PSC/MCDONALD M5 PRO SHOCK MOUNTTM


Universal design, the M5 Pro accepts most popular microphones from short tomedium shotguns and facilitates quick microphone changes in the field.
Unique, Clear GlideTM 3-stage isolation system virtually eliminates physicallytransmitted noise.
The M5 Pro can be swiveled 180 degrees, allowing for “flat to the pole” microphonepositioning.
PSC’s proprietary Clear GlideTM surgical grade silicone, microphone suspension
rings bring new clarity to microphone suspensions.
Dual, high density rubber, ceiling bumpers squelch extraneous dynamic
reverberations.
360 degree, textured aircraft aluminum suspension cage. Protects your prized
microphones, while diffusing reflected sound.
All of these features add up to the finest microphone suspension system available, at
any price.
Made in the U.S.A.

Thank you for purchasing the new PSC/McDonald M5 Pro Shock Mount. This 5th
generation design is the result and culmination of 30 years of shock mount design, field use,
testing and refinement. It incorporates the universal simplicity of the original McDonald
Mount first made in 1985 and adds several generations of refinements and improvements.
We believe this 30th year anniversary design represents the ultimate in microphone shock
mount design and performance.
The Beginning by Randy McDonald:In the early eighties I realized that there really wasn’t a real “boom guys” microphone mountdesigned for the “on production” film and T.V. needs. Most of the microphone mounts atthat time were designed to hold a microphone on a non-moving microphone stand, withminimal isolation or suspension, and usually dedicated to one particular brand ofmicrophone. In other cases, the mounts were big and clunky and designed to be used on a
big stage boom. We needed a microphone mount that would hold just about any
microphone known to man and work well on a hand held boom pole. We needed a mountthat would allow the user to change microphones quickly in the field, without any extra fuss,clips, holders or other microphone specific parts. We also needed a mount with the ability
to lay the microphone back, flat against the boom pole, while retaining its full suspension
properties. This would allow the use of a Schoeps GVC swivel to minimize the microphone
profile for use in tight booming situations. Lastly, we wanted a microphone mount thatwould provide a full 360 degrees of physical protection around those expensive
microphones.
So I set out to design a microphone mount that would fulfill all of these needs. After sometrials and tests at the Elco Welding shop in Venice, CA, I had come up with a good working
mechanical design. I then realized that an improvement was also needed in the existing
microphone rubber suspension components that were available at that time. So the next
step was to develop the now famous “Magic” Red Silicone suspension rings. At myrequest, the O-ring manufacturer that I was dealing with at the time was able to formulate anew, low friction, highly elastic and durable suspension ring to meet my specific needs.
They utilized a new silicone rubber compound where the rubber particles virtually slid over
one another in silent motion. These rings were just what I was looking for and were ideal
for use as a microphone suspension. With that accomplished, the original McDonaldUniversal Mount was born.
The next 200 mounts were produced for me at Sid Waterman Racing in Gualala, CA. by thelegendary Offenhauser machinist, “Tuck” Jones. After those were sold, I decided to turn theshock mount production over to my old pal Ron Meyer at Professional Sound Corporationand he has been producing them ever since. That works out great for me, because Ronsends me a nice royalty check every year on my birthday in December, and I can go fishing.
I want to thank all of the customers who supported and contributed to the success of thesemounts over the past 30 years.

M5 Pro, the 5th Generation by Ron Meyer/PSC
In late 2013, I called Randy and suggested that we take a look at all of the customer
feedback we had received over the years concerning the PSC/McDonald Mount. I wanted
to see if we could make a few improvements on the original design. After all, the lastgeneration has been in production for nearly 25 years so I felt there was room forimprovement. That one phone call led to another along with several meetings with Randy.
Randy and I began to examine every aspect of the original design which is still considered
one of the best mounts ever made. We looked at the Red silicone rings, the aircraftaluminum shell, the swivel mount and even the thin anodized coating. In each area, we set
out to make improvements. One by one we took on these challenges and madeimprovements to each facet along the way. One year later we had amassed hundreds ofphone calls, emails, sketches, drawings, prototypes, tests and refinements. The result of all
this engineering is the new M5 Pro Mount. We think this new design incorporates both theuniversal simplicity of the original design along with several key improvements that make it
the ultimate microphone shock mount. We think that you will enjoy the results of these new
improvements as much as we do.
How to Properly Load the M5 Pro Mount:
It has come to our attention that some people are not sure how to properly load a
microphone into the PSC/McDonald Universal Microphone Mount. Here is the correct way
to load a microphone into your new PSC M5 Pro Mount:

1. Flip the front Clear GlideTM ring forward over the tail end of the microphone whilesliding the microphone toward the rear of the mount.

2. Flip the rear Clear GlideTM ring rearward and slip the microphone through the ring tothe point where the microphone is nicely balanced in the mount.
*Note* The top of the Clear GlideTM rings should be flipped toward each and toward
the center of the mount, while the bottom of the rings should be flipped away fromeach other towards the outside ends of the mount.

CORRECT RING PLACEMENT, REAR VIEWINCORRECT RING PLACEMENT.

MICROPHONE WILL BE UNSTABLE.

3. Attach the cable connector to the microphone.
4. Give the Clear GlideTM rings a little “snap” to release any possible twists in the ringsand check to see that the microphone is well settled in the mount.
5. Go Record Great Sound!

Special Notes for Heavy or Longer Microphones:
The M5 Pro shock mount can easily handle heavy and/or mid length shotgun microphones.
The Clear Glide TM bands have been optimized for most standard short to medium shotgun
microphones. Some microphones are heavier and/or longer than the typical microphone
and may require additional suspension support. In this case, the M5 Pro mount can be“tuned” very easily by adding an additional rotation or “twist” to the clear glide bands whenloading the microphone into the suspension. This will put more tension on the clear glide
bands and increase the microphone’s support. It should be noted that this additional twist
can be applied to either the front band or the back band or both bands as required for theparticular microphone and application.
*NOTE*
Our Clear GlideTM rings are an important, integral part of the suspension design.
Because of this, we have provided two spare rings in the event a ring should ever break.
Hardware store bands may look the same, but they are vastly different and will ruin theperformance of your mount. Additional rings are available through any PSC dealer or bycontacting us directly.

SPECIFICATIONS:

SIZE:

3.650”x2.250”x4.000”(92mm x 57mm x 102mm)

WEIGHT:

2.3oz (65gm)

MATERIAL, RING:

Laser Cut, 6061-T6 Aircraft Aluminum

MATERIAL, MICROPHONESUSPENSION CAGE & CRADLE:

Laser Cut, 6061-T6 Aircraft Aluminum

MATERAIL, SWIVEL BLOCK:CNC Milled 6061-T6 Aircraft Aluminum

MATERIAL, CLEAR GLIDE RINGS:

PSC Proprietary Surgical Grade Silicone

FINISH, HOOP & SUSPENSION:

PSC Proprietary Textured Coating

FINISH, SWIVEL BLOCK:Type II Black Anodize

MOUNTING THREAD

3/8” – 16 TPI

PSC M5 Pro Limited Warranty
Professional Sound Corporation warrants the M5 Pro microphone mount to be free of
defective material and workmanship for a period of one year from the original date ofpurchase and agrees to repair or replace such defective parts or the whole product at
its option, provided that the equipment is returned to Professional Sound
Corporation. Shipping and insurance costs to and from Professional Sound
Corporation must be prepaid by the owner. This warranty does not cover damage
due to accident, careless handling, abuse or misuse, improper connection and/orinstallation, improper electrical contact or grounding. This warranty will be null andvoid in the event of removal, alteration or tampering with the serial number. Proof ofpurchase date (copy of invoice or Warranty Certificate) must be furnished before
warranty service will be performed. This warranty is in lieu of any other warranty,
expressed or implied, including warranties without limitation, products being
merchantable at the time of purchase or suitable for a particular purpose. Thiswarranty does not extend to, or include consequential damage.

CE
DECLARATION OF CONFORMITYRoHS Certificate of Compliance
Professional Sound Corporation certifies that all products designated by Professional Sound
Corporation as “PB-Free”, “RoHS Compliant” or “Green” are compliant with the requirements ofthe European Union’s Restriction on Use of Hazardous Substances (“RoHS”) Directive,
2002/95/EC.
Professional Sound Corporation bases its material content knowledge on information provided bythird parties, including parts manufacturers, distributors and vendors. Only RoHS certified partsand sub-assemblies are used in the assembly of Professional Sound Corporation products.
Additionally Professional Sound Corporation has taken and continues to take commerciallyreasonable steps to insure that its parts suppliers, subcontractors and assembly houses are
RoHS compliant.
Level A Banned Substances Threshold, Homogeneous Level
Asbestos

Not intentionally added

Azo colorants

Not intentionally added

Cadmium 100 ppm,

Not intentionally added

Hexavalent Chromium 1000 ppm,

Not intentionally added

Lead 1000 ppm,

Not intentionally added

Polybrominated Biphenyls (PBB’s) 1000 ppm,

Not intentionally added

Polybrominated Diphenyl Ethers (PBDE’s) 1000 ppm,

Not intentionally added

Polychlorinated Biphenys (PCB’s)

Not intentionally added

Professional Sound Corporation certifies that all products made on or after June 30th, 2006 to be
RoHS Compliant. All such products will be clearly marked with Professional Sound Corporation’s“compliant” label. This label assures the reseller and end user that the product is compliant toRoHS standards.
Ronald Meyer
President
Date: December 2014, product is RoHS Compliant.

Professional Sound Corporation 28085 Smyth Drive Valencia, CA 91355
www.professionalsound.com PH 661-295-9395