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WELCOME TO
CUMULUSBOGOTA 2019

cumulusbogota2019.org

CONTENTS_ABOUT

4_MESSAGE FROM THE DEAN
_TRACKS_KEYNOTE SPEAKERS_PROGRAMME

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CUMULUS ASSOCIATIONUNIVERSIDAD DE LOS ANDES
THE DESIGN AFTERSCHEDULEEXTENDED PROGRAMMECULTURAL PROGRAMME_CAMPUS MAP_SPECIAL THANKS
_TEAM

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Cumulus Conference Bogota 2019. THE DESIGN AFTERDO YOU
NEED
WI-FI?
Network name:
UniandesPública

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Access via Facebook
or self registrationCUMULUS
ASSOCIATIONCUMULUSHAS 299 MEMBERS
FROM 57 DIFFERENTCOUNTRIES
Cumulus, founded in 1990 is an organizationthat serves art, design, education and researchwith participating institutions at the highest
level in the world. An environment whichenables the transfer of knowledge and bestpractices, allowing its members to create
networks and contacts in flexible and dynamic
forums, promoting cooperation and innovation.

UNIANDES
Universidad de los Andes, founded in 1948 isranked as the best university in Colombia andthe fifth in Latin America (according to the
QS range). It has transformed the country,
promoting social impact research.
The School is composed by two departments:
Architecture and Design, founded in 1948 and1994 respectively. An academic professional andadministrative team of the highest level together
will welcome visitors of Cumulus 2019.
The School’s academic program has evolved toadapt its content to the constantly-changing
disciplines, technologies and social realities ofboth the region and the world. Cumulus 2019will be a window showcasing design interests
and trends that supports the new academic
cooperation, creation and research alliances.

UNIVERSIDAD
DE LOS ANDES HASAPPROXIMATELY
15,000 STUDENTS,
MORE THAN 1,000
ARE INTERNATIONAL

Cumulus has 299 members from 57 different
countries. The School of Architecture and
Design at Universidad de los Andes has beenpart of Cumulus since 2013. Los Andes will host
Cumulus 2019 opening a space in Latin America
to unfold the role of design in these diverse,changing territories and in the process oftransformation. Cumulus 2019 will be the space
where specific views on complex situations
will be debated and where novel and disruptive
perspectives will be proposed.

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

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LUS2019
UM
CU GOTABO

In the dawn of the new millennium, thedesign is experiencing a moment ofexpansion, recognition, mutation andintegration, other disciplines would envy.
It retains its aura and transcends therealm of the tangible becoming a form ofthought, dialogue and ontology. The turnof the millennium has staged disruptions
and catastrophes: from wars against terror
to exacerbated fundamentalism; from thefinancial crises to the flood of inequities
and migrations.
In the absence of better words, the “post”
prefix has characterized the last halfcentury: postmodern, postfeminist, post
capitalist, post humanist, post truth.
Before creating post design, would it beworth thinking about an after design?
Can design capture another vision of thehuman being, cultures and ecosystems
that surround humans? Have designers
thought about what will happen next?

We are a species that mutates and subsists
revealing great adaptive capacities. We
manage to debate emerging issues,
without fear of experimental vocabularies
while being critical, collaborativeand speculative. Design today istransdisciplinary and plural.
Hosting Cumulus in Colombia is the resultof this transition, placing humans in aborder crossing, in an eclectic habitat aplace as contradictory and vital as thechange of the millennium. When design isabout thinking in action and transition, it
questions its original logic and gives birth
to diversity. In Bogota, Colombia, different
perspectives will be found transcending
the discipline, questioning what will
become of design: the design, after.

SPOTLIGHT ON SUSTAINABILITY *In Cumulus: The Design After we are keen
to show that a successful and inviting
event of this scale can be achieved byecologically and ethically sustainablemeans. This approach is driven by theneed to respond to climate change and a
responsibility to our local community.
Welcome Kit:
- The program and event badge are printed
with ecological ink and over recycled
paper.
- In the kit we included a reusable bottle
that can be refilled in water stations allover campus, additional ones will be placedaround event activities. This way weavoided the use of 2.700 single-use plastic
bottles.
- The tote bag itself is made with
repurposed fabrics.

Making use of the circular economy:- All venue decorations and wayfinding
signs are part of an upcycling project thattransformed 110 discarded Nacional Police(Policía Nacional de Colombia) uniforms
into all of the events flags, avoiding 112.5 Kg.
of single-use plastic banners.
- All snacks, meals and beverages are madewith local ingredients.
Offsetting emissions from air-land travel:- We made an effort to keep event activities
in the same area to avoid additionaltransportation of attendees during theevent. We will be working with an NGO tohelp plant trees to offset greenhouse gas
emissions from: the flights we provided forour keynotes, transporting all attendees to
the Cumulus gala and the carbon footprint
the event generates throughout the 3 days.
All local transportation for keynotes are
made with i3 BMW electric car to avoid
more greenhouse emissions.

*This project was inspired by and based uponFinland’s Presidency of the Council of theEuropean Union meetings protocol.

TRACKSMESSAGE FROM
THE DEAN
My profound gratitude to all authors for sharing
their insights and views on design and education;
to the scientific committee, peer reviewers, ourfabulous keynotes and our internal editorial
design and production teams. I would also
like to express my appreciation to all Cumulus
Team, with special regards to Mariana Amatullo(president) for her trust and encouragement,
Eija Salmi (secretary general) and Justyna Molik(coordinator), for their generous support andwisdom through preparation of this Cumulus
edition at our campus.
Finally, my sincere gratitude to all conference
attendants, to Universidad de los Andes, ourdonors and everyone who actively participatedin the process of making this a meaningful
event and a significant contribution to ourdesign community.

Hernando Barragán

Dean
School of Architecture and Design
Universidad de los Andes - Colombia

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SOME OF OURSTUDENTS’ WORK ON

portfolios.uniandes.edu.co

FOLLOW US@arqdisuniandes@ArqDisUA

CONTACT US

infoarqdis@uniandes.edu.co

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

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8
2
Y
A
D
MON
WG
10:00 - 13:00

9
2
Y
A
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S
TUE
WG

Tenkua. Rediseñando futuros para ciudades rotas

12:00 - 17:00

Block C / 409

Las ciudades son sistemas artificiales complejos, cuyo crecimiento exponencial(y sus efectos) requiere la participación de todos en el diseño de soluciones.
Aprender nuevas formas de actuar para enfrentar los retos sociales yambientales (latentes o manifiestos) se presenta como la única alternativa
para convertir los problemas en oportunidades. Este taller se basa en una
metodología desarrollada por el Hub de Diseño Social y la Coordinación deEstudios de Futuros de Centro (México) que conjuga el derecho a la ciudad, el
pensamiento anticipatorio, la economía circular y la innovación social, para lareflexión de ideación de futuros distintos desde nuestras comunidades.

14:00 - 18:00

Block C / 701

The Cumulus+IxDA partnership with institutions and organizations fromdifferent parts of the world will create diversified and constructed spaces forconversations building on the synergy of education and research expertise.
The Bogota Edition will be the first in LATAM where the focus will be on:• Mapping topics important for the designers• Revisit the matrix skills set by IxDA+Cumulus• Connecting education agendas between different institutions• Expressing practitioners and educators’ zones of knowledge amplification
Chairs: CUMULUS, IxDA
Registration: Send an email to Justyna Molik Justyna (justyna.molik@aalto.fi).

Dirigido por: Karla Paniagua. Centro, México.
Registro: No require registro previo (This activity will be in Spanish).

WG

Design Education and Research Days (DERdays)

DxCC Bogota 2019: Design for Collaborative Cities: Collaborative people
in challenging places

WG
18:00 - 23:59

Block C / 409

Trasnocho con la Madre Tierra. Cosmovisión Kogui para descolonizar el
pensamiento
Block CUn trasnocho para los Koguis es una escuela para desaprender. Es un encuentro
en el que a través de la meditación nos preguntaremos sobre las maneras enlas que vemos el mundo. En este espacio entraremos en sintonía con la madretierra y nos entenderemos como parte de ella. Antes de pensar en el futuro
los invitamos a que desaprendamos para poder crearlo y producir nuevas
posibilidades que nos permitan vivirlo.

The seminar motivates participants to discuss if and how collaboration
emerges in different challenging contexts. It also aims to discover if and how
the practice of design could facilitate collaboration while people struggle
day by day for survival. Participants will interact around three areas ofwork: Collaborative living and poverty challenges, Collaborative work andconflict reconciliation challenges, Collaborative care for the commons, andenvironmental crisis challenges.

Dirigido por: Roberto Nakoguí —Mamo Kogui— y Susana Nakogui.
Con el apoyo: Eliana Sánchez-Aldana, Jaime Patarroyo y Roxana Martínez.
Registro: Diligencia el siguiente formulario y trae tu yoga mat o una cobija para una
sesión confortable (This activity will be in Spanish).
https://form.jotformz.com/92886617569680

Chair: Desis Network Association
Registration: https://bit.ly/33yIJTG

Botanical: Illustration Challenge (24 horas)

Dirigido por: Carolina Rojas. Universidad de los Andes, Colombia.
Registro: Diligencia el siguiente formulario (This activity will be in Spanish).
https://form.jotformz.com/92896437233669
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Cumulus Conference Bogota 2019. THE DESIGN AFTER

Keynote Speaker
Paper Presentation
Working Group
Round Table

Block C / 203

El reto es experimentar y aprender a desarrollar una ilustración botánica y lograr
representar una planta a partir del análisis de su forma y sus detalles. El proceso
comprenderá una serie de instrucciones de exploración, observación y estudioformal de las especies; cuyo trabajo se materializará con la construcción decomposiciones referenciales y el desarrollo de ilustraciones digitales, que reflejen
resultados de la expresión en el campo de lo estético, lo temático y lo estructural.
Adicionalmente, los resultados harán parte de una publicación en desarrollo con
el Jardín Botánico de Bogotá.

KS
PP
WG
RT

Monday 18:00
Tuesday 18:00

Cumulus Conference Bogota 2019. THE DESIGN AFTER

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0
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Batracharium – An In Situ Participatory Conservation and Education
Programme for Amphibians in the Western Ghats of India
Gururaja Kotambylu Vasudeva

Human induced environmental change and encroachment on habitats are
the major threat to global biodiversity. The has led to unprecedented rates of
species extinction. Amphibians with an estimated 41% of species (8000 known
species) being threatened with extinction are the most severely affected groupwithin vertebrates.
India harbours 434 species of amphibians, which is about 5% of the global
amphibian diversity. Interestingly, over 190 new species are recorded at a rateof 10 species per year from India since the year 2000. (…)

CONFERENCE REGISTRATION
8:00 - 11:00

ML Building / South side entry

11:00 - 16:00

Lleras Building

Building a BioDesign Curriculum

OPENING
9:00 - 10:00

KS
10:00 - 11:00

Jenifer L. Wightman, Jane Pirone

This paper explores the pedagogical approaches and collaborative teamoutcomes of courses developed at Parsons supporting participation in the
Biodesign Challenge (http://biodesignchallenge.org/). Bio-informed/based
technologies and approaches are spreading rapidly into every part of ourdaily lives. Today’s designer must become fluent and engaged with thiscritical new domain that includes a range of transdisciplinary practices, frombioengineering/technology, to biomimicry, biofabrication, synthetic biology,
bio-art and biodesign. (…)

ML Building / Auditorium

BRIGITTE BAPTISTE

Openinng Conference
ML Building / Auditorium

BREAK
11:00 - 11:30

PP
11:30 - 13:00

ML Building

Symbiogenic-Based Design: A novel methodological approach to design
based on cooperation and integration

BIODIVERSITY-DRIVEN DESIGN

Alejandro Durán, Lorena O’Ryan

The “cladistic”, “phylogenetic” or “evolutionary” concept of biological species,
understood as groups of organisms, considered to be all descended from thesame ancestors or clade allows us to classify and characterize them, but itinterferes and contaminates the understanding of how species arise.

Block C / 409 A

Transdisciplinary Collaboration Mediated by Design: An initiative forrural adaptation to climate change
Luis Beltrán-Forero, Fabio Andrés Téllez

Tropical ecosystems and their associated human communities are considered
the most vulnerable to current and future increases in temperature associatedwith climate change (IPCC, 2018). In the tropics, it is expected that warming
causes losses in diversity, rises in sea levels, increases in the incidence of
vector-borne diseases, and a considerable reduction in the supply of potablewater. During the last 40 years, a transdisciplinary approach to addresscomplex environmental-societal problems has been developed and applied byacademic and non-academic communities. (…)

For many, the study of the changes in life through time has traditionally been
consolidated as the way in which species originate; For authors like Lynn
Margulis, long-term symbiotic cooperation between complementary organisms
is what led to the origin of new species through symbiogenesis. (…)

PP
11:30 - 13:00

SENSING THE CITY, SENSING THE RURAL
Block C / 409 B

Insights from a Design-led Inquiry About Rural Communities in Brazil
Caio Werneck, Javier Guillot, Bruno Paschoal

BioForm: Learning at the intersection of science and design
Damian Palin, Sam Russell, Ferdinand F.E. Kohle, Enda O’Dowd, S. Yesim Tunali Flynn

Our future designers have much to learn from the complex and highly
functional systems found in nature. Creating design products that are not only
human-centred but also in tune with the natural world requires our designers
to be exposed to natural phenomena and scientific principles. To offer design
students a starting point, we have created BioForm a bio-inspired design
module run as part of the Product Design curricula at the National College of
Art and Design (NCAD), Dublin, Ireland. (…)

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

This paper describes the trajectory of an inquiry about rural communities in
Brazil that was simultaneously an inquiry about the “research-practice gap”. The
journey begins in 2014, when the authors carried out an experimental qualitative
research project about sustainability in rural communities. Within the field of
public policy research, an interdisciplinary team visited six ecovillages and six
settlements created by Brazilian agrarian reform (assentamentos), gatheredmultimedia data through interviews, pictures, observations and documents, andanalyzed them by using a constructivist approach. (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER19

AQUA_MATICES: Interactive aquaponics for experience-based learning
in STEAM
Yeferzon Alexander Ardila Adame, Veronica Akle Alvarez, María de los Ángeles
González, Freddy Zapata Vanegas, Johann Faccelo Osma, Martha J. Vives Florez

AQUA-MATICES is an experiential teaching initiative for learning Math, Arts,
Technology, Engineering, Science, Education and Health using aquaponics.
Here, we design and implement a portable aquaponic units as a tool for learning
through experience. Aquaponics refers to systems of fish and plant growth(food) using the waste of fish as a source of nutrients.
In part 1, ten identical aquaponic units were built for standardization of thebiological conditions necessary for the sustainability of the systems. They
consisted of 3 L tanks, zebrafish at different densities (1, 2 and 3 fish/L) and basil
and mint plants (4 or 8 plants per tank) on volcanic rock substrates. (…)

Research Video: Audiovisual ethnography and beyond
Léa Klaue“Research Video” is an interdisciplinary state funded research project (2017 - 2020,
Switzerland) in the fields of design, artistic research and visual anthropology withthe aim to explore the possibilities of video for science communication. The project
aims at developing a new standard for scientific publication – comparable toscientific journal publications – through video annotation.
In the history of scientific publication, text is the main form to present research
results. In our project we ask the question “Can research results be presented
exclusively or mainly through video? If so, what would a standardized,
internationally accepted format look like?” (…)

Finding a New Commons: Architecture’s role in cultural sustainability forJapan’s shrinking regions
Julia Nakanishi, Lola Sheppard (Thesis Supervisor), Jane Hutton (Thesis Committee)

Media representations of Japan’s dynamic cities belie a growing national
phenomenon. Urban migration, a declining birthrate and an aging population
have transformed Japan’s countryside over the past 30 years. These
demographic changes have resulted in socio-economic decline, abandonedbuildings and loss of regional culture. My Masters thesis explores architecture’srole in facilitating cultural sustainability, education, and community
connections to landscape.
Despite the negative impacts of depopulation, some rural communities areembracing shrinkage and attempting to preserve their regional cultures.
This poses a challenge for architecture, a profession dependent on urban andeconomic growth. (…)

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

PP
11:30 - 13:00

DESIGN AND COUNTERCULTURE
Block C / 408

Hand-Making as the Interplay of the Personal and Collective in Designing
Transitions
Marysol Ortega Pallanez

From the last two centuries design’s legacy has been one of promoting
individualism via consumption. In contrast, in the last decades design has
taken systemic approaches with a focus on social wellbeing. This dichotomy
between social and individual ways of designing perpetuates the disconnect
between the personal and the collective. Designing for transitions to preferable
futures needs to address the interplay between personal introspection andbuilding collective power to achieve resiliency. (…)

The Creation of a Digital Publication about Gender and Diversity for Early
Childhood
Débora Falleiros Gonzáles

This article explores, through an interactive publication in digital media, theuses of the concepts intertextuality and performativity as tools to redesign
and reshape gender stereotypes transmitted during early childhood. In earlychildhood, the construction of gender is assumed as a gradual process that,through education and other cultural mechanisms, is the result of social
construction. This process is questioned through the work of philosophers suchas Butler and Stockett and from examples taken from pre-Hispanic cultures—
specifically Mesoamerican cultures that raised, at the time, the understandingof nonbinary gender. (…)

Sustainable Design as Anti Fashion
Daniela Monasterios-Tan

This paper will begin by tracing the role of repurposing and the appropriationof the ‘aesthetic of use’ (Monasterios-Tan, 2015)—a term to refer to the look o\fworn-in garments— in fashion by different counter cultural groups throughout
history. At the end of the 20th century, avant-garde fashion designers such as
Martin Margiela introduced the aesthetic of use through repurposing of second
hand garments as a type of anti-fashion. Since fashion relies on newness andchange, the use of old garments or repurposing is inherently anti-fashion. (…)

Classroom as Resistance: Micro-strategies for design education
Gaia Scagnetti, Nida Abdullah

In the design classroom, students should be invited to represent the culture
they aspire to encounter in the workplace and by extension in society. The
classroom is a participatory space that each student contributes to defining.
We believe that within the institution, the classroom can become an act of
resistance if we implement strategies that counterbalance the forces thatbuild systems of dominance. Which strategies can render the classroom asa place to reclaim social agency for those who have been excluded by lack ofprivileges, access, or estrangement toward apparatuses of power? How can
we, as teachers, encourage a culture of agency? And inspire a culture of criticalreflection and responsibility? (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

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concepts of rationality and progress. What does then a ’Patadesign practice look
like? Can it challenge and redefine designerly ways of thinking and doing? (…)

Applying Human-Centered Design and Behavioral Economics to Drive
Uptake of PrEP Among Sex Workers
Juanita Rodriguez Barón, Dean Johnson

In 2016, the government of Kenya introduced oral Pre-Exposure Prophylaxis(Oral PrEP), a method which uses antiretroviral drugs to protect HIV-negative
people from getting infected. The key goals of the project—the first of its kindto deliver PrEP widely across a health system while promoting a sustainable
service delivery model 1 —was to understand and develop new communication
strategies targeting Female Sex Workers (FSWs) across five regions in Kenya, toincrease the uptake of oral PrEP to prevent HIV. Past prevention strategies suchas the widespread promotion of condom use, abstinence, or remaining ‘faithful’
to one’s sexual partner have failed to make the progress needed. (…)

PP
11:30 - 13:00

Re-Thinking the Design Role: Experimenting new narrative & rhetoricdesign methods
Valeria María Iannilli, Antonella Valeria Penati, Alessandra Spagnoli

In thinking objects and spaces design produces symbols, cultural and aesthetic
codes as a “cultural system”, which spreads innovation, embodied in new
knowledge, products, values and lifestyles. It creates new meanings and, atthe same time, it absorbs and modifies its rites and traditions; it renews thesense of things, it produces new mentalities. New visions of the world. Designis placed at the centre of a network of complex relations where the dominantfeatures are “narrative” and “rhetoric”, which legitimize its products and modify
design methods. (…)

FICTION AND DE-INNOVATIONBlock C / 407

Designing Governance in the Fourth Industrial Revolution
Paula Riveros Tovar

RTPP
11:30 - 13:00

In the next industrial revolution, the tipping point of avant-garde technologies(1) will signal the beginning of a new era of relationships between governments
and citizens (2). In the near future, procedures, services, and improved qualityof life could be moved forward based on the actions of stakeholders of the
public ecosystem and the building of citizenship. However, in the social andeconomic context of Colombia, the problems of governance remain linked tothe most precarious life conditions and because of that the solutions in the
fourth industrial revolution seem distant and detached. (…)

The challenge of providing homes before dwellings, of asking who and how
are the contemporary residents and the construction techniques used toshape these lives, let us question our performance as designers, architects,
and artists, to improve habitat conditions from multiple perspectives. Alongthe post-conflict process that Colombia is experiencing, the compromise toattend vulnerable population demands for creative strategies to adapt to thesecomplex coexistence scenarios while involving social, cultural, and economic
elements beyond four walls.
Chairs: Carolina Blanco. Universidad de los Andes, Colombia.
Santiago de Francisco. Universidad de los Andes, Colombia.
Participants: Sheila Burkhardt. Corpovisionario, Colombia.
Gloria Serna. La Caja Arquitectos, Colombia.
Carlos Andrés Rodríguez. Compensar, Colombia.

Shalini Gupta, Varun Goel

Patadesign: A pedagogical experiment on design of exception, absurd
artifacts and imaginary interfaces
Isabella Brandalise, Henrique Eira

Combining ’Pataphysics with speculative critical design approaches, our goal isto present ’Patadesign, a pedagogical framework and thought experiment thatcan expand possibilities for design practices. Invented at the turn of the 20th
century by French author Alfred Jarry, ’Pataphysics can be defined as the scienceof imaginary solutions and laws governing exceptions. The collection of ideas
explored by pataphysicians worked as a critique of traditional science and its

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

Block C / 701

Topic: Beyond the Walls

Re-Contextualizing the Design Process
Identity presentation has become paramount to self-preservation in a culture
obsessed with the image, and this is ordinarily achieved through overt material
consumption, a pre-eminent threat to a sustainable future. This has meanta continuous effusion of unwanted fibre, cloth, colour, and patterns, making
the global fashion industry one of the most polluting industries in the world.
Edelkoort, in ‘Anti-Fashion, a manifesto for the next decade’, throws light not
only on practices in garment making but also calls on design schools to change
the way they teach their students. (…)

SOMEWHERE, NOWHERE, ANYONE, EVERYONEDESIGN AND COUNTERCULTURE
11:30 - 13:00

Block C / 307

Tema: Prácticas y perspectivas de innovación social, economía circular ydiseño de futuros desde la educación en Latinoamérica
Los proyectos de innovación social, diseño de futuros y economía circularson cada vez más frecuentes en el contexto de la educación superior
Latinoamericana. Ya sean prácticas institucionales o proyectos académicos(investigación, laboratorios y talleres) que suelen permancecer aislados e
invisibles. La mesa busca generar un diálogo en español para intercambiar
experiencias, acortar curvas de aprendizaje, formentar la vinculación y dar un
primer paso en la creación de un ecosistema que de visibilidad, fortalezca lareflexión y las colaboraciones a nivel regional.
Moderadora: Paulina Cornejo. Centro, México.
Participantes: José Allard. Universidad Católica de Chile, Chile.
Roberto Iñiguez. Tecnológico de Monterrey, México.

Cumulus Conference Bogota 2019. THE DESIGN AFTER

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Ana María Fries. Artesanías de Colombia. Colombia.
Registro: Diligencie el siguiente formulario: https://forms.gle/b1AhFjP9hbsrdi6g8(This activity will be in Spanish).

WG
PP
11:30 - 13:00

Service Design Working Group
Block C / 401

We are pleased to ask you to join 3 hours session that is focusing on service
design education. We are asking you to share case studies on your service
design teaching. These can be short presentations of 10 minutes on master’sor bachelor level courses, educational programs, or specialization descriptions.
The idea is to share experiences and have space for discussion.
Chairs: Satu Miettinen. University of Lapland, Finland.
Essi Kuure. University of Lapland, Finland.
Registration: Send an email to Satu Miettinen (satu.miettinen@ulapland.fi) before
the 24th of October, 2019, with the title and three keywords of the presentation.

Women in Design
11:30 - 13:00

Block C / 402“Women in Design” will be a platform for exchange, inspiration and mentorship.
Sharing experiences and strategies and methods for coping will contribute tobuilding a global network of women to support and promote each other.
Accessing and sharing knowledge on the challenges many women face cancontribute to building assertiveness and empowering women in design, acrosscultures, to have the courage to take on visible, important positions within
their society.
Chair: Rachel Troye. The Oslo School of Architecture and Design, Norway.
Registration: No previous registration required.

LUNCH
13:00 - 15:00

Block C / Rooftop, 7th ﬂoor

PP
15:00 - 16:30

SENSING THE CITY, SENSING THE RURAL
Block C / 212

Sensing iGoli: Applying typological activity system models in the designof innovative and appropriate urban technologies
Terence Fenn, Angus Donald Campbell

While much of the development of ‘smart’ technologies occurs in the Global
North, the logical expectation is that in the near future ‘smart’ technologies
will be implemented across the world. Technology is never value neutral
and always carries particular cultural and political assumptions. Ensuring
technology is meaningful to people implies that it should acknowledge andsupport their conceptions and desires. If the particular needs and contexts
of local, urban African communities are not recognised, ‘smart’ technologies,
when implemented in urban contexts such as Johannesburg, South Africa (alsoknown as iGoli in isiZulu – the City of Gold), may be undertaken in an uncriticaland perhaps even detrimental manner.

Shanghai (1912 -1949): Value of consumer goods in the urban-ruralinteraction relationship
Yanghuan Long, Qiang Wang, Chen Fan

By integrating different means of history deduction, qualitative research, andlogic argumentation, this paper studies consumer goods in the Republican
Shanghai (1912-1949), to reveal that consumer goods have multiple values inbalancing the development of urban and rural areas. On the material stage,
the production of consumer goods provided equal chance for resident fromeither urban or rural areas to enjoy the achievements of modernization. On thecultural stage, the cultural infiltration brought by consumer goods shrank thegap of views between the residents in cities and countries in an implicit andmild way. (…)

Inspirations from Jiangnan Classic Garden to City Landscape Design
Requirements
Shu Xu, Weimin Guo

Today, people’s yearning for the natural environment and rural life is becoming
increasingly intense with the spread of urban areas. And the urban landscape isoften difficult to meet this demand, while the classical gardens in the south of
the Yangtze River, which we usually called Jiangnan Classical Gardens, providea reference for solving this problem. The purpose of this study is to explore thebuilding purpose of Jiangnan classical gardens and extract the design elementsof it, in order to help us solve the problem that the landscape needs of citizens
are difficult to meet. (…)

Sense-making Strategies in ICT Adoption for Rural Population in the
Dominican Republic
Azalya Latorre

In this paper, we present the use of sensemaking as a strategy to increase
population adoption of IC technologies in a rural intervention project. We
introduce the use of placemaking and value co-creation as methods that give24

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sense to technology in the rural context. As technological development has
been linked to city landscapes and industrial environments, we tend to relatetechnology for rural development exclusively to an increase in productivity. (…)

From Self-Care to We-Care: Practical tools for ﬁghting organizational
burnout
Jenny Liu, Hannah Roodman

In social sector organizations, internal care practices are often neglected or
taken for granted, leading to a growing epidemic of overworked and burnt out
employees around the world. As designers, we have a unique opportunity toaddress this crisis in the workplace by making care something that is concrete,measurable, and urgently desired within an organization’s cultural ecosystem.

Designing Rural Experiences through Service Design Methods andStrategic Scenarios: Two case studies in Jalisco, Mexico
Ruth Maribel León Morán, David Sánchez Ruano, Roberto Iñiguez Flores

The development of towns which depend on weekend tourism due to its
proximity to large cities nowadays is very common. The visitors seek
ephemeral experiences and the inhabitants of the locality seek to provide atranscendent service. Through new technologies and design-led innovation
initiatives that seek to expand the concept of smart cities to rural areas, it
might be possible to improve the quality of life. Experience design projects
linked to training partners and the School of Architecture, Art and Design of
the Tecnológico de Monterrey at Guadalajara campus were implemented tosolve problems that arose in the population of the town of Tequila and the townof Mezcala in the state of Jalisco in western Mexico. (…)

PP
15:00 - 16:30

Santiago De Francisco, Miguel Navarro-Sanint, María Belén Castellanos Ramírez,Leidy Lorena Rodríguez Pinto, Catalina Ramírez Díaz

In Colombia’s amazon piedmont sheer territories, cattle industry is one of thestrongest productive activities (IGAC, 2016) due to high demand and therefore
the sturdy infrastructure built upon it that satisfies peasants’ economic
stability will. However, in piedmont ecosystems, which shelter a great numberof species and water springs, this industry has induced massive and irreversible
environmental losses for the sake of communities’ well-being. Given this, how
can communities’ productive practices be adapted to reduce the environmental
impact within their territories? (…)

DESIGN AND COUNTERCULTURE
Block C / 106

Walking Backwards into the Future: Using indigenous wisdom within
designNan O’Sullivan

PP
15:00 - 16:30

FICTION AND DE-INNOVATIONBlock C / 204

Everyday life is a negotiated territory of space, time and resources. Encouragedby the recent renaissance of Buckminster Fuller’s Spaceship Earth and Victor
Papenek’s critiques, renewed rhetoric of design’s capacity and capability tocontribute to the development of more positive futures has emerged. This
paper references the responsibilities imbued in Fuller and Papenek’s views andpresents the emergent provocation Transition Design. Utilising the tangible
and intangible interconnectedness of social, economic, political and natural
systems, Transition Design seeks pathways to more positive futures forhumankind’s health, well-being, territories and resources. Transition Design
proposes that the tenor of relationships cultivated within Indigenous Wisdom
has much to offer the design of sustaining and sustainable futures. (…)

Black Panther’s Utopian Project: Fiction and speculation by nonarchitects as a potential for innovative production

Collaboration as a Form of Counter-Culture

Everyone Designs: Identity and determinism in the digital age

Dickson Adu-Agyei, Finzi Edward Saidi, Jabu Absalom Makhubu

Every institution has a set of pedagogical approaches which influence the way
design is taught and the results expected from students. The collaboration
between the University of Johannesburg and Ardhi University looks at open
public spaces in three selected sites in the city of Dar es salaam, Tanzania.
The paper investigates the recent collaboration between the two schools
and uses it as a lens to question pedagogies in African education. The paper
explores how the clash of cultures, social and economic beliefs begins to forma new understanding of public open space in developing cities and suggests
alternative perspectives of knowledge construction, organization and delivery
in architecture and planning studios. (…)

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Bio-currencies: An alternative to Payments for Environmental Services (PES)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

Fiona Kenney, Vaissnavi Shukl

From games to film to literature, images of utopia in media have beensuccessful in generating fictional worlds with high aspirational value. The
process of creation for these utopias is not unidirectional; unlike typical design
methods, designing for fiction requires a cyclical approach wherein creatorsdraw inspiration from the real world and use them in turn as the basis fortheir own process of innovation. The final product—‘fictional’ and ‘utopian’ innature—then influences the field from which it drew inspiration. (…)

Miguel Lopez Melendez

Design has rapidly permeated our lives since the last century. Its ability to
project a desirable scenario at any scale—its fiction: how the world “should”
be—seduced us during a 20th century whose character was technological. This
paper explores some challenges that the pervasiveness of design in the digitalage entails. It argues that the increasing importance of the logic of design
demands a theoretical reflection to counter the merely practical or decorative.
It considers that concepts, such as innovation, identity, choice, and aesthetics,
need constant redefinition, at the deepest cultural level, in the highly globalized
world of the 21st century. (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

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PP
15:00 - 16:30

defining problems and challenges. The design-conception process should bearticulated for the best solution, with analytically informed design-led practice
moving the design paradigm and design thinking process towards design
mindfulness. Deeply rooted in defining a real need or problem, this approach
involves continuous mindful action in the development and reformulationof the questions why, how, and who, particularly asked by Gen Z’s. We all arecontinuously bombarded with new products and services, which causes us to
doubt the ongoing process towards sustainability. (…)

SOMEWHERE, NOWHERE, ANYONE, EVERYONE
Block C / 211

Controversial-oriented Storytelling as a Method for Dealing with Wicked
Problems
Nicole Simonato, Guilherme Meyer

In search of solutions to face the challenges of the contemporary ecosystem
crisis, as well as to promote collective well-being, design is increasingly
directed towards projects that deal with wicked problems and vary according
to the beliefs and values of the social actors involved in these processes.
However, most methods and tools are observed to be unable to deal orconstructively consider the possible conflicts and divergences, which arise
during these design processes. In this paper, we introduce the process ofcreation and experimentation of the COS (Controversial-Oriented Storytelling),
which is a method that emphasizes the plurality and diversity of opinions, andassociates the technique of storytelling and the bias of controversies in theunderstanding of STS (Science and Technology Studies) in order to deal withwicked problems. (…)

RT
PP
15:00 - 16:30

Block C / 307

Topic: Biodesign Disrupter for Dystopia
Biodesign is an emerging field, but not a new form of design. The living
world has always been present in design from inspiration to materiality.
Communities of designers, biologists, tinkerers, bio-hackers and bio-makers
around the world are combining science and design in order to solve theworlds most wicked problems. Design is at a turning point where its practicemust change and further involve the natural world not as its dispensary but as
its co-creator. The challenge is to disrupt the system with it and not against
it, therefore Biodesign hacks the natural world and finally suspends limits
creating new language forms of sustainable discourse.

Participatory Design Through Jewellery Prototypes: Scandinavian
designers and Zimbabwean village artisans
Margaret RynningThis paper explores participatory design through the use of prototypes asboundary objects. Empowering underprivileged Zimbabwean village women
through design, based on the woman’s own local craftsmanship and finding
tools for the women to help themselves is the main goal of the project. Jewellery
design prototypes created in Scandinavia has been brought to Zimbabwe andpresented to the artisan women who respond designing prototypes with thematerials they have available. This way, communication is proceeded withoutwords, via the designed objects.

BIODIVERSITY-DRIVEN DESIGN

Chair: Carolina Obregón. Universidad de los Andes, Colombia.
Panticipants: Daniel Grushkin. Keynote.
Christiaan Nieman. Universidad de los Andes, Colombia.
Karen Aune. Universidad de los Andes, Colombia.

WG
PP
10.00 - 16:30
15:00
13.00

Art and Design Teacher Education and Pedagogy (AADTE)
Block C / 701

Within the Cumulus network there are a lot of expertise in art and design
pedagogy. We are interested in sharing and accumulating this expertise. You
are warmly welcome to join the meeting with short case study presentations
and discussion by participants.

The jewellery products will be used in Scandinavia and by the many
international visitors in the area around the Niagara Falls. Potential user´spreferences are explored during the process. (…)

More information about the AADTE see our blog: https://bit.ly/35nfhC3

Carpas Sociales: A strategy for social innovation in Fenicia throughaquaponics

Chair: Martti Raevaara. Aalto University, Finland.
Registration: Send an email to Martti Raevaara (martti.raevaara@aalto.fi) before the22nd of October, 2019, with the title and three keywords of the presentation.

Laura Amaya, Freddy Zapata, Catalina Ramirez

Around the Universidad de los Andes in Bogota, is located the community of
Fenicia composed of 240 families from Las Aguas neighborhood (Florez, 2011),
here its population has been impacted by the development of the university.
Therefore, Progresa Fenicia program is created by the university to design thepartial urban renewal plan, which allows to giving a better urban quality totheir population. (…)

BREAK
16:30 - 17:00

Block CSCHOOL EXHIBITION OPENING
17:00 - 17:30

Block C / Exhibition hall, 1st ﬂoor

Perceived Value of Design through the Lens of Generation Z (Gen Z)
Aija Freimane

This research addresses the perceived design value of Generation Z (GenZ) and indicate design transformation from a result to the key method of28

Cumulus Conference Bogota 2019. THE DESIGN AFTERWELCOME COCKTAIL
18:00 - 21:00

Artesanías de Colombia (Walking distance)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

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Prototype of a Self-suﬃcient Biofabrication Protocol
for Remote Territories
Aníbal Fuentes Palacios, Carolina Pacheco Glen, Adriana Cabrera Galindez,
Alejandro Weiss Munchmeyer, María José Besoain Narvaez

The exploration of materiality is of fundamental importance for theprocesses of architecture and design. Due to the rapid development of digitalmanufacturing, prototyping processes today allow the manufacture ofcustomized systems accessible to all audiences. However, not all parts of theplanet have access to these technologies and standardized materials to whichtoday’s industrial machinery and standards require them. Therefore, creating
bio-manufacturing practices, where locally self-sufficiency using local materials
is essential to create circular models. (…)

CONFERENCE REGISTRATION
8:00 - 12:30

KS
9:00 - 10:00

ML Building / South side entry

MARTIN TIRONI

Sensing the City, Sensing the Rural
ML Building / Auditorium

BREAK
10:00 - 10:30

PP
10:30 - 11:30

ML Building

BIODIVERSITY-DRIVEN DESIGN
Block C / 108

Exploring the Beneﬁts of Naturally Colored Cotton for
Future Design Solutions
Sharda Nautiyal, Sakshi Babbar PaulIn the present scenario, there is a growing need for eco-friendly and protective
clothing. Considering rapid exploitation of natural resources has led to global
warming. Any Fabric made from eco-fibers is the need of the hour .This
has provoked many cotton workers to develop eco-friendly and organicallycultivated cotton and this has led to the revival of naturally colored cottonin the recent years. Naturally colored cotton has the potential to be a viable
alternative to the environmentally hazardous synthetic color dyes therefore
lead lesser steps of chemical wet processes. (…)

Biomining: An approach from biodesign in search for an
ecological equilibrium
Lina Gisell Aranzalez Rodriguez, Brillyt Carolina Quimbayo Gutierrez,
Carolina Páez Vélez

Currently, alternative approaches to gold extraction are being developed, suchas programs that promote sustainable practices for gold mining in regions
like Chocó and Huila, Colombia. The contribution of this study to those
programs combines science and design in order to improve the processes ofconcentration and recovery of gold.
This proposed solution involves the communities that are immersed inthis sustainable mining program due to their explicit interest on theimplementation of environmental systems of biomining in their regions. (…)

30 Cumulus Conference Bogota 2019. THE DESIGN AFTER

PP
10:30 - 11:30

SENSING THE CITY, SENSING THE RURAL
Block C / 213

Hybrid Landscapes: Exchanges between art, design and technology in theconstruction of contemporary culture in the urban interface
Facundo Colantonio

In the complexity of the contemporary scene, there are as many possibilities
as there are intersections where art and design, mixed with technology, recall
its innate characteristics. These relationships shape hybrid disciplines where
designers and artists, as cultural agents, are deeply related during the different
stages of any cultural production: the creative process, the methodology,
the development, the implementation, the analysis. This research takes anextensive journey through the different interpretations of the urban space: asan “interface”, following Scolari’s definition (2018), as “territory” (Deleuze, 1997)
and, at the same time, as a “non-place” (Augé, 1996). (…)

AgroLab: An interdisciplinary environment for education andresearch in agriculture 4.0
Freddy Zapata Vanegas, Giacomo Barbieri, Yeferzon Alexander Ardila,
Veronica Akle Alvarez, Johann Faccelo Osma

An environment for the multidisciplinary interaction is proposed at the
Universidad de los Andes in Bogota for research and education in urban
agriculture, and for the wellbeing of the participating people and communities.
The illustrated AgroLab implements the Living Lab innovation process inorder to maximize the opportunities of collaboration and co-creation withthe objective of integrating the traditional knowledge with human andscientific disciplines. Different food production technologies and strategies arecompared and investigated within a context of experimentation, explorationand discovery seeking both a local and regional impact. (…)

Building New Identities with Batik
Martin John Bonney

As our global language of fashion becomes ever more blurred, where cultural
identities are fragmented and no longer separated by land masses but
rather the speed of the Wi-Fi, we start to acknowledge the multiple layers

Cumulus Conference Bogota 2019. THE DESIGN AFTER31

of contradictions. Our cultural and social values continue to clash, being
misinterpreted, poorly translated or diluted for commerce. Batik fromSoutheast Asia offers a wealth of cultural importance that has in recent years
become reduced to kitsch novel products, the treasures collected by the many
adventurous traveller seeking real experiences in a tourist town. (…)

PP
10:30 - 11:30

SOMEWHERE, NOWHERE, ANYONE, EVERYONE
Block C / 308

Pedagogical Strategies for Social Impact Design, Designing with the
PopRuaSusan Melsop, Juliana Bertolini

PP
10:30 - 11:30

FICTION AND DE-INNOVATION

Reflecting on the conference theme, “the after design” raises questions ofdesign education. Students are our future; what they learn and how they learn
to practice design will affect our policies, systems, and societies. “Improving
peoples’ lives … is one of the goals of social impact design education. The
question is, are we giving students enough depth … in this field to make them
viable when they hit the street?” (Palleroni 2012). In response, the authors
present a case study showcasing an innovative teaching framework basedon theory U that facilitates social justice by extending design activities to anunderserved population. (…)

Block C / 307

Dress Action: An alternative for post-fashion
Corneliu Dinu Tudor Bodiciu

This research aims to propose an alternative method of dressing a body whilechallenging current fashion practices. Through this process, the role of the
fashion designer and maker is questioned while cultivating a more creative
attitude and engagement on the side of the wearer.
This innovative method shifts the approach of the body from the perspectiveof a subject always addressed through benchmarked and rigorous processes toa subject that becomes open for exploration and experimentation at any point
in time. It becomes an active subject in a continuous state of change, a body
responsive to shifts in society and culture. (…)

A Research and Teaching Project for the Martesana District
Laura Galluzzo, Claudia Mastrantoni, Ambra Borin, Margherita Rasio, Jixiang Jiang

Re-occupation and re-designing of public spaces are becoming increasingly
frequent, particularly in peripheral and semi-peripheral neighborhoods. Thisessay will try to explore a research teaching project that involves different
realities, including small local communities of the City of Milan, a Milanese
private company called Cargo, and a group of students from second-year studioon the Master’s Degree course in the School of Design of Politecnico di Milano. (…)

National Memory and Design Opportunities: Pattern design oftraditional chinese festival costumes
Kunyuan Li, Hui’e Liang

Traditional Chinese festival costumes, as the specific representation of national
memory and emotion to traditional festivals, have a long history of thousandsof years. However, under the major trend of globalization, the developmentof national culture has been greatly restricted, let alone traditional Chinese
festival costumes.

Citizenship Education as Transformative Learning
Massimo Santanicchia

This paper reflects on the concept of citizenship in design education witha specific case study of the design course Together 2019: A Platform for
Citizenship Education held at the Iceland University of the Arts in Reykjavik.
The concept of citizenship in design education is explored in the Icelandic
context as a way of establishing more caring and engaging relationships
between design professionals and their communities. If design wants tobe more environmentally and socially responsible, it has to focus less on
individuality and more on cooperation among its stakeholders. (…)

Therefore, this paper aims to discuss the national memory and explore thedesign opportunities of traditional Chinese festival costume culture. (…)

Designing Fashion Fictions: Speculative scenarios for sustainablefashion worlds
Amy Twigger Holroyd

The globalised fashion and textile industry is deeply implicated in thedevastation of Earth’s life-supporting systems. Industry-led sustainability
initiatives have been incremental and inadequate; fundamental change isrequired to develop an approach to fashion that works within the means of
the planet. Potential for transformation is limited by a collective inability
to contemplate alternatives to the status quo. A newly established research
project, Fashion Fictions, responds to this challenge. It will imagine, prototype
and analyse enticing alternative fashion worlds through a playful andcollaborative design process in order to research people’s attitudes to the
future. (…)

RT
PP
10:30 - 11:30

DESIGN AND COUNTERCULTURE
Block C / 701

Topic: The Role of Design in Top-down and Bottom-up Social
Transformation Processes
Does the role of design and of the designer change from a top-down approach(where the business or government clients manage the projects) to a bottomup approach (where communities self-organize) of socially focused projects? Is
design a tool to connect/mediate between both approaches?. How does the actof designing change in these instances?
Chair: Daniel H. Nadal, Christiaan Job Niemann, Universidad de los Andes, Colombia.
Participants: Eva de Klerk. Keynotes.
Alejandro Haiek Coll. Universidad de Umeå. Sweden.
Enrique Espinosa. EEESTUDIO, Spain.

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WG
PP
10:30 - 11:30

Systems Thinking and Sustainable Design
Block C / 409A

Carolina Obregon, who teaches Sustainable Fashion and co-teaches the
Biodesign Challenge at Universidad de Los Andes, will present and provide
the opportunity for participants to test the systems thinking and mapping
approach that she employs when teaching students how direct the design
solutions in sustainable ways.
For Carolina, systems thinking forms the backbone of every sustainableendeavor, as this approach helps students realize how connected, andinterconnected our design practice is, while also providing opportunities
to highlight the importance of and evaluate all of the actors in the design
challenge.

KS
11:30 - 12:30

DORI TUNSTALL

Somewhere, Nowhere, Anyone, Everyone
ML Building / Auditorium

LUNCH
12:30 - 13:30

Block C / Rooftop, 7th ﬂoor

CULTURAL PROGRAM
13:30 - 18:00

Pg. 45Chairs: Robin Turner. Greenside Design Center, South Africa.
Carolina Obregón. Universidad de los Andes, Colombia.
Registration: No previous registration required.

WG
PP
10:30 - 11:30

ReVeDa Research Vectors in Design and Arts
Block C / 409B

The Working Group aims to draw a global map on research in design and thearts of Cumulus community and provide a showcase to the local University
and researchers to introduce the results of their works. Furthermore, theWG will present the survey results about research practices within Cumulus
Community, which will be part of a final publication.
Chairs: Loredana Di Lucchio. Sapienza University of Rome, Italy.
Lorenzo Imbesi Co-Chairing. Sapienza University of Rome, Italy.
Registration: No previous registration required.

WG
PP
10:30 - 11:30

Leadership and Strategy
Block C / 408

The CWG Leadership and Strategy meeting in Bogota will be a state oftransition, looking at the achieved in the last years, the current situation (witha focus on Columbia / Latin America) and shaping the future of the CWG interms of new expectations, new needs, new perspectives, new formats and newbalances in global collaborations. This involves discussing common leadershipchallenges in times where design, design institutions, and education formats
are changing, and lightweight opportunities for collaboration aiming at an
efficient and sustainable impact on the institutions & stakeholders in society
are emerging.
Chair: Philipp Heidkamp. KISD, Germany.
Registration: No previous registration required. We hope that all attendees will
participate and share their experiences. Please bring 5-10 questions or key issues
about Institutional Internationalization Strategies.
If you have any questions or want to present visual material, please contact Philipp
Heidkamp (heidkamp@kisd.de).

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An Educational Interactive Dashboard for AgroLab´s Aquaponic System
Pablo Figueroa, Leonardo Parra, Freddy Zapata

We envision a future where urban people will be more aware and responsibleof the food chains they prefer and choose. Ideally, they will also grow their own
produce and protein sources, such as fish. An aquaponic system enhanced
through interactive technologies provides an opportunity for learning about
growing food. In our research, we explore the intersection of food growth,learning, and data visualization. To do this, we developed a user experiencestructure and applied it to an interactive dashboard, that provides real-timedata visualization about an aquaponic system.

CONFERENCE REGISTRATION
8:00 - 12:30

ML Building / South side entry

Social Design for Technology Transfer: An experience in rural Colombia

KS
9:00 - 10:00

Juan Manuel España, Fabio Andrés TéllezMONIKA BIELSKYTE *Virtual Conference

In Colombia, more than 70.000 families in rural areas depend economically on
the cultivation, transformation, distribution, and production of fique (Furcraeaspp) and fique-based products (Peinado et al., 2006). Historically, this crop has
been cultivated in regions affected by Colombia’s conflict, including extensive
areas in the departments of Nariño and Cauca, where fique producers havesuffered from violence, displacement, and economic lag. Additionally, theprocess to extract the fibers from the fique leaves—which are used for most of
the fique-based products—is extremely inefficient and dangerous for workers(upper-limb amputations are common among this population). (…)

Fiction and De-innovation
ML Building / Auditorium

BREAK
10:00 - 10:30

PP
10:30 - 11:30

ML Building

SENSING THE CITY, SENSING THE RURAL
Block C / 307

Plant-driven Design and Phytotechnology for the Improvementof Built Environment
Laura Dominici, Elena Comino, Pier Paolo Peruccio

In post-industrial cities the quality of built environment is partially affected by
the high concentration of chemical pollutants in outdoor and indoor spaces.
An increasing number of people spend about 90% of their daily time in indoor
environment that often has a higher concentration of pollutants than outdoors.
The presence of many chemical compounds and the absence of naturalelements contributes to reduce the healthiness of indoor spaces and to trigger
the Syndrome of Sick Building in occupants. Many researches support thatnatural ecosystems have a positive effect on human health and other studies
show the benefits provided by the application of phytotechnology. (…)

Rural Community Participation Digital Platform
Carlos Cobreros, María Elena Melón, Eduardo Rosado, Nohemí Lugo, Mariana Maya

In Mexico, rural territory occupies 98% of the country’s surface and contains
22% of the population. This territory is where the greatest intensity of poverty
occurs. Most communities in the rural territory are sparsely distributed andhave low and intermittent connection to the internet. Both aspects complicate
communication and participation in decision making processes that affectthem. A Biosphere Reserve (BR) is normally located in natural or rural territorialtransects. The participation of the community and the stakeholders is necessary
for the success of the BR. This community participation requires a broad
spectrum of skills and the use of appropriate methods and technology. (…)

36

Cumulus Conference Bogota 2019. THE DESIGN AFTER

PP
10:30 - 11:30

DESIGN AND COUNTERCULTURE
Block C / 308

Abracemos lo nuestro: Encouraging new ideation with traditional
paraguayan textiles
Andrea Gonzalez Esteche, Melissa Dawson

Traditional artisan work is deeply rooted in Paraguayan cultural identity.
Specifically, the traditional textiles of ñanduti, a’ó po’í, encaje jú, and po’yví
promote a significant sense of pride and self in the Paraguayan people.
However, in recent years textile artisans have been exhibiting an increasinglack of innovation and newness in their design ideation, resulting in analogous
products flooding the market and diminishing public appreciation forconventional Paraguayan textiles.
In partnership with Paraguayan Institute of Artisans (IPA), this researchembraces and builds upon Milton’s design objectives that encouragecommunication, adaptability, expansion, and connectivity to improve
interaction and cooperation between the artisans and with those that
appreciate their craft. (…)

The Transformed Social Function of Religious Architecture – Take
“Zhuangfang” as an Example
Jiaye Chen, Qiang Wang, Stephen R. Drown, Lu Ding, Anran Feng

In many areas inhabited by ethnic minorities, religious infrastructure still plays
an important role in religious activities and community recreation. However,Cumulus Conference Bogota 2019. THE DESIGN AFTER

37

PPwith the infiltration of modern lifestyle, the social function of these origin arechanging, often resulting in confusion of cultural identity for ethnic groups andtheir risk of being marginalized. This paper uses “Zhuangfang” as a case study.
Zhuangfang is a Theravada Buddhism building located in Husa Achang village,
China, and is primarily used for the performance of sacred temple ordinances,
worship or prayer, and the Buddhist monks’ accommodation. However, its role
has evolved over time. (…)

RT
PP
10:30 - 11:30

FICTION AND DE-INNOVATIONBlock C / 108

Topic: Fictions for the Real WorldThis panel discusses the applications and implications of speculative design,
critical design and design fictions in projects -outside academia- which have apowerful effect on the industry or government.
Chair: Juan Manuel Medina Del Rio. Universidad de los Andes, Colombia.
Participants: Javier Guillot Entrepreneur, Colombia.
Veneta Stefanova Andonova Zuleta. Universidad de los Andes, Colombia.
Rafael Vesga. Universidad de los Andes, Colombia.
Ricardo Mejía. rrebrand strategic design, Colombia
Alejandro Gómez. Picnic, Spain.

RTPP
10:30 - 11:30

SOMEWHERE, NOWHERE, ANYONE, EVERYONE
Block C / 701

Topic: Appropriations
Human beings are appropriators by nature. When we understand theappropriations as interventions that allow us to establish dialogues, to discuss,
to empower, as well as re-think, re-imagine, and re-shape the present, we aremodifying the future.
During this Roundtable, space appropriation issues will be addressed as
the citizens’ actions, technological appropriation in response to systematic
imposition, and cultural appropriation as a manifestation of identity.
Chair: Daniel Nadal. Universidad de los Andes, Colombia.
Participants: Dori Tunstall. Keynote.
Antonio Yemail, Yemail Arquitectura, Colombia.
Juan Pablo Calderón, Colombia.

KS
11:30 - 12:30

DANIEL GRUSHKINBIODIVERSITY-DRIVEN DESIGN
Block C / 701

Walking in the Age of Anthropocene: An interdisciplinary learning
experiment for a sustainable future
Fan Feng

The future of a bio-diversified ecosystem is in the hands of the generation thatis sitting in our classrooms. This paper introduces an educational framework
to shake us loose from the inertia caused by the tension between our concern
for the environment and the increasing demands on natural resources in the
Anthropocene. Art and design today are facing a “social turn” through creative
activities often labeled as relational aesthetics or post-studio, socially engaged
or community/participatory/contextual practices. In extending such practices,education plays an important role in democracy by cultivating an informed,
engaged, and empowered citizenry. (…)

Techno-aesthetic Spaces of Fiction
Karen Aune

Techno-aesthetic spaces of fiction is a creative practice-based research, whichaims at the conception of an artwork that generates a poetic reflection on therelationship between the human being, technology and nature. This is shown
through the process of conception and development of Lapsus Trópicus, aninstallation whose origin lies in the fictitious hypothesis of what would happen
if a glitch -a computer error - began to transform a specific ecosystem. The
research considered the conceptual, formal and technical aspects of a creative
process that dialogues with references such as art, design, architecture, science
fiction cinema and key historical moments in the development of science. (…)

History May Lead to Future: How Chinese Five Elements Theory Help to
Improve Products’ Emotional Durability
Ruimin Hao, Jiapei Zou

This paper uses the Chinese traditional concept of Five Elements as a meansof reviewing the present design in the inquiry that how the design help tokeep the harmony and biodiversity of the future. China has a very long periodof agrarian society in which Chinese people had developed a unique way ofgetting along with nature harmoniously. This oriental way of seeing the worldis quite different from western scientific way, it infers that the balance of thefive elements will lead to inner harmony for individuals and outer harmony
between people and the nature. (…)

Biodiversity-Driven Design

Transforming Agriculture through Urban Production Methodologies
with the Super Potato

ML Building / Auditorium

Elizabeth Dellheim, Laura Cabrera, Pablo Llinás, Stephen Bruque

LUNCH
12:30 - 14:30

14:30 - 16:00

Block C / Rooftop, 7th ﬂoor

38 Cumulus Conference Bogota 2019. THE DESIGN AFTER

It is estimated that by 2050 two-thirds of the world’s population will beurbanized, changing the framework in which food is produced and consumed
by the majority of people. The scarcity and high cost of fossil fuels will reduce
the feasibility of transporting crops from rural zones to cities, and rapidly
increasing climate changes will force dramatic transformations in agriculture.
The potato is the third most important crop globally after wheat and rice,currently represented in the diet of over 1.3 billion people. (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

39

Dialoguing with theoretical references from the human and social sciences,
we will present the experience of the project “Lagoinha_Heritage Design
Development”, linked to the Integrated Center of Social Design / CIDS – Design
School of the State University of Minas Gerais and implemented during theyear 2018 with a group of elderly women living in Lagoinha Complex who
participated in all stages of the project: from research to evaluation, throughdesign and production. (…)

Sensing Nature: Experience design for learning the interplay between
materials and emotions
Sara Lucía Rueda Mejía

While the importance to human and planetary well-being of meaningfulcontact with nature has been well documented, less attention has been paid
to creating educational activities that correlate emotional well-being withnature. This study is transdisciplinary research-in-practice, focusing on
three main matters: human-nature connection, materials (from nature), andemotions (from humans). This project i) co-designs digital-physical learning
experiences – from enquiry into sources to construction of 3D prototypes – toexplore relationships between emotions and materials, ii) explores tangible andintangible tools such as meditation and natural inks, iii) investigates the effects
of sensorial experiences with nature on children’s behaviour from a social andenvironmentally-sustainable perspective. (…)

PP
10.00
14:30 - 16:00
13.00

Photo-ethnography and Political Engagement: Studying performative
subversions of public space
Pablo Hermansen, Roberto Fernández

As a result of the development of digital technologies, the production, editing
and publication of photographs is fully incorporated into our daily lives. We
routinely use images as language to describe, comment on, interpret, laughwith, captivate or ironize others. However, scant attention has been paid to theincorporation of these technologies into research methods. The word continues
to be the hegemonic source of the codes and categories used to analyze andengage in discussions in the academic community. During our research on
performative practices at the Santiago Gay Pride Parade, we discovered a visual
phenomenon that is impossible to describe using words alone. (…)

DESIGN AND COUNTERCULTURE
Block C / 105

A Contemporary Urban Humanism: The urban space as cultural
framework for participative architecture, graﬃti image and urban genres
Omar Campos Rivera

This paper analyses the relation between urban cultures and formal knowledge,
reflected in three different scenarios: participative architecture, graffiti image
and urban genres. Despite their differences, they have similar approaches to key
factors as the urban space, citizenship construction and production methods.
In architecture it is represented in the practices of the thus called ‘participativearchitecture’ that are produced mainly by collectives and try not to relate to the
traditional ways of architectural production, rather focusing on participative
processes, scarcity and mindfulness of the informal urban condition. (…)

Bogota Dust and Paper City: A critical design exercise that explores
corruption in town
Viviana Alejandra Moya Arenas

One of the facts that condition the urban development of cities like Bogota is
corruption; this phenomenon has limited growth, not only in physical terms
but also in terms of the sustainability of this territory. This is why today, morethan ever, various manifestations that question the mentality of people linked
to this city in different scenarios are becoming necessary, inviting them to ask
themselves and know more about this matter, the veracity of the information
they receive and the role played by citizens as active participants in society. (…)

PP
14:30 - 16:00

FICTION AND DE-INNOVATIONBlock C / 106

The Metaﬁctional Narrative of Things and Spaces: The place of ﬁlms indesign ﬁction
Mónica Paola Peña Zambrano

Fiction Design should broaden its study to other fictional genres, beyond thesci-fi and its futuristic commonplace, using narratives and Production Designfor design study. The term Design Fiction is commonly addressed as the
speculative work of designers in visualizing, prototyping and developing “whatif” scenarios from sci-fi and technology. By revealing the qualities and effects ofobjects and places and by positioning them as characters, narratives have thecapacity to provoke recognition of the activity and the results of the design andthus can shape a social and political questioning (Yelavich, 2015). Design cannot
talk about the future without starting from an annoyance/opportunity seen in
the present. (…)

POSTHUMANWEAR — Exploring Posthuman Identities and Aesthetics
Through Design Fiction
Juan Carlos Guevara Verjel

Socially Engaged Design and Art Education Practices for
Reinventing Territories
Andréia Menezes De Bernardi, Edson José Carpintero Rezende, Juliana Rocha Franco

The Lagoinha Complex is one of the most emblematic regions of Belo
Horizonte, capital of the state of Minas Gerais, Brazil. However, nowadays, theplace coexists with serious social issues and the absence of public regeneration
policies contributes to the devaluation of its history and culture, generating a
vicious circle of degradation and abandonment.

40 Cumulus Conference Bogota 2019. THE DESIGN AFTER

The integration between human beings and computers has become thebackbone of contemporary daily life. The concept of posthuman becomesincreasingly pertinent in the face of this growing convergence, as it allows forthe proposition of all kinds of imaginaries regarding the course of civilization.
There is, however a wide range of interpretations of the meaning and sense ofbeing posthuman and conciliating them constitutes a point of interest, which
is approached as the conceptual preamble of a creative exercise based in design
fiction. (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

41

Technologies for Introspection: Speculations about the relationshipbetween subject, perception and technology
Laura Catalina Junco Gómez

Nowadays we have access to large amounts of information at our fingertips.
Technologies and means of communication are capable of extending our bodies
and senses in infinite levels and, since these extensions modify the way weexperience the world, they change the way we think of ourselves.
In this context of overconsumption of information our sensory body almost
always refers to a different place: outside of ourselves. Therefore, we findourselves in a state of sensory numbness and limited use of our bodies that do
not allow a proper self-recognition. (…)

Provocative Playground: Co-design of urban spaces in contexts of highdegree of marginalization

PP
14:30 - 16:00

SOMEWHERE, NOWHERE, ANYONE, EVERYONE
Block C / 209

Movement and Place-making in a Monsoon Terrain
Deepta Sateesh

The territorialization of the Western Ghats, India, is an act of colonial powerthat either settled or marginalized particular peoples, practices and ecologies,
privileging a wet-dry binary and spatializing a monsoon landscape. The
environment of the Western Ghats, in particular, has been politicized andpolarized. Today, indigenous peoples and other ‘forest dwellers’ have been
compromised through the inherited colonial framework, with conservation
action excluding them, and their knowledge that is based on dynamic everyday
relationships with place. Efforts to be inclusive are fraught with inadequacies ofcolonial imaging and language that continue to objectify and spatialize natureand culture, propagating the wet-dry divide. (…)

mariana Maya, Carlos Cobreros, Gustavo Peñaloza

The school of Architecture, Art and Design of Tecnológico de Monterrey has
worked for 3 years in a project called PlayLab. It works in real contexts togenerate proposals in the area of social innovation, focused on discovering
truth stories through ethnographic techniques, participatory methods alongwith territorial diagnoses.
In 2018, Play Lab worked in Menchaca, a community with a high level ofvulnerability and marked by poverty and marginalization. The approach
was focusing on children, who develop their design skills while finding their
possibilities of community intervention, through modification of their own
public spaces, applying a children-based method of intervention through games
and play. (…)

The Extended Praxis of Design, Towards a Characterization of theAdvanced Design Cultures
Roberto Iñiguez Flores, Ruth Maribel León Morán, Flaviano Celaschi,
Elena María Formia

The praxis of design is becoming broader: it has been extending to both newpractice territories and topics of interest, and moving from the developmentof new products to practices that approach new landscapes, such as theorganizational, the social, and the territorial. These diverse practices can beunderstood under the paradigm of Advanced Design (Celi, 2010), and require us
to rethink the way we understand the discipline of design.
This paper goes from the literature review analyzing the roots and sourcesof Advanced Design and its relation with future studies, towards the factorsthat these broader territories of design are stressing on its practices, with theobjective of characterizing them. (…)

42

Cumulus Conference Bogota 2019. THE DESIGN AFTER

Indigenous Ancestral Imaginaries and Material Transformation from an
Anthropologic Design Approach
Ricardo Labra Mocarquer, Christian Basáez Villagrán

The Mapuche people, the most numerous indigenous group within Chile,
maintained their territorial and cultural sovereignty until, in the latter halfof the 19th century, their Wallmapu (“Mapuche Country”) was invaded andannexed by the Chilean State. Since then, the relations between the Mapuche
and Chileans have been permeated by an increasing and violent tension that
renders future scenarios of coexistence between both cultures difficult toimagine. This difficulty is fueled by historical conditions imposed on Mapuchematerial imaginaries, which designate and characterize Mapuche objects assuch insomuch they refer to the conditions prior to the Chilean annexationof Wallmapu, inhibiting the emergence of new ways of imagining Mapuche
contemporary materialization. (…)

Artisans & Designers: Seeking fairness within capitalism& the gig economy
Raphaële Chappe, Cynthia Lawson Jaramillo

The artisan sector is the second largest employer in the developing world andan estimated 34-to-526 billion dollar industry (Nest, 2018). Why then are themajority of the world’s artisans living in poverty? And what role have designers
played in extracting money and value from these marginalized communities?
Co-authored by an economist and a design educator, this paper posits that a
critical and productive way to get to the bottom of these questions is to analyze
the artisan sector as a member of the gig / on-demand economy, and, mostimportantly, to propose a fairer economic and design architecture for this
sector that achieves a better alignment of compensation and value creation,
particularly for those with the least economic resources (the artisans). (…)

Cumulus Conference Bogota 2019. THE DESIGN AFTER

43

Saber del monte: Design as a catalyst for socio-ecological reciprocity inMontes de Maria
Lina López-López, Miguel Navarro-Sanint, Natalia Cárdenas-Cárdenas

As researchers and implementers, conservationists today face new challenges
that emerge from the need to better understand local interactions to be able tobuild successful and situated environmental conservation projects. This paper
reflects on the introduction of a design approach in the strategic conceptionof an environmental conservation project and the final design process of Saberdel Monte, a socio-ecological reciprocity system that intends to promotevalue exchange dynamics between human populations and ecosystems. The
project emerges from collectively envisioning a change of paradigm fromenvironmental and social crises campesinos in Los Montes de Maria live today,
due to the implementation of national rural development programs which tend
to emphasize the role of economic growth in generating wellbeing. (…)

RT
PP
10.00
14:30 - 16:00
13.00

L
CULTURAAMME
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OW

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GET TO K

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O
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31, 20

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BER

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SENSING THE CITY, SENSING THE RURAL

Monserrate has become an iconic Bo
gota
symbol. You can en
joy a panoramic vie
w of
the city and visit
the Sanctuary of“Señorcaído de Monserr
ate”.

Block C / 308

Topic: Sensing the City, Sensing the Rural, from Bogota
The proponents of the track and the keynote invite to an open dialogue
about the city, the countryside and the new information and communication
technologies in which professors from the School of Architecture and Design
who work on these issues will present their current projects and theirconceptual frameworks, in particular, it will delve into fundamental questions
on these issues that are relevant to the urban and landscape condition of thecity of Bogota.
Chairs: Isabel Cristina Arteaga. Universidad de los Andes, Colombia.
Andrés Burbano. Universidad de los Andes, Colombia.
Participants: Martín Tironi, Keynote.
Leonardo Parra. Universidad de los Andes, Colombia.
Manuela Guzmán. Universidad de los Andes, Colombia.
Pedro Aparicio. Altiplano, Colombia.
Diego Bermudez. Bermúdez Arquitectos, Colombia.
Rafael Méndez. Universidad de los Andes, Colombia.

KS
16:30 - 17:30

UR

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CITY TOUREVA DE KLERKDesign and Counterculture

CLOSING
17:30 - 18:30

ML Building / Auditorium

GALA
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BREAK
16:00 - 16:30

VISIT TO MONSERRATGASTRONOMIC TOUR

Opered by:Visit one of the most important farmersmarkets of the cit
y called “Paloquemao”.
There you will fin
d a variety of colom
bianfruits and their ex
otic flavors.

Andrés DC. (Buses depart from the north side of the ML Building)

44 Cumulus Conference Bogota 2019. THE DESIGN AFTER

Cumulus Conference Bogota 2019. THE DESIGN AFTER

45

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Cumulus Conference Bogota 2019. THE DESIGN AFTER

47

TEAM

SPECIALS
THANK-- CONFERENCE CHAIRS -HERNANDO BARRAGÁN

Conference Manager /Dean of School of Architecture and Design
CLAUDIA MEJÍA

Head of the Architecture Department
RICARDO SARMIENTOHead of the Design Department

SPONSORED BY:-- MANAGEMENT TEAM ---- GRAPHIC CONCEPTUALIZATION--DANIELA ALARCÓN
ANA MARGARITA GONZÁLEZ
VALENTINA OSORIOCONSTANZA DÍAZ DEL CASTILLO-- SCIENTIFIC COMMITTEE -ISABEL ARTEAGAANDRÉS BURBANODANIEL H. NADALCESAR PEÑA-- SCIENTIFIC COMMITTEE SUPPORT ---- COMMUNICATION TEAM -ANDREA AMINCATALINA VILLABONA--GRAPHIC DESIGN-TATIANA DÍAZADRIANA PÁRAMOJULIANA PINTOMELISSA FERROSUPPORTED BY:

48 Cumulus Conference Bogota 2019. THE DESIGN AFTER-- ACADEMIC COMMITTEE -PEDRO APARICIOCAROLINA BLANCOGIOVANNA DANIESSANTIAGO DE FRANCISCOCHRISTIAAN JOB NIEMAN
JAVIER RICARDO MEJÍAJUAN MANUEL MEDINAJAIME PATARROYO--AUDIOVISUAL PRODUCTION-ALEJANDRO BARRAGÁNCAMILA GÓMEZ

--SUPPORTING TEAM-JANET CALDERÓNJAIME IVÁN CASTILLOLILIANA MENDOZA

Cumulus Conference Bogota 2019. THE DESIGN AFTER

49

© Universidad de los Andes
School of Architecture and Design
Bogota Colombia
arqdis.uniandes.edu.co/inicio© Cumulus International Association of
Universities and Colleges of Art, Designand Media. Aalto University, School of Arts,
Design and Architecture
PO BOX 31000, FI-00076 Aalto
www.cumulusassociation.org

#thedesignafter#cumulusbogota2019#dontbelate#arqdisuniandes