish furniture designers ofher generation, all her projects have a strong,
functional reason for revolving aroundsimplicity, in her mission to create a pure,aesthetic object.

Johannes Foersom began his career as acabinetmaker and Peter Hiort-Lorenzen started
out as carpenter building ship interiors before
joining forces as a design duo. For nearly 50
years, they have created organic, function,
durable designs with the aim of adding
long-lasting value for people and theirsurroundings. Expressed in a design idiomthat blends their knowledge of materials,
market trends and eye for innovation.

Portuguese-born, London-based designer
Hugo Passos designs everyday objects thatare familiar and enjoyable, both in form anduse. Passos’ work is inspired by his ongoinginterest in the human scale of everyday objects.
Along with his commitment to the idea that his
designs must serve a purpose and do what
they are intended to do.

Jasper Morrison is a British multi-disciplinary
designer, well known for creating the "Super
Normal" concept. A creative credo reflecting his
idea of good design. Celebrated for his no frills,
minimalistic approach, Morrison is a highly
productive designer who divides his time
between studios in London and Tokyo.

Included in collection:
Micado, Post Chair, Post Table.

Modern Originals

Included in collection:
Kile Sofa, Pon Table, Taro Table.

Maria Bruun

Monica Förster

Space Copenhagen

Welling/Ludvik

Danish designer Maria Bruun creates uniqueexperiences in form and space. Much likea set designer, early in her creative process
she visualises her ideas in a spatial context
in relation to its surroundings. An approachthat contributes to her carefully considered,
sculptural designs that are a pleasure toboth use and behold.

Born and raised in Sweden close to the
Arctic Circle, Monica Förster has authoredsome of the most international-celebrated
objects in contemporary Swedish design.
Her curiosity about materials and methods
has led to her cross-disciplinary approach,involving a mix of innovative and traditional
craft techniques in her personal interpretationof design genres.

The design duo Space Copenhagen continues
to make headlines with their signature style ofelegant yet classic design lines imbued witha contemporary edge in an approach theycall Poetic Minimalism. Ideas that emerge
from intuition and emotion. In their work with
Fredericia, they seek to rethink upholsterytraditions in practice at our factory for morethan 100 years.

The Danish-Icelandic duo Welling/Ludvik
prove that the basics can always be reinvented.
They define their aesthetic as pure, strippingaway any excess and letting each detail servea functional purpose. Traditional virtues of
Scandinavian design, re-booted using modernmaterials and production technology.
Based on their belief that good design neverloses its ability to be interesting, even whenreduced to its simplest form.

Included in collection:
Savannah Chair, Savannah Sofa.

Included in collection:
Spine Collection, Swoon Collection, Tableau
Coffee Table, Meadow Lamp, Fellow Lamp,
Sequoia Pouf.

Included in collection:
Islets Dining Table, Islets Side Table.

420 Fredericia

Included in collection:
Eyes, Eyes Barstool, Eyes Lounge, Eyes
Lounge Table, Lemon, Ej66 Coffee Table,
Flamingo Chair.

Included in collection:
Piloti Table, Calmo Sofa.

Crafted to Last

Included in collection:
Pato Collection, Mesa Table.

421

Special thanks to:
Wichmann & Bendtsen, Apollo Bar, Yellows
Studio, Enok Holsegaard, Copenhagen
Contemporary, V1 Gallery, Sunday-S Gallery,
Frederik Ravn Rønne Kastrupsen, Stephan
Thordal, Work Club Global, The Jane, Pieter
D'Hoop, Multiform Copenhagen, Aarhus
University, Atelier the Vijzel, Ambassador
House, Zürich, Clemens Bachmann Architects,
Zurich Innovation Center, Georg Aerni, Fayland
House, London, Simon Menges and Stephan
Julliard, Kit Haselden Photography, Park House
on Finsbury Circus, London Kilian O’Sullivan,
The Standard Copenhagen, Ordrupgaard,
Neel, Munthe Bruun, Mads Flummer, Court
house Svendborg, Tadaima Cph, Kirsten
Lillelund, Hollands Licht, Tina Marie, Nina
Nørgaard, Birgitte Due, Seche Studio, FLOS,
Gertrud Vasegaard, Holmegaard, Martin Friis,
Cecilie Holbech, Twenty Twentyone, Barber
Osgerby, OMHU studio, Matias Møllenbach,
Sofie Østerby, Malene Knudsen, Helle Mardahl,
Tilde Grynnderup, Astep, Sara Jeffries, Stine
Bidstrup, Society Limonta, Sandra Davolio,
Artemide, A Hint of Neon, STODEOH, Noa
Gammelgaard, Michael Anastassiades, Anour,
Ingo Mauer, Alessi, Tora Frogner.
Graphic design:
Studio Peter Christensen

422 Fredericia

Modern Originals

Crafted to Last

423

Fredericia Furniture A/S
Treldevej 183
7000 Fredericia
www.fredericia.com
info@fredericia.com+45 7592 3344
Copenhagen Showroom
Løvstræde 1, 4th & 5th floor
1152 Copenhagen
London Showroom
1 Dufferin Street
London EC1Y 8NA
Oslo Showroom
Drammensveien 1200277 Oslo
Follow us:@fredericiafurniture#fredericiafurniture#modernoriginals#craftedtolast

424 Fredericia

Modern Originals

Crafted to Last

425

Modern Originals. Crafted to Last.