720 N. Highland Avenue Los Angeles, CA 90038

6917 Melrose Avenue Los Angeles, CA 90038

Tatsuo Ikeda / Michael E. Smith

October 29 – December 3, 2022
Opening Reception:
Saturday, October 29, 6-8pm

Tatsuo Ikeda
Toy World, 1967

Watercolor and ink on paper 15 3/4 x 12 1/2 inches(39.9 x 31.9 cm)

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Tel. 323 450 9409

720 N. Highland Avenue Los Angeles, CA 90038

6917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Tatsuo Ikeda / Michael E. Smith

October 29 – December 3, 2022

Tatsuo Ikeda and Michael E. Smith, born nearly half a century apart, each emerged out ofmajor “post” periods in their respective countries. The former, a post-war Japan, the latter, aOpening Reception:

post-industrial Detroit, Michigan. Nonaka-Hill is delighted to pair these two artists, whose

Saturday, October 29, 6-8pm

works resonate in various ways over decades and cultures.
Tatsuo Ikeda (Japan, 1928–2020) was initially trained as a kamikaze pilot, but never saw direct
combat before the end of World War II. His experiences in the war and its aftermath stoked his
suspicion of authority and his lifelong pacifism. After the war, Ikeda trained as a painter atTama Art University, Tokyo in the late 1940s. His subsequent output included paintings,
drawings, sculptures, publications, and performances. His early interests evolved frompost-war political satire to fable-like depictions of animals, both rendered in pen-ga (pen andink technique). By the early 1960s, Ikeda had become disillusioned by politics, indicated by his
Elliptical Space painting series, which depicted various elliptical shapes alluding to space andtime, the latter of which he called “the fourth dimension.” In his Toy World series that followedin the late 1960s, in his words, he saw “toys [as] a mere reflection of reality.” His ensuing ‘toy’forms had a foreboding but functional appearance, as if from a proto-Cronenbergian vision. In
surveying the totality of Ikeda’s series, especially those of his later period, one finds an erotic
ethos running through them: his surface tactility, undulating line work, organic forms in various
states of interpenetration, and highly gradiated modeling, lends his work a clinical sensuality.
Michael E. Smith (USA, b. 1977) has made work in situ to Ikeda’s works on view. Having cameof age in the stark post-industrial landscape of Detroit, Smith is renown for the spare andexacting methods by which he installs his enigmatic sculptures. They are frequently composedof heterogenous components, or exist as manipulated found objects. Clothing, furniture,disembodied machine parts, appliances, kitchen and industrial implements, and dried animal
carcasses are recurring materials in Smith’s repertoire. No matter their scale, they occupy a
prodigious amount of psychically charged space, installed in complete concert with thearchitecture of the gallery. The means by which they can be interpreted and felt are fugitive,changing with their installed context. They absorb what is in the room, inch by inch, existing ina melancholic register. This affect strips off their semantic and semiotic dimensions like paint,
estranging their appearances––even when they are starkly familiar or caustically humorous.
It is in this spirit––of mutual reinforcement and estrangement––that we pair Ikeda and Smith
together. We hope to provoke potentialities that are otherwise undetected in each artist’s
work––a dialogue between the natural creative outcomes of two distinct post-conditions.
Tatsuo Ikeda’s recent exhibitions include, The Milk of Dreams, La Biennale di Venezia, Italy(2022); Surrealism Beyond Borders, Metropolitan Museum of Art, New York (2021 –2022) andTate Modern, London (2022); Tatsuo Ikeda: BRAHMAN, Fergus McCaffrey, Tokyo (2022);
Hiroshima City Museum of Contemporary Art, Japan (2018); Nerima Art Museum, Tokyo (2018,www.nonaka-hill.com

720 N. Highland Avenue Los Angeles, CA 90038

6917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

1997); The Warehouse, Dallas (2017)); Museum of Modern Art, New York (2012–13); Yamanashi
Prefectural Museum of Art (2010–11). The artist was featured in the documentary film, ANPO:Art X War (2010), directed by Linda Hoaglund. Tatsuo Ikeda passed away in November 2020
in Tokyo, Japan.
Michael E. Smith’s recent exhibitions include Pinakothek de Moderne, Munich (2021); May
You Live in Interesting Times, La Biennale di Venezia, Italy (2019); Kunsthalle Basel, 2018; Filed
Station: Michael E. Smith, Broad Museum, Los Angeles (2018); SMAK, Ghent, 2017;
Kunstverein Hannover, 2015; De Appel, Amsterdam, 2015; Sculpture Center, Queens, 2015; La
Triennale di Milano, Milan, 2014;Power Station, Dallas, 2014; CAPC musee d’art contemporain
de Bordeaux, Bordeaux, 2013; Contemporary Art Museum, St Louis, 2011. Michael E. Smith
lives and works in Providence, Rhode Island

Tatsuo Ikeda / Michael E. Smith
Opening reception: Saturday, October 29, 6-8pm
October 29 – December 3, 2022
720 N. Highland Ave, Los Angeles, CA, 90038.
Hours: Tuesday- Saturday, 12noon – 7pm or by appointment
For images or more information regarding the exhibition, please contact Nonaka-Hill at
gallery@nonaka-hill.com#nonakahill #tatsuoikeda #michaelesmith

www.nonaka-hill.com

720 N. Highland Avenue Los Angeles, CA 90038

6917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Tatsuo Ikeda (Japanese, 1928–2020)

Biography

Born in Saga Prefecture, Japan, in 1928, the course of Ikeda’s early life was dramaticallyaltered by the ongoing intensity of World War II, culminating in his service as a kamikaze pilot
at the age of fifteen. Spared by the ending of the war, in 1948, Ikeda made the decision to live
a more free and anti-authoritarian life, moving to Tokyo to attend Tama Art University where hebecame engaged in Tara Okamoto and Kiyoteru Hanada’s Avant-garde Art Study Group.
After the Korean War broke out in 1950, the artist pursued a strong anti-war position, Ikeda
created expressive realist drawings that fused reportage and satire. His early work depicted
the heartlessness of society in the age of automation and questioned the role of individual
responsibility and free will after feeling betrayed by his government, and the political andcultural machinery of interpersonal and international conflict. Ikeda organized the artists andwriters group, NON, and his drawings from this period exposed domestic and international
political corruption, eventually developing into monstrous portraits and grotesque creaturesthat reveal the dark side of human nature.
In the 1960s, the artist produced several series of works inspired by a wide range of motifs,
such as masks (Hundred Masks), toys (Toy World), and anatomical images (Dissection

Archaeology). In the following decade, harboring a profound fascination with space and time,
he carried out conceptual long-term performances, Asama – Ararat Olive’s Ring Plan andBrahma Tower, in which he tried to experience an unimaginable perpetual time. In his series,
Brahman, which he began in 1973, the artist found release from social causes to embrace astate of eternal truth and bliss occupied by genderless embryonic forms in infinite space.
Narrating his own story of genesis, the artist turned his attention inward, exploring themetaphysical bonds that underlie and unify the universe—defining his paintings as a“wormhole connecting the inner and outer worlds.”
Ikeda continued exploring further artistic possibilities, creating assemblage and relief works
made with found objects, and handscrolls depicting the flow of time, as well as a series ofpaintings, Phases of Fields, about universal gravitation. In addition to visual art, Ikeda was a
critically celebrated writer; and his work has been exhibited extensively in Japan and abroad.
The artist was also featured in the 2010 documentary film, ANPO: Art X War, directed by Linda
Hoaglund.

Ikeda died in November, 2020, in Tokyo.

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720 N. Highland Avenue Los Angeles, CA 90038

Selected Solo Exhibitions

2022
2018
2017
2015
2014
2013

6917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Tatsuo Ikeda: BRAHMAN, Fergus McCaffrey, Tokyo, Japan

Tatsuo Ikeda: An Elliptical Visionary, Nerima Art Museum, Tokyo, Japan
Tatsuo Ikeda, Fergus McCaffrey, New York

Tatsuo Ikeda – The Universe of Boxes, Galerie Tokyo Humanité, Tokyo, Japan

Tatsuo Ikeda, Fergus McCaffrey, St BarthArt That Indicts 1: Ikeda Tatsuo, Fukuoka Art Museum, Japan

Tatsuo Ikeda: Known and Unknown, Tokyo Art Museum, Japan

Tatsuo Ikeda – Field Phase V, Drawings, Galerie Tokyo Humanité, Tokyo, Japan2012

Tatsuo Ikeda: Requiem Deicated to Friends and Hope for Peace, Mutsu Memorial Museum,2011

Tatsuo Ikeda, The Trajectory of Postwar Avant-garde Art, Yamanashi

2010

Yamaguchi, Japan

Prefectural Museum of Art, Taro Okamoto Museum of Art (Kawasaki),Fukuoka Prefectural Museum of Art, Japan

2009

Tatsuo Ikeda – Field Phase III, Empty Time and Space Landscape, Galerie

2006

Tatsuo Ikeda – Field Phase, Wormhole / Line, Galerie Tokyo Humanité, Tokyo,JapanTokyo Humanité, Tokyo, Japan

2004
2003

Tatsuo Ikeda – Field Phase, Galerie Tokyo Humanité, Tokyo, Japan“Flow and accumulation” Continuation / Universal Gravitation, Galerie Tokyo
Humanité, Tokyo, Japan

2001
1993
1985
1984

Tatsuo Ikeda – 24 HEADS, Galerie Tokyo Humanité, Tokyo, Japan
Galerie Tokyo Humanité, Tokyo, Japan

The World of Tatsuo Ikeda, Ikeda Museum of 20th Century Art, Ito, Japan
Yokohama Civic Art Gallery, Yokohama, Japan

1974

Kinokuniya Gallery, Tokyo, Japan1965

Azuma Gallery, Kyoto, Japan
Morioka Gallery, Morioka, Japan

Selected Group Exhibition

1954

Yoseido Gallery, Tokyo, Japan

2022

Tatsuo Ikeda / Michael E. Smith, Nonaka-Hill, Los Angeles, USA
The Milk of Dreams, La Biennale di Venezia, Italy

Surrealism Beyond, Metropolitan Museum of Art, New York, USA
2021
2015
2013

Reportage Painting, Tate Modern, London, the United Kingdom

Tatsuo Ikeda & Philippe Parreno: Field Phase, Fergus McCaffrey, New York

Painters I loved and Hated: Hariyu Ichiro and Postwar Art, The Miyagi Art Museum, JapanA Poet and Art: takiguchi Shuzo’s Surrealism, Otaru City Museum (Hokkaido),
Yoruzu Tetsugoro Museum (Iwate), Tendo City Museum of Art (Yamagata),
Ashikaga Museum of Art (Tochigi), Japan

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720 N. Highland Avenue Los Angeles, CA 90038

Selected Group Exhibition

20126917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Fiftieth Anniversary of Fugen Mountain Village, Saku Municipal Museum of Modern Art,
Nagano, JapanArt Will Thrill You! The Essence of Modern Japanese Art, National Museum of Art, Tokyo, Japan
Genealogy of a Gallery: Asakawa Collections and Japanese Art in 1960-80, Ashikaga
Museum of Art, Tochigi, Japan
2009
2007
2005
2004

Tokyo 1955-1970: A New Avant-Garde, The Museum of Modern Art, New YorkThe Coal Mine as Cultural Resource, Meguro Museum of Art, Tokyo, Japan

Taro Okamoto and His Contemporaries in the Post-War Era, Setagaya Art Museum, Tokyo, Japan

Drifting Objects of Dreams: The Collection of Shuzo Takiguchi, Setagaya Art Museum, Tokyo, JapanAge of “Tokyo Metropolitan Art Gallery”: 1926-1970, Museum of Contemporary Art, Tokyo, Japan

Remaking Modernism in Japan 1900-2000, Sezon Museum of Modern Art, Museum ofModern Art, Tokyo, Japan

2003
2000

Portraying Human Beings: From the Museum Collections, Nerima Art Museum, Tokyo, Japan

Kyushu Power: Kyushu in World Art, Contemporary Art Museum, Kumamoto, Japan

Visage: Painting and the Human Face in 20th Century Art, The National Museum of Western Art,
Tokyo, Japan

Homage to Taro Okamoto from Seven Artists, Taro Okamoto Museum of Art, Kawasaki, Japan
1998

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Japanese Art in the 20th Century, Museum of Contemporary Art, Tokyo

Realism in Postwar Japan 1945-1960, Nagoya City Art Museum, Aichi, Japan

720 N. Highland Avenue Los Angeles, CA 90038

6917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Michael E. Smith

Born in Detroit in 1977 and lives in Providence, RI

Biography

Michael E. Smith’s sculptures strip everyday objects down to their most minimal state. In his
constructions, Smith employs materials both natural and manmade, highlighting a tension
between a culture of abundance and the rapid loss of reserves. Organizing the installation of
his sculptures and videos around existing architectural features, Smith builds an emotionaltenor throughout the spaces of his exhibitions. Tied to their sources, the works reveal thesocial and economic factors involved in their making. Originating from the discarded elementsof our society, they bear with them the accumulated traces of human experience, evoking
simultaneously their future and their loss. Michael E. Smith lives and works in Providence,
Rhode Island. His work has been the subject of solo exhibitions at institutions that include:
Kunsthalle Basel, 2018, SMAK, Ghent, 2017, Kunstverein Hannover, 2015, De Appel,
Amsterdam, 2015, Sculpture Center, Queens, 2015, La Triennale di Milano, Milan, 2014, Power
Station, Dallas, 2014, CAPC musee d’art contemporain de Bordeaux, Bordeaux, 2013 andContemporary Art Museum, St Louis, 2011, among others. Smith is included in the 58th Venice
Biennale and participated in the 2012 Whitney Biennial. His work has additionally been
included in group exhibitions at venues including MoMA PS1, Queens, 2014, Frankfurter
Kunstverein, 2014, and MOCA Cleveland, Cleveland, 2013, among others.
Selected Solo Exhibitions

2022

Michael E. Smith, Modern Art, London, UK

2020

Secession, Vienna, Austria
Andrew Kreps Gallery, New York, NY

2019

Stuart Shave Modern Art, London, UK
KOW, Madrid, Spain

2018

Atlantis Lumiére, Marseille, France
What Pipeline, Detroit, MI
Kunsthalle Basel, Basel, Switzerland
MSU Broad, East Lansing, MI

2017

MoMA PS1, New York, NY
The 500 Capstreet Foundation, San Francisco, CA
S.M.A.K., Ghent, Belgium
Michael Benevento, Los Angeles, CA
Joseloff Gallery, Hartford Art School, Hartford, CT
KOW, Berlin, Germany

2016

Lumber Room, Portland, OR
Pig, CAPRI, Dusseldorf, Germany
ZERO…, Milan, Italy
Andrew Kreps Gallery, New Yorkwww.nonaka-hill.com

720 N. Highland Avenue Los Angeles, CA 90038

Selected Solo Exhibitions

20156917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Kunstverein Hannover, Hanover,Germany
De Appel, Amsterda
Michael BeneventoGallery, Los Angeles
Sculpture Center, ong Island City, NY

2014

Lulu, Mexico City
Zabludowicz Collection, London
Susanne Hilberry, Detroit
Power Station, Dallas
La Triennale di Milano, Milan
Reserve Ames, Los Angeles

2013

CAPC musée d’art contemporain de Bordeaux, Bordeaux, France
KOW, Berlin
Clifton Benevento, New York
Ludwig Forum, Aachen, Germany

2012

Culturgest, Lisbon, Portugal
Zero, Milan

2011

Contemporary Art Museum, St. Louis, Missouri
Mönchehaus Museum, Goslar, Germany
Susanne Hilberry, Detroit

2010

KOW, Berlin

2009

KOW ISSUE 3, KOW, Berlin

2008

Ackerstrasse 18, Berlin, curated by Nikolaus Oberhuber

2007

Susanne Hilberry Gallery, Ferndale, Michigan (with Kate Levant)2022

Tatsuo Ikeda / Michael E. Smith, Nonaka-Hill, Los Angeles, CA

Clifton Benevento, New York
Susanne Hilberry Gallery, Ferndale, Michigan (with Kate Levant)Jenny Jaskey, Philadelphia

Selected Group Exhibitions

Whitney Biennial 2022: Quiet as It’s Kept, New York, NY

Our Silver City, 2094, Nottingham Contemporary, Nottingham, UK

The Imaginary Sea, Curated by Chris Sharp, Fondation Carmignac - Villa Varmignac, La
Courtade, France
2020
2019

Permafrost, MO.CO Montpellier Contemporain, Montpellier, France
Since Last We Met, Simon Lee Gallery, New York, NY

Form and Volume, curated by Jens Hoffman, Cristina Guerra Contemporary Art, Lisbon, Portugal
Emissaries for Things Abandoned by Gods, Casa Barragan, Mexico CityMay You Live in Interesting Times, 58th edition of the Venice Biennale, Venice, Italy
WE BURN OUR DREAMS JUST TO STAY WARM, CAPITAL, San Francisco, CA

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720 N. Highland Avenue Los Angeles, CA 90038

Selected Group Exhibitions

20186917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

Sculptures, Andrew Kreps Gallery, New York, NY

Fences and Windows, Modern Art Gallery, London, UK

Baltic Triennial 13: Give Up the Ghost, Contemporary Art Centre,
Vilnius, Lithuania; Tallinn Art Hall, Estonia; Kim? Riga, Latvia
Converter, Kunstmuseum St. Gallen, St. Gallen, Switzerland

This is a Pipe: Realism and the Found Object in Contemporary
Art, Shane Campbell Gallery, Chicago, IL
2017

A Simple Fraction, Doyers, New York, NY

Beyond the box. Dohmen Collection, Leopold Hoesch Museum, Düren, Germany
We Just Fit, You and I, Carpenter Center for the Visual Arts, Cambridge, MA

The Gap between the Fridge and the Cooker, The Modern Institute, Glasgow“All Watched Over by Machines of Loving Grace” Palais de Tokyo, Paris

Utopia/Distopia, MAAT– Museu de Arte, Arquitetura e Tecnologia, Lisbon
99 Cents or Less, Museum of Contemporary Art Detroit, MI

Sunlight arrives only at its proper hour, curated by Olivia Shao and Mitchell Algus, 365 S.
Mission Rd., Los Angeles

We Just Fit, You and I, Carpenter Center for the Visual Arts, Harvard University, MA
Essex Street, New York2016

Interlude, Cookie Butcher, Antwerp, Belgium

Concrete Islands, Kayne Griffin Corcoran, LA

See sun, and think shadow, Gladstone Gallery, New York2015

Out of the Dark, KOW, Berlin, Germany

Walks and displacements, Andrew Kreps Gallery, New YorkThe Pump, curated by Jennifer Teets, Royal College of Art Dyson Building, London
Nature, Art and Ecology, curated by Margherita de Pilati, Museo d’Arte Moderna e
Contemporanea di Trento e Rovereto, Italy

A Walk, Tripoli Gallery of Contemporary Art, East Hampton, New York
Multi-Channel: Currents in Contemporary Video Art, West Texas
A&M University, Canyon, Texas

System of a Down, Ellis King, DublinÊtre Chose, Treignac Project, Treignac, France

Albert the kid is ghosting, David Roberts Art Foundation, London

Le Souffleur. Schürmann trifft Ludwig, Ludwig Forum Aachen, Aachen, Germany
2014

Anagramma, curated by CURA, Basement Roma, RomeThe Unwinding, Cookie Butcher, Antwerp, Belgium

The Little Things Could Be Dearer, MoMA PS1, Long Island City, New YorkThe Registry of Promise: The Promise of Moving Things, Centre d’art contemporain d’Ivry– leCrédac, Ivry-sur-Seine, France

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720 N. Highland Avenue Los Angeles, CA 90038

Selected Group Exhibitions

20146917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

humainonhumain, Foundation d’Enterprise Ricard, Paris
Soft Material, Wallspace, New York
Merzen, LiveInYourHead, Geneva

Another Look at Detroit: Part 1 and Part 2, Marlborough Chelsea; Marianne Boesky Gallery, New YorkTechnokinesis, Blum & Poe, New York

Little Forest, TOR 13, Bremen, Germany

Surplus living group exhibition, KM Tempoaer, Berlin

Geographies of Contamination, David Roberts Art Foundation, London
2013

Vom Dasein & Sosein, Skulptur, Objekt & Bühne, Frankfurter Kunstverein, Frankfurt

After Nature. Arbeiten aus der Sammlung Gaby und Wilhelm Schürmann, Collector’s House,
Sittard, Netherlands

Of Love, Pain and Passioned Revolt. (Then Farewell, My Beloved, Til’ It’s Freedom Day), Zero, Milan
Painting from the Zabludowicz Collection: Painting in the 2.5th Dimension, Zabludowicz
Collection, London

Realization is Better than Anticipation, MOCA Cleveland, Cleveland, Ohio

Anonymous. Eine Ausstellung über den Gegenwert Brandenburgischer, Kunstverein
Potsdam, Germany
2012

Believers, KOW, Berlin

A Disagreeable Object, Sculpture Center, New York

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,
American Academy of Arts and Letters, New York

Whitney Biennial 2012, Whitney Museum of American Art, New YorkLe Silence. Une fiction. Monaco National Musée Nouveau, Monaco
2011

Everyday Abstract- Abstract Everyday, James Cohan Gallery, New YorkReal Simple / Selections from the collection of Martin and Rebecca Eisenberg, Riverview
School, East Sandwich, Massachusetts

Heads with Tails, Harris Lieberman, New York

The Moment Pleasantly Frightful, curated by Chris Sharp, Laura Bartlett Gallery, London
Segalega, Zero, Milan
2010

Proposal for a Floor, curated by Alex Gartenfeld, 1500 Broadway, New YorkThe Island, LAND/OHWOW, Miami
The Artist’s Institute, New YorkThe Unreadymade, Formcontent, London

The Art of the Artist’s Book, Oakland University Art Gallery, Rochester, Michigan
Everlasting Gobstopper, Michael Benevento, Los Angeles

10 Years of Contemporary Art at the Oakland University Art Gallery: Director’s Selection,
Rochester, Michigan

River Droite Rive Gauche, Paris\

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720 N. Highland Avenue Los Angeles, CA 90038

Selected Group Exhibitions

20096917 Melrose Avenue Los Angeles, CA 90038

Tel. 323 450 9409

The Living and the Dead, Gavin Brown’s Enterprise, New York
Blood Drive, Zach Feuer Gallery, New YorkIf the Dogs are Barking, Artists Space, New York2008

All the Splendors of the Earth, Center Gaölery, Detroit, Michigan

veiw (fourteen): Hooking up, curated by Klaus Kertess, Mary Boone, New York
if I told you…, Oliver Kamm 5BE, New YorkSunshine, Rental Gallery, New York2007

ASPN, Showroom, Leizpig, Germany

Argo Bongo, Rivington Arms, New York

Perfect Lovers, BC Project Room, Brooklyn, New York2006

Stuff, Museum of Contemporary Art, Detroit, Michigan

Attic, Anton Kern Gallery Annex, New York

Visual Arts Center of New Jersey, Summit, New Jersey

Rich Rich Rich, Rich Rich Rich Project Space, Shelby Township, Michigan
2005

Video, Brewster and Seven, Chicago
Detroit Biennial: Actual Size, Contemprary Art Institute of Detroit, Detroit, Michigan
Here Comes the Sun, Commonwealth Gallery, Detroit, Michigan

Pubric Collections

Cleveland Museum of Art, Cleveland, OH
Columbus Museum of Art, Columbus, OH
Eli and Edythe Broad Art Museum, Michigan State University,
East Landsing, MI
Hammer Museum, Los Angeles, CA
Institute of Contemporary Art, Miami, FL
Les Abattoirs - Musée d‘art moderne et Frac Midi-Pyrénées,
Toulouse, France
Ludwig Forum, Aachen, Germany
Museum of Modern and Contemporary Art of Trento andRovereto, Italy
MCA Chicago, IL
MIT, Cambridge, MA
Museum National de Monaco
Mudam, Luxembourg City, Luxembourg
Museum of Art, Rhode Island School of Design, Providence, RI
Portland Art Museum, Portland, OR
San Francisco Museum of Modern Art, San Francisco, CA
SMAK, Ghent, Belgium
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY

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