As of September 30, 2023

AUDITION REPERTOIRE LIST for bothPreliminary (YouTube video) & Final (Live) Auditions for 2024 season■Points to note when performing audition repertoire〔Notes for the Preliminary (YouTube video) audition〕- Please prepare the music of the repertoire for the preliminary (YouTube video) audition on your own.
- All music scores are copyrighted, and the Hyogo Performing Arts Center Orchestra (HPAC) will not be able toprovide copies. However, most of the pieces are published in "Orchester Probespiel" published by Schott Music,
so please refer to this booklet. If you cannot find some pieces in this booklet, please prepare pieces by yourself,
for example, by extracting it from a pocket music score or other source.
- If a piece does not have a measure number or rehearsal mark, but specifies a whole movement, please
perform the whole movement.
- If there are no instructions regarding repetition, there is no need to repeat.
- If the score specifies Divisi (Div.), please play the upper part.
- Long rests may be skipped and the performance may go on.
- Concertos should be performed from the beginning to the development section and the cadenza, unlessotherwise specified. (No recording is required after the recapitulation.)- The recording of the concerto with or without accompaniment will not affect the results of the judging, soplease choose whatever way is easiest for you to perform.
〔Notes for the Final (Live) audition〕- Sheet music for the final round audition will be sent only to successful candidates the preliminary (YouTubevideo) audition.
- In the final audition, you must perform using the music provided by the HPAC. (However, please prepare yourown scores for the concertos.)- Playing repertoires and scope of music will be announced in the audition venue from the juries.
- There will be no piano in the audition venue. Concertos must be performed without accompaniment.

■課題曲を演奏するに当たっての注意点〔第一次（YouTubeビデオ）審査における注意点〕
・第一次審査の楽譜は各自ご準備ください。
・楽譜には著作権が設定されているため当センターからコピー等を提供できません。但し、ほとんどの課題曲はショット社発行の「Orchester Probespiel」に掲載されていますので同冊子をご参照ください。なお、「Orchester Probespiel」に掲載がない場合についてはポケットスコア等から抜粋するなど全て受験者自身でご準備くださいますようお願いします。
・演奏範囲について、小節番号やリハーサル記号等の指定が無く、楽章など全体を課題に指定している曲については、その楽章全てを演奏してください。
・指定されていない限り、繰り返し記号は繰り返さずに先に進んでください。
・楽譜にDivisi（Div.）の指定がある場合は上のパートを演奏してください。
・長い休符は読み飛ばして演奏を先に進めても問題ありません。
・協奏曲の演奏は、指定されている場合を除いて、冒頭から展開部まで、及びカデンツァを収録してください。（主題再現部以降は不要）
・レコーディングの際、協奏曲の伴奏有無は審査結果に影響しませんので演奏しやすい方法を選択してください。
〔第二次（ライブ）審査における注意点〕
・第二次審査用の楽譜は第一次（YouTubeビデオ）審査合格者のみに別途送付します。
・第二次審査では当楽団からお送りする楽譜を使用して演奏していただきます。（但し、協奏曲の楽譜は各自で準備ください）・演奏曲目や演奏箇所の指定は当日会場で指定します。
・会場にはピアノはありません。協奏曲は伴奏なしで演奏していただきます。

VIOLIN
Preliminary (YouTube video) Audition
A. Mozart Violin Concerto No. 3, 4 OR 5 – mvmt 1: exposition, and development
B. ORCHESTRA EXCERPTS (all 1st violin, unless otherwise noted)
1. Beethoven Symphony No. 9 – mvmt 2: beginning to bar 84 [2nd violin part]2. BrahmsSymphony No. 3 – mvmt 1: beginning to the 1st note of B
3. R. Strauss Don Juan – beginning to 1st note of 13 bars after C
Final (Live) Audition
A. Mozart Violin Concerto No. 3, 4 OR 5 – mvmt 1: exposition, and development
B. Brahms, Mendelssohn, Sibelius, OR Tchaikovsky Concerto – mvmt 1: exposition, and development
C. ORCHESTRA EXCERPTS (all 1st violin)
1. Beethoven Symphony No. 9 – mvmt 2: beginning to bar 84 [2nd violin part]2. Brahms
Symphony No. 3 – mvmt 1: beginning to the 1st note of B
3. Bruckner
Symphony No. 9 – mvmt 3: D to bar 64 [2nd violin part]
4. Mozart
Symphony No. 39 – mvmt 2: beginning to 1st note of bar 19 & bar 30 to 1st note of bar 38
mvmt 4: beginning to 1st note of bar 78
5. Schumann Symphony No. 2 – mvmt 2: beginning to 2nd beat of bar 46 (without repeat)
6. R. Strauss Don Juan – beginning to 1st note of 13 bars after CVIOLA
Preliminary (YouTube video) Audition
A. Stamitz Concerto OR Hoffmeister Concerto – mvmt 1: exposition, and development
B. ORCHESTRA EXCERPTS
1. BrucknerSymphony No. 4 – mvmt 2: bar 51 to 1st note of bar 83
2. MendelssohnMidsummer Night’s Dream – Scherzo: bar 17 to 1st note of bar 93
3. R. Strauss Don Juan – beginning to 1st note of 4 bars before DFinal (Live) Audition
A. Stamitz Concerto OR Hoffmeister Concerto – mvmt 1: exposition, and development
B. Bartók Concerto OR Hindemith Der Schwanendreher – mvmt 1: exposition, and development
C. ORCHESTRA EXCERPTS
1. Beethoven Symphony No. 5 – mvmt 2: beginning to C (ONLY theme and variation)
2. Brahms
Serenade No. 1 – mvmt 4: bar 26 to 1st note of bar 54 (without repeat)
3. Bruckner
Symphony No. 4 – mvmt 2: bar 51 to bar 1st note of bar 83
4. MendelssohnMidsummer Night’s Dream – Scherzo: bar 17 to 1st note of bar 93
5. Schubert
Symphony No. 4 – mvmt 4: bar 85 to bar 113; bar 373 to bar 401
6. R. Strauss Don Juan – beginning to 1st note of 4 bars before D

DOUBLE BASS*All repertoire must be performed by the orchestra tuning.
*すべての課題曲は、オーケストラ・チューニングで調律された楽器で演奏すること。
Preliminary (YouTube video) Audition
A. Dittersdorf Concerto OR Vaňhal Concerto – mvmt 1: exposition, and development without cadenza
B. ORCHESTRA EXCERPTS
1. Beethoven Symphony No. 5 – mvmt 3: beginning to bar 100;
3rd note of bar 140 to 1st note of bar 186 (without repeat)
2. Mahler
Symphony No. 1 – mvmt 3: bar 3 to 2 bars after 2 (*Mute required)
3. R. Strauss Ein Heldenleben – 9 to 6 bars after 12Final (Live) Audition
A. Dittersdorf Concerto OR Vaňhal Concerto - mvmt 1: exposition, and development without cadenza
B. Bottesini Concerto OR Koussevitzky Concerto - mvmt 1: exposition, and development without cadenza
C. ORCHESTRA EXCERPTS
1. Beethoven Symphony No. 5 – mvmt 3: beginning to bar 100;
3rd note of bar 140 to 1st note of bar 186 (without repeat)
2. Beethoven Symphony No. 9 – mvmt 4: 3rd note of bar 8 to 8 to 1st beat of bar 29;
bar 38 to 2nd note of bar 90; bar 92 to 107
3. Mahler
Symphony No. 1 – mvmt 3: bar 3 to 2 bars after 2 (*Mute required)
4. Mozart
Symphony No. 40 – mvmt 1: Pickup with bar 115 to bar 138; bar 191 to 1st note of bar 220
5. R. Strauss Ein Heldenleben – 9 to 1st note of 6 bars after 12
6. Stravinsky Pulcinella – Ⅶ Vivo (Duetto): 85 to 90 (without repeat)

BASSOON
Preliminary (YouTube video) Audition
A. Mozart Bassoon Concerto – mvmt 1: exposition, and development without cadenza
B. ORCHESTRA EXCERPTS (all 1st bassoon)
1. Haydn
Symphony No. 90 – mvmt 4: bar 8 to bar 19, bar 216 to bar 228
2. Mozart
Marriage of Figaro Overture – beginning to bar 24, bar 156 to bar 171
3. Ravel
Piano Concerto in G major – mvmt 3: 14 to 16
Final (Live) Audition
A. Mozart Bassoon Concerto – mvmt 1: beginning to bar 71, and mvmt 2: beginning to bar 48
B. Weber Concerto – mvmt 1 (beginning to bar 175) OR Hummel Concerto - mvmt 1 (beginning to bar 154)
C. ORCHESTRA EXCERPTS (all 1st bassoon, unless otherwise noted)
1. Brahms
Violin Concerto – mvmt 2: beginning to bar 23, bar 73 to bar 79, bar 93 to 98 [2nd part]
2. Haydn
Symphony No. 90 – mvmt 4: bar 8 to bar 19, bar 216 to bar 228
3. Mozart
Marriage of Figaro Overture – beginning to bar 24, bar 156 to bar 171
4. Ravel
Boléro – 2 to 3
5. Ravel
Piano Concerto in G major – mvmt 3: 14 to 16
6. Rimsky-Korsakov Scheherazade – mvmt 2: bar 5 to A; L to M
7. Stravinsky
Le sacre du printemps – beginning to 3 bars after 3
8. Tchaikovsky
Symphony No. 6 – mvmt 1: beginning to bar 12

HORNPreliminary (YouTube video) Audition
A. Mozart
Horn Concerto No. 3 – mvmt 1 (Beginning to bar 111, and Cadenza) OR No. 4 – mvmt 1(Beginning to bar 132, and Cadenza)
B. ORCHESTRA EXCERPTS (all 1st horn, unless otherwise noted)
1. R. Strauss
Till Eulenspiegel – from the beginning to 1
2. Wagner
Siegfried’s Rhine Journey – 7 bars after 30 to 25 bars after 30
3. Brahms
Symphony No. 2 – mvmt 1: M to bar 477
Final (Live) Audition
A. Mozart
Horn Concerto No. 3 or No. 4 – mvmt 1 with Cadenza
B. ORCHESTRA EXCERPTS (all 1st horn, unless otherwise noted)
1. R. Strauss
Till Eulenspiegel – from the beginning to 1
2. Wagner
Siegfried’s Rhine Journey – 7 bars after 30 to 25 bars after 30
3. Beethoven
Symphony No. 9 – mvmt 3: bar 82 to bar 98 [4th Horn]
4. Brahms
Symphony No. 2 – mvmt 1: M to bar 477
5. R. Strauss
Ein Heldenleben – beginning to 5 bars after 1
6. Shostakovich Symphony No. 5 – mvmt 1: 39 to 42
7. Tchaikovsky
Symphony No. 5 – mvmt 2: bar 8 to 13 bars after A
8. R. Strauss
Don Juan – Y to Z

TROMBONEPreliminary (YouTube video) Audition
A. David
Concertino for Trombone – mvmt 1 with Cadenza
B. ORCHESTRA EXCERPTS (all 1st trombone, unless otherwise noted)
1. Mozart
Requiem – Tuba Mirum [2nd trombone solo]
2. Ravel
Boléro – 10 to 11
3. Wagner
Die Walküre – Ride of Valkyries solo
Final (Live) Audition
A. David
Concertino for Trombone – mvmt 1 with Cadenza
B. ORCHESTRA EXCERPTS (all 1st trombone, unless otherwise noted)
1. Mozart
Requiem – Tuba Mirum [2nd trombone solo]
2. Ravel
Boléro – 10 to 11
3. Stravinsky Pulcinella – Ⅶ Vivo (Duetto)
4. Wagner
Die Walküre – Ride of Valkyries solo
5. R. Strauss Also sprach Zarathustra - 4 bars before 16 to 16; 9 bars after 50 to 5 bars after 51
6. Verdi
La Forza Del Destino – Overture: C to 4 bars after D; 6 bars before E to 4 bars after E; H toL; 9 bars after P to the end
7. Rossini
William Tell Overture - C to 9 bars after D
8. Borodin
Polovtsian Dances: 9 bars after C to D; U to the end

BASS TROMBONE
Preliminary (YouTube video) Audition
A. David: Concertino – mvmt 1 with Cadenza (B-flat major version) OR Sachse: Concerto in F Major for Bass
Trombone: Allegro maestoso
B. ORCHESTRA EXCERPTS
1. Haydn
The Creation – No. 26: beginning to bar 12
2. Respighi
Fountains of Rome – 1 bar before 11 to 20 bars after 15
3. Wagner
Tannhäuser Overture – A to B
Final (Live) Audition
A. David: Concertino – mvmt 1 with Cadenza (B-flat major version) OR Sachse: Concerto in F Major for Bass
Trombone: Allegro maestoso
B. ORCHESTRA EXCERPTS
1. Beethoven Symphony No. 9 – mvmt 4: bar 594 to bar 618
2. Kodály
Háry János – mvmt 4 solo: beginning to the end
3. Respighi
Fountains of Rome – 1 bar before 11 to 20 bars after 15
4. R. Strauss Ein Heldenleben – 61 to 65
5. Wagner
Lohengrin – Prelude to Act 3: B to C
6. Wagner
Tannhäuser Overture – A to B

TIMPANI & PERCUSSION
Preliminary (YouTube Video) Audition
Timpani
1. Krüger
Pauken und Kleine Trommel Schule - Nr.45 (Theme and Variation)
2. Keune
Schlaginstrumente Teil 2 Pauken, Nr.142 Tempo di Valse
3. Bartok
Concerto for Orchestra - mvmt. 4: bar 42 to bar 50
4. Tchaikovsky
Symphony No.4 - mvmt. 1: S to U
5. Beethoven
Symphony No.5 - mvmt. 3: bar 324 to 4 bars before A of 4th mvmt.
6. Beethoven
Symphony No.9 - mvmt. 1: beginning to bar 35, bar 513 to the end
7. Beethoven
Symphony No.9 - mvmt. 2: bar 248 to bar 283
8. Beethoven
Symphony No.9 - mvmt. 4：T-bar 7 to end
9. Martin
Concerto for 7 Wind Instruments – mvmt. 3: 18 to 24
Marimba
10. One movement from any J.S. Bach solo work (using 2 or 4 mallets)
Final (Live) Audition
Timpani
1. Knauer
PAUKENSTUDIEN – Roll etude in C and G
2. Hochrainer
Etuden Für Timpani Heft 1 Nr 67
3. Bayer
Etude for Timpani No.5
4. Bartok
Concerto for Orchestra – mvmt. 4: bar 42 to bar 50
5. Bartok
Concerto for Orchestra – mvmt. 5: bar 550 to 572
6. Tchaikovsky
Symphony No.4 - mvmt. 1: S to U
7. Beethoven
Symphony No.1 - mvmt. 3: 1 bar before A to bar 79, bar 124 to the end
8. Beethoven
Symphony No.5 - mvmt. 3: bar 324 to 4 bars before A of 4th mvmt.
9. Beethoven
Symphony No.9 - mvmt. 1: beginning to bar 35, bar 513 to the end
10. Beethoven
Symphony No.9 - mvmt. 2: bar 248 to bar 283
11. Beethoven
Symphony No.9 - mvmt. 4: T-bar 7 to end
12. Bartok
Music for Strings, Percussion and Celesta - mvmt. 2: bar 301 to bar 338
13. Martin
Concerto for 7 Wind Instruments – mvmt.3: mvmt. 3: 18 to 24Marimba
14. One movement from any J.S. Bach solo work (using 2 or 4 mallets)
Snare drum
15. Ravel
Boléro - beginning to bar 20
16. Rimsky-Korsakov Scheherazade - mvmt 3 : D to G，mvmt.4: N to U