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Road, Dusit , Ban gko k 10800, Thailand

Sansern Milindasuta Biograph y1964 Born in Bangkok , Thailand
1983-87
Studied at Chulalongkorn University, Faculty of Fine andApplied Arts, Ban gko k (B.F.A.)
1987-88 Studied painting at Chelsea School of Art , Londo n, U .K.
(M.F.A.)
1988-89
Studied at Hochschule fur Bildende Kunste Braunschweig,
Braunschweig, Germany
1990 !nscrucror at Bangkok University, School of Fine and AppliedArts, Bangkok
1992- Head of the Department of Communication Design, School ofFine and Applied Arts, Bangkok U niversity, Bangkok
1989
1991
1993

Solo Exhibitions
Recent Works, the Gallery of the Faculty of Painting, Sculptureand Graphic Am , Silpakorn University, Bangkok
National Gallery, Bangkok
The Gardiner, National Gallery, Bangkok

Group Exhibitions
Contempora ry Art Competition, Bhirasri Institute of Art,
BangkokThe 31st National Exhibition of Art , Silpakorn University Art
Gallery, Bangkok
The 2nd Contemporary Art Exhibition by Young Artists,
Silpakorn Unive rsity Art Gallery, Bangkok
1986 Folk-Thai-Time, Bhirasri Institute of Modern Art, Bangkok
The 4th ASEAN Youth Painting, Workshop and Exh ibiti on,
Manila , the Phil ippines
1987 HEXAGON , Th e British Counc il Gallery, Bangkok
1988 Master of Arts in Fine Art Exhibition, Che lsea Schoo l of Art,
London, U.K.
1990 HEXAGON II, National Gallery, Bangkok
1992 The New Path , Contempus / The Bangkok Fine Art Center,
Bangkok
Small Works - An Art Exhib ition by 56 Thai Artists, Silom Art
Space, Bangkok
Bangkok Matters by Bangkok Artists, Silom Art Space ,BangkokMultiple Drawings , the Gallery of the Faculty of Painting,
Sculpture and Graphic Arts , Silpakorn University, Bangkok
New Art from Southeast Asia 1992, Tokyo Metropolitan Art
Space, Exhibition Gallery , Tokyo / Fukuoka Art Mu seum ,Fukuoka / Hiroshima City Museum of Contemporary Art,
Hiroshima / Kirin Plaza Osaka, Osaka, Japan
Thailand-Japan-Korea Art Show, Won-Kwang University Sung
San Art Hall, Republic of Korea
1985126 l:1·036?U-04008, -0469U-0480U-0480
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photo: Fujimoto Kempachi
244.4X437.4cm, boot : h.28.4cm, 1992
collec tion of the Fukuo ka Art Museum
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phot0: Kini Maleepan+Akapop Tapwong
1993
200Xl200cm,
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To You, Our Wo r sh ipp ed Lead er siron chair, roy, fiber glass, rose, steel
photo: Kitti Ma leepan+Akapop Tapwong
50X50X 180cm (each piece ), 22pieces, 199322

Supachai Satsara

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An Eye tha t Indicts Mater ialism:;zJ,-3'-;-,-{•-lf-l----lf-51J'€li!Jij[O)j-"Dar k shadows " aprly describes the throng of human figures
painted by Supachai Sacsara on aucomobile license places, The
reason is chat che artist's scare of mind and opposition co distortions in T hai society, rather than the neutral shadows of specificobjects, are projected onto the works, Thailand is now racing
headlong along the path of economic growth ; it possesses themea ns of production backing chat growth. People are attracted byit; in addition co achieving material affluence chat did not exist in
Thailan d's pre-modern , pre-industrial society, they have been
forced as well co face various problems caused by economic
growt h .
This crajecror y is manifested in the plans for Supachai's works.
'O n the Road of Industry' (1993) criticizes the growth of materialism. 'On the Road ro Bangkok' (1993) displays opposition co theabsorption of labor from the countryside into the city (Bangkok ),an unprecedented phenomenon caused by che industrialization ofThai society.
Nevertheless , it is not Supachai 's aim co cum arc into a politicalcool, alchough he is strongly aware as an artist of the relationshipwith society and the environment. He persistentl y cries co treat che
relationship as an artistic (critical) issue. 'On the Road of Industr y'
depicts faces made of a strange material - counrless tire strips. At
the same time , need less co say, the faces are synonymous with thewheel cracks formed by induscrializacion. Bue Supachai 's work,
tra nscending uni voca l interpretations like this, destroys the func tio n of the tires, a symbol of the drive for industrialization, byshredding chem. In doing so, he has created an image of theemptiness of industrial society .
'On the Road co Bangkok' is an insrallation that depicts
crowds painted on a series of license places. The dark shadowsformed by the figures are impersonal , almost like human ghosc..
Visually, the license plates seem more personal and real than thedark ghostlike human shadows ; the y are also more orderly. The
installation simulcaneously seems co convey an image of humanbeings governed or controlled by numbers . In a recent, related
work , human shapes have been cue out of the paintings, creating
hollow figures.
Whereas che growth of industrial societ y and the humanemptiness caused by it are inherent themes in these works, 'To
You , Our Worshipped Leaders' (1993) cums co a message thatconcerns politici ans. The heads of twenty politicians are arranged
upside down on two rows of small stands. Too ls (playthings) ofcivilization, such as aucomobiles and airplanes , have been placedon the politicians necks. A desire for greater effort on behalf ofthe happiness and interests of individual human beings is infusedin these figures , who have served as a force promoting rapid
modernization and industrialization . As an expression of humanbeings' relationship with society and the environment , it is nothing more than a simple orthodox idea. By comparison, chis aspect
has been eliminated in Japan , which is following the path of poseindustrialism and the hollowing out of industries. But it may be
inevitable for Thai artists with a strong social consciousness cobecome involved in the most critical social problems today. Signs
that should keep Supachai from simply ending up at this level as
an artist are manifested in works that reveal che vision of an artist
who can rivet his attention on the empty forms behind material
phenomena .

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tl:Pli/ Address
c/ o Faculty of Fine Arts, Chiang Mai University, Chiang Mai,
T hai land

Supachai Satsara Biography
1968 Born in Ayucrha ya, Thailand
1987- 92 Studied at Chiang Mai U niversity , Faculty of Fine Arcs,
Chia ng Mai
1991 Received Silpa Bhirasri Go ld Meda l Award at the 8th Exhibitionof Conte mporary Arr by Young Artists on the Occas ion of "Silpa
Bhirasri Day ," Ban gkok
Received Special Award at the 3rd Toshiba Group Arr Competition 1991 , Ban gkok
1992 Receive d Nario nal Youn gster s Award , Arcs and Culture Field ,Ban gko k
1992- Visiting Lecturer at Chiang Mai University, Faculty of Fine Arts ,Chaing Mai
1990

1991

1992

1993

Group Exhibitions
Contempora ry Arr Exhibition 1990, Nationa l Galler y, Bangkok
The 14th Bua Luang Arr Exhibition, Bangkok Bank Musical Arr
Center , Bangkok
Th e 37th Nationa l Exhibit ion of Arr , Silpakorn U niversity Arr
Gallery, Bangkok
The 8t h Exhibition of Contemporar y Arr by Young Artist s on
the Occasion of "Silpa Bhirasri Da y," Silpakorn University Art
Galler y, Bangkok
Th e 3rd Toshiba Group Arr Competitio n 1991 , Silpakorn University
Arr Gallery, Bangkok
Exhibitio n of Modern Drawin g by Posrline Group , Ratchamangklaphisek National Librar y, Chiang Mai
The 38rh Narional Exhibition of Arr, Silpakorn University Arr
Gallery , Bangkok
An Archaeological Dig Thailand , the 3rd Australia and Artists'
Regional Exchange(ARX 3), Sidney, Australia
Melancholic Trance , Visual Dhamma Galler y, Bangkok
New Arr from Southeast Asia 1992 , Tokyo Metropolitan Arr
Space , Exhibition Gallery , Tokyo / Fukuoka Art Museum, Fukuoka/ Hiroshima City Museum of Contemporary Arr, Hiroshima / K irin
Plaza Osaka, Osak a, Ja pan
Arr is a T emple , Chiang M ai
Thailand-Land of a Thousand Id eas, Nationa l Gallery , Bangkok
Exhibi ti on of 8 Arr Instru ctors , Faculty of Fine Arts Exhibition
Hall , Chiang Mai Un iversity, Chiang Mai
Th e 2nd Chiang Mai Social Installati on Arr Festiva l, Chiang Mai
The 3rd ASEAN Tra velling Exhibition of P ainting , Ph otog raph y
and Children 's Art - The Artist and Social Commitme nt , Malaysia

A~(1J't.l<'.:·oo-c:GIIL"O)Jliif<);fol~. ttlf, 1111~- 115::<.,

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By Human Hands(Exhibited at Kaneko Art Gil)wood, glass, driftwood, pine need le, wax
photo: Satoh Tsuyoshi
IOOX320X410c

m, 1992Senzaki Chieo

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Untitled(Exhibited at gallery SHOKO NAGAI)
lauan , soft plywood, paraffin wax, Japanese paper, photograph,wire, tin can, glass plate , seedphoro: Yamamoto T adasu
205X332 X 10cm , 1992;:;:z:-f;j:fa:(t;:(jj(:ltf¥'f''i't>5'J-CO)Jll!ij;)
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Not Here, But There(Exhibited at gallery SHOKO NAGAI)
lauan, soft plywood, square timber, iron, Japanese paper,paraffin wax, electric bulb, twig
photo: Yamamoto Tadasu
197 X200X237cm,
1992

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Vector(Insrallarion at Galler y 21+YO )iron, driftwood, wax, photographphoto: Morioka Jun!65X200X500cm , 199228

Senzaki Chieo

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Vector(Installation at the Hiroshima ~ity_ Museum of Contemporary Arc)
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photo: ask
1993