138*1¥i"7 s;7 O)IJei~~iiJ\fl:::™19~*1s-X~[@lpg]

Bibliography on Southeast Asian Contemporary Art
I . !I~

ill_cp~·'Hi (Jz;!liml.i!i-<:eiiei,Ni11"¥':§ei:'l.
)
SAKONAKAYoko (Curator , Hiroshima City Museum of Contemporary Art)

[@al
179
J
* 3cl::LT?t:7:,,0),,.j;fg!:-:>\ 'T"§l,)_O)ii',.,o'/_,O)~~IRo(J:--:,T,j1!J0)
7:-7Ill000)Y'T"§l,)_0)/J\ ,t,O)(HIJ;J,:* [;i,]f'j(;lllj,:ijcj-\;Jl~i:§ ci\c* 5'IH,l§ili,lc1:-:, \ 'Tit, ~fr'ia'l::~i:!lt.J',l'H,~i:!lil"O)Ji-,~l!lHcito* -!ei'-frTI:-:>\ 'Tit, Y it :i:~ltO)~iii lj y';y_O)f:11J,*faei?::,?i_i!j-1;!,ejffql::O)IJ.9~1.J'ss\ ,1::,\!',htL~tO)O)J;.i;cilco*
Wrll,9i;c*1:-:,\'Tit, J,';J_O)t:11J,~i'ali!lY'ttO)tO)~i;cl\c ,* TVlii;\-.§.1:-:,\,·ti;t, T5tJo£j'f;j,'~!/ii:l!,,Lt:tO)O)J;.i;cl\c,* t§ilullmeiief;f,jfgO)'frlfi'!i~0)1~m2~ 1=1J.9L
T 11, falfg0)4,~0)j311JW'51:J:IH-~L\,i;2.l.t.J%~,
JW((', J'-t'.;7/'!:-:J\

0

)

0

mz.•

[TtTAs-00 ]* %001::t, ~'is'. (;!le'§'(1J:9• :7"ij~fr% ) 0)7 !~ 7r< ·;Hllit* ~%1', lj, !1'.!:,i',O)Jl[i\J:t.:L * EDO)fi\,t :,v-:---70)~'§':f,l;t, \1'.!:i',O)[z::9'1.J<TB,9O)f:11J,~'.§:_t, ~*~0)1i ~:9'~\1'.!:1::L
T!ihT \ ,~ ,* 91-00xi\\Jr-:,\ ' T it, ;r1JFFJ%0)~~~1¥L T?'JEixliii(tt: 1;J:
9l'tsiifti;cYfii/(H~•J_t1f,
lJ!tl!l)siO)h-0):,Cj\\}.l;J:j;j'i\'T:, "-1:, %001::t, l-:Cf O)s5;1:J:--:,Tm_j)tc<tlt:~Ni:~-:,·~itnxLt:,
Jl,,· tf= · t:'/77•r·7

7'L---::.--?--

V'Y-ff · t: t79'-i:f<~ f1fq~, §!¥§9~, 771"7':~~~gifi>

0

0

0

71 1) 1:::/---77·::r-;z , 7v 1) t--.J <~ Vi\J~. 71 1Jt: /7'~~lEiii>:,,-/7J ';f-- Jt,,--T.K.-1;'
I \1f1/<~ 1if,j§~§Fl~. 1/ ✓ ti;f- - Jt,,~lf..fr.~!~@ffi>
071" ----7

t: T / · ~--i;T-//( ~ {M§f§E*, T 2 7-D/:::J/1':~E

1) -

)

0

=

1

1
)-

· 7'1/T/ <7JV-f,1~ 1fffi*thh~"@~>

7'Jt,,.::j',1'---*Gm,

r r:-7~i11J*~Hl~ l irr1~Y::.70)~j1>f----( :..-,
r · cp~ · E3:$:- JJ tlllRtl
ffi~i1>f~ 1979411/=lr r -::r~i*r*~2gc~ rr -:;yJJU~~itrnJJ
i'lllRtlffi~ 1,r,rni 1980411!=lr :R:tJg~:/$!z - ~/\~Y-::Y0)1Bi:iIDJ!i~tl-1JM::l'Wli!J'il JWH±~fi
198145/=l(f,tjji tm;;tq\,c:u_s/,Hil\ffill,E§ii\:~i;f,ffill, t$F'•;r-~T--(5 ::..-,
f•=f1'"5')-•;r J~7'1::J)
rc r-::rO)J:::i:::z'E:::z+"':..-,9·7
J ~i*~1s:1in'~
i~i:fi:it~fi
19s2-s;T Lmt@ )411 !=l(¾t~: "57:t-v· :::.:i
fffi2@JT-::Y~i1>T*
J tlllRtlffi~i,f,f~-g1985411/=l(i,tjji tiillli\!rn~i*ffillli;/J')
rffi2@r -::r~iiflJ* t;¥)l1J@llF9
1, 1J0)~1t1JJ :/iRtJm~i,fg~'g 19854)
11/=l(f,tjji: tiillli\!rnsl:H<f,f~'gli;/J'
r r-::rlJHU'Jc*-:;'J-:::z
1 o«:.Jl.,r·7Iv;;t*J :/iRtlm~imr&i
1988:$1/=lrffi3@r-::r~1itir* a }j','O)cp0)~1~H1
J i'iRtJm~111J~'g19s947/=l(¾tjj\: :riillli\!rn~if,rnt
f~OO@al:u.,J1.
1~~1if,fUg,'fli!i9c~i;f,fef:lf/BO):r::::Z/•-::-- y-:;y0)13cJi9c~JB-J y-:;y 13cJi9c~ff;Xftliff~Pfi
ii 1989:$5/=l(¾tjj\ n!§',~1,tm l
rrtr
:..-,
;t@l** 1Ja.
it1Jt r-t-.:i./ :..-,rO)~J¥Jr -::Y-s9-9o J ~,~x;m¥JfYtY:..-,:zftt:..-,5'1990:$1/=lrr-::rm1~n*-:;'J-:::zm 5''7:..-,•r'".77'-t';,z-* 5'1-~:JojO)~ ti "-oo~:sz;:m.¥O)'ffioJ<:
J :/iRtlm~i1g~'g 1990:$2/=l(¾tjj\ riillli\!rn~Hi'fill,
1fi'TtT/>C{tt::..-,
7-, =\'1'"5
nm1:€iO)tJi/:.,'H- YtY:..-,O)JJE1~~jtg
J ~,~xjJrE£JliYtY :..-,:zft t:..-,5'- 1990:$2/=lr;:l;:B.&J'~@lr'):r:/ j--l/1990 - ffil@l ~jfiilJE1~~ff; ::J/J- )l., J;:1;:B.&lff·;:i;:B.&lffx1U~!!U;:tE<lJ
1990:$12!=lr1i*J'E- ---(:..-,;:zt::v- -:;=3:..-,
0);)!li* ~l@IYtY:..-,~j,t,f-:;:..-,,r-:;') .L!J'GJ~ Bfiix;m¥JfYtr:..-,:z1tt:..-,5'1990:$5/=l( ¾tjj\ i'iillli\!rn~1,tm.
OOl~x;m,¥1fi'TtT />C {I'.,t :,,7- · =\'1'"5')- )ry;;r;;z:::z.yv )t'-/*l 1J~/::1i&'.~0)1$~5PartIl 7'~t$~!1c J~±fuPJiTJl.,y-,yy.L i!!i E3:$:¥/i'Fa!jU1990:$9/=lr y-:;ylJE1~1'F*S.-,') -:::ZIV 9:..-,.7'-:..-,=7?:..-,(jjJ~tll* ?v--:;Yl:'f 1JO)~g.~j1g J 1iRtlm~iiflJ~ 1990412/=l(¾tjji - 1iillli\!rn~ 1,r.r&-g, @al!~
x; m,¥1fi'TtT /Z it t::..-,7-•=f1'"5')- )1'.R:~Jt991-f~O)'f/i't:t:l:1~-:;:..-,;tj,r-JJ..,lJE1~~j tg2)\* J (') L •;f - • 7'Y-'J,«- r ·=3·1-'J•-'Jy:,,J ~,~x;m¥JfYtr:..-,:z1tt:..-,5'- 1990:$12!=lr~2@1YtY:..-,;t@l**-l990'.$0)U-/::::J? :::ZrJ ~Bfiixilrt¥Jf
Ytr:..-,:zft,t:..-,5'1991:$1/=lr---r:..-,r·;;z-:;y,JE1~~&:@l*J ~,~x1m¥JfYtr:..-,:z1tt:..-,5'1991')-, .=£\\lc:U.~ifi''.$2/=l(f,t~ @al(v,,ly;m,¥1fi'TtT::..-,:zjtt::..-,7-·=\'1'"5~ i,f,
rn-g)~-g,i U!Ji!\ :u.ili~-g
r 71 J t:::..-,i
JE1~~1mJ:r:rtl- •5' JL---tt:..-,. 7 I Jl.,j-:..-,7";:z* J ~,~x;m£,i,:YtY :..-,:z'ftt :..-,5'- 1991:$7/=l(f,tjj\ OOl~x5 m¥1fi'TtT ::..-,:z11'.,t :,,7 - · =f1'7 ')-, tiillli\!cp!P:il.HTTr')".7L )r y-:;ylJE1~1'F*S.-,')- 7: V 9:..-,.5''=".iffi -:;:..-,;tJ,r-Jl.,-!3cJi~U:J l:tO)!Jc'a:c-J i'iRtlm~i,t,ffi'g 1991:$9/=l
rt iRtlm~ i,t,
Jfi'gpfi~1:J:9 y-:;yJJE1~~1mJ*J 1Miimxitfo\x1Ui!Jlll~ 1991:$9/=l(¾tjji JJBfilrn!Jc+1'"5'J- )r 5'---r,J
H~~ifg0) =-.:i-7I---r:::z t/7"1:r:>
7·:..-,7- * - ±c:ti'i'itJ'
nt : 1~:::i5''&:::i:::Z'E:::Z
J ~Bfiixilrt¥JfYtY :..-,:zft,t :..-,5'- 1991'.$10/=l(f,tjj\ OO
B~xim¥1fi'TtT::..-,:zft,t:,,7-•=f1'7-=~± l!li'fiT

JJfjjj)Remarks :* Author and editor (or publisher for catalogues) of each country is listed in alphabetica l order.

* The author's name is listed in order of surname and given name. In the case of
Malaysian authors (indicated by * ),which could not be divided into surname andgiven name, the name which comes at the end is treated as the surname.
* For the reader's convenience , only documents written in the English -language has
been listed. The bibliography has been compiled based on the sources that were
provided by the following people:

1

0

1
)-

BRUNEI----Ab

dul Ghani Bin Bujang (President of the BruneiArtists
Association)

INDONESIA ---Jim
MALAYSIA---Supangka t (Art Critic)
Redza Piyadasa (Artist, Art Critic, Lecturer, Universityof
Malaya)THE PHILIPPINES-Agnes
Arellano (Artist, SeniorLecturer, Universityof
the Philippines)
SINGAPORE-- TK. Sabapathy (Lecturer,National Universityof Singapore)
THAILAND·---Apinan
Poshyananda (Assist. Prof. ChulalongkornUniversity)!L--7'1TL,)

rffi3@Ytr ::,,;1@l** - ;t@li:~~-e-~O)'/l~m$• 1J!!J ~Bfiix;m¥,i,:YtY :..-,:zftt:..-,5'1992:$2/=lr ~j ,f,j(: ~~?vS.-,70)~ ?v--:;7l.lE1~~ j,fg*J ~!fiix ilrt¥JfY
ty :..-,y:ft,t :..-,5'- 1992:$3/=lr'.'f'@~1 ~t?fit- y-:; Y lJE1~~ 1t1J"--0) /ii\- J iij :E ~ :i'.2:
iITf~ ~ 1t1J~'g
1992:$6/=l139

2.$-JlllJ!ffe:

1)

ti#*til!l1J'\liii1H*i¥i7:--7HD0$$!c
J IF rU± 19864;oJ@~t
1J5'c:i!r *i¥i7-:;n±S'::x:il:J$$!c J *"J?:'.llttl:l/t&19884;1111l111Ji!
r ~1r·*i¥i7 / 7/\:/l-''7.,;;:'.7J i~~::tt:r± 19884
ti#*tlff*i¥i7-:; 7 HD0 :,--1) -;( -{ :,, l-'':Z-.
:,--7 0)$$!c J f5l~JH±
19914
1E-'f:l:~i! r *ffi7 -:;7 HD0300fffi J 7-:;7 ~Ji~@ff: ::X:
iUff~i'fi
19914

3.1lifi'i!!=1{:;$:*r'7-\"7:/ / T'70)l ; mfiz5JififLt±tJ-5-~IT~72
IfirLt± 1977
4t_; · -t;t-:;z~• 7~ S:3=l~ / t1t:lf* !l1J'~ r '7-\"7::,,O)~tr'JJ tt):_/-c.. 1982
4
;lEE~: / it1iiiit;5/[l]JJEE:kgfi!
r Gs 3~ *H!Ff-0)7-:;7 J :?-~lt±
19854
EEE~;5 r AFs9·ifilU'·§ !'.t-*ffi7 -:;7@WO)'/el'*- J NHK7· ..;:7:;z515 a ;$:/Ri!tl:l/t&t,\'hf2 19354
cpH ~ t.aff~IJ!,O)S/:::.1.J'G§
c lJ'J(Gt10 J ~i,f,ft±l/t&:/-i19874
ti5\i'!&Btii!r 5'1' O)~BJE~@il:::.ti@~~j tt):_!-c.. 19894
rwAVE 27 ts¥*~'/7°•I.-{ S:7 J WAVE 1990411Fl

4.iut~c.•'~'>i<.¥- 17-:;70)ili:{-t~i,f,f j r ::::Jl;J l98044/=l ~ pp.30-36'f-t'7 'f-t''7 =-· 7 -:;;( (s'fEE!'8'HR) 1¥-'f*-{:Z -5- b0)1J' t::~ #l\BNO)~~ -{ :Z "5-b~j ,fif"-O)TLJ'e:J r ~ j;fg~~,sJ198243/=l ~ pp49-64
9HBJYi§ l 7 -:;7 0) ¥' Eli'@ ~ ~ "-~i/-e:IRt:: t101:ll,J[J f ~i ,fif~ ~,sJ
198342/=l~ pp.133-141
13tJJ,~s;JifC:
LJmUiJW:~9 J r e§ 8 ;$:::X:itJ vol215 1985410/=l pp.17-21
cpH~tM17 -:;7 · 7-~• t'.I :/ 1--v· 1\ ;,,J-57":,-- .::z.1986#O)cp0)7::;7 / tJ:O)cp0) a* J r ~ Jifg~~,sJ198646/=l ~ pp.151-155~ iii oM~lts¥ * 1 \ 1) ~ 0)~ i,t,f ~ 7 1&:
rn5J r~ i,1if~ ~,sJ198649 /=l~pp.58-69
g:t&:159:@
I ta¥*; \ I) ~O)~j;fg / \ I) ~O)mf,@i/:::.~j'IJO)t!tW'71"7:/ t!J\rtt.
193041-tr.1J~O)mfi
J r ~1,t,r~~,sJ 198649!=l~ ppA2-s1'ft7K¥- 17Ji..,tJ7"171s <1i1ift0)3i'.~>O)-{..)--:;1J'G ~it1aD"- J 11::-:ilt\.. 1 S-t. J l98844/=l ~ pp.104-105
ff,M&;fii,C:lJ 7 J1,,tJ7"171s t. :/5' 1-''0)n110)fiJJ(71'J t:: J rr::-:ilt\..,s-t. J l9894 3/=l~ pp.135-137
tiEE*C:Ll 7 Ji..,tJ7"171s 1.L$xfill=!1J'~ \..'f ::5'-{~j;fgJ ft ::-:itt1..'S /:::.J
l98947/=l ~ pp.161-163
i lJ~=*~
17 Ji..,;/J
7°171s" 7-:;70)~ j,f,fO)<±T§[t.;5Ul> J ri ::-:itt1..'
S-t. J l98949/=l~pp.171-173
jf1J,~;jjj,51J~ 3@]7-:;7~ j;fgnVa :'il'O)cjJO)~f*x'l:1 J rA News lett er
of ASIANART IN JAPANJNo.18 198949/=l pp.13-14
m.EE~Ycr7 -:;7 m;O):,--t'.7/J~~¥¥*<7 -:;7~1,fifO)IJ!,tt>J r 7~ 1J
I. J l9894 10/=l~ pp.114-115¥¥* r7-:;7~ 1,tirO)IJ!,1:E
J 17 ~1JI. J 193941 •!=l~ pp.93-115
t1lH:!f1J1,i~t" MIO)J:-j /Jt±l S' 1..' ~ 3@:l7 -:;7~ j;fqm;J: 'JJ r~ /=lJ
188~ 199042/=l pp.87-91
Jll~BJlg l ~3@J7-:;7~iififmi J r LatinaJ 199042/=l~ p.61
/ll~Bflg l t7JJ§/:lO}tlt'U- 7t 7 :/ O)IJ!,1-t~i;fq
J r LatinaJ 199044/=l~p.61
1t1*~.? 6J15' '7 :1/• -5·;;'f-t' =--m; x'--5 O)ijtt1..' J t =¥5 J 199045/=l ~pp.118-119
r.il~Bflg l ART 5''7 :/ · 1-''".7':f-t':Z-.
- m;J 1LatinaJ 199046/=l ~ p.59
0Ri\!JO)
11,J,~;Jif c:LJ7 t 7 ::,,O),jl,1U€ii/lr-e§ ;im1i'1'1:::1z;1ift0)lJ c tJ'
GJ t STYLINGJ 19904 6/=l~ No.33 pp.80-89
iJl*~?§J I <7t7:/IJl,ft~i,t,fm;>t::J:i:tT
J f :C::f;J l99048/=l ~ pp.
104-105
0

0

;,,

)

*

rw

11, J,~;jjj,5.LJ1 '! t::/l-'".7!::'~itlt::iVJ'tJ:~1,f,f J
JAPANJ 199049/=l pp.45-47
1f1J,~;!lBLl 7/7zr/)('0~7-:;70)IJ!,1-t~i 11ifJ r FUKUOKASTY·
LEJvoll 199141/=l pp.96-107
1Jl*~?§J l -{:/l-':Z-.:,--70)IJ!,j't/t&@iz@TJ r ::::f5J l99143/=l ~ pp.
92-93
Wl:t&::'i§'l!jJ
l -{:/l-':Z-.:,--7IJ!,
j"t/t.&@JJr21t!t*clt.&@iJ 199144/=l p.190=f·t'-5 1)- J
c;/!J1rntse1
Ji-:·79 , 7r1'> 7-'Y• 77')::,,7°-:,--3:/•t lJ 7-:;y7:;t-"5b
J 1991'.ff58/59~ pp.50-51:Z T17'7 :1/• -l;I\T (1 :...,7".i.:i- ) 1§'e~90/7/70)7-'T1:Z hi 11
@ 1::,,i-::z-.:,--7 :z'T 1T 7:1/•+;l-1\-t-J r =l°t'-5 1J- J 199144J=l~
pp.50-51
t::t::SGt:: 15'-{ O).ct"t'-51) -"-fi( J r *t lJ7 /Y7 :;t-"5 b J 1991460~
pp,62-63
y'f- ::::J· 1)=-- · :77. j-I..:=. 1'1ell~S:t';/J J[..,5'0)~@i71-1 ,- J (f-7 :7"· :;f 7.
7'";,,1)';1:7~:Ji) r;IJ'J1,,-5'' (1J'JI...- 7· · 1 :...,~;;,,:,--y~Jt~~P'J~t) J 1991'.ff
10/=l 27~ pp.14-15
i tt.t!tWO)~t:,tJ> J f FUl ~~ 'l:5
H I 9::,,. 5'·=c:im; ~~ctlt::<cpgj)t
KUOKASTYLEJvol3 1991412/=l pp.97-102
7-~· '7:;t-=f :/:7' · 7-:;7i!
:,--1) -Al :,--:/tJ'~-Ji.., 17- hfil{j:-t;t-7·:Z'T-:,--3:/"-11l( J r :¥t'-5 1) - J l992'.ffl/=l~ pp.56-57'E :/'T ..YI.:/• 7'::,,x7- (1 ;,,7 7·.:1- ) I ARTIST~~90:/-±% z ~ -:Jtt)T~ 3@:J'E:/'T..YI.:/· 7':1/x'- J r =l°t'-51)- J l99241/=l ~ pp.52-53=\"t'• Jl,,·-5r 71- 11±%i¥JtJ:'T-x'zt~tJ.'ott)t::5'1'O)IJ!,i-t~i,t,r ta¥*5'10)::::i::,,'7::,,~-5 1J-• 7-~ J r 7 ~1JI.J 199242J=l~ pp.67-77
i-t ~i ififJ rACJNo.19 1992
t::t::S Gt::15' :/ · 5''= '7 t. :,--:/ tJ'~ - Ji..,O)IJ!,
42/=l pp.26-27
7-r• '7:;t-=\" ::,,:7· 7-:;7i! :,--1) - ;(3 5' 1'1:,--J1,,1~::::i-:1/::t::"f'lJ'.71'
O)~j,f,ft:/5'- J f =ft'°5 1) - J l9924 3/=l~ pp.58-59
t. rt7JJ§/:lj 0 ...-.Z
J[..,~• /I V;;t zcp ,C,,(::j1f1j,~;jjj,5Li 71 1) t. :/ IJ!,{°t~f,f,f
r ~nHi1,t,rJ~8~
19924 pp.93-101
cpH~~l! x' v -:,-- 7IJ!,j't~1,f,fO)IJ!,t:l:'.
J r u::fJ' J l992'.ff8/=l~ pp,6061
1f 1J,~;jjj,51J l\=f;;tj'ij§15Jr FUKUOKASTYLEJvol.5 199248/=l pp.
109-112•r*

0

5. lJrM~c.$~ EEtttUili:

re§

5..lt
/ 7-:; 7 ~ 1ifirm; t:: JtJHs¥
J
8 ;$:¥1Tlk9
J l985410 /=l88:9'f1J p.7
nEE*c: LJ7-:;7~1 ,firO)ti1JCD1,1J ti'i'iCt.O)~ U'J f e§ a ;$:¥1TM
J
1985410/=l318 :9'flj p.l
i lJ~ =* ~ r5tV1JO)cp0)1z;1iftt.IJ!,
j't J re§ E3;$:¥/rF,,jJ1985411/=l l 8 :9
tlJ p.11~EEWJj!l1Jr7-:;7~ 1mrO)ti1JCZlt:J1,," ¥@: t::}i'i'i<,c,,•11'!
J r e§ a **Jrfl,'JJ
1985411/=ll8:9'f 1J p.l
1f iN &;J1fC:L
17-:;7~i*rO)ti1J@:,--::,,tJ·~-J1,,,tJ~"- 0),~.~ 1..'J r e§
8 ;$:¥/rlk'l
J 1985411/=l58 :9 'flj p, l
11 ,J,~;Jifc:LJ::x:it/ y t!J\tJ:0 ~At ::~ c.t) 00~0)1,· 1r e§ a *~ITMJ
1985411/=lll 8 :9t 1J p.9
8 ;$:¥/rMJ~EEWJj!l1
J1::x:1t/ §:-t!JltJ:0~At::~ Cfl §15Fo98
ictJ'G J
1985411/=l138 :9'flJ p.7
tt~ii1'Jc l 7-:;7~i;fgm;ic$:,--:/~-:;')
b1J'G Ct) 71' 7">'T 1 'T 1 -t.
(j:joJ1J' J r e§B;$:¥1TM
J 1985411 /=l158 :9'f1J p.13
T
tl=tl:liti'H7 -:;7~ iififmi8c$:,--:/~ -:;') bfJ'G CF) 1i1in1J'~'i' l '15'-:i¥/rll..'::X:
it1J":'titl0 J r e§B:$:¥1TM
J 1985411/=l 168 :9'f1J p.9
LlJEE~:;t:1lBl-t ~ / 7 -:;7~ j,f,fO)oJ/i§'l:1
J f e§ 8:$:~ITMJ 1985411 /=l16
8 :9t lJ p.l;oJ~~~ IUIIT1/ 7-:;7~f;fgm; J r e§ a *¥1TMJ 1935411J=l20 a p.11
J 1985411 !=l25 a :9 t u
1¥iii it ;5 r L :_"t.0) JEJ
il!/ 1 \ 1J O)n J r ~!la ¥1TM
p.7#~§/i:L<'.Jili17S:7zh0
17'Jill1JfJ'
GO)§ / ~=-@]7-:;7~j;fgm; z ~ T J
1e§8;$:¥1TMJ 1985411/=l288 :9t lJ p.9

n

re§

140

~EB~§: l *i¥i7S:YIZ97~~'.!H&~ J 1.I.7 7°'7--t--f'' Ctilli3lr!HHwW:=i-7- JNo.37 1987if.3Fl pp.1-2
jf,M tJHBlJ7s> 7n'GO)\ii/\L'@l- %~t:~f,f,fi/Jfiil z JU,-2 71 1) t::':,,J r i!'98;$;j1TMJ1987if.5Fl
168 :9f1J p.7
jf,J,n.JlUlJ7:')7n'GO)\ii/\L '@l-%~t :~ j;f-fi/Jfiil
z JU,-3 ?v-:,,
7 J ri!'98 ;$;j/i'MJ1987if.5FJ138 :9t1J p.7
Jf,J,n.;JULJ • "-"..Jc+
7Iv;;t* J r.I.;z 7°'7--t-- 1--"Cmlli'ilrn,iHf.fffl=
i7-lJNo.26 1987if.11,EJ p.3
jf1J,n.JttBLJ"~/j~0)8c~" t. L'7 ::l::@- / " t::":-.,:9f'"'7J{8;\P)
JJ'(t-U,O)J
ri!'98 ;$;j/i'lla9
J 1988if.2Fl9 8 :9t 1J p.9
jf,J,n.;JULJ,5U-!\Ll:J:L:M:7 S,70)~j;f-f J 18\BUITMJCtilli3l!t&l
1988
if.4,EJ48 :9f 1J p,9nEB~jL J; i:?1-:±lj~v~-t- ili:1-l'.
1t z:::J<:,ll)TJ-1
b7' 1)"J7° :,,:,,f:i~JL-, 7-1, 7JL--::;t-1
J r .I.7' 7°'7--t--f"Ctilli3lrn~ i;f,f
ffi=i-7- )J No26
1988if.5,EJ p.4
nEB~jLJ ~£.h~h-97;;7*)~8i1ti·* !JD~~~J
r .I.7' 7°7--j-- f''(t@iltlrn~f,f,J
ffl=i-7- )J No.26 1988411,EJ pp.1-2
nEBi1rnJ 5''7 :,,. r-:·".lrt'Z-0) A U'Jc£J r .I.7' 7°'7--t-- rnilli3lrn~
j;f,f
ffl=i - 7-) JNo.49 1989if.3,EJ p.2
jf1J,n.;J"Ui.Jlli\"3@J7:')7~j;fg* 8 '/j,;O)c:pO)~{!lH1
J r .I.A 7'7--j- - 1--"
(t@iltl'fn~i,wffl=i-7- ) JNo 50 1989if.5,EJ ppA-5~EB~j,!1ffj/i'l,L'i~~ z:::J<:,ll)T/ lli\"3@J7:')7~j,f,j'*(_t_) 2~jO)~il~t : ~hch9J
ri!'98;$;j/i'F,,1J
J 1989if.7,EJ38-5'f1J p,ljf,J,n.~jL l j/i'lL '1~~ z:::J<:&')T/~3@J7:')7~j;fg* CT) 1:i:i*Jtt.~
UJI,
0)/5Jt~Ma~"- J ri!'98 ;$;j1TM
J 1989if.7Fl48 :9tiJ p.1~EB~ !.'e.1/1!~0)7 ;;7~ J,f,f/CD*f!<:t.lt'H,1 t..:ll,!Jn1JJ r i!'98 ;$;j/i'MJ
1989if.7Fl108 :9t iJ p.7
1t,J,n-~jLJ/1!~0) 7s,7~ 1,t-r/(2):;z:1ti=~Ei3rnu1mt~ J ri!'98 ;$;j/i'
MJ1989if.7,EJ118 :9f lj p.9
c:pw *-AA 1/1!~0)7s,7~Jif-r / G>~i~ O)HJ:t.L-z 0) e'.3rt J ri!'98 :;j;;j/i'
MJ 1989if.7,EJ
128 :9f 1J p.9
nEB~jLJ/1!~0)7s,7~1,t-r / ® 1t~ ctt0~ 1~~,J1,J r i!'98 ;$;j/i'll,l'J
J
1989,f.7,EJ
158 :>'flj p.9
B EB5E l 71 1) t::':,,· 7- Hltje, 11lEl'1'1 z:::F:61')T Cll ii!i§Et.,:IJI,1-1'.~ iif-f
Jr i!'98 ;$;j/i'MJ1989if.7Fl188;, t iJ p.7
BEB5M71 1J t::':,,-7- H!Hi 1!!!Eltt z:::J<:,ll)T
c2J ~Jin{~, ,:;z:•l'if=-1:,
J ri!'98;$;j/i'MJ1989if.7Fl1981t u p.9
BEB;5171 1J t.':,,. 7- t-Ji5'.J[1!!!El·1'1z:::J<:,ll)T
C3l ~1i~O),c,,z~IJl, J
r i!'98 ;$;j/i'MJ 1989if.7Fl218 ;,t 1J p.13
5ffi;E171 1) t_':,,. 7-HltJ[
1!!!El'l'iz:::J<:&')T(4) :x::1tt :,,J-Ht
t: Jr i!'98;$;j1TF>1J
J 1989if.7Fl228 :9f 1J p.9
1f ,J,n.m LJ1siEl'l'i 5[ "'J,l/)0~tu~:l / *~~:x:: itO) J-!\/5JtJ r i!'98
j/i'll,9J 1989,f.9,Ej22 8 -$7f lj p.13
HEB*I 8 '/j,;O)c:pO)~f~t1lli\"
3@J7:')7*7J'G Cl) i!'9~j\7J'~-:;,t:t1'1'1L'£.t J rt$~Jllj/i'i,IJJ1989if.11,EJ288 p.9~n1§m 8 'i¥,'O)c:p0)~1~·
1"1 ~3 @J7:')7*n'G c2) ~m ;t:i:§'..~t..:!fJ.
1JJ
rr$~J IIWITM
J 1989if.11,EJ308 p.9
HEB*IB '1¥,'0)c:p
O);UH1 lli\"
3@J7;;7 * n'G (3) ili:1-\'.1t,O);:f!§:"- '~~ J it$~JIIWITMJ1989if.12Fl58 p.13
nEB~jLJ 1-1 - ~~iO)~ •l'i"-O)ffi:::J<:
5''7 :,,. 1--"".lrt'Z- * J r .I.7' 7°'7T-ntilli3lrn~vl\fffl=i- 7-)J No54 1990if.1,EJ pp.4- 5-if 1J,n.lttBLl 7t7:,,:x:: 1t t:,, J- t. = "'J0)7t7:,,IJ1,1-\'.~j,f.f* J r .I.
7' 7°'7--t"- 1--"C:iilltlrn~i,fqffi=i-7- )JNo.55 1990if.3,EJ p-3~~1/iti:ll l 1:i:i*Jt--1:,,
7--t.'v-:,, =VO);®Jl~-* "~!J/,O)fjf' t;IJC 1'Fci'• M J
r &8j/i'i,IJJC1il1tl!t&l 1990if.5,EJ108 -5'f1J'ti',t-a:e- 17s>70)IJ/,1-\'.tt&@l-193J9 r .I.;z 7°'7--t-- r-:·etilltlrn~itqffl=
i-7- ) JNo56 1990if.5,EJ p.3
jf 1J,n.mLJt5t~O)B,¥ ~Fs9 / '11)0)~j;j\j'J r .I.A 7°7--j-- f''(tiRtlrn~i;f,f
ffl=i-7) JNo57 1990if.7,EJ p.2-if ,J,n.;J-tBL.J7s,7~i;f\f ~:tlH~.:zt::x::1t1¥J¥~
c_t.JJ ri!'98 :;j;;jfT
MJ 1990if.8,EJ
22 8 p.16
ii ,J,n-~jL 17s>7~j;fg i!'§j$;Jitili:1-\'.0)jjffij@:m:~F•9 7'Y · =f )L, r
CT l J ri!'98 ;$;j/i'F>1JJ
1990if.8Fl23 8 p.11

z

z

*

t B~ 'l:lt-f-17:')7:±JjU~a~7J't..:0.&i2lJt 7:-.,· 1·='7J r .I.;z /7T- r(t @Rtlm~j;f,fffi=i-7- )J No.58 1990if.9,EJ p.7~EB~!s!iff? v-:,,7
1gj 1J
O)JU"~j,f,f 7:,,,7'-:,,=:77:,,* J r .I.7' 7°'7--t-- f''(t§l[li'iJm~i,f.fffi=i-;;z ) JNo5 9 1990if.11,El pp.4-5
c:pH~tM17S,7 0)7-1 T/T 1T1 - t. 8 :;j;;O)ili:1-1'.
(!Fli~iiflflls'Hf) J rWIT~ imli'MJ199Dif.12Fl18 p.7*T I 7:,, . j'-:,,=:77:,,* ".,~jlJ'l:1
j5-?t:;Jit~IJ~Fs9z"'J<0
J ri!'§
8 ;$;j/i'F,,1JJ
1991if.1,EJ238 p.17
1f,J,n.mLJ1ill~rn~iif-r~'gz~nt1-t : 11~u=1:, 1:,, -j'-:,,=:1r:,, J r .I.7'
7°7j-- f"(tilli3lm~i,f.f
W:=i-7- )J No60 1991if.1,EJ p5't<'*~11-r-i'H/i'L-L,Jf::rtt:~e:08iE:::J<:&')T-1:,,f''Z:,,70)t\&@l%7'T17'7:,,. +;>1 'Tc rvJ(--(;,,J rf i) r 4ij 8 Wli'M
J199lif.2Fl 24 8 p.11
~EB~ !,'e,17:')7~ 1,f,f
fclfrO)~ fi 7S,7IJl, 1-\'.~vUi£@';::J '7-:) iO);i,~ J rj1r~ J,t,f
jli'F>1JJ
1991if.7Fl 18 p.2~~ilt l 7 :')7 IJl,1-\'.~j,f,j'*z 5[ T J r I.m,Uli'MJ 199lif.9 ,El258 p.11
t B~ ·1:it-f-f s,:,,1 M - JL--1:i:i1iit.EJ?!.\O)
l:J:c·tc 1:,,-1·=".l* J r .I.7'
7°7j-- f"Ct@Rtlrn~ iif.f@:=i-7- )J No64 1991,f.9,EJ ppA-5
c:p:t<j~~ff7:')7 IJl,1-1'.
~ i;f-f"-O)\ii/\L'HR~L,J rnBJU/i'MJ 1991,f.11,El28
8
t: 1:~Gf:17:')70)!.ll,1-\'.~ j;fgoJ~E'l'if!l'.,&')ii/\<$~J r~JJ8 j/i'MJ 1992
if.1,Ej138 -$7f lj p-7
jf1J,n.~5L-*i¥i7 S,70)IJ/,1-\'.~i,f,fn/i'B~H-\'.O)~lffl(t ~@';J r$/l 8 jfT
ll;9JCt@Jli3ll\&) 1992if.2,EJ298-$7flj p.11
Jf ,J,n. m LJ7;;7 . v~-H
9Dif.1-\'.0)7:')7~i *rz~L- T J r .I.7' 7°'7--t-- 1--"(t@lli'iJ'fn~iiw
W:=i -7- ) JNo.68 1992if.5,EJ pp.1-2~~i§[ J\1 7:')7 · v~ - t-2 '"h t---tb ~ij~ ~*O)~:l!J:/i1Hr J r :r:7--7 °7j--f'' (~Rtlrn~ i,f.f!>g=i-7-)J No68 1992,f.5,EJ p.4
nEB~j 1.J7s,7 -v~ - t-3J r .I.7' 7°'7 -t--r'Ctilli'ilrn~ J,tir
ffl=i-7- l J
No,68 1992,f.5,EJ p.4
t:i:~GH"*@~r Hll;tf J:J r'/7:J• (ili).:E~.:U:ilH'c~ i1Nffi=i-7- ) J
No.39 1992,f.5,EJ ppA-5
c:pHIDixl ~ E13tM
H?~it - 7 s, 7 IJI,1-1'.
~ f,t-f"-O)jjfU r'J tJ • Cilil.:E~ :u:i!H'c~i ,wffi=i -7- ) JNo-39 1992if.5,EJ pp.2-3

6. TV'i!Hll.
NHKf!<:~Tvt::'.IJl,1-\'.:')t'-j-JL-11{:::i·1·i: !11i<IJ1,1-\'.7S,7t/T1.I.:,,·
7":,,7- J 1991,f.10,EJ
318 niz~
NHKf!<:~7°vt:::IJl,1-\'.
:')t>---t"JL-17:')77J'GO)#~>'> ,;,·.r;-s,:,,tJ';f-JL, J 1991,f.11,EJ
128/i!Z~

7,W-15-~What must be done for the future of asian tradition and art whichhave been changed under the Influ ence of western art?

(SymposiumReport of "festival:contemporaryasian art show, 1980."),
Fukuoka: Fukuoka Art Museum, 1980.
r 7 - 7°17--r · t--:1 :,,:,,tJ·:r-JL--IJl,1-1'.~iifirO)mJill
J C1{::j<7- •,-Z-r· =1-;,
7,77;,,, ') L,,,;f- -r·;,;7, Ui:~Fsit=-/ 51~ c:pH~tM) ~ ~ff-x5Jit¥~7t7:,,:x:: 1t t:,,71990,f.12,EJ
r r-7°17-- 1--• t-- :7 71 1) t.':,,IJI,1-1'.
~ iif.rO)mJillJ
C1{::i'-"5- :r. i-:n·- -:711.,-tt;,,.7 :r:11.,-t-;,,r;;z/ 51~: '+'H~i¼tl ~ ~fr-x!m¥~ 7t r:;,,:x::1t t:,,'.>'- 1991if.7,EJ
r 7s>7m1-l'.~ iif-r~/ij~ 7 ;;7,J1,1-\'.~iif.r0)~.\$.
JC81iig
ffi '+'H~i¼t. t:t=~s
U 't?.r r 'J;;z-G =l''J:r:JL-t, :r. J-;,7•-tf 1L---n~ ~frx!m¥~rt7:,,:x::ft,t:,,71991,f.9,EJ
r 7-7°1-At-•t--:1 ,::,,y- 1.I.:,, -7-:,,7- vs 1111~:iEJC1{::j<7t/T
1 :r.;,,, 7>?- , Jll,~.iE/ 51~: t:t : ~St: ) ~~ff-3Z!Jit¥~7t7:,,:x::1tt:,,71991,f.10,EJ
r 7-T17--r-· t--:7 ?v-:,,70)~ 1¥)@/;Jt
z~-9 J (1{::j<7-. v -;,-tf- t:'-v:7·-tt.Mrn'/¥,'f"Jc/ 51~ '+'H~t:Ml ~~ff-xim¥~7t7:,,:x::1tt:,,11992if.3Fl
1

141[BRUNEI ]Exhib ition Catalogues

and Brochures

Art Exhibition by former participants of ASEAN Art Workshop. Bandar Seri

Begawan, 1989.
ASEAN Committee on Culture and Information. 4th ASEAN Exhibition of
Painting and Photography. Singapore, 1985.
ASEAN Committee on Culture and Information. 1st ASEAN Travelling
Exhibition of Painting, Photography and Children's Art. Jakarta, 1988.
ASEAN Committee on Culture and Information . 2nd ASEAN Travelling
Exhibition of Painting, Photography and Children's Art. Bandar Seri
Begawan, July 1991.
Brunei Museum. Brunei Artists Association Art Exhibition in Conjunction
with 1989 National Day. Bandar Seri Begawan, Feb. 1989.
Brunei Museum. Brunei Artists Association Art Exhibition. Bandar Seri
Begawan, Oct. 1990.
Brunei Museum. 1st Bru -Sin Catalogue of Joint Art Exhibition by Brunei
and Singapore artists. Bandar Seri Begawan, Sept. 1989.
Fukuoka Art Museum . 3rd Asian Art Show. Fukuoka, July 1989.
National Art Gallery, Kuala Lumpur . 1st ASEAN Symposium on Aesthetics
Workshop and Exhibition. Kuala Lumpur, Oct. 1989.
National Museum Art Gallery, Singapore. 2nd Bru-Sin Catalogue of JointArt Exhibition by Brunei and Singapore Artists. Singapore, Jan. 1991.
Padzil HJ Ahmad Solo Art Exhibition. Bandar Seri Begawan, Dec. 1991.
Pg Asmalee Pg Ahmad Solo Art Exhibition. Bandar Seri Begawan, Sept.
1988.
6 Gerak Warna (Art Exhibition by 6 local artists). Bandar Seri Begawan,
July 1989.

[INDON ESIA]

Books and Monographs
Holt, Claire. Art in Indonesia. Continuities and Change. Ithaca Cornell
University Press, 1967.
Miklouho Maklai, Brita L. Exposing Society's Wounds. Australia: Flinders
University, 1991
Neka, Sutedja. The Development of Painting in Bali. Ubud Yayasan
Dharma Seni Museum Neka, 1989.
Supangkat, Jim. G. Sidharta, Inside Indonesian Art. Jakarta PT Gramedia, 1982.

Newspap er/Magaz ine Articles and Reviews
Supangkat, Jim. & Gelston, Sally. "Indonesia Fantasy World in a Supe rmarket." ART news June 1992, p.96 . (feature Article "Pacific RimAn Art World Blooms." pp. 83-99).
Supangkat, Jim. "Affandi & His Aesthetic Concept." Budaya Magazine(nd)[MALAYSIA]Exhibi t ion Cata logues (an d ca t a logue ess ay)
Ali, Zakaria . "Art and Artists.-The Malaysian Experience ." Pameran
Perdana Kuala Lumpur: University of Malaya, 1981.
. The Malaysian-ness of Malaysian Art-The

logue of the 1st ASEAN Travelling Exhibition of Painting, Photography
and Children's Art. Jakarta ASEAN Committee on Culture and In-formation, 1988.
Nakamura Hideki. "Restraining a Slight Flutter." Contemporary Malay sian Art . Tokyo The Japan Foundation ASEAN Culture Center, 1992.
Piyadasa, Redza. "Modern Malaysian Art." Festival. Contemporary AsianArt Show 1980. Fukuoka: Fukuoka Art Museum, 1980.
__. Pameran Retrospective Tay Hooi Keat." Kuala Lumpur: National Art
Gallery, 1981.

_ _ . The treatment of the local landscape in Modern Malaysian Art 19301981. Kuala Lumpur National Art Gallery, 1981.
__ . "Modern Malaysian Art-An Introduction." Contemporary Malaysian Art. Tokyo: Japan Foundation ASEAN Culture Center, 1992.
Sabapathy, TK. "The Judges' Report." Salon Malaysia 1991/1992 Kuala

Lumpur: National Art Gallery, 1991.

Exh ibition Cata logu e s
Fisher, Joseph (Ed ) Modern Indonesian Art, Three Generations of Tradition and Change 1945-1990. Jakarta and New York Panitia Pameran
KIAS and Festival of Indonesia, 1990.

__

Ismail, Siti Zainon "Wanita dan Kilauan Warna." NUANSA-Indonesianand Malaysian Women Artists' Exhibition. Kuala Lumpur: National
Art Gallery, 1991.
Jamal, Syed Ahmad. "Current Approaches in Art in the ASEAN regionMalaysia." 4th ASEAN Exhibition of Painting and Photography. 1985.
__ . Senilukis Malaysia 1957-1987 Kuala Lumpur National Art Gallery,
1987.
__ . "Seni Rupa Islam." Pameran Senilukis dan Seni Khat Islam. Kuala
Lumpur National Art Gallery, 1984.
__ . "Contemporary Malaysian Art." Side by Side-Contemporary British
and Malaysian Art. Kuala Lumpur National Art Gallery, 1986.
Jit, Krishen. "Symbols and Symbolic Visions in Modern Malaysian Art."
3rd. Asian Art Show, Fukuoka. Fukuoka Fukuoka Art Museum, 1989.
Mohamed, Aminah Syed.* "Sulaiman Hj. Esa-Towards an Islamic Con cept in Contemporary Art." Kearah Tauhid. Kuala Lumpur: privately
published, 1984.
Mohd. Zain, Dzulhaimi. "Vision and Values-Malaysia ." Exhibition Cata-

Quest for Identity.

Kuala Lumpur: National Art Gallery, 1991.
Hashim, Mohd. Ahmad Hj. * "Problems of Art Education after 20 Years."
Plastic Arts in Malaysia 1957-1977 Kuala Lumpur: National Art Gallery,
1977.
__ . "Flowers, Gaping, Wounds, Gilded Flowers ." Recent Paintings by
Fauzan Omar. Kuala Lumpur, 1990.

. A View of Modern Sculpture in Malaysia. Kuala Lumpur National
Art Gallery, 1974.
Wong Hoy Cheong. "Installa tion Art" 2 Installations -Kungyu Liew andRaja Shariman. Kuala Lumpur Galeri MIA, 1991.
Yeoh Jin Leng . American Experiences-Malaysian Images. Kuala Lumpur ,1984.
Zain, Ismail. Seni dan Imajan-Satu Pandangan Umum Terhadap Imaj an
dan Makna Kontektuilnya . Kuala Lumpur National Art Gallery, 1980.
__ . Digital Collage. Kuala Lumpur, 1988.
Zubir, Sharifah Fatimah .* Fabric Art in Malaysia. Kuala Lumpur Natio nal
Art Gallery, 1988.
Willetts, William. Ibrahim Hussein. Kuala Lumpur, 1975.
__

Books and Monograph s
Hashim, Mohd. Ahmad Hj.* "Aesthetics Today Certain Conditions andIssues Relevant to ASEAN." (symposium paper) Report on ASEAN
Symposium on Painting and Photography. Kuala Lumpur, 1982.
Hassan, Hashim. Pelajaran Senilukis di peringkat tertiary. (working paper )Shah Alam : Mara Institute of Technology, 1977.
Jamal, Syed Ahmad. "Senilukis sezaman sebagai manifestasai kebuda yaan dalam masyarakat berbilang bangsa ." (seminar paper ) Seminar
Seni dan Masyarakat Kuala Lumpur: National Art Gallery, Dec. 1988.
Jit, Krishen. The Artist as a Social Commentator (symposium paper at the
Seminar Seni Lukis 1988) Kuala Lumpur: National Art Gallery, 1988.
Peris, Eric. Landscapes-Photographic Studies of Tin Mines. Kuala Lum pur: Privately published, 1980.
Piyadasa, Redza. Modern Artists of Malaysia. (co-authored by TK. Saba pathy) Kuala Lumpur: Dewan Bahasa dan Pustaka, 1983.
__ . "Modern Asian Art-Strategies
for a more Meaningful Accountability" (symposium paper) 3rd. Asian Art Biennale. Dhaka , Bangla desh: 1986. Published in Architectural Journal School of Architecture,
National University of Singapore, Dec. 1986.
__ . "Modernist and Post -Modernist developments in Malaysia Art
in the Post -independence period . (conference paper )." Modernism
and Post-Modernism in Asian Art Conference. Canberra : Austlalian
National University, 1991.

142

Sab apat hy, T K. Piyadasa Kuala Lumpur Archipelago Publishers, 1978.
__ . "Premise s for Critical studies on Modern Art in Southea st Asia."(symposium paper) Report on the Symposium Papers on ASEAN Art
Dec. 1982. Kuala Lumpur, 1982.
Shariff, Zainal Abic;linb. Ahmad.* "Kritikan Seni Di Malaysia." Seminar
Seni dan Masyarakat. Kuala Lump ur : Nation al Art Gallery, 1988.
Sullivan, Frank "Teng-Master ofBa tik" batik . Penang, 1968.
Wharton, Dolores. Contemporary Artists of Malaysia New York: Asia
Society, 1971.
Yeoh Jin Leng . "Country Report-Malaysia
A Survey of the Role andStatus of the Arts in the Educational System." (working paper) SPAFA
Workshop, Manila, 1980.
Zain, Ismail. Art Policy of the National Art Gallery Kuala Lumpur· National
Art Gallery, 1973.
Newspaper /Magazine Articles and Re vie ws
Bahari , Azmi. "Institusi -Institu si Senilukis Malaysia Kini." Fantasia Kuala
Lumpur, Oct. 1990.
"Bintang" (Tg Zubaidah) . "Enter the New Scene Artists." The Sunday
Times 27 July 1969.
Hashim, Mohd . Ahmad Hj.* "Aesthetes in Search of a Home ." New Straits
Times 4 Oct. 1983.
Jit, Krishen. "Towards a Mystical Reality." The Sunday Times 4 Aug. 1974.
__ . "The Artists as an Art Critic ." The Straits Times 15 Oct. 1983.
Ooi Kok Chuen. "Art Au Nature!." New Straits Times Annual 1990.
_ _ . "State of the Art." New Straits Times Annual 1992.
_ _ . "Time of Reckoning for Art Community" New Straits Times 1 Jan .
1992.
Paras -Perez, Rodolfo. "Distant Mirrors-The Art of Piyadasa." Lifestyle
Asia Manila, Aug. 1989.
Piyadasa, Redza. "ASEAN's artists are more individualistic, more involved, more international." The Straits Times Annual 1975.
__ . "Abdul Latif-From Pago-Pago to Langkawi" Orientations Hong
Kong, vol.11-no .8Aug.1980 .
Ranee, Alice. "Etched for Eternity." New Straits Times Annual 1992.
Roeder, Marlene . "The Colour of Reality-Ismail Hashim ." Photo Asia
Singapore, Mar. 1992.
Simoons, Cornelius. "Making and Unmaking Art Traditions." The National
Echo 21 Nov. 1978.
Sullivan, Frank "Malaysian Art goes abroad ." The Straits Times 1967__ . "Syed Ahmad Jamal" Pelita 1961.
Zain, Dawn. "The Malaysian Abstract Art Scene Today" Pelita 6-4 1968.
__ . "New Scene Exhibition An Excitmg Happening." The Malay
Mail 31 July 1969.

[SINGAPORE]
Exh ibition Catalogues and Brochures
Koay, Susie. (introduction by) Urban Artists-25
Years of Singapore Art .
Singapore National Museum, 1990.
Sabapathy, T.K. (introduction by) Many In One. Twenty Five Years of Art
In Singapore Singapore: National Museum, 1991.
__ . Sculpture in Singapore. Singapo re National Museum, 1991.
Sheare s , Constance . (introduction by) Contemporary Art in Singapore
Where East Meets West, Singapore: National Museum, 1989.
__ . (introduction by) Modern Art Travels East -West. Corporate Collec tions From Singapore and the Netherlands. Amsterdam Stichting
Onderneming en Kunst, 1990.

Books and Monographs
C.H. Yeo. Singapore Artists Speak Singapore, 1990.
Sabapathy, TK. & C.H. Yeo (edited and with an introduction) Change 20
Singapore Artists. A Decade of Their Work. Singapore, 1991.
Singapore Cultural Foundation & Federal Publications . Singapore Artists.
Singapore, 1982.

[THE PHILIPPINE S]
Exhibition Catalo g ues and Brochure s
CCP. CCP Annual (later CAMP Annual) Manila: CCP, various years
beginning 1976.
__ . Sikat Twenty Years of Phihppine Art ( 1969-1989) Manila, 1989.
__ . 13 Artists /Jater Gawad CCP para sa Sining Biswal). Manila, 1970,
72, 74, 78,80,88, 90, 92.
Luz Gallery. Victoria C Edades .· A Retrospective Exhibition of Paintings.
Makati , 1979.
Metropolitan Museum of Manila. Modang Modern .· A Change Begins.
Manila, 1990.
Museum of Philippine Art (MOPA) catalogues on retro spectives of Constancio Bernardo, Jose Joya, Cesar Legaspi, Diosdado Lorenzo, Victorio Edades .
Pacific Asia Museum. One Hundred Yearsof Philippine Painting. Pesadena,
1984.
Raab Gale rie & Pinaglabanan Galleries Inc. EX-CHANGE: Manila-Berlin.
Berlin Raab Galerie /Mamla: Pinaglabanan Galleries Inc., 1988.
Book s an d Monogra phs
Alvero, Aurelio S. The First Non-Objective Art in Tagala by Magtanggul
Asa [pseudJ PasayCity House of Asa, 1954.
Benesa, Leonidas V A Brief History of the Development of Modern Art
in the Philippines from 1928 to 1962. Manila: National Museum, 1963.
__ . Okir The Epiphany of Philippine Graphic Art. Ouezon City: Inter lino
Printing, 1982.
Benesa, Leonidas V., Guillermo, Alice G, et. al Ugat Suri. Manila: Asean
Institute of Art , 1984.
Castaneda , Dominador. Art in the Philippines. Ouezon City University ofthePhilippines(UP) , 1964.
Coseteng , Alice M.L. (ed ) Philippine Modern Art and Its Critics. Manila
UNESCO National Commission of the Philippines, 1972.
Duldulao, Manuel D. A Century of Realism m Philippine Art. Ouezon City
Oro Books, 1988.
_ _ . Contemporary Philippine Art from the Fifties to the Seventies .

Ouezon City : Vera -Reyes Inc., 1972.
_ _ . the Philippine Art Scene. Pasig : Mabar Books, 1977.

Guillermo, Alice G. The National Museum Visual Arts Collection. Manila:
National Museum, 1991.
__ . The 1980MobilArtAwards. Manila Mobil Oil Philippines, 1981.
__. Sining Biswal. An Essay on Philippine Visual Arts . Tuklas Sining
series. Manila Cultural Center of the Philippines (CCP), 1989.
__ . Social Realism in the Philippines Ouezon City: Asphodel Books,

1987
Guillermo, Alice G. & Regalado Trota Jose , et al. Sculpture in the Philippinesfrom Anita to Assemblage and Other Essays Manila Metropolitan
Museum of Manila, 1991.
Ledesma, Purita Kalaw & Amadis Ma. Guerrero. Edades . National Artist.
Manila Filipinas Foundation, 1979.
__ . The Struggle for Philippine Art. Ouezon City: Vera -Reyes, 1974.
A Portfolio of 60 Philippine Art Masterpieces . Ouezon City: Instructional
Materials Corp ., 1980.
Reyes, Cid. Conversations on Philippine Art . Manila : CCP, 1989.
Roces , Marian Pastor. Warped Space Near the Outer Limits of Discourse.
Art into Tex t, Philippines. Australia: Institu te of Modern Art, 1992.
Seven Yearsof the Philippine Art Gallery 1951-1957 Manila : Philippine Art
Gallery, 1958.
Smith, Winfield Scott III (ed) The Art of the Philippines 1521-1957
Manila Associated publishers, 1958.
Torres, Emmanuel Kayamanan· 77 Paintings from the Central Bank
Collection. Manila: Central Bank of the Philippines, 1980.
Ne wspap er /Mag a zin e Artic le s and Re views
Albor, Teresa Bargielska . "Philippine Art Scene, " ART news June 1992.
Allen, Christopher. "Withering For Want of a Voice" The Sydney Morning
Herald 11 March 1989, p.90.

143

Albano , Raymundo R "Art as a Decade Ends ." Fookien Times Yearbook
1979, p 363__ . "Insta llations A Case for Hangings. " Phil ippine Art Supplement(PAS), 2-1 Jan.-Feb . 1981, pp.2-3.
__ . "Philippine Art Tradition And Westemization. " PAS 2-1 Jan.-Feb.
1981, p 14
Brett, Guy, "Impromptus David Medalla. " Art in America 77-11 Nov.
1989, pp .156-163, p.21 1.
Coseteng , Alice . "Trends and Prospects of Philippine Modem Painting."
Chronic le Yearsbook 1961. pp . 82-90.
Corotan, Gemma Luz. "The Ephemeral Art " Sunday Standard 12 Nov
1989, pp .4-5.
Fojas, Felix. "A Collage of lllusion " San Juan Aug. 1985, p 20-21.
Guillermo, Alice G. "Chabet's Sleight-of-Hand." Observer 15 Nov. 1981,
pp .28-29.
Junyee , (a.k.a.Luis Yee, JrJ "A Halfway Ground: Los Banos Site Works."
PAS 2-6 Nov-Dec. 1981, pp.2-7 .
Miller, Jon. "Digging for Cultural Roots." Gulf News 15 Jan. 1990.
Ong. Charlson L. "Tales of the Mumbaki. " Daily Globe 22 May 1989, p.13.
Reyes, Elizabeth V "A Haven for Lowland Artists." Mabuhay Nov. 1989,
pp 24-28
Roces, Marian Pas tor. "Outline for Reviewing the 'Avant Garde '" San
Juan Aug. 1985, pp . 8- 10.
Sibayan, Judy Freya. "Performance." PAS 2-6 Nov-Dec. 1981, pp.10-11.
Films
A Documen tary of Sining Biswal. Philippine Visual Arts. Manila: CCP,

1989.
Yuson, Alfred. Nine Fil ipina Visual Artists. Manila: Yuson, 1987

[THAILAND]
Exhibition Catalogues and Brochures
Boonma, Montien M ontien Boonma: Story from the Farm. Bangkok:
National Gallery, 1989.
__ . Mon tien Boonma. Thai-iahT Bangkok National Gallery, 1990.
CON-tempus , the Bangkok Fine Art Center. The New Path. Bangkok:
Queen Sirikit National Convention Center , 1991.
Dialogue Gallery 8 Actua l Visions in Thai Contemporary Drawing. Bangkok: Dialogue Gallery, 1991.
The Japan Foundation ASEAN Culture Center. Mon tien Boonma.· The
Pagoda and Cosmos Drawn with Earth. Tokyo, 1991.
Milindasuta , Sansam. Sansam Mi li ndasuta. Bangkok National Gallery,
1991.
Print Installation.· Seven Interpretations by Thai Artists. Bangkok
National Gallery, 1991.
Puipia, Chatchai & Sanpitak , Pinaree. Recent Works by Chatchai Puipia
and Pinaree Sanpitak Bangkok: National Gallery, 1991.
Silom Art Space . Bangkok Matters . Bangkok, 1992.
Silom Art Space. Small Works. An Art Exhibition by 56 Thai Artists. Bang kok, 1992.
Silpakorn University and Goothe lnstitut. Art and Environment. Bangkok
Amarin Printing Group, 1991.
Books and Monographs
Poshyananda, Apinan. "Thai MODERNism to (post?) modem!SM, 1970s
and 1980s" Seeing, 'Yellow' from a Thai Perspective. " (conference
paper on 'Modem and Postmodem Art in Asia ') Canberra the Department of Art History, Australian National University, 22-25 March 1991.
__ . "Thai Artists Working in the Culture of NICs (Newly Industrializing
Count ries)." Narok [Hell] is Coming soon (The Australia and Regions
Artists ' Exchange symposium paper) Perth: The University of Western
Australia, 11-14Apr. 1992.
__. Modem Art in Thailand in the Nineteenth and Twentieth Centuries.

Singapore: Oxford University Press, 1992.
__ . "Asian Definitions of Modernity in Art Relativization of Styles inThai Art" (paper at the XXVIIIth Intemaional Congress of History ofArt) Berlin, 15-20 July 1992.

Newspaper /Magazine Articles and Reviews
Lutfy, Carol. "Thai Artists Confront Western Secular Realities ." The Jour nal of Art Oct. 1991, New York, p.67.
McNeil, David. "Modernism and Postmodemis m in Asian Art." ArtM onthly Austra li a May 1991, pp.13-14.
Pawlin , Alfred. "Reaching Beyond Tradition ." Asian Art News Nov.-Dec.
1991, pp. 29-31.
Poshya nan da , Apinan . "Quality and Originality in Modem Thai Art"
Bangkok Post 16 Nov 1986, p.26.
__ . "Shahraza ds Dominate Contempo rary Art Show " Bangkok Post 10
July 1985, p . 22. (reprinted Sinl apaphi cham Jan.-Oct. 1991.)_ _ . "Art' s Future in the Hands of 'Argonauts'." Bangkok Post 12 Aug.
1985, p . 22. (reprinted Sinlapaphicham Jan .-Oct. 1991.)__ . "Rambo Meets Buddha in a Shopping Mall." The Nation 30 Nov
1990, Section C__"Historic Discussion on the State of Asian Art." Bangkok Post 19
Apr. 1991, p.48.
__ . "The Most Prest igious of Art Shows?. " Bangkok Post 23 Aug. 1991,
p.46 .
__ . "In Search of a New Path for the Art Scene. " Bangkok Post 23 Aug
1991, p.46.
(Supplement)
Bhirasri, Silpa. Contemporary Art in Thailan d. Bangkok: The Fine Arts
Department , Ministry of Education Bang kok, (5ed.) 1980.
Piriya Krairiksh and Paothong Thongchua. Art Since 1932. Bangkok Thai
Khadi Research Institute , Thamma sa t University, 1982.
Bangladesh Shilpakara Academ y. A sian Art Biennale Bangladesh 1981.
Dhaka, Jan. 1981.
2 Asian Art Biennal e Bangl adesh 1983. Dha ka , Nov. 1983.
3 Asian Art Biennale Bangla desh 1986. Dhaka , Apr. 1986.
4 Asian Art Biennal e Bangl adesh 1989. Dhaka , Mar. 1989.
5 Asian Art Biennale Bangl adesh 1991. Dhaka, Oct 1991.