202412M-VA-1

09/23

1
1

IMPORTANT SAFETY INSTRUCTIONS
USA / Canada

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings.
8. Install in accordance with the manufacturer’s instructions.
9.	Do not install near any heat sources such as radiators, heat registers, stoves, orother apparatus (including amplifiers) that produce heat.
10.	
Do not defeat the safety purpose of the polarized or grounding-type plug. A
polarized plug has two blades with one wider than the other. A grounding typeplug has two blades and a third grounding prong. The wide blade or the thirdprong are provided for your safety. If the provided plug does not fit into your outlet,
consult an electrician for replacement of the obsolete outlet.
11.	Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
12. Only use attachments/accessories specified by the manufacturer.
13.	Unplug this apparatus during lightning storms or when unused for long periods oftime.
14.	Refer all servicing to qualified service personnel. Servicing is required when theapparatus has been damaged in any way, such as power-supply cord or plug isdamaged, liquid has been spilled or objects have fallen into the apparatus, theapparatus has been exposed to rain or moisture, does not operate normally, or
has been dropped.
“TO COMPLETELY DISCONNECT THIS APPARATUS FROM THE AC MAINS,DISCONNECT THE POWER SUPPLY CORD PLUG FROM THE AC RECEPTACLE”.
“WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOTEXPOSE THIS APPARATUS TO RAIN OR MOISTURE AND OBJECTS FILLED WITH
LIQUIDS, SUCH AS VASES, SHOULD NOT BE PLACED ON THIS APPARATUS”.
This symbol is intended to alert the user to the presence of important operationand maintenance (servicing) instructions in the literature accompanying theappliance.
This symbol is intended to alert the user to the presence of uninsulated“dangerous voltage” within the product’s enclosure that may be of sufficientmagnitude to constitute a risk of electric shock to persons.

23

Warning!

If the product does not operate normally when the operating instructions arefollowed, then refer the product to a qualified service engineer.

EnglishREAD THE FOLLOWING INFORMATIONINSTRUCTIONS FOR FUTURE REFERENCE!

CAREFULLY.

SAVE

ALL

4

The U.S. Government´s Occupational Safety and Health Administration (OSHA) has
specified the following permissible noise level exposures:
Duration Per Day In Hours
8

Sound Level dBA, Slow Response

Danger! High internal operating voltages.
Do not open the equipment case. There are no user serviceable parts in thisequipment. Refer all servicing to qualified service personnel.
Clean only with a dry cloth.
Condensation can form on the inside of an amplifier if it is moved from a cold
environment to a warmer location. Before switching the unit on, it is recommended
that the unit be allowed to reach room temperature.
Unauthorised modification of this equipment is expressly forbidden by Blackstar
Amplification Ltd.
Never push objects of any kind into ventilation slots on the equipment casing.
Do not expose this apparatus to rain, liquids or moisture of any type.
Avoid placing vessels filled with liquid on top of the amplifier.
Do not place this product on an unstable trolley, stand or table. The product may
fall, causing serious damage to the product or to persons!
Do not cover or block ventilation slots or openings.
This product should not be placed near a source of heat such as a stove, radiator,
or another heat producing amplifier.
Use only the supplied power cord which is compatible with the mains voltage
supply in your area.
Power supply cords should always be handled carefully and should be replaced if
damaged in any way.
Never break off the earth (ground) pin on the power supply cord.
The power supply cord should be unplugged when the unit is to be unused for long
periods of time.
Before the unit is switched on, the loudspeaker should be connected as describedin the handbook using the lead recommended by the manufacturer.
Always replace damaged fuses with the correct rating and type.
Never disconnect the protective mains earth connection.
High loudspeaker levels can cause permanent hearing damage. You should
therefore avoid the direct vicinity of loudspeakers operating at high levels. Wearhearing protection if continuously exposed to high levels.
If the product does not operate normally when the operating instructions arefollowed, then refer the product to a qualified service engineer.
Only suitable for safe use under non-tropical climate conditions.
Maximum ambient temperature for operation: 35℃
Always make sure that the power cable is connected to a socket/outlet with anearthed connection.
Mains Voltage: 100-240V~ 50/60Hz
This amplifier is only designed and evaluated for safety at a maximum altitude of 2000m.

6

92

4

95

3

97

2

100

1½

102

1

105

Follow all warnings and instructions marked on the product!

EnglishImportant safety information!

90

½

110

¼ or less115

According to OSHA, any exposure in excess of the above permissible limits could
result in some hearing loss.
Ear plug protectors in the ear canals or over the ears must be worn when operating
this amplification system in order to prevent a permanent hearing loss if exposure isin excess of the limits as set forth above. To ensure against potentially dangerous
exposure to high sound pressure levels, it is recommended that all persons exposed toequipment capable of producing high sound pressure levels such as this amplification
system be protected by hearing protectors while this unit is in operation.

All electrical and electronic products should be disposed of separatelyfrom the municipal waste stream via designated collection facilities
appointed by the government or the local authorities.

5EnglishFeaturesThank you for purchasing this Blackstar HT Venue MK III amplifier. Like all our
products, this amp is the result of countless hours of painstaking Research andDevelopment by our world-class design team. Based in Northampton (UK), theBlackstar team are all experienced musicians themselves and the sole aim of thedevelopment process is to provide guitarists with products which are the ultimate
tools for self-expression.

This HT Venue MK III is a highly versatile amplifier suited to a wide range ofplaying styles and situations.

All Blackstar products are subjected to extensive laboratory and road testing toensure that they are truly uncompromising in terms of reliability, quality and above
all TONE.
The HT Club MK III’s flexible two channel design features the unique patented ISF(Infinite Shape Feature) control and although it has a comprehensive control set, it
is still simple and intuitive to use. Please read through this handbook carefully toensure you get the maximum benefit from your new Blackstar product.
If you like what you hear and want to find out more about the Blackstar range of
products, please visit our website at www.blackstaramps.com.
Thanks!
The Blackstar Team

EnglishIntroduction

The Clean Channel has two voices; one based on a classic American circuitand the other based on a classic British tone. The Voice switch reconfigures
the preamp voicing, EQ and valve gain structure, as well as the power amplifier
damping. This produces a clean, bright, solid bass response for the American
tone and a highly responsive ‘chime’ with looser bottom for the British tone thatcan be pushed into a midrange overdrive when driven hard. The Voice setting
can also be selected via footcontroller.
The HT Club MK III also has two voices on the Overdrive Channel, which share
a common EQ section. These two voices provide a broad palette of overdriven
tones.
As with the Clean Channel, each of these voices can also be selected by
footcontroller. When switching between channels, the amplifier will recall the
specific Voice setting last used on that channel.
The Overdrive voices are characterised by a tone which is high in gain, but avoids
any of the detached top-end ‘fizz’ often found in other designs. This is a result of
unique preamplifier and power amplifier shaping techniques, which also benefit
the player in the way the overdrives clean up beautifully as the guitar volume is
reduced. Even at the most extreme settings, the Overdrive voices remain naturalsounding.
The patented ISF (Infinite Shape Feature) control is unique to Blackstar
Amplification and represents a major step forward in tone shaping flexibility. The
ISF control shifts the response of the three control tone stack between, a US
type response at one end, and at the other, a UK type response. Importantly, inbetween the two extremes lie an infinite number of alternative tone choices thatwould be otherwise unavailable.
The amplifier features naturally sounding digital reverb that can be adjusted via
the Reverb control on the front panel or turned on and off via the optional 5-way
footcontroller. A switch on the rear panel selects between ‘Dark’ and ‘Light’.
The Dark setting is based on a room reverb and the Light setting is based on aplate reverb.
The reverb decay times can also be adjusted differently for each channel by
connecting via USB to our proprietary Architect software.
A Power Switch is provided on the front panel to switch the amplifier between fullpower and 10% power. This means that the full tonal depth of the valve powerstage can be enjoyed at any volume, retaining the distinctive sound of power
valves working hard.
A USB connector allows for sending up to 4 channels of the guitar signal (dry,preamp out and stereo emulated out) into a computer for recording purposes.

67EnglishThis is a momentary toggle switch that selects between the two voices of the OD
Channel. When the associated white LED is unlit, this channel has a ‘classic’ but‘hot-rodded’ overdrive, with medium power amp damping. With the white LED
lit the overdrive sound has a more ‘modern’ voicing that includes a strong midemphasised pre-overdrive boost, as well as a looser, more aggressive sound due
to reduced power amp damping.

Front Panel
1. Input

EnglishIt also enables the connection to the previously mentioned Architect softwarefor deep editing of not only the reverb, but also extensive control of CabRigparameters for power amp/speaker/cabinet/mic/room emulations from the USB,balanced DI and stereo headphone/line outputs, for practicing, recording andlive use.

Plug your guitar in here. Always use a good quality screened guitar lead.
If no connection is made then the power amplifier will automatically switch to a safe
‘standby’ mode. In situations where the user wants to use the power amp (Returnto Speaker Outputs) without the preamp(s) (Input to Send) – for example; whenusing the amp as a second amp in a stereo rig, or if connecting an external multieffects or modelling unit to the Return – then, to un-mute the power amp, connect ajack plug (preferably shorted) or short ‘patch lead’ to the Input and turn the channel
controls to minimum.
Clean Channel
2. Clean Volume
This controls the volume of the Clean Channel. Turning it clockwise increases
the volume. At extreme clockwise settings the preamplifier will start to overdrive,
particularly in the ‘British’ mode – with white Voice LED on.
3. Clean Voice Switch
This is a momentary toggle switch that selects between the two clean voices. The‘American’ setting is very clean and bright but with a solid low end; this Voice isselected when the Voice LED is unlit. The ‘British’ setting has a looser bass responsewith warmer mid-range and is very sensitive to the output level of the guitar and theplayer’s dynamics; this Voice is selected when the Voice LED is lit. The EQ voicing andvalve gain structure is completely reconfigured between each voice.
4. Bass
The Bass control adjusts the amount of bass frequencies in your tone. Fully counterclockwise the sound will be tighter in character. Rotating the control clockwise will
progressively increase the bass response of the channel.
5. Treble
The Treble control allows adjustment of the treble frequencies within the sound. At
low settings (counter clockwise) the sound will be warm and darker in character. As
the Treble control is rotated clockwise the sound will become brighter.
OD (Overdrive) Channel
6. OD Select Switch
Press this switch to select the OD Channel. When the red LED is on, the OD Channel
is selected. When the red LED is off, the Clean Channel is selected.
7. OD Gain
The OD Gain control adjusts the amount of this Channel’s overdrive or distortion.
Low settings (anti-clockwise) will deliver a clean sound on the edge of break-up.
As the Gain control is increased clockwise the sound will become more overdriven,
moving through crunch tones until, at its maximum position, a full distorted tone isreached.

89English

MasterThis is a momentary switch that selects between the two voices of the OD Channel.
When the small red LED is unlit, this channel has a ‘classic’ but ‘hot-rodded’ overdrive,with medium power amp damping. With the red LED lit the overdrive sound has amore ‘modern’ voicing that includes a strong mid-emphasised pre-overdrive boost,
as well as a looser, more aggressive sound due to reduced power amp damping.

14. Reverb

9. OD Volume
This control is for balancing the volumes between the three channels. Its setting
will depend on the other Gain and Volume settings, as well as the specific needsof the user.
10. Bass
The Bass control adjusts the amount of low-end frequencies in your tone. This amp
has an advanced tone shaping circuit which allows the tone to be varied from tightand cutting when counter clockwise, to warm and thumping when fully clockwise.
11. Middle
The Middle control adjusts the amount of middle frequencies in your tone. The middle
frequencies are particularly important in setting the amount of ‘body’ your tone has.
With the Middle control set to its minimum position (fully counter clockwise) the soundwill be aggressive and scooped, a tone ideal for aggressive rhythm playing. As theMiddle control is increased (clockwise) the amount of ‘body’ is increased, which ismore suitable for sustained lead guitar tones.

The Reverb control sets the overall level of the reverb effect. With the control fully
counter clockwise there will be no reverb. Turning the control clockwise will increase
the amount of reverb.
The Reverb tone can be adjusted by the Dark/Light switch on the rear panel and theReverb decay times can be adjusted for the Clean and OD channels by connecting
to our Architect deep-editing software.
15. Volume
This controls the overall volume of your amplifier. Turning it clockwise increases thevolume.
16. Power Switch
This switch allows the reduction of the output stage from full power down to 10%
power. This means the full tonal depth of the valve power amplifier can be enjoyedat lower volumes, therefore making the HT Venue MK III ideal for recording, smaller
gigs and even home practice use. Working in conjunction with the power amplifiervoltages, this method of power reduction suffers none of the loss in tone of otherpower reduction systems.
17. Power Indicator Light
The Power Indicator will light when the amplifier is switched on.

12. Treble

18. Standby

The Treble control allows exact adjustment of the treble frequencies within thesound. At low settings (counter clockwise) the sound will be warm and darker incharacter. As the Treble control is increased (clockwise) the sound will becomebrighter. At the maximum settings the sound will be aggressive and cutting.

This switch enables the output stage. Always turn this switch on at least 30 seconds
after the Power switch (19) and preferably turn the Power switch off after switchingto Standby. During short breaks in playing use just this switch to turn ‘off’ and ‘on’
the amplifier’s output. To prevent any unwanted noise being sent to your speaker(s)we recommend always switching to Standby for a few seconds before switching
the main Power switch to OFF.

13. ISF (Infinite Shape Feature)
The patented ISF control works in conjunction with
the Bass, Middle and Treble controls. It allows you tochoose the exact tonal signature you prefer. Fully counter USA
clockwise has a more American characteristic with atight bottom-end and more aggressive middle, and fully
clockwise has a British characteristic which is more‘woody’ and less aggressive.

English8. OD Voice Switch

19. Power

UK

Unlike conventional ‘contour’ controls and parametric equalisation systems, the Bass,
Middle and Treble controls remain interactive with each other just like in a traditional
guitar amplifier tone stack. This leads to a very familiar, musical response.

This switch is used to turn the amplifier on and off. You should always turn thisswitch on before turning on the Standby switch (18).

Rear Panel
1. Mains Fuse
The value of the Mains Fuse is specified on the rear panel. Never use a fuse of theincorrect value or attempt to bypass it.
2. Mains Input
The supplied detachable mains lead is connected here. The lead should only beconnected to a power outlet that is compatible with the voltage, power and frequency
requirements stated on the rear panel. If in doubt get advice from a qualified technician.

10

11English10. Effects Loop Return

The value of the H.T. Fuse is specified on the rear panel. Never use a fuse of theincorrect value or attempt to bypass it.

Connect the (mono) output of an external effects unit here.

4. Speaker Outputs

Connect the (mono) input of an external effects unit here.

The output marked ‘1x16 Ohm’ is for the connection of a single 16 Ohm extension
speaker cabinet.
The outputs marked ‘1x8 Ohm or 2x16 Ohm’ are for the connection of either asingle 8 Ohm extension cabinet or two 16 Ohm cabinets.
‘1x16 Ohm’ output‘1x8 Ohm or 2x16 Ohm’ outputs

Internal 16 Ohm combo speaker

✓		X

X

Internal 16 Ohm combo speakerplus one 16 Ohm extension cabX		✓

One 16 Ohm extension cabinet

✓		X

X

Two 16 Ohm extension cabinets

X		

✓

✓

Single 8 Ohm extension cabinet

X		

✓

X

✓

WARNING: The output marked ‘1x16 Ohm’ should never be used at the same timeas any of the outputs marked ‘1x8 Ohm or 2x16 Ohm’. Failure to correctly matchthe impedance of the amplifier and speakers will damage the amplifier.
5. CabRig Output – Mono Balanced XLR socket
This output provides a balanced, low impedance connection to a recording device,stage box or mixing desk using a standard XLR cable.
6. CabRig Output - Stereo Line Out / Phones socket
This output provides a stereo un-balanced connection to a recording device or
mixing desk. Always use a good quality screened TRS lead. The stereo jack socket
also accommodates connection of headphones, allowing you to practice silently.
NOTE: Both the XLR and Stereo Emulated outputs remain active even when inStandby mode. This allows for silent recording or practice when the amplifier is inStandby, regardless of any connected speaker.
7. CabRig Switch

11. Effects Loop Send
12. 5-Way Footcontroller Socket
The optional 5-way FS-14 footcontroller (not supplied) is connected here. This
footcontroller enables instant access to all channels and voices, plus the global
boost function and Reverb switching. This should be connected to your amplifier
using the cable provided with the FS-14. Alternatively a good quality shielded guitar
cable may be used.
Pressing the Clean switch on the footcontroller will select the Clean Channel.
Pressing the Clean switch whilst the Clean Channel is already selected will toggle
the Clean Voice. The previously selected voice will be retained when switching to
the Clean Channel.
Pressing the OD1 switch will select the Overdrive Channel, Voice 1. Likewise,pressing the OD 2 switch will select the Overdrive Channel, Voice 2. Pressing either
OD1 or OD2 switches on the FS-14 whilst that voice is currently selected will haveno further effect.
13. 2-Way Footswitch Socket
The supplied 2-way footswitch is connected here. The FS-15 footswitch enables theselection of the Clean and Overdrive channels, and the two voices on each Channel.
Pressing the Channel switch on the FS-15 will toggle between the Clean Channel
and Overdrive Channel. Pressing the Voice switch on the FS-15 will toggle between
the two voices of the currently selected channel.
If the supplied FS-15 footswitch is unavailable then a generic 2-way latchingfootswitch with TRS jack connection can be used.
EXTERNAL SWITCHING MODE: To switch to External Switching mode: simply
press and hold the Clean Voice and OD select switches for 5 seconds. The LEDs
will then flash together to indicate the change of mode. The amplifier will retain thismode, even when switched off, until it is changed back to normal/footswitch mode.
Once in External Switching Mode the following settings will apply when a suitable
TRS connection is made:The switch enables you to instantly select between one of the three stored CabRigpatches. This will apply to both the balanced XLR, Line Out / Phones and therelevant USB outputs.

TIP

RING

CHANNELVOICEClosedClosedClean

Voice 1

8. Reverb Dark/Light

Closed

Open

Clean

Voice 2

Open

ClosedOverdrive

Voice 1

Open

Open

Overdrive

Voice 2

With the switch in the ‘out’ position (Dark) the reverb is voiced to have a warm
‘room’ quality. Set to the ‘in’ position (Light), the reverb is voiced to have a bright,
airy quality, typical of a ‘plate’ style reverb. The setting chosen will apply to allchannels and voices.
9. Effects Loop Level
The Effects Loop Level switch sets the effects loop to either +4dBV/-10dBV, whichenables you to use it with either professional equipment (+4dBV setting), or withguitar level effects such as effects pedals (-10dBV setting).
12

English3. H.T. Fuse

NOTE: Both the 5-way (with FS-14) and 2-way (with external control) sockets canbe used at the same time. This gives the ultimate flexibility of automated and instantmanual control.

1314. Emulated Output USB Socket
EnglishStandard audio drivers are used to connect the amplifier to a PC, Mac or otherapplicable recording device. No specific drivers are required. For a guide on lowlatency USB recording visit:

Technical Specification
HT CLUB 40 MK III
Power (RMS): 40 Watts
Valves: 2 x EL34, 2 x ECC83

EnglishThis C-type USB socket is for connection to a computer via a suitable lead (notsupplied). It is capable of multiple simultaneous inputs and outputs. It is also forconnection to our Architect software for deep-editing of CabRig and other functions.

Weight (kg): 24

www.blackstaramps.com/usbrecording

Dimensions (mm): 588 x 480 x 260

NOTE: Always connect the amplifier via a main USB port, often found on the rearof the computer.

Footswitch: FS-15 included, optional FS-14 for control of channels, voices, boost
and reverb

The amplifier will appear as an audio capture device within recording software.
The audio output via USB from your amplifier directly to your computer is carriedacross four independent, simultaneous channels:

HT CLUB 50 MK III

Channel 1: Stereo emulated, left channel – The fully processed guitar sound, withspeaker cabinet emulation. This will include the left channel of the internal stereo
reverb.

Valves: 2 x EL34, 2 x ECC83

Channel 2: Stereo emulated, right channel – The fully processed guitar sound,with speaker cabinet emulation. This will include the right channel of the internal
stereo reverb.
Channel 3: Preamp output – The preamp sound of the channels, voices and EQ
stages, taken before the reverb and without any speaker cabinet emulation. Ideal
for use with your own effects and cabinet emulation plugins within your recording
software/DAW.
Channel 4: Unprocessed dry guitar signal – This is the direct signal from yourguitar as received by the amp.
These audio streams can be recording simultaneously within your chosen recording
software/DAW.
TIP: To record a stereo ‘reverb’ effected sound, pan the stereo emulated leftchannel 100% left in the mix and pan the right channel 100% right.

Power (RMS): 50 Watts
Weight (kg): 14.6
Dimensions (mm): 558 x 220 x 245
Footswitch: FS-15 included, optional FS-14 for control of channels, voices, boost
and reverb
Please note: Although, the HT Venue MK III series is fitted as standard with EL34
type power valves, they also have intentionally been designed to be ‘retro-fitted’with 6L6 power valve types instead. As is normal with power valve changes, thiswill require ‘re-biasing’ of the valve power stage
This is simple but will not be included in the scope of this user manual.
It will however be freely provided to approved Blackstar service centres

The HT Club MK III can also receive audio input from your computer:
Channel 1: Line input, left channel – Used for audio monitoring or backing track
playback via the Emulated Output.
Channel 2: Line input, right channel – Used for audio monitoring or backing track
playback via the Emulated Output.
15. Kensington Lock
Also known as a Kensington Security Slot or K-Slot this is a specifically sized holefor connecting a compatible Kensington Lock to secure the amplifier to a fixed
point. For more information, please refer to www.kensington.com

14

15

Deutsch

DeutschEnglishEnglishHT Club 40 MK III Front PanelHT Club 40 MK III Rear Panel
WA R N I N G ! : R I S K O F H A Z A R D O U S E N E R G Y
AT T E N T I O N ! : E N E R G I E E L E C T R I Q U E D A N G E R E U S E !

MAINS INPUT
2 2 0 V- 2 4 0 V ~ 5 0 / 6 0 H z

WA R N I N G ! : D O N O T O B S T R U C T V E N T I L AT I O N G R I L L E S
AT T E N T I O N ! : N E PAS O B S T R U E R L E S G R I L L E S D E V E N T I L AT I O NCABRIG OUTPUTREVERB

AT T E N T I O N ! : P O U R EV ITER LES R ISQ U ES D ’IN C EN D IE ET D E D EC H A R G ES
E L E C T R I Q U E S , N ’ EX PO SEZ JA M A IS C ET A PPA R EIL L’ H U M ID ITE O U A LA PLU IE.
C O N N E C T E R C E T A PPAR EIL A LA TER R E.

EFFECTS LOOPFOOTSWITCH

Français

1 8 5 W AT T S

Français

WA R N I N G ! : T O R E D U C E T H E R I S K O F F I R E O R E L E C T R I C S H O C K D O N O T E X P O S E
T H I S E Q U I P M E N T T O R A I N O R M O I S T U R E . T H I S A P PA R AT U S M U S T B E E A RT H E D .

SPEAKER OUTPUTSLEVELMAINS FUSE

H . T. F U S E

3
2
1
CABRIG

Designed and Engineered by

B l a c k s t a r A m p l i fi c a t i o n L t d
Northampton, England1 x 16 OHM
2 2 0 V- 2 4 0 V - T 1 A L 2 5 0 V
100V/120V - T2AL250V

T500mAL250V

CONNECT SPEAKERS BEFORE USE“CLASS 2 WIRING”
O U T P U T: 4 0 W AT T S R M S

Made under license in China

LINE OUT/
PHONES

DARK
LIGHT

+4dBu
-10dBVUSB AUDIORETURN

5 - W AY

SEND

2 - W AY

BALANCEDA P PA R AT E T S S T I K P R O P S K A L T I L S L U T T E S E N S T I K K O N TA K T M E D J O R D S O M G I V E R
F O R B I N D E L S E T I L S T I K P R O P P E N S J O R D . L A I T E O N L I I T E T TÄVÄ S U O J A K O S K E T T I M I L L A
VAR U S T E T T U U N P I S T O R A S I A A N . A P PA R ATE T M Å T I L K O P L E S J O R D E T S T I K K O N TA K T.
A P PA R AT E N S K A L L A N S L U TA S T I L L J O R D AT U T TA G .

ATTENTION:CAN ICES-3 (B) / NMB-3 (B)
CALIFORNIA 93120
COMPLIANT FOR FORMALDEHYDE

HT CLUB 40 MK III
MODEL: 119102-VC

EspañolEspañolT his d e v ic e c om pli es wi t h Par t 15 of t he FCC Rul es . condi t i ons : ( 1 ) t h i s d e v i c e ma y n o t c a u s e
ha r m f ul int e r f e r ence, and (2) t hi s devi ce mus t accept any i n t e r f e r e n c e r e c e i v e d , i n c l u d i n g
int e r f e r e nc e t ha t may caus e undes i r ed oper at i on.

1 x 8 OHM OR 2 x 16 OHM

HT Club 50 MK III Front PanelP O W E R S TA N D B Y

POWER MASTER

REVERBO D E Q U A L I S AT I O N

OVERDRIVE

CLEAN

INPUT

JapaneseJapanese

50W

5W

ON

VOICE

ON

VOLUMEISF

TREBLEMIDDLEBASS

VOLUMEVOICEOD
SELECT

TREBLEGAIN

BASSHT Club 50 MK III Rear PanelWARNING!: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THISEQUIPMENT TO RAIN OR MOISTURE. THIS APPARATUS MUST BE EARTHED.

WARNING!: DO NOT OBSTRUCT VENTILATION GRILLES
ATTENTION!: NE PAS OBSTRUER LES GRILLES DE VENTILATIONFOOTSWITCHREVERB

EFFECTS LOOPATTENTION!: POUR EVITER LES RISQUES D’INCENDIE ET DE DECHARGES ELECTRIQUES, N’EXPOSEZ JAMAIS CETAPPAREIL L’HUMIDITE OU A LA PLUIE. CONNECTER CET APPAREIL A LA TERRE.

WA R N I N G ! : R I S K O F H A Z A R D O U S E N E R G Y
AT T E N T I O N ! : E N E R G I E E L E C T R I Q U E D A N G E R E U S E !

CABRIG OUTPUT

H . T. F U S ESPEAKER OUTPUTSLEVELUSB AUDIO

2 - W AY

5 - W AYSEND

RETURNAPPARATETS STIKPROP SKAL TILSLUTTES EN STIKKONTAKT MED JORD SOM GIVER FORBINDELSE TIL
STIKPROPPENS JORD. LAITE ON LIITETTÄVÄ SUOJAKOSKETTIMILLA VARUSTETTUUN PISTORASIAAN.
APPARATET MÅ TILKOPLES JORDET STIKKONTAKT. APPARATEN SKALL ANSLUTAS TILL JORDAT UTTAG.

+4dBu-10dBV

MAINS INPUT
2 2 0 V- 2 4 0 V ~ 5 0 / 6 0 H z

MAINS FUSE

1 8 5 W AT T S

Designed and Engineered by

B l a c k s t a r A m p l i fi c a t i o n L t d

1
2
3

16

VOLUME

中文

中文

HT CLUB 50

LEVEL

DARK
LIGHT

CABRIG

Northampton, England

T500mAL250V

Made under license in China

LINE OUT/
PHONESThis device complies with Part 15 of the FCC Rules. conditions: (1) this device may
not cause harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.

BALANCEDCAN ICES-3 (B) / NMB-3 (B)
CALIFORNIA 93120
COMPLIANT FOR FORMALDEHYDE

1 x 8 OHM OR 2 x 16 OHM
ATTENTION:

2 2 0 V- 2 4 0 V - T 1 A L 2 5 0 V
100V/120V - T2AL250V

1 x 16 OHM

CONNECT SPEAKERS BEFORE USE“CLASS 2 WIRING”
O U T P U T: 5 0 W AT T S R M S

HT CLUB 50H MK III
MODEL: 119103-VC

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