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Nils Gade in Leipzig and Copenhagen ….................................................. 44
Dmitry V. Belyansky (Moscow) — Post-graduate student of the History ofForeign Music Department of the Moscow P.I. Tchaikovsky Conservatory.
E-mail: teoretik93@mail.ru
The article is devoted to the personality and works of the Danish composer Niels
Wilhelm Gade (1817–1890), a prominent figure of European romantic art. Choosing thecreative career and works of Gade as the main objects of research, the author at the sametime tries to highlight the atmosphere in which the artistic personality of composer wasformed, to characterize the perception of his work by his contemporaries, to realize thescale of his contribution to the art of Scandinavia and the significance of his work for next
generations. Studying the subjects and genres to which the composer addressed gives anopportunity to take a fresh look at some aspects of romanticism (for example, theincarnation of «The Poems of Ossian» in art), to draw parallels with the work of othernineteenth-century composers, to determine style guidelines.
Despite the fact that Gade is a significant figure in the history of European music andone of the Danish «golden age» artists, in Russia his legacy is still unexplored. Address tothe life and musical works of the composer embodies the undoubted scientific novelty andenriches today's understanding of romanticism and the formation of national classics.
Keywords: Niels Gade, Romanticism in Denmark and Germany, R. Schumann, F.
Mendelssohn, E. Grieg.
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13. Spitta Ph. Niels W. Gade // Zur Musik. Sechzehn Aufsätze [To the music. Sixteenessays]. Berlin, 1892. S. 355–383***Белянский Д.В. Нильс Гаде в Лейпциге и Копенгагене // Ученые запискиРоссийской академии музыки имени Гнесиных. 2019. № 1. С. 44–59
Belyansky D.V. Nils Gade in Leipzig and Copenhagen // Scholarly Papers of Russian
Gnesins Academy of Music. 2019. № 1. P. 44–59