The Museum of Modern Art

Acquisitions
2016–171

Architecture and Design
A total of 156 works were acquired by the Department of Architecture and Design.
This includes 68 architecture and 88 design works.

Architectural Drawings

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Martirene Alcántara. Legacy. 2012. Giclée, 19 ⅜ ×
27 ⅞" (49.2 × 70.8 cm). Gift of Alexander Schaerer

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Martirene Alcántara. Conversation. 2012. Giclée. 27 ⅞
× 18 ⅞" (70.8 × 47.9 cm). Gift of Alexander Schaerer
Martirene Alcántara. Eukleides. 2016. Piezography,
27 ⅞ × 20 ⅞" (70.8 × 53 cm). Gift of Alexander Schaerer

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Martirene Alcántara. Speculum. 2017. Giclée, 19 3/4 ×
31" (50.2 × 78.7 cm). Gift of Alexander Schaerer
Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 3/4" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm).
Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. St. Benedict Chapel, Sumvitg, fromthe Zumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Hans Danuser. The Architect’s Studio, from theZumthor Project/scores and images. 1988–92.
Gelatin silver print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Giftof Elise Jaffe + Jeffrey Brown

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

2

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Gwathmey Siegel & Associates Architects. De Menil
House, East Hampton, New York. 1979. Model. 20 ½
× 12 ½ × 20 ½" (52.1 × 31.8 × 52.1 cm). Gift of
Gwathmey‑Siegel Kaufman & Associates Architects

Hans Danuser. Shelters for a Roman ArchaeologicalSite, from the Zumthor Project/scores and images.
1988–92. Gelatin silver print, 19 11⁄16 × 15 ¾" (50 ×40 cm). Gift of Elise Jaffe + Jeffrey Brown

Manuel Herz Architects. National Union of Sahrawi
Women. Woven Panel. 2016. Wool, 98 7⁄16 × 102 ⅜"(250 × 260 cm). Gift of Jo Carole and Ronald S. Lauder
Le Corbusier (Charles‑Édouard Jeanneret). Maison
Curutchet, La Plata, Argentina. 1949–54. Paper
board and wood, 4 ¼ × 3 ⅛ × 8 ¾" (10.8 × 8 × 22.2 cm).
Gift of Luc AujameHans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown
Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Le Corbusier (Charles‑Édouard Jeanneret). Sand
cast. 1951. Plaster, sand, paint, and wood, 3 × 63 ¾ ×
27" (7.6 × 161.9 × 68.6 cm); frame: 4 × 68 × 31" (10.2
× 172.7 × 78.7 cm). Committee on Architecture and
Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

LOT‑EK. Ada Tolla. Giuseppe Lignano. Foldable #1.
2016. Laser‑cut cardboard with inkjet print andenamel paint, 27 1/2 × 44 1/2" (69.9 × 113 cm). Gift ofAlice TischHans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 9 ⅛ × 11" (23.1 × 28 cm). Gift ofConstance Caplan and the Committee on Architecture
and Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 8 ⅞ × 11 15⁄16" (22.5 × 30.3 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 8 7⁄16 × 11" (21.5 × 28 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 12 × 9 ⅜" (30.5 × 23.8 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 11 ¾ × 8 7⁄16" (29.8 × 21.5 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

Hans Danuser. Therme Vals, from the Zumthor
Project/scores and images. 1998. Gelatin silver
print, 19 11⁄16 × 15 ¾" (50 × 40 cm). Gift of Elise Jaffe +Jeffrey Brown

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 11 ⅝ × 9 ¼" (29.5 × 23.5 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

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Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 10 ⅝ × 7 ⅞" (27 × 20 cm).
Gift of Constance Caplan and the Committee on
Architecture and Design Funds

Superstudio. Gian Piero Frassinelli. Alessandro
Magris. Roberto Magris. Adolfo Natalini. Cristiano
Toraldo di Francia. Alessandro Poli. Fundamental
Acts: Death. 1971–73. Lithograph, 27 9⁄16 × 39 ⅜"(70 × 100 cm). Committee on Architecture and
Design Funds

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 7 ½ × 11" (19 × 28 cm). Gift ofConstance Caplan and the Committee on Architecture
and Design Funds

Superstudio. Gian Piero Frassinelli. Alessandro
Magris. Roberto Magris. Adolfo Natalini. Cristiano
Toraldo di Francia. Alessandro Poli. Fundamental
Acts: Education. 1971–73. Lithograph, 27 9⁄16 × 39 ⅜"(70 × 100 cm). Committee on Architecture and
Design Funds

Carlo Mollino. Casa Devalle, Turin, Italy. 1939.
Gelatin silver print, 7 ½ × 11" (19 × 28 cm). Gift ofConstance Caplan and the Committee on Architecture
and Design Funds

Clorindo Testa. Heaquarters for the Banco deLondres y América del Sur, Buenos Aires. Project:
1959–66, drawing c. 1995. Ink on paper, 17 ¼ × 12 ½"(43.8 × 31.8 cm). Gift of Archivo Clorindo Testa

Alysa Nahmias. Benjamin Murray. Unfinished Spaces.
2011. Digital cinema, 86:12 min. Gift of Elise Jaffe +Jeffrey Brown

Clorindo Testa. Heaquarters for the Banco deLondres y América del Sur, Buenos Aires. Project:
1959–66, drawing 2011. Ink on paper, 11 ⅝ × 17 ¼"(29.5 × 43.8 cm). Gift of Archivo Clorindo Testa

Rael San Fratello. Ronald Rael. Virginia San Fratello.
Teeter‑Totter Wall. 2014. Etching, 24 × 30" (61 × 76.2
cm). Fund for the Twenty‑First Century
Rael San Fratello. Ronald Rael. Virginia San Fratello.
Xylophone Wall. 2014. Etching, 24 × 30" (61 ×76.2 cm). Fund for the Twenty‑First Century

Clorindo Testa. Heaquarters for the Banco deLondres y América del Sur, Buenos Aires. Project:
1959–66, drawing 1995. Ink on paper, 12 ⅝ × 8 ⅝"(32.1 × 21.9 cm). Gift of Archivo Clorindo Testa

Rael San Fratello. Ronald Rael. Virginia San Fratello.
Horse Racing Wall. 2014. Etching, 24 × 30" (61 ×76.2 cm). Fund for the Twenty‑First Century

Clorindo Testa. Heaquarters for the Banco deLondres y América del Sur, Buenos Aires. Project:
1959–66, drawing c. 1995. Ink on paper, 12 ⅝ × 17 ⅜"(32 × 44.1 cm). Gift of Archivo Clorindo Testa

Rael San Fratello. Ronald Rael. Virginia San Fratello.
Cactus Wall. 2014. Etching, 24 × 30" (61 × 76.2 cm).
Fund for the Twenty‑First Century

DesignRael San Fratello. Ronald Rael. Virginia San Fratello.
Wildlife Wall. 2014. Etching, 24 × 30" (61 × 76.2 cm).
Fund for the Twenty‑First Century

Peter Bankov. Romeo a Julie. 2013. Screenprint,
40 3⁄16 × 28 ⅜" (102.1 × 72.1 cm). Gift of the designerPeter Bankov. Very. 2013. Screenprint, 40 3⁄16 × 28 ⅜"(102.1 × 72.1 cm). Gift of the designerRael San Fratello. Ronald Rael. Virginia San Fratello.
Greenhouse Wall. 2014. Etching, 24 × 30" (61 ×76.2 cm). Fund for the Twenty‑First Century

Peter Bankov. Peter Bankov Art Poster. 2014.
Screenprint, 40 3⁄16 × 28 ⅜" (102.1 × 72.1 cm). Gift ofthe designer

Superstudio. Gian Piero Frassinelli. Alessandro
Magris. Roberto Magris. Adolfo Natalini. Cristiano
Toraldo di Francia. Alessandro Poli. The Continuous
Monument: New York, project. 1969. Lithograph,
27 9⁄16 × 39 ⅜" (70 × 100 cm). Committee on
Architecture and Design Funds

Peter Bankov. Golden Bee 11, Moscow (second
version). 2014. Screenprint, 40 3⁄16 × 28 ⅜" (102.1 ×
72.1 cm). Gift of the designerPeter Bankov. Untitled. 2014. Screenprint, 40 3⁄16 ×
28 ⅜" (102.1 × 72.1 cm). Gift of the designer

Superstudio. Gian Piero Frassinelli. Alessandro
Magris. Roberto Magris. Adolfo Natalini. Cristiano
Toraldo di Francia. Alessandro Poli. Fundamental
Acts: Love. 1971–73. Lithograph, 27 9⁄16 × 39 ⅜"(70 × 100 cm). Committee on Architecture and
Design Funds

Peter Bankov. Demetri Prigov. 2015. Screenprint,
39 ¼ × 27 ½" (99.7 × 69.9 cm). Gift of the designerPeter Bankov. Neo Futurism. 2015. Screenprint,
39 ¼ × 27 ½" (99.7 × 69.9 cm). Gift of the designer

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Vuokko Eskolin. Tiibet. n.d. Printed canvas, A) 53 ⅜
× 24 ⅝" (135.5 × 62.5 cm); B) 54 ⅝ × 39 ¼" (138.7 ×
9.7cm). Manufacturer: Printex. Anonymous giftPeter Bankov. Golden Bee 11. 2015. Screenprint,
39 ⅜ × 27 ½" (100 × 69.9 cm). Gift of the designerPeter Bankov. Golden Bee 11 (version two). 2015.
Screenprint, 39 ⅜ × 27 ½" (100 × 69.9 cm). Gift ofthe designer

Vuokko Eskolin. Rekiretki. 1957. Printed cotton, A)
54 × 10 ⅜" (137.2 × 26.4 cm); B) 54 ⅜ × 45 ⅜" (138 ×
115.3cm). Manufacturer: Marimekko. Anonymous giftPeter Bankov. Golden Bee 11 (third version). 2015.
Screenprint, 39 ⅜ × 27 ½" (100 × 69.9 cm). Gift ofthe designer

Fuller Fabrics. Fuller Set 8Y28. n.d. Printed cotton,
39 × 14" (99 × 35.5cm). Anonymous gift
Fuller Fabrics. Pablo Picasso. Spring. 1955. Printed
cotton, 22 × 22 ½" (55.9 × 57.1 cm). Anonymous giftPeter Bankov. Face of Chernobyl. c. 2010.
Screenprint, 40 3⁄16 × 28 ⅜" (102.1 × 72.1 cm). Gift ofthe designer

Fuller Fabrics. Pablo Picasso. Notes. 1955. Printed
cotton, 40 ⅜ × 17" (102.5 × 43.2 cm). Anonymous gift

Bossi, Mortara. Textile. n.d. Printed cotton, 77 ⅛ ×
33 ¼" (197.8 × 84.5cm). Manufacturer: Bossi, Mortara.
Anonymous gift

Fuller Fabrics. Fernand Léger. Sauvage Parade.
1955. Printed cotton, 19 ½ × 26 5⁄16" (49.5 × 67 cm).
Anonymous gift

Robin Day. Royal Festival Hall Lounge Chair. 1951.
Rosewood and sycamore‑faced plywood, coppercoated steel, latex foam, and upholstery, 28 × 30
× 30" (71.1 × 76.2 × 76.2 cm). Manufacturer: Hille.
Committee on Architecture and Design Funds

Fuller Fabrics. Fernand Léger. Vitrail. 1955. Printed
cotton, 13 ¾ × 8 ¼" (35 × 21 cm). Anonymous gift
Ignazio Gardella. Alzabile Floor Lamp ‑ Lte 3. 1948.
Marble, brass, aluminum, adjustable height, 47–70" ×base diam. 8". Gift of Edoarda de Ponti Gardella

Barbara Degerman. Textile sample, Cotton B 99 1.
n.d. Woven cotton, 11 ¾ × 33 ½" (30 × 85 cm).
Anonymous gift

Dante Giacosa. 500f city car. Designed 1957 (thisexample 1968). Steel with fabric top, 52 × 52 × 116 ⅞"(132.1 × 132.1 × 296.9 cm). Manufacturer: Fiat S.p.A.
Gift of Fiat Chrysler Automobiles Heritage

Barbara Degerman. Textile sample, Linen 5 18/XIX.
n.d. Woven linen, 15 ¾ × 31 ¼" (40 × 79.5 cm).
Anonymous giftCharles Harrison. View‑master (model G). 1962.
Plastic. Anonymous gift

Yvonne Delattre. Staccato printed textile.
1947. Printed fabric, 8 × 35 ½" (20.3 × 90.2 cm).
Manufacturer: Brunschwig & Fils, New York, NY.
Anonymous gift

A B Norna Hemslojd. Linen L 35 6. n.d. Woven linen,
11 ¾ × 31 ½" (30 × 80 cm). Anonymous gift

Yvonne Delattre. Staccato printed textile.
1947. Printed fabric, 8 × 35 ½" (20.3 × 90.2 cm).
Manufacturer: Brunschwig & Fils, New York, NY.
Anonymous gift

Frederic Karoly. Rhythym printed textile. Printed
linen, 96 × 48" (243.8 × 121.9 cm). Manufacturer:
Brunschwig & Fils, New York, NY. 1947. Anonymous gift
Frederic Karoly. Rhythm printed textile. Printed
linen, 96 × 48" (243.8 × 121.9 cm). Manufacturer:
Brunschwig & Fils, New York, NY. 1947. Anonymous gift

Yvonne Delattre. Staccato printed textile.
1947. Printed fabric, 8 × 35 ½" (20.3 × 90.2 cm).
Manufacturer: Brunschwig & Fils, New York, NY.
Anonymous gift

Frederic Karoly. Rhythm printed textile. Printed
linen, 72 × 48 ¾" (182.9 × 123.8 cm). Manufacturer:
Brunschwig & Fils, New York, NY. 1947. Anonymous gift

Raoul Dufy. Deauville textile. n.d. Printed cotton,
17 15⁄16 × 19 11⁄16" (45.5 × 50 cm). Anonymous gift

Knoll Textiles, New York, NY. Legacy. n.d. Woven
cotton, polyester, and viscose, 52 ½ × 35 ⅞" (133.35 ×
91 cm). Anonymous gift

Vuokko Eskolin. Kakemono. n.d. Printed woven
canvas, sample with yellow pattern: 16 ¾ × 11" (42.5 ×
28 cm); sample with red pattern: 16 ¾ × 15 ¾" (42.5 ×
40 cm); sample with black pattern: 16 ¾ × 30" (42.5 ×76 cm). Manufacturer: Printext. Anonymous gift5Niko Kralj. Lupiana chairs. 1956. Steel, wood, andupholstery, each: 29 ½ × 21 ⅝ × 24 13⁄16" (75 × 55 ×
63 cm). Committee on Architecture and Design Funds

Alessandro Mendini. Terra Chair. 1974. Plexiglass andsoil, 31 ⅞ × 14 3⁄16 × 14 15⁄16" (81 × 36 × 38 cm). Gift of
Jo Carole and Ronald S. Lauder

Shigetaka Kurita. Emoji. 1998–99. Digital image,dimensions variable. Manufacturer: NTT DOCOMO,
Inc. Gift of NTT DOCOMO, Inc.

Alessandro Mendini. Poltrona di Proust armchair.
1978. Painted wood and upholstery, 37 × 42 ⅛ × 41 5⁄16"(94 × 107 × 105 cm). Gift of Jo Carole andRonald S. LauderJack Lenor Larsen. Interplay fabric sample. 1950s.
Rovana, 6 × 6" (15.2 × 15.2 cm). Anonymous gift

Menlo Textiles, Menlo Park, CA. Menlo Fabrics textile
samples. c. 1948. Handwoven textiles, 24 × 10" (61 ×25.4 cm). Manufacturer: Menlo Textiles, Menlo Park,
CA. Anonymous gift

Jack Lenor Larsen. Interplay fabric sample. 1950s.
Rovana, saran monofilament, 6 × 6" (15.2 × 15.2 cm).
Anonymous gift

Marguerita Mergentime. Food for Conversation
Napkins. 1934. Printed linen, each: 14 × 15" (35.6 ×
38.1 cm). Gift of Virginia Bayer Hirt

Jack Lenor Larsen. Interplay fabric sample. 1950s.
Rovana, saran monofilament, 6 × 6" (15.2 × 15.2 cm).
Anonymous gift

Marguerita Mergentime. Food for Thought
tablecloth. c. 1936. Printed linen, 52 × 52" (132.1 ×
132.1 cm). Manufacturer: Linens by Dewan. Gift ofVirginia Bayer Hirt

Jack Lenor Larsen. Interplay fabric sample. 1950s.
Rovana, saran monofilament, 6 × 6" (15.2 × 15.2 cm).
Anonymous gift

Marguerita Mergentime. Cohn‑Hall‑Marx Co. Textile
samples. Late 1930s. Printed woven silk, 5 × 5 ⅜ "(12.7 × 13.65 cm). Anonymous gift

Le Corbusier (Charles‑Édouard Jeanneret).
Muralnomad Tapestry ‘Les Musiciennes.’ 1953. Wool,84 ¼ × 145" (214 × 368.3 cm). Manufacturer: LesAteliers Pinton Frères. Gift of Alice and Tom Tisch andthe Committee on Architecture and Design Funds

Joan Miró. Fuller Fabrics, composition. 1955. Printed
cotton, main rectangle: 16 ½ × 32 ⅛" (42 × 81.5 cm);additional rectangles stitched on both sides: 10 × 6 ½"
(25.4 × 15.5 cm). Anonymous gift

Elizabeth Lennard. Talking House: Eileen Grayand Jean Badovici. 2016. Digital cinema, 41 min.
Committee on Architecture and Design Funds

Helga Nykopp. Textile sample (Linen L 61 4). n.d.
Woven linen, 13 ¾ × 30" (34 × 76 cm). Anonymous gift

Giorgia Lupi. Stefanie Posavec. Dear Data. 2015.
Hand‑illustrated postcards, dimensions variable.
Committee on Architecture and Design Funds

Helga Nykopp. Textile sample (Linen and Cotton 3)
10/XXI. n.d. Woven linen and cotton textile, 11 ¾ ×
31 ⅛" (30 × 79 cm). Anonymous gift

Giorgia Lupi. Stefanie Posavec. Dear Data. 2015.
Eight moleskin sketchbooks, dimensions variable.
Committee on Architecture and Design Funds

Charlotte Perriand. Low chair. designed 1940;
manufactured 1946. Bamboo, 28 ½ × 24 ¼ × 30 ⅜"(72.4 × 61.6 × 77.2 cm). Gift of Lisa Tananbaum, Susan
Hayden, Alice Tisch, and Committee on Architecture
and Design Funds

Sven Markelius. Knoll Associates, New York, NY.
Markelius fabric sample (model K288/45). 1948–50.
Printed linen, jute, and cotton, 25 ¼ × 24" (64.1 ×
61 cm). Gift of Knoll Associates

F.A. "Butzi" Porsche. 911 coupé. 1965. Steel. 51 3⁄16
× 67 × 169" (130 × 170.2 × 429.3 cm). Manufacturer:
Porsche AG. Gift of Thomas & Glwadys Seydoux

Sven Markelius. Knoll Associates, New York, NY.
Markelius fabric sample (model K288). 1948–50.
Printed linen, jute, and cotton, 26 × 25 ½" (66 ×64.8 cm). Gift of Knoll Associates

Noémi Raymond. Chinese Coins Fabric Sample.
c. 1948. Printed cotton, 25 ¾ × 26 ½" (65.4 ×
67.3 cm). Manufacturer: Knoll Associates, New York,NY. Gift of Knoll Associates

Sven Markelius. Knoll Associates, New York, NY.
Markelius fabric sample (model K288/47). 1948–50.
Printed linen, jute, and cotton, 26 ⅜ × 24 ¼" (67 ×
61.6 cm). Gift of Knoll Associates

Refugee Nation. Yara Said. Refugee Flag. Nylon. Giftof Refugee Nation

6

Margaret Rose. “Louisiana” fabric sample. 1950s.
Linen, 15 × 8 ½" (38.1 × 21.6 cm). Manufacturer:
Nordiska Kompaniet Textilkammare, Stockholm.
Anonymous gift

Unknown designer. Pandanus fabric sample (P3).
1948–50. Woven plant fiber, 14 × 14 ½" (35.6 ×
36.8 cm). Manufacturer: Knoll Textiles, New York, NY.
Gift of Knoll Associates

Ettore Sottsass. ID‑S standing lamp. 1987. Aluminumand glass, 74 × 9 13⁄16 × 16 15⁄16" (188 × 25 × 43 cm).
Manufacturer: Zumtobel Lighting GmbH. Gift of the
manufacturer

Vereinigte Werkstätten für Kunst im Handwerk,
Munich. Neue Stoffe (New Fabrics) Textile Sample
Book. 1932. Bound textile samples, 7 11⁄16 × 11 13⁄16"(19.5 × 30 cm) (closed). Anonymous gift

Ettore Sottsass. Optos lighting system. 1994. Glass,
2 ⅝ × 10" (6.7 × 25.4 cm) diam. Manufacturer:
Zumtobel Lighting GmbH. Gift of the manufacturer

Milton Weiner. Eagles printed textile. 1947. Printed
textile, 8 ½ × 35" (21.6 × 88.9 cm). Manufacturer:
Brunschwig & Fils, New York, NY. Anonymous gift

Ettore Sottsass. Optos lighting system. 1994. Glass,assembled dimensions: 10 ¾ × 11 ¾" (27.3 × 29.8 cm)
diam. Manufacturer: Zumtobel Lighting GmbH. Gift ofthe manufacturer

Russel Wright. Small pot with lid and ladle.
c. 1930–35. Aluminum and wood, 6 × 10 ½ × 6" (15.2 ×
26.7 × 15.2 cm). Gift of George R. Kravis II
Russel Wright. Small “Ball” vase. c. 1930–35.
Aluminum, 6" h. × 7" diam. (15.2 × 17.8 cm). Gift ofGeorge R. Kravis II

Gunta Stölzl. Weaving. c. 1928. Wool, 60 ½ × 39 ¼"(153.7 × 99.7 cm). Gift of Ted Chung and Committee
on Architecture and Design Funds
Ali Tayar. Parallel Design Partnership. Ellen’s Brackets
wall-mounted shelving system. 1994. Extruded
aluminum. Gift of Ellen Levy

Eva Zeisel. Cloverware serving set. 1947. Acrylic,.1: 2 ½ × 14 x 14"; .2: 11 ½ × 3 ½ × 1 ½"; .3: 1 ½ ×
7 ½ × 3 ⅞"; .4: 1 ½ × 7 ½ × 3 ⅞". Committee on
Architecture and Design Funds

Ali Tayar. Parallel Design Partnership. Calder’s Table.
2003. Cast bronze and lacquered MDF, 12 × 43 × 43"(30.5 × 109.2 × 109.2 cm). Gift of Michael Zega

Eva Zeisel. Lidded vessel. 1929. Glazed earthenware,4 × 4 ⅜" (10.2 × 11.1 cm). Committee on Architecture
and Design Funds

Angelo Testa. Wall Hanging. c. 1965. Hand‑knottedwool, 78 × 24 × 1" (198.1 × 61 × 2.5 cm). Committee on
Architecture and Design Funds
Unika‑vaev. Textile Sample, Jazz Satin. n.d.
Printed woven cotton, 10 ⅝ × 19 11⁄16" (27 × 50 cm).
Anonymous gift
Unika‑vaev. Textile sample, Running Dash Satin.
n.d. Printed woven cotton, 11 × 20 1⁄16" (28 × 51 cm).
Anonymous gift
Unknown designer. San Antonio fabric sample(K284/42). 1948–50. Cotton, 26 × 23 ½" (66 ×59.7 cm). Manufacturer: Knoll Textiles, New York, NY.
Gift of Knoll Associates
Unknown designer. San Antonio fabric sample(K284/41). 1948–50. Cotton, 24 ¼ × 23 ½" (61.6 ×
59.7 cm). Manufacturer: Knoll Textiles, New York, NY.
Gift of Knoll Associates
Unknown designer. Pandanus fabric sample.
1948–50. Woven plant fiber, 14 × 14 ½" (35.6 × 36.8
cm). Manufacturer: Knoll Textiles, New York, NY. Giftof Knoll Associates

7Drawings and Prints
A total of 236 works were acquired by the Department of Drawings and Prints.

Ed Atkins. Safe Conduct Epidermal (for Parkett no.
98). 2016. Digital print on rubber with two grommets,
overall: 19 13⁄16 × 23 9⁄16 × ⅛" (50.4 × 59.8 × 0.3 cm).
Publisher: Parkett Publishers, Zurich and New York.
Printer: Laumont Editions, New York. Edition: 35. Riva
Castleman Endowment FundBenny Andrews. The Ball Game (No More Games
Study #7). 1970. Ink and pencil on paper, 18 × 24"(45.7 × 61 cm). Acquired through the generosity of
The Friends of Education of The Museum of Modern
Art, and Richard S. Zeisler Bequest (by exchange)
Benny Andrews. Black Athlete (No More Games
Study #3). 1970. Ink and pencil on paper, 18 × 12"(45.7 × 30.5 cm). Acquired through the generosity of
The Friends of Education of The Museum of Modern
Art, and Richard S. Zeisler Bequest (by exchange)

Donald Baechler. Subjects. 1986. Portfolio of fiveaquatints with relief printing, composition (each,approx.): 7 13⁄16 × 7 15⁄16" (19.8 × 20.1 cm); sheet (each,approx.): 20 1⁄16 × 13 15⁄16" (50.9 × 35.4 cm). Publisher:
Mark Baron, New York. Printer: Downstairs Editions,
New York. Edition: 12. Gift of the artist

Benny Andrews. Black Athlete (Study #1). 1970. Ink
and pencil on paper, 24 × 18" (61 × 45.7 cm). Gift of
Nene Humphrey

John Baldessari. Engravings with Sounds: Arg. 2015.
Digital print, composition: 35 15⁄16 × 59 ⅜" (91.3 ×150.8 cm); sheet: 43 1⁄16 × 59 ⅜" (109.4 × 150.8 cm).
Publisher: Cirrus Editions, Los Angeles. Printer:
Cirrus Editions, Los Angeles. Edition: 50. Deborah
Wye Endowment FundBenny Andrews. No More Games (Study #1). 1970.
Ink and pencil on paper, 18 × 12" (45.7 × 30.5 cm). Giftof Nene Humphrey
Benny Andrews. No More Games (Study #2). 1970.
Ink and pencil on paper, 18 × 24" (45.7 × 61 cm).
Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art, and Richard
S. Zeisler Bequest (by exchange)

John Baldessari. Engravings with Sounds: Sniffle.
2015. Digital print, composition: 36 ⅜ × 70 ⅜"(92.4 × 178.8 cm); sheet: 43 11⁄16 × 70 ⅜" (110.9 ×
178.8 cm). Publisher: Cirrus Editions, Los Angeles.
Printer: Cirrus Editions, Los Angeles. Edition: 50.
Deborah Wye Endowment FundBenny Andrews. No More Games (Study #3). 1970.
Ink and pencil on paper, 18 × 24" (45.7 × 61 cm).
Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art, and Richard
S. Zeisler Bequest (by exchange)

John Baldessari. Engravings with Sounds: Snigger.
2015. Digital print, composition: 36 ⅝ × 49 3⁄16"(93 × 124.9 cm); sheet: 43 13⁄16 × 49 3⁄16" (111.3 × 124.9cm). Publisher: Cirrus Editions, Los Angeles. Printer:
Cirrus Editions, Los Angeles. Edition: 50. Deborah
Wye Endowment FundBenny Andrews. No More Games (Study #5). 1970.
Ink and pencil on paper, 24 × 18" (61 × 45.7 cm).
Acquired through the generosity of The Friends ofEducation of The Museum of Modern Art, and Richard
S. Zeisler Bequest (by exchange)

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Benny Andrews. No More Games (Study #6). 1970.
Ink and pencil on paper, 24 × 18" (61 × 45.7 cm). Giftof Nene Humphrey

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Benny Andrews. Teaser (Black Athlete Study #2).
1970. Ink and pencil on paper, 24 × 18" (61 × 45.7 cm).
Gift of Nene Humphrey

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

John Armleder. Painting with Coathanger. 1984.
Multiple of coathanger and painting on canvas,
overall: 35 × 19 × 13⁄16" (88.9 × 48.3 × 2 cm). Publisher:
John Gibson, New York. Edition: 60. Deborah Wye
Endowment Fund

8

Sebastian Black. Tails. 2016. Artist’s book, overall(closed): 8 ⅞ × 5 ½ × ¼" (22.5 × 14 × 0.6 cm); page(each): 8 ⅞ × 5 3⁄16" (22.5 × 13.1 cm). Publisher:
onestar press, Paris. Printer: onestar press, Paris.
Edition: 250. Anonymous gift

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky
Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

BMPT. Poster for Manifestation 3. 1967. Offset
lithograph, sheet: 23 ½ × 15 13⁄16" (59.7 × 40.1 cm).
Anonymous gift
Richard Boix. Da‑Da (New York Dada Group). 1921.
Ink on paper, 11 ¼ × 14 ½" (28.6 × 36.8 cm). Katherine
S. Dreier Bequest

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Louise Bourgeois. Self‑Portrait as Bird. 1945. Oil and ink
on cut board with rivets, 13 3⁄16 × 13 3⁄16" (33.5 × 33.5 cm).
Gift of Jan Christiaan Braun in honor of Kathleen S. Curry

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Joe Bradley. 5 Lithographs. 2015. Set of fivelithographs, composition (see child records):
dimensions vary; sheet (see child records):
dimensions vary. Publisher: Universal Limited Art
Editions, Bay Shore, NY. Printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 27. Acquired throughthe generosity of Mary M. and Sash A. Spencer

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky
Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Robert Breer. Float. 1970. Multiple of plastic withmotor, overall (object): 4 × 3 11⁄16" (10.2 × 9.4 cm).
Publisher: The Museum of Modern Art, New York.
Edition: unknown. John B. Turner Fund

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Cecily Brown. Untitled. 2015. Watercolor, ink,
pastel, and charcoal on paper, 51 ¾ × 78 ⅝" (131.4 ×
199.7 cm). Acquired through the generosity of The
Contemporary Drawing and Print Associates of The
Museum of Modern Art

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky

Tania Bruguera. Untitled from the series Interval(Entreacto). 1994. Screenprint, composition:
17 13⁄16 × 25 15⁄16" (45.2 × 65.9 cm); sheet: 19 13⁄16 ×
27 ½" (50.3 × 69.8 cm). Publisher: Taller de Serigrafia
René Portocarrero, Havana, Cuba. Printer: Taller deSerigrafia René Portocarrero, Havana, Cuba. Edition:
25. Gift of Robert Schweitzer in memory of Vita and
Edwin Schweitzer

Hércules Barsotti. Ink Drawing. 1960. Ink on paper,
11 ⅝ × 11 ⅝" (29.5 × 29.5 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Werner H. [Wynn] Kramarsky
Georges Bataille. Untitled drawings for Soleil vitré.
c. 1925. Set of 12 drawings on paper, various
dimensions. Transferred to the Drawings Collection
from the Eluard Dausse Collection, The Museum ofModern Art Library

Leonora Carrington. Kitchen Clock (Pendule de lacuisine). 1943. Watercolor, gouache, and pencil
on colored paper, 16 ½ × 13 ⅞" (41.9 × 35.2 cm).
Committee on Drawings and Prints Fund

Eduardo Berliner. Selection from the series Aesop(Esopo). 2013. Nine drawings: ink on paper, 22 7⁄16 ×
30 ⅛" (57 × 76.5 cm). Latin American and Caribbean
Fund

Ulises Carrión. Dear Reader, Don’t Read. 1973.
Presstype on paper, pasted on colored paper, sheet(each): 9 7⁄16 × 14 ½" (24 × 36.8 cm). Printer: Ulises
Carrión. Latin American and Caribbean Fund9

Nicole Eisenman. Contagion. 2012. Etching andaquatint, composition: 7 13⁄16 × 6" (19.8 × 15.2 cm);sheet: 13 7⁄16 × 10 11⁄16" (34.1 × 27.1 cm). Publisher:
Harlan & Weaver, New York. Printer: Harlan &Weaver, New York. Edition: 20. Acquired through thegenerosity of Richard Gerrig and Timothy Peterson

Claudia Comte. Curves and Corners. 2015. Set offour woodcuts, composition and sheet (each): 19 11⁄16
× 19 11⁄16" (50 × 50 cm). Publisher: Schweizerische
Graphische Gesellschaft, Zürich. Printer: Druckwerk,
Basel. Edition: 125 unique variants. General Print Fund
Constant (Constant Anton Nieuwenhuys). Labyrismen
by C. Caspari. 1968. Portfolio of 11 lithographs,
composition and sheet (each approx.): 14 13⁄16 × 18 11⁄16"(37.6 × 47.4 cm). Publisher: Constant (Constant Anton
Nieuwenhuys), Amsterdam, and Galerie Krikhaar,
Amsterdam. Printer: P. Clement Print Shop, Amsterdam.
Edition: 73. Monroe Wheeler Fund

Nicole Eisenman. Drinking with Death Kiss. 2012.
Drypoint with chine collé, composition: 5 ⅞ × 7 7⁄16"(14.9 × 18.9 cm); sheet: 10 ⅜ × 11 15⁄16" (26.3 ×
30.4 cm). Publisher: Harlan & Weaver, New York.
Printer: Harlan & Weaver, New York. Edition: 25.
Acquired through the generosity of Richard Gerrig
and Timothy Peterson

Miguel‑Ángel Cárdenas. Untitled. c. 1968–69. Ink andairbrushed paint on paper, 19 ½ × 25 ⅝" (49.5 × 65.1 cm).
Acquired through the generosity of James Keith Brown
and Eric Diefenbach and Committee on Drawings andPrints Fund

Nicole Eisenman. Drinks at Julius. 2012. Etching andaquatint with chine collé, composition: 6 7⁄16 × 7 15⁄16"(16.3 × 20.2 cm); sheet: 10 ⅜ × 12" (26.4 × 30.5 cm).
Publisher: Harlan & Weaver, New York. Printer: Harlan& Weaver, New York. Edition: 25. Acquired through thegenerosity of Richard Gerrig and Timothy Peterson

Miguel‑Ángel Cárdenas. Untitled. 1969. Ink andairbrushed paint on paper, 25 ¾ × 19 ¾" (65.4 × 50.2 cm).
Acquired through the generosity of James Keith Brown
and Eric Diefenbach and Committee on Drawings andPrints Fund

Nicole Eisenman. Drinks with Possible Spirit Type
Entity. 2012. Etching and aquatint with chine collé,
composition: 4 13⁄16 × 6 ⅞" (12.2 × 17.5 cm); sheet:
10 ⅜ × 12" (26.3 × 30.5 cm). Publisher: Harlan &Weaver, New York. Printer: Harlan & Weaver, New
York. Edition: 25. Acquired through the generosity ofRichard Gerrig and Timothy Peterson

Salvador Dalí. Artine by René Char. 1930. Illustrated
book with one photogravure, page (each): 9 3⁄16 × 7 3⁄16"(23.4 × 18.3 cm); overall (closed): 9 ¼ × 7 ⅜ × 3⁄16" (23.5
× 18.8 × 0.5 cm). Publisher: Éditions Surréalistes,
Paris. Printer: Ducros & Colas, Paris. Edition: 215. The
Sue and Edgar Wachenheim III Endowment
N. Dash. Hot Eye. 2016. Three‑dimensional lithographon two sheets, 22 × 17 ¾ × 1" (55.9 × 45.1 × 2.5 cm).
Publisher: Universal Limited Art Editions, Bay Shore,
NY. Printer: Universal Limited Art Editions, Bay Shore,
NY. Edition: 23. Acquired through the generosity of
Mary M. and Sash A. Spencer
Tarsila do Amaral. Study for Composition (Lonely
Figure) III (Estudo de Composição [Figura só] III).
1930. Ink and pencil on paper, 8 3⁄16 × 12 ½" (20.8 ×
31.8 cm). Gift of Max Perlingeiro through the Latin
American and Caribbean FundMarcel Duchamp. Bouche‑Evier (Sink Stopper).
1964. Multiple of cast bronze, overall: 2 9⁄16 × 2 9⁄16
× ⅜" (6.5 × 6.5 × 0.9 cm). Publisher: International
Collectors Society, New York. Edition: 100. James
Thrall Soby Fund

Nicole Eisenman. The Met. 2012. Etching andaquatint, composition: 15 × 11 15⁄16" (38.1 × 30.3 cm);sheet: 20 13⁄16 × 16 ⅝" (52.8 × 42.3 cm). Publisher:
Harlan & Weaver, New York. Printer: Harlan &Weaver, New York. Edition: 20. Acquired through thegenerosity of Richard Gerrig and Timothy Peterson
Nicole Eisenman. Twelve Heads. 2012. Etching,aquatint, and drypoint, composition: 17 13⁄16 × 12 1⁄16"(45.3 × 30.7 cm); sheet: 22 11⁄16 × 16 ¼" (57.6 × 41.2
cm). Publisher: Harlan & Weaver, New York. Printer:
Harlan & Weaver, New York. Edition: 20. Acquired
through the generosity of Richard Gerrig andTimothy Peterson
Nicole Eisenman. Untitled (Gorilla). 2012. Etching
and aquatint, composition: 7 ¼ × 5 15⁄16" (18.4 ×
15.1 cm); sheet: 13 7⁄16 × 10 ⅝" (34.2 × 27 cm).
Publisher: Harlan & Weaver, New York. Printer:
Harlan & Weaver, New York. Edition: 20. Acquired
through the generosity of Richard Gerrig andTimothy Peterson

Nicole Eisenman. Away from Here. 2012. Etching andaquatint, composition: 2 15⁄16 × 8 ⅞" (7.5 × 22.6 cm);sheet: 7 1⁄16 × 12 ⅝" (17.9 × 32 cm). Publisher: Harlan& Weaver, New York. Printer: Harlan & Weaver, New
York. Edition: 20. Acquired through the generosity ofRichard Gerrig and Timothy Peterson

10Nicole Eisenman. Untitled (Keyboard Portrait).
2012. Etching and aquatint, composition: 7 13⁄16 × 6"
(19.9 × 15.3 cm); sheet: 13 7⁄16 × 10 ⅝" (34.1 × 27 cm).
Publisher: Harlan & Weaver, New York. Printer: Harlan& Weaver, New York. Edition: 20. Acquired throughthe generosity of Richard Gerrig andTimothy Peterson

Gauri Gill. Building the City. 2016. Ink on digital print,
48 × 68" (121.9 × 172.7 cm). Fund for the Twenty‑First
Century

Nicole Eisenman. Watermark. 2012. Etching andaquatint, composition: 17 ⅞ × 23 11⁄16" (45.4 × 60.2 cm);sheet: 24 × 29 ⅛" (61 × 73.9 cm). Publisher: Harlan& Weaver, New York. Printer: Harlan & Weaver, New
York. Edition: 25. Acquired through the generosity ofRichard Gerrig and Timothy Peterson

Wade Guyton. Untitled (Untitled, 2013, Epson
UltraChrome K3 inkjet on linen 275 x 1218 cm,
WG3033). 2015. Digital print, sheet: 108 ¼ × 479 ½"(275 × 1218 cm). Publisher: Kunsthalle Zürich, Zürich.
Edition: 5. John B. Turner Fund

Gauri Gill. The Drought, The Flood. 2016. Ink on
digital print, 48 × 68" (121.9 × 172.7 cm). Fund for the
Twenty‑First Century

Max Ernst. Je ne mange pas de ce pain‑là by
Benjamin Péret. 1936. Illustrated book with one
etching, page (each): dimensions vary; overall (closed):
6 7⁄16 × 3 ⅞ × 9⁄16" (16.4 × 9.9 × 1.5 cm). Publisher:
Éditions Surréalistes, Paris. Printer: unknown. Edition:
250. The Sue and Edgar Wachenheim III Endowment
Omer Fast. White Male Selfies (for Parkett no. 99).
2017. Portfolio of nine digital prints, composition(each): dimensions vary; sheet (each): 7 ⅞ × 7 ⅞" (20× 20 cm). Publisher: Parkett Publishers, Zurich and
New York. Printer: Schulz und Schulz GmbH, Berlin.
Edition: 25. Riva Castleman Endowment Fund

Wade Guyton. X Poster (Untitled, 2008, Epson
UltraChrome inkjet on linen, 84 x 69 in, WG2001).
2016. Digital print, sheet: 84 × 69" (213.4 × 175.3 cm).
Publisher: Printed Matter, New York. Edition: 100.
John B. Turner Fund
Naotaka Hiro. Untitled (Seeding). 2016. Acrylic andpencil on paper, 42 × 32" (106.7 × 81.3 cm). Fund for
the Twenty‑First Century
Naotaka Hiro. Untitled (Pinnacle). 2017. Acrylic andpencil on cut‑and‑folded paper, 42 × 32" (106.7 ×
81.3 cm). Fund for the Twenty‑First Century
Naotaka Hiro. Untitled (Crisscross). 2017. Acrylic andpencil on paper, 42 × 32" (106.7 × 81.3 cm). Fund for
the Twenty‑First Century

Cao Fei. Rumba 1: Incubator (for Parkett no. 99).
2017. Multiple of mini vacuum cleaning robot and two
synthetic chicks, overall (approx.): 5 13⁄16 × 9 × 9" (14.7
× 22.9 × 22.9 cm). Publisher: Parkett Publishers, Zurich
and New York. Edition: proof outside the edition of 30.
Riva Castleman Endowment Fund

Naotaka Hiro. Untitled (Aries). 2017. Acrylic andpencil on paper, 42 × 32" (106.7 × 81.3 cm). Fund for
the Twenty‑First Century
Pierre Huyghe and Philippe Parreno. Anna Sanders:
L’Histoire d’un sentiment. 1997. Magazine, offset
lithograph printed, overall (closed): 10 ⅞ × 8 ¼ × ⅞"
(27.7 × 21 × 0.3 cm). Publisher: Pierre Huyghe andPhilippe Parreno, Paris. Printer: unknown. Edition:
unknown. Riva Castleman Endowment FundPeter Fischli and David Weiss. How to Work Better.
1991. Screenprint, composition (irreg.): 17 11⁄16 × 8 ¼"
(45 × 21 cm); sheet: 27 9⁄16 × 19 11⁄16" (70 × 50 cm).
Edition: 36. Acquired through the generosity of Jack Shear
Katharina Fritsch. Figure in the Garden. 2012. Seriesof eight screenprints, composition and sheet (each):
4 ⅛ × 5 13⁄16" (10.5 × 14.8 cm). Publisher: unpublished.
Printer: Katharina Fritsch. Edition: 10. Gift of the artist

Emily Jacir. Cell Phone. 2004. Pencil on two sheets ofpaper, (.a): 30 ½ × 23 ¾" (77.5 × 60.3 cm); (.b): 29 ½ ×
23 ¾" (74.9 × 60.3 cm). Anonymous gift

Theaster Gates. Soul Bowl (for Parkett no. 98). 2016.
Multiple of set of two glazed stoneware bowls, overall(each approx.): 2 15⁄16 × 4 ½ × 4 ½" (7.5 × 11.5 × 11.5 cm).
Publisher: Parkett Publishers, Zurich and New York.
Edition: 15. Riva Castleman Endowment Fund
Adrian Ghenie. The Lidless Eye (for Parkett no. 99).
2016–17. Multiple of cut‑and‑pasted printed paperon printed paper, composition and sheet: 9 1⁄16 × 8"
(23 × 20.3 cm). Publisher: Parkett Publishers, Zurich
and New York. Printer: Adrian Ghenie Studio GmbH,
Berlin. Edition: 25 (each work unique). Riva Castleman
Endowment Fund

Jasper Johns. Target. 1974. Screenprint, composition(irreg.): 34 × 25 ¾" (86.4 × 65.4 cm); sheet: 34 15⁄16 ×
27 ½" (88.8 × 69.9 cm). Publisher: Jasper Johns andSimca Print Artists Inc., New York. Printer: Simca
Print Artists Inc., New York. Edition: proof outside theedition of 70. Gift of Barbara Bertozzi Castelli11

Jasper Johns. Ale Cans. 1975. Lithograph,composition (irreg.): 17 7⁄16 × 21 13⁄16" (44.3 × 55.4 cm);sheet (irreg.): 23 × 31 ¼" (58.4 × 79.3 cm). Publisher:
Gemini G.E.L., Los Angeles. Printer: Gemini G.E.L.,
Los Angeles. Edition: proof outside the edition of 41.
Gift of Barbara Bertozzi Castelli
Jasper Johns. Ale Cans. 1975. Lithograph, composition(irreg.): 11 7⁄16 × 8 ¼" (29 × 20.9 cm); sheet: 18 ¾ × 14 ⅛"(47.7 × 35.9 cm). Publisher: Gemini G.E.L., Los Angeles.
Printer: Gemini G.E.L., Los Angeles. Edition: proof
outside the edition of 14. Gift of Barbara Bertozzi Castelli
Jasper Johns. Ale Cans. 1975. Lithograph,composition (irreg.): 12 ½ × 18 ⅜" (31.8 × 46.7 cm);sheet (irreg.): 20 3⁄16 × 26 ⅜" (51.2 × 67 cm). Publisher:
Gemini G.E.L., Los Angeles. Printer: Gemini G.E.L.,
Los Angeles. Edition: proof outside the edition of 46.
Gift of Barbara Bertozzi Castelli
Jasper Johns. Ale Cans. 1975. Lithograph,composition: 12 ⅝ × 18 ⅛" (32 × 46 cm); sheet (irreg.):
16 ½ × 21" (41.9 × 53.3 cm). Publisher: Gemini G.E.L.,
Los Angeles. Printer: Gemini G.E.L., Los Angeles.
Edition: proof outside the edition of 22. Gift ofBarbara Bertozzi Castelli
Jasper Johns. Usuyuki. 1982. Screenprint,
composition: 27 ½ × 46" (69.9 × 116.8 cm); sheet(irreg.): 29 ¼ × 47" (74.3 × 119.4 cm). Publisher:
Jasper Johns and Simca Print Artists Inc., New York.
Printer: Simca Print Artists Inc., New York. Edition:
artist’s proof before the edition of 52. Gift of Barbara
Bertozzi Castelli
Jennie C. Jones. Single Channel with Receiver. 2016.
Set of two lithographs with letterpress, composition(.a): 9 13⁄16 × 10 3⁄16" (24.9 × 25.9 cm); composition (.b):
12 ¼ × 5 ¼" (31.1 × 13.4 cm); sheet (each): 15 3⁄16 ×
11 ¼" (38.5 × 28.5 cm). Publisher: Universal Limited
Art Editions, Bay Shore, NY. Printer: Universal Limited
Art Editions, Bay Shore, NY. Edition: 15. Acquired
through the generosity of Mary M. and Sash A. Spencer
Donald Judd. Untitled. 1971. Felt‑tip pen on coloredpaper, 17 ⅛ × 22" (43.6 × 55.9 cm). Gift of Philip Johnson
Donald Judd. Untitled. (1971). Felt‑tip pen on coloredpaper, 17 ⅛ × 22" (43.5 × 55.9 cm). Gift of Philip Johnson
Alex Katz. Five Women. 1977. Screenprint,
composition and sheet: 18 × 46" (45.7 × 116.8 cm).
Publisher: Harry N. Abrams, Inc., New York. Printer:
Chiron Press, New York. Edition: artist’s proof before
the edition of 100. Gift of the artist

Alex Katz. January 7. 1993. Aquatint, compositionand sheet: 29 ¾ × 39 ½" (75.6 × 100.3 cm). Publisher:
Marlborough Graphics, Inc., New York. Printer:
Simmelink/Sukimoto Editions, Los Angeles. Edition:
printer’s proof before the edition of 50. Gift of the artist
Alex Katz. Forest. 2009. Woodcut and linoleum cut,composition and sheet: 29 ¾ × 66 ¾" (75.6 × 169.5 cm).
Publisher: Simmelink/Sukimoto Editions, Kingston,
New York. Printer: Simmelink/Sukimoto Editions,
Kingston, New York. Edition: artist’s proof before theedition of 45. Gift of the artist
Alex Katz. Swimming Home. 2013. Illustrated bookwith six woodcuts, page (each approx.): 14 15⁄16 × 14 ⅜"(38 × 36.5 cm); overall (closed): 15 ¼ × 14 13⁄16 × ⅜"
(38.8 × 37.6 × 1 cm). Publisher: Graphicstudio,
University of South Florida, Tampa. Printer:
Graphicstudio, University of South Florida, Tampa.
Edition: 35. Gift of the artist
Leandro Katz. 27 Windmills (27 Molinos). 1972.
Twenty-seven gelatin silver prints on transparent
film with presstype, mounted on graph paper with
typewriting, each: 10 ⅝ × 8 ¼" (27 × 21 cm). Latin
American and Caribbean FundEllsworth Kelly. Vivian Beaumont Theatre, Lincoln
Center. 1965. Lithograph, composition (irreg.): 36 ×
22 ⅝" (91.4 × 57.5 cm); sheet: 41 11⁄16 × 26 ⅛" (105.9 ×
66.3 cm). Publisher: Albert A. List Foundation, Bryn
Mawr, PA. Printer: Pratt Graphics Center, New York.
Edition: 100. Gift of the Ellsworth Kelly Studio
Ellsworth Kelly. The Paris Review. 1968. Screenprint,
composition: 31 × 24 1⁄16" (78.7 × 61.1 cm); sheet:
40 1⁄16 × 26 ⅛" (101.7 × 66.3 cm). Publisher: The Paris
Review, New York. Printer: Chiron Press, New York.
Edition: 150. Gift of the Ellsworth Kelly Studio
Martin Kippenberger. Vom Eindruck zum Ausdruck.
¼ Jahrhundert Kippenberger. 1979. Artist’s bookwith 91 pasted lithographs, letterpress printed, page(each): 8 3⁄16 × 5 13⁄16" (20.8 × 14.7 cm); overall (closed):
8 3⁄16 × 5 13⁄16 × 9⁄16" (20.8 × 14.8 × 1.5 cm). Publisher:
Verlag Pikasso’s Erben, Berlin/Paris. Edition: 300.
Riva Castleman Endowment Fund
Martin Kippenberger. O sole mio. 1980. Catalogue,
page (each): 8 11⁄16 × 6 9⁄16" (22 × 16.6 cm); overall(closed): 8 11⁄16 × 6 ⅝ × 5⁄16" (22 × 16.9 × 0.8 cm).
Publisher: Künstlerhaus, Hamburg. Edition: 500. Riva
Castleman Endowment Fund

12

Martin Kippenberger. 23 Viergrautonvorschläge fürdie Modernisierung des Rückenschwimmers. 1986.
Artist’s book, lithograph printed, page (each): 9 13⁄16 ×
7 ⅝" (24.9 × 19.3 cm); overall (closed): 10 ⅛ × 7 13⁄16
× ½" (25.7 × 19.8 × 1.3 cm). Publisher: Galerie Engels,
Cologne. Edition: 75. Riva Castleman Endowment Fund
Lee Kit. Upon (for Parkett no. 98). 2016. Multipleof framed digital print and towel, overall (framed
print): 11 × 9 1⁄16 × 13⁄16" (28 × 23 × 2 cm); overall (towel,
folded, approx.): 5 ⅛ × 13 × 16 9⁄16" (13 × 33 × 42 cm).
Publisher: Parkett Publishers, Zurich and New York.
Printer: Gwerder ART AG, Zürich. Edition: 35. Riva
Castleman Endowment FundYves Klein. La Conférence à la Sorbonne. 1959. Two
12‑inch vinyl records, cover: 12 5⁄16 × 12 5⁄16" (31.2
× 31.2 cm). Publisher: Centre national d’art et deculture, Paris. Edition: 500. Gift of Pedro Barbosa
Julije Knifer. No. 20. 1960. Pencil on paper, 9 × 6 ½"
(22.9 × 16.5 cm). Gift of the Estate of Julije Knifer
Julije Knifer. No. 25. 1960. Pencil on paper, 9 × 6 ½"
(22.9 × 16.5 cm). Gift of the Estate of Julije Knifer
Julije Knifer. No. 54. 1960. Pencil on paper, 9 × 6 ½"
(22.9 × 16.5 cm). Gift of the Estate of Julije Knifer
Julije Knifer. 25.XI‑2.XII 4.XII‑8.XII 83. 1983.
Graphite on paper, 41 5⁄16 × 29 ¾" (105 × 75.5 cm).
Rendl Endowment for Slavic Art and Committee on
Drawings and Prints Fund
Joseph Kosuth. Exhibition Art & Project. 1969.
Typewriting on 15 self‑adhesive labels, compositionand sheet (each): dimensions vary. Art & Project/
Depot VBVR Gift
Ketty La Rocca. It Is Easy to Have Top Brand Gifts(È facile avere regali di gran marca). 1964–65.
Cut‑and‑pasted printed paper on colored paper, 14 ×
9 ⅞" (35.6 × 25.1 cm). Committee on Drawings andPrints Fund and The Modern Women’s Fund
Ketty La Rocca. Us and Those Who (Noi e chi ci).
1964–65. Cut‑and‑pasted printed paper on coloredpaper, 17 ½ × 11 ⅝" (44.5 × 29.5 cm). Committee on
Drawings and Prints Fund and The Modern Women’s Fund
Gerd Leufert. Untitled. n.d. Lithograph, composition(irreg.): 13 ⅜ × 17 ¼" (34 × 43.8 cm); sheet: 20 3⁄16 ×
26" (51.2 × 66.1 cm). Publisher: unknown. Printer:
unknown. Edition: 10. Ruth Vollmer Bequest
Gerd Leufert. Untitled. 1963. Pencil on newsprint,
5 ½ × 4 ¼" (14 × 10.8 cm). Ruth Vollmer Bequest

Gerd Leufert. Nenias. 1969. Artist’s book, lithographprinted, page (each): 11 ⅞ × 12 ½" (30.2 × 31.7 cm);
overall (closed): 11 ⅞ × 12 13⁄16 × ⅜" (30.2 × 32.5 × 1 cm).
Publisher: Publicaciones Refolit, Caracas. Printer:
Talleres Refolit. Edition: 40. Gift of the artist’s estate
Sol LeWitt. Drawings in Pigozzi’s Journal of theSeventies. 1980. Artist’s book and two gelatin silver
prints, overall (.1, closed): 11 × 8 ¼ × ½" (27.9 × 21 ×
1.3 cm); sheet (.2, .3): 7 ⅝ × 11 ⅜" (19.4 × 28.9 cm). Giftof Jean Pigozzi
Sol LeWitt. Eakins Stamps. 1967. Postage stamps andink on paper in artist’s frame, 12 ½ × 12 ⅜ " (31.7 ×
31.6 cm). Ruth Vollmer Bequest
Sol LeWitt. Untitled page from a sketchbook. n.d.
Felt‑tip pen and pencil on paper, 8 ½ × 11" (21.6 ×
28 cm). Ruth Vollmer Bequest
Sol LeWitt. Untitled page of sketches. n.d. Ballpoint
pen on paper, 8 ½ × 11" (21.6 × 28 cm).
Ruth Vollmer Bequest
Sol LeWitt. Rip Drawing. 1973. Torn paper, 13 ½ ×
13 ⅜" (34.3 × 34.2 cm). Ruth Vollmer Bequest
Sol LeWitt. Layout of Arcs and Lines. 1978. Ink on
paper, 17 × 10 ⅞" (43.1 × 27.5 cm). Gift of Sarah‑Ann
and Werner H. Kramarsky
Antoni Llena. Desiccated Sculpture (Escultura
dissecada). 1967–68, signed 1968. Glassine envelopewith correction fluid, containing objects in various
mediums, 5 ¾ × 4 ¼" (14.6 × 10.8 cm). Committee on
Drawings and Prints Fund
Antoni Llena. Desiccated Sculpture (Escultura
dissecada). 1968. Glassine envelope withpressure‑sensitive sticker, containing objects
in various mediums, 6 × 4 ¼" (15.2 × 10.8 cm).
Committee on Drawings and Prints Fund
Antoni Llena. Desiccated Sculpture (Escultura
dissecada). 1968. Glassine envelope, containing
objects in various mediums, 5 ⅜ × 4 ½" (13.7 ×
11.4 cm). Committee on Drawings and Prints Fund
Antoni Llena. Desiccated Sculpture (Escultura
dissecada). 1968. Glassine envelope, containing
objects in various mediums, 6 ⅜ × 4 ½" (16.2 ×
11.4 cm). Committee on Drawings and Prints Fund
Antoni Llena. Desiccated Sculpture (Escultura
dissecada). 1968. Glassine envelope, containing
objects in various mediums, 6 ¼ × 4 ¼" (15.9 ×
10.8 cm). Committee on Drawings and Prints Fund

13

Lionel Maunz. Obligation 1, 2, 3. 2016. Graphiteon three sheets of paper, each: 29 ⅞ × 22" (75.9 ×
55.9 cm). Acquired through the generosity of theContemporary Drawing and Print Associates

Antoni Llena. Sky‑blue, Red, Green, Black andTransparent White (Blau cel, vermell, verd, negre
i blanc transparent). 1968. Cut‑and‑pasted paper,
colored paper, and tracing paper with metallic paint,
51 15⁄16 × 51 15⁄16" (132 × 132 cm). Gift of the artist
Antoni Llena. S.O.S. Smoke Signals from
Underground (SOS. Senyals de fum des d’un subsòl).
2016. Set of 108 pastel and colored pencil on paper,
each: 10 × 14 ½" (25.4 × 36.8 cm). Gift of the artist
Robert Longo. Untitled (Study for Pressure). 1983.
Graphite, watercolor, colored pencil, and acrylic on
two sheets, double‑sided, 25 ¾ × 23 ¼" (65.4 × 59 cm).
Gift of Patricia and Richard Wier, Chicago, Illinois

Rosemary Mayer. Untitled. 1971. Colored pencil andpencil on paper, 13 ⅝ × 10 ⅝" (34.6 × 27 cm).
Modern Women’s FundRosemary Mayer. Untitled. 1972. Colored pencil andpencil on paper, 14 × 17" (35.6 × 43.2 cm). Modern
Women’s FundRosemary Mayer. Untitled (Lady of the Mercians).
1973. Colored pencil and pencil on paper, 18 ⅝ × 24"(47.3 × 61 cm). Modern Women’s Fund

Whitfield Lovell. Pop/Pistol. 1990. Oilstick andcharcoal on paper, 63 ½ × 49 ⅞" (161.3 × 126.7 cm).
Committee on Drawings and Prints FundRosemary Mayer. Spell. 1977. Artist’s book with
39 gelatin silver prints and cut‑and‑pasted
transparentized papers with ink and pastel, page(each approx.): 19 11⁄16 × 12 11⁄16" (50 × 32.2 cm); overall(closed): 20 ⅞ × 13 ⅜ × 1 3⁄16" (53 × 34 × 3 cm). Gift of
the artist’s estate

M/M Paris. Le Pont du trieur. 2000. Poster, sheet:69 5⁄16 × 47 5⁄16" (176 × 120.2 cm). Publisher: unknown.
Printer: unknown. Edition: unlimited. Riva Castleman
Endowment Fund
M/M Paris. Shimkent Hotel. 2001. Poster, sheet: 69 ⅛
× 47 7⁄16" (175.6 × 120.5 cm). Publisher: unknown.
Printer: unknown. Edition: unlimited. Riva Castleman
Endowment Fund
M/M Paris. Tropical Malady. 2004. Poster, sheet:46 13⁄16 × 33 ⅛" (118.9 × 84.1 cm). Publisher: unknown.
Printer: unknown. Edition: unlimited. Riva Castleman
Endowment FundRosemary Mayer. Some Days in April. 1979. Artist’sbook with pencil, colored pencil, pastel, ink,
crayon, printed papers, transparentized paper, andchromogenic color prints, page (each approx.): 15 1⁄16
× 12" (38.2 × 30.5 cm); overall (closed): 15 7⁄16 × 13 × 13⁄16"(39.2 × 33 × 2 cm). Modern Women’s Fund
Julie Mehretu. Epigraph, Damascus. 2016.
Photogravure and aquatint on six panels (12 sheets),overall (each panel): 85 ¼ × 34 ¼" (216.6 × 87 cm).
Publisher: BORCH Editions, Copenhagen. Printer:
BORCH Editions, Copenhagen. Edition: 16. Acquired
through the generosity of Glenn and Amanda Fuhrman,
Kathy and Richard S. Fuld, Jr., Ralph Goldenberg,
Marlene Hess and James D. Zirin, Catie and Donald
Marron, and Mary M. and Sash A. Spencer

M/M Paris. Stretch. 2011. Poster, sheet: 69 × 47 1⁄16"(175.2 × 119.5 cm). Publisher: unknown. Printer:
unknown. Edition: unlimited. Riva Castleman
Endowment Fund
Piero Manzoni. Declaration of Authenticity No. 028(Carte d’authenticité No. 028). 1961. Double‑sided
offset lithograph with letterpress, pen, stamped ink,
and pasted printed paper, sheet: 2 13⁄16 × 4" (7.1 ×
10.2 cm); overall (framed): 7 ½ × 8 9⁄16 × 9⁄16" (19 × 21.7 ×
1.5 cm). Gift of Annina Nosei

Joan Miró. Sablier couché. 1938. Illustrated bookwith one etching, page (each): 8 ¼ × 6 7⁄16" (21 ×
16.4 cm); overall (closed): 8 ¾ × 6 ⅝ × ⅛" (22.2 × 16.8
× 0.3 cm). Publisher: Editions Sagesse, Paris. Printer:
Roger Lacourière, Paris. Edition: 75. The Sue andEdgar Wachenheim III Endowment

Raúl Marroquin. Bizarre Edition (Information Edition)of Equipo Movimiento ‑ Movement of the See,
Original Edition. 1972. Lithograph with pencil andcolored pencil additions, composition (approx.):10 ⅝ × 8 ¼" (27 × 21 cm); sheet: 19 11⁄16 × 13 ¾" (50 ×35 cm). Edition: 10. Gift of Solita Cohen through theLatin American and Caribbean Fund in honor of Luis
Pérez‑Oramas

Robert Morris. Footprints from Traveling. Limit ofReach. 1976. Powdered graphite and plate oil on
paper, 14 ⅛" x 50’ (35.4 x 1524.0 cm). Gift of the artist
Toyin Ojih Odutola. The Raven. 2016. Charcoal,pastel, and pencil on paper, 74 ¼ × 42" (188.6 ×
106.7 cm). Acquired through the generosity of
Wendy Fisher

14

Polit‑Sheer‑Form Office (PSFO). Lianhuanhua (Comic
Book). 2005. Artist’s book and four digital prints withpencil additions, overall (artist’s book): 8 5⁄16 × 10 7⁄16
× ⅝" (21.1 × 26.5 × 1.6 cm); composition (digital prints,
each, approx.): 11 ⅛ × 15 ⅞" (28.2 × 40.4 cm); sheet(digital prints, each approx.): 14 ½ × 20 ⅛" (36.9 ×
51.1 cm). Publisher: Polit‑Sheer‑Form Office (PSFO),
Beijing. Printer: Polit‑Sheer‑Form Office (PSFO),
Beijing. Edition: 50 with 4 unique artist proof prints.
Gift of BANK/MABSOCIETY

Hélio Oiticica. The afternoon almost evening. 1973.
Cibachrome prints pasted on paper, 11 9⁄16 × 17 11⁄16"(29.3 × 45 cm). Gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Yoko Ono. For WBAI from John & Yoko. 1971. Offset
lithograph, composition and sheet: 21 13⁄16 × 16 7⁄16"(55.4 × 41.8 cm). Publisher: WBAI Radio, New York.
Printer: unknown. Edition: unknown. General Print Fund
Laura Owens. Beauty View. 2015. Artist’s book,screenprinted and digitally printed, page (each): 16 7⁄16
× 9 ¾" (41.7 × 24.8 cm); overall (closed): 16 7⁄16 × 9 15⁄16
× 1 ⅛" (41.7 × 25.2 × 2.8 cm). Edition: unique. The Sueand Edgar Wachenheim III Endowment
Laura Owens. Untitled. 2015. Artist’s book,screenprinted and digitally printed, overall (closed):
24 × 17 ½ × 1" (61 × 44.5 × 2.5 cm). Edition: unique.
The Sue and Edgar Wachenheim III Endowment
Laura Owens. Untitled. 2016. Artist’s book,screenprinted with collage additions and sounddevice, overall (closed): 17 ⅜ × 12 ¼ × 1" (44.1 ×
31.1 × 2.5 cm). Edition: unique. The Sue and Edgar
Wachenheim III Endowment
Laura Owens. Untitled. 2016. Artist’s book,screenprinted with sand, synthetic polymer paint,collage, and pencil additions, overall (closed): 13 × 12
× ⅜" (33 × 30.5 × 0.9 cm). Edition: unique. The Sueand Edgar Wachenheim III Endowment
Laura Owens. Untitled. 2016. Artist’s book of Flashe,charcoal, and screenprint on wallpaper, bookboard,
dyed linen, and sound device, page (each): 16 15⁄16 ×
11 ⅞" (43 × 30.2 cm); overall (closed): 17 ⅜ × 12 5⁄16 ×
1 7⁄16" (44.1 × 31.2 × 3.6 cm). Edition: 14. Gift ofSadie Coles HQ
Pat Passlof. Untitled. c. 1950. Oil on paper, 22 ⅝ ×
28 ⅝" (57.5 × 72.7 cm). Gift of the Milton Resnick and
Pat Passlof Foundation
Raymond Pettibon and Mike Topp. Born on a Train.
2015. Artist’s book, page (each): 11 × 8 7⁄16" (27.9 ×
21.4 cm); overall (closed): 11 × 8 7⁄16 × ⅛" (27.9 × 21.5 ×
0.3 cm). Publisher: Raymond Pettibon and Mike Topp.
Edition: 100. Gift of Mike Topp

Polit‑Sheer‑Form Office (PSFO). Lianhuanhua (Comic
Book). 2005. Artist’s book and four digital prints withpencil additions, overall (artist’s book): 8 5⁄16 × 10 7⁄16 × ⅝"
(21.1 × 26.5 × 1.6 cm); composition (digital prints,
each, approx.): 11 ⅛ × 15 ⅞" (28.2 × 40.4 cm); sheet(digital prints, each approx.): 14 ½ × 20 ⅛" (36.9 ×
51.1 cm). Publisher: Polit‑Sheer‑Form Office (PSFO),
Beijing. Printer: Polit‑Sheer‑Form Office (PSFO),
Beijing. Edition: 50 with 4 unique artist proof prints.
Gift of BANK/MABSOCIETY
Sigmar Polke. Full Moon in Aries (Vollmond im
Widder). 2004. Portfolio of 40 screenprint andlithographs, composition (each, approx.): 10 ⅞ × 8 ¼"
(27.6 × 21 cm); sheet (each, approx.): 17 5⁄16 × 13 11⁄16"(43.9 × 34.8 cm). Publisher: Mike Karstens, Münster.
Printer: Mike Karstens, Münster. Edition: 40. Gift ofKathy and Richard S. Fuld, Jr.
William Pope.L. Real Kitsch #5. 1995. Photocopy,
felt‑tip pen, torn‑and‑pasted printed paper, wax,
matches, and ink stamp on paper, in plastic sleeve,
18 × 24" (45.7 × 61 cm). Anonymous gift
William Pope.L. Mal Content. 1992. Synthetic
polymer, gel medium, newspaper, and peanut butter
on particle board, 34 ⅝ × 24" (88.6 × 61 cm). Acquired
through the generosity of Marie‑Josée and Henry R.
Kravis, Jill and Peter Kraus, and Catie and Donald Marron
Charlotte Posenenske. Striped Picture (Streifenbild).
1962. Acrylic on colored paper, 19 ⅝ × 23 ⅝" (49.8 ×
60 cm). Gift of Dean Valentine and Amy Adelson
Vaclav Pozarek. Untitled. 2016. Screenprint,
composition: 31 ½ × 23 ⅝" (80 × 60 cm); sheet: 37 ¾
× 26 ¾" (95.9 × 68 cm). Publisher: Schweizerische
Graphische Gesellschaft, Zürich. Printer: Uldry AG,
Bern. Edition: 125. General Print Fund
Richard Prince. Soil Mechanics. c. 1978. Offset
lithograph, composition (irreg.): 5 11⁄16 × 5 11⁄16" (14.5 ×
14.5 cm); sheet: 8 ½ × 6 ¾" (21.6 × 17.1 cm). Publisher:
Richard Prince. Edition: unknown. General Print Fund

15

Amy Sillman. Rome #4. 2014. Pastel and gouacheon paper, 29 ⅞ × 22 ½" (75.9 × 57.2 cm). Acquired
through the generosity of the Contemporary Arts
Council of The Museum of Modern Art

Martin Puryear. Métissage/Camouflage. 2016.
Woodcut, composition (irreg.): 32 ¾ × 42 11⁄16" (83.2 ×
108.5 cm); sheet: 38 9⁄16 × 47 11⁄16" (97.9 × 121.2 cm).
Publisher: Universal Limited Art Editions, Bay Shore,
NY. Printer: Universal Limited Art Editions, Bay Shore,
NY. Edition: 26. Acquired through the generosity of
Mary M. and Sash A. Spencer

Amy Sillman. Rome #12. 2014. Pastel and gouache on
cut‑and‑pasted paper, 30 × 22 ⅜" (76.2 × 56.8 cm).
Acquired through the generosity of the Contemporary
Arts Council of The Museum of Modern Art

Mika Rottenberg. Bubble 1 – Bubble 6 (for Parkett
no. 98). 2016. Single‑channel video (color, sound)and multiple of purse with plastic capsule, containing
memory stick, overall (purse): 4 ¾ × 2 ⅜ × ⅜" (12 × 6 ×
1 cm). Publisher: Parkett Publishers, Zurich and New
York. Edition: 6. Riva Castleman Endowment FundAmy Sillman. Untitled. 2016. Colored ink, charcoal,and crayon on paper, 29 ⅝ × 22 ¾" (75.2 × 57.8 cm).
Acquired through the generosity of the Contemporary
Arts Council of The Museum of Modern Art

Ibrahim El‑Salahi. Prison Notebook. 1976. Notebook
with 39 ink-on-paper drawings, page (each approx.):11 ¼ × 6 ¾" (28.5 × 17.1 cm); overall (closed): 11 ¼ × 7 ⅛
× 1 ⅛" (28.6 × 18.1 × 2.9 cm). Acquired through thegenerosity of Marlene Hess and James D. Zirin, Catieand Donald Marron, Alice and Tom Tisch (in honor of
Christophe Cherix), Marnie Pillsbury and Committee
on Drawings and Prints Fund

Robert Smithson. Mars Is Upset. 1962. Watercolor,gouache, cut‑and‑pasted printed and colored paper,
pencil, pastel, and ink on paper, 24 × 9" (61 × 22.9 cm).
Gift of Adam Kimmel

Fred Sandback. Eight Variations for Heiner FriedrichGallery (Acht Variationen für die Galerie HeinerFriedrich). 1971–73. Set of eight screenprints, sheet(each): 15 ¼ × 19 5⁄16" (38.7 × 49 cm). Publisher: Edition
Heiner Friedrich, Munich. Printer: unknown. Edition:
proof before the edition of 50. Gift of Barbara andLenny Kaban

Jesús Rafael Soto. Untitled. 1964. Multiple ofsynthetic polymer paint on plexiglas with wood,
overall: 12 ½ × 12 ½ × 6 ⅛" (31.7 × 31.7 × 15.6 cm).
Publisher: Édition Mat Mot, Cologne. Edition: 100.
Frances R. Keech Bequest

Robert Smithson. Untitled (Proof Positive or
Puffision). 1962. Ink on paper, 24 × 18" (61 × 45.7 cm).
Richard S. Zeisler Bequest (by exchange)

Varvara Stepanova. Untitled from Gaust chaba. 1919.
Collage on book page, sheet: 10 ½ × 6 ⅝" (26.7 × 16.8 cm).
Publisher: unknown, Moscow. Edition: 54. Gift ofHarvey S. Shipley Miller in honor of Christophe Cherix

Thomas Schütte. Hauptstadt (Capital). 1981. Acrylic
on seven sheets of paper, each 53 ⅛ × 43 5⁄16" (135 ×
110 cm). Gift of Jan Christiaan Braun in honor of
Konrad Fischer

Hito Steyerl. Gosprom (for Parkett no. 97). 2015.
Screenprint, composition and sheet: 30 ¼ × 30 ¼"(76.9 × 76.9 cm). Publisher: Parkett Publishers,
Zurich and New York. Printer: Atelier für Siebdruck
Lorenz Boegli, Zürich. Edition: 35. Riva Castleman
Endowment Fund

Thomas Schütte. Hauptstrasse (Main Street). 1981.
Felt‑tip pen and pencil on paper, 11 13⁄16 × 15 15⁄16"(30 × 40.5 cm). Gift of Jan Christiaan Braun in honorof Konrad Fischer

Keiichi Tanaami. NO MORE WAR_1. 1967. Screenprint,
composition: 24 ⅞ × 18 ⅞" (63.2 × 48 cm); sheet:
24 ⅞ × 18 ⅞" (63.2 × 48 cm). Publisher: Keiichi
Tanaami, Tokyo. Printer: Keiichi Tanaami, Tokyo.
Edition: 30. Acquired through the generosity of The
Contemporary Drawing and Print Associates of The
Museum of Modern Art

Thomas Schütte. Aquarellen (Watercolors). 1987.
Watercolor, colored pencil, colored ink, and pastel on
paper, each: 9 ½ × 7 ¼" (24.1 × 18.4 cm). Gift of Jan
Christiaan Braun in honor of Paulina Pobocha
Thomas Schütte. Kirschen (Cherries). 1987. Acrylic
on paper, 62 ¾ × 43 ¼" (159.4 × 109.8 cm). Gift of Jan
Christiaan Braun in honor of Christophe Cherix
James Siena. Displaced Non‑Map Fragment. 2016.
Ink on paper and board, 16 ⅜ × 13 ¾" (41.6 × 34.9 cm).
Committee on Drawings and Prints Fund
Shahzia Sikander. 51 Ways of Looking (Group B).
2004. Four pencil-on-paper drawings, each: 11 ⅞ × 9"(30.2 × 22.9 cm). Gift of Joel and Anne Ehrenkranz inhonor of Glenn Lowry

Keiichi Tanaami. NO MORE WAR_2. 1967. Screenprint,
composition: 23 ⅝ × 17 13⁄16" (60 × 45.3 cm); sheet: 24 ⅞
× 18 ⅞" (63.2 × 48 cm). Publisher: Keiichi Tanaami, Tokyo.
Printer: Keiichi Tanaami, Tokyo. Edition: 30. Acquired
through the generosity of The Contemporary Drawing
and Print Associates of The Museum of Modern Art

16

Keiichi Tanaami. Untitled (Collage Book 1_15). c.
1969. Cut‑and‑pasted printed paper and felt‑tip
pen on paper, 13 ¼ × 9 ⅞" (33.6 × 25.1 cm). Acquired
through the generosity of The Contemporary Drawing
and Print Associates of The Museum of Modern Art
Keiichi Tanaami. Untitled (Collage Book 2_13). c.
1969. Cut‑and‑pasted printed paper and felt‑tip pen
on paper, 14 ⅞ × 17 ¾" (37.8 × 45.1 cm). Acquired
through the generosity of The Contemporary Drawing
and Print Associates of The Museum of Modern Art
Keiichi Tanaami. Untitled (Collage Book 9_18). c.
1973. Cut‑and‑pasted printed paper, ink, and felt‑tip
pen on paper, 18 7/8 × 21 ¼" (48 × 54 cm). Acquired
through the generosity of The Contemporary Drawing
and Print Associates of The Museum of Modern Art
Richard Tuttle. Chiaroscuro. 2016. Woodcut,
composition: 3 9⁄16 × 4 15⁄16" (9.1 × 12.5 cm); sheet:
21 11⁄16 × 18 1⁄16" (55.1 × 45.9 cm). Publisher:
Schweizerische Graphische Gesellschaft, Zürich.
Printer: Thomi Wolfensberger, Zürich. Edition: 125.
General Print FundCy Twombly. Untitled. 1954. Gouache, wax crayon,
and colored pencil on paper, 19 × 27 ⅞" (48.3 ×70.8 cm). The Judith Rothschild Foundation
Contemporary Drawings Collection Gift (byexchange). Given in honor of Kathy Fuld
Cy Twombly. Untitled. 1954. Gouache, wax crayon,
and colored pencil on paper, 19 × 24 ⅞" (48.3 ×
63.2 cm). Gift of Carol O. Selle, the Denise andAndrew Saul Fund, and Abby Aldrich Rockefeller (allby exchange)
Cy Twombly. Untitled. 1954. Gouache, wax crayon,
and colored pencil on paper, 19 × 24 ⅞" (48.3 ×
63.2 cm). The Judith Rothschild Foundation
Contemporary Drawings Collection Gift (byexchange). Given in honor of Kathy Fuld
Various artists. Ex Libris. 2012–16. Series of 10
artists’ books, sheet (bookplate; see child records):
dimensions vary; overall (book, closed; see childrecords); dimensions vary. Publisher: Salon Verlag,
Cologne. Edition: see child records. General Print
Fund
Various artists. Parkett no. 96. 2015. Journal, page(each): 10 x 8 ¼" (25.4 x 21 cm); overall (closed): 10x 8 ⅜ x ¾" (25.4 x 21.3 x 1.9 cm). Publisher: Parkett
Publishers, Zurich and New York. Gift of Parkett

Various artists. Parkett no. 98. 2016. Journal, page(each): 10 × 8 ¼" (25.4 × 21 cm); overall (closed):
10 1⁄16 × 8 ⅜ × 11⁄16" (25.5 × 21.3 × 1.8 cm). Publisher:
Parkett Publishers, Zürich. Gift of Parkett
Various artists. Parkett no. 99. 2017. Journal, page(each): 10 × 8 ¼" (25.4 × 21 cm); overall (closed):
10 1⁄16 × 8 ⅜ × 11⁄16" (25.5 × 21.3 × 1.8 cm). Publisher:
Parkett Publishers, Zürich. Gift of Parkett
Sandra Vásquez de la Horra. Trinity Trail. 2015. Pencil
and wax on cut‑and‑folded paper, overall: 14 ⅞ ×
10 ⅛ × 6" (37.8 × 25.7 × 15.2 cm). Latin American
and Caribbean Fund
Sandra Vásquez de la Horra. Mother. 2016. Pencil,
watercolor, and wax on four pieces of paper, 84 ½ ×
61 ½" (214.6 × 156.2 cm). Latin American and
Caribbean Fund
Kelley Walker. 113363: 2005. Michael Jackson. 2016.
Screenprint, composition: 31 ⅞ × 23 ⅛" (81 × 58.7 cm);sheet: 35 7⁄16 × 24 ⅝" (90 × 62.5 cm). Publisher: Universal
Limited Art Editions, Bay Shore, NY. Printer: Universal
Limited Art Editions, Bay Shore, NY. Edition: 21.
Acquired through the generosity of Mary M. and
Sash A. Spencer
Kelley Walker. Domus June 2015. 2016.
Three‑dimensional lithograph with embossing, overall:
96 1⁄16 × 5 × 1 9⁄16" (244 × 12.7 × 3.9 cm). Publisher:
Universal Limited Art Editions, Bay Shore, NY. Printer:
Universal Limited Art Editions, Bay Shore, NY. Edition:
40. Acquired through the generosity of Mary M. and
Sash A. Spencer
Dan Walsh. Klimt Book. 2016. Artist book, page (each):
9 7⁄16 × 14 7/8" (24 × 37.8 cm); overall (closed): 9 ¾ ×
15 3⁄16 × ½" (24.7 × 38.6 × 1.3 cm). Publisher: Dan Walsh.
Printer: Dan Walsh. Edition: 25. Monroe Wheeler Fund
Mary Weatherford. California. 2012. Lithograph,composition (irreg.): 26 × 21 ¾" (66 × 55.3 cm); sheet:
27 ⅜ × 22 13⁄16" (69.5 × 58 cm). Publisher: Cirrus
Editions, Los Angeles. Printer: Cirrus Editions, Los
Angeles. Edition: 40. The Abby Aldrich Rockefeller
Endowment for Prints
Mary Weatherford. Union Avenue. 2012. Lithograph,composition (irreg.): 26 3⁄16 × 21 ⅝" (66.5 × 55 cm);sheet: 27 5⁄16 × 22 7⁄16" (69.4 × 57 cm). Publisher: Cirrus
Editions, Los Angeles. Printer: Cirrus Editions, Los
Angeles. Edition: 40. The Abby Aldrich Rockefeller
Endowment for Prints

Various artists. Parkett no. 97. 2015. Journal, page(each): 10 x 8 ¼" (25.4 x 21 cm); overall (closed): 10x 8 ⅜ x ¾" (25.4 x 21.3 x 1.9 cm). Publisher: Parkett
Publishers, Zurich and New York. Gift of Parkett
17Mary Weatherford. Panorama Drive. 2012.
Lithograph, composition (irreg.): 25 3⁄16 × 21 ⅝" (64× 55 cm); sheet: 27 5⁄16 × 22 ⅜" (69.4 × 56.8 cm).
Publisher: Cirrus Editions, Los Angeles. Printer: Cirrus
Editions, Los Angeles. Edition: 40. The Abby AldrichRockefeller Endowment for Prints

Christopher Wool. Untitled (Cats in Bag). 1990.
Portfolio of 11 color photocopies, composition (eachapprox.): 13 9⁄16 × 10 13⁄16" (34.5 × 27.4 cm); sheet(each approx.): 14 3⁄16 × 11" (36.1 × 27.9 cm). Publisher:
Museum Boijmans van Beuningen, Rotterdam. Edition:
proof outside the edition of 25. Gift of the artist

Charles White. Study for Black Pope. c. 1973.
Graphite, pastel, and crayon on transparentized paper,
17 ½ × 21 ¾" (44.5 × 55.2 cm). Acquired through thegenerosity of Kathy and Richard S. Fuld, Jr. in honorof Esther Adler

Christopher Wool. Untitled (for Texte zur Kunst no. 15).
1994. Photoetching, plate: 10 ¼ × 6 ⅞" (26 × 17.5 cm);sheet: 14 × 11" (35.6 × 27.9 cm). Publisher: Texte zur
Kunst, Berlin. Printer: Niels Borch Jensen. Edition:
proof outside the edition of 80. Gift of the artist

Michael Williams. J. 2015. Lithograph, composition:
12 15⁄16 × 16" (32.8 × 40.6 cm); sheet: 18 7⁄16 × 20 9⁄16"(46.8 × 52.3 cm). Publisher: Universal Limited Art
Editions, Bay Shore, NY. Printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 10. Acquired throughthe generosity of Mary M. and Sash A. Spencer

Christopher Wool. Untitled. 1997. Portfolio of
six photogravures, composition and sheet, (eachapprox.): 25 ½ × 19 11⁄16" (64.7 × 50 cm). Publisher:
Portfolio Kunst AG, Vienna. Printer: Kurt Zein,
Vienna. Edition: proof outside the edition of 30. Giftof the artist

Michael Williams. O. 2015. Lithograph, composition:
12 15⁄16 × 16" (32.8 × 40.7 cm); sheet: 19 ⅝ × 22" (49.8
× 55.9 cm). Publisher: Universal Limited Art Editions,
Bay Shore, NY. Printer: Universal Limited Art Editions,
Bay Shore, NY. Edition: 15. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Christopher Wool. Untitled. 1998. Series of threeetchings, plate (each approx.): 15 13⁄16 × 11 13⁄16" (40.2
× 30 cm); sheet (irreg., each approx.): 25 1⁄16 × 20"(63.6 × 50.8 cm). Publisher: Lapis Press, Los Angeles.
Printer: Lapis Press, Los Angeles. Edition: proof
outside the edition of 30. Gift of the artist

Michael Williams. DAD. PSD. 2016. Lithograph,composition (irreg.): 21 1⁄16 × 27 11⁄16" (53.5 ×70.4 cm); sheet: 29 ¾ × 21 ⅞" (75.5 × 55.5 cm).
Publisher: Universal Limited Art Editions, Bay Shore,
NY. Printer: Universal Limited Art Editions, Bay Shore,
NY. Edition: 29 unique variants. Acquired through thegenerosity of Mary M. and Sash A. Spencer

Christopher Wool. Untitled. 1998. Etching, plate:
15 13⁄16 × 11 13⁄16" (40.2 × 30 cm); sheet: 25 1⁄16 × 19 15⁄16"(63.6 × 50.6 cm). Publisher: The Museum ofContemporary Art, Los Angeles. Printer: Lapis Press,
Los Angeles. Edition: proof outside the edition of 45.
Gift of the artist
Christopher Wool. Untitled. 1999. Two screenprints,
composition (each approx.): 63 ¾ × 43 5⁄16" (162 ×
110 cm); sheet (each approx.): 76 × 48 ⅛" (193 × 122.2
cm). Publisher: Christopher Wool to benefit Centred’Art Contemporain Genève and Kunsthalle Basel.
Printer: Christopher Wool. Edition: proof outside theedition of 15. Gift of the artist

Terry Winters. Black Stone. 2016. Lithograph,composition: 35 ¼ × 47 1⁄16" (89.5 × 119.5 cm); sheet:
39 ½ × 51 ½" (100.4 × 130.8 cm). Publisher: Universal
Limited Art Editions, Bay Shore, NY. Printer: Universal
Limited Art Editions, Bay Shore, NY. Edition: 26.
Acquired through the generosity of Mary M. and
Sash A. Spencer
Karl Wirsum. Korner Kite: Birdman. 1974. Felt‑tip pen
on rice paper, and bamboo, 29 ½ × 23 ¾ × ¼" (74.9 ×60.3 × 0.6 cm). Gift of KAWS
Christopher Wool. a.k.a. 2016. Set of eightlithographs, composition (each approx.): 39 7⁄16 × 31 ⅜"(100.2 × 79.7 cm); sheet (each approx.): 42 7⁄16 × 34"(107.8 × 86.4 cm). Publisher: Universal Limited Art
Editions, Bay Shore, NY. Printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 29. Acquired throughthe generosity of Mary M. and Sash A. Spencer

Christopher Wool. 99/00. 2000. Portfolio of four
screenprints, composition (each approx.): 42 ½ ×
29 15⁄16" (108 × 76.1 cm); sheet (each approx.): 44 ¼ ×
30 3⁄16" (112.4 × 76.7 cm). Publisher: Christopher Wool
and Arthur Solway. Printer: Christopher Wool. Edition:
proof outside the edition of 8. Gift of the artist
Christopher Wool. My House I. 2000. Screenprint,
composition and sheet: 39 15⁄16 × 29 15⁄16" (101.4 ×
76 cm). Publisher: Counter Editions, London. Printer:
Brand X Editions, New York. Edition: proof outside theedition of 100. Gift of the artist18Christopher Wool. My House II. 2000. Screenprint,
composition and sheet: 39 15⁄16 × 29 15⁄16" (101.4 × 76 cm).
Publisher: Counter Editions, London. Printer: Brand X
Editions, New York. Edition: 100. Gift of the artist
Christopher Wool. My House III. 2000. Screenprint,
composition and sheet: 39 15⁄16 × 29 15⁄16" (101.4 × 76 cm).
Publisher: Counter Editions, London. Printer: Brand X
Editions, New York. Edition: 100. Gift of the artist
Christopher Wool. Untitled. 2002. Screenprint,
composition: 50 ⅛ × 38 ⅜" (127.3 × 97.5 cm);sheet: 53 11⁄16 × 34 ¾" (136.3 × 88.3 cm). Publisher:
Secession, Vienna. Printer: Brand X Editions, New
York. Edition: 80. Gift of the artist

Christopher Wool. Psychopts. 2008. Portfolio of nine
screenprints, plate (see child records): dimensions
vary; sheet (irreg, each approx.): 27 ⅝ × 22 7⁄16" (70.1 ×
57 cm). Publisher: Christopher Wool and Richard Hell.
Printer: Brand X Editions, New York. Edition: 21. Giftof the artist

Christopher Wool. Four Short Stories. 2004. Set offour digital prints, plate (each): 15 ¼ × 12 3⁄16" (38.8 ×
31 cm); sheet (each): 19 × 12 15⁄16" (48.2 × 32.9 cm).
Publisher: Christopher Wool to benefit the Camden
Art Center, London. Printer: Christopher Wool.
Edition: 65. Gift of the artist

Christopher Wool. Untitled. 2008. Book withscreenprint, see child records. Publisher: Taschen,Hong Kong, Köln, London, Los Angeles, Madrid, Paris,
Tokyo. Printer: Brand X Editions, New York. Edition:
proof outside the deluxe edition of 100. Gift of the artist

Christopher Wool. Untitled. 2004. Aquatint, plate:
10 5⁄16 × 7 15⁄16" (26.2 × 20.1 cm); sheet: 17 ⅜ × 14"(44.1 × 35.6 cm). Publisher: Luhring Augustine, NewYork to benefit the Henry Street Settlement. Printer:
Edition Jacob Samuel, Santa Monica. Edition: proof
outside the edition of 35. Gift of the artist
Christopher Wool. Untitled. 2005. Aquatint, plate:
10 7⁄16 × 7 15⁄16" (26.5 × 20.1 cm); sheet: 16 ¼ × 13"(41.3 × 33 cm). Publisher: Christopher Wool to benefit
Acria, New York. Printer: Jacob Samuel. Edition: proof
outside the edition of 35. Gift of the artist

Christopher Wool. Three Women II. 2006.
Screenprint, composition: 74 5⁄16 × 45 1⁄16" (188.7 ×
114.4 cm); sheet: 81 7⁄16 × 49 ⅞" (206.9 × 126.7 cm).
Publisher: Edition Schellmann, Munich. Printer: Brand
X Editions, New York. Edition: proof outside theedition of 9. Gift of the artist

Christopher Wool. Untitled. 2006. Screenprint, plate:
22 ⅞ × 17 13⁄16" (58.1 × 45.3 cm); sheet: 30 × 21 ⅞"(76.2 × 55.6 cm). Publisher: The Bard College, New
York. Printer: Brand X Editions, New York. Edition:
proof outside the edition of 40. Gift of the artist
Christopher Wool. Untitled. 2007. Screenprint,
composition: 31 ¼ × 24 ⅛" (79.3 × 61.3 cm); sheet:
38 1⁄16 × 29 1⁄16" (96.6 × 73.8 cm). Publisher: The
Chinati Foundation. Printer: Brand X Editions,
New York. Edition: proof outside the edition of 40.
Gift of the artist

Christopher Wool. Untitled. 2003. Series of five
digital prints, plate (each): 17 ¾ × 11 7/8" (45.1 ×30.1 cm); sheet (each): 19 × 12 15/16" (48.2 × 32.9 cm).
Publisher: Galerie Sabine Knust, Munich. Printer:
Christopher Wool, New York. Edition: proof outside
the edition of 15. Gift of the artist

Christopher Wool. Three Women I. 2006.
Screenprint, composition: 74 5⁄16 × 45 1⁄16" (188.7 ×
114.4 cm); sheet: 81 7⁄16 × 49 ⅞" (206.9 × 126.7 cm).
Publisher: Edition Schellmann, Munich. Printer: Brand
X Editions, New York. Edition: proof outside theedition of 9. Gift of the artist

Christopher Wool. Three Women III. 2006.
Screenprint, composition: 74 5⁄16 × 45 1⁄16" (188.7 ×
114.4 cm); sheet: 81 7⁄16 × 49 ⅞" (206.9 × 126.7 cm).
Publisher: Edition Schellmann, Munich. Printer: Brand
X Editions, New York. Edition: proof outside theedition of 9. Gift of the artist

Christopher Wool. Untitled. 2009. Etching, plate: 7 11⁄16
× 5 15⁄16" (19.5 × 15.1 cm); sheet: 22 × 16 15⁄16" (55.9
× 43.1 cm). Publisher: Museum Ludwig, Cologne.
Printer: Edition Jacob Samuel, Santa Monica. Edition:
proof outside the edition of 20. Gift of the artist
Christopher Wool. Untitled. 2009. Etching, plate:
16 ¼ × 12 ½" (41.3 × 31.7 cm); sheet: 27 13⁄16 × 22 ½"(70.6 × 57.1 cm). Publisher: Edition Jacob Samuel,Santa Monica. Printer: Edition Jacob Samuel, Santa
Monica. Edition: proof outside the edition of 8. Gift of
the artist
Christopher Wool. Untitled (West Texas) (for Texte
zur Kunst no. 75). 2009. Digital print, composition:
8 7⁄16 × 11" (21.4 × 27.9 cm); sheet: 6 7⁄16 × 9 ¾" (16.4 ×
24.8 cm). Publisher: Texte zur Kunst, Berlin. Printer:
Christopher Wool. Edition: proof outside the editionof 50. Gift of the artist
Christopher Wool. Untitled (Sonic Youth). 2012.
Screenprint, plate: 46 ⅞ × 31 1⁄16" (119.1 × 78.9 cm);sheet: 55 1⁄16 × 39 ⅛" (139.8 × 99.3 cm). Publisher:
Brand X Editions, New York. Printer: Brand X Editions,
New York. Edition: proof outside the edition of 45.
Gift of the artist

19Christopher Wool. Untitled 1. 2013. Offset lithograph,composition: 13 ¾ × 18 15⁄16" (34.9 × 48.1 cm); sheet:
20 1⁄16 × 24" (50.9 × 61 cm). Publisher: Universal
Limited Art Editions, Bay Shore, NY. Printer: Universal
Limited Art Editions, Bay Shore, NY. Edition: proof
outside the edition of 12. Gift of the artist.

Lynette Yiadom‑Boakye. Red Kite (for Parkett no.
99). 2016. Etching, plate: 8 ¼ × 6" (21 × 15.2 cm);sheet: 15 1⁄16 × 10 13⁄16" (38.3 × 27.5 cm). Publisher:
Parkett Publishers, Zurich and New York. Printer:
Arcane Studios, London. Edition: 35. Riva Castleman
Endowment Fund

Christopher Wool. Untitled 2. 2013. Offset lithograph,composition: 13 ¾ × 19" (34.9 × 48.2 cm); sheet:
20 1⁄16 × 24" (51 × 61 cm). Publisher: Universal Limited
Art Editions, Bay Shore, NY. Printer: Universal Limited
Art Editions, Bay Shore, NY. Edition: proof outside theedition of 12. Gift of the artist

Lisa Yuskavage. Hippies in Tit Heaven. 2015.
Lithograph, composition and sheet: 34 ¾ × 39 ½"(88.2 × 100.4 cm). Publisher: Universal Limited Art
Editions, Bay Shore, NY. Printer: Universal Limited Art
Editions, Bay Shore, NY. Edition: 45. Acquired throughthe generosity of Mary M. and Sash A. Spencer

Christopher Wool. Untitled. 2014. Etching withdrypoint, plate: 9 7/8 × 7 7/8" (25.1 × 20 cm); sheet:
17 7/16 × 15" (44.3 × 38.1 cm). Publisher: Edition Jacob
Samuel, Santa Monica. Printer: Edition Jacob Samuel,Santa Monica. Edition: 20. Gift of the artist

Promised Gifts
Willys de Castro. Poster – poem. 1958. Letterpress,
sheet: 18 ⅜ × 18 ⅜" (46.7 × 46.7 cm). Promised giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Alexa
HalabyChristopher Wool. Untitled. 2016. Etching withdrypoint, plate: 19 15⁄16 × 15 ⅞" (50.7 × 40.3 cm);sheet: 26 7⁄16 × 21 ⅞" (67.2 × 55.5 cm). Publisher: Green
Dolphin Street, Santa Monica. Printer: Green Dolphin
Street, Santa Monica. Edition: 18. Gift of the artist

Gego (Gertrud Goldschmidt). Untitled. 1980.
Watercolor on paper, 19 ⅞ × 25 13⁄16" (50.5 × 65.5 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor ofAnna Marie and Robert F. Shapiro

Christopher Wool. Untitled. 2016. Portfolio of fouretchings, plate (each approx.): 11 15⁄16 × 8 15⁄16" (30.4
× 22.7 cm); sheet (each approx.): 18 ½ × 14 15⁄16" (47× 37.9 cm). Publisher: Green Dolphin Street, Santa
Monica. Printer: Green Dolphin Street, Santa Monica.
Edition: 18. Gift of the artist

Gego (Gertrud Goldschmidt). Weaving 89/21. 1989.
Cut‑and‑woven paper, 9 × 8" (22.9 × 20.3 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor ofJeanne Collins

Christopher Wool. Untitled. 2016. Portfolio of fiveetchings with drypoint, plate (each approx.): 15 15⁄16 ×
11 15⁄16" (40.5 × 30.3 cm); sheet (each approx.): 23 7⁄16 ×
18 ⅞" (59.5 × 48 cm). Publisher: Green Dolphin Street,Santa Monica. Printer: Green Dolphin Street, Santa
Monica. Edition: 18. Gift of the artist
Christopher Wool. Untitled. 2016. Screenprint,
composition (irreg.): 26 × 22" (66 × 55.9 cm); sheet:
31 7⁄16 × 27 ½" (79.9 × 69.9 cm). Publisher: Edition
Griffelkunst, Hamburg. Printer: Atelier für Siebdruck,
Bern. Edition: proof outside the edition of 495. Gift of
the artist
Christopher Wool. Untitled. 2016. Screenprint,
composition (irreg.): 26 × 22" (66 × 55.9 cm); sheet:
31 7⁄16 × 27 ½" (79.9 × 69.9 cm). Publisher: Edition
Griffelkunst, Hamburg. Printer: Atelier für Siebdruck,
Bern. Edition: proof outside the edition of 495. Gift of
the artist

Gego (Gertrud Goldschmidt). Weaving 90/36. 1990.
Cut‑and‑woven paper, 6 ¼ × 5" (15.9 × 12.7 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Patty Lipshutz
Chris Ofili. Stained Glass Bar. 2014. Watercolor andcharcoal on paper, 19 ⅛ × 12 11⁄16" (48.5 × 32.2 cm).
Promised gift of Glenn and Amanda Fuhrman
Alejandro Otero. Study 1. 1952. Gouache, ink, andpencil on paper, 7 ¾ × 9 ¾" (19.7 × 24.8 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Rafael Pereira
Alejandro Otero. Study 2. 1952. Gouache, ink, andpencil on paper, 7 ¾ × 9 ¾" (19.7 × 24.8 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Rafael Santana

20

Alejandro Otero. Study 5. 1952. Gouache, ink, andpencil on paper, 7 ¾ × 9 ⅝" (19.7 × 24.4 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Antonio Melo
Alejandro Otero. Untitled (Study for Colorhythm).
1959. Gouache on cut paper, 8 ⅞ × 3 ½" (22.5 × 8.9cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Lygia Pape. Untitled from the series Weavings(Tecelares). 1960. Woodcut, composition and sheet:
8 ⅝ × 10 ⅞" (21.9 × 27.6 cm). Publisher: Lygia Pape,
Rio de Janeiro. Printer: Lygia Pape, Rio de Janeiro.
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor ofMaja Oeri
Mira Schendel. Untitled from the series Graphic
objects (Objetos gráficos). 1967. Graphite, transfer
type, and oil on paper between transparent acrylic
sheets with transfer type, 39 5⁄16 × 39 5⁄16 × ⅜" (99.8
× 99.8 × 1 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Luis Pérez‑Oramas
Shahzia Sikander. To Sit from the Flip‑Flop series.
2004. Gouache and Ink on paper, 15 × 12" (38.1 × 30.5cm). Promised gift of Joel and Anne Ehrenkranz
Shahzia Sikander. Double Bubble. 2009. Pencil,
ink, and gouache on paper, 14 × 11" (35.6 × 27.9 cm).
Promised gift of Joel and Anne Ehrenkranz
Shahzia Sikander. Flights of Fancy. 2009. Ink, gouache,and pencil on prepared paper, 15 × 11 ¼" (38.1 ×
28.6 cm). Promised gift of Joel and Anne Ehrenkranz

21

Film
A total of 294 works were acquired by the Department of Film.

Learning to Argue Effectively. 1951. 16mm film.
Gift of Jonathan Quinn

Bronx Train. 1977. Directed by John Ahearn. Super
8mm film. Purchase from the artist

Cool Catfish (episode of Diver Dan). 16mm film.
Gift of Jonathan Quinn

Blizzard. 1978. Directed by John Ahearn. Super 8mm
film. Purchase from the artist

Tale of a Shirt. 16mm film. Gift of Jonathan Quinn

Distress. 1977–78. Directed by John Ahearn. Super
8mm film. Purchase from the artist

Self‑Conscious Guy. 1951. 16mm film. Gift ofJonathan Quinn

Skin Deep from Outer Space. 1982. Directed by
Merrill Aldighieri. Video. Purchase from the filmmaker

Shy Guy. 1947. 16mm film. Gift of Jonathan Quinn
Rain Spirits. 1957. 16mm film. Gift of Jonathan Quinn

Alien Comic/Tom Murrin at Club 57. 1982. Directed by
Merrill Aldighieri. Video. Purchase from the filmmaker

Trapped on the Moon. 1957. 16mm film. Gift ofJonathan Quinn

Imitators. 1984. Directed by Merrill Aldighieri. Video.
Purchase from the filmmaker

Minnow Sitter (episode of Diver Dan). 16mm film.
Gift of Jonathan Quinn

Hip Hop Be Bop (Don’t Stop). 1984. Directed by
Merrill Aldighieri. Video. Purchase from the filmmakerGeorge of the Jungle. 1967. 16mm film. Gift ofJonathan Quinn

Second Person. 1979. Directed by Glenn Andreiev.
Super 8mm film. Purchase from the artist

Uncle Tom and Little Eva. 1932. 16mm film. Gift ofJonathan Quinn

Holy Rollers. 2010. Directed by Kevin Asch. 35mm
film (color, sound). Gift of Kevin Asch and Jake Perlin/
Cinema Conservancy

Lost City (episode of Diver Dan). 16mm film. Gift ofJonathan Quinn
The Delinquent, the Hipster, and the Square. 16mm
film. Gift of Jonathan Quinn
Apollo 15. 16mm film. Gift of Jonathan Quinn
The Square. 16mm film. Gift of Jonathan Quinn
The Film Reporter. 1926. 35mm film (black and white,silent). Gift of Darren Németh
Club 57 Shows: Lady Wrestling. 1980. Video. Gift ofBarry Shils
Gingakei. 1967. Directed by Masao Adachi. 35mm film
(color, sound). Purchase from the artist
Ryakushô renzoku shasatsuma. 1969. Directed by
Masao Adachi. 35mm film (black and white, sound).
Purchase from the artist
Faces. 1977. Directed by John Ahearn. Super 8mm
film. Purchase from the artist

A Town Called Panic. 2009. Directed by Stephane
Aubier and Vincent Patar. 35mm film (color, sound).
Purchase from the distributor
Plane Dippy. 1935. Directed by Tex Avery. 35mm film
(black and white, sound). Gift of Warner Bros
Site Specific: Las Vegas 05. 2005. Directed by Olivo
Barbieri. Digital cinema. Committee on Architecture
and Design Funds
Sevilla ≤ (∞) 06. 2006. Directed by Olivo Barbieri.
Digital cinema. Anonymous gift
Lisa in Bondage. 1978. Directed by Lisa Baumgardner.
16mm film. Gift of Kris Falour; Gift of M. Henry JonesGirl Pack. 1981. Directed by Lisa Baumgardner. Super
8mm film. Gift of Kris Falour
Plaza Party. 1981. Directed by Lisa Baumgardner.
16mm film. Gift of Kris Falour; Gift of Barry Masterson
Araya. 1959. Directed by Margot Benacerraf. 35mm
film. Gift of the artist

22

Wie will ich lustig lachen: Daniele Huillet andJena‑Marie Straub on Their Film Class Relations.
1984. Directed by Manfred Blank. Digital cinema. Giftof the artist
Shattered. 1978–79. Directed by Anney Bonney.
Digital cinema. Purchase from the artist
Computer Chess. 2013. Directed by Andrew Bujalski.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor
Results. 2015. Directed by Andrew Bujalski.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor
The Scary Truth about Cockroaches and Landlords.
1980. Directed by Tessie Chua. Video. Purchase fromthe artist
Freakquently. 1966. Directed by Neelon Crawford.
16mm film. Gift of the artist
Yellow Springs, OH. 1967–69. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Massage. 1969. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Prison I. 1969. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Rays. 1969. Directed by Neelon Crawford. 16mm film.
Gift of the artist
Skyjacker. 1969. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Light Pleasures. 1970. Directed by Neelon Crawford.
16mm film. Gift of the artist
Light Rain. 1970. Directed by Neelon Crawford.
16mm film. Gift of the artist
Paths of Fire. 1970. Directed by Neelon Crawford,
Michael Mideke. 16mm film. Gift of the artist
Paths of Fire II. 1970–75. Directed by Neelon
Crawford, Michael Mideke. 16mm film. Gift of the artist
Scratchdance. 1970. Directed by Neelon Crawford,
Michael Mideke. 16mm film. Gift of the artist
Sun Dream. 1970–72. Directed by Neelon Crawford.
16mm film. Gift of the artist
Fireworks H1 and H2. 1971. Directed by Neelon
Crawford, Michael Mideke. 16mm film. Gift of the artist

Fireworks of Love. 1971. Directed by Neelon
Crawford, Michael Mideke. 16mm film. Gift of the artist
Mobius. 1971. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Instance. 1971. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Needle at Sea Bottom. 1971. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Passing. 1971. Directed by Neelon Crawford. 16mm
film. Gift of the artist
We Thank You, Preservation Jazz Band, Stern Grove,
SF, CA. 1971. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Willow Creek Ranch. 1971. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Window Dance. 1971. Directed by Neelon Crawford.
16mm film. Gift of the artist
Stump Removal, Otrabanda Theatre Co. 1971. Directedby Neelon Crawford. 16mm film. Gift of the artist
BOA. 1972. Directed by Neelon Crawford. 16mm film.
Gift of the artist
Saturday Meeting Club. 1972. Directed by Neelon
Crawford. 16mm film. Gift of the artist
La Selva. 1974. Directed by Neelon Crawford. 16mm
film. Gift of the artist
Laredo Sugar Mill. 1974. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Ship Side Steel Plate Lights. 1974. Directed by
Neelon Crawford. 16mm film. Gift of the artist
Fire Flames. 1975. Directed by Neelon Crawford.
16mm film. Gift of the artist
Graphics Lab Demo NYIT. Directed by Neelon
Crawford. 1975. 16mm film. Gift of the artist
Lightning’s Creek. 1975. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Ralston Crawford Painter. 1975. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Spring Thaw, Saraguro Road, Sweeps. 1975. Directedby Neelon Crawford. 16mm film. Gift of the artist23

Flag. 1976. Directed by Neelon Crawford. 16mm film.
Gift of the artist
Lago Agrio Gas Burn/Banana Leaves. 1976. Directedby Neelon Crawford. 16mm film. Gift of the artist
Light Part 5, Kei Takei Dancer. 1976. Directed by
Neelon Crawford. 16mm film. Gift of the artist
Passing and Light Pleasures. 1976. Directed by
Neelon Crawford. 16mm film. Gift of the artist
For the Spider Woman. 1977. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Golden Wind. 1977. Directed by Neelon Crawford.
16mm film. Gift of the artist
Screen Gems. 1977. Directed by Neelon Crawford.
16mm film. Gift of the artist
Computer Graphics Lab Demo. 1979. Directed by
Neelon Crawford. 16mm film. Gift of the artist
The Vincent. 1979. Directed by Neelon Crawford.
16mm film. Gift of the artist
Ground Zero with Rick Schmidt. Directed by Neelon
Crawford. 16mm film. Gift of the artist
Fort Buchanan. 2014. Directed by Benjamin Crotty.
Distributed by Grasshopper Film. Digital cinema(color, sound). Purchase from the distributor
Porky’s Phoney Express. 1938. Directed by Cal
Dalton, Cal Howard. 35mm film (black and white,sound). Gift of Warner Bros.
Club Life in Stone Age. 1940. Directed by Mannie
Davis. 16mm film. Gift of Jonathan Quinn
Trouble the Water. 2008. Directed by Carl Deal, Tia
Lessin. 35mm film (color, sound). Purchase from the
distributor

Florentina Hubaldo, CTE. 2012. Directed by Lav Diaz.
Digital cinema (black and white, sound). Purchasefrom the artist
Batang West Side. 2001. Directed by Lav Diaz. 35mm
film (black and white, color, sound). Purchase fromthe artist.
The Devil Lives in My Husband’s Body. 1982.
Directed by Paul Dougherty. Video. Gift of the artist
Hangin’. 1982. Directed by Paul Dougherty. Video(color, sound). Gift of the artist
Rap Machine. 1983. Directed by Paul Dougherty.
Video (color, sound). Gift of the artist
Forming. 1986. Directed by Steve Doughton. Super
8mm film. Gift of Anonymous
Around Clown. 1987. Directed by Steve Doughton.
Super 8mm film. Gift of Anonymous
Betwixt. 1989. Directed by Steve Doughton. Super
8mm film. Gift of Anonymous
Ferrum 5000. 1989–93. Directed by Steve Doughton.
Super 8mm film. Gift of Anonymous
Buoy. 2012. Directed by Steve Doughton. Digital
cinema (color, sound). Gift of Anonymous
The Watermelon Woman. 1995. Directed by Cheryl
Dunye. Digital cinema (color, sound). Purchase fromthe filmmakerHouse: After Five Years of Living. 1955. Directedby Charles Eames, Ray Eames. Digital cinema.
Committee on Architecture and Design Funds
Glimpses of the USA. 1959. Directed by Charles
Eames, Ray Eames. Digital cinema. Committee on
Architecture and Design Funds

Tom Terrific. 1957. Directed by Gene Deitch. 16mm
film. Gift of Jonathan Quinn

IBM Fair Presentation #2. 1963. Directed by Charles
Eames, Ray Eames. Digital cinema. Committee on
Architecture and Design Funds

Lyrical Nitrate. 1991. Directed by Peter Delpeut.
35mm film (black and white, color, sound). Purchasefrom the distributor

IBM at the Fair. 1965. Directed by Charles Eames, Ray
Eames. Digital cinema. Committee on Architecture
and Design Funds

The Woman Who Left. 2016. Directed by Lav Diaz.
Digital cinema (black and white, sound). Purchasefrom the artist

The Fiberglass Chairs: Something of How They
Get the Way They Are. 1970. Directed by Charles
Eames, Ray Eames. Digital cinema. Committee on
Architecture and Design Funds

From What Is Before. 2014. Directed by Lav Diaz.
Digital cinema (black and white, sound). Purchasefrom the artist
24

Design Q & A. 1972. Directed by Charles Eames, Ray
Eames. Digital cinema. Committee on Architecture
and Design Funds
Computer Perspective. 1972. Directed by Charles
Eames, Ray Eames. Digital cinema. Committee on
Architecture and Design Funds
Last Train Home. 2009. Directed by Lixin Fan. 35mm
film (color, sound). Purchase from the distributor
The Pruitt‑Igoe Myth. 2011. Directed by Chad
Freidrichs. Digital cinema (color, sound). Committee
on Architecture and Design Funds
Ballets Russes. 2005. Directed by Daniel Geller,
Dayna Goldfine. 35mm film (black and white, color,sound). Purchase from the distributor
Masculin Féminin. 1966. Directed by Jean‑Luc Godard.
Distributed by Grasshopper Film. 35mm film (black
and white, sound). Purchase from the distributor
Isy Boukir. 1971. Directed by Nancy Graves. 16mm
film. Gift of David Anderson
La Sapienza. 2014. Directed by Eugène Green.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor
The Son of Joseph. 2016. Directed by Eugène Green.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distirbutor
European Diary. 1973. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate
New York City Diary. 1974. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate
European Diary. 1974. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate
Western Diary. 1975. Directed by Howard Guttenplan.
16mm film. Gift of the artist’s estate
Middle East Diary. 1976. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate

European Diary. 1973. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
New York City Diary. 1974. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
New York City Diary. 1975. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
Middle East Diary. 1976. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
Western Diary. Directed by Howard Guttenplan. 1977.
Super 8mm film. Gift of the artist’s estate
Haiti Diary. 1977. Directed by Howard Guttenplan.
Super 8mm film. Gift of the artist’s estate
Caracas Diary. 1978. Directed by Howard Guttenplan.
Super 8mm film. Gift of the artist’s estate
European Diary. 1979. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
Eastern European Diary. 1988. Directed by Howard
Guttenplan. Super 8mm film. Gift of the artist’s estate
Eye‑Con. 1988–90. Directed by Howard Guttenplan.
16mm film. Gift of the artist’s estate
Romance. 1980–85. Directed by George Haas. 16mm
film. Purchase from the artist
American Shooting Series. 1980. Directed by George
Haas. 16mm film. Purchase from the artist
Doris and Inez Speak the Truth. 1984. Directed by
George Haas, Jimmy Murray. 16mm film. Purchasefrom the artist
Performance documentation: The Sissies perform"DSIRE" at Danceteria. 1983. Directed by George
Haas. Video. Purchase from the artist
Club 57 4th of July Picnic, Fort Tryon Park. 1980.
Directed by Bill Harris. 8mm film. Purchase from theartistEuropean Diary. 1978. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate

And on a Different Note. 2015. Directed byMohammad Shawky Hassan. Digital cinema (color).
Purchase from the distributor

European Diary. 1979. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate

Basket Case. 1982. Directed by Frank Henenlotter.
35mm film. Gift of the artist

San Francisco Diary. 1979. Directed by Howard
Guttenplan. 16mm film. Gift of the artist’s estate

Unrelated. 2007. Directed by Joanna Hogg.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor

25

Untitled SVA Fleshtones Video. 1977. Directed by M.
Henry Jones. Video. Purchase from the artist

Archipelago. 2010. Directed by Joanna Hogg.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor

Pat Oleszko Commercial. 1978. Directed by M. Henry
Jones. 16mm film. Purchase from the artist

Exhibition. 2013. Directed by Joanna Hogg.
Distributed by Kino Lorber. Digital cinema (color,sound). Purchase from the distributor

Brand New Cadillac. 1979. Directed by M. Henry
Jones. 16mm film. Purchase from the artist

Club 57 documentation: On the Town with Tony
Heiberg. 1982. Directed by Tessa Hughes‑Freeland.
Video. Purchase from the performer

Doug E. Fresh. 1983. Directed by M. Henry Jones.
Video. Purchase from the artist
Beautiful Light. 1993. Directed by M. Henry Jones.
Video. Purchase from the artist

Club 57 Documentation: James Bond Night; Iran,Iraq, Iroll. 1979. Directed by Alexa Hunter. Super
8mm film. Purchase from the artist

Soul City. 1977–79. Directed by M. Henry Jones.
16mm film. Gift of Kris Falour

Scratch Film. 1979. Directed by Alexa Hunter. Super
8mm film. Purchase from the artist

INAATE/SE. 2016. Directed by Adam Khalil, Zack
Khalil. Digital cinema. Purchase from the filmmakers

Free Form. 2013. Directed by Clara Ianni. Digital
cinema. Latin American and Caribbean Fund throughgift of Pedro Barbosa in honor of Mauro Herlitzka

Big Wack. 1983. Directed by Julius Klein. Super 8mm
film. Purchase from the artist

Don’t Blink – Robert Frank. 2015. Directed by Laura
Israel. Distributed by Grasshopper Film. Digital
cinema. Purchase from the distributor

Dig. 1985. Directed by Julius Klein. Super 8mm film.
Purchase from the artist

Road to Nowhere. 1984. Directed by Stephen R.
Johnson. Video. Gift of the artist’s estate

Sylvester’s Light. 1984. Directed by Julius Klein.
Video. Purchase from the artist

Homebody. 1979. Directed by Stephen R. Johnson.
16mm film. Gift of the artist’s estate

Talking House: Eileen Gray and Jean Badovici.
2016. Directed by Elizabeth Lennard. Digital cinema.
Purchase from the artist

The Mating Dance. Directed by Stephen R. Johnson.
16mm film. Gift of the artist’s estate

Avoid Living the Lyric. 1980. Directed by Jennifer T.
Ley. 16mm film. Purchase from the filmmaker

The Universal Declaration of Human Rights. 1988.
Directed by Stephen R. Johnson. 35mm film. Gift of
the artist’s estate

Such Sweet Dreams. 1981. Directed by Jennifer T.
Ley. 16mm film. Purchase from the filmmaker
Draw This Now. 2007. Directed by Marie Losier.
16mm film. Purchased from the artist

Big Time. 1986. Directed by Stephen R. Johnson,
Peter Gabriel. Video (color, sound). Gift of theartist’s estate
I’d Do It All Again. 1985. Directed by Stephen R.
Johnson. Video (sound, color). Gift of the artist’s estate
Kipper Kids program pilot. n.d. Directed by Stephen
R. Johnson. Video. Gift of the artist’s estate
Sledgehammer. 1986. Directed by Stephen R. Johnson.
Video (color, sound). Gift of the artist’s estate
Steam. 1993. Directed by Stephen R. Johnson. Video(color, sound). Gift of the artist’s estate
Kitchen. Directed by Stephen R. Johnson. Video. Giftof the artist’s estate

Lunch Break on the Xerox Machine. 2003. Directedby Marie Losier. 16mm film. Purchased from the artist
Bird, Bath and Beyond. 2003. Directed by Marie
Losier. 16mm film. Purchased from the artist
Electrocute Your Stars. 2004. Directed by Marie
Losier. 16mm film. Purchased from the artist
The Ontological Cowboy. 2005. Directed by Marie
Losier. 16mm film. Purchased from the artist
Flying Saucey. 2006. Directed by Marie Losier. 16mm
film. Purchased from the artist26

Tony Conrad: Dream Minimalist. 2008. Directed byMarie Losier. 16mm film. Purchased from the artist

Narrowcast. 1996. Directed by Eric Marciano. 35mm
film. Purchase from the artist

Bonjour NY, Hello Happiness. 2007–17. Directed byMarie Losier. 16mm film. Purchased from the artist

Plain. 1981. Directed by Eric Marciano. Super 8mm
film. Gift of the artist

The Touch Retouched. 2002. Directed by Marie
Losier. Digital cinema. Purchased from the artist

Jimmy Donahue’s Story. 1982. Directed by Eric
Marciano. Super 8mm film. Gift of the artist

Eat My Makeup! 2005. Directed by Marie Losier.
Digital cinema. Purchased from the artist

Tsuburekakatta migime no tame ni. 1969. Directedby Toshio Matsumoto. 35mm film (color, sound).
Purchase from the artist

Manuelle Labor. 2007. Directed by Marie Losier.
Digital cinema. Purchased from the artist

Shura. 1971. Directed by Toshio Matsumoto. 35mm
film (black and white, color, sound). Purchase fromthe artist

Papal Broken‑Dance. 2009. Directed by Marie Losier.
Digital cinema. Purchased from the artist
Cet Air La. 2010. Directed by Marie Losier. Digital
cinema. Purchased from the artist

Bara no sôretsu. 1969. Directed by Toshio
Matsumoto. 35mm film (black and white, sound).
Purchase from the artist

Slap the Gondola. 2010. Directed by Marie Losier.
Digital cinema. Purchased from the artist

Too Sensitive to Touch. 1981. Directed by Michael
Oblowitz. 16mm film. Purchased from the artist

The Ballad of Genesis and Lady Jaye. 2011. Directed byMarie Losier. Digital cinema. Purchased from the artist

South Africa – Documentary Footage. 1976. Directedby Michael Oblowitz. 16mm film. Purchased from theartistByun, Objet Trouvé. 2012. Directed by Marie Losier.
Digital cinema. Purchased from the artist

Empire State Building. c. 1980s. Directed by Michael
Oblowitz. 16mm film. Purchased from the artist

Peaches and Jesper are on a boat, who stays afloat?
2013. Directed by Marie Losier. Digital cinema.
Purchased from the artist

Atlantic City. 1977. Directed by Michael Oblowitz.
Super 8mm film. Purchased from the artist

Alan Vega, Just a Million Dreams. 2013. Directed byMarie Losier. Digital cinema. Purchased from the artist

Snow. 1977. Directed by Michael Oblowitz. Super
8mm film. Purchased from the artist

Bim Bam Boom, Las Luchas Morenas. 2013. Directed byMarie Losier. Digital cinema. Purchased from the artist

Form + Ideology. 1977. Directed by Michael Oblowitz.
Super 8mm film. Purchased from the artist

L’Oiseau de la Nuit. 2015. Directed by Marie Losier.
Digital cinema. Purchased from the artist

Long Words. c. 1977. Directed by Michael Oblowitz.
Super 8mm film. Purchased from the artist

Outrage. 1950. Directed by Ida Lupino. 35mm film
(black and white, sound). Purchase made at lab costplus anticipated preservation costs

Tina. 1977. Directed by Michael Oblowitz. Super 8mm
film. Purchased from the artist

One God, One Singer. 1976. Directed by Ann
Magnuson. Super 8mm film. Purchase from the artist

Comparison. 1977. Directed by Michael Oblowitz.
Super 8mm film. Purchased from the artist

The Indoor Lighting Exercise. 1976. Directed by Ann
Magnuson. 16mm film. Purchase from the artist

Chance Deliberation Chance. c. 1977. Directed byMichael Oblowitz. Super 8mm film. Purchased fromthe artist

The Wallet Exercise. 1976. Directed by Ann
Magnuson. 16mm film. Purchase from the artist

Kodachrome Drive. c. 1977. Directed by Michael
Oblowitz. Super 8mm film. Purchase from the artist

Spin Cycle. 1986. Directed by Eric Marciano. 16mm
film. Purchase from the artist

Ontological Surgery. 1976–77. Directed by Michael
Oblowitz. Super 8mm film. Purchased from the artist27

3 Views. 1974–75. Directed by Michael Oblowitz.
Super 8mm film. Purchased from the artist

Freak Show Prague. 1995. Directed by The Residents.
Video. Gift of the artist

Untitled (Three Films). 1976. Directed by Michael
Oblowitz. Super 8mm film. Purchased from the artist

Gingerbread Man. 2000. Directed by The Residents.
Video. Gift of the artist

Ward 81. 1984. Directed by Rudi Protrudi. Video.
Purchase from the artist

Halloween 1997 at the Fillmore. 1997. Directed by
The Residents. Video. Gift of the artist

The Witch. 1983. Directed by Rudi Protrudi. Video.
Purchase from the artist

Icky Flix. 2000. Directed by The Residents. Video.
Gift of the artist

You’ll Get Yours. 1986. Directed by Jonathan Quinn.
Super 8mm film. Purchase from the artist

Love at the Oslo Opera House. 1986. Directed by The
Residents. Video. Gift of the artist

Liberty, Queen of the Statues. 1989. Directed by
Jonathan Quinn. Super 8mm film. Purchase fromthe artist

Mole Show. 1984. Directed by The Residents. Video.
Gift of the artist
NEC Freak Show. 1991. Directed by The Residents.
Video. Gift of the artist

Andy Rees New Wave Vaudeville and East Village
home movies. 1978. Directed by Andy Rees. 8mm
film. Gift of Frank Holliday

Oh Mommy Oh Daddy. 2002. Directed by The
Residents. Video. Gift of the artist

Hello Skinny. 1978. Directed by The Residents. 16mm
film. Gift of the artist

Oh Mummy Oh Daddy Show. 1976. Directed by The
Residents. Video. Gift of the artist

One Minute Movies. 1980. Directed by The
Residents. 16mm film. Gift of the artist

Kettles of Fish on the Outskirts of Town. 2002.
Directed by The Residents. Video. Gift of the artist

The Third Reich ‘n’ Roll. 1976. Directed by The
Residents. 16mm film. Gift of the artist

Residents at the Boarding House. 1971. Directed by
The Residents. Video. Gift of the artist

Disfigured Night. 1997. Directed by The Residents.
Video. Gift of the artist

Residents at the Fillmore. 1998. Directed by The
Residents. Video. Gift of the artist

Cube E. 1989. Directed by The Residents. Video.
Gift of the artist

Residents at the House of Blues. 1999. Directed by
The Residents. Video. Gift of the artist

Harry the Head. 1991. Directed by The Residents.
Video. Gift of the artist

Residents at the Kabuki. 1982. Directed by The
Residents. Video. Gift of the artist

It’s a Man’s Man’s Man’s World. 1984. Directed by The
Residents. Video. Gift of the artist
Act of Being Polite. 1980. Directed by The Residents.
16mm film. Gift of the artist
Bad Day on the Midway. 1998. Directed by The
Residents. Video. Gift of the artist
Don’t Be Cruel. 1990. Directed by The Residents.
Video. Gift of the artist
Earth vs. the Flying Saucers. 1986. Directed by The
Residents. Video. Gift of the artist

Residents in Munich/Off Beat Nacht. 1989. Directedby The Residents. Video. Gift of the artist
Residents in Toronto at the Phoenix. 2001. Directedby The Residents. Video. Gift of the artist
Residents in Washington, DC. 1983. Directed by The
Residents. Video. Gift of the artist
Residents MTV News Piece. 1981. Directed by The
Residents. Video. Gift of the artist
Residents MTV Stringer Report. 1981. Directed by
The Residents. Video. Gift of the artist

The Eyes Scream. 1990. Directed by The Residents.
Video. Gift of the artist

28

Hands Scraping. 1968. Directed by Richard Serra.
16mm film (black and white, silent), 3 min. Gift of theartist. Circulating Film and Video Library

Residents – New York City. 1999. Directed by The
Residents. Video. Gift of the artist
Residents on Night Music. 1989. Directed by The
Residents. Video. Gift of the artist

Hands Tied. 1968. Directed by Richard Serra. 16mm
film (black and white, silent). Gift of the artist.
Circulating Film and Video Library

Residents rehearsals Lincoln Center/Munich. 1989.
Directed by The Residents. Video. Gift of the artist

Color Aid. 1971. Directed by Richard Serra. 16mm film
(color, sound), 34 min. Gift of the artist. Circulating
Film and Video Library

Smelly Tongues. 2000. Directed by The Residents.
Video. Gift of the artist

Paul Revere. 1971. Directed by Richard Serra, Joan
Jonas. 16mm film (black and white, sound), 9 min. Giftof Richard Serra. Circulating Film and Video Library

Sycamore St Upstairs. Directed by The Residents.
16mm film. Gift of the artist
Twenty Twisted Questions. 1992. Directed by The
Residents. Video. Gift of the artist

Steelmill/Stahlwerk. 1979. Directed by Richard Serra,
Clara Weyergraf. 16mm film (black and white, sound),27 min. Gift of the artist. Circulating Film and Video
Library

Uncle Sam’s Moleshow. 1983. Directed by The
Residents. Video. Gift of the artist

Tina Turning. 1969. Directed by Richard Serra.
16mm film (black and white, silent). Gift of the artist.
Circulating Film and Video Library

Video Voodoo. 1987. Directed by The Residents.
Video. Gift of the artist
Whatever Happened to Vileness Fats? 1972. Directedby The Residents. 16mm film. Gift of the artist
Fados. 2007. Directed by Carlos Saura. 35mm film
(color, sound). Purchase from the distributor

Prisoner’s Dilemma. 1974. Directed by Richard
Serra, Robert Bell, Carlota Schoolman. Video (black
and white, sound), 45 min. Gift of Richard Serra.
Circulating Film and Video Library

Paris was a Woman. 1996. Directed by Greta
Schiller. 16mm film (color, sound). Purchase from the
distributor

Boomerang. 1974. Directed by Richard Serra, Nancy
Holt. Video (color, sound), 10 min. Gift of Richard
Serra. Circulating Film and Video Library

Railroad Turnbridge. 1976. Directed by Richard
Serra. 16mm film (black and white, silent), 3 min. Giftof the Educational Film Library Association, 1986.
Purchase from the artist with funds from The Jerome
Foundation and The Department of Painting and
Sculpture, 1986. Circulating Film and Video Library

Television Delivers People. 1973. Directed by Richard
Serra, Carlota Schoolman. Video (color, sound), 6
min. Acquired through the generosity of Barbara Pine

Anxious Automation. Directed by Richard Serra,
Joan Jonas. 1971. Video (black and white, sound),4:30 min. Gift of the artist. Circulating Film andVideo Library

Danceteria/Mass Hysteria. 1983. Directed by Barry
Shils. Video. Purchase from the artist

Surprise Attack. 1973. Directed by Richard Serra.
Video (black and white, sound), 2 min. Purchase

Breakdown. 1983. Directed by Barry Shils. Video.
Purchase from the artist

Frame. 1969. Directed by Richard Serra. 16mm film
(black and white, sound), 22 min. Gift of the artist.
Circulating Film and Video Library

Bobby Beausoleil. 1983. Directed by Barry Shils.
Video. Purchase from the artist
Alors, Alive. 1983. Directed by Barry Shils. Video.
Purchase from the artist

Hand Catching Lead. 1968. Directed by Richard
Serra. 16mm film (black and white, silent). Gift of theartist. Circulating Film and Video Library
Hand Lead Fulcrum. 1968. Directed by Richard Serra.
16mm film (black and white, silent). Gift of the artist.
Circulating Film and Video LibraryClub 57 Shows: Lawrence Welk. 1980. Directed by
Barry Shils. Video. Gift of Barry Shils

29

Club 57 Shows: Playboy Bunny Night (at Mudd Club).
1980. Directed by Barry Shils. Video. Gift of Barry Shils
Une ville à Chandigarh. 1966. Directed by Alain
Tanner. Digital cinema. Committee on Architecture
and Design Funds
MassArt, Club 57 and Pyramid Club Performance
Archive. Directed by Stephen Tashjian. Purchase fromthe artist
Dear Jimmy. 1978. Directed by Harald V. Uccello.
Super 8mm film. Purchase from the filmmaker
Only You. 1982. Directed by Harald V. Uccello. Super
8mm film. Purchase from the filmmaker
Ok Today Tomorrow. 1983. Directed by Harald
V. Uccello. Super 8mm film. Purchase from thefilmmaker
Measure Taken. 1984. Directed by Harald V. Uccello.
Super 8mm film. Purchase from the filmmaker
Visages, visages. 2017. Directed by Agnès Varda,
JR. Digital cinema (color, sound). Purchase from theproducers
Fengming: A Chinese Memoir. 2007. Directed by
Bing Wang. Distributed by Grasshopper Film. Digital
cinema (color, sound). Purchase from the distributor
Behemoth. Directed by Liang Zhao. 2015. Distributedby Grasshopper Film. Digital cinema (color, sound).
Purchase from the distributor

30Media and Performance Art
A total of 36 works were acquired by the Department of Media and Performance Art.

Basel Abbas. The Part About the Bandits – Chapter 1.
2012–15. Digital prints, documents, ephemera,
furniture, vinyl LPs, sound, and video (color, sound;
35:51 min.), dimensions variable. Fund for the
Twenty‑First Century
Basel Abbas. The Part About the Bandits – Chapter 2.
2012–15. Single-channel video (color, sound), 35:51
min. Fund for the Twenty‑First Century
Basel Abbas. Unforgiving Years – Chapter 3. 2012–15.
Digital prints, documents, drawings, ephemera,
furniture, and video (color, sound; 4:10 min),dimensions variable. Fund for the Twenty‑First Century
Basel Abbas. Unforgiving Years – Chapter 4.
2012–15. Single‑channel video (color, sound),
6:20 min. Fund for the Twenty‑First Century
Jennifer Allora, Guillermo Calzadilla. Fault Lines.
2013. Twenty metamorphic and igneous rocks,
and live performance by two boy soprano singers,
dimensions variable. Gift of Bob RennieNeïl Beloufa. Kempinski. 2007. Video (14 min), wood,and plaster, component (bench): 66 15⁄16 × 80 5⁄16 × 20 ⅞"(170 × 204 × 53 cm). Gift of the Bronzini Vender FamilyNeïl Beloufa. High definition and objectives:
expansion and transparency. 2016. Video (color,sound, 10:59 min.), steel, Plexiglas, aluminum, paper,motor, computer, speakers, and Formica, overall:
196 × 87 × 80" (497.8 × 221 × 203.2 cm). Fund for the
Twenty‑First Century
Graciela Carnevale. Encierro (Confinement). 1968.
Forty black-and-white gelatin silver prints, each:
12 ⅜ × 8 7⁄16" (31.5 × 21.5 cm). Latin American and
Caribbean Fund
Graciela Carnevale. Encierro (Confinement). 1968.
Offset lithograph, 22 13⁄16 × 15 ⅜" (58 × 39 cm). Latin
American and Caribbean Fund
Graciela Carnevale. Encierro (Confinement). 1968.
Catalogue page, 8 ⅛ × 9 113⁄16" (20.7 × 25 cm). Latin
American and Caribbean Fund
Yve Laris Cohen. Tom’s Database 1967–2015. 2015.
Paper scroll, 150' × 36" (4572 × 91.4 cm). Gift ofSophie Mörner

Cécile B. Evans. What the Heart Wants. 2016. Video(color, sound), 41 min. Gift of Robert D. Bielecki
Foundation
GOLDIN + SENNEBY. M&A. 2013. Performance, props,
and algorithmic trading strategy, dimensions variable.
Committee on Media and Performance Art
GOLDIN + SENNEBY. Merger Prediction Strategy.
2013. Offset on paper. Gift of Paul Leong
Lynn Hershman Leeson. Breathing Machine. 1965.
Wax, wig, glass eye, makeup, Plexiglas, wood,
sensors, and sound, 12.625 × 16.5 × 16.5" (32.07 ×
41.91 × 41.91 cm). The Contemporary Arts Council of
The Museum of Modern Art
Las Yeguas del Apocalipsis. Las Dos Fridas (The Two
Fridas). 1989. Inkjet print, 49 3⁄16 × 47 ¼" (125 ×
120 cm). Gift of Pedro Montes through the Latin
American and Caribbean Fund in honor of Pedro
Lemebel and Francisco Casas
Elad Lassry. Untitled. 2009. 16mm film (color, silent),
11:40 min. Gift of the Bronzini Vender FamilyMark Leckey. GreenScreenRefrigeratorAction.
2010. Samsung RFG293HABP Bottom Freezer
Refrigerator, LED panel, inflatable nylon fluorescentlight, DuPont Freon canister, and video (color, sound),dimensions variable
Li Ming. Straight Line, Landscape. 2014.
Twenty‑six‑channel video (color, sound), dimensions
variable. Fund for the Twenty‑First Century
Klara Liden. Kasta Macka. 2009. Video (color, sound),3:45 min. Gift of the Bronzini Vender Family
Bruce Nauman. Contrapposto Studies, I through VII.
2015–16. Seven‑channel video (color, sound),dimensions variable, continuous duration. Jointly
owned by The Museum of Modern Art, New York,acquired in part through the generosity of Agnes
Gund; and Emmanuel Hoffmann Foundation, giftof the President, on permanent loan to Öffentliche
Kunstsammlung Basel
Letícia Parente. In. 1975. Video (black and white,sound), 1:56 min. Latin American and Caribbean Fund
Letícia Parente. Preparação I (Preparation I). 1975.
Video (black and white, sound), 3:31 min. Latin
American and Caribbean Fund

31

Letícia Parente. Tarefa I (Assigntment I). 1982. Video(black and white, silent), 1:56 min. Latin American and
Caribbean Fund
Adam Pendleton. Just Back from Los Angeles: A
Portrait of Yvonne Rainer. 2016. Single‑channel
video (black and white, sound), 14 min. The Friends ofEducation of The Museum of Modern Art
Sondra Perry. Resident Evil. 2016. 3-D animation(color, sound, 17:29 min.) and credenza, dimensions
variable. Fund for the Twenty‑First Century
Sondra Perry. Historic Jamestowne: Share in the
Discovery and Take Several Seats. 2016. Couch,
S Curl Activator, spray paint, vinyl cover, andcinder blocks, dimensions variable. Fund for the
Twenty‑First Century
Sondra Perry. Wet and Wavy Looks – Typhon
Coming on for a Three Monitor Workstation. 2016.
Video (color, sound, 5:43 min.), rowing machine
workstation, and Eco styler gel, dimensions variable.
Fund for the Twenty‑First Century
Sondra Perry. Graft and Ash for a Three Monitor
Workstation. 2016. Video (color, sound; 9:05 min.)and bicycle workstation, dimensions variable. Fundfor the Twenty‑First Century

Hito Steyerl. Liquidity Inc. 2014. Video (color, sound,
30 min.) and architectural environment. Gift of the artist
Sturtevant. Study for Various Beuys Actions. c. 1971.
16mm film transferred to video (black and white,silent), 26:33 min. Gift of Virginia Dwan
Leslie Thornton. Luna. 2013. Single‑channel video(color, sound), 12 min. Gift of the Robert D. Bielecki
Foundation
Kara Walker. 8 Possible Beginnings or: The Creationof African‑America, a Moving Picture by Kara E.
Walker. 2005. Video (black and white, sound), 15:57
min. Acquired through the generosity of Pamela
Joyner and The Contemporary Arts Council of The
Museum of Modern Art

Promised Gifts
Ed Atkins. Ribbons. 2014. Three‑channel video (color,sound), 13 min. Promised gift of Robert Rosenkrantz
Marcel Broodthaers. La Clef de l’horloge, Poème
cinématographique en l’honneur de Kurt Schwitters(The key to the clock, Cinematic poem in honor of
Kurt Schwitters). 1957. 16mm film (black and white,sound), 7:30 min. Promised gift of Jill and Peter Kraus

Sondra Perry.
netherrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr.
2016. Video (color, sound; 5:10 min.) in room painted
Rosco Chroma Key Blue, dimensions variable. Fundfor the Twenty‑First Century
Walid Raad. Part I_Chapter 1_Section 139: The Atlas
Group (1989–2004). 2008. Plexiglass, high-density
foam, LCD panels, four ipads, digital photos, plastic,
steel, MDF, and electrical supply, 12 ½ × 110 ⅜ ×
41" (31.8 × 280.4 × 104.1 cm). Acquired through thegenerosity of Sandra and Tony Tamer; Oya Eczacibasi;
A. Huda and Samia Farouki; Elham and Tony Salamé,
Aishti Foundation, Beirut; Plurimi Foundation, Mayaand Ramzy Rasamny; Basil and Raghida Rahim; Rana
Sadik and Samer Younis; and Committee on Mediaand Performance Art Funds
Walid Raad. Translator’s introduction: Pension arts in
Dubai. 2012. Paper cutouts on wall and two-channel
video (color, silent, looped), wall size: 11 ½ × 23' (350× 700 cm). Acquired through the generosity of Sandra
and Tony Tamer; Oya Eczacibasi; A. Huda and Samia
Farouki; Elham and Tony Salamé, Aishti Foundation,
Beirut; Plurimi Foundation, Maya and Ramzy Rasamny;
Basil and Raghida Rahim; Rana Sadik and Samer Younis;
and Committee on Media and Performance Art Funds

32

Painting and Sculpture
A total of 49 works were acquired by the Department of Painting and Sculpture.

Carlos Enriquez. Landscape with Horses. 1941. Oilon composition board, 17 ½ × 23 ⅝" (44.5 x 60 cm).
Gift of Dr. C. M. Ramírez Corría

Terry Adkins. Last Trumpet. 1995. Brass andsousaphone bells, four parts, 216 × 24 × 24" (548.6 ×
61 × 61 cm). Gift of David Booth; and gift of Mr. andMrs. Murray Thompson (by exchange)

Carlos González Bogen. Untitled. 1949. Oil on board,
19 11⁄16 × 16 9⁄16" (50 × 42 cm). Gift of Patricia Phelps
de Cisneros through the Latin American and
Caribbean FundKai Althoff. Untitled. 2007. Oil on fabric, ink on paper,
gift‑wrap paper, and dyed chiffon on enamel‑painted
wood stretcher and frame, 31 × 37 ¼" (78.7 × 94.6 cm).
Gift of Susan and Leonard Feinstein

Dale Henry. Primer sets of a revealing graphic,
personal history of Western Painting using thecomplete and basic iambus throughout. Eighty
pieces, ten each set of eight: Marster Buckt Tho
Nitid/Makar Vanisht Oyez Fúnnee. 1972. Woodstrainers, canvas, paper, carbon paper, waxed paper,
tracing paper, linen, acetate sheets, sandpaper, glass,cheesecloth, sand, synthetic leather, silk, masking
tape, tape, thread, paintbrush bristles, marker, andpencil, 72 pieces ranging from 16 × 16" (40.6 ×
40.6 cm) to 16 × 20" (40.6 × 50.8 cm), overall
dimensions variable. Gift of Alanna Heiss

Tauba Auerbach. Altar/Engine. 2015. 3-D printed
nylon and plastic on table of aluminum, wood, andpaint, 116 parts ranging from 18 × 18 × 10" (45.7 ×45.7 × 25.4 cm) to 1 × 1 × 2" (2.5 × 2.5 × 5.1 cm), table
15 × 108 × 108" (38.1 × 274.3 × 274.3 cm). Acquired
through the generosity of Jerry Speyer and Katherine
Farley, Allison and Neil Rubler, an anonymous donor,
and The Contemporary Arts Council of The Museumof Modern Art
Tauba Auerbach. Bitmap Gradient Ray III. 2015.
Woven twill tape on wood stretcher, 80 × 60 × 1 ¾"
(203.2 × 152.4 × 4.4 cm). Gift of Theo Danjuma
Sadie Benning. Shared Eye. 2016. Acrylic, wood, aqua
resin, digital C‑prints, casein, found photographs,
archival inkjet prints, metal, paper, enamel, painted
ceramic, plastic figurines, aluminum, rubber, ink, glitter,and staples, 40 panels, dimensions variable. Acquired
through the generosity of Sandra and Tony Tamer
Mario Carreño. Cyclone. 1941. Oil on canvas, 31 × 41"(78.8 × 104.1 cm). Inter‑American Fund
Mario Carreño. Flowers. 1943. Enamel oncomposition board, 41 × 31" (104.1 × 78.8 cm).
Inter‑American Fund
Omar Carreño. Relief 1. 1952. Acrylic on wood, 41 ¾ ×
41 9⁄16 × 1 ¾" (106 × 105.6 × 4.5 cm). Gift ofPatricia Phelps de Cisneros through the Latin
American and Caribbean Fund
Amilcar de Castro. Untitled. 1960. Steel, 20 ½ × 37
× 33" (52.1 × 94 × 83.8 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Sebastian Cisneros‑Santiago
Rosalyn Drexler. Hold Your Fire (Men and Machines).
1966. Acrylic and paper on canvas, 30 × 50" (76.2 ×
127 cm). Committee on Painting and Sculpture Funds,
and acquired through the generosity of Daniel andBrett Sundheim and the Modern Women’s Fund

Jenny Holzer. THE CHAIRMAN, JOINT CHIEFS OF
STAFF WHITE. 2006. Oil on linen, four panels, eachpanel 33 × 25 ½ × 1 ½" (83.8 × 64.8 × 3.8 cm), overall
33 × 102 × 1 ½" (83.8 × 259.1 × 3.8 cm). Gift of John Cheim
Gerd Leufert. Untitled. 1955. Casein on wood, 24 7⁄16 ×
20 ¼" (62 × 51.5 cm). Gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Gerd Leufert. AM‑13. 1961. Acrylic on wood, 33 1⁄16 ×
48 13⁄16 × 2 ⅜" (84 × 124 × 6 cm). Gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund
Gerd Leufert. Diptych b/w. 1963. Acrylic on canvas,
60 ⅝ × 71 ¼" (154 × 181 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in memory of Carolina Alcock
Gerd Leufert. Wood Strip (Window). 1972. Acrylic
on wood, 35 7⁄16 × 31 ½ × 3 ⅛" (90 × 80 × 8 cm). Giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Jimmy Alcock
Mateo Manaure. Project for Mural (Polychrome
Columns). 1954. Synthetic polymer paint on wood,
42 × 23 ⅝" (106.7 × 60 cm). Gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Father Alexis Bastidas

33

Francisco Matto. Couple. 1982. Marble and wood,
55 × 122 × 6" (139.7 × 309.9 × 15.2 cm). Gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Rubén Pérez‑Barreiro

Cameron Rowland. 1st Defense NFPA 1977, 2011.
2016. Nomex fire suit, distributed by CALPIA, 50 ×
13 × 8" (127 × 33 × 20.3 cm). Rental at cost with funds
provided by the Fund for the Twenty‑First Century

László Moholy‑Nagy. EM 1 (Telephone Picture). 1923.
Porcelain enamel on steel, 37 ½ × 23 ¾" (95.2 ×60.3 cm). Purchase, and acquired through thegenerosity of Debra and Leon Black, Ronnie Heyman,
Daniel and Jane Och, Kenneth C. Griffin, Marlene
Hess and James D. Zirin, Michael S. Ovitz, Ronald O.
Perelman, Jerry Speyer and Katherine Farley, Aliceand Tom Tisch, Gary and Karen Winnick, andAnne Dias Griffin

Cameron Rowland. 1st Defense NFPA 1977, 2011.
2016. Nomex fire suit, distributed by CALPIA. 50 ×
13 × 8" (127 × 33 × 20.3 cm). Rental at cost with funds
provided by the Fund for the Twenty‑First Century
Cameron Rowland. Attica Series Desk. 2016. Steel,powder coating, and laminated particleboard,
distributed by Corcraft, 60 × 71 ½ × 28 ¾" (152.4 ×
181.6 × 73 cm). Rental at cost with funds provided by
the Fund for the Twenty‑First Century

Chung Chang‑Sup. Return 77‑A. 1977. Ink and paper
mounted on canvas, 51 3⁄16 × 51 3⁄16" (130 x 130 cm).
Fund for Korean Art

Cameron Rowland. Disgorgement. 2016. Reparations
Purpose Trust, Aetna Shares, 36 ¾ × 64 ¾ × 2" (93.3 ×
164.5 × 5.1 cm) and 36 ½ × 38 × 2" (92.7 × 96.5 ×
5.1 cm). Extended loan from the artist

Mrinalini Mukherjee. Yakshi. 1984. Dyed hemp, 88 9⁄16
× 41 5⁄16 × 28 ⅜" (225 × 105 × 72 cm). Purchase, andacquired through the generosity of Marlene Hess andJames D. Zirin and the Modern Women’s Fund

Cameron Rowland. Leveler (Extension) Rings for
Manhole Openings. 2016. Cast aluminum, pallet,
distributed by Corcraft, overall 11 × 118 × 127" (27.9 ×
299.7 × 322.6 cm). Rental at cost with funds provided
by the Fund for the Twenty‑First Century

Rubén Núñez. Kinetic Experiment. 1953. Wire andgouache on paper over wood, 8 1⁄16 × 10 ⅝" (20.5 ×
27 cm). Gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Samuel Guillén

Cameron Rowland. New York State Unified Court
System. 2016. Oak wood, distributed by Corcraft,each bench, 35 × 72 × 23 ½" (88.9 × 182.9 × 59.7 cm);
overall, 35 × 165 × 57 ½" (88.9 × 419.1 × 146.1 cm).
Rental at cost with funds provided by the Fund for the
Twenty‑First Century

Rubén Núñez. Articulated Arrhythmic. 1955. Oilon wood, 11 × 31 × ⅞" (27.9 × 78.7 × 2.2 cm). Giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund

Mira Schendel. Still Life. 1953. Oil on canvas, 25 ½ ×
21 ⅛" (64.8 × 53.7 cm). Gift of Patricia Phelps
de Cisneros through the Latin American and
Caribbean Fund

Alejandro Otero. “Mon Cher Ami:.” January 17, 1962.
Industrial paint, paper, and leather on wood, 23 ¼ ×
20 ⅛ × 1 ¼" (59 × 51.1 × 3.2 cm). Gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund
Richard Prince. Tell Me Everything. 1987. Acrylic andsilkscreen ink on canvas, 56 × 48" (142.2 × 121.9 cm).
Gift of Steven and Alexandra Cohen

Mira Schendel. Untitled, from the series
Refrigerators (Geladeiras). 1960. Tempera on
wood, 17 ¼ × 12 ⅛" (43.8 × 30.8 cm). Gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund

Cameron Rowland. Insurance. 2016. Container lashingbars, Lloyd’s Register certificates, overall 102 × 96 × 11 ½"(259.1 × 243.8 × 29.2 cm) or 4 ½ × 149 × 18" (11.4 ×
378.5 × 45.7 cm). Fund for the Twenty‑First Century

Yinka Shonibare. 100 Years. 2000. Emulsion, acrylicon Dutch wax printed cotton textile, painted wall, each11 ¾ × 11 ¾ × 2 ¼" (29.8 × 29.8 × 5.7 cm), overall 98 × 335"
(248.9 × 850.9 cm). Gift of Ninah and Michael Lynne

Cameron Rowland. National Ex‑Slave Mutual Relief,
Bounty and Pension Association Badges. 2016. Pot
metal, each 1 ¼ × 1 ¼ × 1 ¼" (3.2 × 3.2 × 3.2 cm), frame
11 ¾ × 14 ¾ × 2" (29.8 × 37.5 × 5.1 cm). Fund for the
Twenty‑First Century

Gabriel Sierra. Untitled (mattress, drying rack, cheap
white folding chair and two expensive black folding
chairs). 2013. Mattress, drying rack, and folding chairs
in drywall, overall 97 7⁄16 × 175 13⁄16 × 23 ¼" (247.5 ×446.5 × 59 cm). Fund for the Twenty‑First Century

34

Promised Gifts

Sylvia Sleigh. David Bourdon. 1969. Oil on canvas, 30 ×
21" (76.2 × 53.3 cm). Gift of the Estate of Sylvia Sleigh

Ruth Asawa. Untitled. c. 1955. Brass wire, iron wire,and galvanized iron wire, 116 × 14 ½ × 14 ½" (294.6 ×
36.8 × 36.8 cm). Promised gift of Alice and Tom Tisch

Antonieta Sosa. Visual Chess. 1965. Acrylic onwood, 37 ⅛ × 37 1⁄16 × 1 3⁄16" (94.3 × 94.2 × 3 cm). Giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Ariel Jiménez

Geraldo de Barros. Diagonal Function. 1952. Lacquer
on wood, 24 ¾ × 24 ¾ × ½" (62.9 × 62.9 × 1.3 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund

Jesús Rafael Soto. Pre‑penetrable. 1957. Painted
iron, 65 3⁄16 × 49 ⅝ × 33 7⁄16" (165.5 × 126 × 85 cm).
Gift of Patricia Phelps de Cisneros through theLatin American and Caribbean Fund in honor ofFederica Rodriguez‑Cisneros

Hércules Barsotti. White/White. 1961. Oil on canvas,
39 ⅛ × 39 3⁄16" (99.4 × 99.5 cm). Promised gift ofPatricia Phelps de Cisneros through the Latin
American and Caribbean Fund

Jesús Rafael Soto. Homage to Yves Klein. 1961.
Painted wire, metal sheet, and synthetic polymer
paint on wood, 21 ⅝ × 37 ⅝ × 1 9⁄16" (55 × 95.6 × 4 cm).
Gift of Patricia Phelps de Cisneros through theLatin American and Caribbean Fund in honor ofSantiago Rodriguez‑Cisneros
Jesús Rafael Soto. Vibration‑Writing Neumann.
1964. Synthetic polymer paint on wood, painted steel,and nylon, 40 3⁄16 × 67 15⁄16 × 6 5⁄16" (102 × 172.5 ×
16 cm). Gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Carolina Cisneros Phelps
Sarah Sze. Migrateurs (Green Lamp). 1997. Found
objects, 18 ¾ × 17 ¾ × 15" (47.6 × 45.1 × 38.1 cm). Giftof John Silberman in honor of Ann Temkin
Zilia Sánchez. Antigone. 1970. Acrylic on stretchedcanvas, 30 × 36 × 10" (76.2 × 91.4 × 25.4 cm). Acquired
through the generosity of Agnes Gund, María Luisa
Ferré Rangel, Bertita and Guillermo L. Martínez, Luisa
Rangel de Ferré, an anonymous donor, and the Latin
American and Caribbean Fund
Parviz Tanavoli. The Prophet. 1962/63. Bronze, 26 ¾
× 6 ½ × 4" (67.9 x 16.5 x 10.1 cm) including base. The
Ben and Abby Grey Foundation
Jack Whitten. Atopolis: For Édouard Glissant.
2014. Acrylic on canvas, eight panels, overall 124 ½
× 248 ½" (316.2 × 631.2 cm). Acquired through thegenerosity of Sid R. Bass, Lonti Ebers, Agnes Gund,
Henry and Marie‑Josée Kravis, Jerry Speyer andKatherine Farley, and Daniel and Brett Sundheim
Anicka Yi. Shameplex. 2015. Plexiglass, nickel‑plated
straight pins, ultrasonic gel, and LED strips, sevenboxes, each box 24 × 48 × 24" (61 × 121.9 × 61 cm),
overall dimensions variable. Fund for the Twenty‑First
Century

Omar Carreño. Theme Three Times no. 22. 1950.
Oil on canvas, 21 ½ × 18 ⅛" (54.6 × 46 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Ileen Kohn
and Milena Sosa‑Kohn
Aluisio Carvão. Construction 8. 1955. Alkyd oncomposition board, 27 ¾ × 19 ½ × 1" (70.5 × 49.5 ×
2.5 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of James Gara
Willys de Castro. Modulated Composition. 1954.
Lacquer on composition board, 15 ⅞ × 15 ¾" (40.3 ×
40 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Willys de Castro. Active Object (Yellow). 1959–60. Oilon canvas over wood, 13 ¾ × 27 9⁄16 × 3⁄16" (35 × 70 ×
0.5 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of Lord and Lady Foster
Willys de Castro. Active Object (Red/White Cube).
1962. Oil on canvas over wood, 9 13⁄16 × 9 13⁄16 × 9 13⁄16"(25 × 25 × 25 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Tomás Orinoco Griffin‑Cisneros
Willys de Castro. Pluriobjeto. 1980. Copper foil onwood, 71 ⅝ × 2 ¾ × 2 ¾" (182 × 7 × 7 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Barry
Bergdoll
Lygia Clark. Composition. Staircase. 1948. Oil oncanvas, 21 13⁄16 × 18 ¼" (55.4 x 46.4 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Neil L. andAngelica Rudenstine

35

María Freire. Untitled. 1954. Oil on canvas, 36 ¼ ×
48 1⁄16" (92 × 122 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Gabriel Pérez‑Barreiro

Lygia Clark. Breaking the Frame, composition
no. 5. 1954. Oil and oleoresin on canvas and wood,
41 15⁄16 × 35 13⁄16 × 13⁄16" (106.5 x 91 x 2 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean FundGego (Gertrud Goldschmidt). Eight Squares. 1961.
Painted iron, 66 15⁄16 × 25 3⁄16 × 15 ¾" (170 × 64 ×
40 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of Gustavo Rodriguez‑Cisneros

Lygia Clark. Planes in Modulated Surface. 1956.
Industrial paint on plywood, 25 9⁄16 × 35 7⁄16 × 13⁄16"(65 × 90 × 2 cm). Promised gift of Patricia Phelps
de Cisneros through the Latin American and
Caribbean Fund
Lygia Clark. Counter Relief no. 1. 1958. Synthetic
polymer paint on wood, 55 ½ × 55 ½ × 1 5⁄16" (141 × 141
× 3.3 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean FundGego (Gertrud Goldschmidt). Square Reticularea 71/6.
1971. Stainless steel and copper, 80 11⁄16 × 55 ⅛ ×
21 ⅝" (205 × 140 × 55 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Alexis Lowry

Lygia Clark. Cocoon no. 2. 1959. Enamel on
aluminum, 11 13⁄16 × 11 13⁄16 × 4 5⁄16" (30 × 30 × 11 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Kathy Halbreich

Gego (Gertrud Goldschmidt). Stream no. 7. 1971. Iron
and aluminum, 86 × 16 × 16" (218.5 × 40.7 × 40.7 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Susan and Glenn Lowry

Waldemar Cordeiro. Visible Idea. 1956. Acrylic onwood, 23 9⁄16 × 23 ⅝" (59.9 × 60 cm). Promised giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean FundGego (Gertrud Goldschmidt). Reticularea. 1973–76.
Stainless steel, nylon, and lead, 33 ⅞ × 22 1⁄16 × 20 ⅞"(86 × 56 × 53 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in memory of Leopoldo Rodés

Carlos Cruz‑Diez. Project for an Exterior Wall.
1954–65. Painted dowels and synthetic polymer painton wood, 15 ¾ × 21 ¾ × 2 ½" (40 × 55.2 × 6.4 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Carolina Rodriguez‑Cisneros
Carlos Cruz‑Diez. Physichromie 21. 1960. Casein on
cardboard over wood, 28 ¾ × 29 15⁄16" (73 × 76 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund
Carlos Cruz‑Diez. Physichromie 467. 1969. Casein on
PVC and acetate sheets over wood, 24 3⁄16 × 48 ⅛ ×
2 9⁄16" (61.5 × 122.3 × 6.5 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund
Hermelindo Fiaminghi. Alternated 2. 1957. Lacquer
on wood, 24 × 24" (61 × 61 cm). Promised gift ofPatricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Catalina
Cisneros‑Santiago
Lucio Fontana. Spatial Concept. 1960. Metallic painton canvas, 39 ⅜ × 31 ½" (100 × 80 cm). Promised
gift of Marie‑Josée and Henry R. Kravis in honor of
Patricia Phelps de Cisneros and Gustavo A. Cisneros

Gego (Gertrud Goldschmidt). Drawing without Paper
85/19. 1985. Stainless steel and copper, 9 13⁄16 ×
9 13⁄16 × 7 ⅞" (25 × 25 × 20 cm). Promised gift ofPatricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Jerry I. Speyer
Gego (Gertrud Goldschmidt). Ledge II, no. 88/37.
1988. Steel, lead, and plastic, 78 ¾ × 15 ¾ × 15 ¾" (200× 40 × 40 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Guillermo Cisneros and Adriana
Santiago de Cisneros
Carlos González Bogen. Homage to Malevich. 1953.
Synthetic polymer paint on wood, 32 1⁄16 × 32 1⁄16"(81.5 × 81.5 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of William H. and Wendy Luers
Elsa Gramcko. Untitled. 1957. Oil on canvas, 39 ⅜ × 13"(100 × 33 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean FundDavid Hammons. Afro Asian Eclipse (or Black China).
1978. Human hair and paint on wire mesh with thread
and paper mounted on fabric scroll, 43 × 16" (109.2
× 40.6 cm). Promised gift of the Hudgins Family inhonor of Patricia Phelps de Cisneros

36David Hammons. African American Flag. 1990.
Canvas and grommets, 59 × 94 ½" (149.9 × 240 cm).
Promised gift to The Museum of Modern Art and The
Studio Museum in Harlem by the Hudgins Family inmemory of Jack Tilton
Alfredo Hlito. Curves and Straight Series. 1948. Oilon canvas, 27 ¾ × 27 ¾" (70.5 × 70.5 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Todd Bishop
Alfredo Hlito. Chromatic Rhythms III. 1949. Oil oncanvas, 39 ⅜ × 39 ⅜" (100 × 100 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean FundEllsworth Kelly. Gold with Orange Reliefs. 2013. Oilon canvas and wood, three panels. 79 ⅛ × 72 13⁄16 ×
2 ¾" (201 × 185 × 7 cm). Promised gift of Jo Carole
and Ronald S. Lauder
Judith Lauand. Concrete 61. 1957. Synthetic polymer
paint on wood, 23 ⅝ × 23 ⅝" (60 × 60 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor ofRobert Menschel and Janet Wallach
Raúl Lozza. Relief no. 30. 1946. Casein on woodand painted metal, 16 ½ × 21 ⅛ × 1 1⁄16" (41.9 × 53.7 ×
2.7 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Raúl Lozza. Invention no. 150. 1948. Enamel on
wood, 37 × 43 ¾ × 1 15⁄16" (94 × 111.2 × 5 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund
Tomás Maldonado. Development of a Triangle.
1949. Oil on canvas, 31 ¾ × 23 ¾" (80.6 × 60.3 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor ofJames Cuno
Juan Melé. Irregular Frame no. 2. 1946. Oil oncomposition board, 28 × 19 ¾ × 1" (71.1 × 50.2 ×
2.5 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund
Juan Alberto Molenberg. Composition. 1946. Oil onwood over plexiglass, 39 3⁄16 × 27 9⁄16 × 1 3⁄16" (99.5 × 70
× 3 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of Eva Luisa Griffin‑Cisneros

Alice Neel. Georgie Arce. 1953. Oil on canvas, 38 × 28"(96.5 × 71.1 cm). Promised gift of Glenn and Eva Dubin
Hélio Oiticica. Untitled (Grupo Frente). 1957. Oil onwood, 16 × 16 × 1 ⅝" (40.6 × 40.6 × 4.1 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund in honor of Isay Weinfeld
Hélio Oiticica. Painting 9. 1959. Oil on canvas, 45 ⅝ ×
35" (115.9 × 88.9 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Adriana Cisneros de Griffin
Hélio Oiticica. Red Monochrome. 1959. Oil on wood,
11 ¾ × 11 ¾ × 1 1/8" (29.8 × 29.8 × 2.9 cm). Promised giftof Patricia Phelps de Cisneros through the Latin American
and Caribbean Fund in honor of Paulo Herkenhoff
Hélio Oiticica. P16 Parangolé cape 12 “FromAdversity We Live.” 1965 (reconstructed 1992). Jute,fabric, wood shavings, and plastics, 44 ⅞ × 10 ⅝ ×
8 11⁄16" (114 × 27 × 22 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund
Alejandro Otero. Blue Coffee Maker. 1947. Oil oncanvas, 25 ⅝ × 21 ¼" (65.1 × 54 cm). Promised gift ofPatricia Phelps de Cisneros through the Latin American
and Caribbean Fund in honor of Sharon Schultz
Alejandro Otero. The Bottle and the Lamp I. 1947. Oilon canvas, 45 ½ × 28 ⅜" (115.6 × 72.1 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund
Alejandro Otero. Colored Lines on White Background.
1950. Oil on canvas, 51 ¼ × 38 ¼" (130.2 × 97.2 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund
Alejandro Otero. Pampatar Board. 1954. Lacquer
on wood, 126 × 25 ⅝ × 1 1⁄16" (320 × 65.1 × 2.7 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Adriana Cisneros de Griffin and Nicholas Griffin
Alejandro Otero. Colorhythm 12. 1956. Lacquer
on wood, 19 11⁄16 × 71 ¾ × 1 3⁄16" (50 × 182.3 × 3 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Clara Rodriguez‑Cisneros
Alejandro Otero. Colorhythm 39. 1959. Lacquer
on wood, 78 ¾ × 21 1⁄16 × 1 3⁄16" (200 × 53.5 × 3 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund

37

Jesús Rafael Soto. Displacement of a Luminous
Element. 1954. Vinyl on plexiglass and tempera on
board and wood, 19 11⁄16 × 31 ½ × 1 5⁄16" (50 × 80 ×
3.3 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of Susana and Ricardo Steinbruch

Alejandro Otero. Bloody Mary. 1961. Oil on wood,
28 ¾ × 23 7⁄16 × 1" (73 × 59.5 × 2.5 cm). Promised giftof Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund
Alejandro Otero. Board 1. 1976. Lacquer on wood,
78 ⅛ × 21 9⁄16 × 1" (198.4 × 54.8 × 2.6 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund

Jesús Rafael Soto. Double Transparency. 1956. Oil on
plexiglass and wood with metal rods and bolts, 21 ⅝ ×
21 ⅝ × 12 ⅝" (55 × 55 × 32 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Ana Teresa Arismendi

Lygia Pape. Untitled. 1956. Acrylic on wood, 13 ¾ ×
13 ¾ × 3 ⅛" (35 × 35 × 8 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Sharon Rockefeller

Rubem Valentim. Untitled. 1956–62. Oil on canvas,
27 ⅝ × 19 ¾" (70.2 × 50.2 cm). Promised gift ofPatricia Phelps de Cisneros through the Latin American
and Caribbean Fund in honor of Lissette Stancioff

Rhod Rothfuss. Yellow Oblong. 1955. Paint on wood,
14 9⁄16 × 13" (37 × 33 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Gabriel Pérez‑Barreiro

Rubem Valentim. 2x‑2. 1960. Oil on canvas, 17 ¾ ×
11 ¾" (45.1 × 29.8 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Lawrence Benenson

Luiz Sacilotto. Concretion 58. 1958. Enamel on metal
and acrylic over wood, 7 ⅞ × 23 ⅝ × 12" (20 × 60 ×30.5 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund inhonor of Rodrigo Cisneros‑Santiago

Gregorio Vardanega. Untitled. 1948. Oil on wood,
32 ⅝ × 24 ¾ × 13⁄16" (82.9 × 62.9 × 2 cm). Promised
gift of Patricia Phelps de Cisneros through the Latin
American and Caribbean Fund

Mira Schendel. Untitled. 1964. Oil and tempera oncomposition board and wood, 57 ⅞ × 44 ⅞ × 13⁄16"(147 × 114 × 2 cm). Promised gift of Patricia Phelps deCisneros through the Latin American and Caribbean
Fund in honor of Andrea and José Olympio Pereira

Virgilio Villalba. Untitled. 1955. Oil on canvas, 35 ½ ×
43 ¼" (90.2 × 109.9 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund in honor of Marlene Hess

Mira Schendel. Untitled from the series Splints(Sarrafos). 1987. Synthetic polymer paint on wood,
77 15⁄16 × 70 ⅞ × 3 ⅝" (198 × 180 × 9.2 cm). Promised
gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund

Franz Weissmann. Composition with Semicircles.
1953. Aluminum, 31 ⅞ × 25 ½ × 22 1⁄16" (81 × 64.7 ×
56.1 cm). Promised gift of Patricia Phelps de Cisneros
through the Latin American and Caribbean Fund

Thomas Schütte. Stahlfrau Nr. 1. 1998. Steel, 63 ×
98 9⁄16 × 49 ¼" (160 × 250.3 × 125.1 cm). Promised giftof Eva and Glenn Dubin
Ivan Serpa. Untitled. 1954. Oil on canvas, 45 ¾ ×
35 ¼" (116.2 × 89.5 cm). Promised gift of Patricia
Phelps de Cisneros through the Latin American and
Caribbean Fund
Jesús Rafael Soto. Untitled (Maquette for Mural,
Universidad Central de Venezuela). 1952–53.
Gouache on wood, 10 ⅞ × 19 × 1 ⅜" (27.6 × 48.3 × 3.5 cm).
Promised gift of Patricia Phelps de Cisneros throughthe Latin American and Caribbean Fund in honor of
Rafael Romero

38

Photography
A total of 310 works were acquired by the Department of Photography.

Claudia Andujar. Ubatuba, Brazil. c. 1956. Gelatinsilver print, 12 ½ × 10 9⁄16" (31.7 × 26.9 cm). Purchase

Valérie Belin. Borsalino. 2012. Gelatin silver print,
5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Claudia Andujar. Untitled. c. 1956. Gelatin silver print,
11 9⁄16 × 7 ⅝" (29.3 × 19.3 cm). Gift of Grace M. Mayer

Valérie Belin. C Series Steiner with Double Row of
Teeth. 2012. Gelatin silver print, 5 5⁄16 × 6 11⁄16" (13.5 ×
17 cm). Gift of the artist

Claudia Andujar. Caraja, Ilha Do Bananal, Brazil.
1960. Gelatin silver print, 11 9⁄16 × 7 ⅝" (29.3 × 19.3 cm).
Purchase

Valérie Belin. Cornelius. 2012. Gelatin silver print,
5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Claudia Andujar. Caraja, Ilha Do Bananal, Brazil.
1960. Gelatin silver print, 10 7⁄16 × 7 ½" (26.5 × 19 cm).
Purchase

Valérie Belin. La demi‑poupée, 1970 (Half Doll,1970). 2012. Gelatin silver print, 5 5⁄16 × 6 11⁄16"(13.5 × 17 cm). Gift of the artist

Claudia Andujar. Macumba. 1961. Gelatin silver print,
7 ¾ × 11 ¾" (19.7 × 29.8 cm). Purchase

Valérie Belin. Manis Gigantea. 2012. Gelatin silver
print, 5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Michael Jackson #1. 2003. Gelatin silver
print, 39 ⅜ × 31 ½" (100 × 80 cm). Gift of the artist

Valérie Belin. Marvel. 2012. Gelatin silver print,
5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Michael Jackson #2. 2003. Gelatin silver
print, 39 ⅜ × 31 ½" (100 × 80 cm). Gift of the artist

Valérie Belin. Nine Dark Pictures. 2012. Gelatin silver
print, 5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Michael Jackson #3. 2003. Gelatin silver
print, 39 3/8 × 31 ½" (100 × 80 cm). Gift of the artist

Valérie Belin. Queens Land Blue. 2012. Gelatin silver
print, 5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Michael Jackson #4. 2003. Gelatin silver
print, 39 ⅜ × 31 ½" (100 × 80 cm). Gift of the artist

Valérie Belin. Bobines Rebelles (Rebel Coils). 2012.
Gelatin silver print, 5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Giftof the artist

Valérie Belin. Michael Jackson #5. 2003. Gelatin silver
print, 39 ⅜ × 31 ½" (100 × 80 cm). Gift of the artist
Valérie Belin. Chips #1. 2004. Gelatin silver print,
65 ⅜ × 49 3⁄16" (166.1 × 124.9 cm). Gift of the artist

Valérie Belin. Le Chapeau de paille, 1625 (The Straw
Hat, 1625). 2012. Gelatin silver print, 5 5⁄16 × 6 11⁄16"(13.5 × 17 cm). Gift of the artist

Valérie Belin. Chips #2. 2004. Gelatin silver print,
65 ⅜ × 49 3⁄16" (166.1 × 124.9 cm). Gift of the artist

Valérie Belin. Will Be a Lot of Strange Things to See if
You Live Enough. 2012. Gelatin silver print, 5 5⁄16 ×
6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Chips #5. 2004. Gelatin silver print,
67 ⅜ × 51 3⁄16" (171.2 × 130 cm). Gift of the artist

Valérie Belin. Wisteria. 2012. Gelatin silver print,
5 5⁄16 × 6 11⁄16" (13.5 × 17 cm). Gift of the artist

Valérie Belin. Untitled. 2008. Gelatin silver print,
61 ⅝ × 49 ¼" (156.5 × 125.1 cm). Gift of the artist

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. November
1975. Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. Menschel

Valérie Belin. Untitled. 2008. Gelatin silver print,
61 ¾ × 49 ¼" (156.8 × 125.1 cm). Gift of the artist
Valérie Belin. Untitled. 2008. Gelatin silver print,
61 ⅝ × 49 ¼" (156.5 × 125.1 cm). Gift of the artist

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. May 1, 1976.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. Menschel

Valérie Belin. Bob #1. 2012. Gelatin silver print,
82 5⁄16 × 61 11⁄16" (209.1 × 156.7 cm). Gift of the artist

39

Ilse Bing. Prostitutes, Amsterdam. 1931. Gelatinsilver print, 8 ¾ × 11 ⅛" (22.2 × 28.3 cm). Thomas
Walther Collection. Committee on Photography Fund

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. Spring 1976.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelBrassaï (Gyula Halász). Graffiti. 1944–45. Gelatin silver
print, 19 ¾ × 15" (50.2 × 38.1 cm). Gift of the artist

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. July 1977.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelBrassaï (Gyula Halász). Graffiti. 1944–45. Gelatin silver
print, 19 ¾ × 15" (50.2 × 38.1 cm). Gift of the artist
Brassaï (Gyula Halász). Graffiti. 1944–45. Gelatin silver
print, 19 ¾ × 15" (50.2 × 38.1 cm). Gift of the artist

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. July 1977.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelBrassaï (Gyula Halász). Graffiti. 1944–45. Gelatin silver
print, 19 ¾ × 15" (50.2 × 38.1 cm). Gift of the artist

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. December
1980. Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelBrassaï (Gyula Halász). Circus Act. 1931. Gelatin silver
print, 11 ¾ x 9" (29.9 x 22.8 cm). Thomas Walther
Collection. Gift of Henri Cartier‑Bresson, by exchange

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. May 1984.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. Menschel

Max Burchartz. Industrial District at Gelsenkirchen.
c. 1920. Gelatin silver print (photomontage), 16 × 15 ⅜"(40.6 × 39.1 cm). Thomas Walther Collection. Gift ofHenri Cartier‑Bresson, by exchange

Sibylle Bergemann. Gummlin, Usedom,
Mecklenburg‑Vorpommern, Germany. July 1985.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelRené Burri. Untitled from the series the Germans.
1962. Twelve gelatin silver prints. Each 6 ¾ × 10 1⁄16"(17.2 × 25.5 cm). Purchase
Henri Cartier‑Bresson. Boucher, Les Halles de Paris.
1952. Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 × 17.6 cm).
Thomas Walther Collection. Gift of Thomas Walther

Sibylle Bergemann. Lauchhammer Art Foundry,
Lauchhammer, Germany. October 1985. Gelatinsilver print, 8 × 11 15⁄16" (20.3 × 30.4 cm). Acquired
through the generosity of Robert B. MenschelSibylle Bergemann. The Lustgarten, Berlin Cathedral,
Berlin, Germany. February 1986. Gelatin silver print,
8 × 11 15⁄16" (20.3 × 30.4 cm). Acquired through thegenerosity of Robert B. Menschel

Carlotta Corpron. Fluid Light—Winds between theWorlds. c. 1950. Gelatin silver print, 13 ⅜ × 10 11⁄16"(33.9 × 27.1 cm). Gift of the artist
Carlotta Corpron. Fluid Light Design, Fluid Rhythm.
c. 1950. Gelatin silver print, 13 ¼ × 10 ⅝" (33.7 × 27 cm).
Gift of the artist

Sibylle Bergemann. Berlin, Germany. February 1986.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. MenschelMarie Cosindas. Masks, Boston. 1966. Dye transfer
print, 8 × 6 ¾" (20.3 × 17.1 cm). Gift of Helen Kornblum

Sibylle Bergemann. Berlin, Germany. February 1986.
Gelatin silver print, 8 × 11 15⁄16" (20.3 × 30.4 cm).
Acquired through the generosity of Robert B. Menschel

Bruce Davidson. Untitled, Subway, New York. 1980.
Forty-six dye transfer prints, 14 11⁄16 × 22 ¼" (37.3 ×
56.5 cm). Gift of Susan Steinhauser and Dan Greenberg

Aenne Biermann. Field in Thuringia. c. 1929. Gelatinsilver print, 16 × 23 3⁄16" (40.6 × 58.9 cm). Thomas Walther
Collection. Gift of Henri Cartier‑Bresson, by exchange

Jimmy DeSana. Extension Cord. 1979. Silver dye
bleach print, 16 × 11 ½" (40.6 × 29.2 cm). Judith and
Wm. Brian Little Fund

Ilse Bing. “It Was So Windy in the Eiffel Tower.” 1931.
Gelatin silver print, 8 11⁄16 x 11 1⁄16" (22.1 x 28.1 cm).
Thomas Walther Collection. Committee on
Photography Fund

Jimmy DeSana. Storage Boxes. 1980. Pigmented
inkjet print, printed 2016, 15 ⅜ × 23" (39.1 × 58.4 cm).
Gift of Laurie Simmons40

Paz Errázuriz. Evelyn. 1981. Gelatin silver print,
printed 2016, 7 13⁄16 × 12" (19.8 × 30.5 cm). Latin
American and Caribbean Fund through gift of Juan
Yarur Torres in honor of Bernardita Mandiola

Jimmy DeSana. Marker Cones. 1982. Silver dye
bleach print, 14 ¼ × 18 ¾" (36.2 × 47.6 cm). Gift of
Laurie Simmons
Jimmy DeSana. Cowboy Boots. 1984. Silver dye
bleach print, 19 × 12 ¾" (48.3 × 32.4 cm). Gift of
Laurie Simmons

Walker Evans. Untitled. 1974. Color instant print(Polaroid), 3 ⅛ × 3 ⅛" (8 × 8 cm). Gift of Andrea Rosen
Gallery

Robert Doisneau. Tableau de Wagner dans la vitrine
de la Galerie Romi, rue de Seine, Paris. 1949. Gelatinsilver print, 9 ¼ × 11 ⅝" (23.5 × 29.5 cm). Purchase

Nat Fein. Babe Bows Out. June 13, 1948. Gelatinsilver print, 10 × 12" (25.4 × 30.5 cm). Gift of The
Greene Family

Robert Doisneau. Pain et Rideau de Fer. 1953. Gelatinsilver print, 11 13⁄16 × 9 7⁄16" (30 × 24 cm). Purchase
Hugo Erfurth. Snowscape in Zinnwald. 1896. Gelatinsilver print, 6 ¾ × 8 15⁄16" (17.2 × 22.7 cm). Thomas Walther
Collection. Gift of Henri Cartier‑Bresson, by exchange
Hugo Erfurth. Young Girl. 1899. Gelatin silver print, 9 ⅛
× 6 ⅝" (23.2 x 16.9 cm). Thomas Walther Collection.
Gift of Henri Cartier‑Bresson, by exchange

Andreas Feininger. Steamboat. 1928. Gelatin silver
print, 9 ½ × 7 ⅛" (24.1 × 18.1 cm). Thomas Walther
Collection. Committee on Photography FundHans‑Peter Feldmann. 100 Years. 2001. 101 gelatinsilver prints, Each 12 × 9 ½" (30.5 × 24.1 cm). The
Photography Council Fund, and Vital Projects Fund,
Robert B. MenschelSamuel Fosso. Untitled from the series African
Spirits. 2008. Fourteen gelatin silver prints, each 64 ⅛
× 48 1⁄16" (162.8 × 122 cm). The Family of Man FundPaz Errázuriz. Evelyn. 1982. Gelatin silver print,
printed 2016, 10 13⁄16 × 7 ⅞" (27.5 × 20 cm). Latin
American and Caribbean Fund through gift ofJuan Yarur Torres in honor of Bernardita Mandiola

LaToya Ruby Frazier. Edgar Thomson Plant and the
Bottom. 2013. Pigmented inkjet print, 42 × 63 ½"(106.7 × 161.3 cm). Gift of Agnes Gund

Paz Errázuriz. Bar La Sirena, Chonchi, Chiloé. 1984.
Gelatin silver print, 7 ¼ × 11" (18.4 × 27.9 cm). Latin
American and Caribbean FundPaz Errázuriz. Jugglers, Santiago. 1984. Gelatin silver
print, 11 ¼ × 7 5⁄16" (28.6 × 18.6 cm). Latin American and
Caribbean Fund through gift of Maria Luisa Ferré Rangel

Marcello Geppetti. Anita Ekberg surrounded by
Paparazzi defends herself with bow and arrow.
October 29, 1960. Gelatin silver print, 15 ¾ × 13"(40 × 33 cm). Gift of Pierre Apraxine in memory of
Baroness Marion Lambert

Paz Errázuriz. Jugglers, Santiago. 1984. Gelatin silver
print, 6 ⅞ × 10 9⁄16" (17.5 × 26.8 cm). Latin American and
Caribbean Fund through gift of Maria Luisa Ferré Rangel

Gauri Gill. Bhana Nath ji’s home, Lunkaransar.
1999–present. Gelatin silver print, 14 × 9 ¾" (35.6 ×
24.8 cm). John Szarkowski FundPaz Errázuriz. Adam’s Apple, Talca. 1984. Gelatin silver
print, printed 2016, 7 3⁄16 × 10 15⁄16" (18.3 × 27.8 cm).
Latin American and Caribbean Fund through gift ofJuan Yarur Torres in honor of Bernardita Mandiola

Gauri Gill. Government School, Bikaner.
1999–present. Gelatin silver print, 14 × 9 ¾" (35.6 ×
24.8 cm). John Szarkowski FundPaz Errázuriz. Miss Piggy, Santiago. 1984. Gelatinsilver print, 9 ⅛ × 7 ⅛" (23.2 × 18.1 cm). Latin
American and Caribbean Fund through gift of Maria
Luisa Ferré Rangel
Paz Errázuriz. Buddies, Santiago. 1986. Gelatin silver
print, 7 1⁄16 × 9 ⅛" (17.9 × 23.2 cm). Latin American and
Caribbean FundPaz Errázuriz. Evelyn and Hector. 1987. Gelatin silver
print, printed 2016, 7 13⁄16 × 12" (19.8 × 30.5 cm). Latin
American and Caribbean Fund through gift of Juan
Yarur Torres in honor of Bernardita Mandiola

Gauri Gill. Hanuman Nath with his daughter Hinaand Nem Nath, on Holi Day in Lunkaransar.
1999–present. Gelatin silver print, 23 ⅝ × 32 ⅞"(60 × 83.5 cm). Agnes Rindge Claflin Fund
Gauri Gill. Izmat at Jannat’s grave, Barmer.
1999–present. Gelatin silver print, 32 ⅝ × 23 ⅞"(83.5 × 60 cm). Agnes Rindge Claflin Fund
Gauri Gill. Jannat, Barmer. 1999–present. Gelatinsilver print, 32 ⅝ × 23 ⅞" (83.5 × 60 cm). Agnes
Rindge Claflin Fund

41

Gauri Gill. Jogiyon ka Dera, Lunkaransar. 1999–present.
Gelatin silver print, 32 ⅞ × 23 ⅝" (83.5 × 60 cm). The
Family of Man Fund

Elisabeth Hase. Canary (Kanarienvogel). 1932–33.
Gelatin silver print, 8 5⁄16 × 6 ½" (21.1 × 16.5 cm).
Samuel J. Wagstaff, Jr. Fund

Gauri Gill. New homes after the flood, Lunkaransar.
1999–present. Gelatin silver print, 32 ⅞ × 23 ⅝"(83.5 × 60 cm). The Family of Man Fund

Elisabeth Hase. Two Prisoners (Zwei Gefangene).
1950. Gelatin silver print, 9 × 6 5⁄16" (22.9 × 16 cm).
Photography Purchase Fund

Gauri Gill. Sita Bhabhi from Dungargarh in
Lunkaransar for Holi. 1999–present. Gelatin silver print,
32 ⅞ × 23 ⅝" (83.5 × 60 cm). David H. McAlpin Fund

Ewald Hoinkis. George Grosz in His Studio, Berlin.
1928. Gelatin silver print, 4 ⅛ × 3 1⁄16" (10.5 × 7.7 cm).
Thomas Walther Collection. Gift of Thomas Walther

Joseph‑Philibert Girault de Prangey. Rome. Arc
de Septime Sévère et Lion du Capitole. 1842.
Daguerreotype, 9 7⁄16 × 7 ½" (24 × 19.1 cm). Acquired
through the generosity of Robert B. MenschelEwald Hoinkis. George Grosz in His Studio, Berlin.
1928. Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 ×
17.6 cm). Thomas Walther Collection. Gift of Henri
Cartier‑Bresson, by exchange

Sunil Gupta. Haus Khas. It must be marvelous foryou in the West with your bars, clubs, gay liberation
and all that. 1986. Pigmented inkjet print, printed
2016, 19 × 19" (48.3 × 48.3 cm). Photography
Purchase Fund

Ewald Hoinkis. Self‑Portrait in Light Bulb. c. 1930.
Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 × 17.6 cm).
Thomas Walther Collection. Gift of Thomas Walther
Steve Kahn. Triptych #6. 1976. Three gelatin silver
prints (selenium toned), overall 108 × 28" (274.3 ×
71.1 cm). Acquired through the generosity of Mary and
Dan Solomon, Casemore Kirkeby Gallery, the artist,
and Committee on Photography Fund

Sunil Gupta. Humayuns’s Tomb, Americans—talking
about AIDS and distributing condoms. Nobody
believes them. They’re always telling us what to do.
1986. Pigmented inkjet print, printed 2016, 19 × 19"(48.3 × 48.3 cm). Photography Purchase Fund

Craig Kalpakjian. Room. 1996. Silver dye bleach print,
29 × 39" (73.7 × 99.1 cm). Gift of Andrea Rosen

John Gutmann. Protoplasmic Self‑Portrait. 1937.
Gelatin silver print, 9 15⁄16 × 7 15⁄16" (25.2 × 20.1 cm).
Thomas Walther Collection

François Kollar. Untitled (Luminogram, Ronds deLumiere). 1930. Gelatin silver print, 9 ⅜ × 6 15⁄16"(23.8 × 17.6 cm). Thomas Walther Collection. Gift ofThomas Walther

Dr. Arvid Gutschow. Peeled Field in Frost. c. 1930.
Gelatin silver print, 15 3⁄16 × 19 3⁄16" (38.5 × 48.8
cm). Thomas Walther Collection. Committee on
Photography Fund

Zofia Kulik. The Splendor of Myself II. 1997. Gelatinsilver print, 59 1⁄16 × 42 ½" (150 × 108 cm). Acquiredwith support from The Modern Women’s Fund

Heinz Hajek‑Halke. Komposition 333. c. 1950. Gelatinsilver print, 15 ⅞ × 11 11⁄16" (40.4 × 29.7 cm). Gift of theartistHeinz Hajek‑Halke. Es war einmal eine aufbluehende
Stadt. c. 1950. Gelatin silver print, 15 ⅞ × 11 11⁄16"(40.4 × 29.7 cm). Gift of the artist
Heinz Hajek‑Halke. Komposition E G E. c. 1950.
Gelatin silver print, 15 ⅞ × 11 11⁄16" (40.4 × 29.7 cm).
Gift of the artist
Heinz Hajek‑Halke. Komposition Z E N. c. 1950.
Gelatin silver print, 15 ⅞ × 11 11⁄16" (40.4 × 29.7 cm).
Gift of the artist
Elisabeth Hase. Apricots (Aprikosen). 1931. Gelatinsilver print, 7 × 9 ¼" (17.8 × 23.5 cm). Agnes Rindge
Claflin FundKwieKulik. Ameryka. 1972. Seventeen pigmented
inkjet prints, printed 2016, overall 45 ¼ × 66 ⅛"(114.9 × 168 cm). Acquired with support from The
Contemporary Arts Council of The Museum ofModern Art in honor of Ann Schaffer
Dorothea Lange. Clausen Child and Mother. c. 1930.
Gelatin silver print, 6 ⅛ × 8 ¼" (15.6 × 21 cm). Thomas
Walther Collection. Gift of Henri Cartier‑Bresson,by exchange
Sergio Larrain. Chile. 1952. Gelatin silver print, 5 ½ ×
8 ⅜" (14 × 21.3 cm). Purchase
Sergio Larrain. Valparaíso, Chile. c. 1953. Gelatinsilver print, 8 ⅜ × 4 ½" (21.3 × 11.5 cm). Purchase42

Louise Lawler. Water to Skin. 2016. Chromogenic
color print, 38 ⅜ × 27 ½" (97.5 × 69.9 cm). Acquired
through the generosity of Charles Heilbronn

Lida Moser. Two Workers, Exxon Building. 1975.
Gelatin silver print, 17 5⁄16 × 11 7⁄16" (44 × 29 cm). Gift ofEric Denker in memory of the artist

Richard Learoyd. Yosef. 2008. Silver dye bleach print,
77 ½ × 60" (196.9 × 152.4 cm). Acquired through thegenerosity of Michael G. Jesselson, Richard O. Rieger,
and Clark B. Winter, Jr.

Vik Muniz. Memory Rendering of 3‑D Screening.
1985–90. Gelatin silver print, printed 2016, 14 × 10 ⅞"(35.6 × 27.6 cm). Gift of the artist
Vik Muniz. Memory Rendering of John John.
1985–90. Gelatin silver print, printed 2016, 14 x 10 ⅞"(35.6 x 27.6 cm). Gift of the artist

Jochen Lempert. Oiseaux‑Vogel. 1997–99. Twelve
gelatin silver prints, each 23 5⁄16 × 19 ⅜" (59.2 ×
49.2 cm). Acquired through the generosity of Robert
B. Menschel

Vik Muniz. Memory Rendering of John Lennon.
1985–90. Gelatin silver print, printed 2016, 14 x 10 ⅞"(35.6 x 27.6 cm). Gift of the artist

Judy Linn. Untitled. 2006. Gelatin silver print, 12 ⅜ ×
15 ⅜" (31.4 × 39.1 cm). Gift of Elizabeth Kessenides

Vik Muniz. Memory Rendering of Kent State
Shooting. 1985–90. Gelatin silver print, printed 2016,10 ⅞ × 14" (27.6 × 35.6 cm). Gift of the artist

El Lissitzky. Cover design for Russland: Neues Bauenin der Welt. 1929–30. Gelatin silver print, 7 ¾ ×
10 ⅝" (19.7 × 27 cm). Acquired through the generosityof David A. Dechman in honor of Robert B. Menschel

Vik Muniz. Memory Rendering of Kiss at Times
Square. 1985–90. Gelatin silver print, printed 2016,
14 × 10 ⅞" (35.6 × 27.6 cm). Gift of the artist

El Lissitzky. Study for cover design for Amerika:
Neues Bauen in der Welt. 1929–30. Gelatin silver
print, 10 ¼ × 7 ⅝" (26 × 19.4 cm). Thomas Walther
Collection

Vik Muniz. Memory Rendering of Man on the Moon.
1985–90. Gelatin silver print, printed 2016, 14 × 10 ⅞"(35.6 × 27.6 cm). Gift of the artist

Frank Majore. Still‑Life with Cecil Beaton. 1985.
Silver dye bleach print, 48 × 62" (121.9 × 157.5 cm).
Gift of Alvin D. Hall

Vik Muniz. Memory Rendering of Man Stopping Tank
in Beijing. 1985–90. Gelatin silver print, printed 2016,
14 × 10 ⅞" (35.6 × 27.6 cm). Gift of the artist

Werner Mantz. Sinn Department Store,
Gelsenkirchen. 1928. Gelatin silver print, 9 x 6 11⁄16"(22.8 x 17 cm). Thomas Walther Collection. Gift ofHenri Cartier‑Bresson, by exchange

Vik Muniz. Memory Rendering of Raising the Flag on
Iwo Jima. 1985–90. Gelatin silver print, printed 2016,
14 × 10 ⅞" (35.6 × 27.6 cm). Gift of the artist

Richard Misrach. Graecism: Photographs of Ancient
Greek and Roman Ruins. 1978–82. Twelve dyetransfer prints, each 16 × 19 ⅞" (40.6 × 50.5 cm).
Gift of Jim and Debbie Herzoff

Vik Muniz. Memory Rendering of Saigon Executionof a Viet Cong Suspect. 1985–90. Gelatin silver print,
printed 2016, 10 ⅞ × 14" (27.6 × 35.6 cm).
Gift of the artist

Richard Misrach. Untitled. 2008. Pigmented inkjet print,
54 13⁄16 × 114" (139.2 × 289.6 cm). Gift of Rosette Delug

Vik Muniz. Memory Rendering of Trang Bang.
1985–90. Gelatin silver print, printed 2016, 14 × 10 ⅞"(35.6 × 27.6 cm). Gift of the artist

Pieter Laurens Mol. To Wipe the Floor for a Change.
1975–76. Three gelatin silver prints. Overall 81 ⅞ ×
120 1⁄16" (208 × 305 cm). Acquired through thegenerosity of Robert B. MenschelNicholas Nixon. The Brown Sisters, Truro,
Massachusetts. 2016. Gelatin silver print, 16 × 20"(40.6 × 50.8 cm). John Szarkowski Fund

Lida Moser. Broadway and Tenth Street. 1961.
Gelatin silver print, 15 ⅜ × 19 5⁄16" (39 × 49 cm).
Gift of Eric Denker in memory of the artist

Nicholas Nixon. The Brown Sisters, Truro,
Massachusetts. 2016. Gelatin silver print, 8 × 10"(20.3 × 25.4 cm). John Szarkowski Fund

Lida Moser. Judy and Four Boys. 1961. Gelatin silver
print, 7 ½ × 9 7⁄16" (19 × 24 cm). Gift of Eric Denker inmemory of the artist

Catherine Opie. Dyke. 1993. Chromogenic color
print, 40 × 30" (101.6 × 76.2 cm). Committee on
Photography Fund and gift of Agnes Gund

43

Albert Renger‑Patzsch. Hamadryas Baboon. 1928.
Gelatin silver print, 9 × 6 ⅝" (22.9 × 16.8 cm). Thomas
Walther Collection. Gift of James Thrall Soby,
by exchange

Catherine Opie. Ron. 2013. Pigmented inkjet print,
50 × 38 ½" (127 × 97.8 cm). Acquired through thegenerosity of Anne and Joel Ehrenkranz
Dargoljub Pavlov. Manifesto. 1957. Gelatin silver print,
2 5⁄16 × 3 ¼ in. (5.8 × 8.3 cm). Geraldine J. Murphy Fund
Dargoljub Pavlov. Rocked In. 1957. Gelatin silver print,
4 15⁄16 × 3 9⁄16" (12.5 × 9 cm). Geraldine J. Murphy Fund
Dargoljub Pavlov. Scalper. 1958. Gelatin silver print,
4 15⁄16 × 3 9⁄16" (12.5 × 9 cm). Geraldine J. Murphy Fund
Dargoljub Pavlov. Newspapers. 1959. Gelatin silver print,
4 15⁄16 × 3 9⁄16" (12.5 × 9 cm). Geraldine J. Murphy Fund
Dargoljub Pavlov. Dawdlers. 1960. Gelatin silver print,
2 5⁄16 x 3 ¼ in. (5.8 x 8.3 cm). Geraldine J. Murphy Fund
Dargoljub Pavlov. The Monument. 1959. Gelatin silver
print, 4 15⁄16 × 3 9⁄16" (12.5 × 9 cm). Arthur M. Bullowa Fund

Albert Renger‑Patzsch. Ruhlandschaft, Haüser in
Essen‑Seegeroth. 1929. Gelatin silver print, 14 11⁄16
× 10 ¾" (37.3 × 27.3 cm). Thomas Walther Collection.
Gift of David H. McAlpin, by exchange
Albert Renger‑Patzsch. Industrial View, Essen. 1929.
Gelatin silver print, 14 ¾ × 10 13/16" (37.5 × 27.4 cm).
Thomas Walther Collection. Gift of David H. McAlpin,
by exchange
Albert Renger‑Patzsch. Bergmannshaüser in Essen,
Stoppenberg. 1929. Gelatin silver print, 10 ¾ × 14
13⁄16" (27.3 × 37.6 cm). Thomas Walther Collection. Giftof James Thrall Soby, by exchange
Marcia Resnick. Landscape/ Loftscape #14. 1976.
Gelatin silver prints (diptych). Each 16 × 20" (40.6 ×
50.8 cm). Carol and David Appel Family Fund

Dargoljub Pavlov. During a Break in the Filming of“Charliades.” 1962. Gelatin silver print, 2 5⁄16 × 3 ¼"
(5.8 × 8.3 cm). Arthur M. Bullowa Fund

Marcia Resnick. Landscape/ Loftscape #15. 1976.
Gelatin silver prints (diptych). Each 16 × 20" (40.6 ×
50.8 cm). Carol and David Appel Family Fund

Dargoljub Pavlov. Playing Cards in the Snow. 1962.
Gelatin silver print, 3 9⁄16 × 4 15⁄16" (9 × 12.5 cm).
Arthur M. Bullowa Fund

Leni Riefenstahl. Swimmer Underwater. 1936.
Gelatin silver print, 9 ¼ × 11 ⅝" (23.5 × 29.5 cm).
Thomas Walther Collection

Dargoljub Pavlov. Memo. 1962. Gelatin silver print,
3 9⁄16 × 4 15⁄16" (9 × 12.5 cm). Arthur M. Bullowa Fund
Dargoljub Pavlov. Solution. 1963. Gelatin silver print,
4 15⁄16 × 3 9⁄16" (12.5 × 9 cm). Arthur M. Bullowa Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Robert Petschow. Plowing Oxen. c. 1930. Gelatin silver
print, 16 ⅜ × 12 ½" (41.6 × 31.8 cm). Thomas Walther
Collection. Gift of Henri Cartier‑Bresson, by exchange

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 12 3⁄16 × 7 ⅞" (31 × 20 cm). Latin American and
Caribbean FundJack Pierson. Neon Baltimore. 1990. Chromogenic
color print, 29 ⅞ × 39 ⅞" (75.9 × 101.3 cm).
Gift of Andrea Rosen

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean FundJack Pierson. The David Court. c. 1990. Chromogenic
color print, 30 × 19 ⅞" (76.2 × 50.5 cm).
Gift of Andrea Rosen

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 12 3⁄16 × 7 ⅞" (31 × 20 cm). Latin American and
Caribbean Fund

Robert Polidori. Chambre de Madame de Pompadour,
CCE.04.034, Corps Central—Attique. 1985.
Chromogenic color print, 50 × 60" (127 × 152.4 cm).
Gift of the artist

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Robert Polidori. Salle des Croisades, (19)ANR.01.038 Aile du Nord‑R.d.C, Chateau deVersailles, Versailles, France. 2009. Pigmented
inkjet print, 50 × 60" (127 × 152.4 cm). Gift of
Wai Wah Chin and George S. Lee

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

44

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 13⁄16 × 7 ¾" (24.9 × 19.7 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 9 ¾" (20 × 24.8 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 ½ × 6 ¼" (24.1 × 15.9 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ⅞ × 12 3⁄16" (20 × 31 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 13⁄16 × 6 ¾" (24.9 × 17.1 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ¾ × 10" (19.7 × 25.4 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 × 9 ¾" (17.8 × 24.8 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ⅞ × 10" (17.5 × 25.4 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 13⁄16 × 9 11⁄16" (17.3 × 24.6 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 10 ½ × 7 5⁄16" (26.7 × 18.6 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 ⅝ × 7 ⅜" (24.4 × 18.7 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ⅞ × 9 15⁄16" (17.5 × 25.2 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 7 ½ × 9 ½" (19.1 × 24.1 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 5 ¾ × 8 3⁄16" (14.6 × 20.8 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ⅝ × 9 ⅝" (16.8 × 24.4 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 15⁄16 × 7 ⅞" (25.2 × 20 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 13⁄16 × 9 ¾" (17.3 × 24.8 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 5⁄16 × 9 ⅜" (16 × 23.8 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 13⁄16 × 9 ¾" (17.3 × 24.8 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 ⅞ × 7 ¾" (25.1 × 19.7 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 9 ⅝ × 6" (24.4 × 15.2 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 5 15⁄16 × 9 3⁄16" (15.1 × 23.3 cm). Latin American
and Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ¾ × 9 ⅝" (17.1 × 24.4 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 5 9⁄16 × 8 ¼" (14.1 × 21 cm). Latin American and
Caribbean Fund

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ⅝ × 9 ⅝" (16.8 × 24.4 cm). Latin American and
Caribbean Fund

45

Liisa Roberts. High‑relief #9: Students (twoelementary school students–Natalya P.
Vereschagina, b. 1947; Larisa P. Perlova, b. 1945,asecondary school student–Liliya P. Teterina, b.
1936 and a teacher–Lyutsiya A. Bartashevich, b.
1931). 2015. Chromogenic color print, 49 ⅝ × 65 ⅝"(126 × 166.7 cm). Acquired through the generosity ofMargaret Sundell

Miguel Rio Branco. Untitled. 1970–72. Gelatin silver
print, 6 ¾ × 9 ¾" (17.1 × 24.8 cm). Latin American and
Caribbean Fund
Liisa Roberts. High‑relief #1: Doctors (a motherwith a child patient Nadiya A. Shirinskaya, b.
1924 and Alisa A. Ivanova, b. 1954 a doctor Nina
P. Povarushkina, b. 1926 and a pediatric nurse(Nadezhda M. Smolina, b. 1920). 2015. Chromogenic
color print, 49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired
through the generosity of Margaret Sundell
Liisa Roberts. High‑relief #2: Collective farmers adairymaid (Taisiya P. Zhunina, b. 1931) a henwife anda horsegroom. 2015. Chromogenic color print,
49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired throughthe generosity of Margaret Sundell
Liisa Roberts. High‑relief #3: Shipbuilders (twowelders, men–Mikhail V. Karpeev, b. 1928 and adraughtswoman–Galina M. Vorontsova,b. 1933).
2015. Chromogenic color print, 49 ⅞ × 65 ⅝" (126.7 ×
166.7 cm). Acquired through the generosity ofMargaret Sundell

Liisa Roberts. High‑relief #11: Builders (asupervisor–Lev M. Kaplan, b. 1929 and two
construction site workers–Tatyana M. Zakharova, b.
1931; Lev N. Smorgon, b. 1929). 2015. Chromogenic
color print, 49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired
through the generosity of Margaret Sundell
Liisa Roberts. High‑relief #12: Plant breeders (threeplant breeders, two women and a man). At the timeof the Leningrad Siege all the plant breeders of the
Vavilov Research Institute of Plant Industry starved
to death guarding stocks of rice, wheat, corn, beansand potatoes for future generations. The few plant
breeders still working at the beginning of the 1950s
passed away not long ago. 2015. Chromogenic color
print, 49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired
through the generosity of Margaret Sundell

Liisa Roberts. High‑relief #4: Art workers (anarchitect–Vladimir V. Popov, b. 1928, a sculptor–
Grigoriy D. Yastrebenetskiy, b. 1923 and a painter–
Elena M. Kostenko, b. 1926). 2015. Chromogenic
color print, 49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired
through the generosity of Margaret Sundell
Liisa Roberts. High‑relief #5: Foundry workers(three foundry workers, two men and a woman–Nina
V. Smolina, b. 1929). 2015. Chromogenic color print,
49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired through thegenerosity of Margaret Sundell
Liisa Roberts. High‑relief #6: Metro builders (threetunnel diggers, men–Aleksandr V. Scheglov, b. 1929;
Nikolay V. Ivanov, b. 1932). 2015. Chromogenic color
print, 49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired
through the generosity of Margaret Sundell
Liisa Roberts. High‑relief #7: Textile workers (twoweavers. women–Vera D. Grigoryeva, b. 1936 and areeler, a woman). 2015. Chromogenic color print,
49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired through thegenerosity of Margaret Sundell
Liisa Roberts. High-relief #8: Soviet soldiers.
a. Three soldiers (Boris G. Kiryanov, b.
1920; Aleksandr N. Toptygin, b. 1923; Mikhail P.
Zorin, b. 1923) and a young girl. b. Three soldiers,men (Mikhail P. Zorin, b. 1923; Aleksandr N.
Toptygin, b. 1923) and a young girl (Marina N.
Kopotko, b. 1951). 2015. Chromogenic color print,
49 ⅞ × 65 ⅝" (126.7 × 166.7 cm). Acquired throughthe generosity of Margaret Sundell

Liisa Roberts. High‑relief #10: Sailors (a sailor andtwo navy divers–Anatoliy K. Popkov, b. 1930). 2015.
Chromogenic color print, 49 ⅝ × 65 ⅝" (126 × 166.7 cm).
Acquired through the generosity of Margaret Sundell

Judith Joy Ross. Untitled, Hazleton High School,
Hazleton, Pennsylvania. 1992. Gelatin silver
printing‑out‑paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Timmy Wright, Shop Class,Hazleton High School, Hazleton, Pennsylvania. 1992.
Gelatin silver printing‑out‑paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. John Lonczynski in Mr. Joseph
Rosato’s Band Class, Hazleton Area High School,
Hazleton, Pennsylvania. 1994. Gelatin silver
printing‑out‑paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Spanish Teacher, Hazleton HighSchool, Hazleton, Pennsylvania. 1992. Gelatin silver
printing‑out‑paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Three Girls in Principal’s Office,Hazleton High School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out‑paper print, 9 ⅝× 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger

46

Judith Joy Ross. Melissa Mendel, Juniper Systems,
Silicon Valley, California. 2000. Gelatin silver
printing‑out‑paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger

Judith Joy Ross. Mary Beth Gavio, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger

Judith Joy Ross. Scott Kreims, Juniper Systems,
Silicon Valley, California. 2000. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger

Judith Joy Ross. Crystal Hunnsiger, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger

Judith Joy Ross. Jodie Hoats in Home Economics
Class, Hazleton Area High School, Hazleton,
Pennsylvania. 1994. Gelatin silver printing‑out-paper
print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm). Gift of Heidi andRichard Rieger

Judith Joy Ross. Congressman Gus Yatron,
Democrat, Pennsylvania. 1986. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger

Judith Joy Ross. English Teacher, H.F. Grebey JuniorHigh School, Hazleton, Pennsylvania. 1992. Gelatinsilver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Danielle Miller and Maria Koslop
in Home Economics, H.F. Grebey Junior HighSchool, Hazleton, Pennslyania. 1992. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Randy Sartori, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Danielle McGeehan, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Virginia Merola, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Micheal Bodner, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Jason Bredbenner, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Tara Schwenk, A.D. Thomas
Elementary School, Hazleton, Pennsylvania. 1993.
Gelatin silver printing‑out-paper print, 9 ⅝ × 7 ⅝"(24.4 × 19.4 cm). Gift of Heidi and Richard Rieger

Judith Joy Ross. Scott Filipsie, Legislative Assistantto Congressman F. James Sensenbrenner, Jr.,
Republican, Wisconsin. 1986. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Joane Snow, Legislative Director to
Senator Jake Garn, Republican, Utah. 1987. Gelatinsilver printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 ×
19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Toiya Phillips, Almira Elementary
School, Cleveland, Ohio. 1993. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Olga Ivanov, Gallagher JuniorHigh School, Cleveland, Ohio. 1993. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Robert Williams, Gallagher JuniorHigh School, Cleveland, Ohio. 1993. Gelatin silver
printing‑out-paper print, 9 5/8 × 7 5/8" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Vladimir Kushnir, Gallagher JuniorHigh School, Cleveland, Ohio. 1993. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Brandon Brown, Almira Elementary
School, Cleveland, Ohio. 1993. Gelatin silver
printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 × 19.4 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Pledging Allegiance, 8th Grade
Homeroom, H.F. Grebey Junior High School,
Hazelton, Pennsylvania. 1992. Gelatin silver
printing‑out-paper print, 19 ⅜ × 24 ⅜" (49.3 × 62 cm).
Gift of Heidi and Richard Rieger

47

Judith Joy Ross. Algebra Test, 8th Grade, H.F.
Grebey Junior High School, Hazleton, Pennsylvania.
1992. Gelatin silver printing‑out-paper print, 19 ⅜ ×
24 ⅜" (49.3 × 62 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. Laura Williams, 7th Grade Social
Studies, H.F. Grebey Junior High School, Hazleton,
Pennsylvania. 1992. Gelatin silver printing‑out-paper
print, 19 ⅜ × 24 ⅜" (49.3 × 62 cm). Gift of Heidi andRichard Rieger
Judith Joy Ross. Brian Ellis Presenting a Lecture on
the Mafia to his 7th Grade Class, H.F. Grebey JuniorHigh School, Hazleton, Pennsylvania. 1992. Gelatinsilver printing‑out-paper print, 9 ⅝ × 7 ⅝" (24.4 ×
19.4 cm). Gift of Heidi and Richard Rieger
Judith Joy Ross. At the Blackboard, 7th Grade
English Class, H.F. Grebey Junior High School,
Hazleton, Pennsylvania. 1992. Gelatin silver
printing‑out-paper print, 19 ⅜ × 24 ⅜" (49.3 × 62 cm).
Gift of Heidi and Richard Rieger
Judith Joy Ross. Mrs. Lo Biano’s Kindergarten
Class, A.D. Thomas Elementary School, Hazleton,
Pennsylvania. 1993. Gelatin silver printing‑out-paper
print, 19 ⅜ × 24 ⅜" (49.3 × 62 cm). Gift of Heidi andRichard Rieger
Eugen Rubin. Going to Work. c. 1930. Gelatin silver
print, 8 13/16 x 11 ⅝" (22.4 x 29.5 cm). Thomas Walther
Collection
Erich Salomon. Informal Studies en Route forEngland. 1931. Gelatin silver print, 6 x 8" (15.3 x
20.3 cm). Thomas Walther Collection. Gift of Henri
Cartier‑Bresson, by exchangePaul Mpagi Sepuya. Mirror Study (4R2A0857). 2016.
Pigmented inkjet print, 51 × 34" (129.5 × 86.4 cm).
Fund for the Twenty‑First Century
Paul Mpagi Sepuya. Mirror Ground Study (_1990600).
2016. Pigmented inkjet print, 13 5⁄16 × 10" (33.9 ×
25.4 cm). Fund for the Twenty‑First Century
Andres Serrano. Klanswoman (Grand Khalif II). 1990.
Silver dye bleach print, 23 ½ × 19 ½" (59.7 × 49.5 cm).
Gift of Andrea Rosen
Ben Shahn. Circleville, Ohio. 1938. Gelatin silver print,
6 x 9 1/8" (15.2 x 23.2 cm). Thomas Walther Collection
Stephen Shore. Monet’s Garden. 1977‑82. Seven dyetransfer prints, each 14 × 18" (35.6 × 45.7 cm). Gift ofPeter MacGill and Susan Paulsen MacGill
Xaviera Simmons. Landscape (Two Women). 2007.
Chromogenic color print, 40 × 50" (101.6 × 127 cm).
Acquired through the generosity of Marie‑Josée andHenry R. Kravis
Xaviera Simmons. Index One, Composition Three.
2011. Chromogenic color print, 50 × 40" (127 × 101.6
cm). Fund for the Twenty‑First Century
Xaviera Simmons. Red (Number One). 2016.
Chromogenic color print, 48 × 60" (121.9 × 152.4 cm).
Fund for the Twenty‑First Century
Dayanita Singh. Museum of Chance. 2013. 162
pigmented inkjet prints and teak structures, overall
33 × 99" (83.8 × 251.5 cm). Acquired with support
from The Contemporary Arts Council of The Museumof Modern Art, The Modern Women’s Fund, andCommittee on Photography Fund

August Sander. Forester’s Child, Westerwald. 1931.
Gelatin silver print, 19 11⁄16 × 23 ⅝" (50 × 60 cm).
Gift of Gunther, Gerd and Julian Sander in honor of
Jean‑Luc Differdange

Elfriede Stegemeyer. Photogram. 1933. Gelatin silver
print, 8 7⁄16 x 6 15⁄16" (21.5 x 17.7 cm). Thomas Walther
Collection

Naomi Savage. Untitled. c. 1950. Gelatin silver print,
7 ½ × 5" (19.1 × 12.7 cm). Committee on Photography
Fund

Elfriede Stegemeyer. Untitled. 1936. Gelatin silver
prints, 12 ⅝ x 6 5⁄16" (32 x 16 cm). Thomas Walther
Collection

Naomi Savage. Untitled. c. 1950. Gelatin silver print,
8 × 10" (20.3 × 25.4 cm). Committee on Photography
Fund

Edward Steichen. Self‑Portrait. c. 1920. Gelatin silver
print, 9 ½ × 7 ½" (24.1 × 19.1 cm). Thomas Walther
Collection. Gift of Henri Cartier‑Bresson, by exchangePaul Mpagi Sepuya. A Ground (0083). 2015.
Pigmented inkjet print, 13 5/16 × 10" (33.9 × 25.4 cm).
Fund for the Twenty‑First Century

Atelier Stone. Smoking. 1928. Gelatin silver print,
23 1⁄16 × 16 5⁄16" (58.6 × 41.4 cm). Thomas Walther
Collection. Committee on Photography FundPaul Mpagi Sepuya. A Sitting for Matthew. 2015.
Pigmented inkjet print, 51 × 34" (129.5 × 86.4 cm).
Fund for the Twenty‑First Century

Otto Stupakoff. Untitled. 1964. Forty-three gelatinsilver prints with applied color, each 4 ¼ × 6 ¼"
(10.8 × 15.9 cm). Gift of the artist48

Hiroshi Sugimoto. Lightning Fields 138. 2009.
Gelatin silver print, 23 × 19 ½" (58.4 × 49.5 cm). Gift ofAgnes Gund in honor of David Dechman
Wolfgang Tillmans. Chemistry square, armpit. 1992.
Chromogenic color print, 5 ⅛ × 5 ⅛" (13 × 13 cm). Giftof Andrea Rosen

Unknown photographer. John Cobb’s New 350 Milesper Hour Car. 1938. Gelatin silver print, 9 ⅜ × 6 15⁄16"(23.8 × 17.6 cm). Thomas Walther Collection. Gift ofThomas Walther
Romain Urhausen. Organisches versus lineare
Formen. 1953. Gelatin silver print, 15 9⁄16 × 11 ⅝"(39.5 × 29.5 cm). Purchase

Wolfgang Tillmans. Ragga dancer, Kingston. 1992.
Chromogenic color print, 15 ⅞ × 10 ⅞" (40.3 ×
27.6 cm). Gift of Andrea Rosen

Johan Van Der Keuken. Untitled. c. 1950. Gelatinsilver print, 11 ⅝ × 14⅝" (29.6 × 37.2 cm). Purchase

Wolfgang Tillmans. Operation theatre I. 1994.
Chromogenic color print, 10 13⁄16 × 15 ⅞" (27.4 ×
40.3 cm). Gift of Andrea RosenFriedrich Vordemberge‑Gildewart. Equilibrium.
1927–28. Gelatin silver print, 14 7⁄16 × 10 ⅝" (36.7 × 27 cm).
Thomas Walther Collection

Wolfgang Tillmans. Casita. 1995. Chromogenic color
print, 15 15⁄16 × 10 11⁄16" (40.5 × 27.1 cm). Gift of Andrea
Rosen GalleryFriedrich Vordemberge‑Gildewart. Photomontage
No. 7. 1928. Gelatin silver print, 6 ½ × 4 ½" (16.5 ×
11.4 cm). Thomas Walther Collection

Wolfgang Tillmans. Damon, shower, head up. 1995.
Chromogenic color print, 13 × 9 7⁄16" (33 × 24 cm). Giftof Andrea Rosen

Jeff Wall. Bloodstained Garment. 2003. Silver dye
bleach transparency; aluminum light box, 61 × 76 ½ ×
10" (154.9 × 194.3 × 25.4 cm). Gift of Elizabeth Swofford

Wolfgang Tillmans. Macau, bridge. 1995.
Chromogenic color print, 6 11⁄16 × 15 15⁄16" (17 × 40.5cm). Gift of Andrea Rosen

Christopher Williams. Young Hee Kim andGyung‑Hwa Han, Ravenswood Apartments, Los
Angeles. January 24, 1992. Dye transfer print, 12 ½ ×
15 ½" (31.8 × 39.4 cm). Gift of Joel Wachs

Wolfgang Tillmans. Rose. 1999. Chromogenic color print,
14 × 12" (35.5 × 30.5 cm). Gift of Andrea Rosen Gallery
Wolfgang Tillmans. Wald (Tierra del Fuego) II. 2010.
Laser print on 160 gsm paper, 16 ⅞ × 10 11⁄16" (40.9 ×
27.2 cm). Gift of Andrea Rosen Gallery
Wolfgang Tillmans. Chisenhale Edition. 2011. A4
laser print on 130 gsm chamois, tinted drawing paper
inside cardboard box, 12 ⅝ × 9 ¼ × 1" (32 × 23.5 ×
2.5 cm). Gift of Andrea Rosen Gallery
Unknown photographer. Flieger‑Plane. c. 1920.
Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 × 17.6 cm).
Thomas Walther Collection. Gift of Thomas Walther

Paul Wolff. Avus, Berlin. c. 1932. Gelatin silver print,
9 ⅜ × 6" (23.8 × 17.6 cm). Thomas Walther Collection
Paul Wolff. Untitled. c. 1932. Gelatin silver print,
9 × 6 3⁄16" (22.9 × 15.7 cm). Thomas Walther Collection
Paul Wolff. Main Station, Frankfurt. 1933. Gelatinsilver print, 9 ⅜ × 6 ⅜" (23.8 × 17.5 cm). Thomas
Walther Collection
Erwin Wurm. Monk. 2001. Dye transfer print, 31 ¾ ×
25 ¾" (80.6 × 65.4 cm). Gift of Susan and Arthur
Fleischer, Jr.

Unknown photographer. Untitled (From the book
Here Comes the New Photographer!). c. 1928–29.
Gelatin silver print, 8 ⅝ × 6 ⅜" (21.9 × 16.2 cm).
Thomas Walther Collection. Gift of Edward Steichen,by exchange
Unknown photographer. Bernd Rosemeyer’s Speed
Record. 1937. Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 ×
17.6 cm). Thomas Walther Collection. Gift ofThomas Walther
Unknown photographer. Hindenburg Disaster. May 6,
1937. Gelatin silver print, 9 ⅜ × 6 15⁄16" (23.8 × 17.6 cm).
Thomas Walther Collection. Gift of Thomas Walther49

Deaccessioned and Sold, Gifted, or Exchanged
Othon Friesz. Paresse, Cassis. 1909. Oil on canvas,
25 ⅝ × 32" (65.1 × 81.3 cm). Gift of Mrs. Saidie A. May

Aleksandr Archipenko. White Torso. c. 1920 (after amarble of 1916). Silvered bronze, 18 ½ × 4 × 4" (47.1
× 10.1 × 10.1 cm), on a marble base 4 ¼ × 4 ⅜ × 5 ⅞"
(10.5 × 10.7 × 15 cm). Gift of Mr. and Mrs.
Murray Thompson

Auguste Herbin. Nest. 1955. Oil on canvas, 39 × 32"(99 × 81.2 cm). The Riklis Collection of McCrory
Corporation

Tadeusz Brzozowski. Pretzels. 1959. Oil on canvas,
51 ¼ × 50" (130.1 × 127 cm). Gift of Mr. and Mrs.
Arthur S. Freeman

Dorothea Lange. Migrant Mother, Nipomo,
California. 1936. Gelatin silver print, printed 1965
by Irwin Welcher, 16 15⁄16 × 12 ⅝" (43.1 × 32.1 cm).
Purchase

Balthus (Baltusz Klossowski de Rola). Reclining Nude.
1967. Charcoal on paper, 19 ¾ × 27 ½" (50.0 ×
69.8 cm). Gift of Mr. and Mrs. Donald B. Straus
A. S. Baylinson. Reclining Nude. 1927. Pencil on buff
paper, 15 × 20" (38.1 × 50.8 cm). Given anonymously

Dorothea Lange. White Angel Bread Line, San
Francisco. 1933. Gelatin silver print, printed 1965
by Irwin Welcher, 20 ⅝ × 16 11⁄16" (52.4 × 42.4 cm).
Purchase

Alexander Calder. Glassy Insect. 1953. Painted sheet
steel, steel wire, and glass, 32 ⅝ × 38 ¾ × 7 ¼" (82.1 ×
98.4 × 18.4 cm). Mary Sisler Bequest

Fernand Léger. Bargeman. 1918. Oil on canvas, 18 ⅞
× 21 ⅛" (45.8 × 55.5 cm). The Sidney and Harriet Janis
Collection

Jewett Campbell. Reflected Glory. 1939. Oil oncanvas, 16 ⅛ × 20" (51 × 50.8 cm). PurchaseAristide Maillol. Crouching Woman. 1930. Bronze,
6 ⅜ × 9 ⅜ × 4 ¾" (16.2 × 23.8 × 12.1 cm). Louise
Reinhardt Smith Bequest

Jean Dubuffet. Chestnut Topography. May 1959. Oilon cut-and-pasted papers on canvas, 30 ½ × 25 ¾"(77.5 × 65.4 cm). Mary Sisler Bequest

Georges Mathieu. Number 5. 1951. Oil on cardboard,32 ⅝ × 26 ¾" (82.6 × 67.9 cm). Gift of Alexander Iolas
Georges Mathieu. Number 5. 1955. Oil on canvas,
38 x 64" (96.5 x 162.5 cm). Gift of Samuel I. Rosenman

Jean Dubuffet. Figure. 1962. Gouache, watercolor,and ink on paper, 26 ¼ × 13 ⅛ " (66.6 × 33.2 cm). Giftof the artist, in honor of Mr. and Mrs. Ralph F. Colin

Elie Nadelman. Standing Bull. 1915. Bronze, 6 ⅝ ×
11 ¼ × 3 ½" (16.8 × 28.6 × 9 cm) on marble base
2 ¾ × 4 ⅜ × 11" (7 × 11.2 × 28 cm). Gift of Mrs. Elie
NadelmanJean Dubuffet. Landscape with Three Figures. 1961.
Torn and pasted papers, gouache, and ink on paper,
21 ⅝ × 26 ⅛ " (54.8 × 66.2 cm). The Joan and Lester
Avnet Collection
Jean Dubuffet. Figure: Bust. 1962. Gouache on paper,
10 ⅜ × 8 ⅛ " (26.2 × 20.5 cm). Gift of the artist, inhonor of Mr. and Mrs. Ralph F. Colin

Elie Nadelman. Wounded Bull. 1915. Bronze, 5 ⅞ ×
4 × 11 ½" (14.9 × 10.2 × 29.3 cm) on marble base
1 ¾ × 4 ⅜ × 11" (4.5 × 11.2 × 28 cm). Gift of Mrs. Elie
Nadelman
Man Ray. Rayograph. 1928. Gelatin silver print, 15 7⁄16
× 11 ⅝" (39.2 × 29.6 cm). Gift of James Thrall Soby

Jean Dubuffet. Figure XXV. 1964. Ink and coloredpencil on paper, 10 ⅝ × 8 ⅜" (26.9 × 21.0 cm). Gift of
the artist, in honor of Mr. and Mrs. Ralph F. Colin
Max Ernst. Come into the Continents (Entre dansles continents) from Natural History (Histoire
Naturelle). 1926. One from a portfolio of 34 collotypes
after frottage, composition: 16 ⅞ × 10 5⁄16" (42.8 ×
26.2 cm); sheet: 19 7⁄16 × 12 13⁄16" (49.3 × 32.5 cm).
Publisher: Galerie Jeanne Bucher, Paris. Printer:
unknown. Edition: 300. Given anonymously

Man Ray. Untitled. 1929. Gelatin silver print(solarized), 11 ¼ × 8 13⁄16" (28.5 × 22.4 cm). Gift ofJames Thrall Soby

50

Odilon Redon. Woman in Profile to the Left, Wearinga Hennin Headdress (Femme de profil vers lagauche, coiffée d’un hennin). 1898. Lithograph,composition: 11 7⁄16 × 9 5⁄16" (29 × 23.7 cm); sheet: 13 9⁄16
× 11 13⁄16" (34.5 × 30 cm). Publisher: unpublished.
Printer: unknown, Paris. Edition: one of a few known
proofs. Gift of The Ian Woodner Family Collection

Isidoro Ocampo. El fascismo. 7a. Conferencia: El
fascismo japonés. Orador: Daniel Cosío Villegas.
Viernes 9 de junio. Palacio de Bellas Artes…Liga
Pro Cultura Alemana en México. 1939. Lithograph,composition: 17 1⁄16 × 23 7⁄16" (43.4 × 59.6 cm); sheet:18 7⁄16 × 26 ⅝" (46.8 × 67.7 cm). Publisher: Taller
de Gráfica Popular, Mexico City. Printer: Taller deGráfica Popular, Mexico City. Edition: unknown.
Inter‑American Fund

Pierre‑Auguste Renoir. Children Playing Ball (Enfantsjouant à la balle). 1900. Lithograph, composition:
23 11⁄16 × 20 ¼" (60.1 × 51.4 cm); sheet: 12 15⁄16 × 9 ¾"
(32.9 × 24.8 cm). Publisher: Vollard, Paris. Printer:
Auguste Clot. Edition: 200. Lillie P. Bliss Collection

Isidoro Ocampo. El fascismo. 4a. Conferencia. El
antisemitismo como arma del fascismo. Orador:
Enrique Beltrán. Jueves 4 de mayo. Palacio de Bella
Artes…Liga Pro Cultura Alemana en México. 1939.
Lithograph, composition: 17 ⅛ × 23 9⁄16" (43.5 ×
59.9 cm); sheet: 18 7⁄16 × 26 9⁄16" (46.9 × 67.4 cm).
Publisher: Taller de Gráfica Popular, Mexico City.
Printer: Taller de Gráfica Popular, Mexico City.
Edition: unknown. Inter‑American Fund

Niles Spencer. Ordnance Island, Bermuda. 1928.
Oil on canvas, 24 × 36" (61 × 91.4 cm). Gift of
Sam A. Lewisohn
Edward Steichen. In Exaltation of Flowers: Clivia,
Fuschia Hilium, HenryI. c. 1910–13. Tempera andgold leaf on canvas, 10' × 8' 4" (304.9 × 243.8 cm).
Gift of the Eugene and Agnes E. Meyer Collection,
given by their family

Jules Pascin. Reclining Nude. 1928. Charcoal andpencil on paper, 19 ¾ × 25 ½" (50.1 × 64.7 cm). Gift of
Mr. and Mrs. Peter A. Rübel

Cy Twombly. Untitled. 2001. Synthetic polymer paint,
crayon, and cut‑and‑pasted paper on paper, 48 ½ ×
38 ¾" (123.2 × 98.4 cm). The Judith RothschildFoundation Contemporary Drawings Collection Gift.
Given in honor of Kathy Fuld

Jules Pascin. Seated Girl. c. 1929. Charcoal and washon paper, 19 ⅜ × 25 1/8" (49.3 × 64 cm). Gift of Mr. andMrs. Peter A. Rübel
Sigmar Polke. Untitled. 2003. Spray paint andsynthetic polymer paint on paper, 27 ½ × 39 ¼"(69.9 × 99.7 cm). The Judith Rothschild Foundation
Contemporary Drawings Collection Gift

Cy Twombly. Untitled. 1957. Oil, pencil, and crayon on
gessoed board on paper‑faced canvas, 19 ⅝ × 27 ⅝"(49.8 × 70.2 cm). Gift of Carol O. Selle, the Denise andAndrew Saul Fund, and Abby Aldrich Rockefeller (byexchange

Sigmar Polke. Untitled. 2003. Spray paint andsynthetic polymer paint on paper, 39 × 27 ¼" (99.1
× 69.2 cm). The Judith Rothschild Foundation
Contemporary Drawings Collection Gift

Unknown sculptor. Ivory Coast Mask. 1900–36.
Wood, 11" (27.9 cm) high. Gift of Louis Carré

Sigmar Polke. Untitled. 2003. Synthetic polymer
paint on paper, 39 ⅛ × 27 ½" (99.4 × 69.9 cm).
The Judith Rothschild Foundation Contemporary
Drawings Collection Gift

Victor Vasarely. Yarkand, I. 1952–53. Oil on canvas,
39 ½ × 28 ¾" (100.1 × 73 cm). Gift of Mr. and Mrs.
Allan D. Emil

Sigmar Polke. Untitled. 2003. Synthetic polymer
paint on paper, 27 ¼ × 39" (69.2 × 99.1 cm). The Judith
Rothschild Foundation Contemporary Drawings
Collection Gift

Andy Warhol. Querelle. 1982. Screenprint, 40 ¼ ×
39 ¾" (102.2 × 101 cm). Printer: Rupert Jasen
Smith, New York. The Judith Rothschild Foundation
Contemporary Drawings Collection Gift

Odilon Redon. Woman Wearing a Toque and a
Mermaid’s Tail (Femme coiffée d’une toque etrejetant le buste en arrière). 1898. Lithograph,composition: 9 7⁄16 × 9 1⁄16" (23.9 × 23 cm); sheet:
16 ⅛ × 12 15⁄16" (41 × 32.8 cm). Publisher: unpublished.
Printer: unknown, Paris. Edition: one of a few known
proofs. Larry Aldrich Fund

Andy Warhol. Jean Cocteau. 1983. Oilstick on
paper and colored paper, 31 ½ × 24" (80 × 61 cm).
The Judith Rothschild Foundation Contemporary
Drawings Collection Gift
Max Weber. Three Figures Reading. 1920. Linoleum
cut, composition: 3 ⅜ × 2 11⁄16" (9.2 × 6.9 cm); sheet:
9 5⁄16 × 6 ¼" (23.6 × 15.8 cm). Publisher and printer:
unknown. Edition: 7 known impressions. Gift of the artist51

Max Weber. Alone. 1928. Lithograph, composition:
5 7⁄16 × 4 ½" (13.8 × 11.4 cm); sheet: 9 15⁄16 × 6 15⁄16"(25.2 × 17.6 cm). Publisher and printer: unknown.
Edition: 30. Gift of the artist
Edward Weston. Dunes, Oceano. 1936. Gelatin silver
print, 7 7⁄16 × 9 9⁄16" (19 × 24.3 cm). Gift of David H. McAlpin
Edward Weston. Nude on Sand, Oceano. 1936.
Gelatin silver print, 7 9⁄16 × 9 9⁄16" (19.3 × 24.3 cm). Giftof Edward Steichen

52