counteraction and be exterminated. Yet Cubism - and this is the mostamazing power of formative arts - attracted heavy doses of both praiseand censure, while playing the role as the bearer of a uropian theor y ofreform, and lasted throughout the postwar years to this day.
Already a quarter of a century ago, Hans Belting pointed out thatthe study of the modern age turned art history into a history of the "avantgarde" that constantly repeats itself and is a process of adjoining thevariety of geniuses that peak above others. However, the creation of new
expressive forms often comes from latent personal qualities of the genius
artist himself or from his undiscovered biographical background. His
ultimate intention is inexplicable otherwise. In contrast, the "followers"of such geniuses who daringly accepted those expressive forms and who
developed a rich repertoire of visual dictums from there never fail to fully
reveal their motivations and objectives. If so, is it really valid to deem
them - and undoubtedly most of our Asian Cubists are among them as mere followers who are "not as essential"? What we must first do inorder to discuss Cubism in Asia, is to liberate ourselves from suchshackles of the history of Modernism and to scrutinize their sociopolitical as well art historical backgrounds.

Texts in the "Reflectio n on the Symposium" section translated by Koh no Haruko.

378

,,,t,1;7-.r. 7071-,vPanelists'Profiles

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o383

Panelists ' Profiles

Keynot e Speec hTatehata Akira
Director, The National Museum of Art, Osaka Uapan )Born in Kyoto in 1947. G radua ted fro m Scho ol of Lette rs, Arcs and Sciences, Waseda
Universiry. Cur ator of th e National Mu seum of Art , Osaka and professor of Tama Art
University before takin g curr ent position in 2005. Specializes in modern and cont emp orary arr. Japan ese co mmi ssion er for th e Venice Biennal e (1990, 93 ), artistic dir ector of
Yokoham a Triennal e 2001 , and curator of many exhibit ion s of mod ern / co ntemp orary art
in Asia. Also, a poe t and winn er of Rekitei Prize of New Poet (199 1) and Takam i Jun
Award (2005). Lives in Osaka.

Session 1

Mizusawa Tsutomu
C hief Curator, The Museum of Mo dern Art, Kamak ura & Hayama (japan )Born in Yokohama in 1952. Ob tain ed MA fro m Keio Uni versity,Japan and join ed the
Mu seum of Mod ern Art , Kamakura as curator in 1978. Specializes in Germ an modern /con temporary art and Japanese mod ern/ cont emporary arr and its encount er w ith foreigncultur e. Author of Kono Owari11
0 Toki ni mo (Even at th e End ) (Shicho-sha , 1989) andTenza,0suru Ch11
shi11(Interspersed Center) (Co -author / editor , Shunju sha, 1995), among
oth ers. Curated many exhibition s, including "MOBO , MOGA / Mod ern Boy, Mod ern Girl:
Japan ese Mod ern Art 1910-1935" (1998). Lives in Kanagawa prefectur e.

Omuka Toshiharu
Professor, Graduate School of Comprehensive Hu man Sc iences , Unive rsity ofTsukuba (japa n )Bo rn in Tokyo in 195 1. Ob tain ed MA from Waseda University and Ph.D. from Uni versityof Tsukub a. Assistant cura to r of Hokk aido Mu seum of Modern Art, Sappo ro (1978- 1985 ).
Jo ined Uni versity of Tsukuba in 1985. Chair of Do ctoral Program in Art and Design since2004. Awarded Mainichi Shupp an Bunka sho Shoresho Prize for Ta,shoki shinko bijutsu
undo no kenk:yu[Mod ern Art Movement an d Avant -Garde in Jap an 1920-1927] in 1995.
Recent studies include artistic interactions between Far Eastern Russia and Japan in the
1910s and 1920s, and makin g of masterpi eces, amo ng oth ers. Lives in lbaraki prefectur e.

Shen Kuiyi
Assoc iate Professor, De partment of Visual Arts, U niversity of California , San Diego (China / USA )Born in Shanghai , China in 1954. Obtain ed BA from Shan ghai No rmal Uni versity, Chin aand Ph.D. in art histo ry fro m Ohi o State Uni versity, USA. Contribut es boo ks and essays
o n mod ern and con temporar y Chin ese art, and Sino-Japanese artistic exchan ges in thelate 19t h and early 20th centuri es, including A Century in Crisis: Tradition and Modernityin
the Art of Twentieth Century China (co-author, Gug genh eim Mu seum Publi cations, 1998 )and "The Lure of the West: Impr essionism in China '" (2005). Lives in Californi a.

384

John Clark
Professor,Department of Arc History and Theory, University of Sydney (Australia)

Born in Grim sby, UK in 1946. Obtain ed Ph.D. from Th e Uni versity of Sheffield, UK.
Author of m any book s and articl es, including Modernity i11Asian Art (Editor / co ntributor,
Wild Poeny Press, 1993 ) and ModernAsian Art (Honolulu: University o f Ha wai' i Press,
1998 ). Specia lizes in mod ern and cont emporar y art in Asia. Two book dr afts now insubmi ssion, Modernities of ChineseArt and Modernities compared: Chinesea11dThai Art i11
the /980s and 1990s. C urr entl y researchin g on th e new biennial s in Asia. Lives in Sydn ey.

Session 2

Hayashi Michio
Associate Professo r, Faculty of Comparat ive Cu lture, Sop hia Unive rsity (Japan )Born in Hakodat e in 1959. Obtain ed Ph.D. from th e Departm ent of Art Hi stor y andArchaeolo gy, Columbia Univ ersity. Curr ent po sition since 2003, specializing in Weste rn
art history and art cr iticism . Author of Painting Dies Twice, or Never, vol.1-4 (Tokyo: Art
Trace, 2003-, vols. 5-7 to be publi shed soon ). Recent catalogu e essays includ e "Paintin g,
Degree Ze ro - RR's Whi sper" ("Rob ert Ryman " exhibirion , 2004 ) and "An Eye Open to
Traces ofLighr : Thought s on Ryuji Miyamoto " ("Ryuji Miyamoto Retro spective"
exhibition , 2004 ). Lives in Tokyo.

Jim Supangkat
Art Critic / Chief Curator, C P Foundation (Indonesia )Born in Makassar, Indon esia in 1948. Gr adu ated from Faculty o f Fine Art and Design ,Bandung Institut e of Techno logy in 1975, and began career as sculptor an d initi ated rh e
Indon esia New Art Mo vement th e sam e year. Becam e full -tim e art criti c and ind ependent curator in the late 1980s. From th e 1990s onward s, act ively involved in introdu cing
Ind o nesian art int ernation ally and estab lishin g regional art forum s mainl y in South east
Asia. Lives in Bandun g.

Patrick D. Flores
Professor, ArrStudies Depanmenc, Universityof the Philippines Diliman (The Philippines)

Born in Manila , th e Philippin es in 1969. Received deg rees in hum aniti es, art histor y, andPhilippin e studi es at Uni versiry o f th e Philippin es Diliman . Co ntribut es essays on art
and popul ar cu ltur e to local and int ern ationa l publ ication s. Publi cation s includ e book son the humaniti es, co lonial art, and cinema. Also, curator of Arts Di visio n, N ational
Mu seum o f the Philippin es. C urr entl y researchin g on cur ato rs of cont emporar y art inSouth east Asia. Lives in Manila.

385

Ahmad Mashadi
Senior Curator, Singapore Art Museum (Singapore)

Born in Singapore in 1966. Graduated from Nat ional University of Singapore and joined
Singapore Art Museum as curator of its inaugural exh ibition in 1996. Curaro rial projects
include "SEN ! Singapore 2004 ~ 49th Venice Biennale (2001 ), and 26th Sao Paulo
Biennial (2004 ). Specializes in contemporary art in Sout heast Asia. Lives in Singapore.

Sessio n 3

Matsumoto Tohru
Chief Curator, The National Museum of Modern Art, Tokyo (Japan)

Born in Tokyo in 1955.Completed graduate course in aesthetics and art history at Kyoto
Universi ty and joined Th e National Museum of Modern Art , Tokyo in 1980. Curated
exhibition s includ e"Kand insky Retrospective " (1987) and "YayoiKusama" (2004). Academic
papers includ e" Kaiga no keishiki ro naiyo-Kandinsky
no kaiga-ron wo megutte[Forms and Context in Painting; On Theories of Kandin sky's Paintingt Gey·,11s11-no
Riron
to Rekishi [Theory and Hisrory of Art ] (Shibunkaku, 1990). Lives in Kanagawa prefecture.

Kim Young-na
Professor, Department of Archaeology and Art History, Seoul National University (Korea)

Born in Seoul, Korea. Received MA and Ph.D. from Ohio State University. Became
professor of Duksong Women's University in 1980 and joined Department of Archaeo logy and Art Hi story at Seoul Nationa l University in 1995. Author of many books andart icles on 20th century Korean art and Western modern art, including Tradition,
Modernityand Identity, Modem and ContemporaryArt in Korea(The Korea Foundation,
Hollym Publisher , 2005 ). Lives in Seoul.

Tanaka Masayuki
Curator, The National Museum of Western Art (Japan)

Born in Tokyo in 1963. G radua ted Department of Art Hisrory, Faculty of Letters, The
University of Tokyo in 1987. Subsequent ly co mpl eted graduate course , then studied at
Institu te of Fine Arcs at New York University from 1990 ro 1995.Joined The Nat iona l
Museum of Western Art as curaror in 1996. Spec ializes in Western modern andcontemporary art hisrory. Curated exh ibiti ons includ e "Picasso's World of Ch ildr en"(2000 ) and "Henri Matisse: Pro cess and Variation" (2004 ). Lives in Tokyo.

Bert Wincher-Tamaki
Associate Professor, Department of Art History, University of California, Irvine (USA)

Born in Pennsy lvania , USA in 1959. Author of Art in the EncounterofNations;}apaneseand AmericanArtistsin the EarlyPostwarYears(University of Hawai'i Press, 2000 ) and coaut hor with Louise Cort of JsamuNoguchiand ModemJapaneseCeramics:A CloseEmbraceof the Earth (Unive rsity of Califo rni a Press, 2003 ). Current book project is titled Painterly
Eugenics;DesigningjapaneseBodiesin WesternPainting(Yoga). Lives in California.

386

Session 4

Tsuji Shigebumi
Professor, Facultyof Humanities, Otemae University/
Director, Nishinomiya City Otani Memorial Museum of Art (Japan)

Born in Tokyo in 1933 . Graduat ed Facult y of Fine Ans , Tokyo Nat ion al Uni versity ofFine Arts and Mu sic in 1958 , and obtain ed Ph.D. from Prin ceto n Univers ity. Curre nt
position since 2000 ; prior positions include professor at Osaka Univ ersity. Specia lizes inlate antiqui ty, Byzantine / medieva l periods , and icono graph y. Author of Idea no Yadon·[Dwelling s of Idea : Plato nism an d the Art from Classical Ant iquit y to Byzanti um ](Sh inchosha, 1976) and "Bekken Post-Imag e ron no Bijutsu -shi -gaku [Art History after
the Age of'Word- lm ageT Ote111a
ejo11rnalof Humanities, V (2005 ). Lives in Kobe.

Ushiroshoji Masahiro
Professor,Faculty of Humanities, Kyushu University (Japan}

Born in Kita-Kyushu in 1954. Graduated from School of Lette rs, Kyushu Un iversity andjoin ed Fukuoka Art Mu seum as curator in 1978. Curator of Fukuoka Asian Art Mu seumfrom 1999, and current po sition from 2002. C urated man y exhibition s of modern /cont emporar y art in Asia, includin g "Th e Birth of Modern Art in Southeast Asia: Art ists
and Movement s" (1997 ) and the first two Fukuoka Asian Art Trienn ales (1999, 2002 ).
Also, au th or of man y books and articl es in thi s field . Lives in Fukuoka.

Karen Cor dero Reim an
Distinguished Professor,Art History Department, Universidad lberoamericana {Mexico)

Born in Rome , New York, USA. Studied at Swarthmore College and co mpl eted gradua testudi es in art history at Yale Univer sity. Foundin g memb er of th e research cen ter andjourna l of Curare:A CriticalSpacefar the Arts. Author of num erous publ icat ion s on 20th
centu ry Mexican art , and also th e relations between th e so-ca lled fine and popular arts,
historiography, and representation of th e bod y, gender and sexual identit y in Mexican
art. Also involved in variou s exhibition s. Cu rrentl y working on a pub lication compa ring
the presentatio n and narrat ion of th e history of 20th centur y Mexican art in art histo ricaltexts and mus eum exhibiti ons. Lives in Mexico City since 1982.

Tatehata Akira
See Keynote Speech.
• The data, including positions and affiliations,are as of September 2005.

387

388

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392

Cubism in Asia Project

The project consists of th e following compo nents :I ) Internat ion al Workshop
2) Exh ibition
3) International

Symp osi um (ope n to th e public )4) Publi cation
Project Advisors:
Tatehata Akira (formerly Professor,Tama ArrUniversity/ Director, The National Museumof Art, Osaka]
Hayashi Mi chio [Associate Professor,Faculty of Comparative Culture, Sophia University]
Us h iros hoji Masahiro [Professor, Faculty of Humanities, Kyushu University]

Project Di rector :Furuichi Yasuko [Exhibition Coordinator,Visual Arts Division, Arts Department, The JapanFoundat ion]

1) International

Wor kshop

Dates: February 2, 2004 (Mon )- February 3, 2004 (Tue )Venue: Th e Japan Foundat ion Conference H all
Or ga ni zer: The Japa n Foundation
Parti cipant s: (in alph abe tical order by fami ly nam e, positions /a ffiliations as February 2004)
Patric k D. Flores [Professor,Art Studies Department, University of the Philippines, The Philippines]
Ha yas hi Mic h io [Associate Professor, Faculty of Comparative Cultu re, Soph ia Universiry,Japan]

Su tee Kun avich anont [Artist, Thailand]
Li Chao [Associate Professor, College of Fine Arts,Shanghai University,China]
Ahmad Mashadi [Senior Curator, SingaporeAn Museum, Singapore]

Mok Soo -h yun [Curator,Jikji Museum, Korea]-topresent Kim Young-na's pape r

Gayacri Devi Sinh a [Art Critic/ Curator, India]
Tatehata Akira [Professor,TamaArt University,Japan]
Ushiroshoji Masahiro [Professor,Facultyof Humanities, Kyushu University.Japan]

Jagat h Weerasinghe [Artist, Sri Lanka]
Rizk i A. Zaelani [Art Critic/C uracor,Indonesia)

Resea rch Trip s
2004
Mar ch Korea (Seou l), Th e Philipp ines (Mani la), Singapore
August India (New Delh i, Mumbai ), Sri Lanka (Colombo ), Malaysia (Kuala Lumpur )August Ch ina (Beijing, Sha nghai, Hangzhou, Guangzhou )October-November
Th ailand (Bangkok ), Indonesia (Jakarta, Bandung )2005
February

Hon g Kong , Taiwan (Taipei )Apr il The Philippin es (Manil a)393

2) Exhibition
Dat es & Venues:[Tokyo ] August 9, 2005 (Tue )-Occober 2, 2005 (Sun )Th e Nationa l Mu seum of Modern Art, Tokyo[Seoul ] November 11, 2005 (Fri)- Januar y 30, 2006 (Mon )Th e Nationa l Museum of Contemporary

Art, Korea (Deoksug ung )[Singapore ] Februa ry 18, 2006 (Sat )-Ap ril 9, 2006 (Sun )Singapore Art Museum
Orga nizers:

The Japan Foundation
The Natio n al Museum of Mod ern Art, Tokyo
The National Museum of Co nt emporary Art, Korea
Singapo re Art Museum
Co ncept: (in alphabet ica l order by family name )Choi Eun-ju [Director, The National Museum of Contemporary Art, Deoksugung }Joyce Fan [Curator,SingaporeArc Museum]
Furuichi Yasuko [Exhibition Coordinator,The japan Foundation]
Kim In-hye [Assistant Curator,The National Museum of ContemporaryArt, Korea]
H ayash i Michio [Associate Professor, Facultyof ComparativeCulture, Sophia University]
Ahmad Mashadi [Senior Curator,Singapore Art Museum ]Mat su moto Tohru [Chief Curator, The National Museum of Modern Arc,Tokyo]
Miwa Kenjin [Curator,The National Museum of Modern Art,Tokyo]

Tatehata Akira [Director,The NationalMuseumof Art, Osaka]
Ushiroshoji Masahiro [Professor,Faculty of Humanities, KyushuUniversity]

Project Managem ent:
The Nationa l Museum of Modern Art, Tokyo
Mat sumoro Tohru / Miwa Ken jin / Suzuki Katsuo
The National Museum of Contemporary

Art , Korea

Chu ng Jun -mo / Choi Eun-ju / Kim ln-hye
Singapore Art Museum
Ahmad Mashadi /Jo yce Fan / Cindy Wong
The Japan Foundation
Tokyo: Furuichi Yasuko/ Hoa shi Aki/lshigami
Beijing: Kuriyama Masayuki / Huang Haicun
Seou l: Kim Young-shin / Machida Haruko

Mori

Bangkok: Uchida Hi roshi /Ampush in ee Unchidt i
Jakarta: Tsukamoto Norihisa / Saco Maho / Diana Nugroho / Okano Takayasu
Kuala Lumpur: Shimada Seiya/ Kugai Kyoko /Anuar Bin Ham zah
Manila: Suzuki Tsutomu / lizawa Nobuaki / Uesugi Hi roaki / Patri cia Rose Barbara Diaz
New Delhi: Fuka zawa Yoh/ Ho shina Teruyuki / Shalini Agarwal

394

Countr ies represented in the exhibition:
China, Indi a, lnd ones ia,Japan , Korea, Malaysia, the Philippin es, Singapore, Sri Lanka,
Thailand , Vietnam
Artists and Artwork s:
Over 120 wor ks of 76 arti sts we re selected from th e 11 countries listed above, based o n
the findings from th e Int ernational Workshop in 2004 and research trips in th e regional
cities. (Number of works vary by venue. )3) Int ernational Sympo sium
Internat iona l sympo sia are planned in conjunct ion with the tour of th e exh ibiti o n inthr ee cit ies. Agenda and pan elists are decided by the local organizer s t0 reflect th e local
interest and issues.
[Tokyo]"C ubi sm in Asia: Unbound ed Dialogue s"
Dat es: Septe mb er IO, 2005 (Sat )- September 11, 2005 (Sun )Venu e: The Japan Foundation Forum , To kyo
Organi zer: The Japan Foundation
Panelists: (in alphabet ical order by family nam e, positions /affiliation s as of September 2005 )John Clark [Professor,Department of Art History and Theory,University of Sydney,Australia]
Patrick D. Flores [Professor, Art Studies Department, Universityof the Philippines Diliman, The
Ph ilippines ]Hayashi Michio [AssociateProfessor, Faculty of Comparative Culture,Sophia Universiry,Japan]
Kim Young-na [Professor, Department of Archaeologyand Art History, Seoul National University,
Ko rea]Ahmad

Ma sh adi [Sen ior Curato r, Singapo re Art Museum , Singapo re ]Mat su moto Tohru [Chief Curator, The Natio nal Museum of Modern Art, Tokyo,Japan]

Mizusawa Tsutomu [Chief Curator,The Museum of Modern Art, Kamakura& Hayama,Japan]
Omuka Toshih aru [Professor, GraduateSchool of Comprehensive Human Sciences, Universityof
Tsukuba,Japan ]Karen Co rdero Reima n [Distinguished Professor, Art History Department, Universidad
lberoamericana, Mexico]Shen Kuiyi (AssociateProfessor,Departmentof Visual Arts, University of California, San Diego,
C hin a / USA]

Jim Supan gkat [Art Critic/ Chief Curator, CP Foundation, Indonesia]
Tanaka Masayuki [Curato r, The National Museum of WesternArt.Japan]
Tatehata Akira (Director, The National Museum of Art, Osaka,Japan]
Tsuji Sh igebumi [Professor,Facultyof Humanities,OrcmaeUniversity/ Director, Nishinomiya City
Otani MemorialMuseumof Arc.Japan]
Ushirosho ji Masahiro [Professor, Faculty of Humanities, Kyushu University,Japan]
Bert Winther-Tamaki [AssociateProfessor,Departmentof Art History, University of California,
Irvin e, USA]395

[Seoul ]"Asian Art in the 20th century"
Date: November 19, 2005 (Sat )Venue: The Korea Foundation Culture Center
Organizers: Th e National Museum Contemporary Art, Korea / Th e Korea Foundation
Panelists (in alphabetica l order by fami ly name ):Joyce Fan [Curator, SingaporeArt Museum,Singapore]
Patrick D. Flore s [Professor, Art Studies Department, Universityof the Philippines Diliman, The
Philippines ]Agung Hujatnikajennong [Curator,SelasarSunaryoArtSpace, Indonesia]
Roobina Karode [Lecturer,The JawahrlalNehru University,India)
Kim Young-na [Profess?r,Departmentof Archaeology and ArrHistory,Seoul National University,Korea]
Ornuka Toshiharu [Professor,GraduateSchool of ComprehensiveHuman Sciences, Universityof
Tsukuba ,Japan ][Singapore ]"C ubism in Asia: Unbounded Dialogues "Dates: March 25, 2006 (Sat )- March 26, 2006 (Sun )Venue: Singapo re Art Museum
Organ izer: Singapore Art Museum
Supporter : Museum , NUS Centre for the Arts
Panelists:
Patrick D. Flores (Professor,Art Studies Department,Universityof the Philippines Diliman, The
Philippines ]T K. Saba pa thy [AdjunctAssociate Professor,Department of Architecture, National Universityof
Singapore,Singapore]

Joyce Fan [Curator,Singapore Art Museum, Singapore]
Hayashi Michio [Associate Professor, Faculty of ComparativeCulture, Sophia University,Japan]
R. Siva Kumar [Professor,Departmentof Art History,VisvabharatiUniversity, India]
Ahmad Mashadi[Senior Curator, SingaporeArr Museum,Singapore]
Jim Supangkat [Art Critic/Chief Curator,CP Foundation, Indonesia]
UshiroshojiMasahiro[Professor,Facultyof Humanities, Kyushu University,Japan]
C. J.Wee Wan-ling [Professor,Departmentof English Language& Literature,Nanyang Technological
University,Singapore]

4. Publication
Exhibition Catalogues:
Cubism in Asia: Unbounded Dialogues (Japanese / English ) Publi shed September 2005
Cubism in Asia: Unbounded Dialogu es (Korean / English ) Publi shed November 2005
Cubism in Asia: Unbounded Dialogu es (Chinese / English ) Publi shed February 2006

396

Int erna tional Symposium Reports
Cubi sm in Asia: Unbounded Dialogues (Japanese / English ) Publi shed Februar y 2006
Asian Art in th e 20th Ce ntu ry (Korean / English ) Publish ed March 2006
Cubism in Asia: Unbounded Dialogu es (Chinese / English ) to be published in 2006

397

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Ltc ,Acknowledgements

The Japan Foundation would like to thank the following members for their generous assistance inmaking this symposium possible.
Tatehata Akira[Director, The National Museum of Art,Osaka )Hayashi Michio[Associate Professor, Faculty of Comparative Culture, Sophia Univers ity)
Mizusawa Tsutomu[Chief Curator, The Museum of Modern Art, Kamakura & Hayama ]Matsumoto Tohru[Chief Curator, The Natio nal Museum of Modern Art, Tokyo]
Tsuji Shigebumi[Professor, Faculty of Humanities, Otemae University / Director, Nishinomiya City Otani Memorial
Museum of Art ]Sympos ium Staff:
Furuichi Yasuko[Exhib ition Coord inator, Visua l Arcs Division, Arts Department, Th e Japan Foundation )Yamada Etsuko[Visual Arcs Division, Arts Department, The Japan Foundation )Hoashi Aki(Assistant Coordinator ]Simultaneous Interpretation:
Yoshida Miyako
Sakai ltsuko
Nemoto Seiji

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Editor: Furuichi Yasuko
Assistant Editor: Hoashi Aki

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Translators:
Japanese to English

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Stanley N. Anderson, Koh no H aruko

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Kinoshita Tecsuo, Fujihara Erimi, Omuka Hiromi

English Proofreader:#i:li:f<flll:
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International Symposium 2005
"Cubism in Asia: Unbounded Dialogues"
ReportStan ley N. Anderson

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