Plateartistnumber

title

date

dimensions(h×w (×d), cm)

material and media

4-30

KANO Mitsuo

The Wave Theory̶Through Intaglio No.27

1984–1985

42.5×62.7

color intaglio on arches, nine of a total of 33 pieces

4-31

KANO Mitsuo

The Wave Theory̶Through Intaglio No.28

1984–1985

70.0×50.0

color intaglio on arches, nine of a total of 33 pieces

4-32

KANO Mitsuo

The Wave Theory̶Through Intaglio No.30

1984–1985

72.5×51.6

color intaglio on arches, nine of a total of 33 pieces

4-33

SAKAGAMI Chiyuki

From the Memory of Precambrian2016

23.0×20.1 / 25.0×22.0

ink on torinoko paper

4-34

SAKAGAMI Chiyuki

Self-portrait V ―Iron Mask― What Is My Guilt?

2016

21.2×15.2 / 25.0×22.0

ink on torinoko paper

4-35

SAKAGAMI Chiyuki

Tet Nguyen Dan (Vietnamese New Year), A Girl isdelighted with wearing Ao-dai at costumer.

2016

22.0×15.0 / 25.0×22.0

ink on ganpi paper
oil on canvas

4-36

AKATSUKA Yuji

Two-Two 10701

2001

72.5×182.0

4-37Mark TOBEY

Changing of the Square

1965

99.7×69.9

tempera on panel

4-38

HOSHINO Satoru

Outline of Background Ⅵ

1990

20.0×72.0×60.0

black pottery

4-39

MITSUHASHI Setsuko

The Smell of Mother Earth1971

160.7×129.5

colors on paper

lithograph on paper

exhibition
period

5. Intersecting Lines
5-1

Jim DINE

Cincinnati I

1969

70.0×103.0

5-2

KUSAMA Yayoi

Interminable Net No.2

1959

139.0×139.0

oil on canvas

5-3

KANAYAMA Akira

Work 1961

1961

178.5×174.0

oil on canvas

227.5×181.9

VOICE-OVER:

Reverberations of the Museum

oil on canvas

5-4

NAKANISHI Natsuyuki

arc ellipse -A

1981

5-5

Jackson POLLOCK

Untitled

c.1944（printed 29.9×25.1 / 50.9×34.6
posthumously,
1967）

engraving and drypoint on paper

5-6Jackson POLLOCK

Untitled

c.1944（printed 30.0×25.1 / 50.8×34.9
posthumously,
1967）

engraving and drypoint on paper

2021.9.18Sat–11.14Sun
Guest artists:

5-7

Henri MATISSE

Pasiphaé Chant de Minos (Les Crétois)

1944

24.4×17.8 / 32.7×25.1

linocut on paper

5-8

KOSUGI Hoan

Fisherman in Bamboo Thicket

n.d.

131.4×42.5

light-colors on silk, hanging scroll○

5-9

KOBAYASHI Kokei

A Scene from “Genji-monogatari”; Ukifune

1935–4442.5×51.7

ink on paper, hanging scroll

●

5-10

KIKUCHI Keigetsu

Rice Sprouts

1934

158.1×75.3

colors on paper, hanging scroll

5-11

YOKOI Kinkoku

The Realistic Views of Yoshino and Kumano1806

each: 166.0×363.0

ink, light-colors on paper,
six-fold screens (two pieces)

5-12

TOMITA Keisen

Papermaking in Echizen Provincec.192678.6×86.0

colors on silk, hanging scroll

Chrysanthemums

1921

各：93.8×182.4

colors on paper, four-fold screens (two pieces)

List of Works

TAMURA Yuichiro｜NAKAO Mien｜dot architects
Organized by Shiga Museum of Art｜With the Cooperation of Kyoto City University of Arts
Curated by WATANABE Ayumi｜Designed by SHIOTANI Keigo

HAYAMI Gyoshut6

Beyond the Visible

6. Beyond the Visible
6-1

Notes
- This list consists of information on the works on display at
VOICE-OVER: Reverberations of the Museum in the following order:
plate number / artist / title / date / dimensions(given as height × width (× depth) in centimeters, and, in principle,
image size followed paper size for prints); material and media;
and exhibition period- Plate numbers do not correspond to the display order.
- The following works are collection of;
2-2, 2-3: private collection (deposit to Shiga Museum of Art)
2-16−2-26: The Museum of Shiga Prefecture Biwako-Bunkakan
3-7−3-9: Nonprofit Organization Haretarikumottari(deposit to Shiga Museum of Art)
3-28: collection of the artist (deposit to Shiga Museum of Art)
6-1: private collection (deposit to Shiga Museum of Art)
6-7: collection of Enryakuji Temple (deposit to Shiga Museum of Art)
6-18: collection of Gyokuren-in Temple
t-3: collection of the artist
n-1: private collection | n-2: collection of the artist
Other than the above, collection of Shiga Museum of Art.
- Due to changes in the exhibition or other circumstances, some of
the works may not be on display.
● the first half of the exhibition (September 18–October 17)○ the second half of the exhibition (October 19–November 14)
Works without the circle marks are displayed throughout the whole
period of the exhibition.

6-2

HAYAMI Gyoshu

Sketch Book; "Chrysanthemums"

1920

60.0×35.2

pencil, watercolor on paper, booklet

6-3

HAYAMI Gyoshu

Swimming Fishes

1922

48.1×54.5

colors on silk, hanging scroll

6-4

HAYAMI Gyoshu

Snipe and Fruits

1929

38.5×50.8

colors on silk, hanging scroll

6-5

YAMAMOTO Shunkyo

Shiraito no Taki in Early Summertime

1907–
1912

170.5×110.6

colors on silk, hanging scroll

6-6

YAMAMOTO Shunkyo

Refreshing Air in The High Mountains

1930

160.0×71.8

colors on silk, hanging scroll

6-7

SHIRAGA Kazuo

Fudoson1973

182.0×258.0

oil on canvas

6-8

SHIRAGA Kazuo

Chimosei-Shinkasho

1960

194.0×130.7

oil on canvas

6-9

SHIRAGA Kazuo

Great Vajra God

1963

160.0×193.7

oil on canvas

6-10

Mark ROTHKO

Number 28

1962

205.8×193.5

oil on canvas

6-11

Ad REINHARDT

Untitled

1966

33.5×25.5 / 55.7×43.1

silkscreen on paper

○

6-12

Ad REINHARDT

Untitled

1966

53.4×14.9 / 55.7×43.2

silkscreen on paper

●

6-13

Ad REINHARDT

Untitled

1966

53.4×14.8 / 55.8×43.2

silkscreen on paper

○

6-14

Ad REINHARDT

Untitled

1966

53.2×17.8 / 55.8×43.2

silkscreen on paper

○

6-15

Ad REINHARDT

Untitled

1966

45.8×22.9 / 55.8×43.2

silkscreen on paper

●

6-16

Ad REINHARDT

Untitled

1966

45.8×22.9 / 55.8×43.2

silkscreen on paper

○

6-17

Ad REINHARDT

Untitled

1966

30.5×30.5 / 55.8×43.2

silkscreen on paper

●

6-18

ー

Standing Fudo-myoo (Skt. Acala) and Two Acolytes〔Important Cultural Property〕

13th century(Kamakura
period)Fudo myoo: 50.9×20.6×11.0
wood with polychrome
Cetaka（right）: 24.8×10.0×10.0
Kimkara（left）: 24.5×12.5×11.0
pedestal: 29.6×51.6×35.0

Gallery 3nAt the exhibition
VOICE-OVER: Reverberations of the Museum,
you may photograph some of the areas
under the following conditions.

5

NAKAO Mien /OGURA Yuki

Intersecting Lines

Photography is allowed for the galleries
with OK sign.
If photographs taken are made public,
they may infringe on the othervisitor’s image right and artwork’s
copyright. The Museum does NOT
accept responsibility for private
use of photographs.

4

A World of Oneʼs Own

Gallery 2

3

Daily
Creation
Gallery 4

TAMURA Yuichiro / Andy WARHOL
t-1

Andy WARHOL

Marilyn1967

each: 91.5×91.5

portfolio of ten screenprints on papert-2

Andy WARHOLElectric Chair1971

each: 90.2×121.9

portfolio of ten screenprints on paper

t-3

TAMURA Yuichiro

Silence in the Mist

2021

blinds, silkscreen on steel plate, brass foil onwooden board, computer with monitor, video(11ʼ27”),
silkscreen with inorganic electroluminescent ink,
inorganic electroluminescent sheet, convertor,
neon-sign, transfer, compact disc, massage chair,electric cord, electric power

n-1

OGURA Yuki

Sketch for Nudec.1954n-2

NAKAO Mien

Absence and Existence2021

79.0×166.0

Gallery 1

charcoal and pencil on paper[The original work was lost in a �ire in 1969.][mounting: Takenaka Kojitsu-do /The displays are rotated during the exhibition.]
reproduced diary: color on paper, paulownia box

color experiment samples: color on paper, panel
large sketch reproduction of Nude: charcoal on woodfree paper, thumbtacks
copy of reproduction of Nude: framed, (front) colors on paper,(back) light color on paper
comment on the work: ink on paper

dot architects / A Record of Four Years at the Museum
dot architects

A Record of Four Years at the Museum

2021

water-based paint on Styrofoam,
concrete blocks, stones, wood, felt, cardboard,
museum documents[with the cooperation of: paperC, Art Area B1]ddot architects /A Record of
Four Years at theMuseumNAKAO Mien / OGURA Yuki

d-1

TAMURA Yuichiro /Andy WARHOL

1

The Museumʼs First Cry:
OGURA Yuki and the Museum ofModern Art, Shiga

2

A Number of Landscapes

EntrancePlateartistnumber

title

date

dimensions(h×w (×d), cm)

material and media

exhibition
period

1. The Museumʼs First Cry: OGURA Yuki and the Museum of Modern Art, Shiga

Plateartistnumber

title

date

dimensions(h×w (×d), cm)

material and media

2-34

NOGUCHI Kenzo

Gamonon.d.

129.7×160.0

oil on canvas

2-35

Constantin BRANCUSI

Bird in Space

1926(cast in: 1982)

Body: 135.0, Pedestals:
Cylinder 17.0, Cross 25.5,
X-shape 106.7 (high)Body: bronze,
Pedestals: Cylinder mable, Cross stone,
X-shape stone

1-1

OGURA Yuki

Young Girls at Bath1926

96.5×70.5

colors on silk

1-2

OGURA Yuki

Poppy Anemones

1935

58.5×80.5

colors on paper

1-3

OGURA Yuki

The Declaration of Baptism

1936

203.0×161.0

colors on paper, two-fold screens (one piece)

○

2-36

YOKOYAMA Taikan

Picture Scroll; Nionoura

1918

32.8×1030.0

ink on paper, rolled scroll

1-4

OGURA Yuki

Avalokitesvara

1941

170.5×133.5

colors on silk

○

2-37

YASUDA Yukihiko

Nukada-no-okimi at Asuka in Springtime

1964

131.1×80.2

colors on paper

2-38

YASUDA Yukihiko

Himiko1968

113.3×78.4

colors on paper

●

2-39

SHIMURA Fukumi

Kimono “Fields and Mountains”

1984

171.0×66.0

exhibition
period●

1-5

OGURA Yuki

A Visitor in Summertime

1942

195.2×109.4

colors on silk

1-6

OGURA Yuki

The Surihari Pass

1947

each: 168.0×176.0

colors on paper, two-fold screens (two pieces)pongee weaving●

1-7

OGURA Yuki

Family1958

204.0×153.6

colors on paper

2-40

SHIMURA Fukumi

Kimono “First Snow of the Season”

1964

156.8×66.0

pongee weaving○

1-8

OGURA Yuki

Family1959

125.8×190.2

colors on paper

2-41

TOMITA Keisen

Picture Scroll of Ujigawa; Kohata

1915

50.4×524.6

colors on silk, rolled scroll○

1-9

OGURA Yuki

Relaxing

1960

91.0×60.0

colors on paper

1-10

OGURA Yuki

Portrait of a Painter

1962

91.4×69.2

colors on paper

1-11

OGURA Yuki

Young Girl1963

121.2×84.8

colors on paper

1-12

OGURA Yuki

Brothers and Sister

1964

150.2×151.0

colors on paper

1-13

OGURA Yuki

Moon

1965

each: 151.0×58.8

colors on wooden panel, three-fold framed
screens (one piece)

1-14

OGURA Yuki

Avalokitesvara

1968

196.0×123.0

colors on paper

3. Daily Creation

●

1-15

OGURA Yuki

Listening1974

145.0×113.2

colors on paper

1-16

OGURA Yuki

Blue Mountain1976

165.0×92.0

colors on paper

1-17

OGURA Yuki

Snowfall1977

199.0×139.5

colors on paper

1-18

OGURA Yuki

Images of Three Deities

1978

109.5×84.0

ink on paper

○

1-19

OGURA Yuki

Bodhisattva

1979

148.0×65.0

colors on paper

○

1-20

OGURA Yuki

Kitchen Goods (1)1980

49.0×59.7

colors on paper

●

1-21

OGURA Yuki

Kitchen Goods (2)1980

40.8×50.0

colors on paper

●

1-22

OGURA Yuki

Kitchen Goods (3)1980

37.0×45.0

colors on paper●

Reference Materials

From a �ile containing materials related to
Ogura Yukiʼs gift of her work to the museum:
donation application, list of donated works,
envelope, and photograph

2. A Number of Landscapes
2-1

TOMOTO Shisuko

Eisa Dancers at Minakuchi

2001

130.2×162.0

oil on canvas

2-2

TOMOTO Shisuko

90th Birthday Present

2003

130.2×162.0

oil on canvas

2-3

TOMOTO Shisuko

Umaire River

2001

130.3×162.0

oil on canvas

2-4

IKEDA Yoson

Lakeside in Late Spring

1920

each: 167.0×375.0

colors on silk, six-fold screens (two pieces)●

2-5

IBARAGI Sampu

The Eight Views of Omi

1976

157.6×345.0

colors on paper, six-fold screens (one piece)○

2-6

IBARAGI Sampu

Twelve Scenes of The South

colored paper: 132.9×345.6
1943
paper: 1948

colors on silk, ink on paper, six-fold screens(one piece)●

3-1

KAWARA On

MAR. 31, 1988｜from Today (1966–2013)

1988

20.3×25.4

acrylic on canvas

3-2

KAWARA On

MAR. 27, 1989｜from Today (1966–2013)

1989

45.7×61.0

acrylic on canvas

3-3

KAWARA On

28 OTT. 1990｜from Today (1966–2013)

1990

20.3×25.4

acrylic on canvas

3-4

KAWARA On

OCT. 19, 1991｜from Today (1966–2013)

1991

25.4×33.0

acrylic on canvas

3-5

KAWARA On

SEPT. 27, 1992｜from Today (1966–2013)

1992

45.7×61.0

acrylic on canvas

3-6

SAWADA Shinichi

Untitled

n.d.

57.0×27.0×21.2

kaolin

3-7

SAWADA Shinichi

Untitled

n.d.

50.8×19.5×16.8

kaolin

3-8

SAWADA Shinichi

Untitled

n.d.

35.5×28.0×18.3

kaolin

3-9

SAWADA Shinichi

Untitled

n.d.

41.5×17.3×17.5

kaolin

3-10

SAWADA Shinichi

Untitled

n.d.

27.0×20.0×18.0

kaolin3-11Constantin BRANCUSI

Brancusi dans son atelier, 8 impasse Ronsin Paris 15ec.1924–25

23.4×17.7

gelatine silver print

3-12

Constantin BRANCUSI

Vue dʼatelier, LʼOiseau dans lʼespace,
8 impasse Ronsin Paris 15ec.1923

23.9×18.0

gelatine silver print

3-13

Constantin BRANCUSI

Vue dʼatelier, Mille. Pogany, 8 impasse Ronsin Paris 15ec.1923

17.7×23.4

gelatine silver print

3-14

Constantin BRANCUSI

Vue générale de lʼatelier, 8 impasse Ronsin Paris 15ec.192524.0×18.1

gelatine silver print

3-15

Constantin BRANCUSI

Vue dʼatelier, Colonnes sans fin,
8 impasse Ronsin Paris 15e

beginning of
1925

24.0×18.1

gelatine silver print

3-16

Constantin BRANCUSI

Vue dʼatelier, Le poisson et trois Colonnes sans fin

after 1930

23.3×16.6

gelatine silver print

3-17

Constantin BRANCUSI

Le grand poisson, marbre gris-bleu

1930

17.7×23.3

gelatine silver print

3-18

Constantin BRANCUSI

Le Commencement du monde, marbre

1920

24.0×18.1

gelatine silver print

3-19

Constantin BRANCUSI

Brancusi dans lʼatelier, autoportrait,
11 impasse Ronsin Paris 15ec.1933–1934

23.3×17.9

gelatine silver print

3-20

Constantin BRANCUSI

Vue dʼatelier, socles, 11 impasse Ronsin Paris 15ec.1929–30

23.4×17.6

gelatine silver print

3-21

Constantin BRANCUSI

La Négresse blonde, bronze poli

1926

23.4×17.7

gelatine silver print

3-22

Constantin BRANCUSILe Nouveau-né

1932

17.7×23.4

gelatine silver print

3-23

YAMADA Masaaki

Work E.p 179

1981

72.0×90.0

oil pastel on paper

2-7Henri MATISSE

Oceania, the Sea

1946

165.0×376.5 /180.5×392.5

silkscreen on linen

3-24

YAMADA Masaaki

Work E.p 309

1983

70.0×100.0

oil pastel on paper

3-25

YAMADA Masaaki

Work E.p 531

1985

72.0×90.0

watercolor on paper

2-8Henri MATISSE

Oceania, the Sky

1946

165.0×355.0 /181.0×372.0

silkscreen on linen

3-26

Morris LOUIS

Dalet Peh1959

234.0×367.5

acrylic on canvas

3-27

FUKUOKA Michio

Jump 2

1995

body: 21.0×112.5×82.0
pedestal: 47.0×112.5×82.0

FRP, wood, bronze

3-28

SAGAWA Koji

A Semi-Plane Mass of Trees No.56

2007

213.0×213.0

oil on canvas

3-29

LEE Ufan

From Point1976

181.5×227.5

colors on canvas

2-9

Arshile GORKY

N.T. [Virginia Landscape]c.1943–44

86.4×116.8

oil on canvas

2-10

KURODA Jutaro

Sermon in The Bush1961

90.7×116.7

oil on canvas

2-11

SHIMURA Fukumi

Kimono “Temple”

1989

163.5×68.0

pongee weaving

●

2-12

SHIMURA Fukumi

Kimono “Sunset Glow on the Lake”

1979

168.0×69.7

pongee weaving

○

2-13

SHIMURA Fukumi

Kimono “Wavelets”

1966

164.0×67.0

pongee weaving

○

2-14

SHIMURA Fukumi

Kimono,“Patchwork of Pongee Weave Cloths, Noshime Pattern”

1994

166.5×66.5

pongee weaving

●

2-15

Kano School

Celebrated Places in Omi〔Important Cultural Property〕

second halfof the 16th
century(Muromachi
Period)each: 137.0×361.0

colors on paper, six-fold screens (two pieces)

○

2-16

KUROKAWA Suizan

Yokawa Chudo Hall No. 3(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate

2-17

KUROKAWA Suizan

Jodo-in Temple(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate

2-18

KUROKAWA Suizan

Kitaya Hongando Hall
(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate
glass dry plate

20th century
20th century
20th century

2-19

KUROKAWA Suizan

Benzaiten from Mudo-ji Temple(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

2-20

KUROKAWA Suizan

Imuro Fudodo Hall
(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate

2-21

KUROKAWA Suizan

The Setagawa River Bank
(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate

2-22

KUROKAWA Suizan

Old Pine Tree in Karasaki(Kurokawa Suizan Photography Collection)

ｆirst half of the 12.0×16.2×0.1

glass dry plate

2-23

KUROKAWA Suizan

Photo Album(Kurokawa Suizan Photography Collection)

ｆirst half of the 18.0×26.3×2.3

album, printin-out papers

20th century

20th century
20th century
20th century
20th century

2-24

KUROKAWA Suizan

Picture postcard(Kurokawa Suizan Photography Collection)

ｆirst half of the each: 9.0×14.0

picture postcards, total of 27 pieces

2-25

KUROKAWA Suizan

Collection of picture postcards of Mi-dera Temple(Kurokawa Suizan Photography Collection)

ｆirst half of the 9.0×15.0

picture postcard

2-26

KUROKAWA Suizan

Collection of picture postcards of Mt.Hiei (Kurokawa
Suizan Photography Collection)

1907–1320th century
20th century

envelope: 9.0×15.0
postcard: 9.0×56.3

envelope, postcard●○

4. A World of Oneʼs Own
4-1

NOGUCHI KenzoChildren of The Villagec.1932

189.2×290.0

oil on canvas

4-2

Joseph CORNELL

Shewing by Inspection, the Time of Sun Rising and
Sun Setting, the Length of Days and Nights(An Analemma)

1948–50

39.3×51.4×10.4

glass-paned wood box with print cutouts, cork balls,
rubber ball, coin, painted wood with print cutouts incylinder shapes, cordial glasses, etc.

4-3Joseph CORNELL

Soap Bubble Set (Lunar Rainbow：Space Object）

1950s

23.4×36.5×9.5

glass-paned, stained wood box with print cutouts,
cork ball, metal rods, metal ring, clay pipe, etc.

4-4Joseph CORNELL

Untitled

1950s

37.8×24.0×6.7

glass-paned, stained wood box with Photostats,wooden balls, etc.

4-5

IKEMURA Leiko

Thought1985

150.0×200.0

acrylic on canvas

4-6

OBATA Masao

Untitled (Fruits)n.d.

30.5×43.8

colored pencil on corrugated cardboard

4-7

OBATA Masao

Untitled (Plants)

n.d.

33.0×47.5

colored pencil on corrugated cardboard

4-8

OBATA Masao

Untitled (Vase and Fruits)n.d.

36.0×37.5

colored pencil on corrugated cardboard

4-9

OBATA Masao

Untitled (Plants)

n.d.

47.0×31.5

colored pencil on corrugated cardboard

4-10

OBATA Masao

Untitled (Wedding)n.d.

28.0×41.5

colored pencil on corrugated cardboard

4-11

OBATA Masao

Untitled (Wedding)n.d.

23.0×45.5

colored pencil on corrugated cardboard

4-12

OBATA Masao

Untitled (Three People)

n.d.

26.5×83.0

colored pencil on corrugated cardboard

4-13

OBATA Masao

Untitled (Wedding)n.d.

28.1×37.2

colored pencil on corrugated cardboard

4-14

OBATA Masao

Untitled (Nippon-maru)

n.d.

26.9×39.5

colored pencil on corrugated cardboard

4-15

OBATA Masao

Untitled (Family)

n.d.

22.5×43.8

colored pencil on corrugated cardboard

4-16

OBATA Masao

Untitled (Fishes and Shells)

n.d.

36.1×41.6

colored pencil on corrugated cardboard

4-17

OBATA Masao

Untitled (Man and Woman)n.d.

28.0×85.7

colored pencil on corrugated cardboard

4-18

OBATA Masao

Untitled (Wedding)n.d.

35.0×44.0

colored pencil on corrugated cardboard

4-19

OBATA Masao

Untitled (Ship)n.d.

39.8×39.8

colored pencil on corrugated cardboard

4-20

OBATA Masao

Untitled (Man and Woman on a Boat)n.d.

26.8×68.1

colored pencil on corrugated cardboard

4-21

OBATA Masao

Untitled (World Map)n.d.

45.2×60.4

colored pencil on corrugated cardboard

2-27

HAYAMI Gyoshu

Shugakuin Village in Rakuhoku

1918

132.0×97.5

colors on silk

OBATA Masao

Untitled (Family)

n.d.

28.7×63.6

colored pencil on corrugated cardboard

HAYAMI Gyoshu

Thumbnail Sketch and Drawings of The Work
“Shugakuin Village in Rakuhoku”

1918

thumbnail sketch: 41.2×32.6
drawing each: 15.3×19.0

4-22

2-28

pencil, watercolor, crayon on paper,
two of a total of 6 pieces

4-23

OBATA Masao

Untitled (Man and Woman)n.d.

36.8×54.5

colored pencil on corrugated cardboard

2-29

OMODA Seiju

The Winterscape of Dakesan in Izumo

1922

40.8×56.5

colors on silk

2-30

OTA Kijiro

Lakeside

1931

60.3×72.5

oil on canvas

2-31

IBA Denjiro

Canyonn.d.

88.5×129.5

oil on canvas

2-32

SHIMATO Shigeru

The View of Paris

1963

95.8×161.0

oil on canvas

2-33

SHIMATO Shigeru

Boats Gathering in Harbor in Wintertime

1957

53.0×72.7

oil on canvas

4-24

KANO Mitsuo

The Wave Theory̶Through Intaglio No.1

1984–1985

63.3×44.5

color intaglio on arches, nine of a total of 33 pieces

4-25

KANO Mitsuo

The Wave Theory̶Through Intaglio No.4

1984–1985

45.5×42.5

color intaglio on arches, nine of a total of 33 pieces

4-26

KANO Mitsuo

The Wave Theory̶Through Intaglio No.10

1984–1985

42.4×57.0

color intaglio on arches, nine of a total of 33 pieces

4-27

KANO Mitsuo

The Wave Theory̶Through Intaglio No.12

1984–1985

42.4×57.0

color intaglio on arches, nine of a total of 33 pieces

4-28

KANO Mitsuo

The Wave Theory̶Through Intaglio No.21

1984–1985

60.0×42.5

color intaglio on arches, nine of a total of 33 pieces

4-29

KANO Mitsuo

The Wave Theory̶Through Intaglio No.24

1984–1985

45.0×62.0

color intaglio on arches, nine of a total of 33 pieces