www.iafor.org/about/partners

IAFOR Global Partners

University of Belgrade

IAFOR has entered into a number of strategic partnerships with universities across the world to form
the IAFOR Global Partnership Programme. These academic partnerships support and nurture IAFOR’s
goals of educational cooperation without borders, connecting the organisation with institutions thathave an international and internationalising profile, and a commitment to interdisciplinary research.
The IAFOR Global Partnership Programme provides mutual recognition and scope for Global Partner
institutions and organisations to showcase their research strengths, as well as engage in thedevelopment of projects and programmes with IAFOR.
Programme Design by Thaddeus Pope, IAFOR Media/iaforjapan@iafor.official@iafor (#iafor)
www.acah.iafor.org

Conference Theme:"Reclaiming the Future"
We live in a period characterised by rises in regionalism, nationalism and authoritarianism; a timeof great global uncertainty and anxiety, as well as inequality and iniquity which both reflects anddrives political divide, and undermines international systems of cooperation. Clashes of identities,
beliefs and ideologies are evident in academia, media and the arts, contributing to a feeling thathumanity is spiralling out of control; that our relationships with each other, as well as with the earth
and environment, have never been worse.
Yet, as humans, we are not conditioned by fear alone, but instead by a remarkable ingenuity, and acapacity for hope, self-reflection, activism and action. This agency to improve our own lives, andthose of others, is the theme of this international conference, inviting us to consider the ways inwhich we contextualise and process the past, reimagining ourselves, our relationships, and ourenvironments; driving positive change and reclaiming the future as a time we look towards withhope, and even optimism.
This conference is organised by IAFOR in association with the IAFOR Research Centre at the Osaka
School of International Public Policy (OSIPP) in Osaka University, Japan.

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Letter of Welcome
Dear Colleagues,
Welcome to the largest concentration of humans on earth!
Some 39 million people live in the sprawling but incredibly
well-ordered Greater Tokyo Area. If the future belongs tomegacities, then Tokyo is an exemplar, and a wonderful place
for us to come together for The 10th Asian Conference on theArts & Humanities (ACAH2019).
The conference theme for ACAH2019, "Reclaiming the Future",
is a positive one. It asks us to consider the darker and more
uncomfortable sides of our individual and collective past andpresent, so as to seek and demand a better future. The Arts andHumanities provide a needed contextualisation for contemporary events, and help us to explore
and come to terms with them in ways that the “sciences” often cannot, as this conference’s
varied and rich program attests.
For the past ten years, IAFOR has brought people and ideas together in a variety of events andplatforms to promote and celebrate interdisciplinary study, and underline its importance. Lastmonth, IAFOR hosted an event on “Resilience”, in Kobe, in collaboration with the Government ofJapan, that featured leading speakers from many different fields and professions. The speakerthat had the most impact, in my mind, was world-renowned architect, Tadao Ando. In discussing
the aftermath of the 1995 earthquake, where Kobe was decimated, Ando spoke of the importanceof art in helping people come to terms with both the distress of the moment and past trauma
to reimagine and reclaim a future; a way of promoting spiritual reconstruction of the people
through artwork.
In the past twelve months, we have engaged in many cross-sectoral projects, including thosewith universities (the University of Barcelona, Hofstra University, UCL, University of Belgradeand Moscow State University), think tanks (the East-West Center, and the Asia Pacific Higher
Education Research Partnership), as well as projects with the United Nations in New York,and most recently with the Japanese Prime Minister’s office (see above), and with the IAFOR
Research Centre at the Osaka School of International Public Policy at Osaka University.
These interdisciplinary initiatives, we believe, will have an important impact on domestic andinternational public policy conversations.
It is through our conferences that we expand our network and partners, and I have no doubtthat you will find ACAH2019 fertile ground for the exploration of ideas, synergies and research
partnerships.
For those of you that are active on social media, please feel free to share your conference photos
and join the conversation on Instagram and Twitter using the hashtag #IAFOR.
I look forward to meeting you all.

Dr Joseph Haldane
Chairman and CEO, IAFOR

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Organising Committee

Joseph Haldane

Donald E. Hall

Yutaka Mino

Haruko SatohThe International Academic Forum (IAFOR)

Hyogo Prefectural Museum of Art, Japan

University of Rochester, USA

Bradley J. Hamm
Medill School of Journalism,
Northwestern University, USA

Osaka University, Japan

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Conference
Guide
Conference at a Glance
Room Schedule
Lunch & DinnerDirections & Access
Floor Guide
General Information
Presentation Guide
IAFOR Journals
IAFOR Membership
Professor Stuart D. B. Picken (1942–2016)
IAFOR Academic Grant & Scholarship Recipients

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March 29, 2019

Friday at a Glance
09:30-10:00		

Conference Registration & Morning Coffee | Orion Hall Foyer (5F)

10:00-10:10		

Announcements & Welcome Address | Orion Hall (5F)

10:10-10:20

Recognition of IAFOR Scholarship Winners | Orion Hall (5F)

10:20-11:15
						

Keynote Presentation | Orion Hall (5F)
Museums Cultivate Aesthetic Sensibility
Yutaka Mino, Hyogo Prefectural Museum of Art, Japan

11:15-11:30		

Coffee Break | Orion Hall (5F)

11:30-12:30
						

Keynote Presentation | Orion Hall (5F)
The Great Wall Story: How I Have Discovered It
William Lindesay, International Friends of the Great Wall, China

12:30-12:45		

Conference Photograph | Orion Hall (5F)

12:45-14:00		

Lunch Break | Orion Hall (5F)(Continued on the following page.)

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March 29, 2019

Friday at a Glance
14:00-15:00
						

Keynote Presentation | Orion Hall (5F)
Reclaiming the Future in Tech, Media and Communities
Bradley J. Hamm, Northwestern University, USA

15:00-15:45
			
			
			

IAFOR Documentary Photography Award & Panel | Orion Hall (5F)
Ezra Acayan, Documentary Photographer, Philippines
Bradley J. Hamm, Northwestern University, USA (moderator)
Joseph Haldane, IAFOR, Japan

15:45-16:00		

Coffee Break | Orion Hall (5F)

16:00-17:00

Conference Poster Session | Orion Hall (5F)

17:30-19:00
			Conference Welcome Reception | Garb Central
Meet in the Toshi Center Lobby at 17:15

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March 30, 2019

Saturday at a Glance
09:00-09:30		

Coffee and Tea

09:30-11:10

Parallel Session I

11:10-11:25		

Coffee Break

11:25-13:05

Parallel Session II

13:05-14:15		

Lunch Break | Room 702 Foyer (7F)

14:15-15:30

Parallel Session III

15:30-15:45		

Coffee Break

15:45-17:00

Parallel Session IV

18:00-20:00
			

Official Conference Dinner (optional extra)
Meet in the Toshi Center Hotel Lobby at 17:15

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March 31, 2019

Sunday at a Glance
09:00-09:30		

Coffee and Tea

09:30-11:10

Parallel Session I

11:10-11:25		

Coffee Break

11:25-12:40

Parallel Session II

12:40-13:45		

Lunch Break | Room 702 Foyer (7F)

13:45-15:00

Parallel Session III

15:00-15:15		

Coffee Break

15:15-15:45
						

Featured Presentation | Room 703 (7F)
Running a Fringe Festival: The Adelaide Experience
Heather Croall, Adelaide Fringe Festival, Australia

15:45-16:00

Closing Session | Room 703 (7F)

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Plenary Session

Coffee BreakPlenary Session

Lunch

Plenary Session

Coffee Break

Poster Session

Welcome Reception(Venue: Garb Central)

10:00-11:15

11:15-11:30

11:30-12:45

12:45-14:00

14:00-15:45

15:45-16:00

16:00-17:00

17:30-19:00

Orion (5F)

Friday Schedule | March 29, 201910 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

18:00-20:00

Humanities - Globalisation

Conference DinnerHumanities - Globalisation

Aesthetics, Design

Science, Environment and the
Humanities

15:45-17:00

Media, Film Studies, Theatre,
Communication

Coffee Break

Performing Arts Practices

Lunch

15:30-15:45

14:15-15:30

13:05-14:15

Aesthetics, Design

History

Arts Theory and Criticism

Sexuality/Gender/Families

11:25-13:05

Media Arts Practices

Room 705

Coffee BreakArts Theory and Criticism

Room 704

11:10-11:25

09:30-11:10

Room 703

Language, Linguistics

Arts

Humanities Language/Linguistics

Literature/Literary Studies

Room 707

Teaching and Learning the Arts

Teaching and Learning

Teaching and Learning

Teaching and Learning

Room 708

Saturday Schedule | March 30, 2019

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Political Science

Other Humanities

Room 704

Keynote Presentation

Closing Session

15:45-16:00

Humanities - Media/Film
Humanities - Media/Film
Studies/Theatre/Communication Studies/Theatre/Communication

Humanities - Media/Film
Studies/Theatre/Communication

Media Arts Practices: Television

15:15-15:45

15:00-15:15

13:45-15:00

12:40-13:45

11:25-12:40

11:10-11:25

09:30-11:10

Room 703

Coffee BreakSocial, Political and Community
Agendas in the Arts

Lunch

Literary Arts Practices––

Literature/Literary Studies

Literature/Literary Studies

Literature/Literary Studies

Immigration, Refugees, Race,
NationCoffee BreakRoom 707

Room 705

Teaching and Learning

Teaching and Learning

Teaching and Learning

Room 708

Sunday Schedule | March 31, 201912 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)Lunch & Dinner
Lunch on Friday, Saturday and Sunday is included in the conference registration fee. Lunch is by
pre-reservation only and is available at the below times. If you ordered lunch, you can come to theregistration desk and collect your lunch box.

Lunch Times
Friday, March 29		Saturday, March 30		
Sunday, March 31		

12:45-14:00
13:05-14:15
12:40-13:45

Conference Dinner
The Conference Dinner is a ticketed optional event (5000 JPY) on Saturday, March 30.
The Conference Dinner is held in a private function room at a restaurant near the conference
venue, and offers conference participants an excellent chance to enjoy delicious food in a relaxedsetting while getting to know each other and making new connections outside the main conference
environment.
Conference Dinner attendees should meet in the Lobby (1F) of the Toshi Center Hotel at 17:15 on
Saturday, March 30. The group leaves for the restaurant at 17:30. Please remember to bring yourname tag to the Conference Dinner. Dinner starts from 18:00.
Restaurant name: Watami Akasakamitsuke 坐・和民 赤坂見附駅前店
Restaurant address: 107-0052, Akasaka, Minato-ku, Tokyo 3-9-4, Akasaka fan and buildings 2 ·3F
住所〒107-0052 東京都港区赤坂3-9-4 赤坂扇やビル2・3F

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Toshi Center Hotel

Directions & Access

The Toshi Center Hotel Tokyo is located in the Nagata-cho business district of Tokyo. Access tothe hotel is convenient by Tokyo Metro from Nagatacho Station, Kojimachi Station and Akasakamitsuke Station.

From Narita International Airport
By Rail
1. From Narita Airport (all terminals) take the Narita Express to Tokyo Station.
2. Transfer to the JR Yamanote Line (Clockwise towards Shinagawa) from Tokyo Station and get off
at the next stop, Yurakucho Station (JY30).
3. From Yurakucho Station transfer to the Tokyo Metro Yurakucho Line (Y18).
4. Get off at Nagatacho Station (Y16).
5. Exit the station at exit 9b and cross the street. Follow the walkway straight for about 100 meters.
The Toshi Center will be on your right, and there are signs in both Japanese and English.

By Airport Limousine Bus
From Narita Airport take the airport limousine bus to Tokyo Garden Terrace Kioicho. Tokyo Garden
Terrace Kioicho is located across the street from the Toshi Center Hotel.

From Haneda Airport
By Rail
1. Take Tokyo Monorail at Haneda Airport Station for Hamamatsucho Station
2. Transfer to the JR Yamanote Line at Hamamatsucho Station to Yurakucho Station
3. From Yurakucho Station transfer to the Tokyo Metro Yurakucho Line (Y18).
4. Get off at Nagatacho Station (Y16).
5. Exit the station at exit 9b and cross the street. Follow the walkway straight for about 100 meters.
The Toshi Center will be on your right, and there are signs in both Japanese and English.

By Airport Limousine Bus
From Haneda Airport take the airport limousine bus to Tokyo Garden Terrace Kioicho. Tokyo Garden
Terrace Kioicho is located across the street from the Toshi Center Hotel.

From within Tokyo
Take the Tokyo Metro to Nagatacho Station. Nagatacho Station (Y16, Z04, N07) is served by the
Hanzomon Line (Z), Yurakucho Line (Y), and Namboku Line (N).
Exit the station at exit 9b and cross the street. Follow the road straight for about 100 meters, walking
past the Junior High School. The Toshi Center will be on your right, and there are signs in both
Japanese and English. Family Mart is on the left.

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Address
Toshi Center Hotel 都市センターホテル
Hirakawa-cho 2-4-1, Chiyoda-ku, Tokyo 102-0093〒102-0093 東京都千代田区平河町2丁目4-1
Tel +81(0)3-3265-8211

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Toshi Center Hotel

Floor Guide

Second Floor | 2F

Fifth Floor | 5F

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Sixth Floor | 6F

Seventh Floor | 7F

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General Information
Registration
You will be able to pick up your registration pack and name card at the Conference Registration
Desk. The Conference Registration Desk and Publications Desk will be situated at the following
locations during the conference:
Friday, March 29		Saturday, March 30		
Sunday, March 31		

09:30-16:00		
09:00-16:00		
09:00-15:00 		

Orion Foyer (5F)
Room 702 Foyer (7F)
Room 702 Foyer (7F)

If you have any questions or concerns, IAFOR staff and volunteers will happily assist you in any way
they can.

Name Badges
When you check in, you will receive a registration pack, which includes your name badge. Wearing
your badge is required for entrance to the sessions. You must wear your badge at all times during
the conference.

Internet Access
There is free Wi-Fi internet connection at the conference venue. However, this can be unreliable so
we would strongly suggest that you do not rely on a live connection for your presentation.
Instructions on how to connect to the Wi-Fi will be available at the registration desk.

Refreshment Breaks
Complimentary coffee, tea and water will be available during the scheduled coffee breaks. Lightsnacks will be provided once in the morning and once in the afternoon.

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General Information
Printing
For your convenience, we are able to offer a complimentary printing service of up to ten A4 sheets
should you need this. Please ask for assistance with printing and be advised that printing may not
be available at peak times.

Smoking
Smoking is only permitted in designated areas.

What to Wear & Bring
Attendees generally wear business casual attire. You may wish to bring a light jacket or sweater as
meeting rooms are air-conditioned and sometimes cool.

Photo/Recording Waiver
Human interaction through networking and dissemination of this knowledge is at the core of what
IAFOR does as an academic research organisation, conference organiser and publisher. As part of
the archiving of the conference event, IAFOR takes photos in and around the conference venue,
and uses the photos to document the event. This also includes the filming of certain sessions.
We consider this documentation important and it provides evidence of our activities to members,
partners and stakeholders all over the world, as well as to current and potential attendees like you.
Some of these photos will therefore appear online and in print, including on social media. The above
are the legitimate interests of the organisation that we assert under the new European Union law on
General Data Protection Regulation (GDPR). Under this legislation, you have an absolute right to opt
out of any photo. We are committed to protecting and respecting your privacy. Read our full privacy
policy – www.iafor.org/about/privacy-policy

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Presentation Guide
Conference Abstracts
All conference abstracts are available online. Please visit papers.iafor.org for a searchable databaseof abstracts.

Oral & Workshop Presentations
Oral Presentations are normally scheduled in sessions comprising three presentations, lasting 75
minutes in total. In sessions with two Oral Presentations, the session will last 50 minutes, and in thecase of four Oral Presentations, an extended session lasting 100 minutes will be scheduled.
The time in the sessions is to be divided equally between presentations. We recommend that an Oral
Presentation should last 15–20 minutes to include time for question and answers, but should last no
longer than 25 minutes. Any remaining session time may be used for additional discussion.

Equipment
All rooms will be equipped with a MacBook computer pre-installed with PowerPoint and Keynote
and connected to a LCD projector or LCD screen. If you wish, you may directly link your own PC
laptop, although we advise you to use the computer provided by plugging in your USB flash drive. We
recommend that you bring two copies of your presentation in case one fails, and suggest sending
yourself the presentation by email as a third and final precaution.

Session Chairs
Session Chairs are asked to introduce themselves and other speakers (briefly) using the provided
printouts of speaker bios, hand out the provided presentation certificates at the end of the session,
ensure that the session begins and ends on time, and that the time is divided fairly between thepresentations. Each presenter should have no more than 25 minutes in which to present his or her
paper and respond to any questions. The Session Chair is asked to assume this timekeeping role,and to this end yellow and red timekeeping cards are used as a visual cue for presenters, letting
them know when they have five minutes remaining, and when they must stop.
Please follow the order in the programme, and if for any reason a presenter fails to show up, pleasekeep to the original time slots as delegates use the programme to plan their attendance.

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Presentation Guide
Presentation Certificates
Presenters will receive a certificate of presentation from their Session Chair or a member of staff at
the end of their session.

Conference Proceedings
The Conference Proceedings are published on the IAFOR website (papers.iafor.org), and can be
freely accessed as part of IAFOR’s research archive. All authors may have their full paper publishedin the online Conference Proceedings.
Full text submission is due by May 01, 2019 through the online system. The proceedings will be
published on June 01, 2019. Authors will have PDF copies of their offprints emailed to them by July01, 2019.

A Polite Request to All ParticipantsParticipants are requested to arrive in a timely fashion for all presentations, whether to their own orto those of other presenters. Presenters are reminded that the time slots should be divided fairly andequally between the number of presentations, and that presentations should not overrun.
Participants should refrain from talking amongst themselves and ensure that mobile phones are
switched off or set to silent mode during presentations.

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www.iafor.org/journals

IAFOR Journals

The International Academic Forum’s journals conform to the highest academic standards ofinternational peer review, and are published in accordance with IAFOR’s commitment to make all ofour published materials available online.
How are journal editors appointed? Journal editors are appointed by The International Academic
Forum’s leadership, under the guidance of the International Advisory Board. The term of appointment
is for one issue, to be renewed by mutual consent.
How do we ensure academic integrity? Once appointed, the journal editor is free to appoint his or her
own editorial team and advisory members. All papers published in the journal have been subjectedto the rigorous and accepted processes of academic peer review. Neither editors nor members of theeditorial team are remunerated for their work. Authors will never be asked to contribute to publication
costs.
How are papers submitted? Submissions should be original, previously unpublished papers which
are not under consideration for publication in any other journal. All articles are submitted through thesubmission portal on the journal website and must conform to the journal submission guidelines.
How are IAFOR journals related to IAFOR conferences? IAFOR’s journals reflect the interdisciplinary
and international nature of our conferences and are organised thematically.

Journals
IAFOR Journal of Arts & Humanities
Alfonso J. García Osuna, Hofstra University, USA
IAFOR Journal of Cultural Studies
Holger Briel, Xi’an Jiaotong-Liverpool
University, China
IAFOR Journal of Education
Yvonne Masters, Independent researcher,
Australia

IAFOR Journal of Media, Communication & Film
Celia Lam, University of Nottingham Ningbo
China, China
IAFOR Journal of Psychology & the Behavioral
Sciences
Shahrokh Shafaie, Southeast Missouri State
University, USA
Deborah G. Wooldridge, Bowling Green State
University, USA

IAFOR Journal of Language Learning
Melinda Cowart, Texas Woman’s University, USA

Journals available online, but currently on hiatus
IAFOR Journal of Asian Studies
IAFOR Journal of Business & Management
IAFOR Journal of Ethics, Religion & Philosophy
IAFOR Journal of Literature & Librarianship
IAFOR Journal of Politics, Economics & Law
IAFOR Journal of the Social Sciences

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Become an IAFOR Member
IAFOR provides an excellent personal and professional environment for academics
and scholars of all ages and backgrounds to come together and exchange the latest
ideas, and inform each other’s perspectives through their own cultural and disciplinary
background and experiences. We are able to do this thanks to the exceptional networkof individuals and institutions around the world who support our work and help shape
our exceptional events globally. We emphasise the nurturing and supporting of young
academics from different backgrounds, providing mutual advice and guidance, andoffer more senior academics the chance to forge working relationships outside of
their traditional networks.
In a world where division and strife are underlined and played up in national and local
contexts, and political posturing frequently seeks to ostracise and demonise, IAFOR
is committed to working across cultural and national borders, and to work to bringpeople together. We believe that mature human interaction and academic and cultural
exchange are essential to offering positive versions of the future, where cooperation
happens with individuals and institutions who share a commitment to bridge divides,
to being good global citizens, and to making the world a better place.
By becoming a member, you will become a stakeholder in the IAFOR missionof facilitating international exchange, encouraging intercultural awareness, andpromoting interdisciplinary discussion in the hope and expectation of generating andsharing new knowledge. Join us now in this growing global organisation, and help
make a difference today.
To learn more about IAFOR membership, please visit:www.iafor.org/membership

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The Reverend Professor
Stuart D. B. Picken (1942–2016)
The late Reverend Professor Stuart D. B. Picken began his distinguished career in academia asa Rotary Scholar on a research trip to Japan. A native of Scotland who had dedicated himself toreligious studies, he immediately became fascinated by Japanese culture and the practice of Shinto.
He was particularly drawn to the parallels and differences he saw in Western pedagogy comparedto that of the East and began a lifelong mission to bridge the communication and knowledge gap
between the two worlds.
Picken was appointed Professor of Philosophy at the International Christian University (ICU) in
1972. Here he turned his Western theological and philosophical training to comparative religious
and cultural studies of Japan, at a time when the country was emerging from the shadows of theSecond World War.
His groundbreaking and controversial work on suicide in Japan made his name within the country,
but it was his subsequent work on Shinto that influenced the rehabilitation of the religion at a time
when it was dismissed in the West as pagan and primitive, or unjustly caricatured for its wartime
associations.
Whether in his research or teaching, Picken devoted much of his life to increasing understanding
between his adopted country of Japan and the West, and in 2007 he was recognised with the Order of
the Sacred Treasure, an imperial decoration for his pioneering research and outstanding contribution
to the promotion of friendship and mutual understanding between Japan and the United Kingdom.
He also served as the International Adviser to the High Priest of the Tsubaki Grand Shrine, one ofJapan’s largest and oldest shrines.
From 2009 he was the founding Chairman of The International Academic Forum (IAFOR), where he
was highly active in helping nurture and mentor a new generation of academics, and facilitating
better intercultural and international awareness and understanding.
Stuart D. B. Picken was a cherished friend and an inspiration to IAFOR and its community of
supporters. In honour of Professor Picken and his dedication to academia, the ideals of intercultural
understanding and the principles of interdisciplinary study, IAFOR has created the Stuart D. B. Picken
Grant and Scholarship, an award supported by the Stuart D. B. Picken Memorial Fund. Awards will
be made to PhD students and early career academics who are in need of funding to complete
their research, and whose work demonstrates excellence in the core values of academic rigour,intercultural sensitivity and interdisciplinarity.
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IAFOR Academic Grant& Scholarship Recipients
Our warmest congratulations go to Jennifer Yoo, Joeddin Niño Olayvar, Sara Hasanat and Ferth
Vandensteen Manaysay, who have been selected by the conference Organising Committee toreceive grants and scholarships to present their research at The 10th Asian Conference on Arts
& Humanities (ACAH2019). Congratulations also to Ezra Acayan, Grand Prize Winner of the 2018
IAFOR Documentary Photography Award, who recieves a grant and scholarship to attend ACAH2019
as part of his prize package.
IAFOR's grants and scholarships programme provides financial support to PhD students and early
career academics, with the aim of helping them pursue research excellence and achieve their academic
goals through interdisciplinary study and interaction. Awards are based on the appropriateness of theeducational opportunity in relation to the applicant's field of study, financial need, and contributions
to their community and to IAFOR's mission of interdisciplinarity. Scholarships are awarded based on
availability of funds from IAFOR and vary with each conference.
Find out more about IAFOR grants and scholarships: www.iafor.org/financial-support

Ezra Acayan | IAFOR Documentary Photography Award – Grant & Scholarship Recipient
Duterte’s War On Drugs Is Not Over
Ezra Acayan, Documentary Photographer, Philippines
Ezra Acayan is a documentary photographer based in Manila whose work primarily focuses on social
issues and human rights. Currently, he is working on a documentary reportage on the suffering andabuse experienced by communities under the Philippine government's war on drugs.
In 2017, together with a team of Reuters journalists, Ezra was awarded a special merit at the Human
Rights Press Awards for multimedia reporting on the drug war. In 2018, he received both the Ian Parry
Scholarship Award for Achievement and the Lucie Foundation Photo Taken Emerging Scholarship,
as well as being named Grand Prize winner at the IAFOR Documentary Photography Award andYoung Photographer of the Year at the Istanbul Photo Awards.
This work—along with work by other journalists who cover the drug war—has been exhibited in Geneva
for two straight years as part of the Universal Periodic Review of the Philippines at the United Nations
Human Rights Council. It has also been exhibited at the Foreign Correspondents Club in Thailand(FCCT), in France during the Prix-Bayeux Calvados Award for War Correspondents, in Sarajevo during
the WARM Festival, and in Germany during the Lumix Festival for Young Photojournalism.
He has done multimedia work for various outfits such as Reuters, European Pressphoto Agency,
Agence France-Presse, Deutsche Presse-Agentur, and the French Society magazine. He has alsodone work for NGOs such as Diakonie Katastrophenhilfe, Care International, and the French Red
Cross. His work has appeared in Time, Newsweek, The New York Times, The Guardian, Wall Street
Journal, Vice, Washington Post, Al Jazeera, Le Monde, Stern, Paris Match, and more.

26 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

Jennifer Yoo | Stuart D. B. Picken Grant and Scholarship Recipient
44618
Monstrous Wives and Dead Wet Girls: Examining the Vengeful Ghost in Japanese Theatre and Horror
CinemaJennifer Yoo, University of Hawaii at Manoa, United States
Jennifer Yoo is currently a doctoral candidate at the University of Hawai'i at Manoa’s Asian Theatre
program with a focus onJapanese Theatre. She received a Bachelor of Arts in East Asian Studies
from Wellesley College (Wellesley, MA) and a masters degree in Asian Theatre from the University of
Hawai'i. Her primary academic interest is women’s representation in media and culture, which she
will explore in her dissertation. In 2018, Jennifer was awarded the Crown Prince Akihito Scholarshipallowing her to conduct her field research for her dissertation through Ritsumeikan University’s Art
Research Center in Kyoto, Japan.

Joeddin Niño Olayvar | IAFOR Scholarship Recipient
44602
Duterte and Feudalism in the Neo-Liberal Philippines
Joeddin Niño Olayvar, University of San Carlos, The Philippines
Joeddin Niño Olayvar is a Masters student in Political Science, Department of Law and Governance,
University of San Carlos in the Philippines. During his undergraduate study at the University of thePhilippines Cebu, and graduate studies at the University of San Carlos, he has been involved withstudies focused on local peasant conditions in the context of national development. At present he’sfaculty at the Southwestern University College of Arts and Sciences, the Philippines.

Sara Hasanat | IAFOR Scholarship Recipient
44921
Imagining the Future: Technology and Utopia in Flow My Tears, the Policeman Said and Brave New World
Sara Hasanat, Doshisha University, Japan
Currently a research student in English and American Literature at Kyoto University, Japan. She
has applied to study American Studies at the Global Studies Department at Doshisha University,
Japan, expecting to attend from April 2019 for her MA. Sara was educated at Bethlehem University,
Palestine and graduated with a Bachelor Degree in English Language and Literature. Prior to coming
to Japan for research, she worked as an English language primary school teacher at Bethlehem
Evangelical Academy, Palestine. Her research field was children's literature, for example, Roald
Dahl's Charlie and the Chocolate Factory.
(Continued on the following page.)

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IAFOR Academic Grant& Scholarship Recipients
Ferth Vandensteen Manaysay | IAFOR Scholarship Recipient
45641
Illustrating Political Discourse in Southeast Asia: Comics and the Rohingya Refugee Crisis
Ferth Vandensteen Manaysay, Waseda University, Japan
Ferth Vandensteen Manaysay is a graduate student working towards his master’s degree ininternational relations at the Graduate School of Asia-Pacific Studies at Waseda University, Japan.
He presently serves as the co-founder and director of the ASEAN Peace Project, a non-profit, youthled organization focused on supporting peace-building and environmental protection efforts inconflict-affected areas of Southeast Asia through social entrepreneurship and leadership programs.
He served as one of the four academic fellows from the Philippines to participate in President
Barack Obama’s Young Southeast Asian Leaders Initiative in the United States focused on global
environmental issues at the East-West Center. He also participated in or mentored for various local
and international programs, including the Generation Democracy, ASEAN-Korea Frontier Forum,
ASEAN Youth Volunteer Programme and Japan-East Asia Network of Exchange for Students andYouths, among others. Ferth completed his bachelor’s cum laude degree in Political Science at the
University of the Philippines Diliman.

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Friday
March 29
Plenary Session

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Keynote Presentation | Yutaka Mino

Museums Cultivate Aesthetic Sensibility
Friday, March 29 | 10:20-11:15 | Orion Hall (5F)

I have long been an advocate of museums placing emphasis on cultivating aesthetic sensibility inpeople of all ages, especially children. Museums have an important mission: “provide opportunities
for children to interact with genuine articles”. I always hope to bring as many children as possible tothose museums, to let them experience real objects. Aesthetic sensibility will be the most positive
driving force for the society which is facing difficulties. I believe that aesthetic sensibility stimulates
imagination, furthermore it enriches our lives and makes our society more prosperous in the future.
When a region enjoys economic prosperity and social stability, consequently, cultural activities andartistic practice prevail. Now, our time is marked by political and economic instability, and I think it
is about time we changed our way of thinking, to have a reverse view, and start to look at art itself
as a source of energy to vitalise our economy and living environment. In other words, when a region
flourishes in art and culture, it could achieve economic success.
Professor Galbraith, a world famous economist, suggested that what we should expand on in the
future is not GNP (Gross National Product), but GNE (Gross National Enjoyment).

Yutaka MinoDr Yutaka Mino was born in Kanazawa, Japan, in 1941, andreceived his PhD in Art History from Harvard University, in 1977.
He was appointed associate curator in charge of the Asiatic
Department at Montreal Museum of Fine Arts, in 1976, the curatorof the Oriental Art Department at the Indianapolis Museum ofArt, in 1977, and the curator of the Asian Department at the Art
Institute of Chicago, in 1985. After Returning to Japan, he wasnamed as the director of the Osaka Municipal Museum of Art, in
1996, and as the founding director of the 21st Century Museumof Contemporary Art, Kanazawa, in 2004. In 2007, he became theVice Chairman, Sotheby’s North America, the Chief Executive Director of the 21st Century Museumof Contemporary Art, Kanazawa, and the Honorary Director, Osaka Municipal Museum of Art. In April
2010, he was appointed as the director of the Hyogo Prefectural Museum of Art, and in 2012, thedirector of Yokoo Tadanori Museum of Contemporary Art. In 2013, he was named Honorary Director,
Abeno Harukas Museum of Art. Yutaka Mino has organised many exhibitions, and also publishedindividual books and catalogs such as Freedom of Clay and Brush Through Seven Centuries inNorthern China: Tz’u-chou Type Wares, 960-1600 A.D. in 1980, and Hakuji (White Ware), volume 5 in
the Chugoku Togi (Chinese Ceramics) series in 1998.

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Keynote Presentation | William Lindesay

The Great Wall Story: How I Have Discovered It
Friday, March 29 | 11:30-12:30 | Orion Hall (5F)

Between the late fourth century BC to 1644 AD, at least 16 border-defence systems were intermittently
built (or inherited and operated) by rulers of Chinese dynasties – all of them functioning as
fortifications against nomadic cavalry from the north. These are known as “Great Walls of China”.
Chinese chroniclers wrote a great library about their empires, including a history of each dynasty, but
shy of rough work on imperial frontiers they seldom reference “Great Walls”. Today, their remnants
comprise the largest system of related ancient ruins in the world, yet in spite of the urgent needto conserve these monuments, their academic study and field research is ignored by university
faculties – because “Great Wall Studies” transcends many fields.
By reviewing a series of personal Great Wall explorations, field-research foci, discoveries, advocacy
and archive projects carried out and achieved in China between 1987 and 2017, as a geographer,author and film-maker, I will show how diverse, personal, unconventional – and “foreign” –approaches have made significant contributions to the surprisingly narrow, Sino-centric and limited
corpus of Great Wall knowledge, as well as popular understanding.
“The Great Wall”, the most famous building in the world, a bucket-list must-see, remains the least-known
and most superficially protected of UNESCO world heritages, as continuing damage to it by nature and manshows. I hold that a better future for its protection, and rational, economic, educational and inspirational
uses, rests with the development of “Great Wall Studies” as an integrated course at university level.

William Lindesay OBE
William Lindesay OBE is an honorary senior research fellow at the
University of Liverpool, UK, where he studied geography and geology
in the 1970s. Recently he received the Royal Society for Asian Affairs’
Special Award 2016. He first went to China to recce the Great Wall in
1986, making the first documented traverse of the ruins on foot thefollowing year, in 1987, in which he covered 2,470 km.
Since 1990 he has resided permanently in China, spending morethan 2,700 days on its Great Walls. He has written five books on
the subject, published by Harvard University Press and Penguin
among others, and fronted documentaries that have been screened on National Geographic Channel,
Channel 4, Discovery Channel and the Smithsonian Channel.
William Lindesay is credited with arousing China’s national consciousness to protect the Great Walland its environment, and he has created/curated two national exhibitions in Beijing, at the Capital
Museum and the Imperial Academy, and seven provincial exhibitions. For his work presenting andpreserving the Great Wall and assuming the role of its international ambassador he was granted
permanent residency in China. He lives with his wife and two sons in Beijing, in a village below theGreat Wall in the city’s northern suburbs.
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Keynote Presentation | Bradley J. Hamm

Reclaiming the Future in Tech, Media andCommunities
Friday, March 29 | 14:00-15:00 | Orion Hall (5F)

A central issue in the 21st century is the extraordinary role of big technology companies in global
and local communities, media and journalism, the economy and the daily lives of adults and children.
Yet we are still at the early stages of understanding the full impact of changes over the past decaderelated to core concerns about privacy, health, security, ethics, regulation, accountability, monopolies,
taxes and much more.
This talk will examine how similar challenges may have been addressed in past technology waves
and what may be needed – in fairly short time – to address today’s major concerns. Leaders andexperts in the arts and humanities can play an important role in these efforts to both protect andimprove communities for the future.

Bradley J. Hamm
Bradley J. Hamm is a full professor at the Medill School of
Journalism, Media, Integrated Marketing Communications
at Northwestern University, USA, serving as the dean from2012 to 2018, where he oversaw Medill's programs in Chicago,
Washington, DC, and San Francisco in addition to its home campus
in Evanston. Previously, he was Dean of the Indiana University
School of Journalism in Bloomington and Indianapolis.
Hamm's PhD is in mass communication research from the
University of North Carolina, USA. He received a master’s degree
in journalism from the University of South Carolina, USA, and an undergraduate degree from Catawba
College in North Carolina, USA.
He also served as the interim dean and associate dean of the School of Communications at Elon
University in North Carolina, USA. Hamm has taught in study abroad programs in Japan, China andthe United Kingdom and started his career as a newspaper reporter. His teaching and researchinterests are in journalism history and media theory, particularly agenda setting theory.
He served as a trustee for the Poynter Institute and is a judge for the Scripps Howard National
Journalism Awards. He serves as an independent, non-executive member of the Board of Directors
for Next Digital media company of Hong Kong and Taiwan.

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Panel Presentation | Ezra Acayan, Bradley J. Hamm & Joseph Haldane

IAFOR Documentary Photography Award & Panel
Friday, March 29 | 15:00-15:45 | Orion Hall (5F)

The IAFOR Documentary Photography Award was launched by The International Academic
Forum (IAFOR) in 2015 as an international photography award that seeks to promote andassist in the professional development of emerging documentary photographers andphotojournalists.
As an organisation, IAFOR’s mission is to promote international exchange, facilitate interculturalawareness, encourage interdisciplinary discussion, and generate and share new knowledge. In
keeping with this mission, in appreciation of the great value of photography as a medium thatcan be shared across borders of language, culture and nation, and to influence and inform ouracademic work and programmes, the IAFOR Documentary Photography Award was launched as
a competition that would help underline the importance of the organisation’s aims, and would
promote and recognise best practice and excellence.
Now in its fifth year, the award has already been widely recognised by those in the industry
and has been supported by World Press Photo, British Journal of Photography, Metro Imaging,
MediaStorm, Think Tank Photo, University of the Arts London, RMIT University, The Centre forDocumentary Practice, and the Medill School of Journalism.
This session will include a screening of the most recent (2018) award winners selection, and will
be followed by a discussion on the importance and relevance of documentary photography andphotojournalism with the 2018 Grand Prize Winner, Ezra Acayan, an internationally published,award-winning photojournalist from the Philippines; Professor Bradley J. Hamm, former deanof the Medill School of Journalism at Northwestern University, USA; and Dr Joseph Haldane,
Chairman and CEO of IAFOR and Guest Professor at The Osaka School of International Public
Policy (OSIPP) at Osaka University, Japan.

Ezra Acayan
Ezra Acayan is a documentary photographer based in Manila
whose work primarily focuses on social issues and humanrights. Currently, he is working on a documentary reportageon the suffering and abuse experienced by communities
under the Philippine government's war on drugs.
In 2017, together with a team of Reuters journalists, Ezra wasawarded a special merit at the Human Rights Press Awards
for multimedia reporting on the drug war. In 2018, he received
both the Ian Parry Scholarship Award for Achievement andthe Lucie Foundation Photo Taken Emerging Scholarship, as well as being named Grand Prizewinner at the IAFOR Documentary Photography Award and Young Photographer of the Year at
the Istanbul Photo Awards. (Continued on the following page.)
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This work – along with work by other journalists who cover the drug war – has been exhibited in
Geneva for two straight years as part of the Universal Periodic Review of the Philippines at theUnited Nations Human Rights Council. It has also been exhibited at the Foreign Correspondents
Club in Thailand (FCCT), in France during the Prix-Bayeux Calvados Award for War Correspondents,
in Sarajevo during the WARM Festival, and in Germany during the Lumix Festival for Young
Photojournalism.
He has done multimedia work for various outfits such as Reuters, European Pressphoto Agency,
Agence France-Presse, Deutsche Presse-Agentur, and the French Society magazine. He has
also done work for NGOs such as Diakonie Katastrophenhilfe, Care International, and the French
Red Cross. His work has appeared in Time, Newsweek, The New York Times, The Guardian, WallStreet Journal, Vice, Washington Post, Al Jazeera, Le Monde, Stern, Paris Match, and more.

Joseph Haldane
Joseph Haldane is the Chairman and CEO of IAFOR. He is
responsible for devising strategy, setting policies, forging
institutional partnerships, implementing projects, andoverseeing the organisation’s business and academic
operations, including research, publications and events.
Dr Haldane holds a PhD from the University of London in 19thcentury French Studies, and has had full-time faculty positions
at the University of Paris XII Paris-Est Créteil, France, Sciences
Po Paris, France, and Nagoya University of Commerce andBusiness, Japan, as well as visiting positions at the French
Press Institute in the University of Paris II Panthéon-Assas, France, The School of Journalism
at Sciences Po Paris, France, and the School of Journalism at Moscow State University, Russia.
Dr Haldane’s current research concentrates on post-war and contemporary politics andinternational affairs, and since 2015 he has been a Guest Professor at The Osaka School ofInternational Public Policy (OSIPP) at Osaka University, Japan, where he teaches on the
postgraduate Global Governance Course, and Co-Director of the OSIPP-IAFOR Research Centre,
an interdisciplinary think tank situated within Osaka University.
He is also a Visiting Professor in the Faculty of Philology at the University of Belgrade, Serbia, a
Member of the International Advisory Council of the Department of Educational Foundations at
the College of Education of the University of Hawaii at Manoa, USA, and a Member of the World
Economic Forum’s Expert Network for Global Governance.
From 2012 to 2014, Dr Haldane served as Treasurer of the American Chamber of Commercein Japan (Chubu Region) and he is currently a Trustee of the HOPE International Development
Agency, Japan. He was elected a Fellow of the Royal Asiatic Society in 2012, and a Fellow of theRoyal Society of Arts in 2015.
Bradley J. Hamm's biography can be found on page 32.

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The IAFOR
Documentary
PhotographyAward 2018
Join us as we celebrate the winners of this year's IAFOR Documentary Photography Award – aninternational photography competition that seeks to promote and assist in the professional
development of emerging documentary photographers and photojournalists.

www.iaforphotoaward.org

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Friday, March 29 | 15:00-15:45 | Orion Hall (5F)

IAFOR Documentary Photography Award 2018
Award Winners Screening & Panel Presentation with Ezra Acayan

The IAFOR Documentary Photography Award was launched by The International Academic Forum (IAFOR)
in 2015 as an international photography award that seeks to promote and assist in the professional
development of emerging documentary photographers and photojournalists. Another important
objective of this contest is to help bridge the divide between the world of practicing photojournalists/
documentary photographers and the world of academic scholars, and create an accessible and exciting
ground for dialogue and discussion at our conference events, and beyond. The award has benefitted
since the outset from the expertise of an outstanding panel of internationally renowned photographers,
including Dr Paul Lowe as the Founding Judge, and Ed Kashi, Simon Roberts, Simon Norfolk, Emma
Bowkett, Monica Allende, Jocelyn Bain Hogg, Maria Teresa Salvati and Ziyah Gafić as Guest Judges.
As an organisation, IAFOR’s mission is to promote international exchange, facilitate interculturalawareness, encourage interdisciplinary discussion, and generate and share new knowledge.
In keeping with this mission, and in appreciation of the great value of photography as a mediumthat can be shared across borders of language, culture and nation, and to influence and inform
our academic work and programmes, the IAFOR Documentary Photography Award was launched
as a competition that would help underline the importance of the organisation’s aims, and would
promote and recognise best practices and excellence. In support of up-and-coming talent, the
IAFOR Documentary Photography Award is free to enter.
Now in its fifth year, the award has already been widely recognised by those in the industry and has
been supported by World Press Photo, British Journal of Photography, Metro Imaging, MediaStorm,
Think Tank Photo, University of the Arts London and RMIT University, among others.
The work of this year's winners will be screened at ACAH2019.
Image by Subhrajit Sen | 2018 Third Place Winner

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Paul Lowe | Founding Judge
Our Founding Judge, Dr Paul Lowe is a Reader in Documentary
Photography and the Course Leader of the Masters program in
Photojournalism and Documentary Photography at the London
College of Communication, University of the Arts London, UK.
Paul is an award-winning photographer who has been published
in TIME, Newsweek, Life, The Sunday Times Magazine, The
Observer, and The Independent, amongst others. He has covered
breaking news the world over, including the fall of the Berlin Wall,
Nelson Mandela’s release, famine in Africa, the conflict in theformer Yugoslavia, and the destruction of Grozny.
His book, Bosnians, documenting 10 years of the war and post-war situation in Bosnia, was publishedin April 2005 by Saqi books. His research interest focuses on the photography of conflict, and hehas contributed chapters to the books Picturing Atrocity: Photography in Crisis (Reaktion, 2012)
and Photography and Conflict. His most recent books include Photography Masterclass publishedby Thames and Hudson, and Understanding Photojournalism, co-authored with Dr Jenny Good,published by Bloomsbury Academic Press. Paul is an Emeritus Member of VII Photo Agency.

Maria Teresa Salvati | Guest Judge
Maria Teresa is Founder and editor-in-chief at Slideluck Editorial,
which exhibits a selection of the best photographic works andmultimedia presented during Slideluck events worldwide, as well
as works from guest artists.
Maria Teresa conceived and curated the project Born the Same,a selection of ten different works exploring sub-cultures andmicro-stories working as reminders that we are all born the same,
despite cultural, emotional and political conditions. The project
was first presented at Les Rencontres De La Photographie Arles
2017, during La Nuit de l’Année, and is now travelling globally.
She co-edited and co-curated Hungry Still, an exhibition and publication produced and designed bySlideluck London, FORMAT Festival and QUAD, and printed by AKINA Factory. The collective project
showcases twenty-four of the best works that have contributed to the English platform, since its
inception, with a selection of images combined with personal anecdotes and recipes.
Maria Teresa is also a personal branding consultant. She helps photographers find their “spot of
beauty” and vision, advises them on how to build their identity, and helps them communicate via themost appropriate channels (i.e. social media). Now she teaches in Bari, Italy at F.Project School of
Photography and Cinematography, in Rome at Officine Fotografiche, and as a guest lecturer at the
London College of Communication (LCC).

Ziyah Gafić | Guest Judge
Ziyah Gafić is an award winning photojournalist with 19 yearsof experience, focusing on societies in conflict and Muslim
communities across the globe. He covered major news stories
in over 50 countries. His work has appeared in TIME, Le Monde,
The New York Times, GEO, The Sunday Times Magazine, La
Repubblica, The Telegraph Magazine, The New Yorker, among
others. He authored five books including Troubled Islam, Quest
for Identity, and Heartland. His work won a plethora of awards,
including multiple awards at World Press Photo, Visa pourl’image, Arles Rencontres de la photographie and grants from
Magnum Foundation, Getty Images and Prince Claus Fund.
Ziyah is member of VII Photo Agency and a TED Speaker.
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Supporters
The IAFOR Documentary Photography Award is supported by a number of leading institutions, organisations
and publications around the world in its aim to promote and recognise best practice and excellence indocumentary photography and photojournalism. These partnerships are a testament to the high regard inwhich the award is held within the photography industry.
The IAFOR Documentary Photography Award would like to thank the following organisations for their support:

Sponsorship Opportunities
As a key organisation involved with the IAFOR Documentary Photography Award, you will add to theexperience of these emerging professionals while showcasing the authenticity and responsibility of yourbrand. Through social media, product integration, logo placement, potential press coverage, promotion at
the award ceremony and subsequent exhibitions in Japan, Spain, USA and UK, you have the opportunity tohelp bring attention to the work of highly talented photographers.
For information on sponsorship opportunities or becoming a supporter of the IAFOR Documentary
Photography Award, please contact Thaddeus Pope, Creative Director, IAFOR Documentary PhotographyAward (tpope@iafor.org).

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Friday
March 29
Poster Session
Abstracts appear as originally submitted by theauthor. Any spelling, grammatical, or typographicalerrors are those of the author.

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16:00-17:00 | Orion Hall (5F)

Friday Poster Session
50696 | Friday Poster Session: 16:00-17:00

Musical Analysis and Composition of Variation Music

Yi-Ting Kuo, Jen-Teh Junior College of Medicine, Nursing and Management, Taiwan
The purpose of research is to analyze characteristics of variation music and to find applications of variation techniques. The structuresof variation music have a theme and several variations. Each variation presents an original theme with different variation techniques.
Variation composing includes several techniques, such as ornamentation, transposition, inversion, retrograde, augmentation, diminution,
imitation, and change of tempo. According to this study, variation techniques are applied to create a new composition of variation music.
In research method of this paper, the variation techniques of Mozart’s twelve variations on “Ah, Vous dirai-je, maman,” are analyzed.
Based on the analytic results of melodic variations, rhythmic variations, harmonic variations, and tonality variations. Melodic variations
use decorates and inharmonic tones in the first variation; rhythmic variations change the duration to syncopated off-beats in the fifth
variation; harmonic variations use the circle of fifths in the seventh variation; and tonality variations change the major mode to the parallel
minor mode in the eighth variation. Through the analytic results of variation techniques, an innovative variation music piece named“Transform” is to be composed. The variation music “Transform” is electronic music, 4/4 beat, the theme has eight measures, and havefour variations. In the music piece “Transform,” the melody uses ornamentation and inharmonic tone; the rhythm change duration withaugmentation and diminution; the harmony change chord progressions; and the tonality change modes. From this paper, elements andtechniques of variation music can be understood clearly. In future, variation music can be applied to music compositions of new styles.
50704 | Friday Poster Session: 16:00-17:00

Printmaking Process by Plant Extract that is Harmless to the Environment for Creative Printmaking
Kunjana Dumsopee, King Mongkut’s Institute of Technology Ladkrabang, Thailand

This research is aimed to investigate the tropical natural plants as to use in printmaking process in order to create new body of knowledge
for basic printmaking system. Printmaking presently, confronting chemicals problems occurred during its creative process which
eventually affect artists and environment. Consequently, the concept of exploring the tropical natural plants was developed. The four acidfruits were selected to be experimented by extracting their pH measurements. The natural extracts were tested on wax pencil drawing
aluminium foil. The results of applying natural acid from fruits are strongly concentrated that can be used in replacing other generalchemicals in basic printmaking process. The outcome of the experimental artworks are clear and sharp as well as be able to reprint asmuch as required.
50703 | Friday Poster Session: 16:00-17:00

Finding Effective Ink Receiver Ingredient in Image Creation on Aluminum Plate to Replace Red Lacquer in
Lithograph Process
Donruethai Chlomruk, King Mongkut’s Institute of Technology Ladkrabang, Thailand

Printmaking is an important process in Thailand, as required by many universities’ curriculums as well as Thai artists. Lithograph is rather
popular among printmaking techniques. Its process is mainly utilized chemical reaction, however some chemicals are rare, then needed to
be imported from foreign countries. The problem are led to “Finding effective ink receiver ingredient in image creation on aluminum plate
to replace red lacquer in lithograph process”. Red lacquer is required by lithograph process as it is intermediate ink receiver but it is notproduced in Thailand. The objectives of this research are included 1) Study ink receiving ingredients that are cheap and available within
Thailand through the experiment. 2) Searching for chemicals that are lease affect health hazard. The research method is incorporated with
1) Reviewing information regarding wax or greasy components in Thailand. 2) Experimenting with black varnish and wax ingredients, as
black varnish is the main component due to it is easily found and cheap in Thailand. Melting soy wax, Vaseline, and micro wax altogether
by heating, then mixing with turpentine and wiping the plate afterwards as for replacing red lacquer. The results of this research showedthat black varnish mixing with soy wax worked best. The 2:1 ratio makes appropriated grease that helps completed line contour and value.
Moreover, it is easily washable and its smell is less than red lacquer’s. Findings suggested that its qualities and effectiveness of being
replacing red lacquer are the new aspects that benefits printmaking learning and creation in Thailand.
45830 | Friday Poster Session: 16:00-17:00

Two Science Elementary Teachers’ Design and Implementation on Decision-Making Instruction in
Socioscientific Contexts
Shu-Sheng Lin, National Chiayi University, Taiwan

Fostering students to make a prudent decision on sociso-scientific issue (SSI) is one of important goals in science education. In order toreach this goal, science teachers have to equip themselves with knowledge about making decision, and to transform the knowledge into
instructional implementation. The study explored two science elementary teachers’ knowledge construction about how to design andimplement decision-making instruction in socio-scientific contexts, and the problem and difficulties they had. Two science teachers withaveragely 5-year experiences of teaching science were invited to join this study. Three periods were included—Preparation for teaching,implementation, and reflection for the whole process. The data consisted of teacher journals, individual interviews, transcripts of meetingand classroom talks. The results revealed that both teachers needed the help from the researcher to guide them to construct knowledge
about making decision and its instruction. Subsequently they designed different approach in different SSI context to enhance students’decision-making abilities. One put emphasis on reflection on the process of making a decision, and the other attempted to improvestudents’ ability of developing criteria for assessing alternatives. During the implementation, it was a challenge for the teachers to help
students to develop criteria and alternatives. Meanwhile, constructing evidence to support students’ decision was another difficulty theteachers had to deal with. Finally, both teachers had positive attitude toward implementing decision-making instruction, but crowded
curriculum and limited class time would be two barriers for them to implement it.

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16:00-17:00 | Orion Hall (5F)

Friday Poster Session
44363 | Friday Poster Session: 16:00-17:00

A Favor for a Favor the Rationalization of Misappropriation of Public Resources in Chinese Societies
Yi-Ming Yu, National Defense University, Taiwan

Many studies have reported that Chinese relationalism is an important factor that influences corruption. Guanxi-based operations
produce a sense of obligation in the other party, compelling them to use public power and to gain reciprocation from personal relations.
In this case, the key question is not why cognitive dissonance and other psychological factors do not affect Chinese public servants when
they indulge in acts of corruption. Our main objective was to analyze the psychological foundations on which Chinese public servants
rationalized the misappropriation of public resources. This study conducted in-depth interviews with 45 Taiwanese public servants anddiscovered that relationalism forms a psychological mechanism, which rationalizes the behavior of public resource misappropriation.
The results indicated that Chinese public servants could easily overcome psychological stress caused by the misappropriation of publicresources. They rationalized their corrupt behavior on following principles: “the mutual benefit of the private and public,” “the private is
public,” and “the merging of private and public matters.”
45904 | Friday Poster Session: 16:00-17:00

The Effect of Intellectual Capital on University Performance: The Mediating Role of Relational Capital and
Structural Capital
Hsiuhsi Liu, National Academy for Educational Research, Taiwan

In the age of knowledge economy, the value of an organization has shifted from land, factories, equipment and other tangible assets toIntellectual Capital (IC). The three main components of IC are human capital, structural capital, and relational capital. In the past, although
existing, these three capitals were neglected because financial figures in the accounting system could not capture their value. The purposeof this study is to explore IC in higher education and verify the relationship between the three capitals and school performance of 10 higher
education institutions in Taiwan. By using the 2011-2015 databases from Administrative Information Disclosure for Universities, research
result shows that more human capital corresponds to more relational capital; more human capital corresponds to better performance.
In addition, structural capital does not mediate the relationship between human capital and performance; relational capital has a partial
mediating effect on the relationship between human capital and performance; and structural capital does not mediate the relationshipbetween human capital and university performance.
45940 | Friday Poster Session: 16:00-17:00

Developing a Decent School Stationery Purchase System in Taiwan: Perceptions of School Administrators
Peng-Sheng You, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

Although the stationery supply system may seem small and partial in the grand scheme of the educational administration, it is a sine qua
none to ensure all school members are able to efficiently and effectively undertake the tasks assigned to them. In Taiwan, the dramatic
decrease of the governmental grants accompanied with the extraordinary price increase of stationary in Taiwan have compelled schools
at all levels to search for improved stationery purchase system, but the results are often meager. This research is thus aimed at exploring
the major determinants of a decent school stationery purchase system under four feasibility dimensions: political feasibility, economic
feasibility, social feasibility and technical feasibility, to calculate the relative importance of each determinant, and to explore the perception
differences among schools in different environmental contexts. Analytic Hierarchy Process (AHP) was adopted as the major instrument
for relative importance calculation, and a self-developed questionnaire will be administered to 30 school administrators in Taiwan. Basedon the research results, we are expecting to provide schools with practical suggestions in developing their stationery purchase systemand select the most adequate purchase alternatives.
45892 | Friday Poster Session: 16:00-17:00

A Cross-National Comparison of Elementary Mathematics Textbooks Among Finland, Indonesia, Malaysia,
Singapore, And Taiwan
Der-Ching Yang, National Chiayi University, Taiwan

The purposes of this study were to compare the differences of representational forms, presented types, level of cognitive demand ofquestions, and the response types of mathematics questions on the topic of number and operations among Indonesia, Malaysia, Finland,
Singapore, and Taiwan elementary mathematics textbooks. Integrated thematic curriculum guide 2013 textbooks from Indonesia,
Mathematics from Malaysia, Laskutaito series from Finland, MPHM from Singapore, and Nan-I and KH from Taiwan were selected.
Results indicated that mathematics textbooks vary greatly across countries in their development related to problem distribution ofrepresentation forms. Findings showed that there is a gap between context-based problems, non-context-based problems, and the levelof cognitive demands across the six elementary level mathematics textbook series. It is also valuable to note the great disparity thatexisted between open-ended questions and close-ended questions among the six elementary mathematics textbook series. Implications
are also discussed.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 41

16:00-17:00 | Orion Hall (5F)

Friday Poster Session
45166 | Friday Poster Session: 16:00-17:00

A Study on Developing the Teaching Cases for Multi-Sensuous Perception-Based Aesthetic Appreciation ofEnvironments
Ya-ting Lee, National Pingtung University, Taiwan

Environmental aesthetics extends beyond the confines of the artwork and our aesthetic appreciation of works of art. The positions ofaesthetic appreciation of environments can be organized into two main camps: cognitive and non-cognitive theories. Their names reflect
the role of knowledge in understanding what aesthetic appreciation of the environment involves. The purposes of this study are to propose
the term “multi-sensuous perception-based aesthetic appreciation of the environment” to integrate the two groups and do the empiricalresearch to develop some teaching cases of aesthetic appreciation of environments. In order to complete the purposes, the multimethods are conducted, including literature analysis, interview, observation and document analysis. Both “the conceptual framework ofcore concepts of the environmental aesthetics curriculum” and “criteria for the good teaching cases” offer analytic bases for the processof developing teaching cases. Under the “conceptual framework of core concepts of the environmental aesthetics curriculum”, there are
two dimensions: “aesthetic capabilities” and “aesthetic contents”. Moreover, researcher use the criteria as the standard to evaluate andimprove the cases. Finally, this study develops five teaching cases. In category and sub-category of aesthetic capabilities, five cases
comprise the capabilities of perception (sensual, perceptual ability, and ability to engage) and imagination (free association). In theme andsub-theme of aesthetic contents, five cases contain the theme of form(sensual qualities, aesthetic form), culture(beauty of knowledge,
beauty of function, beauty of art), and ethics (beauty of sustainability). Every case consists of a title, a situation of story, several questions,and critical remarks provided by experts.
50725 | Friday Poster Session: 16:00-17:00

The Smart Swimsuit Design for Taiwan National Athlete Swimmer
Ying-Chia Huang, Fu Jen Catholic University, Taiwan
Chien-Chang Ho, Fu Jen Catholic University, Taiwan
Yu-Jui Tung, Fu Jen Catholic University, Taiwan

The research is aimed at developing a smart swimsuit for national athlete swimming user in Taiwan. This research utilizes wearable
electronic device to monitor the Mechanomyography (MMG) muscle data of a swimmer to construct a smart swimming wear in real time.
The athlete, coach team and medical team are able to read the muscle date pattern of athlete easily. The research investigates on a smart
swimsuit by following 4 steps. Firstly, the author interviewed the swim athlete to collect key factors and the problem of exist wear ofswimming competitive sports. Secondly, after developing fashion illustration and garment technical drawing, the athlete is interviewed toadjust the garment design. Thirdly, the research takes hands on method, laser cutting technology, water proof heat transfer film, invention
patent No. I1621405 of 3D sculpturing garment manufacturing method and system thereof to construct the cloth. The last step is that theathlete wears the garment to feedback about fitting. These feedbacks are taken to refine and align the swimsuit. The research solves thefitting and water drag problems of existing swimsuit textile by adopting systematizing of the fashion design procedure mathematically.
In summation, this study focusses on developing a swimsuit for Taiwan national athlete competitive sports. It also demonstrated that agood deigning smart swimsuit helps to visualize the muscle data of athlete.

42 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

NotesLike us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 43

Friday, March 29 | 17:30-19:00 | Garb Central

Conference Welcome Reception
Join fellow delegates for a drink or two at the Conference Welcome Reception. This
event provides a great opportunity for delegates to network and get to know each other.
All registered presenters and audience members are welcome to attend. Admission is
included in the conference registration fee. Meet in the Toshi Center Lobby at 17:15.
Venue name: Garb Central, Tokyo Garden Terrace Kioicho〒102-0094 Tokyo, Chiyoda City, Kioicho, 1−3 東京ガーデンテラス紀尾井町 1F
44 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

Saturday
March 30
Parallel Sessions
Abstracts appear as originally submitted by theauthor. Any spelling, grammatical, or typographicalerrors are those of the author.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 45

09:30-10:45 | Room 703 (7F)

Saturday Session I
Arts Theory and Criticism
Session Chair: Dmitrii Gavra
45283

09:30-09:55 | Room 703 (7F)A De-Configurative Force: The Political Dynamic of the Image in Jean-Luc Nancy
Seonju Kim, Goldsmiths College, University of London, United Kingdom

This paper makes an attempt to propose a way to understand the political character and the political conditions of contemporary images.
It sets out from the hypothesis that the dynamic character of images is central to their political possibilities. Critical and theoreticalanalysis of this political dynamism of the image is pursued through discussing a theorist of the image and politics: Jean-Luc Nancy. In
doing so, firstly, the problems and limitations of the ‘politics of representation’ which is a dominant discourse on the question of politicalimages are critically reconsidered in light of the heterogeneity (or qualitative differences) of the image as the sensible immediate. Also,
Nancy’s reformulation of the Kantian notion of ‘aesthetic presentation’ which is of revealing specifications of pure sensibility in material
things is discussed in relation to his unique way to recast the ‘dynamism of/in imagination’ which is considered as a ground of purepotentialities in historical discourses on aesthetics. Further, this paper that seeks to formulate the possibility of political – specifically,
resistive – images engendered by the dynamism of the image in question, attempts to think through contemporary relations between
the political and the image by turning to contemporary radical political theories where the notion of ‘the political’ is rendered as distinct
from politics or political reality in conventional understanding. Lastly but most importantly, this paper proposes a name for the political
dynamism proper to the image as a ‘de-configurative force’ and sets out to articulate what it means and what significance it bears.
45262

09:55-10:20 | Room 703 (7F)

Private Revealed: Iranian Youth’s Underground Search for a New Modernity Through the Lens of Contemporary
Photographers
Fazilat Soukhakian, Utah State University, United States

After the 1979 Islamic Revolution, the Western media portrayed Iran as a backward Islamic society, emphasizing the return of the veil in
its streets. Recently, many scholars and journalists have been shocked by the vast discrepancies between their preconceptions and theirlocal observations after discovering the streets of Tehran. Through a visual analysis of photographs from contemporary Iran, I explored
how the Iranian youth are reconstructing their identity by creating an underground lifestyle. The youth is exploring ways to balance
tradition and modernity from behind the walls of their private spaces, using an underground lifestyle to form a reconstructed modernity.
Resulting out of their search for individualism, they rebel against both the Islamic Republic and the influences from the West. Photography
is the tool of choice to bring images of the private life into the public atmosphere, revealing the underground hetero society of the andaruni,
the most intimate and private parts of people’s lives. Photography is used as a means to rebel against an oppressing regime and demandchange while preserving the anonymity of the rebellious individuals. The feature of obscurity is imperative in the power of the image asa tool of resistance, resulting in a mass distribution of images highlighting this new modernity within Iranian society. These images also
provide a basis on which the West can reevaluate its preconceptions, resulting in a renewed international impression of Iran based on
factual photographs exhibiting this generation’s aspirations to create their own modernity, paving the way for their own future.
50733

10:20-10:45 | Room 703 (7F)

The Transformation of Cultural Capital in the Digital Society
Dmitrii Gavra, St-Petersburg State University, Russia

The concept of cultural capital, introduced by Bourdieu interpreted this category as a set of competencies obtained during socializationand formal education than transmitted within the elite from generation to generation and providing each new elite generation with thestrategic advantages of social dynamics. According to Bourdieu, cultural capital is wealth in the form of formal logical and aesthetic
knowledge and creative competences that legitimize the possession of status and power. Thus, the classical concept of cultural capitalis associated with the reproduction of the political and cultural elite in a broad sense. Cultural capital is inherited, accumulates within thefamily, social class, caste, class. Such a scheme of the cultural capital functioning existed for centuries. In the so-called ""slow world"".
It’s still reproduced nowadays. But the changes associated with the communication revolution of recent decades have created new
conditions for the dynamics of cultural capital. The Internet and social networks spawned a “fast world” based on attention. And it haschanged the situation. New sources of cultural capital and new types of its owners have appeared. In a fast world, cultural capital in allits dimensions has begun to accumulate differently. This world generates new subjects of significant social practices in the cultural field.
These are WWW cultural experts, bloggers, network theater and film critics, etc. They accumulate their cultural capital by capitalizing theattention of tens and hundreds of thousands of users. And then they convert this attention into influence and then into what is called""cultural power.""46 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

09:30-11:10 | Room 704 (7F)

Saturday Session I
Media Arts Practices
Session Chair: Dawn Spring
50718

09:30-09:55 | Room 704 (7F)

Message in the Cloud

Yueh-Tuan Li, Feng Chia University, Taiwan
The idea of dying well has gained popularity in recent years insofar that various tools have been developed accordingly to accommodate
the demand for pre-planned end-of-life arrangement. But life is more than that. Historically, diary, letter and ending note were in place
for writing, storing and even delivering meaningful or significant messages, and the trend of digital end-of-life planning platforms is
emerging. Some of these platforms were examined in this article, together with 15 in-depth interviews about their attitudes toward making
end-of-life plans. Our analysis revealed the planners’ concern over the way in which their messages will be delivered and shared, which isradically distinct from those adopted in the majority of literature from design field that emphasized the instructional function of assisting
the planners in exploring what they want and in documenting their plans. This article’s findings thus help indicate design opportunities fora digital end-of-life planning platform which is able to meet potential users’ needs and expectations. This article argues that the making ofan end-of-life plan is not just a task of recording instructions or personal memories, but of delivering significant messages to individuals
whoever they may concern. Such integration involves more social interactions than mere personal experiences. For conclusion, this article
proposed some innovative design suggestions for digital end-of-life planning platform, serving to help the planners, after their death, ofcourse, to rearrange the new relations with people and objects.
44668

09:55-10:20 | Room 704 (7F)

Memory as Rhetorical Intervention in the Digital Era
Daphne Desser, University of Hawaii at Manoa, United States

This paper argues for the reconsideration of the rhetorical canon of memory given increasing mainstreaming of conspiracy theories andhate-filled responses on-line to public monuments and sites of mourning. For decades, the concern that spaces that enable the publicdebate necessary for the functioning of a democracy are on the decline, if not altogether disappearing, has been voiced by scholars in
rhetoric, media studies, and political science. In the era of Trump, this anxiety, characterized by contemporary scholarship that critiques
and interrogates the ideal of the public sphere, as articulated by Jurgen Habermas, has taken on a new urgency. Non-dominant culturesand marginalized citizens are often the victims of new forms of digital rhetorical performances that masquerade as “truth” but serve
instead to silence, obscure, and oppress. Memorials and monuments are subjected to hate-filled interpretations inspired by conspiracy
theories that have found a mainstream audience on-line. This paper argues for the need to reconsider the traditional rhetorical conceptof memory due to the destabilization that accompanies the predominantly on-line phenomenon of fact-free memorializing. Drawing
additionally from the work of Phillips, Reyes, and Dickenson on the complexities of public memory, this presentation offers a method for areconsidered memory that responds to the challenges of the mainstreaming of conspiracy theory and the emergence of hate-filled on-line
responses to monuments of collective trauma and community mourning.
45179

10:20-10:45 | Room 704 (7F)

Reclaiming the Future When History Repeats: War and the Anthropocene in Xenoblade Chronicles 2
Christopher Smith, University of Florida, United States

The best-selling, critically-acclaimed game Xenoblade Chronicles 2 (Zenobureido 2) is set in the aftermath of an environmental apocalypse, theworld having long ago been covered in a “cloud sea” evocative of both the rising oceans of climate change and the nuclear winter of atomic warfare.
Humans can live only in symbiosis with gigantic creatures that navigate the sea and provide living space. The text expresses anxieties aboutwar, environmental change, and the place of humans in the ecosystem. However, unlike other apocalyptic environmental texts, the environmental
regeneration in Xenoblade Chronicles 2 is the work of nanomachines rather than natural forces. This paper argues that Xenoblade Chronicles 2 isan environmental text without “nature” as a force external to humanity. Its environmental concerns are expressed from the interiority of advanced
capitalism, as are its hopes for the future. In this, it offers a new kind of environmental critique for the age of postmodern immanence, when, as
Michael Hardt and Antonio Negri argue, nature is “not seen as original and independent of the artifice of the civil order.” (Empire, 187) However,
the text expresses deep misgivings that the future can really be reclaimed from within advanced capitalism. Even as the characters (and player)
struggle to reclaim the future from environmental calamity, the text emphasizes the cyclical nature of war and peace and humanity’s relationshipwith the environment. Although the planet is regenerated, without exteriority there is no guarantee humans will not repeat the same mistakes.
46024

10:45-11:10 | Room 704 (7F)

The Past in Reclaiming the Future: The Post-Apocalyptic Video Game Series Metro, The Cold War, andStalinist Infrastructure
Dawn Spring, American Public University, United States

Based on the novels Metro 2033, Metro 2034 and Metro 2035 by Dmitry Glukhovsky, the video game series including titles Metro 2033, (2010),
Metro: Last Light (2013) and the upcoming Metro Exodus (2019) projects the Cold War past into a post-apocalyptic future. After a global
nuclear war, Moscow survivors retreat into the elaborate Stalinist era subway tunnels. Built in part with the hope that Russian citizens could
survive the Cold War possibility of nuclear war, the extensive metro tunnels provide refuge for those forging a life in a scary post-apocalyptic
future. Combing historical literature about Stalinist urban planning and game analysis, the presentation will reflect on the conference concerns
about the “clashes of identities, beliefs and ideologies”. It will explore the planning, construction and decorative elements of the Moscow metro
system, and how those elements work within the post-apocalyptic video game universe. As the presentation explores video game environments,
gameplay and narratives, it will examine how city planning, cultural preservation, and foresight provide hope in a post-apocalyptic world. Fromgame studies, it will look at the ludic aspects of the game series and play as a means of reflecting on the past and coping with a fearful future.
As tensions mount between the West and Russia, the themes of the game series offer a reminder of the shadow the world lived under during thetimes of the Cold War threat of a nuclear war, and the potential consequences of a breakdown in peaceful relations.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 47

09:30-11:10 | Room 705 (7F)

Saturday Session I
Sexuality/Gender/Families
Session Chair: Sara Almaleki
50781

09:30-09:55 | Room 705 (7F)In Search of (Un)happiness?: Queer Affect in Thai Queer Movie
Saran Mahasupap, Chulalongkorn University, Thailand

Happiness seems to be an ultimate goal in our daily life. However, "to be happily person" is, in fact, attached to heteronomative andcapitalistic ideologies and really reserved for those who are both explicitly and implicitly submissive with normative value. Therefore,
the minority like queer or homosexual critically questions about the orthodox concept of happiness. By doing so, the several conceptsof happiness that closely attached with affect theories polemically reveal the normative construction of happiness and its docile power
which is implicitly enforces society to achieve. The idea of affect theories like Sara Ahmed's Queer happiness and Lauren Berlan't
concept of harmful Optimistic but injurious attachment in life in "Cruel Optimism" profoundly ramify the significance of Affective turnand offer the new perspectives and analysis of unspeakable feeling or affect in texts. In this research, I intend to analyze 3 movies
directed by Anucha Boonyawatana; "Down The River", "Onthakan" and "Malila:The Farewell Flower" to shows how affect works on theirmessages and how it helps to portray and even demonstrates the feeling and Queer happiness shown in films. In addition, I would also
study on the possible limitations of affect theories in practice, when used in different and convoluted contexts in Asia like Buddhism,class and gender and politic.
50739

09:55-10:20 | Room 705 (7F)

Potrayal of Feminism in Barbie Vlog

Vanny Gosal, University of Pelita Harapan, Indonesia
Naniek Setijadi, University of Pelita Harapan, Indonesia
The development of technology and emergence of participatory culture has helped to create many opportunities in sharing messages
and self- representation. Within this entailment of advancement, the famous social actor, Barbie doll uses the opportunity in participating
and uses her posthuman form as an extension of herself in presenting some of her identity and ideology in YouTube. That ideology that
instilled by her posthuman form in YouTube is the ideology of feminism, the ideology that used to strangled Barbie from the criticism
around her in the past. The juxtaposition that was shown in her new identity by portraying a contrasting view was revealed by Saussure’s
semiotic analysis and how the ideology of Barbie was relevant to the feminist critics now.
45573

10:20-10:45 | Room 705 (7F)

#Metoo Movement in China

Siying Fang, Doshisha University, Japan
In January 2018, the first public allegations underpinning a #MeToo movement appeared in mainland China, duly followed by wide
attention from mainstream media and attention from the Chinese government. A few days later, the article containing the original
allegations was found to have been deleted, a fate shared by subsequent #MeToo allegation cases in mainland China. The tactics Chinese
feminists have deployed as a means to elude this government surveillance reflect a special kind of feminist antagonism, made necessary
by the overt or tacit methods employed by media censorship – which has as its objective a closed circuit of audience participation andinformation dissemination. In this presentation, I shall summarize this current state of affairs in mainland China, initially framing theissue with a question of longstanding interest to mainland Chinese feminists of the predigital era: is the strength of Chinese patriarchy
growing, diminishing, or undergoing structural changes? Shifting the debate toward the current era of digital literacy, can the localized
and indigenized mainland Chinese version of the #MeToo Movement shed light on these longstanding issues? I hypothesize that shifting
demographics in that country, particularly rising levels of higher education attainment and upward socio-economic mobility, have brought
about an increased awareness of feminist empowerment issues among the general population (plus a certain amount of frustration overthe lack of any street protests).
50204

10:45-11:10 | Room 705 (7F)

The Representation of Femininity and Masculinity in American Film Posters
Sara Almaleki, Syracuse University, United States

The study used qualitative textual analysis to analyze the gender representation and equality between genders in film posters from 1950s
to 2010s. The study focused on the Oscar film winners from 1950s to 2017. The total of film posters is 62. United Kingdom winners are
excluded from my sample because the posters are very few compared to United states one. This study used the criticism of feminist
film theory for Laura Mulvey and her book"" Visual pleasure and narrative cinema"" which published on 1980s. The study suggests thatwomen are just supporting the men roles and they always not important as much as men roles are and men are always smart. Researchquestions and the findings for each question: RQ1: how do film posters from 1950s to the 2010s treat equality between genders? Finding
show the existence of men in posters is 55%; women 15% both genders(men with women in the same poster)11%; no gender posters (nomen or women just the title or background of a place) 19% and 0% represents the other gender (lesbian or gays) in film posters. RQ2: how
do film posters from 1950s to the 2010s treat femininty representations? women appeared in my time line representing romance posters,
daughter and mother relationships and sex appeals (less important roles compared to men) RQ3: how do film posters from 1950s to the2010s treat masculinity representations? Men appeared in the posters as investigators, presidents, work in military and officers posters.
(more important and serious posers)

48 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

09:30-11:10 | Room 707 (7F)

Saturday Session I
Literature/Literary Studies
Session Chair: Yi-chin Shih
44929

09:30-09:55 | Room 707 (7F)

Suffering and Transformation in Tennessee Williams’ “The Rose Tattoo”
Hsueh-hsien Kao, National Chengchi University, Taiwan

Being one of the important American dramatists in the twentieth century, Tennessee Williams (1911-1983) is a productive and diverse
author, writing not only plays but also prose, novels and poetry. Though among all Tennessee Williams’ plays, "The Rose Tattoo" (1951)
is not a very famous one, it stands out from the rest of his plays as it is rather optimistic, if compared to his other works. One major
aspect about "The Rose Tattoo" is thoroughly discussed by critics; it is the grotesqueness in the play. The excessive symbolism Williams
use to present the grotesqueness becomes one key element of making the play a comedy and a Dionysian celebration. In the paper, we
will focus on the analysis of the repetitive and exaggerated symbolism in "The Rose Tattoo" and elaborate the protagonist, Serafina’s
characterization. The grotesqueness Williams depicts is an unusual and disagreeable situation for his characters. We will discuss theprotagonist’s suffering and her final acceptance to the humane reality. This paper seeks to present Williams’ successful characterizationof protagonist’s thriving and transforming toward a better life under the grotesque circumstance.
45623

09:55-10:20 | Room 707 (7F)

A Clock in Place of the Sun: Faulkner and the Human Hierarchies of Yoknapatawpha County
John Corrigan, National Chengchi University, Taiwan

This presentation charts William Faulkner’s artistic portrayal of the complex networks of modernity and elucidates his own humanist
response to the overarching power of these networks. The central tension I thereby identify in his Yoknapatawpha fiction involves thegrowth of our large-scale social systems at the expense of the individuals who maintain them. Faulkner imagines this socially, economically
and, perhaps most significantly, psychologically, since the growth of complicated bureaucracies entails thinking in ways that increasingly
diverge from the manner in which humans think naturally, through free association and wholistic thought. My presentation begins bydiscussing Faulkner’s more celebrated prose and identifying the figurative tools he employed to accomplish these visualizations of the
movement, behavior and thinking of the social body across time. I conclude with his later Snopes trilogy and his effort to affirm thecognitive interiority of human beings within the growth of social systems so vast that human beings could no longer fathom what it meant
to live outside them. Seen in this context, Faulkner’s Yoknapatawpha serves as a cartography not simply for the small rural communitiesof the American South that formed to grow gradually in scale, but for the transition from nomadic life to agriculture and the resulting
hierarchal reorganization of humanity into cities and nations.
45244

10:20-10:45 | Room 707 (7F)

The Formation of a Changing Character From 1920s, Zelda Fitzgerald
Ziyi Zhu, Doshisha University, Japan

Scholars widely acknowledge that F. Scott Fitzgerald’s literary oeuvre draws upon his own life experiences. In my research, I take thisobservation a step further. Fitzgerald’s personal life provided him, firstly, with an array of anecdotes on which to draw but also, of equal
importance, a psychologically engaging and irresistibly resonant figure – specifically, his wife Zelda Fitzgerald. This woman’s textual rolein her husband’s literary works is too important to neglect. Dancer, painter, writer, muse, and all-round free spirit, Zelda remains one of
the most iconic women of the Jazz Age—the epitome of the flapper. However, Zelda is also known for her mental problems, diagnosed as
schizophrenia. In addition to the various heroines who feature in F. Scott Fitzgerald’s work, each of whom are traceable in various degrees
to Zelda, subsequent writers, artists, and filmmakers in the later twentieth-century have followed Fitzgerald’s example by fixating on the
Zelda figure. My presentation will deliver a selective survey of some of the ways in which the Zelda figure has featured in biographicalnovels, films, and new media, some of which reinforce Fitzgerald’s judgement as to his wife’s condition, while others contest it, and still
more develop a nuanced position. The long-term objective of my research is to develop a cultural history Zelda as she has moved throughspace, time, and medium. I hypothesize that the Zelda figure has survived through the decades as a mirror reflecting changing attitudes
to women’s mental health.
45585

10:45-11:10 | Room 707 (7F)

The Power of Comedy in Alice Childress’s Plays
Yi-chin Shih, Tamkang University, Taiwan

Regarded as “the mother of professional black theatre in America,” Alice Childress (1916~1994) plays an important role in the history ofAmerican theatre. As a black female playwright and born in a working-class family, Childress is always aware of her multiple marginalized
identity, and she pinpoints the multiple oppression on African Americans in her plays. She is influenced by the civil rights movement in the
middle of the 20th century, and then becomes a representative in black arts movement in the 1960s and 1970s. Her plays reflect her ideaof black theatre. This paper would like to discuss how Childress challenges the traditional definition of comedy in order to honor African
American comedy by rereading two of her comedies Trouble in Mind: A Comedy-Drama in Two Acts (1955) and Moms: A Praise Play for aBlack Comedienne (1987). The first part of the paper studies Childress’s essays to conclude her concept of black theatre; then the paper
analyzes two plays individually in the second and the third part to illustrate Childress’s ideas. Overall, Childress’s comedy, which functions
as entertainment and social criticism like other comedies, has a special intention to bring a revival of black arts and to emphasize racial
and gender equality.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 49

09:30-11:10 | Room 708 (7F)

Saturday Session I
Teaching and Learning
Session Chair: Hsuan-Fu Ho
45308

09:30-09:55 | Room 708 (7F)

Applying Social Media in Elementary School Teacher-Parent Communications in Taiwan
Yi-Tung Chan, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

Social media are internet based applications and technologies for people to share information and to build virtual networks andcommunities. Since the majority of parents now-a-days are utilizing social media for a variety of interpersonal connections, it has become
more feasible and practical for schools to involve social media in teacher-parent communicating activities. Although communicatingwith parents is one of the most crucial and inevitable obligations of elementary school teachers, many teachers lamented that thesecommunications takes too much time, and has in turn elbowing out the time for other important educational activities. Since social
media is regarded to be more efficient and effective comparing with traditional communication approaches, a growing number of schools
and teachers are applying social media for communicating with parents. Nevertheless, despite the advantages social media may offer,
there are limitations and drawbacks that could dramatically reduce the advantages of the application of social media. This research isthus aimed to identify the major benefits and problems of applying social media in teacher-parent communication. A self-developed
questionnaire will be delivered to 100 teachers in Taiwan,and based on the research results we will provide schools and teachers withpractical recommendations to further enhance the quality of their social media applications.
45305

09:55-10:20 | Room 708 (7F)

A Research on Career Aspiration Perceived by Undergraduates Major in Physical Education at Taiwanese Universities
Yu-Zhen Yan, National Chiayi University, Taiwan
Cheng-Cheng Yang, National Chiayi University, Taiwan

Higher education in Taiwan has entered the phase of Massification. Thus there is a trend of unemployment of higher education graduates.
Many undergraduates will face choosing employment when graduation is approaching. This research aims at exploring career aspirationof undergraduates who major in physical education. In recent years, the whole population structure of Taiwan will become an elder
society, thus there are more and more industries about elder people’s needs and health-relating activities, and exercise relating works.
Thus graduates from physical education department can not only do jobs about sports, they can also do works about health and leisure
relating activities. This research plans to develop a questionnaire called “career aspiration perceptions of undergraduates in Taiwan. This
research plans to administer questionnaires to 200 undergraduates who now studying in major universities with long history departmentof physical education in Taiwan. Statistical methods of this research will include frequency analysis, descriptive analysis, T-test, and
ANOVA to examine perception differences of career aspiration perceived by undergraduate students with different background variables(gender, social economic status, original hometown location, and years of study). Implications for university education and future studies
will be discussed in the last section of this study.
45895

10:20-10:45 | Room 708 (7F)

To Explore the Relationship Between Academic Autonomy and Accountability of the Higher Education System of Taiwan
Jason Cheng-Cheng Yang, National Chiayi University, Taiwan

The basic assumption of university’s autonomy is to protect academic freedom through academic autonomy to help achieve university’scontribution to the society. According to European University Association (EUA), the concept of university autonomy can be divided into
four factors: organization, finance, staff, and academic affairs. Thus academic autonomy is an important part of university’s autonomy
and it can refer to university’s right on decision of student admission, student’s ability, starting new academic programs, merging or
closing academic departments, teaching language selection, and to select quality assurance standards. University’s academic autonomy
is an outcome of balanced agreement between government, society, and the university. On the one hand, the article “University Law
of Taiwan” had been written to protect university’s “academic autonomy” and “academic freedom”. On the other hand, the Taiwan
government also establish quality assurance agencies to evaluate university’s performances. Sometimes evaluation standards of higher
education can also constrain academic autonomy. The purpose of this article is to depict the current status of academic autonomy in
Taiwan and also to explore the impact of accountability of higher education on academic autonomy. This article collects statistical dataand official documents from Ministry of Education and Ministry of Science and Technology in Taiwan to review some key transformationsof academic autonomy in Taiwan. This article aiming at discussing the myths and realities of accountability and academic autonomy of
Taiwanese higher education based on observing university’s autonomy on deciding student admission, building new programs, merging
academic departments, choosing teaching language, and quality assurance standards.
45313

10:45-11:10 | Room 708 (7F)

Determinants of Evaluating the Adequacy of Teacher Compensation System
Hsuan-Fu Ho, National Chiayi University, Taiwan

Teacher compensation accounts for more than 85% of the total educational currency expenditure in most advanced countries in theworld, and thus educators and policy makers have fostered a variety of reforms in the past decades to improve the teacher compensation
programs: adopting the incentive system, rearranging the payment schedule, and improving the decision process, etc. However, due to a lackof consensus of what makes a decent compensation system, most of the reforms are failed in carrying out the policy evaluations which are
critical for further progress. This research is thus aimed to decide the major determinants that should be included in evaluating the adequacyof the teacher compensation system. The determinants were classified into four categories: political adequacy, economic adequacy, social
adequacy, and technical adequacy. Analytic hierarchy process (AHP) is adopted as the major technique for calculating the relative weightof each determinant, and a self-developed AHP questionnaire is administered to 100 teachers in Taiwan. Based on the research results, wewill provide the educational stakeholders with practical recommendations to further improve the teacher compensation system in Taiwan.

50 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 703 (7F)

Saturday Session II
Arts Theory and Criticism
Session Chair: John Potvin
44303

11:25-11:50 | Room 703 (7F)

Moscow on the Connecticut River: How a Russian Iconic Design Continues to Define an American City
Kenneth DiMaggio, Capital Community College, United States

Besides developing the first revolver, 19th century arms-maker Samuel Colt was a brilliant PR man and traveling businessman, personallyvisiting with prime ministers and other heads of state whose armies might become potential buyers of his gun. One of his travels took him
to Russia, where he was impressed by the iconic onion-shaped domes adorning the tops of Russian churches and cathedrals. He would
crown his new gun factory with such an icon, an eye-catching blue,onion-shaped dome reminiscent of what he saw in Russia. By the early
21st century, Colt's 19th century plant ceased manufacturing. Still, the building with its iconic dome continues to define Hartford, capitalof Connecticut. In a landscape traditionally dominated by unadorned, white, Congregationalist churches with tall curtain-less windows, an
Eastern Orthodox icon continues to mark a Puritan settled American city. This study considers its importance. Does the dome's continual
definition signify cultural tolerance? To what degree can a culture successfully adopt the icon of another culture? The United States ofAmerica and Russia have often had a rocky relationship. Nevertheless, a little piece of Moscow sits comfortably before the Connecticut
River outside of Hartford.
45115

11:50-12:15 | Room 703 (7F)

What Beauty for the Future? From Ideal Perfection to Wabi Sabi Aesthetics
Francesca Iannelli, Roma Tre University, Italy

In contemporary art, beauty seems to be an obsolete value. From Marina Abramović to Bill Viola and Mona Hatoum, the most famous
artists of our days aspire to surpass the limits of the traditional aesthetic experience through the power of dissonance and disharmony.
Beauty appears therefore to be “a wasted thought” and its existential parable seems to be no longer relevant. Western Aesthetics is - inmy opinion - not very useful for opposing this exhaustion. In fact, it is the very cause. For too many centuries Western philosophers from Plato to Winckelmann and Hegel – have conceived beauty primarily as ideal perfection, namely as an unachievable value for humanbeings. This ideal inspired ancient and modern sculptors, painters, musicians, photographers until the begin of the twentieth century, when
beauty became the most bitter enemy for any avant-garde artist (as Barnett Newman declared in 1948 in his essays The sublime is now).
The immediate consequence was a complete lack of confidence in any serious reflection on beauty as if this category have been entirely
deprived of authority (as A. C. Danto assumed). For these reasons, it is time to go back to another, still fruitful conception of beauty, namely
the Wabi Sabi Aesthetics as praise of imperfection and irregularity, in order to evaluate its potential for a new understanding of beauty inthe twentyfirst century, not only in Japanese culture, but also in the Western world.
44537

12:15-12:40 | Room 703 (7F)

Reclaiming the Future: Queer Interventions Into the History and Study of Design
John Potvin, Concordia University, Canada

As architect and essayist Joel Sanders has asserted: ‘If the history of the professional decorator has been neglected, the subject ofhomosexuality and interior decoration has been largely ignored’ (2002: 16). Mark Hinchman has recently noted, in passing, that ‘[o]ne might
think, therefore, that the issues of design, sexuality, and identity would interest historians [...] but this [...] remains largely unexpressed’(2013: xvii). In key Design History texts by leading scholars focusing on the field’s methodologies, historiography and its possible future
directions, sexuality as a path of inquiry has consistently been missing. This fact becomes even more distressing when one considers
that the majority of these texts, which proclaimed to provide the blueprint of the future of Design Studies, were written during the mostdire period of the AIDS crisis and the development and consolidation of queer theory itself. My research is motivated by the ambition toprovide a long overdue intervention into the state of Design History and Design Studies where sexuality has been systemically ignored,with queer theory leaving no discernable trace on the field twenty-five years after being coined. This absence is coupled with an archivalarchitecture that tends toward inhospitality to scholars of marginal histories. As a result, I pose the following series of questions: • H o w
might a queer-activist reading and intervention into historico-archival material provide the groundwork for a future Design History? • In
short, what is the queer future of the design archive and Design History itself?

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 51

11:25-13:05 | Room 704 (7F)

Saturday Session II
Aesthetics, Design
Session Chair: Bernardo Attias
44888

11:25-11:50 | Room 704 (7F)

Looking for the Future in the Present; Science Fiction and the Aesthetics of ‘Defamiliarising the Familiar’
Syed Haider, Royal Holloway, University of London, United Kingdom

The depiction of the future in Western popular culture frequently returns to old questions of what it means to be human, the fear of efficient
but heartless machines; the rise of totalitarian regimes and the augmentation of their power through technological advancements. This
curious backward-looking trope is at the heart of much of science fiction (sf) and has been from the very beginning of the genre. But unlike
Fredrick Jameson, for whom the genre of sf is defined ‘precisely by its inability to truly imagine the future’ (Latham 2017, p180), I contend
that this limitation is a reflection of the fact that the future is constituted in the present. To reclaim the future, one must first reclaim thepresent, and this requires not a leap into the unknown but a gesture of defamiliarising-the-familiar. It is this which is at the heart of thegenre and not the future, nor indeed technology. Celebrating this in essence is a celebration of imagination and its role in offering new
ways to order the present. Focussing on films like Lucy (2014), Arrival (2016) and Upgrade (2018) as well as the Channel 4 series, Humans,
this paper will draw on Yuriko Saito’s Aesthetics of the Familiar (2017) to assess the importance of a cyclical imagination that contracts
the past with the future, and explore its relationship to looking afresh at everything we hold commonplace and ordinary. It is this lattergesture that makes sf an important genre in any discourse looking to imagine possible futures.
45619

11:50-12:15 | Room 704 (7F)

#Donttrendonme: Millennial Coachella Appropriation on Instagram
Ashley Cordes, University of Oregon, United States

This paper explores re-presentations of woman Native Americanness at the 2018 Coachella Valley Music and Arts Festival. I consider
politics of re-presentation and cultural appropriation as well as the lived and “felt” experiences and responses to these displays fromNative American people and their allies. I textually analyze Instagram images that illustrate the “Coachella look.” This look consists ofhypersexualized outfits paired with bricolages of headdresses, tribal hairstyles, feathers, beads, war paint, and other markers of Native
American- ness. Although millennials are proclaimed to be awakened or “woke” to issues of race and gender, the widespread appropriationof Native Americanness at CVMF suggests that this generation has blind spots to these issues. In particular, they appropriate and mix
their costumes into cultural hybrids, peppered with illusions to hippie and rave subcultural style and to a psychedelic and artificial racial
futurism. At the same time, we celebrate a new wave of Native and ally millennials that speak back to these racial and cultural “rip offs”
that are experienced as “felt” attacks on Indigenous cultures and identities. To demonstrate these acts of resistance I describe memes,
hashtags, and blogs on social media platforms that aim to re-articulate and revise the problem. I find that these are useful digital terrains
for decolonial views to uniquely speak to, and against, racist performances of Native identities. I end with a suggestion that millennials
address the racial harms they enact with more education, exposure of colonialist fantasies, and attention to the felt experiences of others.
45622

12:15-12:40 | Room 704 (7F)

Ethnography of the Vinyl Lounge: A Case Study in the Curation of Culture
Bernardo Attias, California State University Northridge, United States

This case study is part of a larger project focused on the role of the Disc Jockey (DJ) in popular music culture. This study will suggest initial
findings of ethnographic research into a specific manifestation of these cultures: the vinyl record lounges that have emerged from the mostly
jazz-oriented kissaten (cafes) that sprung up around postwar Tokyo and had a heyday in the late 1960s. While many kissaten have sincedisappeared, some remain, and they have inspired a new wave of “record lounges” that have opened in cities as far flung as Los Angeles,
Berlin, London, New York, and of course Osaka and Tokyo. These lounges have dovetailed with a revival of vinyl record sales over the past
decade or so in a consumer market that has otherwise moved away from physical media. This project is an ethnographic study of specificvinyl record lounges in Los Angeles, Osaka, and Tokyo, with a view towards understanding popular music culture as a curatorial enterprise.
The focus is not so much on record collecting as it is on the performance of one’s collection. This study is unique in DJ culture research, which
has traditionally focused on DJ performances for the danceclub. At these lounges, by contrast, the focus tends to be on embodied listening
experiences. This ethnography is part of a larger project that understands DJ performances as curatorial dialogues, in which participation incommerce (from bar-hopping to record-shopping) is not just a matter of commodification but also of cultural exchange.
45662

12:40-13:05 | Room 704 (7F)

Advocating and Theorizing Expressive Academic Products and Practices: A Case for the Visual Essay as
Scholarly Output
Luc Pauwels, University of Antwerp, Belgium

While an emerging practice at many sites (journals, conferences, exhibitions) ‘expressive’ scholarly products such as the visual essay,receive little explicit theoretical and methodological consideration. Hence, individuals seeking to create such potentially exciting products
are largely left out in the cold with respect to: how to select/produce images or other types of visual materials, how to make them work intandem with the textual parts (titles, main text, captions..), how to construct an argument or experience through a thoughtful combinationof images, typography, lay out and text (and possibly spoken text, music and ambient sound), and finally how to meet specific disciplinary
expectations and trying to cope with scientific traditions which are alien to this kind of approach on the verge of art and science. For
indeed, in addition to the many ‘multimodal’ and medium related expressive challenges, scholars also have to come to terms with thescientific communities (peers, reviewers, funding agencies, promotion committees) which usually are unfamiliar with this line of work andas a result often react rather dismissive towards approaches that are implicit rather than explicit and that use expressive means otherthan words and numbers to convey insights. This presentation will argue that the social sciences and the humanities should embrace
more experimental, expressive and experiential forms of data production and communication. It will try to come up with a view andexamples of what this may imply concretely, what impediments are on the way and how they can be addressed.

52 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 705 (7F)

Saturday Session II
History
Session Chair: Wybe Kuitert
45240

11:25-11:50 | Room 705 (7F)

Re-Reading Mizo Folktales

Laldinpuii Puii, Government Aizawl West College, India
Mizoram is a state in the north-eastern part of India. Till the late 19th century, the people of this region followed an oral tradition andpassed on their folktales from one generation to the next through word of mouth. With the arrival of Christian missionaries in the year
1894, alphabets were developed for the Mizo language and the folktales which had always been in oral form began to take the shape of
the written words. This paper will study the collection of Mizo folktales by British administrators in the early part of the twentieth century
and look at how these collections portrayed the people of the land. The importance of the folktales to understand the Mizos and how they
helped shape the attitude of the administrators will be dealt with in the course of this paper. Folktales which had previously been collected
as sources of information for administrators are now being collected in a new light. Mizo folktales are now being studied as sources ofhistory, culture, practices and understanding the past. The process of creating a new way of looking at the past while paving the way forthe younger generation of the Mizos through the re-reading of Mizo folktales will be an important part of this paper.
45173

11:50-12:15 | Room 705 (7F)The Moral Thought of the Malays: Feudalism & The Concept of Corruption During Pre-Colonial Era
Norizan Kadir, Universiti Sains Malaysia, Malaysia

The evolving of the feudalism system of the Malay Sultanate during the pre-colonial era has marked the construction of Malays’ moral
thought. During this period, the ideas of moral values were primarily constructed by the Malay ruler which was the raja or sultan who
had the highest position in the feudalism system. Therefore, the king's practices often became the practice and culture of the common
people. As the moral thought was perceived in a form of top-down approach, the construction of the concept of “corruption” also mainly
relies upon the king's values. Absolute power does indeed corrupt absolutely as the king tend to confine the concept of corruption to a few
malpractice acts that were considered against his power and authority including treachery and breach of trust by enforcing the punishment
and the death penalty to such crimes. The common people tend to become more adaptive with the rules, thus unable to question thedeviation made by the king. Thus, this article aims to investigate the understanding of the concept of corruption and how feudalism had
shaped the conceptualization during the classical age in the Malay society. Is that true the comprehensive ideas of “corruption” merely awestern adoption without any foundation in Malay tradition? This research is based on selected Malay manuscripts including Sulalatus
Salatin and Sultan Abdul Hamid’s correspondence.
45496

12:15-12:40 | Room 705 (7F)

Re-Imagining Education: Growth, The Garden, and Japan Perceptions of Constantijn Huygens (1596-1687)
Wybe Kuitert, Seoul National University, South Korea

Growth is a process of nature: trees grow bigger and children grow up. A garden is about forging a piece of living nature into a new shape,
following some mental construct. But designers’ artistic intentions are confronted with inevitabilities of natural growth and decay in thegarden, not fully controllable. Raising children is even more complex as the child’s own will challenges parents’ intentions more and morewith the passing of the years. Huygens’ renaissance-determined ideas about molding Nature into Art for his garden, contradicted withexperiences of raising trees. Difficult soil did not fit just any tree; but with proper understanding he discovered the beauty of uncontrolled,
natural growth of trees, within the rigid frames of his classicist design. Such uncontrolled beauty became comprehensible throughaesthetics perceived in imported art from Japan, whereas Japan traveler François Caron - in family circles of Huygens - reported in detailon upbringing children in the land of the rising sun. It made Huygens to propose an advanced idea, pointing to individual talent, specific to
one child, talent that has to be cultivated by gentle, parental understanding and artful adjustment. Indeed, Huygens had some remarkablechildren. A sequence of events, ranging from the mud of a garden to intelligence that came in with the global business practices of the
Dutch in Japan led to enlightened ideas on education of children, much earlier than Rousseau. Unexpected realities and advancing insightbrought such wisdom; it did not come up in an abstract, academic society.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 53

11:25-13:05 | Room 707 (7F)

Saturday Session II
Humanities - Language/Linguistics
Session Chair: Larissa Lutskovskaya
50729

11:25-11:50 | Room 707 (7F)

Language Consumption Under “The Belt and Road Initiatives”: A Case Study of Guangdong
Jiaxin Liu, Jinan University, China
Yuan Hsun Chuang, China University of Technology, Taiwan

In China, because of the government's ""One Belt, One Road"" policy, Guangdong-Hong Kong-Macao Greater Bay is currently facing
linguistic and cultural exchanges. The requirement of language consumption is booming due to the international investments and all
aspects of communications in this areas. Therefore, researches are needed to investigate and classify the increasing demand of language
consumption. This paper, taking Guangzhou as an example, analyzes the various language consumers and their demands via surveys
and interviews. It is found that there are five types of language consumers and their intercultural language requirements are significant
and urgent. The finding provides crucial suggestions for the development of language policy, language planning and language industries
under the background of “the Belt and Road”.
45638

11:50-12:15 | Room 707 (7F)The Syntactic Interpretation of Thai Middle Voice and Target Sentences in Japanese
Kanokwanwalai Inhongsa, Mahasarakham University, Thailand

This paper examines the syntactic interpretation of Thai middle voice sentences such as nǎŋsɨ̌ɨ níi kh ǎaj dii ‘this book sells well.’ and theequivalent sentences in Japanese. As a Thai speaker who teaching Japanese as a foreign language, I find out that we cannot say *kono hon
ga yoku uru ‘this book sells well’ which is the literal interpretation from Thai middle voice. This might cause a problem to learners who study
Japanese or Thai as a foreign language –i.e. Thai middle voice has a THEME as a subject occurring with an agentive verb and a manneradverbial, while the target sentences in Japanese such as a passive or potential form has a THEME or else as a subject occurring with averb form by suffix -(r)are. This kind of the form is derived from active voice –e.g. taber-u ‘eat’ and taber-areru ‘can eat/ be eaten’. Thus, thedistinction of interpretation between Thai and Japanese sentence structure must be made. In addition according to Inhongsa (2016) , the middle
voice in Thai is generated without movement because there is no trace of movement in the deep structure. In contrast, the target of interpreted
sentences in Japanese are syntactically derived. This paper will show the syntactic and morphosyntactic processes of those interpretations.
45672

12:15-12:40 | Room 707 (7F)

Analysis of Discourse to Prevent Violence Against Minors in Sports: Identifying Research Goal and Tasks
Larissa Lutskovskaya, Peoples' Friendship University of Russia, Russia
Anastasia Atabekova, Peoples' Friendship University of Russia, Russia
Natalia Udina, Peoples' Friendship University of Russia, Russia

Currently sport is crucially important segment of human life, produces a significant impact on sociocultural and civic self-identification
and representation. Along with its undoubtedly positive role in society, international community focuses on such an alarming phenomenon
as violence against minors in sports.This requires specialists’ attention from the angle of verbal communication, as well, since sport ispart of current social and intercultural communication. Therefore,it is timely to explore discourse of various target audiences and humansubjects of communicative situations referring to the topic of violence in sports. The report will justify linguistically and socially the goalof the above study as that one to identify discourse models for communication with various target audiences and humans in order toensure the protection of minors from violence in sports. Such focus has not been subject to discourse analysis so far. The report will
also elaborate on those tasks that academic community needs to solve to achieve the mentioned goal. Using concrete examples fromthe collected research data the report will show that these tasks include identification of key topics regarding violence in sport, analysis
of communicative contexts within the phenomenon under study, examination of language mentality of various target audiences andhuman subjects involved in communication in the mentioned field, study of language tools humans use to express their social roles
and intentions, identification of speech patterns of the mentioned actors,development of discursive models for communication among
stakeholders in order to protect minors against violence in sport.
45669

12:40-13:05 | Room 707 (7F)

Shaping Methodology for Analysis of Discourse to Prevent Violence Against Minors in Sports: Identifying
Materials, Methods, and Approaches
Anastasia Atabekova, Peoples' Friendship University of Russia-RUDN University, Russia
Larissa Lutskovskaya, Peoples' Friendship University of Russia-RUDN University, Russia
Natalia Belenkova, Peoples' Friendship University of Russia-RUDN University, Russia

Modern studies of discourse in sports reflect current trends in sociolinguistics. Social constructionism, post-structuralism, cognitive andpsychological approaches within critical discourse analysis shape grounds for studies of institutional and interpersonal communicationin sports (McGannon,2016). Recently international community has identified the challenge of violence against minors in sports The
phenomenon is verbalized in narratives of victims, their parents,peers, lawyers,journalists, and scholars. Therefore, it seems timely to
explore potential of discourse as socio-linguistic tool to prevent mentioned alarming phenomenon. This angle has not appeared inlanguage studies so far. Bearing in mind the above mentioned diverse producers of discourse related to the subject under study the reporttries to prove the need for a comprehensive approach to heterogeneous research materials selection. The report argues through concrete
cases for interdisciplinary approach and need to integrate data from linguistics, theory and practice of communication, jurisprudence,pedagogy, sociology. The report confirms through examples that analysis of discourse on the topic under study is likely to benefit fromthe dominance of qualitative methodology (case studies, observations, interviews, narratives) supported by various types of quantitative
analysis and soft (ICT-based content and cluster analysis, voyant-tools soft, etc) to provide data adequate interpretation. The report shows
concrete promising practices of such approaches as field and inductive ones, cognitive, descriptive and pragmastylistic approaches,
provides data on the need of critical comparative approach to identify internationally common and nationally specific features of mentalverbal perception, representation and interpretation of topics in the area of study.

54 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 708 (7F)

Saturday Session II
Teaching and Learning
Session Chair: Chih-nian Hu
45504

11:25-11:50 | Room 708 (7F)

A Research on Taiwanese Aborigine Experimental Education: A Case Study of P’UMA Elementary School
Hui-Yu Hu, National Chiayi University, Taiwan
Cheng Cheng Yang, National Chiayi University, Taiwan

Taiwan’s population is multi-ethnic. Taiwanese aborigine is a very important ethnic group. One important function of experimental education
is to help preserve their ethnic culture and identity. This research utilized related ethnic identity theories (i.e. social identity theory, cultural
identity theory, and ethnic identity development theory) as the conceptual framework. The current problem of Taiwanese aborigine is thataboriginal people start to lose their ethnic identity because of the advancement of ICT and traffic. The core value of experimental education
is to preserve ethnic culture and identity of Taiwanese aborigine, can experimental school really fulflll this goal is an important question.
This research aims at exploring educational practices of one unique experimental school for Taiwanese aborigine. The name of this school
is P’UMA primary school. This school is the first experimental school for the aboriginal ethnic group “Tayan(泰雅族)” and this school wasestablished to help preserve their culture and identity. The main research purpose is to explore if the teaching and learning process of thisschool can really re-establish their ethnic culture and identity by interviewing important stakeholders. This research will collect data via
interview, observation, and document analysis. The interviewees include principal, teachers, students, elder leaders of tribe, community
people, and cultural directors of this school. Empirical data will be used to find out: how aborigine knowledge and culture can be integrated
into this school? Will stakeholders change their attitude on their ethnic culture and identity because of this school? Are there any obstacles?
What are the future ambitions? Implications for policies and further studies will also be discussed in this article.
45502

11:50-12:15 | Room 708 (7F)

To Transform and Implement Taiwanese Aborigine Experimental School: A Case Study of One Junior HighSchool in TaichungChih-nian Hu, National Chiayi University, Taiwan
Cheng-cheng Yang, National Chiayi University, Taiwan

Aborigine people is a very important race of Taiwan. The Taiwan government also makes efforts to preserve Taiwanese aborigine’s
culture and education. This study chooses one junior high school that is currently working on their Taiwanese aborigine experimental
education inside that high school. The researcher herself is a Taiwanese aborigine. This study plans to interview school principal, teachers,
experimental education curriculum committee group members. To know how this experimental junior high school, promote curriculum
reform. The main research questions of this study are: (1) what are the main purposes of curriculum reform of this experimental juniorhigh school? (2) what are the components of original curriculum need to be change to fulfill the purposes of experimental education
for Taiwanese aborigine (3) what are the major challenges that this experimental junior high school will encounter when this school
implement this curriculum reform? The interviews of this study will focus on answering the above research questions to know thepotential contradictory elements between original curriculum and new curriculum of this experimental junior high school. Implications for
improving experimental education of Taiwanese aborigine will be discussed in the last section of this study.
45365

12:15-12:40 | Room 708 (7F)Elementary Teachers’ Sensemaking in Relation to Integrative Activity Learning Area Curriculum Guidelines
Wei-Kuo Wang, National Tsing Hua University, Taiwan

The goal of this study was to explore the content, source, context, and process of elementary school teachers’ sensemaking in relation
to integrative activity learning area curriculum guidelines. In-depth interviews were conducted to evaluate elementary school teachers’
reflections and thought processes regarding the curriculum guidelines for integrative activities. The teachers’ interpretations of thecurriculum guidelines and their sensemaking during curriculum implementation were further analyzed. From among elementary school
teachers with service durations of at least 3 years and 3 years of experience in teaching lessons based on integrated activities, six
participants were selected. The findings were as follows: (1) The teachers’ sensemaking processes during implementation of integrative
activities were based on “previous experience, identity, and practice”; “participation in teacher professional growth activities”; and“messages conveyed by the principal.” (2) The teachers’ sensemaking contexts included the following: school administrators’ intervened
relatively little; the teachers had autonomy in curriculum implementation; parents considered classes based on the integrative activities
relatively unimportant; and relatively few instructional resources were provided with textbooks for the integrative activities. (3) The
teachers' sensemaking involved concepts that fit the guidelines and were plausible for implementation. (4) The teachers’ sensemaking
actions included the following: approval of instruction by external organizations; adoption of self-developed teaching materials; andorganization of outdoor instruction activities to enrich students’ experiences. (5) The teachers' concept of "flexible useable time" in
implementation of integrative activities resulted in ambiguous and flexible actions from the teachers. Finally, the study formulated
recommendations based on the findings.

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 55

14:15-15:30 | Room 703 (7F)

Saturday Session III
Performing Arts Practices
Session Chair: Helmi Vent
50626

14:15-14:40 | Room 703 (7F)

Japan’s 2.5 Dimensional Theatre Production Techniques and the Future of Live Theatre
Evelyn Leung, Ritsumeikan University, Japan

While the traditional Japanese theatrical offerings of Noh and Kabuki have struggled to entice millenial Japanese youth to attend live
theatre, the past decade has seen a steady development of the 2.5 Dimensional Theatre genre. These live stage plays and musicalperformances based on anime, manga, and video game properties continue to sell out their venues in Japan, and have started venturing
across the oceans to expand their audience. This paper will examine various technical theatre aspects of these 2.5 Dimensional Theatre
productions, especially those found in “period” properties such as the Touken Ranbu series of stage plays and musicals with their blended
use of traditional Japanese theatre conventions and 20th century lighting techniques. I will also discuss their importance to keeping live
theatre viable in Japan, to introducing foreign audiences to modern Japanese theatre, and as a reasonable model for future live theatre
performances to follow.
45590

14:40-15:05 | Room 703 (7F)The Sound of Chime Stones - A Case Study on Nine Chime Stones Found in an Eastern Zhou Tomb in QixianSongzhuang, China
Xueyang Fang, University of Huddersfield, United Kingdom

Among many percussion instruments of Oriental origin used in musical performance, the chime stone is one of the most interesting
acoustically. According to Chinese classical text Zhou li , bayin was a classification system. Musical instruments were divided into eightgroups, according to the materials from which they were made. The chime stone which I will introduce in this paper belongs to thecategory of stone and it is a kind of percussive lithophones which can be categorized into idiophones within the H-S system. Between
2009 and 2010, a set of chime stones dating to the Springs and Autumns period (ca.770–476 BCE) of the Eastern Zhou Dynasty was
excavated at Hebi Songzhuang in Henan province, China. When nine chime stones are struck by mallet respectively, they can produce asound which constructs a four- note scale in pentatonic scale mode. They also had ritual meaning when they were used in an ancientroyal court. Due to the fact that there are neither previous nor current articles relating to chime stones from this tomb, it would seem,
therefore, that further investigation is needed in order to do systematic research on chime stones including typology, sound archaeology
as well as their social and political meanings based upon the Li-yue cultural system. The methodologies combine different approaches
such as statistical analysis and tone measurement by using computer software, music archaeology and Ethnomusicology. The outcomes
reflect the limitations of previous research based partly from literatures, and make a supplement to current research in different aspects.
44753

15:05-15:30 | Room 703 (7F)

“I Have a Question: Do Europeans Sing in Trees?” Reimagining Ourselves and Our Relationships to Others
Through Performative Interventions
Helmi Vent, Mozarteum University Salzburg, Austria

The paper focuses on people from Salzburg, Austria, who, despite the increasing turbulence in society, consider democracy to be aparticularly estimable anthropological and societal concept. They perceive the human capacity for change as a valuable potential, intervene
publicly in undemocratic happenings in their cultural and social environment by performative means, express criticism – usually frombelow, directed towards those above – and make alternative suggestions for the issues that concern them. Their basic tools are the body,language, and sounds. The people referred to here are connected with each other as participants in the developments of performativeinterventions at Lab Inter Arts in Salzburg, a platform for crossover projects (headed by Helmi Vent). A variety of film documentations ofthese interventions show what these participants at the crossroads of the arts and the humanities are concerned with: namely, calling
attention to certain possibilities for changing supposedly unchangeable “facts”, at least in their particular environments. At the point
where the attempt is made to transpose these ideas for possible change into performative action, the presented interventions tie in withcertain anthropological, communicative, and societal aspects of The Asian Conference on Arts & Humanities in Tokyo 2019: reimagining
ourselves, our relationships, and our environments. The series of film documentations ends with a comment by an African immigrant in
Salzburg: "A human being is a human being". What more is there to say?

56 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

14:15-15:30 | Room 704 (7F)

Saturday Session III

Media, Film Studies, Theatre, Communication
Session Chair: Jungman Park
45591

14:15-14:40 | Room 704 (7F)

The Internal Other: Abjection, Victimhood and Ideological Transformation in Post-War Japanese Film
Laurent Shervington, University of Western Australia, Australia

This paper considers post-war Japanese film as a lens for understanding social conditions during this period. Invoking Kristeva’s theoryof abjection, Butler’s understanding of ‘unlivable’ zones of subjectivity and Žižek’s contributions to the concepts of community andjouissance, this paper proposes that this period in Japan’s early post-war history was marked by various forms of social and psychic
exclusion. Especially, it will consider those groups that came to be associated with the trauma of the war and were cast off in order todevelop a new post-war Japanese identity. Yasujirō Ozu’s Tokyo Story (1953), Kon Ichikawa’s Fires on the Plain (1959) and Ishirō Honda’s
Matango (1963), are all exemplary post-war Japanese films for the way they represent the powerful ambivalences of the very recent
wartime past. In particular, the focus of each film is a figure of marginality in post-war Japan: in Tokyo Story the maternal figure, in Fireson the Plain the soldier figure, and in Matango the figure of the explosion affected people (hibakusha). These films that are considered
reveal how post-war anxieties coalesced on these figures of exclusion.
45599

14:40-15:05 | Room 704 (7F)

Futuristic Reflection on the Aftermath of Humanity: Pluto, A Graphic Novel
Jungman Park, Hankuk University of Foreign Studies, South Korea

Urasawa Naoki's graphic novel Pluto (2003-2009), set in a virtual post-human world in which human and robots neighbor each other, raises
questions about humanity, both ontological and epistemological. Pluto is based on and adapted from legendary Japanese cartoonist
Osamu Tezuka's manga Astro Boy series. In Pluto, 5 out of 7 'greatest robots on earth' are killed consecutively by 'Pluto' a mysterious
robot villain. Gesicht, android robot detective and protagonist, tracks the murder case. The story attempts a critical reflection on thehuman and humanity through the life of artificial intelligence robots. Pluto tells about the end of humanity through the story in which thegreatest robots on planet are being destroyed. A comforting point is that Pluto never gives up hope for humanity. Just as God leaves Noahand re-flourishes mankind in the face of peril, Pluto presents optimistic expectation on human existence and future through the existenceof android robot detective Gesicht. Gesicht and Atom, the last two remaining greatest robots, are eventually killed by Pluto. After the deathof Gesicht, his memory chip is used to awaken Atom, and the last moment of Gesicht right before the destruction is implanted into thememories of Atom. It was his words of "Nothings comes from hatred" and the human emotion of love and forgiveness. The existence ofGesicht tells that artificial intelligence has already evolved into a new humanity who is superior to human beings physically and ethically,
and consequently post-human age has begun.
44180

15:05-15:30 | Room 704 (7F)

Kirishima: Reflections on Humanity and Nihility
Paninya Paksa, Bangkok University, Thailand

The Kirishima Thing is a 2012 Japanese film, which was awarded Excellence Film at the 67th Mainichi Film Awards as well as Best
Director at the 37th Hochi Film Awards in 2012. The film won Japan Academy Prize for Picture of the Year as well as received several
nominations. It has been screened worldwide, including Thailand in 2015. While The Kirishima Thing is not screened in any major film
festivals and never wins any awards in well-known film competitions, the author is of a view that this film well reflects the whole society
and its impacts on the human life. Particularly, the film depicts the self- searching’s high school students through a seemingly central
character called “Kirishima” who hardly appears in any scene. In order to gain further insights into the use of space, this article analyses
the film with narrative theory, formal criticism, and contextual criticism. In an attempt to do so, this article plans to explore space so as toexplore human relationships from small to large scales while questioning about the society progressing absurdly in which everyone lives
a life just the way it is.

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14:15-15:30 | Room 705 (7F)

Saturday Session III

Science, Environment and the Humanities
Session Chair: Keren Mazuz
44620

14:15-14:40 | Room 705 (7F)

Biomorphic Design of Heritage Shophouses as a Model for Sustainable Indoor Environment
Josephine Ong, Universit Sains Malaysia, Malaysia
Azizi Bahauddin, Universit Sains Malaysia, Malaysia

By 2050, global population is projected to reach 10 billion people. Based on the author’s observation on Malaysia’s development, Penang
Island has many high-rise housing developments due to space limitation. These high-rise buildings’ architectural design has becomemonotonous, and repetitious because of the socio-economic demands. These cause the high-rise buildings with the creation of indoor
environment pay no regard to the ‘Sense of Place’. It becomes boring and ultimately losing its local regional’s distinctive characteristic.
It indirectly affects human well-being and happiness level of those who are living in the indoor built environment. In the heritage sectionof Malaysia, shophouses have many unique qualities such as history, architecture and culture with a strong sense of community. The
shophouses many different designs were based on the natural elements, shapes, and forms known as biomorphic embedded with multicultural beliefs. A sustainable indoor environment does not only focus on architectural materials and engineering aspects but also withthe ‘Sense of Place’ as an essential element to sustain the human well-being with local culture conduciveness. This paper is analysing thebiomorphic nature of different shophouses in Penang Island, Malaysia. This study uses qualitative method to observe and to document
the six different types of shophouses in UNESCO World Heritage Site, Penang, Malaysia. The results showed the shophouses are rich withbiomophic design that can be used as a model to sustain indoor environment and human well-being in the future.
45294

14:40-15:05 | Room 705 (7F)

It’s Our Future, Ask Us: Centring Children’s Voice in Geoscience Education Research
Emer Emily Neenan, Trinity College Dublin, Ireland
Joseph Roche, Trinity College Dublin, Ireland

The world is facing a future of rising temperature, rising sea levels, and rising incidences of natural disasters. Key decisions inenvironmental, scientific, and educational policy taken now will determine what kind of world today’s schoolchildren will inherit when
they come of age in an era of climate change. This paper reflects on the use of Children’s Research Advisory Groups (CRAGs) inresearch aimed at informing or influencing future policy. Building from the work of Welty & Lundy (2013) and Murphy et al. (2013),
CRAGs are a method of including and centring children’s voice in research that will affect them. An ongoing mixed methods study ofstudent engagement with and understanding of Earth Science in Irish secondary schools uses CRAGs to include the voices of Irish
primary and secondary school students. These CRAGs are convened in three representative schools in the study and comprise students
representative in age and demographics of the participants of the study. The CRAGs are consulted at multiple stages, including before
the pilot survey and after results are compiled, and their input guides key decisions within the project, including the language usedin the survey, the format of the information provided to schools, and the conclusions drawn. This paper will discuss the benefits
and challenges of incorporating children’s voices in research, particularly with regard to educational research and research aimed at
impacting climate and environmental policies.
45168

15:05-15:30 | Room 705 (7F)

Toward an Informed-Patient Approach to E-Health Services
Keren Mazuz, Hadassah Academic College Jerusalem, Israel

With the expanding utilization of digital and technological media by public health providers and healthcare consumers, there isa need to evaluate the patients' role. This paper is a sociological and anthropological analysis of the effect of e-health services on
the informed-patients' role and their ability to bring about social change through the Internet and their use of e-healthcare services
through online community-growth dynamics. In this paper, the term e-health services refers to all new electronic means (the Internet andtelecommunications) providing health resources, information and a platform for interaction between institutions, health professionals,
health providers, health consumers and the public. Through examples of health-related websites, this analysis focuses on informedpatients and how they are able to seek health information and to demand better health services and standards for themselves and fortheir communities. These examples illustrate the use of e-health services, the social implications of this usage upon the physician-patientinteractions and the limitations of the e-health services due to digital divide and inequality. The new technologies provide an optimalmeans for storing, searching, and retrieving healthcare information, and for sharing illness experiences. The Internet also permits selfeducation and self-management for individuals who become informed-patients. This role, albeit, with its limitations, affects the ways bywhich people consume health, consult their physicians and also influence health policy.

58 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

14:15-15:30 | Room 707 (7F)

Saturday Session III
Arts
Session Chair: Lila Yawn
50339

14:15-14:40 | Room 707 (7F)

Creative Identity of Artist and Society That Supports
Sieun Ko, Yonsei University, South Korea

An individual does art to fulfill one's desire to actualize oneself because this act is what makes them feel glad to be alive, which is the creative
identity essential to artists. However, if one begins to feel inferior comparing oneself with others due to the stress that society gives to oneself
and the culture that emphasizes collective identity prior to individual identity, one might suffer identity crisis as an artist, and produce workthat's not authentic to oneself, thus, unhelpful to society. Creative identity, gained from one's strong connection to oneself, the society andthe world through the work they do, and the satisfactory feeling of oneself of doing art that follows it, is where creativity and authenticity
naturally flow that produces bona fide art that makes a healthy society. Therefore, realm of art in society should not be too strict on artists
who feels joyful and meaningful producing their works since doing art is formation and expression of their true selves, which can heal andinspire others who have access to these artworks; In addition, there should be many art institutions that support all artists to have access to awide audience, not only some famous artists who target a limited audience. Paper's aim will be 1) explaining how artist's (generally focusing
on painter's and writer's) identity, characteristics and creativity is tightly intertwined, 2) discussing what could be the healthy way to evaluate
artists' artworks, and 3) depicting the imagined society where true artists can flourish.
50752

14:40-15:05 | Room 707 (7F)

Reclaiming the Mind-When Traditional Chinese Realist Painting Meets the Contemporary Arts
Pei Ling Liao, National Taiwan University of Arts, Taiwan

The purpose of this study is to construct a personal style of painting that transcends the realm of rational thought, in which thought
resides in the mind, in pursuit of a spiritual dialogue of the utmost truth, goodness and beauty. Paintings in this personal style transformthe thoughts and ideas that exist in the subconscious mind into concrete presentations that rise above unitary space and time, bringing
the creative ideas of the paintings into alignment with traditional views of nature and philosophical ways of thinking and turning theminto creative elements, both abstract and concrete. In this way, Chinese Gongbi painting effects a transmission of internalized ideas witha traditional cultural significance. Through multiple space-times and the Indian mandala symbol, the meanings that lie hidden in the mind
are expressed. Western and Eastern aesthetic ideologies are appropriated and transformed into individual creations, releasing the energyof artistic dedication. The goal of this creative discourse is to attain mastery of Gongbi techniques to create the first album of Gongbi
mandala painting. This form of painting employs the intellectual holism and ideas of ‘form’ and ‘spirit’ in the context of the Chinese Gongbi
tradition. This form of painting also employs artistic composition and formal creation, injecting personal qualities to display the vitalityof the contemporary international art scene. In this way, this form of painting conveys the value of the inexhaustible vitality of life, giving
praise to the continuity of a myriad of things in the cosmos. Life is the source of infinite creation, and the accompanying mental imagery
is also infinite. All forms and images are born in the mind, morphing into new life, which in turn brings mind and world, inner and outer, into
seamless communication. Mind and world are responsive to each other and grant each other vitality, endeavoring a new realm of artistic
creation of ‘unity of heaven and humanity.
50862

15:05-15:30 | Room 707 (7F)

Reconnecting Rome to Its River Through Contemporary Art, from Kristin Jones’s She-Wolves (2005) to William
Kentridge’s Triumphs & Laments (2016)
Lila Yawn, John Cabot University, Italy

Rome was founded along the Tiber River and for more than two and a half millennia lived in intimate symbiosis with its waterway. Startingin 1876, however, the ancient riverscape of watermills and boathouses was replaced with high river walls of travertine to end the floodingthat regularly devastated adjacent low-lying neighborhoods. For the first time in the city’s history, the Tiber—where Rome’s mythic
founders, Romulus and Remus, were reputedly abandoned as infants and discovered by a she-wolf—was cut off from the urban landscapeand became a no-man’s land, polluted, crime-ridden, and desolate. In 2000, New York artist Kristin Jones decided to reunite Rome with its
river by transforming a central section of the Tiber embankments into a space for contemporary art and music. Between 2005 and 2016,
she and Tevereterno, a volunteer collective founded for the purpose, drew thousands of people to the river with monumental, ephemeral,site-specific artworks inspired by Roman history. The series began with Jones’s own She-Wolves (2005), a series of eight-meter-highimages drawn onto the river walls by selectively washing away the natural patina of grey grime; and it culminated with a work in thesame medium by William Kentridge: his Triumphs & Laments, a 500-meter-long procession of colossal figures inaugurated in 2016 with
spectacular night-time processions of live music and shadow plays. This paper traces the development of these projects and their urban
and social impact in a city both hungry for renewal and chronically resistant to it.

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14:15-15:30 | Room 708 (7F)

Saturday Session III
Teaching and Learning

Session Chair: Ru-Jer Wang
45310

14:15-14:40 | Room 708 (7F)The Adoption of English Education at Preschool in Taiwan
Huan-Teng Huang, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

Globalization has created a market that fosters new competitions around the world,which demands higher levels of international
communication skill. English, as the lingua franca in most of the international settings, has thus been stressed by most of the governments
around the world. Taiwan is no exception, and the government of Taiwan has put much importance in enhancing the English competenceof its citizens. Nonetheless, the English competence index revealed by the Education First Institute (EF) indicated that Taiwan ranked the11th out of the 19 Asian countries participating in the assessment in 2017, falling behind Indonesia, Vietnam and China. Consequently, in
2018, the Premier of Taiwan has proposed to transfer Taiwan into a bilingual country, with English and Chinese as the official languages.
One of the epoch-making implementation efforts is to allow English education at preschools. This research is thus aimed to determine thebenefits and drawbacks of adopting English education at preschool level in Taiwan. A self-developed questionnaire will be administered
to 100 kindergarten teachers. Finally, we will provide school stakeholders with practical recommendations for achieving a sound result of
adopting English education at preschools.
45306

14:40-15:05 | Room 708 (7F)

A Research on Parents’ Perspectives on Parental Education Practices of Preschools in Tainan City of Taiwan
Mei-Hsueh Hung, National Chiayi University, Taiwan
Cheng-Cheng Yang, National Chiayi University, Taiwan

Parental education is an important issue in Taiwan now because of the trend of parental participation in school education and student
learning. Therefore, this research aims at exploring parent’s perspectives on parental education of preschools in Tainan, Taiwan. The
main factors of questionnaire of this research include to measure parents’ views on their needs of learning activities and willingness ofparticipation. This research also plans to compare views of parents with different backgrounds. This research design the questionnaire
based on literature review and researcher’s teaching experiences. The current condition of preschool of Tainan is that there are 180 publicpreschools and 150 private preschools in Tainan. This research plans to collect 50 questionnaires from 50 preschool parents in Tainan.
The types of parental education of preschool can be delivered by face to face communication, ICT communication, internet community,
student communication book, preschool students learning outcome presentation, parent and kid co-learning activities, and etcs. This
research hypothesized that parents’ willingness to participate in parental education offered by preschools could be influenced by theirlevel of education, social and economic status, gender, marital status, and number of children. The statistical methods of this researchplans to use frequency analysis, descriptive analysis, T-test, and ANOVA. Implications for preschool education and future studies will be
discussed in the final section of this research.
46016

15:05-15:30 | Room 708 (7F)The Study of Principals’ Professional Standards in Taiwan
Ru-Jer Wang, National Taichung University of Education, Taiwan
Yueh-Chun Huang, National Chiayi, Taiwan

Due to lack of principal standards in Taiwan, it is helpful to review and understand the systems of principal standards established in
the countries such as the United Kingdom, the USA, Canada, and Australia so as to enhance professionalization of principals in Taiwan.
Although it is beneficial to look to the above foreign systems, it is necessary to take local conditions and contexts into account so as tobuild a system of principal standards because of differences in terms of contexts and backgrounds across countries. The purpose of thisstudy is to establish principal standards meeting both the international trends and local needs. For the purposes, the methods employedin the study are made of comparative study, focus group, Fuzzy Delphi. The principals' professional standards for Taiwan are developed
from the findings of the above combined methods in the study. Concluding remarks are made in the final part of this presentation.

60 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

15:45-17:00 | Room 703 (7F)

Saturday Session IV
Aesthetics, Design
Session Chair: W. Eirik Heintz
50641

15:45-16:10 | Room 703 (7F)

Adopting Calligraphy Style to Design Smart Clothing for Down Syndrome Users
Ying-Chia Huang, Fu Jen Catholic University, Taiwan

The research is aimed at improving smart clothing design for 3 age groups of Down Syndrome users in Taiwan. It addresses 3 issues toenhance a comfort ability of smart clothing. These are high degree of garment fitting, comfortable to wear 12 hours a day and customized
bodice for garment pattern-making. These smart sports wears are designed for age of 12, 22 and 32 male Down syndromes to take asa tool to do self-care training. Their parents, caretakers and case managers are able to monitor the Down’s activities through electronic
device and mobile application of wearable technology. It is including electronic safety control of temperature, location detection, fall down
detection, SOS alert and pedometer. The research investigates on 3 smart garments by following 4 steps. Firstly, the author collected
3 calligraphy from a famous calligrapher of Taiwan, who is Chung-Kao Tu. Secondly, developing 3 smart sports wears by observation,
hands on method, laser cutting technology, waterproof heat transfer film, invention patent No. I1621405 of 3D sculpturing garment
manufacturing method and system thereof. Then, after garment fitting, the research is to refine and align garment pattern to establish theclothing in the idea level of conceptual sample. In summation, this study focusses on developing 3 smart clothing design with calligraphy
style. It also demonstrated a good design smart clothing in style and garment pattern offer not only users’ need, but also comfortable towear all day and reliably to assistant to do self-care train.
44871

16:10-16:35 | Room 703 (7F)

The Design Table

W. Eirik Heintz, The American University of Sharjah, United Arab Emirates
Students entering the first year of design at the American University of Sharjah (AUS) in the United Arab Emirates represent well over 30
different nationalities. With this diversity comes both wonderful cultural traditions and certain biases in the way they perceive the world
and others around them. This paper examines a group project that is given to design students in their first semester that examines a foodsetting. Food has a social, cultural and design context that is often overlooked or taken for granted. The creation of food can be traditionalor experimental but can have a very specific relationship to a place and culture by its traditions or ingredients. Through the examining offood and tradition, students participate in a shared understanding of each-others culture and identity. Working in small groups of three orfour students whose task it is to present a single outcome can also have its challenges. Fundamental to working with others is learning
how to listen and compromise. It is the responsibility of educators to replace a student’s tendency toward a personal agenda to a sharedagenda with common goals. This paper will analyze ways in which students can work together to identify and elaborate common design
goals and forge new relationships that lead to a better understanding of others and a sense of value in what each student has to offer.
45195

16:35-17:00 | Room 703 (7F)

Modeling the Cultural Product Design Process of Young Designers: An Approach of Grounded Theory
Elim Liu, Southern Taiwan University of Science and Technology, Taiwan
Ze Hong Wang, Southern Taiwan University of Science and Technology, Taiwan
Yu-Ting Lin, Southern Taiwan University of Science and Technology, Taiwan
Tseng-Pin Lee, National Quemoy University, Taiwan

This is the age of qualia consumption, designers are challenged to design from their cultural context, to highlight the cultural value ofthe product. In this research, the notion of ‘cultural product’ refers to objects designed as from particular project cultural and patrimonial(tangible or intangible) foundations, bind to a community and culture. From this point of view, designers become agents of culturalcontext, and should understand how cultural product acquire and communicate cultural meanings. However, the design process of cultural
products remains a black box that needed to be modeled. We thus studied the 10 cultural design projects that took part in Taiwan, andconstruct a model based on interviews of the young designers we have conducted. To develop the model, we followed the methodology ofthe grounded theory, which is an inductive heuristic method that is appropriately suitable to be adapted for the implicit design processesof cultural products. The main contributions of this research are: first, the model of the cultural product design process were depicted;
and second, the methodology we used to construct this model. Our model depicts the cultural product design process, which features
resemble to both general product design, and culturally appropriate product design development processes. However, it also presents
specifics that are not shown in other empirical researches. This model can serve as a basic for future prescriptive research on culturaldesign. Moreover, we recommend a grounded-theory based methodology to model undocumented and implicit design processes.

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15:45-16:35 | Room 704 (7F)

Saturday Session IV
Humanities - Globalisation
Session Chair: Stephen Woolpert
50747

15:45-16:10 | Room 704 (7F)

Globality of Anti-globalization as a Paradox and Initial Point of Resetting the Philosophy of Planetary
Development
Alexander Bezgodov, Institute for Planetary Development, United Arab Emirates
Dmitrii Gavra, St-Petersburg State University, Russia
Mikhail Velikoselskiy, Institute for Planetary Project, United Arab Emirates

The world has learned from anti-globalists that it is global. Transnational business, joint financial resources, the planetary systems
of information and communications, international scientific projects, and political unions without boundaries and cordons are theobjective reality. They are the current level of the development of civilization. However, today, public opinion on these processes isformed by political technologies and the populists of protesting rather than independent scientists and experts. This has resulted ina mass trendy international social and political movement. The supporters of rather incompatible ideologies have gathered under theflag of fighting for justice: from national sovereignty and cultural and national identity to universal equality and individual freedom.
Paradoxically, anti-globalization globally unites the representatives of most states, nations, and worldviews… It unites people ofdifferent ages, income, status, culture, education, and intellect… The large-scale threats to humanity realized by the participants ofthis movement will inevitably lead to the awareness of the need for planetary association not only to fight for justice, but also forthe self-preservation of the human population on the Earth. Today, it is absurd to deny that the global world is the reality. There isan urgent need for perfecting, improving, and transforming it. Ideologically, the opposition to globalism is underpinned by scientificsubstantiation and moral distinctiveness. It is possible to minimize its destructive part by balancing the distribution of natural andproduced benefits, resources, and incomes at the planetary level.
44838

16:10-16:35 | Room 704 (7F)The Humanities Build Democratic Capital

Stephen Woolpert, Saint Mary's College of California, United States
Each generation is shaped by the historical context in which their education takes place. By providing us with a fuller understanding of
the world and our place in it, the Humanities help us make sense of these larger events. Today's citizens must be prepared to function ina culturally diverse, globally interdependent, and technologically sophisticated world. Yet sadly, our society is suffering from excessive
self-interest, growing intolerance, and a decreasing sense of responsibility to one another. The Humanities help remedy these problemsby building “democratic capital”. The primary ingredients of democratic capital are social trust (a belief in the reliability of others), political
efficacy (the capacity to engage in public life), and democratic tolerance (extending respect to those whose viewpoints differ from one'sown). The Humanities promote good judgment in a world of uncertainty, cross-cultural understanding a world of diversity, and integrative
thinking in a world of complexity. Technical skills may become obsolete over time, but the democratic capital generated by studying the
Humanities will not. While hardly a panacea for our social, economic, and political ills, the Humanities are more important now than ever.

62 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

15:45-17:00 | Room 705 (7F)

Saturday Session IV
Humanities - Globalisation
Session Chair: Sri Herminingrum45639

15:45-16:10 | Room 705 (7F)

Creative Change the World: A Study of Big Idea in Cause-Related Marketing
Ching Jung Fang, University of Ming Chuan, Taiwan

Enterprise competitiveness is not only the ability of marketing strategy and innovative technology. It should reconsider the relationshipbetween people and society and the natural environment. The corporate social responsibility (CSR) is the key to success for sustainablebusiness. More and more companies use the cause related marketing to communicate, and the creative performance in the message is
the key to winning the advertising campaign. A creative advertising can stand out in many artworks, and it is impressive and easy to obtain
feedback, deepen memories and evaluate the brands and companies. Moreover, a creative and meaningful advertisement can lead people
to think deeply and even change people's mind and behaviors. Based on the award-winning advertisements that have been confirmed by anumber of professional experts, it is credible to believe that award-winning advertisements can be a representative of creativity and worth
learning. This study explores the winning advertisement by content analysis, and understands the trends in the use of Cause-RelatedMarketing, as well as the creative strategies and creative execution of works. The findings serve as a reference for social marketing ofdomestic companies, as well as academics and professors in advertising design and social design related courses.
45589

16:10-16:35 | Room 705 (7F)

Moral Choice and Compliance: Exploration of Justice in ‘The Love Song of J.Alfred Prufrock’Kongkona Dutta, Indian Institute of Technology, Madras, India

Set in an urban locale of early 20th century Progressive America, T.S.Eliot’s poem “The Love Song of J.Alfred Prufrock” accounts thepsychophysical inertia of a man namely Prufrock through his confessional dramatic monologues reverberating within his subjective
mental space. Considering monologues as a reflection of an individual’s past or current experiences with others, the paper seeks to
explore mutual reciprocation of Prufrock with other characters and vice versa, which reveal implementation of their subjective choices
and sense of ‘Fairness’ or ‘Justice’ in a social context of a flourishing laissez faire economy. Since social justice can be evaluated justly
within the rationale of social contract, the poem is hypothetically placed and examined within David Gauthier’s social contract setting
known as Moral Contracterianism (based on his book Morals by Agreement, 1986). Moral Contract, as a theory of making moral choices
towards a justified distribution of resources in a free market economy makes it an apt paradigm to consolidate my arguments. The mutual
engagement of all in the poem is examined on the basis of their adherence to type of ‘moral choice’ as prescribed by moral contract theory
in forming a stable mutual compliance. The paper tries to answer whether Prufrock and others realise their maximum subjective utility
and a fair treatment as social contractors. Also it grapples with Eliot’s portrayal of ‘Reconciliation’ with regard to Prufrock and questions
its justness.
45583

16:35-17:00 | Room 705 (7F)

Regaining the Decay of Human Values

Sri Herminingrum, Universitas Brawijaya, Indonesia
The myriad of ethnic and sub-ethnic groups in Indonesia causes similarly numerous creations, communication, and performance offolklore. Today, however, tales which are classified in verbal lore and believed as people’s fictional works are decaying since almost all tales
still use local-regional languages, which generally have become unpopular. Furthermore, modern life-style strongly relies on technologybased media. To trace back the initial function of tales: delivering human values to shape cultural identity, two Javanese children’s tales
entitled ‘Sing Welas Asih Marang Kewan’ (‘Be Kind to Animal’) and ‘Ketemu Rajane Ulo’ (‘Meeting with the King of Snake’) are scrutinized.
Upon interpreting these stories, functionalism approach, particularly the idea of an informal teaching means, is considered to answer thevery common question about the usefulness of learning humanity. By discovering the dense moral-ethical lessons as the root of humanvirtues in these exemplified tales, it can be asserted that tales for children are not definitely old-fashioned because they do not merely
connect to the past but represent the heart of the present life. It signifies that as far as Indonesian children are regarded as the future
golden generation, teachings on humanity through fiction is influential to their character building.

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15:45-17:00 | Room 707 (7F)

Saturday Session IV
Language, Linguistics
Session Chair: Trisnowati Tanto
45436

15:45-16:10 | Room 707 (7F)

External Evaluation in Roald Dahl’s The BFG

Joanna Deborah Sukham, Maranatha Christian University, Indonesia
This research is aimed at analyzing the external evaluation in The BFG (1982), a children’s novel written by the British author Roald Dahl.
As an author, Dahl is known for his creative use of narrative techniques in conveying his stories to the target readers. This researchthen focuses on finding out the functions of the external evaluation – a part of the narrative structures which contains the narrator’scommentaries on the events happening in the story he tells – by using the theory of narratology proposed by Gerard Genette. In his
theory of narratology, Genette divides the analysis of a narrative into four categories: narrative mood, narrative instance, narrative level,and narrative time. By focusing on the element of narrative mood concerning the distance and function of a narrator, the analysis showsthat the narrator’s commentaries in this novel serve as a way of interacting with the readers, resulting in a close connection between
the narrator, the story he narrates, and the readers. These commentaries also provide logical directions for the readers, thus helping thechildren as the target readers to understand the events in the story better.
45514

16:10-16:35 | Room 707 (7F)

Social Criticism in Roald Dahl’s The BFG: A Structural Semiotic Analysis
Jeanyfer Tanusy, Maranatha Christian University, Indonesia

Narrative texts in the form of stories are a powerful tool that can be used to shape opinions and views without the readers’ realizing it. It
is not uncommon for writers to weave their own views of the world inside their stories, and when this is done skillfully, it takes more thana leisurely reading to unearth the message beneath the story. This paper aims to examine how Roald Dahl portrays the world of a child in
his children novel, The BFG. Using Barthes’ five systems of codes, this descriptive qualitative research puts an emphasis on analyzing thestructure of the story, which is divided into different lexias. Each lexia is then categorized into the five codes to reveal the underlying theme
and messages Dahl wants to impart to his readers. The findings show that this novel, despite intended for children, includes a criticism of
the society—especially the British, where the story is set—in the time of the writing.
45323

16:35-17:00 | Room 707 (7F)

Narrative Structure of Roald Dahl’s The BFG

Trisnowati Tanto, Maranatha Christian University, Indonesia
A writer’s narrating style is worth analyzing, especially when this style can utilize as a powerful foregrounding element of the story, as
it can highlight the main ideas of the story as well as the aesthetics of the language used. Furthermore, a good writer basically has tobe able to meet both the structural and the functional demands. The structural demand deals more with how the story is composed insuch a way that it makes sense for the readers, while the functional demand is about how the writing can be embellished so that thereaders will get attracted to keep reading the story. This paper focuses on the elements of the narrative structure of R. Dahl’s The BFG, achildren’s novel and see how it manages to meet the structural demand. Besides, this paper will also elaborate how the language features
used in the novel are attractive enough to meet the functional demand. The method used in the analysis is the descriptive method withthe referential technique. The grand theory used is Stylistics, which is the study of style in language, or more specifically, the study of
distinctive linguistic features. William Labov’s theory of narrative structure will also be used as the more specific approach. This analysis
results in the finding that Dahl has been successful in meeting both the structural and functional demands.

64 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

15:45-16:35 | Room 708 (7F)

Saturday Session IV
Teaching and Learning the Arts
Session Chair: Sih Natalia Sukmi
45181

15:45-16:10 | Room 708 (7F)

Future in Mind: How Finland Develops Capable, Confident Learners Through Craft
Jenny Beachum, University of Sydney, Australia

In 1963 Eleanor Roosevelt wrote, “What we must learn to do is to create unbreakable bonds between the sciences and the humanities.
We cannot procrastinate. The world of the future is in our making. Tomorrow is now.” Her wisdom grew from the seed of witnessing life
during a time of great turmoil, and challenging the accepted ways of thinking in a bid towards positive change. Now, once again, when
discord and conflict grow at a rapid rate and when many people feel disempowered due to the political climate, innovative thinkers withempowered voices and a capacity for collaboration are crucial. Education is the key. In Finland, a significant focus is placed on integrated
learning through Craft in the primary school curriculum, and these projects are allocated more teaching hours than History, Music or
Visual Arts. Effective problem-solving, practical capability and self-expression are prioritised within the syllabus, along with reasoning
and communicating. This qualitative study explored the experiences of a Year 6 class in Helsinki, students and teacher, as they developed
skills and understandings through craft. Themes emerged that highlight the benefits of a curriculum built upon values and educational
practices motivated by a goal of developing life-long learners who recognise the importance of teamwork. Allowing students to take risks
reinforced new skills, opened a path of confidence and encouraged exploratory thinking. The findings show that learning through Craft canmake ideas tangible, encouraging innovation and dialogue that is crucial to the next generation reclaiming the future.
50756

16:10-16:35 | Room 708 (7F)

The Interdisciplinary Representation of World Heritage Preservation in Sangiran
Sih Natalia Sukmi, Universitas Kristen Satya Wacana, Indonesia

Strengthen protection and conservation of world’s cultural and natural heritage is section of Sustainable Development Goals (SDGs). The
effort to execute it needs appropriate collaboration between stakeholders based on particular conditions and environment of site. This
paper aims to explain how was the interdisciplinary students and local community working on the field school of Human on Heritage
depict collaboration across background to preserve the prehistoric site. The groupthink theory used to describe the relations among
participants. This field school was conducted in Sangiran Early Man Site as UNESCO World Heritage Center in Indonesia. The result showsthat the activities create the space to communicate, negotiate and perceive meaning of site for seeking their groupthink.

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Notes66 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

Sunday
March 31
Parallel Sessions
Abstracts appear as originally submitted by theauthor. Any spelling, grammatical, or typographicalerrors are those of the author.

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09:30-10:45 | Room 703 (7F)

Sunday Session I
Media Arts Practices: Television
Session Chair: Shu-Yin Yu
45702

09:30-09:55 | Room 703 (7F)

The Development of Virtual Tour Interface for a Wetland Park by Using Unity Technologies
Tun Hsueh Chan, I-Shou University, Taiwan
Gwo-Long Lin, I-Shou University, Taiwan

This research focuses digital interface with content for the virtual tour of a wetland park located in Dashu district of Kaohsiung, Taiwan.
The development of the virtual tour commenced from field survey to investigation detail geographic and culture features. Next, a seriesof 3D models including traditional brick-based architectures and landscape were built into a virtual space. In addition, some biologicalfeatures of the wetland such as insects and plans were added to increase the atmosphere. Reinforced with Unity technology, this virtualpark allows users to walk-through within the computer monitor by the keyboard control. Then interface is modified for the use of HTC
Vive, which demonstrates textures of buildings and undulate landscape in detail, providing realistic feeling to the users. On the other hand,
this interface also provides small games in the theme, which are digitized experience including traditional as bricks stacking for online
customization and brick making process for a virtual kiln within the wetland park. With 3D rotatable view and interactive simulation, manyusers experienced the virtual park and provided positive finding and advises This has proved this virtual tour interface is an effective formof cultural heritage.
45685

09:55-10:20 | Room 703 (7F)The 3D Glasses Try-On System of Augmented Reality Using Intel Realsense Camera
Gwo-Long Lin, I-Shou University, Taiwan
Tun Hsueh Chan, I-Shou University, Taiwan“Consumers first” is a well-known fact in the market. In order to meet with the preferences and demand of customers, personallycustomized process has become a trend. Following the trend of customization, this paper presents an eyeglasses try-on system basedon augmented reality to fulfill the needs of customized eyeglasses. The system is equipped with Intel Realsense Camera to detect facialcharacteristics. With the camera and a designed eyeglasses model, customers can try on, adjust, and eventually find the best fit. In thepast, it was lengthy and complicated to construct an eyeglasses try-on system. Therefore, in this paper, we adopted the game engine,
Unity, plus the Intel Realsense Camera and its assistance SDK. Using its special function of catching numerous facial characteristics,
we are able to substantially improve the time-consuming defect before, and serve different customers in time. After the customization
is done, the digital data of the glasses are selected and adjusted according to the 3D facial scan. Then the digital model of the glasses
is converted into STL format, which is used for 3D printing. A desktop 3D printer of DLP SLA technology is used to fabricate the legs
and frame of the selected pair. Through the accurate process of solidifying photocurable resin, the frame is built up within four hours.
Without the need of polishing, the surface of the frame is then coated by the UV Inkjet printer, which can present in any color selected andcustomized solely by the consumer.
45625

10:20-10:45 | Room 703 (7F)The Effects of Brand Communication on Consumer-Based Brand Equity: A Study on Firm-Created Website andUser-Generated Fan Page
Shu-Yin Yu, Ming Chuan University, Taiwan

Purpose- Brand social communities (fan page) are increasingly attracting the attention of consumers intrigued by active two-way
communication and up-to-date information. The purpose of this study is to compare the effects of traditional firm-created website
and user-generated social media (fan page) brand communication on five consumer-based brand equity (CBBE) dimensions. Design/
methodology/approach- The paper applied quantitative approach, standardized online survey and Likert scale are used to collect theeffects of brand communication on brand awareness, brand association, brand perceived quality, brand trust and brand loyalty, andanalyzed by using SPSS statistical analysis. Findings- The results showed that both firm-created website and user-generated fan pagebrand communication differentially influence brand awareness and brand association. Whereas user-generated fan page had a positive
impact on brand perceived quality, brand trust and brand loyalty. Originality/value- The paper revealed the brand-buliding efforts on five
CBBE dimensions, which indicate marketing specialists and brand managers to know how assess social media functions and features via
two different types of brand communication to build the brand equities.

68 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

09:30-11:10 | Room 704 (7F)

Sunday Session I
Other Humanities
Session Chair: Mark Beeman
44735

09:30-09:55 | Room 704 (7F)

Towards an Agency of Dust

Anne-Kathrin Wielgosz, Walsh University, United States
In 1987, photographer Peter Wellmer stumbled upon a deserted building with an interior both fully assembled and in working order: theabandoned United Linen Factories at 48a Viktoria Street in Bielefeld, Germany. It had been built in 1913, and, by 1920, Juhl & Helmke
employed 164 seamstresses there, who worked on dowry assortments of undergarments and household linens. Under one roof, linen wascut, sewn, embroidered, starched, ironed, and packaged. When forty years later decline set in, every expenditure was stalled; by the 1970s,
the factory was in the hands of only four employees, until, in 1981, they too quit the building. From then on, nothing settled there but dust,
and its deceleration locked the space into an interval of stasis and a corner in time long since past outside the building. When, in 1993,
the space opened as the Linen Works Museum, it was a museum only at second sight, as nothing had been tidied up or interfered with.
Neither wrenched from their place nor explained away, every object was left exactly where it had been left, where it had been lying about by
happenstance. Textiles, especially, are vulnerable to dust, but no curator estimated their worth for preservation. The visitor simply moves
on equal footing with the muffled pensiveness of the building’s languishing remains. At the United Linen Factories, the past has claimed
its residue, time has said goodbye to its own present, and dust tells of the afterlife of the objects it covers.
44710

09:55-10:20 | Room 704 (7F)

Re-Envisioning the Humanities in the Era of Wicked Problems
P. Darin Payne, University of Hawaii, United States

The “market value” of the humanities is, once again, in crisis. As Benjamin Schmidt has recently written in The Atlantic, the collapse of
the global economy in 2008 produced a notable sea change in students’ perceptions about their career prospects, one that has resulted
in serious declines in humanities majors. Yet the humanities are more needed than ever, especially given the complexities of 21st century
political, social, economic, and environmental conditions. I argue in this paper that our survival in the academic marketplace depends
on our ability to render more transparent our significant role in cultivating citizens, workers, and activists for this current era of “wicked
problems.” Defined initially by Rittel and Webber, the “wicked problem” is that without a clear solution, one that cannot be identified andagreed upon by all stakeholders given their differing ideologies, circumstances, and identifications. The wicked problem defies absolute
closure and instead invites collective action and dialogue by multiple actors, including especially those working around the cultivationof social imaginaries, shared understandings of history, and ongoing negotiations regarding future trajectories. The humanities canbecome a powerful site for building the appropriate skills, capacities, and mindsets for working on wicked problems with local and global
stakeholders across corporate contexts, government workplaces, legal and educational settings, and activist organizations. Thus, inthis presentation I will elaborate on these claims by defining and illustrating wicked problems and, in turn, positing relevant promising
revisions to curricula, pedagogy, and scholarship in the humanities.
45658

10:20-10:45 | Room 704 (7F)

Memento Mori: A Positive and Contemporary Reflection Through Visual Art on a Life Span Spent Well
Debbie Walter, Charles Darwin University, Australia

Through Memento Mori reflection, particularly through the Visual Arts, we can reclaim the future with positivity by valuing our limited time.In thiscontemporary world the media inundates people with bad news stories, but we also live in a time where we pretend to forget that death exists
for all and seek distraction from the topic. Many cultures, including an Australian Northern Territory perspective, an indulgent consumer society
is encouraged and extravagance is promoted. This consumerism is a distraction that aids the avoidance of thinking about death but does notprotect or prepare us for the inevitable. The arts have always been a powerful stimulus for contemplation and allow the viewer space to reflect
about subjects that may be challenging. ‘Memento mori’, a Latin derived phrase meaning ‘remember you must die’ is easily misconceived as
morbid yet there is a long and fascinating tradition of artwork which was designed to remind the viewer that we are mortal with a limited life span
and it still powerfully resonates with artists today. A reminder that is not about fearing death but rather guiding the viewer on what can be gainedby an appreciation of the limits of mortality. This process of self-reflection can help ground humanity back to the importance of one-another,relationships and our connections to the earth, along with considerations for the subsequent trace we leave, and this is something that we cancontrol. A positive new way of representing an age-old contemplation universal across cultures:one’s life span.
50669

10:45-11:10 | Room 704 (7F)

African American Women and Lost Cause Imagery in Film
Mark Beeman, Northern Arizona University, United States

After the close of the Civil War and the abolition of slavery, the white southern elite embarked on a mission to develop new forms of
institutionalized subordination of the African American community. Significant in the process was the attempt to create a mythicalreinterpretation of slavery and the confederacy through the propagation of an ideology known as the Lost Cause. The Lost Cause ideology
sought to re-establish white supremacy through educating the public by elevating confederate soldiers and plantation owners as honorable
men who cared for an inferior African American population content to serve their masters as slaves. Instrumental in this narrative was therole of the mythical mammy character, represented as an African American woman willing to sacrifice out of love of her ""white family.""
Making public displays of this character were done in two ways. First, statues representing the Mammy figure were erected specifically topresent an image of the proper role for African American women. Second, the American film industry both intentionally and intentionally
supported the Lost Cause imagery of the African American women. This paper traces this complex and troubling imagery through selectedfilms beginning in 1915 and continuing to the present. The sociologist Patricia Hill Collin's in Black Feminist Thought theorizes that negative
stereotypical portrayals emerging from the plantation slave era continue to degrade African American women today. I argue Collin's theory
provides an important lens for critically assessing representations of African American women in films past and present.

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09:30-11:10 | Room 705 (7F)

Sunday Session I

Immigration, Refugees, Race, Nation
Session Chair: Anne Raffin45641

09:30-09:55 | Room 705 (7F)

Illustrating Political Discourse in Southeast Asia: Comics and the Rohingya Refugee Crisis
Ferth Vandensteen Manaysay, Waseda University, JapanThe goal of this paper is to examine a prominent storytelling platform which has largely been ignored by scholars of Southeast Asian visualpolitics: the comics. This paper examines how comics serve as a discursive mechanism for visual representation within the purview of theRohingya refugee crisis in Southeast Asia. Drawing from post-structuralist approach and visual discourse analysis as the theoretical andmethodological frameworks of the study, the author looks into three aspects of the comics: (1) the cultural capital and comics practices; (2)the particular text–image discourse, and (3) the inter-textual composition. The article also illustrates the applicability of the above-mentioned
analytical components through a case study of two long-form online comics engaging the Rohingya refugee crisis. The first case is basedon the work of an award-nominated comic journalist, which tackles the criticisms about Aung San Suu Kyi and the bloody military campaign
against the Rohingya minorities. The paper shows that the ability of these comics to “speak” politics is still dependent on the international news
sources and wider debates, which shape the ways in which the comic artists are able to frame their work. The second case, meanwhile, uses
the International Organization for Migration’s (IOM) awareness campaign against human trafficking, including the publication of a comic series
based on the real-life stories and experiences of Rohingya refugees. This paper suggests the line of argument that humanitarian organizations
make the case for the “right to survival” of refugees which also enables them to serve as political-security actors.
45624

09:55-10:20 | Room 705 (7F)

Reclaiming Well-Being: How “Lay Knowledge” of Bangladeshi Immigrants in the UK can Help Understanding
Non-Communicable Diseases
Ibtesum Afrin, Independent University, Bangladesh

Public health is still concerned about managing non-communicable diseases even after deploying health interventions and awarenessprograms worldwide. Drawing from that apprehension, in this paper I have discussed “why public health fails to manage NCDs?”- with a medical
anthropological lens. This study is based on a fieldwork among Bangladeshis in Birmingham, UK, as they have a special division of a first andsecond generation with a unique cultural setting of the first generation soaking in both their native and host country’s culture, whereas, thesecond generation brought up in the UK. A mixed method of quantitative and qualitative research helped to point out the health constructions,nonetheless, explained disregarded socio-cultural factors or individual’s viewpoint. Findings illustrate that the formation of people’s healthbased knowledge, beliefs, and practices, also known as lay knowledge, are not homogeneous rather varies culturally. Therefore, this discussion
portrays how kinship, age, and culture regardless the mobility can form health beliefs of two generations that helps to unveil potential factorsof NCDs management failure, which public health might have overlooked. In many cases, public discourses have contributed to manufacturing
different health ideas of mass people. The argument is that medical anthropology can challenge this manufacturing process by using its
methodological and conceptual approach to identify what lay people think and understand about diabetes and heart disease, moreover, it
reclaims the possibility of managing well-being of NCD based health interventions positively with culturally tailored health programs.
45510

10:20-10:45 | Room 705 (7F)

Cultural Inclusion and Transmission of Ethnic Identity of Internal Migrants: A Compelling Priority of 21stCentury India
Babu Tharith, University of Calicut, India

Internal migration is an essential and inevitable component of the economic development and social life of any country.The Constitution ofIndia (Article 19) gives the right to all citizens to “move freely throughout the territory of India; to reside and settle in any part of the territoryof India”. As per the estimates of the Ministry of Statistics & Programme Implementation Government of India, internal migration accounts
for a large population of 326 million (NSSO 2010), nearly 30 percent of the total population in India. The growing inflows of immigrants fromdifferent parts of the country with different ethnic and cultural patterns, ‘identity’ became one of the crucial points of debate for policy makers
on immigration and ethnic identity. In the absence of proofs of identity and residence, internal migrants are unable to claim social protection
entitlements and remain excluded from government sponsored schemes and programmes. The constraints faced by migrants are manyand they face exclusion from state-provided services such as health and education and discrimination based on ethnicity, religion, class orgender. Most internal migrants are denied of their basic rights, yet internal migration is given very low priority by the government in policy
and practice, partly due to a serious knowledge gap on its nature and magnitude. This paper focuses on the constraints faced by internalmigrants and the need to address the pertinent issues related to their identity as a compelling priority of 21st Century India.
44898

10:45-11:10 | Room 705 (7F)

Reclaiming the Future: A Better Life Under the Tropics, French Retirees in Cambodia and Vietnam
Anne Raffin, National University of Singapore, Singapore

This project studies French retirees in two places in Cambodia and Vietnam, Sihanoukville and Nha Trang. Because of the lack of reliable
statistics on the number of French retirees outside of France, I chose a qualitative approach as I interviewed 61 persons in 2017 and 2018.
Small pensions, the rise of the cost of living in France, the search for one’s roots for the Eurasians and failed marriages had led some
Frenchmen to take their retirement under the tropics. Using literature on “sociologies of individuals,” allows me to explore key moments
redefining the life of these retirees and how they use their own agency to improve their own life, to make an important biographicaltransition in their life. More precisely, I am turning to Roger Brubaker and Frederick Cooper’s “categories of practice” which underline theeveryday life experiences of ordinary people and in our case how these seniors integrate into a new environment and also try to recreate
little pocket of Frenchness abroad. Being a heterogeneous group – in this paper they are defined as being 50 years old and above,receiving a pension and, if working, no more than a few hours a week - these retirees are better understood by looking at the practices they
develop which can be analysed through the sociology of aging and the used of the literature on postcolonialism since the fact that bothcountries were previous French colonies was also a pulling factor in settling in these parts of Southeast Asia.

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09:30-10:45 | Room 707 (7F)

Sunday Session I
Literature/Literary Studies
Session Chair: Chia-chen Kuo
50212

09:30-09:55 | Room 707 (7F)

Ecopoetics in Clovis Nazareno and Rene Estella Amper
Hope Yu, University of San Carlos, Philippines

Clovis Nazareno and Rene Estella Amper are not characteristically considered nature poets. However, both of them participate in thesignificant discussion of human relationships with the environment. Their acknowledgment that all human beings are innately subject
to the limits of anthropocentric thinking encourages a search for an ecocentric way of perceiving nature without imposing human ideals
on it. This paper examines each poet’s unique environmental poetics to make a broad application of ecological poetry. By looking at thedevelopment of ecocentrism in Nazareno’s poetry and Amper’s organic language, the connection between their methods that accurately
understands nature’s multiplicity shows that nature poetry needs the shift in perception to present linguistic reformation to embody alanguage of nature.
45643

09:55-10:20 | Room 707 (7F)

Nomadic Subjectivity in the Selected Works of Abdourahman Waberi
Netty Mattar, International Islamic University Malaysia, Malaysia

Reading world literature is ‘to confront both plurality and the prevalence of difference, and a myriad of often unpredictable nodes ofconnectivity’ (Ganguly, 2007). This seems a challenging task, considering how “Western” critical approaches can work to suppress alterity
or absorb difference into familiar patterns of understanding. Even Postcolonial theory, which seeks to uncover unequal power relations,inscribes the ‘other’ as radically unknowable and is unable to provide alternative ways of encountering difference. It is perhaps apt thento turn to more ‘authentic’ critical perspectives as a way out of this impasse. I am interested in how authentic experiences of the ‘other’
can be discerned by looking to the particular arts, belief systems, and patterns of behaviour within the matrices of the culture from which
the text emerges. I will explore the figure of the nomad as a means of understanding subjective experience in selected writings of FrenchDjiboutian writer Abdourahman Waberi. The nomad is a figure of mobility, embodying a relationship between landscape and subjectivity
that disrupts fixed boundaries of nation. Far from being a mere trope, the Djiboutian nomad is resourceful, resilient, individualistic andproud, relying on distinct patterns of movement to survive the unforgiving landscape. Crucially, the nomad is tied to specific locations,enforcing the importance of difference in subjective experience. Comparing the Djiboutian nomad to the travellers in Waberi’s texts
generates a dialogue between culture and writer, opening up the possibilities for reading non-Western, African subjectivities that go
beyond the scope of Western paradigms.
45777

10:20-10:45 | Room 707 (7F)

Reclaiming the Lost Face: Testimony as Translation in Michael Ondaatje’s Anil’s Ghost
Chia-chen Kuo, Tamkang University, Taiwan

This paper will first make a detour through Walter Benjamin’s conception of translation to argue the idea of testimony should beunderstood not as representation of the traumatic event, but its translation, since the horrible and intangible extent of the latter can only
retrospectively retraced and reconstructed. In this way of thinking, we have encountered the (im)possibility of testimony: there is no truth
waiting to be uncovered nor a single and uniform representation of the event. Thus, as fictional as it is, literature can convey virtual truth,
which is “taking place without really happening.” Literature is testimony which bears witness to historical traumas in fictional ways. In
Michael Ondaatje’s Anil’s Ghost, Ananda’s reconstruction of the face of “Sailor” is testimonial and elegiac. As virtual/fictional truth, thisreconstructed/reclaimed face bears witness to the past massacre prevailing in Sri Lanka in the 90s. It also becomes a work of mourning
through which the bereft Sri Lankans can mourn for their beloved ones. However, this reconstructed/reclaimed face points toward a
redeemable future: in contrast to the inevitable death of Sarath and the ambiguous outcome of Anil who flees Sri Lanka, a repaired/reclaimed Buddha statue, whose eyes are carved by Ananda to initiate its mercy and power on the world, illuminates a compromising andoptimistic future for the Sri Lankans.

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09:30-10:45 | Room 708 (7F)

Sunday Session I

Teaching and Learning
Session Chair: Virginia Pinca Atutubo
45913

09:30-09:55 | Room 708 (7F)

“There is Nothing to Learn Here”: Learning Log Building Techniques From Estonian Master Carpenters
Pinqing Wu, Tallinn University, Estonia“There is nothing to learn here…we are just skinning the logs, you know.” David, an Estonian master carpenter said those words to me on
my first day at his workshop. In a time when learning/teaching can be impersonalized, pre-programmed, and subsequently standardized,
craft apprenticeship provides a unique lens to examine the often under-represented facets of learning. I argue that learning in thecontext of an apprenticeship is a particular mode of learning: it encompasses a multitude of subjective expressions, as well as theintersubjective exchange that follows. In this research project, I reflect on my experience of learning traditional Estonian log building
techniques from several master carpenters during the time span of one year. I apply anthropological methods including (while not limitedto), auto-ethnography and practice-based methods, with the expectation of creating/capturing a fuller account of my experience. I portraya number of scenes from the apprenticeship. For instance, my teacher and I work together on a log which I thought was ruined by themistake I made. Building on which, I discuss the haphazard aspect of craft learning in general, with a focus on my fieldwork where my log
building apprenticeship is imbued with a sense of nonchalance.
45309

09:55-10:20 | Room 708 (7F)

What Makes a Good Elementary School Music Teacher
Wan-Ning Lin, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

Music education in elementary schools is crucial to ensure that school kids having the ability to play a variety of music instruments and toappreciate all aspects of music, moreover, some research even indicates that music education is helpful in improving students’ math andscience learning. Teachers are the center of all kinds of education, and they not only have to teach kids subject knowledge and skills, butalso to build a warm learning environment as well as to solve a variety of students’ learning problems. Music teachers are no exception. In
order to accomplish their missions, a music teacher has to learn different musical instruments, to know music knowledge, and to possess
the talents for class management. This research is thus aimed to identify the major competences that should be possessed by a musicteacher. Analytic hierarchy process (AHP) was adopted as the major technique in generating the relative weights of each competence.
A self-developed AHP questionnaire will be administered to 30 music teachers in Taiwan. Based on the research results, we will provide
practical recommendations to school music teachers and music teacher training institutes for further improvements.
50888

10:20-10:45 | Room 708 (7F)

Personal and Professional Qualities of College Instructors in Sorsogon State College
Virginia Pinca Atutubo, Sorsogon State College, Philippines

This study determined the perception and expectation of students on the personal and professional qualities of the college instructors
in Sorsogon State College, and their awareness on NBC 461 indicators. Qualitative method with a focused Group Discussion had beenused to 135 students from first to fourth year who were currently enrolled in the SY 2015-2016. Findings were personal and professional
qualities are positively and negatively perceived by students; have high expectations on personal and professional qualities of instructors,
and not aware on the indicators of NBC 461. However, the reasons are time of evaluation is not enough; too much words used; and noorientation on teachers’ evaluation. Personal and professional qualities of teachers are inputs to produce good students. High expectationon teachers is natural to define teachers’ professional and personal qualities. Content knowledge, planning for instruction; instructionaldelivery consist knowledge of subject and Individual differences, confidence in teaching, communicative skills and diversity are tools forteaching independent learning and openness, innovativeness, collaborative relationship, assessment, reflection & professional growth;
professional conduct & leadership are factors for development in management learning. The conduct of NBC 461 needs to have proper
orientation and appropriate time may be identified.

72 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 703 (7F)

Sunday Session II

Humanities - Media, Film Studies, Theatre & Communication
Session Chair: Jennifer Yoo
45655

11:25-11:50 | Room 703 (7F)

Little Certain Happiness, Fake Death and Community in The Chronology on Death
Joy Shihyi Huang, National Tsi Hua University, Taiwan

This paper explores issues of community suggested by death images in Chun-Yao Kao’s play The Chronology on Death and its correlation
with issues in contemporary Taiwanese society. Ever since it’s premiere in 2011, this masterpiece on which Kao’s Approaching Theatre
laid its foundation has been constantly sought out for productions over the years. Recounting stories of immigration from Mainland China
to Malaysia and Taiwan, the story features only two male characters constantly running. As brothers they guard the family’s practiced
religion (Taoism) against the Islam Organization in Malaysia by running away with their father’s corpse. As previous generations they
are immigrants sailing for months from southern China to Malaysia, encountering other refugees from other parts of south eastern Asia.
To survive and immunize themselves from community demands for conformity, individuals need to castrate various parts of their oldselves (as in converting from Taoism to Islam), sometimes to a degree that renders the self illegible. This paper argues the immunization
mechanism registered in the story corresponds to the states of contemporary Taiwanese society, in which a precariousness, as theemaciating force imposed on an unnamable part (Taiwan / R.O.C. / Chinese Taipei), propels itself to immunize from the (international)
community, as seen from upsurge cultural phenomenon registered in the inflected term “little certain happiness” originally coined by theJapanese author Haruki Murakami.
44618

11:50-12:15 | Room 703 (7F)

Monstrous Wives and Dead Wet Girls: Examining the Vengeful Ghost in Japanese Theatre and Horror Cinema
Jennifer Yoo, University of Hawaii at Manoa, United States

Noh and Kabuki are among the most recognizable non-Western theatre forms worldwide. Japanese horror films are equally well-known,
with some credit to works remade for Western audiences. The influence of the supernatural on Japanese theatre, namely Kabuki and Noh,as well as Japanese films, is clear. By tracing the developments of kaidan literature and the tradition of ghost storytelling in Japan throughthe lens of a few select stories, from legend to Noh and/or Kabuki production to horror film, the scope of this influence can be identified. By
examining the prevalence of the onryō, or “vengeful ghost” archetype in these stories, the tendency to portray this archetype as female canbe better understood. As in many other cultures, woman is shown to have an affinity with the supernatural, even the monstrous or evil, by
the sheer fact of her being female. In Japan this is indicated in Japanese folklore, religious texts, and literature. By analyzing the narrative
style, visual representation and iconography, and enactment style of the supernatural element present in Japanese theatre forms Noh andKabuki compared to Japanese horror films, it becomes apparent that the female onryō character reflects views of the feminine identity inJapanese society, indicating that the prevalence of the female onryō archetype may have developed for sociocultural reasons in Japan.

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11:25-12:40 | Room 704 (7F)

Sunday Session II

Political Science
Session Chair: Matthias Fritz José Schulze
44602

11:25-11:50 | Room 704 (7F)

Duterte and Feudalism in the Neo-Liberal Philippines
Joeddin Niño olayvar, University of San Carlos, Philippines

With President Rodrigo Duterte’s populist rhetoric, many of the Filipinos are expecting a lot of basic reforms to be instituted under his
administration. One of the long-going issues he promised to confront is the feudal problem in the country characterized by land monopoly
by a few land-owning families. This paper tries to understand the backbone of Philippine feudal structures and how it has been resilientfor over centuries. In particular it presents the reason for its persistence under a world capitalist economy which would have supposedly
destroyed the feudal relations. The concept of Semi-feudalism is discussed to bridge this gap in traditional literature on feudalism. Whilemost literature argues that world capitalism destroyed feudalistic structures (Nelson, 2004), this paper argues that neoliberal structures
reinforce feudal structures in the Philippines subjecting it only to cater to the needs of the free market leading to the synthesis which is
Semi-feudalism. This paper also concludes with the prospects of Duterte addressing this problem by using Amado Guerrero’s Philippine
model of Marxist class analysis. It situates Duterte as the state leader in a Semi-feudal Philippine society, and his role in the persistenceof the essential features of feudalism as reinforced by structural forces of neoliberal globalization. Duterte’s failure to address the issuesof feudal relations is a reflection of his actual class orientation despite his ‘anti-oligarch’ rhetoric.
45621

11:50-12:15 | Room 704 (7F)

Infrastructuralization’ of a Formerly Stateless Enclave: The Politics of State-Making Through Infrastructure ina Border Village of Bangladesh
MD Rashedul Alam, University of Western Ontario, Canada

Infrastructure connects material forces, political frictions and social entities. This paper explores the mundane politics evolving around theconstruction of various infrastructures in Balapara, a border village of Bangladesh. The partition of British India, in 1947, cartographicallyawarded Balapara to India but physically placed it inside East Pakistan (now Bangladesh). In 2015, a historic enclave-swap agreement
between Bangladesh and India transformed Balapara into a Bangladeshi village. Before the swap, Balapara residents didn’t have any stateadministration or citizenship rights because of its anomalous location. The swap treaty confirmed both the authority and state facilities ofBangladesh in Balapara which initiated unprecedented state-provided infrastructural interventions, e.g. roads, electricity, clinics, offices,and schools. This paper argues that these infrastructures have been playing influential roles in channeling state power into Balapara,
turning the table of political landscape and provoking astonishing political agency among the residents. Through the infrastructures, thestate of Bangladesh has been reconfiguring the residents of Balapara into loyal Bangladeshi citizens and active agents of national politics.
The economic possibilities of these interventions meanwhile modified the historical local political structure by creating a new group ofsocial elites. At the community level, ordinary people are also developing political sensibility using these infrastructures. They sacrifice
their lands to create inter-connecting roads, criticize corruption, challenge exploitive leaders, voluntarily participate in construction works
and educate their kids to build a more resilient future in a new state system. Through the infrastructures, they are turning themselves into
partners and stakeholders of the Bangladeshi state-making process.
45626

12:15-12:40 | Room 704 (7F)

#Feesmustfall. Students, Social Media and the Rise of a New Generation: Reclaiming South Africa’s Suspended
Future on Post-Apartheid Campuses
Matthias Fritz José Schulze, University of Tübingen, Germany“We have been called the lost generation, but tomorrow we will show them“. My interlocutors excitement proved to be right: whatstarted initially as a small protest on the 12th of October 2015 against planned fee increments at the University of The Witwatersrandin Johannesburg, turned into a nationwide youth led movement against economic exclusion in South Africa’s inherited system oftertiary education. The young leaders of South Africa’s largest campus protests since 1976 voicefully addressed unresolved questionsof „institutional and personal racism“ (Maxwele 2016) and fought for the substantiation of their constitutional rights and unfullfilledpromises of the Post-Apartheid-State, mainly: equality. Social Media played a pivotal role in the success of the #FeesMustFall campaign
and proved once again their indispensable function as an amplifier of social movements. Spearheaded by Wits students and vocal
activists, the Twitter hashtag #FeesMustFall rapidly turned into a flexibly applicable slogan of the entire campaign, dominated the traffic
on Twitter and mobilised ten thousands of students. The campaign reached it's climax on the 23rd of October 2015 when approximately
20.000 students from all over South Africa voiced their demands for free quality education at the Union Buildings in Pretoria. Drawing
from my ethnographic fieldwork during the #FeesMustFall campaign, I argue that South Africa’s student protests represent the attempt
to reclaim South Africa's suspended future of an equal society by challenging the grim continuities of the past in the present: overcoming
inequality and racial exclusion in an economically thriving but deeply entrenched frontier society.

74 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 705 (7F)

Sunday Session II

Literary Arts Practices
Session Chair: Naphatrapee Suntorntirnan
44900

11:25-11:50 | Room 705 (7F)

Becoming Beyond the Anthropocene: Thinking and Writing Our Animal Selves
Michelle Braunstein, Murdoch University, Australia

Without intervention, the Anthropocene portends a certain telos. From this, and from liberal humanism, I make a timely ontologicaldetour and provoke a different future to what is looking predictable; a post-human, metamorphic future — one with no end in sight.
My PhD comprises a dystopian/magical realism novella-in-progress (set mainly in Japan) and an accompanying critical essay, bothof which engage aspects of the growing field of critical animal studies with particular focus on insectoid metamorphoses. I propose
presenting a short theoretical paper informed by my thesis and including a reading from my novella, Order of Our Lady Cicada. Both will
explore that which exceeds representation; the corporeal, by unsettling the notion that “nothing is beyond the text”, with provocation
to a more embodied, metamorphic encounter with it, particularly in the exchange of energies between the acts of reading and writing.
Through critiquing transcendence in metaphor, in the tradition of Kafka, Deleuze and Guattari and Braidotti, my presentation also reclaims
embodied metamorphoses in the context of the Anthropocene, as distinct from simply positioning animals as Others or mere metaphors,as has been the tendency of liberal humanist authors and scholars since the Enlightenment. In de-centering the western liberal constructof mind, I am calling for a corporeal literary practice which simultaneously transgresses the discipline, becoming too, a cornerstone of a
new “post-humanities”; un-doing and de-colonising so we can think and write our animal selves immanently, in any discipline, during andbeyond the present epoch.
50457

11:50-12:15 | Room 705 (7F)A Testimony in Making: Politics and Poetics of Genocide Memoir-Writing in ‘First They Killed My Father: A
Daughter of Cambodia Remembers’
Naphatrapee Suntorntirnan, Assumption University, Thailand

First They Killed My Father: A Daughter of Cambodia Remembers remembers is a testimonial memoir-writing by Loung Ung, a Cambodian
Genocide Survivor. She reveals her childhood experience of struggling to survive during the Khmer Rouge Regime to reach worldwide
audience. Even though the portrayal of memory is derived from the actual experiences, this article is not aimed at seeking out the validityof historical and factual accuracy in the narrative, but rather an attempt to read critically the ‘textual performativity.’ Regarding to its genre
and craft of writing, the narrative is elaborated as ‘testimonial literature’ narrated by author. On one hand, considering this life-narrative
as a literary project, the author’s memory is represented with the techniques of literary writing the same way as in historiography andfictional writing, for instances; emplotment, characterization, figurative language, literary devices, allegories and so on. Even though, thenarrative was constructed with and drawn upon actual events or at least the verisimilitude of such operation, but without these contriving
instruments, the testimonial narrative is rarely possible to be narrated and/or perceived. On the other hand, according to the act of ‘remembering’ and of writing, the narrative becomes an imagined community, a collective memory. Some parts of the narrative were represented as witness imaginative description. It permitted consciousness on other people, her family, figures and her national fellowship.
45603

12:15-12:40 | Room 705 (7F)

The Promise of Hospitality: The Future as a Border-Free World in Mohsin Hamid’s Exit West (2017)
Harriet Hulme, University of Hong Kong, Hong Kong

In Mohsin Hamid’s magical realist novel Exit West, border checkpoints are a thing of the past: seemingly normal doors have become
wormholes, allowing those who enter to emerge in a different place almost instantly. Hamid’s magical premise creates a world in which
the migrant experience is governed not by the act of crossing borders - the journey - but by the experience of adapting to a new place - thedestination. And yet, precisely because of this lack of specific borders, in Exit West every town, every street, every house, has the potential
to become a border zone. Indeed, each time the protagonists, Saeed and Nadia, step from one country into another, they find themselves
emerging into a borderland: into a refugee camp in Mykonos, where migrants from all around the world mix in a hybrid linguistic andcultural space; into a squatters’ house in London, where violence against the migrants threatens to turn the whole city into a no-gozone; into a shanty town near San Francisco, where inhabitants live off-the-grid, and attempt to build connections despite religious andcultural differences. And while tangible borders have dissolved, intangible ones remain; when Saeed and Nadia cross into a new place,they repeatedly confront the social, cultural, linguistic, religious and ethnic segmentations which exist irrespective of the absence of fixedlines on the map. This paper explores this dichotomy, engaging with the utopian and dystopian possibilities unleashed in Exit West by theconcept of the future as a border-free world.

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11:25-12:40 | Room 707 (7F)

Sunday Session II

Literature/Literary Studies
Session Chair: Priscilla Peichin Lin
44921

11:25-11:50 | Room 707 (7F)

Imagining the Future: Technology and Utopia in Flow My Tears the Policeman Said, and Brave New World
Sara Hasanat, Doshisha University, Japan

Dystopian literature frequently serves as a warning, enabling readers to draw links between present-day issues and thematically-specificfuture scenarios. Drawing upon the conference’s theme, my presentation departs somewhat from the tonal fearfulness of these projects
to enquire into how utopia (re)emerges as a legitimate perspective in its own right within specific works of dystopian literature. By close
reading classic texts such as Philip K. Dick's Flow My Tears, the Policeman Said and Aldous Huxley's Brave New World, I hypothesizethat utopia survives as an ideal – and as a framework for critical interpretation – within the perspectives of specific characters. I will
primarily focus on one character in each work: Jason Taverner in Flow My Tears, the Policeman Said and Mustapha Mond in Brave New
World. The two characters project utopian perspectives towards their society, channeling them through different means and doing so fordifferent reasons. However, there is a distinct feature that applies to both works and that is technology. Technology is perceived to be thebackbone of the advancement of the two respective societies. Although considered an indirect cause for a dystopian reality, technology
advancement is a key to an emerging civilization (in the utopian sense.) As a result, we get two characters that actively engage in adopting
technological features in their futuristic world. Not only that, but both characters- whether consciously or unconsciously- adhere to theirsocieties’ ideologies and appear to disagree with the ethos of their reality; that indeed they are experiencing a dystopia.
44818

11:50-12:15 | Room 707 (7F)The Old in Jane Austen’s Emma

Yi-Chun Yeh, National Chengchi University, Taiwan
As we make quick progress toward a better future, skeptical voices are always heard against the values of past generations. Contribution
in preserving these “out-of-fashioned” concepts are frequently questioned. Nevertheless, great authors have noted the power of refining
the future in these old virtues. Jane Austen’s famous work Emma is a novel that celebrates newness and modernity. People fancy travelingto modern cities and meeting new visitors. Old people and old values, on the contrary, are seemingly burdens they wish to break away from.
Old characters, such as Mr. Woodhouse and Miss Bates, are sometimes portrayed as buffoons. Words from the senior characters are often
regarded as unimportant, and are even treated with despise. However, while characters in the novel pursue what is new whole-heartedly,
Austen suggests that the values of the old should not be totally neglected. By preserving good virtues and transforming themselves, theold in Emma also make contribution to the progression towards future. This paper divided the issue of the old in Emma into three parts.
Starting from the situation of the old in Highbury, the paper then defenses for the old generation by noting their good virtues that areabsent in the young, and concludes with the efforts made by the old in adapting themselves into the new age. Future is not merely about
being new, revolutionary, and modern. In reclaiming the future, Jane Austen reminds us that the value of the old is always in-fashion.
44830

12:15-12:40 | Room 707 (7F)

Writing the Feminine: John Fowles’s Modern MythPriscilla Peichin Lin, Fongshan Elementary School, Taiwan

John Fowles writes courageous and other-worldly women characters. John Fowles explores relationships between men and women andhas built his major themes around the contrast between masculine and feminine mentality. Fowles has always constructed his fictions
upon the principle that women are intrinsically better, more authentic, and freer than men. Throughout his fiction, women tend to appear
as a humanizing force in opposition to men’s aggressive, confrontational, and fiercely individualist impulses. Fowles depicts the endlessconflict of the opposite sex, and at the same time, renders the possibility for some degree of harmony and cooperation. Gender difference,
especially in terms of masculine and feminine ways of knowing, is particularly important to Fowles, and he advocates an increased
respect for “the womanly way of seeing life” in the interests of promoting a more balanced social perspective. Fowles sees feminine
qualities as a requisite part of civilized society and recognizes that both men and women can appropriate ontological and epistemologicalcharacteristics from the other sex. The notion of femininity features in Fowles’s fiction inspires the male questers both sexually andcreatively. The formula which dominates almost all of Fowles’s fiction is that of the male pursuit of higher truths which are embodied in anelusive, existentially authentic female character. In posing the issues, Fowles is also representing a realigned version of a key male myth
which reimposes in a new form the old redemptive role which sees women as a corrective force in relation to men.

76 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

11:25-12:40 | Room 708 (7F)

Sunday Session II
Teaching and Learning
Session Chair: Huan-Sheng Peng
45507

11:25-11:50 | Room 708 (7F)

What Teachers Should Do in the Classroom to Promote International Education
Benjawan Limsuebpong, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

Countries in the world are facing extremely intense competitions in the world market due to the emergence of globalization. Accordingly,
governments around the world are fostering a variety of internationalization policies to survive the new market. Taiwan is no exception.
By introducing the White Paper of International Education for Primary and Secondary Schools in 2011, the Taiwanese Government isdemanding all schools to adopt numerous strategies for international education, but the results are not as decent as what were expected.
This research is thus aimed to determine what teachers should do in their classes to carry out the international education missions, andto examine whether teachers with different background vary in their opinions toward international educational activities that should betaken in the classroom. A self-developed Likert Scale questionnaire will be administered to 100 school teachers at the elementary andsecondary levels in Taiwan. Based on the research results, we will provide practical recommendations for school stakeholders to revamp
their international education schemes in the future.
45307

11:50-12:15 | Room 708 (7F)The Benefits and Obstacles of Teaching at the Summer and Winter Camps in Remote Area Perceived by
Taiwanese University Students
Cheng-Han Wu, National Chiayi University, Taiwan
Yueh-Chun Huang, National Chiayi University, Taiwan

Education in remote area has facing serious challenges from multiple facets for a long time in Taiwan, which not only led to a lower
student performance in remote area, but also caused crucial problems in accomplishing the educational equity. To effectively enhance theeducational quality in remote area, the Ministry of Education has allocated a large sum of resources in universities, expecting to recruit morevolunteers to teach kinds at the summer and winter vacations in remote area. Despite for the importance of the remote education camp
projects, relevant implementation research is frustratingly scarce in Taiwan, which has hindered the volunteer recruitment and project
improvement attempts a great deal. This research is thus aimed to investigate what are the major benefits and obstacles for university
students to participate at the vacation camps in remote areas in Taiwan. A self-developed questionnaire will be administered to 100
university students with the experience of teaching at the summer and winter camps in remote area. Finally, practical recommendations
will be provided to university stakeholders to further enhance the efficiency of the remote vacation camp projects.
45326

12:15-12:40 | Room 708 (7F)

Reflection on Changes and Development Between Industry 4.0 and Primary Education
Huan-Sheng Peng, National Tsing Hua University, Taiwan

Industry 4.0 has become the emerging hot topic for education at present. From the perspective of educational history, this paper
introduces the changes and development in primary education at different stages corresponding to Industry 1.0 to Industry 4.0 andinvestigates whether these changes and development arising from Industry 4.0 and reforms that influence primary education conformto the targets and values of education. It also reviews and reflects the trend of such development and changes. This paper suggests thatthe development from Industry 1.0 to Industry 4.0 has a close relationship with changes in primary education, especially with primaryeducation in Taiwan. In the computer information technology era, educational technology well-applied by teachers can serve as a tool for
accelerating the learning motivation, interest, and ability of school children. Conversely, full dependence on e-teaching deviates from theoriginal education targets of extensive learning in primary schools, which may lead pupils to the impasse of visual deterioration and to a
virtual lost world.

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13:45-15:00 | Room 703 (7F)

Sunday Session III

Humanities - Media, Film Studies, Theatre & Communication
Session Chair: Angela Longo
50700

13:45-14:10 | Room 703 (7F)

Cross-influence Between Robot Anime and Tokusatsu in SSSS Grindman
Angela Longo, Yokohama National University, Japan

This article focuses on the cross-influence between the establishment of the Robot Anime genre and the Tokusatsu in order to understandhow both genres were fundamental in shaping and changing the way we perceive Japanese media, domestically and across the world.
The design of plamodels and robotic mechanisms will be a point of contact for influencing one another, in terms of aesthetics and industry
models. From the television broadcasting of friendly robots in the 1960s — to the giant robots of the 1970s and the henshin boom inTokusatsu — to the explosion of the more realistic robots in the 1980 and the influence of Super Sentai shows — to the increasing mix
between robots and humans in the 1990s — the robot imagery brought philosophical questions about the increasing use of technology indaily life and in the technicity of media itself. Particularly we will analyze the case of the anime SSSS. Gridman (2018) adapted from theoriginal Tokusatsu series Gridman the Hyper Agent (Denkô Chôjin Gridman, 1993) created by Tsuburaya Productions. The anime context
is a personalized otaku world with the everlasting influence of Tokusatsu and Super Sentai series. In that sense, the aesthetic analysis
will be grounded on how different media captures other media, and how that brings an opening for choices with a deliberate difference inthe composing of the moving image.
50640

14:10-14:35 | Room 703 (7F)

Unprogrammed Artificial Intelligent, Clone-focusing on the Film Never Let Me Go
Sungbean Son, Yonsei University, South Korea

What would happen if there is a machine that could learn emotions at a very similar pace to humans? The machine exists in reality. It isclones, which are created by humans like robots, and which humans have control of, and which benefit humans. The film Never Let Me Go
is a great visual representation of the fate and life of these clones. The feature of the film, which is distinct from numerous films dealing
with the clone, is that it not only describes the story from the clone's point of view, but also allows viewers to watch the clone's growthand suffering from childhood to adulthood. In the process, Clones doesn’t require an artificial programming in emotion learning and theylearn emotions through natural relationships with people around them just like human beings. This paper focuses on the film Never Let
Me Go and studies human-made creatures invading human boundaries and exerting influence. The paper is also meaningful in that thefilm study has been lacked when it compares to the original novel with the same title even though both works are dealing with the samecontent, and that the work can analyze the present and future of artificial intelligence and clones interpreted by the writer and the director.
50674

14:35-15:00 | Room 703 (7F)

From Homo Sapiens to “Phono” Sapiens: Smartphone as the Protagonist in Intimate Strangers
Sue Hyun Jie, Yonsei University, South Korea

It seems that honesty is not always the best policy in posthuman society, especially in this digital age of smartphones. Released in 2018,
Intimate Strangers (완벽한 타인) is a remake of two other European movies of similar titles, the Italian original, Perfect Strangers (2016)
and a French adaptation, Nothing to Hide (2017), about smartphone dictated lives as the central plot. With the invention of new words
such as digital zombies, smartphone addictions, nomophobia, and phubbing, we have evolved from homo sapiens to smartphone using“phono” sapiens. Even the director of Intimate Strangers admitted his smartphone as his best friend. The movie’s notable tagline: “Weall have three lives: public life, private life and secret life” promotes a lot of questions, and this paper will attempt to understand how
deeply smartphones have penetrated into our everyday lives: be it public, private or secret. Heidegger’s “human essence”, Freud’s Id, ego
and superego, Rieff’s “therapeutic” and Baudrillard’s “hyperreal” are some of the theories that helped enable this analysis. As one of thecharacter claims, “Nobody is perfect in this world, and we can easily get hurt. This smartphone has too much information and to play agame with such a perfect device is not a good idea. We could find out that we know less than we thought. Also, we don’t necessarily needto know so much about each other.” The movie’s unexpected twist in the end opens up even more questions on truth and trust as weapproach smartphone dictated posthuman society.

78 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

13:45-15:00 | Room 704 (7F)

Sunday Session III

Humanities - Media, Film Studies, Theatre & Communication
Session Chair: Mario Slugan
50678

13:45-14:10 | Room 704 (7F)

A Study on Differences between Experts and Consumers in Creative Advertising Effect regarding Commercial
TV Advertisement
Chun-Wei Ke, Southern Taiwan University of Science and Technology, Taiwan
Hung-Yuan Chen, Southern Taiwan University of Science and Technology, Taiwan

Advertisement can be seen everywhere in life and is also the main tool for communication with consumers. In today's advertising media,
The TV advertisement has the highest budget, the widest coverage, and powerful audio-visual effects. And a good TV commercial
must have good performances in order to attract the attention of consumers. However, when it comes to TV advertisement, most ofthem are created by the design team. Therefore, this study wants to explore whether advertising experts and consumers comprehendcreative advertisement is different? Also understand whether highly creative advertising and advertising effect (communication, memory,
attractiveness, and effectiveness) are positively correlated? The study process is divided into three phases. The first stage: collecting andfilter TV commercials, after extensive collection of TV commercials, filter attractive TV ads by rating by 30 consumers. The second stage:
the advertising effectiveness score, will be targeted for the TV commercials selected in the first step, please 6 experts and 30 consumers
to evaluate the effectiveness of advertising (communication, memory, attractiveness, interest). The third stage: understanding thedifferences between experts and consumers through statistical analysis such as correlation analysis, cluster analysis, and comparison of
averages. The research results can be used as a reference for the design team in designing TV commercials in the future.
50206

14:10-14:35 | Room 704 (7F)

Hallyu: The Influence of Korean Popular Culture to the Filipino Youth
Jeniffer Rio Alagar, University of Perpetual Help System, Philippines
Jeremy Aldrin Velasco, University of Perpetual Help System, Philippines
Angela Jae Atienza, University of Perpetual Help System, Philippines

The Korean Wave or Hallyu is a collective term for Korean popular cultural content that has been spreading rapidly across Asia, particularly
the Philippines. This qualitative study explored the perspectives of Filipino youth who have been exposed to the said phenomenon,
grounded on the Cultural Proximity Theory by Straubhaar (2003) which states that audiences seek for content from countries proximate
in geography, culture, and language. Following the steps of Creswell (2009), the researchers gathered groups of people and conducted
an in-depth interview with the participants; reflected on the overall meaning; identified themes for coding; and finally interpreted thedata. The findings of the study revealed that: 1.) The most popular genres that influence the Filipino youth are food, music, fashion, andcosmetics; 2.) The Filipino youth appreciate Korean traditions and strong values, attributing them to success in life; 3.) The primary factor
contributing to Hallyu’s popularity is foreign media, as well as what’s lacking in local Philippine media.
50742

14:35-15:00 | Room 704 (7F)

The Long History of Fake News

Mario Slugan, Ghent University, Belgium
It is often claimed that we are living in the post-truth era. The implication being that before the Trump presidency, there were no fakenews, no propaganda, and that the leaders for the most part told the truth to their followers. Yet that is patently false. Propaganda
and spreading lies through official state channels have been a part of human societies from time immemorial. In 13th century BC, forinstance, the Egyptian pharaoh Ramses the Great, sponsored reliefs which depicted the Battle of Kadesh as his resounding victory.
However, the extant treaty between the Egyptians and Hittites evinces that the battle was in fact a draw. Jumping millennia ahead tothe end of the 19th century, we find the very phrase “fake news” used to warn against invented newspaper stories. Cleveland’s Evening
Plain Dealer, for instance, sported this masthead in 1897: “An UNRELIABLE Newspaper is worthless. The EVENING PLAIN DEALER prints
no ‘FAKE’ News.” This presentation outlines the long history of fake news with a special focus on its motion picture form that started
appearing around 1900. On the example of early films that misrepresented events of wars of that time, I argue that the audiences wererarely fooled. I conclude that if fake news were around for a long time and if the audiences c.1900 were able to identify fake news inwhat was the new medium of their time (motion pictures), then we should also be optimistic about our present-day capabilities to spot
and eliminate fake news.

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13:45-15:00 | Room 705 (7F)

Sunday Session III

Social, Political and Community Agendas in the Arts
Session Chair: Min-Chia Young
45508

13:45-14:10 | Room 705 (7F)

Winding Ways and Hilly Tracts: Mapping the Identity and Cultural Patterns of the Gaddi Tribes of Himachal
Pradesh, India
Molly Kadiyinkal Abraham, Delhi University, India

The words ‘culture’ and ‘identity’ have a deep emotional bond with one’s homeland or territories.The modern society,like any othersociety in the world, is inseparable from its culture and identity, for its history is recorded and embedded in its culture. With increasing
globalization, tribes around the world are being exploited, and are almost at the verge of losing their identity. Gaddis, a Scheduled Tribe of
Himachal Pradesh, are found mostly concentrated in Bharmauri of Chamba district, a place popularly known as ‘Gaderon’ meaning ‘thehome of the Gaddis’.They are semi-nomadic, semi-agricultural and a semi-pastoral tribe. They have a distinct culture, expressed throughlanguage, dress, food, marriage, song and religious celebrations. Less than 6% of Gaddi households continue with traditional occupationof cattle-rearing. The Gaddis trace their origin to the plains from where they fled to the remote inaccessible hills to escape persecution
at the hands of the Muslim invaders. But the Gaddis have their glorious history rooted in their indigenous culture. They believe in the
joint extended family system, and their economy chiefly revolves around agriculture and pastoralism. In order to uphold their cultural
heritage, they take pride in their culture and maintain cultural continuity from generation to generation. All these experiences whichshaped contemporary life, as basic indigenous beliefs and values became the basis of their cultural identity today. This paper explores theunique cultural patterns which contributed to their identity, thus traces the sense of pride with which they created a culture of their own.
45636

14:10-14:35 | Room 705 (7F)

The Invented Tradition of Northeastern Communities in Mekong Basin, Thailand: Illuminated Boat
Pathom Hongsuwan, Mahasarakham University, Thailand

This research is to study the invented tradition “illuminated boat” of Isan Mekong basin communities in seven provinces adjoining to
Mekong riverside, where the illuminated boat tradition is created to respond Thailand tourism policy. The tradition is used as a tool topresent the culture identity with consisting of ethnic identity within and outside the group. Anyhow, the traditional transformation baseson the the invention of tradition approach. I adopted the approach of Hobsbawm and Ranger (1983) and folklore and anthropology
approaches, to describe and analyze the data in the target area. The result shows that the illuminated boat is considered as a new tradition
creating under the context of social changed. It is beginning to link out to emphasizing the values of their culture and folk tradition. By
the way, the customary of tradition had been sacred religious stories that became a culture expression. The tradition brings to new roles
and functions which has changed into the use of cultural politics, culture and tourism promotion in the context of modern society bytrying to create, adapting and rituals to become a cultural invention, to negotiate and scramble the definition as a “Mekong border town”
into “Mekong tourism city” instead. Moreover, the creativity of illuminated boat tradition implies the cultural overlap i.e. to create a new
tradition can convey an image as a creativity story. While, it also can reflect an image as a linear decay of traditional story, of traditional
folk culture as well.
45389

14:35-15:00 | Room 705 (7F)

The Indigenous Arts on the Post and Lintel System of Paiwan Tribe in Taiwan
Min-Chia Young, Shu-Te University, Taiwan

Paiwan is one of the 16 indigenous peoples recognized by the Taiwanese government. The group is best known for their intricate wood
carvings and relief works, which are the sole possession of the privilege ones. When these kinds of arts and crafts are applied in theirbuildings, they become the representation of the nobilities’ status. This article examines the evolution of the decorative arts on thepost and lintel system of the Paiwan nobilities’ houses through historical and political enquiry. It focuses on the process of change andtransformation whereby the arts were first used to record and commemorate special events, then became a symbolic expression of theancestral power, and then transformed to a political tool, promoting the goodness of the new regime when Taiwan was under Japaneserule (1895-1945). That is to say, arts are sensitive and vulnerable, which could be easily adjusted to meet any social or political turmoil.

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13:45-15:00 | Room 707 (7F)

Sunday Session III

Literature/Literary Studies
Session Chair: Justyna Weronika Kasza
45186

13:45-14:10 | Room 707 (7F)

Hope and Destruction: A Comparative Analysis of the Consciousness of Death Between Patriotism and Sinking
Hoi Ching Chow, The University of Hong Kong, Hong Kong

Sinking (沉淪, 1921), the renowned Chinese novel by Yu Dafu was often compared with a Japanese novel, Melancholy in the Country (田園の憂鬱, 1919), given that both of them are categorized as I-novel. Nevertheless, another Japanese novel, Patriotism(憂国, 1961) byMishima Yukio actually shares more similarities with Sinking in the aspects of content and the core theme behind. Both Yu Dafu andMishima Yukio were obsessed with death as a theme, especially when it is linked with sex. Yet, they reflected two totally different attitudes
toward death. The paper presents a further discussion on the consciousness of death shown in these two works. Firstly, it focuses on
how the core theme of Patriotism is actually the beauty of death instead of patriotism, and Sinking is the one that talks about patriotism.
Then, the differences in the roles played by death in these two works are discussed. It ends with the analysis of the cultural reasons why
there is such kind of differences between the Japanese and the Chinese novel. The paper aims to provide a brand new angle for the current
academic discussion about Sinking by comparing with a rarely compared Japanese novel.
45783

14:10-14:35 | Room 707 (7F)The Ethics of Affirmation: Han Kang and Kafka’s Posthuman Metamorphosis
Soo Jin Park, Yonsei University, South Korea

My research aims to reopen the questions of the ethics and humanism by examining posthuman metamorphosis from Franz Kafka’s The
Metamorphosis and Han Kang’s The Vegetarian. Han Kang and Kafka’s respective works aptly exemplifies the posthuman metamorphic
narrative; Kang and Kafka depicts the figures of posthuman that engender novel ways to think human subject in relation to non-humanentities. Historically, non-humans served as the mere others for the ontological distinctiveness of human. The posthuman metamorphosis
offers a renewed outlook. It critically questions what it means to be human today by offering metamorphic figures that readily embrace themultiple forms: human, non-human animal, and the vegetal. In this research, my argument is twofold: arguing Gregor Samsa and Yeonghye as the figures of posthuman and thereafter re-examining the posthuman ethics and humanism. In both metamorphic narratives, theprotagonists are the prototypes of posthuman; they become the multiple figures during the process of transformation, oscillating between
human and non-humans. Nevertheless, Gregor Samsa fails to affirm during the metamorphosis while Yeong-hye directs us towards
affirmation. By transforming into a tree, Yeong-hye endures the pains of the oppressed female figure, severs the cycle of human violence,and thus reaches her potentia. In this way, her metamorphosis attests to the posthuman ethics in its distinct way. Here I say distinct
because Yeong-hye’s affirmation enlarges the scope of posthuman ethics in a more comprehensive way. Han Kang offers a singular
way of unfolding the posthuman ethics that has more of an optimistic trace. She not only makes the detour from an apocalyptic doomof the human race, which was originally proposed by the posthuman ethics but also reconfigures it in a way that affirms the humanity
and redefines the human subject that potentially works across differences. While the project nudges towards posthumanism, my point
is to make it clear why we have to partially think beyond humanism to deal with problems and contradictions fraught within humanistic
value and discipline. Humanism hitherto has been tinged with human violence, injustice, and outright human hubris. Haphazard blood
had been shed out in the name of ‘humanity,’ as were the war, genocide, and sheer terror. The posthumanity imagined and glimpsedfrom Gregor Samsa and Yeong-hye may suggest decisive severance from humanism altogether. However, a strand of humanism isprecariously secured as Yeong-hye’s affirmation supplants the centrality of ‘Man’ with the relational, transversal human subject; thehuman violence with the human dignity; and self with the others within the self. Through the lens of critical posthumanism, humanism iscritically re-examined, albeit affirmatively.
45700

14:35-15:00 | Room 707 (7F)

From Isolation to the World: The Prospects and Challenges for Literature Engage in Japan
Justyna Weronika Kasza, Nicolaus Copernicus University, Poland“The duty of literature is to fight fiction. It's to find a way into the world as it is” – states Karl Ove Knausgaard, the author of multi-volume
novel My Struggle. But how could literature fight fiction? Does Knausgaard attempt to reinvent the referential character of literature?
Could, in accordance with Knausgaard’s line of thinking, “literature” and “fiction” be treated as excluding and contradictory notions? What
are the devices, tools, techniques that enable literature to “find a way into the world”? This paper attempts to examine the two trajectories
in contemporary Japanese literary criticism represented by Ōno Masatsugu and Ikezawa Natsuki. I treat Knausgaard’s distinction
between “literature” and “fiction” as the point of departure to assess the possibilities of reinventing the notion of “committed literature”(as in Sartre’s definition of littérature engagée). The objective is to reconsider Japanese interaction with the world and its input to thecontemporaneity. While for Ikezawa “there still exists the sense of isolation” in Japanese literature, Ōno, borrowing the title of Baudelaire’s
poem, proposes the route towards “Anywhere out of the world”. Ikezawa and Ōno highlight diverse challenges for Japanese literature.
However, their ideas converge in one particular point: the figure of the engaged and compassionate writer. It is the dialogical openness andawareness that offer the possibilities for reclaiming the future, which consists in taking the road from isolation to the world, from oneself
to the world of the Other.

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13:45-15:00 | Room 708 (7F)

Sunday Session III
Teaching and Learning
Session Chair: Li-Fang Huang
45311

13:45-14:10 | Room 708 (7F)

Parents’ Satisfaction on the Special Education Traveling Counseling Program in Taiwan
Pei-I Lee, National Chiayi University, Taiwan
Hsuan-Fu Ho, National Chiayi University, Taiwan

School pupils with learning disabilities often need extra assistances to achieve academic and life success, and therefore, governments inthe world are providing Special education for pupils with special needs. Disability may be mental, physical, emotional or developmental,
and all of them cost a great deal of extra money. The government of Taiwan is no exception, and it not only enacted the special education
law, but also secured a large amount of money to ensure students with disabilities may learn up to their potential. In addition, in 1997, theSpecial Education Traveling Counseling Program (SETCP) was launched by the government to enhance the effectiveness and efficiency ofspecial educational services. Teachers of this Program have to go to a variety of schools to provide counseling services to students withdisabilities, and they often have to work with local school teachers to accomplish their counseling missions. This research is aimed toinvestigate the parents’ satisfaction level of the Special Education Traveling Counseling Program, with a specific focus on the kindergarten
level. A self-developed questionnaire will be administered to 100 kindergarten parents of kinds with special needs. Finally, based on the
research results, recommendations will be made for teachers, schools and the government to further improve the special education
services in Taiwan.
45312

14:10-14:35 | Room 708 (7F)

A Research on Teachers Perspectives on Learning Needs Among Gifted Students in Taiwan
Su-Chin Chang, National Chiayi University, Taiwan
Cheng-Cheng Yang, National Chiayi University, Taiwan

Gifted education is part of talent preparation of national states in the new era. Taiwan has a long history of gifted education. The goal ofgifted education is to find talented students and offer them suitable education and learning. And thus gifted students can explore theirinterests and fully developed their potentials. The aim of this research is to explore teachers’ perspectives on learning needs of gifted
students in Taiwan. The factors of learning needs can be divided into environment, facility, teaching style, curriculum, external activities,
interdisciplinary experiences, and co-learners. Now, there are 256 intelligent gifted classes in Taiwan and there are two principal teachersof each class. Thus the whole population of this research are 512 teachers. This research will administer 30 questionnaires to 30 teachers
by sampling teachers of intelligent gifted classes in Tainan and Kaohsiung cities of Taiwan. This research will develop a questionnaire toknow gifted class teachers’ perspectives on gifted students’ learning needs and thus the results of this study can offer implications forpolices and schools with gifted classes in Taiwan. Statistical methods of this study is frequency and descriptive analysis.
45503

14:35-15:00 | Room 708 (7F)The Satisfaction Level on School Administrative Supports Perceived by Teachers of the Special Education
Traveling Counseling Program
Li-Fang Huang, National Chiayi University, Taiwan
Yuehchun Huang, National Chiayi University, Taiwan

The Taiwan government launched a variety of special education programs to ensure all students with disabilities having equal educational
opportunities as their normal student counterparts to succeed in life, and the Special Education Traveling Counseling Program (SETCP)
initiated in 1997 is one of the most important policies. A teacher of the traveling counseling program belongs to a foundation school,
and they have to provide counseling services to students with disabilities in a variety of schools around the foundation school. Since
traveling teachers face countless challenges that are very different from general teachers, adequate supports from foundation schools
are extremely essential. This research is thus aimed to determine the relative importance of administrative supports provided by thefoundation schools, and to evaluate the satisfaction levels of these supports perceived by traveling counseling teachers at the kindergarten
level. The administrative supports were organized into three dimensions: curriculum, communication, and economics. A self –developed
questionnaire will be administered to 100 traveling counseling teachers teaching in kindergartens across Taiwan. The research questions
are as follows: 1. What is the relative importance of the administrative supports provided by foundation schools to traveling counselingteachers? 2. What is the satisfaction level of the aforementioned administrative supports perceived by traveling counseling teachers? 3.
What are the perception differences among traveling counseling teachers in different background groups?

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Featured Presentation | Heather Croall

Running a Fringe Festival:
The Adelaide Experience
Sunday, March 31 | 15:15-15:45 | Room 703 (7F)

Adelaide Fringe is Australia's largest arts festival. In 2019, we will be 60 years old and it has grownincrementally over the decades to become the biggest ticket-selling arts festival in Australia. The
Adelaide Fringe is a not-for-profit, open-access festival; there are no curator handpicking shows. Anyone
who wants to be a part of the Adelaide Fringe, can! The Fringe provides a way for artists across all
disciplines to share their work with the world. The Fringe runs for 31 days and nights each year andliterally transforms the whole of the city of Adelaide into a festival playground for the month.
Adelaide Fringe is a wonderful blueprint for how a Fringe festival can offer cultural transformation toa city. In this presentation, Heather Croall will talk about the mechanics behind the running of such anenormous, city-wide festival.

Heather Croall
Heather Croall is an experienced CEO and director known as avisionary in the creative sector who delivers innovative festival
programs, new audiences and organisational growth. She has
specific expertise in partner engagement and capital acquisition.
With an international career in film, TV and the arts, Heather has
a strong track record in implementing organisational change andcapacity building. She has transitioned a number of creative sector
organisations into the digital age.
Heather has a reputation for generating new income streams anddelivering excellent management of stakeholder relations. Under
her leadership, every festival she has run has seen an increase in turnover, been met with high criticalacclaim, delivered growth in ticket sales and expanded audience demographic.
She became Director and CEO of the Adelaide Fringe – the Southern Hemisphere’s largest annual arts
festival and the second-largest Fringe in the world after Edinburgh – ahead of the 2016 festival, and sincethen has overseen a digital transformation including new ticketing and artist registration systems.
Over the past three festivals under Heather’s leadership, Adelaide Fringe’s ticket sales have grown by
16 percent (from 604,000 in 2016 to 705,761 in 2018) and box office revenue has increased by 11 percent (from $14.8 million to $16.6 million). After the 2016 festival, Heather set a target of tripling visitor
numbers to the Adelaide Fringe by 2022 and she is on her way to achieving this with last year’s Fringe
attracting 20,244 visitors – up from 18,655 in 2017.
Heather was awarded a Fellowship in Interactive Media by Screen Australia in 2005. In 2013, The Allianceof Women Film Journalists named Heather Ambassador of Women’s Film for her work in creating
opportunities for women documentary makers.
Heather was awarded an Honorary Doctorate Degree by Sheffield Hallam University, UK, in 2014,
and just last year she received the Ambassador Award from the Governor’s Aboriginal Employment
Industry Clusters Program in recognition of her contribution setting up and serving as the inaugural
Chair of the Arts and Culture Cluster.
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Notes84 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)Virtual
Presentations
Virtual presentations afford authors the opportunity to present their research to IAFOR’s farreaching and international online audience, without time restrictions, distractions or the need totravel. Presenters are invited to create a video of their presentation, which is then uploaded to theofficial IAFOR Vimeo channel and remains online indefinitely. This is a valuable and impactful wayof presenting in its own right, but also an alternative means for those delegates who may be unable
to travel to the conference due to financial or political restrictions.
Abstracts appear as originally submitted by the author. Any spelling, grammatical, or typographicalerrors are those of the author.

www.vimeo.com/iafor/channels/moderated/

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www.vimeo.com/iafor/channels/moderated/

Virtual Presentations
45021

The Development of Typology Matrixes on Design Patterns Inspired by the Mangroves Species of Sungai Merbok
Nurul 'Ayn Ahmad Sayuti, Universiti Teknologi MARA, Malaysia
Mohd Zamri Azizan, Universiti Teknologi MARA, Malaysia
Mas Ayu Zainal, Universiti Teknologi MARA, Malaysia
Abu Hanifa Ab Hamid, Universiti Teknologi MARA, Malaysia
Ahmad Fazlan Ahmad Zamri, Universiti Teknologi MARA, Malaysia

More than 30 species of mangroves have been identified in Sungai Merbok, Kedah, Malaysia and are considered to be the most extensive
collection of mangroves species in the world. Because of the profound natural and historical elements, Sungai Merbok is now has been
identified as a second natural biosphere in the world and is recognised by the UNESCO. The researchers have found that the mangroves
species have potentials to be developed into 2D or 3D design patterns. The information on mangroves species and the images wereobtained from the research websites and books. Typology matrixes are designed to categorise the mangroves species, and a variety ofdesign patterns can be seen in the matrixes developed for this study. All of the patterns developed inspired by the mangroves physicalfeatures (roots, leaves, fruits, flowers, skin texture or other parts). Rough sketches on idea developments or thumbnails were developed
and documented in the matrixes. It is estimated around 265 basic patterns have been developed for this study. Moreover, the design
patterns can be developed further and be the basis for more design works development.
46025“Identity Issue in Contemporary Diaspora Arab Theatre” (Applied Study of Leila Buck Texts)
Hadeer Minshawy Abdel Dayem, Ain Shams University, Egypt

The problem of identity is one of the issues on the world arena, as it is an essential part of the structure of political intellect. It is also
considered as prerequisite for social existence, therefor, the concept of identity has received a great attention in the field of theatre studies,
especially in the Diaspora drama; most of them face a problem that is about their identity and who they are after they moved to that newsocial and cultural space. The paper aims for analyzing the concept of identity in Contemporary Diaspora Arab Theatre, especially in theworks of the Lebanese American artist "Leila Buck"; that writer of a Lebanese mother and an American diplomat father. The concept ofidentity was richly introduced in her plays. Her repeated question in the “ISite” play, which is the topic of the paper: “What does it mean tobe an Arab American?”; is an attempt to reveal how she shaped the concept of identity in her plays throughout a socio-cultural method.
The researcher will address for the following themes: -The concept of Diaspora Arab Theatre in its debate and overlapping with the viewsof the others, from the researcher’s point of view. -The reasons behind the emergence of the concept of identity for Arab -Diaspora in the
United States of America. -The space that Leila Buck occupies in the field of American Theatre, and her production system. -The voicesthat Buck introduces about her idea of identity in the "ISite" play.
44879

Towards the Philosophy of Locality

Aleksandra Kunce, University of Silesia, Poland
The paper derives from listening intently to the connection between man and a place. Under examination here is local man, and alongwith him, a cultural experience which holds hidden in itself the philosophy of locality and a tale about a place. What would the idea of
locality be? Does local man have the power to create the world? These questions accompany reflections on man situated in a place. The
author refers to Nietzsche, Heidegger, Márai, Pessoa, Rilke, Derrida, and Deleuze. Using the comparative method, the author tries to create
philosophy of locality as a profound thought, which would clarify the road of man according to the teaching of the place. When we takea look at the story commenting upon as well as creating the world, we can observe the movement of “shifting” places: Augé’s non-lieux,
Nora’s lieux de memoire, Reijnders’s lieux d’imagination, Foucault’s hétérotopie. It is joined by a number of shifts and dispossessions:dystopia, utopia, eutopis, atopia, etc. However, these stories are not able to veil the sense of place. The philosophy of locality exposes man
to a place, confronts him/her with a place and compels him/her to fill the place with meaning and commitment. Man situated in a place
is man bound to take up his/her place and live in this place creatively, without any support from the inherited thoughtless repertoire oftools for adaptation. The paper derives from the willingness to seek creative power in what is seemingly sluggish, stagnant and separate.
50128

Racial Discourse at the Wake of the Yellow Fever Epidemic of 1793: The Sick, The Dying, and The African
Methodist Episcopal Church
Tremaine Sails-Dunbar, Vanderbilt University, United States

This research proposal examines racial discourse in Philadelphia at the wake of the Yellow Fever Epidemic of 1793. While researchers
have examined the Yellow Fever Epidemic from a heterogeneity of perspectives, few have studied the role of the African Methodist
Episcopal Church, namely the engagements of its founders Richard Allen and Absalom Jones, in nursing and working as gravediggers forailing Philadelphians. Although Benjamin Rush solicited the assistance of African Americans in a public paper, and eventually adulated
their efforts, their labors were lambasted during the recession of the Yellow Fever Epidemic by Mathew Carey, who claimed that African
Americans financially exploited bedridden whites. Conversely, Allen and Jones repudiated Carey’s claim in A Narrative in the Proceedingsof the Black People, During the Late and Awful Calamity in Philadelphia denying misappropriation, and claiming that, after they confided
in God, they decided to respond to Rush’s advertisement. Moreover, they asserted that elders of their church were responsible for the
prodigious response of African Americans. Three questions will be explored: What was the role of the African Methodist Episcopal Church
in the Yellow Fever Epidemic of 1793? How did Richard Allen’s and Absalom Jones’s pamphlet influence discourse surrounding African
American identity in Philadelphia after the Yellow Fever Epidemic of 1793? Will an answer to the latter help make sense of the first?

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www.vimeo.com/iafor/channels/moderated/

Virtual Presentations
50710

A Gothic Bridge Between the Past and the Future

Mohammad Hossein Abedi Valoojerdi, University of Perpetual Help System DALTA, Philippines
This paper is a postcolonial reading of Nick Joaquin’s The Mass of St. Sylvestre. It explores the elements and functions of postcolonial
Gothic in the story. It argues that Joaquin deliberately employs the elements of the Gothic to manifest how the shadow of the colonial past
haunts the nation's future in the Philippines. The struggle between the past heritage and the present identity is the primary concern of thispaper. The Gothic as a genre has the ability to adapt itself to different places and times. It has been evolving from European countries in
the 18th century to Southeast Asia in the twenty-first century by absorbing the indigenous elements of place and the spirit of the time.
From 1898 to 1945, Manila was destroyed twice by US troops; the first time to expel the Spaniards, and the second time, American forces
tended to liberate it from Japanese forces in World War II. In January 1942, Manila was occupied by Japanese forces. As Salita points out“the city suffered little damage during the Japanese invasion but was leveled to the ground during the fight for its recapture by U.S. forcesin 1945.” (2017). The Mass of St. Sylvestre takes place in 1945 Manila the days after the WWII. Joaquin applies a set of conventions ofGothic in this story. However, he adapts them to the history of the Philippines.
45374

Futures Thinking: What is it? Why Do We Need it? How Do We Teach It?

Nicole Shammas, Higher Colleges of Technology - Dubai, United Arab Emirates Deema Attal, Higher Colleges of Technology - Abu Dhabi,
United Arab Emirates
In September 2018, Futures Thinking, as a core subject, was implemented into the General Studies curriculum of the largest tertiary
institution in the United Arab Emirates: The Higher Colleges of Technology. The presenters: Deema Attal and Dr Nicole Shammas
have been instrumental in both the development and delivery of this subject alongside a team of teachers across 17 campuses. This
presentation describes what Futures Thinking is and why it is so important. The presenters’ work extends on the theoretical principles of
Future Foresight work by introducing methodologies which address the teaching and learning of this subject specific to tertiary second
language English speakers. It details some practical ways teachers across all disciplines, with students of varying English language levels,
can incorporate elements of this relatively new discipline into their daily practice. We close by including some informal student feedback
highlighting students’ responses to this content. These initial findings suggest that this type of course content empowers students to be
more alert to trends in their environment and consequently more proactive when shaping their visions for the future on both a personal
and professional level. To summarize, this presentation serves to bring to the forefront an increasingly important subject which enables
learners to more meaningfully navigate a potentially volatile world. This discussion is both timely and relevant and audience members
will not only gain an understanding of what Futures Thinking is but also practical ways of how to apply this to their classroom teaching
45746

Understanding the Importance of Amartya Sen’s Philosophy in his Economic Model
Maitreyi Natarajan, Symbiosis International University, India

The purpose of this dissertation is to understand and analyze the extent to which philosophy impacts the manner in which practical
economics plays out. It seeks to draw attention to the fact that there has been excessive focus on numbers and other such indicatorsof economic growth, causing social welfare to be severely ignored. Amartya Sen, an economist and philosopher, has written several
books in order to shift this focus from growth intensive studies to those that include welfarism as well. The theories that he proposes
economic systems follow are based strongly on his philosophical leanings, and throughout his work it is evident that the two fields rely
heavily on each other. His fundamental philosophical thought has been analyzed and understood, followed by a detailed explanation of
his suggestions in the economic sphere as well. The project then seeks to understand if there is scope to marry the concepts of growth
and welfare, and to understand if this would lead to the betterment of human living conditions as we know them. Simultaneously, the final
chapter seeks to evaluate and measure the extent to which his philosophy affects his economic thought. The criticisms for the same havealso been taken into account, and a final conclusion is reached regarding the importance of considering human rights and freedoms in theunforgiving world of profit. The data and theories have been supplemented with graphs and figures to the best of its capability.
44468

Regionalism and Issues: Understanding Indian Unity in Diversity Through Literature
Reena Mittal, Dak Degree College, Moradabad, India

To understand regionalism,we need to know various dimensions of the region.Region as a social system,reflects the relation between
different human beings and groups whereas a geographical unit,is delimited form each other.Regionalism is an ideology and politicalmovement to advance the causes of regions.At the international level,regionalism refers to transnational cooperation to meet a common
goal.Regionalism at national level refers to a process in which sub-states become increasingly powerful.Regionalism is defined as afeeling of loyalty to a part of a country and a wish for it to be more politically independent. Positive regionalism means love towards one’s
culture,region,language.Negative regionalism may pose a threat to the unity and integrity of the country.In the Indian context,the term
regionalism has been used in the negative sense. India, a country of 29 states, 1500 language, 6400 castes, approximately 6 religion and29 major festival, a lot of variety further divided in different directions, people and cultures.It is universally assumed that literature mirrors
the society. We believe that traditions are all static,stable and unalterable, traditions change with the time.Regional literature portrayschanging traditions, keeps us in touch with ancestors, with the world at present and gives hope to make our world better.Indian regional
literature has the influence of regional Katha,fables,stories and myths.Indian literature, thus, as the cradle of the art of narration,gavebirth to an independent genre of literature,regional literature of India.The journey of regional literature of India is long,rich, murmuring
recognizable past of India.The paper will discuss Indian writings in context to regional literature.

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Virtual Presentations
50989

Integrating Rungus Children Songs into Music Classroom Teaching
Jinky Jane C Simeon, University Malaysia Sabah, Malaysia

The Rungus are the indigenous ethnic group in which the majority residing in the districts of Kudat and Pitas of Sabah, East Malaysia.
Rungus songs are passed down through oral tradition. The purpose of this research is to document, transcribe, analysis and thereafter toselect the appropriate Rungus children songs to be introduced into the music classroom teaching. This research employs ethnographic
techniques includes field observations, in-depth and focus group interviews as well as audio and video recording. The collected children
songs are analysed using Kodaly method. The repertoire can be served as multicultural resources for teachers to use in their classrooms
to build cultural awareness among children of different ethnicities. This research also provides information and guidance for musicteachers to introduce Rungus songs into their music classroom teaching.

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Conference
Highlights:
The Past 12
MonthsSince 2009, IAFOR has welcomed university presidents, faculty deans, journalists, national politicians,
government ministers, diplomats, charity leaders, think tank directors, company presidents,
documentary photographers, movie directors, members of the armed forces, actors, lawyers, doctors,
jurists, artists, poets, writers, clergy, scientists, philosophers...
Here are some highlights from the past twelve months, from our events in six cities, in five countries,
and over three continents.

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IAFOR began its 2019 in Honolulu, Hawai'i with a joint plenary session of the IAFOR International Conferences on Education(IICEHawaii) and Sustainability, Energy and the Environment (IICSEEHawaii), with Dr Christina M. Kishimoto (above left),
Superintendent of the Hawai'i State Board of Education, Dr David Lassner (above center), President of the University of Hawai'i,and Dr Richard R. Vuylsteke (above right), CEO of the East-West Center. The panel was chaired by Dr Joseph Haldane, Chairman
and CEO of IAFOR and entitled “Education and Sustainability: Local Lessons from Hawai'i”, and three of the State’s leaders joined
to give their reflections on leadership and positive change around the conference theme of “Independence & Interdependence”.
Below: Professor Nathan Murata (top left), Dean of the College of Education at the University of Hawai'i at Mānoa (UHM), welcomesdelegates to the conference, following the traditional Hawaiian Oli ceremony, opening and blessing of the conference by Aunty
Kehaulani Lum and Uncle Bruce Yoshio Keaulani (top right). Dr Amanda Müller of Flinders University (bottom left) conducts
an interactive workshop discussing the opportunities gained through conducting interdisciplinary research and the benefits ofteam-based research projects. Volunteer graduate students from the College of Education at the University of Hawai'i at Mānoa(bottom right) relax during a lighter moment in the conference.

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Above: Dr Deane Neubauer (above left), Professor Emeritus of Political Science at the University of Hawai'i at Mānoa (UHM),
moderates a wide-ranging plenary panel on “Independence and Interdependence”, looking at the challenges faced by teachersand policymakers as they prepare students for the unknown in a rapidly changing world. Held in collaboration with the Asia
Pacific Higher Education Research Partnership (APHERP), which conducts a wide range of policy-focused research with a special
focus on higher education, this panel included presentations by Professor Joshua Mok Ka-ho (above center), Vice-President
and concurrently Lam Man Tsan Chair Professor of Comparative Policy of Lingnan University, and Dr Sela V. Panapasa of the
University of Michigan (above right). Dr Panapasa looked at questions of demography, race and ethnicity, measuring health andeducation disparities.
Below: Professor David P. Ericson (top left), Professor of Philosophy of Education and Educational Policy Studies in the Departmentof Educational Foundations, at UHM gives a historical overview of formal education and systems, in order to then offer possible
projections of where we might be heading in a thoughtful address as part of the “Independence and Interdependence” plenary
panel. Dr Keiichi Ogawa (top right), a Professor/Department Chair in the Graduate School of International Cooperation Studies at
Kobe University in Japan, delivers a Keynote Address on “SDGs and Education: Sustainable Financing for Early Childhood Careand Education (ECCE) in Viet Nam, Laos and Cambodia”. Bottom: Delegates join for a group photo on the steps of the Hawai'iInternational Convention center. Over 300 people from 45 different countries attended the 2019 IAFOR conference.

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"Urban Heritage and the Modern City" was the theme of The IAFOR Conference on Heritage & the City, held in partnership with Hostra
University, New York. Academics from more than 25 countries attended the conference to “help build the concept of ‘urban heritage’ as
the foundation for developing pioneering methodologies for the study of cities”.
Above from left to right: Academic, actress and theatre director, Professor Jean Dobie Giebel (Hofstra University) welcomes delegates;
Professor Mark Lukasiewicz, Dean of the School of Communication at Hofstra University, delivers a Keynote Presentation on “Alternative
Facts”; Professor Gregory Pell (Hofstra University), an expert on artistic correspondence between cinema and film, speaks as part of the
Featured Panel on "Urban Heritage and the Modern City". Panelists responded to the proposition that the “diversity and otherness of the newcity-space requires us to study the city as a sort of cultural heritage collage,” and “urges us to consider new methodological paradigms”.
Below, clockwise from top left: On the same Featured Panel were Dr Rodney Hill of Hofstra University, a prominent film scholar and archivist
who considered the role of visual and filmic versions of New York, and Professor Alfonso J. García Osuna, who looked at literary interpretationsof the city. IAFOR Vice-President, Professor Ted O’Neill of Gakushuin University, Japan, with IAFOR Scholarship winners, Ioannis Vardapolous ofHarakopio University (Greece), and H. Kubra Gur Duzgun of Mimar Sina Fine Arts University (Turkey). Dr Ljiljana Markovic, Dean of the Faculty ofPhilology at the University of Belgrade, Serbia, spoke of cities as places of both conflict and compromise, as well as cooperation and reconstruction.
Professor Markovic has been interested in the role of the university at the very heart of civil life in Serbia, where she also serves as a city councilor.

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Top left: Professor Leonard K Cheng, President of Lingnan University, Hong Kong, welcomes delegates to the IAFOR Conference on
Higher Education Research (CHER-HongKong2018), before delivering his keynote presentation, “Innovation and Entrepreneurshipat a Liberal Arts University? The Experience of Lingnan University”. The Conference was held in association with the Asia PacificHigher Education Research Partnership (APHERP). Top right: Professor Anthony Welch, of the University of Sydney, Australia,delivers a Keynote Presentation, “Innovation, Entrepreneurship and the Shift to the East”, to a packed room in Lingnan University,in which he detailed the massive increase in research and development budgets and output from China.
Below, clockwise from top left: Dr Xu Di from the University of Hawai’i at Manoa, USA, gives her Featured Presentation titled “Value,
Innovation, Entrepreneurship: An Ethical Perspective for Global Education, Research & Development”. Professor Deane Neubauer
from the East-West Center, USA, and co-director of APHERP, gives a Featured Presentation on “Recalculating Higher Educationin the Asia Pacific Region within the Emerging Fourth Industrial Revolution”. Professor Catherine Montgomery, University ofBath, UK answers questions following her Featured Presentation on the impact of innovation and entrepreneurship on education.
Professor Yuto Kitamura, The University of Tokyo, Japan, gives a Featured Presentation on “The Impact of Internationalization ofHigher Education in Asia on Cooperation Among Diverse Stakeholders: International Cooperation to Promote Entrepreneurshipand Innovation”.

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Top: APHERP celebrates the moving of its secretariat from the East West Center (Hawaiʻi, USA) to Lingnan University (HongKong) with the unveiling of a ceremonial plaque at CHER–HongKong. The International Academic Forum (IAFOR) was excited topartner with APHERP for this event. After this successful conference, IAFOR is looking forward to future opportunities to workwith APHERP.
Below: Professor Ka Ho Joshua Mok, Vice-President of Lingnan University (left), and Dr Joseph Haldane, Chairman and CEO
of IAFOR (right) deliver closing addresses following the plenary sessions. The two both expressed that the conference had
been a great success, and that they enjoyed seeing so many scholars from around the world coming together in international,
interdisciplinary academic pursuits.
Bottom left: A trio of musicians from Lingnan University entertain delegates at the Welcome Reception. Many delegates noted
they enjoyed the opportunity to network at the Welcome Reception, and that the music helped to create a relaxing, informal
atmosphere. Bottom right: Detail from the CHER–HongKong Programme.

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Top left: Dr Zachary Walker, of University College London’s Institute of Education, delivers the opening keynote to the 10th Asian
Conference on Education (ACE2018), held in Tokyo, and attended by more than 550 people. Dr Walker’s insightful Keynote Presentation,
titled “The Things that Do Not Change”, explained the importance of flexibility in responding to learner needs, but also the need to
implement best practices as demonstrated by research in the field. Top right: Dr Andy Curtis, from Anaheim University (USA), and50th President of TESOL International, gives a humorous and moving account of his journey as an educator and scholar, in a Keynote
Presentation titled “Moving Forward by Going Back: Not Changing but Innovating”, drawing on both personal experience and on a wide
variety of intellectual inspirations, including the current relevancy of Thomas Dewey’s work from more than hundred years ago.
Bottom, clockwise from top left: Professor Keith W. Miller, University of Missouri-St. Louis (UMSL), USA, delivers a Keynote Presentation
titled “Sophisticated Machines and Innovative Education: Who (or What) Will Thrive?” in which he spoke of the role of AI, robots andtheir relationship with students and teachers in an interactive, and thought provoking speech. Dr Liying Cheng, from Queen’s University,
Canada, gives a wide ranging Keynote Presentation on “High-Quality Classroom Assessment in Times of Change: From Purposes andUses to Tasks and Environments”, which looked at new and innovative methods of assessment. Professor Ted O’Neill of Gakushuin
University (Japan) is flanked by founding IAFOR Journal of Education editor, Dr Bernard Montoneri of National Chengchi University(Taiwan), and current editor, Dr Yvonne Masters from the University of New England (Australia). Professor O’Neill moderated a lively
Featured Panel on “Thriving in Publication: Ethical Guiding Principles for Academic Publication”.

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Top left: Professor Kay Irie, from Gakushuin University, Japan, speaks about delivering change in conservative institutions aspart of the Featured Panel Presentation on “Leadership and Innovation”, chaired by IAFOR Chairman, Dr Joseph Haldane (notpictured). Top right: Professor Ljiljana Markovic, Dean of the Faculty of Philology at the University of Belgrade, Serbia, whospoke of the challenges facing a developing country, responds to a question during the same panel.
Bottom, clockwise from top left: Dr Kristin Palmer, Director of Online Learning Programs at the University of Virginia, USA, in
the Featured Panel Presentation titled “Leadership and Innovation”, delivers a perspective from a major US public research
institution. Dr Peter McCagg, Vice-President of Akita International University, Japan, a small but highly ranked college
located in rural Japan, talks of disconnect between the university’s more global facing aims and its relationship with thelocal community. Professor Ljiljana Markovic is interviewed by prominent Serbian TV anchor, Svetlana Gurbor of Pinkova TV.
Distinguished Professor Tien-Hui Chiang, of Zhengzhou University, China, delivers a thought provoking and controversial
Keynote Presentation titled, “Teacher Competences Function as the Discourse of International Competitiveness within theInstitutionalized Milieu in the Epoch of Globalization”.

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Top left: Professor Kaori Hayashi, a noted expert in the field of Japanese Media and Politics at The University of Tokyo, Japan,
gives the opening Keynote Presentation on “Indifferent Publics – The Challenge of Japanese Media Today” at the ninth Asian
Conference on Media, Communication & Film (MediAsia2018). Top right: Prominent Asian documentary filmmaker, Keiko Bang,
gives a highly engaging multimedia Keynote Presentation on “Fearful Futures: Are we Awoke?”. Bang has produced more than 50
award-winning documentary films, worked and for and with governments and non-profit agencies, undertaken projects to support
refugees, and worked at some of the largest broadcast companies in the world, and she drew on this breadth of experience todeliver a truly memorable presentation.
Bottom, clockwise from top left: Professor Georg Adlmaier-Herbst, of the Berlin University of the Arts, Germany, delivers a
Keynote Presentation titled “When All the Research Says Otherwise but Fear Remains: On the Role of Facts in Dealing with Future
Fears”, which looked at the intersections of psychology, behavior and media. Professor Yutaka Kubo from Waseda University,
Japan, takes part in a Featured Panel Presentation on the state of film studies in Japan. The panel was moderated by Timothy W.
Pollock, from Osaka Kyoiku University & Hagoromo University of International Studies, Japan, who also served on the Organising
Committee for MediAsia2018, helped to make the conference so successful. Professor Chie Niita, also from Waseda University,
was another panel participant. Professor Kubo and Professor Niita provided deep insights built on their many years of respective
experience, and thoroughly engaged the audience in discussion.

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The IAFOR Global Innovation & Value Summit (GIVS2018) was held in Tokyo, and brought together some of the biggest names ingovernment and business in Japan. Organised in association with JWT and The Wall Street Journal, the conference considered
and contextualised questions of innovation and value with a focus on innovation ecosystems in the global, regional and local
ecosystem of Japan.
Top left: Telecommunications pioneer, Dr Sachio Semmoto, Chairman of RENOVA, Inc. and founder of DDI (later KDDI), delivers
the opening Keynote Presentation at GIVS2018, recalling his experience of innovation in Japan in the privatisation of the telecom
industry. Top right: Oki Matsumoto, Managing Director & Chairman of the Monex Group gives his views on how government canhelp encourage innovation by keeping its distance.
Clockwise from bottom left: Motoko Imada, President and Founder of media group, Infobahn, Inc., talks of the challenges andopportunities of being a woman in business in Japan; Dan Sloan, Founder of the Nissan Global Media Center moderates themorning Keynote Panel; Student volunteers from Gakushuin University help welcome delegates to GIVS2018.

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If the phrase “innovate or die” is true, then these “shinisei” businesses must be considered to be the most innovative in the world.
This “Innovation in Japan’s Heritage Industries” plenary session at GIVS2018 explored how innovation happens within heritage
companies and what can be gleaned from these practices and applied to organisations that aspire to be similarly sustainable
over the long term.
Top left: Masao Hosoo, President (11th Generation), Hosoo Corporation, talks about how his textile company uses both tradition andcutting edge technology in its products. Top right: Reverend Takafumi Kawakami, Zen Priest & Vice Abbot, Shunkoin Temple, Kyoto,
has lectured around the world, including at MIT, on mindfulness and the continued relevance and role of religion in changing times.
Below left: Shuji Nakagawa, President & Craftsman, Nakagawa Mokkougei, which makes wooden objects, speaks about using
innovation to introduce a new generation to traditional implements by reimagining them.
Bottom left: Hiroko Koide, External Board Director of Mitsubishi Electric Company, and Board Director for Business Strategy andMarketing at Vicela Japan Co. chairs the panel discussion. Bottom right: Rumiko Obata, Executive Vice President, Obata Sake
Brewery, speaks of the innovative production and promotion practices she has employed to keep tradition and the rural brewery
flourishing.

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Top left: Japanese firms have been regularly regarded as inwardly focused, and averse to overseas business and competition,
but this is not accurate, as there are many notable exceptions, including that of Mr Yuzaburo Mogi, Honorary Chief Executive
Officer & Chairman of the Board, Kikkoman Corp. One of the true business giants of the past century, Mr Mogi was responsiblefor introducing soy sauce to the US market postwar, and to the building of the company into the food manufacturing giant it istoday. Here he recounts his experiences of opening a new market to a traditional product, and how he helped create that market.
The second plenary panel at GIVS2018, on “The Multinational View on Innovation (Inbound/Outbound)”, explored how Japan’s
leading companies define, measure, manage and inspire innovation both domestically and overseas with representatives fromseveral leading Japanese companies. Panelists included Jin Song Montesano, Chief Public Affairs Officer, LIXIL Corporation(pictured above), and clockwise from left below, Masafumi Ishibashi, Chief Marketing Officer, Nestle Japan; Mandali Khalesi,
Toyota Global Head of Automated Driving Mobility and Innovation; Ludovico Ciferri, President, Advanet. The panel was chaired by
Ross Rowbury, President of Edelman Japan.

100 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)Prime Minister Shinzo Abe has pinned the future of Japan’s economy on innovation, and while heritage and existing businesses
must plan an important role in this embrace of growth and change, everyone is looking to Japan’s start-up sector as the key
driver of Japan’s future growth. In the “Entrepreneurial Innovation in Japan” session at GIVS2018, panelists explored the uniqueelements of Japan’s start-up culture, and how this is driving or dampening the country’s future innovativeness.
Above: Kei Shimada, Director of Innovation, at IBM Innovation and Incubation Labs (left) and Tamaki Sano, General Manager of theBusiness Creation Department at Kirin Company, Ltd. (right) talk about creating and encouraging innovation and entrepreneurshipwithin large corporations.
Below left: David Milstein, Partner, Head of Japan, Eight Roads Ventures, and prominent venture capitalist speaks positively of
the investment environment of Japan. Below right and bottom: Marco Koeder, Digital Business Director at J. Walter Thompson,
Japan chairs the panel, where David M. Uze, Co-Founder & CEO, Trillium Secure, Inc., strongly disagrees with the positive viewsof Japan’s start-up environment, comparing it unfavourably with Silicon Valley.

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Driving innovation and value creation across all earlier panels at GIVS2018 are the laws, regulations and overall policies set inplace by the central and regional governments. Simultaneously, Japan’s educational foundation is built on creating the proper
environment and launching pad for innovative research and new entrepreneurs and innovators who will drive the future ofinnovation growth. This session explored how the Japanese government, as well as educational institutions, are working to foster
both the spirit and environment to foster and develop future innovations.
Top left: Yoshimasa Hayashi, Minister of Education, Culture, Sports, Science, and Technology (2017-2018), & Member of theHouse of Councillors, Japan, talks as part of the panel, and outlined how the Ministry is preparing for “Society 5.0”, where Artificial
Intelligence both destroys and creates opportunities and employment. Top right: Yoko Ishikura, Professor Emeritus, Hitotsubashi
University, Japan, and Member of the Global Future Council at the World Economic Forum speaks on the need for immediate
action to encourage innovation in Japan.
Clockwise from left below: Kosuke Motani, Chief Senior Economist of the Japan Research Institute, talks about regional
regeneration in Japan in depopulated areas; Eikei Suzuki, Governor of Mie Prefecture, Japan, responds with success stories from
Mie; David Hajime Kornhauser, Director of Global Communications, Kyoto University, Japan, moderates the session; Yoshiaki Ishii,
Director of the Science, Technology and Innovation Bureau at the Cabinet Office gives another government view.

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Above (and bottom left): Geoffrey Wexler, Chief, International Division, Studio Ponoc, Japan, and formerly of Studio Ghibli and Walt
Disney, moderates the final session at GIVS2018, weaving together the insights and discussions from all previous sessions, andencouraged the remaining panelists to answer the key question under discussion throughout the entire Symposium: What is truly
driving innovation and innovativeness in Japan today, and how will this develop and grow in the future?
Below left: Professor Philip Sugai, Professor, Doshisha University, Graduate School of Business, Japan, and Director of the OSIPPIAFOR Research Center’s Innovation and Value Initiative at Osaka University thanks delegates for attending the event.
Below right: Peter Landers, Tokyo Bureau Chief of The Wall Street Journal delivers a very thoughtful overview of the GIVS2018
summit in his closing remarks. The Wall Street Journal was the official partner of the summit.

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Above left: Dr Alex Aguilar, Vice Rector for Outreach and Internationalisation at the University of Barcelona (left) and Dr Joseph
Haldane, IAFOR Chairman and CEO, welcome delegates to The IAFOR International Conference on the City (CITY2018) held concurrently
with The IAFOR International Conference on Global Studies (GLOBAL2018). The conference theme was “Fearful Futures” and theuncertain political future of the global city of Barcelona provided a stimulating backdrop for this conversation to unfold. Above right:
Internationally acclaimed novelist and journalist, Liz Byrski of Curtin University, Australia, delivers a Keynote Presentation, considering
her love-hate relationship with various cities in which she has lived, the reasons for fleeing from them, and the physical and emotional
effects of being in any city. This address was a part of a “Cities we Fled” panel that also included addresses by Professor Sue Ballyn(opposite page above right) and Professor Donald Hall (opposite page bottom right).
Below (clockwise from top left): Dr Bill Phillips delivers a Keynote Presentation on “Catalonia’s Referendum on Independence from
Spain”, contextualising the political crisis in Catalonia as part of a panel on the subject. Dr Philips is head of the English and German
Studies Department, and teaches English literature and culture, at the University of Barcelona, and also serves as a local councillor.
Dr Cornelis Martin Renes delivers a thought-provoking keynote address, “¡A España no hay presos políticos! / In Spain there are no
Political Prisoners!”, that looked at the way in which the Spanish government handled political and legal issues around the Catalan
independence referendum. Dr Montserrat Camps-Gaset, a member of the Board of the University of Barcelona, and a Catalan native
responds to questions on the issue of separatism and identity in Spanish politics, while Michael Strubell contributes a poignant
analysis as a panelist in a Featured Panel Presentation “The Way and Wherefore of Spain’s Current Political Crisis: Catalonia… Again”.

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Above (from left to right): Professor Cynthia Schmidt-Cruz, Director of the Center for Global and Area Studies at the Universityof Delaware, after her her Keynote Presentation “Writing the City: Buenos Aires in New Millennium Crime Fiction”, which lookedat true crime as inspiration for fictional explorations. Phil Ball delivers a thought-provoking Keynote Presentation on “Football,Politics and the City”. Mr Ball is one of the world’s foremost football journalists, who has written award-winning and bestsellingbooks during his career as a sports journalist. Professor Emerita Sue Ballyn, Founder and Honorary Director of the Centre forAustralian and Transnational Studies Centre at the University of Barcelona, responds to questions from the audience during the
Featured Panel Presentation “Cities we Fled”.
Below (from left to right): Writers Phil Ball, Gloria Montero and Liz Bryski on a very wide-ranging panel entitled “How Can Writers
Respond when the Future Looks Fearful?”. Gloria Montero is a world-renowned novelist, playwright and poet, especially known
for her play Frida K., which has been performed globally.
Bottom right: Professor Donald Hall, Dean of the Faculty of Arts, Sciences & Engineering at the University of Rochester, delivers
remarks as part of the “Cities we Fled” panel, where he talks of the societal, racial and generational fissures in the Deep Southof the United States in the 1960s and 1970s. Bottom left: Conference attendees pose for a group shot outside the Aula Magna of
the University of Barcelona.

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Above left: Dr Thomas G. Endres responds to audience questions after his Keynote Presentation, “Classic Rock in the Year of Revolt: Using
the Illusion of Life to Examine the Hits of 1968” at The European Conference on Media, Communication & Film 2018 (EuroMedia2018),
held in parallel with The European Conference on Arts & Humanities 2018 (ECAH2018), in Brighton. Dr Endres is head of the School ofCommunication at the University of Northern Colorado, USA, and Executive Director and Editor-in-Chief of the Society for the Academic
Study of Social Imagery. Above right: Professor Bruce Brown of the Royal College of Art, UK, delivers a wide-ranging and powerful Keynote
Presentation on “Design and Democracy”. Underscoring the “Fearful Futures” conference theme, Professor Brown presented ideas about
how art and design intersect with politics and freedom, and how advancing technology impacts these relationships.
Below left: Dr James Rowlins enjoying the audience discussion following his Feature Presentation & Film Screening at The European Conference
on Media, Communication & Film 2018 (EuroMedia2018). Dr Rowlins is currently a lecturer in the Humanities and the Arts Department at
the Singapore University of Technology and Design, Singapore, which was established in collaboration with the Massachusetts Instituteof Technology (MIT), USA. As Founding Director of the Brighton Rocks Film Festival, Dr Rowlins discussed the triumphs and challenges ofstarting a new film festival in the digital age before screening the “Best Short Film” of the 2018 Brighton Rocks Film Festival, Alexanderplatz,
directed by Mark Nelson (below right), who is seen taking questions from the audience about his film.
Bottom: Delegates line up for a group photo outside the conference venue.

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Above left: Dr Eddie Bruce-Jones, Deputy Dean at Birkbeck College School of Law, University of London, gives an engaging
Keynote Presentation on “Contemporary Continuities: Racism, Populism and Migration” at The European Conference on the Social
Sciences 2018 (ECSS2018) which was held in parallel with The European Conference on Sustainability, Energy & the Environment
2018 (ECSEE2018). Dr Bruce-Jones discussed ideas related to race in British colonialism, law, and populism drawing on his
experience as a scholar of legal history. Above right: Professor Matthew Weait delivers a profound Keynote Presentation entitled“HIV – Environmental Phenomenon or Bodily Harm?”. Dr Weait, who is Professor of Law and Society, and Dean of the Faculty of
Humanities and Social Sciences at the University of Portsmouth, in the UK, talked about societal and individual responses to thecriminalisation of HIV and the stigma attached to the disease.
Below (clockwise): A group photo of attendees outside the conference venue. Dr Tom Houghton has a relaxed conversation withother delegates at The European Conference on Sustainability, Energy & the Environment 2018 (ECSEE2018) before giving his
Keynote Presentation “Innovation for Low Carbon Energy: Are Power Utilities Ready?”. Dr Houghton, who has recently establisheda training program in Renewable Energy for Developing Countries with UNITAR, is Director of the MBA (Oil & Gas) at Curtin
Graduate School of Business, Australia. The magnificent Royal Pavilion in Brighton, designed by John Nash and inspired by the
Indo-Saracenic style of India.

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Above left: Dr George D. Chryssides, Honorary Research Fellow in Contemporary Religion at the University of Birmingham, enjoying
discussion with the audience after his Keynote Presentation “Unchanging Truth? – Not in the Study of Religion” at The European
Conference on Ethics, Religion & Philosophy 2018 (ECERP2018). Dr Chryssides presented ideas on modern spirituality and theconcept of change in the study of religion. Drawing on his vast experience, from completing his doctorate at Oxford, in 1974, tobeing Head of Religious Studies at the University of Wolverhampton, UK, from 2001 to 2008, Dr Chryssides was able to give in-depth
analysis of how views on religion change through time. This Keynote Presentation underscored the conference theme “Surviving
and Thriving in Times of Change”. Above right: Held concurrently with ECERP2018, The European Conference on Psychology & theBehavioral Sciences 2018 (ECP2018) shared the same “Surviving and Thriving in Times of Change” theme. Here, Professor David
Putwain delivers his Keynote Presentation, "Surviving High-stakes Exams: Do Teachers Help or Hinder?". As Director for the Centreof Educational Research in the School of Education at Liverpool John Moores University and Chair of the Psychology of Education
Section of the British Psychology Society, Professor Putwain is a noted expert on the psychology of education, and the audience
showed a keen interest in the lively discussion following the address.
Below: Dr Joseph Haldane, Chairman and CEO of IAFOR, poses with conference scholarship award winners.
Bottom: Delegates outside the conference venue enjoying the summer sun in a group photo.

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Above left: The Karl Mannheim Chair of Sociology of Education at University College London’s Institute of Education, Professor Louise Archer
gives an insightful Keynote Presentation, entitled "'It's Interesting, but Not for Me’: Understanding what Shapes Student Subject Choice andCareer Aspirations Age 10-18”, to delegates at The European Conference on Education (ECE2018), and answers questions from an engaged
audience. ECE2018 was held in parallel with The European Conference on Language Learning (ECLL2018). Above right: Dr Annamaria Pinter,of the University of Warwick, answers questions following her Keynote Presentation, “Children Working as Co-Researchers and Researchers– Possibilities and Challenges”. Dr Pinter shared thoughts from her books and publications on second language acquisition in childhood.
Below (clockwise): Professor Anne Burns delivers her Keynote Presentation at ECLL2018, “Teacher Tales: Context-Embedded
Language Teacher Professional Development” in which she discusses sustaining teacher professionalism, and professional
development accounting for location. Professor Burns, armed with scholarship and international teaching experience, shared insights
into the value of learning in the context of where one works. Dr Björn Åstrand, of Sweden’s Umeå University, delivers his Keynote
Presentation “Teaching in Times of Change – To Nurture the Essentials for a Thriving Education”, before a large and engaged audience.
Professor Mario Novelli, from the University of Sussex, UK, enjoys the discussion after his Keynote Presentation, “Education, Conflict &Peacebuilding: Transcending Negative Peace, Peace Education & the Global Education Agenda”. Professor Novelli shared findings fromhis research for UNICEF on education in times of conflict and how it connects to peacebuilding. Professor Brian Hudson, Professor of
Education and Head of the School of Education and Social Work at the University of Sussex, and an Organising Committee member,addresses the audience at ECE2018.

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Above: Dr Megumi Rosenberg of the World Health Organization (WHO) engages with the audience in a “Health Across the Lifecourse” plenary panelat the Asian Conferences on the Social Sciences (ACSS2018), Sustainability, Energy and the Environment (ACSEE2018), and Aging and Gerontology(AGen2018), while Hiroshi Ishida, Professor of Sociology, in the University of Tokyo, looks on. Held in June, under the umbrella theme of "Surviving
and Thriving”, Kobe is also home to the WHO Centre for Health Development, which although based in Japan, is fully part of the WHO’s headquarters
in Geneva. The panel was chaired by James W. McNally, Research Scientist at the University of Michigan.
Below left: Philip Sugai of Doshisha Business School, Japan, delivers a featured presentation titled “Towards a Universal Standard of Value throughBlockchain” in which he speaks of his work creating and testing a theoretical model for the application of blockchain technology to marketing
practice with the aim of deepening scholarly and practical knowledge of how value is created, measured and managed for customers, firms,
employees, partners, society and the planet. Below right: Lowell Sheppard, Asia Pacific Director of the HOPE International Development Agency,
delivers a featured presentation on “Surviving and Thriving”, drawing on his experience working in and writing about intensely dysfunctional
communities, the result of war, disaster and extreme poverty.
Bottom left: Professor William Baber of Kyoto University’s Graduate School of Management, Japan delivers a workshop presentation introducing
and review some general aspects of negotiating in professional contexts. Bottom right: Kathryn M. Lavender, a project manager at the National
Archive of Computerized Data on Aging (NACDA) at the University of Michigan engages with attendees of a featured data research workshop.

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Above: The Asian Conferences on Cultural Studies (ACCS2018) and Asian Studies (ACAS2018) were held concurrently under the theme "Fearful
Futures: Cultural Studies and the Question of Agency in the Twenty-First Century" at the Art Center of Kobe in May. Here Haruko Satoh chairs aplenary panel titled “Fearful Futures: Rescuing Asian Democracy”. Professor Satoh is professor at Osaka University’s School of International Public
Policy (OSIPP) where she lectures on Japan’s relations with Asia and identity in international relations, and co-director of the OSIPP-IAFOR ResearchCentre. The panelists from left to right are Colin Dürkop, Visiting Fellow at Kyoto University, Japan and formerly of the Konrad-Adenauer-Stiftung(KAS); Pavin Chachavalpongpun, a leading Thai public intellectual, who is also associate professor at Kyoto University’s Center for Southeast AsianStudies; and Takuma Melber, coordinator of the Master’s programme Transcultural Studies Programme at The University of Heidelberg.
Below left: Helen Gilbert, Professor of Theatre at Royal Holloway, University of London, delivers a keynote on “Indigenous Resurgence andEnvironmental Justice on the Global Stage”. Below right: Vinay Lal is Professor of History and Asian American Studies at UCLA, and one of theworld’s foremost scholars of Indian history, historiography, and culture in India. In a wide-ranging lecture on “The Challenge of the Global South”
he highlighted what he termed the challenge of Bandung, which is to try to understand whether the Global South can mount an intellectual andsocio-cultural defence that would facilitate the conditions for an ecologically genuine survival of plurality. Bottom left: Poet and academic Tammy
Lai-Ming Ho of Hong Kong Baptist University answers questions following her keynote on “Poetic Resistance and Empowerment”, which lookedat how Western literature and culture are incorporated into the expression of a unique Hong Kong identity. Bottom right: Donald E. Hall, Dean of
Lehigh University’s College of Arts and Sciences, delivers a keynote presentation discussing the city of his birth: Birmingham, Alabama (USA), which
encouraged the audiences to consider their own relationship with their own cities as sites of pleasure and pain.

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Above left: Professor Diane Hawley Nagatomo of Ochanomizu University, Japan, delivers the opening Keynote Presentation at The
Asian Conference on Language Learning (ACLL2018), held in Kobe, Japan. The conference theme was “Surviving and Thriving:
Education in Times of Change”, and Professor Nagatomo reflected this in her address exploring questions of gender, and personal
and professional identity among Western female English Language Teachers in Japan “Surviving and Thriving in the Gendered Watersof Japan: Ten Women’s Stories”. Above right: The second Keynote Speaker was Professor Bonny Norton of the University of British
Columbia, Canada, who joined the conference by video link, and also tackled questions of identity in her insightful Keynote Presentation
on “Identity and Language Learning in an Unequal Digital World”.
Below left: Professor Ken Urano of Hokkai-Gakuen University, Japan, listens to questions following his Featured Presentation at
ACLL2018, titled “Task-Based Language Teaching in an English for Business Purposes Program”. Below right: Professor Emerita Judy
Noguchi delivers a Featured Presentation on English for Specific Purposes (ESP) entitled “A New Paradigm for English Language
Teaching in Asian Contexts”. A Professor Emerita of Kobe Gakuin University, Judy Noguchi served as the first Dean of its Faculty of
Global Communication. She served as Vice-President of JACET (The Japan Association of College English Teachers) from 2015 to 2017and as President of JACET Kansai Chapter from 2010 to 2015.

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Above left: Professor Umberto Ansaldo, Chair of the School of Humanities at The University of Hong Kong, delivers a wide-ranging
keynote that looked at controversial questions of language preservation and conservation in “Heritage in Language?”, as part of aplenary panel on Language and Heritage. The panel explored issues surrounding the role of heritage languages in contemporary society
and education, both from theoretical perspectives as well as practical solutions. Above right: Dr Lisa Lim, Head of the Departmentof English and at the University of Hong Kong and a noted scholar on the sociolinguistics of globalisation, delivered a keynote on“Heritage in Language: Nurturing Collective, Socially Relevant and Transformative Research in Education”. Here she is pictured in an
exchange during the moderated panel which followed both presentations.
Below left: Professor Steve Cornwell IAFOR President, also Vice-President of Osaka Jogakuin University, Japan, takes part in a Featured
Panel Presentation on “Language Learning in a Time of Complexity and Change” at ACLL2018, which asked and encouraged delegatesto reflect and draw on their own experiences in language learning education. Below centre: Professor Ted O’Neill of Gakushuin
University, Japan, and an IAFOR Vice-President, speaks as part of the same panel on his experience helping to found a new faculty at
the university. Below right: Professor Jo Mynard, Director of the Self-Access Learning Centre (SALC) at Kanda University of International
Studies (KUIS) in Japan in a light-hearted moment engaging with a member of the audience in the same panel.

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Submit your research to the

IAFOR Journal ofArts & Humanities
The IAFOR Journal of Arts & Humanities is an internationally reviewed and editoriallyindependent interdisciplinary journal associated with IAFOR’s international conferences
on Arts and Humanities.
Editor: Dr Alfonso J. García Osuna, Hofstra University, USA
ISSN: 2187-0616
Contact: ijah@iafor.org / publications@iafor.org

Aims & Scope
The IAFOR Journal of Arts & Humanities publishes original articles on all aspectsof the arts and humanities; that is to say, we are interested in works that study anddocument the varied ways in which people methodise and endeavour to decipher
the human experience. In seeking to direct the journal’s critical perspectives towardinnovative and pioneering terrain, we welcome articles that take a diagnostic approachto the assumptions that have long predisposed the study of literature, philosophy, art,
history, religion, music and language.
The editorial team aim to bring meaningful, influential work to an international
community of scholars as well as to a worldwide audience. As such, we only publish
papers with substantial scholarly underpinnings that will appeal to specialists andnon-specialists alike and will advance our understanding of the arts and humanities.
Given the journal’s wide scope, the research submitted must rise above the limitationsof narrow, confined case studies. Where such studies are submitted, they must offer
insights into issues of general interest to scholars.
The Journal Editor welcomes submissions related to the arts and humanities fromacademics, practitioners and professionals from within the field. Please note that
papers already submitted to or published in IAFOR Conference Proceedings are notaccepted for publication in any of IAFOR’s journals. All papers are reviewed equallyaccording to standard peer review processes, regardless of whether or not the authors
have attended a related IAFOR conference.
Indexed in: DOAJ, MIAR, Google Scholar, SHERPA/RoMEO, TROVE and Humanities
Source. DOIs are assigned to each published issue and article via Crossref.
For more information please visit:www.ijah.iafor.org
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Kansai
Resilience
Forum 2019
On February 22, 2019, the Government of Japan, in collaboration with The International Academic
Forum (IAFOR), held the Kansai Resilience Forum 2019, which became a major international
and interdisciplinary platform for extensive discussion on resilience and its role in society, theglobalising economy and disaster risk reduction.
The Kansai Resilience Forum took place at the Hyogo Prefectural Museum of Art, Kobe,
comprised of three panel sessions on Disaster Risk Reduction Strategy, Resilience and Society,and Resilience and the Globalising Economy as major topics, and culminating in a Special
Keynote Presentation by world renowned architect, Tadao Ando, who designed the event venue
following the Great Hanshin Earthquake of 1995 as a symbol of both renewal and recovery.
The Forum was opened by Tomoaki Ishigaki of the Prime Minister’s Office of Japan on behalf of
the Government of Japan; and Joseph Haldane, Chairman and CEO of IAFOR, who highlighted
the significance and timeliness of the discussion for both Japan and the global community.

kansai-resilience-forum.jp

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Panel I: Disaster Risk Reduction Strategy
Panel Session I addressed the issues ofdisaster risk reduction strategies and how
Japan can aid other disaster-prone areas. It
was moderated by Peng Er Lam of the National
University of Singapore, whose central point
was that resilience is created through joint
efforts of the local communities, national
governments and international collaborationof regions under threat of natural disasters.

Yuki Matsuoka, the Country Head of The United
Nations International Strategy for Disaster
Risk Reduction (UNISDR), Japan, shared,
among other issues, the UN’s experienceand expertise in disaster risk management
speaking about the “shift from consideringstakeholders as vulnerable victims to agentsof change and focus on empowerment andinclusion” in building up resilience.

Shotta Hattori of Kozo Keikaku Engineering,
Japan, spoke about simulated evacuations
and the social value of their results which help
study social psychology and human behaviourin times when disasters hit people’s habitats.

Satoru Oishi of Kobe University / RIKEN, Japan,
gave insight into how supercomputers andother state-of-the-art technologies are used
for enhancing urban planning, evacuation andrescue strategies through complex modelling.
Kobe is home to the K computer, one of theworld’s most powerful supercomputers.

116 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)Ljiljana Markovic of the University of Belgrade,
Serbia, stressed the role of lifelong educationin building up a resilient society. She also laid
special emphasis on invaluable support thepeople of Serbia have been receiving fromJapan in terms of rescue assistance, healthcare
development and educational exchange,
underlining the importance of international
cooperation. As a way of recognising this aid,
when Japan was struck by the March 11, 2011
earthquake, the Serbian people responded
quickly and generously and were among thelargest European donors of aid to Japan.
Haruko Satoh of Osaka University, Japan,
summarised the panel by underlying theimportance and timeliness of the Forumwhich has been able to showcase how Japan
approaches disaster risk management, how
it bounces back, what experience it has andmost importantly how this is shared with therest of the world.

Panel II: Resilience & Society
Panel Session II had Resilience and Society
as its theme and was chaired by Richard Lloyd
Parry, the Asia Editor of The Times, who has
covered tsunamis and nuclear disasters inJapan, among other topics. He looked at therole of resilience in society, both positive andnegative, in response to emotionally difficult
situations.

Tomohide Atsumi, a professor of psychology
at the Faculty of Human Sciences of Osaka
University, Japan, addressed the issue ofvolunteerism and human support in dealing
with the aftermath of natural disasters.
He gave an example of the Pay-It-Forward
Network, when the survivors of a previous
disaster help those of the current one. He
spoke of how this volunteerism organicallyoccurred in Kobe in 1995, and of how this has
become more formalised in the present day.
(Continued on the following page.)
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Hidenobu Sumioka of Hiroshi Ishiguro
Laboratory, Japan, spoke about the help of robots
in increasing resilience in society, showcasing
the effectiveness of robots through interpersonal
touch in interaction with elderly people, children
and those who need stress relief. An interestingfinding of the Laboratory is that their Telenoids,
robots with a minimal human design, can be
successfully used across cultures, which wasproven in an experiment at a caretaking facility in
Denmark. Japan is a world-leader in robotics andAI, and in an aging society, such technologies
can help augment the human experience.
Hiroshi Okumura of Kobe University, Japan,
stressed the significance of “memory
preservation in a stricken area for theformation of a strong community against adisaster” as historical records are pivotal foraccumulating and sharing experience. This isespecially important in areas ravaged by bothhuman and man-made disasters and has
implications and lessons far beyond Japan.

Monty P. Satiadarma of Tarumanagara
University, Indonesia, looked at the conceptof resilience from a psychological angle,
explaining how natural disasters affectpeople’s mental and emotional state andgiving practical advice on how to deal withsurvivors. Dr Satiadarma is a leading clinicalpsychologist who treated children suffering
PTSD following the 2004 Aceh earthquake
and tsunami.

Lowell Sheppard, Asia Pacific Director of the
HOPE International Development Agency,
Japan, used the example of tsunami stones,
benchmarks that reminded people of the
traditional lines below which it is unsafe tobuild, to examine the role and importanceof oral history and education in passing on
ancient experiences.

118 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)A lively discussion followed the panel
addressing the questions of the importanceof leadership in resilience, how disasters
can change societies, what changes arenecessary for Japanese society and how
modern technology and robots could be
implemented in disaster management in more
efficient ways.

Panel III: Resilience & the Globalising Economy
The third panel was dedicated to the correlationand interplay between resilience and theglobalising economy. The panel was chairedby Brad Glosserman of Tama University,
Japan, who raised the issue of globalisation
changing the ways societies are organised.
He stressed that facing various problems
that modernisation brings, combined with
exposure to natural disasters, Japan mightwell see resilience and promotion of resilience
as its national purpose in a postindustrial andpostmodern world.
Atsushi Iizuka of Kobe University / RIKEN,
Japan, talked about the partial application of
big data and super computers in enhancing
the resilience of cities and emphasized theimportance of private/public partnershipsthat allow investment in big urban projects tomake cities safer, better and smarter.

Ray Klein of Tekinvest KK, Japan, looked atvarious perceptions of resilience and its
representation in the Japanese society. He
outlined that resilience can be traced in how
Japan manages its growth and aging of its
population, in revitalisation and modernisationof older areas, and in how newer generations
approach traditions.
(Continued on the following page.)

Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 119Thomas Mayrhofer of the Intercontinental Hotels
Group, Japan, spoke on how the hospitality
industry can help by becoming an active actor
in the community in times of crisis, opening its
doors to survivors and providing supplies andshelter to them. He also stressed the majorrole of communication between national andregional services and international tourists,and explained despite difficulties. Japan wasable to quickly recover its key transportationand economic infrastructure from the heavy
rain and typhoon last year.
Takenosuke Yasufuku of Kobe Shushinkan
Breweries, Japan, situated in the largest sakeproduction region in Japan, talked about
how damage caused to his brewery wasdevastated by the earthquake of 1995, andreopened in 1997 after strenuous effort. He
underlined the role of business in coping withthe aftermath of natural disasters showcasing
how the brewery supplied local communities
with basic necessities such as water fromtheir processing facility.

Tasuku Kuwabara of McKinsey & Company,
Japan, spoke about how resilience matters
for Japan’s development, and its potential infurther growth and innovation. He stressedthat Japan not only recovers from natural
disasters, but also moves further in its
development using distinctive technologies
that should be shared both inside and outside
the country.

The panel was followed by an in depth
discussion on the perception of resilience
as a concept in and outside Japan and what
is unique to Japan and could be exported tothe outside world; whether there is a platform
for Japanese communities, businesses andindividuals to share the experience gainedin natural disasters; whether Japanese
resilience is effective for international guests,
workers and students inside the country, whoshould be the agent to enhance resilience anddecide how it should be communicated to the
local and international community.

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Special Keynote Presentation: Tadao Ando
The Forum closed with a Special Keynote
Presentation by world-famous architect
Tadao Ando, who emphasised the link between
art, architecture and resilience and its impact
on communities, and the role each memberof a community can play in increasing social
resilience, stressing the importance of
education. The Hyogo Prefectural Museumof Art was designed by Tadao Ando after theGreat Hanshin Earthquake of 1995 as a symbolof memorial and overcoming tragedy, as wellas one of beauty, looking to the future. The
Director of the Hyogo Prefectural Museum ofArt, Yutaka Mino, a renowned museum director and curator, moderated the session.
The Kansai Resilience Forum provided aplatform for re-examining resilience frominterdisciplinary perspectives and paradigms,
from the abstract concept to the concrete,with contributions from thought leaders inbusiness, academia and government. The
discussions were wide-ranging, in-depth
and thought-provoking. Participants echoed
the views from different perspectives thatJapan is always working to improve, leads
the world in disaster risk management andresponse. They also pointed out that Japan
can share its experiences and expertise withthe world, through its continued engagementin business and development, and in such forums as these.
We thank all of those who took part in the Kansai Resilience Forum 2019, and would like to express
our gratitude to Osaka University, Kobe University, and the Hyogo Prefectural Museum of Art.
For more information please visit: kansai-resilience-forum.jp
Photography by Thaddeus Pope, IAFOR.

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iafor.official

Share your conference photos and join the conversation on Instagram
using the hashtag #IAFOR
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Innovation andValue Initiative
www.iafor.org/innovation-and-value-initiative/

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Innovation and Value Initiative

Innovation and Value Initiative
More than ever, solutions to the transnational challenges, from climate change, sustainability to
refugee crises, are in need of radically new approaches that depart from the present institutional
limitations of global governance. Interdisciplinary and cross-sector collaboration, between
science/technology and the humanities or public and private sectors, in search of new values andmodels of how we conduct businesses, produce food or even live, are recognised widely as theway forward, as has been demonstrated in the United Nations’ Sustainable Development Goals(SDG) that usefully combines the achievements of the Millennium Development Goals (public) andGlobal Compact (private sector).
Moreover, as the world confronts the limits of Western concepts of innovation and the value thatthese bring, other unique, sustainable and inclusive models of innovation may have important andglobally applicable lessons that could guide the future of innovation and value creation initiatives
around the world. Even though global connectivity has been greatly enhanced, there are local orregional pockets of ecosystems with demonstrated capacities to survive over centuries, and yetthese are hardly recognised or properly integrated into the theoretical underpinnings that inform
international practices and policies.
As a way to take part in this global endeavour to renovate the current international system and create
new values, the IAFOR Research Centre is proud to announce the Innovation and Value Initiative thatwill start as a three nodes project in the following areas: Value and International Economy, Value andInternational Politics and Value and Social Innovation.

Lead Researchers•••

Haruko Satoh – Professor, OSIPP, Osaka University, Japan
Philip Sugai – Professor, Doshisha University, Graduate School of Business, Japan
Toshiya Hoshino – Ambassador and Deputy Permanent Representative of Japan to the United
Nations

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About the Initiative
The purpose of the Innovation and Value Initiative is to explore the drivers, processes and outcomesof innovation and value creation across countries, markets, industries and sectors and identify thedrivers that foster the most healthy innovation and value-creating ecosystems across (1) heritage
businesses, (2) multinational companies, (3) entrepreneurial startups, (4) educational institutions,(5) governments, (6) NGOs and NPOs. This initiative will also foster mature conversation between
leaders across these fields and industries, and will address the questions of “what is innovation?”,“what is value?” “what are innovation ecosystems?” and what we mean by these terms in context.
The initiative will be comprised of the following elements: research, education, dissemination(working papers, workshops and conferences), and initiate collaborative implementation projects
with businesses, local, regional or international NPOs and/or international organisations (forexample, the humanitarian use of blockchain technology). The three nodes, “Value and International
Economy”, “Value and International Politics”, and “Value and Social Innovation” will have each haveits independent research component, but the researchers will also work closely to share findings,
team teach for classes at OSIPP, integrate their works at implementation level or producing policy
recommendations where possible and practicable, and plan new collaborative projects.

Project Nodes and Teams
Value and International Economy
Lead Researcher•

Philip Sugai – Professor, Doshisha University, Graduate School of Business, Japan

Associated Researcher(s)•John Beck – President, North Star Leadership Group

Value and International Politics
Lead Researcher•

Haruko Satoh – Professor, OSIPP, Osaka University, Japan

Associated Researchers••

Toshiya Hoshino – Ambassador and Deputy Permanent Representative of Japan to the United
Nations
Peng-Er Lam – Senior Research Fellow, East Asian Institute, National University of Singapore,
Singapore

Value and Social Innovation
Lead Researcher•

Toshiya Hoshino – Ambassador and Deputy Permanent Representative of Japan to the United
Nations

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Innovation and Value Initiative

United Nations STI Forum 2018 Report
IAFOR collaborated with the United Nations in the hosting of a special session at the Third Annual
Multi-stakeholder Forum on Science, Technology and Innovation for the Sustainable Development
Goals (STI Forum 2018) at the United Nations Headquarters in New York on June 6, 2018.
Dr Joseph Haldane, Chairman and CEO of IAFOR, co-moderated the Official Meeting, a roundtablesession on Innovators and Investors, and focussed on questions at the intersection of innovationand value, including “Impact investing”; investments made into companies, organisations, andfunds with the intention to generate social and environmental impact alongside a financial return.
The chair of the meeting was Japanese Ambassador to the United Nations, His Excellency Dr
Toshiya Hoshino.
Dr Haldane said: “For IAFOR, impact investing is a particular area of interest in regards to thefunding of research in higher education, and dovetails with the work we will be doing within the
IAFOR Research Centre at the Osaka School of International Public Policy (OSIPP) at Osaka
University, as part of our new Innovation and Value Initiative, and also with The IAFOR Global
Innovation & Value Summit 2018 (GIVS2018) to be held in Tokyo later this year.” He added that “itis a great recognition of IAFOR to have been invited to collaborate, and we are honoured to havebeen asked to work with the United Nations at this important event, and look forward to working
with the UN and other stakeholders in the support of Science, Technology and Innovation for the
Sustainable Development Goals (STI-SDG).”
Dr Haldane, who teaches on the postgraduate Global Governance course at OSIPP, and is an Expert
Member of the World Economic Forum in this area, was also keen to raise the issue of governanceand policy implications of the uses of blockchain technology. In his introduction to the panel, hesuggested that the use of blockchain, given its verifiability and the transparency of transactions
might have a positive effect on systems of governance. This might be especially important at atime when the rules-based international system, exemplified by institutions such as the United
Nations, are being challenged.
Image | Dr Joseph Haldane, Chairman and CEO of IAFOR, co-moderates a roundtable session on Innovators and Investors at the United
Nations Headquarters in New York.

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Reviewers
IAFOR depends on the assistance of a large number of international academics and practitioners
who contribute in a variety of ways to our shared mission of promoting international exchange,
facilitating intercultural awareness, encouraging interdisciplinary discussion and generating andsharing new knowledge. Our academic events would not be what they are without a commitment
to ensuring that international norms of peer review are observed for our presentation abstracts.
With thousands of abstracts submitted each year for presentation at our conferences, IAFOR relieson academics around the world to ensure a fair and timely peer review process in keeping withestablished international norms of double-blind peer review.
We are grateful for the time, effort and expertise donated by all our contributors.

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ACAH2019

Review Committee
Dr Firas Al-Jubouri
American University of Sharjah,
United Arab Emirates
Dr Lorna Dimatatac
Technological Institute of the Philippines,
Philippines
Professor Jie Gao
Murray State University, United States
Dr Fernando Darío González Grueso
University of Tamkang, Taiwan
Dr Chi Sum Garfield Lau
The Open University of Hong Kong, Hong Kong
Dr Vicky Lee
Hong Kong Baptist University, Hong Kong
Dr Amy Lee
Hong Kong Baptist University, Hong Kong
Dr Keren Mazuz
Hadassah Academic College Jerusalem, Israel

Dr Reena Mittal
DAK Degree College, India
Dr Rosalina Rara Sarabosing
Holy Name University, Philippines
Dr Yi-Chin ShihTamkang University, Taiwan
Professor Joseph Sorensen
University of California, Davis, United States
Dr Suranti Trisnawati
Institut Teknologi Bandung, Indonesia
Dr Anne-Kathrin Wielgosz
Walsh University, United States
Dr Min-Chia Young
Shu-Te University, Taiwan
Dr Ting-Fai Yu
International Institute for Asian Studies,
Leiden University, Netherlands

ACAH2019

Senior Reviewers
Professor Mohammad Hossein Abedi Valoojerdi
University of Perpetual Help System Dalta,
Philippines
Dr Mohd Syuhaidi Abu Bakar
Universiti Teknologi Mara, Malaysia
Dr Zahra Al-Zadjali
Sultan Qaboos University, Oman
Ms Sara Almaleki
Syracuse University, United States
Ms Tulika Anand
Jaipur National University, India
Professor Anastasia Atabekova
Peoples' Friendship University of Russia-Rudn
University, Russia
Dr Sri Herminingrum
Brawijaya University, Indonesia

Dr Justyna Weronika Kasza
Nicolaus Copernicus University, Poland
Professor Aleksandra Kunce
University of Silesia In Katowice, Poland
Dr Sarbjit Singh Pawar
Institute of Engineering and Technology, India
Professor Kin Wai Michael Siu
The Hong Kong Polytechnic University, Hong Kong
Professor Fazilat Soukhakian
Utah State University, United States
Dr Trisnowati Tanto
Maranatha Christian University, Indonesia
Professor Yevgeny Tetyukhin
North Kazakhstan State University, Kazakhstan

128 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)ACAH2019

Reviewers
Dr Molly Kadiyinkal Abraham
Jesus and Mary College, India
Dr Nurul Ayn Ahmad Sayuti
Universiti Teknologi Mara, Malaysia
Dr Bernardo Attias
California State University, Northridge,
United States
Professor Tun Hsueh Chan
I-Shou University, Taiwan
Dr I Chung/Julien Chang
Beijing Institute of Technology,
Zhuhai Campus, China
Dr John Corrigan
National Chengchi University, Taiwan
Professor Daphne Desser
University of Hawaii at Manoa, United States
Professor Kenneth Dimaggio
Capital Community College, United States
Professor Alexander Dolin
Higher School of Economics
National Research University, Russia
Dr Kirsty Fairclough
University of Salford, United Kingdom
Professor Ching-Jung Fang
Ming Chuan University, Taiwan
Dr Eiman Mohamed Eltom Hagou Hagou
Private Researcher, Brunei Darussalam
Dr Beth Harper
University of Hong Kong, Hong Kong
Professor Francesca Iannelli
Roma Tre University, Italy
Dr Norizan Kadir
Universiti Sains Malaysia, Malaysia
Professor Wybe Kuitert
Seoul National University, South Korea
Professor Yi-Ting Kuo
Jen-Teh Junior College of Medicine, Nursing
and Management, Taiwan
Professor Shu-Sheng Lin
National Chiayi University, Taiwan
Professor Wu-Tso Lin
Graduate Institute of Cultural and Educational
Management, Taiwan
Dr Priscilla Peichin Lin
Fongshan Elementary School, Taiwan

Professor Gwo-Long Lin
I-Shou University, Taiwan
Professor Elim Liu
Southern Taiwan University of Scienceand Technology, Taiwan
Dr Hsiuhsi Liu
National Academy For Educational
Research, Taiwan
Dr Larisa Lutskovskaya
Peoples' Friendship University of Russia, Russia
Dr Netty Mattar
International Islamic University Malaysia, Malaysia
Dr Farida Panhwar
University of Sindh, Jamshoro, Pakistan
Professor Luc Pauwels
University of Antwerp, Belgium
Dr P. Darin Payne
University of Hawaii, United States
Dr John Potvin
Concordia University, Canada
Dr Laldinpuii Puii
Government Aizawl West College, India
Dr Anner Raffin
National University of Singapore, Singapore
Dr Nicole Shammas
Higher Colleges of Technology,
United Arab Emirates
Dr Mario Slugan
Ghent University, Belgium
Professor Christopher Smith
University of Florida, United States
Dr Babu Kalathuparambil Tharith
St. Aloysius College, University of Calicut, India
Dr W
United States
Professor Der-Ching Yang
National Chiayi University, Taiwan
Professor Peng-Sheng You
National Chiayi University, Taiwan
Dr Shu-Yin Yu
Ming-Chuan University, Taiwan

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THINK.IAFOR.ORG
THE ACADEMIC PLATFORM
THINK.IAFOR.ORG is IAFOR’s online magazine, launched in early 2016. THINK
is an ambitious project conceived by academics, for academics, with the following
objectives:
To provide an international, far-reaching platform for the best researchpresented at IAFOR conferences;
To make original, high-quality, thought-provoking multimedia content
freely accessible to a wide readership;
To facilitate the opportunity for academics to step outside of the
traditional research publishing status quo – to get creative, explore
different disciplines and to have their ideas heard, shared and discussed
by a diverse, global academic audience.
Content published on THINK spans a wide variety of disciplines and the format isvaried, encompassing full research papers, long-form journalism, opinion pieces,creative writing, interviews, podcasts, video, photography, artwork and more.
Current contributing authors include leading academics such as Professor Svetlana
Ter-Minasova, Professor A. Robert Lee, Professor Bill Ashcroft and Professor J. A.
A. Stockwin.
Get involved by visiting the website, following us on Facebook and Twitter andsigning up to our e-newsletter.
facebook.com/ThinkIAFOR
twitter.com/ThinkIAFORSUBMIT TO THINKWe are currently accepting submissions for publication in 2018. We welcome
photographs to accompany articles, as well as topical photo-essays.
Submissions should be between 500 and 2,500 words and sent topublications@iafor.org. Please include “THINK submission” in the subject line.

A-Z Index ofPresenters

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A-Z Index of Presenters
Abedi Valoojerdi, Mohammad Hossein		p. 87
University of Perpetual Help System
DALTA, Philippines
Abraham, Molly Kadiyinkal			p. 80
Jesus and Mary College, University of Delhi, India
Afrin, Ibtesum				p. 70
Independent University, Bangladesh, Bangladesh
Ahmad Sayuti, Nurul Ayn			p. 86
Universiti Teknologi MARA, Malaysia
Alagar, Jeniffer Rio				p. 79
University of Perpetual Help System, Philippines
Almaleki, Sara				p. 48
Syracuse University, USA
Atabekova, Anastasia			
p. 54
Peoples' Friendship University of Russia, Russia
Attal, Deema				p. 87
Higher Colleges of Technology, UAE
Attias, Bernardo				p. 52
California State University, Northridge, USA
Beachum, Jenny				p. 65
University of Sydney, Australia
Beeman, Mark				p. 69
Northern Arizona University, USA
Bezgodov, Alexander			p. 62Planetary Development Istitute, UAE
Braunstein, Michelle			p. 75
Murdoch University, Australia
Chan, Tun Hsueh				p. 68
I-Shou University, Taiwan
Chan, Yi-Tung				p. 50
National Chiayi University, Taiwan
Chang, Su-Chin				p. 82
National Chiayi University, Taiwan
Chlomruk, Donruethai			p. 40
King Mongkut’s Institute of Technology
Ladkrabang, Thailand
Chow, Hoi Ching				
p. 81
The University of Hong Kong, Hong Kong
Chuang, Yuan Hsun			
p. 54
China University of Technology, Taiwan
Cordes, Ashley				p. 52
University of Oregon, USA
Corrigan, John Michael			p. 49
National Chengchi University, Taiwan
Desser, Daphne				p. 47
University of Hawaii at Manoa, USA
Dimaggio, Kenneth				p. 51
Capital Community College, USA
Dumsopee, Kunjana			p. 40
King Mongkut’s Institute of Technology
Ladkrabang, Thailand
Dutta, Kongkona				p. 63
Indian Institute of Technology, Madras, India
Fang, Ching-Jung				p. 63
Ming Chuan University, Taiwan
Fang, Siying				p. 48
Doshisha University, JapanFang, Xueyang				p. 56
University of Huddersfield, UK
Gavra, Dmitrii				p. 46
St. Petersburg State University, Russia
Gosal, Vanny				p. 48
University of Pelita Harapan, Indonesia
Haider, Syed				p. 52
Royal Holloway, University of London, UK
Hasanat, Sara				p. 76
Doshisha University, Japan
Heintz, W. Eirik				p. 61
The American University of Sharjah, UAE
Herminingrum, Sri				p. 63
Brawijaya University, Indonesia
Ho, Hsuan-Fu				p. 50
National Chiayi University, Taiwan

Hongsuwan, Pathom			
p. 80
Mahasarakham University, Thailand
Hu, Chih-Nian				p. 55
National Chiayi University, Taiwan
Hu, Hui-Yu				p. 55
National Chiayi University, Taiwan
Huang, Huan-Teng				p. 60
National Chiayi University, Taiwan
Huang, Joy Shihyi				p. 73
National Tsing Hua University, Taiwan
Huang, Li-Fang				p. 82
National Chiayi University, Taiwan
Huang, Ying-Chia				p. 61
Fu Jen Catholic University, Taiwan
Huang, Ying-Chia				p. 61
Fu Jen Catholic University, Taiwan
Hulme, Harriet				p. 75
The University of Hong Kong, Hong Kong
Hung, Mei-Hsueh				p. 60
National Chiayi University, Taiwan
Iannelli, Francesca				p. 51
Roma Tre University, Italy
Inhongsa, Kanokwanwalai			p. 54
Mahasarakham University, Thailand
Jie, Sue Hyun				p. 78
Yonsei University, South Korea
Kadir, Norizan				p. 53
Universiti Sains Malaysia, Malaysia
Kao, Hsueh-Hsien (Rose)			
p. 49
National Chengchi University, Taiwan
Kasza, Justyna Weronika			p. 81
Nicolaus Copernicus University, Poland
Ke, Chun-Wei				p. 79
Southern Taiwan University of Scienceand Technology, Taiwan
Kim, Seonju				p. 46
Goldsmiths College, University of London, UK
Ko, Si Eun				p. 59
Yonsei University, South Korea
Kuitert, Wybe				p. 53
Seoul National University, South Korea
Kunce, Aleksandra				p. 86
University of Silesia, Katowice, Poland
Kuo, Chia-Chen				p. 71
Tamkang University, Taiwan
Kuo, Yi-Ting				p. 40
Northern Arizona University, Taiwan
Lee, Pei-I					p. 82
National Chiayi University, Taiwan
Lee, Ya-Ting				p. 42
National Pingtung University, Taiwan
Leung, Evelyn				p. 56
Ritsumeikan University, Japan
Li, Yueh-Tuan				p. 47
Feng-Chia University, Taiwan
Liao, Pei Ling				p. 59
National Taiwan University of Arts, Taiwan
Limsuebpong, Benjawan			p. 77
National Chiayi University, Taiwan
Lin, Gwo-Long				p. 68
I-Shou University, Taiwan
Lin, Priscilla Peichin			
p. 76
Fongshan Elementary School, Taiwan
Lin, Shu-Sheng				p. 40
National Chiayi University, Taiwan
Lin, Wan-Ning				p. 72
National Chiayi University, Taiwan
Liu, Hsiuhsi				p. 41
National Academy For Educational
Research, Taiwan
Longo, Angela				p. 78
Yokohama National University, Japan132 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)

A-Z Index of Presenters
Lutskovskaya, Larisa			
p. 54
Peoples' Friendship University of Russia, Russia
Mahasupap, Saran				p. 48
Chulalongkorn University, Thailand
Manaysay, Ferth Vandensteen		p. 70
Waseda University, Japan
Mattar, Netty				p. 71
International Islamic University Malaysia,
Malaysia
Mazuz, Keren				p. 58
Hadassah Academic College Jerusalem, Israel
Minshawy Abdel Dayem, Hadeer		p. 86
Ain Shams University, Egypt
Mittal, Reena				p. 87
MJPRU, Bareilly, India
Natarajan, Maitreyi				p. 87
Symbiosis School for Liberal Arts, India
Neenan, Emer Emily			p. 58
Trinity College Dublin, Ireland
Olayvar, Joeddin Niño			
p. 74
University of San Carlos, Philippines
Ong, Josephine				p. 58
Universiti Sains Malaysia, Malaysia
Paksa, Paninya				p. 57
Bangkok University, Thailand
Park, Jungman				p. 57
Hankuk University of Foreign Studies,South Korea
Park, Soo Jin				p. 81
Yonsei University, Republic of Korea
Pauwels, Luc				p. 52
University of Antwerp, Belgium
Payne, P. Darin				p. 69
University of Hawaii, USA
Peng, Huan-Sheng				p. 77
National Tsing Hua University, Taiwan
Pinca-Atutubo, Virginia			
p. 72
Sorsogon State College, Philippines
Potvin, John				p. 51
Concordia University, Canada
Puii, Laldinpuii				p. 53
Government Aizawl West College, India
Raffin, Anne				p. 70
National University of Singapore, Singapore
Rashedul Alam, Md				p. 74
University of Western Ontario, Canada
Sails-Dunbar, Tremaine			p. 86
Vanderbilt University, USA
Schulze, Matthias Fritz José			p. 74
University of Tübingen, Germany
Shammas, Nicole				p. 87
Higher Colleges of Technology, UAE
Shervington, Laurent			p. 57
University of Western Australia, Australia
Shih, Yi-Chin				p. 49
Tamkang University, Taiwan
Simeon, Jinky Jane C			p. 88
University Malaysia Sabah, Malaysia
Slugan, Mario				p. 79
Ghent University, Belgium
Smith, Christopher				p. 47
University of Florida, USA
Son, Sungbean				p. 78
Yonsei University, South Korea
Soukhakian, Fazilat			p. 46
Utah State University, USA
Spring, Dawn				p. 47
American Public University, USA
Sukham, Joanna Deborah			
p. 64
Maranatha Christian University, Indonesia
Sukmi, Sih Natalia				p. 65
Satya Wacana Christian University, Indonesia

Suntorntirnan, Naphatrapee			p. 75
Assumption University, Thailand
Tanto, Trisnowati				p. 64
Maranatha Christian University, Indonesia
Tanusy, Jeanyfer				p. 64
Maranatha Christian University, Indonesia
Tharith, Babu Kalathuparambil		
p. 70
St. Aloysius College, University of Calicut, India
Vent, Helmi				p. 56
Mozarteum University Salzburg, Austria
Walter, Debbie				p. 69
Charles Darwin University, Australia
Wang, Rujer				p. 60
National Taichung University of Education,
TaiwanWang, Wei-Kuo				p. 55
National Tsing Hua University, Taiwan
Wang, Ze Hong				p. 61
Southern Taiwan University of Scienceand Technology, Taiwan
Wielgosz, Anne-Kathrin			
p. 69
Walsh University, USA
Woolpert, Stephen				p. 62
Saint Mary's College of California, USA
Wu, Cheng-Han				p. 77
National Chiayi University, Taiwan
Wu, Pinqing				p. 72
Tallinn University, Estonia
Yan, Yu-Zhen				p. 50
National Chiayi University, Taiwan
Yang, Cheng-Cheng			p. 50
National Chiayi University, Taiwan
Yang, Der-Ching				p. 41
National Chiayi University, Taiwan
Yawn, Lila				p. 59
John Cabot University, Italy
Yeh, Yi-Chun				p. 76
National Chengchi University, Taiwan
Yoo, Jennifer				p. 73
University of Hawaii at Manoa, USA
You, Peng-Sheng				p. 41
National Chiayi University, Taiwan
Young, Min-Chia				p. 80
Shu-Te University, Taiwan
Yu, Hope					p. 71
University of San Carlos, Philippines
Yu, Shu-Yin				p. 68
Ming Chuan University, Taiwan
Yu, Yi-Ming				p. 41
National Defense University, Taiwan
Zhu, Ziyi					p. 49
Doshisha University, Japan

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Shakespeare Quarterly (SQ) is a leading journal in Shakespeare
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Present your research at The European
Conference on Arts & Humanities 2019
Conference Theme: “Reclaiming the Future”
Dates: Friday, July 12, 2019 t​ o Saturday, July 13, 2019
Location & Venue: The Jurys Inn Brighton Waterfront, Brighton, UK
Final Abstract Submission Deadline: April 30, 2019
Registration Deadline: May 31, 2019
We live in a period characterised by rises in regionalism, nationalism andauthoritarianism; a time of great global uncertainty and anxiety, as well as
inequality and iniquity which both reflects and drives political divide, andundermines international systems of cooperation. Clashes of identities, beliefs
and ideologies are evident in academia, media and the arts, contributing to afeeling that humanity is spiralling out of control; that our relationships with eachother, as well as with the earth and environment, have never been worse.
Yet, as humans, we are not conditioned by fear alone, but instead by a remarkable
ingenuity, and a capacity for hope, self-reflection, activism and action. This agency
to improve our own lives, and those of others, is the theme of this international
conference, inviting us to consider the ways in which we contextualise and process
the past, reimagining ourselves, our relationships, and our environments; driving
positive change and reclaiming the future as a time we look towards with hope,and even optimism.
The European Conference on Arts & Humanities 2019 (ECAH2019) will be held
alongside The European Conference on Media, Communication & Film 2019
(EuroMedia2019). Registration for either conference will allow delegates to attend
sessions in the other.
In conjunction with our Global Partners, including the University of Sussex andBirkbeck, University of London, we look forward to extending you a warm welcome
in 2019.
IAFOR offers a 10% discount on ECAH2019 registration fees to all ACAH2019
delegates. IAFOR Members get 15% off all registration fees. Learn more about
membership at www.iafor.org/membership.

www.ecah.iafor.org

138 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)ECAH2019 Speakers

Anne Boddington

Donald E. Hall

Kingston University, UK

University of Rochester, USA

Alfonso J. García Osuna

James Rowlins

Hofstra University, USA

Singapore University of Technology and Design, Singapore

Keynote Speakers will provide a variety of perspectives from different academic and professional
backgrounds on the conference theme, “Reclaiming the Future”. For their biographies, please visit thefollowing page on the conference website:www.ecah.iafor.org/speakers
Like us on Facebook at www.facebook.com/iaforjapan | ACAH2019 | IAFOR.ORG | 139www.iafor.org/conferences

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140 | IAFOR.ORG | ACAH2019 | Follow us on Twitter @IAFOR (tweet about the conference using #IAFOR)Virginia, USA

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Introducing the
IAFOR Research Centre
at Osaka University, JapanThe IAFOR Research Centre (IRC) is a politically independent, international andinterdisciplinary think tank based at the Osaka School of International Public Policy(OSIPP), at Japan’s Osaka University, that conducts and facilitates international
and interdisciplinary research projects. The main focus is to encourage mutualinternational and intercultural understanding and cooperation in line with IAFOR’s
mission of encouraging interdisciplinary discussion, facilitating heightenedintercultural awareness, promoting international exchange, and generating andsharing new knowledge.
The IRC helps to nurture and capacity build by encouraging students to take part ininternational conferences and research projects, in line with the Osaka University’s
Global 30 commitments from Japan’s Ministry of Education, Culture, Sports, Scienceand Technology (MEXT).
For more information about the IAFOR Research Centre visit:www.osipp.osaka-u.ac.jp/iaforresearchcentre/
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