Approximately one year has passed since the previous Still Moving exhibition. The project members havecontinued their activities through university-wide meetings on the future of Kyoto City University of Arts
after the relocation, and through their preparations toward the present exhibition. Still Moving – On theTerrace is part of the exploration of the role to be played by KCUA in the Suujin area. For this exhibition,
Jo Nagasaka (Schemata Architects), who was also the exhibition designer last year, has assigned specificareas in Kyoto City University of Arts Art Gallery @KCUA to each project member for their respective“misuse.” Still Moving – On the Terrace is more of an experiment using the gallery’s facilities than anexhibition per se, with artworks by each project member exhibited in the usual sense. Although specificassignments have been made, all areas are a result of a collaborative effort on the conceptual level,
which is why these assignments are not made clear in the credits. In addition to these “misuses,”
numerous experiments will be held throughout the exhibition period at Gallery @KCUA and the former
Suujin Elementary School. At times you will see spaces that gradually morph with every passing day, andat other times doors will be opened to reveal the project members hard at work. KCUA envisions that thiswill be part of the landscape in the Suujin area in a few years.

Project Members
Kosuke Bando

Project coordination
Mizuho Fujita (Curator, Kyoto City University of Arts Art Gallery @KCUA)

Toru Koyamada
Akito Morino
Installation staff

Jo Nagasaka (Schemata Architects)

Kazuki Hitoosa, Ayako Ikeda, Seido Ikeda, Mitsuhiro Kishimoto,Fumiyoshi Kishino, Takuya Kumagai, Yohei Kumano, Keiko Kurachi,Seminar G(Professor, Visual Planning, Humanities and Sciences,
Akihiko Inoue Faculty of Fine Arts, Kyoto City University of Arts)
Yoshiko Deguchi (MFA year 2, Nihonga)
Sumi Kamei (BFA, Visual Design)
Yumu Kumada (MFA year 2, Urushi Lacquering)
Natsuki Maeda (MFA, Urushi Lacquering)
Miho Tanaka (MFA year 2, Sculpture)

Keiko Matsumiya, Akira Nihei, Sho Nishihara (Schemata Architects),
Osamu Onishi, Risako Suzuki, Rina Tagawa, Kengo Terashima,
Tomoshi Yasuda

Several years from now, Kyoto City University of Arts (KCUA) will be moving its campus to the Suujin area,
which lies to the east of Kyoto Station. As the first step in the process of moving into this area, KCUA
presented the exhibition Still Moving from March 7 to May 10, 2015, with the participation of eleven artists fromJapan and abroad. The process has since continued with various projects, including events that encourage
the involvement of local citizens as well as exhibitions of works by KCUA students.
This spring, KCUA presents Still Moving – On the Terrace at Kyoto City University of Arts Art Gallery @KCUA
and in select locations in the Suujin area. The exhibition will constantly change to reflect the new ways ofliving, working, and communicating sought out by project members – mainly consisting of KCUA professors
and lecturers – with the role to be played by the university after its relocation in mind. Still Moving – On theTerrace can also be described as a creative experiment with a foothold outside of conventional value systems
that cannot be taken without also facing what much of society would consider to be a risk. Through the Still
Moving project, KCUA envisions the future of art schools and continues to seek new, alternative ways of being.

Special thanks
Mari Fujimoto, Kei Yasuda

Studio INAMATT
Masayuki Sugiyama
Satoru Takahashi
Teppei Kaneuji Project(Lecturer, Sculpture, Faculty of Fine Arts,Teppei Kaneuji Kyoto City University of Arts)
Sae Fujita (MFA year 2, Printmaking)Maha Hirata (MFA year 2, Ceramics)
Hsu Chih-Yu (MFA year 2, Sculpture)
Nae Imai (MFA year 2, Sculpture)
Koya Kawahara (MA year 2, General Science of Art)
Kazumichi Komatsu (MFA year 2, Concept and Media Planning)
Aisa Matsunaga (MFA year 2, Design)
Miyako Mori (MFA year 2, Concept and Media Planning)
Yukari Motoyama (MFA year 2, Painting)Presented by Kyoto City University of Arts
with the cooperation of Kyoto City
Supported by the Agency for Cultural Affairs
Government of Japan in the fiscal 2016

In this exhibition, I wanted to visualize the spirit of On the Terrace, which is also theconcept behind KCUA’s relocation. In order to do this, I decided to “misuse” the facilitiesof the main exhibition venue, Gallery @KCUA, and to reassign new uses that shed newlight on the gallery. I hope you’ll enjoy seeing these “misuses” in the exhibition.
—Jo Nagasaka (exhibition design, Still Moving – On the Terrace)

1F

2F

Flow and Stock

Hotel Yojo

1. Cubic-Ectype (empty)
Toshinao Yoshioka
MFA thesis in Printmaking, Graduate
School of Arts
Ink on rubber / Serigraph1997
110.5 × 110.5 × 7.2 cm
2. German Suplex Hold
Hiroki Okamura
BFA thesis in Painting, Faculty of Fine Arts
Oil on canvas / Oil painting
1992
316.0 × 210.0 cm
3. Zai (Kai) I
Naoto Hasegawa
BFA thesis in Ceramics, Faculty of FineArts
Clay / Firing
1983
53.0 × 53.0 cm

8 93104267

Keep out

Office1
Keep out

Morino Hotel

5

Representative Japanese

HAPPY WEEDS

8. Mask
Artist unknown
New Guinea tribal artifact
Wood / Sculpture
20th century
71.5 × 17.0 cm

Photos by Hideaki Hamada

9. Space Painting
Takao Doi
Colored pencil on drawing paper
Drawing made in a space shuttle(experiment)
2000
18.0 × 26.0 cm

6. Tea bowl for Yuko with overglaze painting
TOMIMOTO Kenkichi
Glazed porcelain / Firing
Showa period (1926–89)
6.2 × 8.2 × 8.2 cm

Playground Rocks
Cafeteria

10. Landscape (Wen Jia)
KOBAYASHI Wasaku
Ink and pigment on Japanese paper
Ink painting with partial nikawa
coloring
1911
97.3 × 30.5 cm

Campus Relocation Meeting RoomWorkroom (open on select dates)

4. Hiire with undō motif sometsuke
EIRAKU Hozen
Glazed clay / Firing
Late Edo period (c. 19th century)
7.9 × 11.0 × 11.0 cm
5. Coconut shell (whistle)
Artist unknown
New Guinea tribal artifact
Pigment on coconut shell
Sculpture with coloring
20th century
8.0 × 8.0 × 8.0 cm

Stock @KCUA

WC

Elevator/President’s
Office/Toolbox
Under the Table/PlazaA terrace is an open platform that extends outward from within, ashared space where people can come in contact with each other orwith nature. KCUA positions the new campus to be built in the Suujin
area as a new hearth or terrace for the local culture in Kyoto.

terrace (English), terrasse (French)

7. The Zen priest Ikkyu Osho. Inscription by Bokusai
Artist unknown(Original in collection of Tokyo National Museum)Ink and pigment on Japanese paper
Ink painting with partial nikawa coloring
Showa period (1926–89)
16.0 × 25.6 cm

A terrace is a slightly raised (and thus separated) floor where
people of all generations and with different concerns can put
aside their own interests and discuss their present and theirchildren’s future.

terrace structure

From Old French, literally “rubble” or “platform.”
Based on the Latin terra or “earth.”
・In architecture: A platform, roof, or balcony extending
outward from a building.
・In geology: Level strips of land with abrupt ascentsand descents.
→ A shared space that stimulates all five senses* Nos. 1–10: Collection of the University Art Museum of Kyoto City University of Arts

→ A place that brings delightful rediscoveries and tremendous joy

river terrace