Solice Mini
Audio Mixer
Operation Manual1For Mixers with PCB Version 3.0
Copyright 2014
Professional Sound Corporation
Valencia ca usa
Table of Contents:
INTRODUCTION:
Panel Views
Introduction
Safety Warnings
Overview
Construction

1-2
3
3
3-4
4

INPUT SECTION:
Input Panel View
Microphone Input (CH 1 & 2)
Microphone PowerLine Inputs (CH3 through CH8)
Pre-Amplifier
Gain SettingHigh Pass Filter
Equalization
Limiters
Pan Switch
Aux Send Switch
Direct Line Output
Channel Fader
Pre-Fade Listen Switch

5
6
6
6
6
7
7
7
7
8
8
8
8-9
9

OUTPUT SECTION:
Output Panel View
Power Switch
Reference Tone Oscillator Switch
LED Brightness Switch
Slate Microphone, Internal & External
Slate Microphone Gain
Private Line
Tape Returns
Headphone Selection
Headphone Volume
Peak Reading Meters
Main Output Level Adjustment
Little Light BNC

10
10
11
11
11-12
12
12
12-13
13
13
14
14
14

REAR PANEL:
Rear Panel View
Main outputs (Left, Right, Mono)
Auxiliary Output
External Power Connection
Slate Output
Link Connection
Multi-Pin Connector

14
15
15
15
15
16
16

SPECIFICATIONSCONNECTOR PIN-OUTS
RoHS
CE Mark
Warranty

17
18-19
20
21
22

TOP VIEW

REAR PANEL VIEW

1

LEFT SIDE PANEL VIEW

RIGHT SIDE PANEL VIEW

MAIN OUTPUT METERS VIEW

2

Introduction
Thank you for purchasing the Professional Sound Corporation Solice Mini
Portable Audio Mixer. The Solice Mini is the result of our desire to provide youwith a comprehensive, yet simple to use portable mixer. The idea for developing
this mixer came from Mr. Pascal Van Strydonck who volunteered many hours of
his time outlining the need for a small, compact and flexible mixer.

Safety Warnings
The Solice Mini Audio Mixer has been designed to be inherently safe to use. It
operates from low voltage DC only. The design complies with all current safety,
environmental and RF emission regulations. The safe use of this product isdetermined primarily by the user. Please read and understand this entire user’s
manual before using your new Solice Mini Mixer. Proper cabling is a must in, on
and around film and television production sets. Please always maintain properand safe headphone monitoring levels. If improperly used, this mixer can output
headphone levels that may result in permanent hearing loss. The owner and/or
user are to determine safe operating levels and maintain these levels at all times.
Professional Sound Corp, its owners, officers and employees accept no
responsibility for misuse of this mixer, whether intentional or not that may resultin personal injury and/or property damage. In addition, PSC reserves the right tobe held harmless for any liability caused by the use of this mixer with any otherequipment.

Overview

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Two Microphone Inputs with 48PH
Six Line Level Inputs
100mm Long Through Faders
Bright, Sun Light Readable LED Meters
Limiters on All Inputs and Outputs
Built in Slate Microphone
Built in Reference Tone Oscillator
Aux Feed with Private Line to Boom
Pre-Fader Listens on All Inputs
BNC Connector for use with Little Light
Full Analog Mixer at Control Surface Price3• Works with All Brands of Recorders• Compact, 4Lb (1.8Kg) Package• Made in the U.S.A.
Construction
The Solice Mini’s chassis forms a solid foundation for the mixer’s electronics.
The chassis is precision punched from aircraft grade sheet aluminum using stateof the art CNC equipment. The resulting panel is then formed using automated
CNC controlled press brakes. The side panels have been laser cut for smoothedges and an overall nice look.
The finished chassis parts are then black anodized and black powder coated witha fine wrinkle finish. This powder coating is super tough and should provide
years of service in the field.
All silk-screen lettering on the Solice Mini is applied to the back side of tough
Lexan tm overlays. Printing the lettering and graphics on the back side of a clear
overlay provides years of wear free use. Your fingers only rub against the sturdy
surface of the clear Lexan rather than wearing the lettering off as happens withstandard top surface silk-screening. After years of use, if your Lexan overlays
begin to get scratched or damaged, they can be replaced to re-new theappearance of your Solice Mini.
The aluminum side panels are attached to the Solice Mini using 6 pieces of 3/16”
long, 6-32 screws.
You must only use these same length screws when
attaching the side panels or when using these side panel attachment points for
mounting your mixer to a sound cart. The use of longer screws will damage thecircuit boards within the Solice Mini and must be avoided.

4Input Channel Panel View

48 Phantom Mic Power
SwitchHigh EQ

Limiter LED+10dB LED
0dB LED-20dB LED

Hi Pass Filter
Pan Switch

Gain Control

Aux Send
Pre-Fader
Listen100mm Fader

5

Microphone Inputs (CH1 and CH2)The Solice Mini audio mixer’s two microphone inputs have been designed andoptimized to provide excellent pre-amplification of microphone level signals.
They will work equally well with either dynamic or condenser microphones.

Microphone Powering
The Solice Mini’s two microphone inputs are equipped to provide 48PH
microphone powering to DIN standards. Each of the two microphone input
channels has an individual power filter on the 48PH power lines. This provides
isolation between input channels and helps keep the noise floor down whenusing powered microphones. 48PH microphone powering should only be usedwith 48PH microphones.
When using dynamic style microphones, themicrophone powering should be switched off. You should also turn off the
microphone powering when using wireless receivers.

Line Inputs (CH3 through CH8)
Input channels three through eight are designed for use with wireless receivers.
These are line level inputs. They have been optimized to work with nearly any
wireless receiver with a line level output. Typically we recommend that you set
the line level output on your wireless receiver to -15dB or -10dB and then adjust
the gain setting on the Solice Mini’s input channel to match that audio level. We
recommend the -10dB or -15dB setting on your wireless to maximize theheadroom on the wireless output.

Pre-Amplifiers
The Pre-amplifiers used in the Solice Mini mixer were originally designed for ourflagship Solice Mixer. This design is the result of many engineering hours. This
new super low-noise design uses the latest in high performance semiconductors.
The semiconductors used in the pre-amplifier design offer impressive
specifications while consuming reasonable amounts of power. The fully variable
gain structure of the pre-amplifiers allows for gain changes on the fly. You nolonger have to worry about those coarse “stepped” gain changes found in othermixer designs. The rotary gain control offers 40dB of adjustment range forextreme flexibility. This allows the Solice Mini mixer to work with low gain
Dynamic microphones as well as high gain condenser microphones.

6

Gain Setting
Because the Solice Mini mixer is equipped with Pre-fader input channel meters
you can easily adjust pre-amplifier gain settings quickly and easily. The Prefader meter can be used to properly set the pre-amplifier gain. Simply adjust thegain setting until the meter occasional “peaks” to the Amber (yellow) “0” LED.
Once set, you can mix without worry as you have approximately 22dB of
additional headroom in the pre-amplifier before clipping occurs.

High Pass Filters
Each input channel of the Solice Mini mixer is equipped with a 3-way switchable
high pass filter (low frequency roll off). The filters are very useful for eliminating
wind rumble and air conditioning noise. As a general rule, you should only use as
much low frequency roll off as needed to get a good recording. The switch islabeled 60 and 120. This refers to the frequencies of the high pass filters. The
60 setting provides a moderate high pass filter function (low frequency roll off).
The 120 setting provides a more aggressive filtering function. The 120 setting istypically only be used in high wind locations and situations.

Equalization
The Solice Mini mixer High frequency equalization.
The High frequency
equalization is centered at approximately 5KHz. The High EQ level control offers
approximately +/- 10dB of adjustment. It is primarily used to brighten audio fromhidden lavalier microphones and for matching the sound between lavalier andboom microphones.

Limiters
Each input channel of the Solice Mini mixer is equipped with a precision limiter.
These limiters are always switched on. They are not activated until the audio
level reaches a certain pre-determined level (threshold). They are designed tosave you from input channel overload and clipping.
The limiters willautomatically activate when supplied with audio that is at and beyond the preset
threshold level. The limiters then begin limiting and the Blue “LIM” LED at the topof the input channel meter LED’s will begin to glow. The limiters have an internal
adjustment for activation threshold level. The limiters are factory set to activate
at +16dB and they limit at a ratio starting at approximately 2.7 to 1 up to a ratio of
approximately 50 to 1. These ratios were chosen based on years of customer
feedback.
Please note that the limiters must be adjusted only by qualified
technician who has access to precision test equipment. Do not try to adjustthese limiters yourself.
7

Pan Switch
Each input channel is equipped with a pan switch. This pan switch routes thepost fader audio to either the Left or Right or Both summing amplifiers. The
switch is labeled “L and R”. If you move the toggle towards the “L” thatchannels post fader audio will be routed to the Left summing amplifier and Leftmain output. If you move the switch to the center position, that channels post
fader audio will be routed to both the Left and Right Summing amplifiers andmain outputs. If you move the switch toward the “R” that channels post fader
audio will be routed to the right summing amplifier and main output only.

Aux Send Switch
The auxiliary send switch is used to route individual input channel’s audio to theauxiliary bus and output. This switch is labeled as “Pre and Post”. When thisswitch is moved toward the “Pre” setting, pre-fader audio from that channel will
be sent to the aux summing amplifier and output. When the Aux switch is set toits middle position, it is turned off and no audio will be sent to the auxiliary
summing amplifier and output. When this switch I set to the “Post” setting, postfader audio is sent to the auxiliary summing amplifier and output. The aux send
switch is typically used to route one or more input channels to the aux summing
amplifier and output. The auxiliary output is then used to feed a transmitter tosend audio to the boom operator or to send audio for other needs such as
feeding a Comtek transmitter to transmit audio to the director.

Direct Line Output:
Each input channel on the Solice Mini mixer is equipped with a dedicated directline output.
This output can be used to feed multi-track recorders whenrecording separate tracks for each actor. The direct line output is located on therear of the mixer and is labeled “Outputs” All eight direct line outputs areavailable on one DB-25 connector. These dedicated line outputs can drive up to
a +22dBm signal for maximum headroom. These outputs use the same highquality electronics as the main mini XLR outputs. Because of this, they offer thesame low noise and high headroom characteristics as the main outputs.

Channel Fader
The Solice Mini mixer is equipped with long throw (100mm) faders. These fadersoffer a full range of control over your audio signals. The channel faders offer
approximately 70dB of control range at your finger tips. The mixer overlays arelabeled with coarse lines marked with 5dB and 10dB increments under the fader
knobs for operator convenience. Recommended normal operating range is at8the “0” line. This will leave you with an additional 10dB of signal range if needed
for those hard to mix actors.

Pre-Fade Listen Switch
Each input channel of the Solice Mini mixer is equipped with a Pre-Fader Listen
switch. These latching pushbutton switches are located at the bottom of each
input channel. When pressed, pre-fader audio from that individual input channel
is routed directly to the Mixer’s headphones. Thus the mixer can quickly andeasily monitor individual microphones (or wireless) without having to open thechannel fader (pot up that channel) This allows the mixer to check on the audio
quality and level of any individual microphone even while recording using other
inputs. When pressed and activated, the switches light up RED. To de-activate
them, simply press them once again. You can also use more than one PFL
switch at a time if needed.

9Output Panel View
Main Output Level
Output Trim
Limiter Switch

LED Brightness
Level

Aux

Headphone Select Volume

Reference Oscillator

Slate Mic

Slate Level

Private Line(slate element)

Power Switch
The main power switch for the Solice Mini mixer is located just to the right of themain output meters. This switch controls an internal relay which powers up theentire mixer.

10Reference Oscillator

The Solice Mini mixer is equipped with a Reference Tone Oscillator. Thisoscillator is used for setting reference levels at the beginning of all recordings.
These levels are used later in editing to match all scene levels so that yourfinished audio is consistent and high quality. When the Reference Oscillator
button is pressed, a 1 kHz oscillator is activated and can be routed to the main
left and right outputs as well as the eight individual dedicated channel outputs.
These dedicated channel outputs are typically used for multi-track recording.
Whenever the reference oscillator is activated, all eight of the input channels areautomatically muted. This allows only a pure reference tone to be recorded foreasier editing later.
The routing of the reference tone oscillator is set using dip switches locatedinside the mixer. This dip switch has 10 small switches. The switches arenumbered for your use. Switches 1 through 8 are used to send the reference
tone oscillator signal to any of the 8 direct outputs. Simply set the switches to“ON” to send oscillator audio to the given output. Switch number 9 is used tosend the reference tone to the Main Left and Right Outputs.

LED Brightness Switch
The Solice Mini mixer is equipped with a 3-way LED brightness switch. The DIM
setting is used for indoor sets and other dimly lit areas. The MEDIUM setting
can be used for brightly lit indoor conditions. The BRIGHT setting is for use
outdoor in full sunlight. Please be cautious when using the BRIGHT setting as
the LED output is very bright.

Slate Microphone, Internal and External:
The Solice Mini mixer is equipped with a built in Slate Microphone used for voiceslating of takes, mixer voice notes, etc. This same built in microphone is used
for the Private Line function that allows the mixer operator to talk to the boom
operator. When the slate microphone is activated, it can be routed to the main
Left and Right outputs as well as to any and/or all of the eight input channels. In
addition, all eight of the input channels are momentarily muted for better slating
clarity.
The routing of the slate microphone audio is set using dip switches located inside
the mixer. This dip switch has 10 small switches. The switches are numberedfor your use. Switches 1 through 8 are used to send the reference tone oscillator
signal to any of the 8 direct outputs. Simply set the switches to “ON” to send11

oscillator audio to the given output.
Switch number 9 is used to send thereference tone to the Main Left and Right Outputs.

External Slate Microphone
If you prefer to use an external slate microphone rather that the internal slate
microphone, you must simply plug an appropriate microphone into the externalslate microphone 3.5mm connector located on the right side, front edge of themixer near the mixer’s headphone jack. These two jacks were purposely placednext to each other to allow the use of headsets with built in microphone booms.
The external slate microphone input jack contains switch contacts that
automatically switch over from internal slate microphone to external as soon as
you plug in the external microphone. The external slate microphone jack is wired
for use with nearly any tow wire, positive bias electret microphone. The tip isused for both audio and microphone bias voltage. The ring connection is not
used and the case or shield connection provides ground.

Slate Microphone Gain
The slate microphone gain can be adjusted by using a small (Greenie)
screwdriver. The adjustment trim pot is located just to right of the slate
microphone switch. It is labeled as “SM ADJ”. Turning the trim pot clockwise
will raise the slate microphone level. Turning the trim pot counter-clockwise will
lower the slate microphone level.

Private LineThe Solice Mini mixer is equipped with a private line function which allows themixer operator to speak to the boom operator at will. When this momentary
switch is pressed, the slate microphone is routed to the auxiliary output which is
generally used to feed a signal to the boom operator. Thus, the mixer can talk tothe boom operator.

Tape Returns
The Mixer’s headphone monitoring section allows the use of tape returns. These“Tape Return Audio Inputs” are contained on the TB3M “Returns” connector on
the rear panel of the Solice Mini mixer. There are two tape returns “Left” and“Right”. These tape returns allow the operator to monitor “Tape” confidence (anold, outdated, but still used term for recording verification) to insure that audio is
actually being recorded. Some recorders offer this recording confidence as an
output which can be connected to the Solice Mini mixer’s return inputs. When12

the operator desires to check the tape inputs, he or she simply switches theheadphone select rotary switch to “Return” and your headphones areautomatically switched to monitor the tape return inputs. If you are not using any
form of tape monitoring, you can also use this input to be able to monitor an iPodor other similar audio source for your convenience.

Headphone Selection
The headphone feed has a rotary selection switch that has five positions. They
are labeled as:
LEFT

Provides Left output channel audio to both ears

STEREO

Provides Stereo audio to the headphones

RIGHT

Provides Right output channel audio to both ears

MONO

Provides a Mono Mix of the Left and Right Audio

RETURN

Provides Return audio in Stereo mode

The headphone outputs are rated to operate into headphones with impedancesfrom 20 to 600 ohms.
As with all headphone use, please monitor yourheadphone volume carefully and always use the lowest practical volume setting.
Excessive sound pressure levels may cause permanent hearing loss.
Remember, your ears are your livelihood, Turn it Down!

Headphone Volume
Headphone volume is adjusted by using the volume pot located just to the rightof the headphone audio selection switch. This headphone volume control allows
a full range of adjustment from fully off (counter clock-wise) to fully on (clockwise). Please be careful when setting headphone volume levels as excessive
headphone levels may cause permanent hearing damage. User determines
proper and safe operating levels depending on make and model of headphones
used.

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Peak Reading Meters

The Solice Mini mixer is equipped with two output meters. Each of these meters
is LED based and read from -30dB to +20dB. They are color coded for ease ofuse. All LEDs representing audio levels from -30dB up to -8dB are Green incolor. The LEDs that represent a -6dB through +4dB levels are Yellow in color
and all LEDs from +6dB up to +20dB are Red in color. These meters are peakreading and have ballistics that are conducive to quality field recordings.

Main Output Level Adjustment
The Solice Mini mixer is equipped with a 3-way output level switch and also an
output fine trim pot. The output level switch allows the operator to select fromthree common output levels. +4dBm which is considered a professional audio
level, -10dBv which is considered a consumer line level and -20dBv which can beused to feed transmitters at line level with considerable head room. Please makesure that this switch is set to the appropriate level to match the audio equipment
you are feeding signals to. The trim pot can be used for fine adjustments on the
fly if needed with overly loud actors and similar situations.
Little Light BNC
There is a BNC connector located to the left of the main output meters. Thisconnector provides DC voltage to operate a typical Little Light. It can be usedwith either incandescent or LED lights.
Rear Panel View

EXT POWER, LINK CONNECTOR, RETURN CONNECTOR, LEFT, RIGHTAND MONO BALANCED OUTPUTS, AUXILIARY BALANCED OUTPUT,
SLATE MICROPHONE BALANCED OUTPUT, DIRECT AUDIO OUTPUTS,
CHANNEL AUDIO INPUTS.
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Main (Left, Right and Mono) Mini XLR Outputs
The Solice Mini mixer is a two buss mixer and thus has two main balanced
outputs. The balanced outputs are located on the rear panel of the mixer andutilize “mini” size 3 pin male XLR connectors. These outputs offer exceptional
headroom with a clipping level of approximately +23dBv. Based on a nominal
output level of 0dBV, you still have 23dB of headroom before clipping occurs.
These balanced outputs are also very low noise for use with today’s modern
digital recorders. They offer an output impedance of 50 ohms and are designed
to operate into loads of 600 ohms or greater.

Auxiliary Output
The auxiliary output is a line level, balanced output. It can be used to feedvarious devices such as a transmitter to transmit audio to a boom operator.

External Power Connection
The Solice Mini mixer is powered from any source of external DC with a voltage
range of 10 to 18Vdc. The Solice Mini is a negative ground chassis. External
power is applied to the Solice Mini mixer via the 4 pin male external power
connector located on the rear panel of the mixer. Pin 1 is Ground and Pin 4 is
10 to 18Vdc. The mixer will operate from +10 to +18 volts DC without any
adjustment or compromise in specifications.
There are no advantages tooperating the mixer from 18 Vdc over that of 12Vdc as found on some otherdesigns.
The mixer typically consumes approximately 7 watts (650mA @13.8Vdc). The mixer will consume up to a worst case of about 10 watts when allLEDs are lit. This is unlikely in normal use.
DO NOT SUPPLY THE SOLICE MINI MIXER WITH DC VOLTAGES THAT ARE
IN EXCESS OF 18VOLTS DC! DAMAGE TO THE MIXER WILL RESULT AND
THIS DAMAGE WILL NOT BE REPAIRED UNDER WARRANTY.

Slate Output
The slate output feeds live slate microphone balanced audio at line level. Thiscan be used with some digital mixer/recorders that have a communications input.
When used this way, the slate microphone can be used for a communication
input and thus, you will not have to use an additional microphone for thispurpose.

15

Link Connector
The link connector provides audio to and from the summing amplifier. You can
use this connection to connect or “Link” two Solice Mini mixers. You can also
use it as a summing input to accept audio from another small auxiliary mixer.
Audio feed into the Link connector will be routed to the Left and Right summing
amplifiers and main outputs.

Multi-Pin Connectors
The rear panel of the Solice Mini mixer is equipped with two DB-25 connectors.
One is used for the eight (8) balanced inputs. The other is used for the eight (8)direct, balanced outputs. These two connectors can be used as an insert point
to insert the Solice Mini if you use the appropriate db-25 fan-in and fan-out
cables.

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SPECIFICATIONS:
Size:

13.125” wide, 10.250” deep, 2.00” high34cm wide, 26cm deep, 5.1cm high

Weight:

4 Lbs, 1.8 Kg

Operating Temperature:-20F to +120F, -7C to +49C

External Power:

10 to 18Vdc, approx 7 to 10 watts

Meters:LED, Peak Reading, Multi-Colored

Slate Microphone:Electret Condenser

Reference Oscillator:

1KHz

Frequency Response:

20Hz to 20Khz +/- 0.5 dB

Distortion:

0.03% THD, typicalSignal to Noise Ratio:

128db EIN

Cross Talk:>75dB @1Khz, via assignments

XLR Output Levels:+4dBm at “0” Reference Level.

XLR Output Impedance:<25 Ohms, 600 Ohm rated

Tape Return Impedance:

1K OhmChannel Output Level:+4dBm at “0” Reference Level

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Solice Mixer Connector Pin Outs
External PowerXLR-4-MalePin 1 = GroundPin 2 = N.C.
Pin 3 = N.C.
Pin 4 = +10 to +18Vdc

Channel Inputs:
INPUT NUMBER
1
2
3
4
5
6
7
8
*Note* pin 13 is N.C.

DB-25 Female wiring:
HOT
COLD
24
12
10
23
21
9
7
20
18
6
4
17
15
3
1
14

GROUND
25
11
22
8
19
5
16
2

Channel Outputs:
DB-25 Male wiring:
HOT
COLD
24
12
10
23
21
9
7
20
18
6
4
17
15
3
1
14

INPUT NUMBERGROUND
1
25
2
11
3
22
4
8
5
19
6
5
7
16
8
2
*Note* pin 13 is N.C.
**NOTE** DB-25 wiring conforms to Tascam DA-88 standards.

Left Output

TB3M

Pin 1 = GroundPin 2 = Audio HighPin 3 = Audio Low

Right Output

TB3M

Pin 1 = GroundPin 2 = Audio HighPin 3 = Audio Low

Mono Output

TB3M

Pin 1 = GroundPin 2 = Audio High18

Pin 3 = Audio Low
Aux Output

TB3M

Pin 1 = GroundPin 2 = Audio HighPin 3 = Audio Low

Slate Output

TB3M

Pin 1 = GroundPin 2 = Audio HighPin 3 = Audio Low

Returns Input

TB3M

Pin 1 = GroundPin 2 = Left Input
Pin 3 = Right Input

Link Connector

TB5M

Pin 1 = GroundPin 2 = Left Sum Amp Input
Pin 3 = Right Sum Amp Input
Pin 4 = Left Sum Amp Output
Pin 5 = Right Sum Amp Input

Mixer Headphone¼” TRS

Tip = Left Out Audio
Ring = Right Out Audio
Sleeve = Ground

Ext Slate Mic Input

3.5mm TRS

Tip = Audio and +Bias
Ring = N.C.
Sleeve = Ground19

RoHS Certificate of Compliance
Professional Sound Corporation certifies that all products designated byProfessional Sound Corporation as “PB-Free”, “RoHS Compliant” or “Green” arecompliant with the requirements of the European Union’s Restriction on Use ofHazardous Substances (“RoHS”) Directive, 2002/95/EC.
Professional Sound Corporation bases its material content knowledge on
information provided by third parties, including parts manufacturers, distributors
and vendors. Only RoHS certified parts and sub-assemblies are used in theassembly of Professional Sound Corporation products. Additionally Professional
Sound Corporation has taken and continues to take commercially reasonable
steps to insure that its parts suppliers, subcontractors and assembly houses are
RoHS compliant.
Level A Banned Substances
Asbestos
Azo colorants
Cadmium
Hexavalent Chromium
Lead
Polybrominated Biphenyls (PBB’s)
PolybrominatedDiphenyl
Ethers(PBDE’s)
Polychlorinated Biphenys (PCB’s)Threshold, Homogeneous Level
Not intentionally added
Not intentionally added
100 ppm, Not intentionally added1000 ppm, Not intentionally added1000 ppm, Not intentionally added1000 ppm, Not intentionally added1000 ppm, Not intentionally added
Not intentionally added

Professional Sound Corporation certifies that all products made on or after June
30th, 2006 to be RoHS Compliant. All such products will be clearly marked withProfessional Sound Corporation “compliant” label. This label assures the reseller
end user that the product is RoHS Compliant. An example of this label is shown
below:

RoHS

CompliantRonald Meyer
President
Date: July 1st, 2006

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CE
DECLARATION OF CONFORMITY
EMC:This product is in compliance with theElectromagnetic
Compatibility
Directive,
89/336/EEC as defined in EN 50081-1, EN55022
and EN 50082-1. IEC801-2, IEC801-3 and IEC801-4.

LVD:

This product is in compliance with therequirements of the Low Voltage Directive,
73/23/EEC. 93/68/EEC as defined in EN60065, 1993
and/or EN60950/A1/A2/A3: 1995

TRADE NAME:

PSC

MODEL:

Solice Mini Mixer

RESPONSIBLE PARTY: Professional Sound Corp.

CONTACT PERSON:TYPE OF PRODUCT:MANUFACTURER:

28085 Smyth Drive
Valencia, CA 91355 USA
Ronald Meyer(661) 295-9395
Analog Audio Mixer
Professional Sound Corp.
28083 Smyth drive
Valencia, CA 91355 USA

We hereby declare that the equipment bearing the trade name and model number
listed above has been tested in accordance with the requirements contained in theabove listed directives. All necessary steps have been taken and are in force toassure that production units manufactured will conform to Directive guidelines.
July 2014

Professional Sound Corporation.

21

PSC Solice Mini Mixer Limited Warranty
Professional Sound Corporation warrants the Solice Mini Mixer to be free of
defective material and workmanship for a period of one year from the original dateof purchase and agrees to repair or replace such defective parts or the whole
product at its option, provided that the equipment is returned to Professional
Sound Corporation. Shipping and insurance costs to and from Professional
Sound Corporation must be prepaid by the owner. This warranty does not coverdamage due to accident, careless handling, abuse or misuse, improper
connection and/or installation, improper electrical contact or grounding. This
warranty will be null and void in the event of removal, alteration or tampering withthe serial number, or by breakage of the product case seal, or by service or repair
work not performed by Professional Sound Corporation. Proof of purchase date(copy of invoice or Warranty Certificate) must be furnished before warranty
service will be performed. This warranty is in lieu of any other warranty,
expressed or implied, including warranties without limitation, products being
merchantable at the time of purchase or suitable for a particular purpose. This
warranty does not extend to, or include consequential damage.

Copyright 2014 PSC

All technologies employed in the design and manufacturing of the Solice
Mini remain the proprietary property of Professional Sound Corp. All
Rights Reserved

Professional Sound Corporation
28085 Smyth Drive
Valencia, CA 91355
PH 661-295-9395 FAX 661-295-8398
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sales@professionalsound.com www.professionalsound.com

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