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The Japan Foundation Forum
Organized by
The Japan Foundation Asia Center
Curator :Ranjit Hoskote

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Foreword

The Japan Foundation Asia Center is pleased to present an exhibition of a remarkable Indian
artist, "Atul Dodiya-Bombay: Labyrinth/Laboratory." This is the second show of the solo-exhibition series featuring Asian artists that started in 2000. Ranjit Hoskote, also of India, hasserved as guest curator.
Dodiya was born in Mumbai (Bombay) in 1959 and studied painting at the Sir J.J. Schoolof Art. He began exhibiting his paintings in the 1980s, and since then has appeared in many
exhibitions in India and other countries. His achievements of the late 1990s were especiallystriking, and today he is known as one of the most important painters in India. In recent years,
he has expanded beyond painting to experiments in three dimensions. With the recent paintings on roller shutters, he has started to incorporate "readymade" objects found in public
spaces of the city in his work. The everyday objects he has used include a collapsing gate, aladder, a slide, a tiled wall, and a fire bucket. Dodiya creates an allegorical art with a heterogeneous mixture of subjects: autobiographical narratives focusing on the perpetually interesting
theme of the family, the collective fantasies of popular culture presented in Indian movies,
global consumerism fueled by the mass media, and traditional folk customs relating to gods,
sages, and national leaders interpreted in a postmodern fashion.
Hoskote, the guest curator, is an energetic critic and curator, who represents the younger
generation of art professionals in India. He is currently an art journalist for The Hindu and acontributing editor of TheArt News Magazine of India, and has been active in curating exhibitions as well as writing on art.
This exhibition takes the form of an installation consisting of 40 works that fill the entire
space of the gallery. It expands previous concepts into three dimensions with the use of oilpaintings, watercolors, photographs, shutter paintings, and "readymade" objects. It is inspiredby the city of Mumbai, the city where Dodiya lives and works, a city reeling from the effects ofglobalization that is changing more rapidly and dramatically than any other city in India.
We would like to express our heartfelt appreciation to Atul Dodiya and to Ranjit Hoskote
for their hard work and generous cooperation in preparing this exhibition, to the museums,
galleries, and collectors who loaned works in their possession, and to all the individuals whose
assistance made this exhibition possible.
June 2001
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In preparing for this exhibition, the followingpeople
and organizationshave given us their generous
assistance. Wewould like to take this opportunity toextend to them our sinceregratitude.
(Nameslisted in no specificorder)

GalleryChemould(Shireen Gandhy)
Sanjay Lalbhai
Czaeeand Suketu Shah
Ketan Parikh
RPGEnterprises (Harsh Goenka)
Mahesh Chandra
DineshJhaveri
AmritaJhaveri
CIMAGallery(Rakhi Sarkar)
Sakshi Gallery(Geetha Mehra)
PeabodyEssexMuseum
National Galleryof ModernArt, Mumbai
WiflilJJ''.lJ'~ffilt [FukuokaAsian Art Museum]
SitanshuYashaschandratA-itlilS[HayashiMichio]
Geeta Kapur
Bhupen KhakharPeter Nagy
ltSI 'llr [Tatehata Akira]
1J,m,:=[OgumaEiji]
Jlll• Jil! [SekiguchiMari]
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Artist's Statement [Atul Dodiya]75

LABYRINTH/LABORATORY:
Manufacturing Bombay, Atul Dodiya-style [Ranjit Hoskote]76

Atul Dodiya: Sincere Impurity [Hayashi Michio]85

From the Fragmented to the Plural: Atul Dodiya's Art [Sitanshu Yashaschandra]

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Blll~/ Biography

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fl'o'l, 1J:;ze / List of Works

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l!lilt~ / Notes on Contributors

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