Instruction|Manual© 2019 Diversified Video Solutions, LLC. All Rights Reserved.

REV_025

Introduction
With all of the new and progressive advancements within display technologies and changes within industry standards, Ultra HighDefinition(UHD), Wide Color Gamut(WCG), High Dynamic Range(HDR) just to name a few, makes it a confusing, yet exciting time
for all AV enthusiasts and professionals alike. When it comes to video calibration, we have been utilizing the same standards for
decades. The current legacy standards will not suffice in regards to new UHD/HDR displays and/or content moving forward.
Since current UHD/HDR test patterns are limited, I have created an entire suite of UHD/HDR-10 test patterns that not only
adhere to new industry standards, they conform to the UHDA (UHD Alliance) standards and specs, UHD 3840x2160 resolution,
Wide color Gamut, BT.2020, HDR10, 10-Bit, ST.2086 color spec and ST.2084 transfer function. This project follows the same idea
behind my “Advanced Calibration Disc”, an attainable solution to calibrate and/or measure your new UHD/HDR display without
having to spend thousands on a new UHD/HDR test pattern generator. I have created all new test patterns from the ground up,
triplets that utilize the ST.2084 transfer function, precise RGB to YCbCr BT.2020 conversion and H.265/HEVC encoding with theproper metadata tags so your HDR-10 enabled display can properly decipher these new test patterns. This project was also
designed around a familiar layout, “Basic Setup Patterns”, “Advanced Setup Patterns”, and “Miscellaneous Patterns” which include full 5% and 10% window suites. I have also
included workflows for CalMAN, ChromaPure, and Color HCFR calibration software.
The test patterns can be download and stored on a flash drive and/or an external hard drive for playback on any compatible UHD/HDR-10 enabled display or UHD Blu-ray player via
USB. These test patterns have also been encoded separately into individual files for ease of use and flexibility. Please visit our website at diversifiedvideosolutions.com for
instruction manuals, products, services, support and see what other video calibration solutions we have available. Thank you for your support!

Quick | Links
DVS UHD|HDR-10 Test Patterns (AVS Forum)

Diversified Video Solutions (The Official Site)

CalMAN Video Calibration Software

ChromaPure Video Calibration Software

Color HCFR Calibration Software

Kalibrate Limited (The Official Site)

2|PageDVS UltraHD|HDR-10 Pattern Suite
Overview
This Pattern suite offers a comprehensive set of reference
test patterns to assist in the calibration of your UHD|HDR-10
enabled display. This suite is comprised of 1,700+ patterns
that adhere to the newly regulated standards created by the
UHD Alliance and guaranteed triplet precision. I have divided
the pattern sets into 6 main sections, Basic Setup Patterns,
Advanced Setup Patterns (with 5% & 10% test patches),
Miscellaneous Patterns and 3 independent workflows. The 3
separate workflows are a set of test patches that follow apredefined order specified by the calibration software itself.
Please see the description below for further detail.

Calibration software
Color HCFR (version 3.5.1.XX) - A free yet very intuitive
calibration software that is compatible with a wide variety ofmeters. Coined as a Video Projector/Monitor Calibration
Software originally developed as ColorHCFR. This code baseis based off version 2.1 and will aim for a more open
development process and integrates an ArgyllCMS interface
for continued support and development.
ChromaPure (version 3.1.XX) - A paid for software built around a very simplistic yet powerful infrastructure. Simply click one of the buttons along the left side of the program
window to open one of its modules. Each module performs a different video calibration function and allows the user to quickly bring a any video display with adequate controls
into conformity with industry standards.
CalMAN (version 5.9.XX) - A paid for software with an extremely powerful engine, customizable workflows, and compatible with almost all available meters, reference patterngenerators, and standalone video processors. One of the most comprehensive and flexible calibration software packages available.
3|PageBasic Setup Patterns
Title
Displaying test pattern and Mastering
Display metadata, current revision andcopyright. This clip provides pertinent
information about the test patterns
within the entire suite and will be
updated accordingly per revision.
spectrophotometer for this specific display.

Meter Position
Designed to assist with the centering ofyour video calibration meter.

Color Profiling
Theses patterns were designed to improve
the accuracy of a filter-based colorimeterby creating a calibration profile with areference spectrophotometer. This profile,applied against your colorimetermeasurements, corrects the inaccuracies ofthe filter-based meter. This makes thecolorimeter mimic the accuracy of yourBlack Clipping
Demonstrates how well tone mapping isapplied on the lower end of the digital
range. With triplet code value 64 as yourreference point. A properly adjusted display
should show bar 68 barely flashing, withbar 64 blending completely into thebackground. However, depending on how
well the tone mapping is implemented, acode value of 72 or 76 may be acceptable. Representing .001 and .004 nit respectively.

4|PageBasic Setup Patterns continued
White Clipping
Demonstrates how well your display tone
maps peak luminance information basedon the metadata in which it’s being feed.
The metadata within this particularpattern is designed to clip at 1,000 nit.
However, no matter how much you raiseor lower the contrast controls, the peakluminance information (flashing bars) will
always remain the same, even though the light output may increase or decrease
onscreen. This is due to the internal tone mapping of your display.

Flashing Color Bars 50%/50%
You can use this pattern to reference thecolor and tint accuracy of your display. If
your display is one of the few that
includes a color only mode, it can be used
to adjust color and tint independently,
within each color. Graded to 50%
amplitude and 50% saturation of theBT.2020 color gamut, provides anattainable target for most HDR-10 enabled displays to achieve, roughly 100 nit.

Flashing Color Bars
You can use this pattern to reference thecolor and tint accuracy of your display. If
your display is one of the few that
includes a color only mode, it can beused to adjust color and tint
independently, within each color.
However, this color and tint patternshould only be used for observation
purposes, as it displays 100% amplitude and 100% saturation of the entire BT.2020 color
gamut, which is currently an unattainable target within consumer displays.

Color Clipping High
Similar to the white clipping pattern. Thisclipping pattern demonstrates how wellyour display tone maps peak luminanceinformation based on the metadata inwhich it’s being feed. With the mastering
display luminance set to 1,000 nit. You
can observe how well the grayscale,primary and secondary colors are being
mapped and/or clipped when nearing peak levels, roughly the 75% mark.

5|PageBasic Setup Patterns continued
Color Clipping Low
This pattern displays colors clipping on the
low end of the spectrum. It’s Not Vital that
all colors flash near the 0% mark, so longas none of the colors flash past mark 0%
mark or further. This would imply andelevated black floor or lifted brightness.

Miscellaneous Patterns
Contrast Ratio
Utilizing a meter. Measure the absolutepeak luminance and black level of yourdisplay. These measurements will provide
you with your display’s dynamic contrast
ratio.

Sharpness & Overscan
You can use this pattern to properly
adjust your display’s sharpness andoverscan in order to fill the entire screen
properly. Typically, lower sharpness
values are recommended. However, if theimage looks soft, raise the value until you
see ringing or noise around any of theblack bars or lines within the pattern,then make adjustments accordingly until the ringing goes away. Overscan can be
adjusted utilizing the 3 available overscan marks within the pattern. For absolutely nooverscan, select your display’s setting that exposes the entire white border outlining thepattern.

ANSI Contrast
Utilizing a meter. Take individual ANSI
contrast measurements of your display.
This will provide a true representation ofyour display’s native contrast ratio.

6|PageMiscellaneous Patterns continued
Dynamic Contrast
Primarily utilized for quick observations.
Check for any possible changes thatmight occur as the APL varies. As the full
field pattern cycles, watch for any
changes within the grayscale window. If
the grayscale changes with the cycle,
your display is dynamically adjusting
picture levels.

Color Ramps
This pattern set provides a multitude of
10-bit gradients and steps for bothprimary and secondary colors. These
patterns range from 0 to 10,000 nit (10bit digital range 64 – 940). However, themastering display metadata is set to
1,000 nit, so clipping will be apparent
above 75% on all patterns.

Grayscale Ramps
This pattern set provides a multitude of
10-bit gradients and steps for grayscale.
These patterns range from 0 to 10,000
nit (10-bit digital range 64 – 940).
However, the mastering display
metadata is set to 1,000 nit, so clipping
will be apparent above 75% on all
patterns.

Color DecodingThis pattern can be used to observe how
the primary colors (red, green and blue)
relate to gray. In order to take fulladvantage of this test pattern, a display
device with a color only mode isnecessary.

7|PageMiscellaneous Patterns continued
Flashing Color PrimaryThis pattern shows red, green, and blue
bars (primary colors) and the three
related secondary colors (yellow, cyan,
magenta) flashing on top. Above andbelow each primary color the twosecondary colors related to the primarycolor also flash in between.

Different nit Levels
This file folder encompasses ten separate
grayscale sweeps with mastering display
metadata ranging from 1,000 to 10,000
nit, provided in 1,000 nit increments.
These patterns can be utilized as a tone
mapping reference for grayscale and how
your display maps to its native peak nit
level.

Grayscale Sweeps
This pattern file folder is comprised often subsection that include 11 step
grayscale sweeps at different patch
sizes. The patches range from 2% all theway up to Full Field. Utilizing a meter,
you can observe any change within
measurements based on the onscreen
APL between patch sizes.

Resolution Patterns
This pattern file folder encompasses ninedifferent 10-bit/UltraHD resolution test
patterns. Testing your display’s native
ability to resolve fine detail within a 3840
x 2160 pixel space. These patterns havebeen divided into horizontal & vertical
patterns, with a 1, 2, or 3 pixel count inwidth, checkered board, mixed resolution

and 1:1 pixel mapping.

8|PageMiscellaneous Patterns continued
Color Gamuts in BT2020 Patterns
This file folder is comprised of 4 separate
subsections. Including a 6 point color and
30 point saturation sweep for both P3
and BT.709 color axis points within the
BT.2020 color gamut.

ColorChecker Sweeps
This pattern file folder is comprised of four
separate subsections. The 24 Point MCD
Original ColorChecker, 18 Point
ChromaPure Skin Tone ColorChecker, 24
Point Pantone Skin Tones ColorChecker,
and The 26 Point Calman Default
ColorChecker. These four pattern sets havebeen designed to accurately target 50% of
the BT.2020 color gamut, roughly 100 nit. The methodology behind this decision was toprovide an attainable target for most HDR-10 enabled displays.

Test Footage
This Test Footage file folder includes
eight separate reference HDR-10 test
clips. Landscape, Nature, Skin Tone, City
Sunset which is displayed in a 1.85:1
aspect ratio, Oceanside which isdisplayed in a 2.40:1 aspect ratio,
Pantone SkinTone, Restaurant Scene andIndian Market. Each of the test footage
clips are native sRGB that have been converted to BT2020/ST2084 and have been gradedto 200 - 300 nit, with peak nit levels reaching 1,000 nit. Each of the eight test clips canact as a reference point for before and after calibration observations.

LG OLED Code based test patterns
This file folder contains the LG OLED code
specific grayscales test patches for all
2016, 2017, 2018 & 2019 OLED models.
Please reference the LG spec sheet links
below for further details.
2016 Models & 2017 Models

9|PageMiscellaneous Patterns continued
HDR Clipping Test Patterns
Demonstrates how well your display
tone maps peak luminance information
based on the metadata in which it’s
being feed. The metadata within thisparticular pattern is designed to clip at
1,000 nit. However, no matter how muchyou lower and/or raise the contrast
controls, the peak luminanceinformation (flashing bars) will always remain the same, even though the light output
maybe increasing or decreasing onscreen. This is due to the internal tone mapping ofyour display.

Convergence Patterns
Designed to assist in front projectionalignment, convergence, focus andprojected image geometry. These types of
convergence test patterns typically aren’t
needed for fixed pixel type displays like
LCD or OLED.

Digital Zone Plate Patterns
Designed to expose any anomalies withinyour display’s ability to resolves certain
resolution frequencies. Available in bothprimary and secondary colors, along withwhite.

4% APL Window Patterns
These patterns were designed to help withcalibration on displays with ABL byproviding a constant APL throughout theentire sweep. The constant luminanceprovides a more consistence measurement,
especially when compared to actual
content. This file folder contains three
separate subfolders for each software

manufacture’s Independent workflow.

10|PageMiscellaneous Patterns continued

interpolation.

Frame Rate & Judder Patterns
Available in both 23.976 (24000/1001) and
59.940 (60000/1001) frame rates/Hz.
These patterns are primarily utilized forquick observations regarding improper
frame rate handling, unintentional film
judder and other associated frame rate
artifacts. Also, designed to expose any
negative side effects brought on by frame

Radial Gradient Patterns
Designed to expose banding artifact. This
10-bit gradient pattern is offered in bothprimary and secondary colors, along withgrayscale. These patterns range from
1,000 nit peak from center down to 0 nit,
in 1% increments.

mastering display luminance of 1,000 nit.

Chroma Subsampling Patterns
Since chroma subsampling is essentially atype of color compression. These test
patterns were designed to show how wellyour display processes native 4:2:0 sub
sampled content when resampled toeither 4:2:2 or 4:4:4. These patterns were
graded to three different nit levels, 100,
500 and 1,000 nit respectively, with aTrue 10-bit 10% Patch 21 Step Grayscale
Sweep
Theses test patterns offer true 10-bit
precision. Unlike the rest of the patternsuite (which utilizes an 8-bit to 10-bit
scaled triplet methodology), thesepatterns are coded using true 10-bit triplet
values. Unfortunately, current video
calibration software still works within
8-bit. So currently, there is no added value in the utilization of true 10-bit test patches at
the moment.
11|PageMiscellaneous Patterns continued
Ambient Light Test Patterns
These patterns offer a means to adjust ambient lighting (aka: bias lighting) on the wall behind the display via a visual comparison to
the brightness of the various windows. Many users of this program will not have access to a spot photometer or suitable
spectroradiometer to measure the luminance on the wall. The study of human visual perception is at the foundation of the video
medium. Human vision is the basis of imaging science and technologies that seek to produce artificial images. Ambient lighting
and surrounding colors in the viewing environment affect how the viewer perceives the image on a TV screen or electronic monitor.
An otherwise "perfectly" calibrated display cannot deliver a reference image to the viewer in a non-reference environment. Video
industry standards bodies (SMPTE, ITU, EBU, ATSC, etc.) and video engineers have understood these principles for over a half
century.

A 'Reference Viewing Environment' has been specified to include a neutral gray "surround" and low level back lighting that is CIE D65 (aka: 6505K CCT) behind the monitor for
decades. The room is to be devoid of any substantial additional lighting. These reference conditions are designed to minimize screen reflections, haze, and glare, plus relieve eyestrain and preserve accurate color perception. All of the current display calibration specifications are taken from the standards
best practices used in the professional mastering of video programs. Such standards and best practices are used throughout the industry to insure consistent and unified program
production, post-production, and program reproduction (image fidelity).
This UHD/HDR10 calibration program is primarily intended for the newest video displays. The most recent revision of reference viewing environment standards and recommended
practice by the Society of Motion Picture and Television Engineers (SMPTE) specifies a formal standard of an ambient light level of 5 nits (cd/m2). This is also the most recent
recommended practice specified for HDR imaging by the International Telecommunications Union (ITU). Both of these standards bodies specify the display to be calibrated to 100
nits for peak white, using a specific sized window pattern. The ambient light level visual comparison patterns in this program have 5, 10, and 15 nit windows derived from the formulafor calculating the electrical optical transfer function (EOTF}, or Perceptual Quantizer Transfer Function (PQ), for HDR (SMPTE ST 2084:2014). The 10 and 15 nit window patterns arefor comparison with older recommended practice as noted in the patterns.
How to use the patterns
Simply display the pattern of choice after calibrating the display while visually adjusting the ambient lighting on the wall behind the display in an otherwise light-less room. Visuallycompare the level of light on the wall to the level of light in the window. PLUGE patterns are included with the window for tweaking the black level (aka: brightness) of the display
with the ambient light present. This is to insure the adequate perception of shadow detail in the final image.
12|PageMiscellaneous Patterns continued
5 nit window pattern: Above the window- "Ambient Light Level Visual Comparison“ Below the window- "Formal standard of 5 nits (cd/m2) SMPTE ST 2080-3:2017, for HDTV“, "ITU-R
BT.2100-0-(07/2016), recommended practice for HDR"
10 nit window pattern: Above the window- "Ambient Light Level Visual Comparison“ Below the window- "Recommended practice of 10% of a peak white at 100 nits (cd/m2)“, "SMPTE
RP 166-1995, for SDTV; ITU-R BT.2035 (07/2013), for HDTV"
15 nit window pattern: Above the window- "Ambient Light Level Visual Comparison“ Below the window- "Recommended practice of 15% of a peak white at 150-250 nits (cd/m2)“,"ITU-R BT.710-4 (11/98), for consumer HDTV environments"
For additional study of viewing environment principles, practices, and solutions, see this technical document: https://cinemaquestinc.com/ive.htm , plus the standards documents
referenced.
(Developed in cooperation with G. Alan Brown, President, CinemaQuest, Inc., www.cinemaquestinc.com)"

13|Page

DVS UltraHD|HDR-10 Pattern Suite
Basic Setup

Workflows Title (REV_024)
 Meter Placement Meter Profile (10% Window Patterns Red, Green, &Blue @ 50%Amp/50%Sat)
 Black Clipping (1 & 2)
 White Clipping (1, 2, 3 & 4)
 Color Bars (100% BT.2020 & 50% BT.2020)
 Color Clipping (Color Clipping Mix, Low, & High) Sharpness & Overscan

 Calibration Color & Tint Calibration Performance Post-Calibration Grayscale Post-Calibration Color Gamut

Workflows
CalMAN HDR-10 Workflow (version 5.9.XX)
 Pre Calibration View
 White Balance Grayscale
 CMS Adjust ColorChecker Analysis
 BT2020 Saturation Sweeps
 P3 Sat Sweep inside BT2020
 BT709 Sat Sweep inside BT2020
 Post Calibration View
ChromaPure HDR-10 Workflow (version 3.1.XX) Pre-Calibration Grayscale Pre-Calibration Color Gamut
 Calibration Gamma Calibration White Balance Calibration Color Management

Color HCFR HDR-10 Workflow (version 3.5.1.XX) Grayscale Primaries and Secondaries
 Near Black Near White CMS Saturation Scale ColorChecker
 Contrast

Advanced Setup Patterns
5% Window Patterns
 11 Step Grayscale 21 Step Grayscale 10 Step Gamma 20 Step Gamma 100% Amplitude/100% Saturation Color
 75% Amplitude/100% Saturation Color
 50% Amplitude/100% Saturation Color
 25% Amplitude/100% Saturation Color
 50% Amplitude/50% Saturation Color
 50% Amplitude Color Saturation Sweep 40 Point Color Checker Near White Near Black

Advanced Setup Patterns
 Contrast

10% Window Patterns
 11 Step Grayscale 21 Step Grayscale 10 Step Gamma 20 Step Gamma 100% Amplitude/100% Saturation Color
 75% Amplitude/100% Saturation Color
 50% Amplitude/100% Saturation Color
 25% Amplitude/100% Saturation Color
 50% Amplitude/50% Saturation Color
 50% Amplitude Color Saturation Sweep 40 Point Color Checker Near White Near Black Contrast

Miscellaneous Setup Patterns
 Contrast Ratio (2%, 5%, 10%, 15%, 20%, 25%, 30%, 35%,
40% & Full Field)
 ANSI Contrast (ANSI Meter Placement & ANSI Contrast) Dynamic Contrast
 Grayscale Ramps (Grayscale Steps, Grayscale Ramp, &Grayscale Ramp Mix)
 Color Ramps (Color Steps, Color Ramps, & RGBYCM Single
Color Ramps)
 Color Decoding (Color Decoding & Color Decoding 50% Amp)
 Color Flashing Primary
14|Page

DVS UltraHD|HDR-10 Pattern Suite
Miscellaneous Setup Patterns
 Grayscale Sweeps (2% Window Patterns, 5% Window Patterns, 10%Window Patterns, 15% Window Patterns, 20% Window Patterns, 25%
Window Patterns, 30% Window Patterns, 35% Window Patterns, 40%
Window Patterns & Full Field Patterns)
 Different nit Levels (10% Window Patterns @ 1,000 nit, 2,000 nit, 3,000
nit, 4,000 nit, 5,000 nit, 6,000 nit, 7,000 nit, 8,000 nit, 9,000 & 10,000 nit
levels) Resolution Patterns (Resolution Mix Pattern, Resolution Vertical Pattern 1
Pixel, Resolution Vertical Pattern 2 Pixel, Resolution Vertical Pattern 3 Pixel,
Resolution Horizontal Pattern 1 Pixel, Resolution Horizontal Pattern 2 Pixel,
Resolution Horizontal Pattern 3 Pixel, & Resolution Black Pixels Single)
 Color Gamuts in BT2020 Patterns
 ColorChecker Sweeps
 Test Footage (Landscape, Nature, Skin Tone, City Sunset 1.85:1, Oceanside
2.40:1, Pantone Skin Tone, Restaurant Scene, Indian Market, Walk In The
City & Rooftop Scene)(Original TIF, PNG, & JPG Files) LG Display Test Patterns (2016, 2017, 2018 & 2019 OLED code values andUK65xx series code values) HDR Clipping Test Patterns
 Digital Zone Plate Patterns
 Convergence Patterns
 4% APL Window Patterns (21 Step Grayscale & 50% Amp_50% Sat Color) Frame Rate & Judder Patterns (Judder Test 24 FPS, Judder Test 60 FPS, &Multi-Bar Judder Test 24 FPS) Radial Gradient Patterns (WRGBYCM)
 Chroma Subsampling Patterns (Chroma Subsampling 100 nit, 500 nit, &1,000 nit)
 True 10-bit 10% Patch 21 Step Grayscale Sweep
 Ambient Light Test Patterns
 Samsung 2018 Code Values ( Code value set 1 & 2)
 White Clipping 80% - 100% Different nit Levels

15|PagePattern MetadataVideo
ID:.………………………………………………………………………………………….256(0x100)
Menu ID:.………………………………………………………………………………..…….1 (0x1)Format:.…………………………………………………………………………………………..HEVC
Format/Info: ………………………………………………..High Efficiency Video Coding
Format profile:……………………………………………………….Main 10@L5.1@Main
Codec ID:.…………………………………………………………………………………………….36
Duration:.………………………………………………………………………………..……1mn 0s
Width:.……………………………………………………………………………………3840 pixels
Height:……………………………………………………………………………………2160 pixels
Display aspect ratio:………………………………………………..............……………16:9
Frame rate:.…………………………………………………………23.976 (24000/1001)fps
Color space:……………………………………………………………………………...………YUV
Chroma subsampling:.…………………………………………………………4:2:0 (Type 2)
Bit depth:.………………………………………………………………………………………10 bits
Writing library:…………………....x265 2.6+13-6b079854e56e:[Windows][GCC
7.2.0][64 bit] 10bit
Encoding settings: cpuid=1173503 / frame-threads=3 / numa-pools=8 /wpp / no-pmode / no-pme / no-psnr / no-ssim / log-level=2 / input-csp=1 /input-res=3840x2160 / interlace=0 / total-frames=1439 / level-idc=51 /high-tier=1 / uhd-bd=1 / ref=4 / no-allow-non-conformance / repeatheaders / annexb / aud / hrd / info / hash=0 / no-temporal-layers / noopen-gop / min-keyint=1 / keyint=24 / bframes=4 / b-adapt=2 / b-pyramid/ bframe-bias=0 / rc-lookahead=25 / lookahead-slices=4 / scenecut=40 /no-intra-refresh / ctu=64 / min-cu-size=8 / rect / no-amp / max-tu-size=32/ tu-inter-depth=1 / tu-intra-depth=1 / limit-tu=0 / rdoq-level=2 / dynamicrd=0.00 / no-ssim-rd / signhide / no-tskip / nr-intra=0 / nr-inter=0 / noconstrained-intra / no-strong-intra-smoothing / max-merge=3 / limit-refs=3/ limit-modes / me=3 / subme=3 / merange=57 / temporal-mvp / weightp/ no-weightb / no-analyze-src-pics / deblock=0:0 / sao / no-sao-nondeblock / rd=4 / no-early-skip / rskip / no-fast-intra / no-tskip-fast /no-cu-lossless / no-b-intra / rdpenalty=0 / psy-rd=2.00 / psy-rdoq=1.00 /no-rd-refine / analysis-mode=0 / no-lossless / cbqpoffs=0 / crqpoffs=0 /rc=abr / bitrate=50000 / qcomp=0.60 / qpstep=4 / stats-write=0 / statsread=0 / vbv-maxrate=70000 / vbv-bufsize=50000 / vbv-init=0.9 /
ipratio=1.40 / pbratio=1.30 / aq-mode=1 / aq-strength=1.00 / cutree /zone-count=0 / no-strict-cbr / qg-size=32 / no-rc-grain / qpmax=69 /qpmin=0 / sar=1 / overscan=0 / videoformat=0 / range=0 / colorprim=9 /transfer=16 / colormatrix=9 / chromaloc=1 / chromaloc-top=2 /chromaloc-bottom=2/
display-window=0/
masterdisplay=G(13250,34500)
B(7500,3000)
R(34000,16000)
WP(15635,16450) L(5400000,0) / max-cll=0,0 / min-luma=0 / maxluma=1023 / log2-max-poc-lsb=8 / vui-timing-info / vui-hrd-info /slices=1 / opt-qp-pps / opt-ref-list-length-pps / no-multi-pass-opt-rps /scenecut-bias=0.05 / no-opt-cu-delta-qp / no-aq-motion / hdr / no-hdropt / no-dhdr10-opt / refine-level=5 / no-limit-sao / ctu-info=0
Color range:……………………………………………………………………………….Limited
Color primaries:………………………………………………………………………..BT.2020
Transfer characteristics:…………………………………………SMPTE ST 2084 (PQ)
Matrix coefficients:………………………………………………BT.2020 non-constant
Mastering display color primaries:…………..R: x=0.680000 y=0.320000,
G: x=0.265000 y=0.690000, B: x=0.150000 y=0.060000, White point:x=0.312700 y=0.329000
Mastering display luminance:………………………………….min: 0.0005 cd/m2, max: 1000.0000 cd/m2
Maximum Content Light Level:……………………………………………1000 cd/m2
Maximum Frame Average Light Level:………………………………….400 cd/m2

16|PagePattern Metadata
Audio
ID:…………………………………………………………………………………….…257 (0x101)
Menu ID:…………………………………………………………………………………….1 (0x1)Format:…………………………………………………………………………………………..AAC
Format/Info:………………………………………………………Advanced Audio Codec
Format version:……………………………………………………………………….Version 2
Format profile:…………………………………………………………………………………..LC
Muxing mode:………………………………………………………………………………ADTS
Codec ID:…………………………………………………………………………………………..15
Duration:……………………………………………………………………………………1mn 2s
Channel(s):……………………………………………………………………………2 channels
Channel positions:…………………….……………………………………………Front: L R
Sampling rate:………………………………………………………………………….48.0 KHz
Frame rate:……………………………………………………………46.875 fps (1024 spf)
Compression mode:………………………………………………………………………Lossy

17|Page