:update#032

NOT AN AUDIO COMPANY?
THINK
AGAIN!
IBC 2024 PRODUCT :update - SAME // VSP // NSA
Since our humble beginnings as a garage
company in 1987, Riedel has transformed
from a simple radio and intercom provider

SAME

™

NSA

Our all-new Smart Audio & Mixing Engine SAME™ is thefirstultra-low-latency

audio

processing

softwarethat

automates your daily tasks, ensuring seamless integration

At IBC, we are also unveiling an extension of our Network Stream
Adapter (NSA) product line with the NSA-006A and NSA-003A.
These adapters are designed to advance IP-based audio workflows,

into a global powerhouse offering end-

and unmatched audio quality. Developed by audio experts

offering unparalleled flexibility, reliability, and seamless integration

to-endandfor audio experts, SAME provides a comprehensive suite offor professionals in broadcast, live events, and studio environments.

entertainment industry. Over the past 35

over 30 processing tools and mixers, with instant access to all

years, we have continuously reinvented

active productions from a single, centralized platform.

solutions

for

the

media

The NSA-003A is a versatile 2-Wire Analog Intercom Adapter that combines a compact design withourselves and broadened our expertise andadvanced functionality. The inclusion of a stereo USB audio interface ensures easy connection

portfolio with video infrastructures, live

SAME is built on the latest COTS server cluster standards, ensuring easy scaling to meet theto digital systems, while three GPIOs enhance control and integration capabilities. Together withvideo production, and more. But one thing

demands of any production. The processing and I/O routing are not tied to a physical location,

auto echo cancellation, this feature set makes the NSA-003A an essential tool for live production

we have been for as long as we can thinkallowing for rapid switching of processing between different workspaces and production areas.

environments where flexibility and interoperability are paramount.

of: an audio company. From pioneering

This flexibility, combined with innovative automated workflows and a user-centric, intuitive

advancedalgorithms

design, ensures that you can handle the most demanding audio environments with ease. The

The NSA-006A is designed specifically for audio workplace environments, offering a robust

for our intercom solutions to developing

audio

processing

brand-new management platform Riedel STAGE™ simplifies the mixing and matching of devices,

set of features tailored to modern IP-centric workflows. With its universal inputs and outputs,

our acclaimed audio network, RockNet,

roles, and personnel without the need for protocol or IP knowledge, streamlining operations andit automatically detects and switches between analog and digital signals, while its full-range

we have consistently led the way in audio

reducing setup and training times. This management backend features strong remote assistancemicrophone preamp design eliminates the need to adjust the analog gain manually. The NSA-006A

innovation. And now, we‘re gearing up forcapabilities for remote or at-home production scenarios and is compliant with the highest IT

also includes a stereo USB-Audio interface, a headphone output with intuitive volume control, andour next big audio coup, which will take us

security standards.

three GPIOs for enhanced flexibility. Its rugged design and comprehensive feature set make itinto the heart of broadcast audio…

indispensable for studio, control room, and on-site production settings.
SAME‘s unique Audio Pilot, a powerful feature that offers both local and centralized monitoringand management, gives you the big picture of your multi-location production. With SAME, you
can effortlessly mix and match devices, roles, and personnel without in-depth protocol or IP
knowledge. This intuitive interface dramatically simplifies the complexity of audio management,
allowing you to focus on what truly matters – creating exceptional audio experiences.

VSP

The Virtual SmartPanel® (VSP) is the next evolutionary step of theArtist Intercom journey, providing a gateway into Riedel’s new COTS
server-based infrastructure and links to Artist-1024 to provide smart
remote endpoints.

A software version of the 1200 Series SmartPanel, the VSP offers secure remote intercom
capabilities with the familiar SmartPanel interface, allowing seamless transition between
physical and virtual panels. This new evolution supports iPhones, iPads, Android devices, andmultiple browsers, and is characterized by a user-centric design that is as functional as it isintuitive. It features customizable key banks and extensive profile management capabilities,
allowing users to tailor their communication setup to their specific requirements. The interface’s“Together with our new

layout and functionality are inspired by Riedel’s 1200 Series SmartPanel for a familiar and efficient

STAGE configuration,user experience, with the number of available keys scaling from 16 (phone) over 48 (tablet) to 64

management and operation(browser).

platform, SAME and the VSP
herald a new era of server-

As one of the first products to leverage Riedel’s new management platform STAGE™, the VSP offers

based solutions, addressing

a fresh and secure approach to user authentication with seamless integration with customers’

the industry’s need forexisting identity providers, ensuring a smooth transition and quick deployment. STAGE also

flexible deployment models

offers enhanced remote support features, such as Live View and Remote Control, empoweringwith the ability to flexibly

administrators to monitor key status and resolve issues in real-time. A user-centric licensing model

scale in capacity.”

offers users access across multiple devices with a single license, enabling seamless transitions
between platforms. This flexibility extends to the intercom configuration, where each user can

Jake Dodson
Executive Director
Product Management

manage multiple profiles, effortlessly switching roles between productions without requiring
additional setup from the engineering team.

MAKING WAVESROGER HEINIGER ON CRAFTING
THE FUTURE OF AUDIO

The introduction of SAME™ made big waves at IBC. But ourmore theoretical knowledge, so I decided to attend an audio school.

significant change. Witnessing the transformation from tape machines

What product did you work on at Riedel prior to SAME?

Smart Audio & Mixing Engine didn’t just appear out of thin air –After graduation, I applied for a job at SRF (Swiss Radio and Television)

to fully digital solutions has helped me understand what it takes to

None! I joined Riedel with the clear goal of designing a future-proof,

it was years in the making! We talked to Roger Heiniger, Productand became a professional sound engineer, setting the course of my

implement new technologies in a broadcast facility. It’s not always

low-latency audio processing software platform. We aimed to create

Manager Audio, and one of the masterminds of this revolutionary

career in broadcast audio.

straightforward, especially when you have to keep the existinga system that could operate without hardware controllers from theoperations running while making the transition.

beginning, which was quite challenging because many in the broadcast

solution, to shed some light on their development and Riedel’s
audio legacy.

How did your role at the Swiss public broadcaster influence yourand audio industry are used to physical faders and buttons. However,understanding of the needs and challenges of our customers?

You then went on to join Studer. What are some things you lear-with new network technology, we saw an opportunity to do things

Hey Roger! What’s your passion, and how did it bring you to where

At SRF, I basically did everything except outside jobs. I was always in-ned there that help you in your current role?

differently and efficiently. SAME incorporates new methodologies while

you are today?

house, working on live production, recording, editing, sound design,Well, that would probably be understanding digital mixing consoles

maintaining some familiar aspects, and integrating Riedel STAGE™ – ourI guess it all started with playing electric guitar as a teenager, leading me

trailer production, and radio drama, which was my biggest passion. This

inside and out. I gained a deep knowledge of how digital signal processing

new management and configuration software – took it to a whole new

to record myself and expand my audio skills. I eventually realized myextensive hands-on experience with all kinds of Pro Audio products gave

works and the intricacies of software programming. This understanding

level.

dream of being a rock star wasn‘t going to happen, but my passion forme deep insights into user pain points and shortcomings of existingis crucial when specifying requirements and developing products. I also

audio persisted – so I started doing recordings and live mixing for otherproducts. It made me think about how I would design better solutions.

took programming courses privately, which helped me understand thebands. This hands-on experience was invaluable, but I felt the need for

I joined SRF during the transition from analog to digital, which was apracticalities of such technologies.

connecting digital or analog signals, the same port can handle both. This flexibility is enhanced by
our full-range microphone preamp design, which eliminates the need to adjust the analog gain
manually. This is particularly important for supporting self-operating production environments
where producers and moderators can work alone. The automatic trim function with optional auto
gain control in SAME manages the incoming signal and adapts it to the gain structure of the mixer
channel. This means talents don’t need extensive technical skills to avoid overloading channels, as
the system automatically adjusts for optimal performance.
How and when did you meet Thomas for the first time?
The first time we met in person was in Zurich end of 2017 when me and four Studer colleagues
What was the greatest challenge in themonitor and control audio from any location,

talked to him about joining Riedel. I was struck by how easy going and approachable he was, anddevelopment of SAME?

whether they are in their office, studio control

by how involved he was in the details. During our meeting, I presented some ideas of what SAME

The greatest challenge was redefining theroom, or anywhere else. With just one click,could be and we ended the meeting with a handshake, agreeing to work together. That moment

concept of a mixer. Traditionally, mixers were

they can access and listen to different tools

really stuck with me.

isolated systems, each functioning as its own

and outputs. This functionality is similar tosmall universe. With SAME, we transitioned towhat we expect from web applications in our

What was your single most emotional moment of your career up until now?

a distributed mixing system, which required

personal lives, where we can easily connect

That’s very hard to pinpoint. There have been many professional moments that made me happy,

rethinking many conventional approaches.

and communicate without complex setup

but no single event stands out as the most amazing. Looking back, I‘m particularly proud of

For example, the monitoring process, which

processes. This seamless integration anddefining SAME from the ground up—a whole audio system largely based on my vision, though ofis typically an integral part of each mixer, hadaccessibility make SAME an exceptionallycourse with an excellent and highly skilled engineering team behind it. Releasing SAME after all

to be separated and managed independently.

powerful and user-friendly platform.

those years will probably be the highlight of my career, a culmination of a long journey and lotsof hard work.

We moved the monitoring process out of themixer and integrated it into the SAME Audio

You were also involved in the development

Pilot, while still keeping some monitoringof some of our new NSA audio interfaces.

What do you think broadcast audio workflows will look like in five or ten years?

logics within the mixer to ensure seamless

What‘s special about those, and how doBoth timeframes are interesting. In five years, I believe we’ll see more software-based products

intercommunication. This was just one of many

they tie in with SAME?

and workflows operating without dedicated hardware. Audio in TV is undergoing a transition

challenges. We often had to reinvent the wheel

The new NSA-A interfaces are packed withsimilar to radio when self-operating DJs became common. In TV, we’re seeing more automatedbecause the traditional methods didn‘t makeinnovations, many of them conceived withnews production and self-operated voiceover commentary, trends I think will become standard.

sense in this new distributed environment.

our SAME platform in mind. For instance, they
have physical connection detection for every

Looking ahead ten to fifteen years, I envision it being common for commentators and others to

Which SAME feature are you most proud of?

audio port, allowing us to know if something

work from home. They might choose to go to the studio one day and work from home the next.

I‘m most proud of the Audio Pilot, particularlyis plugged in or not, and this can be monitored

I also foresee a decline in large-format production consoles. The new generation of engineers,

the monitoring system. The Audio Pilot allows

remotely. This remote visibility is crucial

accustomed to touch interfaces, might find extensive hardware setups cumbersome. The concept

users to access and organize everythingfor providing support, especially for talentsof audio consoles will need to evolve, and I believe SAME, with its audio cockpit, is already aligningwithin their audio universe, not just within aworking from home. Another key feature is thewith where this change is heading.

single mixer or production setup. Users canuniversal inputs and outputs. Whether you‘reWDR &RIEDEL

LOCAL LEADERS, GLOBAL VISIONFROM COLOGNE WITH LOVE:
WDR‘S HOME-FIELD ADVANTAGE IN EURO 2024 COVERAGE

between MediorNet and hi human interface ishighly user-friendly, scalable, and reliable,” says

WDR FILMHAUS IMPLEMENTS
AWARD-WINNING MEDIORNET HORIZON

Communication within the Filmhaus andacross WDR‘s Cologne premises will be

Humphrey Hoch, Product Manager, Broadcast

facilitated by an expanded intercom system.

Solutions. “With a total of 29 hardware panels

This includes Riedel‘s Artist-1024 and 1200and software licenses, WDR was able to have

Series SmartPanels, which will be seamlessly
integrated

into

WDR‘s

existing

intercom

The German regional public broadcaster Westdeutscher Rundfunk (WDR) has

flexible access to the hi system — from theIn the heart of Cologne, a media revolution is quietly unfolding. The Westdeutscher

implemented a Riedel backbone for communications and signal distribution for the

BBC in Cologne to the German Quarter in

Rundfunk (WDR) Filmhaus, a cornerstone of German broadcasting, is undergoing a

network. This comprehensive Artist ecosystem

ARD broadcast of the UEFA European Football Championship 2024. In collaboration with

Herzogenaurach.”significant transformation that will reshape its technological landscape and propel it into

will enable efficient communication across all

the future of media production.

WDR production areas in Cologne‘s city center.

Broadcast Solutions and Riedel‘s Managed Technology Division, the media and intercom
infrastructure at WDR’s Broadcast Center Cologne (BCC) was temporarily expanded to

In addition to the existing intercom system,enable flexible and eﬃcient remote production for linear TV, radio, online, and social media.

WDR rented an extra Riedel Artist Node withThe Filmhaus, nestled in Cologne‘s city center,

Central to the new infrastructure is Riedel‘s

As this project unfolds, the WDR Filmhaus will

MADI cards to connect the commentator

has long been the journalistic and technical

MediorNetaward-

set an example of how traditional broadcasters

remotea small team on site. This is not only morestations in the stadiums, as well as additional

epicenter of WDR, one of Germany‘s largest

winning MediorNet HorizoN hybrid processing

can embrace new technologies without losing

production from its Cologne location, whichefficient, but also gave the team the chance tointercompublic broadcasters. This venerable institution,

platform. This software-defined infrastructuresight of their core mission. This renewed

helped to reduce travel and personnel costs.

react more agilely to the dynamic production

increased number of workstations.

which has been bringing news, entertainment,

allows WDR to distribute audio and video

infrastructure will enable WDR to continue

For this purpose, all UEFA feeds were centrally

requirements of Euro 2024.”

and cultural programming to the Northsignals, both baseband and IP, throughout

its legacy of providing high-quality, diverse

The integration of Euro 2024 into WDR‘s

Rhine-Westphalia region since 1965, is now

the Filmhaus with unprecedented flexibility.

programming to millions of viewers acrossNorth Rhine-Westphalia and beyond.

WDR

opted

for

a

centralizedorganized via the German public broadcaster

panelstoaccommodate

thesystem,featuringthecontrol room in Mainz, decoded and sent

Due to the high number of additional

ongoing operations required careful planning

embracing cutting-edge technology to meet

Moreover, it provides powerful multiviewing

directly to Cologne over fiber. In addition,

signals to be processed in the BCC, the WDR

to ensure that its regular processes remained

the evolving demands of modern media

and processing functions, essential for modern

signals from up to six unilateral cameras

infrastructure was temporarily expanded byundisturbed. For example, the Euro 2024

production.

broadcast operations.

with embedded audio were transmitted from17 MediorNet MicroN UHD nodes. Ten of thesecontrol room was decoupled from the maineach stadium to Cologne. There, all signals

nodes were equipped with the Standard App

WDR control room to ensure dedicatedAt the heart of this technological overhaul

The MediorNet HorizoN platform is particularly

converged in a dispatcher room used byto sync the unsynchronized UEFA feeds to theprocessing of the European Championshipis a comprehensive media and intercom

noteworthy for its role in WDR‘s transition to

production, editorial, and technical staff, andhouse clock and enable flexible distribution ofcontent.

systemnetwork based on solutions from Riedel.

IP-based infrastructure. With 128 IP gateways

were distributed throughout the Cologne

video and audio signals. The remaining sevenplanning to technical implementation ensured

The Riedel system, implemented by system

per rack unit, it serves as a bridge between

campus.

nodes used the MultiViewer App for scalable

that the system met WDR‘s requirements andintegrator Studio Hamburg Media Consult

traditional SDI systems and open ST 2110

multiviewing capacities. The orchestration

functioned flawlessly.

International (MCI) GmbH, was chosen for its

environments. This capability allows WDR

efficiency, flexibility, and future-proof design.

to gradually and cost-effectively integrate

Close

cooperation

from“ARD wanted to be on location in the stadium,layer, hi human interface from Broadcast

with the fans, at the heart of the action — but

Solutions, was chosen to control and configure“WDR achieved absolutely first-class coverage

The renovation of the Filmhaus is no small

innovative IP production complexes in thedidn‘t want to do without a centralized way of

the infrastructure.

of Euro 2024 with advanced and resource-

undertaking. The project encompasses not only

coming years, ensuring the Filmhaus remains

savingcontinued

office and conference areas but also editorial,at the cutting edge of broadcast technology.

working,” said Felix Demandt, Project Manager,

remoteproduction,”

Riedel Communications. “In previous large-“Through their Ü3 OB van, our partners at

Demandt. “We are delighted that we were able

studio, and recording rooms designed forscale productions, an OB van with a large team

WDR were already familiar with the powerful

to contribute to this success story with ourcross-media production. This holistic approach

had to be at the stadium. Today, production

combination of MediorNet and hi humanservices and technologies.”

reflects WDR‘s commitment to adapting to thecan be controlled centrally from Cologne withinterface. They knew that the interaction

current and future requirements of media
production.

CZECH RADIOYEARS OFARTIST EVOLUTION

15ARTIST INTERCOM UPGRADE KEEPS PUBLIC BROADCASTERUP TO DATE

Czech Radio, the esteemed public broadcaster of the Czech

The latest chapter in this ongoing partnership

Czech

Republic, has long been a cornerstone of the nation‘s media

encounteredinsaw Czech Radio upgrading its infrastructure

exemplifies how modern broadcasters canlandscape. With a rich history and a commitment to delivering

maintaining effective communication acrosswith Riedel‘s cutting-edge technology. In

navigate the transition to IP infrastructure

quality content, Czech Radio operates 10 nationwide stations andits extensive network. The fast-paced world

cooperation with system integrator Smartand other new technologies. By upgrading

14 regional ones, serving a diverse audience across the country.

of broadcasting left the broadcaster with aInformatics, the broadcaster‘s current setup

incrementally, Czech Radio has managed topressing need to upgrade its communication

includes a new Artist-1024 frame, threeenhance its facilities without the disruption of ainfrastructure.

prompted

Artist-64 matrices, and nearly 120 intercom

complete system replacement. This approach

Czech Radio to seek innovative solutions thatpanels, featuring the advanced RSP-1232 andnot only ensures continuity but also allows

not only replaced old equipment but also

RSP-1216 SmartPanels. Additionally, Czech

for the integration of the latest innovations in

integrated seamlessly with existing systems,

Radio integrated the Bolero wireless intercom

broadcasting technology.

offered scalability, and provided the reliability

system, which is particularly beneficial foressential for a public broadcaster that cannot

communication at outdoor events.

As

technology

evolved,increasing

This

Czech

Radio

challenges

situation

Radio‘sexperience

with

Riedelafford downtime or errors.
One of the standout features of Riedel‘s
Known for their longevity and seamlesssolution is the SmartPanel‘s Syntonous Mode.

integration

Riedel‘s

This innovative feature allows for flexible andproducts presented a future-proof investment.

efficient connections to remote locations,

Czech Radio‘s journey with Riedel begansupporting AES67 connections to the Artistin 2009 when they first deployed the Artist

matrix with minimal delay and without thewired intercom system. This initial investment

need for PTP synchronization. This capability

proved to be a game-changer, offering aprovides high-quality audio with low latency,

versatile and reliable solution that simplified

offering a robust alternative to traditional VoIP

communication across various workstations.

connections.

acrossgenerations,Over the years, the broadcaster incrementally
expanded its Riedel intercom system, adapting
to changes in technology and operations
without the need for a complete overhaul.

IMPRINT

Published by
RIEDEL Communications GmbH & Co. KG
Uellendahler Str. 353
42109 Wuppertal
Germany
www.riedel.net
Editorial Director: Julian Bülhoff
Contact: julian.buelhoff@riedel.net© 2024 RIEDEL Communications GmbH & Co. KG.
All rights reserved. Windows is a registeredtrademark of Microsoft Corporation. All trademarks
are the property of their respective owners. Productspecifications are subject to change without notice.
This material is provided for information purposes
only; RIEDEL assumes no liability related to its use.
September 2024.

CLEAR AS A BELL

LIBERTY UNIVERSITY RINGS IN A NEW ERA OF EVENT COMMUNICATIONS

Liberty University, a sprawling campus nestled in Lynchburg, Virginia, is home to over
135,000 students and boasts an impressive 7,000-plus acre footprint with more than 7.5
million square feet of building space. As one of the largest Christian universities in theworld, Liberty has been making waves not just in education but also in its approach tocampus-wide communication.

With such a diverse and packed
schedule, clear and reliablecommunication is crucial.

In a move to enhance its technological capabilities, Liberty recently embarked on an ambitious

That‘s where Riedel Communications

project to overhaul its communication systems. The university is a hub of activity, hosting ancomes into play.

impressive array of events throughout the year. From approximately 180 sports broadcasts and180 entertainment productions to a staggering 1,700 campus events annually, Liberty‘s calendar
is always bustling.

Liberty‘s tech team has been impressed with the build quality and durability of the Riedel
equipment. The Bolero units, in particular, have proven robust enough to withstand widespread
use by users with varying levels of experience.
Now, with the Riedel Artist ecosystem in place, Liberty is well-equipped to handle thecommunication demands of its bustling campus life — ensuring that whether it‘s a football game,a concert, a convocation, or a campus-wide event, every voice is heard clearly and every message
is delivered seamlessly.
Liberty implemented Riedel‘s cutting-edge
Artist ecosystem across its expansive campus.
The new system, installed in collaboration withsystems integrator Digital Video Group (DVG),
includes the Artist digital intercom matrix,
Bolero wireless intercom, and SmartPanels

hasequipped with multiple applications, including

Liberty‘s operations. It‘s now used for all

beenparticularly

the(AMA).

This

venue

has

clarity of interactions among various staff

revolutionized the way Liberty handles its

members, including timeout coordinators,

event communications.

audio technicians, stage managers, wireless

Monitoring
IP-basedAppenhancingfor

deployment

Audio

comprehensive

communications,transformative

thecamera operators, and engineers. In fact, theOne of the standout features of the new

university’s senior remote support engineer

system is its flexibility and scalability. The IP-

described the system’s audio quality as crystal

based infrastructure allows Liberty‘s tech teamclear, akin to standing side-by-side with theto support both scheduled and impromptu

people on the other end of the channel.

events across the vast campus with ease. They
can now essentially plug and play beltpacks
and SmartPanels anywhere on the campus
network, significantly reducing setup time andincreasing responsiveness to ad hoc events.
The

BolerowirelessintercomsystemY- GODYYADREADY - S
SSTTEEAAPEX STABILIZATIONS JOINS THE RIEDEL GROUPThe Riedel Group just got bigger! By investing in APEX Stabilizations, an Austrian

Both companies can draw on many years of

manufacturer of high-quality camera stabilization solutions (gimbals), the Riedel family is

experience in the media and entertainment

broadening its range of services and gaining access to highly specialized expertise. As part ofindustry. By sharing ideas and technologies,

the partnership, APEX will become part of the Riedel Group, but will remain an independent

Riedel and APEX aim to continuously improvecompany. This strategic union aims to meld the distinct strengths of both entities to keep

their products and jointly develop innovative

them at the forefront of technology and innovation.

solutions that are uniquely suited to thespecific requirements of this industry.

Established in Vienna in 2019, APEX‘s systems are primarily used for shots from helicopters, cars,
boats or cranes for the production of live TV, commercials and films. As a global player on the“I firmly believe in the innovative technologies

international market, Riedel provides APEX with the opportunity to utilize its global sales andof the Viennese pioneers at APEX. Investments

service network, in turn gaining an experienced team and excellent know-how as well as accessin such specialized technology are investments

to new, promising markets. The partnership will also create synergies at the development hubs inin our future and open up new niches in our

Vienna, benefiting partners and customers alike.

core markets,“ said Thomas Riedel, founderand CEO of the Riedel Group. “Cameras withAPEX stabilization are already being used inmany large-scale productions we are alreadyinvolved in - and with APEX as part of the RiedelGroup, we will be able to create even morecomprehensive offerings for our customers.““Whether for live events, film productions
or TV broadcasts – the solutions of our two
companies have become an integral part ofthe modern media landscape and have often
excelled together, most recently at the gamesin Paris,“ said Thomas Schindler, Managing
Director,

APEX

Stabilizations.

“Byjoining

forces, we will develop innovative productsthat set new standards in terms of both image
quality and smooth communication.“

BROADCAST BRUSHSTROKESART’ISTIC PRODUCTIONS EVELEVATES THEIR ARTISTRY
WITH RIEDEL’S SIMPLYLIVE PRODUCTION SUITE

A WINNING TEAMFOR LIVE PRODUCTIONERT AND THE SIMPLYLIVE PRODUCTION SUITE

Art‘istic Production, a renowned French video production

The suite’s ability to integrate an external audio mixer with presets

In a significant upgrade to its live broadcasting capabilities,

and live broadcasting services company, has adopted Riedel

further enhances the director‘s capability to produce the appropriate

the Hellenic Broadcasting Corporation (ERT S.A.), Greece‘s state-Communications’ Simplylive Production Suite to streamline andaudio mix for live events, interviews, and clips. This feature, along withowned public broadcaster, has expanded its investment inenhance their live production workflows.

the high-quality slow motion and graphics capabilities, positions the

Riedel’s Simplylive Production Suite. This move underscores ERT’s

ERT’s decision to adopt Riedel’s technology came after a thoroughSimplylive Production Suite as an invaluable tool in delivering seamless

commitment to delivering high-quality live event coverage acrosspublic tender process, evaluating various criteria including technologicaland high-quality broadcasts​​.

various sectors, including sports, government functions, andfunctionality, expandability, and cost. Bon Studio’s proposal, featuring

entertainment.

Riedel’s innovative solutions, emerged as the top choice. Nick Bofiliakis,

The software-driven live production solution has already proven its
worth in various live events, including a recent French women’s volleyballand knowledgeable support teams also were instrumental in ensuring
the smooth integration and operation within our OB trucks.”

league match. It offers a comprehensive range of features designed to“Partnering with Riedel and integrating their Simplylive Production Suite

simplify and optimize live production workflows. Its ability to manage

into our workflow has been transformative for Art’istic Production”,

The integration of the software-based solution into ERT’s OB vans marks

a testament to the close collaboration we have with Riedel. By working

multiple cameras, insert graphics, mix audio, and edit highlights in real-said Arthur Brousmiche, CEO of Art‘istic Production. “The ease of use

a significant enhancement in the broadcaster’s operational efficiency

together from the very beginning, we were able to fully understandtime from a single touchscreen interface has been particularly beneficial​​.

and flexibility of this system have been game-changing for our team.

and production quality. Implemented by Riedel’s partner Bon Studio S.A.,

ERT‘s specific needs and propose a solution that perfectly meets their

We’re now able to deliver superior-quality content more efficiently withthe production suite provides ERT with the capability to manage more

requirements”​​.

a leaner team, resulting in significant time and cost savings”​​.

replay servers and utilize more slow-motion cameras. This upgrade is“This partnership with Art‘istic Production highlights the potential for
our technology to revolutionize live event broadcasting,” said François

CEO of Bon Studio, commented: “The success of this important project is

crucial for meeting the growing expectations of detailed and dynamic

The new V12 units incorporated into ERT’s OB vans enhance thecoverage that modern audiences demand​​.

broadcaster’s ability to cover a wide range of events with greater

Sarbinowski, Sales Specialist Live Production at Riedel. “We look forward

As Riedel Communications and Art‘istic Production continue to innovate

to continuing our collaboration with their team and to seeing how theyand push the boundaries of live event broadcasting, the Simplylive

use the Simplylive Production Suite in their future projects”​​.

Production Suite stands out as a pivotal technology. It exemplifies the“Riedel’s Simplylive Production Suite not only meets our current

seamless production network for connecting additional replay servers,

potential of software-driven solutions to revolutionize the industry by

production needs but also provides a scalable and future-proof platformthese units ensure multiuser operation and compatibility with advanced

One of the standout features of the Simplylive Production Suite is its

providing broadcasters with the tools they need to deliver high-quality

for working with emerging broadcast standards,” said Mike Nugent,technologies like Dante and 4K support. This functionality is essential

modular design, allowing Art‘istic Production to scale the system up orcontent efficiently and cost-effectively.

Dep. General Director of Technology at ERT. “Our positive experiencefor handling complex productions efficiently with fewer personnel anddown depending on the size and complexity of the event. This flexibility

with Riedel‘s customer support, in collaboration with local partner Bon

less equipment​​.

is complemented by the suite‘s all-in-one capabilities, which enable theStudio, positioned them as a compelling solution. Riedel’s responsive

precision and flexibility. Supporting super slow motion and providing a

deployment of a lightweight yet powerful flyaway control room setup

The Simplylive Production Suite’s ease of setup and intuitive preset recall

across various locations in France​​.

functions significantly boost ERT’s operational efficiency. These features
allow the OB vans to quickly adapt to the demands of different events,

The intuitive user interface of the Simplylive Production Suite has

ensuring high-quality coverage with minimal downtime.

significantly reduced the training period for Art‘istic Production‘s staff,
enabling a faster transition to live production. The installation process“ERT is a leader in setting industry standards, particularly with its OB

is remarkably swift, with the entire system operational within an hourvans”, said Harry Kapros, Business Director Live Production EMEA

and dismantling taking only half that time. This efficiency not onlyat Riedel. “The company’s continued commitment to our live video

accelerates workflows but also translates into substantial cost savings,

production solutions reflects a high degree of confidence in theas fewer personnel are needed on-site for setup and operation​​.

capabilities and reliability of our forward-looking technology”​​.

“We’ve had nothing but good experiences with the Riedel
systems and with Riedel itself, and that dates back to systems
we are replacing at the venues that already had Riedel,” said
Brian Geubtner, Business Manager at Texolve Digital. “We’re
proud to have partnered with Riedel to bring cutting-edgecommunications solutions to these premier sports venues.”

STEEL CITY SCORESTEXOLVE BOOSTS PITTSBURGH’S MAJOR SPORTS VENUES

These upgrades have expanded communication coverage into previously inaccessible areas, suchas tunnels and underground spaces, enhancing the ability of broadcasters and production teams
to capture diverse content. The feedback from venue operators has been overwhelmingly positive.
“Bolero‘s ability to navigate our stadium‘s concrete and steel and still provide a clear signal gives us
the confidence to go anywhere to improve our presentation,“ said Chris Burns, Executive Producer

In the heart of Pittsburgh, Texolve Digital has been quietly transforming the way sportsof Live Stadium Events for the Pittsburgh Steelers.

venues communicate. Known for their expertise in systems integration, Texolve has been atrusted partner to local sports teams for nearly a decade.

“The reliability of Bolero is unquestionable. It‘s so user-friendly that we‘ve transitioned most of our
on-field staff to Bolero beltpacks instead of traditional radios,“ adds Jon Cofer, Director of Ballpark

Pittsburgh‘s three major sports venues — PNC Park, home of the Pittsburgh Pirates; PPG Paints

Productions for the Pittsburgh Pirates.

Arena, home of the Pittsburgh Penguins; and Acrisure Stadium, home of the Pittsburgh Steelers— all had unique communication needs. These large-scale venues shared freelance operators,

Texolve Digital‘s partnership with Riedel Communications has set a new standard fornecessitating a consistent and reliable system that could be easily navigated by all users. The

communication systems in sports venues. The success of these installations not only enhances

existing systems, while functional, lacked the advanced features and reliability needed for modern

the game-day experience for fans but also underscores Texolve‘s commitment to innovation andsports productions.

excellence.

Texolve’s journey began with a vision to enhance communication infrastructures across thesethree venues, ensuring seamless operations during high-stakes events. The integrator turned
to Riedel, its partner for over a decade, to leverage the company’s innovative intercom andcommunications technology.
Texolve‘s deployment of Riedel’s solutions has proven transformative. The setup included
comprehensive upgrades at each venue. PNC Park and PPG Paints Arena received complete
intercom system overhauls, featuring 9-10 Bolero antennas, 10-20 Bolero wireless beltpacks, 3035 Riedel SmartPanels, four-wire interfaces, and an Artist-1024 node, which allowed for extensive
port availability. Meanwhile, Acrisure Stadium was equipped with 11 Bolero antennas, eight Bolero
beltpacks, 35 SmartPanels, four-wire interfaces, and Riedel’s Connect Trio for phone connections.

TRL IS ON TRACKRETHINKING RACE TRACK INFRASTRUCTURES FOR A SUSTAINABLE TOMORROW

The motorsport industry stands on the cusp of a significant
transformation

with

the

formation

of

TRL

-

Tilke Engineers &Dr. Carsten Tilke, of
p understanding
Architects, contributes a deearchitecture. Withof racetrack design andthe motorsports
a legacy of excellence inl master who will
sector, he is an architectura
aesthetic elements
guide the structural andboth functionalof the project to achieveeal.
goals and high visual app

The inception of TRL addresses a crucial need within motorsports for

Leverageinfrastructures like pit lane buildings and hospitality facilities that are not

Synergies, a venture that promises to revolutionize the very

only functional but also adaptable to different locations and conditions.

infrastructure that supports the sport. A collaboration between

This flexibility is achieved through the integration of sustainable and eco-

Dr. Carsten Tilke, Thomas Riedel, and Bernd Loidl, this initiative isfriendly materials, emphasizing minimal environmental impact while

not merely a business venture; it is a visionary approach towards

maintaining the high standards required by top-tier motorsport events.

sustainable, modular, and flexible racetrack constructions thatpromise eﬃciency and environmental consciousness.

In a world increasingly aware of the environmental costs of entertainmentand sports, TRL‘s innovative approach is a timely intervention. It reflects
a broader shift in global industries towards sustainability and could very
well set new standards – not only for motorsports but for other sporting

sed expertisetechnological, and event-ba
us to apply architectural,
ws
allo
tion
bora
colla
s
“Thi
to build not justleveraging our synergies
s. Through TRL, we are
way
ve
vati
inno
and
new
in
ts.“
of sustainable sporting even
racetracks, but the future

events worldwide.
As we look to the future, the efforts of TRL offer a promising glimpse
into how technology and traditional industries can converge to foster
sustainability. This venture not only aims to transform the racetrack
experience. It also aims to inspire other sectors to reconsider how they
can operate more sustainably, making TRL a beacon of innovation andenvironmental responsibility in the sporting world.

For more information about TRL, please visit trl-ls.net

under of
O and fo
Riedel, CE
asrienceomTh
lth of expe
, has a wea
up
ro
G
el
no
Ried
tech logy
innovative
ping
lo
,
ve
de
in
of media
future-pro
including
,
is
ns
H
tio
s.
lu
so
ture
IT infrastrucations, andthat TRL
communic
g
rin
su
en
l in
ill be pivota
w
e
is
rt
pe
ex
unications
t of comme forefron
th
at
s
ay
st
gy.
k technolo
and networtries of wha
the bounda
g to push
in
to
ok
lo
ity
s
un
ay
rt
oppo
are alw
an exciting
Group, we“At Riedeltenrepresents
logy. TRLd and Cars
no
rn
ch
Be
te
rs —
with
tive thinkekis possible
va
ac
no
tr
in
ce
d
ra
in
tive anefficiency
other crea
bility andnawork with
ai
st
su
r
rd fo
new standa— to set are.”infrastructu

Bernd Loidl, withhis extensive ba
ckgroundin event mana
gement and sus
tainable
structure develop
ment, rounds
out thetrio. His previous
role as CEO at Re
d Bull Air
Race and his inn
ovative work in
temporary
event structuresat Loidl LLC will
influencethe environmenta
l focus of TRL, pro
motingecological use and sustainability
in everyproject.
“Our fundamenta
l goal — and thevision that’s becom
modular, and sus
ing reality — isto establish flexi
tainable structureble,s that meet all req
uirements of thewhile offering the
motorsport indust
unique benefit ofrybeing readily ad
aptable for opera
This new venture
tions at different
has enormous posites.
tential and will bea win-win situationand for the envir
onment.”for the sport ind
ustry

GAME-TIME REVOLUTION
UNIVERSITY OF TEXAS ATHLETICS UPS THE ANTE WITH
RIEDEL’S INTERCOM & LIVE VIDEO PRODUCTION SOLUTIONSThe University of Texas Athletics (UT)or two operators to create professional-grade

has deployed a comprehensive Riedel

productions without a traditional control

solution to enable clear communications

room, complete with multiple camera angles

and streamlined production across its

and instant replay capabilities. This efficiency

expansive

Completed

was critical for UT, and students are making

by systems integrator Diversified, thefull use of the system’s resources to deliver

installation includes the Artist and Bolero

top-tier sports coverage.

sportsfacilities.

intercom systems, as well as the Simplylive
Production Suite, providing UT with a“Creating professional quality shows requires

flexible, campus-wide system that supports

a high-tech setup with multiple camera angles

high-quality productions and replays withand replays. With Simplylive we are now able

minimal crew.

to deliver an exceptional production, including
replays, without even needing a control room,“
Alvarado“Our ability to bring production in-house andadded.

“The

Simplylive

replayscreate professional content with Simplylive,

UT Athletics’ previous communication system struggled to provide adequate coverage in UT‘s large

look amazing — super professional — andArtist, and Bolero is massive for our program,”venues, particularly in the vast Moody Center arena and in the football stadium. UT replaced thisit’s a system that’s user-friendly and easy forsaid Daniel Dupoux, Director, Broadcasting

system with Riedel’s Bolero and Artist systems, which immediately offered seamless, crystal-clear

anyone to pick up.“and Big Screens at UT. “It’s been crazy simple.

communication throughout the arena. In extending the Bolero system to its football stadium, UT

Our students knew nothing about production

created a athletics facilities-wideintegrated communication network. The resulting Riedel solution“UT is home to one of the largest and mostcoming in. We were able to put this in front ofallows UT staff and students to move between venues while maintaining connectivity, enablingprominent collegiate athletic programs in thethem, and they could take it and run with it.

efficient operations for multiple sports productions.

U.S., and UT Athletics’ successful deploymentof our technology underscores Riedel‘s ability

Within two shows, they’re the ones teaching us.”
“We needed a system that could reach everywhere within our venues and across the entire

to provide scalable, user-friendly solutions

campus. Bolero and Artist provided that scalability and interconnectivity,” said Matt Alvarado,for any production environment,” said Ben

Head Broadcast Engineer at UT. “The clarity and ease of use of the Riedel systems have been

Gabrielson, Regional Sales Manager, South

game-changers for us, especially when working with student crews.”

CentralU.S.,

at

RiedelCommunications.

“Bolero, Artist, and the Simplylive Production
Additionally, as UT prepares to transition to the Southeastern Conference (SEC), the university is

Suite empower UT to create high-quality

working to elevate its production standards and deliver professional-grade sports coverage, with

content efficiently and raise production value.

student crews of varying experience levels. Riedel‘s Simplylive Production Suite enables just one

We’re thrilled to see the university embracethese technologies and elevate their sports
coverage.”

YASSOU SNFCC!

UHD5 OB VAN ELEVATESBROADCASTS AND EVENTSIN ATHENS‘ CULTURAL GEM

Nestled in the heart of Athens, the Stavros Niarchos Foundation Cultural Center (SNFCC) stands as a beacon of modern architecture andcultural innovation. Since its grand opening in 2016, this multifunctional complex has become a vibrant hub for the arts, education, andrecreation in Greece‘s capital city.
On any given day, the SNFCC buzzes with activity. Music enthusiasts

The UHD5 van, equipped with Riedel‘s latest technologies including

might catch a world-class performance at the Greek National Opera’s

MicroN UHD, Artist-1024, SmartPanel, and Bolero solutions, integrates

main hall, while literary lovers peruse the vast collections of the National

seamlessly with the SNFCC‘s existing infrastructure, allowing for

Library of Greece. Outside, families and fitness fans alike enjoy the lush

unprecedented flexibility in producing broadcasts, from intimate

greenery of the 170,000-square-meter Stavros Niarchos Park, complete

performances to large-scale multisport events. One of the key

with playgrounds, gardens, and even a canal. The complex’s sustainableadvantages of this setup is its ability to handle a wide range of video

design, which includes a massive solar energy canopy, reflects a forward-

formats, including 4K/UHD signals. This versatility ensures that whether

thinking approach that extends beyond its architectural elements.

it‘s a breathtaking opera performance, an educational conference, or asporting event in the park, the SNFCC can capture and broadcast it in

Beneath the surface of these cultural offerings lies a sophisticatedstunning quality.

technological infrastructure that keeps the SNFCC at the cutting edge of
event production and broadcasting. Since its inception, the SNFCC has

As the SNFCC continues to evolve, so too does its technologicalrelied on Riedel’s MediorNet system to handle its complex audiovisual

capabilities. The modular nature of the MediorNet system allows forneeds. This distributed network serves as the backbone for routing

easy scaling, ensuring that the center can adapt to future production

video, audio, data, and communications signals throughout the venue‘sneeds. There‘s even talk of expanding to Riedel‘s new MediorNet

diverse spaces.

HorizoN system, which would pave the way for IP-based workflows andeven greater flexibility.

Recently, the SNFCC‘s capabilities have been further enhanced througha collaboration with View Master Events, a leading Athens-based

From its sustainable architecture to its cutting-edge broadcast

production company. View Master Events, in partnership with Livecapabilities, the SNFCC represents the perfect fusion of culture andProductions, has introduced a state-of-the-art UHD5 OB van to thetechnology — standing as a shining example of how modern culturalmix, elevating the center‘s ability to produce and broadcast high-quality

institutions can embrace innovation to enhance the visitor experience

content.

and share their offerings with a global audience.

AND SHINESHAUNA PURCELL ON EMPOWERING WOMEN IN BROADCAST

Shauna Purcell joined Riedel in 2023, bolstering our growing Oceania sales team as Regional Sales Manager, Australia & New Zealand

How

can

industryleaders

andcompanies

bettersupport(ANZ). When we discovered that she is also the ANZ Advisory Board Chair of Rise, an organization dedicated to fostering gender diversity

organizations like Rise?

within the broadcast and media technology sector, we knew we wanted to know more about her and what she does.

While financial support is obviously valuable, there are many otherimpactful ways companies can support organizations like Rise. For
one, through promoting the program within their own networks; a

Hey Shauna! Please tell us about yourself. How did you end up here?

As for Rise, the most rewarding part is giving others similar opportunities

manager sending out an email encouraging their team to apply for Rise

Hey! My name is Shauna Purcell. I’m based in Sydney, and I‘ve been withto those I had. I personally benefit greatly from my mentor, whoor nominate someone for the Rise awards can make a huge difference.

Riedel for just over a year now. Before joining Riedel, I spent nearly fivecontinually inspires and motivates me. Therefore, facilitating similar

Not only does it bring visibility to our programs, but it sends a message

years at Avid Technology, most recently serving as the Audio Partner

connections through Rise, where mentees meet mentors who canthat the company supports these initiatives, which can be crucial

Account Manager & Head of Marketing ANZ. The opportunity to engage

guide and encourage them, is incredibly fulfilling. This ability to foster

for employees who may be hesitant to apply. They can also help

with Riedel was simply too good to pass up: Coming from a primarily

meaningful mentorships in the industry – not just for immediate benefits

spread the word about Rise and its programs and events throughpost-production background, being involved in live production across

but for long-term professional and personal growth – is what I find mostsocial media platforms. This helps to increase the program‘smultiple verticals was an exciting shift towards something broader andrewarding.

visibility and also shows the company‘s active involvementin supporting diversity and mentorship. Furthermore,

more dynamic.
Mentorship is a core component of Rise’s work. How does thecompanies can collaborate with Rise from a

Can you share a bit about your journey? Were there any key

mentorship program operate, and what impact have you seen it

consulting perspective, which can be extremely

moments or mentors that significantly influenced your career path?

have on participants?

eye opening at the senior leadership level.

Yes, definitely. During my time at Avid, I met Kathy-Anne McManus, who

The program is a global, six-month mentorship initiative aimed atoffered to become my mentor, and who has remained a pivotal figure

women within the broadcast and media technology sectors. It begins

Looking forward, what personal orin my professional life, helping me navigate and grow in this industry.

with a meticulous application process to ensure we match mentees withprofessional goals do you still want toKathy-Anne, or KAM as she’s known, has guided me through countless

mentors who can best address their specific goals. Beyond bi-weekly

achieve?

professional experiences, from public speaking to career development

mentoring sessions, we also organize monthly workshops on topics likeMy next professional goal is to deepen

discussions with management. I was also incredibly fortunate to have a

optimizing your LinkedIn for networking and building your “shopfront”.

myvery supportive team, who undoubtably played an enormous part in my

These workshops are led by experts like Sallee Poinsette-Nash & Adam

globally, learn from the projects

career success.

Tilbury, who provide valuable insights into personal branding andthey’re working on, and bring thatprofessional development. We also have the help and support of ourknowledge back to our operations in

How and when did you first learn about Rise? And how did you

phenomenal Global Mentoring Manager, Carla Maroussas, and Sam Yee

Australia. There‘s a lot to learn frombecome Chairwoman at Rise ANZ?

leading the ANZ mentoring program.

our Managed Technology teams thatconnections

withcolleagues

rock the world‘s largest productions

I first learned about Rise through a colleague at Avid. My manager on
the marketing side, who was on the board of the UK Rise program,

The impact of the Rise program on its participants is profound. It

and deploy solutions beyond myapproached me about helping them support the APAC region. We

cultivates a newfound confidence and helps them develop a robust

current scope. For Rise, the goal isinitiated the first mentor-mentee pairing in Australia, and that experience

personal brand. Interestingly, they often form groups and socialize

continued growth and expansion.

opened my eyes to the program‘s immense potential. I pitched the idea

outside the program, which is great! They are building their network

We had just one mentor-mentee

of starting our own ANZ chapter to the UK board, and we ended up

around them, growing their careers together... Many people forgetpair when I started with thewith about five mentees and five mentors in our first year. From there,

about the importance of peer networking. I certainly did – until my

APAC program. Now, we‘ve

we managed to form a solid alliance of key individuals who were very

mentor emphasized the significance of expanding my network laterally

seen applications skyrocket

supportive of Rise‘s mission. Eventually, I was asked to chair the board,as well as vertically. It’s crucial to form connections not just with thoseto 36 this year, which is an

and now I have an incredible advisory board behind me that is ever-

above us but also with those alongside us. These relationships canincredible

growing and ever-engaging.

provide different perspectives, support, and opportunities that may beahead, I want to secure morejust as valuable as those gained from higher up the ladder.

local sponsors and broaden

What’s the most rewarding aspect of your work?

growth.

Looking

the scope of our activities. ThisWith both Riedel and Rise, it all comes down to the people. With Riedel, theIf you could go back and give advice to your younger self, justincludes focusing on topics

most rewarding part is engaging with our customers. I thrive on meetingstarting out in our industry, what would it be?

like neurodivergence, women‘s

new people and learning about their organizations and their exciting

I would tell my younger self to take a breath and not rush too much.

health,projects, whether for film, broadcast, TV, or live sports productions. I

I’ve always been someone who wanted to move faster than necessary,

initiatives through the Rise Up

truly enjoy building relationships to the point where we don‘t really needmaybe that’s driven by seeing all those amazing, successful people

Academy. Each of these areas

to pitch our products anymore, because we‘ve established trust andaround me and knowing what I want to achieve. But it’s important toholds potential for significant

relevance by listening to their goals and being a reliable partner.

enjoy what you‘re doing in the moment, to savor the process as much

impact, and I’m excited to see

as the outcomes. Career-wise, the best advice would be about the value

where we can take it next!

of connections and mentorship. I was lucky to connect with a mentor
just three months into my career, which profoundly shaped my path. If
I hadn’t had that mentorship so early, I’m not sure where I’d be today.

andeducational

KONNICHIWA GETTING BIGGER IN JAPANRESTAR!

RIEDEL SETS ITS SIGHTS ON EXPANSIVE GROWTH IN JAPAN WITH NEW
AND STRENGTHENED PARTNERSHIPS

TRANSFORMING DAY-TO-DAYOPERATIONS AT BALUARTERIEDEL ENHANCES COMMUNICATION ACROSS SPAIN’S ICONIC VENUE

In a strategic move to enhance its market footprint in Japan, Riedel Communications

In the heart of Pamplona, Spain, the Baluarte Conference Centerhas recently joined forces with Restar Corporation. With Restar joining the ranks of Riedel

and Auditorium of Navarra stands as a testament to architectural

partners like Otaritec Corporation and Hibino Intersound Corporation, Riedel Japan is now

brilliance and cultural significance. Since its inception in 2003,

better equipped than ever to service all its core verticals in Japan.

this avant-garde venue, designed by the renowned architect“The Baluarte Conference Center and Auditorium of Navarra is an iconic

Patxi Mangado, has been hosting a diverse array of events, fromvenue that presents a variety of communications challenges,” said

Restar Corporation, renowned for its comprehensive solutions in video, audio, and information

grand concerts to intimate exhibitions. However, the complexity

Maribel Román, Regional Sales Manager at Riedel Communications.

communication, will play a pivotal role in Riedel‘s expansion strategy. Masaki Tomiyama, Operatingof managing communication across its expansive 64,000-square-“Deployed in combination, our Bolero and SmartPanels provide

Officer at Restar Corporation’s System Solution Business, highlighted the partnership‘s potential:

meter space, with its solid gray-quartzite construction, posedcomprehensive coverage with the flexibility essential to ensuring clear“Joining forces with Riedel Communications allows us to not only continue providing cutting-edge

significant challenges—until revently.

communications across multiple teams and spaces at Baluarte.”

Baluarte‘s recent integration of Riedel Communications‘ cutting-edge

Beyond the technological advancements, Riedel’s commitment totechnology marks a pivotal moment in the venue‘s journey toward

customer support has been instrumental in this transformation. The

As part of their expansive partnership & distribution program, Riedel also solidified its relationships

becoming one of Spain’s most technologically advanced cultural facilities.

Riedel team provided initial training to Baluarte’s staff and continues towith other key players in the region, namely Otaritec Corporation and Hibino IntersoundThe implementation of Riedel’s Artist intercom ecosystem, Bolero

offer ongoing technical support, ensuring that the venue can maximize

Corporation. Otaritec, a veteran in the industry having partnered with Riedel since 2004, continues

wireless intercom, and IP-based SmartPanels has not only addressed

the potential of its new communication systems.

to dominate the broadcast sector while making significant inroads into other verticals. On thethe physical communication hurdles but has also transformed theother hand, Hibino Intersound, which joined forces with Riedel in April 2024, has carved out aoperational efficiency of the venue.

and app-driven functionalities, offer unprecedented workflow flexibility
and connectivity.

video solutions to our broadcast customers, but also to expand our offerings to meet and exceed
market expectations with a comprehensive, one-stop-shop approach.”

As Baluarte steps into a new era of technical sophistication, it is poised
to further solidify its reputation as a premier destination for high-profile

niche in non-broadcast sectors like proAV and theater.
day-to-day

events in Spain. The collaboration with Riedel not only showcases

These strategic alliances will allow Riedel to leverage local expertise and relationships to bolster

operations,” said Eduardo Nanclares, Technical and Operations Director

the importance of cutting-edge technology in enhancing operationalits presence and influence across Japan, thereby making their cutting-edge solutions available to aat Baluarte. “Significantly improving coordination among our technical,

efficiency but also highlights how such innovations can elevate thewider range of customers, while enhancing its service and support network.

audiovisual, and staging teams, Riedel’s Bolero wireless intercom

overall experience for both event organizers and attendees alike.

“Riedel’sintercomsolutionshavetransformedoursystem and SmartPanels have allowed us to elevate the efficiency of our“We are delighted to have Restar Corporation on board with us. With our three very strong partners,

technical and operational teams and, in turn, enhance the overall quality

we have positioned ourselves optimally to fully address the needs of the Japanese market,” saidof concerts, meetings, receptions, exhibitions, and other events.”

Vincent Lambert, Riedel Communications, Sales Director Key Accounts Asia. Between our state-ofthe-art solutions and the combined wealth of experience of our partners, I am confident that we

The core of Baluarte’s modernization lies in the seamless integration

will quickly reach corners of the market previously untouched and provide our customers with aof Riedel’s Artist ecosystem. This setup includes the Bolero wirelessworld-class experience.”

intercom, supported by six strategically placed antennas and 20
beltpacks, along with seven SmartPanels connected over IP with AES67.
This configuration ensures uninterrupted communication not only
among technicians but also across room security and service personnel,
fostering a cohesive operational environment. The SmartPanels, with
their innovative hybrid lever keys, full-color multi-touchscreen displays,

SMOOTH STROKESRIEDEL’S INTERCOM EVOLUTION AT THE U.S. SWIM TRIALSIn the fast-paced world of event production, seamless communication is key to deliveringa flawless experience to both live audiences and remote viewers. At the U.S. Swim Trials
in Indianapolis, this imperative was met with cutting-edge technology provided by Riedel
Communications‘ upgraded Artist intercom ecosystem, implemented by Dodd Technologies.
This event not only marked a significant athletic competition but also showcased theimpressive capabilities of an evolved intercom system that keeps setting new standards
in the industry.
The Artist-1024 system is a leap forward

Cassler’s team was able to connect their Artist-1024 to both the in-house Artist/Bolero

from the previous Artist-32 units, boasting

system and the broadcaster’s OB truck with ease. With the Artist-1024 serving as theincreased scalability, flexibility, and integration

backbone of all communications, Dodd Technologies effectively increased the scale

capabilities. This upgrade was pivotal forand functionality of its intercom system in a smaller footprint. Scale proved essential

Dodd

the

due to the sheer size of the stadium and the number of people needed on comms

communications setup at the Lucas Oil

across that space to support the event – attended by a record 20,689 fans andStadium, now the world’s largest aquatic arena.

watched by over 285,000 viewers. In addition to providing clear audio despite the

The transition to the new system underscores

densely crowded airspace, Bolero offered the benefit of water resistance, a useful

the ongoing evolution of Riedel‘s technology,

factor for team members working around wet humans all day.

Technologies,

whichmanagedwhich has become integral to orchestratinglarge-scale events like the U.S. Swim Trials.

“The RF spectrum in downtown Indy, where the trials were held, is extremely
challenging,” added Cassler. “With all the productions, including outside concerts, there“Given our experience at past trials, we’ve

are tons of channels — and we were in a stadium! But with Bolero, I didn’t have to worry

become accustomed to the flexibility andabout my wireless comms at all. It was delightful.”

the speed at which we can deploy Artist andBolero — and how we can alter the Riedel“It was exciting to participate in the U.S. Swim Trials once more alongside our excellent partner,in the world of event production, technologicalintercom system to the specific needs of the

Dodd Technologies,” said James Skupien, Regional Sales Manager, North Central U.S., at Riedel

evolution is not just about upgrading—it‘sevent as they arise,” said Caleb Cassler, audio

Communications. “Upgrading their system to an Artist-1024, they gained the scalability andabout transforming capabilities and setting

engineer at Dodd Technologies. “Integrating

flexibility to integrate seamlessly both in-house and external systems into a single, accessible

new industry standards.

the Artist system with the giant system alreadysystem. Just as important, they are able to take on larger and more complex solutions, achievingin place took a matter of minutes, and because

the same high-quality audio clarity and reliability with increased efficiency.”

we didn’t have to spend time solving technicalissues, we could focus on refining the comms

As Riedel Communications continues to refine its products, the Artist-1024 stands out as asystem to operate exactly as needed.”prime example of how continuous technological advancement can enhance the capabilities of
event production companies like Dodd Technologies. These developments not only support theoperational needs of large events but also enhance the overall viewer experience, proving that

RIEDEL DIARYGO FORGOLD
THOMAS IN PARIS

This summer, Paris was not only the city of love, but also the city of sport, of celebration,of cohesion. The Summer Games offered a grand experience against stunning backdrops
and packed stadiums, a showcase of sustainability, inclusivity, gender equality, andurbanity, proving the power of sport time and time again..
Do you remember the women‘s beach volleyball final? When a misunderstanding led to a loudargument among the athletes, and the stadium DJ simply played ‘Imagine’ – the John Lennon
classic about a peaceful and united world? The Canadian and Brazilian athletes suddenly started
laughing, the fans sang along, and unity prevailed in the stadium at the Eiffel Tower.
Or how about the spectacular opening of the Parasport Games at the Place de la Concorde in asold-out arena? More than 4.000 athletes with disabilities from over 180 countries and from theRefugee Team were the center of attention and inspired people all over the world with impressive
performances and sportsmanship. And the parasport competitions that followed were justas colorful, just as emotional and just as profound. Having played a part in this celebration ofdiversity and resilience fills me with immense pride.
This summer‘s Games really were a production of superlatives – a truly epic sporting event
unmatched in scale. The opening ceremony was probably the largest show ever produced on thisplanet, with 10.000 (!) people working on it, and millions watching it live in Paris and on TV aroundthe world. And of course, we were right in the middle of it! That night saw the deployment ofalmost 400 Bolero beltpacks in a network with 70+ antennas. This alone is a new record.
And that‘s not all: This year’s Games are the biggest project we have ever done. I still remember
going to Barcelona in 1992 with just a few radios. Today, 32 years later, we have around 300 people
working for the Games – not only in Paris, but also in cities like Marseille and Lille – supporting
competitions, ceremonies, broadcast productions, nation- and top sponsor houses. Working
alongside them are products across our entire portfolio, from Artist and Bolero to MediorNet andSimplyLive. The sheer numbers are mind-blowing: We transported 400 MediorNet nodes, 10,000
radios, and 26,000 individual cables with a total length of 300 km from Wuppertal to Paris in 30
trucks. I am convinced that no one else could pull off something like this.
I’d like to thank everyone involved in this project for their hard work and passion – in Paris,
Wuppertal and everywhere else. I know, these past months have been very tough. And I have beenblown away by the spirit, by the resolve, and by the determination of our teams. Keep in mind, thisis the biggest event on earth, setting lots of records. A project like this can’t be easy and we should
all be proud to be part of it.
I for one am more than happy that I could be there in person and soak up the atmosphere. I got
deep insights into the challenges of our customers and our teams, and I am still learning a lot.
During my stay in Paris, I also met lots of people from my network, such as OMR founder Philipp
Westermeyer, and got to know new ones like Hendrik Wüst, Minister President of North RhineWestphalia. These encounters also contribute to our business, as the Riedel brand is becoming ahousehold name far beyond our core industry.
As we were able to experience once again in Paris, the power of sport is truly remarkable.
And I hope we can carry this spirit into our society – not just in Germany, but across the world.
And now? Our team is already working on the Winter Games 2026 to be held in Milan and Cortinad‘Ampezzo and the Summer Games 2028 in Los Angeles.
See you there,
ThomasPROJECT PICTURESYOUR DAILY UPDATESEE IT. LOVE IT. REPLAY IT.
RIMOTION REPLAY

REPLAY FOR EVERYBODY,
EVERYWHERE.
RiMotion is an easy-to-install
replay solution that can be
implemented almost instantly
in broadcast environments ofany scale. It streamlines
traditional and modern
workflows and provides
real-time performance,even when working remotely.

• Intuitive touchscreen UI• Dedicated Remote Controller• Compact 1RU or 2RU server

Available in fivecost-effective bundles

RiMotion R6, R8, R10, and R12 with 6 to 12 HD channels
RiMotion R84 with up to 4 UHD / 8 HD, HDR channels

SUPER-SLOMOCAPABLEriedel.net

www.riedel.net