MoMA
Acquisitions
2014-2015

Architecture and Design
A total of 1,120 works were acquired by the Department of Architecture and Design. This includes 354 architectural drawings,
23 architectural models, 215 architectural photos, 92 design objects, and 436 graphic design works.

ARCHITECTURAL DRAWINGS

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 16 1/2 x 16 1/2" (41.9 x 41.9 cm). Purchase

Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Ink on paper, 16 9/16 x 23 3/8" (42 x 59.4 cm). Giftof the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011.
Digital rendering, 5 x 17 3/8" (12.7 x 44.1 cm). Purchase

Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Ink on paper. Gift of the architect
Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Pencil and ink on paper. Gift of the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 4 5/8 x 17 3/8" (11.7 x 44.1 cm). Purchase

Jimmy Alcock. Altolar Building, Caracas, Venezuela.
1966. Pencil and ink on paper, 27 1/2 x 39 1/4"
(69.9 x 99.7 cm). Gift of the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 10 5/8 x 16 1/2" (27 x 41.9 cm). Purchase

Jimmy Alcock. Altolar Building, Caracas, Venezuela.
1966. Ink on paper, 39 1/4 x 27 1/2" (99.7 x 69.9 cm).
Gift of the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 14 1/8 x 22 1/8" (35.9 x 56.2 cm). Purchase

Jimmy Alcock. Altolar Building, Caracas, Venezuela.
1966. Ink on paper. Gift of the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 14 1/8 x 22 7/8" (35.9 x 58.1 cm). Purchase

Jimmy Alcock. Altolar Building, Caracas, Venezuela.
1966. Ink on paper. Gift of the architect

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011.
Digital image, 17 x 23 3/8" (43.2 x 59.4 cm). Purchase

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Ink on paper, approx. 30 x 40". Gift ofMario Roberto Álvarez y Asociados

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011.
Digital image, 17 x 23 3/8" (43.2 x 59.4 cm). Purchase

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina—Elevation. 1966. Ink on paper, approx. 30 x
40". Gift of Mario Roberto Álvarez y Asociados

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Ink on paper, 20 1/16 x 35 7/16"(51 x 90 cm). Gift of Carmen Pesqueira de Attolini

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
image file, 25 3/4 x 55" (65.4 x 139.7 cm). Purchase

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Ink on paper, 14 15/16 x 24 3/16"(38 x 61.5 cm). Gift of Carmen Pesqueira de Attolini

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 17 3/4 x 17 3/4" (45.1 x 45.1 cm). Purchase

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Pencil and ink on paper, 14 7/8 x 30"(37.8 x 76.2 cm). Gift of Carmen Pesqueira de Attolini

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 17 3/4 x 17 3/4" (45.1 x 45.1 cm). Purchase
Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering. Purchase

José Antonio Attolini Lack. Caseta de Ventas, Paseo delPedregal, Col. Pedregal de San Angel, Mexico City, Mexico.
1958. Ink on paper, 8 3/8 x 10 13/16" (21.2 x 27.5 cm).
Gift of Carmen Pesqueira de Attolini

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Digital
rendering, 16 1/2 x 16 1/2" (41.9 x 41.9 cm). Purchase2

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Ink and pencil on paper, 8 1/2 x 11"(21.6 x 28 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 14"(28 x 35.5 cm). Gift of Carmen Pesqueira de Attolini
José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/16"(28 x 33.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil and ink on paper, 23 5/8 x 35 7/16" (60 x 90 cm).
Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil and ink on paper, 17 15/16 x 43 1/8"
(45.5 x 109.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil, colored pencil, and ink on paper, 17 15/16 x 24"(45.5 x 61 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil and colored pencil on paper, 17 15/16 x 24"(45.5 x 61 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini
José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil and ink on paper, 16 9/16 x 18 1/8"
(42 x 46 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Santa Cruz Church, Jardinesdel Pedregal, Mexico City, Mexico. 1967. Pencil on
paper, 23 5/8 x 35 7/16" (60 x 90 cm). Gift of Carmen
Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Brisa, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Pencil and colored pencil on paper, 17 15/16 x 24"(45.5 x 61 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Santa Cruz Church, Jardinesdel Pedregal, Mexico City, Mexico. 1967. Pencil on
paper, 23 5/8 x 35 7/16" (60 x 90 cm). Gift of Carmen
Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Galvez, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Ink on paper, 23 13/16 x 35 1/16" (60.5 x 89cm).
Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Architect’s Office, Tabaqueros
No. 24, Col. San Nicolás Totoloapan, Mexico City,
Mexico. 1978. Pencil on paper, 23 13/16 x 35 5/8"
(60.5 x 90.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Pelsmaeker.
1959. Pencil and ink on paper, 15 1/2 x 35 3/4"
(39.3 x 90.8 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Architect’s Office, Tabaqueros
No. 24, Col. San Nicolás Totoloapan, Mexico City,
Mexico. 1978. Pencil on paper, 23 13/16 x 35 5/8"
(60.5 x 90.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Club Familiar del Pedregal,
Mexico City, Mexico. 1962. Lithograph, 7 5/8 x 5 9/16"(19.4 x 14.1 cm). Gift of Carmen Pesqueira de Attolini
José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Pencil on paper, 11 x 13 3/4"
(28 x 35 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Architect’s Office, Tabaqueros
No. 24, Col. San Nicolás Totoloapan, Mexico City,
Mexico. 1978. Pencil on paper, 23 13/16 x 35 5/8"
(60.5 x 90.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Palacio de los Deportes,
Mexico City, Mexico. 1966. Print, 11 x 14"(28 x 35.5 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Architect’s Office, Tabaqueros
No. 24, Col. San Nicolás Totoloapan, Mexico City,
Mexico. 1978. Ink on illustration board, 23 13/16 x 35 5/8"
(60.5 x 90.5 cm). Gift of Carmen Pesqueira de Attolini

3

José Antonio Attolini Lack. Centro Lumen Polanco,
Arquimides No 44., Col. Polanco, Mexico City, Mexico.
1984. Pencil, ink, and watercolor on paper. Gift ofCarmen Pesqueira de Attolini

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 11 x 15 1/4" (27.9 x 38.7 cm).
Gift of the Juan Ignacio Baixas Archive
Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 11 x 15 1/4" (27.9 x 38.7 cm).
Gift of the Juan Ignacio Baixas Archive

José Antonio Attolini Lack. Residencia Alfonso Contreras.
c. 1960. Pencil and ink on paper, 14 15/16 x 35 5/8"
(38 x 90.5 cm). Gift of Carmen Pesqueira de Attolini

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 6 3/4 x 25" (17.1 x
63.5 cm) irreg. Gift of the Juan Ignacio Baixas Archive

José Antonio Attolini Lack. Residencia Armando Ruiz.
c. 1960. Ink on paper, 12 x 23 15/16" (30.5 x 60.8 cm).
Gift of Carmen Pesqueira de Attolini

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 15 1/4 x 10 7/8" (38.7 x27.6 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 7 5/16 x 9 7/8"
(18.6 x 25.1 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 15 1/4 x 11" (38.7 x 27.9 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 9 3/4 x 10 1/2" (24.8 x 26.7 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 11 x 15 3/8" (27.9 x 39.1 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 6 3/8 x 6 1/2" (16.2 x 16.5 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper. 8 1/4 x 16 3/4" (21 x 42.5 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 5 1/4 x 5 5/8" (13.3 x 14.3 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 8 1/4 x 9 1/8"
(21 x 23.2 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 5 3/4 x 18 1/4"
(14.6 x 46.4 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 11 x 15 1/4" (27.9 x 38.7 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 7 x 24" (17.8 x 61 cm)
irreg. Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 13 x 17 1/4" (33 x 43.8 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 7 x 24" (17.8 x 61 cm)
irreg. Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 15 1/4 x 11" (38.7 x 27.9 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 9 3/4 x 10 1/2"
(24.8 x 26.7 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 10 7/8 x 15 1/4"
(27.6 x 38.7 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 7 x 23" (17.8 x
58.4 cm) irreg. Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 10 7/8 x 15 1/4"
(27.6 x 38.7 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 11 x 15 1/4" (27.9 x 38.7 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 15 1/4 x 10 7/8"
(38.7 x 27.6 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 5 3/4 x 16"(14.6 x 40.6 cm). Gift of the Juan Ignacio Baixas Archive4Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on tracing paper, 9 3/4 x 27"(24.8 x 68.6 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Puzzle Chair. 1975. Ink on paper,
approx. 20 x 30" (50.8 x 76.2 cm). Gift of the Juan
Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 10 7/8 x 15 1/4"
(27.6 x 38.7 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980. Pencil and ink on paper, .a: 8 1/2 x 13" (21.6 x 33 cm).b (photocopy): 8 1/2 x 13" (21.6 x 33 cm). Gift of theJuan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 10 7/8 x 28 13/16"(27.6 x 73.2 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Pencil and ink on paper, .a: 7 1/4 x 10" (18.4 x 25.4 cm).b: 7 1/4 x 10" (18.4 x 25.4 cm). Gift of the Juan Ignacio
Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 15 1/4 x 18 3/4" (38.7 x 47.6 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980. Ink
on paper, .a: 10 1/4 x 8" (26 x 20.3 cm) .b: 10 1/4 x 8"
(26 x 20.3 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 15 1/4 x 11" (38.7 x 27.9 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980. Ink
on paper, .a: 7 x 9 5/8" (17.8 x 24.4 cm) .b: 7 x 9 5/8"
(17.8 x 24.4 cm) .c: 7 x 9 5/8" (17.8 x 24.4 cm). Gift of
the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper. 8 1/4 x 11 5/8" (21 x 29.5 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Photocopy, .a: 8 1/2 x 13" (21.6 x 33 cm) .b: 5 1/2 x 8 1/2"
(14 x 21.6 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Ink on paper, 11 3/4 x 16 1/2" (29.8 x 41.9 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Print, 19 x 25 1/2" (48.3 x 64.8 cm). Gift of the Juan
Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, (folded): 15 x 11"(38.1 x 27.9 cm); (unfolded): 15 x 128" (38.1 x325.1 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Ink on paper, 10 x 8" (25.4 x 20.3 cm). Gift of the Juan
Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 9 5/8 x 8 3/8 “(24.4 x 21.3 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. La Dehesa, Santiago, Chile. 1980. Pencil
and ink on paper, 20 x 30" (50.8 x 76.2 cm). Gift of theJuan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil on paper, 15 1/4 x 10 7/8" (38.7 x27.6 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. La Dehesa, Santiago, Chile. 1980. Pencil
and ink on paper, 20 x 30" (50.8 x 76.2 cm). Gift of theJuan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Pencil and ink on paper, 11 x 43 1/4"
(27.9 x 109.9 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. La Dehesa, Santiago, Chile. 1980. Pencil
and ink on paper, 20 x 30" (50.8 x 76.2 cm). Gift of theJuan Ignacio Baixas Archive

Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Bound book with photographs, 13 5/8 x 11 3/4"
(34.6 x 29.8 cm). Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Pencil and ink on paper, 20 x 30" (50.8 x 76.2 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Puzzle Chair. 1975. Ink on paper,
approx. 20 x 30"(50.8 x 76.2 cm). Gift of the Juan
Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Pencil and ink on paper, 20 x 30" (50.8 x 76.2 cm).
Gift of the Juan Ignacio Baixas Archive

Juan Baixas. Puzzle Chair. 1975. Ink on paper,
approx. 20 x 30" (50.8 x 76.2 cm). Gift of the Juan
Ignacio Baixas Archive

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Pencil and ink on paper, 20 x 30" (50.8 x 76.2 cm).
Gift of the Juan Ignacio Baixas Archive5

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex,
Montevideo, Uruguay. 1971–74. Ink on paper,
9 1/2 x 19 1/8" (24.1 x 48.6 cm). Gift of the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini Arquitectos. PREVI Housing Project, Lima, Peru. 1968–72.
Ink on paper, 26 5/8 x 47 3/8" (67.6 x 120.3 cm). Gift of
the architect

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex Montevideo, Uruguay. 1971–74. Ink and watercolor on
paper, 19 1/2 x 17 1/2" (49.5 x 44.5 cm). Gift of the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect
Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Ink and collage on
vellum, 23 5/8 x 14 3/8" (60 x 36.5 cm). Gift of the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru. 1974.
Ink on vellum, 48 3/4 x 27 1/2" (123.8 x 69.9 cm). Gift of
the architect

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Ink and pastel on
tracing paper, 22 1/4 x 28 1/4" (56.5 x 71.8 cm). Gift of
the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Print, 8 x 10"(20.3 x 25.4 cm). Gift of the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Print. Gift of the architects

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Federico Guillermo Beckhoff. Palic Building, Caracas,
Venezuela. 1956. Pencil on vellum, 23 3/8 x 33 1/8"
(59.4 x 84.1 cm). Gift of Bettina Beckhoff

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Guillermo Bermúdez. Casa Bermudez, Bogotá, Colombia.
1952. Print, 33 1/8 x 46 13/16" (84.1 x 118.9 cm). Gift ofDaniel Bermúdez

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini
Arquitectos. PREVI Housing Project, Lima, Peru.
1968–72. Ink on paper. Gift of the architect

Guillermo Bermúdez. Casas Urbanizacion el Retiro,
Bogotá, Colombia. c. 1953. Pencil and ink on vellum,
27 1/2 x 20 3/4" (69.9 x 52.7 cm). Gift of Daniel Bermúdez

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Guillermo Bermúdez. Casas Urbanizacion el Retiro,
Bogotá, Colombia. c. 1953. Ink on vellum, 27 1/2 x 20 3/4"
(69.9 x 52.7 cm). Gift of Daniel Bermúdez

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini Arquitectos. PREVI Housing Project, Lima, Peru. 1968–72.
Ink on paper, 25 1/2 x 47 3/8" (64.8 x 120.3 cm). Gift of
the architect

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Frederick Cooper Llosa. Bryce Cooper Graña Nicolini Arquitectos. PREVI Housing Project, Lima, Peru. 1968–72.
Ink on paper. Gift of the architect

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

6

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Revital Cohen. Tuur Van Balen. Kingyo Kingdom. 2013.
Cyanotype, 19 5/16 x 27 3/16" (49 x 69 cm). Committee on
Architecture and Design Funds

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Revital Cohen, Tuur Van Balen. Kingyo Kingdom. 2013.
Cyanotype, 19 5/16 x 27 3/16" (49 x 69 cm). Committee on
Architecture and Design Funds

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Revital Cohen, Tuur Van Balen. Kingyo Kingdom. 2013.
Cyanotype, 19 5/16 x 27 3/16" (49 x 69 cm). Committee on
Architecture and Design Funds

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect

Frederick Cooper Llosa. PREVI Housing Project, Lima,
Peru. 1968–72. Ink on paper. Gift of the architect
Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 27 3/16 x 43 5/16" (69 x 110 cm).
Gift of the architect

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print on acetate, 13 3/4 × 21 1/2" (34.9 × 54.6 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Print. Gift of the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 27 3/16 x 43 5/16" (69 x 110 cm).
Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 30 11/16 x 43 5/16" (78 x 110 cm).
Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 30 11/16 x 43 5/16" (78 x 110 cm).
Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 31 7/8 x 43 5/16" (81 x 110 cm).
Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima.
1974. Ink on vellum, 27 3/16 x 43 5/16" (69 x 110 cm).
Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima,
Peru. 1974. Ink on vellum, 30 11/16 x 43 5/16" (78 x
110 cm). Gift of the architect

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Pencil and ink on paper. Giftof the architect

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima,
Peru. 1974. Ink on vellum, 33 1/16 x 43 5/16" (84 x
110 cm). Gift of the architect

Iakov Chernikhov. Study for the Cycle of ArchitecturalLandscapes no. 2. c. 1930. Gouache, pen, and ink on
paper, 4 x 4" (10.2 x 10.2 cm). Committee on
Architecture and Design Funds

Frederick Cooper Llosa. Casa Cooper, San Isidro, Lima,
Peru. 1974. Ink on vellum, 30 11/16 x 43 5/16" (78 x
110 cm). Gift of the architect
Douglas Darden. Sex Shop Project. 1996. Pencil, Felt-tip
pen, and collage on tracing paper, 18 x 26 1/4" (45.7 x66.7 cm). Gift of Allison Collins

Iakov Chernikhov. Study for the Cycle of ArchitecturalLandscapes no. 3. c. 1930. Gouache, pen, and ink on
paper, 4 x 4" (10.2 x 10.2 cm). Committee on
Architecture and Design Funds

Douglas Darden. Sex Shop Project. 1996. Pencil, Felt-tip
pen, and collage on tracing paper, 18 x 26 1/4" (45.7 x66.7 cm). Gift of Allison Collins

7

Douglas Darden. Sex Shop Project. 1996. Pencil, pastel,ink and collage on paper, 30 × 40" (76.2 × 101.6 cm).
Gift of Allison Collins

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,
12 x 15" (30.5 x 38.1 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on paper, 17 x 25"(43.2 x 63.5 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,
12 x 84" (30.5 x 213.4 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,
14 x 15" (35.6 x 38.1 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,9 x 12 1/2" (22.9 x 31.8 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,9 x 12 1/2" (22.9 x 31.8 cm). Gift of the architects

Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Ink on vellum, 21 5/8 x 35 1/16"(55 x 89 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,
11 1/2 x 23" (29.2 x 58.4 cm). Gift of the architects

Teodoro González de León. Casa José Luis Cuevas,
San Ángel, Mexico City, Mexico. 1968. Ink on vellum,
13 3/8 x 33 1/16" (34 x 84 cm). Gift of the Teodoro
González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,9 x 12 1/2" (22.9 x 31.8 cm). Gift of the architects

Teodoro González de León. Oficinas Centrales del Infonavit,
Mexico City, Mexico. 1974. Ink on vellum, 13 3/4 x 22 7/16"(35 x 57 cm). Gift of the Teodoro González de León Archive

Orlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on paper, 9 1/2 x 40"(24.1 x 101.6 cm). Gift of the architects

Teodoro González de León. Oficinas Centrales del Infonavit,
Mexico City, Mexico. 1974. Ink on vellum, 13 3/4 x 22 7/16"(35 x 57 cm). Gift of the Teodoro González de León Archive
Günter Günschel. Stadthalle in Weissenfels, project.
1957. Photocollage, 6 3/8 x 9" (16.2 x 22.9 cm).
Gift of Barbara GünschelOrlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on paper, 9 1/2 x 40"(24.1 x 101.6 cm). Gift of the architects

Günter Günschel. Untitled. 1958. Pencil on paper,
7 1/8 x 9 3/4" (18.1 x 24.8 cm). Gift of Barbara GünschelOrlando Garcia. G Ateliers Architecture. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Colored pencil on tracing paper,
9 1/2 x 40" (24.1 x 101.6 cm). Gift of the architects

Günter Günschel. Untitled. 1959. Pencil on paper,
6 1/2 x 8 1/8" (16.5 x 20.6 cm). Gift of Barbara Günschel8Günter Günschel. Untitled. 1968. Ink on paper,
8 1/4 x 11 5/8" (21 x 29.5 cm). Gift of Barbara GünschelFrancisco Méndez Labbé. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 5/8 x 77 7/8"
(39.7 x 197.8 cm). Gift of the architect.

Günter Günschel. Untitled. 1972. Ink on paper, 8 7/8 x 12"(22.5 x 30.5 cm). Gift of Barbara GünschelFrancisco Méndez Labbé. School of Architecture, Catholic
University of Valparaiso. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 5/8 x 78"(39.7 x 198.1 cm). Gift of the architect

Günter Günschel. Untitled. 2003. Ink on paper,
5 7/8 x 8 1/4" (14.9 x 21 cm). Gift of Barbara GünschelGünter Günschel. Untitled. 1963. Ink on gelatin silver print,
7 1/8 x 9" (18.1 x 22.9 cm). Gift of Barbara GünschelFrancisco Méndez Labbé. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 9/16 x
78 3/8" (39.5 x 199.1 cm). Gift of the architect

Haus Rucker Co. Günter Zamp Kelp. Laurids Ortner.
Manfred Ortner. Klaus Pinter. Oasis no. 7. 1972. Pencil
on paper, 27 9/16 x 39 3/8" (70 x 100 cm). Committee on
Architecture and Design Funds

Francisco Méndez Labbé. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 5/8 x 78 1/2"
(39.7 x 199.4 cm). Gift of the architect
Francisco Méndez Labbé. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 3/4 x 77 5/8"
(40 x 197.2 cm). Gift of the architect

Haus Rucker Co. Günter Zamp Kelp. Laurids Ortner.
Manfred Ortner. Klaus Pinter. Oasis no. 7. 1972.
Photocollage and pencil on paper, 23 5/8 x 31 1/2" (60 x
80 cm). Committee on Architecture and Design Funds

Francisco Méndez Labbé. Naval Academy Competition,
Valparaiso, Chile. 1956–57. Ink on paper, 15 3/4 x 78 3/8"
(40 x 199.1 cm). Gift of the architect

Agustín Hernández Navarro. Amphitheater in El Crater,Monterrey, Mexico. c. 1976. Pencil on paper,
22 13/16 x 28 3/4" (58 x 73 cm). Gift of the architect

Mass Studies, Seoul, Korea. Daum Space.1, Jeju Province,
South Korea. 2008–11. Digital renderings. Gift of thearchitect

Agustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil on vellum, 24 × 35 1/2" (61 × 90.2 cm).
Gift of the architect

Miguel Rodrigo Mazuré. Hotel in Machu Picchu, Peru.
1969. Conte crayon on paper, 29 1/2 x 39 3/8" (75 x 100 cm).
Gift of Judith Rodrigo and Miguel Rodrigo Pérez Aranibar

Agustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 32 1/2 × 24"(82.6 × 61 cm). Gift of the architect

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. MSGS
(Manteola, Sanchez Gomez, Solsona), Buenos Aires.
Concurso Biblioteca Nacional Project, Buenos Aires,
Argentina. 1962. Ink on paper, 5 7/8 x 20 1/2" (15 x 52 cm).
Gift of MSGSSSAgustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 24 × 35 1/2" (61× 90.2 cm). Gift of the architect
Agustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 35 1/2 × 24"(90.2 × 61 cm). Gift of the architect

Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Felipe Tarsitano.
MSGSS (Manteola Sanchez Gomez Santos Solsona),
Buenos Aires. Terrazas de Manantiales, Departamento
de Maldonado, Uruguay. 1981. Ink on vellum,
23 5/8 x 34 1/4" (60 x 87 cm). Gift of MSGSSSAgustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 35 1/2 × 24"(90.2 × 61 cm). Gift of the architect
Agustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 24 × 35 1/2" (61× 90.2 cm). Gift of the architect

Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Felipe Tarsitano.
MSGSS (Manteola Sanchez Gomez Santos Solsona),
Buenos Aires. Terrazas de Manantiales, Departamento
de Maldonado, Uruguay. 1981. Ink on vellum,
11 13/16 x 53 1/8" (30 x 135 cm).Gift of MSGSSSAgustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Pencil and ink on vellum, 35 1/2 × 24"(90.2 × 61 cm). Gift of the architect
Frederick Kiesler. Endless House Project. 1947–60. Ink
on paper, 11 7/8 x 18" (30.2 x 45.7 cm). Committee on
Architecture and Design Funds

9Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Rafael Viñoly. FelipeTarsitano. MSGSS (Manteola Sanchez Gomez Santos
Solsona), Buenos Aires. Terrazas de Manantiales,
Departamento de Maldonado, Uruguay. 1981. Ink on
vellum, 15 3/4 x 24" (40 x 61 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Felipe Tarsitano.
MSGSS (Manteola Sanchez Gomez Santos Solsona),
Buenos Aires. Terrazas de Manantiales, Departamento
de Maldonado, Uruguay. 1981. Ink on vellum, 26 3/8 x 36 1/4"
(67 x 92 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Felipe Tarsitano.
MSGSS (Manteola Sanchez Gomez Santos Solsona),
Buenos Aires. Terrazas de Manantiales, Departamento de
Maldonado, Uruguay. 1981. Ink on vellum, 20 7/8 x 32 5/16"(53 x 82 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010.
Felt-tip pen and colored pencil on tracing paper,
19 11/16 x 13 3/8" (50 x 34 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010. Pencil
and ink on vellum, 13 3/8 x 19 11/16" (34 x 50 cm).
Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010.
Felt-tip pen and colored pencil on tracing paper,
11 13/16 x 9 13/16" (30 x 25 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010.
Felt-tip pen and colored pencil on tracing paper,
7 7/8 x 19 11/16" (20 x 50 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010. Felt-tip
pen and colored pencil on tracing paper, 13 3/4 x 7 7/8" (35 x
20 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Mulieris,
Puerto Madero, Buenos Aires, Argentina. 2010. Felt-tip
pen and colored pencil on vellum, 25 3/16 x 33 7/16"(64 x 85 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 16 9/16 x 11 13/16" (42 x
30 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 27 9/16 x 17 5/16"(70 x 44 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen,pencil, and colored pencil on tracing paper, 18 7/8 x 27 9/16"(48 x 70 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 16 15/16 x 17 5/16" (43 x
44 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 23 1/4 x 19 11/1"(59 x 50 cm). Gift of MSGSSS

10Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 15 3/4 x 27 9/16"(40 x 70 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 19 11/16 x 27 9/16" (50 x
70 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 19 11/16 x 27 9/16" (50 x
70 cm). Gift of MSGSSSFlora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Damián Vinson.
MSGSSSV (Manteola Sanchez Gomez Santos Solsona
Sallaberry Vinson), Buenos Aires. Torres Al Rio, Vicente
López, Buenos Aires, Argentina. 2015. Felt-tip pen andcolored pencil on tracing paper, 19 11/16 x 27 9/16" (50 x
70 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 27 9/16 x 57 7/8"
(70 x 147 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 5/16 x 65 3/8"
(82 x 166 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 33 1/16 x 66 15/16"(84 x 170 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 59 1/16"(83 x 150 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 63"(83 x 160 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 63"(83 x 160 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 65 3/4"
(83 x 167 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 68 1/8"
(83 x 173 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 32 11/16 x 66 15/16"(83x 170 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 34 1/4 x 36 5/8"
(87 x 93cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 24 7/16 x 75 9/16"(62 x 192 cm). Gift of MSGSSS

11

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 28 3/4 x 32 11/16"(73 x 83 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
14 9/16 x 18 1/2" (37x 47 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 33 1/16 x 60 5/8"
(84 x 154 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
14 5/16 x 18 1/8" (38 x 46 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Pencil and ink on vellum, 33 7/8 x 68 1/8"
(86 x 173 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
18 1/2 x 51 9/16" (47 x 131 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
20 1/2 x 22 13/16" (52 x 58 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum, 19 5/16 x
51 9/16" (49 x 131 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
21 1/4 x 25 3/16" (54x 64 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Ink on vellum,
27 9/16 x 39 3/8" (70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
21 1/4 x 21 1/4" (54 x 54 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Ink on vellum,
27 9/16 x 39 3/8" (70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Headquarters for the Banco de la Ciudad de Buenos
Aires. 1969. Ink on vellum, 13 3/4 x 17 11/16" (35 x 44.9 cm).
Gift of the architects

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Ink on vellum,
14 3/16 x 18 1/8" (36x 46 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSS

12MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Ink and Letraset on vellum, 26 x 39 3/8" (66 x 100 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Ink and Letraset on vellum, 28 3/4 x 39 3/8"
(73 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires. 1969. Ink
and Letraset on vellum, 27 5/8 x 39 9/16" (70.2 x 100.5 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Ink on vellum, 23 5/8 x 43 5/16"(60 x 110 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Ink on vellum, 23 5/8 x 37"(60 x 94 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Ink and Letraset on vellum, 29 15/16 x 41 5/16"(76 x 105 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Ink on vellum, 23 5/8 x 36 5/8"
(60 x 93 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Ink and Letraset on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Ink on vellum, 23 5/8 x 36 5/8"
(60 x 93 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Ink on vellum, 29 15/16 x 35 7/16" (76 x 90 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Ink on vellum, 23 5/8 x 36 5/8"
(60 x 93 cm). Gift of MSGSSS

13

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Ink on paper. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink and Letraset
on vellum, 23 3/4 x 24 3/4" (60.3 x 62.9 cm). Gift of
MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink and Letraset on
vellum, 25 1/4 x 25" (64.1 x 63.5 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink on vellum,
47 x 24 1/2" (119.4 x 62.2 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink and Letraset on
vellum, 47 3/4 x 24" (121.3 x 61 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Comandante Luis Piedrabuena,
Buenos Aires. 1974. Ink on paper, 21 5/8 x 29 1/2"
(55 x 75 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink and Letraset
on vellum, 49 1/8 x 27 5/8" (124.8 x 70.2 cm). Gift of
MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Pencil and Felt-tip pen on tracing paper,
19 11/16 x 30 5/16" (50 x 77 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires, Argentina. 1972–74. Ink and Letraset on
vellum, 49 x 24 1/4" (124.5 x 61.6 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Ink on vellum, 23 1/4 x 17 11/16"(59 x 45 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Ink on vellum, 24 7/16 x 30 5/16"(62 x 77 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSS

14MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 23 5/8 x 35 7/16"(60 x 90 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Estadio de Mendoza, Provincia deMendoza, Argentina. 1976. Ink and Letraset on vellum,
31 1/8 x 51 15/16" (79 x 132 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 26 x 29 1/8"
(66 x 74 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Estadio de Mendoza, Provincia deMendoza, Argentina. 1976. Ink and Letraset on vellum,
16 1/8 x 20 1/16" (41 x 51 cm) .Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 16 9/16 x 22 13/16"(42 x 58 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Estadio de Mendoza, Provincia de Mendoza,
Argentina. 1976. Ink and Letraset on vellum, 16 9/16 x 23 1/4"
(42 x 59 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 24 x 26 3/4"
(61 x 68 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Estadio de Mendoza, Provincia deMendoza, Argentina. 1976. Ink on paper, 31 1/2 x 51 3/8"
(80 x 130.5 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 26 3/4 x 38 9/16"(68 x 98 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 24 13/16 x 39 3/8"
(63 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 25 9/16 x 39 3/8"
(65 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. ATC (Argentina Televisora Color), Buenos
Aires, Argentina. 1977. Ink on vellum, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de Buenos
Aires, Argentina. 1979. Ink on vellum, 17 11/16 x 36 1/4"
(45 x 92 cm). Gift of MSGSSS

15

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de Buenos
Aires, Argentina. 1979. Ink on vellum, 23 5/8 x 36 1/4"
(60 x 92 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de Buenos
Aires, Argentina. 1979. Ink on vellum, 17 11/16 x 35 7/16"(45 x 90 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Ink on vellum,
11 13/16 x 26 3/4" (30 x 68 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Ink on vellum,
16 15/16 x 38 3/16" (43 x 97 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Ink on vellum,
20 7/8 x 38 3/16" (53 x 97 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Ink on vellum,
19 11/16 x 39 3/8" (50 x 100 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Ink and Letraset
on vellum, 21 5/8 x 39 3/8" (55 x 100 cm). Gift of MSGSSSClaude Parent. Theatre Marc’O. 1967. Felt-tip pen on
paper, 8 1/4 x 11 11/16" (21 x 29.7 cm). Committee on
Architecture and Design Funds
Claude Parent. Theatre Marc’O. 1967. Felt-tip pen on
paper, 8 1/4 x 11 11/16" (21 x 29.7 cm). Committee on
Architecture and Design Funds
Claude Parent. Untitled (les rampes). 1972. Felt-tip pen
on paper, 8 1/4 x 11 11/16" (21 x 29.7 cm). Committee
on Architecture and Design Funds

Claude Parent. The Conquest, Rond Point des Champs
Elysées. 1972. Felt-tip pen on paper, 8 1/4 x 11 11/16"(21 x 29.7 cm). Committee on Architecture and Design Funds
Smiljan Radić. Casa para el Poema del Ángulo Recto,
Vilches, Chile. 2010–12. Ink on paper, (each):
3 9/16 x 4 3/4" (9 x 12 cm). Fund for the Twenty-First Century
Jorge Rigamonti. Caution Radiation Area. 1966.
Photocollage, 11 1/2 x 17 15/16" (29.2 x 45.6 cm).
Gift of Helena Correa de Rigamonti
Jorge Rigamonti. Transfer Node. 1966. Photocollage,
11 5/16 x 7 3/8" (28.8 x 18.7 cm). Gift of Helena Correa
de Rigamonti
Jorge Rigamonti. Urban Fluidity. 1966. Photocollage,
6 1/8 x 10 1/16" (15.6 x 25.6 cm). Gift of Helena Correa
de Rigamonti
Jorge Rigamonti. New Oasis. 1967. Photocollage,
10 1/16 x 6 11/16" (25.6 x 17 cm). Gift of Helena Correa
de Rigamonti
Jorge Rigamonti. New Oasis 3. 1967. Photocollage,
11 1/2 x 10 1/4" (29.2 x 26 cm). Gift of Helena Correa deRigamonti
Jorge Rigamonti. Nuclear City. 1967. Photocollage,
13 1/2 x 10 1/4" (34.3 x 26 cm). Latin American and
Caribbean Fund
Jorge Rigamonti. Caracas Transfer Node 2. 1970.
Photocollage, 9 1/4 x 15" (23.5 x 38.1 cm). Latin
American and Caribbean Fund
Jorge Rigamonti. New York Continues to Grow 2. 1971.
Photocollage, 8 1/2 x 9 1/4" (21.6 x 23.5 cm). Latin
American and Caribbean Fund
Jorge Rigamonti. SIDOR Main Center and Dining Facilities
Building, Ciudad Guayana, Venezuela. 1976. Ink on vellum.
25 x 36 1/2" (63.5x 92.7 cm). Gift of Helena Correa deRigamonti
Jorge Rigamonti. SIDOR Main Center and Dining Facilities
Building, Ciudad Guayana, Venezuela. 1976. Ink on
vellum, 25 x 36 1/2" (63.5x 92.7 cm). Gift of Helena
Correa de Rigamonti
Jorge Rigamonti. SIDOR Main Center and Dining Facilities
Building, Ciudad Guayana, Venezuela. 1976. Ink on vellum,
25 x 36 1/2" (63.5x 92.7 cm). Gift of Helena Correa deRigamonti

16

Jorge Rigamonti. SIDOR Main Center and Dining Facilities
Building, Ciudad Guayana, Venezuela. 1976. Ink on
vellum, 25 x 36 1/2" (63.5x 92.7 cm). Gift of Helena
Correa de Rigamonti
Jorge Rigamonti. SIDOR Main Center and Dining Facilities
Building, Ciudad Guayana, Venezuela. 1976. Ink on
vellum, 37 1/4 x 35 1/2" (94.6 x 90.2 cm). Gift of Helena
Correa de Rigamonti

Jesús Tenreiro Degwitz. House at Cumbres de Curumo,
Venezuela. 1962. Pencil and ink on paper, 10 5/8 x 16 9/16"(27 x 42 cm). Gift of Ana Diaz de Tenreiro
Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Pencil and ink on paper, 29 3/4 x 24 7/16"(75.5 x 62 cm). Gift of Ana Diaz de Tenreiro

Justino Serralta. “L’Unitor" no. 13. 1977. Illustrated
book, closed: 7 7/8 x 7 7/8 x 2 3/8"
(20 x 20 x 6 cm). Gift of familia Serralta

Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Blueprint, 29 3/4 x 24 7/16" (75.5 x
62 cm). Gift of Ana Diaz de Tenreiro

SITE (Sculpture in the Environment). James Wines. BEST
Parking Lot project. 1977. Ink on paper, 23 3/4 x 20 3/4"
(60.3 x 52.7 cm). Committee on Architecture and Design
Funds

Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Pencil and ink on paper, 29 3/4 x 24 7/16"(75.5 x 62 cm). Gift of Ana Diaz de Tenreiro

SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 23 x 13"(58.4 x 33 cm). Gift of the architect

Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Framed: 29 3/4 x 24 7/16" (75.5 x 62 cm).
Gift of Ana Diaz de Tenreiro

SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 42 x 42"(106.7 x 106.7 cm). Gift of the architect
SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 42 x 42"(106.7 x 106.7 cm). Gift of the architect
SITE (Sculpture in the Environment). James Wines.
Highrise of Homes Project. 1981. Ink on Mylar, 36 x 48"(91.4 x 121.9 cm). Gift of the architect
SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 36 x 48"(91.4 x 121.9 cm). Gift of the architect
SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 36 x 48"(91.4 x 121.9 cm). Gift of the architect

Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Ink on paper, framed: 29 3/4 x 24 7/16"(75.5 x 62 cm). Gift of Ana Diaz de Tenreiro
Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Framed: 29 3/4 x 24 7/16" (75.5 x 62 cm).
Gift of Ana Diaz de Tenreiro
Jesús Tenreiro Degwitz. Headquarters for the Corporación
Venezolana de Guayana (CVG EDELCA), Ciudad Guayana,
Venezuela. 1966. Framed: 24 7/16 x 29 3/4" (62 x 75.5 cm).
Gift of Ana Diaz de Tenreiro
Walter Weberhofer Quintana, José Álvarez Calderón.
Atlas Building, Lima, Perú. c. 1953. Ink and watercolor
on paper, 19 7/8 x 19 5/16" (50.5 x 49 cm). Committee
on Architecture and Design Funds

SITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 36 x 48"(91.4 x 121.9 cm). Gift of the architect

ARCHITECTURAL MODELSSITE (Sculpture in the Environment). James Wines.
Highrise of Homes project. 1981. Ink on Mylar, 36 x 48"(91.4 x 121.9 cm). Gift of the architect

Mario Roberto Álvarez. Edificio Somisa, Buenos Aires.
1971–78. Model, 39 3/8 x 59 1/16 x 3 1/8" (100 x 150 x
8 cm). Gift of Mario Roberto Álvarez y Asociados

Oscar Tenreiro Degwitz. Plaza Bicentenario. 1980. Ink on
paper, 27 9/16 x 35 7/16" (70 x 90 cm). Gift of the architect

Asymptote Architecture, New York. Hani Rashid. Lise Anne
Couture. Wing House, Helsinki, Finland. 2011. Paper,
cardboard, acrylic, and polystyrene, 18 x 18 x 12"(45.7 x 45.7 x 30.5 cm). Purchase

Oscar Tenreiro Degwitz. Plaza Bicentenario. 1980. Ink on
paper, 35 7/16 x 27 9/16" (90 x 70 cm). Gift of the architect

17

Asymptote Architecture, New York. Hani Rashid. Lise
Anne Couture. Wing House, Helsinki, Finland. 2011.
Polystyrene, wood, and paint, 10 3/8 x 10 1/2 x 3 3/4" (26.4
x 26.7 x 9.5 cm). Purchase
Asymptote Architecture, New York. Hani Rashid. Lise
Anne Couture. Christian Richters. Wing House, Helsinki,
Finland. 2011. Video (color, silent), 2:15 min. Purchase

Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Brick panel fragment from the Banco de laCiudad de Buenos Aires, Buenos Aires, Argentina.
1969. Glass, 16 9/16 x 33 7/16 x 1 15/16" (42 x 85 x 5 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Estadio Mendoza. 1976. Painted woodand acrylic, 7 7/8 x 64 15/16 x 64 15/16" (20 x 165 x 165 cm).
Gift of MSGSSS

Asymptote Architecture, New York. Hani Rashid. Lise
Anne Couture. Christian Richters. Wing House, Helsinki,
Finland. 2011. Video (color), 2:55 min. Purchase
El Ultimo Grito. Imaginary Architectures. 2008. Blown
borosilicate glass. Gift of the Contemporary Arts Councilof The Museum of Modern Art
G Ateliers Architecture. Orlando Garcia. Adriana Salazar.
Fernando Botero Park Library, San Cristóbal, Medellín,
Colombia. 2009. Model, 12 x 60 x 7" (30.5 x 152.4 x
17.8 cm). Gift of the architects

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de
Buenos Aires, Argentina. 1979. Painted wood and acrylic,
13 3/4 x 14 9/16 x 3 1/8" (35 x 37 x 8 cm). Gift of MSGSSS

José Miguel Galia. Seguros Orinoco, Caracas, Venezuela.
1971. Wood, 24 13/16 x 17 1/2 x 11 13/16" (63 x 44.5 x 30 cm).
Gift of Magali Ruz de Galia

Smiljan Radić. Casa para el Poema del Ángulo Recto,
Vilches, Chile. 2010–12. Wood, 23 5/8 x 47 1/4 x 31 1/2"
(60 x 120 x 80 cm). Fund for the Twenty-First Century

José Miguel Galia. Banco Metropolitano, Sabana Grande,
Venezuela. 1976. Wood, 15 3/4 x 11 x 14 15/16"(40 x 28 x 38 cm). Gift of Magali Ruz de Galia

Smiljan Radić. Casa para el Poema del Ángulo Recto,
Chile. 2011. Digital model. Fund for the Twenty-First Century
Alex Schweder, Ward Shelley. Counterweight Roommate.
2011. Installation and performance. Gift of theContemporary Arts Council of The Museum of Modern Art

Haus Rucker Co. Günter Zamp Kelp. Laurids Ortner.
Manfred Ortner. Klaus Pinter. Oasis no. 7. 1972. Brick,aluminum, PVC, and metal, 14 3/16 x 9 7/16 x 14 3/16"(36 x 24 x 36 cm). Committee on Architecture and
Design Funds

SITE (Sculpture in the Environment). James Wines. BEST
Parking Lot project. 1976–77. Painted paper and acrylic,
6 x 25 x 25" (15.2 x 63.5 x 63.5 cm). Committee on
Architecture and Design Funds

Agustín Hernández Navarro. Manuel González Rul. Heróico Colegio Militar de México (1971–76) Mexico City,
Mexico. 1976. Paper, balsa wood, and acrylic paint, 5 7/8
x 35 7/16 x 47 1/4" (15 x 90 x 120 cm). Gift of thearchitect

Robert A. M. Stern. Feature Animation Building, The Walt
Disney Company, Burbank, California. 1992. Paper, coloredpencil, and foamcore, 6 x 34 3/4 x 17 5/8" (15.2 x 88.3 x
44.8 cm). Gift of the architect in honor of Philip Johnson

Agustín Hernández Navarro. Casa en el Aire, Mexico City,
Mexico. 1991. Wood, 26 3/8 x 9 3/16 x 21 1/4" (67 x 23.3
x 54 cm). Gift of the architect
Mass Studies, Seoul, Korea. Daum Space.1, Jeju Province,
South Korea. 2008–11. 3-D printed plastic andstyrofoam, approx. 6 x 45 x 25" (15.2 x 114.3 x 63.5 cm).
Gift of the architect
MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Justo
Solsona. Carlos Libedinsky. Antonio Diaz. Rao. Concurso
Biblioteca Nacional Project, Buenos Aires, Argentina.
1962. Painted wood and acrylic, 25 3/16 x 63 3/4 x 13 3/4"
(64 x 162 x 35 cm). Gift of MSGSSS

Eduardo Terrazas. Triennale di Milano, Mexican Pavilion
Milan, Italy. 1968. Painted wood, 26 3/8 x 51 15/16 x 20 11/16"(67 x 132 x 52.5 cm). Gift of the architect

ARCHITECTURAL PHOTOS
Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Gelatin silver print, 16 x 12" (40.6 x 30.5 cm).
Gift of the architect
Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Gelatin silver print, 16 x 12" (40.6 x 30.5 cm).
Gift of the architect18

Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Gelatin silver print, 16 x 12" (40.6 x 30.5 cm).
Gift of the architect

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Gelatin silver print, 16 x 12" (40.6 x 30.5 cm).
Gift of the architect

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Jimmy Alcock. Architect’s House, Caracas, Venezuela.
1962. Gelatin silver print, 16 x 12" (40.6 x 30.5 cm).
Gift of the architect

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print. Gift of Mario RobertoÁlvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Edificio Somisa, Buenos Aires.
1971–78. Gelatin silver print. Gift of Mario RobertoÁlvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Edificio Somisa, Buenos Aires.
1971–78. Gelatin silver print. Gift of Mario RobertoÁlvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print. Gift of Mario RobertoÁlvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Asymptote Architecture, New York. Hani Rashid, Lise
Anne Couture. Christian Richters. View of “Flux 3.0
M_Scapes” installation at Documenta XI, Kassel. 2002.
Digital image. Purchase

Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados
Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Chromogenic color print, 8 x 10". Giftof Mario Roberto Álvarez y Asociados
Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados
Mario Roberto Álvarez. Somisa Building, Buenos Aires,
Argentina. 1966. Gelatin silver print, 8 x 10". Gift ofMario Roberto Álvarez y Asociados

Asymptote Architecture, New York. Hani Rashid, Lise Anne
Couture. Christian Richters. View of “Prototyping The
Future: Three Houses for the Subconscious,” 2008
Venice Architecture Biennale. 2008. Digital image. Purchase
José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Gelatin silver print, 3 15/16 x 4 3/4"
(10 x 12 cm). Gift of Carmen Pesqueira de Attolini
José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Gelatin silver print, 3 15/16 x 4 3/4"
(10 x 12 cm). Gift of Carmen Pesqueira de Attolini

19

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Gelatin silver print, 3 15/16 x 43/4"(10 x 12 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Residencia Galvez, Col.
Pedregal de San Angel, Mexico City, Mexico. 1958.
Chromogenic color print, 17 15/16 x 19 11/16"(45.5 x 50 cm). Gift of Carmen Pesqueira de Attolini

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Gelatin silver print, 4 15/16 x 3 15/16"(12.5 x 10 cm). Gift of Carmen Pesqueira de Attolini

Iwan Baan. Mass Studies, Seoul, Korea. Daum Space.1.
2014. Chromogenic color print, 19 11/16 x 32 5/16"(50 x 82 cm). Committee on Architecture and Design Funds
Iwan Baan. Mass Studies, Seoul, Korea. Daum Space.1.
2014. Chromogenic color print, 19 11/16 x 32 5/16"(50 x 82 cm). Committee on Architecture and Design Funds

José Antonio Attolini Lack. Caseta de Ventas, Paseo
del Pedregal, Col. Pedregal de San Angel, Mexico City,
Mexico. 1958. Gelatin silver print, 7 7/8 x 14"(20 x 35.5 cm). Gift of Carmen Pesqueira de Attolini
José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatinsilver print, 11 x 14 3/8" (28 x 36.5 cm). Gift of Carmen
Pesqueira de Attolini
José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatin silver
print, 11 x 14 3/16" (28 x 36 cm). Gift of Carmen
Pesqueira de Attolini
José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatin silver
print, 11 x 14 3/16" (28 x 36 cm). Gift of Carmen
Pesqueira de Attolini
José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatin silver
print, 7 15/16 x 10 1/16" (20.2 x25.5 cm). Gift of Carmen
Pesqueira de Attolini
José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatinsilver print, 11 x 14 3/8" (28 x 36.5 cm). Gift of Carmen
Pesqueira de Attolini

Iwan Baan. Mass Studies, Seoul, Korea. Daum Space.1.
2014. Chromogenic color print, 19 11/16 x 32 5/16"(50 x 82 cm). Committee on Architecture and Design Funds
Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Gelatin silver print, 6 3/4 x 9 3/8"
(17.1 x 23.8 cm). Gift of the Juan Ignacio Baixas Archive
Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Gelatin silver print, 7 x 9 3/8" (17.8 x 23.8 cm).
Gift of the Juan Ignacio Baixas Archive
Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Gelatin silver print, 7 x 9 3/8" (17.8 x23.8 cm). Gift of the Juan Ignacio Baixas Archive
Juan Baixas. Cementerio de la Ciudad Abierta, Ritoque,
Chile. 1975. Gelatin silver print, 9 3/8 x 7" (23.8 x 17.8 cm).
Gift of the Juan Ignacio Baixas Archive
Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 7 x 4 3/4" (17.8 x 12.1 cm). Gift of theJuan Ignacio Baixas Archive
Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 4 3/4 × 7" (12.1 × 17.8 cm). Gift of
the Juan Ignacio Baixas Archive

José Antonio Attolini Lack. Residencia Brisa, Col. Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatin silver
print, 7 15/16 x 10 1/16" (20.2 x25.5 cm). Gift of Carmen
Pesqueira de Attolini

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 5 x 7 5/8" (12.7 x 19.4 cm). Gift of
the Juan Ignacio Baixas Archive

José Antonio Attolini Lack. Residencia Galvez, Col.Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatinsilver print, 11 1/4 x 14" (28.5 x 35.5cm). Gift of Carmen
Pesqueira de Attolini

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, .a: 8 1/2 x 12 3/4" (21.6 x 32.4 cm);
b: 4 3/4 x 14 1/4" (12.1 x 36.2 cm) irreg. Gift of theJuan Ignacio Baixas Archive

José Antonio Attolini Lack. Residencia Galvez, Col.Pedregal
de San Angel, Mexico City, Mexico. 1958. Gelatinsilver print, 8 1/8 x 10" (20.6 x 25.4 cm). Gift of Carmen
Pesqueira de Attolini

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 7 1/2 x 5" (19.1 x 12.7 cm). Gift of
the Juan Ignacio Baixas Archive
Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 11 x 8" (27.9 x 20.3 cm). Gift of theJuan Ignacio Baixas Archive20

Juan Baixas. Casa La Villa, La Dehesa, Chile. 1980.
Gelatin silver print, 8 1/2 x 12 3/4" (21.6 x 32.4 cm).
Gift of the Juan Ignacio Baixas Archive
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print.
Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print.
Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print.
Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print.
Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print.
Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print,
8 1/2 x 11" (21.6 x 27.9 cm). Gift of the architects
Ramiro Bascans, Thomas Sprechmann, Héctor Vigliecca,
Arturo Villaamil. Bulevar Artigas Housing Complex
Montevideo, Uruguay. 1971–74. Gelatin silver print,
8 1/2 x 11" (21.6 x 27.9 cm). Gift of the architects
Federico Guillermo Beckhoff. Palic Building, Caracas,
Venezuela. c. 1956. Gelatin silver print. Gift of Bettina
Beckhoff
Guillermo Bermúdez. Casa Bermudez, Bogotá, Colombia.
1952 1957. Gelatin silver print, 8 x 10" (20.3 x 25.4 cm).
Gift of Daniel Bermúdez
Hélène Binet, Peter Zumthor. Feldkapelle für den heiligen
Bruder Klaus 06. 2009. Gelatin silver print, 19 11/16 x 23 5/8"
(50 x 60 cm). Gift of The Modern Women’s Fund and theCommittee on Architecture and Design Funds
Hélène Binet, Peter Zumthor. Feldkapelle für den heiligen
Bruder Klaus 03. 2009. Gelatin silver print, 23 5/8 x 19 11/16"(60 x 50 cm). Gift of The Modern Women’s Fund and theCommittee on Architecture and Design Funds

Hélène Binet, Peter Zumthor. Feldkapelle für den heiligen
Bruder Klaus 01. 2009. Gelatin silver print, 23 5/8 x 19 11/16"(60 x 50 cm). Gift of ammann // gallery, Gabrielle Amman,
Cologne, Germany
Hélène Binet, Peter Zumthor. Feldkapelle für den heiligen
Bruder Klaus 02. 2009. Gelatin silver print, 23 5/8 x 19 11/16"(60 x 50 cm). Gift of ammann // gallery, Gabrielle Amman,
Cologne, Germany
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm). Gift of thearchitect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 10 × 8" (25.4 × 20.3 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect

21

Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Casa Mara, Caracas, Venezuela. 1972.
Gelatin silver print, 8 × 10" (20.3 × 25.4 cm).
Gift of the architect
Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect
Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect
Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect
Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect
Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect

Leonardo Finotti, Hermano Gabriel Guarda, Hermano
Martin Corréa. Monasterio Benedictino de Las Condes,
Santiago, Chile. 2010. C print, 23 5/8 x 35 7/16"(60 x 90 cm). Gift of Marcos Lederman
Leonardo Finotti, Eladio Dieste. Cristo Obrero Church,
Atlantida, Uruguay. 2011. C print, 35 7/16 x 23 5/8"
(90 x 60 cm). Gift of Gustavo Hiriart
Leonardo Finotti, Affonso Eduardo Reidy, Roberto Burle
Marx. Museu de Arte Moderna, Rio de Janeiro, Brazil.
2012. C print, 23 5/8 x 35 7/16" (60 x 90 cm). Gift of Alex
Carlos de Souza
Leonardo Finotti, Carlos Raúl Villanueva. Plaza Cubierta,
Universidad Central de Venezuela, Caracas, Venezuela.
2014. C print, 11 13/16 x 17 11/16" (30 x 45 cm). Gift ofMichelle Jean de Castro
Leonardo Finotti, Oscar Niemeyer. Itamaraty Palace,
Brasilia, Brazil. 2007. C print, 11 13/16 x 17 11/16"(30 x 45 cm). Gift of the Maria José de Almeida
Leonardo Finotti, Oscar Niemeyer. Edificio Niemeyer, Belo
Horizonte, Brazil. 2007. C print, 23 5/8 x 35 7/16"(60 x 90 cm). Gift of Luiz Gustavo Finotti
Leonardo Finotti, Juan Sordo Madaleno. Palmas 555,
Mexico City. 2013. C print, 35 7/16 x 23 5/8" (90 x 60 cm).
Gift of Silvio Kozuchowicz
Leonardo Finotti, Ramiro Bascans, Thomas Sprechmann,
Arturo Villaamil, Héctor Vigliecca. Bulevar Artigas Housing Complex, Montevideo, Uruguay. 2011. C print,
31 1/2 x 47 1/4" (80 x 120 cm). Gift of Héctor Vigliecca
Leonardo Finotti. Edificio Girón, Havana, Cuba. 2014.
C print, 31 1/2 x 47 1/4" (80 x 120 cm). Gift of Felipe Bezerra

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect

Leonardo Finotti, Jesús Tenreiro Degwitz. Headquarters
for the Corporación Venezolana de Guayana (CVG EDELCA),
Ciudad Guayana, Venezuela. 2014. C print, 35 7/16 x 23 5/8"
(90 x 60 cm). Gift of André Correa do Lago

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect

Leonardo Finotti, Oscar Niemeyer. Congreso Nacional,
Brasilia, Brazil. 2007. C print, 59 1/16 x 88 9/16"(150 x 225 cm). Gift of Elise Jaffe + Jeffrey Brown

Jorge Castillo. Lutheon House (Casa en El Amarillo),
Caracas, Venezuela. 1975. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). Gift of the architect

Leonardo Finotti, Oscar Niemeyer. National Congress,
Brasilia, Brazil. 2007. C print, 31 1/2 x 47 1/4" (80 x 120 cm).
Gift of Elise Jaffe + Jeffrey Brown

Leonardo Finotti, Clorindo Testa. Bank of London andSouth America, Buenos Aires, Argentina. 2014. C print,
35 7/16 x 23 5/8" (90 x 60 cm). Gift of Mariana de Castro
FinottiLeonardo Finotti, Oscar Niemeyer. Palácio do Planalto,
Brasilia, Brazil. 2007. C print, 15 3/4 x 31 1/2" (40 x 80 cm).
Gift of Elise Jaffe + Jeffrey Brown

22

Leonardo Finotti, Oscar Niemeyer. Federal Supreme
Court, Brasilia, Brazil. 2007. C print, 15 3/4 x 23 5/8 “ (40x 60 cm). Gift of Elise Jaffe + Jeffrey Brown
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Gelatin silver print, 8 x 10" (20.3
x 25.4 cm). Gift of the Teodoro González de León Archive
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Gelatin silver print, 8 x 10" (20.3
x 25.4 cm). Gift of the Teodoro González de León Archive
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Gelatin silver print, 8 x 10" (20.3
x 25.4 cm). Gift of the Teodoro González de León Archive
Teodoro González de León. Casa Catán, Mexico City,
Mexico. 1950–53. Gelatin silver print, 8 x 10" (20.3
x 25.4 cm). Gift of the Teodoro González de León Archive
Teodoro González de León, Miguel Ángel Salgado. Casa
José Luis Cuevas, San Ángel, Mexico City, Mexico.
1968. Gelatin silver print, 8 x 10" (20.3 x 25.4 cm).
Gift of the Teodoro González de León Archive
Teodoro González de León, Miguel Ángel Salgado. Casa
José Luis Cuevas, San Ángel, Mexico City, Mexico.
1968. Gelatin silver print, 8 x 10" (20.3 x 25.4 cm).
Gift of the Teodoro González de León Archive
Teodoro González de León, Miguel Ángel Salgado. Casa
José Luis Cuevas, San Ángel, Mexico City, Mexico.
1968. Gelatin silver print, 8 x 10" (20.3 x 25.4 cm).
Gift of the Teodoro González de León Archive
Fernando Guerra, Álvaro Siza. Ibere Camargo Museum,
Porto Alegre, Rio Grande do Sul, Brazil. 2008. Color inkjet
print, 33 1/4 x 23 3/8" (84.4 x 59.4 cm). Committee on
Architecture and Design Funds
Fernando Guerra, Álvaro Siza. Ibere Camargo Museum,
Porto Alegre, Rio Grande do Sul, Brazil. 2008. Color inkjet
print, 33 1/4 x 23 3/8" (84.4 x 59.4 cm). Committee on
Architecture and Design Funds
Fernando Guerra, Álvaro Siza. Ibere Camargo Museum,
Porto Alegre, Rio Grande do Sul, Brazil. 2008. Color inkjet
print, 33 1/4 x 23 3/8" (84.4 x 59.4 cm). Committee on
Architecture and Design Funds
Fernando Guerra, Álvaro Siza. Ibere Camargo Museum,
Porto Alegre, Rio Grande do Sul, Brazil. 2008. Color inkjet
print, 33 1/4 x 23 3/8" (84.4 x 59.4 cm). Committee on
Architecture and Design Funds

Fernando Guerra, Álvaro Siza. Ibere Camargo Museum,
Porto Alegre, Rio Grande do Sul, Brazil. 2008. Color inkjet
print, 33 1/4 x 23 3/8" (84.4 x 59.4 cm). Committee on
Architecture and Design Funds
Fernando Guerra, Álvaro Siza. Portrait of Alvaro Siza.
2008. Color inkjet print, 33 1/4 x 23 3/8 “ (84.4 x 59.4
cm). Gift of the artists
Haus Rucker Co. Brigitte Hellgoth. Günter Zamp Kelp.
Laurids Ortner. Manfred Ortner. Klaus Pinter. Oasis no. 7,
Documenta 5, Kassel, Germany. 1972. Gelatin silver
print, 7 1/16 x 9 7/16" (18 x 23.9 cm). Committee on
Architecture and Design Funds
Juan Sordo Madaleno. Grupo Sordo Madaleno. Palmas
555, Mexico City. 1975. Gelatin silver print, 7 7/8 x 9 13/16"(20 x 25 cm). Gift of Sordo Madaleno Arquitectos
Juan Sordo Madaleno, Guillermo Zamora. Edificio Palmas
555, Mexico City. 1975. Gelatin silver print, 10 1/16 x 7 7/8"
(25.5 x 20 cm). Gift of Sordo Madaleno Arquitectos
Juan Sordo Madaleno. Palmas 555, Mexico City. 1975.
Gelatin silver print, 10 1/16 x 7 7/8" (25.5 x 20 cm).
Gift of Sordo Madaleno Arquitectos
Juan Sordo Madaleno. Palmas 555, Mexico City. 1975.
Gelatin silver print, 9 1/4 x 7 11/16" (23.5 x 19.5 cm).
Gift of Sordo Madaleno Arquitectos
Miguel Rodrigo Mazuré, Emilio Soyer, Miguel Cruchaga
Belaúnde. Social Housing in Callao, Callao, Peru. 1971–74.
Gelatin silver print, 8 x 11 (20.3 x 27.9 x 0.1 cm). Gift ofJudith Rodrigo and Miguel Rodrigo Pérez Aranibar
Miguel Rodrigo Mazuré, Emilio Soyer, Miguel Cruchaga
Belaúnde. Social Housing in Callao Callao, Peru. 1971–74.
Gelatin silver print, 8 1/2 x 11" (21.6 x 27.9 cm). Gift ofJudith Rodrigo and Miguel Rodrigo Pérez Aranibar
Miguel Rodrigo Mazuré, Emilio Soyer, Miguel Cruchaga
Belaúnde. Social Housing in Callao Callao, Peru. 1971–74.
Gelatin silver print, 8 1/2 x 11" (21.6 x 27.9 cm). Gift ofJudith Rodrigo and Miguel Rodrigo Pérez Aranibar
Helen Balfour Morrison, Ludwig Mies van der Rohe. Miesvan der Rohe. c. 1947. Pigmented inkjet print, 19 x 13"(48.3 x 33 cm). Gift of the Morrison Shearer Foundation,
Northbrook, Il
MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSS

23

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Gelatin silver print,
7 1/4 x 7 1/8" (18.4 x 18.1 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Gelatin silver print,
9 x 6 11/16" (22.9 x 17 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
5 x 4 1/4" (12.7 x 10.8 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Gelatin silver print,
7 1/2 x 7 1/8" (19.1 x 18.1 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Gelatin silver print, 9 x 6 1/2" (22.9 x 16.5 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Gelatin silver print, 7 1/16 x 9 7/16" (18 x 24 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Gelatin silver print, 5 7/8 x 9 1/16" (15 x 23 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Casa Matriz,
Buenos Aires, Argentina. 1969. Gelatin silver print,
4 1/4 x 5" (10.8 x 12.7 cm). Gift of MSGSSS.

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Gelatin silver print, 7 1/8 x 9 3/8" (18.1 x 23.8 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Banco de la Ciudad de Buenos Aires – Sucursal Retiro,
Buenos Aires, Argentina. 1970. Gelatin silver print,
11 1/8 x 8 1/4" (28.3 x 21 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Concurso Centro Cívico de Ámsterdam, The Netherlands.
1969. Gelatin silver print, 11 7/16 x 11 13/16" (29 x 30 cm).
Gift of MSGSSS

24

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Gelatin silver print, 7 1/16 x 9 7/16" (18 x 24 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 8 11/16 x 6 11/16"(22 x 17 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Gelatin silver print, 7 1/16 x 7 1/16" (18 x 18 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 8 11/16 x 6 11/16"(22 x 17 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Gelatin silver print, 7 1/16 x 7 1/16" (18 x 18 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 8 11/16 x 6 11/16"(22 x 17 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires, Argentina.
1969. Gelatin silver print, 7 1/16 x 7 1/16" (18 x 18 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 7 x 9"
(17.8 x 22.9 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Conjunto Habitacional Rioja, Buenos Aires. 1969.
Gelatin silver print, 7 1/16 x 71/16" (18 x 18 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 7 7/8 x 7 7/8"
(20 x 20 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 7 7/8 x 7 7/8"
(20 x 20 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Casa de verano Sanchez Gomez, La Barra, Punta delEste, Uruguay. 1972. Gelatin silver print, 7 7/8 x 7 7/8"
(20 x 20 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSS

25

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Torre UIA (Union Industrial Argentina),
Buenos Aires. 1972–74. Digital image. Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Edificio UIA Buenos Aires (Union Industrial
Argentina). 1969–73. Ink and watercolor on paper,
39 3/8 x 27 9/16" (100 x 70 cm). Gift of the architects
MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 4 3/4 x 7 1/16"(12 x 18 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 4 3/4 x 7"
(12.1 x 17.8 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 6 1/2 x 9"
(16.5 x 22.9 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 4 3/4 x 7 1/16"(12 x 18 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 7 1/16 x 9 7/16"(18 x 24 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print. 6 3/8 x 9 1/2"
(16.2 x 24.1 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 7 1/16 x 9 7/16"(18 x 24 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 6 1/2 x 9"
(16.5 x 22.9 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 5 x 6 7/8"
(12.7 x 17.5 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 5 x 7" (12.7 x 17.8 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 5 x 7" (12.7 x 17.8 cm).
Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Barrio Aluar, Puerto Madryn, Provincia de Chubut,
Argentina. 1974. Gelatin silver print, 5 x 6 11/16"(12.7 x 17 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Comandante Luis Piedrabuena,
Buenos Aires, Argentina. 1974. Chromogenic color print,
4 3/4 x 7 1/16" (12 x 18 cm). Gift of MSGSSS

26

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Chromogenic color print, 4 3/4 x 7 1/16"(12 x 18 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 7 x 9 3/8"
(17.8 x 23.8 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 7 x 4 1/2"
(17.8 x 11.4 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de
Buenos Aires, Argentina. 1979. Gelatin silver print,
4 3/4 x 7 1/16" (12 x 18 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 6 1/2 x 9"
(16.5 x 22.9 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de
Buenos Aires, Argentina. 1979. Gelatin silver print,
9 3/8 x 7" (23.8 x 17.8 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 7 x 4 1/2"
(17.8 x 11.4 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de Buenos
Aires, Argentina. 1979. Gelatin silver print,
6 1/2 x 9 1/2" (16.5 x 24.1 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 7 x 9 1/4"
(17.8 x 23.5 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Carlos Sallaberry.
Felipe Tarsitano. Casa Oks, La Lucila, Provincia de Buenos
Aires, Argentina. 1979. Gelatin silver print, 9 13/16 x 9 1/16 “(25 x 23 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 9 7/16 x 7 1/16"(24 x 18 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Chromogenic
color print, 7 7/8 x 9 13/16" (20 x 25 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 6 5/8 x 9 3/8"
(16.8 x 23.8 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Rafael Viñoly.
Felipe Tarsitano. Barrio Piedrabuena, Buenos Aires,
Argentina. 1974. Gelatin silver print, 6 5/8 x 9"
(16.8 x 22.9 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Chromogenic
color print, 7 7/8 x 9 13/16" (20 x 25 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Chromogenic
color print, 7 7/8 x 9 13/16" (20 x 25 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Chromogenic
color print, 7 7/8 x 7 7/8" (20 x 20 cm). Gift of MSGSSS

27

MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Carlos Sallaberry. Fate, San
Fernando, Buenos Aires, Argentina. 1985. Chromogenic
color print, 8 1/4 x 11 7/16" (21 x 29 cm). Gift of MSGSSSMSGSSV (Manteola Sánchez Gómez Santos Solsona Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa Santos.
Justo Solsona. Carlos Sallaberry. Fate, San Fernando,
Buenos Aires, Argentina. 1985. Chromogenic color print,
7 7/8 x 11 13/16" (20 x 30 cm). Gift of MSGSSS
Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana City, Venezuela.
1966. Gelatin silver print, 10 x 8" (25.4 x 20.3 cm).
Gift of Ana Diaz de Tenreiro

Philipp Schaerer. Bildbau No. 02. 2007. Chromogenic
color print, 27 9/16 x 19 11/16" (70 x 50 cm). Committee
on Architecture and Design Funds
Philipp Schaerer. Bildbau No. 05. 2007. Chromogenic
color print on aluminum, 27 9/16 x 19 11/16" (70 x 50 cm).
Committee on Architecture and Design Funds
Teodoro González de León, Julius Shulman. Oficinas
Centrales del Infonavit, Mexico City, Mexico. 1974.
Gelatin silver print, 10 x 8" (25.4 x 20.3 cm). Gift of the
Teodoro González de León Archive
Teodoro González de León, Julius Shulman. Oficinas
Centrales del Infonavit, Mexico City, Mexico. 1974.
Gelatin silver print, 10 x 8" (25.4 x 20.3 cm). Gift of the
Teodoro González de León Archive

Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana Region, Venezuela.
1966. Gelatin silver print, 10 x 8" (25.4 x 20.3 cm).
Gift of Ana Diaz de Tenreiro

José Sigala, Jesús Tenreiro Degwitz. House at Cumbresde Curumo Venezuela. 1966. Gelatin silver print, 8 x 10"(20.3 x 25.4 cm). Gift of Ana Diaz de Tenreiro

Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana Region, Venezuela.
1966. Gelatin silver print, 10 x 8" (25.4 x 20.3 cm).
Gift of Ana Diaz de Tenreiro

Annett Zinsmeister. Virtual Interior UM white. 2007.
Diapositive in aluminum light box, 24 x 39 3/8 x 5 7/8"
(61 x 100.1 x 15 cm). Committee on Architecture and
Design Funds

Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana Region, Venezuela.
1966. Gelatin silver print, 10 × 8" (25.4 × 20.3 cm).
Gift of Ana Diaz de Tenreiro

Annett Zinsmeister. Virtual Interior MoMA white.
2007/2015. Photographic installation, dimensions
vary. Committee on Architecture and Design Funds

Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana Region, Venezuela.
1966. Gelatin silver print, 10 x 8" (25.4 x 20.3 cm).
Gift of Ana Diaz de Tenreiro

DESIGN OBJECTS

Antonio Puente, Jesús Tenreiro Degwitz. Corporation
Venezolana de Guayana (CVG) Guayana Region, Venezuela.
1966. Gelatin silver print, 10 × 8" (25.4 × 20.3 cm).
Gift of Ana Diaz de Tenreiro
Christian Richters. Asymptote Architecture, New York.
Hani Rashid, Lise Anne Couture. View of “Prototyping The
Future: Three Houses for the Subconscious," 2008 Venice
Architecture Biennale. 2008. Digital image. Purchase
Christian Richters. Asymptote Architecture, New York. Hani
Rashid, Lise Anne Couture. View of “Prototyping The
Future: Three Houses for the Subconscious," 2008 Venice
Architecture Biennale. 2008. Digital image. Purchase
Christian Richters. Asymptote Architecture, New York. Hani
Rashid, Lise Anne Couture. View of “Prototyping The
Future: Three Houses for the Subconscious," 2008 Venice
Architecture Biennale. 2008. Digital image. Purchase

Aranda/Lasch. Benjamin Aranda. Chris Lasch. Terrol Dew
Johnson. Endless Knot. 2006. Wood veneer, styrene, andsinew, 15 x 36 x 18" (38.1 x 91.4 x 45.7 cm). Committee
on Architecture and Design Funds
Aranda/Lasch. Benjamin Aranda. Chris Lasch. Terrol Dew
Johnson. Knot Basket 1. 2006. Aluminum, branches, andsinew, 42 x 18 x 18" (106.7 x 45.7 x 45.7 cm).
Committee on Architecture and Design Funds
Aranda/Lasch. Benjamin Aranda. Chris Lasch. Terrol Dew
Johnson. Knot Basket 2. 2006. Aluminum, bear grass,and sinew, 32 x 15 x 18" (81.3 x 38.1 x 45.7 cm).
Committee on Architecture and Design Funds
Juan Baixas. Puzzle Chair. 1975. Wood and canvas,
assembled: 28 5/8 x 24 x 31 1/2" (72.7 x 61 x 80 cm).
Gift of the Juan Ignacio Baixas Archive
Gilbert Baker. LGBT Flag. 1978. Silk, 36 x 60"(91.4 x 152.4 cm). Gift of the designer

28

Arduino SA. SmartProjects. Massimo Banzi. David
Cuartielles. Tom Igoe. Gianluca Martino. David Mellis. Giorgio
Olivero. Arduino “Diecimila" Microcontroller. 2004–05.
Manufacturer: SmartProjects. Electronic components,
2 1/16 x 2 11/16" (5.3 x 6.9 cm). Gift of the designers
Benjamin Bauer. Shure Incorporated. Unidyne Microphone(model 55). Manufacturer: Shure Incorporated. 1939.
Microphone, 6 x 4 x 3" (15.2 x 10.2 x 7.6 cm). Gift of the
manufacturer
Herbert Bayer. L. Anton Maix Fabrics, New York, NY.
Kaleidoscope #2 (Furnishing Fabric). c. 1952.
Manufacturer: L. Anton Maix Fabrics, New York, NY.
Screenprinted cotton, 35 x 25" (88.9 x 63.5 cm).
Committee on Architecture and Design Funds
Martine Bedin. Memphis, Milan. Memphis textile. 1981.
Screenprinted silk, 78 3/4 x 44 7/8" (200 x 114 cm).
Committee on Architecture and Design Funds
Roberto Burle Marx. Textile. c. 1980s. Cotton, 61 1/2 x
59" (156.2 x 149.9 cm). Committee on Architecture and
Design Funds
Serge Chermayeff. L. Anton Maix Fabrics, New York, NY.
Navajo #1 (Furnishing Fabric). 1952. Manufacturer:
L. Anton Maix Fabrics, New York, NY. Screenprinted linen,
34 1/4 x 51" (87 x 129.5 cm). Committee on Architecture
and Design Funds
Revital Cohen, Tuur Van Balen. Kingyo Kingdom. 2013.
Video (color, sound), 19:23 min. Gift of the artists
Michele De Lucchi. Memphis textile. c. 1981.
Screenprinted silk, 78 3/4 x 45 1/4" (200 x 115 cm).
Committee on Architecture and Design Funds
Gloria della Vittoria. Memphis textile. c. 1981.
Screenprinted silk, 78 3/4 x 45 1/4" (200 x 115 cm).
Committee on Architecture and Design Funds
Gloria della Vittoria. Memphis textile. c. 1981.
Screenprinted silk, 59 1/16 x 45 1/4" (150 x 115 cm).
Committee on Architecture and Design Funds
Gloria della Vittoria. Memphis textile. c. 1981.
Screenprinted silk, 47 1/4 x 45 1/4" (120 x 115 cm).
Committee on Architecture and Design Funds
Stefan Diez. Rope Trick Floor Lamp. 2013. lamp. Gift ofWrong for Hay
Nathalie du Pasquier. Memphis textile. c. 1981.
Screenprinted silk, 59 1/16 x 45 11/16" (150 x 116 cm).
Committee on Architecture and Design Funds

Nathalie du Pasquier. Memphis textile. c. 1981.
Screenprinted silk, 47 1/4 x 45 11/16 “ (120 x 116 cm).
Committee on Architecture and Design Funds
Nathalie du Pasquier. Memphis textile. c. 1981. Screenprinted silk, 55 1/8 x 46 7/16" (140 x 118 cm). Committee
on Architecture and Design Funds
Nathalie du Pasquier. Memphis textile. c. 1981.
Screenprinted silk, 47 1/4 x 56 11/16" (120 x 144 cm).
Committee on Architecture and Design Funds
Nathalie du Pasquier. Memphis textile. c. 1981.
Screenprinted silk, 47 1/4 x 55 1/8" (120 x 140 cm).
Committee on Architecture and Design Funds
Ecovative. Wine Shipper. c. 2010. Molded mycellium. Giftof the manufacturer
El Ultimo Grito. Roberto Feo. Rosario Hurtado. Miss
Ramirez chair. 1997. Cork, latex, white leather, metal,
and plastic, 25 1/2 x 27 1/2 x 22 3/4" (64.8 x 69.9 x 57.8 cm).
Gift of Barbara Jakobson
Leo Fender, George Fullerton, Freddie Tavares. Fender
Stratocaster Electric Guitar. Designed 1954, this example
1957. Wood, metal, and plastic, 38 x 12 3/4 x 1 3/4"
(96.5 x 32.4 x 4.4 cm). Committee on Architecture
and Design Funds
Leo Fender, George Fullerton, Freddie Tavares. Fender
Bassman amplifier. 1959. Wood, metal, and plastic,
24 x 23 x 9 1/2" (61 x 58.4 x 24.1 cm). Committee on
Architecture and Design Funds
Formafantasma. Andrea Trimarchi. Simone Farresin.
Botanica I. 2011. Copal resin, natural shellac, and woodfibers, 13 3/4 x 6 5/16" (35 x 16 cm). Committee on
Architecture and Design Funds
Formafantasma. Andrea Trimarchi. Simone Farresin.
Botanica III. 2011. Unglazed ceramic, natural shellac,
and wood fibers, 14 9/16 x 7 1/16" (37 x 18 cm).
Committee on Architecture and Design Funds
Formafantasma. Andrea Trimarchi. Simone Farresin.
Botanica V. 2011. Bois durci, dewaxed shellac, colophonia,
wood fibers, wood branches, and unglazed ceramic,
14 9/16 x 7 1/16" (37 x 18 cm). Committee on Architecture
and Design Funds
Formafantasma. Andrea Trimarchi. Simone Farresin.
Botanica IV. 2011. Dewaxed shellac and wood fiber,
8 11/16 x 18 1/8" (22 x 46 cm). Committee on Architecture
and Design Funds

29Formafantasma. Andrea Trimarchi. Simone Farresin.
Botanica VI. 2011. Dewaxed shellac, wood fibers, andbois durci, 13 3/4 x 6 5/16" (35 x 16 cm). Committee on
Architecture and Design Funds

Golan Levin. Free Art and Technology Lab. Shawn Sims.
Sy Lab. Free Universal Construction Kit. 2012. Lasersintered nylon, dimensions vary. Gift of the Committee on
Architecture and Design and Shapeways

Massimo Giacon. Memphis textile. c. 1981.
Screenprinted silk, 43 5/16 x 55 1/8" (110 x 140 cm).
Committee on Architecture and Design Funds

Golan Levin, Shawn Sims. Free Universal Construction
Kit. 2012. Laser sintered nylon. Gift of the Committee on
Architecture and Design and Shapeways

Alexander Girard. Herman Miller, Inc., Zeeland, MI.
Names. 1957. Manufacturer: Herman Miller, Inc.,
Zeeland, MI. Linen, 108 x 50" (274.3 x 127 cm).
Committee on Architecture and Design Funds

The Living. Mycellium Brick. 2014. Molded mycelium,
4 x 17 x 7" (10.2 x 43.2 x 17.8 cm). Gift of the architects
Alvin Lustig. Incantation. 1947. Screenprinted linen,
15 1/4 x 40 1/2" (38.7 x 102.9 cm). Gift of Elaine Lustig Cohen

Google Inc. Google Cardboard. 2014. Cardboard,acrylic lenses, magnets, velcro strips, and rubber band,
assembled: 3 1/2 × 5 1/4 × 3 9/16" (8.9 × 13.3 × 9 cm).
Committee on Architecture and Design Funds

Alvin Lustig. Counterchange. 1949. Screenprinted linen,
21 3/4 x 34 1/2" (55.2 x 87.6 cm). Gift of Elaine Lustig Cohen
MSGSSV (Manteola Sánchez Gómez Santos Solsona
Viñoly). Flora Manteola. Javier Sánchez Gómez. Josefa
Santos. Justo Solsona. Rafael Viñoly. Ignacio Petchersky.
Writing desk from the Banco de la Ciudad de Buenos
Aires, Buenos Aires, Argentina. 1969. Steel, wood, andplastic, 33 7/16 x 56 11/16 x 29 1/2" (85 x 144 x 75 cm).
Gift of MSGSSS

Autodesk Inc. Andrew John Hessel. Jacqueline Yuan
Quinn. Paul Richard Ayre Jaschke. Synthetic PhiX174
Bacteriophage. 2014. Digital video, 3-D printed object,and GenBank DNA sequence file. Gift of the designers
Sheila Hicks. Ribbons. c. 1964. Cotton mounted on bamboo,
102 3/8 x 36 1/4" (260 x 92 cm). Gift of Demisch DanantJulia Murdoch, Lance Wyman. 1968 Mexico Olympics
Dress. 1968. Printed cotton, 34 1/4 x 21 5/8" (87 x 55 cm).
Gift of Cecilia León de la Barra

Sheila Hicks. Pillar of Inquiry/Supple Column. 2013–14.
Acrylic, linen, cotton, bamboo, and silk, 204 x 48 x 48"(variable). Gift of the artist
Sheila Hicks. Minim. 2014. Linen and silk, 9 1/2 × 5 1/2"
(24.1 × 14 cm). Gift of the Hicks Family in honor of theartist’s 80th birthday

Nervous System. Jessica Rosenkrantz. Jesse Louis
Rosenberg. Kinematics Dress. 2013. Laser-sinterednylon, 44 x 37 x 2" (111.8 x 94 x 5.1 cm) irreg.
Gift of the Committee on Architecture and Design Funds
and Shapeways

Japan Victor Corporation (JVC), Japan. “Boombox" portableaudio system (model M 90). c. 1981. Plastic, aluminum,
steel and electronic components, 13 3/4 x 26 1/4 x 6 3/4"
(34.9 x 66.7 x 17.1 cm). Committee on Architecture and
Design Funds

Nervous System. Jessica Rosenkrantz. Jesse Louis
Rosenberg. Kinematics. 2013. Digital video, 3:19 min.
Gift of the designers

Philips & Co., Eindhoven, the Netherlands. Louis Christiann
Kalff. Electromagnetic Loudspeaker (model 2007).
1926. Manufacturer: Philips & Co., Eindhoven, theNetherlands. Philite, iron, paper, and electromagnetic coil,
18 7/8 x 17 11/16 x 6 11/16" (48 x 45 x 17 cm). Committee
on Architecture and Design Funds
Eleanor Kluck, Henry Kluck. O’Hare (Furnishing Fabric).
1961. Screenprinted cotton, overall: 157 x 51 1/2"
(398.8 x 130.8 cm), print: 36" wide. Committee on
Architecture and Design Funds
Golan Levin, Shawn Sims. Free Universal Construction
Kit. 2012. Digital files. Gift of the Committee on
Architecture and Design and Shapeways

Nervous System. Jessica Rosenkrantz. Jesse Louis
Rosenberg. Kinematics App. 2013. Digital application.
Gift of the designers
Oscar Niemeyer. “Modulo" Low Table. 1978. Painted plywood
and steel, 9 1/2 x 75 3/4 x 19 3/4" (24.1 x 192.4 x
50.2 cm). Committee on Architecture and Design Funds
Erik Nitsche. L. Anton Maix Fabrics, New York, NY. Asterisk(Furnishing Fabric). 1952. Manufacturer: L. Anton
Maix Fabrics, New York, NY. Screenprinted linen, 52 x
36" (132.1 x 91.4 cm). Committee on Architecture and
Design Funds
Ushahidi. Reginald Orton. Erik Hersman. Philip Walton. BRCK
3G WiFi Router. 2013. Manufacturer: Ushahidi. ABS plastic,
rubber, and electronic components, 1 3/4 x 5 3/16 x 2 13/16"(4.5 x 13.2 x 7.2 cm). Gift of the manufacturer

30

Neri Oxman. Mediated Matter Group. Massachusetts
Institute of Technology, Cambridge, MA. W. Craig Carter.
MIT Materials Science and Engineering. Stratasys.
Imaginary Beings (Arachne). 2012. Objet Connex500
multi-material 3-D Bitmap printer, colored digital powders,and materials, approx. 20 1/2 x 13 x 9" (72.4 x 33 x 22.9cm) irreg. Committee on Architecture and Design Funds

Manu Prakash. Foldscope: Origami based paper microscope.
2014. Coated paper and acrylic, folded: 3 1/4 × 7" (8.3 ×
17.8 cm). Gift of the designers

Neri Oxman. Mediated Matter Group. Massachusetts
Institute of Technology, Cambridge, MA. Stratasys.
Imaginary Beings (Daphne). 2012. Objet Connex500
multi-material 3-D bitmap printer, colored digital powders,and materials, 5 1/2 x 6 x 6" (14 x 15.2 x 15.2cm) irreg.
Committee on Architecture and Design Funds

Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers (LEDclusters). 2014. Adhesive-backed circuits, 3/4 × 1"
(1.9 × 2.5 cm). Gift of the designers

Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers (Starter
Kit). 2014. Adhesive backed circuits, copper tape, andprinted book, dimensions variable. Gift of the designers

Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers (Effects
Stickers). 2014. Adhesive-backed circuits, 3/4 × 3"
(1.9 × 7.6 cm). Gift of the designers

Neri Oxman. Mediated Matter Group. Massachusetts Instituteof Technology, Cambridge, MA. W. Craig Carter. MIT Materials
Science and Engineering. Stratasys. Imaginary Beings(Doppelganger). 2012. Objet Connex500 multi-material
3-D bitmap printer, colored digital powders, and materials,
24 x 21 x 12" (61 x 53.3 x 30.5 cm) irreg. Gift of Stratasys
Neri Oxman. W. Craig Carter. MIT Materials Science andEngineering. Mediated Matter Group. Massachusetts
Institute of Technology, Cambridge, MA. Stratasys. Imaginary
Beings (Gravida). 2012. Objet Connex500 multi-material
3-D bitmap printer, colored digital powders, and materials,
15 x 12 1/2 x 10 1/2" (38.1 x 31.8 x 26.7 cm). Gift of Stratasys
Neri Oxman. Mediated Matter Group. Massachusetts
Institute of Technology, Cambridge, MA. W. Craig Carter.
MIT Materials Science and Engineering. Stratasys.
Imaginary Beings (Medusa 2). 2012. Objet Connex500
multi-material 3-D bitmap printer, colored digital powders,and materials, 10 x 10 x 8" (25.4 x 25.4 x 20.3cm) irreg.
Committee on Architecture and Design Funds

Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers (Sensors
and Programmable Microcontroller Pack). 2014. Adhesivebacked circuits, microcontroller, and plastic, dimensions
variable. Gift of the designers
Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers(Sketchbook). 2014. Book, offset printed with adhesivebacked circuits and copper tape, 5 3/4 × 4 3/4 × 1"
(14.6 × 12.1 × 2.5 cm). Gift of the designers
Jie Qi, Andrew “Bunnie" Huang. Circuit Stickers (Dandelion).
2014. Ink on paper, felt, adhesive-backed circuits, and copper
tape, 11 × 8 1/2" (27.9 × 21.6 cm). Gift of the designers
QUAD Electroacoustics, Huntingdon, England. Tuner(model FM3) and Preamplifier (model 33). 1967. Steel,plastic, and electronic components. Gift of Jan Staller
Clifton Roozeboom. PocketLab. PocketLab. 2015.
Manufacturer: PocketLab. ABS plastic and electronics, 2 x
4 x 1 1/2" (5.1 x 10.2 x 3.8 cm). Gift of the manufacturer

Neri Oxman. Massachusetts Institute of Technology,
Cambridge, MA. W. Craig Carter. Joe Hicklin. Stratasys.
Mediated Matter Group. MIT Materials Science andEngineering. The Mathworks. Turlif Vilbrandt. Imaginary
Beings (Minotaur Head with Lamella). 2012. Objet
Connex500 multi-material 3-D bitmap printer, colored
digital powders, and materials, 7 1/2 x 10 x 11" (19.1 x
25.4 x 27.9 cm). Gift of Stratasys

Daniele Scandola. Memphis textile. c. 1981.
Screenprinted silk, 78 3/4 x 44 7/8" (200 x 114 cm).
Committee on Architecture and Design Funds
Jay Silver, Eric Rosenbaum. Makey Makey. 2012–14.
Electronic components, 9 x 3 13/16 x 1 13/16" (22.9 x
9.7 x 4.6 cm). Gift of JoyLabz

Neri Oxman. Mediated Matter Group. Massachusetts Instituteof Technology, Cambridge, MA. W. Craig Carter. Stratasys.
MIT Materials Science and Engineering. Imaginary Beings(Minotaur Head with Sutures). 2012. Objet Connex500
multi-material 3-D bitmap printer, colored digital powders,and materials, 7 3/4 x 9 1/2 x 12" (19.7 x 24.1 x 30.5 cm).
Committee on Architecture and Design Funds
Philips & Co., Eindhoven, the Netherlands. CD 100
Compact Disc Player. 1982. Steel, plastic, and electronic
components. Committee on Architecture and Design Funds

Jay Silver, Eric Rosenbaum. MaKey MaKey. 2012–14.
Electronic components, 8 3/4 x 8 3/4 x 3 1/4" (22.2 x
22.2 x 8.3 cm). Gift of JoyLabz
Sony Electronics, Inc. Portable Stereo Headphones(model MDR 3L2). 1979. Plastic, aluminum, steel, andelectronic components. Committee on Architecture and
Design Funds
Sony Electronics, Inc. “Discman" Portable Compact Disc
Player (model D 50). 1984. Plastic, metal, and electronic
components. Committee on Architecture and Design Funds

31

Sony Electronics, Inc. “Walkman" Portable Audio Cassette
Player (model TPS L2 ). 1979. Plastic, aluminum, steel,and electronic components, 5 7/8 x 3 1/2 x 1 3/8" (15 x
8.9 x 3.6 cm). Committee on Architecture and Design Funds

Electroninks. Analisa Russo. S. Brett Walker. Jennifer A.
Lewis. Michael Bell. Circuit Scribe Maker Kit. 2012.
Manufacturer: Electroninks. Electronic circuits andconductive silver ink. Gift of the manufacturer

Ettore Sottsass. Memphis textile. c. 1981. Screenprinted
silk, 43 5/16 x 40 9/16" (110 x 103 cm). Committee on
Architecture and Design Funds

Hans Wegner. Halyard armchair. 1950. Steel and plaitedflag halyard, 31 1/2 x 44 1/2 x 44 1/2 “ (80 x 113 x
113 cm). Committee on Architecture and Design Funds

Yuri Suzuki. Color Chaser. 2010–13. Plastic andelectronics components, 1 15/16 x 5 1/16 x 5 1/16"(5 x 12.8 x 12.8 cm). Gift of the designer

Wyss Institute for Biologically Inspired Engineering at
Harvard University. Donald Elliot Ingber. Dan Dongeun
Huh. Boston Children’s Hospital. Human Organs on
Chips. 2008. Photolithographically etched and replica
molded silicone rubber, each: 1/2 x 1 1/2 x 3/4"
(1.3 x 3.8 x 1.9 cm). Gift of the Wyss Institute for
Biologically Inspired Engineering at Harvard University

Yuri Suzuki. Dentaku Ltd. Mark McKeague. Naomi Elliott.
Joseph Pleass. Ototo. 2013. Printed circuit board withelectronic components, 4 1/2 x 2 15/16 x 3/8" (11.5 x
7.5 x 1 cm). Gift of the designers

GRAPHIC DESIGNTechnics, Secaucus, NJ. Turntable (model SL 1200).
1972. Steel, plastic, perspex, rubber, and electronic
components, 6 1/4 x 17 7/8 x 14 1/4" (15.9 x 45.4 x 36.2 cm).
Committee on Architecture and Design Funds

Josef Albers. Charles E. Murphy. Command Records.
Album cover for Enoch Light and the Light Brigade,
Provocative Percussion. 1959. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Anonymous gift

Technology Will Save Us. DIY Gamer Kit. 2013. Circuitboard, electronic components, LED screen, and opensource software library, assembled kit: 4 1/2 x 2 3/4 x
2 1/4" (11.4 x 7 x 5.7 cm); box: 5 7/8 x 8 x 2 1/4" (14.9 x
20.3 x 5.7 cm). Gift of the designers

Josef Albers. Charles E. Murphy. Command Records.
Album cover for Terry Snyder and the All Stars, Persuasive
Percussion. 1959. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Anonymous gift

Angelo Testa. Filo (Furnishing Fabric). 1942.
Screenprinted linen, 108 × 48" (274.3 × 121.9 cm).
Committee on Architecture and Design Funds

Charles E. Murphy. Josef Albers. Command Records.
Album cover for Enoch Light & the Light Brigade,
Provocative Percussion vol. 2. 1960. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Anonymous gift

Angelo Testa Co., Chicago. Angelo Testa. Labyrinth (Furnishing
Fabric). 1942. Manufacturer: Angelo Testa Co., Chicago.
Screenprinted linen, 37 x 50" (94 x 127 cm). Committee
on Architecture and Design Funds

Gary Anderson. Recycling Symbol. 1970

Angelo Testa, Paul Rand. IBM. late 1950s. Linen, 120 x 52"(304.8 x 132.1 cm). Committee on Architecture and
Design Funds

Artrouble. Album cover for Devo, Freedom of Choice.
1980. Lithograph, 12 3/8 x 12 3/8" (31.4 x 31.4 cm).
Committee on Architecture and Design Funds

Unknown designer. Plastic Handcuffs. 1965. Injection
molded nylon, length: 28 1/2" (72.4 cm). Committee on
Architecture and Design Funds
Marjan van Aubel. James Shaw. Transnatural, Amsterdam.
Well Proven Stool. 2014. Bioresin and cherry wood,.1 barstool: 31 1/8 x 15 3/4 x 13 3/4" (79 x 40 x 35 cm).2 stool: 25 3/16 x 15 3/4 x 13 3/4" (64 x 40 x 35 cm).
Committee on Architecture and Design Funds
Visual AIDS Artists Caucus. AIDS Awareness Ribbon.
1991. Committee on Architecture and Design Funds

Mihajlo Arsovski. Album cover for Arsen Dedić, Čovjek
kao ja. 1969. Lithograph, 12 1/4 × 12 1/4" (31.1 × 31.1 cm).
Gift of Mirko Ilić

Setsuko Asakura. Funeral Parade of Roses. 1969.
Anonymous gift
Martyn Atkins. Album cover for Einstürzende Neubauten,
Strategies Against Architecture ‘80 ‘83. 1984. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Committee on Architecture
and Design Funds
Richard Avedon. Album cover for Simon & Garfunkel,
Bookends. 1968. Lithograph, 12 3/8 x 12 1/2" (31.4 x 31.8 cm).
Committee on Architecture and Design Funds

32

Kiyoshi Awazu. Contemporary Japanese Art. 1983.
Lithograph. Gift of the designer

Reid Miles, John Berg, Nick Fasciano. Cover for Chicago’s
tenth self-titled album. 1976. Lithograph, 12 1/2 x 12 3/8"
(31.8 x 31.4 cm). Committee on Architecture and Design
Funds

Kiyoshi Awazu. Tenth Contemporary Japanese Sculpture
Exhibition. 1983. Lithograph. Gift of the designer

John Berg, Nick Fasciano, Gerard Huerta. Cover for
Chicago’s twelfth self-titled album. 1980. Lithograph,
12 1/4 x 12 3/8" (31.1 x 31.4 cm). Committee on
Architecture and Design Funds

Eduardo Munoz Bachs. El Instituto Cubano de Arte e
Industria Cinematográficos. Historias de la Revolución.
1960. Lithograph. Gift of the Circulo de Cultura Cubana Inc.
Charles Baldwin. International Biohazard Symbol. 1966

Igildo Biesele. Regionalplanung. 1968. Lithograph,
50 1/8 x 35 5/8" (127.3 x 90.5 cm). Gift of Lawrence Wolfson

Rudolf Baschant. Bauhaus Ausstellung Weimar Juli Sept
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds

Peter Blake, Jann Haworth, Michael Cooper. Album coverfor The Beatles, Sgt. Pepper’s Lonely Hearts Club Band.
1967. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds

Rudolf Baschant. Bauhaus Ausstellung Weimar Juli Sept
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds
Saul Bass. Decca Records. Elmer Bernstein. Album coverfor The Man with the Golden Arm. 1955. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Gift of the designer
Saul Bass. Duke Ellington. Columbia Records. Album
cover for Duke Ellington’s music from the motion picture
Anatomy of a Murder. 1959. Lithograph, 12 x 12" (30.5x
30.5 cm). Committee on Architecture and Design Funds
Herbert Bayer. Bauhaus Ausstellung Weimar Juli August
September 1923. 1923. Lithograph, 5 7/8 x 3 15/16"(15 x 10 cm). Committee on Architecture and Design Funds

Peter Blake. Bill Jacklin. Tom Phillips. Colin Self. Richard
Hamilton. Michael Andrews. Allen Jones. David Inshaw.
David Hockney. Clive Barker. R. B. Kitaj. Howard Hodgkin.
Patrick Caulfield. Joe Tilson. Patrick Procktor. David
Tindle. Richard Evans. Gavin Cochrane. Brian Aris. Warner
Bros. Records. Album cover for The Who, Face Dances.
1981. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds
Francisco Blanco. Che. 1972. Screenprint, 30 x 20"(76.2 x 50.8 cm). Anonymous gift
Irma Boom. The Eleonora’s First Atlantic Crossing.
2003. Book, offset printed, 6 1/4 x 5 x 1 3/4"
(15.9 x 12.7 x 4.4 cm). Gift of the designer

Herbert Bayer. Bauhaus Ausstellung Weimar Juli Sept
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds

Irma Boom. Bladeren door het Amerikaanse landschap:
een index van boeken en beelden. 2009. Book, offset
printed, 11 3/4 x 8 1/4 x 1 7/8" (29.8 x 21 x 4.8 cm).
Gift of the designer

Roberta Bayley, Arturo Vega. Cover for the Ramones self-titledalbum. 1976. Lithograph, 12 1/2 x 12 3/8 “ (31.8 x 31.4 cm).
Committee on Architecture and Design Funds

Irma Boom. Every Thing Design: The Collections of theMuseum of Design Zürich. 2009. Book, offset printed,
6 1/8 x 5 x 2 3/4" (15.6 x 12.7 x 7 cm). Gift of the designer

Felix Beltran. La América del Che. 1969. Lithograph,
18 5/8 x 14 3/4" (47.3 x 37.5 cm). Gift of the designer

Irma Boom. Hella Jongerius: Misfit. 2010. Book, offset
printed, .1: 10 x 8 x 1" (25.4 x 20.3 x 2.5 cm) .2: 5 x
3 5/8 x 1/2" (12.7 x 9.2 x 1.3 cm). Gift of the designer

Felix Beltran. Luchemos por la Igualdad Social. 1969.
Lithograph, 35 1/2 x 22" (90.2 x 55.9 cm). Gift of the designer
Felix Beltran. Che. 1971. Lithograph, 35 1/2 x 22"(90.2 x 55.9 cm). Gift of the designer

Irma Boom. James Jennifer Georgina. 2010. Book, offset
printed, 7 1/2 x 4 7/8 x 3 1/2" (19.1 x 12.4 x 8.9 cm). Giftof Jennifer Gladstone Butler

Felix Beltran. Mas Conciencia, Menos Accidentes.
c. 1969. Lithograph, 35 x 22" (88.9 x 55.9 cm). Gift ofthe designer

Irma Boom. The Architecture of the Book. 2010. Book,
offset printed, 17 3/4 x 13 5/8 x 2 1/2" (45.1 x 34.6 x 6.4 cm).
Gift of the designer

John Berg, Nick Fasciano. Cover for Chicago’s second selftitled album. 1970. Lithograph, 12 1/2 x 12 3/8" (31.8 x
31.4 cm). Committee on Architecture and Design Funds

Irma Boom. Knoll Textiles. 2011. Book, offset printed,
10 5/8 x 8 3/4 x 1 3/4" (27 x 22.2 x 4.4 cm). Gift of the designer

33

Irma Boom. Project Japan: Metabolism Talks. 2011. Book,
offset printed, 9 1/4 x 6 7/8 x 1 1/2" (23.5 x 17.5 x 3.8 cm).
Gift of the designer

Barney Bubbles (Colin Fulcher). Stiff Records, London.
Sleeve for Ian Dury and the Blockheads 7" single “Hit Me
With Your Rhythm Stick.” 1978. Lithograph, 7 1/4 x 7 1/8"
(18.4 x 18.1 cm). Committee on Architecture and
Design Funds

Irma Boom. Color Based on Nature. 2012. Book, offset
printed, 12 1/2 x 9 3/4 x 5/8" (31.8 x 24.8 x 1.6 cm).
Gift of the designer

Barney Bubbles (Colin Fulcher). F Beat Records. Coverfor Elvis Costello and the Attractions 12" single “High
Fidelity.” 1980. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds

Irma Boom. Robert Zandvliet: I Owe You the Truth in Painting
1650–2012. 2012. Book, offset printed, 12 1/4 x 9 1/4 x 1/2"
(31.1 x 23.5 x 1.3 cm). Gift of the designer
Irma Boom. 1001 Vrouwen uit de Nederlandse geschiedenis.
2013. Book, offset printed, 7 1/2 x 5 1/4 x 2 3/4" (19.1 x
13.3 x 7 cm). Gift of the designer
Irma Boom. Handbook of California Design. 2013. Book,
offset printed, 8 3/4 x 6 x 1 1/8" (22.2 x 15.2 x 2.9 cm).
Gift of the designer

Barney Bubbles (Colin Fulcher). F Beat Records. Album
cover for Elvis Costello and the Attactions, Almost Blue.
1981. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds
Barney Bubbles (Colin Fulcher). Keith Morris. Press andPost Ltd. Album cover for Elvis Costello, My Aim Is True.
1977. Lithograph, 12 1/4 x 12 1/4" (31.1 x 31.1 cm).
Committee on Architecture and Design Funds

Irma Boom. Hello World: Where Design Meets Life.
2013. Book, offset printed, 8 1/8 x 5 3/8 x 1" (20.6 x
13.7 x 2.5 cm). Gift of the designer

David Byrne. Michael Hodgson. Jeff Ayeroff. Adelle Lutz.
Sire Records. Album cover for Talking Heads, Stop Making
Sense. 1984. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds

Irma Boom. Chanel: Livre DyArtistes. 2014. Book,
emobossed paper, 10 3/8 x 8 11/16 x 1 7/8" (26.4 x 22
x 4.8 cm). Gift of Chanel

Rene Azcuy Cardenas. Testimonio. 1970. Silkscreen,
31 × 20" (78.7 × 50.8 cm). Gift of the Circulo de Cultura
Cubana Inc.

Irma Boom. Elements. 2014. Book, offset printed,
8 x 5 1/2 x 6" (20.3 x 14 x 15.2 cm). Gift of the designer

Alberto Carol. La América del Che. 1972. Screenprint.
Gift of the artist

Alexander (Sándor) Bortnyik. Magyar Rádió Amatör, vol. 2,
no. 2. 1927. Book, lithograph printed, 9 5/8 x 6 7/8"
(24.5 x 17.5 cm). Committee on Architecture and
Design Funds

Castell. Navarro Ramon and Olivetti exhibition. 1959.
Lithograph, 43 1/4 x 29 1/8" (109.9 x 74 cm). Anonymous gift

Museo de Arte Contemporáneo, Santiago. Brigada Inti
Peredo, Juventud Socialista. Brigada Inti Peredo,
Juventud Socialista. 1971. Silkscreen, 30 3/8 x 21 3/4"
(77.2 x 55.2 cm). Anonymous giftPeter Martin Christopherson. Peter Gabriel. Charisma
Records. Cover for Peter Gabriel self-titled album. 1977.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds

Museo de Arte Contemporáneo, Santiago. Brigadas Ramona
Parra, Juventudes Comunistas de Chile. Brigadas Ramona
Parra, Juventudes Comunistas de Chile. 1971. Silkscreen,
30 1/2 x 21 5/8" (77.5 x 54.9 cm). Anonymous gift

Roman Cieslewicz. Ne! 1973. Printed book. Gift of Mirko Ilić

Barney Bubbles (Colin Fulcher). Chris Gabrin. Stiff Records,
London. Album cover for Ian Dury, New Boots andPanties!!. 1977. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds
Barney Bubbles (Colin Fulcher). Stiff Records, London.
Logo for Ian Dury and the Blockheads 7" single “What a
Waste." 1978. Lithograph, 7 1/8 x 7 1/8" (18.1 x 18.1 cm).
Committee on Architecture and Design Funds

Ronald Clyne. Folkways Records, New York. Album
cover for Background Music for Home Movies. 1961.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds
Michael Cooper. Pictorial Productions. Tony Meeviwiffen.
Decca Records. Album cover for The Rolling Stones,
Their Satanic Majesties Request. 1967. Lithograph withlenticular photograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds
Peter Corriston, Mike Doud. Album cover for Led Zeppelin,
Physical Graffiti. 1975. Lithograph, 12 1/4 x 12 1/4" (31.1
x 31.1 cm). Committee on Architecture and Design Funds

34

Ben Drury. Album cover for Money Mark, Mark’s Keyboard
Repair. 1995. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Gift of the designerPeter Corriston, Christian Piper, Hubert Kretzschmar.
Album cover for the Rolling Stones, Tattoo You. 1981.
Lithograph, 12 1/4 x 12 1/4" (31.1 x 31.1 cm). Committee
on Architecture and Design Funds

Ben Drury. Album cover for Sam Seever, What’s ThatSound. 1995. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Gift of the designer

R. Crumb. Album cover for Big Brother and the Holding
Company, Cheap Thrills. 1968. Lithograph, 12 1/2 x 12 3/8"
(31.8 x 31.4 cm). Committee on Architecture and Design
Funds

Ben Drury. Album cover for DJ Krush, Holonic. 1998.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Gift of the designer

Tihamér Csemiczky. Der Erfolg (Success). 1929. Lithograph,
11 13/16 x 9 1/16" (30 x 23 cm). Committee on
Architecture and Design Funds

Ben Drury, Dean Chalkley. Album cover for Dizzee Rascal,
Boy in da Corner. 2003. Lithograph, 12 x 12" (30.5 x
30.5 cm). Gift of the designer

Chris D. Album cover for The Gun Club, Fire of Love.
1981. Lithograph, 12 1/2 x 12 3/8" (31.8 x 31.4 cm).
Committee on Architecture and Design Funds

Brian Duffy. Album cover for Davide Bowie, Aladdin Sane.
1973. Lithograph, 12 1/2 x 12 1/2" (31.8 x 31.8 cm).
Committee on Architecture and Design Funds

Rene De La Nuez. La América del Che. c. 1972.
Screenprint, 30 5/16 × 19 7/8" (77 × 50.5 cm).
Anonymous gift

Bob Dylan. Album cover for Bob Dylan, Self Portrait.
1970. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds

Irene Delano. Peligro, Tape los Alimentos. 1952. 28 x 19"(71.1 x 48.3 cm). Gift of the Division of Community Education

Thomas Eckersley. London College of Printing. National
Business Calendar Awards. 1980. Gift of the designer

Dimas. ¿Cómo, por qué y para qué se asesina a ungeneral? 1971. Silkscreen. Gift of the Circulo de Cultura
Cubana Inc.

Thomas Eckersley. London College of Printing. National
Business Calendar Awards. 1981. Gift of the designer

Juan Carlos Distéfano. Kalai. 1961. Lithograph,
13 3/4 x 9 1/4" (34.9 x 23.5 cm). Anonymous gift

Thomas Eckersley. London College of Printing.
Paper Making in Britain. 1985. Gift of the designer

Juan Carlos Distéfano. Premio internacional de escultura.
1962. Lithograph, 41 1/2 x 27 1/2" (105.4 x 69.9 cm).
Anonymous gift

Thomas Eckersley. London College of Printing. Keep an
Eye on Valuables. Don’t Leave Them Around. c. 1975.
Gift of the designer

Juan Carlos Distéfano. Premio Internacional de Pintura.
1963. Lithograph, 43 1/4 x 28 3/4" (109.9 x 73 cm).
Anonymous gift

Thomas Eckersley. London College of Printing. Urgent Please
Return That Overdue Library Book. c. 1975. Lithograph,
29 1/8 x 18 7/8" (74 x 48 cm). Gift of the designer

Juan Carlos Distéfano. Industria Argentina. De Daumiera Nuestros Dias. 1970. Lithograph, 43 1/8 x 28 1/2"
(109.5 x 72.4 cm). Anonymous giftMark Farrow. Eric Watson. Pet Shop Boys. Parlophone
Records. Album cover for Pet Shop Boys, Introspective.
1988. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds

Juan Carlos Distéfano, Rubén Fontana. Word and Image.
Inaugural exhibition, The International Council of MoMA.
c. 1968. Lithograph, 20 x 27 1/2" (50.8 x 69.9 cm).
Anonymous gift

Lyonel Feininger. Bauhaus Ausstellung Weimar Juli Oktober
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds

Zacron (Richard Drew). Album cover for Led Zeppelin, III.
1970. Lithograph, 12 1/2 x 12 1/2" (31.8 x 31.8 cm).
Committee on Architecture and Design Funds

Lyonel Feininger. Bauhaus Ausstellung Juli Oktober
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds

Ben Drury, Will Bankhead. Album cover for Air, Modulor.
1995. Lithograph. Gift of the designer

Robert Fisher, Michael Lavine, Kirk Weddle. Album coverfor Nirvana, Nevermind. 1991. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Committee on Architecture and Design
Funds

Ben Drury. Album cover for DJ Krush, Meiso. 1995.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Gift of the designer

35David Goitia. Cartel Teatro Mendez Balester. 1968.
30 1/4 x 20" (76.8 x 50.8 cm). Anonymous gift

John Van Hamersveld. Norman Seeff. Robert Frank. Rolling
Stones Records. Album cover for The Rolling Stones, Exileon Main St. 1972. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds.

Carmelo González. La América del Che. 1969. Screenprint,
18 5/8 x 14 3/4" (47.3 x 37.5 cm). Anonymous gift

Robert Freeman. Parlophone Records. Album cover for
The Beatles, Help!. 1965. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Guillermo González Ruiz, Roland Shakespear. Expo show
Buenos Aires. 1970–71. 9 5/8 x 28 1/4" (24.4 x 71.8 cm).
Anonymous gift

Julius K. Friedman. Blown Away. c. 1981. Lithograph.
Gift of the designer

Guillermo González Ruiz, Roland Shakespear. Anda
Cantarle. c. 1966. 40 3/4 x 27 3/8" (103.5 x 69.5 cm).
Anonymous gift

Julius K. Friedman. Images. c. 1981. Lithograph.
Gift of the designer

Guillermo González Ruiz, Roland Shakespear. Der
Erbstreit (The Inheritors). c. 1970. Lithograph, 42 5/8 x
28" (108.3 x 71.1 cm). Anonymous gift

Mario Gallardo. Che. 1972. Screenprint. Anonymous gift
Malcolm Garrett, Patrick Nagel. Album cover for Duran Duran,Rio. 1982. Lithograph, 12 1/2 x 12 1/2" (31.8 x 31.8 cm).
Committee on Architecture and Design Funds
Alfred Gescheidt. Conte Candoli. Epic Records. Album coverfor Rhythm +1. 1956. Lithograph, 12 1/4 x 12 1/4" (31.1 x
31.1 cm). Committee on Architecture and Design Funds

Guillermo González Ruiz, Roland Shakespear. Opening
New Studio. c. 1966. 20 1/2 x 4 3/4" (52.1 x 12.1 cm).
Anonymous gift
Guillermo González Ruiz, Roland Shakespear. Nuevos
Diseños Knoll (New Designs from Knoll). c. 1970.
Lithograph, 41 x 27 3/4" (104.1 x 70.5 cm). Anonymous
gift

Alfred Gescheidt. Unknown designer. Album cover for
Trumpeters Holiday. 1956. Lithograph. Committee on
Architecture and Design Funds

Grey Organisation. Album cover for De La Soul, 3 FeetHigh and Rising. 1989. Lithograph, 12 1/2 x 12 1/2" (31.8
x 31.8 cm). Committee on Architecture and Design Funds

Edgardo Miguel Gimenez. Poster for Renee Cuellar
exhibition. 1963. Lithograph, 22 1/2 x 15 1/8"
(57.2 x 38.4 cm). Anonymous gift

Rick Griffin. Album cover for the Grateful Dead,
Aoxomoxoa. 1969. Lithograph, 12 1/2 x 12 1/4" (31.8 x
31.1 cm). Committee on Architecture and Design Funds

Edgardo Miguel Gimenez. Poster for Zulema Ciordia
at Galeria Lirolay Esmeralda 868. 1964. Lithograph,
22 3/4 x 15 1/2" (57.8 x 39.4 cm). Anonymous gift

Mick Haggerty. Jeff Ayeroff. Album cover for The Police, Ghost
in the Machine. 1981. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Committee on Architecture and Design Funds

Edgardo Miguel Gimenez. Las Panteras Objetos. 1966.
Lithograph, 13 3/4 x 23 1/4" (34.9 x 59.1 cm). Anonymous gift
Edgardo Miguel Gimenez. Roi Escudero at Galeria Nordiska,
Buenos Aires. 1967. Lithograph, 21 1/2 x 15 3/4"
(54.6 x 40 cm). Anonymous gift
Edgardo Miguel Gimenez. Afrika. 1968. Lithograph,
23 x 16 1/4" (58.4 x 41.3 cm). Anonymous gift

George Hardie. Hipgnosis. Harvest Records. Album
cover for Pink Floyd, The Dark Side of the Moon. 1973.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds
George Hardie. Cover for Led Zeppelin’s self-titled album.
1969. Lithograph, 12 3/8 x 12 1/2" (31.4 x 31.8 cm).
Committee on Architecture and Design Funds

Edgardo Miguel Gimenez. King Kong en Argentina. 1968.
Lithograph, 15 1/2 x 19 5/8" (39.4 x 49.8 cm). Anonymous gift

Jerry Harrison. Jimmy Garcia. David Byrne. Sire Records.
Album cover for Talking Heads, Fear of Music. 1979.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds

Edgardo Miguel Gimenez. LSD. 1968. Lithograph,
15 1/4 x 22 3/4" (38.7 x 57.8 cm). Anonymous gift
Edgardo Miguel Gimenez. Pero ¿Por qué son tan geniales?
(But Why are They So Great?). 1968. Lithograph,
23 3/4 x 15 3/4" (60.3 x 40 cm). Anonymous gift

Yoshio Hayakawa. Dressmaking School. 1950. Lithograph,
40 9/16 x 28 9/16" (103 x 72.6 cm). Anonymous gift
Yoshio Hayakawa. Kimono Store. 1951. Lithograph.
Anonymous gift

36

Yoshio Hayakawa. Ada Medicine. 1952. Lithograph.
Anonymous gift
Yoshio Hayakawa. 10th Kimono Show. 1953. Lithograph.
Anonymous gift
Yoshio Hayakawa. Fashion Exhibition. c. 1950s. Lithograph.
Anonymous gift
Yoshio Hayakawa. Independents Exhibition. c. 1950s.
Lithograph. Anonymous gift

Lorenzo Homar. Exposicion Rodin. 1961. Anonymous gift
Lorenzo Homar. Concurso Esso. 1964. 29 1/4 x 18 7/8"
(74.3 x 47.9 cm). Anonymous gift
Lorenzo Homar. Ballet, San Juan, Puerto Rico. 1965.
29 x 19 1/4" (73.7 x 48.9 cm). Anonymous gift
Lorenzo Homar. Ferrer Esculturos. 1966. 30 x 19 3/4"
(76.2 x 50.2 cm). Anonymous gift
Lorenzo Homar. “R" Exposicion. c. 1955. Anonymous gift

Yoshio Hayakawa. 7th Kimono Show. c. 1952. Lithograph,
30 x 21 3/4" (76.2 x 55.2 cm). Anonymous gift
Dörte Helm. Bauhaus Ausstellung Weimar Juli Sept
1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds
Sonja Hennersdorf, Jochen Wermann. Cover for To
Rococo Rot self-titled album. 1996. Screenprint, 12 1/8
x 12" (30.8 x 30.5 cm). Committee on Architecture and
Design Funds
Tom Hingston, Robert del Naja, Nick Knight. Album coverfor Massive Attack, Mezzanine. 1998. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Committee on Architecture
and Design Funds
Hipgnosis. Album cover for Pink Floyd, Atom Heart
Mother. 1970. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds
Hipgnosis. Atlantic Records. Album cover for Led Zeppelin,
Houses of the Holy. 1973. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Don Hunstein. Album cover for Bob Dylan, The Freewheelin’
Bob Dylan. 1963. Lithograph, 12 3/8 x 12 3/8" (31.4 x
31.4 cm). Committee on Architecture and Design Funds
Paul Häberer. Bauhaus Ausstellung Weimar Juli Sept
1923. 1923. Lithograph, 3 15/16 x 5 7/8" (10 x 15 cm).
Committee on Architecture and Design Funds
Takenobu Igarashi. 11th Summer Jazz Festival. 1979.
Lithograph. Anonymous gift
Takenobu Igarashi. 12th Summer Jazz Festival. 1980.
Silkscreen. Anonymous gift
Takenobu Igarashi. 14th Summer Jazz Festival. 1982.
Lithograph. Anonymous gift
Takenobu Igarashi. 15th Summer Jazz Festival. 1983.
Lithograph. Anonymous gift
Mirko Ilić. Catalogue of Mirko Ilić exhibition, Student
Center Gallery, Zagreb, December 7th–30th, 1977.
1977. Book, offset printed, 13 5/8 × 9 7/8"
(34.6 × 25.1 cm). Gift of Kresimir Penavic

Hipgnosis. Album cover for Pink Floyd, Wish You Were
Here. 1975. Lithograph, 12 1/4 x 12 3/8" (31.1 x 31.4 cm).
Committee on Architecture and Design Funds

Mirko Ilić. Debil Blues (Moron blues). 1977. Lithograph,
15 x 22" (38.1 x 55.9 cm). Gift of Kresimir Penavic

Hipgnosis. George Hardie. Album cover for Led Zeppelin,
Presence. 1976. Lithograph, 12 1/4 x 12 3/8" (31.1 x 31.4 cm).
Committee on Architecture and Design Funds

Mirko Ilić. Album cover for Prljavo kazalište, Prljavo
kazalište. 1979. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Gift of Kresimir Penavic

Ludwig Hirschfeld Mack. Bauhaus Ausstellung Weimar Juli
August September 1923. 1923. Lithograph, 3 15/16 x 5 7/8"
(10 x 15 cm). Committee on Architecture and Design Funds

Mirko Ilić. Cover for Azra’s single “And What Should I Do/
Balkan." 1979. Lithograph, 7 1/8 x 7 1/8" (18.1 x18.1 cm). Gift of Kresimir Penavic

Ludwig Hirschfeld Mack. Bauhaus Ausstellung Weimar
Sommer 1923. 1923. Lithograph, 3 15/16 x 5 7/8"
(10 x 15 cm). Committee on Architecture and Design Funds

Mirko Ilić. Cover for Prljavo kazalište single “Moj je otac
bio u ratu" (“My Father Was in the War"). 1979.
Lithograph, 7 1/8 x 7 1/8" (18.1 x 18.1 cm). Gift ofKresimir Penavic

Armin Hofmann. GM. 1967. Lithograph, 50 1/4 x 35 1/2"
(127.6 x 90.2 cm). Gift of Lawrence Wolfson
Gerland Holtom. CND Peace Symbol. 1958

Mirko Ilić. Theater &TD, Zagreb, Croatia. Ručni Rad(Handmade). 1979. Silkscreen, 27 9/16 x 39 3/8"
(70 x 100 cm). Gift of Kresimir Penavic

37

Mirko Ilić, Igor Kordej. Vidici no. 2, “Strip." 1979. Printed
book, 13 x 9 1/4" (33 x 23.5 cm). Gift of Kresimir Penavic

Mirko Ilić. Theater &TD, Zagreb, Croatia. Paklena Naranča(Clockwork Orange). 1981. Silkscreen, 26 1/2 x 38 1/8"
(67.3 x 96.8 cm). Gift of Kresimir Penavic

Mirko Ilić, Željko Stojanović. Album cover for Bijelo dugme,
Till You Turn 100. 1980. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Gift of Kresimir Penavic
Mirko Ilić, Željko Stojanović. Album cover for Bijelo dugme,
Till You Turn 100. 1980. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Gift of Kresimir Penavic

Mirko Ilić. Václav Havel: Protest/Pavel Kohout: Atest.
1981. Silkscreen, 26 1/2 x 38 1/8" (67.3 x 96.8 cm).
Gift of Kresimir Penavic

Mirko Ilić, Željko Stojanović. Album cover for Bijelo dugme,
Till You Turn 100. 1980. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Gift of Kresimir Penavic
Mirko Ilić, Dražen Kalenić. Album cover for Various
Artists, Novi Val (New Wave). 1980. Lithograph.
Gift of Kresimir Penavic
Mirko Ilić, Marko Čolić. Cover for Prljavo kazalište single“Black and White World." 1980. Lithograph, 7 1/8 x 7 1/8"
(18.1 x 18.1 cm). Gift of Kresimir Penavic
Mirko Ilić, Slobodan Tadić. KUD (Cultural Artistic Association) Veljko Vlahovic´. 1980. Silkscreen, 27 x 37 5/8"
(68.6 x 95.6 cm). Gift of Kresimir Penavic
Mirko Ilić. Marx and Freud for Beginners. 1980. Silkscreen,
27 1/2 x 39" (69.9 x 99.1 cm). Gift of Kresimir Penavic
Mirko Ilić. The New Sufferings of Young Werther. 1980.
Silkscreen, 38 3/4 x 27" (98.4 x 68.6 cm). Gift ofKresimir Penavic
Mirko Ilić. Theater &TD, Zagreb, Croatia. Vrućica (Fever).
1980. Silkscreen, 26 3/8 x 37 7/8" (67 x 96.2 cm). Gift ofKresimir Penavic
Mirko Ilić. Album cover for Prljavo Kazaliste, Heroj Ulice(Hero of the Street). 1981. Lithograph, 12 × 12"(30.5 × 30.5 cm). Gift of Kresimir Penavic
Mirko Ilić. Studio SLS, Zagreb, Croatia. Radovan Sredić.
Album cover for Stidljiva ljubicica (Shrinking Violets),
Look Back at Me. 1981. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Gift of Kresimir Penavic
Mirko Ilić. Album cover for Various Artists, Svi Marš Na
Ples! (Everybody Dance Now!). 1981. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Gift of Kresimir Penavic
Mirko Ilić. Studio SLS, Zagreb, Croatia. Radovan Sredić.
Album cover, ARA Artistic work action Belgrade. 1981.
Lithograph, 12 1/4 x 12 1/8" (31.1 x 30.8 cm). Gift ofKresimir Penavic

Mirko Ilić. Stidljiva ljubicica (Shrinking Violets). 1981.
Silkscreen, 38 1/2 x 26 3/4" (97.8 x 67.9 cm). Gift ofKresimir Penavic

Mirko Ilić. How others see us, Danas, no. 19. 1982.
Lithograph, 10 1/2 x 7 1/4" (26.7 x 18.4 cm). Gift ofKresimir Penavic
Mirko Ilić. Kako Nakon Aplauza (After the applause).
1982. Lithograph, 10 1/2 x 7 1/4" (26.7 x 18.4 cm). Gift ofKresimir Penavic
Mirko Ilić. Theater &TD, Zagreb, Croatia. Pješice (Onfoot). 1982. Silkscreen, 26 1/2 x 38 1/4" (67.3 x 97.2 cm).
Gift of Kresimir Penavic
Mirko Ilić. Studio S. Studio SLS, Zagreb, Croatia. V. V.
Mayakovsky: Slap in the Face of Public Taste. Theatre 79.
1982. Silkscreen, 38 5/8 x 26 3/4" (98.1 x 67.9 cm). Giftof Kresimir Penavic
Mirko Ilić. Studio SLS, Zagreb, Croatia. V. Serafimov.
Album cover for Leb I sol, Kalabalak. 1983. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Gift of Kresimir Penavic
Mirko Ilić. Studio S. Chauvinistic Farce, by Radoslav
Pavlovic. 1983. Silkscreen, 27 9/16 x 19 11/16" (70 x 50 cm).
Gift of Kresimir Penavic
Mirko Ilić. Studio SLS, Zagreb, Croatia. Zvonimir Atletić.
Cover for Zabranjeno pušenje (No Smoking) single “I
Don’t Want to Be a Kraut." 1984. Lithograph, 7 1/8 x 7 1/8"
(18.1 x 18.1 cm). Gift of Kresimir Penavic
Mirko Ilić. Studio S. Jazavac Satirical Theater. Disident.
1984. Silkscreen, 27 9/16 x 19 11/16" (70 x 50 cm). Gift ofKresimir Penavic
Mirko Ilić. Crveni i Crini (The red and the black). 1985.
Silkscreen, overall: 78 1/4 x 38 3/8" (198.8 x 97.5 cm).a: 26 x 38 3/8" (66 x 97.5 cm) .b: 28 x 38 3/8" (71.1 x
97.5 cm) .c: 27 3/4 x 38 3/8" (70.5 x 97.5 cm). Gift ofKresimir Penavic
Mirko Ilić, Luka Mjeda. Zabrinuti Sviejt Rada (Worriedlabor force). 1985. Lithograph, 10 1/2 x 7 1/4"
(26.7 x 18.4 cm). Gift of Kresimir Penavic

Mirko Ilić. Erica Jong: Fear of Flying. 1981. Silkscreen,
27 1/8 x 18 7/8" (68.9 x 47.9 cm). Gift of Kresimir Penavic

38

Mirko Ilić. Zak the Fatalist and His Master. c. 1979.
Silkscreen. 25 3/4 x 37 7/8" (65.4 x 96.2 cm). Gift ofKresimir Penavic

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer

Mirko Ilić. Theater &TD, Zagreb, Croatia. Pomračenje(Darkness at Noon). c. 1980. Silkscreen, 26 1/8 x 37 7/8"
(66.4 x 96.2 cm). Gift of Kresimir Penavic
International Electrotechnical Commission (IEC). Powersymbol. 2002. Digital fileSusan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer
Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer
Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer

Ishoka. Habitat. c. 1982. Lithograph. Anonymous gift
Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer

Alek Januszewski. Sleeve for Kombi 7" single “Inwazja Z
Plutona." 1983. Lithograph, 7 1/4 x 7 1/4" (18.4 x 18.4 cm).
Committee on Architecture and Design Funds

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer

Alek Januszewski. Cover for the compilation album Fala.
1985. Lithograph, 12 1/4 x 12 3/8" (31.1 x 31.4 cm).
Committee on Architecture and Design Funds

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer

Alek Januszewski. Cover for Siekiera, Nowa Aleksandria.
1986. Lithograph, 12 3/8 x 12 1/4" (31.4 x 31.1 cm).
Committee on Architecture and Design Funds

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer

Walter Jule. Vancouver C Jaz Festival. 1981. Silkscreen.
Gift of the designer

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer

Ryan Junell. Creative Commons. Creative Commons License
Symbol. 2001. Digital image file. Gift of Creative Commons

Susan Kare. Graphic icon sketch. Pencil and ink on
gridded paper with cut and pasted elements, 11 x 8 1/2"
(27.9 x 21.6 cm). Gift of the designer

Ryan Junell. Creative Commons. Creative Commons
No Derivatives Symbol. 2001. Digital image file. Gift ofCreative Commons

Susan Kare. Characters Generated by Cairo Type Font.
Print, 8 1/2 x 11" (21.6 x 27.9 cm). Gift of the designer

Ryan Junell. Creative Commons. Creative Commons
NonCommercial Symbol. 2001. Digital image file. Gift ofCreative Commons

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Ryan Junell. Creative Commons. Creative Commons
ShareAlike Symbol. 2001. Digital image file. Gift ofCreative Commons

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Tibor Kalman. M&Co. Talking Heads. Tina Weymouth.
Chris Frantz. Album cover for Talking Heads, Remain
in Light. 1980. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Vasily Kandinsky. Bauhaus Ausstellung Weimar Juli
September 1923. 1923. Lithograph, 5 7/8 x 3 15/16"(15 x 10 cm). Committee on Architecture and Design Fund

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Susan Kare. Mac OS Icon sketchbooks. Boundsketchbook, ink, and felt-tip pen on paper, 7 1/8 x 6 1/2"
(18.1 x 16.5 cm). Gift of the designer

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Susan Kare. Graphic icon sketch. Pencil and ink on gridded
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of the designer

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

39

Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer
Susan Kare. Graphic Icons. Dot matrix print, 8 1/2 x 11"(21.6 x 27.9 cm). Gift of the designer

Annie Leibovitz, Andrea Klein. Album cover for Bruce
Springsteen, Born in the U.S.A. 1984. Lithograph,
12 1/4 x 12 1/2" (31.1 x 31.8 cm). Committee on Architecture
and Design Funds
Simon Posthuma, Marijke Koger Dunham. Cover for The
Fool self-titled album. 1968. Lithograph, 12 1/4 x 12 3/8"
(31.1 x 31.4 cm). Committee on Architecture and Design
Funds
Takashi Kono. Poster advertising the Monthly Magazine
Tankô. 1955. Lithograph, 28 5/8 x 20 1/4" (72.7 x 51.4 cm).
Anonymous gift
Takashi Kono. Industrial Design Book Two. c. 1955.
Anonymous gift
Takashi Kono. MoMA: Family of Man Exhibition. c. 1955.
Anonymous gift
Takashi Kono. MoMA: Family of Man Exhibition. c. 1955.
Anonymous gift
Takashi Kono. Saki Beer. c. 1955. Anonymous gift

Susan Kare. Interface Graphics. Digital files on floppy
disks. Gift of the designerAndrzej Karpiński. Cover for Reportaż self-titled album.
1987. Lithograph, 12 3/8 x 12 1/4" (31.4 x 31.1 cm).
Committee on Architecture and Design Funds
Toshihiro Katayama. Thonet: Form from Process. 1968.
Lithograph. Anonymous gift
Toshihiro Katayama. Visual Contruction, Movement,
Graphic Design. 1971. Lithograph. Anonymous gift
Abdul Mati Klarwein. Album cover for Miles Davis, Bitches
Brew. 1970. Lithograph, 12 1/2 x 12 3/8" (31.8 x 31.4 cm).
Committee on Architecture and Design Funds

Igor Kordej. Inverzija Ilice (Inversion Ilice). 1982. Gift of
Mirko IlićStephen Kroninger, Chris Mathan. Album cover for ESG,
Come Away with ESG. 1983. Lithograph, 12 1/2 x 12 1/2"
(31.8 x 31.8 cm). Committee on Architecture
and Design Funds
Jerome Kuhl. Album cover for Bartók: Mikrokosmos,
performed by György Sándor. c. 1956. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Committee on Architecture
and Design Funds
Tony Lane. Album cover for Toto, Turn Back. 1981.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds

Abdul Mati Klarwein, John Berg. Album cover for Miles
Davis, Live Evil. 1971. Lithograph, 12 1/4 x 12 3/8" (31.1
x 31.4 cm). Committee on Architecture and Design Funds

Lawrence Berkeley National Laboratory, University ofCalifornia. Radiation Warning Trefoil. 1946–48

Paul Klee. Bauhaus Ausstellung Weimar 1923. 1923.
Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee on
Architecture and Design Funds

Károly Lehoczky. Control Group (Kontroll Csoport) band.
1980s. Lithograph, 11 13/16 x 16 9/16" (30 x 42 cm).
Committee on Architecture and Design Funds

Paul Klee. Bauhaus Ausstellung Weimar 1923. 1923.
Lithograph, 3 15/16 x 5 7/8" (10 x 15 cm). Committee on
Architecture and Design Funds

Hans Leistikow. Musik im Leben der Voelker (Music in
the Life of Nations). 1927. Lithograph. Committee on
Architecture and Design Funds

Karl Klefisch. Günther Fröhling. Capitol Records. Album
cover for Kraftwerk, The Man Machine. 1978. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Gerd Leufert. Gego Esculturas. 1967. Lithograph.
Anonymous gift40Tomasz Lipiński. Cover for Brygada Kryzys self-titledalbum. 1982. Lithograph, 12 1/2 x 12 3/8" (31.8 x 31.4 cm).
Committee on Architecture and Design Funds
Pennie Smith. Ray Lowry. Epic Records. Album cover for
The Clash, London Calling. 1979. Lithograph, 12 x 12"(30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Reid Miles. Blue Note Records. Album cover for Lou
Donaldson, Sunny Side Up. 1960. Lithograph, 12 x 12”(30.5 x 30.5 cm). Committee on Architecture and
Design Funds
Reid Miles. Francis Wolff. Blue Note Records. Album
cover for Freddie Hubbard, Hub Tones. 1962. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Robert Mapplethorpe. Bob Heimall. Arista Records.
Album cover for Patti Smith, Horses. 1975. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Reid Miles. Blue Note Records. Album cover for Jackie
Mclean, It’s Time!. 1964. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Gerhard Marcks. Bauhaus Ausstellung Weimar Juli October
1923. 1923. Lithograph, 5 7/8 x 3 15/16 “ (15 x 10 cm).
Committee on Architecture and Design Funds

Reid Miles. Blue Note Records. Album cover for Joe
Henderson, In ‘n Out. 1964. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Mariano (Mariano Rodríguez). La America del Che. 1972.
Screenprint. Anonymous gift

Reid Miles. Blue Note Records. Album cover for Lee
Morgan, The Rumproller. 1965. Lithograph, 12 x 12"(30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Antonio Martorell. Los Soles Truncos. 1964. 30 x 18 1/2"
(76.2 x 47 cm). Anonymous gift
Antonio Martorell. Las Ventanas. 1967. Anonymous gift
Antonio Martorell. Exhibition of Playing Cards, Galeria
Colibi, San Juan. 1968. 25 x 17 3/4" (63.5 x 45.1 cm).
Anonymous gift
Luis Martínez Pedro. La América del Che, Hasta la Victoria
Siempre!. c. 1972. Screenprint. Anonymous gift
Raúl Martínez. Lucía. 1968. Silkscreen. Gift of the Circulo
de Cultura Cubana Inc.
Shin Matsunaga, Kenichi Kobori. Portraits of Men. 1980.
Lithograph. Gift of the designerKain May. Cover for Moskwa self-titled album. 1989.
Lithograph, 12 1/4 x 12 3/8" (31.1 x 31.4 cm). Committee
on Architecture and Design Funds
Richard McGuire. Album cover for Liquid Liquid, Slip In
and Out of Phenomenon. 2008. Lithograph, 12 1/2 x 12 1/2"
(31.8 x 31.8 cm). Gift of the designer
Reid Miles. Prestige Records. Andy Warhol. Album coverfor Monk; Thelonious Monk with Sonny Rollins and Frank
Foster. 1954. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds
Reid Miles. Blue Note Records. Album cover for Jutta Hippwith Zoot Sims. 1957. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds

Reid Miles. Blue Note Records. Album cover for Larry
Young, Unity. 1966. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds
Mizu. Kuniyoshi Art Exhibition. 1954. Lithograph.
Anonymous gift
László Moholy Nagy. Bauhaus Ausstellung Weimar 1923.
1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee
on Architecture and Design Funds
Farkas Molnár. Bauhaus Ausstellung Weimar 1923.
1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee
on Architecture and Design Funds
Kazumasa Nagai. Posters for Kazumasa Nagai Exhibition.
1968. Lithograph. Anonymous gift
Péter Nagy. Album cover for Lászlo Sáry, Snail Play:
Pebble Playing in a Pot, variations on 14 pitches. 1979.
Lithograph, 12 1/2 x 12 3/8" (31.8 x 31.4 cm). Committee
on Architecture and Design Funds
Robert del Naja. Cover for Massive Attack 12" single“Safe from Harm.” 1991. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Committee on Architecture
and Design Funds
Robert del Naja. Cover for Massive Attack 12" single“Karmacoma.” 1995. Lithograph, 12 1/4 x 12 1/4" (31.1 x
31.1 cm). Committee on Architecture and Design Funds
Robert del Naja. Cover for Massive Attack 12" single“Risingson.” 1997. Lithograph, 12 1/4 x 12 1/4" (31.1 x
31.1 cm). Committee on Architecture and Design Funds

41

Shunichi Nakashima. Creating Japanese Walls. n.d.
Lithograph, 40 1/2 x 28 3/4" (102.9 x 73 cm).
Gift of the designer

Ivan Picelj. Radauš. 1964. Silkscreen, 27 1/2 × 19 3/4"
(69.9 × 50.2 cm). Gift of Anja Picelj Kosak
Ivan Picelj. Ivan Picelj, Galeria del Cavallino, Settembre
1969. 1969. Silkscreen, 27 1/2 × 19 1/2" (69.9 × 49.5 cm).
Gift of Anja Picelj Kosak

Erik Nitsche. Album cover for the Philharmonia Orchestra
performing Szymanowski violin concerto No. 1, op. 35.
1951. Lithograph, 12 1/4 x 12 1/4" (31.1 x 31.1 cm).
Committee on Architecture and Design Funds

Ivan Picelj. Tendencije 4. 1969. Silkscreen, 32 1/4 x 19 1/4"
(81.9 x 48.9 cm). Gift of Anja Picelj Kosak

Hiroshi Ohchi. Anti Tuberculosis. 1954. Silkscreen.
Gift of the designer

Ivan Picelj. [title in Cyrillic]. 1969. Silkscreen, 21 × 25"(53.3 × 63.5 cm). Gift of Anja Picelj Kosak

Hiroshi Ohchi. Miyata Roadace. 1955–60. Lithograph, 20
1/4 x 28 3 3/4" (51.5 x 73 cm). Gift of Yumiko Ohchi
Hiroshi Ohchi. Nihon Byouin Kyoukai. 1955–60.
Lithograph, 21 1/4 x 29 15/16" (54 x 76 cm). Gift ofYumiko Ohchi

Ivan Picelj. 7. Biennale Mladih. 1973. Silkscreen,
27 1/2 × 19 5/8" (69.9 × 49.8 cm). Gift of Anja Picelj Kosak
Ivan Picelj. 4. Zagrebačka Izložba Jugoslavenskog Crteža.
1973. Silkscreen, 22 3/4 × 31 3/4" (57.8 × 80.6 cm).
Gift of Anja Picelj Kosak

Hiroshi Ohchi. Enjoyable Colors wall calendar. 1966.
Silkscreen, 29 15/16 x 21 1/4" (76 x 54 cm). Gift ofYumiko Ohchi

Greg Porto. Jean Paul Goude. Glenn O’Brien. Island
Records. Album cover for Grace Jones, Island Life. 1985.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds

Hiroshi Ohchi. Mitsubishi Sewing Machine. c. 1950s.
Silkscreen. Gift of the designer

Greg Porto. Grace Jones. Jean Paul Goude. Album coverfor Grace Jones, Slave to the Rhythm. 1985. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Hiroshi Ohchi. Wrapping Paper. c. 1950s. Silkscreen.
Gift of the designer
Hiroshi Ohchi. Poster for the Japan Tourist Association.
c. 1960–65. Silkscreen, 28 3/4 x 40 9/16" (73 x 103 cm).
Gift of Yumiko Ohchi

Antonio Fernandez Reboiro. Ladrones de Japón (Thievesof Japan). 1968. Silkscreen, 28 x 18" (71.1 x 45.7 cm).
Gift of the Circulo de Cultura Cubana Inc..

F. Palacios. El Peuente. c. 1955. Anonymous gift
Annette Peacock. Richard Davis. Album cover for Annette
Peacock, I’m the One. 1972. Lithograph, 12 3/8 x 12 1/4"
(31.4 x 31.1 cm). Committee on Architecture and
Design Funds
Ivan Picelj. IV. Mednarodna Grafična Razstava. 1961.
Silkscreen, 37 3/8 x 25 5/8" (94.9 x 65.1 cm). Gift ofAnja Picelj Kosak
Ivan Picelj. Mednarodna Grafična Razstava. 1963.
Silkscreen, 38 1/4 x 26 5/8" (97.2 x 67.6 cm). Gift ofAnja Picelj Kosak
Ivan Picelj. Muzički Biennale Zagreb. 1963. Lithograph,
38 3/4 x 19 1/4" (98.4 x 48.9 cm). Gift of Anja Picelj Kosak
Ivan Picelj. Salon 63. 1963. Silkscreen, 38 1/8 x 26 1/2"
(96.8 x 67.3 cm). Gift of Anja Picelj Kosak
Ivan Picelj. Carmi. 1964. Silkscreen, 26 3/4 × 18 7/8"
(67.9 × 47.9 cm). Gift of Anja Picelj Kosak

Antonio Fernandez Reboiro. Rodeo. 1972. Silkscreen.
Gift of the Circulo de Cultura Cubana Inc..
Antonio Fernandez Reboiro. Corazon Solitario (The Lonely
Heart). 1973. Screenprint, 28 x 18" (71.1 x 45.7 cm).
Gift of the Circulo de Cultura Cubana Inc..
Antonio Fernandez Reboiro. Poster for the film Deseo y
Destruccion (Desire and Destruction), directed by
Joseph Losey. 1973. Lithograph, 28 x 18" (71.1 x 45.7 cm).
Gift of the Circulo de Cultura Cubana Inc..
Antonio Fernandez Reboiro. La Bala Teme al Valiente(The Bullet Fears the Brave). 1973. Silkscreen, 28 x 18"(71.1 x 45.7 cm). Gift of the Circulo de Cultura Cubana Inc..
Antonio Fernandez Reboiro. Cariño (Affection). 1974.
Screenprint, 28 x 18" (71.1 x 45.7 cm). Gift of the
Circulo de Cultura Cubana Inc..
Antonio Fernandez Reboiro. La politica en el cine capitalista(Politics in Capitalist Cinema). 1974. Screenprint, 28 x 18"(71.1 x 45.7 cm). Gift of the Circulo de Cultura Cubana Inc.

42

Antonio Fernandez Reboiro. 15 Aniversario Cinemateca
de Cuba (15th Anniversary of Cuban Cinema). 1975.
Screenprint, 28 x 18" (71.1 x 45.7 cm). Gift of the
Circulo de Cultura Cubana Inc.

Alfredo Rostgaard. Madina Boe. 1969. Silkscreen,
30 x 20" (76.2 x 50.8 cm). Gift of the Circulo de Cultura
Cubana Inc.
Mirosław Ryszard Ryszard. Album cover for Shakin ‘Dudi,
Złota Płyta. 1985. Lithograph, 12 1/4 x 12 1/4" (31.1 x
31.1 cm). Committee on Architecture and Design Funds

Antonio Fernandez Reboiro. Sokolovo. 1976. Screenprint,
28 x 18" (71.1 x 45.7 cm). Gift of the Circulo de Cultura
Cubana Inc.

Koichi Sato. Matchi Uri no Shojo (The Little Match Girl).
1979. Lithograph, 28 5/8 x 20 1/4" (72.7 x 51.4 cm).
Gift of the designer

Antonio Fernandez Reboiro. Nosotros. 1977. Screenprint,
28 x 18" (71.1 x 45.7 cm). Gift of the Circulo de Cultura
Cubana Inc.

Koichi Sato. Jen Genet/Le Balcon. 1982. Lithograph.
28 5/8 x 20 1/4" (72.7 x 51.4 cm). Gift of the designer

Antonio Fernandez Reboiro, Robert Altman. Poster for
the film Imagenes, directed by Robert Altman. 1977.
Lithograph, 28 x 18" (71.1 x 45.7 cm). Gift of the Circulo
de Cultura Cubana Inc.

Peter Saville. Factory Records, Manchester. Garrod andLofthouse Ltd. Joy Division. Album cover for Joy Division,
Unknown Pleasures. 1979. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Antonio Fernandez Reboiro. Poster for 6th international
ballet festival. 1979. Screenprint, 28 x 18" (71.1 x 45.7 cm).
Gift of the Circulo de Cultura Cubana Inc.

Peter Saville. Ben Kelly. Factory Records, Manchester.
Cover for Orchestral Manoeuvres in the Dark (OMD)
self-titled album. 1980. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Antonio Fernandez Reboiro. Poster for the film Debemos
Saber. 1979. Screenprint, 28 x 18" (71.1 x 45.7 cm).
Gift of the Circulo de Cultura Cubana Inc.

Peter Saville. Factory Records, Manchester. Henri Fantin
Latour. Album cover for New Order, Power, Corruption& Lies. 1983. Lithograph, 12 x 12" (30.5 x 30.5 cm).
Committee on Architecture and Design Funds

Antonio Fernandez Reboiro. Pieza Inconclusa Para Piano
Mecanico (An Unfinished Piece for the Player Piano).
1979. Screenprint, 28 x 18" (71.1 x 45.7 cm). Gift of the
Circulo de Cultura Cubana Inc.

Peter Saville. Factory Records, Manchester. Trevor Key.
Album cover for New Order, Thieves Like Us. 1984.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Anonymous gift

Jamie Reid. Virgin Records. Album cover for Sex Pistols,
Never Mind the Bollocks, Here’s the Sex Pistols. 1977.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds

Peter Saville, Martyn Atkins, Bernard Pierre Wolff. Album
cover for Joy Division, Closer. 1980. Lithograph, 12 3/8 x
12 3/8" (31.4 x 31.4 cm). Committee on Architecture and
Design Funds

Alex Roberts. Creative Commons. Creative Commons
Attribution Symbol. 2006. Digital image file. Gift ofCreative Commons

Gerald Scarfe, Roger Waters. Sleeve for Pink Floyd
7" single “Another Brick in the Wall, Part II.” 1979.
Lithograph, 12 x 12” (30.5 x 30.5 cm). Committee on
Architecture and Design Funds.

Alfred Roller. Gustav Mahler, Uraufführung der VIII
Symphonie (Gustav Mahler, Premiere of Eighth Symphony).
1910. Lithograph, 49 x 36" (124.5 x 91.4 cm). Committee
on Architecture and Design Funds
Michael Ross. Brian Griffin. Robor Ltd., Lansing, England.
Album cover for Joe Jackson, Look Sharp!. 1979. Lithograph,
12 1/2 x 12 1/4" (31.8 x 31.1 cm). Committee on
Architecture and Design Funds
Alfredo Rostgaard. Cimarron. 1967. Screenprint. Gift of
the Circulo de Cultura Cubana Inc.
Alfredo Rostgaard. Hanoi Martes 13 (Hanoi, March 13).
1968. Screenprint, 30 x 20" (76.2 x 50.8 cm). Gift of the
Circulo de Cultura Cubana Inc.

Paula Scher. Columbia Records Division of Columbia
Broadcasting Company. Best of Jazz. 1979. Lithograph,
35 7/8 x 27 1/8" (91.1 x 68.9 cm). Gift of the designer
Paula Scher, Nick Fasciano. Album cover for Fifty Years of
Jazz Guitar. 1976. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer
Paula Scher, Richard Avedon. Album cover for Johnny &Edgar Winter, Together. 1976. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer

43

Paula Scher, Nick Fasciano. Album cover for performancesof works by Leonard Bernstein, Poulenc, and Stravinsky.
1977. Lithograph, 12 3/8 x 12 3/8" (31.4 x 31.4 cm). Giftof the designer

Bob Seidmann. Mick Milligan. ATCO Records. Cover for Blind
Faith self-titled album. 1969. Lithograph, 12 x 12" (30.5
x 30.5 cm). Committee on Architecture and Design Funds
Roland Shakespear. Hamlet. 1964. Lithograph, 43 x 28 1/4"
(109.2 x 71.8 cm). Anonymous gift

Paula Scher, Jim Houghton. Cover for Cheap Trick selftitled album. 1977. Lithograph, 12 1/2 x 12 1/2"
(31.8 x 31.8 cm). Gift of the designer

Martin Sharp. Robert Whitaker. Reaction Records. Album
cover for Cream, Disraeli Gears. 1967. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Paula Scher, John Paul Endress. Album cover for Bob
James, Heads. 1977. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer

Martin Sharp. Big O Posters Inc, London. Peter Ledoboer,
London. Blowin’ in the Mind, Mister Tambourine Man.
1967. Screenprint with foil, 30 x 20" (76.2 x 50.8 cm).
Committee on Architecture and Design Funds

Paula Scher, Philip Hays. Album cover for Muddy Waters,
I’m Ready. 1977. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer
Paula Scher. Album cover for Gary Graffman performing
Bartók, Prokofiev, and Lees. 1978. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Gift of the designer

John “Teflon” Sims, David Storey, Rick Mann. Album coverfor The Selecter, Too Much Pressure. 1980. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Committee on
Architecture and Design Funds

Paula Scher, John Paul Endress. Album cover for Bob
James, Touchdown. 1978. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer

Donald Smith. Folkways Records, New York. Cook
Laboratories Records. Album cover for Cook Sounds of
Our Times, The Voice of Mexico. c. 1955–66. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds

Paula Scher, John Paul Endress. Album cover for Wilbert
Longmire, Sunny Side Up. 1978. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Gift of the designer

Eloise Vega Smith. Album cover for Urszula Dudziak,
Newborn Light. 1974. Lithograph, 12 1/2 x 12 1/4" (31.8 x
31.1 cm). Committee on Architecture and Design Funds

Paula Scher, Art Kane. Album cover for Johnny WinterWhite, Hot & Blue. 1978. Lithograph, 12 3/8 x 12 1/4"
(31.4 x 31.1 cm). Gift of the designer

W. Eugene Smith. Columbia Records. Cover for Monk
self-titled album. 1964. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds

Paula Scher, Arnold Rosenberg. Album cover for Bob
James and Earl Klugh, One on One. 1979. Lithograph,
12 3/8 x 12 3/8" (31.4 x 31.4 cm). Gift of the designer

György Soós. Test Dept Budapest. 1987. Lithograph,
11 1/4 x 16 5/16" (28.5 x 41.5 cm). Committee on
Architecture and Design Funds

Paula Scher, Janet Perr, Arnold Rosenberg. Cover for Mi
Sex 12" single “Computer Games." 1979. Lithograph,
12 3/8 x 12 1/2" (31.4 x 31.8 cm). Gift of the designer.
Paula Scher, John Paul Endress. Album cover for Bob
James, H. 1980. Lithograph, 12 3/8 x 12 3/8" (31.4 x 31.4
cm). Gift of the designer

Tamás Soós. Ali Eszter 111, Tátrai Török T and eM, Bp.
Service (Ali Eszter 111, Tátrai Török T. and the Bp.
Service Band). 1980s. Lithograph, 16 9/16 x 11 5/8" (42 x29.5 cm). Committee on Architecture and Design Funds
Tamás Soós. Bp. Service Cs.V. Mu"hely (Bp. Service Band
Cs.V. Workshop Band). 1986. Lithograph, 16 5/16 x 11 1/4"
(41.5 x 28.5 cm). Committee on Architecture and
Design Funds

Oskar Schlemmer. Bauhaus Ausstellung Weimar Juli
Sept 1923. 1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm).
Committee on Architecture and Design Funds
Kurt Schmidt. Bauhaus Ausstellung Weimar. 1923.
Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee on
Architecture and Design Funds

Static Kling. Album cover for impLOG, Holland Tunnel
Dive. 1980. Lithograph, 12 3/8 x 12 3/8" (31.4 x 31.4 cm).
Committee on Architecture and Design Funds

Kurt Schmidt. Bauhaus Ausstellung Weimar 1923. 1923.
Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee on
Architecture and Design Funds

Sam Suliman. Album cover for Sizzling Strings, Castanets,
and Percussion. 1975. Lithograph, 12 1/2 x 12 1/2" (31.8
x 31.8 cm). Committee on Architecture and Design Funds

44

"ver
György Szabó. BP.Service Zajterápia és hangmano(Bp. Service Band: Noise Therapy and Sound Maneuver).
1984. Lithograph, 16 9/16 x 11 7/16" (42 x 29 cm).
Committee on Architecture and Design Funds

Piotr Tofil. Dezerter. Album cover for Dezerter,
Kolaboracja II. 1989. Lithograph, 12 3/8 x 12 1/4" (31.4 x
31.1 cm). Committee on Architecture and Design Funds

György Szabó. Barlangkoncert. 1985. Lithograph,
11 13/16 x 16 9/16" (30 x 42 cm). Committee on Architecture
and Design Funds

Rafael Tufiño. M.R. Warrek, Exposicion de Esculturas.
1965–66. 30 x 20 1/4" (76.2 x 51.4 cm). Anonymous gift

György Szabó. László= Lugo. Koncert az Almássy téri"központban (Art deco, Bp. Service Band, Cs.V.
SzabadidoWorkshop Band, Atlantis Bear Funeral (Atlantisz Medvetor)
Performances concert). 1986. Lithograph, 16 5/16 x 11 1/4"
(41.5 x 28.5 cm). Committee on Architecture
and Design Funds

Rafael Tufiño. Exposicion y venta de arte al aire libre.
1967. Anonymous gift
Rafael Tufiño. 4th International Theater Festival, PuertoRico. 1968. Silkscreen, 26 1/2 x 19" (67.3 x 48.3 cm).
Anonymous gift

György Szabó. Rocktár (Rock Collection). 1986. Lithograph.
11 13/16 x 16 9/16" (30 x 42 cm). Committee on Architecture
and Design Funds

Rafael Tufiño. Fiesta de la Musica. 1968. Anonymous gift

György Szabó. Bp. Service Band. 1987. Silkscreen,
16 9/16 x 11 13/16" (42 x 30 cm). Committee on Architecture
and Design Funds

Rafael Tufiño, Lorenzo Homar. La Carreta. c. 1970.
31 x 21" (78.7 x 53.3 cm). Anonymous gift
Unknown designer. Album cover for The Art of Jazz Piano.
1956. Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee
on Architecture and Design Funds"fi Csarnok
György Szabó. Monteverdi Birkózókör Peto"fi Hall). 1987.
(Monteverdi Wrestling Ring at the Peto
Lithograph, 11 x 16 9/16" (28 x 42 cm). Committee on
Architecture and Design Funds

Unknown designer. Album cover for Jorge Zulueta
playing Claude Debussy: la obra completa para piano(the complete piano works) vol. 4. c. 1966. Lithograph.
Committee on Architecture and Design Funds

György Szabó. Alternativ Klub. 1988. Lithograph,
16 1/8 x 11 5/8" (41 x 29.5 cm). Committee on
Architecture and Design Funds

Unknown designer. Rasch Brothers & Co. Bauhaus
wallpaper book. c. 1937. Lithograph. 9 x 8 3/4" (22.9 x
22.2 cm). Committee on Architecture and Design Funds"vészeti Hadifegyverek (Weapons ofGyörgy Szabó. Új Mo
the New Art). 1988. Lithograph, 16 9/16 x 11 13/16"(42 x 30 cm). Committee on Architecture and Design Funds
Alicja Szubert Olszewska. Album cover for the 23rd
International Festival of Contemporary Music, Warsaw.
1979. Lithograph, 12 1/4 x 12 1/4" (31.1 x 31.1 cm). Committee on Architecture and Design Funds
Alicja Szubert Olszewska. Album cover for music to accompany a performance of Jan Kochanowski’s “Treny,”
composed by Andrzejż Biean. c. 1980. Lithograph,
12 1/4 x 12 1/8" (31.1 x 30.8 cm). Committee on Architecture
and Design Funds
György Szász. Cro magnon i Cola (Cro magnon Coke).
1980s. Lithograph, 11 5/8 x 16 9/16" (29.5 x 42 cm).
Committee on Architecture and Design Funds
Georg Teltscher. Bauhaus Ausstellung Weimar 1923.
1923. Lithograph, 5 7/8 x 3 15/16" (15 x 10 cm). Committee
on Architecture and Design Funds

Bradbury Thompson. Westvaco Inspirations for Printers.
1945. 1958. Lithograph, 12 x 9" (30.5 x 22.9 cm). Giftof Lawrence Wolfson

Unknown designer. Cover for Massive Attack 12" single“Unfinished Sympathy.” 1998. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Committee on Architecture and
Design Funds
Unknown designer. Album cover for Dezerter, Wszyscy
Przeciwko Wszystkim. 1990. Lithograph, 12 1/4 x 12 1/4"
(31.1 x 31.1 cm). Committee on Architecture and
Design Funds
Unknown designer. Exposicion de Grabados de Pintoresy Escultures Contemporaneos. 1966. Anonymous gift
Unknown designer. Pinturas y Esculturas, Museo UPR.
1967. Anonymous gift
Unknown designer. Balossi Cubiña, Sala de Exposiciones
UPR. 1968. Anonymous gift
Unknown designer. Borinquen 12, Exposicion de Pinturas.
1968. Anonymous gift

45

Unknown designer. Exposicion Colectiva: Balossi,
Buscaglia, Daubercies, Dirube, Marin, Paisley, Ruiz.
1968. 25 x 19" (63.5 x 48.3 cm). Anonymous gift

Unknown designer. Lacht El Bahhtar, Cro magnoni Cola.
c. 1980s. Lithograph, 10 13/16 x 15 3/16" (27.5 x 38.5 cm).
Committee on Architecture and Design Funds

Unknown designer. Exposicion Lopez del Campo. 1968.
30 x 22" (76.2 x 55.9 cm). Anonymous gift

Unknown designer. Arshile Gorky exhibition. c. 1950s.
Lithograph. Anonymous gift

Unknown designer. Julio Plaza exhibition, Puerto Rico
University. 1968. 23 3/4 x 17 1/4" (60.3 x 43.8 cm).
Anonymous gift

Unknown designer. MoMA: Japanese Architecture Well
Received. c. 1955. Anonymous gift
Unknown designer. MoMA: Understanding Through Art.
c. 1955. Anonymous gift

Unknown designer. Ana de los Milagros (The Miracle
Worker). 1968. 30 x 17" (76.2 x 43.2 cm). Anonymous gift

The Japan Foundation, New York. Unknown designer.
Magic Suitcases! The KaZeNoKo Theatre of Japan:
Plays for Children. c. 1960. Lithograph. Anonymous gift

Unknown designer. Carlos Irizarry Exhibition. 1970.
25 x 19" (63.5 x 48.3 cm). Anonymous gift
Unknown designer. Exposicion CFE 70. 1970.
Anonymous gift

Unknown designer. Album cover for the International
Festival of Contemporary Music, Warsaw. 1970. Lithograph,
12 1/4 x 12 1/4" (31.1 x 31.1 cm). Committee on
Architecture and Design Funds

Unknown designer. Otra vez siento bajo mis talons elcostillar de rocinante; vuelvo al camino con mi adarga
al brazo. 1972. Screenprint. Anonymous gift

Unknown designer. W. Pawelec. Album cover for Czesław
Niemen, Sukces. 1968. Lithograph, 12 1/4 x 12 1/4" (31.1
x 31.1 cm). Committee on Architecture and Design Funds

Unknown designer. Emilio Sanchez. 1972. Lithograph.
Anonymous gift

Velazquez Ribero. Festival de las Artes. 1972.
Anonymous gift

Unknown designer. Morir por la Patria es Vivir (To Die
for Your Country Is to Live Forever). 1976. Silkscreen.
Gift of the Circulo de Cultura Cubana Inc.

J. Rosado Velez. 2de Feria de Artisanias, Mayaguez,
Puerto Rico. 1968. 24 x 17 7/8" (61 x 45.4 cm).
Anonymous gift

Unknown designer. Poesia. 1977. 29 3/4 x 20"(75.6 x 50.8 cm). Anonymous gift

J. Rosado Velez. Sing Out Puerto Rico. 1968. 24 x 18"(61 x 45.7 cm). Anonymous gift

Unknown designer. Soto: Exposition de Sénanque. 1978.
Anonymous gift
Unknown designer. Todo tiene su historia… Escuche Girala Rueda del Tiempo. c. 1960s. Anonymous gift

Massimo Vignelli, Beatriz Cifuentes, Yoshiki Waterhouse.
New York City Subway Diagram. 2012. 45 x 36" (114.3
x 91.4 cm). Gift of the designers

Unknown designer. El Ambiente Maximal por RafaelRivera Garcia. c. 1969. 23 x 19" (58.4 x 48.3 cm).
Anonymous gift

András Wahorn. Album cover for A.E. Bizottság, Kalandra
Fel!. 1983. Lithograph, 12 3/8 x 12 3/8" (31.4 x 31.4 cm).
Gift of the designer

Unknown designer. Expropiado (Expropriated). c. 1971.
Silkscreen, 29 5/8 x 21" (75.2 x 53.3 cm). Anonymous gift

András Wahorn. Album cover for A.E. Bizottság,
Jégkrémbalett. 1984. Lithograph, 12 3/8 x 12 3/8"
(31.4 x 31.4 cm). Gift of the designer

Unknown designer. 1 2 3, U.P. U.P. U.P. (Unidad Popular).
c. 1972. Silkscreen, 29 5/8 x 21 1/4" (75.2 x 54 cm).
Anonymous gift
Unknown designer. La América del Che. c. 1972.
Screenprint. 29 7/8 x 19 3/4" (75.9 x 50.2 cm).
Anonymous gift
Unknown designer. La América del Che (Castro). c. 1972.
Screenprint. Anonymous gift

András Wahorn. Bizottsag Ego spray. 1982. Lithograph,
16 1/2 x 12 3/16" (41.9 x 31 cm). Committee on
Architecture and Design Funds
András Wahorn. Catastrophe Music Tour all over Europe‘85. 1985. Screenprint on self adhesive aluminum,
27 1/2 x 19 11/16" (69.9 x 50 cm). Committee on
Architecture and Design Funds

46

András Wahorn. Kontroll a Bizottsag elott (Bizottsag under
Kontroll). c. 1982. Lithograph, 16 1/2 x 12 3/16" (41.9 x
31 cm). Committee on Architecture and Design Funds
András Wahorn. A.E. Bizottsag ujra Magyarorszagon(The A.E. Bizottsage back to Hungary). c. 1983.
Lithograph, 16 1/2 x 12 3/16" (41.9 x31 cm). Committee
on Architecture and Design Funds.
Andy Warhol. Billy Name. Craig Braun. Ernie Cefalu. John
Pasche. Rolling Stones Records. Album cover for The
Rolling Stones, Sticky Fingers. 1971. Lithograph withmetal zipper, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds
Dan Weiner. Album cover for Glenn Gould Performing
Bach: The Goldberg Variations. 1955. Lithograph,
12 x 12" (30.5 x 30.5 cm). Committee on Architecture
and Design Funds
J. Edith Wise. New York School of Applied Design for
Women. 1907–08. Lithograph, 7 3/8 x 5" (18.7 x 12.7 cm).
Anonymous gift
Tony Wright. Richard Polak. Island Records. Album coverfor Traffic, The Low Spark of High Heeled Boys. 1971.
Lithograph, 12 x 12" (30.5 x 30.5 cm). Committee on
Architecture and Design Funds
Tony Wright. Cover for The B-52’s self-titled album.
1979. Lithograph, 12 1/4 x 12 1/4" (31.1 x 31.1 cm).
Committee on Architecture and Design Funds
Yoji Yamamoto. untitled. 1984. Anonymous gift
Tadanori Yokoo. Columbia Records. Album cover for
Santana, Amigos. 1976. Lithograph, 12 x 12" (30.5 x
30.5 cm). Committee on Architecture and Design Funds
Andrzej Zborski. Album cover for Krzysztof Penderecki,
Dies Irae (Auschwitz Oratorium)/Polymorphia/De
Natura Sonoris. 1968. Lithograph, 12 1/4 x 12 1/4" (31.1
x 31.1 cm). Committee on Architecture and Design Funds

PROMISED GIFT
Wells Coates. E. K. Cole Ltd, est. 1924. Radio (model
AD 65). 1932. Manufacturer: E. K. Cole Ltd, est. 1924.
Bakelite, stainless steel, and woven cloth, 15 15/16 x
15 9/16 x 8 1/4" (40.5 x 39.5 x 21 cm). Promised gift ofGeorge R. Kravis II

47

Drawings and Prints
A total of 400 works were acquired by the Department of Drawings and Prints.

Tomma Abts. Untitled #1B. 2013. Colored pencil andpencil on paper, 33 1/8 x 23 3/8" (84.1 x 59.4 cm).
Acquired through the generosity of The Contemporary
Drawing and Print Associates of The Museum of Modern
Art in memory of Riva Castleman

Etel Adnan. Late Afternoon Poem. 1968. Artist’s book:ink and watercolor on paper, open: 7 x 105 1/2" (17.8 x
268 cm); closed: 7 x 4 5/8 x 1/2" (17.8 x 11.7 x 1.3 cm).
Committee on Drawings and Prints Fund

Tomma Abts. Untitled #1. 2013. Colored pencil and pencil
on paper, 33 1/8 x 23 3/8" (84.1 x 59.4 cm). Acquired
through the generosity of The Contemporary Drawing and
Print Associates of The Museum of Modern Art in memoryof Riva Castleman
Tomma Abts. Untitled (brushstroke). 2009. Aquatint,
etching, and drypoint, plate: 17 5/8 x 12 15/16" (44.8
x 32.8 cm); sheet: 23 1/16 x 17 11/16" (58.5 x 45 cm).
Publisher and printer: Crown Point Press, San Francisco.
Edition: 20. Acquired through the generosity of The
Contemporary Drawing and Print Associates of The
Museum of Modern Art in memory of Riva Castleman

Tauba Auerbach. Type Specimen Portfolio. 2006–14.
Portfolio of 18 double-sided screenprints, composition:
dimensions vary; sheet (each): 24 1/2 × 19 1/2" (62.2 ×
49.5 cm). Publisher: Diagonal Press, New York. Printer:
Axelle Editions, New York. Edition: unlimited. Estate of
Ruth Vollmer (by exchange)

Tomma Abts. Untitled (diagonals). 2009. Aquatint withetching, plate: 17 15/16 x 12 7/8" (45.6 x 32.7 cm); sheet:
23 3/8 x 17 13/16" (59.3 x 45.3 cm). Publisher and printer:
Crown Point Press, San Francisco. Edition: 20. Acquired
through the generosity of The Contemporary Drawing and
Print Associates of The Museum of Modern Art in memoryof Riva Castleman
Tomma Abts. Untitled (5 spots). 2009. Aquatint withetching, plate: 18 1/16 x 12 7/8" (45.8 x 32.7 cm); sheet:
23 1/4 x 17 11/16" (59.1 x 45 cm). Publisher and printer:
Crown Point Press, San Francisco. Edition: 20. Acquired
through the generosity of The Contemporary Drawing and
Print Associates of The Museum of Modern Art in memoryof Riva Castleman
Tomma Abts. x. 2009. Etching with aquatint, plate:
17 15/16 x 12 3/4" (45.6 x 32.4 cm); sheet: 23 3/8 x
17 3/4" (59.3 x 45.1 cm). Publisher and printer: Crown
Point Press, San Francisco. Edition: 20. Acquired throughthe generosity of The Contemporary Drawing and Print
Associates of The Museum of Modern Art in memory of
Riva Castleman
Tomma Abts. Untitled (triangle). 2009. Aquatint, plate:
18 x 12 7/8" (45.7 x 32.7 cm); sheet: 23 3/8 x 17 3/4"
(59.3 x 45.1 cm). Publisher and printer: Crown Point
Press, San Francisco. Edition: 20. Acquired throughthe generosity of The Contemporary Drawing and Print
Associates of The Museum of Modern Art in memory of
Riva Castleman

Carl Andre. First Five Poems. c. 1959. Artist’s book,letterpress printed, page (each): 5 3/8 x 4 1/4" (13.6 x
10.8 cm); overall (irreg.): 6 1/8 x 4 5/8" (15.5 x 11.7 cm).
Publisher: the artist, New York. Edition: 8 (2 signed andnumbered copies of which this example is numbered II,
and 6 unsigned and numbered copies). John B. Turner FundJo Baer. Replica: White Horizontal (yellow line). 1965.
Oil on synthetic polymer paint on paper, mounted onsynthetic polymer sheet, 8 x 10" (20.3 x 25.4 cm). Gift ofRona and Richard Roob
Fiona Banner. All the World’s Fighter Planes. 1982–
2006. Pencil on 57 pieces of paper, various dimensions.
Committee on Drawings and Prints Fund
Fiona Banner. The Vanity Press Archive. 1994–2014.
Archive of Vanity Press objects, including artist’s books,
posters, t-shirts, and other editioned ephemera, various
dimensions. Publisher: The Vanity Press, London.
Anonymous gift
Romare Bearden. Autumn Lamp. 1983. Cut-and-pasted
painted paper, fabric, and metallic foil with oil, ink, andpencil on board, 40 x 31" (101.6 x 78.7 cm). Gift ofProfessor and Mrs. Nathan I. Huggins.
Romare Bearden. Untitled (Brenda). 1984. Watercolor on
paper, 22 1/4 x 18 3/8" (56.5 x 46.7 cm). Gift of Professor
and Mrs. Nathan I. Huggins
Robert Blackburn. Heavy Forms (Pink). 1958. Lithograph,
15 3/4 x 19 1/2" (40 x 49.5 cm). Publisher: unpublished.
Printer: the artist. Edition: unique. Gift of the artist’s estate
Robert Blackburn. Faux Pas. 1960. Lithograph, 22 x
16 1/2" (55.9 x 41.9 cm). Publisher and printer: theartist. Edition: unknown. Gift of the artist’s estate48

Robert Blackburn. Untitled. 1960–74. Lithograph, 7 3/4 x
5 1/2" (19.7 x 14 cm). Publisher and printer: the artist.
Edition: unknown. Gift of the artist’s estate
Robert Blackburn. Heavy Forms. 1962. Lithograph,
15 3/4 x 19 1/2" (40 x 49.5 cm). Publisher and printer: theartist. Edition: 12. Gift of the artist’s estateLouise Bourgeois. Ode à la Bièvre. 2007. Illustrated bookwith 24 reproductions after fabric illustrated book, andtwo digitally printed photographs, 11 3/8 x 15 5/8" (28.9 x
39.7 cm). Gift of the artist
Joe Bradley. Untitled. 2014. Digital print on newsprint,
composition and sheet: 28 1/4 x 21 1/2" (71.7 x 54.6
cm). Publisher: Exhibition A, New York. Printer: unknown.
Edition: 100. Monroe Wheeler Fund

Matthew Brannon. Hors d’oeuvres. 2014. Artist’s bookwith screenprint, page: dimensions vary; overall (closed):
20 1/16 x 22 1/16 x 3/16" (51 x 56 x 0.5 cm). Publisher:
Christophe Daviet Thery, Paris. Printer: Sarah Shebaro.
Edition: 25. Monroe Wheeler Fund

Merce Cunningham. Notes for Roaratorio. 1983. Felt-tip
pen on 24 pieces of paper, each: 11 5/8 x 7 3/4" (29.5 x
19.7 cm). Gift of Amy Baker Sandback in honor of
Margarete Roeder
Jeremy Deller. The History of the World. 1998.
Screenprint, sheet: 26 x 43 3/4" (66 x 111.1 cm).
Publisher: Paul Stolper, London. Printer: Central SaintMartins College of Art and Design. Edition: 100. Deborah
Wye Endowment Fund

Kerstin Brätsch. Unstable Talismanic Rendering 10 (withgratitude to master marbler Dirk Lange). 2014. Ink andsolvent on paper, 109 x 72" (276.9 x 182.9 cm). Gift ofMarie Josée and Henry R. Kravis
Luis Camnitzer. Restoration. 1972. Pencil on graph paper
mounted on board, 14 1/8 x 10 1/8" (35.8 x 25.7 cm).
Latin American and Caribbean Fund

Valentin Carron. Bell (for Parkett no. 93). 2013. Multipleof bronze and wood, 6 5/16 x 2 3/4 x 2 3/4" (16 x 7 x 7 cm).
Publisher: Parkett Publishers, Zurich and New York.
Edition: 35. Committee on Drawings and Prints Fund
José Guillermo Castillo. Untitled (A–J). 1967. Series often etching and embossings, plate (each): dimensions
vary; sheet (each): 14 9/16 x 14 7/8" (37 x 37.8 cm).
Publisher and printer: New York Graphic Workshop, New
York. Edition: only known complete set from the edition of
30. Latin American and Caribbean Fund

Bruce Conner. Dennis Hopper One Man Show, Volume I,
Volume II, Volume III. 1971–73. Twenty six etchingsbound into three volumes; volume I: 18 1/2 x 15 1/2" (47x 39.4 cm); volume II: 20 x 17 1/4" (50.8 x 43.8 cm);volume III: 24 x 19 1/4" (61 x 48.9 cm). Publisher andprinter: Crown Point Press, San Francisco. Edition: 10
each. Riva Castleman Endowment Fund
Joseph Cornell. Untitled (Teapot/Grand Hotel Couronne& Poste). c. 1965. Cut and pasted printed paper andgelatin silver print, pencil, gouache, crayon, and ink on
printed paper on board, in artist’s frame; frame: 18 x
15 x 1 7/8" (45.7 x 38.1 x 4.8 cm). Elizabeth T. Hoard
BequestJoe Brainard. Untitled. 1971. Pencil and colored ink on
paper, 13 5/8 x 10 5/8" (34.6 x 27 cm). Committee on
Drawings and Prints Fund

Leonora Carrington. Woman on a Bicycle. n.d. Ballpoint
pen on paper, 14 x 17" (35.6 x 43.2 cm). Gift of Lynn
Hershman Leeson

Sandra Cinto. Score (Partitura). 2014. Artist’s book,lithograph with ink additions on a wooden base, 5 1/8
x 11 x 13 1/16" (13 x 27.9 x 33.2 cm). Publisher: IkrekEdições, São Paulo. Printer: Graphias casa da gravura,São Paulo. Edition: 15, each unique. Latin American and
Caribbean Fund

Jeremy Deller. I’d Rather be Reading. 2013. Screenprinton Plexiglas, 9 13/16 x 23 5/8 x 3/16" (25 x 60 x 0.5 cm).
Publisher: Printed Matter, New York. Printer: Kayrock
Screenprinting, Inc., New York. Edition: 100 (50 pink,
50 yellow). Deborah Wye Endowment Fund
Jeremy Deller. I’d Rather be Reading. 2013. Screenprinton Plexiglas, 9 13/16 x 23 5/8 x 3/16" (25 x 60 x 0.5 cm).
Publisher: Printed Matter, New York. Printer: Kayrock
Screenprinting, Inc., New York. Edition: 100 (50 pink,
50 yellow). Deborah Wye Endowment Fund
Jeremy Deller. Odds and Sods (for Parkett no. 95).
2014. Portfolio of five screenprints, each: 17 11/16 x
11 13/16" (45 x 30 cm). Publisher: Parkett Publisher,
Zurich and New York. Printer: Atelier für Siebdruck,
Lorenz Boegli. Edition: 35. Gift of Mr. and Mrs. Lawrence
Saper (by exchange)
Marlene Dumas. The Start of It All/Other People’s
Babies. 1987. Watercolor and ink on paper, 11 7/8 x
9 1/2" (30.2 x 24.1 cm). Gift of Jan Christiaan Braunin honor of Candace King Weir

49

Matías Duville. Caravan (Caravana). 2011. Charcoal
on paper, 59 1/8 x 113 3/8" (150.2 x 288 cm). Gift ofEduardo Hochschild through the Latin American and
Caribbean Fund
Felipe Ehrenberg. Fun Fair Sites. 1973. Ink, coloredpencil, stamped ink, and cut and pasted paper on printed
paper, 8 1/4 x 5 3/4" (21 x 14.6 cm). Latin American and
Caribbean Fund
Felipe Ehrenberg. Mimeomap Stretching Distances II.
1973. Printed ink on paper, 8 1/4 x 11" (21 x 27.9 cm).
Latin American and Caribbean Fund
Felipe Ehrenberg. Mecanographic synphony. 1972.
Electrofax and ballpoint pen, 8 1/2 x 10 1/2" (21.6 x
26.7 cm). Latin American and Caribbean Fund
Nicole Eisenman. Tunnel of Love. 1998. Ink on gessoed
paper, 44 1/2 x 54 1/2" (113 x 138.4 cm). Gift of Martin
and Rebecca Eisenberg
Mark Fox. Jeezlepete III. 2013. Intaglio construction,
24 3/4 x 55 x 2" (62.9 x 139.7 x 5.1 cm). Publisher andprinter: Universal Limited Art Editions, Bay Shore, NY.
Edition: 15. Acquired through the generosity of Mary M.
and Sash A. Spencer
Mark Fox. through. 2013. Etching, plate: 23 5/8 x 17 1/2"
(60 x 44.5 cm); sheet: 32 5/8 x 25 1/2" (82.8 x 64.8 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 15. Acquired through the generosity of
Mary M. and Sash A. Spencer
Mark Fox. till. 2013. Etching, plate: 23 5/8 x 17 1/2" (60x 44.5 cm); sheet: 32 5/8 x 25 1/2" (82.9 x 64.8 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 15. Acquired through the generosity of
Mary M. and Sash A. Spencer
Mark Fox. to. 2013. Etching, plate: 23 5/8 x 17 1/2" (60x 44.5 cm); sheet: 32 5/8 x 25 1/2" (82.8 x 64.8 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 15. Acquired through the generosity of
Mary M. and Sash A. Spencer
Mark Fox. toward. 2013. Etching, plate: 23 5/8 x 17 1/2"
(60 x 44.5 cm); sheet: 32 5/8 x 25 1/2" (82.8 x 64.8 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 15. Acquired through the generosity of
Mary M. and Sash A. Spencer
Mark Fox. near. 2014. Etching, plate: 23 5/8 x 17 1/2"
(60 x 44.5 cm); sheet: 32 11/16 x 25 9/16" (83 x 65 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 21. Acquired through the generosity of
Mary M. and Sash A. Spencer

Mark Fox. next. 2014. Etching, plate: 23 5/8 x 17 1/2"
(60 x 44.5 cm); sheet: 32 11/16 x 25 9/16" (83 x 65 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 21. Acquired through the generosity of
Mary M. and Sash A. Spencer
Mark Fox. notwithstanding. 2014. Etching, plate: 23 5/8
x 17 1/2" (60 x 44.5 cm); sheet: 32 11/16 x 25 9/16" (83x 65 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 21. Acquired through thegenerosity of Mary M. and Sash A. Spencer
Cyprien Gaillard. An Urgent Message about the Great
Organ (for Parkett no. 94). 2014. Multiple of aluminumwith screenprint, 8 7/8 × 3 3/4 × 4 1/2" (22.5 × 9.5 ×
11.5 cm). Publisher: Parkett Publishers, Zurich and New
York. Printer: Atelier für Siebdruck Lorenz Boegli, Zürich.
Edition: 35. Gift of Mr. and Mrs. Lawrence Saper (byexchange)
Gilbert & George. A Magazine Sculpture for StudioInternational May 1970. 1970. Letterpress and relief
halftone printed periodical, overall (closed): 12 3/16 x
9 13/16 x 1 9/16" (31 x 25 x 4 cm); overall (open): 12 3/16 x
20 11/16" (31 x 52.5 cm). Publisher: Studio International,
Cory, Adams & Mackay Limited, London. Printer: W & J
Mackay & Co Limited, Chatham, England. Edition:
unknown. Henry Church Fund (by exchange)
Gilbert & George. Artist’s Culture from The Limericks.
1971. One from a series of eight letterpress and line
block cards. Publisher: Art for All, London. Edition: 25.
Gottesman Fund (by exchange)
Simryn Gill. Insomnia. 2013. Multiple of leaded glass
and wooden box, overall (box): 3 1/4 x 4 7/16 x 13 1/2"
(8.2 x 11.2 x 34.3 cm). Publisher: Tracy Williams Ltd andBeyer Projects, New York. Fabricator: Beyer Projects, New
York. Edition: 35. Gift of the artist, Tracy Williams Ltd andBeyer Projects
Robert Gober. Study for Slip Covered Armchair. 1986.
Pencil on cut and folded transparentized paper withpressure-sensitive tape, 30 x 33 1/2" (76.2 x 85.1 cm).
Acquired through the generosity of Maja Oeri and Hans
Bodenmann in honor of David Rockefeller
Robert Gober. Keep Away from the Window. 2014.
Handmade book with cast glass and color photographs,
overall: 8 1/2 × 6 3/8 × 1 1/4" (21.6 × 16.2 × 3.2 cm).
Publisher: Triple Canopy, Inc. Edition: 20. The Sue andEdgar Wachenheim III Endowment
Dan Graham. Figurative. 1965, printed 1968. Offset
printed periodical, page: 12 3/8 × 9 1/2" (31.4 × 24.2 cm);
overall (closed): 12 3/8 × 9 1/2 × 1/2" (31.4 × 24.2 ×
1.2 cm). Edition: unknown. Anonymous gift

50

Wade Guyton. 1 Month Ago. 2014. Artist’s book, page(each): 10 3/4 x 7 7/8" (27.3 x 20 cm); overall (closed):
10 3/4 x 8 x 13/16" (27.3 x 20.3 x 2 cm). Publisher:
Karma, New York. Edition: 500. Monroe Wheeler Fund
Richard Hamilton. The Critic Laughs. 1971–72/2014.
Multiple of electric toothbrush, false teeth, and box,
overall (box): 10 5/8 x 4 5/16 x 2 3/8" (27 x 11 x 6 cm).
Publisher: Edition René Block, Berlin. Edition: 60
announced; approx. 20 realized 1972; 40 realized 2014.
Committee on Drawings and Prints Fund
Lyle Ashton Harris. Untitled (Triptych). 2014. Set ofthree screenprints, composition (each): 35 x 24" (88.9 x
61 cm); sheet (each): 42 x 30" (106.7 x 76.2 cm).
Publisher and printer: Brand X Editions, New York.
Edition: 25. Gift of the artist
Michael Heizer. 45°, 90°, 180°. c. 1982. Lithograph withballpoint pen additions, sheet: 17 15/16 x 32 7/8" (45.5
x 83.5 cm). Gift of Phyllis Andersen in memory of her
husband Wayne Andersen
Michael Heizer. Preparatory material for Levitated Mass
(1982). c. 1982. Two blueprints, nine gelatin silver prints
and felt-tip pen on paper, dimensions vary. Gift of Phyllis
Andersen in memory of her husband Wayne Andersen
Arturo Herrera. Drawing for Arturo Herrera’s Sala TAC,
Caracas, julio 2009. 2009. Ink on paper, 11 x 8 1/2"
(27.9 x 21.6 cm). Gift of the artist
Thomas Hirschhorn. Serie KS 9. 2002. Cut and pasted
printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 12 7/8 x 17 5/8" (32.7 x 44.8 cm). Gift ofMartin and Rebecca Eisenberg
Thomas Hirschhorn. Serie KS 10. 2002. Cut andpasted printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 12 3/4 x 17 3/8" (32.4 x 44.1 cm). Gift ofMartin and Rebecca Eisenberg
Thomas Hirschhorn. Serie KS 23. 2002. Cut andpasted printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 13 3/8 x 17 1/2" (34 x 44.5 cm). Gift ofMartin and Rebecca Eisenberg
Thomas Hirschhorn. Serie KS 27. 2002. Cut andpasted printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 13 5/8 x 18 1/4" (34.6 x 46.4 cm). Gift ofMartin and Rebecca Eisenberg

Thomas Hirschhorn. Serie KS 34. 2002. Cut andpasted printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 12 3/4 x 17 1/2" (32.4 x 44.5 cm). Gift ofMartin and Rebecca Eisenberg
Thomas Hirschhorn. Serie KS 44. 2002. Cut-andpasted printed paper with felt-tip pen, ballpoint pen, andpressure-sensitive tape on paper wrapped in synthetic
polymer sheet, 13 7/8 x 17 3/4" (35.2 x 45.1 cm). Gift ofMartin and Rebecca Eisenberg
Jennie C. Jones. Five Point One Surround. 2014.
Portfolio of five intaglios, plate: dimensions vary; sheet(each): 30 x 22" (76.2 x 55.9 cm). Publisher and printer:
Universal Limited Art Editions, Bay Shore, NY. Edition: 15.
Acquired through the generosity of Mary M. and
Sash A. Spencer
Donald Judd. Untitled. 1961, printed 1979. Woodcut,
composition: 10 1/16 x 17" (25.6 x 43.2 cm); sheet:
22 x 30 1/2" (55.9 x77.5 cm). Publisher: the artist.
Printer: Roy C. Judd, Ramsey, NJ. Edition: 13. Gift ofRona and Richard Roob
Titus Kaphar. The Jerome Project (Asphalt and Chalk)
V. 2014. Chalk on asphalt paper, 49 x 36" (124.5 x
91.4 cm). Fund for the Twenty-First Century
Titus Kaphar. The Jerome Project (Asphalt and Chalk)
XV. 2015. Chalk on asphalt paper, 49 x 36" (124.5 x
91.4 cm). Fund for the Twenty-First Century
Titus Kaphar. The Jerome Project (Asphalt and Chalk)
XVI. 2015. Chalk on asphalt paper, 49 x 36" (124.5 x
91.4 cm). Fund for the Twenty-First Century
Alex Katz. Alex. 2014. Aquatint and photogravure,composition and sheet: 7 3/4 x 10 7/8" (19.7 x 27.6 cm).
Publisher: Schweizerische Graphische Gesellschaft,
Zurich. Printer: Collaborative Art Editions. Edition: 125.
General Print FundBen Kinmont. Antinomian Press Archive – Addendum.
1990–2014. Group of 64 items related to materials
issued by the press. Dimensions vary. Fund for the
Twenty-First Century
Martin Kippenberger. al Vostro servizio. 1977. Artist’sbook, page (each): 8 1/8 x 5 11/16" (20.7 x 14.5 cm);
overall (closed): 8 1/8 x 5 13/16 x 3/8" (20.7 x 14.7 x1 cm). Publisher: Progressiven Verlag(self published),
Hamburg/Florence. Edition: 100. Acquired through thegenerosity of Richard Gerrig and Timothy Peterson

51Martin Kippenberger. A collection of 130 artist’s books.
1979–2000. Publishers and printers: various. Editions:various. Committee on Drawings and Prints Fund andthrough the generosity of Philip E. Aarons

William Leavitt. Untitled (Thunderbird). 1991. Pastel on
paper, 15 1/8 x 44 1/8" (38.4 x 112.1 cm). Bequest of
Adriaan van Ravesteijn

Martin Kippenberger. 19 Gedichte, 1 Geschichte, 1 kt.
Stapel graues Papier, 15 Männer, 1 Superposter anbei.
1980. Artist’s book. Publisher: Existens Verlag, Essen.
Edition: 70. Gift of Gisela Capitain in honor of Ann Temkinand Roxana Marcoci
Martin Kippenberger. Sind die Discos so doof wie ich
glaube, oder bin ich der Doofe. 1984. Artist’s book.
Publisher: Galerie Peter Pakesch, Vienna. Edition: 150.
Purchase
Martin Kippenberger. The Cologne Manifesto. 1985.
Artist’s book. Publisher: Edition Lord Jim Loge, Graz/
Cologne/Hamburg. Edition: 25. Gift of Lawrence Luhring
Martin Kippenberger. Was könt Ihr dafür?. 1986. Artist’sbook. Publisher: Edition Daniel Buchholz, Cologne.
Edition: 15. Gift of Lawrence Luhring
Martin Kippenberger. O Rio de Janeiro besser (richtig).
1987. Artist’s book. Publisher: Martin Kippenberger,
Cologne. Edition: 4. Gift of Lawrence Luhring
Martin Kippenberger. T.O.T. 1988. Artist’s book. Publisher:
Verlag der Buchhandlung Walther König, Cologne. Edition: 9.
Gift of Lawrence Luhring
Ragnar Kjartansson. Theaterstück/Theaterpiece, 2014
(for Parkett no.94). 2014. Multiple of paint on plywood,
6 1/2 x 12 13/16 x 5 1/2" (16.5 x 32.5 x 14 cm). Publisher:
Parkett Publishers, Zurich and New York. Edition: 35. Giftof Mr. and Mrs. Lawrence Saper (by exchange)
Franz Kline. Untitled. 1951. Ink on telephone book page
on board, 11 1/4 x 9" (28.6 x 22.9 cm). Gift of Dr. Irwin
Berman in memory of his wife Linda Berman
Eva Kotátková. Untitled. 2014. Folded book with 54
collages on board, dimensions vary upon installation;folded: 29 1/2 x 12 3/16 x 9 13/16" (75 x 31 x 25 cm). Fundfor the Twenty-First Century
Louise Lawler. Truck. 1978. Offset lithograph, compositionand sheet: 3 1/2 x 5 1/2" (8.9 x 14 cm). Publisher: theartist. Printer: unknown. Edition: unknown. Anonymous gift
Louise Lawler. Volkswagen. 1978. Offset lithograph,composition and sheet: 5 1/2 x 3 1/2" (14 x 8.9 cm).
Publisher: the artist. Printer: unknown. Edition: unknown.
Anonymous gift

William Leavitt. Untitled (Treadmill, ocarina, deep fryer).
1991. Pastel on paper, 15 x 20 3/4" (38.1 x 52.7 cm).
Bequest of Adriaan van Ravesteijn
Sherrie Levine. Barcham Green Portfolio No. 1–5. 1986.
Set of five aquatints, two with photogravure, each: 31 x
22" (78.7 x 55.9 cm). Publisher and printer: Crown Point
Press, San Francisco. Edition: 25. The Sue and Edgar
Wachenheim III Endowment
Samella Lewis. Migrants. 1968. Linoleum cut.
composition: 17 3/16 x 23 7/8" (43.6 x 60.7 cm); sheet:
22 1/8 x 29" (56.2 x 73.7 cm). Publisher and printer: theartist, Los Angeles. Edition: 10. John B. Turner FundSamella Lewis. Twentieth Century Wisemen. 1968.
Woodcut, composition and sheet: 11 13/16 x 5 9/16"(30 x 14.2 cm). Publisher and printer: the artist, Los
Angeles. Edition: 35. John B. Turner FundTony Lewis. P an r the people. 2014. Pencil, graphite
powder, and pressure-sensitive tape on four sheets ofpaper, 83 1/8 x 59 3/4" (211.1 x 151.8 cm). Patricia Orden
Memorial Fund for Contemporary Drawing
Sam Lewitt. TEMPLATE. 2014. Artist’s book with offset,
screenprinted UV coating, and solvent, page (each):
13 3/4 x 9 13/16" (35 x 25 cm); overall (closed): 13 3/4 x
9 13/16 x 1" (35 x 25 x 2.5 cm). Publisher: Three Star
Books, Paris. Printer: Leitzaran Grafikak, Andoain,
Spain, and 2 & 3 Dimensions, Paris. Edition: 6. Monroe
Wheeler Fund
Sol LeWitt. Arcs from Four Corners. 1986. Woodcut,
composition: 18 9/16 x 28 7/16" (47.2 x 72.3 cm); sheet:
23 1/16 x 32 7/16" (58.5 x 82.4 cm). Publisher: Crown
Point Press, San Francisco. Printer: Tadashi Toda, Kyoto.
Edition: artist’s proof aside from the edition of 100. Giftof the LeWitt Family in honor of Sarah Ann andWerner H. Kramarsky
Sol LeWitt. One Cube with Colors Superimposed (Blue).
1988. Screenprint, composition and sheet: 29 15/16 x
94 7/8" (76 x 241 cm). Publisher: the artist. Printer:
Watanabe Studio, Brooklyn, NY. Edition: 10. Gift of the
LeWitt Family in honor of Sarah Ann and Werner H. Kramarsky
Sol LeWitt. Complex Form with Black and White Bands.
1988. Screenprint, composition and sheet: 40 x 55"(101.6 x 139.7 cm). Publisher: Bruno Cora, Italy. Printer:
Watanabe Studio, Brooklyn, NY. Edition: artist’s proof
aside from the edition of 65. Gift of the LeWitt Family inhonor of Sarah Ann and Werner H. Kramarsky

52Sol LeWitt. Bands of Color from Lower Left Corner(Single). 1989. Screenprint, composition and sheet:
36 x 36" (91.4 x 91.4 cm). Publisher: the artist. Printer:
Watanabe Studio, Brooklyn, NY. Edition: 10. Gift of the
LeWitt Family in honor of Sarah Ann and Werner H. Kramarsky

Sol LeWitt. Curvy Brushstrokes I. 1997. Aquatint, plate:
39 3/4 x 14 15/16" (101 x 38 cm); sheet: 52 3/16 x 25 7/8"
(132.5 x 65.7 cm). Publisher and printer: Crown Point
Press, San Francisco. Edition: artist’s proof aside fromthe edition of 25. Gift of the LeWitt Family in honor of
Sarah Ann and Werner H. Kramarsky

Sol LeWitt. Tilted Forms with Colors Superimposed.
1989. Screenprint, composition: 7 1/2 x 41 3/4" (19 x
106 cm); sheet: 10 1/2 x 44 3/4" (26.7 x 113.7 cm).
Publisher: Westfälischer Kunstverein, Münster, Germany.
Printer: Watanabe Studio, Brooklyn, NY. Edition: artist’s
proof aside from the edition of 30. Gift of the LeWitt
Family in honor of Sarah Ann and Werner H. Kramarsky

Sol LeWitt. Irregular, Angular Brushstrokes. 1997.
Aquatint, plate: 39 3/4 x 29 13/16" (101 x 75.7 cm); sheet:
51 3/8 x 40 1/2" (130.5 x 102.9 cm). Publisher andprinter: Crown Point Press, San Francisco. Edition: artist’s
proof aside from the edition of 25. Gift of Parasol Press(by exchange)

Sol LeWitt. A Rectangle Bordered and Divided Verticallyinto Three Equal Squares; One Red, One Yellow; andOne Blue, Each with Black Lines in Four Directions.
1992. Screenprint, composition: 14 1/4 x 40 11/16" (36.2
x 103.4 cm); sheet: 16 1/4 x 42 5/8" (41.2 x 108.3 cm).
Publisher: Livet Reichard, New York. Printer: WatanabeStudio, Brooklyn, NY. Edition: artist’s proof aside from theedition of 125. Gift of the LeWitt Family in honor of
Sarah Ann and Werner H. Kramarsky

Sol LeWitt. Arcs and Bands in Color. 1999/2003.
Screenprint, composition: 29 x 35 3/16" (73.7 x 89.3 cm);sheet: 30 3/4 x 37" (78.1 x 94 cm). Publisher: Fondation
Beyeler, Basel. Printer: Watanabe Studio, Brooklyn, NY.
Edition: artist’s proof aside from the edition of 50. Giftof the LeWitt Family in honor of Sarah Ann andWerner H. Kramarsky
Sol LeWitt. Black Loops & Curves No. 4. 1999. Aquatint,
plate: 35 13/16 x 35 11/16" (91 x 90.7 cm); sheet: 40 x
39 3/4" (101.6 x 101 cm). Publisher and printer: Crown
Point Press, San Francisco. Edition: proof aside from theedition of 10. Gift of Parasol Press (by exchange)

Sol LeWitt. Color Rectangles. 1995. Screenprint,
composition: 29 1/2 x 21 5/8" (75 x 55 cm); sheet:
33 1/2 x 25 9/16" (85.1 x 65 cm). Publisher: Artforce,
Switzerland. Printer: Watanabe Studio, Brooklyn, NY.
Edition: artist’s proof aside from the edition of 80.
Gift of the LeWitt Family in honor of Sarah Ann andWerner H. Kramarsky

Sol LeWitt. Loops & Curves Gray/Gray. 1999. Aquatint,
plate: 35 3/4 x 35 11/16" (90.8 x 90.6 cm); sheet:
39 3/4 x 39 3/4" (101 x 101 cm). Publisher and printer:
Crown Point Press, San Francisco. Edition: artist’s proof
aside from the edition of 20. Gift of the LeWitt Family inhonor of Sarah Ann and Werner H. Kramarsky

Sol LeWitt. Wavy Horizontal Lines/Diptych. 1996.
Aquatint on two sheets, composition: 19 7/8 x 93 11/16"(50.5 x 238 cm); sheet: 27 15/16 x 100" (71 x 254 cm).
Printer: Watanabe Studio, Brooklyn, NY. Edition: 36. Giftof the LeWitt Family in honor of Sarah Ann andWerner H. Kramarsky
Sol LeWitt. Black/Black Curvy Brushstrokes. 1997.
Aquatint, plate: 29 5/8 x 39 11/16" (75.3 x 100.8 cm);sheet: 40 3/8 x 49 7/8" (102.6 x 126.7 cm). Publisher andprinter: Crown Point Press, San Francisco. Edition: artist’s
proof aside from the edition of 10. Gift of the LeWitt
Family in honor of Sarah Ann and Werner H. Kramarsky
Sol LeWitt. Black Curvy Brushstrokes. 1997. Aquatint,
plate: 29 13/16 x 39 3/4" (75.8 x 101 cm); sheet:
40 3/4 x 49 7/8" (103.5 x 126.7 cm). Publisher andprinter: Crown Point Press, San Francisco. Edition: artist’s
proof aside from the edition of 10. Gift of Parasol Press(by exchange)

Sol LeWitt. Purple, Green Curve. 1999. Screenprint,
composition: 6 1/2 x 9 5/8" (16.5 x 24.5 cm); sheet:
6 1/2 x 9 5/8" (16.5 x 24.5 cm). Publisher: Museum
Moderner Kunst Landkreis, Cuxhaven, Otterndorf,
Germany. Printer: Watanabe Studio, Brooklyn, NY. Edition:
30. Gift of the LeWitt Family in honor of Sarah Ann andWerner H. Kramarsky
Sol LeWitt. Isometric Figures. 2002. Series of fivelinoleum cuts, composition (each approx.): 14 15/16 x
24 13/16" (38 x 63 cm); sheet (each approx.): 19 11/16 x
29 1/2" (50 x 75 cm). Publisher: Giabrius S.P.A. Printer:
Watanabe Studio, Brooklyn, NY. Edition: artist’s proof
aside from the edition of 55. Gift of the LeWitt Family inhonor of Sarah Ann and Werner H. Kramarsky
Sol LeWitt. Stars. 2002. Series of six linoleum cuts,composition (each): 23 1/4 x 23 1/4" (59 x 59 cm); sheet(each): 27 x 27" (68.6 x 68.6 cm). Publisher: Parasol
Press, Ltd., New York. Printer: Watanabe Studio, Brooklyn,
NY. Edition: 100. Gift of Parasol Press (by exchange)

53

Sol LeWitt. Isometric Figure with Bars of Color. 2003.
Linoleum cut, composition: 11 15/16 x 12" (30.4 x
30.5 cm); sheet: 16 x 15 7/8" (40.6 x 40.3 cm). Publisher:
Smithsonian Associates, Washington, D.C. Printer:
Watanabe Studio, Brooklyn, NY. Edition: artist’s proof
aside from the edition of 150. Gift of the LeWitt Family inhonor of Sarah Ann and Werner H. Kramarsky

Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 1/2
x 10" (34.3 x 25.4 cm). Latin American and Caribbean Fund
Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 1/2
x 10" (34.3 x 25.4 cm). Latin American and Caribbean Fund

Sol LeWitt. Whirls and Twirls (Black and Grays). 2005.
Linocut, composition: 8 11/16 x 9 11/16" (22 x 24.6 cm);sheet: 10 1/2 x 12 3/8" (26.7 x 31.4 cm). Publisher:
Stamperia d’Arte Carini. Printer: Watanabe Studio,
Brooklyn, NY. Edition: 50. Gift of the LeWitt Family inhonor of Sarah Ann and Werner H. Kramarsky

Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 3/4
x 10 1/8" (34.9 x 25.7 cm). Latin American and
Caribbean Fund

Sol LeWitt. Straight Lines in Four Directions & All Their
Possible Combinations. 1973. Portfolio of 15 etchings,
plus colophon etching. composition (each): 10 1/2 x 10 1/2"
(26.7 x 26.7 cm); sheet (each): 10 1/2 x 10 1/2"
(26.7 x 26.7 cm). Publisher: Parasol Press, Ltd., New
York. Printer: Crown Point Press, Oakland. Edition: 25.
John B. Turner Fund
Erik van Lieshout. Untitled. 2014. Charcoal, synthetic
polymer paint, and vinyl on paper, 59 x 107 7/8" (149.9 x
274 cm). Acquired through the generosity of The
Contemporary Drawing and Print Associates of The
Museum of Modern Art in memory of Riva Castleman
Glenn Ligon. Figure. 2001. Set of 50 screenprints, each:9 x 6" (22.9 x 15.2 cm). Acquired through the generosityof the Contemporary Arts Council of The Museum ofModern Art, Committee on Drawings and Prints Fund andLonti Ebers
Robert Mapplethorpe. Untitled from the portfolio
America. 1988. Lithograph, composition: 26 1/4 x 21 3/4"
(66.6 x 55.2 cm); sheet: 29 3/4 x 24 13/16" (75.5 x 63 cm).
Publisher: Edition Schellmann, Munich New York. Printer:
Vermillion Editions, Minneapolis. Edition: 40. Collectionof Jane and Robert Kantor.
José Carlos Martinat. Ñ. 2013. Found graffiti, glass, fiber,
resin, and paper, 68 7/8 x 89 3/4" (175 x 228 cm). Giftof Eduardo Hochschild through the Latin American and
Caribbean Fund
Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure-sensitive stickers
and cut and pasted printed paper on printed paper,
13 3/4 x 9 7/8" (34.9 x 25.1 cm). Latin American and
Caribbean Fund
Juan Luis Martinez. The Language of Fashion (El lenguaje
de la moda). 1979. Pressure sensitive stickers and cut
and pasted printed paper on printed paper, 13 5/8 x 9 7/8"
(34.6 x 25.1 cm). Latin American and Caribbean Fund

Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 5/8
x 10 1/8" (34.6 x 25.7 cm). Latin American and
Caribbean Fund
Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 5/8
x 9 7/8" (34.6 x 25.1 cm). Latin American and
Caribbean Fund
Juan Luis Martinez. The Language of Fashion (Ellenguaje de la moda). 1979. Pressure sensitive stickers
and cut and pasted printed paper on printed paper, 13 3/8
x 10" (34 x 25.4 cm). Latin American and Caribbean Fund
Juan Luis Martinez. La poesia chilena. 1978. Artist’sbook, page (each): 5 1/8 x 7 3/16" (13 x 18.2 cm); overall(closed): 5 1/8 x 7 9/16 x 9/16" (13 x 19.2 x 1.4 cm).
Publisher: Ediciones Archivo. Printer: unknown, Chile.
Edition 399. Gift of Pedro Montes Lira through the Latin
American and Caribbean Fund
Juan Luis Martinez. La nueva novella. 1985. Artist’sbook, page (each): 10 3/8 x 7 ¼" (26.4 x 18.4 cm);
overall (closed): 10 5/8 x 7 3/8 x 9/16" (27 x 18.8 x 1.4
cm). Publisher: Ediciones Archivo. Edition: 1,000. Giftof Pedro Montes Lira through the Latin American and
Caribbean Fund
Juan Luis Martinez. Aproximación del principio deincertidumbre a un proyecto poético. 2010. Artist’sbook, page (each): 14 9/16 x 10 5/8" (37 x 27 cm;
overall (closed): 14 9/16 x 11 x 9/16" (37 x 28 x 1.5 cm).
Publisher: Édiciones Nómade and Galería D21, Santiago
de Chile. Edition: 150. Gift of Pedro Montes Lira throughthe Latin American and Caribbean Fund54

Juan Luis Martinez. El poeta anonimo (o el eterno
presented de Juan Luis Martinez). 2012. Artist’s book,page (each): 11 9/16 x 7 1/4" (29.3 x 18.4 cm); overall(closed): 11 5/8 x 7 1/2 x 1 3/16" (29.5 x 19 x 3 cm).
Publisher: Cosac Naify. Edition: 1,000. Gift of Pedro
Montes Lira through the Latin American and
Caribbean FundFred W. McDarrah. Shadow Painting, performed during
8th Annual New York Avant Garde Festival, 69th
Regiment Armory, New York, November 19, 1971. 1971,
printed 2014. Five gelatin silver prints, image (each,orientation varies): 9 1/2 x 6 5/16" (24.1 x 16.1 cm). Giftof the Estate of Fred W. McDarrah
Fred W. McDarrah. Yoko Ono and the Plastic Ono Super
Band, Kenny’s Castaways, New York, October, 1973.
1973, printed 2014. Two gelatin silver prints, image(each, orientation varies): 6 3/8 x 9 1/2" (16.2 x 24.1 cm).
Gift of the Estate of Fred W. McDarrah

André Masson. Drama (Massacre) (Drame [Massacre]).
c. 1933, printed 1972. Drypoint, plate: 11 11/16 x 9 5/16"(29.7 x 23.6 cm); sheet: 19 11/16 x 15 15/16" (50 x 40.5cm). Publisher: Blue Moon Gallery, New York. Printer:
Atelier Lacourière et Frélaut, Paris. Edition: 35. Gift ofLawrence Saphire in memory of Alvin Greenstein

Annette Messager. Enveloppe moi. 2013. Boxed set
containing two sets of 15 postcards, one letter, one
photograph, and 10 digital prints, sheet (pigment prints,each): 11 x 14" (27.9 x 35.6 cm). Publisher: Library
Council of The Museum of Modern Art, New York. Printer:
Robert J. Hennessey, Middletown, CT. Edition: 110. Gift of
the Library Council of The Museum of Modern Art

André Masson. Orpheus (Orphée). c. 1933, printed
1972. Etching and drypoint, plate: 11 5/8 x 9 3/16" (29.6
x 23.3 cm); sheet: 16 1/2 x 12 13/16" (41.9 x 32.6 cm).
Publisher: Blue Moon Gallery, New York. Printer: Atelier
Lacourière et Frélaut, Paris. Edition: 50. Gift of Lawrence
Saphire in memory of Rita Simon

Dan Miller. Untitled. 2006. Synthetic polymer paint andpencil on paper, 22 1/4 x 30" (56.5 x 76.2 cm). Gift ofMartin and Rebecca Eisenberg

Fred W. McDarrah. Audience including John Cage at
Fluxorchestra at Carnegie Recital Hall, New York,
September 25, 1965. 1965, printed 2014. Three gelatinsilver prints, image (each): 6 1/4 x 9 1/2" (15.9 x 24.1 cm).
Gift of the Estate of Fred W. McDarrah
Fred W. McDarrah. Sky Piece for Jesus Christ, performed
during Fluxorchestra at Carnegie Recital Hall, New York,
September 25, 1965. 1965, printed 2014. Seven gelatinsilver prints, image (each, orientation varies): 9 1/2 x 6 1/4"
(24.1 x 15.9 cm). Gift of the Estate of Fred W. McDarrah
Fred W. McDarrah. Paper airplane performance during
Fluxorchestra at Carnegie Recital Hall, New York,
September 25, 1965. 1965, printed 2014. Two gelatinsilver prints, image (each): 9 1/2 x 6 5/16" (24.1 x 16.1 cm).
Gift of the Estate of Fred W. McDarrah
Fred W. McDarrah. Eye Bags in The Stone, installation at
Judson Gallery, New York, March, 1966. 1966, printed
2014. Three gelatin silver prints, image (each): 6 5/16 x
9 1/2" (16 x 24.1 cm). Gift of the Estate of Fred W. McDarrah
Fred W. McDarrah. Sunrise Event, performed during
Fourth Avant Garde Festival, Central Park, New York,
September 9, 1966. 1966, printed 2014. Two gelatinsilver prints, image (each): 9 1/2 x 6 5/16" (24.1 x 16 cm).
Gift of the Estate of Fred W. McDarrah
Fred W. McDarrah. Cut Piece, performed during
Fourth Avant Garde Festival, Central Park, New York,
September 9, 1966. 1966, printed 2014. Four gelatinsilver prints, image (each, orientation varies): 6 5/16 x 9 1/2"
(16 x 24.1 cm). Gift of the Estate of Fred W. McDarrah

Moris (Israel Meza Moreno). Captured Territory C(Territorio tornado C). 2015. Spray paint, marker, cut andpasted paper and printed paper, and metallic foil on threepieces of paper, 40 3/16 x 30 7/8" (102 x 78.5 cm). Latin
American and Caribbean Fund
Matt Mullican. Untitled from Signs series. 1980.
Gouache on four pieces of foam core, each 24 x 24"(61 x 61 cm). Gift of Susan Engelhard O’Connor
Ulrike Müller. Curiosity (Drawings). 2005–06. Fifty-one
drawings: pencil and spray paint on paper, each: 11 1/2 x
8 1/2" (29.2 x 21.6 cm). Acquired through the generosityof The Contemporary Arts Council of The Museum ofModern Art
Alice Neel. Sam and Richard. 1940. Oil pastel on coloredpaper, 26 x 20 5/8" (66 x 52.4 cm). Acquired throughthe generosity of Agnes Gund, Sarah Peter, The Modern
Women’s Fund, and gift of Mr. and Mrs. Klaus G. Perls (byexchange), gift of Alexander Calder (by exchange), and giftof Dr. Kuo Yu Shou (by exchange)
Ryan Oakes. Skidmore. 2013. Lithograph, composition:
17 5/8 x 24 5/16" (44.8 x 61.8 cm); sheet: 19 3/4 x 25 9/16"(50.2 x 65 cm). Publisher and printer: Universal Limited
Art Editions, Bay Shore, NY. Edition: 10. Acquired throughthe generosity of Mary M. and Sash A. Spencer

55

Ryan Oakes. Cauli Cosmos. 2014. Intaglio, plate: 13 7/8
x 13 7/8" (35.2 x 35.2 cm); sheet: 20 3/8 x 19 7/8" (51.7
x 50.5 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 25. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Nicolás Paris. Stone, Globe, Caterpillar, Bubble Gum,
Paper Bag, Velvet and Coin (Piedra, Globo, Oruga, Chicle
bomba, Bolsa de papel, Vellut, and Moneda). 2008.
Series of seven lithographs, three with collage additions,composition: dimensions vary; sheet (each): 16 9/16 x
11 5/8" (42 x 29.5 cm). Publisher and printer: Polígrafa
Obra Gráfica, Barcelona. Edition: 75. Latin American and
Caribbean Fund

Ryan Oakes. Pine Cone Rhythm. 2014. Intaglio, plate:
5 7/8 x 5 7/8" (15 x 15 cm); sheet: 15 1/4 x 14" (38.7 x
35.5 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 20. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Nicolás Paris. Astronaut (Astronauta). 2011. Multipleof cut paper with cut and pasted etching. 8 1/4 x 5 7/8 x
3/16" (21 x 15 x 0.5 cm). Publisher and printer: Polígrafa
Obra Gráfica, Barcelona. Edition: 30. Latin American and
Caribbean Fund

Ryan Oakes. Pine Cone Rhythm (Color). 2014. Intaglio,
plate: 5 7/8 x 5 7/8" (15 x 15 cm); sheet: 11 7/16 x 10 5/8"
(29 x 27 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 15. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Nicolás Paris. Graph Bloc (Bloc milimetrado). 2011.
Artist’s book with nine lithographs, page (each): 8 3/16 x
11 11/16" (20.8 x 29.7 cm); overall (closed): 8 1/4 x
11 11/16 x 5/16" (21 x 29.7 x 0.8 cm). Publisher andprinter: Polígrafa Obra Gráfica, Barcelona. Edition: 20.
Latin American and Caribbean Fund

Chris Ofili. The Agony in the Garden. 2007. Portfolio of
11 etchings with aquatint, plate (each): 15 3/4 x 11 3/4"
(40 x 29.8 cm); sheet (each): 20 7/8 x 16 7/8" (53 x42.8 cm). Publisher and printer: Two Palms Press, New
York. Edition: 20. Riva Castleman Endowment Fund

Nicolás Paris. Graph Bloc (Bloc milimetrado). 2011. Setof nine lithographs, composition: varies; sheet (each):
8 1/4 x 12 1/16" (20.9 x 30.7 cm). Publisher and printer:
Polígrafa Obra Gráfica, Barcelona. Latin American and
Caribbean Fund

Uche Okeke. Design for Iron Work I. 1959. Ink on
paper, 11 x 7 1/4" (27.9 x 18.4 cm). Edward John Noble
Foundation
Uche Okeke. Design for Iron Work II. 1959. Ink on
paper, 11 x 7 1/4" (27.9 x 18.4 cm). Edward John Noble
Foundation

Nicolás Paris. Scientist in his test tube (Científico ensu tubo de ensayo). 2011. Multiple of etching, glass,and wood, 7 1/8 x 6 1/4 x 1 1/8" (18.1 x 15.9 x 2.9 cm).
Publisher and printer: Polígrafa Obra Gráfica, Barcelona.
Edition: 30. Latin American and Caribbean Fund

Uche Okeke. Savannah Landscape. 1962. Ink on paper,
10 x 8" (25.4 x 20.3 cm). Edward John Noble Foundation

Nicolás Paris. Giraffe (Jirafa). 2011. Multiple oflithograph and etching, 2 9/16 x 10 3/16 x 1 9/16" (6.5
x 25.8 x 4 cm). Publisher and printer: Polígrafa Obra
Gráfica, Barcelona. Edition: 30. Latin American and
Caribbean Fund

Uche Okeke. Beggar. 1963. Charcoal on paper, 15 x
11 1/2" (38.1 x 29.2 cm). Edward John Noble Foundation
Uche Okeke. Nza The Smart I. 1958. Lithograph. 9 x
7 1/4" (22.9 x 18.4 cm). Publisher and printer: the artist.
Edition: 15. Edward John Noble Foundation

Nicolás Paris. Drawing Pencils (Lápices de dibujo).
2011. Multiple of 19 pencils with lithograph and etching,
7 1/16 x 1 3/16 x 1 3/8" (18 x 3 x 3.5 cm). Publisher andprinter: Polígrafa Obra Gráfica, Barcelona. Edition: 30.
Latin American and Caribbean Fund

Uche Okeke. Fabled Brute. 1959. Lithograph. 10 x
7 1/2" (25.4 x 19.1 cm). Publisher and printer: the artist.
Edition: 15. Edward John Noble Foundation
Nicolás Paris. Doble faz (Twofold). 2007/2011. Pencil
on 66 pieces of paper; artist’s book; and three video
animations, sheet (each): 11 1/8 × 8 1/4" (28.2 × 21 cm).
Latin American and Caribbean Fund

Nicolás Paris. Random Order 1 (Helicopter) (Orden
aleatorio 1 [Helicóptero]). 2011. Multiple of lithographon paper roll, 2 15/16 x 2 9/16 x 2 9/16" (7.5 x 6.5 x
6.5 cm). Publisher and printer: Polígrafa Obra Gráfica,
Barcelona. Edition: 30. Latin American and Caribbean Fund

Nicolás Paris. Hurry Slowly 1 5 (Apresúrate Despacio 1 5).
2008. Series of five lithographs, sheet (each): 21 1/4 x
29 1/8" (54 x 74 cm). Publisher and printer: Polígrafa
Obra Gráfica, Barcelona. Edition: 50. Latin American and
Caribbean Fund

Nicolás Paris. Random Order 2 (Constellation) (Orden
aleatorio 2 [Constelación]). 2011. Multiple of lithographon paper roll, 2 15/16 x 2 9/16 x 2 9/16" (7.5 x 6.5 x
6.5 cm). Publisher and printer: Polígrafa Obra Gráfica,
Barcelona. Edition: 30. Latin American and Caribbean Fund

56

Jenny Perlin. One Hundred Sinkholes. 2014. Ink on 100
pieces of paper, each approx. 4 x 5 7/8" (10.2 x 15 cm).
Fund for the Twenty-First Century

Walid Raad. Translator’s Introduction. 2014. Offset
lithograph and lasercut, sheet: 33 x 23 3/8" (83.8 x
59.4 cm). Publisher: MOREpublishers. Printer: unknown,
Ghent. Edition: 100. Monroe Wheeler Fund

Raymond Pettibon. Raymond Pettibon Archive. 1978–
2006. Fifty-nine 12" vinyl records, one 10" vinyl record,
30 7" vinyl records, two cassette tapes, 14 CDs, 106
artist’s books, and 70 flyers. Acquired from The Eileen
and Michael Cohen Collection through The Sue and Edgar
Wachenheim III Endowment

Christina Ramberg. Untitled. c. 1968. Felt-tip pen andcolored pencil on paper, 8 x 10" (20.3 x 25.4 cm).
Frances Keech Fund
Christina Ramberg. Untitled. c. 1968. Felt-tip pen on
paper (double sided), 3 1/2 x 3 1/2" (8.9 x 8.9 cm).
Frances Keech FundFrancis Picabia. Tableau Rastadada. 1920. Cut andpasted printed paper on paper with ink, 7 1/2 x 6 3/4" (19x 17.1 cm). Gift of Abby Aldrich Rockefeller (by exchange)

Christina Ramberg. Untitled. c. 1970. Ink and ballpoint
pen on paper, 6 x 4" (15.2 x 10.2 cm). Frances Keech Fund

Juan Batlle Planas. Untitled. 1935. Pencil on paper,
8 7/8 x 6 7/8" (22.5 x 17.5 cm). Latin American and
Caribbean Fund

Christina Ramberg. Untitled (nine hands). c. 1971. Pen,pencil, and colored pencil on graph paper, 8 1/2 x 6 1/2"
(21.6 x 16.5 cm). Frances Keech Fund

Juan Batlle Planas. Untitled (The Fallen Angel). 1937.
Colored pencil and pencil on cut and pasted printed
paper, 5 1/8 x 9 1/4" (13 x 23.5 cm). Latin American and
Caribbean Fund
William Pope.L. The Black Factory Archive. 2014.
Archive with over 150 items, including ephemera, objects,
multiples, digital image files, and a film, dimensions
vary. Fund for the Twenty-First Century and Deborah Wye
Endowment Fund
Liliana Porter. Untitled. 1970. Embossing and yarn, plate:
19 11/16 x 12 11/16" (50 x 32.3 cm); sheet: 30 3/4 x 22 3/8"
(78.1 x 56.8 cm). Publisher: Luigi Marrozzini. Printer:
the artist, at the New York Graphic Workshop, New York.
Edition: 100. Gift of Martina Yamin
Richard Prince. Untitled from The Crowds. 2012. One
from a set of four offset posters, composition and sheet:
24 x 22" (61 x 55.9 cm). Publisher: Fulton Ryder. Printer:
unknown. Edition: possibly 1,000. Gift of Fabiola Alondra
R. H. Quaytman. Tom Tit Tot by Susan Howe. 2014.
Artist’s book and print, deluxe edition, overall (closed):
12 7/8 x 10 1/4 x 1 1/8" (32.7 x 26 x 2.8 cm). Publisher:
Library Council of The Museum of Modern Art. Printer:
Axelle Editions, The Grenfell Press, and Lower East Side
Printshop, New York. Edition: one from the deluxe editionof 26 before the regular edition of 115. Gift of the Library
Council of The Museum of Modern Art
R. H. Quaytman. Tom Tit Tot by Susan Howe. 2014.
Artist’s book, overall (closed): 12 13/16 x 10 3/16 x 1"
(32.5 x 25.8 x 2.5 cm). Publisher: Library Council of The
Museum of Modern Art. Edition: 115. Gift of the Library
Council of The Museum of Modern Art

Odilon Redon. In the Dream (Dans le rêve). 1879.
Portfolio of 10 lithographs on chine appliqué, and cover,composition: dimensions vary; sheet (each approx.): 21 x
14 1/2" (53.4 x 36.9 cm). Publisher: probably the artist.
Printer: Lemercier et Cie., Paris. Edition: 25. The Sue andEdgar Wachenheim III Endowment
Gerhard Richter. Elizabeth I. 1966. Photolithograph,composition and sheet: 27 9/16 x 23 7/16" (70 x 59.5 cm).
Publisher: Galerie h (August Haseke), Hanover. Printer:
Osterwald, Hannover. Edition: 50. Riva Castleman Fund
Julia Rommel. Homes, Including My Own. 2014. Intaglio
on folded and collaged paper, sheet: 17 3/16 x 14 15/16"(43.7 x 38cm). Publisher and printer: Universal Limited
Art Editions, Bay Shore, NY. Edition: 26. Acquired throughthe generosity of Mary M. and Sash A. Spencer
Dieter Roth. Posters for Dieter Roth: Bucher & Grafik,
various locations. 1973–74. Five offset lithographs,
composition and sheet: dimensions vary. Edition:
unknown. Anonymous gift
Allen Ruppersberg. The Novel that Writes Itself. 2014.
Artist’s book, page (each): 11 7/8 x 9 3/4" (30.1 x 24.7 cm);
overall (closed): 13 1/16 x 11 13/16 x 4 5/16" (33.2 x 30 x
11 cm). Publisher: mfc michèle didier, Brussels. Printer:
Arte Print, Brussels. Edition: 24. John B. Turner Fund
Allen Ruppersberg. Poster Object (Progress Not
Adventure/Adventure Not Progress). 1988. Screenprint
on linen, sheet: 22 1/8 x 14" (56.2 x 35.5 cm). Publisher:
the artist. Printer: Jeff Wasserman. Edition: unique (froma series of 100 unique works). Anonymous gift
Edward Ruscha. Zone. 1961. Torn and pasted paper andink on paper, 11 3/4 x 9 1/2" (29.8 x 24.1 cm). Gift ofAbby Aldrich Rockefeller (by exchange)

57

Edward Ruscha. Vicksburg. 1960. Ink and letterpress on
paper, 11 x 8 1/2" (27.9 x 21.6 cm). Gift of Abby AldrichRockefeller (by exchange)

Jack Smith. Untitled (drawing for Brassieres of Atlantis).
c. 1970. Ink on printed paper, 11 x 8 1/2" (27.9 x
21.6 cm). Gift of The Eileen and Michael Cohen Collection

Rosemberg Sandoval. Cuadrado negro (Black Square).
1980. Synthetic polymer paint on fabric, 28 1/2 x 23 3/4"
(72.4 x 60.3 cm). Latin American and Caribbean FundJack Smith. Untitled (drawing for Brassieres of Atlantis).
c. 1970. Ink and marker on printed paper, 11 x 8 1/2"
(27.9 x 21.6 cm). Gift of The Eileen and Michael Cohen
Collection

Rosemberg Sandoval. Mapa de Calí (Map of Cali). 1983.
Band aids on diazotype (double sided), 24 5/8 x 36 1/2"
(62.5 x 92.7 cm). Latin American and Caribbean FundRosemberg Sandoval. Ana María. 1984/2000.
Readymade children’s shoes with Band-Aids, each approx.
6 3/4 x 2 3/4 x 3" (17.1 x 7 x 7.6 cm). Latin American and
Caribbean FundRosemberg Sandoval. Dibujo multiple de solidaridad(texto/Grafito/Vello). 1985. Letterpress and photocopy
with synthetic fiber, on three pieces of paper, 10 7/8 x 8"
(27.6 x 20.3 cm); 11 x 8 1/2" (27.9 x 21.6 cm); 11 x 8"
(27.9 x 20.3 cm). Latin American and Caribbean FundJack Smith. Untitled (drawing for Brassieres of Atlantis).
c. 1970. Ink on printed paper, 11 x 8 1/2" (27.9 x 21.6 cm).
Acquired from The Eileen and Michael Cohen Collection
through the Committee on Drawings and Prints FundJack Smith. Untitled (drawing for Brassieres of Atlantis).
c. 1970. Ink and ballpoint pen on paper, 10 7/8 x 8 3/8"
(27.6 x 21.3 cm). Acquired from The Eileen and Michael
Cohen Collection through the Committee on Drawings andPrints FundRosemberg Sandoval. Coche de bebé (Baby Stroller).
1999. Pencil on torn and printed paper, 8 3/8 x 5 1/2"
(21.3 x 14 cm). Latin American and Caribbean Fund

Kiki Smith. The Falls I. 2013. Digital print with handadditions, composition: 26 x 28 3/8" (66 x 72 cm); sheet:
33 11/16 x 35 3/16" (85.6 x 89.3 cm). Publisher andprinter: Universal Limited Art Editions, Bay Shore, NY.
Edition: 10. Acquired through the generosity of Mary M.
and Sash A. Spencer

Alan Saret. DREC.PAS. 1988. Ink on transparentizedpaper, 50 1/2 x 36 1/8" (128.3 x 91.8 cm). Gift of the artist
Richard Serra. Tilted Arc. 1986. Paintstick on paper,
19 1/8 x 24 3/4" (48.6 x 62.8 cm). Gift of Sarah Ann andWerner H. Kramarsky
Shirana Shahbazi. Composition with Mountain (forParkett no. 94). 2014. Lithograph on gelatin silver print,
composition: 19 3/4 × 15 3/4" (50.1 × 40 cm); sheet: 22 1/16
× 18 1/8" (56 × 46 cm). Publisher: Parkett Publishers,
Zurich and New York. Printer: Tricolor Photoprint andSteindruckerei Wolfensberger, Zurich. Edition: 35. Gift of
Mr. and Mrs. Lawrence Saper (by exchange)
Wael Shawky. Untitled (for Parkett no. 95). 2014.
Portfolio of 12 screenprints, composition: dimensions
vary (see child records); sheet (each): 11 5/8 × 8 1/4"
(29.6 × 20.9 cm). Publisher: Parkett Publishers, Zurich
and New York. Printer: Atelier für Siebdruck Lorenz Boegli,
Zürich. Edition: 35. Gift of Mr. and Mrs. Lawrence Saper(by exchange)
Dayanita Singh. Dear Mr. Walter Mona and Myself(for Parkett no. 95). 2014. Archival pigment print onboard, 18 1/8 x 12 3/16" (46 x 31 cm). Publisher: Parkett
Publishers, Zurich and New York. Edition: 35. Gift of Mr.
and Mrs. Lawrence Saper (by exchange)

Jack Smith. Untitled (drawing for Brassieres of Atlantis).
c. 1970. Ink on printed paper, 11 x 8 1/2" (27.9 x 21.6 cm).
Acquired from The Eileen and Michael Cohen Collection
through the Committee on Drawings and Prints Fund

Kiki Smith. The Falls II. 2013. Digital print, composition:
25 1/2 x 27 11/16" (64.7 x 70.3 cm); sheet: 33 3/4 x 35 1/8"
(85.7 x 89.2 cm). Publisher and printer: Universal Limited
Art Editions, Bay Shore, NY. Edition: 10. Acquired throughthe generosity of Mary M. and Sash A. Spencer
Kiki Smith. The Falls III. 2013. Digital print with handadditions, composition: 26 1/4 x 29 1/8" (66.7 x 74 cm);sheet: 33 11/16 x 35 1/4" (85.5 x 89.5 cm). Publisher andprinter: Universal Limited Art Editions, Bay Shore, NY.
Edition: 10. Acquired through the generosity of Mary M.
and Sash A. Spencer
Kiki Smith. Untitled (Kidneys). 1995. Potato print withsilver leaf additions, composition: 10 3/16 x 8 3/4" (25.8
x 22.2 cm); sheet: 20 3/4 x 30 7/8" (52.7 x 78.4 cm).
Publisher and printer: the artist. Edition: 16. Gift of Ronaand Richard RoobFrances Stark. Dishonest but Appealing (for Parkett
no. 93). 2013. Multiple of book with safe, 11 1/4 x
8 9/16 x 2 1/4" (28.5 x 21.8 x 5.7 cm). Publisher: Parkett
Publishers, Zurich and New York. Edition: 35. Committee
on Drawings and Prints Fund58

Pat Steir. Cry Stall Gaze. 2012. Illustrated book withscreenprint and photogravure, unfolded: 15 1/4 x 216"
(38.7 x 548.6 cm); folded: 15 1/4 x 34 1/2" (38.7 x87.6 cm). Publisher and printer: Brodsky Center for
Innovative Editions, New Brunswick. Edition: 11. Gift of
the artist

Richard Tuttle. Indrah. 2013. Mixed media, composition:
7 9/16 x 5" (19.2 x 12.7 cm); sheet: 12 1/16 x 9 1/16"(30.7 x 23 cm); sheet (mount): 17 15/16 x 14 15/16" (45.5x 38 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 16. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Sarah Sze. The Conversation (As Remembered). 2013.
Digital print, collage, and laser engraving; and book, sheet(irreg.): 14 1/8 x 11 5/8" (35.8 x 29.5 cm). Publisher: Lee
C. and Jean Magnano Bollinger. Printer: LeRoy NeimanCenter for Print Studies, Columbia University, New York.
Edition: 500. Gift of Dr. Martin Nash

Richard Tuttle. When Pressure Exceeds Weight IX.
2013. Handmade paper relief, sheet: 7 1/4 x 15" (18.4
x 38.1 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 14. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Alma Woodsey Thomas. Untitled. c. 1968. Synthetic
polymer paint and pressure-sensitive tape on cut andstapled paper, 19 1/8 x 51 1/2" (48.6 x 130.8 cm). Gift ofDonald B. Marron
Cheyney Thompson. 2B. 2012. Five inkjet prints, each:
12 x 9" (30.5 x 22.9 cm). Gift of Robert R. Littman
Rirkrit Tiravanija. The Travelling Edition. 2014. Artist’sbook in wooden box with apron, cutting board, and meatcleaver, overall (box): 13 3/8 x 12 3/8 x 3 3/4" (34 x 31.4
x 9.5 cm). Publisher: Edition Hansjörg Mayer, London.
Edition: 20. Committee on Drawings and Prints Fund
Rirkrit Tiravanija. untitled (the days of this society is
numbered/December 7, 2012). 2014. Synthetic polymer
paint and newspaper on linen, 87 x 84 1/2" (221 x
214.6 cm). Committee on Drawings and Prints Fund
Henri de Toulouse Lautrec. Moulin Rouge, La Goulue.
1891. Lithograph, sheet (irreg.): 76 3/4 x 47 1/16" (195x 119.5 cm). Publisher: Moulin Rouge, Paris. Printer:
Affiches Américaines, Charles Lévy, Paris. Edition:
unknown. Acquired through the generosity of The
Contemporary Drawing and Print Associates of The
Museum of Modern Art, Marie Josée and Henry R. Kravis,
Jerry I. Speyer and Katherine Farley, The International
Council of The Museum of Modern Art, Kathy andRichard S. Fuld, Jr., Agnes Gund, Marlene Hess andJames D. Zirin, Donald B. Marron, Sue and Edgar
Wachenheim III, Carol and Morton Rapp, Linda Goldstein,
Leslie J. Garfield, and Glenn and Susan Lowry in memoryof Riva Castleman
Rosemarie Trockel. Book Drafts. 1972–2004. Fifty
drawings in various mediums, including pencil, ink,
collage, and press type, dimensions vary. Anonymous gift
Rosemarie Trockel. Portrait of the Artist as a Young Man(for Parkett no. 95). 2014. Screenprint, composition andsheet: 21 1/4 × 39 3/8" (54 × 100 cm). Publisher: Parkett
Publishers, Zurich and New York. Edition: 35. Gift of Mr.
and Mrs. Lawrence Saper (by exchange)

Richard Tuttle. When Pressure Exceeds Weight XI.
2013. Handmade paper relief, sheet: 26 1/2 x 21" (67.3
x 53.3 cm). Publisher and printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 18. Acquired through thegenerosity of Mary M. and Sash A. Spencer
Luc Tuymans. The Temple. 1996. Portfolio of eightaquatints, sheet: 31 x 23" (78.7 x 58.4 cm). Publisher:Peter Blum Edition, New York. Printer: Peter Kneubühler,
Zurich. Edition: 35. The Sue and Edgar Wachenheim III
Endowment
Nicolas Garcia Uriburu. Portfolio (Manifesto). 1973.
Portfolio of six screenprints, composition: dimensions
vary; sheet (each): 30 x 22 1/4" (76.2 x 56.5 cm).
Publisher and printer: Les Ateliers Laage Editeurs.
Edition: 111. Gift of Mauro Herlitzka through the Latin
American and Caribbean Fund
Various Artists. Parkett no. 93. 2013. Journal, page(each): 10 x 8 1/4" (25.4 x 21 cm); overall (closed): 10
x 8 3/8 x 3/4" (25.4 x 21.3 x 1.9 cm). Publisher: Parkett
Publishers, Zurich and New York. Gift of Parkett
Various Artists. 7 Objects/69. 1969. Seven multiples
in various mediums, housed in wooden box, overall(box): 9 x 24 x 13 1/2" (22.9 x 61 x 34.3 cm). Publisher:
Tanglewood Press, Inc., New York. Edition: 100. Acquired
from The Eileen and Michael Cohen Collection throughthe Deborah Wye Endowment Fund
Various Artists. Eye Magazine #14 “Cobalt MythMechanics." 1986. Spiral-bound periodical with works
by various artists. Edition: 200. Henry Church Fund (byexchange)
Various Artists. Parkett no. 94. 2014. Journal, page(each): 10 x 8 1/4" (25.4 x 21 cm); overall (closed): 10
x 8 3/8 x 3/4" (25.4 x 21.3 x 1.9 cm). Publisher: Parkett
Publishers, Zurich and New York. Gift of Parkett
Various Artists. Parkett no. 95. 2014. Journal, page(each): 10 x 8 1/4" (25.4 x 21 cm); overall (closed): 10
x 8 3/8 x 3/4" (25.4 x 21.3 x 1.9 cm). Publisher: Parkett
Publishers, Zurich and New York. Gift of Parkett

59

Various Artists. Alan Cristea Gallery Twentieth
Anniversary Portfolio. 2015. Portfolio of 21 prints
in various mediums by 21 artists, dimensions vary.
Publisher: Alan Cristea Gallery, London. Printer: various
printers. Edition: 40. Gift of Alan Cristea Gallery, London,in honor of Alan Cristea

Sue Williams. Expanding. 2002. Ink on synthetic polymer
sheet, 33 x 53" (83.8 x 134.6 cm). Gift of Martin andRebecca Eisenberg
Sue Williams. My Landlord. 1992. Cut and pasted printed
and painted paper with ink, pencil, and pressure-sensitive
tape on paper, 14 x 11 1/8" (35.6 x 28.3 cm). Gift ofMartin and Rebecca Eisenberg

Christian Vetter. IVNN. 2013. Lithograph, composition:
31 1/8 x 43 3/16" (79 x 109.7 cm); sheet: 31 11/16 x
47 1/16" (80.5 x 119.5 cm). Publisher: Schweizerische
Graphische Gesellschaft. Printer: Graphische Anstalt J.E.
Wolfensberger AG, Zürich. Edition: 125. General Print Fund

Terry Winters. Fate Map. 2013. Lithograph, compositionand sheet: 55 1/16 x 39 7/16" (139.8 x 100.2 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 34. Acquired through the generosity of
Mary M. and Sash A. Spencer

Adrián Villar Rojas. From the Series Brick Farm (forParkett no. 93). 2013. Multiple of mud and unfired clay,
9 5/8 x 6 1/8 x7 1/2" (24.5 x 15.5 x 19 cm). Publisher:
Parkett Publishers, Zurich and New York. Edition: 35
unique variants. Committee on Drawings and Prints Fund

Christopher Wool. Untitled. 2013. Lithograph,composition: 21 15/16 x 19 5/16" (55.8 x 49 cm); sheet:
30 5/8 x 22 1/2" (77.8 x 57.2 cm). Publisher and printer:
Universal Limited Art Editions, Bay Shore, NY. Edition: 48.
Acquired through the generosity of Mary M. and Sash A.
Spencer

Not Vital. Untitled. 2012. Multiple of handmade paper,
sheet: 18 11/16 x 13 11/16" (47.5 x 34.7 cm). Publisher:
Schweizerische Graphische Gesellschaft. Edition: 125.
General Print Fund

Christopher Wool. Portraits (b/w). 2014. Portfolio of
six lithographs, composition (each): 19 x 14 1/2" (48.2 x
36.8 cm); sheet (each): 27 x 22 1/2" (68.6 x 57.2 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 28. Acquired through the generosity of
Mary M. and Sash A. Spencer

Danh Vo. Untitled (for Parkett no. 93). 2013. Postcard
with ink additions, sheet: 3 9/16 x 5 7/16" (9 x 13.8 cm).
Publisher: Parkett Publishers, Zurich and New York.
Edition: 35 unique variants. Committee on Drawings andPrints Fund
Kara Walker. The Pullman Porter. (2003). Pencil on paper,
30 x 22 1/2" (76.2 x 57.2 cm). Gift of Joel and Anne
Ehrenkranz
Kara Walker. Sugar Makes This World. 2013–14. 19
drawings: ink, watercolor, ballpoint pen, and pencil on
notebook paper, each: 11 3/4 x 8 1/4" (29.8 x 21 cm).
Acquired through the generosity of Ralph Goldenberg,
Donald B. Marron, and Dian Woodner in honor of the
Friends of Education of The Museum of Modern Art

Christopher Wool. Portraits (red). 2014. Portfolio of six
lithographs, composition (each): 19 x 14 1/2" (48.2 x
36.8 cm); sheet (each): 27 x 22 1/2" (68.6 x 57.2 cm).
Publisher and printer: Universal Limited Art Editions, Bay
Shore, NY. Edition: 28. Acquired through the generosity of
Mary M. and Sash A. Spencer
Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach

Franz West. Untitled (Squinting Man). 1976. Gouache
on printed paper, 11 x 8 1/4" (27.9 x 21 cm). The Judith
Rothschild Foundation Contemporary Drawings Collection
Gift (by exchange)
Christopher Williams. Untitled (The Art Institute ofChicago, 2014). 2014. Offset lithograph, compositionand sheet: 33 7/8 x 22" (86 x 55.9 cm). Gift of the artist
Christopher Williams. Untitled (The Museum ofModern Art, New York, 2014). 2014. Offset lithograph,composition and sheet: 27 7/8 x 21 7/8" (70.8 x 55.6 cm).
Gift of the artist

Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach

60Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach
Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach
Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach
Christopher Wool. Untitled. 2014. Monotype overphotogravure, plate: 13 7/8 x 10 13/16" (35.2 x
27.5 cm); sheet: 21 15/16 x 18 13/16" (55.7 x 47.8 cm).
Printer: Universal Limited Art Editions, Bay Shore, NY.
Unique. Acquired through the generosity of Marlene
Hess and James D. Zirin, Donald B. Marron, Mary M.
and Sash A. Spencer, Alice and Tom Tisch, Sue andEdgar Wachenheim III, and James Keith Brown and
Eric Diefenbach
Lisa Yuskavage. Kathy Thinking. 2002. Lithograph,sheet: 36 x 28" (91.4 x 71.1 cm). Publisher: Instituteof Contemporary Art, University of Pennsylvania,
Philadelphia. Printer: Corridor Press, Otega, New York.
Edition: 40. Gift of Barbara Cantor

PROMISED GIFTSDavid Hammons. Pray for America. 1969. Pigment on
paper, 60 1/2 × 30" (153.6 × 76.2 cm). Promised giftto The Museum of Modern Art and The Studio Museumin Harlem by the Hudgins Family in honor of David
Rockefeller on his 100th birthday
Damien Hirst. The Committed Lovers. 1991. Ink on note
paper, 6 × 4" (15.2 × 10.2 cm). Promised gift of Catieand Donald Marron in honor of David Rockefeller on his
100th birthday
Damien Hirst. The Compromising Lovers. 1991. Ink onnote paper, 6 × 4" (15.2 × 10.2 cm). Promised gift ofCatie and Donald Marron in honor of David Rockefeller on
his 100th birthday
Damien Hirst. The Confused Lovers. 1991. Ink on note
paper, 6 × 4" (15.2 × 10.2 cm). Promised gift of Catieand Donald Marron in honor of David Rockefeller on his
100th birthday
Damien Hirst. The Spontaneous Lovers. 1991. Ink onnote paper, 6 × 4" (15.2 × 10.2 cm). Promised gift ofCatie and Donald Marron in honor of David Rockefeller on
his 100th birthday
Martin Kippenberger. 4 Taxis in Berlin. 1980. Artist’sbook, 11 5/8 × 8 1/16" (29.5 × 20.4 cm). Publisher: 4
Taxis, Bordeaux. Edition: 1,000. Promised gift of Philip E.
AaronsMartin Kippenberger. 23 Vierfarbenvorschläge für die
Modernisierung des Rückenschwimmers. 1986. Artist’sbook, 9 7/16 × 7 1/16" (24 × 18 cm). Publisher: Galerie
Engels, Cologne. Edition: 23. Promised gift of Philip E.
AaronsMartin Kippenberger. One Flew Over the Canarybirds
Nest. 1992. Artist’s book, 13 9/16 × 10 13/16" (34.5 ×
27.5 cm). Publisher: AC&T Corporation, Tokyo. Edition:
20. Promised gift of Philip E. Aarons
Sam Lewitt. Weak Local Lineament (Copperhead 08).
2014. Etching on copper clad plastic, with photo lacquer,asphaltum, and two steel brackets, 96 x 20 x 24" (243.8
x 50.8 x 61 cm). Promised gift of Jerry I. Speyer
Juan Batlle Planas. Composition. 1944. Cut-and-pasted
printed paper and gouache on paper, 12 3/4 x 9 7/8" (32.4
x 25.1 cm). Promised gift of Sharon Schultz in honor of
Patricia Phelps de Cisneros
Edward Ruscha. Five Cents. 1962. Oil on paper mounted
on board, 13 7/8 x 13 1/8" (35.2 x 33.4 cm). Promised giftof Glenn and Amanda Fuhrman

61

Film
A total of 75 works were acquired by the Department of Film.

Red Hollywood. Directed by Thom Andersen. 1996.
35mm film. Purchase from The Cinema Guild
Los Angeles Plays Itself. Directed by Thom Andersen.
2003. 35mm film. Purchase from The Cinema Guild
Eadweard Muybridge, Zoopraxographer. Directed byThom Andersen. 1975. 35mm film (color, sound), 59 min.
Purchase from New Yorker Films, 1991, and The Cinema
Guild, 2015
Noah. Directed by Darren Aronofsky. 2014. 35mm film
(color, sound), 138 min. Gift of Paramount Pictures
While We’re Young. Directed by Noah Baumbach. 2015.
35mm film. Committee on Film Funds
Frances Ha. Directed by Noah Baumbach. 2012. 35mm
film (black and white, sound), 86 min. Gift of the artist
Jackie Winsor: Work in Progress: Part I, II, III. Directedby Liza Béar. 1975–78. Video (color, sound), 56 min.
Purchase from Video Data Bank
Bernadette. Directed by Duncan Campbell. 2008. Digital
cinema. Purchase from gallery. Funds provided by The
Fund for the Twenty-First Century
Arbeit. Directed by Duncan Campbell. 2011. Digital
cinema. Purchase from gallery. Funds provided by The
Fund for the Twenty-First Century
It for Others. Directed by Duncan Campbell. 2013. Digital
cinema. Purchase from gallery. Funds provided by The
Fund for the Twenty-First Century
The Bling Ring. Directed by Sofia Coppola. 2013. 35mm
film (color, sound), 91 min. Gift of A24 Films
The Law. Directed by Jules Dassin. 1959. 35mm film
(black and white, sound), 122 min. Gift of Oscilloscope
Laboratories“Little Girls Have Pretty Curls”—Oreo Commercial.
Directed by Morris Engel. 1962. 35mm film (black andwhite, sound), 1 min. Purchase from the distributor
Mil nubes de paz cercan el cielo, amor, jamás acabarásde ser amor (A Thousand Peace Clouds Encircle theSky). Directed by Julián Hernández. 2003. 35mm film
(black and white, sound), 83 min. Gift of Strand Releasing

Jajouka, quelque chose de bon vient vers toi (Jajouka,
Something Good Comes to You). Directed by Eric
Hurtado, Marc Hurtado. 2012. Digital cinema. Purchasefrom the artists
Tom, Tom, the Piper’s Son. Directed by Ken Jacobs.
1971. 16mm film (black and white and color, silent),
100 min. Purchase from the artist
Spring Breakers. Directed by Harmony Korine. 2013.
35mm film (color, sound), 94 min. Gift of A24 Films
No Skin Off My Ass. Directed by Bruce La Bruce. 1991.
35mm film. Gift of Jürgen Brüning Productions
Super 8 ½. Directed by Bruce La Bruce. 1994. 35mm
film. Gift of Jürgen Brüning Productions
Hustler White. Directed by Bruce La Bruce. 1996. 35mm
film. Gift of Jürgen Brüning Productions
Skin Flick. Directed by Bruce La Bruce. 1999. 35mm
film. Gift of Jürgen Brüning Productions
The Raspberry Reich. Directed by Bruce La Bruce. 2004.
35mm film. Gift of Jürgen Brüning Productions
Otto; Or Up With Dead People. Directed by Bruce
La Bruce. 2008. 35mm film. Gift of Jürgen Brüning
Productions
L.A. Zombie. Directed by Bruce La Bruce. 2010. 35mm
film. Gift of Jürgen Brüning Productions
Pierrot Lunaire. Directed by Bruce La Bruce. 2014.
35mm film. Gift of Jürgen Brüning Productions
A Maggot Tango. Directed by Andrew Repasky
McElhinney. 1995. 16mm film. Gift of the artist
Magdalen. Directed by Andrew Repasky McElhinney.
1998. 16mm film. Gift of the artist
A Chronicle of Corpses. Directed by Andrew Repasky
McElhinney. 2000. 16mm film. Gift of the artist
The Messenger. Directed by Oren Moverman. 2009.
35mm film (color, sound), 113 min. Gift of Oscilloscope
Laboratories
Table Conversation. Directed by Michael Oblowitz. 1977.
16mm film. Purchase from the artist62

X Terminator. Directed by Michael Oblowitz. 1977. 16mm
film. Purchase from the artist

A Child’s Introduction to the Wonders of Space. Directedby Rachel Reichman. 1979. 16mm film (black and white,sound), 12 min. Gift of the artist

The Is/Land (aka The Is/Land Circuits of Control).
Directed by Michael Oblowitz. 1978. 16mm film. Purchasefrom the Artist

Your Day is My Night. Directed by Lynne Sachs. 2013.
Digital cinema (color, sound), 64 min. Gift of the artist

Minus Zero (aka Minus Zero Circuits of Control).
Directed by Michael Oblowitz. 1978–79. 16mm film.
Purchase from the artist

Delta Sex. Directed by Kenny Scharf. 1979/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art

King Blank. Directed by Michael Oblowitz. 1980–82.
16mm film. Purchase from the artist

Boy From The City. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art

Klute. Directed by Alan J. Pakula. 1971. 35mm film
(color, sound), 114 min. Committee on Film Funds
Inside Daisy Clover. Produced by Alan J. Pakula. Directedby Richard Mulligan. 1965. 35mm film (color, sound),
128 min. Committee on Film Funds
Up the Down Staircase. Produced by Alan J. Pakula.
Directed by Richard Mulligan. 1967. 35mm film (color,sound), 123 min. Committee on Film Funds
All the President’s Men. Directed by Alan J. Pakula.
1976. 35mm film (color, sound), 139 min. Committee on
Film Funds
Presumed Innocent. Directed by Alan J. Pakula. 1990.
35mm film (color, sound), 127 min. Committee on Film
Funds
The Pelican Brief. Directed by Alan J. Pakula. 1993.
35mm film (color, sound), 142 min. Committee on Film
Funds
Rio, 40 Graus (Rio, 100 Degrees). Directed by Nelson
Pereira dos Santos. 1955. 35mm film. Purchase from the
distributor

The Sparkl End. Directed by Kenny Scharf. 1980/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
The Klaus Nomi Show. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Radiation Family Dinner Murder. Directed by Kenny
Scharf. 1979/2014. Video. Purchase from gallery.
Funded in part by The Contemporary Arts Council of The
Museum of Modern Art
Carousel Of Progress. Directed by Kenny Scharf.
1981/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Your Show Of Shows. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art

Rio, Zona Norte (Rio, Northern Zone). Directed by
Nelson Pereira dos Santos. 1957. 35mm film. Purchasefrom the distributor

The Philosophy Of Finism. Directed by Kenny Scharf.
1984/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art

Como Era Gostoso o Meu Francês (How Tasty Was
My Little Frenchman). Directed by Nelson Pereira dos
Santos. 1971. 35mm film. Purchase from the distributor

Avon Freakout. Directed by Kenny Scharf. 1979/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art

The Spectacular Now. Directed by James Ponsoldt.
2013. 35mm film (color, sound), 95 min. Gift of A24
Films

Suicide Can Be Fun. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art

Ginger and Rosa. Directed by Sally Potter. 2013. 35mm
film (color, sound), 90 min. Gift of A24 Films

Belly Button. Directed by Kenny Scharf. 1979/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art

63

Sugar. Directed by Kenny Scharf. 1980/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
Television. Directed by Kenny Scharf. 1980/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
Country Fumes. Directed by Kenny Scharf. 1982/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art

Boxing Gym. Directed by Frederick Wiseman. 2010.
Digital cinema. Purchase from the artist
Crazy Horse. Directed by Frederick Wiseman. 2011.
Digital cinema. Purchase from the artist
At Berkeley. Directed by Frederick Wiseman. 2013.
Digital cinema. Purchase from the artist
National Gallery. Directed by Frederick Wiseman. 2014.
Digital cinema. Purchase from the artist

The Hanging Of Joe Tynan. Directed by Kenny Scharf.
1979/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Dr. Navia Speaks At Club 57. Directed by Kenny Scharf.
1981/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Give Me Television. Directed by Kenny Scharf.
1979/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
The Tales Of Bardrochat. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Green Snowballs. Directed by Kenny Scharf. 1979/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
You Really Turn Me On. Directed by Kenny Scharf.
1980/2014. Video. Purchase from gallery. Funded inpart by The Contemporary Arts Council of The Museum ofModern Art
Hydrogen Is God. Directed by Kenny Scharf. 1980/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
Acts Of Live Art. Directed by Kenny Scharf. 1980/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
I’m So Tired. Directed by Kenny Scharf. 1979/2014.
Video. Purchase from gallery. Funded in part by The
Contemporary Arts Council of The Museum of Modern Art
Dark Days. Directed by Marc Singer. 2000. 35mm film
(black and white, sound), 82 min. Gift of Oscilloscope
Laboratories

64

Media and Performance Art
A total of 64 works were acquired by the Department of Media and Performance Art.

Darren Almond. Traction. 1999. Three-channel video(color, sound), 28 min. Gift of the Podesta Collection

Eric Baudelaire. The Anabasis of May and Fusako
Shigenobu, Massao Adachi, and 27 Years Without
Images. 2011. Wall poster, 16mm film transferred tovideo (color, sound; 60 min.), nine silkscreen prints,
assemblage of photographs, and printed libretto,
dimensions variable. Fund for the Twenty-First Century

Charles Atlas. 143652. 2008. Video (color, silent),
12 min. Gift of Catherine Badomi Heckett
Charles Atlas. Painting by Numbers. 2011. Three-channel
video (color, silent), 8:21 min. Gift of Catherine Badomi
Heckett
Charles Atlas. Plato’s Alley. 2008. Video (color, silent),
6:40 min. Gift of Catherine Badomi Heckett
Charles Atlas. Channels/Inserts. 1982. Video(color, sound), 32:11 min. Committee on Media andPerformance Art Funds
Charles Atlas. Ex Romance. 1987. Video (color, sound),
48:22 min. Committee on Media and Performance Art
Funds
Charles Atlas. Fractions I. 1978. Video (black and whiteand color, sound), 32:59 min. Committee on Media andPerformance Art Funds
Charles Atlas. From an Island Summer. 1983–84. Video(color, sound), 13:04 min. Committee on Media andPerformance Art Funds
Charles Atlas. Hail the New Puritan. 1985–86. Video(color, sound), 84:47 min. Committee on Media andPerformance Art Funds
Charles Atlas. Parafango. 1983–84. Video (color, sound),38 min. Committee on Media and Performance Art Funds
Charles Atlas. Rainer Variations. 2002. Video (black andwhite and color, sound), 41:30 min. Committee on Mediaand Performance Art Funds
Charles Atlas. Walkaround Time. 1973. Video(color, sound), 51:06 min. Committee on Media andPerformance Art Funds
Alex Bag. Cash from Chaos/Unicorns and Rainbows.
1994–97. 118 videos (color, sound), durations variable.
Acquired through the generosity of Jill and Peter Kraus

Kevin Beasley. I Want My Spot Back. 2011–12.
Performance with 39 processed a cappella tracks(28 min.), sealed letter, dimensions variable. Fund for the
Twenty-First Century
Kevin Beasley. Movement I: DEF/ACHE/CRYSTALLINE/SLEEVE. 2013 14. Sound equipment and four soundsculptures, dimensions variable. Fund for the Twenty-First
Century
Tania Bruguera. Untitled (Havana, 2000). 2000. Sugar
cane bagasse, video (black and white, silent; 4:37 min.),and live performance, installation: 164 x 39 1/4 x 13 1/8"
(416.6 x 99.7 x 33.3 cm). The Modern Women’s Fundand Committee on Media and Performance Art Funds
Eduardo Costa. Names of Friends: Poem for the Deaf
Mute. 1969. Super 8mm film (color, silent), 2:04 min.
Gift of the artist
Jonathas de Andrade. The Uprising (O Levante). 2013.
Video (color, sound), 8 min. Acquired through thegenerosity of Pedro Barbosa and Patricia Moraes, Luis
Augusto Teixeira de Freitas, Mr. and Mrs. John Austin,
Mr. and Mrs. Peter Klimt, and Roberto Lima
Song Dong. Broken Mirror. 1999. Video (color, sound),
3:54 min. Committee on Media and Performance Art
Funds
Cyprien Gaillard. Artefacts. 2011. 35mm film (color,sound), 9 min. Acquired through the generosity of Steven
A. Cohen
Cyprien Gaillard. Desniansky Raion. 2007. Video (color,sound), 30 min. Acquired through the generosity of
Steven A. Cohen
Isa Genzken. Chicago Drive. 1992. Video (color, sound),
26:44 min. Gift of the artist and Galerie Buchholz
Isa Genzken. Meine Grosseltern im Bayrischen Wald
(My Grandparents in the Bavarian Forest). 1992. Video(color, sound), 62 min. Gift of the artist and Galerie
Buchholz

65Isa Genzken. Zwei Frauen im Gefecht (Two Women in
Combat). 1974. 16mm film transferred to video (black
and white, silent), 7:40 min. Gift of the artist and Galerie
Buchholz
John Gerrard. Solar Reserve (Tonopah, Nevada) 2014.
2014. Simulation (color, silent), installation: 336 x 288"
(853.4 x 731.5 cm), duration variable. Gift of the VIA Art
Fund
Steffani Jemison. Escaped Lunatic. 2010–11. Video(color, sound), 8:57 min. Committee on Media andPerformance Art Funds
Steffani Jemison. Maniac Chase. 2008–09. Video (color,sound), 2:40 min. Committee on Media and Performance
Art Funds
Steffani Jemison. Personal. 2014. Video (color, sound),
6:39 min. Committee on Media and Performance Art
Funds
JODI. My%Desktop. 2002. Four-channel video (color,sound), 20 min. Committee on Media and Performance
Art Funds

Tala Madani. Underman. 2012. Video (color, silent),
0:23 min. Fund for the Twenty-First Century
Tala Madani. Wrong House. 2014. Video (color, silent),
3:30 min. Fund for the Twenty-First Century
Nalini Malani. Dream Houses. 1969. 8mm filmtransferred to video (color, sound), 3:49 min. Gift of theartistNalini Malani. Memory: Record/Erase. 1996. Video(color, sound), 10 min. Gift of the artist
Nalini Malani. Mother India: Transactions in theConstruction of Pain. 2005. Five-channel video (color,sound), 5 min. Gift of the artist
Nalini Malani. Utopia. 1969 76. 8mm and 16mm filmtransferred to video (black and white and color, sound),
3:44 min. Gift of the artist
Nalini Malani. Onanism. 1969. 16mm film transferred
to video (black and white, sound), 3:51 min. Gift of theartistWilliam Kentridge. NO, IT IS. 2012. Three-channel video(color, sound), duration variable. Gift of Alice TischNalini Malani. Still Life. 1969. 16mm film transferred
to video (black and white, sound), 4:07 min. Gift of theartistBouchra Khalili. The Mapping Journey Project. 2008–11.
Eight-channel video (color, sound), duration variable. Fundfor the Twenty-First Century

Cinthia Marcelle. Confronto. 2005. Video (color, sound),
8:14 min. Acquired through the generosity of Pedro
Barbosa

Beryl Korot. Text and Commentary. 1976–77. Fivechannel video (black and white, sound; 30 min.),weavings, drawings, and pictographic video notations,dimensions variable. Committee on Media andPerformance Art Funds

Steve McQueen. Static. 2009. 35mm film transferred
to video (color, sound), 7:03 min. The Michael H. Dunn
Memorial Fund

Rafael Lozano Hemmer. Blow Up Shadow Box 4.
2007. High-resolution interactive display with built-in
computerized surveillance system, 31 1/2 x 41 x 5" (80 x104.1 x 12.7 cm). Gift of the Podesta Collection
Rafael Lozano Hemmer. First Surface, Shadow Object 3.
2012. Computer, Kinect, projector, metal, motor, Arduino
processor, and front-surface mirrors, mount: 28 3/8 x
17 5/16 x 11 13/16 " (72 x 44 x 30 cm); image: 68 7/8 x
48 1/16" (175 x 122 cm). Gift of the Podesta Collection
Tala Madani. Chit Chat. 2007. Video (color, silent),
2:38 min. Fund for the Twenty-First Century
Tala Madani. Eyestabber. 2013. Video (color, silent),
1:35 min. Fund for the Twenty-First Century

Senga Nengudi. Studio Performance with R.S.V.P. 1976.
Gelatin silver print, sheet: 30 x 40" (76.2 x 101.6 cm).
Committee on Media and Performance Art Funds
Senga Nengudi. Study for “Mesh Mirage”. 1977. Gelatinsilver print, sheet: 40 x 26 1/2" (101.6 x 67.3 cm).
Committee on Media and Performance Art Funds
Senga Nengudi. Performance with “Inside/Outside”.
1977. Gelatin silver print, sheet: 40 x 29" (101.6 x
73.7 cm). Committee on Media and Performance Art Funds
Senga Nengudi. Rapunzel. 1981. Gelatin silver print,
sheet: 40 x 32" (101.6 x 81.3 cm). Committee on Mediaand Performance Art Funds
The Otolith Group. In the Year of the Quiet Sun. 2013.
Video (color, sound), 33:57 min. Fund for the Twenty-First
Century

Tala Madani. Ol’Factory. 2014. Video (color, silent),
2:49 min. Fund for the Twenty-First Century

66

Jenny Perlin. One Hundred Sinkholes. 2014. 16mm film
(black and white, silent), 14:13 min. Fund for the TwentyFirst Century
Jenny Perlin. Possible Models. 2004. 16mm film (black
and white, silent), 10:45 min. Gift of Simon Preston
Gallery
The Propeller Group. The Living Need Light and the Dead
Need Music. 2014. Video (color, sound), 25:15 min.
Committee on Media and Performance Art Funds
James Richards. Not Blacking Out, Just Turning theLights Off. 2011. Two-channel video (color, sound;
16:15 min.), four speakers, four speaker stands,
aluminum benches, light, carpet, and acoustic soundpaneling, dimensions variable. Fund for the Twenty-First
Century
James Richards. Rosebud. 2013. Video (black and white,sound), 12:57 min. Fund for the Twenty-First Century
Lisa Steele. Birthday Suit: with scars and defects.
1974. Video (black and white, sound), 12 min. Gift of theartistWu Tsang. Shape of a Right Statement. 2008.
Video (color, sound), 5 min. Committee on Media andPerformance Art Funds
Wu Tsang. WILDNESS. 2012. Video (color, sound), 75
min. Committee on Media and Performance Art Funds
Javier Téllez. Letter on the Blind, For the Use of Those
Who See. 2008. 16mm film transferred to video (black
and white, sound), 27:36 min. Gift of Patricia Phelps
de Cisneros in honor of Ambassabor William H. Luers
through the Latin American and Carribbean Fund
Stephen Vitiello. Frogs In Feedback. 2002. 15"
Eminence speaker, Electro Voice microphone, disco ballrotation motor, Samson amplifier, Mackie 1202 mixer,
Moogerfooger Ring Modulator, duration variable. Gift ofAmerican Contemporary
Peter Weibel. Polizei Lügt (Police Station, Vienna).
1970. Gelatin silver print, 8 x 10" (20.3 x 25.4 cm). Giftof Lynn Hershman Leeson

PROMISED GIFT
Marta Minujín. Simultaneidad en Simultaneidad(Simultaneity in Simultaneity). 1966. Documents, slides,and ephemera. Anonymous promised gift through theLatin American and Caribbean Fund

67

Painting and Sculpture
A total of 59 works were acquired by the Department of Painting and Sculpture.

Matthew Barney. Drawing Restraint 8: Condition 2003.
2003. Graphite, watercolor, and petroleum jelly on paper
in rotomolded polycarbonate frames with nylon fiber,
acrylic, and Vivak, 36 1/4 x 62 x 41" (92.1 x 157.5 x
104.1 cm). Gift of Laurenz Foundation, jointly owned byLaurenz Foundation, Schaulager, Basel, and The Museumof Modern Art, New York
Matthew Barney. The First Degree. 2002. Lambskin,satin ribbon, sterling silver, prosthetic plastic, petroleum
jelly, and self-lubricating plastic with graphite in acrylic
case, 38 x 48 x 36" (96.5 x 121.9 x 91.4 cm). Gift ofBeth Swofford
Sadie Benning. Julie’s Rug. 2014. Resin, casein, andsynthetic polymer paint on fiberboard, mounted onwood, 60 5/8 x 70 3/8" (154 x 178.8 cm). Speyer Family
Foundation
Lee Bontecou. Untitled. 1963. Soot and aniline dye
on muslin, 24 x 22" (61 x 55.9 cm). Gift of Rona andRichard Roob
Chen Zhen. Un Village sans frontières. 2000. Wood chairand candles, 25 9/16 x 15 x 9 13/16" (65 x 38 x 25 cm).
Gift of Mimi Haas
Chen Zhen. Un Village sans frontières. 2000. Wood chairand candles, 24 13/16 x 15 3/8 x 9 13/16" (63 x 39 x
25 cm). Gift of Katherine Farley and Jerry Speyer
Chen Zhen. Un Village sans frontières. 2000. Wood chairand candles, 37 3/8 x 11 13/16 x 10 1/4" (95 x 30 x
26 cm). Gift of Marlene Hess and James D. Zirin
Chen Zhen. Un Village sans frontières. 2000. Wood chairand candles, 27 9/16 x 11 x 13 3/4" (70 x 28 x 35 cm).
Gift of Marie Josée and Henry R. Kravis
Chen Zhen. Un Village sans frontières. 2000. Wood chairand candles, 18 7/8 x 11 13/16 x 8 1/4" (48 x 30 x 21 cm).
Purchase
Bruce Conner. BLACK DAHLIA. 1960. Photomechanicalreproductions, feather, fabrics, rubber tubing, razor blade,nails, tobacco, sequins, string, shell, and paint encasedin nylon stocking over wood, 26 3/4 x 10 3/4 x 2 3/4" (67.9
x 27.3 x 7 cm). Purchase

Simon Denny. 16.20 FAMILY STRINGS, 16.40
CONVERSATION, 17.05 FAMILY BREAK. 2013. Inkjet
print on canvas and railings, in three panels, eachpanel 63 x 43 5/16 x 11/16" (160 x 110 x 1.8 cm), overall
dimensions variable. Fund for the Twenty-First Century
Simon Denny. ALL YOU NEED IS...DATA?. 2013. Inkjet
print on vinyl with grommets, 314 7/8 x 59 1/8" (800 x
150 cm). Fund for the Twenty-First Century
Simon Denny. Berlin Startup Case Mod: Rocket
Internet. 2014. Custom computer case, packaging, heavy
duty computer hardware, digital prints on plexiglass,custom plexiglass components, metal fittings, Samsung
UE40F6500 SS, video on USB stick, and custom spider
computer case, 42 1/8 x 36 5/8 x 21 5/8" (107 x 93 x
55 cm) and 30 11/16 x 31 1/2 x 12 3/16 " (78 x 80 x 31
cm). Fund for the Twenty-First Century
Thea Djordjadze. She didn’t have friends, children, sex,
religion, marriage, success, a salary or a fear of death.
She worked. 2013–14. Wood, steel, foam, paint, andplaster, 88 9/16 x 165 3/8 x 27 9/16" (225 x 420 x 70 cm).
Fund for the Twenty-First Century
Jack Goldstein. Untitled. 1981. Synthetic polymer painton canvas, 82 3/4 x 130" (210.2 x 330.2 cm). The Sidneyand Harriet Janis Collection (by exchange) and gift of Jill
and Peter Kraus
Denise Green. Trap #1. 1976. Synthetic polymer paint on
canvas, 48 x 48" (121.9 x 121.9 cm). Gift of Francis X.
Claps, MD
Ha Chonghyun. Conjunction 74 26. 1974. Oil on burlap,
42 7/8 x 87 3/4" (108.9 x 222.9 cm). Gift of Eva andGlenn Dubin
Camille Henrot. Augmented Objects. 2012. Epoxy
modeling compound, tar, and sand over found objects,
overall dimensions variable. Gift of Samuel I. Rosenman
and gift of Mr. and Mrs. Richard Rodgers (both by exchange)
George Herms. Gemini (The Zodiac Behind Glass
Series). 1965. Wood, hubcap, glass, mirror, steel wire,
steel, brass, and other materials, 25 x 24 x 8" (63.5 x 61
x 20.3 cm). Gift of Adam Kimmel

68

Pierre Huyghe. Untilled (Liegender Frauenakt). 2012.
Concrete with beehive structure, wax, and live bee colony,
figure 29 1/2 x 57 1/16 x 17 11/16" (75 x 145 x 45 cm),base 11 13/16 x 57 1/16 x 21 5/8" (30 x 145 x 55 cm),
beehive dimensions variable. Committee on Painting and
Sculpture Funds

Edward Krasiński. Untitled. 1965. Painted wood andmetal wire, 28 3/4 x 65 3/4" (73 x 167 cm). Gift of Jo
Carole and Ronald S. Lauder
Edward Krasiński. Tenture II. 1972. Wallpaper, synthetic
polymer paint, wood, fiberboard, steel, and tape, 43 3/8 x
29 7/16 x 2 1/8" (110.2 x 74.8 x 5.4 cm). Committee on
Painting and Sculpture Funds

Alex Israel. Sky Backdrop. 2013. Synthetic polymer painton canvas, 108 x 192" (274.3 x 487.7 cm). Gift of Adam
KimmelMichel Majerus. splash bombs I. 2002. Synthetic polymer
paint and pencil on canvas, 110 1/4 x 157 5/8" (280 x
400.4 cm). Gift of Marie Josée and Henry R. Kravis inhonor of Martin Eisenberg

Sergej Jensen. Untitled (Pearls). 2008. Beads on fabricon silk, 86 3/4 x 67" (220.3 x 170.2 cm). Gift of Rebecca
and Martin Eisenberg in honor of Marie Josée Kravis
Alex Katz. Tulips 4. 2013. Oil on linen, 120 x 192"
(304.8 x 487.7 cm). Gift of the Steven and Alexandra
Cohen Foundation and Jo Carole and Ronald S. LauderMichel Majerus. what looks good today may not lookgood tomorrow. 2000. Synthetic polymer paint and pencil
on canvas, 119 5/16 x 134 1/4" (303.1 x 341 cm). Gift of
Mr. and Mrs. Werner E. Josten (by exchange)

Josh Kline. Skittles. 2014. Commercial refrigerator, lightbox, and blended liquids in bottles, 86 1/2 x 127 1/2 x 41"(219.7 x 323.9 x 104.1 cm). Fund for the Twenty-First
Century

Kerry James Marshall. Untitled (Club Scene). 2013.
Synthetic polymer paint and glitter on unstretchedcanvas, 119 x 216" (302.3 x 548.6 cm). Gift of Mr. andMrs. Martin Segal in honor of Agnes Gund

Edward Krasiński. Map of Warsaw. 1972. Paper, synthetic
polymer paint, wood, fiberboard, steel, and tape, 29 11/16
x 21 11/16 x 1 1/2" (75.4 x 55.1 x 3.8 cm). Committee on
Painting and Sculpture Funds

Francisco Matto. Venus. 1968. Oil and wood. 38 1/2 x
6 1/8 x 3 1/8" (97.8 x 15.5 x 8 cm). Latin American and
Caribbean Fund

Edward Krasiński. No. 124. 1972. Painted metal plate,synthetic polymer paint, wood, fiberboard, steel, and tape,
29 5/8 x 39 1/8 x 1 1/2" (75.2 x 99.4 x 3.8 cm). Gift fromGrażyna Kulczyk Collection
Edward Krasiński. Permis de la fille. 1972. Pencil,
synthetic polymer paint, wood, fiberboard, steel, andtape, 29 5/8 x 21 3/4 x 1 1/2" (75.2 x 55.2 x 3.8 cm).
Committee on Painting and Sculpture Funds
Edward Krasiński. Intervention with a Phone. 1972.
Telephone, synthetic polymer paint, wood, fiberboard,steel, and tape, 29 1/2 x 21 3/8 x 11" (74.9 x 54.3 x
28.1 cm). Committee on Painting and Sculpture Funds
Edward Krasiński. Salle de bain. 1972. Plastic board,
synthetic polymer paint, wood, fiberboard, steel, andtape, 43 1/2 x 29 1/2 x 2 3/16" (110.5 x 74.9 x 5.6 cm).
Committee on Painting and Sculpture Funds
Edward Krasiński. Tenture. 1972. Wallpaper, synthetic
polymer paint, wood, fiberboard, steel, and tape, 21 3/4
x 14 5/8 x 1 1/4" (55.2 x 37.1 x 3.2 cm). Committee on
Painting and Sculpture Funds

Francisco Matto. Lightning Bolt. 1963. Oil and wood.
25 3/8 x 4 1/8 x 2" (64.5 x 10.5 x 5.1 cm). Latin American
and Caribbean Fund
Julie Mehretu. Invisible Sun (algorithm 5, second letterform). 2014. Ink and synthetic polymer paint on canvas,
9' 11 3/8" x 13' 11" (303.2 x 424.2 cm). Gift of theSteven and Alexandra Cohen Foundation and Eugenio
Lopez AlonsoMichel Parmentier. July 16, 1968. 1968. Lacquer oncanvas, 109 13/16 x 96 7/16" (279 x 245 cm). Committee
on Painting and Sculpture Funds
Otto Piene. Light Ballet. 1961. Synthetic sheeting, metal
stands, light fixtures, transformer, and string, 67 5/8 x
59 3/4 x 28" (171.8 x 151.8 x 71.1 cm). Gift of Marie
Josée and Henry R. Kravis
Howardena Pindell. Memory: Past. 1980–81. Synthetic
polymer paint, dye, paper, thread, tempera, photographictransfer, glitter, and powder on canvas, 126 x 84" (320 x
213.4 cm). Committee on Painting and Sculpture Funds
and gift of The Friends of Education of The Museum ofModern Art

Edward Krasiński. Beton gris. 1972. Concrete, wood,fiberboard, steel, and tape, 29 1/2 x 21 7/16 x 1 9/16" (74.9
x 54.5 x 4 cm). Committee on Painting and Sculpture Funds

69

Lari Pittman. Flying Carpet with Magic Mirrors for a
Distorted Nation. 2013. Cel vinyl, spray enamel on canvas
over wood panel, in four parts, each 108 x 90" (274.3 x
228.6 cm), overall 108 x 360 1/8" (274.3 x 914.7 cm).
Gift of the Steven and Alexandra Cohen Foundation,
The Broad Art Foundation, and Jill and Peter Kraus
Armando Reverón. White Landscape. 1940. Oil oncanvas, 25 13/16 x 34 5/8" (65.5 x 88 cm). Gift of Patricia
Phelps de Cisneros in honor of Dr. Enrique Pérez Olivares
Julian Schnabel. St. Sebastian. 1979. Oil and wax on
canvas, 111 x 66" (281.9 x 167.6 cm). Gift of The
Brant Foundation, Inc., Agnes Gund, Jerry I. Speyer andKatherine Farley, Michael Ovitz, and Adam Kimmel
Richard Serra. Equal. 2015. Forged weatherproof steel,eight blocks, each 60 x 66 x 72" (152.4 x 167.6 x
182.9 cm). Purchase
Al Taylor. Untitled. 1988. Wooden broomsticks withenamel paint mounted on formica laminate, 60 x 35 x 22"(152.4 x 88.9 x 55.9 cm). Gift of Rona and Richard Roob
Alma Woodsey Thomas. Fiery Sunset. 1973. Synthetic
polymer paint on canvas, 41 1/4 x 41 1/4" (104.8 x 104.8cm). Committee on Painting and Sculpture Funds
Luc Tuymans. Sheer Curtains. 1991. Oil on canvas,
34 5/8 x 31 1/8" (88 x 79 cm). Gift of G. David Thompson
and John Whyte (both by exchange)
Ursula von Rydingsvard. Bent Lace. 2014. Bronze, 112
x 69 x 40" (284.5 x 175.3 x 101.6 cm). Gift of Agnes
Gund in honor of David Rockefeller on his 100th birthday
Kara Walker. African Boy Attendant Curio with
Molasses and Brown Sugar, from “The Marvelous Sugar
Baby" Installation at the old Domino Sugar Factory
Warehouse. (Rear Basket). 2014. Cast pigmented
polyester resin with polyurethane coating (optionally withmolasses and brown sugar), 59 x 25 x 33" (149.9 x 63.5
x 83.8 cm). PurchaseKara Walker. African Boy Attendant Curio with
Molasses and Brown Sugar, from “The Marvelous Sugar
Baby” Installation at the old Domino Sugar Factory
Warehouse. (Bananas). 2014. Cast pigmented polyester
resin with polyurethane coating (optionally with molasses
and brown sugar), 59 1/2 x 20 x 19" (151.1 x 50.8 x
48.3 cm). Acquired through the generosity of The Modern
Women’s Fund, and the Fuhrman Family Foundation

Kara Walker. African Boy Attendant Curio with Molasses
and Brown Sugar, from “The Marvelous Sugar Baby"
Installation at the old Domino Sugar Factory Warehouse(Front Basket). 2014. Cast pigmented polyester resinwith polyurethane coating (optionally with molasses andbrown sugar), 59 3/4 x 33 x 36" (151.8 x 83.8 x 91.4 cm).
Gift of Lonti Ebers
Michael Williams. Wall Dog. 2013. Ink and synthetic
polymer paint on canvas, 97 1/4 x 78 1/8" (247 x
198.4 cm). Fund for the Twenty-First Century
Hale Woodruff. Two Torsos. c. 1977. Oil on canvas, 42
x 36" (106.7 x 91.4 cm). Gift of Dorothy C. Hudgins inmemory of William R. Hudgins
Lynette Yiadom Boakye. The Myriad Motives of Men.
2014. Oil on canvas, 71 x 51 1/4" (180.3 x 130.2 cm).
Gift of Dian Woodner in honor of The Friends of Educationof The Museum of Modern Art
Lynette Yiadom Boakye. Where It Had Been. 2013. Oilon canvas, 13 7/8 x 12" (35.2 x 30.5 cm). Gift of the
Danjuma Collection
Lynette Yiadom Boakye. To the Last. 2013. Oil oncanvas, 13 7/8 x 12" (35.2 x 30.5 cm). Gift of the
Danjuma Collection
Carlos Zilio. Siege and Death. 1974. Synthetic polymer
paint on canvas, 37 x 66 1/8" (94 x 168 cm). Latin
American and Caribbean FundPROMISED GIFTSLouise Bourgeois. Untitled. 1949. Painted wood andstainless steel, 61 3/4 x 12 x 12" (156.8 x 30.5 x
30.5 cm). Promised gift of Eva and Glenn Dubin in honorof David Rockefeller
Alberto Burri. Black Plastic. 1963. Plastic andcombustion on canvas, 80 3/4 x 78 3/8" (205.1 x 199.1 cm).
Promised gift of Marie Josée and Henry R. Kravis
Eva Hesse. Untitled. 1960. Oil on canvas, 26 x 26" (66x 66 cm). Promised gift of Marlene Hess and James D.
Zirin in honor of David Rockefeller on his 100th Birthday
Charline von Heyl. Carlotta. 2013. Oil, synthetic polymer
paint, and charcoal on canvas, 82 x 76" (208.3 x
193 cm). Promised gift of Michael Ovitz
Jasper Johns. Painted Bronze. 1960. Oil on bronze, 13 1/2"
(34.3 cm) high x 8" (20.3 cm) diameter. Promised gift ofMarie Josée and Henry R. Kravis in honor of David Rockefeller

70Edward Krasiński. Untitled. 1965. Painted wood andmetal wire, 19 11/16 x 59 1/16" (50 x 150 cm). Promised
gift of Marie Josée and Henry R. Kravis
Edward Krasiński. Tenture. 1972. Mirror, synthetic
polymer paint, wood, fiberboard, steel, and tape, 21 3/4
x 34 3/8 x 1 9/16" (55.2 x 87.3 x 4 cm). Promised gift ofJames Keith Brown and Eric Diefenbach
Oscar Murillo. 7+. 2013–14. Oil, oil stick, spray paint,
and graphite on canvas and linen, 82 1/2 x 82 1/2"
(209.6 x 209.6 cm). Promised gift of Jerry I. Speyer andKatherine Farley
Albert Oehlen. Untitled. 1992. Oil on canvas, 78 3/4 x
78 3/4" (200 x 200 cm). Promised gift of Donald B. andCatherine C. Marron
Sigmar Polke. Flying Saucers (Fliegende Untertassen).
1966. Dispersion on canvas, 63 x 49 3/16" (160 x
125 cm). Promised gift of Mimi Haas in honor of David
Rockefeller on his 100th birthday
Tom Wesselmann. Great American Nude #75. 1965.
Painted molded plastic and lighting fixtures, 48 x 54 x 5"
(121.9 x 137.2 x 12.7 cm). Promised gift of Frederic andRobin Neimark Seegal
Christopher Wool. Untitled. 1988. Alkyd and flashe on
aluminum, 96 x 72" (243.8 x 182.9 cm). Promised giftof Katherine Farley and Jerry Speyer in honor of David
Rockefeller

71Photography
A total of 464 works were acquired by the Department of Photography.

Vito Acconci. Security Zone. 1971. Gelatin silver prints
on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender

Mike Disfarmer. Cloyce and Loy Cannon, cousins.
c. 1940. Gelatin silver print, 4 3/8 x 2 15/16" (11.1 x 7.5 cm).
Acquired through the generosity of Thomas and Susan
Dunn and gift of Michael Mattis and Judith Hochberg
Mike Disfarmer. George and Harold Choate. 1943.
Gelatin silver print, 3 1/16 x 5 3/16" (7.7 x 13.1 cm).
Acquired through the generosity of Thomas and Susan
Dunn and gift of Michael Mattis and Judith Hochberg

Bas Jan Ader. Pitfall On The Way To A New Neo
Plasticism, Westkapelle, Holland. 1971. Chromogenic
color print, 16 1/4 x 11 1/2" (41.3 x 29.2 cm). The
Abramson Collection. Gift of Stephen and Sandra Abramson

Mike Disfarmer. Marci Cousin, Dan Smith, Calvin Knapp.
1942. Gelatin silver print, 4 13/16 x 3 1/16" (12.2 x 7.7 cm).
Acquired through the generosity of Thomas and Susan
Dunn and gift of Michael Mattis and Judith Hochberg

Bas Jan Ader. Broke Fall (Geometric). 1971. Chromogenic
color print, 16 1/4 x 11 1/2" (41.3 x 29.2 cm). The Abramson
Collection. Gift of Stephen and Sandra Abramson
Lucas Blalock. Shoe. 2013. Pigmented inkjet print, 57 3/4 x
72 3/8" (146.7 x 183.8 cm). Photography Purchase Fund
Lucas Blalock. Right Shoe. 2013. Pigmented inkjet
print, 57 3/4 x 72 3/8" (146.7 x 183.8 cm). Photography
Purchase Fund

Mike Disfarmer. Untitled. c. 1940. Gelatin silver print,
2 7/8 x 4 11/16" (7.3 x 11.9 cm). Acquired through thegenerosity of Thomas and Susan Dunn and gift of Michael
Mattis and Judith Hochberg
Mike Disfarmer. Untitled. c. 1940. Gelatin silver print, 5 x
2 13/16" (12.7 x 7.2 cm). Acquired through the generosityof Thomas and Susan Dunn and gift of Michael Mattis
and Judith Hochberg

Inaki Bonillas. A Card for J.R. Plaza. 2007. Six
pigmented inkjet prints, each 10 1/16 x 8 1/16" (25.6 x
20.5 cm). Latin American and Caribbean Fund
Oscar Bony. La Familia Obrera (The Working Class
Family). 1968. Gelatin silver print, 50 3/8 x 48 1/8" (128 x
122.2 cm). Latin American and Caribbean Fund

Mike Disfarmer. Untitled. c. 1940. Gelatin silver print, 5 x
3 1/16" (12.7 x 7.7 cm). Acquired through the generosityof Thomas and Susan Dunn and gift of Michael Mattis
and Judith Hochberg

Nancy Burson. Warhead I (Regan 55%, Brezhnev 45%,
Thatcher less than 1%, Mitterrand less than 1%, Dengless than 1%). 1982. Gelatin silver print, 7 9/16 x 7 3/8"
(19.2 x 18.7 cm). Gift of Steven and Susan Spungen Kasher

Mike Disfarmer. Untitled. c. 1940. Gelatin silver print,
4 15/16 x 3" (12.6 x 7.6 cm). Acquired through thegenerosity of Thomas and Susan Dunn and gift of Michael
Mattis and Judith Hochberg

Nancy Burson. Androgyny (6 Men + 6 Women). 1982.
Gelatin silver print, 8 1/4 x 7 3/16" (21 x 18.3 cm). Gift ofSteven and Susan Spungen Kasher

Mike Disfarmer. Untitled. c. 1940. Gelatin silver print,
4 15/16 x 2 15/16" (12.5 x 7.5 cm). Acquired through thegenerosity of Thomas and Susan Dunn and gift of Michael
Mattis and Judith Hochberg

Sarah Charlesworth. Buddha of Immeasurable Light.
1987. Silver dye bleach prints, overall 42 x 62" (106.7 x
157.5 cm). Carol and David Appel Family FundNatalie Czech. A Poem by Repetition by Aram Saroyan.
2013. Three chromogenic color prints, 38 13/16 x 25 9/16"(98.6 x 65 cm). Samuel J. Wagstaff, Jr. FundJan Dibbets. Untitled. 1971. Gelatin silver prints
on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender

Mike Disfarmer. Untitled. c. 1940. Gelatin silver print,
2 15/16 x 4 1/2" (7.4 x 11.5 cm). Acquired through thegenerosity of Thomas and Susan Dunn and gift of Michael
Mattis and Judith Hochberg
Mike Disfarmer. Mr. Ralph B. Lafferty. c. 1940. Gelatinsilver print, 4 11/16 x 2 15/16" (11.9 x 7.5 cm). Acquired
through the generosity of Thomas and Susan Dunn andgift of Michael Mattis and Judith Hochberg
Mike Disfarmer. Untitled. c. 1940. Gelatin silver print, 3 x
5 1/16" (7.6 x 12.8 cm). Acquired through the generosityof Thomas and Susan Dunn

72

Mike Disfarmer. Herby, Lee and Clarence Rackley,
Brothers. c. 1940. Gelatin silver print, 5 1/8 x 3 1/16" (13x 7.7 cm). Acquired through the generosity of Thomas
and Susan Dunn

Walker Evans. Baggage Wagons, Galena, Illinois. 1947.
Gelatin silver print, printed by Charlie Rodemeyer, 8 x 10"(20.3 x 25.4 cm). Gift of the artist
Walker Evans. Corner of State and Randolph Streets,
Chicago. 1946. Gelatin silver print, 8 1/16 x 8 1/16" (20.4
x 20.4 cm). Gift of the artist

Mike Disfarmer. Wanda and Mary (Thomas) Carltons,
Prim, Arkansas. c. 1940. Gelatin silver print, 2 15/16 x
4 1/2" (7.5 x 11.4 cm). Acquired through the generosity ofThomas and Susan Dunn

Walker Evans. Chicago Train Station. 1946. Gelatin silver
print, 10 3/8 x 7 15/16" (26.3 x 20.2 cm)

Mike Disfarmer. Three Little Indians All in a Row.
c. 1940. Gelatin silver print, 4 1/2 x 3" (11.5 x 7.6 cm).
Acquired through the generosity of Thomas and Susan Dunn

Walker Evans. Burlesque Theater, Chicago. 1946.
Gelatin silver print, 7 9/16 x 7 7/16" (19.2 x 18.9 cm).

Mike Disfarmer. Jim May Annale, Fay Aldredge. c. 1940.
Gelatin silver print, 5 x 3" (12.7 x 7.6 cm). Acquired
through the generosity of Thomas and Susan Dunn

Walker Evans. Bedroom, Shrimp Fisherman’s House,
Biloxi, Mississippi. 1945. Gelatin silver print, printed by
Jim Dow, 9 7/16 x 7 3/8" (23.9 x 18.7 cm). Purchase

Frantisek Drtikol. Untitled (self portrait in drag).
c. 1920. Gelatin silver print, 7 x 4 5/8" (17.8 x 11.7 cm).
Acquired through the generosity of David Dechman andMichel Mercure

Walker Evans. Bedroom Dresser, Shrimp Fisherman’s
House, Biloxi, Mississippi. 1945. Gelatin silver print,
printed by James Dow, 9 5/16 x 7 5/16" (23.7 x 18.5 cm).
Purchase

Hugo Erfurth. Käthe Kollwitz. 1925. Gelatin silver
print, 11 15/16 x 9 7/16" (30.3 x 24 cm). Committee on
Photography Fund

Walker Evans. Winter Resorters. 1941. Gelatin silver
print, 4 11/16 x 5 1/4" (11.9 x 13.4 cm)
Walker Evans. Winter Resorter. 1941. Gelatin silver print,
6 7/8 x 7 1/16" (17.5 x 18 cm)

Hugo Erfurth. Wilhelm Claus. 1908. Gelatin silver print,
5 9/16 x 3 15/16" (14.1 x 10 cm). Committee on
Photography Fund

Walker Evans. Untitled. 1941. Gelatin silver print,
6 x 5 3/8" (15.2 x 13.6 cm)

Walker Evans. Trash Can, New York. c. 1968. Gelatinsilver print, printed by Charlie Rodemeyer, 8 x 10" (20.3 x
25.4 cm). Gift of the artist

Walker Evans. Resorters at St. Petersburg. 1941.
Gelatin silver print, 5 5/16 x 6 9/16" (13.5 x 16.6 cm).
Gift of the artist

Walker Evans. The Home Organ, Chester, Nova Scotia.
1968. Gelatin silver print, printed by Charlie Rodemeyer,
8 x 10" (20.3 x 25.4 cm). Gift of the artist

Walker Evans. Bridgeport Street Portrait. 1941. Gelatinsilver print, 8 15/16 x 6 3/8" (22.7 x 16.2 cm)

Walker Evans. Untitled. 1962. Gelatin silver print, 10 3/16
x 10 3/16" (25.9 x 25.9 cm)

Walker Evans. Bridgeport Street Portrait. 1941. Gelatinsilver print, 8 5/16 x 4 5/8" (21.1 x 11.8 cm)

Walker Evans. Untitled. c. 1960. Chromogenic color print,
7 5/8 x 7 5/8" (19.3 x 19.3 cm). Gift of Paul F. Walter

Walker Evans. Street Scene, New York. 1938. Gelatinsilver print, printed by James Dow, 6 1/4 x 9 3/8" (15.8 x23.8 cm). Purchase

Walker Evans. Mary Frank, New York. January 1957.
Gelatin silver print, 7 5/16 x 5 15/16" (18.6 x 15.1 cm)

Walker Evans. Street Scene, New York. 1938. Gelatinsilver print, printed by James Dow, 6 1/4 x 9 3/8" (15.8 x23.8 cm). Purchase

Walker Evans. Shoppers, Randolph Street, Chicago.
1947. Gelatin silver print, 7 13/16 x 7 7/8" (19.9 x 20 cm)

Walker Evans. Arkansas Flood Refugee. 1937. Gelatinsilver print, 8 7/8 x 7 1/2" (22.5 x 19 cm). Purchase

Walker Evans. Shoppers. February 1947. Gelatin silver
print, 5 7/8 x 7 5/8" (14.9 x 19.3 cm)
Walker Evans. Fence with Painted Sign of Hand,
Sandusky, Ohio. 1947. Gelatin silver print, 9 1/2 x 12 3/16"(24.2 x 31 cm)

Walker Evans. View in Negro Section of Vicksburg.
1936. Gelatin silver print, 7 13/16 x 8 5/8" (19.8 x
21.9 cm). Purchase73

Walker Evans. Untitled. 1936. Gelatin silver print, 9 1/8 x
6 7/8" (23.2 x 17.5 cm). Purchase
Walker Evans. Tuscaloosa Wrecking Company, Alabama.
1936. Gelatin silver print, printed by James Dow, 7 5/8 x
9 9/16" (19.3 x 24.3 cm). Purchase
Walker Evans. Store Building, Vicksburg, Mississippi.
1936. Gelatin silver print, 7 1/2 x 9 5/8" (19.1 x 24.5 cm)

Walker Evans. Mississippi Land. 1936. Gelatin silver
print, printed by The Library of Congress, 4 13/16 x 9 1/16"(12.2 x 23 cm). Purchase
Walker Evans. Minstrel Showbill Detail. 1936. Gelatinsilver print, 7 7/16 x 9 5/16" (18.9 x 23.7 cm)
Walker Evans. Main Street of County Seat, Alabama.
1936. Gelatin silver print, 7 11/16 x 9 1/2" (19.5 x 24.2 cm).
Purchase

Walker Evans. Star Pressing Club, Vicksburg,
Mississippi. 1936. Gelatin silver print, printed by Rolf
Petersen (?), 7 1/2 x 7 1/2" (19 x 19 cm). Purchase

Walker Evans. Lucille Burroughs, Hale County, Alabama.
1936. Gelatin silver print, 7 7/16 x 9 3/16" (18.9 x 23.4 cm)

Walker Evans. Sons of the American Legion. 1936.
Gelatin silver print, printed 1988 by The Library ofCongress, 6 15/16 x 9 7/16" (17.6 x 23.9 cm). Purchase

Walker Evans. Kitchen with “Avondale" Stove. 1936.
Gelatin silver print, 10 11/16 x 13 11/16" (27.2 x 34.8 cm).
Purchase

Walker Evans. Signs, Beaufort, South Carolina. 1936.
Gelatin silver print, 7 3/8 x 9 7/16" (18.7 x 23.9 cm).
Purchase

Walker Evans. Kitchen Wall, Alabama Farmstead. 1936.
Gelatin silver print, printed by Rolf Petersen (?), 10 11/16 x
13 3/4" (27.1 x 35 cm). Purchase

Walker Evans. Show Bill, Demopolis, Alabama. 1936.
Gelatin silver print, printed by The Library of Congress,
7 3/8 x 9 7/16" (18.8 x 23.9 cm). Purchase

Walker Evans. Houses in Negro Quarter of Tupelo,
Mississippi. 1936. Gelatin silver print, 7 5/16 x 9 1/4"
(18.5 x 23.5 cm). Purchase

Walker Evans. Sharecropper’s Wife, Hale County,
Alabama. 1936. Gelatin silver print, printed by Rolf
Petersen (?), 7 5/8 x 2 5/8" (19.4 x 6.7 cm). Purchase

Walker Evans. Fireplace, Tenant Farmhouse, HaleCounty, Alabama. 1936. Gelatin silver print, 9 3/8 x 7 3/8"
(23.8 x 18.8 cm)

Walker Evans. Sharecropper, Hale County, Alabama.
1936. Gelatin silver print, 7 3/8 x 8 3/16" (18.8 x 20.8 cm)

Walker Evans. Fireplace and Objects in Floyd Burrough’s
Bedroom. 1936. Gelatin silver print, 9 7/16 x 6 7/8" (23.9
x 17.5 cm)

Walker Evans. Sharecropper, Hale County, Alabama.
1936. Gelatin silver print, printed by Rolf Petersen (?),
13 7/8 x 17 3/4" (35.2 x 45.1 cm). Purchase
Walker Evans. Sharecropper, Hale County, Alabama.
1936. Gelatin silver print, printed by Rolf Petersen (?),
13 11/16 x 10 5/8" (34.7 x 27 cm). Purchase
Walker Evans. Sharecropper, Hale County, Alabama.
1936. Gelatin silver print, printed by James Dow, 9 5/8 x
7 9/16" (24.4 x 19.2 cm). Purchase
Walker Evans. School with Separate Bell, Alabama.
1936. Gelatin silver print, printed by James Dow, 7 5/8 x
9 5/8" (19.4 x 24.4 cm). Purchase
Walker Evans. Roadside View, Alabama Coal Area
Company Town. 1936. Gelatin silver print, printed by
Charlie Rodemeyer, 7 3/4 x 9 1/2" (19.7 x 24.1 cm). Giftof the artist
Walker Evans. Roadside Store between Tuscaloosa andGreensboro, Alabama. 1936. Gelatin silver print, 6 9/16 x
6 1/4" (16.7 x 15.8 cm). Gift of the artist

Walker Evans. Farmer’s Kitchen, Hale County, Alabama.
1936. Gelatin silver print, printed by Rolf Petersen (?),
9 1/2 x 6 3/4" (24.1 x 17.2 cm). Purchase
Walker Evans. Elizabeth and Dora Mae Tengle, HaleCounty, Alabama. 1936. Gelatin silver print, 10 3/4 x
13 11/16" (27.3 x 34.8 cm). Purchase
Walker Evans. Country Store and Gas Station, Alabama.
1936. Gelatin silver print, 7 7/16 x 9 3/8" (18.9 x 23.8 cm).
Purchase
Walker Evans. Coal Miner’s House, Scott’s Run, West
Virginia. 1936. Gelatin silver print, printed by James Dow,
7 5/8 x 9 9/16" (19.3 x 24.3 cm). Purchase
Walker Evans. Child’s Grave, Hale County, Alabama.
1936. Gelatin silver print, 7 3/8 x 9 7/16" (18.7 x 23.9 cm).
Purchase
Walker Evans. Butcher Sign, Mississippi. 1936. Gelatinsilver print, 7 5/16 x 9 3/16" (18.5 x 23.4 cm). Purchase74

Walker Evans. Birmingham Steel Mill and Workers’
Houses. 1936. Gelatin silver print, 7 1/2 x 9 7/16" (19 x
24 cm). Purchase

Walker Evans. Main Street Faces. 1935. Gelatin silver
print, printed 1988 by The Library of Congress, 5 9/16 x
6 5/8" (14.2 x 16.8 cm). Purchase

Walker Evans. Bed, Tenant Farmhouse, Hale County,
Alabama. 1936. Gelatin silver print, printed by Rolf
Petersen (?), 7 1/2 x 9 3/8" (19 x 23.8 cm). Purchase

Walker Evans. Louisiana Plantation House. 1935. Gelatinsilver print, 7 9/16 x 9 9/16" (19.2 x 24.3 cm)
Walker Evans. Landscape, Gulf Coast, Louisiana. 1935.
Gelatin silver print, printed by Charlie Rodemeyer, 7 5/8 x
9 1/2" (19.3 x 24.2 cm). Gift of the artist

Walker Evans. Battlefield Monument, Vicksburg,
Mississippi. 1936. Gelatin silver print, printed by James
Dow, 7 5/8 x 9 5/8" (19.3 x 24.5 cm). Purchase

Walker Evans. Gravestone, Louisiana. 1935. Gelatinsilver print, 7 9/16 x 9 9/16" (19.2 x 24.3 cm)

Walker Evans. Alabama Tenant Farmer Family Singing
Hymns. 1936. Gelatin silver print, 4 13/16 x 7 13/16"(12.3 x 19.8 cm). Gift of the artist

Walker Evans. Gas Station, Reedsville, West Virginia.
June 1935. Gelatin silver print, printed by James Dow,
7 1/2 x 9 9/16" (19 x 24.3 cm). Purchase

Walker Evans. Alabama Cotton Tenant Farmer Wife.
1936. Gelatin silver print, 8 11/16 x 7" (22.1 x 17.8 cm).
Gift of the artist
Walker Evans. Window Display, Bethlehem, Pennsylvania.
November 10, 1935. Gelatin silver print, 8 11/16 x 6 1/8"
(22 x 15.6 cm)
Walker Evans. Two Family Houses in Bethlehem,
Pennsylvania. 1935. Gelatin silver print, 5 3/8 x 7 1/16"(13.6 x 17.9 cm)
Walker Evans. Two Members of a Prison Work Gang(possibly Louisiana). c. 1935. Gelatin silver print, 6 3/16 x
8 1/4" (15.7 x 21 cm)
Walker Evans. Savannah Negro Quarter. 1935. Gelatinsilver print, printed by Charlie Rodemeyer, 7 11/16 x 9 9/16"(19.5 x 24.3 cm). Gift of the artist
Walker Evans. Phillipsburg, New Jersey. 1935. Gelatinsilver print, printed by James Dow, 7 1/2 x 9 1/2" (19.1 x24.2 cm). Purchase
Walker Evans. Part of Morgantown, West Virginia. 1935.
Gelatin silver print, printed by James Dow, 7 5/8 x 9 1/2"
(19.4 x 24.1 cm). Gift of the artist
Walker Evans. Outdoor Advertising Sign near Baton
Rouge, Louisiana. 1935. Gelatin silver print, printed by
Charlie Rodemeyer, 7 3/4 x 9 7/16" (19.7 x 24 cm). Gift of
the artist
Walker Evans. New Orleans Vicinity. 1935. Gelatin silver
print, 5 7/8 x 5 3/16" (15 x 13.1 cm)
Walker Evans. Main Street of a Pennsylvania Town.
1935. Gelatin silver print, printed c. 1970 by James Dow,
9 1/4 x 7 1/2" (23.5 x 19 cm). Purchase

Walker Evans. Fireplace in Franck Tengle’s Home,
Alabama. 1936. Gelatin silver print, printed by Rolf
Petersen (?), 9 7/16 x 7 1/2" (24 x 19 cm). Purchase
Walker Evans. Company Houses, Scott’s Run, West
Virginia. 1935. Gelatin silver print, 7 1/4 x 9 1/8" (18.4 x
23.2 cm). Purchase
Walker Evans. Children, Vicksburg. 1935–36. Gelatinsilver print, 7 5/8 x 6 9/16 " (19.4 x 16.7 cm). Purchase
Walker Evans. Alabama Cotton Tenant Farmer Wife.
1936. Gelatin silver print, 13 11/16 x 9 1/4" (34.8 x
23.5 cm). Purchase
Walker Evans. Palumbo Public Ice Fuel, New York.
c. 1934. Gelatin silver print, printed by James Dow, 7 9/16
x 9 9/16" (19.2 x 24.3 cm). Purchase
Walker Evans. Greek Revival Doorway, New York City.
1934. Gelatin silver print, printed by Charlie Rodemeyer,
8 1/16 x 6 5/16 " (20.5 x 16 cm). Gift of the artist
Walker Evans. Untitled. 1933. Gelatin silver print, printed
c. 1970 by James Dow, 8 1/16 x 6 3/16" (20.5 x 15.7 cm).
Purchase
Walker Evans. Stevedore. 1933. Gelatin silver print,
printed c. 1970 by James Dow, 8 1/16 x 6 3/16" (20.5 x
15.7 cm). Purchase
Walker Evans. Squatter’s Village. 1933. Gelatin silver
print, printed c. 1970 by James Dow, 5 3/8 x 9 1/8" (13.6
x 23.2 cm). Purchase
Walker Evans. Squatters’ Village. 1933. Gelatin silver
print, printed by James Dow, 5 3/8 x 9 1/8" (13.6 x23.2 cm). Purchase75

Walker Evans. Interior, Storrs House, Hartford,
Connecticut. 1933. Gelatin silver print, printed by Charlie
Rodemeyer, 7 1/4 x 9 7/16" (18.4 x 24 cm). Gift of the artist

Walker Evans. Lunch Wagon Detail, New York. 1931.
Gelatin silver print, MoMA publicity print, 8 3/4 x 6 1/8"
(22.3 x 15.5 cm). Gift of the artist

Walker Evans. Fulton Market Area, New York. 1933–34.
Gelatin silver print, printed by James Dow, 6 1/4 x 8 1/8 "(15.8 x 20.6 cm). Purchase

Walker Evans. Lincoln Kirstein. c. 1931. Gelatin silver
print, 6 3/8 x 4 1/2" (16.2 x 11.4 cm)

Walker Evans. Dock Workers, Havana. 1933. Gelatinsilver print, printed by James Dow, 6 3/16 x 8 1/16 " (15.7 x
20.5 cm). Purchase
Walker Evans. Cuban Dock Worker. 1933. Gelatin silver
print, printed c. 1970 by James Dow, 6 3/16 x 8 1/8" (15.7
x 20.6 cm). Purchase
Walker Evans. Bowery Lunchroom, New York. c. 1933.
Gelatin silver print, printed by James Dow, 6 1/8 x 8 1/8"
(15.5 x 20.7 cm). Purchase
Walker Evans. A Bench in the Bronx on Sunday. 1933.
Gelatin silver print, printed by Charlie Rodemeyer, 3 x
9 7/16" (7.6 x 24 cm). Gift of the artist
Walker Evans. South Street, New York. 1932. Gelatinsilver print, printed by Charlie Rodemeyer, 7 5/16 x 9 7/16"(18.5 x 24 cm). Gift of the artist
Walker Evans. Oak Bluffs, Martha’s Vineyard. 1932.
Gelatin silver print, printed by James Dow, 6 5/8 x 4 5/8"
(16.8 x 11.8 cm). Purchase
Walker Evans. Havana Policeman. 1932. Gelatin silver
print, printed by Charlie Rodemeyer, 9 3/8 x 7 5/16" (23.8 x
18.5 cm). Gift of the artist
Walker Evans. Havana Dock Worker. 1932–33. Gelatinsilver print, printed c. 1970 by James Dow, 8 1/16 x 6 3/16"(20.5 x 15.7 cm). Purchase
Walker Evans. Child in Back Yard. 1932. Gelatin silver
print, printed by Charlie Rodemeyer, 9 7/16 x 7 5/16" (24 x
18.5 cm). Gift of the artist
Walker Evans. Somertown Road, Ossining, New York.
1931. Gelatin silver print, printed by Charlie Rodemeyer,
6 7/16 x 8 3/8" (16.4 x 21.2 cm). Gift of the artist
Walker Evans. New Bedford, Massachusetts. 1931.
Gelatin silver print, printed by James Dow, 6 3/16 x 7 3/8"
(15.7 x 18.7 cm). Purchase
Walker Evans. Millworkers’ Houses in Willimantic,
Connecticut. 1931. Gelatin silver print, printed by Charlie
Rodemeyer, 8 x 10" (20.3 x 25.4 cm). Gift of the artist

Walker Evans. Jigsaw House at Ocean City, New Jersey.
1931. Gelatin silver print, printed by Charlie Rodemeyer,
6 5/16 x 7 11/16" (16 x 19.5 cm). Gift of the artist
Walker Evans. Detail of a Frame House in Ossining, New
York. 1931. Gelatin silver print, printed by James Dow,
7 7/8 x 6 7/16" (20 x 16.3 cm). Purchase
Walker Evans. Walabout Market, Brooklyn. 1930. Gelatinsilver print, 7 13/16 x 6" (19.8 x 15.2 cm)
Walker Evans. Untitled (wood). 1930. Gelatin silver print,
6 9/16 x 4 11/16" (16.6 x 11.9 cm)
Walker Evans. Tin Relic. 1930. Gelatin silver print,
printed c. 1969 by Charlie Rodemeyer, 5 7/8 x 7 1/16"(15 x 18 cm). Gift of the artist
Walker Evans. Porch Hotel, Saratoga Springs, New York.
c. 1930. Gelatin silver print, 7 15/16 x 6 1/4" (20.1 x 15.9 cm)
Walker Evans. Ben Shahn. c. 1930. Gelatin silver print,
6 3/8 x 9 7/16" (16.2 x 24 cm)
Walker Evans. Girl in Fulton Street, New York. 1929.
Gelatin silver print, 7 5/16 x 4 5/8" (18.6 x 11.7 cm). Giftof the artist
Walker Evans. Truck and Sign. 1928–30. Gelatin silver
print, 5 3/8 x 9 3/16" (13.7 x 23.3 cm)
Walker Evans. Couple at Coney Island, New York. 1928.
Gelatin silver print, printed by James Dow, 9 1/8 x 6 1/2"
(23.2 x 16.5 cm). Purchase
Sara Facio. Ernesto Sabato in Parque Lezama. 1969.
Gelatin silver print, 24 5/8 x 33 3/8" (62.5 x 84.8 cm).
Committee on Photography Fund
Sara Facio. Untitled from the series Humanario. 1966.
Gelatin silver print, 7 7/8 x 11 13/16" (20 x 30 cm).
Committee on Photography Fund
Sara Facio. Untitled from the series Humanario. 1966.
Gelatin silver print, 7 13/16 x 11 13/16" (19.9 x 30 cm).
Committee on Photography Fund
Sara Facio. Untitled from the series Humanario. 1966.
Gelatin silver print, 6 15/16 x 9 7/16" (17.6 x 24 cm).
Committee on Photography Fund76

Sara Facio. Untitled from the series Humanario. 1966.
Gelatin silver print, 8 13/16 x 6 13/16" (22.4 x 17.3 cm).
Committee on Photography Fund

LaToya Ruby Frazier. Mom and Me in the Phase. 2007.
Gelatin silver print, 18 3/8 x 23 5/16" (46.7 x 59.2 cm).
The Photography Council Fund

Sara Facio. Untitled from the series Humanario. 1966.
Gelatin silver print, 6 11/16 x 8 1/16" (17 x 20.4 cm).
Committee on Photography Fund

LaToya Ruby Frazier. Aunt Midgie and Grandma Ruby.
2007. Gelatin silver print, 18 3/8 x 23 5/16" (46.7 x59.2 cm). The Photography Council Fund

Sara Facio. Untitled from the series Buenos Aires
Buenos Aires. c. 1965. Gelatin silver print, 19 1/2 x
11 7/16" (49.6 x 29 cm). Committee on Photography Fund

LaToya Ruby Frazier. Mom and Her Boyfriend, Mr. Art.
2005. Gelatin silver print, 18 3/8 x 23 5/16" (46.7 x59.2 cm). The Photography Council Fund

Sara Facio. Untitled from the series Buenos Aires
Buenos Aires. c. 1965. Gelatin silver print, 11 1/4 x 15 9/16"(28.5 x 39.5 cm). Committee on Photography Fund

LaToya Ruby Frazier. Grandma Ruby and Me. 2005.
Gelatin silver print, 18 3/8 x 23 5/16" (46.7 x 59.2 cm).
The Photography Council Fund

Sara Facio. Untitled from the series Buenos Aires
Buenos Aires. c. 1965. Gelatin silver print, 11 5/8 x 7 5/8"
(29.5 x 19.3 cm). Committee on Photography Fund

Gaspar Gasparian. Abstrata. 1953. Gelatin silver
print, 15 3/4 x 10 9/16" (40 x 26.9 cm). Gift of Gaspar
Gasparian Filho

Sara Facio. Taller del Sur. 1964. Gelatin silver print,
15 3/8 x 9 1/2" (39 x 24.2 cm). Committee on Photography
Fund

Gaspar Gasparian. Divergente. 1949. Gelatin silver print,
15 3/4 x 11 9/16" (40 x 29.4 cm). Latin American and
Caribbean Fund

Sara Facio. Approach to Life. 1963. Gelatin silver
print, 9 13/16 x 13 5/16" (24.9 x 33.8 cm). Committee on
Photography Fund

Gaspar Gasparian. Untitled, Sao Paulo. 1941. Gelatinsilver print, 15 9/16 x 11 11/16" (39.5 x 29.7 cm). Acquired
through the generosity of José Olympio da Veiga Pereira,and Alfredo Setubal through the Latin American and
Caribbean Fund

León Ferrari. Untitled. c. 1979. Gelatin silver print, 4 1/2 x
3 1/2" (11.4 x 8.9 cm). John Szarkowski Fund
León Ferrari. Untitled. c. 1979. Gelatin silver print, 4 1/2 x
3 1/2" (11.4 x 8.9 cm). John Szarkowski Fund
León Ferrari. Untitled. c. 1979. Gelatin silver print, 4 1/2 x
3 1/2" (11.4 x 8.9 cm). John Szarkowski FundPeter Fischli. Fashion Show (Modenschau). 1979.
Chromogenic color print, 9 1/4 x 12 1/4" (23.5 x 31.1 cm).
The Abramson Collection. Gift of Stephen and
Sandra Abramson

Isa Genzken. Ear. 1980. Chromogenic color print, printed
2012, 59 13/16 x 42 1/8 " (152 x 107 cm). Gift of Daniel
Buchholz and Isa Genzken
Alair Gomes. Sonatina, Four Feet No. 22. c. 1977.
Twelve gelatin silver prints, each 6 11/16 x 4 5/16" (17 x
11 cm). Latin American and Caribbean Fund
Alair Gomes. Sonatina, Four Feet No. 16. c. 1977. Seven
gelatin silver prints, each 4 5/16 x 6 11/16" (11 x 17 cm).
Gift of Joaquim Paiva through the Latin American and
Caribbean Fund

Robert Frank. Paris. 1949. Gelatin silver print, 7 ¾ x
11 ½ in. (19.7 x 29.2 cm). Gift of Susan and Peter MacGill
LaToya Ruby Frazier. U.S.S. Edgar Thomson Steel Worksand Monongahela River. 2013. Gelatin silver print, 47 5/8
x 59 3/16" (121 x 150.3 cm). The Photography Council Fund
LaToya Ruby Frazier. Fifth Street Tavern and U.P.M.C.
Braddock Hospital on Braddock Avenue. 2011. Gelatinsilver print, 17 1/2 x 23 5/16" (44.5 x 59.2 cm). Acquired
through the generosity of Bernard I. Lumpkin and Carmine
D. Bocuzzi in honor of Cerrie Bamford and the Friends ofEducation of The Museum of Modern Art

Felix Gonzalez Torres. Untitled. 1992. Leather-boundembossed album with 24 leaves, 14 x 14 x 2" (35.6 x
35.6 x 5.1 cm). The Abramson Collection. Gift of Stephen
and Sandra Abramson
Felix Gonzalez Torres. Untitled (Last Letter). 1991.
Chromogenic color print (jigsaw puzzle), 7 1/2 x 9 1/2"
(19.1 x 24.1 cm). The Abramson Collection. Gift ofStephen and Sandra Abramson
Dan Graham. Dan Graham Pier 18. 1971. Gelatin silver
prints on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender77

Paul Graham. Unionist Coloured Kerbstones at Dusk,
Near Oman. 1985. Chromogenic color print, 26 13/16 x
34 5/8" (68.1 x 87.9 cm). Gift of Pamela and Michael Murray

Gustave Le Gray. The Tugboat, Normandy. 1856–57.
Albumen silver print from wet collodion glass negative,
12 1/8 x 16 15/16" (30.8 x 43 cm). Acquired through thegenerosity of Robert B. Menschel, Jo Carole Lauder, andRoxann Taylor in honor of Richard E. Salomon

H. H. French Studios. Talladega College Students.
c. 1898. Gelatin silver print, 6 3/16 x 8 5/16" (15.7 x
21.1 cm). The Family of Man FundSherrie Levine. After Walker Evans. 1987. Gelatin silver
print, 9 5/16 x 7 5/16" (23.7 x 18.6 cm). The Abramson
Collection. Gift of Stephen and Sandra Abramson

Naoya Hatakeyama. River Series. 1993–94. Chromogenic
color prints, image: 54 x 28" (137.2 x 71.1 cm).
Committee on Photography Fund.

Sherrie Levine. After Rodchenko 1 12. 1987. Twelve
gelatin silver prints, 9 1/2 x 7 1/8" (24.1 x 18.1 cm). The
Modern Women’s Fund and Committee on Photography FundJohn Hilliard. Depression. Jealousy. Aggression. 1975.
Chromogenic color prints, printed 2014, 21 1/8 x 29 3/16"(53.7 x 74.1 cm). Gift of Norman Dubrow

Helen Levitt. New York. 1977. Chromogenic color print,
printed c. 2005, 12 x 17 15/16" (30.5 x 45.5 cm). Gift ofMarvin Hoshino

John Hilliard. Easing Herself Up.The Illness was
not serious. As she lay there, not moving. 1976.
Chromogenic color prints, printed 2014, 21 1/8 x 29 3/16"(53.7 x 74.1 cm). Gift of Norman Dubrow

Helen Levitt. New York. 1971. Chromogenic color print,
printed c. 2005, 17 1/16 x 25 3/8 " (43.3 x 64.5 cm). Giftof Marvin Hoshino in memory of Freda Flier Maddow

John Houck. Copper Mountain. 2014. Pigmented inkjet
print, 22 x 27" (55.9 x 68.6 cm). The Photography
Council Fund

Helen Levitt. New York. 1971. Chromogenic color print,
printed c. 2005, 11 15/16 x 17 15/16" (30.4 x 45.6 cm).
Gift of Marvin Hoshino

John Houck. Peg and Jon. 2013. Pigmented inkjet print,
22 x 27" (55.9 x 68.6 cm). The Photography Council FundPeter Hujar. Candy Darling on Her Deathbed. 1973.
Gelatin silver print, 14 3/4 x 14 3/4" (37.5 x 37.5 cm).
The Abramson Collection. Gift of Stephen and
Sandra AbramsonPeter Hutchinson. June (Year Series). 1978.
Chromogenic color prints, each 30 x 20" (76.2 x
50.8 cm). Gift of Norman Dubrow
Lee Jaffe. Parallel Fears. 1971. Gelatin silver prints
on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender
Keystone View Company. An Arithmetic Class, Tuskegee.
1890s. Gelatin silver print, overall 3 1/2 x 7" (8.9 x
17.8 cm). The Family of Man Fund
Yuki Kimura. KATSURA. 2012. Nine gelatin silver prints
mounted on alpolic, frames, iron, and plants, overall 15 x
17' (4.57 x 5.18 m). Committee on Photography FundLouise Lawler. (Jenny Holzer and Other Artists) Kelly
Green. 1982. Silver dye bleach print (Cibachrome), 28 1/2
x 37 1/4" (72.4 x 94.6 cm). The Abramson Collection. Giftof Stephen and Sandra Abramson

Helen Levitt. New York. 1977. Chromogenic color print,
printed c. 2005, 17 15/16 x 12" (45.6 x 30.5 cm). Gift ofMarvin Hoshino
Helen Levitt. New York. 1971. Chromogenic color print,
printed c. 2005, 11 15/16 x 10 1/16" (30.4 x 25.5 cm). Giftof Marvin Hoshino
Helen Levitt. New York. c. 1970. Chromogenic color print,
printed c. 2005, 17 15/16 x 11 15/16" (45.6 x 30.4 cm).
Gift of Marvin Hoshino
Sol LeWitt. Part of Manhattan with Area between 29
W 57th St., 115 E 86th St. & 308 E 79th St. Cut Out(R746 for Rosa Esman). c. 1978–79. Gelatin silver
print, 15 1/2 x 15 1/2" (39.4 x 39.4 cm). The Abramson
Collection. Gift of Stephen and Sandra Abramson
Richard Long. Four Walks. 1978. Pencil on board, 34 3/8
x 48 1/4" (87.3 x 122.6 cm). The Abramson Collection.
Gift of Stephen and Sandra Abramson
Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift
Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift
Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift78

Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift

Robert Mapplethorpe. Jim, Sausalito. 1977. Gelatin silver
print, 14 x 14" (35.6 x 35.6 cm). Acquired through thegenerosity of Anne and Joel Ehrenkranz

Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift

John McGreer. I’se Awake. 1881. Albumen silver print,
5 1/2 x 4" (14 x 10.2 cm). The Family of Man Fund

Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift

Robert H. McNeill. Untitled. 1941. Gelatin silver print,
9 1/2 x 7 1/2" (24.1 x 19 cm). Acquired through thegenerosity of The Friends of Education of The Museum ofModern Art and Committee on Photography Fund

Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift
Nalini Malani. Untitled. 1970. Gelatin silver print, printed
2015, 48 7/16 x 40 3/16" (123 x 102 cm). Anonymous gift

Robert H. McNeill. Joe Louis, Medical Check up Prior
to Second Match with Buddy Baer, Griffith Stadium,
Washington, D.C. May 23, 1941. Gelatin silver print, 7 1/2
x 9 1/2" (19 x 24.2 cm). Acquired through the generosityof The Friends of Education of The Museum of Modern Art
and Committee on Photography Fund

Joe Maloney. Joe Maloney. 1982. Ten dye transfer prints.
15 ½ x 19 ½ in. (39.4 x 49.5 cm). Gift of Susan andPeter MacGill
Robert Mapplethorpe. Untitled (Peter Berlin). c. 1974.
Black-and-white instant print (Polaroid), 5 3/4 x 4 3/4"
(14.6 x 12.1 cm). Committee on Photography Fund

Robert H. McNeill. Untitled. c. 1940. Gelatin silver print,
7 1/2 x 5 11/16" (19.1 x 14.4 cm). Acquired through thegenerosity of The Friends of Education of The Museum ofModern Art and Committee on Photography Fund

Robert Mapplethorpe. Untitled (Champagne bottle).
1974. Black-and-white instant print (Polaroid), 5 1/8 x 4 1/8"
(13 x 10.5 cm). Committee on Photography Fund
Robert Mapplethorpe. Untitled (Vacuum). c. 1973. Blackand-white instant print (Polaroid), 4 1/8 x 5 3/4" (10.5 x
14.6 cm). Committee on Photography Fund
Robert Mapplethorpe. Patti Smith. c. 1973. Black-andwhite instant print (Polaroid), 5 1/4 x 3 3/4" (13.3 x 9.5 cm).
Acquired through the generosity of Charles Heilbronn
Robert Mapplethorpe. Untitled (Bidet). 1973. Black-andwhite instant print (Polaroid), 4 1/8 x 3 3/8" (10.5 x 8.6 cm).
Committee on Photography Fund
Robert Mapplethorpe. Untitled. c. 1972. Black-and-whiteinstant print (Polaroid), 3 3/8 x 4 1/4" (8.6 x 10.8 cm).
Committee on Photography Fund

Robert H. McNeill. Lula Cooper Beauty Salon. c. 1940.
Gelatin silver print, 7 3/16 x 9 1/2" (18.2 x 24.1 cm).
Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art and Committee
on Photography Fund
Robert H. McNeill. Kids on “T" Street Reading Funnies.
1941. Gelatin silver print, 7 9/16 x 9 1/2" (19.2 x24.1 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Robert H. McNeill. Untitled from the series The Negro in
Virginia. 1938. Gelatin silver print, 7 5/8 x 9 7/16" (19.3 x
24 cm). Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art and Committee
on Photography Fund

Robert Mapplethorpe. Self Portrait. 1980. Gelatin silver
print, 13 3/4 x 13 3/4" (34.9 x 34.9 cm). The Abramson
Collection. Gift of Stephen and Sandra Abramson
Robert Mapplethorpe. Self Portrait. 1980. Gelatin silver
print, 13 3/8 x 13 7/16" (34 x 34.1 cm). Committee on
Photography Fund
Robert Mapplethorpe. Sam Wagstaff. 1979. Gelatin silver
print, 13 7/8 x 5 1/2" (35.2 x 14 cm). Acquired through thegenerosity of Anne and Joel Ehrenkranz
Robert Mapplethorpe. Dominick and Elliot. 1979. Gelatinsilver print, 13 15/16 x 14" (35.4 x 35.6 cm). Acquired
through the generosity of Anne and Joel Ehrenkranz

Robert H. McNeill. Watch Your Step. c. 1940. Gelatin silver
print, 9 7/16 x 7 9/16" (24 x 19.2 cm). Acquired throughthe generosity of The Friends of Education of The Museumof Modern Art and Committee on Photography Fund

Robert H. McNeill. Untitled from the series The Negroin Virginia. 1938. Gelatin silver print, 7 1/2 x 9 9/16"(19 x 24.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Robert H. McNeill. Untitled from the series The Negro in
Virginia. 1938. Gelatin silver print, 7 1/2 x 9 7/16" (19 x
24 cm). Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art and Committee
on Photography Fund79

Robert H. McNeill. New Car from the series The Negroin Virginia. 1938. Gelatin silver print, 8 11/16 x 6 13/16"(22 x 17.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 9 1/4 x 7 11/16"(23.5 x 19.5 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Bryant’s Longshoremans Tavern fromthe series The Negro in Virginia. 1938. Gelatin silver
print, 7 1/2 x 9 7/16" (19 x 24 cm). Acquired through thegenerosity of The Friends of Education of The Museum ofModern Art and Committee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 7 5/8 x 9 9/16"(19.4 x 24.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 6 x 8" (15.3
x 20.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 8 1/16 x 6 5/16"(20.4 x 16 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 6 1/16 x 8"
(15.4 x 20.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 6 1/8 x 7 15/16"(15.5 x 20.1 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 9 7/16 x 7 5/8"
(24 x 19.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Robert H. McNeill. Make a Wish. 1937. Gelatin silver
print, 6 3/4 x 8 11/16" (17.1 x 22 cm). Acquired through thegenerosity of The Friends of Education of The Museum ofModern Art and Committee on Photography Fund

Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 7 5/8 x 9 1/2"
(19.4 x 24.1 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 79/16 x 6 5/16"(19.2 x 16 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 9 7/16 x 7 11/16"(24 x 19.5 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Robert H. McNeill. Untitled from the series The Bronx
Slave Market. 1937. Gelatin silver print, 7 7/8 x 6 1/16"(20 x 15.4 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Mario Merz. Pier 18. 1971. Gelatin silver prints on board,
20 x 26" (50.8 x 66 cm). Gift of the Roy LichtensteinFoundation in honor of Jennifer Winkworth and Kynaston
McShine and in memory of Harry Shunk and Jànos KenderRichard Misrach. Tijuana Beach #1. 2013. Pigmented
inkjet print, 59 1/4 x 79" (150.5 x 200.7 cm). Committee
on Photography Fund
Richard Misrach. The Wall #1. 2009. Pigmented inkjet
print, 59 1/4 x 79" (150.5 x 200.7 cm). Committee on
Photography Fund
Richard Misrach. Golden Gate Bridge, 3.20.00,
4:05–5:00 am. 2000. Pigmented inkjet print, printed
2014, 18 3/16 x 23 3/16" (46.2 x 58.9 cm). Committee on
Photography Fund
Richard Misrach. Golden Gate Bridge, 12.15.99, 5:14 pm.
1999. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund
Richard Misrach. Golden Gate Bridge, 3.19.99, 11:14 am.
1999. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund
Richard Misrach. Golden Gate Bridge, 10.31.98, 4:32 pm.
1998. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

80

Richard Misrach. Swamp and Pipeline, Geismar,Louisiana. 1998. Pigmented inkjet print, printed 2014,18 3/16 x 23 3/16" (46.2 x 58.9 cm). Committee on
Photography Fund

Richard Misrach. Waiting, Edwards Air Force Base,
California. 1983. Pigmented inkjet print, printed 2014,18 3/16 x 23 3/16" (46.2 x 58.9 cm). Committee on
Photography Fund

Richard Misrach. Holy Rosary Cemetery and Dow
Chemical Corporation (Union Carbide Complex), Taft,Louisiana. 1998. Pigmented inkjet print, printed 2014,18 3/16 x 23 3/16" (46.2 x 58.9 cm). Committee on
Photography Fund

Richard Misrach. Submerged Gas Pumps, Salton Sea.
1983. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund
Richard Misrach. Diving Board, Salton Sea. 1983.
Pigmented inkjet print, printed 2014, 18 3/16 x 23 3/16"(46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Ashland Belle Helene Plantation,
Acquired by Shell Chemical. 1998. Pigmented inkjet
print, printed 2014, 18 3/16 x 23 3/16" (46.2 x 58.9 cm).
Committee on Photography Fund

Richard Misrach. The Santa Fe. 1982. Chromogenic color
print, printed 2006, 18 3/16 x 23 3/16" (46.2 x 58.9 cm).
Committee on Photography Fund

Richard Misrach. Abandoned Trailer, Mississippi River,near Dow Chemical Plant, Plaquemine, Louisiana. 1998.
Pigmented inkjet print, printed 2014, 18 3/16 x 23 3/16"(46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 7/8 x 11 5/8" (25.1 x 29.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Outdoor Dining, Bonneville Salt Flats,
Utah. 1992. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Untitled. 1972–74. Gelatin silver
print, 7 1/2 x 12 5/8" (19 x 32 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. White Man Contemplating Pyramids,
Egypt. 1989. Pigmented inkjet print, printed 2014, 18 3/16
x 23 3/16"(46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
8 3/4 x 10 13/16" (22.3 x 27.4 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Tennis Court and Pyramids, Egypt.
1989. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Julia. 1972–74. Gelatin silver print,
10 3/16 x 9 1/8" (25.8 x 23.1 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Burnt Forest and Half Dome, Yosemite.
1988. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 1/4 x 12 1/16" (23.5 x 30.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Dead Animals #327. 1987. Pigmented
inkjet print, printed 2014, 18 3/16 x 23 3/16" (46.2 x
58.9 cm). Committee on Photography Fund

Richard Misrach. Dennis and Rusty. 1972–74. Gelatinsilver print, 10 1/4 x 9 1/2" (26 x 24.1 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Dead Animals #1. 1987. Pigmented
inkjet print, printed 2014, 18 3/16 x 23 3/16" (46.2 x
58.9 cm). Committee on Photography Fund

Richard Misrach. Street musicians. 1972–74. Gelatinsilver print, 8 13/16 x 8 9/16" (22.4 x 21.8 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Bomb, Destroyed Vehicles and Lone
Rock. 1987. Pigmented inkjet print, printed 2014, 18 3/16
x 23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Debbie and Dan. 1972–74. Gelatinsilver print, 10 3/4 x 9 13/16" (27.3 x 25 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Bomb Crater and Destroyed Convoy.
1986. Pigmented inkjet print, printed 2014, 18 3/16 x
23 3/16" (46.2 x 58.9 cm). Committee on Photography Fund

Richard Misrach. Lucia and Peter. 1972–74. Gelatinsilver print, 9 7/16 x 10 11/16" (24 x 27.1 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Train Tracks, Colorado. 1984.
Pigmented inkjet print, printed 2014, 18 3/16 x 23 3/16"(46.2 x 58.9 cm). Acquired through the generosity ofRobert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 1/2 x 12 1/2" (24.2 x 31.8 cm). Acquired through thegenerosity of Robert Harteveldt

81

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 15/16 x 11 15/16" (25.3 x 30.4 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Marshmallow. 1972–74. Gelatin silver
print, 10 5/8 x 8 7/8" (27 x 22.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Krishna child. 1972–74. Gelatin silver
print, 10 1/2 x 9 3/8" (26.6 x 23.8 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Pepper and Wally. 1972–74. Gelatinsilver print, 9 3/4 x 11 15/16" (24.7 x 30.4 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 13/16 x 9 11/16" (25 x 24.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 1/2 x 11 7/16" (24.2 x 29.1 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 5/8 x 10 13/16" (24.5 x 27.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
8 11/16 x 10 13/16" (22.1 x 27.4 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 11/16 x 12" (24.6 x 30.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. David. 1972–74. Gelatin silver print,
9 1/2 x 11 5/8" (24.2 x 29.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
7 3/16 x 8 1/8" (18.3 x 20.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver
print, 8 11/16 x 11" (22.1 x 28 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Alan. 1972–74. Gelatin silver print,
9 7/16 x 10 7/8" (24 x 27.7 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver
print, 9 3/16 x 11" (23.4 x 28 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Denise. 1972–74. Gelatin silver print,
9 5/8 x 11 3/4" (24.5 x 29.9 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Rip. 1972–74. Gelatin silver print,
9 5/8 x 9 7/16" (24.4 x 23.9 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Amy. 1972–74. Gelatin silver print,
10 3/8 x 10 3/8" (26.4 x 26.4 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Clockwork Orange. 1972–74. Gelatinsilver print, 9 1/2 x 8 13/16" (24.1 x 22.4 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Steve. 1972–74. Gelatin silver print,
11 5/8 x 9 7/16" (29.5 x 23.9 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Freckles. 1972–74. Gelatin silver print,
9 13/16 x 8 5/8" (25 x 21.9 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Chicken. 1972–74. Gelatin silver print,
9 1/4 x 11 1/8" (23.5 x 28.2 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Frankie. 1972–74. Gelatin silver print,
9 1/16 x 9 3/16" (23 x 23.3 cm). Acquired through thegenerosity of Robert Harteveld

Richard Misrach. Mickey and Liz. 1972–74. Gelatin silver
print, 9 7/8 x 11 7/16" (25.1 x 29 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Hawk and Dog. 1972–74. Gelatin silver
print, 8 3/4 x 10 5/8" (22.3 x 27 cm). Acquired through thegenerosity of Robert Harteveld

Richard Misrach. Fran. 1972–74. Gelatin silver print,
9 13/16 x 12 3/16" (25 x 31 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Three girls. 1972–74. Gelatin silver
print, 9 5/16 x 11 1/8" (23.7 x 28.2 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Tumbleweed. 1972–74. Gelatin silver
print, 9 1/4 x 11 9/16" (23.5 x 29.3 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 9/16 x 9 1/4" (24.3 x 23.5 cm). Acquired through thegenerosity of Robert Harteveldt

82

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 9/16 x 11 7/8" (24.3 x 30.1 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Sally. 1972–74. Gelatin silver print,
10 11/16 x 9 11/16" (27.1 x 24.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Frankie and Jeremy. 1972–74. Gelatinsilver print, 9 1/4 x 10" (23.5 x 25.4 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Street Vendor. 1972–74. Gelatin silver
print, 10 x 11 5/8" (25.4 x 29.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
7 7/16 x 9 1/2" (18.9 x 24.1 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Angie. 1972–74. Gelatin silver print,
10 5/8 x 10" (27 x 25.4 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver
prints. Overall 14 5/8 x 13 1/8" (11.8 x 33.4 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Mona and friend. 1972–74. Gelatinsilver print, 9 5/8 x 11 7/16" (24.4 x 29 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. STP Family. 1972–74. Gelatin silver
print, 8 1/16 x 10 1/2" (20.4 x 26.7 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Dakini and friend. 1972–74. Gelatinsilver print, 10 11/16 x 9 13/16" (27.2 x 25 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
11 1/4 x 10 5/16" (28.6 x 26.2 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Blue. 1972–74. Gelatin silver print,
9 5/8 x 10 1/2" (24.5 x 26.7 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Satan. 1972–74. Gelatin silver print,
11 1/4 x 9 5/16" (28.6 x 23.7 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Woody. 1972–74. Gelatin silver print,
10 1/16 x 11 5/8" (25.5 x 29.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. People’s Park. 1972–74. Gelatin silver
print, 9 1/4 x 11 13/16" (23.5 x 30 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Goldie. 1972–74. Gelatin silver print,
7 15/16 x 10 3/16" (20.1 x 25.8 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Woody. 1972–74. Gelatin silver print,
8 5/8 x 9 7/8" (21.9 x 25.1 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 13/16 x 9 15/16" (25 x 25.2 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. People’s Park. 1972–74. Gelatin silver
print, 9 7/8 x 11 3/4" (25.1 x 29.8 cm). Acquired throughthe generosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
9 1/4 x 11 5/8" (23.5 x 29.5 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Phil. 1972–74. Gelatin silver print,
9 3/8 x 8 15/16" (23.8 x 22.7 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Pepper. 1972–74. Gelatin silver print,
10 15/16 x 9 5/16" (27.8 x 23.6 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
6 7/8 x 12 15/16" (17.5 x 32.8 cm). Acquired through thegenerosity of Robert Harteveldt

Richard Misrach. Telegraph 3 A.M. 1972–74. Gelatinsilver print, 10 1/16 x 9 7/16" (25.5 x 24 cm). Acquired
through the generosity of Robert Harteveldt

Richard Misrach. Untitled. 1972–74. Gelatin silver print,
8 11/16 x 13 1/8" (22 x 33.4 cm). Acquired through thegenerosity of Robert Harteveldt

Mark Morrisroe. Kimberly. 1986. Chromogenic color
print, 16 3/16 x 13 7/16" (41.1 x 34.1 cm). The Abramson
Collection. Gift of Stephen and Sandra Abramson

Richard Misrach. Zen. 1972–74. Gelatin silver print,
9 15/16 x 10 1/2" (25.3 x 26.6 cm). Acquired through thegenerosity of Robert Harteveldt

Nicholas Nixon. The Brown Sisters, Wellfleet,
Massachusetts. 2014. Gelatin silver print, 17 15/16 x 22 11/16"(45.6 x 57.6 cm). Cornelius N. Bliss Memorial Fund

83

Nicholas Nixon. The Brown Sisters, Wellfleet,
Massachusetts. 2014. Gelatin silver print, 7 11/16 x 9 5/8"
(19.5 x 24.4 cm). Cornelius N. Bliss Memorial Fund
Dennis Oppenheim. Reading Position for Second
Degree Burn, Stage I and Stage II, Book, Skin, Solar
Energy. Exposure Time: 5 Hours, Jones Beach, New
York, Photodocumentation. 1970. Two chromogenic color
prints with text panel, 85 x 60" (215.9 x 152.4 cm). The
Abramson Collection. Gift of Stephen and Sandra Abramson

Gordon Parks. Harlem Newsboy, Harlem, New York.
1943. Gelatin silver print, 14 1/8 x 14" (35.9 x
35.6 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Gina Pane. Preparatory drawing. 1973. Pencil andfelt-tip pen on paper, 9 1/2 x 31 1/4" (24.1 x 79.4 cm).
The Modern Women’s Fund and The Contemporary Arts
Council of The Museum of Modern Art

Gordon Parks. A Harlem Scene, New York, NY. 1943.
Gelatin silver print, 9 15/16 x 6 11/16" (25.2 x 17 cm).
Acquired through the generosity of the Gordon Parks
Foundation and Committee on Photography Fund

Gina Pane. Azione sentimentale. November 9, 1973.
Chromogenic color print, printed 2015, 47 1/4 × 39 1/4"(120 × 99.7 cm). The Modern Women’s Fund and The
Contemporary Arts Council of The Museum of Modern Art

Gordon Parks. Man with Straw Hat, Washington, D.C.
1942. Gelatin silver print, 13 1/2 x 9 1/4" (34.3 x
23.5 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Gina Pane. Azione sentimentale. November 9, 1973.
Seven chromogenic color prints, 47 1/4 x 39 3/8"(120 x 100 cm). The Modern Women’s Fund and The
Contemporary Arts Council of The Museum of Modern Art

Gordon Parks. Children with Doll, Washington, D.C.
1942. Gelatin silver print, 11 1/8 x 13 15/16" (28.3 x
35.4 cm). Acquired through the generosity of the Gordon
Parks Foundation and Committee on Photography Fund

Gordon Parks. Harlem Rally, Harlem, New York. 1963.
Gelatin silver print, 9 3/16 x 13 3/8" (23.3 x 34 cm).
Committee on Photography Fund

Martin Parr. Basel Art Fair, Miami Beach, Florida. 2004.
Pigmented inkjet print, 20 x 30" (50.8 x 76.2 cm).
Committee on Photography Fund

Gordon Parks. Malcolm X Gives Speech at Rally, Harlem,
New York. 1963. Gelatin silver print, 13 5/16 x 8 7/8"
(33.8 x 22.5 cm). Committee on Photography Fund

Martin Parr. Saatchi Gallery, London County Hall,
England. April 15, 2003. Pigmented inkjet print, 20 x 24"(50.8 x 61 cm). Committee on Photography Fund

Gordon Parks. Black Muslim Rally, Harlem, New York.
1963. Gelatin silver print, 9 1/4 x 13" (23.5 x 33 cm).
Committee on Photography Fund

Martin Parr. Mexico. 2002. Pigmented inkjet print, 20 x 30"(50.8 x 76.2 cm). Vital Projects Fund, Robert B. MenschelGordon Parks. Gloria Vanderbilt, New York. 1954. Gelatinsilver print, 13 1/2 x 8 1/2" (34.3 x 21.6 cm). Committee
on Photography Fund
Gordon Parks. Emerging Man, Harlem, New York.
1952. Gelatin silver print, 8 7/16 x 12 7/8" (21.4 x
32.7 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Gordon Parks. Soapbox Orator, Harlem, New York.
1952. Gelatin silver print, 13 1/4 x 8 3/4" (33.7 x
22.2 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund
Gordon Parks. Untitled, Harlem, New York. 1948. Gelatinsilver print, 10 5/16 x 13 1/4" (26.2 x 33.7 cm). Acquired
through the generosity of The Friends of Education of The
Museum of Modern Art and Committee on Photography Fund

Gordon Parks. Fulton Fish Market Hooker, New York.
1943. Gelatin silver print, 17 x 19 13/16" (43.2 x50.3 cm). Acquired through the generosity of The
Friends of Education of The Museum of Modern Art andCommittee on Photography Fund

Martin Parr. Doughnuts, New York. 2001. Pigmented
inkjet print, 19 1/2 x 29 1/2" (49.5 x 74.9 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Wells, Somerset, England. 2000. Pigmented
inkjet print, 19 1/2 x 29 1/2" (49.5 x 74.9 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Las Vegas. 2000. Pigmented inkjet print,
40 x 50" (101.6 x 127 cm). Vital Projects Fund,
Robert B. MenschelMartin Parr. British Flags at a Fair, Sedlescombe,
England. 1995–99. Pigmented inkjet print, 60 x 40"(152.4 x 101.6 cm). Acquired through the generosity ofCharles Heilbronn

84

Martin Parr. Venice Beach, California. 1998. Pigmented
inkjet print, 40 x 60" (101.6 x 152.4 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1983–85.
Pigmented inkjet print, 17 x 21" (43.2 x 53.3 cm).
Acquired through the generosity of Mark Levine

Martin Parr. Venice Beach, California. 1998. Pigmented
inkjet print, 40 x 60" (101.6 x 152.4 cm). Acquired
through the generosity of Charles Heilbronn

Martin Parr. New Brighton, Merseyside. 1983–85.
Pigmented inkjet print, 16 5/8 x 20 1/2" (42.2 x 52.1 cm).
Vital Projects Fund, Robert B. MenschelMartin Parr. Miami, Florida. 1998. Pigmented inkjet print,
19 1/2 x 29 1/2" (49.5 x 74.9 cm). Vital Projects Fund,
Robert B. MenschelMartin Parr. Liverpool, England. 1983. Pigmented inkjet
print, 17 x 21" (43.2 x 53.3 cm). Acquired through thegenerosity of Thomas and Susan Dunn

Martin Parr. Florida. 1998. Pigmented inkjet print, 17 x 21"(43.2 x 53.3 cm). Vital Projects Fund, Robert B.MenschelMartin Parr. The Doguroo, dog care center where you
can leave you dog and even check them on one of
Doguroo’s four webcams, Atlanta. 2010. Pigmented
inkjet print, 20 x 29 15/16" (50.8 x 76 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. The Luxor Hotel and Casino, Las Vegas.
1994. Pigmented inkjet print, 17 x 21" (43.2 x 53.3 cm).
Vital Projects Fund, Robert B. MenschelMartin Parr. Atlanta. 2010. Pigmented inkjet print, 40 x 60"(101.6 x 152.4 cm). Acquired through the generosity ofCharles Heilbronn

Martin Parr. The Grand Canyon, Arizona. 1994.
Pigmented inkjet print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Lewes, Glyndebourne, England. 2008.
Pigmented inkjet print, 20 x 30" (50.8 x 76.2 cm).
Committee on Photography Fund

Martin Parr. Volcano, Big Island, Hawaii. 1993.
Pigmented inkjet print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Copacabana Beach, Rio de Janeiro, Brazil.
2007. Pigmented inkjet print, 20 x 30" (50.8 x 76.2 cm).
Committee on Photography Fund

Martin Parr. Tourists outside Buckingham Palace in theRain, London, England. 1993. Pigmented inkjet print, 17
x 21" (43.2 x 53.3 cm). Acquired through the generosityof Mark Levine

Martin Parr. Punta del Este, Uruguay. 2006. Pigmented
inkjet print, 20 x 30" (50.8 x 76.2 cm). Committee on
Photography Fund

Martin Parr. I don’t think it’s anything particularly forcedon Deborah. We’ve just always enjoyed the same sortof things. 1991. Pigmented inkjet print, 17 x 21" (43.2 x
53.3 cm). Acquired through the generosity ofCharles Heilbronn

Martin Parr. Basel Art Fair, Miami Beach, Florida. 2004.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm).
Committee on Photography Fund

Martin Parr. Snowdonia, Wales. 1989. Pigmented inkjet
print, 17 x 21" (43.2 x 53.3 cm). Vital Projects Fund,
Robert B. MenschelMartin Parr. Saatchi Gallery, London County Hall,
England. April 15, 2003. Chromogenic color print, 17 x 21"(43.2 x 53.3 cm). Committee on Photography Fund

Martin Parr. Wedding Preparations, England. 1988.
Pigmented inkjet print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Mexico. 2002. Chromogenic color print,
20 x 30" (50.8 x 76.2 cm). Vital Projects Fund,
Robert B. MenschelMartin Parr. Newport, Wales. 1988. Pigmented inkjet
print, 17 x 21" (43.2 x 53.3 cm). Acquired through thegenerosity of Mark Levine

Martin Parr. Doughnuts, New York. 2001. Chromogenic
color print, 19 1/2 x 29 1/2" (49.5 x 74.9 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1985. Pigmented
inkjet print, 17 x 21" (43.2 x 53.3 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. Wells, Somerset, England. 2000.
Chromogenic color print, 19 1/2 x 29 1/2" (49.5 x 74.9 cm).
Vital Projects Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1985. Pigmented
inkjet print, 17 x 21" (43.2 x 53.3 cm). Committee on
Photography Fund

Martin Parr. Las Vegas. 2000. Chromogenic color print,
40 x 50" (101.6 x 127 cm). Vital Projects Fund,
Robert B. Menschel85Martin Parr. British Flags at a Fair, Sedlescombe,
England. 1995–99. Chromogenic color print, 40 x 60"(101.6 x 152.4 cm). Acquired through the generosity ofCharles Heilbronn

Martin Parr. New Brighton, Merseyside. 1985.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1985.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm).
Committee on Photography Fund

Martin Parr. Venice Beach, California. 1998.
Chromogenic color print, 40 x 60" (101.6 x 152.4 cm).
Vital Projects Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1985. Pigmented
inkjet print, 40 x 50" (101.6 x 127 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. Venice Beach, California. 1998.
Chromogenic color print, 40 x 60" (101.6 x 152.4 cm).
Acquired through the generosity of Charles Heilbronn

Martin Parr. New Brighton, Merseyside. 1983–85.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm).
Acquired through the generosity of Mark Levine

Martin Parr. Miami, Florida. 1998. Chromogenic color
print, 19 1/2 x 29 1/2" (49.5 x 74.9 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. New Brighton, Merseyside. 1983–85.
Chromogenic color print, 16 5/8 x 20 1/2" (42.2 x 52.1 cm).
Vital Projects Fund, Robert B. MenschelMartin Parr. Florida. 1998. Chromogenic color print, 19 1/2
x 29 1/2" (49.5 x 74.9 cm). Vital Projects Fund,
Robert B. MenschelMartin Parr. The Luxor Hotel and Casino, Las Vegas.
1994. Chromogenic color print, 17 x 21" (43.2 x 53.3 cm).
Vital Projects Fund, Robert B. MenschelIrving Penn. The Spilled Cream. 1980. Platinum/
palladium print, 11 1/2 x 19 3/8" (29.2 x 49.2 cm). Gift of
Susan and Peter MacGill

Martin Parr. The Grand Canyon, Arizona. 1994.
Chromogenic color print, 16 5/8 x 20 1/2" (42.2 x 52.1 cm).
Vital Projects Fund, Robert B. MenschelP. H. Polk. Boss Woman. 1920s. Gelatin silver print, 9 9/16
x 7 1/2" (24.3 x 19 cm). The Family of Man Fund

Martin Parr. Volcano, Big Island, Hawaii. 1993.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelPowell & Co. Anti Slavery Constitutional Amendment
Picture. 1865. Albumen silver print, 12 3/16 x 10 1/2"
(31 x 26.6 cm). The Family of Man Fund

Martin Parr. Tourists outside Buckingham Palace in
the Rain, London, England. 1993. Chromogenic color
print, 17 x 21" (43.2 x 53.3 cm). Acquired through thegenerosity of Mark Levine

Douglas Prince. Projection Screen. 1983. Film andPlexiglass, 5 1/4 x 5 1/8 x 2 1/2" (13.3 x 13 x 6.4 cm).
Gift of David C. Ruttenberg

Martin Parr. I don’t think it’s anything particularly forcedon Deborah. We’ve just always enjoyed the same sort ofthings. 1991. Chromogenic color print, 18 x 22 1/4" (45.7
x 56.5 cm). Acquired through the generosity ofCharles Heilbronn
Martin Parr. Snowdonia, Wales. 1989. Chromogenic color
print, 16 3/4 x 20 3/8 " (42.5 x 51.8 cm). Vital Projects
Fund, Robert B. MenschelMartin Parr. Wedding Preparations, England. 1988.
Chromogenic color print, 17 x 21" (43.2 x 53.3 cm). Vital
Projects Fund, Robert B. MenschelMartin Parr. Newport, Wales. 1988. Chromogenic color
print, 17 x 21" (43.2 x 53.3 cm). Acquired through thegenerosity of Mark Levine

Martin Parr. Liverpool, England. 1983. Chromogenic color
print, 17 x 21" (43.2 x 53.3 cm). Acquired through thegenerosity of Thomas and Susan Dunn

Michael Putnam. New York City. 1970. Gelatin silver
print, 7 15/16 x 11 7/16" (20.1 x 29.1 cm). Gift of the artist
Ringl + Pit. Columbus’ Egg. 1930. Gelatin silver print,
9 1/4 x 7 7/8" (23.5 x 20 cm). Gift of Helen Kornblum inhonor of Roxana Marcoci
Ringl + Pit. Goggi. 1929. Gelatin silver print, 3 9/16 x
2 1/4" (9 x 5.8 cm). Gift of Helen Kornblum in honor of
Roxana Marcoci
Miguel Angel Rojas. Serie Faenza: Antropofagia. 1970s.
Gelatin silver print, 3 1/2 x 5" (8.9 x 12.7 cm). Latin
American and Caribbean Fund
Miguel Angel Rojas. Serie Faenza: Antropofagia. 1970s.
Gelatin silver print, 3 1/2 x 5" (8.9 x 12.7 cm). Latin
American and Caribbean Fund86

Miguel Angel Rojas. Serie Faenza: Antropofagia. 1970s.
Gelatin silver print, 3 1/2 x 5" (8.9 x 12.7 cm). Latin
American and Caribbean Fund

Richard Serra. Shooting a Square Through a Trapezoid,
Camera Angle Measured. 1971. Gelatin silver prints
on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender

Miguel Angel Rojas. Serie Faenza: Antropofagia. 1970s.
Gelatin silver print, 3 1/2 x 5" (8.9 x 12.7 cm). Latin
American and Caribbean Fund

Erin Shirreff. Monograph (no. 3). 2012. Pigmented inkjet
print, 34 x 46" (86.4 x 116.8 cm). Fund for the TwentyFirst Century

Miguel Angel Rojas. Serie Faenza: Antropofagia. 1970s.
Gelatin silver print, 3 1/2 x 5" (8.9 x 12.7 cm). Latin
American and Caribbean Fund

Erin Shirreff. Monograph (no. 3). 2012. Pigmented inkjet
print, 34 x 46" (86.4 x 116.8 cm). Fund for the TwentyFirst Century

Judith Joy Ross. Untitled, Rose Garden, Allentown,
Pennsylvania. 1996. Gelatin silver printing out paper
print, 9 5/8 x 7 11/16" (24.5 x 19.5 cm). Gift of Richard
and Heidi Rieger

Erin Shirreff. Monograph (no. 3). 2012. Pigmented inkjet
print, 34 x 46" (86.4 x 116.8 cm). Fund for the TwentyFirst Century

Judith Joy Ross. New Parents, Eurana Park, Weatherly,
Pennsylvania. 1996. Gelatin silver printing out paper
print, 9 5/8 x 7 11/16" (24.5 x 19.5 cm). Gift of Richard
and Heidi Rieger

Erin Shirreff. Monograph (no. 3). 2012. Pigmented inkjet
print, 34 x 46" (86.4 x 116.8 cm). Fund for the TwentyFirst Century

Judith Joy Ross. Untitled, Jim Thorpe Lake, Pennsylvania.
1995. Gelatin silver printing out paper print, 9 11/16 x 7 5/8"
(24.6 x 19.4 cm). Gift of Richard and Heidi Rieger
Judith Joy Ross. Untitled, from Eurana Park, Weatherly,
Pennsylvania. 1982. Gelatin silver printing out paper
print, 7 11/16 x 9 11/16" (19.6 x 24.6 cm). Gift of Richard
and Heidi Rieger
Judith Joy Ross. Untitled, from Eurana Park, Weatherly,
Pennsylvania. 1982. Gelatin silver printing out paper
print, 9 5/8 x 7 11/16" (24.4 x 19.5 cm). Gift of Richard
and Heidi Rieger
Judith Joy Ross. Untitled, from Eurana Park, Weatherly,
Pennsylvania. 1982. Gelatin silver printing out paper
print, 7 11/16 x 9 5/8" (19.5 x 24.4 cm). Gift of Richard
and Heidi Rieger
Allen Ruppersberg. Homage to Houdini. 1971. Gelatinsilver prints on board, 20 x 26" (50.8 x 66 cm). Gift of
the Roy Lichtenstein Foundation in honor of Jennifer
Winkworth and Kynaston McShine and in memory ofHarry Shunk and Jànos Kender
August Sander. Various. Gelatin silver prints, 10 3/16 x
7 3/8" (25.8 x 18.7 cm). Acquired through the generosityof the family of August Sander
Joseph Schwartz. Demonstration. c. 1940. Gelatin silver
print, 18 1/4 x 24" (46.4 x 61 cm). Acquired through thegenerosity of Thomas and Susan Dunn

Erin Shirreff. Monograph (no. 3). 2012. Pigmented inkjet
print, 34 x 46" (86.4 x 116.8 cm). Fund for the TwentyFirst Century
Harry Shunk. Untitled. 1971. Gelatin silver prints
on board, 20 x 26" (50.8 x 66 cm). Gift of the Roy
Lichtenstein Foundation in honor of Jennifer Winkworth
and Kynaston McShine and in memory of Harry Shunkand Jànos Kender
Harry Shunk. Pier 18. 1971. Gelatin silver print on board,
20 x 26" (50.8 x 66 cm). Gift of the Roy LichtensteinFoundation in honor of Jennifer Winkworth and Kynaston
McShine and in memory of Harry Shunk and Jànos Kender
Laurie Simmons. How We See/Look 1/Daria. 2014.
Pigmented inkjet print, 78 x 48" (198.1 x 121.9 cm).
Acquired through the generosity of The Junior Associatesof The Museum of Modern Art
Robert Smithson. Mirror Span, Great Notch Quarry,Montclair, New Jersey. 1968. Four 35mm slides, 1 15/16
x 1 15/16" (5 x 5 cm). The Abramson Collection. Gift ofStephen and Sandra Abramson
Fred Stein. Billboard. 1948. Gelatin silver print, 9 11/16 x
7 13/16 " (24.6 x 19.8 cm). Gift of the Estate of Fred SteinFred Stein. Post No Bills. 1946. Gelatin silver print, 10 x
7 3/4" (25.4 x 19.7 cm). Gift of the Estate of Fred Stein

87

Fred Stein. Hole in Fence. 1936. Gelatin silver print, 9 5/8 x
7 13/16" (24.4 x 19.8 cm). Gift of the Estate of Fred Stein

James Van Der Zee. Harlem Society Tea. 1927. Gelatinsilver print, 7 1/4 x 9 3/16" (18.4 x 23.4 cm). The Family of
Man FundSaul Steinberg. Rooftop City. 1954. Gelatin silver print
with applied ink, 10 7/8 x 13 1/2" (27.6 x 34.3 cm).
Acquired through the generosity of Richard O. Rieger

John Van Saun. Freya Van Saun, 1965–1971. 1971.
Gelatin silver prints on board, 20 x 26" (50.8 x 66 cm).
Gift of the Roy Lichtenstein Foundation in honor of
Jennifer Winkworth and Kynaston McShine and in memoryof Harry Shunk and Jànos Kender

Lew Thomas. Bibliography 3. 1977. Gelatin silver print,
30 1/4 x 22 1/4" (76.8 x 56.5 cm). Carl Jacobs Fund
Lew Thomas. Bibliography 2. 1977 reprinted from Art
Contemporary, Volume 2, Number 4. 1978. Gelatin silver
print, 23 1/2 x 20" (59.7 x 50.8 cm). Carl Jacobs FundJohn Van Saun. Freya Van Saun, 1965–1971. 1971.
Gelatin silver prints on board, 20 x 26" (50.8 x 66 cm).
Gift of the Roy Lichtenstein Foundation in honor of
Jennifer Winkworth and Kynaston McShine and in memoryof Harry Shunk and Jànos Kende

Lew Thomas. Bibliography 1. 1976 reprinted from
Photography and Language, Camerawork Press. 1978.
Gelatin silver print, 23 1/2 x 20" (59.7 x 50.8 cm).
Carl Jacobs Fund

Philippe Van Snick. Pattern Stone Cardboard. 1975.
Sixteen gelatin silver prints, each 7 1/8 x 9 7/16" (18.1 x
24 cm). Geraldine J. Murphy Fund

Lew Thomas. Grass. 1973. Thirty-six gelatin silver prints,
overall 47 1/4 x 59 3/4" (120 x 151.8 cm). Carl Jacobs FundCarl Van Vechten. Untitled. 1950s. Gelatin silver print,
5 1/2 x 3 1/8" (14 x 7.9 cm). The Family of Man Fund

Keiji Uematsu. Hand Grasp I. 1976. Four gelatin silver
prints, each 15 3/4 x 19 7/8" (40 x 50.5 cm). Agnes
Rindge Claflin FundCarl Van Vechten. Leontyne Price. 1950s. Gelatin silver
print, 5 7/16 x 3 7/16" (13.8 x 8.7 cm). The Family of Man Fund

Unknown photographer. Fishing Still Life. February 6,
1931. Gelatin silver print with hand coloring, 6 3/4 x 4 3/4"
(17.1 x 12.1 cm). Gift of Charles Isaacs and Carol Nigro
in memory of John Szarkowski.

Carl Van Vechten. Leontyne Price. 1950s. Gelatin silver
print, 5 1/2 x 3 1/4" (13.9 x 8.2 cm). The Family of Man FundCarl Van Vechten. Joyce Bryant. 1950s. Gelatin silver print,
5 3/8 x 3 1/4" (13.7 x 8.2 cm). The Family of Man Fund

Unknown photographer. Untitled (man on bike). c. 1930.
Gelatin silver print, 3 1/16 x 2 1/16" (7.7 x 5.2 cm). Gift ofPeter J. Cohen

Carl Van Vechten. Joyce Bryant. 1950s. Gelatin silver print,
5 3/8 x 3 7/16" (13.7 x 8.7 cm). The Family of Man Fund

Unknown photographer. Untitled. 1900. Gelatin silver print,
3 1/2 x 7 11/16" (8.9 x 19.5 cm). The Family of Man FundCarl Van Vechten. Eartha Kitt. 1950s. Gelatin silver print,
5 5/16 x 3 1/8" (13.5 x 7.9 cm). The Family of Man Fund

Unknown photographer. Untitled. 1870s. Tintype. 3 3/8 x
2 3/8" (8.6 x 6 cm). The Family of Man FundCarl Van Vechten. Althea Gibson. 1950s. Gelatin silver
print, 5 1/4 x 3 1/4" (13.4 x 8.3 cm). The Family of Man Fund

Unknown photographer. Untitled. 1870s. Tintype. 3 3/8 x
2 3/8" (8.9 x 6 cm). The Family of Man Fund

Catherine Wagner. Definitely Not Sterile, from the series
Art & Science: Investigating Matter. 1995. Gelatinsilver print, 18 1/2 x 14 3/4" (47 x 37.5 cm). Gift of Lynn
Hershman Leeson

Unknown photographer. Untitled. 1870s. Tintype. 3 7/16 x
2 7/16" (8.8 x 6.2 cm). The Family of Man Fund
Unknown photographer. Untitled. 1870s. Tintype. 3 3/8 x
2 3/8" (8.6 x 6 cm). The Family of Man Fund
Unknown photographer. Untitled. 1860s. Ambrotype. 2 3/4
x 2 1/4" (7 x 5.7 cm). The Family of Man Fund
Unknown photographer. Untitled. 1860s. Ambrotype. 2 3/4
x 2 1/4" (7 x 5.7 cm). The Family of Man FundMargaret Watkins. Design–Angles. 1919. Gelatin silver
print, 8 5/16 x 6 3/8" (21.1 x 16.2 cm). Acquired throughthe generosity of Robert B. MenschelWilliam Wegman. Table Top, Crosby Street, New York.
1974. Two gelatin silver prints, each approx. 11 x 12 3/4"
(27.9 x 32.4 cm). The Abramson Collection. Gift ofStephen and Sandra Abramson

88David Wojnarowicz. Untitled (Face in Dirt). 1992–93.
Gelatin silver print, 28 1/2 x 28 1/2" (72.4 x 72.4 cm).
The Abramson Collection. Gift of Stephen and
Sandra Abramson
Francesca Woodman. Untitled, New York. 1979–80.
Gelatin silver print, 1 5/8 x 2 1/2" (4.1 x 6.4 cm). Gift ofHelen Miranda Wilson

PROMISED GIFT
Vera Lutter. 333 West 39th Street, XXII: December 9 15,
2011. 2011. Gelatin silver print, 104 1/16 x 112" (264.3
x 284.5 cm). Promised gift of Joseph M. Cohen Family

89Deaccessioned and Sold, Gifted, or Exchanged
Jean (Hans) Arp. Configuration. 1951. Lithograph,composition (irreg.): 20 1/4 x 1/16" (51.5 x 30.7 cm);sheet: 22 3/8 x 14 15/16" (56.8 x 38 cm). Publisher andprinter: Guilde de la Gravure, Geneva. Edition: 200. Larry
Aldrich Fund

André Derain. Ballade du pauvre Macchabé mal enterré.
1919. Illustrated book with six woodcuts, page (each,irreg.): 10 1/16 x 11 5/16" (25.5 x 28.8 cm). Publisher:
Imprimerie François Bernouard, Paris. Printer: François
Bernouard, Paris. Edition: 115. Henry Church FundJean (Hans) Arp. Hans Arp: Behaarte Herzen 1923–
1926. 1953. Book with two woodcuts, page (each):
10 1/16 x 8 1/16" (25.5 x 20.5 cm); overall (closed): 10 1/16
x 8 1/4 x 1/4" (26.2 x 21 x 1 cm). Publisher: Meta Verlag,
Frankfurt. Printer: Gutenberg Druck und Verlag Paul
Werner K.G. Hofheim, Taunus, Germany. Edition: 100.
Curt Valentin Bequest

Raoul Dufy. The Poet Francois Berthault. 1925. Oil on
paper, mounted on canvas, 32 x 25 5/8" (81.3 x 65.1 cm).
Gift of Mr. and Mrs. Peter A. Rübel

Jean (Hans) Arp. Relief. 1938–39 (after a relief of1934–35). Wood, 19 1/2 x 19 5/8 x 2 3/4 " (49.5 x 49.8 x
7 cm). Gift of the Advisory Committee (by exchange)
Franco Assetto. Dark Seal. 1958. Oil on canvas, 35 1/2 x
39 3/8" (90.1 x 100 cm). G. David Thompson Fund
Eugene Berman. The Tower in the Quarry. 1934. Oilon cardboard, 23 3/8 x 36 1/4" (59.4 x 92.1 cm). Gift ofBriggs W. Buchanan
Eugene Berman. Sleeping Figures, Statue, Campanile.
1932. Oil on canvas, 36 1/4 x 28 3/4 " (92.1 x 73 cm). Giftof Philip L. Goodwin
Pierre Bonnard. Panthéon Courcelles. c. 1899. Musicalscore with two variant lithographs, page (each): 10 7/8 x
1/2" (27.7x 19 cm); overall (closed): 11 x 7 11/16 x 3/16"(28 x 19.5 x 0.4 cm). Publisher and printer: Paul Dupont,
Paris. Edition: unknown. Purchase
Henry Botkin. Palma. 1963. Cloth and chalk on
composition board, 14 3/4 x 18 5/8" (47.3 x 37.5 cm). Giftof Carroll Carstairs (by exchange)
Reg Butler. Woman Standing. 1952. Welded bronze,
brass sheet, and wire, 18 1/2 x 6 1/8 x 6 5/8" (47 x 15.6
x 16.3 cm) including base. Acquired through the Lillie P.
Bliss Bequest
Bruno Cassinari. The Mother. 1948. Oil on canvas, 47 1/2
x 29 3/4" (120.6 x 75.6 cm). Mrs. Cornelius J. Sullivan
Fund
Stuart Davis. Study for Hot Still Scape. 1940. Oil oncanvas, 9 x 12" (22.9 x 30.5 cm). Given anonymously

Dean Fausett. Derby View. 1939. Oil tempera on canvas,
24 1/8 x 40" (61.3 x 101.6 cm). Purchased from theSouthern Vermont Artists’ Exhibition at Manchester witha fund given anonymously
Lee Gatch. Battle Wagon. 1946. Oil on canvas, 14 1/8 x
28 1/8" (35.9 x 71.4 cm). Gift of Mrs. Charles Suydam
Cutting
Xavier Guerrero. Feet. 1941. Fresco, with glazes appliedwith a brush, 39 3/8 x 39 1/2" (100 x 100.3 cm). Gift of
the Advisory Committee
Philip Guston. Street. 1970. Lithograph, composition:
20 x 26 3/8" (50.8 x 67 cm); sheet: 22 1/2 x 30" (57.2 x
76.5 cm). Publisher: Shorewood Bank Street Atelier for
the Skowhegan School of Painting and Sculpture. Printer:Bank Street Atelier, New York. Edition: 120. Gift of Dr.
Samuel Mandel
Herbert Katzman. The Seine. 1949. Oil on canvas, 37 3/4
x 63" (94.6 x 160 cm). Gift of Mr. and Mrs. Hugo Kastor
William Kienbusch. New England Collage, II. 1947.
Collage of cedar shingles, asphalt roofing, tar paper, etc.
nailed to painted board, 21 1/8 x 26 5/8 x 1 7/8" (53.7 x
67.6 x 4.8 cm). Purchase
František Kupka. Vertical Planes (study). c. 1912–13(dated on painting 1911). Oil on canvas, 25 5/8 x 18 1/4"
(65.1 x 46.2 cm). Gift of Alfred H. Barr, Jr
Leonid (Leonid Berman). Malamocco. 1948. Oil oncanvas, 36 x 28" (91.4 x 71.1 cm). Purchase
André Masson. Voyage à Venise. 1951–52. Illustrated
book with 41 lithographs, sheet (each): 20 11/16 x 14 7/8"
(52.5 x 37.5 cm). Publisher: Galerie Louise Leiris, Paris.
Printer: Léo Marchutz. Edition: 50. Gift of Mr. and Mrs.
Armand P. Bartos

André Derain. Torso. c. 1921. Oil on board, 30 x 21 3/8"
(76.2 x 54.3 cm). Purchase (by exchange)90André Masson. Hesperide. 1947. Lithograph,composition: 18 1/2 x 15 9/16" (47 x 39.5 cm); sheet:
25 9/16 x 19 15/16" (65 x 50.6 cm). Publisher: Galerie
Louise Leiris, Paris. Printer: Mourlot, Paris. Edition: 75.
Larry Aldrich Fund

Max Weber. Figure. 1928. Lithograph, composition: 6 1/8
x 1 3/8" (15.4 x 3.5 cm). Edition: 30. Gift ofAbby Aldrich Rockefeller
Max Weber. French Pitcher (Apples). 1928. Lithograph,composition: 8 x 14 5/16" (20.3 x 36.3 cm). Edition: 30.
Gift of Abby Aldrich Rockefeller.

André Masson. Couple. 1964. Lithograph, composition(irreg.): 18 11/16 x 14 3/8" (47.5 x 36.5 cm); sheet:
25 9/16 x 19 5/8" (65 x 49.8 cm). Publisher and printer:
Guilde de la Gravure, Geneva. Edition: 220. Gottesman
Foundation Fund

Max Weber. Mother and Child. 1928. Lithograph,composition: 8 11/16 x 7 3/8" (22 x 18.8 cm). Edition: 30.
Gift of Abby Aldrich Rockefeller

Jean McEwen. Ochre Cell. 1961. Oil on canvas, 30 x 30"(76.2 x 76.2 cm). Gift of the Women’s Committee of the
Art Gallery of Toronto

Max Weber. Two Figures. 1916–18. Lithograph,composition: 9 7/16 x 6 3/8" (24 x 15.5 cm); plate: 12 1/16 x
8 15/16" (30.6 x 22.7cm). Edition: 12. Gift ofAbby Aldrich Rockefeller

Claude Monet. Poplars at Giverny, Sunrise. 1888. Oil oncanvas, 29 1/8 x 36 1/2" (74 x 92.7 cm). The William B.
Jaffe and Evelyn A. J. Hall Collection

Max Weber. Chinese Lion. 1928. Lithograph, composition:
7 11/16 x 8 13/16" (19.5 x 22.4 cm). Gift ofAbby Aldrich Rockefeller

Reuben Nakian. Seal. 1929. Bronze, 6 3/8" h; including
bronze base 5 5/8 h. x 11 d. x 6 1/2" w. (oval). Gift of Abby
Aldrich Rockefeller
Amédée Ozenfant. Arrangement (or Fugue). c. 1924.
Etching, plate: 5 13/16 x 5 13/16" (14.8 x 14.8 cm);sheet: 12 5/8 x 9 1/4" (32 x 23.5 cm). Publisher: Anatole
Jakovski. Edition: 50. Purchase
Jules Pascin. Portrait of Henry McBride. 1917. Woodcut,
composition: 5 7/8 x 5 1/8" (15 x 13 cm); sheet: 16 15/16 x
13 7/16" (43 x 34.2 cm). Gift of Abby Aldrich Rockefeller
Bernard Pfriem. Red Rising Up. 1960. Oil on canvas, 57 1/2
x 45" (145.8 x 114.2 cm). Larry Aldrich Foundation Fund
Robert Rauschenberg. Drifts. 1969. Lithograph,composition: 40 1/4 x 28 5/16" (102.3 x 71.9 cm); sheet:
42 3/8 x 29 7/8" (107.6 x 75.9 cm). Publisher and printer:
Universal Limited Art Editions, West Islip, New York.
Edition: 35. Gift of Mr. and Mrs. Lawrence Saper
Oskar Schlemmer. Abstract Figure (Relief H). 1919 (cast1963). Aluminum, 26 1/8 x 11 x 1 1/8" (66.5 x 28 x
2.8 cm). The Riklis Collection of McCrory Corporation
Charles G. Shaw. Edge of Dusk. 1956. Oil on canvas,
36 1/8 x 48 1/8" (92.1 x 122.4 cm). Given in memory of
W.D.S.B. by his wife
Jacques Villon. Madame Paul Petit. 1935. Etching anddrypoint, plate: 8 13/16 x 5 7/8" (22.4 x 14.9 cm); sheet:
13 7/16 x 8 13/16" (34.2 x 22.4 cm). Edition: 50. Purchase
Édouard Vuillard. Still Life. 1892. Oil on wood, 9 3/8 x
12 7/8" (23.7 x 32.6 cm). Acquired through the Lillie P.
Bliss Bequest

91