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Gulf Coast. Taken in conjunction with the symbolically charged monumental art and architecture, thispreference suggests that the Olmec built landscape was created as nested levels of material replicas of abasic cosmic notion that was crucial to reinforcing their beliefs, behaviors and values. The layers of thecentral Olmec metaphor revolve around the reproduction of the “sacred mountain” notion at several scales.
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in the wetlands for subsistence purposes, followed by the San Lorenzo Island, then the Great Plateau of
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Los olmecas tempranos tenían cierta preferencia para asentarse en islas posicionadas en las llanuras
costeras de la costa sur del Golfo de México. Tomada en conjunto con el simbolismo de la arquitectura yalgunos ejemplares de arte monumental, esta preferencia sugiere que el paisaje construido de los olmecas
de San Lorenzo se creó como niveles empalmados de réplicas materiales de una noción cósmica básica
que fortalecía sus creencias, comportamientos y valores. Los niveles de la metáfora central olmeca giraen torno a la reproducción del concepto de “montaña ” en diferentes escalas, desde los islotes construidos
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economic considerations but also blended and integrated

Figure 16.2.
The San Lorenzo Island.
Map: G. Jiménez.

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Figure 16.1.
Map of the southern Gulf Coast of Mexico.

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Figure 16.3.

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References Cited$ULHWD9 $&\SKHUV  'HQVLGDGSREODFLRQDOHQODFDSLWDOROPHFDGH6DQ/RUHQ]R9HUDFUX]
Ancient Mesoamerica 28  

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&RYDUUXELDV 0   Indian art of Mexico andCentral America.$OIUHG$.QRSI&\SKHUV$   (VFXOWXUD PRQXPHQWDO ROPHFD$ULHWD9 $&\SKHUV  Dinámica y desarrollo

7HPDV\FRQWH[WRV,Q078ULDUWH /6WDLQHV

de la población olmeca de San Lorenzo.Instituto de(GV Acercarse y mirar, Homenaje a Beatriz de,QYHVWLJDFLRQHV $QWURSROyJLFDV8QLYHUVLGDG

la Fuente, SS ,QVWLWXWRGH,QYHVWLJDFLRQHV

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(VWpWLFDV 8QLYHUVLGDG 1DFLRQDO$XWyQRPD GH

%DVVLH6ZHHW .   At the edge of the world.
8QLYHUVLW\RI2NODKRPD3UHVV&DVR$  ¢([LVWLyXQLPSHULRROPHFD"Memorias
de El Colegio Nacional, 5  S

0p[LFR
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Ideología política y sociedad en el periodo&RH 0' D  $UFKDHRORJLFDO V\QWKHVLV RI

Formativo, Ensayos en homenaje al Doctor DavidVRXWKHUQ9HUDFUX]DQG7DEDVFR,Q5:DXFKRSH

C. Grove SS ,QVWLWXWRGH,QYHVWLJDFLRQHV

DQG*5:LOOH\ (GV $UFKDHRORJ\RIVRXWKHUQ$QWURSROyJLFDV8QLYHUVLGDG1DFLRQDO$XWyQRPD

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American Indians 3SDUW8QLYHUVLW\RI7H[DV3UHVV

&\SKHUV$  6DQ/RUHQ]R,Q.%HUULQDQG9)LHOGV(GV Olmec, colossal masterworks of ancient
México, SS )LQH$UWV0XVHXPRI6DQ

199

Francisco y Los Angeles County Museum of Art,&DOLIRUQLD6WUDQJ 9   8QFRPPRQ JURXQG /DQGVFDSH
DV6RFLDO*HRJUDSK\,Q%'DYLGDQG-7KRPDV&\SKHUV$  Las bellas teorías y los terribles(GV Handbook of landscape archaeology, SS

hechos: Controversias sobre los Olmecas del 5RXWOHGJHKWWSVZZZ

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FRVWDVXUGHO*ROIRGH0p[LFR´,Q6HFUHWDUtDGH&XOWXUD (G  Un patrimonio universal: Laspirámides de México. Cosmovisión, cultura yciencia SS &RRUGLQDFLyQ1DFLRQDOGH'HOD)XHQWH%  Cabezas colosales olmecas
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