Introduction

Art Autonomy Network [AAN]
Art Autonomy Network [AAN] acknowledges artistic practices by individuals and groups who act in areas outside large cultural
institutions and commercial spaces. We execute various programs, such as exhibitions, workshops, symposiums, educational
programs, and create art archives. We also construct systems and develop contents that are necessary for promoting art in aninternational context. By intimately interacting with spontaneous art projects and groups that expand nationally andinternationally, we aim to become a smoothly connected network, internationally and compositely. We have added Art
Autonomy in our name, to signify the independence of art when we have set up AAN in 2005.

Introduction
When Kato stayed in the UK in the 90’s, she witnessed the YBa flourishing (Young
British Artists) and saw the innovative forms of pioneering art organizations in London.
The artists who took initiatives in creating spaces to show their works were striking

Guidelines

individually. They were not restricted to conventional museums and commercial
galleries that were the mainstream spaces for exhibitions. Instead, they turned spaces
such as vacant stores and churches around the town into galleries of their own and

Network

Art Archiveex.

A A N has focused on national andinternational, spontaneous and alternative art
practices. Unfor tunately, we feel that in thepresent condition, many of the documents andinformation that have been gathered during various
art activities have been scattered and lost. Over theyears, we have gathered and kept documents (flyers,posters, catalogs, etc.) of national and international art
activities, and artists portfolios according to our own
metho ds. A A N utilizes its net work to archive
documents of individuals and groups who practicein the field of ar t , to c re ate a c omp osite
archive. This programme is also good foraudience to understand ar t works
through their direct voices.
Portfolio Meeting ,In today’s society, there are many institutions and groups who successfully practice art
using alternative methods, and with alternativem e m b e r s . A A N s e e s th e s e a s s o c i at i o ns’ a n d
individuals’ information as cultural resources andconstruct a network with high mobility. By matching
institutions and individuals, and creating interactive
situations, we support their practices to expand
dynamically.

were creatively showing their works. She strongly felt that the pride and creativity
seen in these artists’ attitude were needed in the Japanese art scene as well.
After returning to Japan, Kato managed “RICE＋” which used to be a rice store in
Mukojima, Sumida-ku that was renovated into an art space and artists in residency.
From this experience, she began to see that although similar kinds of art groups andspaces existed nationwide, they lacked information and distribution of information.
She realized that this situation was problematic and thus, decided to establish AAN tocreate an archive and network dealing with the national and international alternativeart activities. Since its establishment in 2005, it has collected information andportfolios form various art scenes, and it has also held events to promote interaction.
She says that the most memorable project was the 2010 reenactment of “Jazz Café

ex.

a presentation project by artists

Interactive projects in AAA Kitchen /Chigusa”. It used to be a café that was very much loved by the locals and stood for

Kamiyamacho, Tokushima (KAIR etc.)

decades in Noge district, Yokohama. Seeing people who knew Chigusa shed tears not
only did it reconfirm the importance of “documentation”, but it has also made her
realize a new path that archive should follow. It may be difficult for mainstream
galleries and museums to create a space to experience the atmosphere of the past

International
exchange

Education

By knowing the world’ s current art scene andby having a wide vision, we believe that theartistic activities will continue to evolve. At AAN, we
ac tivel y develo p inter national projec ts to of fer
opportunities for artists and curators to foster more
prolific inspirations and better methods of
examinations. We manage projects for Japaneseartists to go abroad and for overseas artists tocome to Japan. Also, as supporting projects forthese, we coordinate dispatchingunder t akings and events aimed topromote international exchange.

ex.

At AAN, we offer various educational programs for people who are interested in art andare enthusiastic to “learn” . By presenting art andcultural histor y, and theor y, which of ten seemdif ficult, in such a way that make them easy tounderstand, we hope to extend art’ s horizon. Today,
human resources development in the field of art isaccelerating. We offer opportunities to learn English
and ar t along side each other, so people will
become more internationally minded, and to
train talents that will, in the future, takeactive role in international activities.

ex.

spaces. AAN will continue to cooperate with the nation’s NPO and cultural institutions
to challenge the conventional way of archive.

Emiko Kato (Kato, Emiko)
Art Autonomy Network [AAN] Director
Part-time lecturer at Musashino Art University
In the 80’ s, she took part in editing art magazine and books, as well asplanning and managing ar t galleries. She even opened a room of herapartment to the public, as a space of exhibition for young artists. In 1993, sheearned her MA degree in Museum and Galler y Management from City

OrnamenTokYo Symposium (held in cities in
OrnamenTTokYo: Japan-UK Urban Theory Project,

Japan and UK) /“Drifting Images” Japan-Korea Exchange

ASAKUSA Shashin Kanko (ASAKUSA Photoprogrammes through photography,

Tourism) (photography workshop) /“Field Trip Project”

Kamiyama Iine! (Children’s /workshop and student’s internship program) /10

and a space for conversations to take place, but it may be possible for alternative artŌedo Chonin Academy,

文化庁委託事業 「平成 25 年度次代の文化を創造する新進芸術家育成事業」

University in the UK. She was a research student at Courtauld Institution of Art
History in London University during 1994~1995. She returned to Japan in 1998
and started to manage various art spaces such as, “RICE＋” in Mukojima and“Noge Hana*Hana” in Yokohama. As an independent curator, Kato took part inmany exhibitions and planning of art events. She established AAN in 2005 andwas appointed to be the member of the assessment committee for Kamiyama
Artist in Residence (KAIR). Today, she is taking part in various activities to liven
up and continues to inspire Japan’s alternative art scene.

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AAN activities archive
In January 2011, AAN moved its headquarters from Yokohama to “Creative Hub 131”, which is a creative peoples’

16 / Jul / 2011 - 20 /Jul / 201107/ Mar / 2012 - 15 / Jul / 2012
Food CorrespondenceŌedo Chonin (Townsman) Academy

16 / Aug / 2011 - 10 / Mar / 2012

OrNamenTTokYo

Exhibition : ART SYNCHRONICITY

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Drifting Images (Japan- Korea Exchange
Program Through Photography)

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02 / Mar / 2012 - 11 / Mar / 2012

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06 / Nov/ 2011 - 12 / Nov / 2011

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“Food Correspondence” is a project planned by EAT& ART TARO, anartist who creates works relating to food. This project required people,
who live far apart and do not know each other, to send each other meals
four times through delivery, like exchanging letters (March 7th, April
11th, May 9th, June 13th). The correspondent was an architect who
lives in Nakatsugawa, Gifu. At the one day, Bettara Zuke (daikon pickled
in salted rice yeast) and Hanpen (minced and steamed fish cake), which
are food related to Nihonbashi and Edo, were sent through freezer
delivery, then wild boar meat and deer meat arrived in return. Throughthis correspondence of food, understanding of each other’s local culture
and natural features deepened. This eventually evolved in to the tour to
Nakatsugawa (July 15th) from Tokyo and again, intimate interaction
through food took place.

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To“Creative Hub 131” is an experimental space and shared office. It is arenovated building that used to be a wholesaler for beddings. Its members
are creative people such as artists, designers, editors and consultants, who
are active in various genres. During July 16~18th, 2011 (3 days), using theoccupant’s strengths, various exhibitions, lectures and parties were held tocelebrate its opening. AAN presented “Working Complex Clinic”, an event todiscuss what “work” is, with artist, Ichirou Kitamura and invited Toshiki
Enomoto as a lecturer of “the experience about Reversible Destiny Lofts
MITAKA” (July 20th) which is designed by Shusaku Arakawa, an artist.

Since 2007, we have continuously held meetings where artists andcurators give presentations that talk about their work publically. On
February 19th 2012, Kenichi Kondo, the curator of Mori Art Museum andReichi Noguchi, the curator of Mitsubishi Ichigokan Museum were invited
as commentators for the meeting. On Mach 10th 2013, Motoaki Hori, thechief curator of Tokyo Opera City Gallery and Shingo Yamano, the head of
secretariat at Koganecho Area Management Center, were also invited. It
aims to become an opportunity for artists to meet new people and to
widen their range of activities. Also, we hope that the conversation
between the artists and the curators seen at these meetings will spark theaudience’s interest in contemporary art. On March 8th 2014, the studentsof “Art and Communication Laboratory [advanced session]” gave theirpresentations in English. The commentators for this event were Hitoshi
Kuriyama (artists and assistant at Tokyo University of the Arts) and Peter
Bellars (artist), who tutored the class.

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Portfolio Meeting vol. 7~10

07/ Jul / 2012 - 15 / Dec / 2012
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19 / Feb / 2012 - 08 / Mar / 2014

collective space that newly opened in Ōdenmacho, Nihonbashi. Below are our representative activities in Nihonbashi.

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Launch Event of the Studio

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A AN’s Activity Archive of 2011-2013.

This project aimed to liven up Ebisuko’s festival, “ Bettara Ichi”, which
has continued for over 4 0 0 years in Ōdenmacho, Nihonbashi. It
presented an opportunity to learn more about the local history andculture, looking at it from a new point of view. Its tag line was, “Edostudy, beginning with a daikon”. The central concept of this project was
to learn the “ancient world in a new way”, adding a touch of new
interpretation to the histor y, star ting from a familiar festival of
Nihonbashi, and looking at the diet and life of the old days. In total, fivesessions including, “Bettara Ichi’ s Town, Former Good Denmacho’ sTradition” (July 7th), “Excursion Part 1: Daikon Tour to Tsukiji Fruit andVegetable Market” (July 21st), “Edo, Tokyo’s Vegetables Sent Out From
Nihonbashi” (August 4th), “Bookstores Around Nihonbashi” (September1st), and “Creations on the Rooftop” (September 15th) took place.
During “Bettara Ichi” (October 19th and 20th), we organized a tour to go
to historical and cultural sites around Ōdenmacho as well as Bettara Ichi,
as a special session of this project. Also, as an additional session, weorganized “Excursion Part 2: Anecdote of Chushingura, Kira’s Head”(December 15th). This excursion took the par ticipants from theremaining of Kira’ s mansion to Senkakuji, following the path of Akou
Roshi (47 Ronin).

09 / Mar / 2013 - 10 / Mar / 2013
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Feeeel Market(Project in 39 (Sankyu / Thank you) Art Day)

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Workshops of OrNamenTTokYo, which aimed to explore the alternative
urban life in Tokyo, were held on November 6th, 11th and 12th, 2011
(three days). The workshops were organized according to the three
topics, “remix/ walking in the city” (November 6th) “in-tangibilities/ tomaterialize sympathy, loc alit y and structure” (November 11th),“housing/ thorough debate” (November 12th).
Europe and Tokyo based artists, architects and theorists, who are active
in art activities and are internationally minded, came together in thisevent. The “remix” participants walked around Yanaka and Mukojima.
“In-tangibilities” workshop nurtured sympathetic feelings between the
par ticipants by creating a balloon - shaped shelter together; and“housing” the public nature within the Japanese setting was debatedfrom various aspects. Furthermore, “THE BOOK OrnamenTTokYo”, isb e i n g p r e p a r e d fo r i t s p u b l i c a t i o n . T h i s b o o k i s n o t o n l y t h edocumentation of this event, but it also acts as a theory book. On
January 6th 2014, its pre-launch event was held in Café OTO, London.
The main members (Verina Gfader, Merce Rodrigo Garcia, Emiko Kato)each gave presentations and “Project FUKUSHIMA!” (Directed by
Hikaru Fujii) was screened at this gathering.

“ART SYNCHRONICIT Y” was held through March 2nd ~ 11th, 2012
with the cooperation of stores and galleries around Nihonbashi area.
After experiencing the huge pain caused by the Great East Japan
Earthquake, we realized the importance of the forming a sympathetic
local community. With this as a pivotal point, A AN began to promote
more art activities in the local communities. As “Creative Hub 131” asthe central base, we are holding art events with the local people andcommunity to challenge ourselves in creating a network connecting theworld using art. This event was organized in such a way that theaudience became familiar with the streets, as they went around the city
to see the exhibitions in different locations. Exhibiting artists were Aki
Ikeda, EAT&ART TARO、Kouo Uehara, Keijiro Niino, Ichiro Higashiizumi,
Shiho Fukuhara, Georg Tremmel [BCL] , Hiroyuki Hukuoka, Toru
Matsushita, Isamu Mutou, Satoshi Murakami, Takashi Yamauchi, Wataru
Yamakami, Takuya Yamashita, Etc.

文化庁委託事業 「平成 25 年度次代の文化を創造する新進芸術家育成事業」

During 2011~2012, we cooperated with “BODA”, an art center specializing
in photography in Seoul, and together, we organized an exchange program
to promote development of Japan and Korea’s photography culture. FromJapan, Shoko Ogushi, Hitoshi Kuriyama, Katsuhito Nakazato participated,
and from Korea, Sungmin Kang and Jinhwon Hong participated in thisprogram. The participating artists stayed at the other country and madeworks to show in the exhibition. These works were shown in both countries
in the exhibition, “Drifting Images: Korea x Japan Exchanging Exhibition”.
At the Seoul venue, it took place during November 25th ~ December 3rd,
2011(BODA), and at the Tokyo venues, the exhibition was shown during
February 24~ 6th, 2012 (MAKII MASARU FINE ARTS) and February 24th ~March 10th, 2012 (Art Lab AKIBA). Also, we held the workshop in Asakusa
where participants learned about the photographic process, from shooting
to exhibiting (January 14th, 15th, and February 18th). Furthermore, related
events such as “Korea x Japan Artists Talk and Edo Magic Lantern Evening
Party” (February 25th), which restored the magic lantern (slide projector) of
the Edo era and recreated Edo’s gimmicky world, were hugely successful.
Posting four types of posters for this project on the public buses, was aninnovative way of publicity activity for us. (February 1st~ 29th)

At AAN, we organized a flea market called “FeeeelMarket” (March 9th and10th, 2013) that sold art objects that stimulate people’s sensitivities. About
30 artists and creative teams came together at “Creative Hub 131” and solda very original line up of works. At AAN’s booth, we opened our library to
the public, and introduced our artist’s portfolio collection. Also, artists, Iori
Yoshimoto and Hideaki Idetsuki showed and sold their original works. This
project was a part of “Thank you@RT Day” (March 9th) established to show
artists’ appreciation to the art fans, and we also held “39 (Sankyu/ Thankyou) Art Day Party” (March 10th).

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27/ Mar / 2013 - 29 /Jan / 2014

OuUnPo

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Field Trip Project

17 / Jun / 2013 - 27 / Jun / 2013

OuUnPo is European artistic group that is like a travelling laboratory. It is anorganization without a fixed location, who share knowledge and co-create
works through workshops and symposiums that deals with art all over theworld. Their sessions have focused on different themes, according to thevenues. In Japan, they have held sessions in Tokyo and Yokohama with
“Gozilla and Pheonix” as the theme (June 17th ~27th, 2013). Everyday, atthe venue, participating organizations and people shared mysterious
experiences, which seemed to intertwine with each other. For this project,
A AN has organized farming village experiencing event (June 26th) in
Katori, Chiba and symposium that included walking around artists’ studios
in Mukojima. Protection against disaster and community were the topics(June 27th: Kameido Studio) for these events.

16 / Nov / 2013 - 24 / Nov / 201307/ Aug / 2013 - 08 /Aug / 2013

Kamiyama Art Tour

Today, the town of Kamiyama in Tokushima is being noticed for its
population growth due to various activities including art and IT. AAN has
worked closely with this town’s activities. For example, Kato works as amember of the assessment commit tee for “K amiyama A r tist in
Residence (K AIR)” and we have coordinated events for “Field Trip
Project” here. In 2013, four Canadian artists stayed in a while andorganised the children’ s workshop called “Kamiyama Good!” andpromote the activities by students who led foreign guests as visiting
internship. Along with KAIR’s exhibition reporting its activities and thesymposium of “Field Trip Project” taking place, AAN planned an art tour
to introduce Kamiyama’s appeals.

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19 / Nov / 2013 - 08 / Mar / 2014ishThis was an art event that opened exclusively from November 16~ 24th,
2013 at Nagoya TV Tower. At the kickoff meeting, Kato, the director of
A AN gave the keynote speech (September 6th, 2013). She was thecurator of artist, Motohiro Tomii’ s solo exhibition, “Fabric Town”(September 7th~ 14th) at N-MARK B1 Gallery which was a pre-launch
event for this project. Both, Chojyamachi, Nagoya and Nihonbashi, Tokyo
are wholesale districts for fabric. The artist created 3-dimentional works,
using the fabric of ready-made clothes collected in these two areas. The
title of the exhibition, “Fabric Town”, has an underlying message thathopes for the exhibition and the works to connect the two places. “Cloud
Museum” used the unused second and third floors of the TV tower thatwas transformed mainly by local artists. It became a temporary museum,
where they were able to show their works. During this project, we alsopresented “TV Tower Exploration! Workshop” (November 17th) by Rumi
Kawamura. At this workshop, participants carried art backpacks, on theirback and walked around the TV tower and the city.

Kamiyama Art Tour

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Cloud Museum

・ka ana jim
Ya kouuM

Canada based artist, Daisuke Takeya and Onagawa-cho, Miyagi based art
teacher, Chie Kajiwara to establish a supportive project regarding the Great
East Japan Earthquake, and AAN is a cooperating group for this project.
Before the excess secondhand Japanese elementary school backpacks
donated as relief supplies to the area stuck by this disaster. Total of 70 artists
and artist groups from Canada and Japan turned them into art works. These
works go on “field trips” to stores, houses and vacant places all around thenation, to connect people and local areas. AAN has sympathized with thisproject and has recommended 11 Japanese artists to participate, as well as
coordinated the venues for its travels in Kamiyama-cho, Tokushima andNagoya, Aichi. After the exhibition at Embassy of Canada Prince Takamado
Gallery (January 15th ~ 29th), these works were due to travel to Canada.

ishThis is an English and art study course for artists and curators, aimed to train them to “talk about art
in English” (November 2013~ March 8th, 2014). International exhibitions, overseas dispatching
programs and artist in residence programs have broadened the artists’ and curators’ opportunities tobecome internationally active. Today, it can be said that English is an essential skill for the people working
in the creative industry. Therefore, AAN has decided to hold an English training program centralized in art.
At the introductory sessions (November 19th, 26th, December 3rd, 10th and 17th, 2013, 5 sessions in
total), the students learned to discuss about culture and art. At the advanced sessions, (January 18th,
25th, February 1st, 8th, 16th and 22nd, 2014, 6 sessions in total), the students created artist’s portfolio
aimed at overseas audience, and acquire skills to be able to respond well at interviews in English. Also, atthe “Portfolio Meeting Vol. 10”, the students gave their presentations in English.

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A A キッチン

AAN スタジオ＠Creative Hub 131『Creative Hub 131』は、地下 1 階・地上 6 階の複合ビルで、アーティスト・新野圭二郎がプライベートから始まるパブリック をテーマに運営しているスタジオスペースです。さまざまなAAキッチン＠社員食堂 Lab.

ジャンルのクリエイターが集まる共同オフィスであり、新たな活動を模索する実験場でもあります。

Creative Hub131 の 3 階にある共有キッチン兼食堂『社員食堂 Lab.』は、入居者やAAN のスタジオは 2 階にあり、予約制でアート・アーカイヴのライブラリを公開しています。

クリエイター、近隣住民が集まり、食を通してコミュニケーションを深める場として運営されています。
AAN は毎週水曜夜に『AA キッチン』を開催しています。普段はアットホームな雰囲気の食事会ですが、時にはアーティストをゲストとしてお招きすることも。これまで、『勝正光の別府ナイト』（2013 年 9 月 25 日ほか）
『イギリス人アーティスト Charlotte
McGowan-Griffin プレゼンテーション』（2013 年 5 月 22 日）『ニューヨーク州立大学のみなさんとごはん会』（2013 年 7 月 24 日）など魅力的なイベントを開催しました。
また、2014 年 1 月から「なじょも十日町 by AA キッチン」（2014 年 1 月 29 日、2 月 26 日
ほか）という新潟県十日町市と地方の食文化を通じて交流する新プログラムを月例で開始。これらのイベントは、ブログやフェイスブックで告知をしています。なお、東京＊資料の閲覧を希望する方、活動資料を提供したい方は、メールにて事前にご連絡ください。
info@a-a-n.org

AAN Studio @ Creative Hub 131“Creative Hub 131” is a six stories high complex building with an additional undergroundfloor. It is a building with studio spaces for creative people and was produced by artist,
Keijiro Niino, managed with the theme, “public starting from private” . It contains sharedoffice spaces that attract creative people of different genres and is also a place forexperimentation to discover new directions of their activities. AAN’ s studio is located at

大学大学院文化資源学科主催《第 13 回文化資源フォーラム》（2014 年 2 月 22 日）に

the second floor and our art archive may be opened to the public on request.

おいて配布されたブックレット『酒食饗宴〜うたげにつどう人と人』（p18 〜 20）に AA*If you would like to view the archived information, or like to add your activity information to our

キッチンが紹介されました。

archive, please contact us via e-mail in advance.
info@a-a-n.org

AA Kitchen @ Shine Shokudo Lab.
“Shine Shokudo Lab.” , located on the third floor of Creation Hub 131 is a shared
kitchen and canteen, where occupants, artists and locals come together tocommunicate though food and cooking. A AN continues to hold “A A Kitchen”
every Wednesday evening, with the concept being “cook, eat and wash up” .
Normally these dinners are casual, but sometimes we invite artists as special
guests. We have previously held attractive events such as, “Masamitsu Katsu’ s
Beppu Night” (April 24th, June 5th, September 25th 2013, 19th March 2014),“Artist, Charlotte McGowan-Griffin Presentation” (May 22nd, 2013), and “Dinewith Friends from State University of New York” (July 24th, 2013). Also, fromJanuar y 2014, we have star ted a new monthly program called “Najyomo
Tokamachi by A A Kitchen” (January 29th, February 26th and others), whereparticipants can interact through Tokamachi, Niigata’s food culture. The foodevents are announced and updated on our blog and facebook page. Also, A A＜べったら市＞ 地域活性化事業

Kitchen has been introduced in the booklet, “Shu-Shoku-Kyo-En, Utage Ni Tsudou

CH131 が拠点を置く日本橋大伝馬町は、江戸時代から現在に至るまで日本橋の旦那衆がHito To Hito (Drink, Eat, Entertain and Party, People Who Gather To Party)”

地域を支え続けてきている文化の下地がここにはあります。地域住民と交流をしていくうち(pp.18~20) which was handed out at the “13th Cultural Resources Forum”に昔からの旦那衆が「Creative Hub 131」の存在を認め始めています。特に「粋人」として目きorganized by The University of Tokyo’ s Cultural Resources Studies Course.

きな人たちである旦那衆は、私たちのような斬新な活動に対しても心を広くもっていることはうれしいことです。現在、地域のひとたちと一緒に地元の祭りである＜べったら市＞や新しい

これまでの AA キッチンの主なプログラム
39 アートの日 PARTY（2012, 2013, 2014）by sippoterry
Drifting Images 日韓交流事業

韓国フードの交流（2011）

試みなど、自分たちの地域に将来的な活路に向けて、アートと地域が一体になっての都市
文化の再生が始まっていると実感しています。AAN は、べったら市に掲示される名入り提灯を献灯しています。

山内崇嗣陶芸ワークショップ＜加賀家庭料理の会＞（2012）
出月秀明アーティスト・トーク（2012）
Kristin and Davy Mac Guire を囲む会（2013）
ベルリン在住アーティスト Charlotte McGowan Griffin（英）のアーティスト・トーク（2013）＜遠足プロジェクト＞カナダのアーティスト・プレゼンテーション（2013 カナダ大使館後援）
NY 州立大学のみなさんとごはんの会（2013）
Tomo Kobayashi 陶芸ワークショップの発表会（2013）（2013-2014）
勝正光の別府ナイト♪
AAN の X’mas パーティ（2013）
なじょも十日町 by AA キッチン (2014)16

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Art Autonomy Network
アート・オウトノミー・ネットワーク[ 住所 ] 〒103-0011 東京都中央区日本橋大伝馬町 13 -1 Creative Hub 131 2F[Tel ]：03 - 6206 - 2767 [E-mail]：info@ a-a-n.org [ URL]：http: // a- a - n.org /[Facebook] https://www.facebook.com/pages/Art-Autonomy-NetworkAAN

Art Autonomy Network[Address] 2nd Floor, 13-1 Ōdenmacho, Nihonbashi Chuo-ku Tokyo, 103-0011 Japan[Telephone Number] +81-3-6206-2767[E-mail] info@a-a-n.org[Website] http://a-a-n.org[Facebook] https://www.facebook.com/pages/Art-Autonomy-NetworkAAN

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