www.comiket.co.jp

A presentation by the Comic Market
Preparations Committee
February, 2008
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www.comiket.co.jp

Chapter One
What is the Comic Market?
What are Doujinshis?

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What are Doujinshis?
What are Doujinshi Marketplaces?
What are Doujinshis?
- Doujinshis are defined in Japanese dictionaries as "magazines published as a cooperative effort by agroup of individuals who share a common ideology or goals with the aim of establishing a medium
through which their works can be presented." Originating from the world of literature, fine arts, andacademia, doujinshis experienced unprecedented growth in Japan as a medium of self-expression forvarious subcultures centered around manga.
- At present, books edited and published by individuals with the aim of presenting their own material arealso considered doujinshis.
- As a norm, doujinshis are not included in the commercial publishing distribution system.
> The primary goal of doujinshi publishing is that of self-expression of one's own works--Ordinarily
commercial profits are not the primary rationale for doujinshis endeavors.
> Their distribution is limited in scope.

What are Doujinshi Marketplaces?
- Social functions centered around the display and distribution of doujinshis.
- Their scale and function can vary from anywhere between small gatherings taking place in regularconference spaces where only a few dozen circles (doujinshi publishing groups) attend but can be big as
the Comic Market where over 35,000 circles congregate.
- Outside of Japan, similar forums are usually attached to various manga and anime related publicgatherings. In Japan, doujinshi marketplaces are almost always independent public events where thefocus is on the individuals and groups that publish the doujinshis.

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What is the Comic Market?
- Excluding private industry showcases such as the Tokyo Motor Show, theComic Market is Japan's largest indoor public gathering operated by asingle private non-governmental group.
- Main attraction: Exhibition and sales of self-published publications (doujinshis)centered around manga, anime, video games, and other related genres.
- Commercial industry booths housing over 130 corporations accommodated ina separate wing of the exhibition complex.
- The event utilizes all the facilities of the Tokyo Big Site (an international
exhibition complex in Ariake, Tokyo) for three entire days each summer andwinter every year.
- Often abbreviated as the Comiket and Comike.
-

Comic Market 72>August 17th ~ 19th, 2007.
>Over 35,000 circles (publishing groups) participated.
- Comic Market Catalog>Total combined attendance over three days: Over 550,000.
>A complete listing of all circles (publishing groups)>Total combined number of cosplay participants over three days: Over 13,000.
attending.
-

4>Acts as a guidebook to the event itself.
>Price, when purchased on site: 2000 yen.
Comic Market 73>Price, when purchased at retailers prior to event:>December 29th ~ 31st, 2007.
2400 yen.
>Over 35,000 circles (publishing groups) participated.
>B5 (approx. 8.5" x 11" letter sized,) square bound,roughly 1400 pages thick.
>Total combined attendance over three days: Over 500,000.
>Total combined number of cosplay participants over three days: Over 14,000. >Circulation: 110,000 copies.

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Chapter Two
History of the Comic Market

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Chronology of General Attendees and Participating
Circles statistics.
1975 / 1980 / 1985 / 1990 / 1995 / 2000 / 2005
Red - Participating Circles
Blue - General Attendees

７５年

８０年

Tokyo Big Site Three Day Operation
Attendee Peak Number
550,000

８５年

９０年

９５年

００年

０５年

40,000
サークル
一般

万
50

35,00030,00040

25,000

一般参加者

30
サークル

20,00015,000The duration of the wintersession fluctuates between 2
and 3 days depending on thetiming of the weekend.

Comic Market 1
Circles Participating - 32
Total Attendees - roughly 700

10,000

20

10

5,000

6

C
9
C1
1
C
13
C
15
C
17
C
19
C2
1
C
23
C2
5
C
27
C
29
C3
1
C
33
C3
5
C
37
C
39
C
41
C
43
C4
5
C
47
C
49
C
51
C
53
C5
5
C
57
C
59
C
61
C
63
C6
5
C
67
C
69
C
71
C
73

C7

C
5

0
C
3

C
1

0

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The Early Years of the Comic Market- 1975 ~ 1981 (CM1 ~ CM18)- Transition in attendance numbers:> Circles: 32 => 500> General attendees: 7000 => 10,000- Comic Market was launched to counter prevailing trends in establishedforums over manga, etc.
- Notable trends:

Ota-ku Trade Center> Shōjo manga (young girl's comics) boom: Moto Hagio, Keiko Takemiya and other Year 24 Group authors embraced by
women.
> Space Cruiser Yamato boom takes root among both men and women (1977~.)> Mobile Suit Gundam boom among both men and women (1979~.)> Lolicon (comics featuring girls aimed for men) boom: Authors such as Hideo Azuma embraced by men (1980~.)- Congestion begins to become a pressing problem from 1979. Total allotted space for circles
outstripped by demand => lottery system incorporated.
- Internal strife over various incidents lead to fallout within the ranks of the CMPC (Comic Market
Preparations Committee.)> Preparations committee division leads to new doujinshi marketplaces to come about.

- Prevailing doujinshi format> Offset printing still very expensive. Few printers cater to doujinshi publishing needs. Many books printed with whiteprint
printing machines.
> Membership based doujinshi circles were common. Most doujinshis were original works and parodies were not as numerous.

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The 1st Harumi Era- 1981 ~ 1986 (CM19 ~ CM30)- Transition in attendance numbers:> Circles: 600 => 4000
> General attendees: 9000 => 35,000- Notable trends:> Lolicon boom continues among men, the boom is particularly pronounced
from 1980 to 1984.
> Rumiko Takahashi boom among men (1982~.)> Captain Tsubasa mega-boom among women (1985~.)

Fans enjoying a game of Hana Ichi Monme, a traditionalchildren's game

- CMPC scrambles to keep up with rapid expansion.
> Moving to Harumi brings new operational challenges (police, fire department, security guards, clean-up concerns, etc.)> The publication of the catalog begins (from CM21.)> Shift from three times a year to two times a year scheduling.
> The establishment of a public legal entity to support CMPC operations (1985.)- Prevailing doujinshi format> Migration begins from membership doujinshi circles to small group style doujinshi circles.
> Offset printing becomes more affordable. The number of printers catering to doujinshi publishing increases.
> The popularity of Captain Tsubasa contributes to a lowering of the median age of the doujinshi creator.
> Increasing sophistication of books (more pronounced use of color and increasing print runs,) especially among womenpublishers.

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The TRC, 2nd Harumi, and Makuhari Era- 1986 ~ 1990 (CM31 ~ CM39)- Consecutive venue changes : Tokyo Ryutsu Center => Harumi => Makuhari Messe

Tokyo Ryūtsū Center> The Japanese Bubble economy of the late 80's contributes to ever increasing number of trade shows andcorporate exhibitions => Securing a venue for the Comic Market becomes increasingly difficult.

- Transition in attendance numbers:> Circles: 4400 => 13,000> General attendees: 40,000 => 250,000- Notable trends:> Saint Seiya boom among women (1987~.)> Samurai Troopers mega-boom among women (1989~.)> Bishōjo (infatuation over cute girls) boom re-ignited among men (1990~.)- The 1989 Serial Killer Miyazaki Incident instigates bashing against Otakus and the Hazardous Comics
Controversy of 1990 highlight obscenity debate.
> These incidents contribute toward increasing public exposure of the Comic Market.
- Explosive growth in the size and scale of the Comic Market constantly challenges the CMPC to adapt.
> In CM32, the general attendees entrance line grows to 2km in length, extends onto public roadways.
> The Comic Market itself is extended to become a two day event, starting from CM32.
> The two day setup becomes entrenched following CM34 even after returning to Harumi.
> Massive influx of applications by circles makes paperwork a nightmare.
> PC's and office automation involving databases incorporated from CM31 onwards..
> The categorization of doujinshi circles begins--Genre codes are established from CM31 onwards.
- Prevailing doujinshi format> Increasing transition from small group organization based to single author based doujinshi circles.
> Doujinshi printers begin carrying-in printed stock directly into the CM.
Closing Shop at Makuhari Messe> The advent of medium sized doujinshi marketplaces: Comic City, Comic Live, Comic Revolution, etc.
> The increasing size of the doujinshi marketplace makes it possible for authors to make a living off doujinshi
publishing alone.

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The 3rd Harumi Era- 1991 ~ 1995 (CM40 ~ CM49) held at the Harumi Tokyo International Exhibition Center> Police raid bookstores selling doujinshis, obscenity charges filed March, 1991.
> Hazardous Comic Controversy continues to rage.
> CM venue change forced by Chiba Prefecture's intervention caused by hostile tip against the CM.
> Makuhari Messe refuses to house the CM.
Bird's eye view of Harumi Convention facilities.
> Harumi allows CM on condition of all books to go through contents verification checking.

- Transition in attendance numbers:> Circles: 11,000 => 22,000> General attendees: 200,000 => 250,000- Notable trends:> YūYū Hakusho boom among women (1993~.)> Slam Dunk boom among women (1994~.)> Gundam W boom among women (1995~.)> Sailor Moon boom (1992~) notable as a work supported by both sexes after a long hiatus.
> Men's erotic fiction genres experiences its 3rd boom: Evangelion, Tokimeki Memorial, and other works take center stage.

- CMPC struggles on accommodating overgrown Comike inside Harumi.
> Major issues: Long lines of people attached to access of 2nd Floor of Shinkan, Overnighters (unsanctioned camping out before an event takes place,)
plus maintaining orderly general attendee lines.
> Massive expansion in the CMPC staff ranks.
> At CM48, Comike is held three days for the first time.

- Trends within the doujinshi community.
> Mid-sized doujinshi marketplaces propagates throughout Japan: Comic City begins holding venues in numerous locations in Japan starting roughlyaround 1994.
> Doujinshi related peripheral industries begin to take root and expand starting 1994.
* Masquerading related activities support -- Cosplay clothing stores, cosplay dance parties organized by corporations beginning around 1994.
* Doujinshi bookstores selling doujinshis on consignment begin (1994~.)* Used bookstores specializing in selling used doujinshis take off (1995~.)> Communication utilizing local dial-up BBS networks surges.

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The 1st Ariake Era- 1996 ~ 1999 (CM50 ~ CM57) moves to the new Tokyo
International Exhibition Center--the Tokyo Big Site.
- Transition in attendance numbers:> Circles: 18,000 => 35,000> General attendees: 350,000 => 400,000- Notable trends:> Doujinshis for women lose steam somewhat.
> Galgames (video games featuring girls aimed for men) mega-boom
takes root among men (1997~.)
Examples include: Sakura Taisen, Shizuku, Kizuato, Pia Carrot,
To Heart, etc.

Bird's eye view of Ariake Convention (Tokyo Big Site) facilities.

- Efforts to adapt to the new exhibition facilities include:> Major re-organization of CMPC departments.
> 3 day setup of summer session of CM becomes entrenched from CM52.
> CM57 marks first time winter session of Comike being held for 3 days.
> Firebomb incident takes place with CM54, threatening letters against CM are repeatedly sent.

- Trends within the doujinshi community.
> Tax collectors begin investigating popular doujinshi circles (most of which sell books through consignment
shops.)> Tokimeki Memorial Video Incident of 1998, Pokemon Doujinshi Incident of 1999 underscores intellectual property
issues.
> DTP and full digital authoring of doujinshi manuscripts becomes increasingly prevalent among male publishers
starting from around 1997.

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The 2nd Ariake Era- 2000 ~ Now (CM58~) held at the Tokyo Big Site (Tokyo International Exhibition Center)- Transition in attendance numbers:> Circles: 35,000 => 35,000> General attendees: 430,000 => 550,000- Notable trends:> The rise of Shōnen Jump related titles: Naruto, One Piece, The Prince of Tennis, Reborn, etc
popular among women (2000~.)> Gundam Seed boom starts from 2003, Fullmetal Alchemist boom starts 2003 both titles
popular among women.
> The Moe (infatuation over cute girls) boom starts from 2000 among men.
Examples include: Di Gi Charat, Key, Type Moon titles, Maria-sama ga Miteru , Lyrical
Nanoha, The Melancholy of Haruhi Suzumiya, etc.

- A period marked by stability overall, however-> Development around Ariake constantly forces changes in CMPC plans.
> The corporate booths section of the CM becomes increasingly congested from 2001.
> Increasing demands compels even the winter session of the Comike to run for 3 days.
> CM71 marks first time Comike taking place on New Year's Eve.

Comic Market in action--A shot of East Halls 4 ~ 6.

- Trends within the doujinshi community.
> Increasing scope of the doujinshi consignment shops, i.e. Tora no Ana and Melon Books.
> The Otaku boom in the general Japanese society leads to influx in general attendees.
> Increasing numbers of general attendees act like "customers at a store" within the CM, expectations and shared values
shifting and eroding.
> A surge in number of single themed doujinshi marketplaces starting from 2000.
> Further entrenchment of DTP and full digital production of books. Both men and women increasingly become dependentof PC's for authoring both color covers and their b/w contents.
> Increasing number of doujinshi activities intertwined with web based interaction, the rise of SNS such as Mixi related to
doujinshis.
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Chapter Three
A Profile of the Comic Market
Today
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The Backdrop to the Comic Market
East Exhibition
Wing

West Exhibition
Wing
Conference Tower

Diagram of Big Site Facilities

Doujinshi circles (publishing groups)-- Housed in East Halls 1 ~ 6 and West Halls 1 ~ 2.

Cosplay and Corporate Booths-- Housed in the 4th Floor of the West Wing.

Hours of Operation:-- Doujinshi circles floor area open 10:00 ~ 16:00-- Corporate Booths open 10:00 ~ 17:00(except for last day of CM.)

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A View Inside the Comic Market - Part I

A bird's eye view of the East Halls 1 ~ 3.

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A View Inside of the Comic Market - Part II
General Attendees awaiting entry.

- Prior to the 10:00 a.m. opening of the Comic Market,
tens of thousands of general attendees must beorganized into lines and guided within nearby
parking lot grounds, parks, and other open
spaces.
- To help cope with the massive influx of people, nearby
mass transit--such as the Yurkamome elevatedtrain line, the Rinkaisen train line, Tokyo
Metropolitan Bus lines--change their operatingschedule and increase service to accommodate
the crowds.
- No charge for admission (but purchasing of thecatalog is strongly encouraged.)

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A View Inside of the Comic Market - Part III
Doujinshi Circle Booths- Space allotted to each circle:> Half a desk (90cm wide and 45cm deep -- 36" x 18")
> 2 chairs.
> Space for storing inventory (90cm x 70cm x 150cm –36" x 28" x 60")
- Cost for participating as a doujinshi circle:> 7500 yen (roughly $65) per single space + 1000 yen(roughly $8) for purchasing the application form package.
- Total number of circles applying for space.
> 46,500 (where by a lottery is conducted and roughly 80%
actually secures a space.)

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A View Inside of the Comic Market - Part IV
Lines inside the Comic Market, etc.
- Long lines may form at doujinshi circles thatare particularly popular.
- Any circles that are likely to have long lines
form are positioned near the loading bays
so the lines can be arranged to be extended
out into the truck yards.
- Some circles will sell an excess of a couple
1000 copies of their books at a single
session of the Comic Market.

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Corporate Booths- Located on the 4th floor of the West Wing.
- Total of 150 booths, last housing 130 corporations.
- Most of the participating corporations fall into the following categories:> PC game software manufacturers, animation production studios, comicbook publishers.
> Music content publishers and producers, TV and radio stations.
> Retailers specializing in novelty goods and other items.
- Some notable activities that take place.
> Handshaking sessions, talk shows, and autograph signings with celebrities.
> Rock, paper, scissors contests, present giving sessions, lotteries.
> Formerly special live musical acts used to be conducted but the lack ofspace has lead to their demise.

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Cosplay- Participants enjoy dressing up to appear like theirfavorite anime, manga, and/or game characters.
- A dedicated dressing room just for cosplay is setup at
the 4th floor of the West Wing, separate room forthe two sexes, cost -- 800 yen (roughly $7) perperson for registration, et al.
- Because of congestion, regulations regarding cosplay
is more restrictive at the Comic Market compared toother events.
- Ratio of cosplay participants by gender -Male 1 : Female 4~5.

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A Profile of Comic Market Participants - Part I- Conventional wisdom tends to portray doujinshi as male dominated.
- In fact, the Comic Market has been consistently dominated by women.

Age demographics of circle organizer:
人

Participating circles gender breakdown:
Men

２９％

10000
8000
6000
4000
2000

Women

0

Aggregate Geographical Breakdown

80%
60%
40%
20%
Circles
Participating General
Circles

21

40
歳
以
上

35
39
歳

Men

General attendees gender breakdown:
Men

Women

100%

0%

30
34
歳

Among men -- 28.6 years old
Among women -- 28.3 years old

25
29
歳

Average age of circle organizer:

Women
20
24
歳

19
歳
以
下

７１％

Kyūshū
ShikokuChūgoku
Kinki
Chūbu
Kitakantō
TohokuHokkaidō
Chiba Prefecture
Saitama Prefecture
Kanaga Prefecture
Tokyo Metropolis

４３％

５７％

The average age of the general attendee is about 2 ~ 3 years younger
than that of the participating circles.

Attendees

Copyright 2007-2008 COMIKET --All data extracted from the 30 year historical review of
the Comiket--Comic Market 30's File.

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A Profile of Comic Market Participants - Part II
While manga, anime, and games predominate, the Comic Market infact houses a wide variety of genres.
Breakdown of circles' genres:

Breakdown of "Other:"Critiques and various
information booklets

Manga

４１％

Other

２０％

Live action
７％
monsters, etc.,
Science Fiction,
Mechanics related,
Military related,trains, travel

１８％

Anime

９％

History, literature,novels

Games

４０％

３０％
Since many manga titles only gain fame
following its adaptation into the animatedmedium, the manga genre is actually larger.

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Copyright 2007-2008 COMIKETMusic, celebrity
related, sports

３５％

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Chapter Four
Comic Market Ideals and Its
Present Shape
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Comic Market Preparations Committee
Organization

Finances and accounting office.

PA system office.
Authority in charge of the press and mass
media needs.
Authority in charge of the press and mass
media needs.
Office charged with liaison with all public /governmental agencies, facilities owners andoperators, security service providers, and etc, plus
overall central coordinating role of the entire CM.

Overseas participants and attendees
authority, plus management of all overseas
media press needs.
Official CM records collection.
Indoors attendees authority, safety
management, and circle liaison
administrative offices.
Sales of goods provided by the CMPC,
reception services, and management oflost and found.
Administration of corporate booth area
and CM's corporation liaison.

Dressing room management, West Wingth floor attendee authority, crowd control,and safety management.
Medical aid for injuries and/or illness andthe management of any EMS needs.

Copyright 2007-2008 COMIKET
Indoors public area attendee authority,
crowd control, and safety management.
First Aid Station
Management of delivery of goods bycircles and printers, plus CM‘s printers
liaison.
Outdoors sales outlet of Comic Market
catalog.
First aid for any outdoor injuries / illness
and transport of injured to indoors first aid
station.
Outdoor attendee authority, crowd control,
safety, and irregular visitor management.
Outdoors First Aid Station

24

Departments that are
active indoors.
Departments that are
active outdoors.

4

Overall
Headquarters
Departments

Headquarters
Centralized
Departments

Joint Presidents of
Comic Market

Total staff numbers: roughly 2400 (all volunteers.)

www.comiket.co.jp

Comic Market Preparations Committee and Comiket Inc.
-The Comic Market Preparations Committee is a volunteer basedorganization and has no legal entity status.
- Comiket Inc. was formed in order to manage and facilitate activities that
require the presence of a legal entity, such as negotiating with publicagencies, signing contracts, maintaining an administration offices, etc.
Its role is solely to support the CMPC for activities it cannot conduct on
its own.
> Incorporated in 1985, and changed to its present form in 1996.
> Personal information management scheme:* Personal information administration enterprise: Comiket Inc.
* Co-user of collected information: Comic Market Preparations Committee.
* Data access control and supervision authority: CMPC co-presidents.

> Comiket Inc. also operates the subculture and cult goods shop BManiacs, and the used doujinshi bookstore Comiket Service.

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The Space that is the Comiket- Comic Market's self-declared proclamation (reprinted from the Comiket Manual)> We conceptualize doujinshi as the medium through which creators can explore and expand the realms
of manga, anime, games, novels, and other related peripheral genres. This exploration may evenbear fruit in other forms, not limited to doujinshis. Our aim is to maintain a space and forum at which
creators can showcase these efforts to the public.
> To encourage creative efforts that break the mold from what is established within the realms ofcommercial publishing and other conventional forms of self-expression, and to support those that
research and celebrate this unique brand of creative efforts, we provide a distinct space upon which
enthusiasts can congregate and intermingle, and hope that the space will act as a catalyst to compel
further creative achievement through interaction and discovery among their peers. The goal ismaintain a social forum in the shape of a doujinshi marketplace but also acts a gathering place formanga and anime enthusiasts.
> A space where people who seek new possibilities in self-expression can find numerous such works,
as well as a space where people who seek to present such works will find a willing audience.

Since the goal is to maintain this unique space and forum, the Comic Market is committed
toward attempting to accommodate every circle and people which express an interest
toward participating as best as possible within the physical constraints that limit the scopeof the event.
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Everybody is a participant.
- There are no "customers" at the Comic Market.
- The Comic Market is operated, maintained, and comprised by those that are
participating in the event.

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Circles

Copyright 2007-2008 COMIKET

Pr
o

Comic
MarketAs
AnOpen Spacevidi
sp ng tac heeProviding Worksand Conceptsf

GeneralAttendees

Participating

so
ter
or
pp rtssu effodean ativser cread theRe- All participants are treated equal.
- Comic Market must remain a space where
freedom of expression is maintained. It
must expend every effort toward
securing as much freedom of
expression as possible.
- In order to remain a space with thegreatest freedoms possible, selfreliance of the participants is integral,but the event cannot function without
individual moral awareness,
mindfulness of manners, and invested
interests toward up-keeping this sharedspace.

Staff
Participants

www.comiket.co.jp

The Comic Market as a Representation of various
forms of Otaku consumption- The 2005 Nomura Research Institute study titled Research into the Otaku Market
appears to draw heavily from the conceptualization model of the Comic Market
regarding the core relationship of the market participants of the Otaku market.

¾Nomura Research Institute's 3C
Marketing Framework of the Otaku¾3C is Activated with Supplementary
Framework

Creativity

Size, diversity, andvarious encounters.

Creationofdoujinshis

28

The space that shares all three attributes.
EventsThe Comic Market

Purchasingof
doujinshis

Interaction
amongparticipantsCollection

Community

SacredSites

The places where doujinshifans all want to visit.

LegendComic Market's 30 year
history plus various urban
legends popular in thissubculture.

--Material drawn from Nomura Research Institute's Research into the Otaku
Copyright 2007-2008 COMIKET
Market.

www.comiket.co.jp

Thank you!
-This presentation includes material first presented as part of the Contents Creation
Science and Industry Cooperative Education Program organized by University ofTokyo's Graduate School of Interdisciplinary Information Studies, plus additional
material incorporated as part of a presentation held at the 65th Annual World Con(46th Japan Science Fiction Convention - Nippon 2007.) Further corrections andadditions were added since these presentations took place.

- Photography:> Kaichiro Morikawa> Comic Market Prepartions Committee Records Office Group> Kyoshin Printing Inc., and Others.
- English Translation :> Dan Kanemitsu- A Special Thanks to:> Masataka Yoshida(Project Lecturer at University of Tokyo's Graduate School of Interdisciplinary Information Studies)> Tokyo Big Site
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