CJS e-Newsletter 2022

14 December 2022
What’s in thisissue
From the Acting
Director
An interview
with Paul
Madden CMG
2022 Review:
MA inInterdisciplinary
Japanese
Studies
Online Summer
Programme
Beyond Japan
PodcastEditor: Olivia Butler
CJS Acting Director: Dr Sherzod Muminov
Header photo: Kyoto Tower from nightviewing of cherry blossoms at Kiyomizu Temple(Oliver Moxham, 2018)

Events andCollaborationsCJS Colleagues
General Links
Contact Us

Welcome Message

CJS ニュースレターへようこそ！

Welcome to the 2022 Centre for Japanese Studies e-Newsletter.
In this special edition, we will be taking a look back of some of the achievements of the Centre for Japanese Studies
across the last year, and look forward to some of the exciting events we have lined up over the coming months.
We always welcome feedback and are very happy to pass on Japan-related news of relevance to our readership – so do
get in touch.
Stay safe and well,
Sherzod and Olivia
Editor’s note: Japanese names, barring special exceptions, are given in the Japanese form of family name first i.e.
MATSUMOTO Mariko

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14 December 2022

Forthcoming dates for your diaryCJS RESEARCH SEMINAR SERIES:
16 February 2023, 1 pm GMT/10 pm JST[Full details to be confirmed]
Speaker: Jacqueline Berndt, Stockholm University[Online via Zoom – book via japaninnorwich.org]
7 March 2023, 1 pm GMT/10 pm JST[Full details to be confirmed]
Speaker: Robert Hellyer, Wake Forest University[Online via Zoom – book via japaninnorwich.org]
23 March 2023, 1 pm GMT/10 pm JST
The reluctance to use sexual orientation categories in contemporary Japan: the new refusers
Speaker: Sharon Kinsella, University of Manchester[Online via Zoom – book via japaninnorwich.org]
OTHER EVENTS:
September 2022-August 2023
Circles of Stone: Stonehenge and Prehistoric Japan
Stonehenge Visitor Centre, Salisbury
More information available here.
January 2023
Japanese Evening Language Programme
UEA
Applications now open – apply here.
16-19 March 2023
Association for Asian Studies (AAS) Conference
Hynes Convention Center and the Boston Sheraton hotel, Boston
Virtual conference: 17-18 February

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From the Acting Director, CJS

14 December 2022
日本学センター所長代理より

It is my great pleasure to write this message as the Acting Director of theCentre for Japanese Studies (CJS) for this academic year.
Before I assumed the post, I had three wonderful months as a visiting fellow at
the Center for North-East Asian Studies of Tohoku University in Sendai. I
entered Japan among the first foreigners following the easing of some COVID
travel restrictions in March. Being able to travel to Japan after two long years of
the pandemic was an invaluable opportunity to not only do research but also
reconnect with colleagues and friends at various institutions. I was especiallyglad to be based at Tohoku, which is one of UEA’s long-term partner
universities, and to visit Ritsumeikan University—another important partner
institution—twice during my stay.
In August, the UEA’s Faculty of Arts and Humanities signed a Memorandum ofUnderstanding with the Institute of International Relations and Area Studies of Ritsumeikan University. This agreement
will strengthen and expand the strong links between the institutions, enabling faculty members to spend time at thepartner institution to conduct research while benefiting from the facilities of the host university. This opportunity willundoubtedly help CJS members, and other academics at the Faculty, who plan to visit Kyoto for research.
In early September we received another generous donation of Japanese and Japan-related books from Professor Glenn
Hook of Sheffield University, following a donation from Professor Ian Nish earlier in the year. This collection of books
and journals contains over 2,000 volumes in English and Japanese, and has been catalogued by Tsuji Hirohito, a PhD
candidate at the UEA.
Autumn has been eventful for the Centre for Japanese Studies. For the first time since 2020, we held our researchseminars in hybrid format, inviting four scholars of Japan to share their research with us. We are grateful to all of thissemester’s speakers, whose wide range of topics and expertise has encapsulated the interdisciplinary nature of CJS you can view recordings of these sessions on our CJS YouTube channel.
This instalment of the CJS newsletter will take a look back at some of the key events and activities of the centre overthe last year– from conferences, to lectures, and even our own cherry tree planting and hanami 花見 ceremony.
Professor Simon Kaner also provides an interview with Paul Madden CMG, former British Ambassador to Japan andspecial advisor to CJS, ahead of his lecture on Thursday 15th December.
As we head into the Christmas break, I would like to wish you all a happy and joyful festive season and a bright start tothe new year.
Sherzod Muminov3

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An Interview with Paul Madden

14 December 2022

ポール・マデン氏インタビュー

Paul Madden CMG FRCS was British Ambassador to Japan from 2017 to 2021 and is currently Special Advisor to theCentre for Japanese Studies at the University of East Anglia. We look forward to welcoming him back to Norwich on
Thursday 15th December to give the Sainsbury Institute’s Christmas Third Thursday Lecture. He has just published a newbook, Sankyu Japan (our Japanese students will get the pun), based on a series of 39 tweets he put out before
completing his term as Ambassador in Tokyo. Simon Kaner caught up with him as he was about to board the Queen
Elizabeth for a lecture tour across the Indian Ocean to Singapore, where he was previously High Commissioner, a post
he also held in Australia. While Ambassador in Japan, Paul visited all 47 prefectures, ensured that visitors enjoyed the
Rugby World Cup, oversaw the response to the Covid-19 pandemic and attended the enthronement of His Majesty theEmperor of Japan.
What motivated you to write this book?
I was looking back over a total of eight years in Japan with the Foreign Office, first at the start of my career and thenlatterly as ambassador, and thought 39 (sankyu in Japanese) tweets about some of my favourite things in Japan would
be a good way to reflect on the country that I have come to enjoy so much. Tweets seemed a good way to go, and I
divided them into five categories: nature, including Mount Fuji, the Inland Sea and the lakes of Hokkaido; places,
including the cultural capitals of Kyoto and Kamakura, where I spent a very happy year learning Japanese; the built
environment, such as castles and gardens; unique aspects of Japanese culture, so kabuki and kanji; and distinctive
aspects of everyday life in Japan, like izakaya and onsen.
What was your favourite tweet from the 39 in the book, and the most revealing response you received?
I don’t really have a favourite, but the one on castles was the first, and proved to be the most popular. I was amazedabout how many people followed them – over 30,000 in all. I was amused by one of the responses to the castles one
which was an advert for deodorant socks with gripping soles – great for the steep ladders that you have to ascend toreach the higher levels of many Japanese castles, usually with your shoes swinging precariously in a plastic bag held inyour hand. My comments on chopsticks also generated some interesting responses. After 30 years of living in Asia it ismaybe not so surprising that I can indeed eat with chopsticks, but it didn’t stop people commenting on the great
expertise I had developed in this area.

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How important is the role of Twitter and other social media in diplomacy today?
Twitter and social media generally are now very important to the Foreign Office, and we are all encouraged to makeuse of it. We had some people in the media section at the Embassy who work exclusively on this. We used it in two
main ways: to influence and to inform. In terms of influencing, take a look at our coverage about Ukraine for example.
Not so many Japanese politicians are active on Twitter – maybe a generational thing, though Kono Taro is a very skilled
and hugely effective Tweeter. As for informing, we put out a series of do’s and don’t’s in advance of the Rugby World
Cup in autumn 2019, including raising awareness that having tattoos might prevent you from gaining access to many
onsen. We also worked with UK-based comedian Yuriko Kotani who I had seen at the Edinburgh Festival who created aseries of amusing scenarios for us around potential intercultural mistakes, which proved very popular.
As Ambassador you met the Emperor, our new King, and British and Japanese Prime Ministers: do you have any
reflections on the place of constitutional monarchies in the contemporary world?
When I was first in Japan in 1989 I was on the streets for the enthronement of the Heisei Emperor, among the crowd
watching the motorcade go past. It was pretty amazing to then actually attend the ceremony for the Reiwa Emperor,
who I met a few times as Crown Prince, and who has a great affinity for the UK having studied at Oxford. And we had
Prince Charles, now of course King Charles, stay with us for the occasion. As for constitutional monarchies versus
elected presidents, I have lived with various systems in Japan, the UK, Singapore and Australia, where of course there isa big debate about becoming a republic. My question is, what would you replace it with? I don’t think there is a single
solution that would work everywhere – it draws on a long history and cultural circumstances in each case. One thing I
would say, though, is that a constitutional monarch is a symbol around which people can unite, not always the casewith more divisive political figures. But you need people with the right personal commitment and style. The former
Emperor and the late Queen clearly had this, and from what I have seen so far, so do the new Emperor and King.
Do you have any advice for students who have aspirations for a career in the Foreign Office?
If you are interested, just go for it. It is a very competitive process with some hard exams, but it is not impossible to get
in. The British foreign service today is much more diverse than it was when I joined. Most of the UK’s G7 and UN
ambassadors are now women, and there is roughly gender parity in the graduate intake. There is also much greater
ethnic diversity, reflecting the nature of contemporary British society. Many people now join later in life, in their late20’s, having lived abroad for a while, learned some languages, and experienced living in different countries andcultures.
It can be somewhat disruptive for family life – you will spend maybe two thirds of your career living abroad – and forpartners’ careers. But if you have an interest in foreign affairs, enjoy engaging with different cultures, and have aninterest in serving your country, then you should apply. And now of course it is the Foreign, Commonwealth andDevelopment Office, following a merger with the Department for International Development – so there are great
opportunities to contribute to overseas development too.
And lastly, where can we get hold of the book?
The best way is to download an e-book version from Amazon. It is published by the Kawauso Press. Or you can email
Thekawausopress@gmail.com and order a hard copy.

Interview by Professor Simon Kaner, Director of the Centre for Japanese Studies [on study leave 2022-2023]

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MA in Interdisciplinary Japanese Studies

14 December 2022

学際日本学

One of the biggest success stories of CJS over the past few years has been the introduction of the MA programme. In
2020, the University of East Anglia together with the Sainsbury Institute for the Study of Japanese Arts and Cultures
launched the MA programme in Interdisciplinary Japanese Studies. Spanning disciplines such as literature, history,
politics, and art, the MA offers the opportunity to understand our increasingly globalised world through the lens ofJapanese culture and relations.
Last year’s cohort of seven students took part in a host of seminars, activities and trips that have provided hands-on
experience for studying Japan. We have recently welcomed our latest cohort of six students who are now starting theirmodules for the year.
Last year, in April 2022, students had the opportunity to view two of Kawanabe Kyōsai’s paintings, one of the mostcelebrated and prolific artists of late-nineteenth century Japan, as part of their Researching Japan module. They viewed
the works up-close alongside woodblock printed books by Kyōsai held in the world-class Lisa Sainsbury Library. Thissession offered students an unparalleled opportunity to engage with important artworks and gave a real taste of work
as a researcher. The session was taken by Dr Sadamura Koto, curator of the exhibition Kyōsai: The Israel Goldman
Collection, which was on show at the Royal Academy of Arts in London earlier this year.

Last year’s students of the MA Interdisciplinary Japanese Studies in the Lisa Sainsbury Library with Dr Sadamura Koto.

This year’s cohort, although only a semester into teaching, have already had the chance to visit the Japan: Courts andCulture exhibition, currently on show at the Queen’s Gallery at Buckingham Palace, and were shown around by the
Sainsbury Institute’s Research Director, Professor Nicole Coolidge Rousmaniere, and the curator of the exhibition,
Rachel Peat. Dr Matsuba Ryoko has also coordinated an impressive programme of lectures for the module Constructing
Japanese Heritage, which has already seen live workshops hosted in Japan and the UK on methods of digitising

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lacquerware, involving Living National Treasure and urushi artist, Murose Kazumi – you can read more about thisworkshop here.

Students of this year’s MA Interdisciplinary Japanese Studies course at the exhibition ‘Japan: Courts and Culture’

Both this year and last year, students have been offered the opportunity to work on a project at the British Museum
and V&A, undertaken jointly by the Sainsbury Institute and the Art Research Center, Ritsumeikan University (ARC),
which has so far seen the digitisation of 96 titles held in the Japanese painting albums collection. This will be part of an
online open access database that will make accessible research materials in UK collections. Not only were students able
to take part in a pioneering project that will improve accessibility to collections of Japanese works, but they also gained
invaluable experience that can be taken forward throughout their postgraduate studies and beyond. You can read more
about the digitisation from MA alumni Naomi Hughes-White here.
Administered through UEA’s Interdisciplinary Institute for the Humanities, home to the Centre for Japanese Studies,
this MA course is a collaboration of Japan specialists from both the University and the Sainsbury Institute for the Studyof Japanese Arts and Cultures. Lecturers with academic focus on Japan from several schools of study at UEA along withacademic staff of the Sainsbury Institute have developed an innovative interdisciplinary curriculum for students whowant to know about Japan, its place in the world, and its transforming cultural identity. For a taste of the diversity
amongst our lecturers, watch our introductory video on YouTube or check our Beyond Japan podcast episodes Series 1,
episodes 1-7 for in-depth discussion with the teaching team on their research areas. Feel free to get in touch with anyquestions you may have about the course and see the UEA course page for more information and how to apply for the
programme beginning in September 2023.
The MA has continued to go from strength to strength in the past year, providing students with diverse opportunities
for engaging with Japanese studies, including access to unique resources such as the Lisa Sainsbury Library, getting
involved with the postgraduate workshop of the British Association of Japanese Studies, special training opportunities
at the British Museum and Victoria and Albert Museum, and collaborations with students and lecturers across theworld – last year involving a joint seminar series with University of Colorado Boulder, and with Ritsumeikan University
in Kyoto. As this year’s cohort begin their studies, we look to continue to encourage the next generation of Japanesestudies students through new initiatives, collaborations and world-class teaching.

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Online Summer Programme

14 December 2022

オンライン夏期プログラム

The Centre for Japanese Studies at the University of East Anglia and the Sainsbury Institute for the Study of JapaneseArts and Cultures were delighted to run the Online Summer Programme in Japanese Cultural Studies for a third year.
This year’s iteration, running from Monday 1st to Friday 12th August, focussed on the theme of “Tourism and Heritage in
Post-Lockdown Japan”. As with previous years, the series of lectures, talks, and workshops was run as a freeprogramme and organised in partnership with the Toshiba International Foundation. The programme was originallyconceived as a temporary replacement for our in-person summer schools, which were prevented due to theCoronavirus pandemic. However, the programme has attracted incredible interest from across the globe,
demonstrating a strong appetite for Japanese Studies internationally. The report for 2021's Online Summer Programme
is available here.
This edition of the programme considered directly the impacts of the pandemic on Japan. Throughout the world,
tourism has been one of the industries most profoundly affected by the pandemic. For Japan in particular, which has
sought to become a “Tourism Nation” and was host for the 2020 Summer Olympics and Paralympic Games, theconsequences have been significant. At the time of the programme this year, while Japan began to gradually open to
overseas tourists, the strict entry requirements were a far cry from the experiences of the 34 million who visited in
2019. For organisers Oliver Moxham, Research Project Coordinator at the Sainsbury Institute, and Dr Christopher J.
Hayes, Lecturer in Tourism & Events at Teesside University, these restrictions alongside rising cases of Covid at the timein Japan necessitated an adaptable programme that catered to the post-pandemic world in which we live. With this inmind, it seemed appropriate to take this time to reconnect with Japan and explore what tourism in Japan means postCOVID-19. The programme also explored Japan’s cultural heritage, and how COVID-19 has affected the heritage
industry, discussing the uses and value of heritage in the absence of international tourism.

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As with previous years, we received a strong selection of applications – with 256 applicants in total from a range ofnationalities, the top places being India (16.4%), US (11.3%) and UK (10.2%). Additionally, 72.7% of applicants had notattended one of the previous iterations of the programme, and it was promising to see that the course was continuing
to reach new audiences in its third year.

A series of roundtable discussions were planned across three locations in Japan – Tokyo, Kyoto and Fukuoka, withpanels formed of a mix of academic researchers and heritage and tourism industry professionals, ensuring a diversity ofviewpoints and experiences to stimulate interesting conversations. Unfortunately, due to rising Covid cases in Japan at
the time of the programme, the panel sessions were moved online but still retained their geographic focus. For theroundtables, the insights of high-profile and influential academics, including Professors Philip Seaton, Joseph Cheer,
and Natsuko Akagawa, among others, were complimented by industry perspectives from professionals such as luxury
travel designer Satoko Nagahara, international tourism manager Pepijn Cox, and Kenny Macphie of the Fukuoka
Convention & Visitors Bureau. Discussions touched on a range of topics and issues, including overtourism,
sustainability, difficult heritage, host-visitor relations, the influence of popular culture on tourism, the impact of COVID19, and what lies in the future for heritage and tourism in Japan.
This year’s programme also incorporated a new feature in the form of livestreamed tours of tourist sites across thethree locations. Despite not being able to visit Japan themselves, this gave participants the opportunity to explore thesites and note the stark contrast in tourist attendance compared to pre-pandemic levels. Organisers Chris and Oliver
remained mindful of restrictions throughout their time in Japan, and were very adaptable to a situation that wascontinuously changing. We are grateful to them for all their hard work in arranging another successful programme
which has introduced more participants to Japanese studies, as well as the growing community that has come out of
this series of programmes. As Japan’s borders have now opened to near pre-pandemic levels, we will watch withinterest to see how the themes addressed in this year’s programme shift and change as tourists begin to re-enter sites
and locations across the country.
A message from our alumni:

I found last year's Online Summer Programme 2021 and also the Online Summer Programme
2020 from two years ago very interesting for the opportunity to participate in such structured
summer schools and interesting for the variety of insights provided. The variety of the summer
school made it possible to follow the talks by specialists and read specific articles, deepen one's
own interests, and above all discover new ones! It was useful to keep the curiosity about Japanand all its cultural aspects alive at a time of stalemates such as the lockdown and the still
uncertain following months. It was also useful to meet other students who are passionate about
this sphere outside of my own context, I recommend it to everyone!
Eleonora Lanza (PhD Student, University of Milan)

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Beyond Japan Podcast: 2 Series Later

14 December 2022
ポッドキャスト再視聴

A map of the 69 countries where our listeners tune in from, most prominently the UK, USA and Japan.
Two years have now passed since Beyond Japan was innovated in response to an abrupt halt of our CJS researchseminar series at the start of the COVID-19 pandemic. Since our first episodes introducing our CJS colleagues and theirresearch, the podcast has continued beyond the return of our online seminars as an accessible, engaging and global
means of broadening understanding on the many faces of Japanese Studies. We have had 15,000 downloads since ourstart across 69 countries, the top three being the UK (31%), USA (29%) and Japan (16%), demonstrating the global
appeal of Japan-related research. You can find Beyond Japan across 9 servers, including Spotify, Apple, Amazon andAnchor.
As series 2 came to an end earlier this year, we are delighted to announce that Oliver Moxham, host of the series, hasbeen awarded the 2022 UEA Engagement Award for his work encouraging public engagement with academia throughthe podcast. Series 3 of the podcast began in October 2022 with monthly episodes on the first Thursday of every
month. Episodes so far have focussed on constructing national histories, manga and underwater archaeology. Moreinformation is available here. If you’re new to the series, have a listen to some of our most popular episodes below:

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Events, Projects and Collaborations

14 December 2022
イベント、プロジェクト、コラボレーション

The last year has seen successful events and collaborations across organisations both within UEA and beyond.
CJS Research Seminars

The Centre for Japanese Studies has not only brought together colleagues researching Japan across UEA, but globally
through inviting speakers to join our Research Seminar Series. Since 2017, we have held 38 seminars both in-person
and online with over 1,200 plays of our recorded sessions. The wide range of topics from cinematography tointernational politics highlights the interdisciplinarity of Japanese studies.
This autumn, we were pleased to bring some of our autumn seminar series back to UEA campus with a few hybrid
events amongst our largely online offering. We have already seen an excellent series of talks focusing on flashpoints
within conflict in East Asia, ideas of territorial sovereignty in early modern Japan, and a roundtable discussion on therole and interaction of the Imaginary and the Real within scholarship and our perceptions of the past.
Find out more about our more recent seminars here.
Japanese Language Courses
We were delighted to welcome 24 new first year students to the Japanese degree course in 2022-23. We would also
like to extend a warm welcome to Dr Yumiko Kita, who joined our team as Lecturer in Japanese this academic year. Our
students have continued to excel in the prestigious National Japanese Speech Contest for University Students, with
Apolline Debroux, second year student, being awarded 2nd place in the Individual Presentation Category 2022. The past
three cohorts of students, including those who had been waiting to study in Japan since 2020, are now finally all inJapan for their study abroad programme. We have also relaunched the Japanese language evening courses as a part of
the UEA Evening Language Programme for the public, and several other events related to Japan are being planned thisacademic year.
Sainsbury Centre for Visual Arts (SCVA)
One of the unique advantages of the Centre for Japanese Studies is its position within UEA which allows for important
collaborations across staff, departments, and organisations within the university. Particularly over the last few years,
CJS has been fortunate to work with the Sainsbury Centre for Visual Arts (SCVA) on several projects. Faces of Faith,
which ran 18 July 2021 – 31 January 2022, took as its focus a female Shinto deity figure from the collection at the
Sainsbury Centre (SCVA) and was created in collaboration with the Sainsbury institute (SISJAC). Held as part of theJapan-UK Season of Culture, the exhibit recognised the important role that Prince Regent Shōtoku Taishi played inbringing religion to the Japanese courts at a time when museums across Japan commemorated the 1,400 year
anniversary of the death of Prince Shōtoku. The exhibition was also accompanied by a digital display space which
explored themes of identity, myth and religion.
Also forming part of the Japan-UK Season of Culture was the exhibition Usagi in Wonderland by Japanese-Swiss artist
Leiko Ikemura which ran 18 July – 12 December 2021, formed as a collaboration between SCVA, SISJAC and CJS. This
exhibition, the first of its kind in the UK that focussed on the artist, explored themes of nature in all its facets throughsculpture, drawings and paintings. Due to the pandemic, the exhibition was also partly curated with the artist overZoom – a testament to the innovation and adaptation required in a pandemic world. Usagi Kannon, a monumental
bronze sculpture designed to evoke ideas of rebirth, fertility and renewal, also now stands in the SCVA sculpture parkfor visitors to enjoy until 2024. You can hear more about the exhibition in the Sainsbury Institute January Third
Thursday Lecture, and watch this space for an upcoming publication focussed on the exhibition and Ikemura’s work.

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The Sakura ProjectThis year, the Centre for Japanese Studies in collaboration with the Sainsbury Institute and UEA also took part in the
Sakura Project, led by the Japanese Embassy and funded by Japanese Business, which saw the donation of over 6,000
sakura 桜, or cherry blossom, trees to locations across the UK to celebrate UK-Japan friendship and co-operation.
A total of 30 trees were donated to locations across Norwich, including to the Cathedral, UEA and across several cityparks. To mark the occasion, Vice Chancellor of UEA, Professor David Richardson, and Director of Governance andAssurance, Andrea Blanchflower, gathered with Executive Director of SISJAC and Director of CJS, Professor Simon
Kaner, and UEA’s International Ambassadors for Japan, Aiko Imamura, and for Korea, Seungyeun Lee, to toast theplanting outside INTO - an on-campus centre offering academic preparation courses and English language
programmes designed specifically for international students.
As is tradition in Japan, we held our very own hanami (花見 blossom-viewing) party at the site of the planting andenjoyed some saké around the new trees. The planting and project encapsulated the continued efforts of CJS, alongwith SISJAC and UEA, to foster and grow important relationships and networks between the UK, Japan and across theworld. As we move forward into a post-pandemic world, we hope the important friendship and co-operation
between the UK and Japan symbolised by the cherry trees will continue to grow and bring more opportunities forcollaboration and exchange in Japanese studies and beyond.
Nish & Hook Library Collections

The Centre for Japanese Studies was also grateful to receive a generous and extensive donation of books from
Professor Ian Nish, renowned specialist in Japanese Studies who sadly passed away in July. Ph.D. student, Hirohito
Tsuji, has worked hard this year to catalogue the books which are now available to be used. You can explore the titlesin the collection here.

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"The online catalogue of approximately 700 materials in six languages, donated by Prof. Nish, has been completed.
This allows users to search for materials from anywhere, and, as a rule, copies of books are arranged in ABC/あいう
えお order by author, making it quick to access the materials they are looking for. The collection contains many
valuable materials that are very difficult to obtain, so must be of great use to staffs and students in their studies."
Hirohito Tsuji, Ph.D. Student at UEA"A huge thanks to Professor Nish and his family for welcoming us into their Oxshott home on more than one trip from
Norwich to collect the invaluable and very gratefully received donation of wonderful books on Japan that have now
been transformed by our dedicated staff into the Nish Collection. This will no doubt be treasured by staff and students
alike for generations to come!"
Dr Ra Mason, Sasakawa Associate Professor, School of Politics, Philosophy, Language and Communication Studies
We have also recently received another kind donation of books from Professor Glenn Hook which cover a wide rangeof topics from across Japanese studies which Hirohito has recently finished cataloguing, with over 2,000 titles in thecollection. Building and maintaining such collections is essential to ensure that future students of Japanese studies
are able to access a range of research materials, and CJS is grateful to both Professor Nish and Professor Hook forhelping us to continue this mission.
CJS at AAS
2022 also saw the return to an in-person event for the Association for Asian Studies annual conference, with thisyear’s event hosted in Honolulu. As we adapt to a post-pandemic world, many of the sessions were held in a hybrid
format or online with speakers joining from across the world.

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This year’s event saw excellent representation from members of CJS across a range of panels and topics. CJS
colleagues that took part included:
Seeking a Universal Tongue: Esperanto and Politics in East Asia – Nadine Willems (discussant)Japan Foundation's 50th Year Anniversary Plenary: Strengthening Human Capital Pipelines for Area Studies – A
Global Perspective – Simon Kaner (discussant)The Ruins of the Imperial Japanese Military and its Aftermath – Sherzod Muminov (paper presenter)
Japanese Literature - Hannah L. Osborne (paper presenter)
Memory in Space: Creatively Imagining and Living Japanese Landscapes – Ryoko Matsuba (organiser & paper
presenter)
Decentering "Japanese Art History": Rethinking Periodization, Geography, and Historiography - Eriko Tomizawa-Kay(organiser & paper presenter) and Simon Kaner (chair)TERUYA Yuken – Artist Talk and Workshop

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Organised by Dr Eriko Tomizawa-Kay (CJS) and Dr Daniel Rycroft (UEA), CJS also had the pleasure of hosting aworkshop and talk by Okinawa-born artist Teruya Yuken on Monday 17th October. A workshop held in the afternoon
explored the topic of Artistic Perspectives on Decolonisation, which was later followed by an artist’s talk by Yuken inwhich he talked through his artistic practice and the ideas, concepts and frameworks that underpinned his works.
Over 70 people attended the talk, held at the Sainsbury Centre, and it was encouraging to see such an appetite forboth Japanese studies and a return to more frequent in-person events.

TOMIYASU Hayahisa – On Memory, Time and Place
October was a busy month for CJS, with a roundtable discussion with photographer Tomiyasu Hayahisa taking place
on Wednesday 19th October, in conversation with Acting Director Sherzod Muminov. Arranged by CJS incollaboration with the National Centre for Writing and as part of a multi-city residency for the photographer, the talk
explored Hayahisa’s work and how, having returned to his native Chigasaki, his work has reconnected with thememories and places of his homeland after spending ten years documenting urban spaces in Europe.

CJS Colleagues

CJS スタッフ近況

Publications and Updates
Over the last year, the diverse specialists that make up CJS have continued to produce impressive outputs acrossconferences, journals and lectures alongside their teaching – a testament to the expertise and breadth of researchthat our staff continually bring to the field of Japanese studies.
Dr Sherzod Muminov, Associate Professor in Japanese History, published his latest title Eleven Winters of Discontent:
The Siberian Internment and the Making of the New Japan, 1945-1956 in January 2022, which aims to explore thereal people taken as prisoners of war by the Soviet Union from the Japanese puppet state of Manchukuo and thecolony of Southern Sakhalin, numbering over 600,000 Japanese soldiers. Creating a portrait of life in Siberia and laterin Japan, the study also sheds new light on our understanding of the Cold War front. Sherzod was also in Japan on a
research fellowship at Tohoku University Center for Northeast Asian Studies (CNEAS) earlier this year and gave alecture at Ritsumeikan University on the topic of the Siberian internment of the Japanese Army. Sherzod has since
taken over as Acting Director of CJS for this academic year and continues to teach the Japan special subject, a yearlong, third-year undergraduate module titled “Japan’s First Modern Century, 1868-1968”.
Professor Simon Kaner, who is on study leave for this year, has been busy with arrangements for the exhibition
Circles of Stone: Stonehenge and Prehistoric Japan, currently on show at the Stonehenge Visitor Centre until August

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2023. Featuring some objects which have never before been shown outside of Japan, the opening was held on
Thursday 29th September, and attended by his Excellency Mr Hajime Hayashi, Ambassador of Japan to the UK. The
exhibition has received significant coverage in the media and Simon has also taken part in podcasts for both English
Heritage and The PastCast, alongside articles in Current World Archaeology and the English Heritage Magazine.
Dr Eugenia Bogdanova-Kummer, Lecturer in Japanese Arts, Cultures, and Heritage and course director for the MA
Interdisciplinary Japanese Studies, published Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde, an
exploration of The Bokujinkai—or ‘People of the Ink’— a group formed in Kyoto in 1952 by five calligraphers.
Through their work, this group rerouted the course of global abstract art, bringing calligraphic visualities andnarratives to international audiences. You can hear more about Eugenia’s work on Avant-garde calligraphy in thisBeyond Japan podcast episode. Eugenia has also become Acting Director of the Sainsbury Institute for this academic
year and has been busy with tasks related to the running of the institute as well as being course director for the MA
Interdisciplinary Japanese Studies programme.
Dr Ra Mason, Sasakawa Associate Professor of International Relations and Japanese Foreign Policy, has been working
primarily on Okinawa and Japan's security. This has included chairing a session on Okinawan activism at the Daiwa
Foundation in London, giving an invited talk on security in the East China Sea at the Nissan Institute, University of
Oxford, as well as leading a student-staff delegation to an international panel discussion at the European Institute for
Asian Studies (EIAS) and multiple presentations at EJARN, NAJS, VUB (Kobe/Kent) and other Japan-related
international conferences. Ra also completed a chapter for the forthcoming book, Japan's Security Policy (Routledge),
as well as on Shuri Castle for the Handbook of Disaster Studies in Japan (MHM Press), in addition to a chapter for theedited volume Old Friends, New Partners: New Perspectives on Peacetime Anglo-Japanese Military Relations: 18642022, to be published next year with Brill Publishers as part of a collaborative project with colleagues at Ritsumeikan
University and elsewhere. Finally, Ra has just signed a book contract to write Okinawa: Keystone of the Pacific with
Agenda Publishing. Along with other colleagues, Ra has also been instrumental in overseeing the completion of an
exciting new MoU with the International Relations department of Ritsumeikan University, and will make good on an
MoU with Meio University, Okinawa, when he takes up a seat as a visiting scholar from January 2023. He also
continues to work with Tohoku University to strengthen CJS’s multi-faculty ties there.
Dr Eriko Tomizawa-Kay, Lecturer in Japanese Language and Culture, has been working on an upcoming online
publication, Okinawan Art in its Regional Context: Historical Overview and Contemporary Practice, to be published aspart of the Sainsbury Institute Occasional Paper Series. Editing alongside Hiroko Ikegami, Megumi Machida, andToshio Watanabe, the publication is a culmination of papers from a conference of the same name that took place in
October 2019. The conference itself addressed the socio-cultural complexities of Okinawan identity over the courseof history, and explore the intersection between art, politics, and identity from an interdisciplinary perspective. We
will release full details of the publication via our social media channels once it is published. Eriko also took part in thisyear’s AAS conference in a panel on the theme of ‘Decentering "Japanese Art History": Rethinking Periodization,
Geography, and Historiography’, as well as the British Association for Japanese Studies conference in Manchester in
September with a paper titled ‘Neo-Ryukyuan Painting: Contemporary Okinawan Female Nihonga Painters and theRecreation of the Ryukyuan Painting Tradition’.
Dr Nadine Willems, Associate Professor in Japanese History, released her latest book in 2020 which investigates a
strand of non-violent anarchism through the eyes and travels of Ishikawa Sanshirō, an activist and intellectual inModern Japan. Ishikawa Sanshirō’s Geographical Imagination: Transnational Anarchism and the Reconfiguration ofEveryday Life in Early Twentieth-Century Japan identifies a transnational ‘geographical imagination’ that valued ethics
of cooperation in the social sphere and a renewed awareness of the man-nature interaction. You can find out more
about the publication from a recording of the book launch event at the Daiwa Anglo-Japanese Foundation here.
Nadine also gave a talk entitled ‘Going to War During the Taisho Period: Japan’s Siberian Intervention of 1918-1922
as Illustrated by the Pictorial Diaries of Infantryman Takeuchi Tadao’ at the 101st International ARC seminar this year,
a report of which was written by MA Interdisciplinary Japanese Studies alumna Emma Kiey, available here.
Dr Hannah Osborne, Japan Foundation Lecturer in Japanese Literature, has this year been busy in her post as Chief
Editor for Japan Forum. Papers are currently being revised for a forthcoming special issue, guest edited by Nina
Cornyetz and Rebecca Copeland, focussing on contemporary women’s fiction, and she is anticipating a number ofdraft papers coming through for the Decolonising Japanese Studies special issue which she will be guest editing earlynext year. Hannah has also been involved in arranging a roundtable event for the CJS Research Seminar series with

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William Marotti, Emi Foulk Bushelle and Kelly Midory McCormick on their special issue for Japan Forum 'Imaginationand the Real' which came out in August this year. She was also closely involved in organising an in-person event withTomiyasu Hayahisa with the National Centre for Writing. She will be on study leave in the Spring Semester during
which time she will be working on a monograph on Kanai Mieko's early writings and engagement with the 1960s
Japanese avant-garde scene.
Dr Ryoko Matsuba, Lecturer in Japanese Digital Arts and Humanities, has delivered modules on the MA
Interdisciplinary Japanese Studies programme over the past year, with a particular focus on coordinating innovative
joint lectures with Ritsumeikan University involving livestreamed workshops between UK and Japan on digitisation
practices. The theme of digitisation has continued in Ryoko’s own research, where she has been leading on
digitisation initiatives with collections of Japanese artefacts in the UK, as well as capturing traditional woodblock
printing technologies with printmakers in Japan. Ryoko also has three upcoming book publications on Hokusai’s work
which will be announced via our social media channels once published including a book chapter ‘Facsimile
Reproductions (fukusei) of Hokusai’s Prints in the Meiji Era (1868-1912 )‘ for the British Museum Research Volume
Late Hokusai: Thought, Technique, Society, which will be published early next year.

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お役立ちリンク

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