Press Release 2017/12/19

My Favorites: Toshio Hara Selects from the Permanent Collection
January 6 (Saturday) – June 3 (Sunday), 2018
Part I: January 6 (Saturday) – March 11 (Sunday), 2018
Part II: March 21 (Wednesday/national holiday) – June 3 (Sunday), 2018
*Closed from March 12 (Monday) to March 20 (Tuesday) for changing of exhibits.

[1] Yayoi Kusama, Self Obliteration
1980 ©Yayoi Kusama

Since he started the Hara Museum in 1979 as one of Japan's first museums dedicated tocontemporary art, the director Toshio Hara has devoted himself to the promotion of international
exchange and the advancement of art and culture through the holding of special exhibitions,international traveling shows and other activities. This permanent collection show, which stands out
as the first to be curated by Toshio Hara himself, features works that he personally selected from thecollection's approximately 1,000 pieces of post-1950s art which spans the entire spectrum of media
from painting, sculpture and photography to video art and installation. The first of this two-part
exhibition focuses on artworks collected during the first decade or so of the collection's history,
from the late '70s through the first half of the '80s, while the second showcases works that haveappeared in exhibitions held at the museum over the years. Together they provide an introduction tothe museum over its almost 40-year history, as well as the major art trends that have prevailed fromthe middle of the 20th century onward.
■ Introduction by Toshio Hara, Director of the Hara Museum of Contemporary Art“When I was 40, I got the idea of starting a museum of contemporary art and thus began to collectartworks. To the extent that I could, I visited artists in their ateliers and homes to get to know themand their work, even going abroad to do so. I thus built up the collection by not only looking atartwork, but also talking with the artists in order to understand the mind behind the creations. It's anapproach that I've continued to use to the present day. As a result, the collection is both the face ofthe museum and a record of my own journey of discovery in the world of art.
The sudden desire to share some of my favorite pieces from the collection led to the decision topersonally curate this exhibition. It is, however, not easy to choose from more than a thousandworks. For this reason, the exhibition at the Hara Museum will be divided into two parts, with Part I
focusing on works collected during the period from 1977 when the Foundation Arc-en-Ciel wasestablished, through the first half of the 1980s shortly following the opening of the museum, while
Part II focuses on works added to the collection during the course of the museum's activities.”

■ Works Selected for the Exhibition
Part I showcases artworks acquired during the decade or so from 1977 when the Foundation Arcen-Ciel was first established. These include works by major figures who came to define the art oftheir times, such as the abstract expressionists Jackson Pollock and Mark Rothko; the neo-dadaists
Robert Rauschenberg and Jasper Johns; and Andy Warhol, Roy Lichtenstein and other figures of thePop Art movement that came to dominate the art scene. Also included are members of theEuropean avant-garde who infused their art with an experimental spirit, such as the painters Jean
Dubuffet and Karel Apel, the sculptors Arman, César Baldaccini, Jean Tinguely and others. Leadingfigures of post-WWII Japan include Toshimitsu Imai, On Kawara, Tetsumi Kudo and AikoMiyawaki. Japanese artists still active today include Yayoi Kusama, Ushio Shinohara, Hiroshi
Sugimoto and Lee Ufan. Also featured are works by Nam June Paik and Ai Weiwei, two Asian artists
who have exerted considerable influence throughout the world.
Part II focuses on artists from both Japan and abroad whose artworks were featured in solo orgroup exhibitions at the Hara Museum. This group encompasses all mediums and includes
both artists with long established careers such as Nobuyoshi Araki, William Kentridge,Hiroshi Sugimoto and Yoshitomo Nara, and relative newcomers such as Masako Ando, Kohei
Nawa, Mickalene Thomas and Izumi Kato. All are characterized by a unique style and original
approach towards their medium and subject matter.
■ List of Artists (tentative)
Part I: Ai Weiwei, Josef Albers, Karel Appel, Arman, César, Christo & Jeanne-Claude, Jim Dine, Jean
Dubuffet, Erró, Lucio Fontana, Buckminster Fuller, Willem de Kooning, Toshimitsu Imai, JasperJohns, On Kawara, Tetsumi Kudo, Yayoi Kusama, Roy Lichtenstein, Robert Mapplethorpe, TomioMiki, Aiko Miyawaki, Nam June Paik, Jackson Pollock, Robert Rauschenberg, George Rickey, MarkRothko, Edward Ruscha, Ushio Shinohara, Kumi Sugai, Hiroshi Sugimoto, Takis, Jean Tinguely, AndyWarhol, Tom Wesselmann, Lee Ufan
Part II: Masako Ando, Nobuyoshi Araki, Jan Fabre, Izumi Kato, William Kentridge, Yasumasa
Morimura, Yoshitomo Nara, Kohei Nawa, Mika Ninagawa, Rika Noguchi, Malick Sidibe, Hiroshi
Sugimoto, Tabaimo, Mickalene Thomas, Adriana Varejaõ, Miwa Yanagi■ Hara Museum of Contemporary ArtThe Hara Museum of Contemporary Art was founded in1979 under the auspices of the Foundation Arc-en-Ciel in
the Shinagawa district of Tokyo as one of the firstcontemporary art museums in Japan. Since its inception,
the museum has devoted itself to the promotion of abroad range of contemporary art. The building wasconstructed in 1938 as the private home of the Meiji-era
industrialist Kunizo Hara, the grandfather of Toshio
Hara. Designed by Jin Watanabe, who also did the Tokyo
National Museum in Ueno and Wako Building in Ginza, the Hara Museum stands today as a rareexample of early-Showa Western-style architecture built in the Modernist style. The museum holds
three or four exhibitions annually, as well as a variety of lectures, performances and educationalactivities. In 1988, the annex Hara Museum ARC, designed by Arata Isozaki, was opened in Gunma
prefecture not far from Ikaho Onsen, one of the oldest hot spring resorts in Japan.

■ Hara Museum Collection
The Hara Museum Collection encompasses a wide variety of superb contemporary art from aroundthe world. The artists represented range from preeminent leaders of the post-1950 art movements
to young, up-and-coming artists working at the front lines today. It is also distinguished by the many
commissioned installations that permanently grace the Hara Museum and Hara Museum ARC,including those that integrate with or augment architectural spaces, or free-standing works that
accentuate or embellish the outdoor gardens.
■ Toshio Hara
Born in Tokyo in 1935, Toshio Hara studied at Gakushuin University
majoring in political economics and later at Princeton University. In 1979,he established the Hara Museum of Contemporary Art and became thedirector of the museum. In 1988, he opened the Hara Museum ARC annexin Gunma. He has served in various positions, such as vice-president of theInternational Council of the Museum of Modern Art, New York, emeritus
trustee of the Honolulu Museum of Art and councilor of the Japanese
Association of Museums. The many awards he has received include theFrench Medal of the Legion of Honor in 2017. He is the chairman of the Foundation Arc-en-Ciel,a designated special public interest promotion corporation.
■ Exhibition Details
Title: My Favorites: Toshio Hara Selects from the Permanent Collection
Dates: January 6 (Saturday) – June 3 (Sunday), 2018 [Part I: January 6 (Saturday) – March 11(Sunday) / Part II: March 21 (Wednesday/national holiday) – June 3 (Sunday)] *Closed from March
12 (Monday) to March 20 (Tuesday) for changing of exhibits.
Venue/Organizer: Hara Museum of Contemporary Art
4-7-25 Kitashinagawa, Shinagawa-ku, Tokyo 140-0001 Tel: 03-3445-0651
E-mail: info@haramuseum.or.jp Website: http://www.haramuseum.or.jp
Mobile site: http://mobile.haramuseum.or.jp Blog: http://www.art-it.asia/u/HaraMuseum
Twitter: http://twitter.com/haramuseum (in Japanese only / account name: @haramuseum)
Hours: 11:00 am – 5:00 pm, Wednesdays until 8:00 pm (5:00 pm if a national holiday)(last entry 30
minutes before closing)
Closed: Mondays (except January 8, February 12 and April 30), January 9, February 13, March 12 ~20 and May 1
Admission: General 1,100 yen; Students 700 yen (high school and university) or 500 yen(elementary and junior high); Free for Hara Museum members, and for students through highschool every Saturday during the school term; 100 yen discount per person for groups of 20 or
more
Directions to the museum: 5 minutes by taxi or 15 minutes on foot from JR Shinagawa Station(Takanawa exit); or from the same station take the No.96 bus, get off at the first stop (Gotenyama),and walk 3 minutes
Guided tours: Free Japanese-language tours are given by a museum curator every Sunday andnational holiday, starting at 2:30 pm and lasting about 30 minutes. No reservation is required. Freemini-tours in English are also available upon request.

■ Images for Publication*Please include the credit along with the respective caption.
*Please do not trim or alter the images. Putting text over the images is prohibited.
Selected Images from Part I[2][4]

[3]

[5]

[6] *Included in Part II also.

Selected Images from Part II

[7]

[8]

[9]

[10]

[11]

[1] Yayoi Kusama, Self Obliteration, 1980 mixed media size variable ©Yayoi Kusama[2] Lee Ufan, From Line No.790323, 1979 oil on canvas 181×227 cm ©Lee Ufan
[3] Toshimitsu Imaï, Black Sun, 1963 195.1×129.8 cm oil on canvas ©Toshimitsu Imaï[4] Nam June Paik, Candle TV, television, 1980 33.0×41.0×24.0 cm television, candle©Nam June Paik
[5] Ushio Shinohara, Motorcycle Mama, 1980 117.0×130.0×66.0 cm
cardboard, acrylic, polyester resin ©Ushio Shinohara[6] Hiroshi Sugimoto, Sea of Buddha, 1995 50.8×61 cm gelatin silver print ©Hiroshi Sugimoto[7] Izumi Kato, Untitled, 2007 95×65×45.5 cm wood, acrylic, charcoal, silicon, chair©Izumi Kato
[8] Yoshitomo Nara, Eve of Destruction, 2006 117.0×91.0 cm acrylic on canvas©Yoshitomo Nara
[9] Mika Ninagawa, PLANT A TREE, 2011 48.5×72.8 cm C-print ©mika ninagawa
Courtesy of Tomio Koyama Gallery[10] Mickalene Thomas, Mama Bush : One of a Kind Two, 2009 274.3×365.8×5.1cm
rhinestone, acrylic and enamel on panel ©Mickalene Thomas[11] Adriana Varejaõ, Swimming Pool, 2005 110×140 cm oil on canvas ©Adriana VarejaõPress Enquiries
Contact: Junko Watanabe / Yasuko Kajita
T. +81.3.3280.0679
E. press@haramuseum.or.jp