ISO/IEC JTC 1/SC 2/WG 2 N2626
Date: 2003-09-27

ISO/IEC JTC 1/SC 2/WG 2
Universal Multiple-Octet Coded Character Set (UCS) - ISO/IEC 10646
Secretariat: ANSI
Title:

Proposal on IPA Extensions & Combining
Diacritical Marks for ISO/IEC 10646 in BMP

Source:China National Body

Action:To Discuss at WG2 #44

Distribution:

SC2/WG2 Experts

1. Introduction
Since 1970s, 494 phonetic characters and 106 tonetic characters have been used by
Chinese linguists and educationalists to inspect language, do research on language,
provide knowledge of language and compile different lingual dictionaries. They
are also used by Chinese publishers to publish kinds of articles about language
researching and teaching. These characters are designed and published by Instituteof Linguistics of Chinese Academy of Social Sciences, on the magazine called‘FangYan’. And actually this character set is academic and industrial standard.
With the development of digital instruments which are used to process characters,
Founder Electronics has provided an electronic publishing system using thischaracter set
There are some international phonetic characters in the IPA Extensions,
Combining Diacritical Marks of ISO/IEC 10646, but unfortunately the quantity ofthese characters is too small to fulfill the requests of lingual research, lingual
education and publishing articles. After the whole examination, 320 phonetic
characters are found lacked. The following demonstrates the 5 class of lacked
characters:
1) 8 single phonetic characters and 2 combining ones.
2) 9 combining latin small letter above right or below.
3) 65 combining diacritical marks.
4) 236 tonetic marks.
In the era of information, the lack of phonetic characters has great effect on notonly publishing but also data transfer and database management of different
languages. As the consequence, the supplement and consummating of current
international phonetic character set is very imminent.

2. Background of the proposal
In 1979, by referring to the phonetic character standards published by International
Phonetic Association and widely collecting phonetic characters which are used orused to be used by international linguists and publishers, ‘Fangyan’ magazine
office designed a set of new international phonetic characters. In the recent years,
Institute of Linguistics of Chinese Academy of Social Sciences has called several
expert meetings in order to solve problems on the specification of international
phonetic character figures and quantities. These meetings successfully establishedthe code specification of extension international phonetic characters based on theoriginal 494 phonetic characters and 106 tonetic characters published by ‘Fangyan’magazine. And these meetings also help the recommendation of appending
international phonetic characters and extension characters on the BMP of ISO/IEC
10646 to come into being.

3. Principle
1) International phonetic characters are the appending of IPA Extensions,
Combining Diacritical Marks defined in ISO/IEC 10646.
2) International phonetic characters could express and exchange all theinformation in international phonetic character, and fulfill the requests ofChinese linguists, educationalists and publishers managing information.
3) The order of international phonetic characters should follow the order in thebasic set.
4) International phonetic characters are feasible according to the information
management technology.

4. Technical facts
1) The order of international phonetic characters follows the order in the basicset.
2) International phonetic characters must follow the principle prescribed byInternational Phonetic Association (This principle specified the phonetic
symbols printing rule and figure feature). And these characters should
accord the industrial specifications and technical standards defined by
Chinese linguists, educationalists and publishers.
3) All characters in international phonetic character extensions should
correspond with codes one by one in order to make international phonetic

characters share the BMP like other characters including Chinese characters.
This can realize the standardization of IPA data processing in the world.

5. Conclusion
This character set has been tested iteratively by Chinese lingual, educational andpublishing experts. Many linguists, educationalists, publishers and softwaredevelopers have shown their desire on the world-uniform international phonetic
characters so that many difficult problems of lingual research, education, projectand information management could be solved. We are sure BMP of ISO/IEC
10646 including the international phonetic character extension set which we apply
this time will greatly promote the globalization of IPA data processing.

ISO/IEC JTC 1/SC 2/WG 2
PROPOSAL SUMMARY FORM TO ACCOMPANY SUBMISSIONSFOR ADDITIONS TO THE REPERTOIRE OF ISO/IEC 10646
A. Administrative
IPA Extensions & Combining Diacritical Marks
1. Title:
2. Requester's name:
China
3. Requester type (Member body/Liaison/Individual contribution):
Member body
4. Submission date:2003-09-27
5. Requester's reference (if applicable):
6. (Choose one of the following:):
This is a complete proposal:or,More information will be provided later:
Yes
B. Technical - General
1. (Choose one of the following:)
a. This proposal is for a new script (set of characters):
No
Proposed name of script:.
b. The proposal is for addition of character(s) to an existing block:Yes
Name of the existing block:
IPA Extensions & Combining Diacritical Marks
2. Number of characters in proposal:
320
3. Proposed category (see section II, Character Categories):
A
4. Proposed Level of Implementation (1, 2 or 3) (see clause 14, ISO/IEC 10646-1: 2000):1
Is a rationale provided for the choice?
No
If Yes, reference:
5. Is a repertoire including character names provided?
Yesa. If YES, are the names in accordance with the 'character naming guidelines
in Annex L of ISO/IEC 10646-1: 2000?
Yes
b. Are the character shapes attached in a legible form suitable for review?
Yes
6. Who will provide the appropriate computerized font (ordered preference: True Type, or PostScript format) for
publishing the standard?
Institute of Linguistics, Chinese Academy of Social Sciences
If available now, identify source(s) for the font (include address, e-mail, ftp-site, etc.) and indicate the tools
used:No.5 Jianguomennei Dajie, Beijing 100732, China
Email: fangyan@linguistics.cass.net.cn
7. References:a. Are references (to other character sets, dictionaries, descriptive texts etc.) provided? Yes (will provide)b. Are published examples of use (such as samples from newspapers, magazines, or other sources)of use of proposed characters attached?
Yes (will provide)
8. Special encoding issues:
Does the proposal address other aspects of character data processing (if applicable) such as input,
presentation, sorting, searching, indexing, transliteration etc. (if yes please enclose information)?
No
9. Additional Information:
Submitters are invited to provide any additional information about Properties of the proposed Character(s) or Scriptthat will assist in correct understanding of and correct linguistic processing of the proposed character(s) or script.
Examples of such properties are: Casing information, Numeric information, Currency information, Display behaviour
information such as line breaks, widths etc., Combining behaviour, Spacing behaviour, Directional behaviour, Default
Collation behaviour, relevance in Mark Up contexts, Compatibility equivalence and other Unicode normalization
related information. See the Unicode standard at http://www.unicode.org for such information on other scripts. Also
see http://www.unicode.org/Public/UNIDATA/UnicodeCharacterDatabase.html and associated Unicode Technical
Reports for information needed for consideration by the Unicode Technical Committee for inclusion in the UnicodeStandard.

C. Technical - Justification
1. Has this proposal for addition of character(s) been submitted before?
No
If YES explain
2. Has contact been made to members of the user community (for example: National Body,
user groups of the script or characters, other experts, etc.)?
Yes
If YES, with whom?
National Body
If YES, available relevant documents?
(info will be provided)
3. Information on the user community for the proposed characters (for example:
size, demographics, information technology use, or publishing use) is included?
Yes
Reference:(info will be provided)
4. The context of use for the proposed characters (type of use; common or rare)
CommonReference:(info will be provided)
5. Are the proposed characters in current use by the user community?
Yes
If YES, where? Reference:
Worldwide
6. After giving due considerations to the principles in Principles and Procedures document (a WG 2 standing
document) must the proposed characters be entirely in the BMP?
Yes
If YES, is a rationale provided?
If YES, reference:
7. Should the proposed characters be kept together in a contiguous range (rather than being scattered)? No
8. Can any of the proposed characters be considered a presentation form of an existing
character or character sequence?
No
If YES, is a rationale for its inclusion provided?
If YES, reference:
9. Can any of the proposed characters be encoded using a composed character sequence of either
existing characters or other proposed characters?
No
If YES, is a rationale for its inclusion provided?
If YES, reference:
10. Can any of the proposed character(s) be considered to be similar (in appearance
or function) to an existing character?
No
If YES, is a rationale for its inclusion provided?
If YES, reference:
11. Does the proposal include use of combining characters and/or use of composite sequences(see clauses 4.12 and 4.14 in ISO/IEC 10646-1: 2000)?
No
If YES, is a rationale for such use provided?
If YES, reference:
Is a list of composite sequences and their corresponding glyph images (graphic symbols)
provided?
If YES, reference:
12. Does the proposal contain characters with any special properties such as
control function or similar semantics?
No
If YES, describe in detail (include attachment if necessary)
13. Does the proposal contain any Ideographic compatibility character(s)?
No
If YES, is the equivalent corresponding unified ideographic character(s) identified?
If YES, reference:Table 1 – Row A9: IPA Extensions & Combining Diacritical Marks Character A
A90

0
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F

A91

A92

A93

A94

A95

A96

A97

꤀

ꤐ

ꤠ

ꤰ

ꥀ

ꥐ

ꥠ

ꥰ

000

016

032

048

064

080

096

112

꤁

ꤑ

ꤡ

ꤱ

ꥁ

ꥑ

ꥡ

ꥱ

001

017

033

049

065

081

097

113

꤂

ꤒ

ꤢ

ꤲ

ꥂ

ꥒ

ꥢ

ꥲ

002

018

034

050

066

082

098

114

꤃

ꤓ

ꤣ

ꤳ

ꥃ

꥓

ꥣ

ꥳ

003

019

035

051

067

083

099

115

꤄

ꤔ

ꤤ

ꤴ

ꥄ

꥔

ꥤ

ꥴ

004

020

036

052

068

084

100

116

꤅

ꤕ

ꤥ

ꤵ

ꥅ

꥕

ꥥ

ꥵ

005

021

037

053

069

085

101

117

꤆

ꤖ

ꤦ

ꤶ

ꥆ

꥖

ꥦ

ꥶ

006

022

038

054

070

086

102

118

꤇

ꤗ

ꤧ

ꤷ

ꥇ

꥗

ꥧ

ꥷ

007

023

039

055

071

087

103

119

꤈

ꤘ

ꤨ

ꤸ

ꥈ

꥘

ꥨ

ꥸ

008

024

040

056

072

088

104

120

꤉

ꤙ

ꤩ

ꤹ

ꥉ

꥙

ꥩ

ꥹ

009

025

041

057

073

089

105

121

ꤊ

ꤚ

ꤪ

ꤺ

ꥊ

꥚

ꥪ

ꥺ

010

026

042

058

074

090

106

122

ꤋ

ꤛ

꤫

ꤻ

ꥋ

꥛

ꥫ

ꥻ

011

027

043

059

075

091

107

123

ꤌ

ꤜ

꤬

ꤼ

ꥌ

꥜

ꥬ

ꥼ

012

028

044

060

076

092

108

124

ꤍ

ꤝ

꤭

ꤽ

ꥍ

꥝

ꥭ

꥽

013

029

045

061

077

093

109

125

ꤎ

ꤞ

꤮

ꤾ

ꥎ

꥞

ꥮ

꥾

014

030

046

062

078

094

110

126

ꤏ

ꤟ

꤯

ꤿ

ꥏ

꥟

ꥯ

꥿

015

031

047

063

079

095

111

127

Table 2 – Row A9: IPA Extensions & Combining Diacritical Marks Character B

0
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F

A98

A99

A9A

A9B

A9C

A9D

A9E

A9F

ꦀ

ꦐ

ꦠ

ꦰ

꧀

꧐

ꧠ

꧰

128

144

160

176

192

208

224

240

ꦁ

ꦑ

ꦡ

ꦱ

꧁

꧑

ꧡ

꧱

129

145

161

177

193

209

225

241

ꦂ

ꦒ

ꦢ

ꦲ

꧂

꧒

ꧢ

꧲

130

146

162

178

194

210

226

242

ꦃ

ꦓ

ꦣ

꦳

꧃

꧓

ꧣ

꧳

131

147

163

179

195

211

227

243

ꦄ

ꦔ

ꦤ

ꦴ

꧄

꧔

ꧤ

꧴

132

148

164

180

196

212

228

244

ꦅ

ꦕ

ꦥ

ꦵ

꧅

꧕

ꧥ

꧵

133

149

165

181

197

213

229

245

ꦆ

ꦖ

ꦦ

ꦶ

꧆

꧖

ꧦ

꧶

134

150

166

182

198

214

230

246

ꦇ

ꦗ

ꦧ

ꦷ

꧇

꧗

ꧧ

꧷

135

151

167

183

199

215

231

247

ꦈ

ꦘ

ꦨ

ꦸ

꧈

꧘

ꧨ

꧸

136

152

168

184

200

216

232

248

ꦉ

ꦙ

ꦩ

ꦹ

꧉

꧙

ꧩ

꧹

137

153

169

185

201

217

233

249

ꦊ

ꦚ

ꦪ

ꦺ

꧊

꧚

ꧪ

ꧺ

138

154

170

186

202

218

234

250

ꦋ

ꦛ

ꦫ

ꦻ

꧋

꧛

ꧫ

ꧻ

139

155

171

187

203

219

235

251

ꦌ

ꦜ

ꦬ

ꦼ

꧌

꧜

ꧬ

ꧼ

140

156

172

188

204

220

236

252

ꦍ

ꦝ

ꦭ

ꦽ

꧍

꧝

ꧭ

ꧽ

141

157

173

189

205

221

237

253

ꦎ

ꦞ

ꦮ

ꦾ

꧎

꧞

ꧮ

ꧾ

142

158

174

190

206

222

238

254

ꦏ

ꦟ

ꦯ

ꦿ

ꧏ

꧟

ꧯ

꧿

143

159

175

191

207

223

239

255

Table 3 – Row AA: IPA Extensions & Combining Diacritical Marks Character C

0
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F

AA0

AA1

AA2

AA3

ꨀ

ꨐ

ꨠ

ꨰ

256

272

288

304

ꨁ

ꨑ

ꨡ

ꨱ

257

273

289

305

ꨂ

ꨒ

ꨢ

ꨲ

258

274

290

306

ꨃ

ꨓ

ꨣ

ꨳ

259

275

291

307

ꨄ

ꨔ

ꨤ

ꨴ

260

276

292

308

ꨅ

ꨕ

ꨥ

ꨵ

261

277

293

309

ꨆ

ꨖ

ꨦ

ꨶ

262

278

294

310

ꨇ

ꨗ

ꨧ

꨷

263

279

295

311

ꨈ

ꨘ

ꨨ

꨸

264

280

296

312

ꨉ

ꨙ

ꨩ

꨹

265

281

297

313

ꨊ

ꨚ

ꨪ

꨺

266

282

298

314

ꨋ

ꨛ

ꨫ

꨻

267

283

299

315

ꨌ

ꨜ

ꨬ

꨼

268

284

300

316

ꨍ

ꨝ

ꨭ

꨽

269

285

301

317

ꨎ

ꨞ

ꨮ

꨾

270

286

302

318

ꨏ

ꨟ

ꨯ

꨿

271

287

303

319

Table Row A9-AA: IPA Extensions & Combining Diacritical Marks Character

HEX
NAME
A900 latin small letter l and m
A901 latin small letter turned h with hook
A902 latin small letter feng digraph
A903 latin small letter heng with hook
A904 latin small letter inclined en
A905 latin small letter glottal stop
A906 latin capital letter script u
A907 latin small letter l and turned h with hook digraph
A908 latin small letter t and s with hook digraph
A909 latin small letter d and z with hook digraph
A90A combining latin small letter n above right
A90B combining latin small letter l above right
A90C combining latin small letter w above right
A90D combining latin small letter j above right
A90E combining latin small letter gamma above right
A90F combining latin letter reversed glottal stop above rightA910 combining latin small letter turned r above right
A911 combining latin small letter h above rightA912 combining latin small letter w below
A913 combining line above left
A914 combining line left
A915 combining line below left
A916 combining macron above rightA917 combining line rightA918 combining double line above rightA919 combining double line right
A91A combining greek perispomeni above right
A91B greek perispomeni right
A91C combining vertical line above left
A91D combining vertical line below left
A91E combining double line above left
A91F combining double line below left
A920 combining kerns left circumflex above left
A921 combining kerns left circumflex left
A922 combining kerns left circumflex below left
A923 combining kerns right of circumflex above rightA924 combining kerns right circumflex above left

HEX
NAME
A925 combining kerns right circumflex left
A926 combining kerns right circumflex below left
A927 combining left of circumflex above rightA928 combining left of circumflex below rightA929 combining double grave above left
A92A combining double grave left
A92B combining double grave below left
A92C combining turned comma above right
A92D combining reversed comma above right
A92E combining diaeresis above right
A92F combining colon rightA930 combining dot above rightA931 combining dot below rightA932 combining dot below left
A933 combining dot sub-below left
A934 combining dot left
A935 combining dot sub-above left
A936 combining dot above left
A937 combining ring above left
A938 combining ring left
A939 combining ring below left
A93A combining ring above right
A93B combining ring below right
A93C combining right half ring middle right
A93D combining left half ring middle right
A93E combining inverted breve right
A93F combining breve rightA940 combining left angle above rightA941 combining double inverted breve below
A942 combining caron above left
A943 combining caron left
A944 combining caron below left
A945 combining caron above rightA946 combining circumflex accent above left
A947 combining circumflex accent left
A948 combining circumflex accent below left
A949 combining up tack middle right
A94A combining down tack middle right

HEX
NAME
A94B combining left tack middle right
A94C combining right tack middle right
A94D combining plus sigh above right
A94E combining plus sigh right
A94F combining multiply mark × above rightA950 combining latin letter squat reversed esh above rightA951 Combining rightdown arrow
A952 Combining rightup arrow
A953 combining two arrows rightA954 combining left half ring below left
A955 combining left half ring and a low line below left
A956 combining left half ring above left
A957 combining left half ring and a low line above left
A958 combining right half ring above rightA959 combining right half ring and a low line above right
A95A combining right half ring below right
A95B combining right half ring and a low line below right
A95C combining right dull angle above
A95D combining left dull angle above
A95E combining inverted tidle
A95F five-degree tone value: tone sandhi high level 55
A960 five-degree tone value: tone sandhi sub-high level 44
A961 five-degree tone value: tone sandhi middle level 33
A962 five-degree tone value: tone sandhi sub-low level 22
A963 five-degree tone value: tone sandhi low level 11
A964 five-degree tone value: low rising 12
A965 five-degree tone value: middle rising 13
A966 five-degree tone value: sub-high rising 14
A967 five-degree tone value: high rising 15
A968 five-degree tone value: rising 23
A969 five-degree tone value: rising 24
A96A five-degree tone value: rising 25
A96B five-degree tone value: rising 34
A96C five-degree tone value: high-rising 35
A96D five-degree tone value: high-rising 45
A96E five-degree tone value: tone sandhi low-rising 12
A96F five-degree tone value: tone sandhi rising 13
A970 five-degree tone value: tone sandhi rising 14

HEX
NAME
A971 five-degree tone value: tone sandhi high-rising 15
A972 five-degree tone value: tone sandhi rising 23
A973 five-degree tone value: tone sandhi rising 24
A974 five-degree tone value: tone sandhi rising 25
A975 five-degree tone value: tone sandhi rising 34
A976 five-degree tone value: tone sandhi rising 35
A977 five-degree tone value: tone sandhi rising 45
A978 five-degree tone value: falling 21
A979 five-degree tone value: falling 31
A97A five-degree tone value: falling 32
A97B five-degree tone value: falling 41
A97C five-degree tone value: falling 42
A97D five-degree tone value: falling 43
A97E five-degree tone value: falling 51
A97F five-degree tone value: falling 52
A980 five-degree tone value: falling 53
A981 five-degree tone value: falling 54
A982 five-degree tone value: tone sandhi falling 21
A983 five-degree tone value: tone sandhi falling 31
A984 five-degree tone value: tone sandhi falling 32
A985 five-degree tone value: tone sandhi falling 41
A986 five-degree tone value: tone sandhi falling 42
A987 five-degree tone value: tone sandhi falling 43
A988 five-degree tone value: tone sandhi falling 51
A989 five-degree tone value: tone sandhi falling 52
A98A five-degree tone value: tone sandhi falling 53
A98B five-degree tone value: tone sandhi falling 54
A98C five-degree tone value: falling-rising 212
A98D five-degree tone value: falling-rising 213
A98E five-degree tone value: falling-rising 214
A98F five-degree tone value: falling-rising 215
A990 five-degree tone value: falling-rising 312
A991 five-degree tone value: falling-rising 313
A992 five-degree tone value: falling-rising 314
A993 five-degree tone value: falling-rising 315
A994 five-degree tone value: falling-rising 323
A995 five-degree tone value: falling-rising 324
A996 five-degree tone value: falling-rising 325

HEX
NAME
A997 five-degree tone value: falling-rising 412
A998 five-degree tone value: falling-rising 413
A999 five-degree tone value: falling-rising 414
A99A five-degree tone value: falling-rising 415
A99B five-degree tone value: falling-rising 423
A99C five-degree tone value: falling-rising 424
A99D five-degree tone value: falling-rising 425
A99E five-degree tone value: falling-rising 434
A99F five-degree tone value: falling-rising 435
A9A0 five-degree tone value: falling-rising 512
A9A1 five-degree tone value: falling-rising 513
A9A2 five-degree tone value: falling-rising 514
A9A3 five-degree tone value: falling-rising 515
A9A4 five-degree tone value: falling-rising 523
A9A5 five-degree tone value: falling-rising 524
A9A6 five-degree tone value: falling-rising 525
A9A7 five-degree tone value: falling-rising 534
A9A8 five-degree tone value: falling-rising 535
A9A9 five-degree tone value: falling-rising 545
A9AA five-degree tone value: tone sandhi falling-rising 212
A9AB five-degree tone value: tone sandhi falling-rising 213
A9AC five-degree tone value: tone sandhi falling-rising 214
A9AD five-degree tone value: tone sandhi falling-rising 215
A9AE five-degree tone value: tone sandhi falling-rising 312
A9AF five-degree tone value: tone sandhi falling-rising 313
A9B0 five-degree tone value: tone sandhi falling-rising 314
A9B1 five-degree tone value: tone sandhi falling-rising 315
A9B2 five-degree tone value: tone sandhi falling-rising 323
A9B3 five-degree tone value: tone sandhi falling-rising 324
A9B4 five-degree tone value: tone sandhi falling-rising 325
A9B5 five-degree tone value: tone sandhi falling-rising 412
A9B6 five-degree tone value: tone sandhi falling-rising 413
A9B7 five-degree tone value: tone sandhi falling-rising 414
A9B8 five-degree tone value: tone sandhi falling-rising 415
A9B9 five-degree tone value: tone sandhi falling-rising 423
A9BA five-degree tone value: tone sandhi falling-rising 424
A9BB five-degree tone value: tone sandhi falling-rising 425
A9BC five-degree tone value: tone sandhi falling-rising 434

HEX
NAME
A9BD five-degree tone value: tone sandhi falling-rising 435
A9BE five-degree tone value: tone sandhi falling-rising 512
A9BF five-degree tone value: tone sandhi falling-rising 513
A9C0 five-degree tone value: tone sandhi falling-rising 514
A9C1 five-degree tone value: tone sandhi falling-rising 515
A9C2 five-degree tone value: tone sandhi falling-rising 523
A9C3 five-degree tone value: tone sandhi falling-rising 524
A9C4 five-degree tone value: tone sandhi falling-rising 525
A9C5 five-degree tone value: tone sandhi falling-rising 534
A9C6 five-degree tone value: tone sandhi falling-rising 535
A9C7 five-degree tone value: tone sandhi falling-rising 545
A9C8 five-degree tone value: rising-falling 121
A9C9 five-degree tone value: rising-falling 131
A9CA five-degree tone value: rising-falling 141
A9CB five-degree tone value: rising-falling 151
A9CC five-degree tone value: rising-falling 132
A9CD five-degree tone value: rising-falling 142
A9CE five-degree tone value: rising-falling 152
A9CF five-degree tone value: rising-falling 143
A9D0 five-degree tone value: rising-falling 153
A9D1 five-degree tone value: rising-falling 154
A9D2 five-degree tone value: rising-falling 231
A9D3 five-degree tone value: rising-falling 241
A9D4 five-degree tone value: rising-falling 251
A9D5 five-degree tone value: rising-falling 232
A9D6 five-degree tone value: rising-falling 242
A9D7 five-degree tone value: rising-falling 252
A9D8 five-degree tone value: rising-falling 243
A9D9 five-degree tone value: rising-falling 253
A9DA five-degree tone value: rising-falling 254
A9DB five-degree tone value: rising-falling 341
A9DC five-degree tone value: rising-falling 351
A9DD five-degree tone value: rising-falling 342
A9DE five-degree tone value: rising-falling 352
A9DF five-degree tone value: rising-falling 343
A9E0 five-degree tone value: rising-falling 353
A9E1 five-degree tone value: rising-falling 354
A9E2 five-degree tone value: rising-falling 451

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A9E3 five-degree tone value: rising-falling 452
A9E4 five-degree tone value: rising-falling 453
A9E5 five-degree tone value: rising-falling 454
A9E6 five-degree tone value: tone sandhi rising-falling 121
A9E7 five-degree tone value: tone sandhi rising-falling 131
A9E8 five-degree tone value: tone sandhi rising-falling 141
A9E9 five-degree tone value: tone sandhi rising-falling 151
A9EA five-degree tone value: tone sandhi rising-falling 132
A9EB five-degree tone value: tone sandhi rising-falling 142
A9EC five-degree tone value: tone sandhi rising-falling 152
A9ED five-degree tone value: tone sandhi rising-falling 143
A9EE five-degree tone value: tone sandhi rising-falling 153
A9EF five-degree tone value: tone sandhi rising-falling 154
A9F0 five-degree tone value: tone sandhi rising-falling 231
A9F1 five-degree tone value: tone sandhi rising-falling 241
A9F2 five-degree tone value: tone sandhi rising-falling 251
A9F3 five-degree tone value: tone sandhi rising-falling 232
A9F4 five-degree tone value: tone sandhi rising-falling 242
A9F5 five-degree tone value: tone sandhi rising-falling 252
A9F6 five-degree tone value: tone sandhi rising-falling 243
A9F7 five-degree tone value: tone sandhi rising-falling 253
A9F8 five-degree tone value: tone sandhi rising-falling 254
A9F9 five-degree tone value: tone sandhi rising-falling 341
A9FA five-degree tone value: tone sandhi rising-falling 351
A9FB five-degree tone value: tone sandhi rising-falling 342
A9FC five-degree tone value: tone sandhi rising-falling 352
A9FD five-degree tone value: tone sandhi rising-falling 343
A9FE five-degree tone value: tone sandhi rising-falling 353
A9FF five-degree tone value: tone sandhi rising-falling 354
AA00 five-degree tone value: tone sandhi rising-falling 451
AA01 five-degree tone value: tone sandhi rising-falling 452
AA02 five-degree tone value: tone sandhi rising-falling 453
AA03 five-degree tone value: tone sandhi rising-falling 454
AA04 five-degree tone value: short high-level 5
AA05 five-degree tone value: short sub-high-level 4
AA06 five-degree tone value: short middle 3
AA07 five-degree tone value: short sub-low level 2
AA08 five-degree tone value: short low level 1

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AA09 five-degree tone value: tone sandhi short high-level 5
AA0A five-degree tone value: tone sandhi short high-level 4
AA0B five-degree tone value: tone sandhi short middle level 3
AA0C five-degree tone value: tone sandhi short sub- low level 5
AA0D five-degree tone value: tone sandhi short low level 5
AA0E five-degree tone value: short rising 12
AA0F five-degree tone value: short rising 13
AA10 five-degree tone value: short rising 14
AA11 five-degree tone value: short rising 15
AA12 five-degree tone value: short rising 23
AA13 five-degree tone value: short rising 24
AA14 five-degree tone value: short rising 25
AA15 five-degree tone value: short rising 34
AA16 five-degree tone value: short rising 35
AA17 five-degree tone value: short rising 45
AA18 five-degree tone value: short rising 34
AA19 five-degree tone value: tone sandhi short rising 13
AA1A five-degree tone value: tone sandhi short rising 14
AA1B five-degree tone value: tone sandhi short rising 15
AA1C five-degree tone value: tone sandhi short rising 23
AA1D five-degree tone value: tone sandhi short rising 24
AA1E five-degree tone value: tone sandhi short rising 25
AA1F five-degree tone value: tone sandhi short rising 34
AA20 five-degree tone value: tone sandhi short rising 35
AA21 five-degree tone value: tone sandhi short rising 45
AA22 five-degree tone value: short falling 21
AA23 five-degree tone value: short falling 31
AA24 five-degree tone value: short falling 32
AA25 five-degree tone value: short falling 41
AA26 five-degree tone value: short falling 42
AA27 five-degree tone value: short falling 43
AA28 five-degree tone value: short falling 51
AA29 five-degree tone value: short falling 52
AA2A five-degree tone value: short falling 53
AA2B five-degree tone value: short falling 54
AA2C five-degree tone value: tone sandhi short falling 21
AA2D five-degree tone value: tone sandhi short falling 31
AA2E five-degree tone value: tone sandhi short falling 32

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AA2F five-degree tone value: tone sandhi short falling 41
AA30 five-degree tone value: tone sandhi short falling 42
AA31 five-degree tone value: tone sandhi short falling 43
AA32 five-degree tone value: tone sandhi short falling 51
AA33 five-degree tone value: tone sandhi short falling 52
AA34 five-degree tone value: tone sandhi short falling 53
AA35 five-degree tone value: tone sandhi short falling 54
AA36 five-degree tone value: neutral tone dot 1
AA37 five-degree tone value: neutral tone dot 2
AA38 five-degree tone value: neutral tone dot 3
AA39 five-degree tone value: neutral tone dot 4
AA3A five-degree tone value: neutral tone dot 5
AA3B five-degree tone value: tone sandhi: neutral tone dot 1
AA3C five-degree tone value: tone sandhi: neutral tone dot 2
AA3D five-degree tone value: tone sandhi: neutral tone dot 3
AA3E five-degree tone value: tone sandhi: neutral tone dot 4
AA3F five-degree tone value: tone sandhi: neutral tone dot 5