DESIGNREDEFINED
設
計
‧
再
定
義

Hong Kong Design Centre is a non-governmental organisation,
and was founded in 2001 as a strategic partner of the HKSAR
Government in establishing Hong Kong as an international
centre of design excellence in Asia.
香港設計中心為於2001年成立的非政府機構，擔當香港特別行政
區政府的策略夥伴，以推動香港成為亞洲區內享譽國際的設計之
都為目標。

Our public mission is to promote wider and strategic
use of design and design thinking to create businessvalue and improve societal well-being, with the aimof advancing Hong Kong as an international design
centre in Asia.
我們的公共使命是推動社會更廣泛和具策略性地運用設
計及設計思維，為業界創造價值及改善社會福祉，旨在推動香港成為亞洲區內的國際設計中心。

Founding Members
創會成員

02

03

OUR FIVE STRATEGICWORK DIRECTIONS
我們的五大工作範疇

CONTENTS 目錄
About Us 關於我們

→ P.3

2021年受注目的21個品牌Our Five Strategic Work Directions
我們的五大工作範疇→ P.4

Message from the Chairman & Executive Director
主席及行政總裁的話

Design Redefined 為設計重新定義→ P.6

Business of Design Week 設計營商周

Drumming Up a New Beat for Design
觸發設計商業新脈動→ P.12

CELEBRATENURTUREADVANCEENGAGE
04

為設計師、商界、學術界及有夢想的人提供交流和合作平台→ P.17「設計」入屋三部曲→ P.18

Motivating the City with the Power ofCreative Problem Solving→ P.24→ P. 38→ P. 45→ P.46DFA Design Leadership Award 2019
DFA 設計領袖獎 2019

→ P.47

DFA World’s Outstanding Chinese Designer 2019
DFA 世界傑出華人設計師 2019

→ P.48DFA Design For Asia Awards 2019
DFA 亞洲最具影響力設計獎 2019

Celebrating the Role of Asian Design for
弘揚亞洲設計 成就創意未來

ADVANCE expertise and knowledge to promote innovation andgrowth within Hong Kong’s design community
提升業界的專業知識以推動不同機構創新，並促進香港設計生態發展

→ P.49→ P.55

Design Exchange 設計交流

insights with the press as well as the public

On a Journey of Endless Inspirations

推動各界交流及分享業界資訊，及培養公眾對設計的欣賞

踏上這無盡靈感旅途

deTour

→ P.101

BIP Asia Forum 亞洲知識產權營商論壇→ P.101

GDN Symposium 國際設計師聯席會議→ P.102

M+ Matters | Keynote M+思考 | 焦點談→ P.102

Hong Kong Design Directory 香港設計指南→ P.103

Tuning in to “Good Life Good Design”
緊貼大氣電波 細聽「生活就是設計」→ P.104

Good Books 開卷有益 閱讀好設計→ P.105

Corporate Governance 企業管治→ P.106

董事會創意之選→ P.108→ P.122

Friends of HKDC Membership Programme
香港設計中心之友會員計劃

集合設計同路人 匯聚創意力量

Empowering a New Wave of Designers

ENGAGE the society by sharing industr y news, knowledge and→ P.99Bringing Together Like-Minded Enthusiasts

DFA Hong Kong Young Design Talent Award 2019
DFA 香港青年設計才俊獎 2019

融
入
社
會

DesignInspire

Making Design Accessible to All 讓設計走進大眾

Pay Good Design Forward

香港設計新勢力→ P.98Community Engagement 凝聚社區DFA Exhibitions & Dialogues
DFA 展覽及對談會

將好設計意念傳出去→ P.95

Directors’ Choice

Shaping Our Future

突
顯
專
業

創意解難 ‧ 全城啟動

8 Ways to Connect with Design

DFA Lifetime Achievement Award 2019
DFA 亞洲設計終身成就獎 2019

→ P.89UNLEASH! Empowered by Design Thinking
設計思維 · 無限可能

八個接軌設計的方法

視野無邊 設計無限培育創意人才、新進設計企業家和初創公司，為他們提供更多成長和發展機會

Study · Think · Practice

Broadening Design Horizons

Boundless Vision Infinite Design→ P.82

Institute of Design Knowledge 設計知識學院

Design Spectrum 設計光譜

嘉許為改善生活、發展社會、保留文化有所貢獻的人才和設計→ P.81

Designing Digital Futures

學習 · 思想 · 實踐Sowing the Seeds of Design in the Community

拉闊設計視野and emerging brands

A Human-centric Era:

智用設計 ‧ 數造未來

BODW CityProg 城區活動address social innovation

NURTURE creativity and entrepreneurship among students, design-start-ups→ P.80Knowledge of Design Week 設計智識周 2019

營造小城大意義啟蒙創業

Fashion Incubation Programme
時裝創業培育計劃→ P.16#ddHK 設計＃香港地CELEBRATE talents and designs that improve quality of life and→ P.79What's Next? 活動預覽Small City Spots with Grand Ideas

弘
揚
人
才

Design Incubation Programme
設計創業培育計劃人本時代：解密設計思維大眾新「設」想 讓我們與「設計」零距離

discipline exchange and collaboration→ P.78→ P.14

Merging into A World of Design
CONNECT industry doers and thinkers, foster cross-sector and cross-Hong Kong Fashion Talents Showcase

Wool Fashion Like No Other 不一樣的羊毛時尚Dressing up Asia 披上亞洲好時尚

Cultivating A New Perspective –

聯
繫
業
界

→ P.66

Unlocking the Power of Design Thinking

Fashion Asia HONG KONG

CONNECT

21 Brands to Watch in 2021

→ P.56→ P.64→ P.123

International Alliances 國際聯盟

Collaborating for A Great Design Vision Beyond Asia
衝出亞洲 共創設計美好願景→ P.124

Our Accounts
帳目→ P.125

Board of Directors Meeting Attendance
董事會會議出席次數→ P.126

05

Message from the Chairman & Executive Director 主席及行政總裁的話

DESIGN REDEFINED
為設計重新定義

The year 2019-2020 was marked by unprecedented change for Hong Kong Design Centre (HKDC):
our office was relocated to The Mills, a cultural and creative hub in Tsuen Wan, and our first public-facing initiative, “Design Spectrum” was inaugurated in Wan Chai. In early 2020, in responseto the emerging global impact of the COVID-19 pandemic, we started adapting the format of ourinitiatives to forge on with our mission. In a world full of change and uncertainty, how can we
continue to move forward and embrace the future?
HKDC’s Chairman Prof. Eric Yim and Executive Director Dr Edmund Lee believe that we needto redefine design as a people-oriented approach to solving problems, and harness the essenceof design thinking to weather the unpredictable challenges ahead. It is important to cultivate aninnovative mindset in order to navigate the ‘new normal’ and see change as an opportunity.
毫無疑問，香港設計中心在2019-2020年度迎來了前所未有的轉變：我們搬遷至位於荃灣文創基地南豐紗廠的全新辦公室，又在灣仔社區設立了首個面向公眾的平台「設計光譜」。至2020年初，
全球面臨新冠肺炎疫情的衝擊，我們也因此改變了日後推廣設計和舉辦活動的方式。當世界充斥著
各種不確定性，我們應該如何在變化莫測的未來繼續前行？
香港設計中心主席嚴志明教授(Eric)及行政總裁利德裕博士(Edmund)就認為，我們必須將設計重
新定義為以人為本的解難良方，並掌握設計思維的精髓，以迎接各式各樣的轉變和挑戰。在接下來的「新常態」當中，我們要進一步運用設計和創意解決問題，尋求創新機遇。

06

07

ERIC · Prof. Eric Yim, Chairman of HKDCEDMUND · Dr Edmund Lee, Executive Director of HKDC

Q1 · How would you summarise the work and developments of
HKDC in the year 2019-20 in a few words?
ERIC · I would say it was a year of "design redefined". Firstly,
HKDC bid farewell to its 14-year work base and moved into
The Mills in Tsuen Wan in May 2019. Incorporating design
thinking into creating an open-plan office, our new work space

ERIC · 香港設計中心主席嚴志明教授

encourages more communication, collaboration and creative

EDMUND · 香港設計中心行政總裁利德裕博士

thinking among colleagues, redefining our work culture throughplacemaking.

Q1 · 如果要用一個詞語來形容香港設計中心 2019-20年度的工

Secondly, in response to the rapidly changing circumstances

作和發展，你認為會是甚麼？

under the pandemic, we had to rethink the way we deliver
what used to be physical events. Observing social distancing
protocols, we added more digital components to our events

ERIC · 我會說是「為設計重新定義」。第一，香港設計中心在2019and experimented with brand-new ways to connect with various

年5月告別了14年的舊址，進駐位於荃灣區的南豐紗廠。開放式的

stakeholder groups, so that we could continue our efforts to

辦公室在設計上融入了設計思維，鼓勵同事之間的溝通協作及創意

promote the value of design to different community sectors

思考，透過地方營造的策略重新定義我們的工作文化。

and the public at large.

第二，因應環境的急速轉變，我們調整了舉辦活動的模式。為了在疫

EDMUND · True, and it’s time that we ask everyone to revisit

情下保持社交距離，我們將不少活動改為於網上舉行，嘗試全新方

the definition of ‘designer’ too. I remember when the instructor

式連繫不同持份者，繼續與社會各界和市民大眾分享設計及創新的

asked who was working as a designer in one of our “Unleash!

價值。

Empowered by Design Thinking” (Unleash!) workshops earlier,
only three out of ten participants raised their hands. But when
he rephrased the question to, “Who is responsible for project

EDMUND · 對，事實上，大家也要重新認識「設計師」的定義。記planning in your organisation?”, seven people put their hands

得在早前舉行的「Unleash！設計思維‧無限可能」工作坊中，導師問

up!
Many people misinterpret design as being about aesthetics.
In the broader sense of the word ‘design’, a lot of peopleare ‘designers’ as roles like talent recruitment, day-to-day
operations and even logistics involve ‘design’ in the form ofplanning and process arrangements. HKDC hopes to cultivate adesign culture by educating the public that design is an integral
part of our lives, and that we are in fact all ‘designers’. We
need to cultivate a deeper understanding of design and design
thinking if we are to drive the development and co-create a new
future for Hong Kong.
Q2 · Can you share your most memorable moments in the year
2019-20?

"我們必須運用創意思維，
以共同構思解決方案，
應對各式各樣的狀況。

We must foster our creative
thinking and be able to come up
with innovative solutions whenfacing different conditions.""我們希望讓社會各界知道
設計是生活一部分
和「人人有份」。

Design is an integral partof our lives, and we arein fact all designers."到參加者當中有誰任職設計師，只有三成人舉手，但當他提問「誰在自己所屬的機構中負責策劃方案？」，便有七成參加者舉手！
不少人誤以為設計師的主要工作是美化物件。事實上，很多人正在
廣義上從事設計，例如一間公司由聘請新同事、日常運作甚至運輸
物流，都牽涉到大量策劃及編排流程的「設計」工作。我們希望讓
社會各界知道設計是生活一部分和「人人有份」，加深他們對優秀設計和設計思維的認識，推動香港的未來發展，共同創造新面貌。

Q2 · 2019-20年發生了哪些令你們難忘的時刻？
ERIC · 在這個「TUNA」時代，我們面對著動盪（Turbulent）、不確定（Uncertain）、新穎奇特（Novel）又模棱兩可（Ambiguous）的局面。此時此刻，我們必須運用創意思維，以共同構思解決方案，

ERIC · We are living in the age of ‘TUNA’, where we need to

EDMUND · As Eric pointed out, while the situation that led

accept and embrace ‘Turbulent’, ‘Uncertain’, ‘Novel’ andto the event’s cancellation was not something that could be‘Ambiguous’ situations. In these times, we must foster ourhelped, it also opened new opportunities for us to promote thecreative thinking and be able to come up with innovative

unique value of design thinking. Facing a highly complex and活動設計營商周。這次經驗促使我們進一步運用設計思維，探索如

solutions when facing different conditions.

fast-changing environment, people of all trades and industries

何以嶄新模式舉行接下來的活動，與業界和大眾保持緊密連繫。

應對各式各樣的狀況。
講到今年最難忘的時刻，必定是我們在2019年首次取消年度旗艦

need to rethink how to keep their business going in today’s
My most memorable moment this year would have to be the

new reality. Design thinking, with its potential for developing

cancellation of our annual flagship Business of Design Week

creative solutions to problems, is precisely what we need to(BODW) Summit in 2019 for the first time in its history. This

overcome the challenges confronting us now.

prompted us to further apply design thinking and explore new08

EDMUND · 正如Eric所講，取消設計營商周雖然是無可奈何，但這也是一個契機讓我們推廣設計思維的應用和獨特價值。面對複雜多變的情況，各行各業都需要重新思考如何在新環境下繼續營運

approaches to organising forthcoming events, so that we could

業務。而善用設計思維的解難及創造力，正正能針對眼前的問題構

continue engaging industry professionals as well as the public.

思創新方案。

09

Q3 · "Engaging the society" is one of the core pillars of HKDC’s mission in

ERIC · The HKSAR Chief Executive, in the Policy Addresses of 2017 and 2018,

promoting design. What have you done this year toward this respect?

have affirmed the value of design and innovation for society and the role of

Q3 · 「融入社會」是香港設計中心推動社會運用設計的其中一個重要方針，
你們如何實踐這個方針？

Q5 · 香港設計中心計劃於2023年在深水埗進駐設計及時裝基地，你預計中心將會在該區扮演甚麼角色？

design thinking as an approach to problem-solving. HKDC therefore rolled out
EDMUND · In the past two years, with support from the government andthe Unleash! programme in 2018, with a view to broadening the understanding

partners across different industry sectors, we have been stepping up ourand application of design thinking across all industries in Hong Kong. In 2019-

efforts to promote design and design thinking in the community.

2020, HKDC also provided training for 230 professionals in the public service

EDMUND · 過去兩年，在政府和各界伙伴的支持下，我們透過各類項目在社區

ERIC · 香港設計中心計劃於2023年進駐及營運由市區重建局發展的深水埗設

全面推廣設計及設計思維。其中三個重點項目互相配合，燃點香港的創意火花：

計及時裝基地。深水埗區一直都是香港時裝及布藝集中地，近年更有不少藝文

sector via the Institute of Design Knowledge to foster knowledge of design

由設計營商周延伸的BODW城區活動，連繫全城的創意單位，構建創意生態系

小店、精品雜貨店及文青咖啡店進駐。我們希望透過設計及時裝基地，進一步

In particular, three initiatives are working in synergy to boost Hong Kong’s

thinking among decision-makers. We are grateful to have the government’s

統；設計＃香港地為社區重新定義，通過地方營造聯繫人與社區；灣仔茂蘿街7

營造深水埗區的創意氛圍，推廣設計的價值，讓普羅大眾感受好設計的魅力。

creative vibe. These initiatives are BODW CityProg, an extension of our

support in recognition of our team's long-standing efforts.

號的設計光譜平台，為公眾策展不同設計展覽，並進行設計教育，讓更多人能夠Business of Design Week (BODW) designed to connect the city’s creative
units and strengthen our creative ecosystem; Design District Hong Kong

Q5 · The government has announced plans to move HKDC to a design and(#ddHK) with the objective of redefining public spaces and engaging people

fashion base in Sham Shui Po in 2023. What role would you expect HKDC

with the community through placemaking; and Design Spectrum at 7 Mallory

to play in the community?

Street in Wan Chai, with year-round design exhibitions and workshops tofoster knowledge and appreciation of design among the public.

ERIC · HKDC has plans to relocate to Sham Shui Po and operate the design andfashion base there in 2023, which is under construction by the Urban Renewal

欣賞設計的價值。
ERIC · 設計師有強大的好奇心，喜歡發問、積極求變，擅於運用創意解決問題。
我們希望透過香港設計中心的不同項目，能夠把這樣的設計師DNA植根於決策者、專業人士及普羅大眾，鼓勵大家一同發揮創新精神，為社會創造價值。
我們相信設計思維應自小培養，因此透過Unleash！為教師提供度身訂造的設

ERIC · Designers are known for their strong curiosity and inquisitive nature,

Authority. With a long history as Hong Kong’s fashion and fabric hub, Shamwith a powerful desire for change. They are also good at solving problems by

Shui Po has lately seen an emergence of art and cultural boutiques, creative

計思維工作坊，啟發他們著手從教學過程，培育富創新精神的下一代。作為政府

thinking creatively. Through various HKDC projects, we hope to cultivate theshops and cosy cafés that attract a younger crowd. With the new design and的策略伙伴，我們也會努力從政策層面著手。每逢與政府合作，我們都必定會

designer DNA in decision-makers, professionals and members of the generalfashion base, we look to enhance the creative vibe within and beyond the Sham

引入設計思維。以最近與政府部門合作的「改善公廁服務」計劃為例，提升外public, as we encourage them to harness their innovative potential and create

Shui Po community, promote the value of design, and captivate the public withvalue for society.

good design.

觀和解決固有問題既是重要，但我們更應著重使用者體驗，同時考慮日後管理

Understanding that education in design thinking should start from an early

香港設計中心一步一腳印，多年以來籌辦各種活動及項目，目標都是為了全方
位重新定義設計，讓社會大眾明白到人人都可以成為「設計師」，擁抱設計和設計思維。在愈來愈多伙伴的支持下，我們期望日後繼續發揮協作精神，共同努力宣揚香港的設計力量。

及維修等問題，將設計與科技融合，達致「以人為本」。
Q4 · 要推動香港成為「國際設計之都」，你們認為本地設計師及香港政府要做

age, HKDC has been organising customised workshops for teachers under
our Unleash! programme. The idea is to inspire them to help foster, through甚麼？

teaching, more innovative spirit in the new generation.
EDMUND · 設計的共融性很強，利於設計師進入不同地方的市場。我建議本地As the government’s strategic partner, we also seek to promote the value of

設計師嘗試擴闊視野，積極開拓海內外市場，要「企高啲、睇遠啲、望闊啲、摸design at a policy level by incorporating design thinking into every partnership

深啲」，把握更多機會，掌握設計以外的知識，例如良好溝通及銷售技巧等商業

project with government departments. A recent example is the “Improving

Over the years, HKDC has organised a variety of events and initiatives with

Public Toilet Services” project. While we can see that it is important to improve

the goal of redefining design and engaging different stakeholders from an all-技能。我們舉辦的設計創業培育計劃及時裝創業培育計劃，正好為本地設計師

the looks of a facility and address inherent problems, it is even more crucial toround perspective, showing that everyone can embrace design thinking and提供全方位支援，推動整個創意生態發展。

look into the user experience, and get into the nitty-gritty of management andbecome a ‘designer’. With an expanding alliance of partners, we look forward

maintenance going forward. By complementing design with technology, weto building a stronger spirit of collaboration to promote Hong Kong's design

can achieve more people-oriented outcomes.

power far and wide.

Q4 · What can local designers and the Hong Kong government do to promote
Hong Kong as an international design capital?

ERIC · 在2017及2018年，行政長官施政報告肯定了創新及創意為社會所帶來的價值，以及設計思維可作為有效的解難方法。因此，在2018年，香港設計中心
推出Unleash!，希望擴闊香港各行各業對設計思維的理解和應用。而在20192020年度，我們透過設計知識學院為230位來自公共服務領域的專業人士提供培訓，加強決策者對設計思維的認識，繼而在日常工作中加以應用。因此，我EDMUND · The inclusiveness of design facilitates access of different regional

們十分高興得到政府的支持，見證了我們團隊共同努力的成果。

markets for designers. I would suggest that local designers try to broaden theirhorizons and actively explore new markets at home and abroad. Designers
should “stand higher, look further, see wider and reach deeper” to capture
more opportunities and acquire knowledge beyond the design discipline,
such as business skills like communication and digital marketing. Our Design
Incubation Programme and Fashion Incubation Programme are doing exactlythat – provide all-round support for local designers to help drive the healthy
development of our creative ecosystem.
10

11

BUSINESS
OF DESIGN
WEEK

設計營商周

Drumming Up a New Beat for Design
觸發設計商業新脈動
Design and innovation, driven by entrepreneurial spirit and business vigour, can create immense
value for our economy, society, culture and living.
Business of Design Week (BODW), held since 2002, has grown into a premier annual international
event for design, innovation and brands, bringing together world-renowned design visionaries
and influential business leaders to converge ideas in the global city of Hong Kong. Organisedby Hong Kong Design Centre (HKDC) with the Hong Kong Trade Development Council as a coorganiser and Create Hong Kong of the HKSAR Government as the lead sponsor, the BODW
Summit is held in partnership with a country or city every year, with plenary talks, forums anddialogues to promote creative collaborations across industries, sectors and borders.
Some topics addressed at the Summit include the latest in space design, communication
design, product design, as well as brand innovations, digital technology, creative leadershipand culture and the city. Delegates are invited to explore emerging global trends in businessand design from forerunners in the industry, and appreciate the many game-changing aspects ofdesign. Alongside the Summit, BODW also features citywide events together with partners andcollaborators. They include the BODW CityProg, DesignInspire, deTour and the Business of IP
Asia Forum, bringing about a most eagerly-anticipated, spectacular annual celebration of design.
They continue to encourage exchange and symbiosis for the creative industry and deliver on thevision of transforming Hong Kong into a centre of design excellence.
設計與創意交融，結合商業的生命力，能夠為社會及文化創造新價值。
自2002年開始舉辦的設計營商周(BODW)，發展至今已成為設計、創新及品牌的年度國際矚目盛事，
雲集全球享負盛名的設計大師及深具影響力的商界領袖，於中外文化交織的香港一期一會。設計營商
周由香港設計中心主辦、香港貿易發展局協辦，香港特別行政區政府創意香港為主要贊助機構，每年
均邀請不同國家或城市為伙伴，舉辦設計營商周峰會、論壇、對談及展覽，促進跨行業、跨界別、跨地區經濟體的創新交流和協作。
每年的設計營商周峰會涵蓋空間設計、傳意設計、產品及工業設計乃至品牌創新、數碼科技、設計教
育及文化和城市生活等，觸及創意產業前沿，邀請觀眾一同探索設計與商業趨勢，及其如何改變未來
生活方式。設計營商周與一眾伙伴及協作單位在峰會期間呈獻多個精彩全城活動，包括BODW城區活
動、DesignInspire、deTour及亞洲知識產權營商論壇等，成就每年一度值得翹首以盼的設計盛會，並繼續為香港創意產業帶來交流共生，實現香港成為設計之都的願景。

* The BODW Summit originally scheduled on 2 to 7 December 2019 was cancelled due to prevailing circumstancesin Hong Kong. 原定於2019年12月2日至7日舉行的設計營商周峰會，鑑於香港當時的情況而取消。

13

FASHIONASIAHONG KONG
Dressing Up Asia
披上亞洲好時尚As a melting pot of Western and Eastern cultures, Hong Kong is one of the top fashion
cities in the world, where arts and culture make a huge splash. Presented by Hong Kong
Design Centre and coinciding with Business of Design Week, FASHION ASIA accentuates
the city's leading position in the fashion business.
Being the highlight of the event, ‘‘Fashion Challenges Forum’’ gathers 30 pioneering
CEOs, business leaders and designers of various international fashion labels. The forum
is unfolded over two days through a series of enlightening dialogues and conferences,looking into the success formulas of different influential brands around the world, as well
as how the fashion industry can be made more sustainable.
“10 Asian Designers to Watch” is another distinctive programme of FASHION ASIA
in which the works of ten talented fashion design units in Asia are exhibited. An award
ceremony is held to acknowledge their outstanding creativity and craftsmanship, andthe designers are also given chances to meet buyers and fashion magazine editors fromacross the globe, providing them an excellent platform to build up their reputation. Otherfashion pieces by the designers of partner institutions and local fashion graduates are also
featured in the Hong Kong Showroom and Pop-up Spaces along with the exhibition.
香港是世界時裝中心之一，亦是東西方藝術與文化樞紐，所以香港設計中心舉辦FASHION
ASIA，藉以鞏固時尚貿易之都的角色。而FASHION‧ASIA亦是設計營商周的同期活動。重頭節目為一連兩日的「Fashion Challenges Forum」亞洲時裝商業論壇。它集合了30位世界各地品
牌首席執行官、商業領袖及設計師等，聚首一堂進行對話及研討會，了解國際品牌成功模式及探索時尚業可持續性發展。
另一重頭節目「10‧Asian‧Designers‧To‧Watch」時裝展覽展出十組傑出亞洲設計精英的作品，並進行頒獎典禮表揚他們出色的創意及工藝，設計師們除有機會與國際買家和時裝雜誌總編見面外，還可以通過展示自己的作品，提高知名度。展覽期間，來自我們活動合作伙伴的設計
師及本地時裝院校的時尚畢業生和學生，亦會分別以Hong‧Kong‧Showroom及Pop-up‧Spaces
形式展示其優秀的時裝設計作品成果。

* All the FASHION ASIA 2019 HONG KONG programmes originally scheduled to take place between 3 and 10
December – including Fashion Challenges Forum, 10 Asian Designers to Watch, Hong Kong Showroom andPop-up Spaces – were cancelled due to prevailing circumstances in Hong Kong.
原定於2019年12月3日至10日舉行的FASHION‧ASIA‧2019‧HONG‧KONG之所有活動，包括亞洲時裝商業論壇、
10‧Asian‧Designers‧To‧Watch展覽、Hong‧Kong‧Showroom及Pop-up‧Spaces，鑑於香港當時的情況而取消。

1415

WHAT’S NEXT?

活動預覽

Cultivating A New
Perspective –Merging into A Worldof Design

VISION 20/21: Finding Clarity in Uncertainty
願景20/21：洞悉幻變In times of change and uncertainty, a collaborative creative vision can make adifference in finding clarity for the future.
Held on 30 November – 5 December, BODW 2020 will bring together visionaries
and creative leaders across sectors and industries from around the world to share
their vision through high-level discussions, forums and masterclasses. They will
provide timely insights into trends, creative leadership and the future of design,and explore topics that offer a glimpse of the ‘new normal’.
在變化莫測的時代，我們必須具備創意視野，以創造不一樣的未來。

Learn more
了解更多的精英分子與創意領袖，在一系列重點會議、論壇和大師班中，揭示「新常態」的面
貌，全面探索未來趨勢，分享真知灼見。

Next Step Forward for the Fashion Industry
亞洲時尚產業 未來發展下一站
FASHION ASIA 2020 is going digital and will be broadcasted live to a global
audience on 2 – 3 December. Over 20 speakers worldwide will participate in the“Fashion Challenges Digital Forum”, exploring the various business challenges
facing the global fashion sector. The event will also include the “10 AsianDesigners To Watch 2020 Virtual Exhibition”, which will showcase creations fromthe region’s finest design talents.

Learn more
了解更多

FASHION‧ASIA‧2020將以嶄新網上平台形式，於12月2日至3日與全球觀眾進行直播。超過20位來自世界各地時裝界演講者將參與「FASHION‧CHALLENGES‧網上論壇」，就時下熱門話題探討全球時裝業界目前面臨的迫切問題，分享他們精闢的想

slow down and take a look around you. You may suddenly realise that “design” is omnipresent – on the streets of Wan
Chai, in quaint little shops at Sham Shui Po, in a playground in To Kwa Wan – in any and all parts of the cityscape of Hong
Kong, an interesting melting pot of Chinese and Western influences.
This year, we have organised a series of creative programmes to engage the public. These include BODW CityProg,
Design District Hong Kong (#ddHK) as well as Design Spectrum, a brand-new project presenting a panoramic viewof the quintessence of Asia’s design culture. Through a rich variety of themed exhibitions, educational activities,
and large-scale public arts installations, these programmes encourage us to open our senses and be more mindful of
everyday things and places around us. Only from this perspective can we see building facades, trams, parks, and streetsas the living embodiment of creativity. These programmes show us that “design” is never far from us — it is much closer
to our life than we think.

讓
我
們
與

﹁

設
想

﹁

設
計

﹁

“Design” is not something that we can only find and experience in design museums, concept stores or art galleries. Just

大
眾
新

﹁

設計營商周2020於11月30日至12月5日舉行，匯聚全球各行業各領域中，高瞻遠矚零
距
離「設計」不再只停留在博物館、概念店或畫廊。停下急促的腳步，環顧四周，你會驀然發現「設計」原來也在灣仔街頭、在深水
埗的老店舖、在土瓜灣的遊樂場......盡在香港中西文化交織的小城風光。

法和見解。而「10‧ASIAN‧DESIGNERS‧TO‧WATCH‧2020‧虛擬時裝展覽」則將展
現亞洲最頂尖的時裝設計人才。

本年度我們舉辦了一系列面向公眾的創意活動－「BODW城區活動」、「設計＃香港地」及全方位展現亞洲設計文化精萃的全新企劃－「設計光譜」，呈現豐富的主題展覽、各種社區教育活動以及大型公共藝術裝置。日復一日，嘗試打開感官，多用心留意身邊的事物，社區裡的舊建築、電車、公園、街道通通可以化身成創意的載體。我們與「設計」的距離，也許比你想像中近得多。

1617BODW CityProg

Anchor Sites
主要伙伴場地城區活動Anchor Site Festivals
主要伙伴場地創意節

Sowing the Seeds of Design in the Community「設計」入屋三部曲

Design EduVation
公眾社區教育項目

Satellite Events & Offers
衛星活動及優惠

BODW CityProg, an extension programme of Business of Design Week with
Create Hong Kong as the lead sponsor, aspires to “Connect City Ideas” byenlivening local communities with inspirational, outstanding design, while
fostering mutual support and matching among creative units, businesses andcommunity organisations. By invigorating Hong Kong’s creative forces andpromoting public interaction through design, BODW CityProg sows the seedsof inspiration, enabling them to take root in the community and thrive.
Continuing the overwhelming success of its debut in 2018, BODW CityProg
returned with even more exciting programmes in November and December
2019 by connecting with over 100 partners. The programme demonstrated thevalue and diversity of design and shared the joy and fun of design with thegeneral public through three collaborative platforms: “Anchor Site Festivals”,“Design EduVation” and “Satellite Events & Offers”.
「BODW城區活動」為「設計營商周」的社區延伸項目，由創意香港主要贊助，旨在「連繫全城，解鎖靈感」，將具啟發性的優秀設計帶入本港各大社區，促進創意
社群、商業及社區機構三方之間的認識、互助及配對，集合本港創意力量，從而增加大眾與設計的互動，讓靈感在社區扎根、逐漸發芽。
首屆「BODW城區活動」於2018年舉辦後，獲得熱烈迴響。第二屆再接再厲，在2019年11至12月舉行期間，不但連繫上過百單位呈獻精彩活動，更透過「主要伙伴場地創意節」、「公眾社區教育項目」和「衛星活動及優惠」這三個協作平台，展現出設計的價值和多樣性，並與大眾分享箇中樂趣。

18

16

Anchor Sites
主要伙伴場地200+

Activated
Community Partners
活躍社區伙伴

78,000+200+

Total Participants參加人數Total no. of Events
活動

19

Anchor Site Festivals
主要伙伴場地創意節

BODW CityProg is a citywide programme which practically brings design toour doorstep, concentrating on seven major districts including Wan Chai,
Sham Shui Po, Tsuen Wan, Fo Tan, To Kwa Wan, North Point and Chai Wan,
where a series of creative activities was staged in 16 Anchor Sites.
4

At 7 Mallory Street in Wan Chai, the COLLATE HONG KONG digital art
exhibition and Eco Garden smart ecological public furniture exhibition
curated by the Department for International Trade of UK gave visitors a taste

3of the design vigour of Britain and Northern Ireland, as though they had justdiscovered the charm of Sham Shui Po (SSP) with the “SSP Shops Digital

3 The Consulate General of Italy in Hong Kong and the Italian Chamber of Commerce inHong Kong and Macao put together the ITALIA MIA Festival to promote Italian culture,
food and lifestyle.

Directory” prepared by residents and creative units for the key Anchor Site

意大利駐香港總領事館與香港及澳門意大利商會舉辦「我的意大利節」，介紹意大利文化、美食
和生活品味。

arrived in the UK after a subway ride. Lovers of local culture, meanwhile,

partner Wontomeen on Lai Chi Kok Road. From the “DIY Workshop of Silkchat” with friendly locals, participants at home and abroad were deeply drawn

4 Wontonmeen on Lai Chi Kok Road connected locals and organisations in theneighbourhood by engaging the broader community in workshops on traditional arts andcrafts, such as making silk quilts.

into the livelihoods and traditions of Sham Shui Po, made fascinating with位於荔枝角道的Wontonmeen聯繫區內街坊及團體，舉辦傳統手工藝工作坊如手打絲棉被，給予公眾參與。

Quilt Making”, the guided “Tour Around SSP” to the cosy “SSP Kai Fong Chit-

design.
設 計 從 未如 此 靠 近─「B O D W 城區活 動」遍 及全 港，並以 灣 仔、深 水 埗、荃

5 “Eco Garden”, an exhibition co-organised by HKDC and the Department for International
Trade of UK, showcased a collection of smart and environment-friendly public spacefurniture.

2

灣、火 炭、土瓜灣、北角及柴灣七大區為重點，進 駐區內16個伙伴場地，舉行

香港設計中心與英國國際貿易部合辦的「智能環保公共傢俱設計展」。

5

了一連串創意活動。
於 灣 仔 茂 蘿 街 7 號，一系 列 由 英 國 國 際 貿易部 悉 心 準 備 的 數 碼 作 品 及 設 計
裝 置—「Ec o G a r d e n」智 能 環 保 公 共 傢 俬 設 計 展 及「C O L L AT E H O N G
KO N G」數碼展 覽，猶 如一程 地下鐵 帶參加者直 達 英國，感 受 到英倫及 北愛爾蘭豐沛的設計力。另一重點伙伴場地荔枝角道的Wontonm e en，為熱愛本
土文化的朋友準備了「內城店舖與它們的所在」數碼指南，由區內街坊及創意
單位建立。遊 人可以體 驗傳統手 打絲 棉被製作，參與「走進深水埗」導賞團，並與老街坊談 天說地作結。不論參加者來自香港 抑或異邦，都為紮根 於深水
埗的傳統民生設計及美學深深著迷。

1 “Design Form Festival”, organised by SOSO Enterprise Limited & THY LAB,
explored different forms of performance art and design to illustrate how design
thinking and different design disciplines impact our interpersonal relationships.
SOSO Enterprise Limited及昊視聽實驗室舉辦的「設計。形式節」，探討不同形式
的表演和藝術設計，從而帶出設計思維及各設計領域如何影響人與人的關係。

2 Designer Rayman Leung shared 2D graphic skill at “Design Lab: Dismantling
Dimensions with Rayman Leung”, as part of the "Today at Apple" programme at
the Apple Store in Causeway Bay.
於銅鑼灣Apple Store內Today at Apple環節舉行的「藝術設計實驗室」，由「設計實驗室︰與梁偉文創作你的平面世界」，由平面設計師梁偉文講解如何構想2D世界，
分享其設計故事。

Design EduVation
公眾社區教育項目

衛星活動及優惠

Wondering how design thinking can be applied in our everyday lives? Let’s

The allure of design can be seen everywhere in our daily lives. Thanks to thestart with our streets and alleyways.

enthusiastic support of different partners including design agencies, creative

In addition to the Anchor Site events, BODW CityProg collaborated withcreative communities to organise a series of captivating Design EduVation

1

Satellite Events & Offers

programmes to look into topical issues. At the “#CITY” workshops, streetsideand community groups, brands, academic institutions and foreign consulates,
BODW CityProg delivered over 100 satellite events that brought together
design lovers from all corners of the world.

exhibitions and talks organised by Sham Shui Po’s art space openground,

Fans of Scandinavian design explored the philosophy behind Sweden’s

participants were invited to reimagine the neighbourhood using hashtags. By

innovations at “SWED Talk: Designing a Sustainable Future”. Art group Urban

collecting stories about spaces on Tai Nan Street, Ki Lung Street and Yu Chau

Sketchers Hong Kong took to the streets with “Wan Chai Under the Sketching

Street, they identified a new theme for each street, and came up with threePens and Camera Lens” as participants captured the cityscape with sketches.

design installations to present the three streetscapes with an innovative twist.

Luen Cheong Leather showcased a collection of creative aprons at “Leather

The event invited participants to discover the beauty of the local community

Aprons for the Future” to demonstrate the seamless blend of design in every

from a new perspective, and encouraged them to get hands-on in turning

little detail of our lives. Cultivating the habit of discovering good design in ourcreative inspirations into design.

surroundings – like the satellites that have always been around us - is one of如何將設計思維應用於生活？一切可以從大街小巷開始。

the many goals of BODW CityProg.
創意的魅力於生活處處可見，承蒙設計公司、創意及社區團體、品牌、學術機構及創意節以外，「BODW城區活動」更與各創意社群合作，舉辦了不少貼近時代趨
勢並饒有趣味的公眾社區教育項目：例如由深水埗藝文空間openground舉辦的「#CITY」工作坊、街頭展覽及講座，就以時興的社交媒體符號「#」作為探索方式，邀請市民走進大南街、基隆街及汝洲街，收集與街道相關的空間故事後，再為三條街道綜合出代表其特色的主題，繼而轉化為三組不同的設計裝置展出，以嶄
新形式呈現出每條街道的風貌。活動不但帶領大眾以全新角度發掘了本地社區的
美好，參加者更學習到如何將靈感化為設計，實踐創意精神。

外國領事館等不同組織積極支持，「BODW城區活動」去年帶來超過100個衛星活動，包羅萬有，匯聚了來自五湖四海的朋友，一起享受設計的樂趣：「SWED Talk：
設計出可持續發展的未來」講座集合了一眾北歐迷，共同探索瑞典創新哲學；「速寫筆下 × 相機鏡下的灣仔」由創意藝術團體「速寫香港」舉辦，帶領不少文藝愛好者速寫灣仔當下景色；「展覽：未來行業的圍裙」由深水埗聯昌皮號主辦，展示了一
系列新式創意圍裙，讓人驚覺設計可以如此深入生活每一細節。習慣發掘身邊好
設計的存在，一如衛星般覆蓋你我四周，才是城區活動的最終使命。

21

Anyone rushing through the MTR Wan Chai Station now has a reason toConran + Partners. The installation is a joint creation by more than

自2020年3月，一個大型攝影裝置進駐了港鐵灣仔站上層和下層月台，

slow down for a moment. Whether you are just getting off the train or

100 participants. It captured the wonderful performance of 40 ballet當乘客抵達灣仔站時，就能感受到灣仔區的特色及活力。

heading towards the platform, you can eye on a magnificent photographic

dancers (principal, soloist, coryphée, corps de ballet dancers from Honginstallation blurring the lines between reality and fiction.

Kong Ballet) alongside other partnering units, artists, production crew and「這是灣仔」是一個聯繫了海外及本地創意團體、商業及設計的地方營

residents of Wan Chai and beyond.

造項目。由港鐵公司委託及與香港設計中心聯合策劃，並與香港芭蕾舞

at the upper and lower platforms of the MTR Wan Chai Station since March

The installation employs acute camerawork to underscore the

除了有40多名香港芭蕾舞團的首席舞蹈員、獨舞員及群舞領舞員外，更2020. The project gives passengers a glimpse of Wan Chai District’s

dynamism of Wan Chai. It weaves realistic and imagined perspectives

character and exuberance as they arrive at the station.

together in its depiction of everyday rituals. Life and theatre have a certain“This is Wan Chai”, a permanent photographic installation has been unveiled

affinity, and this is showcased in the way the ballet dancers interact with theCommissioned by the MTR Corporation (MTR) and jointly initiated by thepassers-by on the streets of the district. In this way, the MTR station

Hong Kong Design Centre (HKDC), “This is Wan Chai” is a placemaking

becomes a stage where life is put on show. It invites the public to reimagine

initiative with various collaborators in the creative, design and businessthe transportation hub as an important social space within the local

fields from Hong Kong and abroad. These include Hong Kong Ballet,

community.

Treacle Media, UK's Department for International Trade (DIT) and團、Treacle Media、英國國際貿易部及Conran + Partners攜手創作，

有不同合作伙伴單位、藝術家、製作人員、灣仔街坊及巿民大眾，合共多於百名人士參與其中。
作品通過現實與想像交融的鏡頭，紀錄日常生活中的「人生如戲，戲如
人生」，捕捉舞蹈員與灣仔不同街道和行人互動的舞姿，將車站化身為演出生活的舞台，讓大眾重新想像、重新營造車站如何作為社區中重要的公共空間。

What our partners are saying
伙伴有話兒

I expect BODW CityProg 2020 to be a leading example
of courageous cultural work and to demonstrate how tobring multiple organisations together for the benefit of
the local community.
我期望BODW城區活動2020能成為一個具前瞻性的例子，
讓大家知道如何串連不同機構進行地方文化項目，

The BODW CityProg is a good platform whichhelps me to match and connect with young people andrelated institutions for co-creation.
BODW城區活動是一個很好的平台，將我、年青人及相關機構
配對及聯繫起來一齊創作。

令當地社區得益。

Jevan Chowdhury
Director, Wind & Foster
Wind & Foster 總監

Alex Mok
莫少宗

Art Director

電影美術指導BODW CityProg is a fantastic way to celebrate
Hong Kong’s creative brilliance and to create partnerships
with international designers and other creatives.

We enjoyed working with BODW CityProg to foster
the development of local creative ecology throughCollaborative Imagination.

設計師及其他創意團體聯繫起來、共同創作的絕佳平台。

加強與不同單位的聯繫，共同締造香港創意生態。

BODW城區活動除了能展現香港的無限創意，更是一個將國際Richard ParryHead of Experience Economy and Performing Arts,
Department of International Trade of the UK
英國國際貿易部體驗經濟及表演藝術部門主管

我們很高興能與BODW城區活動合作，通過激發想像力及Roger Wu胡燦森

Chief Curator,
2019 Hong Kong Biennale of Urbanism\Architecture2019 香港城市 \ 建築雙年展總策展人

#DDHK設
計＃
香港
地

Small City Spots with Grand Ideas
營造小城大意義

Resembling a star-studded canopy of life enlivened with vivid
imagination and captivating stories, these design attractions sprawled
out across the local community set the stage for a creative journey of
exploration. Launched in 2018, Design District Hong Kong (#ddHK)
is a district-based, in-depth creative placemaking project involving
community collaboration, group dialogue and design participation.
Through placemaking efforts, the three-year programme aims toreimagine the design of public spaces and invite the public to explore
what matters most to districts and communities.
社區上的地標景物星羅棋布，注入創意串連探索，可勾勒出段段動人故事，就如為星空添上想像與活力。設計＃香港地(#ddHK)自2018年起推
出，乃為期三年的區域深度創意旅遊項目，以社區協作、群體對話和設計
參與等模式貫串，希望重新連繫人與社區，為尋常公共設施及未被充分利
用的公共空間進行設計再想像，與公眾一起發掘小城大意義。

Hop on the “Ani-Com Trams” covered in Hong Kong comics

On the Central Lawn of Victoria Park in Causeway Bay stood

Take a closer look at the streetscape of Hong Kong, andA city full of creative vigour offers endless surprises forhousehold names at “Ani-Com Tram Stops” and travel down the”Walala Mansion”. Created by British designer Camille Walala,

you will discover a myriad of styles coexisting in harmony.

travellers and explorers alike. Through a guided tour or abustling streets of Wan Chai, a creative mecca where countless

it reinterprets the familiar landscape of Victoria Park by#ddPlace brought together cultural and creative partners towandering walk, we can go down the memory lane of Wan

comics characters were born. Curated by Hong Kong Design

giving it a colourful and extravagant visual touch. Throughenliven our public spaces with an innovative spirit. Attractive

Chai's evolving heritage or visit community art and design

Centre and Hong Kong Comics and Animation Federation, more

"Hearty Rendezvous", an Augmented Reality (AR) interactive

works from different design disciplines were introduced todestinations, exploring the city in brand new ways.

than 30 Hong Kong comics artists from different generations

experience produced by Hattrick Creative, visitors could follow

the community, filling the public spaces with creative ideas.

keep the industry’s legend alive with their creative ideas.

the characters "Victor" and "Ria" on an extraordinary adventure

坐上滿載經典香港漫畫人物的「動漫電車」，從「動漫電車站」出between fantasy and reality.

發，穿梭灣仔這個孕育無數港漫經典的創意聖地。由香港設計中

銅 鑼 灣 維 多利 亞 公 園 的 中 央草 坪，矗 立 英 國 設 計 師 C a m i l l e

心、香港動漫畫聯會聯手策劃，三十多位不同年代的香港漫畫家，

Wa l a l a 創造 的「Wa l a l a 倫敦 大宅 」，利用其 斑 斕奇 幻 的 視 覺為香港漫畫工業繼續傾力繪製傳奇。

風 格，重 新 詮 釋 陪 伴 你 我 成 長 的 維 園 風 景。遊 人 亦 可 透 過一座充滿創作生命力的城市，自有無限種周遊探索的方法。透過

仔細留意香港的街頭景物，你會發現不同風格融和共生。集結不導賞或自由探索，從街頭巷尾走出一場場可堪細味的旅程，既可

同文化創意單位的#dd點子，就在公共空間注入創意魂，將不同重遊灣仔的變遷軌跡，亦可親身走訪社區設計藝術潮點，發掘更

設計範疇的作品，融入社區景貌，為小城市佈滿點點創意。

多遊歷城市的方法。

Hattrick‧Creative設計的AR擴增實境設計裝置「心之芳庭」，由人物「維多」、「莉亞」帶領，遊走於奇幻現實的平行空間。

2425

Hop-on Hop-off
Rediscovering our Comics Legend
along the Tramway
乘上電車 追尋灣仔漫畫軌跡

As the “ding ding” chimes continue to be heard on the tramways, what is now known as Lee Tung
Avenue in Wan Chai is best remembered as home to countless captivating comic stories.
#ddHK partnered with Hong Kong Comics and Animation Federation to present the “#ddSpecial Hop-on Hop-off”, in which over 30 local comics artists from Ani-Com Park ventured through theneighbourhood to trace the historical footprint of Hong Kong comics.
電車「叮叮」響聲今昔不變，而利東街的前傳，原來蘊藏無數奇情跌宕的漫畫故事。
#ddHK聯同香港動漫畫聯會策劃的「#dd推介－漫漫遊」，就由三十多位參與過動漫海濱樂園項
目的本地漫畫家，重繪昔日香港漫畫在此街此地的墨印足跡。

26

27

Two "Ani-Com Trams" along the arterial road in Wan Chai –兩部滿載無數經典漫畫角色的「動漫電車」化作遊樂場般的「觀

the birthplace of countless comics masterpieces – became

光小電車」，沿著城市的脈絡而行，穿梭誕生過無數偉大漫畫的

amusement rides in the company of Old Master Q, Sau Nga灣仔街角，讓你跟老夫子、哨牙珍等書中老友同坐同遊，乍見往Chun and the like. They took visitors to Lee Tung Avenue,

日漫畫工作室與印刷廠林立的利東街，重回七、八十年代本土漫

where comics studios and printing houses once flourished, for畫黃金時代的軌跡。

a nostalgic glimpse into the heyday of local comics in the 1970s
and 80s.

兩個「動漫車站」由漫畫家繪製注入三十多個動漫角色同場，共邀 遊 人參與鬧市中的遊 樂場，彼時此 地，向孕育過一 代經典 創

Visitors discovered a colourful urban playground at the two

意的社區由衷 致敬。永遠精彩的灣 仔故事，無論何時 也是正在“Ani-Com Tram Stops”, which featured more than 30 comic連載中。

characters by local artists to pay tribute to a community that has
nurtured a generation of classic creations. The comics legendof Wan Chai will continue to live on for generations to come.

Hop on now
一齊漫漫遊

28

29

30

31

Strolling into a fantasyland in Victoria Park
漫步維園遇上奇幻樂園Camille Walala’s fantastical artistic universe was captured in the
13-metre-high inflatable "Walala Mansion", adding a playful touch
to the familiar sight of the Central Lawn of Victoria Park. The
fountain at the park entrance was also spruced up by colourfulgraphics, transforming the park into a surrealistic playground.
Walala's aesthetic fantasyland was portrayed as a visual feast ofvibrant colours and clashing dot patterns, creating a new, playful
space that transcends the wildest imagination.
維園與Walala的幻境，劃破界限同步接通。來自英國倫敦的設計鬼才

A Hearty Rendezvous with

Camille Walala，將她的藝術宇宙，於維多利亞公園盡情發放。高達13
米的「Walala倫敦大宅」吹氣裝置，屹然座立於你我熟悉的中央草坪，"Victor" and "Ria"

公園一隅的噴水池，亦以曼菲斯設計風格重新演繹，將維園重構成超
現實遊樂場。Walala的美學奇想，既在她絕妙的色彩搭配、幾何波點

遊走心之芳庭 「維多」「莉亞」雙生相連的幻變衝擊，更是將此時此地，重新塗畫成超越想像，玩味無窮的全新空間。

"Victor" and "Ria", two virtual characters respectively representing UK
Set-up Timelapse of
Walala Mansion
Walala倫敦大宅的製作縮時拍攝

and Hong Kong, greeted visitors at the "Hearty Rendezvous" installation,

Follow us to Walala Playspace跟著我們走進 Walala遊樂空間featuring an AR-powered immersion tour of their parallel universe. They
guided visitors to explore Victoria Park and Causeway Bay, where unique signs
with QR codes were set up for the virtual encounters. Presented by Hong
Kong-based creative team, Hattrick Creative, the adorable duo personified
some interesting aspects of Eastern and Western cultures through theircandid dialogue.
Meet Victor & Ria
遇見維多與莉亞

由「維多」與「莉亞」兩個虛擬人物借代英國與香港，經二維碼接通，從「心之芳庭」設計裝置呈現的AR擴增實境，接連虛擬空間，牽領參觀者幻遊維園，探索螢
幕彼端繽紛斑斕的平行時空，他們更在銅鑼灣各處的指示牌，透過AR登場活現。
本地創意團隊Hattrick Creative創造這倆小角色，由他與她的對談道盡東西兩端的生活文化。

32

33

Guided Tour 導賞團路線 (Jan-Feb 2020)

7#ddPaintHKWALLS@Tai Hang Residents’ Welfare Association#畫多 ddHKWALLS@大坑坊眾福利會
From now until 即日至 2.2021

Pulsing with life day and night, Causeway Bay is the hub of entertainments

8

in Hong Kong and the unsurpassable leader of pop culture.

#ddPaintHKWALLS@
Shelter Street Footbridge#畫多 ddHKWALLS@ 信德街天橋“#ddCityMania” sets off to explore the waves of pop culture in thismultifaceted community – be it the popular hits in the 60s, the living
rituals from the 70s, or the transforming cityscape in the 80s/90s. And ofcourse, a visit to signature architectures is not to be missed.
晝 夜 不 息 的 灣 仔 除了是 香 港 島 的 商 業 核 心 區 外，東 面 的 銅 鑼 灣 地 區 更匯 聚不少 時尚潮 流 熱 點，使 該 區 成 為 引領 香 港 流行文化 熱 潮 的火車 頭。
「#dd城市漫熱」帶領大家細味社區内不同時期的風潮，例如60年代的流行
音樂、70年代盛行的習俗、80/90年代銅鑼灣蛻變的城市軌跡，由不同角度讓
你見證銅鑼灣的百變形象。

Start!
1

Canal Road Flyover
堅拿道天橋(鵝頸橋)9Streets are the fabric of a city and the starting point for a journey into
a community full of stories… In the #ddHK placemaking initiative,
tours were planned with different itineraries covering creative
landmarks spread across streets and alleys to help the public explore

Foo Ming Street Tram Stop (105)動漫車站 @富明街電車站 (105)8.1.2020 - 3.2.2020

legends from a tour guide. There are bound to be discoveries here
and there. The #ddCityMania guided tour took participants to the#ddPaintHKWALLS@

10

the local community from a new perspective.
Follow your own pace in a self-guided tour or listen to folklores and3

Water Fountain Plaza, Victoria Park
心之芳庭 @維多利亞公園噴水池廣場
8.1.2020 - 3.3.2020

Ani-Com Tram Stop@

2

Hearty Rendezvous@

Tai Fat Hau Footbridge#畫多 ddHKWALLS@大佛口行人天橋

Lee Theatre Plaza
利舞臺廣場creative landmarks in Causeway Bay, including the "Walala Playspace"and "Ani-Com Tram Stops", for a taste of the urban variation of pop
culture. You can also choose to self explore "The Newold Wan Chai"and "Pop! Get Inspired at Every Turn" to learn the history and storiesof the community.

4

Jardine’s Crescent渣甸坊路，是城市的肌理經脈，更是認識社區、尋訪故事的旅程…….#ddHK策
動地方營造，將地標景物昇華成處處新創意，並組織各式路線，帶大家穿梭橫街窄巷，探索社區新角度。

Ani-Com Tram Stop@5

你可順著自己步調「自助遊」，或者細聽導賞員娓娓道來。轉街過巷總

Paterson Street Tram Stop (48W)

動漫車站 @百德新街電車站 (48W)

8.1.2020 - 3.2.2020

有新發現：導賞團「#dd城市漫熱」引領你探尋銅鑼灣創意地標，遍歷「Walala遊樂空間」與「動漫電車站」等，欣賞街頭藝術，感受流行文化
的城市變奏；再從自助遊路線「走過新舊灣仔」或「Pop!靈感在轉角」步
入社區故事，一路走來。

34

6

St. Mary’s Church
聖馬利亞堂

35

Self Explore Tour 自助遊路線

7

Lee Tung Avenue

Self Explore Tour 自助遊路線

利東街

3#ddPaintHKWALLS@
Morrison Hill Swimming Pool#畫多 ddHKWALLS@摩理臣山游泳池
From now until 即日至 2.2021

8

Woo Cheong Pawn Shop
(The Pawn)
和昌大押

Reveals the transformation of Hong Kong from a village to
以香港1840年代海岸線作起點

9#ddDoodles@
Kong Wan Fire Station#寫多 dd@港灣消防局

Start!

2

3

4

5

6

茂蘿街7號

細味每個轉角帶來的靈感

5Start!
Blue House

1

藍屋

Tung Wah Centenary Square Garden#畫多 ddHKWALLS@ 東華百周年紀念廣場花園

Setting the stage for a journey of inspiration, Jaba, a concept

From now until 即日至 2.2021

6

Trek, enlivened the garden with a futuristic re-imagining of#講多 dd@香港藝術中心正門(地面)Designer Maggie Wong’s pavement painting of colourfulgeometric shapes lies in perfect harmony with thethe city’s familiar sights.

architectural beauty of the Hong Kong Arts Centre as a
powerhouse of creativity.

由為《變形金剛》、《鐵甲奇俠》、《星空奇遇記》擔任繪景師的Old Wan Chai Post Office#ddSharing@Front entrance ofHong Kong Arts Centre (Pavement)
From now until 即日至 2.2021

designer for films such as Transformers, Iron Man and Star

舊灣仔街巿Kong Wan Fire Station#寫多 dd@港灣消防局#ddPaintHKWALLS@

Entrance of Stone Nullah Lane (Pavement)#講多dd@石水渠街街口(地面)Old Wan Chai Market#ddDoodles@

From now until 即日至 2.2021

From now until 即日至 2.2021#ddSharing@

概念藝術家Jaba執筆，在東華百周年紀念廣場花園的牆壁上，

色彩斑斕的抽象幾何圖案，置於香港藝術中心正門地面，設計

將你我習以為常的會展、小輪、電車賦予未來異想，展開這段靈師黃敏靖的作品正好呼應此座建築的美感，與這個承載無數創感旅程。

作的場所互相感染共生。

舊灣仔郵政局

Hopewell Centre
合和中心#ddSharing@

Entrance of Lee Tung Avenue (Pavement)#講多dd@利東街街口(地面)
From now until 即日至 2.2021
Before walking into Lee Tung Avenue, visitors are greeted

10#ddPaintHKWALLS@Tai Fat Hau Footbridge#畫多 ddHKWALLS@大佛口行人天橋
The designer put a sea of thoughts into a magical puzzle#ddPaintHKWALLS@
Tang Shiu Kin Victoria Government Secondary School#畫多 ddHKWALLS@ 鄧肇堅維多利亞官立中學
INSA’s spiral mural depicts the idea of life as “running in a

THOUGHTS" under the pedestrian overpass at Tai Fat

circle”. Through the GIF-ITI mobile app, visitors can see an

Hau. Marking the endpoint of the tour, this creative work

extension of dynamic momentum concealed in the mural.

resonates with the surrounding buildings and links Wan
Chai’s past with its present.

of a pawn shop and antique black-and-white street signs.

設計師將千種沉思化作幾何方塊的奇幻拼合，為大佛口行人天Take a moment to discover the heart-warming charm of this

橋下的「THE WALL OF A 1000 THOUGHTS」，與周邊建築

famed “Wedding Card Street”.

共鳴共生，貫穿灣仔區的過去與現在，為路線畫上句號。

踏入利東街前，當舖老招牌、昔日黑白街道牌等經典舊設計映

2of geometric cubes to create "THE WALL OF A 1000by an array of classic designs of the olden days, like the sign

INSA透過牆畫上無限延展的螺旋構圖表達人生是不停重覆奔跑的感悟，遊人更可以GIF-ITI應用程式，發現牆畫蘊藏的動態延伸。

7

入眼簾，細心漫遊，或者還會感應到舊日囍帖街的絲絲溫馨。

836

7 Mallory Street匯聚中西文化特色的牆畫和藝文集中地為主旋律

From now until 即日至 2.2021

1

4various wall murals and design check points

an international city by architecture從南至北的周邊建築變化感受城市變遷的軌跡

Experience different culture at every turn by

Lockhart Road駱克道Foo Tak Building
富德樓

37

Design Spectrum
設計光譜

Broadening Design Horizons

7 Mallory Street

拉闊設計視野茂蘿街7號Despite strong Western influences on art and design, Asian craft,

儘管現代化及西方化的影響席捲全球，亞洲的工藝、設計

design and aesthetics remain an integral part of our everyday

及美學在我們的日常生活中以至生活品質而言，依然扮演

living, even shaping our quality of life. They are also the bedrock

著無可取代的角色，更是培育香港創意文化的重要基石。

of Hong Kong’s creative culture.

香港設計中心首個面向公眾的平台「設計光譜」設於灣

Design Spectrum, Hong Kong Design Centre’s (HKDC) first

仔二級歷史建築茂蘿街7號，由創意香港贊助，市區重建

public-facing platform, is housed in the Grade II historic buildings

局為項目伙伴，自2019年起透過全年展覽、交流以及各

at 7 Mallory Street in Wan Chai. Sponsored by Create Hong Kong

項推廣活動，以亞洲設計哲理細說設計與生活的緊密關with the Urban Renewal Authority (URA) as a project partner,

係，將設計文化逐步帶進社區。本年度舉辦了四大主題

Design Spectrum was founded in 2019 to bring design culture

展覽，由擁有豐富國際展覽策劃經驗的跨領域設計工作

closer to the community through a year-round programme of者周婉美(Amy Chow)擔任策展人，反應熱烈。以下為五

exhibitions, exchanges and promotional activities, which highlight

個項目亮點：

the inextricable relationship between design and life from an
Asian design perspective. Four themed exhibitions were curatedby Amy Chow, an interdisciplinary design expert with extensive
experience in international exhibitions. Here are five highlightsfrom the past year:

Opening Ceremony

The Flower PlaqueHerbal Pavilion“Beginning froma simple bowl of tea”
Experience Workshop

開幕典禮

花牌

香草亭

「一碗茶」體驗坊

Designer Showcase
by Local Design Power!
設計展示廊

Design Spectrum was officially inaugurated on 19

Renowned local architect William Lim created an

An urban farmland with contemporary use in a

Co-curator of the “In Harmony: The Way of Tea”

This creative display showcased the excellence

July 2019 in a ceremony officiated by Dr Bernard

enormous flower plaque dedicated to the grandChinese pavilion-style wooden structure, theExhibition, Lee Chi Wing and his team, createdof Hong Kong’s emerging designers, presenting

Chan, JP, Under Secretary for Commerce andopening of Design Spectrum. A key feature of thecourtyard was part of the “In Harmony: The Waya serene space for participants to open theirworks from six outstanding brands: ZOEE, Novel

Economic Development; Mr Ben Lui, Executive

commissioned work was the bamboo structureof Tea” Exhibition to encourage people to feelsenses to the Zen of tea with guidance from tea

Fineries, FURNITURY, MODEMENT, BeCandle

Director of the URA; Prof. Eric Yim, JP, Chairman

behind the decorated front. It showcased thetheir connection with nature.

sommelier Katherine Yu and the Teaism team.

and AOGP. QR codes were shown to directof HKDC and other guests of honour.

resilience, versatility and agility of bamboo

香草亭集耕地及休憩處於一身，是配合「肆樂—草「肆樂—草人木」展覽中，聯合策展人利志榮及其人木」展覽設計的現代亭園，木結構設計靈感來自團隊打造了一個充滿禪意的品茶空間，並在茶藝師

中式涼亭，簡約舒適，讓公眾在鬧市中重新感受自身

Katherine Yu和心月茶事的團隊帶領下，讓參加者

香 港 設 計 新 秀 的 作 品 同 樣 精 彩，展 示

與大自然的連結。

重新打開內在感官，切身感受茶禪。

廊 精 選 六 個 本 土 優 秀 品 牌 的 代 表 作 展

2019年7月19日，設計光譜正式揭幕，多名主禮嘉
賓出席，包括署理商務及經濟發展局局長陳百里博
士，JP、市區重建局執行董事呂守信先生，以及香港設計中心主席嚴志明教授，JP等。

construction, and invited the public to admire theingenious scaffolding craftsmanship of southern
China.

visitors to the brands’ official websites and online
retail outlets.

本地著名建築師林偉而為設計光譜量身打造了一大型

出：Z O E E、N o v e l F i n e r i e s、F U R N I T U R Y、

開幕慶祝花牌，此委約作品的特色是呈現花牌背面的MODEMENT、BeCandle 及AOGP。為推廣本地設

竹製支架，以竹的結構帶出其堅韌、靈活且多變的特計，展櫃更設有QR‧code供瀏覽品牌網站及網購之點同時，亦藉此誠邀大眾發掘及欣賞傳統華南竹棚紮

用。

作的精湛工藝。

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Material Modernity:
Incredible Bamboo,
Paper & Wood
19.7.2019 - 18.9.2019
Design Spectrum's inaugural exhibition, themed "Material
Innovation", presented nearly 100 award-winning works toillustrate how the versatility of traditional materials like

Refined Touch:
Crossover Between
Design & Craft

壹
物 現代

2.12.2019 - 9.2.2020

設計力Curated on the theme "Craftsmanship", the exhibition
showcased more than 70 works from 30 design projects and
13 design houses from Asia, bringing together brilliant works

bamboo, wood and paper enable Asian design to break free fromfrom international brands and local artists to explore therestrictions of colour and style. The highlight of the exhibitionrefined relationship between design and craftsmanship. From

was a large-scale flower plaque installation commissioned toapparel, homeware to tableware, the exhibits demonstrated

mark Design Spectrum's debut. Other activities for visitors to

how time-honoured craftsmanship and contemporary design

explore the theme included "Sun Tanning Design Workshop",

styles complemented one another. Other activities included"Designer Sharing: Material Modernity" and "IDK Design

design workshops and the screening of the documentary The

Thinking Workshop: Materials Inspired by Nature".

Last Stitch.

首場展覽以「物料創新」為題，展示近百件得獎設計作品，探索亞

展覽圍繞「工藝」，搜羅亞洲13個設計單位、30個設計項目，展出洲設計如何靈活運用竹、木及紙三種傳統物料，同時打破色彩、超過70件作品，匯集著名國際品牌以至本地匠藝的心血結晶，探風格等限制。焦點之作是為設計光譜揭幕打造的大型花牌藝術裝

討設計與工藝的微妙關係。從服飾、家品到餐具，展品盡顯當代

置。重點活動包括「晒日子設計工作坊」、「設計師分享會：壹物—

設計風格與傳統地道工藝相得益彰。其他活動包括手造工藝工作

現代設計力」及「IDK‧設計思維工作坊：壹物佰川」等，以互動方

坊及紀錄片《雙縫》放映會等。

叁
活 設計
工
藝
式

式讓參觀者探討主題。

貳
⾴ 看好
設
計

Open Page:
The Art of the Creative Process
11.10.2019 - 17.11.2019
Carrying the theme of "Open Page", the exhibition featured nearly
80 exceptional books from across Asia that visitors could touch andread. It offered a glimpse into how designers used their imagination
and art sense to create captivating books with colour, font design
and typography. Key exhibits included Hong Kong Old Shops II, A
Study on Hong Kong Beiwei Calligraphy & Type Design, and clips ofthe curator interviewing specialists in publishing, education andbook design in Nanjing. Visitors were also invited to take part in

肆
樂 草
人
木

In Harmony:
The Way Of Tea
29.4.2020 - 19.7.2020
Centred on "Tea", the exhibition examined the relationshipbetween mankind and tea from multiple perspectives spanninghistory, design, humanity and nature, showcasing 45 items including
teaware, tea packaging and tea room design from 20 Asian design
houses. In addition to classes for making white clay tea cups, tea
tasting workshops were also held at the "Mobile Standing Tea Bar"to give visitors an opportunity to savour the enchanting art of tea
through the different senses. Herb planting workshops were also
staged at the commissioned installation "Herbal Pavilion".

a sharing session by local book designers, "Make Your Own Zine!"

這場展覽以「茶」為軸心，精選20個亞洲設計單位創作的茶具、茶葉

workshops and other design appreciation activities.

包裝到茶室等45個項目，從歷史、設計、人文、自然等角度出發，多方展覽以「書籍」為題，展出近80本亞洲特色書籍。參觀者可親手翻閱書本，了解設計師如何運用顏色、字體設計、排版格式等設計語言，一窺做書的過程中所彰顯的想像力和藝術感。焦點展品有《街坊老店II—金漆招牌》、《香港北魏真書》，以及策展人北上南京，與多位

面展示人與茶在生活中緊密的關係。周邊活動包括手捏白泥茶杯工作坊以及於「流動茶檔」提供泡茶體驗的賞茶工作坊，讓參加者從不
同感官體會茶的魅力。香草種植工作坊在同期設置的委約作品「香草亭」舉辦，讓公眾體驗耕種樂趣。

來自出版、教育及書籍設計界別人士的訪談剪輯等。公眾人士亦可參與多項賞析活動如本地書籍設計師分享會、「做好自己Zine!」工
作坊等。

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Thoughts about Design Spectrum 設計光譜回憶絮語Housed in a heritage building right in the city centre, the venue is appealing totourists. I believe that promoting design culture can help improve our standardof living, because design is closely related to our life. In the future, I hope toengage designers at home and abroad in a themed design event, where they canignite creative sparks through cultural exchanges from collaboration or evencompetition with each other.
場地本身是鬧市中的一座歷史建築物，對遊客有一定吸引力。我相信推廣設計文化是
改善生活的有效橋樑，因為設計正正與生活息息相關。未來我希望可以邀請外國與香
港的設計師來一個主題性設計活動，透過雙方合作甚至比賽，為各自的文化帶出新的火花。

Mike Mak
Participating designer in Design Showcase
設計展示廊參展人

I participated in the "Open Page: The Art of The Creative Process" Exhibition.
In Hong Kong, exhibitions that focus on book design are rare, so I especiallyappreciate the curator’s thoughtfulness in organising it, which afforded an
opportunity to see high quality book design for those who know little about
it. I also gave talks alongside other book designers. I think that with designers’
personal sharing and guidance, the audience would find it easier to understand thesignificance of design.

Our exhibition and workshop attracted a large audience from nearby
neighbourhoods, fulfilling our hopes to reach out to local residents. Design
Spectrum's exhibition themes are very diverse and appeal to audiences fromdifferent sectors. I look forward to working with Design Spectrum on ceramics
related projects in the future.

我參與的是關於書籍設計的『貳頁—看好設計』展覽，其實香港專注書籍設計的展覽
很少，因此我非常欣賞策展人辦這個展覽，讓很少接觸書籍設計的人，有機會接觸高
質素的書籍設計。我跟其他書籍設計師亦進行了對談演講，相信有設計師親身解說，眾。希望將來與設計光譜進行有關陶藝產品的合作。

觀眾會更易明白與吸收設計的養份。

Chan Hei Shing
Participating designer in "Open Page: The Art of the Creative Process"

透過工作坊，希望能夠接觸到來自附近社區的居民，事實上也真的有不少街坊前來觀
看展覽、甚至參加工作坊。設計光譜的展覽主題十分多元化，能夠吸引不同界別的觀

TOKI NASHIKI 梨木製陶所
Participating design company in the "In Harmony: The Way of Tea" exhibition andinstructor of the "White Clay Tea Cups Pinching" workshop「肆樂—草人木」參展單位及「手捏白泥茶杯」工作坊導師

Planning for this event gave me the opportunity to experiment with glass artists,
calligraphers, space designers and graphic designers, and the result well exceeded
my expectations. The aesthetics, venue set-up and procedure of the tea ceremony
were simply delightful. And it pleased me a great deal that everyone was able tounderstand and feel the way of tea, effectively conveying the message that by
returning to the purest form of tea, we can return to the purest state of mind.
是次活動規劃過程讓我有機會跟琉璃藝術家、書法家、空間設計師、平面設計師來作
些試驗，效果超出了所想。不管在美學方面，整個場景到茶會過程，最欣喜是大家能夠理解和感受，能夠有效傳遞把茶回歸本源，人能回歸自心。

Katherine Yu
Instructor of the "Discover the World of Oolong Tea" and"Beginning from a Simple Bowl of Tea" workshops「探索烏龍茶工作坊」及「一碗茶」體驗坊導師「貳頁—看好設計」參展設計師

We think it is a very unique choice of site and great for visitors that Design
Spectrum is housed in a historic building. I hope that some permanent exhibitionareas can be set up here, and more students or even children can be invited to thevenue where they can learn more about creative design.
設計光譜的舉辦地點是歷史建築，我們認為非常獨特，對於參觀的遊客來說亦相當不錯。希望該處可以設立一些永久性展區，可以的話多邀請學生甚至兒童來參觀，給他們介紹創意設計。

Julie & Jesse
Participating designers in "Refined Touch: Crossover Between Design & Craft"「叁活—設計工藝式」參展設計師

The most unique thing about Design Spectrum is how the four exhibitions andthemes are each very attractive in their own right and yet intricately related to
one another. As an extension programme of one of its exhibitions, the workshop
I hosted aimed to transform the static observation of design into an engaged
process of self-driven creation, discussion and experience of design.

Design Spectrum is unique in that it exudes warmth and a genuine sense of life.
Its activities and events are delivered in a simple way while carrying a profoundmeaning, providing an immersive experience for participants who benefit from richsensory and hands-on experiences with the design works.

設計光譜最獨特之處在於四個展覽、四個主題，互相緊扣又各自精彩。我指導的工作
坊作為設計光譜展覽的延伸活動，希望可以將參加者由靜態觀賞設計，變成能自主參淺出，令參加者容易沉浸在作品裡，並且都能獲得豐富的感官體驗與實作經驗。

與創作、討論及感受設計。

Benny Au
Participating designer in "Open Page: The Art of the Creative Process" andinstructor of the "Make Your Own Zine!" workshop

設計光譜最特別地方，在於帶有一種特別的體感溫度、真實的生活感，而活動也深入

Richard Wang
Participating designer in "Material Modernity: Incredible Bamboo, Paper & Wood"and instructor of the "Sun Tanning Design Workshop"「壹物—現代設計力」參展設計師及「晒日子工作坊」導師

The biggest takeaway for workshop participants is they can apply what theylearned to everyday life, while giving children a better understanding of planting.
I hope that future Design Spectrum activities can cover more topics such as
exhibitions and family-friendly workshops on children’s design thinking, designfor everyday life and design for the elderly.
參加工作坊的最大得著，就是在工作坊中所學都能運用在生活中，同時譲小朋友對種
植有多點認識，期望將來設計光譜的活動可以涵蓋更多範疇，例如兒童設計思維、生活設計、老人設計的展覽及親子工作坊。

PsycheParticipant in the "Herb Propagation Workshop"「香草親子工作坊」參加者

「貳頁—看好設計」參展設計師及「做好自己Zine!」 工作坊導師

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Thoughts about Design Spectrum 設計光譜回憶絮語

BOUNDLESS VISIONENDLESS DESIGNABILITY
視野無邊 設計無限I was delighted at the opportunity to express my creativity and preferences during
the workshop process. The workshop venue, 7 Mallory Street, has preserved thearchitectural features of Tong Lau (Chinese tenement buildings) with a modern
twist. The presence of Design Spectrum has added a certain artistic flair to Mallory
Street.
在工作坊裡，我最開心的是自己的創意及喜好能在活動過程中展現，而工作坊所在的茂蘿街7號保留了唐樓的建築特色，但又帶有現代化元素，再加上設計光譜的進駐，令茂蘿街添上一份藝術氣息。

I think the workshop was as informative as it was inspiring. The instructor's sharing
gave me a deeper understanding of the creative process, and taught me to express
my stories and ideas through paper of different textures.
我認為工作坊的內容十分豐富及具啟發性，導師的分享令我對創作有更深體會，並透
過不同質地的紙張表達了我的故事及想法。

ReginaParticipant in the "Make Your Own Zine!" workshop「做好自己Zine!」工作坊參加者AdaParticipant in the "Design Lifestyle" workshop「設計．灣仔味」工作坊參加者

Imparting a thoughtful clarity of vision, good design enables us to see beyond thesurface and appreciate more profound and important issues than meets the eye.

好設計是一雙清澈的眼睛，讓我們看到世界種種表象之下更深遠、更重要的議題。
香港設計中心自2003年起設立DFA設計獎，創立「DFA亞洲設計終身成就獎」、"Spectrum", in physics, refers to a pattern of different

The DFA Awards, launched in 2003 by Hong Kong Design Centre, consists of「DFA設計領袖獎」、「DFA世界傑出華人設計師」、「DFA亞洲最具影響力設計獎」

wavelengths arranged in sequence. Design Spectrum, throughthe DFA Lifetime Achievement Award, DFA Design Leadership Award, DFA

及「DFA香港青年設計才俊獎」五大獎項，表揚的不只是作品「好看」與否，而是設

a host of engaging initiatives from its exhibition themes toWorld’s Outstanding Chinese Designer, DFA Design for Asia Awards and DFA

計師讓我們從作品「看」到了什麼、「看」得多深、「看」得多遠—這才是設計人應有Hong Kong Young Design Talent Award. These five award programmes not only

的視野，也是優秀設計能帶給我們的廣闊眼界。

different appreciation events, has illustrated a colourful anddiverse “spectrum” together with participants. Design Spectrum
aspires to bolster the creative vibe in the community and enable
the power of good design to be infiltrated everywhere in the city.
「光譜」在物理上意指由不同的波長順次排列而成的圖案。設計光譜
項目內容豐富，由設計展覽的選題，乃至多元化的賞析活動，與參與者

realise the winners’ diverse creative outlook, but their designs enable us to “see”
much further and deeper than we could ever imagine. It is this boundless vision

透過南豐紗廠，我們看到舊時香港工業的傳承；透過「光之隧道」，我們看到社區保

that enable their winning projects to transcend time, disciplines, and open our

育的曙光；透過投影觀星儀，我們看到人類對宇宙最原始、最深層的渴望......接下minds and perspectives.

來，我們將從DFA設計獎云云的得獎作品及得獎者作品中，發掘出更多包羅萬象的

Through the design of The Mills, we see the heydays of Hong Kong’s industrial
past; through the "Tunnel of Light", we see new beginnings in community

一同交織出多姿多彩的「光譜」。冀盼設計光譜的誕生，讓社區的創意

conservation; and through the planetarium projector, we see mankind’s innate

氛圍日漸濃厚，將優秀設計的力量傳遍大街小巷。

desire to explore the universe. Among the winning projects and awardees from

人文議題，感受一眾菁英將「人文關懷」貫徹始終的設計精神，並從「設計」看見我
們與世界人、事、物的深層關係。

DFA Awards, we can discover many unique perspectives on humanitarian andsustainability issues, and experience a deeper relationship between us andother people and things in the world.

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DFA LIFETIME ACHIEVEMENT AWARD 2019

DFA DESIGN LEADERSHIP AWARD 2019

DFA 亞洲設計終身成就獎 2019

川久保玲

Rei Kawakubo is one of the most iconic fashion designers at
the end of the 20 th century. An alumna of Keio University,
Japan in art and literature, she began her fashion career as afreelance stylist at a textile factory. While she preferred tokeep a low profile, she ultimately earned international famethrough Comme des Garçons, the brand she established.

teamLab, Exhibition view, MORI Building DIGITAL ART MUSEUM: teamLab Borderless, 2018, Odaiba, Tokyo © teamLab

Portrait of Rei KAWAKUBO © Paolo Roversi

REI
KAWAKUBO

DFA 設計領袖獎 2019

Comme des Garçons set up its first boutique in Tokyo in 1975;
by the end of the 1980s, the fashion label already boasted morethan 300 outlets across the globe. Its rapid expansion wasmarked by various milestones: its debut fashion show in Parisin 1981, the launch of its diffusion lines “Shirt” and “Play”, aswell as the gather of different fashion brands in its department
store, Dover Street Market. Kawakubo successfully merged
fashion, art, market and pop culture together, and is widely
recognised as both artist and fashion designer, creating designs
Comme des Garçons spring/summer 2019that penetrate both worlds.

teamLabInternational art collective teamLab was founded in Tokyo in 2001. The group leverages thediverse expertise of its members - artists, programmers, engineers, CG animators, mathematicians
and architects - to find synergy in the worlds of art, science, design and nature, using digitaltechnology to create a unique style that revitalises the relationship between art and reality.
Over the years, the collective has exhibited its works in New York, London, Paris, Singapore,
Silicon Valley, Beijing, Taipei and Melbourne to the delight of local audiences, and since 2018,
permanent exhibition spaces were set up in Tokyo, Shanghai and Macau. As its exhibitions gained

川久保玲是20世紀後期最具標誌性的時裝設計師之一。她在日

widespread popularity, so has the group’s name in the contemporary art world.

本慶應義塾大學修讀藝術和文學，之後在一家紡織廠以自由造型
師進入服裝界。為人低調的川久保玲，創立的品牌Comme‧des

國際藝術團體teamLab於2001年在東京成立，由一班藝術家、程式編寫員、工程師、電腦動畫師、數學

Garçons卻蜚聲國際。

家和建築師組成，取各家之長，力求將藝術、科學、設計及自然世界融合，以數碼技術讓藝術躍現於現
實中。多年來teamLab在紐約、倫敦、巴黎、新加坡、矽谷、北京、台北及墨爾本等地舉行展覽，大受歡

1975年在東京開設首家專賣店，到80年代末，CDG在全球已開設迎。自2018年起，位於東京、上海及澳門的常設館相繼開幕。teamLab已成為光影藝術的先驅，展覽的

超過300家店舖。其後品牌不斷成長：1981年在巴黎時裝展舉行首

地方甚至成為熱門景點。

次時裝發佈會、成立副線例如「Shirt」及「Play」等系列、2004年成立雲集不同國際時裝品牌的Dover Street Market。她將時裝、藝術、市場及流行元素成功糅合在一起，被公認為時裝設計師及藝術家，顯示她的設計能夠貫穿時尚與藝術之間。

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DFA WORLD’S OUTSTANDING CHINESE DESIGNER 2019

DFA DESIGN FOR ASIA AWARDS 2019

DFA 世界傑出華人設計師 2019

DFA 亞洲最具影響力設計獎 2019

Celebrating the Roleof Asian Design for
Shaping Our Future

The beauty of exceptional design is more than skindeep. It goes beyond the aesthetics, touching hearts and弘揚亞洲設計成就創意未來

winning works fully embody the aesthetics unique to Asia and the importance of humanitarian values, whilesouls with the power of its impressive details. This year’s DFA Design for Asia Awards continues to recognise
excellent design projects in Asia: from a footbridge to a forest retreat, from wearable comfort for seniors to aplanetarium projector, with every masterpiece crafted with the needs and desires of users in mind. The awardhighlighting the increasingly vital role design plays in our society and economy.
真正的優秀設計從來不會只停留在視覺上的美觀，同時亦憑細節打動人心。本年度DFA亞洲最具影響力設計獎繼續表揚亞洲的優秀設計項目：從行人天橋到山林深居、從銀髮族服飾到觀星儀......皆是從人們切身需求出發而設計的
匠心結晶。一眾得獎作充分體現出亞洲獨特美學及人文關懷，彰顯設計於社會及經濟日益重要的地位。

Ningbo History Museum
China (2008)

寧波博物館
中國 (2008)

Grand Award大獎

WANG SHU
王澍

Contemporary Chinese architect Wang Shu specialises inold building renovation, gaining such practical experience
over the research on the relationship between landscape andarchitecture. In 1997, he founded Amateur Architecture Studiowith his wife. Adopting a spontaneous and experimental
style, the studio strives to reshape Chinese architecture toreflect the contemporary era. Some past projects of the studioinclude Ningbo History Museum, Xiangshan Campus of China
Academy of Art, the renovation of Wencun Village, and Fuyang
Cultural Complex.
Wang’s unconventional philosophy won him the Pritzker
Architecture Prize in 2012. Well-known in the international
design community, he has been invited as guest lecturer
at top universities such as Harvard, MIT and Tong ji
University.
王澍為中國當代建築師，專注從事舊樓改造，以及環境與建築關
係的研究，並從中獲取寶貴的經驗，1997年與妻子共同成立「業餘建築工作室」，強調自發性與實驗性，致力研究重塑中國建築
Fuyang Cultural Complex (2018)
富陽文化綜合體 (2018)48

成為一種當代語言。工作室作品有寧波歷史博物館、中國美術學院象山校區、文村村居改造計劃及富陽文化綜合體。王澍別樹一

JAHADAM ProjectSouth Korea 南韓

Seoul Metropolitan
Government,
THE allim

The three-way pedestrian overpass at Shinyoung-Dong, Seoul is characterised by the successful
integration of architectural art into an otherwise commonplace public structure to better reflect
the local cultural and historical context. The design crystallises the imaginations of 92 students
from adjacent schools and inspiration derived from the surroundings where nature and city life
coexist.

South Korea 南韓幟的哲學令他在2012年獲得普立茲克建築獎。他曾被邀請到哈首爾新營洞三向行人天橋項目的特別之處，在於成功為公共設施加入藝術建築元素，更能反映當地

佛大學、麻省理工學院及同濟大學作為客座教授，是國際知名的

文化與歷史背景。設計結合了鄰近學校92名學生的想像、以及來自周邊環境的啟發，體現了城市及華裔設計師。

自然共生的概念。

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Rhys
睿程
Hong Kong (SAR) 香港特別行政區
Rhys Company Limited
睿程有限公司Hong Kong (SAR) 香港特別行政區Mountain House in Mist
拾雲山房

The ageing population is an inevitable trend worldwide, as

Mainland China 中國內地

well as in Hong Kong. Spotting a market gap for all-purpose,

Shulin Architectural Design

fashionable and comfortable garments for senior citizens, Rhys

尌林建築事務所

delivers a more wearable experience to seniors and people withMainland China 中國內地

special needs using lightweight fabrics and waterproof linings.
Rhys is also supporting the re-employment of former garment

Nestled in the ancient forests of Wuyi County in Zhejiang

factory workers and local women through the project, fulfilling

Province, Mountain House in Mist stretches along a mountainsocial responsibilities while producing designs that touchrange and welcomes visitors amidst a century-old jungle. The

hearts.

project preserves the characteristics of heritage homes while
creating a peaceful reading space to encourage young villagers

人口高齡化是香港社會無可避免的趨勢—睿程看中市場缺乏全方

to return to their roots in the mountains.

位、時尚兼具舒適度的銀髮服裝，設計採用輕巧布料和防水襯裡，帶給長者和特殊需要人士更好的穿著體驗。睿程亦透過此項

拾雲山房位於浙江省武夷縣的古老山林中，建築物群沿著山脈散

目協助製造業人士及本地女性再就業，構思窩心設計同時積極履

佈，入口位置更為百年叢林。項目不但保存了古老民居特色，同行社會責任。

時創造了一個寧靜的閱讀空間，藉此吸引年輕一代回歸山林。

Raffles City Hangzhou
杭州來福士中心
Mainland China 中國內地
UNStudioHong Kong (SAR) 香港特別行政區

Tsingpu Retreats
青普文化行館
Mainland China 中國內地Raffles City Hangzhou brings together living, work and leisure.

Beijing Tsingpu Retreat and Culture Co. Ltd

The two streamlined skyscrapers rising above the metro

北京青普旅遊文化發展有限公司

plaza and the underground tunnel connecting the metro

Mainland China 中國內地

station make the best use of space in a city where every inch
counts. The development, featuring China’s first retail space

Tsingpu means "primitive" in Tibetan. As the name suggests,

that extensively incorporates natural ventilation, is a stellar

this project encourages guests to "reacquaint themselves

example of sustainable design recognised by the LEED Gold

with the primitive." The retreats, positioned as China’s leading

sustainability certificate.

cultural holiday resort, highlight the magnificent naturallandscape of Yangzhou with an architecture that seamlessly

杭州來福士中心集生活、工作和休閒於一身，位於鐵路上蓋廣場

blends traditional and contemporary styles.

的兩個流線型高樓和連接鐵路的地下通道，在寸金尺土的都市裡

50

成功整合運用空間；同時，它更是中國首個大規模使用自然通風

青普在藏語中意指「原始」，顧名思義此項目希望讓住客「回歸設計的零售空間，獲得LEED綠色建築認證標準金級認證，充分原始」。行館坐擁揚州天然壯麗的美景，建築糅合傳統與現代體現可持續發展的設計理念。

風格，使其成為中國首屈一指的人文度假生活村。

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Tunnel of Light光之隧道Japan 日本
MAD Architects

MAD 建築事務所
Mainland China 中國內地

One of the main goals of Japan’s Echigo-Tsumari Art Triennale
is to pass on and revive local cultural traditions. The "Tunnel ofLight", debuted at the 2018 Triennale, is part of the restoration
project of the historic Kiyotsu Gorge Tunnel. Penetrating
unique rock formations, the tunnel offers a new perspective
to visitors to appreciate one of Japan’s three most spectaculargorges, and invites them to connect with nature through art
installations on its viewing platforms.
日本「越後妻有大地藝術祭」旨在傳承並復興當地文化傳統。2018年展出的「光之隧道」項目，就是歷史悠久的清津峽隧
道修復工程一部分：隧道穿越獨特岩層，遊客得以全新視角飽覽
日本三大峽谷之一全景，並透過觀景台上的藝術裝置，感受自身

Photo Courtesy of Osamu Nakamura與自然的連結。

Xiqu Centre
戲曲中心Hong Kong (SAR) 香港特別行政區
Revery Architecture and Ronald Lu & Partners

Hong Kong (SAR) 香港特別行政區

The Xiqu Centre is the first performing arts venue in Hong
Kong’s West Kowloon Cultural District Theatre. Chinese culture
and public space are neatly brought together under one roof,

Grand Award & Grand Award for Sustainability
大獎及可持續發展大獎

accentuating the grandeur of Xiqu opera as a timeless treasure

The Mills
南豐紗廠

The Mills is a large-scale revitalisation project that celebrates Hong Kong's industrial heritage. Locatedof traditional Chinese arches, while a winding path that ascends
through the multi-level circular atrium manifests the elegance

Hong Kong (SAR)

preserve the lost history and explore new possibilities for culture innovations and heritage education.

and sophistication of the opera arts.

香港特別行政區

Three former cotton spinning mills have been transformed into a complex of multi-purpose spaces forof traditional Chinese culture. The façade reinterprets the form

Nan Fung Design

promoting businesses, experiential retail as well as a non-profit arts and cultural hub.

戲曲中心是香港西九文化區首個表演藝術場地，完美融合劇

南豐集團設計部

院、中國文化及公共空間，體現出戲曲作為中國傳統文化瑰寶

Hong Kong (SAR)

南豐紗廠是一個保存香港重要工業遺產的大型重建項目，座落於二次大戰後紡織業蓬勃發展的荃灣的殿堂氣派。中心外觀不但重新詮釋中國傳統拱門設計，其環

香港特別行政區

工業區，旨在保留失落的歷史，並尋求創新文化與傳承學習的可能性。項目涵蓋三個舊有棉紡廠，

繞多層圓形中庭的蜿蜒路徑，更與戲曲之美一脈相承。

52

in Tsuen Wan, where the textile industry once flourished after the Second World War, The Mills aims to

成功整合為集推動商業、體驗式零售和非牟利藝術文化中心於一身的多用途空間。

53

PAY GOOD DESIGN FORWARD

Grand Award & Grand Award for Culture將好設計意念傳出去大獎及文化大獎The Power of Action
踐行的力量
Mainland China 中國內地
Zhejiang Made In Natural Culture Creative Co., Ltd.
浙江自然造物文化創意有限公司

Mainland China 中國內地The Power of Action is an ethnography of traditional Chinese artthat speaks volumes. Travelling to Lishui of Zhejiang Province
to study the country’s traditional rural culture, the Made in
Natural Culture team recorded a wealth of local customs andcrafts that served as a framework for the practice of culturalpreservation, remaking and sustainable development.
踐行的力量是一本內容紮實的中國傳統藝術民族誌：「自然造物」團隊前往浙江麗水縣，穿梭中國各地，研究中國農村地區的
傳統文化，並記錄各種在地風俗習慣和工藝，以作為文化保存、重塑及可持續發展的實踐框架。

Grand Award for Technology
科技大獎
Cosmo Leap Sigma
KONICA MINOLTA, INC.

Hong Kong Design Centre (HKDC) launched the DFA Awards in 2003 with the aim torecognise extraordinary Asian designs, celebrate design leadership as well as acknowledge
the rising force of emerging Hong Kong designers. Award recipients have the opportunity to

Seoul exchange session and exhibition

participate in dialogues in cities across Asia, and speak about their creative processes and首爾分享會及展覽

inspirations in front of public audiences. Over the last year, DFA Awards went beyond Hong

The event took place from 6 to 18 May 2019 in Gangnam

Kong, holding exhibitions and dialogue sessions in Shenzhen, Singapore, Taichung, Tokyoand Seoul to exchange ideas with local design professionals and showcase awarded works
to the public.

District’s Starfield Library in Seoul, with Prof. Eric Yim,
Chairman of HKDC as the officiating guest. Together with Prof.
Jooyun Kim, judge of the DFA Design for Asia Awards 2018,
six award winners from Korea shared the intriguing concepts

香港設計中心於2003年推出DFA設計獎，目的為透過獎項表揚亞洲設計，得獎者更有機會於behind their designs.

亞洲不同城市參加設計主題對談、分享創作過程及心得，其作品亦會作巡迴展覽，讓大眾認識
更多優秀設計作品。過去一年DFA設計獎除了在本地，亦有到深圳、新加坡及台中舉辦DFA設

活動在2019年5月6日至18日於首爾江南區三成洞Starfield圖書館

柯尼卡美能達株式會社

計獎展覽及設計師對談會，更率隊到東京及首爾，除了與當地設計業界從業專才交流，亦為一

舉行，主禮嘉賓為香港設計中心主席嚴志明教授，DFA亞洲最具

Japan 日本

個面向當地民眾展示得獎作品的好機會。

影響力設計獎2018評審Jooyun Kim教授及六位來自韓國的得獎者

Cosmo Leap Sigma

獲邀分享其作品背後的設計思維及意念。

Cosmo Leap Sigma is a compact optical planetarium projector
suitable for a medium-sized planetarium dome. Not only is
it the smallest of its kind, but it’s also a world's first to have

Tokyo exchange session and exhibition
東京分享會及設計獎展覽

80 projections built into a single starball projector. Enclosed

The exhibition was held between 25 April and 9 May 2019 in

by a polyhedral frame resembling a sea of twinkling stars andGOOD DESIGN Marunouchi, Tokyo. Free for public visitors,

designed to blend harmoniously with cosmic space, Cosmo

it brought the winning works of the DFA Awards under the

Leap Sigma will surely arouse interest in astronomy among

spotlight and paid tribute to the award recipients. Naoki Terada,

young people.

a judge of the 2018 edition and other DFA Awards winners
shared their design insights at the exchange session.

Cosmo‧Leap‧Sigma是一款適用於中型天文館圓頂的精密光學投

54

影器，不但是同類系統中體積最小的一部，更是全世界首個能將

展覽在2019年4月25至5月9日於東京GOOD DESIGN

80個投影集合到單星球體投影儀，其設計之開創性可謂劃時代。

Marunouchi免費開放予公眾參觀，展出「DFA設計獎」的得獎作星體儀由一個猶如閃爍星星的多面體框架包圍，令精緻的設計與

品及得獎者簡介，2018年評審寺田尚樹先生及多位DFA設計獎得

宇宙空間保持協調，必能引發兒童探索天文的興趣。

獎者參與分享。

55

DFA HONG KONG YOUNG DESIGN TALENT AWARD 2019
DFA 香港青年設計才俊獎 2019

Empoweringa New Wave of Designers
香港設計新勢力

The regenerative power of design is born from the creative vision and enthusiasm of successive generationsof young design talents. With a commitment to supporting the growth of Hong Kong’s emerging designers anddesign graduates, the DFA Hong Kong Young Design Talent Award offers sponsorship for awardees to work or
pursue their studies abroad, and helps widen their horizons to enrich the local design scene. The 16 winners
this year each show a distinctive style. Their creative works speak for themselves, and showcase the endless

CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Award

創意智優青年設計才俊獎

創意智優青年設計才俊獎

創意智優青年設計才俊獎

創意智優青年設計才俊獎

potential of Hong Kong’s young design talents.
設計生生不息的力量，盡見於一眾年青設計師對創作的滿腔熱誠！DFA香港青年設計才俊獎一向致力發掘及培育香港年
青新晉設計師及設計畢業生，更會贊助部份得獎者遠赴海外工作或進修，汲取靈感豐富本地設計土壤的養份，為香港設
計界孕育下一代人材。本年度共有 16 位得獎者，風格迥異......就讓作品說話，述說香港設計新生代無窮無盡的可能性。

ADONIAN FREEMAN CHAN陳濬人

GUS KA YAN CHEUNG張嘉欣

CARMEN KA MAN LEE李家敏

GARY KA KIN NG
吳家健Communication Design

Communication Design

Communication Design

Environmental Design

傳訊設計

傳訊設計

傳訊設計

環境設計

The dynamic visuals of Beiwei
Calligraphy are driven by thedesire for change throughout theages in different societies.

Good design can elicit a smilefrom the bottom of our hearts.

Inspiration comes from getting toknow your customers. Creativity
and imagination bring to life theinspiration in one’s head.

Using the shapeability and靈感可從了解客戶時提取，而創意和
創造力可使腦內的靈感演活於眼前。

展現平常建築物料的可塑性，以簡單
形象語言為尋常城市創造想像空間。

一個好的設計能帶來會心微笑。

北魏書法字的視覺活力，源自不同時
代、社會的求變精神底蘊。

simple geometry of ordinary
building materials to expand ourimagination of common cityscapes.

by ADONIAN FREEMAN CHAN陳濬人

by GUS KA YAN CHEUNG
張嘉欣

by CARMEN KA MAN LEE
李家敏

Hong Kong Beiwei Zansyu
Book Design《香港北魏真書》書刊設計

Twenty4Seven Runners –Visual Identity
視覺系統

7-15 Mount Kellett Road –Key Visual Design「加列山道7-15號」平面設計

Moongate - Entrance Feature
Design for New Year Fair 2019
「月亮門」- 2019維多利亞公園年宵花市入口設計

Hong Kong Beiwei Zansyu is a type design
and research project to reexamine thetypography and calligraphy heritage ofHong Kong, and establish the importantrole of Beiwei in Hong Kong’s cultural
heritage. Results from the research will
be developed into a redesigned computer
font, breathing new life into a time-“Twenty4Seven Runners” is a group of
local runners in Hong Kong who live by
the motto, “Never not running, just likerunning 24/7”. Highlighting their chic andleisurely running style, the visual design
makes a strong statement by taking on a
fashionable street style to project a new

As one of the first hundred houses built
on the Peak, 7-15 Mount Kellett Road iswhere architecture blends into nature
against a backdrop of lush greenery. The
graphic design features tree ring patterns
which symbolise life, wealth and longevity,
pointing to the long history of Mount

image of running.

Kellett.

Inspired by the “moongate”, an architecturalelement of Chinese-style gardens, thisarchitectural creation is composed of fivemetallic arch towers, serving not only aspedestrian access but also as openings
to provide a glimpse from the inside out.
The “circular” form represents family
reunion and wholeness, and the red steel
bars resemble peach blossoms in fullbloom, adding a festive mood to New Yearhonoured cultural art.

Chan graduated from The Hong Kong
Polytechnic University majoring in Visual
Communication. He published Zansyu - A
Study on Hong Kong Beiwei Calligraphy &Type Design in 2018, exploring Hong Kong’s
typography and calligraphy from cultural,aesthetic and historical perspectives. He
also created an interactive installation withflickering neon lights and sound effects, asa tribute to Hong Kong’s neon signs.

Majoring in Design (Visual Communication)
at The Hong Kong Polytechnic University,
Gus is enthusiastic about exploring sportsrelated design. Her works focus on details,
interactions and spatial relationships,
using bold colours and graphics to express
profound meanings in a concise visual

畢業於香港理工大學，主修視覺傳達設計，性與空間感，配上耀眼的用色與圖案，以簡兩岸四地建築設計大獎，有志擴闊社會生態

2018年出版《香港北魏真書》，從文化、

潔視覺語言表達深層意念。

學及建築學的設計視野。

language.

With a Degree in Visual Communicationfrom The Hong Kong Polytechnic
University, Carmen excels in creating
highly strategic design solutions with asimple, innovative style by capitalising on
her skills in 2D design, user experience,
video production and illustration.
香港理工大學視覺傳達設計畢業，擅長透過A Registered Architect with a Master’s
degree in Architecture from the Chinese
University of Hong Kong, Gary is a Senior
Architect at Nam Fung Development.
Winner of the HKIA Cross-Strait
Architectural Design Award, he isinterested in expanding his design vision

by GARY KA KIN NG吳家健「Twenty4Seven Runners」由一班本地跑

作為矗立山頂上的首百棟樓房之一，「加《香港北魏真書》是一個字體設計及研究項

者組成，以「任何時候，都想跑步；任何地

列山道7-15號」的建築設計融入大自然元目─重新審視香港的字體設計及書法史，並方，都是跑道」為團隊信念。為突出他們

素，加上山頂一片綠意盎然的明媚風光，平確立香港北魏體在文化遺產上的重要地位。

的休閒時尚風格，視覺設計奪目又富時尚個

面設計特意用上樹輪圖紋—象徵生命力、財構思自傳統中式園林的建築元素—月亮門，研究所得更會開發成廣泛使用的電腦字體，性，讓團隊在跑道上鮮明出眾，展現煥然一富及年歲，記載建築物的悠久歷史。

建築作品由五個拱形金屬塔架組成，既是通賦予文化遺產新生命。

新的街頭運動時尚。

celebrations.

道，又讓人透過門洞探看門外風景。月亮門「圓形」的設計代表新年團圓與圓滿的意
思；紅色的鋼條猶如盛開的桃花，營造喜慶的氛圍。

in social ecology and architecture.

於香港理工大學主修視覺傳達設計。熱衷探二維設計、用戶體驗、影片製作及繪畫提出

香港中文大學建築系碩士畢業，註冊建築

索與運動相關的設計，作品著重細節、互動

富策略性的設計方案，風格簡潔創新。

師，受聘於南豐集團。曾獲香港建築師學會

美學及歷史角度探討香港字體及書法。同時
他亦創作了互動的霓虹及聲音裝置，展現香港霓虹招牌特色。

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· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Award

CreateSmart Young Design Talent Special Award

創意智優青年設計才俊獎

創意智優青年設計才俊獎

創意智優青年設計才俊獎

創意智優青年設計才俊特別獎

NECRO TSZ PAN POON潘子斌ARIES MEI YUK SIN
冼美玉

PAUL YI PONG TSE謝怡邦

THOMAS TSZ FUNG CHAN
陳子豐Apparel & Accessory Design

Apparel & Accessory Design

Environmental Design

Communication Design

服飾及時裝設計

服飾及時裝設計

環境設計

傳訊設計

Fashion can be a creative voice:
to record, to explore, to create.

Fashion is more about attitude
than about gender — and isdefined by the interaction
between the wearer and thegarment.

The design process is an
exercise of closely observing thethings around us, while bringing
into light the various elementsof a city.

Forming a sense of identity
always starts from selfreflection and cognition of self.

時裝不在於性別而是態度，更是穿衣者與衣料之間的關係。

設計過程反映我們對身邊事物的觀察
和突顯城市裏的各種元素。

時裝是創造性聲音：記錄，探索，創造。

身份認同的建立，往往需要先從一個人對自我身份的反思和認知出發，再而產生共鳴形成。

by NECRO TSZ PAN POON潘子斌by ARIES MEI YUK SIN
冼美玉

by PAUL YI PONG TSE謝怡邦

SOUND OF RIOT / 2019
FASHION COLLECTION
暴動之聲 / 2019 時裝系列AW18/19 –SUNSET TO DAWN
時裝系列Growing Up – Pavilion for theWest Kowloon Cultural District
Growing Up – 西九文化區
海濱長廊展亭Afterglow
白熱

Clothing has traditionally been classified
into men’s and women's wear. Poon hopes
to create garments that both men andwomen can exchange and wear together.
A collaboration with a tattoo artist, heattransfer is used to imprint a hand-drawn
artwork with special messages on thedenim jumpsuit and denim top, creatinga unisex style collection that breaks theGod created day and night with the sky
as his painting canvas. The collection is
inspired by the vibrant colour gradientsin the sky seen between day and night.
Aries interprets the spiritual shift between
dusk and dawn differently from others.
For her, that blurred line in the process oftransition is where both ends of life meetto create something beautiful, constant,liberating and non-binary, as exemplified
by the androgynous design concept behind

Just as growing trees requires good soil,building city culture calls for a strong
foundation of collective memories.
“Growing Up” captures everyday elements
fundamental to Hong Kong, cultivatingthem to become part of the fabric of asoon-to-be major arts and cultural centre.
Like transplanting seedlings from a nursery,“Growing Up” transplants fragments of the

A conceptual study of Hong Kong
Government-initiated designs, “Afterglow”
takes the form of postage stamps,
passports, banknotes, ID cards and maps.
Together, they explore local social issues
such as over-population, ageing, lack of
medical support, housing shortage andnorm.
A Hong Kong Polytechnic University
graduate majoring in Fashion and Textiles(Knitwear Design with Technology), Necro
founded NECRO STUDIO in 2017, andwon the Collection of the Year Menswear
Award by Hong Kong Fashion Council inAries graduated from the Hong Kong
Design Institute with a Higher Diploma in
Fashion Design and Product Development.
In 2010 she established MODEMENT,
pioneering gender-neutral fashion madein Hong Kong from natural and sustainable
materials. MODEMENT was showcasedat Milan Fashion Week in 2017 and Paris

Having studied design and architecture
in Australia and the United States, Paul
returned to Hong Kong and began teachingat The Chinese University of Hong Kong,
where he is now an Adjunct AssistantProfessor. In 2017, he founded New
Office Works and held the post of Design
Director. Paul has won numerous local andFashion Week in 2018.

international design awards.

得Hong Kong Fashion Council最佳男裝畢業於香港知專設計學院的時裝設計及產

於澳洲及美國攻讀設計學及建築學，回港後

作品「白熱」以多種政府出版物為藍本進

系列獎。

品開發高級文憑，2010年創立時裝品牌擔任香港中文大學客座教授。2017年創立

行創作。

MODEMENT，以天然耐用的物料打造出New Office Works並擔任設計總監，獲得

品牌中性、環保及香港製造的形象。作品

多個本地及國際設計獎項。

the same year.
畢業於香港理工大學，主修服裝及紡
織，2017年創立NECRO STUDIO，同年獲Thomas studied Communication Design
at The Hong Kong Polytechnic University
and is always keen to learn, visit exhibitions
and introduce Hong Kong to people living
abroad. His signature work “Afterglow”
is a conceptual creation using various
government publications as the blueprint.

服裝必須分為男裝和女裝─這是普遍的社會規範。潘子斌想創造一種可以男女互換並一

the MODEMENT label.

city into the cultural district for cultivation.

by THOMAS TSZ FUNG CHAN
陳子豐social polarisation.
概念性作品—以香港政府出版物包括郵票、
護照、鈔票、身份證及地圖為藍本，探究了

集體回憶是城市發展文化的堅實基礎，正人口過多、人口老化、醫療支援不足、房屋

如培植樹木需要良好的土壤。「Growing

短缺、社會分化等本地問題。

起穿著的服裝。與紋身藝術家合作，手繪圖

神以天空為畫布，創造出日與夜。白晝與黑Up」捕捉組成香港日常的基本元素，並將

稿加上文字創作，製成牛仔工人連身褲和上夜交匯之間的幻變色彩成就此系列。有別於其培植，成為一座未來主要文化藝術中心的

衣，曖昧地遊走性別之間。

前人對晝夜交替的想像，破曉與垂暮之間的紋理。當苗圃培育的植物遷往其他地方，

曖昧界線是生命的相交點，讓美麗、自由、「Growing Up」隨之把城市的碎片移植到

恆久之事由此誕生，同時符合MODEMENT

文化區。

標誌性的「雌雄同體」設計理念。

於香港理工大學設計學院修讀傳意設計，熱衷學習、參觀展覽及向世界介紹香港，代表

亦曾於2017米蘭時裝週及2018巴黎時裝週
展出。

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· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·CreateSmart Young Design Talent Special Award

CreateSmart Young Design Talent Special Award

CreateSmart Young Design Talent Special AwardHKDI Young Design Talent Award

創意智優青年設計才俊特別獎

創意智優青年設計才俊特別獎

創意智優青年設計才俊特別獎

香港知專設計學院青年設計才俊獎

MOHAMMAD SHAHRUKH KHAN
李宗諾

ANDREW HIU LOK LAU劉曉樂

TIFFANY YIN YU LAU樓彥如JOSEPH CHUN KIT SO
蘇進傑

Apparel & Accessory Design

Apparel & Accessory Design

Communication Design

Apparel & Accessory Design

服飾及時裝設計

服飾及時裝設計

傳訊設計

服飾及時裝設計

Flowers are the theme of thiscollection. I converted flowers
into wearable garments, colouring
them with a palette of love andpeace.

The collection illustrates
memories with vivid colours
in contrast with black, which
represents emptiness. It is amessage about love.

Every photography experimentis a challenge to present
an alternative local feeling,questioning the stereotyped
image of Hong Kong.

With this collection which
includes suits and casual wear,
I have tried to explore thedesign possibility of menswear.

以花為題─我把花朵轉化成衣裳，並為它添上愛與和平的色彩。

以鮮明刻畫記憶，以黑色比作空虛，編寫岀一段關於愛的信息。

每個攝影實驗都是一個個另類的香港
情感，質問被定型的香港影像。

With a Higher Diploma in Fashion Designfrom the Hong Kong Design Institute,
Shahrukh aspires to support traditional
tailoring techniques and craftsmanshipin fashion and textiles. He is especiallyinterested in upcycling, local sourcing andthe extraction of plant dyes, and hopes toAndrew graduated from the Technologicaland Higher Education Institute of Hong
Kong (THEi) Faculty of Design andEnvironment with a major in Fashion
Design. He is adept at integrating different
concepts into his fashion collection, paying
special attention to the details, colour
scheme and silhouette. His work includes“Hypocrisy”, a critique of humanity’s

Tiffany obtained her Bachelor of Arts
degree in Communication Design fromThe Hong Kong Polytechnic University
School of Design. She excels in different
experimental creations using photography
as well as graphic and communication
design. Her recent projects include “Island
Life”, a film photos series capturing life onbuild his own sustainable brand.
於香港知專設計學院修畢時裝設計高級文憑

hypocrisy in environmental protection.

此系列包含西裝款式及休閒服單品，
希望在其中運用設計元素，嘗試男裝
設計的可能性。

Lamma Island.

With a Higher Diploma in Fashion Design
Menswear from the Hong Kong Design
Institute, Joseph rose to fame by becoming
the Graduation Show Overall Winner. He is
good at combining traditional techniqueswith today’s casual wear trends. Joseph’s
2019 collection was chosen by Fashion
Farm Foundation for the runway show inShenzhen.

畢業於香港理工大學設計學院，主修傳意設

香港知專設計學院時裝設計男裝高級文憑課

保育作貢獻，對升級再造、本地取材及植

畢業於香港高等教育科技學院環境及設計學

計文學士課程，擅長透過攝影、平面及傳

程畢業，學院畢業展總冠軍得主，擅於將傳

物染料提取尤感興趣，希望創立自己的環

院，主修時裝設計，擅長將不同概念融入自意設計，進行各類實驗性創作。近年作品

統工藝運用於流行休閒服飾之中。2019年設

保品牌。

己設計的時裝裡，著重細節、顏色配搭及剪包括以菲林相片記錄南丫島島民的「Island

計的服飾系列獲Fashion Farm Foundation

裁。作品包括表達人類對環保偽善態度的Life」系列。

選中在深圳展出。

課程，立志為傳統裁縫及時裝紡織工藝的by MOHAMMAD SHAHRUKH KHAN
李宗諾

by ANDREW HIU LOK LAU劉曉樂

by TIFFANY YIN YU LAU樓彥如Blossom

1996-

Floating City
浮城

Awakening
睡醒了

The design inspiration comes from theword “Blossom”, as the collection playson the structure, form and colours of
blossoming flowers. Ruffles are thehighlight of the design, together withgradient colours ranging from beige tomaroon or turquoise. The ruffles aredelicately inserted into the seamlines ofwool fabric, creating a three dimensional
textural effect representing the fullThis collection portrays a story of imagineddeath. Trailing a fading spirit into a tunnelof trees, the collection illustrates one’s
last journey with fleeting life memories.
Contrary to the perception that deathwill leave nothing behind but emptinessand loneliness, love can actually take adifferent form of existence and continue todwell in the memories of our beloved ones.
Memories are, therefore, proof of love.

A search on Hong Kong images will
most likely result in photos touting thevibrancy of the Victoria Harbour. But aresuch stereotypical images truly reflectiveof local sentiments and realities?
Designed to unveil the real face of Hong
Kong’s cityscape by looking beyond its
excessively cosmeticised appearance, theproject aims to reconnect the audience
with the cultural ambience of Hong Kong,
while making it clear that we should accept

It is like a rude awakening to change
one’s lazy lifestyle in a positive way. As adesign element, the folds in the clothes
express the impact of the sudden wakeup call. The interesting variation inducedby the folds, together with checkered andstriped fabric, enhance the visual effectsof the garment. Moreover, this collection
contains the elements of men’s suit andhand embroidery to evoke a feeling ofblossom of flowers.

系列敍述了一個想像死亡的故事。伴隨著將

the reality and learn to grow in poor soil.

by JOSEPH CHUN KIT SO
蘇進傑

sophistication.

創作靈感來自「盛放」一詞。設計描繪花卉逝的靈魂走進森林般的隧道，如紗般飄渺的綻放時的形態、結構及顏色。摺邊是這系列

生前回憶閃爍流逝。原以為剩下的只有空虛搜尋關於香港的影像，照片大多渲染維港的醒了過來。在設計元素上，衣服上的皺摺，的重點，每條摺邊均精巧地縫入羊絨內，形和寂寞，卻發現愛能以另一種形式存在，

活力氛圍。被定型的影像能否確實地反映城

表達突然間醒來的衝撃。格子及條子的布成立體結構，再加上漸變效果─由米色到棗

在所愛的人回憶中繼續陪伴他們。回憶，

裏人的情緒與現況？揭開被粉飾過度的城市料，在皺摺的變化下，增強視覺效果。作品

紅或湖水藍，形成一片花卉盛開的美景。

就是愛。

面貌，「浮城」希望讓觀者重新感受香港的中包含了男裝西裝及人手刺繡元素，希望提氛圍，同時明白最重要的是接受真實，並學升高級感。

正面積極改變自身的懶惰人生，有如突然間

會從枯萎中成長。

「Hypocrisy」。

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· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·· DFA Hong Kong Young Design Talent Award 2019 ·· DFA 香港青年設計才俊獎 2019 ·PolyU School of Design Young Design Talent Award

Young Design Talent Special Mention Award

Young Design Talent Special Mention Award

Young Design Talent Special Mention Award

香港理工大學設計學院青年設計才俊獎

青年設計才俊優異獎

青年設計才俊優異獎

青年設計才俊優異獎

CINDY HO YEE CHAN
陳可兒

TOMMY SHUI CHEUNG HUI許瑞彰

SARA SHEUNG WAH NG
吳湘鏵JACK MAN WAI WONG
王文偉

Product & Industrial Design

Environmental Design

Communication Design

Product & Industrial Design

產品及工業設計

環境設計

傳訊設計

產品及工業設計

If a piece of stone can takethousands of years to form,
how about the food we
consume every day?

T.B.C. Studio’s believes thateveryone should break freefrom all boundaries andrestrictions to customise, craft
and create.

You cannot own the place,but you can understand andappreciate it. Treasure thepresent before it vanishes.

Different, but not less.

以石頭史前生物比喻在餐桌上的食物能有多源遠流長，重新欣賞和珍惜
食物。

Cindy graduated with a BA in Product
Design at The Hong Kong Polytechnic
University, where she was named the Most
Outstanding PolyU Student of 2018. She
is a co-founder of Deep Food, an Asian
cultural and creative food organisationthat aims to reinvent traditional eating
experiences through experimental fooddesigns and their interactions with the

自訂制造：「每個人都不應該有界限和
限制去自訂，自制和自造。」

不一樣，不是差一樣。

你無法擁有它，但可以了解它、欣賞
它。可是一旦它消失了，就再也回不來了。

A graduate of the Architectural Association
School of Architecture in the UK, Tommyis currently an RIBA Chartered Architect.
Landing 1st Runner-up in the RIBA HK
Tree of Light Competition and Winner of
the Japan Wired Magazine Creative Hack
Award, he has a firm conviction in theimportance of the interdisciplinary design

Sara has a BA in Communication Designfrom The Hong Kong Polytechnic
University School of Design and is arecipient of the Fung Scholarship. She
won an award in the 2017 DISH Global
Centre for Food Safety and Quality logo
competition. Her recent work includes anillustrated book Word - from Mankind on

approach.

the moveable-type of typographers.

畢業於英國建築聯盟學院，現為英國皇家建畢業於香港理工大學設計學院傳意設計文學

香港理工大學產品設計學文學士畢業，獲選

築師協會建築師，曾於RIBA HK Tree of士課程，馮氏獎學金得主，曾於2017 DISH

香港理工大學設計學院產品設計學文學士畢

大學卓越學生獎。為亞洲飲食文創單位「深Light比賽獲得亞軍，及為日版《Wired》雜

環球食品安全及質量中心商標設計比賽中

業生，對社區創新設計深感興趣的他曾主持

食」創辦人之一，期望透過實驗性的食物設誌Creative Hack Award得主，深信跨領域

獲獎。近年作品包括活字排印工藝人書冊

設計及教育工作坊，並設計教育工具。曾為計與大眾的互動，打破傳統飲食框架。

設計方法的重要性。

「字—由人」。

崇光百貨設計出結合水果及潛艇的藝術裝置

public.

Jack graduated from The Hong Kong
Polytechnic University School of Design
with a BA in Product Design. With a keeninterest in social innovation design, he hastaught design and education workshops
and also designs educational tools. Among
his creative works is “Fun in the Sun”,
an artistic installation for the Sogo Mallfeaturing a delightful combination of fruitby CINDY HO YEE CHAN
陳可兒

by TOMMY SHUI CHEUNG HUI許瑞彰

by SARA SHEUNG WAH NG
吳湘鏵Stone of Origin
起源之石Bubble Membrane
Painting Machine
泡膜繪畫機Panoramarket
闤事

Dwarfs
情緒小侏The "Stone of Origin" is a cross-over project
between the food design team at Deep Foodand Cambodian stoneware brand Unsign.
Tableware is designed and made out ofsandstone, to trace the atomic origin of foodand celebrate its long journey from nature
to table. Every piece of sandstone tableware
is like a prehistoric creature – a metaphor
for the food on our table – encouraging us
to appreciate and treasure food by regarding

The "Bubble Membrane Painting Machine"(B.M.P.M.) is an experimental device
designed not only for artistic purposes. The
colourful spray paint tests the structuralweight and tension of bubble membrane,
which eventually forms magnificent patterns
and a “bubble painting”. The experimenthighlights the mysterious chemistry
between soap bubbles and their iridescentcolours, with how nature uses a spectrum of

People love to visit local markets, yet manyof them simply stroll about, oblivious to
the living and breathing stories behindthem. Traditional markets in Hong Kong aresymbolic of its down-to-earth local culture,
where a lot of touching stories about themarkets and its people are waiting to bediscovered. “Panoramarket” features a setof postcards, a calendar and leaflets of thetypical colourful markets in Hong Kong.

Designed for children with ASD (autism
spectrum disorder), this educational kit
helps them learn about the expression andmanagement of emotions. Elements ofcolour, form and sound respectively trigger
the visual, tactile and auditory sensationof the children, so as to improve theircommunication with social workers andit with a new perspective.

colours to reveal itself.

人們喜歡逛墟市，卻很多都只是單純地停留具，以遊戲讓他們從中學習情緒表達及管理

起源之石是「深食」和柬埔寨石雕產品品牌

泡膜繪畫機，不僅是實驗性藝術裝置，更藉

在「逛」，而沒有深入了解當中的情感和背能力，並用顏色、形狀和聲音刺激多種感

Unsign的一個合作項目。透過追溯食物的著七彩噴漆來挑戰泡膜的承重及張力，最終後所發生的事情。香港的墟市象徵著香港地

官，令不擅長言語溝通的自閉症傾向小童與

分子源頭，顯示食物從大自然到餐桌上走過形成壯麗的圖案以及「泡畫」。實驗結果顯

道的庶民文化，當中蘊含了很多關於墟市內

社工產生更深入的溝通，從而改善他們的社

的漫長道路，宣揚珍惜食物的訊息。一系列

示了著色和皂泡之間的神秘化學作用，並使的人和擁有溫度的故事。「闤事」用明信

交能力。

石頭食具把每一個食具幻想成史前生物，比用顏色呈現出大自然的光景。

片、日曆及色彩鮮明有關香港街市的小冊

喻今天在我們餐桌上的食物。希望以新的角

by JACK MAN WAI WONG
王文偉

enhance their social skills.
這個為有自閉症傾向的小童而設計的教育工子，訴說香港具意義又獨特的市集故事。

度，欣賞和珍惜食物。

and submarines.

「Fun in the Sun」。

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· CA Idea Snaps 加州隨行隨影 ·· Design Exchange 設計交流 ·ON A JOURNEY OF
ENDLESS INSPIRATIONS

Alan Cheung 張國麟

Bodin Hon 韓文鏘

Clement Tien 田學維

Emily Tang 鄧曉瑩

Fiona Lau 劉慧詩

Henry Chu 朱力行

Ian Hau 候毅剛

Kat Luk 陸以珮

Mazing Lee 李明心Michael Leung 梁展邦

Nicholas Tsao 曹晉愷

Roy Lo 羅偉成

踏上這無盡靈感旅途

When a group of young Hong Kong designers are taken to California on a 9-day

當一眾香 港 年 輕 設 計 師 踏上 地 球 彼 端 的 美 國 加州 大 地，會 迸發出怎樣 的 靈 感

inspiration trip, what kind of creative sparks would fly? Twelve emerging design

火花？ 12位香港年輕設計師，通過由香港設計中心舉辦的第四次「DX設計交流」在talents participated in the fourth Design Exchange Tour (DX Tour) organised by

美國三藩市和洛杉磯進行一系列交流及考察活動。加州的創意產業舉世聞名，發展

Hong Kong Design Centre (HKDC) in San Francisco and Los Angeles. With thriving

極為蓬勃，影響力更遍及全球，今次旅程正是參加者觀摩學習的良機。

creative industries wielding global influence, these famous west coast cities in
California gave tour participants much to learn and explore on the other side of
the globe.

64

一行人於2019年9月14日出發，為期九天的行程相當豐富，先出席於三藩市劇院區中
心舉行的「Co-creating Hong Kong」展覽，由香港駐三藩市經濟貿易辦事處及香
港設計中心共同主辦，展出了14個香港新晉設計師的項目，包括部分參與是次啟發

The action-packed trip kicked off on 14 September 2019 in San Francisco. The之旅設計師的作品，引領兩地進一步交換創作心得，並探索未來合作機遇。此外，一designers took part in the "Co-creating Hong Kong" exhibition co-organised by the

眾交流團成員更前往三藩市多間設計公司如IDEO、Oculus、Whipsaw及Autodesk

Hong Kong Economic and Trade Office, San Francisco and HKDC, which featured

Gallery考察產品創新以至設計新思維在商業及社交層面的應用。

In Los Angeles, the Hong Kong design talents examined how to address global另一邊廂，在洛杉磯舉行的「邁向亞洲‧首選香港」設計x科技專題研討會，邀請了

challenges in technology, community and sustainability with design and design

香港設計界代表探討如何以設計及設計思維應對科技、社區和可持續發展等全球挑

thinking at the “Think Asia, Think Hong Kong” conference. They also visited

戰。而在洛杉磯，考察團亦拜訪時尚設計商業學院、Portal XR、南加州建築學院及design powerhouses, including the Fashion Institute of Design and Merchandising,

Virtue等設計重地，了解美國於設計、時裝、空間體驗、娛樂及電子媒體各領域的最Portal XR, Southern California Institute of Architecture and Virtue, to learn about

新發展。

America’s latest advances in design, fashion, spatial experience, entertainment anddigital media.

回 港 後，香 港 設 計 中心 邀 請 一 眾 完 成 交 流 的 設 計 師，以早前 於 三 藩 市展 出 的「Co-creating Hong Kong」展覽為藍本，將旅程期間汲取的新知識轉化為創作靈

14 unique projects by Hong Kong's rising creative talents including the designers

Upon their return to Hong Kong, the designers were invited to share their感，於DesignInspire 2019展覽的香港設計中心主題展館中展出，為交流之旅劃上圓themselves. They were then taken on exchange tours to exciting design firms like

inspirations from the trip at HKDC’s pavilion at DesignInspire 2019, by drawing滿句號。不過，文化衝擊帶來的新點子才剛開始萌芽......

IDEO, Oculus, Whipsaw and Autodesk Gallery, where they explored new frontiers

ideas from the "Co-creating Hong Kong" exhibition. While the show marked thein product innovation and the application of design thinking in business and social

perfect ending to the tour, new ideas arising from the cultural encounters are justdomains.

beginning to sprout…

65

DOUBLE BLACK COMPANY LIMITED

Building on a future-forward attitude and aesthetic, Christian Stone’s

Constructed with meticulous craftsmanship and unique composite

imagination transcends time and space. With surprising detail intechnology, UNSUIKYO eyewear creates visionary designs withfunction, the label injects power and individuality into fashion wear.

materials sourced from all over the world.

Incubation Programme (FIP), who have been empowered

科技的彼端，未來的終焉，也不出Christian Stone的美學領域，驚喜入微的

設計眼鏡，更是設計探索世界的視角。匠心鍛造的UNSUIKYO品牌，搜羅來

to develop their creativity and design sensibilities with

功能細節，想像力逾越時空界線，在時裝注入力量與個性。

自世界各地的材質，配合獨特複合技術造工，創造出嶄新的眼鏡視角。

Design Incubation Programme 設計創業培育 計劃

CHRISTIAN STONE

21 BRANDS TO WATCH
IN 20212021受注目的 21個品牌Watch out for this new generation of designers selected forthe Design Incubation Programme (DIP) and the Fashion

workspace, funding and mentorship support. These emerging
talents are creating all kinds of exciting works, as they fully
unleash their potential and stand ready to shine on the worldstage.
These 21 brands represent 21 different worldviews and infinite
possibilities.
21組設計人，21種世界觀。一眾新一代創作菁英，成功獲選為設計
創業培育計劃（DIP）與時裝創業培育計劃（FIP）一員，活用計劃提
供的創業空間、資助支援以及啟導培育，全面發揮他們的創意及設計理念 ─ 讓一筆一劃、一針一線串連無數精彩作品，使設計師的超卓才能得以盡展，甚至踏足世界舞台燦爛盛放。
是21個嶄新品牌，更是見證21種無限可能。

About CHRISTIAN FUNG

About BRIAN.C

Christian Fung graduated from Central SaintMartins, majoring in women’s fashion. An
e-gaming and sci-fi fanatic, he explores therelationship between humans and technology
in the clothes he creates.

Brian.C began designing eyewear for multiple
international labels after graduating in2008 with a degree in product design from
Birmingham City University. He is the founderof the UNSUIKYO brand, with numerous
awards under his belt.

畢業於英國中央聖馬丁藝術與設計學院，主修女
裝設計，熱愛電子遊戲及科幻文化，致力透過時

2008年畢業於英國伯明翰城市大學產品設計系，

裝設計探討人類與科技之關係。

畢業後投身眼鏡設計行業，現為UNSUIKYO創辦
人，曾為多個國際品牌設計眼鏡，屢獲殊榮。

Photo: Product of Novel Fineries
67

GINGERMITEHEI SHING BOOK DESIGN 曦成製本

KAY KWOK FASHION HOUSE LTD

MAKKAIHANG DESIGNThe floral designs of Gingermite reveal the sheer beauty of the universe.

Designing a book is a journey of storytelling. The mission of Hei Shing

A fashion label from the future, Kay Kwok’s the-future-is-now brand

Mak Kai Hang wishes to create text-inspired designs that can stand theEach of its unique gift creations is a defining testament to nature’sBook Design is to craft books that can visually translate the mostaesthetic interweaves technology and theatre elements into its

test of time. Without superficial flourishes to wow the crowds, the very

miracle and magnificence.

compelling parts of the text, leading the reader into the wonderfulcreations. The colours, fabrics, and prints come together to form aessence of a mark on paper is as immovable as an anchor in the river ofworld of reading. It is also Hei Shing’s life-long vocation to bring thevisual dissonance of an intergalactic fashion smorgasbord.

time.

彷彿來自未來世界的時裝品牌，Kay Kwok以當代未來感和前瞻思維確立品

時光代代流轉，Mak卻希望創造不朽，以文字出發，不譁眾取寵，淬煉紙本筆

設計書本，是一個說故事的旅程，將文本中挑動思緒的部份重繪呈現，引領讀

牌的審美風尚。透過融入科技及舞台視覺元素於服裝－用色、布料及印花圖

劃深處的真髓，讓文化藝術的印記得以在時代長河中繼續承傳。

者沉浸閱讀世界，正是「曦成製本」的宗旨，更是這位為文本生命用心琢磨的案，呈現豐富的視覺衝擊，尤如是宇宙的時尚盛宴。

Gingermite的花藝設計作品，呈現宇宙為我們綻放的美麗，將自然的奧妙優
美通過每份獨一無二的禮品傳遞重現。

text to life.

設計師，一生懸命的志業。

About GINGER & MITE

About CHAN HEI SHING

About KAY KWOK

About MAK KAI HANG

Gingermite was founded by a mother-andson duo who love design. Ginger, the mother,
was a graphic designer and now designs floral
arrangements. Mite, the son, was a fashion buyer.
He is in charge of branding, public relations, andmarketing at Gingermite. He occasionally writes
for fashion and art publications.

Chan Hei Shing graduated from the Hong
Kong Polytechnic University in Visual
Communication Design. He pursued apostgraduate degree in University of theArts London. Currently a visiting lecturer at
PolyU’s School of Design, Hei Shing believes
that nurturing the next generation is the social
responsibility of a designer.

A graduate of London College of Fashion, Kay
Kwok was an intern at Alexander McQueen. He
was the first Hong Kong fashion designer to takepart in Men’s Fashion Week in London.

Mak Kai Hang focuses on book and typography
design, and has won multiple accolades fromOne Show (USA), D&AD (UK), and TDC(Tokyo). His works were exhibited at TDC (USA),
Moscow International Festival Typomania, andTaiwan’s Golden Pin Design Award exhibition.

品牌由熱愛設計的兩母子創立，媽媽Ginger曾畢業於倫敦時尚學院。曾於著名時裝品牌
Alexander McQueen實習。首位參與倫敦男裝周的香港時裝設計師。

香港平面設計師，主力從事書籍與字型設計工作，曾獲美國One Show、英國D&AD、東京TDC等獎項，作擔任平面設計師，現負責為品牌設計插花；兒子

畢業於香港理工大學視覺傳達設計系一級榮譽畢品曾受邀於美國TDC展覽、Typomania莫斯科國際字Mite曾任時裝買手，現負責品牌公關行銷，不時業，及後獲倫敦藝術大學書籍藝術一等碩士學體藝術節及台灣金點設計獎展覽中展出。

為時裝及藝術雜誌撰文。

位，現為香港理工大學設計學院客席講師，堅信
培育下一代是設計師的社會責任。

68

69

NOVEL FINERIESPONDER.ER LIMITED

ReALLY DESIGN LIMITED

WHITE GROUND LIMITEDWith meticulous skills, anchored in a deep reverence for time-honoured

Flouting gender rules and the constraints of discipline are the essence

Imbued with a passion for design, ReALLY Design creates for theirInterdisciplinary design firm WHITEGROUND is on an endless quest

craftsmanship, objets d’art of old are transformed into contemporaryof PONDER.ER, where traditional menswear is reconstructed andclients bespoke integrated designs, which encompass branding,for aesthetic coherence. Tapping into their rich experience and forward-

novel fineries. With their timeless designs and handcrafted quality,

revolutionised, from the cutting and silhouette down to the smallest

packaging, digital, and communications, by understanding their story,

looking vision, as well as their professional knowledge in architecture,they shall be treasured as antiques for eternity.

details.

design requirements, and market positioning. ReALLY Design aspires

interior design, brand and graphic design, their work transcends

Novel Fineries憑其細膩匠心，將古老工藝蛻變成當代飾物設計。其設計理

突破性別定型、規訓枷鎖，PONDER.ER的本質，在於從剪裁到細節都處處追to develop sustainable and influential work and become a real design

established traditions and elevates the customer experience to a new念，以及每件作品親自手製所傳達的感動，值得珍重傳承久遠。

求重構傳統男裝，革新想像。

ally of brands.

level.

ReALLY Design 團隊對設計充滿熱誠，希望透過了解客戶的故事、設計需求

跨領域設計單位WHITEGROUND白本一直追求設計美學的一致性，團隊由和營銷定位，為客戶量身定制品牌、包裝、數碼和通訊全方位設計，創造可持經驗豐富及具前瞻性思維的建築師和設計師組成，憑藉在建築、室內設計、

續及具影響力的作品，成為品牌真正的設計盟友（Ally）。

品牌和平面設計的專業知識，務求突破既有傳統，將客戶體驗提升到一個新真盟設計有限公司

白本有限公司的水平。

About JUNE LAU

About ALEX PO &DEREK CHENG

About VINCENT MOK

About CHRIS TSUI &JASON KWAN

A recipient of a James Dyson Foundation
bursary and the DFA Hong Kong Young Design
Talent Award, June Lau represented Hong
Kong at Paris Fashion Week SS17. She supports
traditional crafts by donating part of her profits
to craftsmen to encourage apprenticeships.

Alex Po and Derek Cheng met when they werestudying at Central Saint Martins in London.
Both their graduate collections were selected
for exhibition at the art school’s press event.

產品設計師，曾勇奪Dyson助學金和DFA香港青年設

佈會展出。

Vincent Mok majored in Visual Communication
Design at The Hong Kong Polytechnic
University and founded ReALLY Design in 2016.
The fast-growing company has won multiple
international accolades with its extraordinarily
creative work and professional customer
service. ReALLY Design’s clients include K11,
Green Monday, and Zippo.

Chris Tsui, a member of the Royal Institute ofBritish Architects, was a designer at London’sHeatherwick Studio, and KPF and CL3
Architects in Hong Kong. Jason Kwan, who
collaborated with cross-platform companies
for more than a decade, specialises in providing
professional creative solutions.

時捐出部份盈利予匠人，鼓勵老師傅培養學徒，以行

於香港理工大學修讀視覺傳達設計，2016年創辦

Heatherwick Studio、香港的KPF和CL3思聯建築設

動支持古老工藝傳承。

ReALLY Design，憑著非凡的創意及專業的客戶服計擔任設計師；Jason擁有十多年與跨平台公司合作

務，公司屢獲國際獎項肯定並迅速發展，客戶包括的經驗，擅長提供專業的創意解決方案。

計才俊獎，並代表香港參加SS17巴黎時裝週。June定二人於倫敦中央聖馬丁藝術與設計學院學習期間相遇，他們本科的畢業系列雙雙獲選上在學院的媒體發

Chris是英國皇家建築師學會會員，曾於英國倫敦的K11、Green Monday及ZIPPO等。

70

71

112 MOUNTAINYAM

AOGP

ANGUS TSUI

Ready-to-wear label 112 mountainyam is grounded in bold philosophy:

A O G P draws its design inspiration from personal growth and life

ANGUS TSUI’s creative aesthetics is marked by structural majestyof the same whole, interacting and integrating into a constant cosmic

discover and express who you are. It ventures into the international

experiences. Its contemporary yet timeless fashion accessories

and graphic innovation. Every creation is a celebration of the potential

rhythm. Deriving strength from this holistic energy, Wholly Wholly’s

market with its vibrant colours and contrasts between elements fromchallenge the present and future. A O G P is not just a fashion brand; it

inherent in the materials, and a reminder to cherish the environment

cross-media brand design team curates seamless brand solutions forthe natural world and diverse cultures, creating signature designs foris a continuous cycle of life.

and our planet.

startups and SMEs.

the modern woman.

A O G P的設計靈感來自個人成長及經驗積澱，通過富當代感，卻又不受時間

ANGUS TSUI的創意美學，箇中結構莊嚴有致，力求視覺創新，煥發素材的潛

圓乃「周遍」，融乃「融通」，代表萬物和而不同，又相互交融，圓融設計正是「發現自我；表現真我」，由Mountain Yam無畏精神誕生的設計品牌，不斷桎梏的時裝飾品設計，衝撃現在，形塑未來。不只是一個品牌，而是充滿生命

藏本質，提醒世人要珍惜周遭環境，以及孕育我們的這顆星球。

一支跨媒介品牌設計團隊，涉獵初創、中企到品牌全案策劃，並希望以設計達

闖蕩國際舞台，伴隨著的就是其朝氣不息的自由色調，以及由大自然與不同

力的流轉過程。

致「圓滿融通，無所障礙」。

文化中萃取靈感，冶煉出都會女性時裝的自家之道。

圓融設計有限公司

All things in the universe exist independently but are integral parts

Fashion Incubation Programme 時裝 創業培育 計劃

WHOLLY WHOLLY LIMITED

About WESTLEY WONG

About MOUNTAIN YAM

About MAGGIE TSE

About ANGUS TSUI

Westley Wong was a visiting lecturer at The
Hong Kong Polytechnic University’s Schoolof Design and Hong Kong Design Institute.
He now writes a column for Ming Pao Weekly.
Apart from being a designer, he is also a design
educator in Hong Kong.

Mountain Yam graduated from The Hong Kong
Polytechnic University with a Master’s Degree
in Fashion Design. He pursued further studies
in the Fashion Institute of Technology andParsons School of Design in New York City. He
was awarded ‘40 under 40 Recognising HighFlying Design Talents of Today & Tomorrow’
by Perspective magazine.

Maggie Tse graduated in Fashion Designfrom The Hong Kong Polytechnic University
with first class honours and completed an
MBA in Fashion Business. She designs andcreates contemporary pieces for international
womenswear and accessories labels.

Angus Tsui studied Fashion Design at
Nottingham Trent University, and Fashion
Design and Development at Hong Kong
Design Institute. He founded his own
educational charity ANCares, which teams
up with international brands and NGOs toorganise workshops, seminars and exhibitions
on sustainability.

畢業於香港理工大學並獲得時裝設計碩士學位，計女裝及首飾，打造富現代感的工藝。

曾任香港理工大學設計系及香港知專設計學院客席講師，現為《明周》專欄作家，除了投身設計，亦積極
推動香港美學教育。

曾於紐約時裝學院及帕森設計學院進修，獲72

香港理工大學時裝設計一級榮譽畢業，並攻讀專屬時
裝行業的工商管理碩士課程，為多個國際時尚品牌設

於Nottingham Trent University及香港知專設計學院
攻讀時裝設計，並創辦慈善教育項目ANCares，與各《Perspective》雜誌譽為「40歲以下新一代設計

國際品牌及非政府組織合辦工作坊、研討會和展覽，人才」。

推動業界及社會的可持續發展。

73

BLIND BY JW

CLASSICS ANEW 新裝如初DEMOMASSBRANDEDFounded by design duo Jessica Lau and Walter Kong, Blind by JWClassics Anew’s brand philosophy is manifested in the minimalist

DEMO’s design philosophy dismantles gender stereotypes and

The MASSBRANDED man is a young urban male who is confident,

bridges Eastern and Western aesthetics in its pursuit of a balance

luxury of its creations inspired by the East. Applying traditional sewing

reconstructs fashion to create clothes that defy expectations andindividualistic, unconventional and simply outstanding. The brandbetween eccentricity and elegance. Manifested in the label’s wearable

techniques with contemporary technology on natural materials likepossibilities. Its signature style of “soft masculinity” is brought to life

focuses on construction and fit, engineering styles to visually enhancecreations and accessories, the designers share the conviction thatlinen and silk, Classics Anew seeks to preserve cultural memories with

with handmade embellishments and embroidery.

the male body while redefining men’s streetwear.

fashion is not simply about the latest trends, but about creating a sensesustainable designs.

DEMO的設計哲學，在於抹去性別定形，重構時裝，以細膩的手工刺繡，牽引

MASSBRANDED為不甘束縛的年輕都會男士設計，悖離平凡，大膽前衛，出出「男子氣概」裡的軟性靈魂，為熱愛驚喜的人們，帶來衣著的無限可能。

眾耀眼。品牌設計採用合身剪裁，盡顯男士體態，重塑日常男裝。

of ease in everyday life.

Classics Anew歷久彌新的品牌意志，處處流露在其東方華服的簡約奢華，活由Jessica Lau與Walter Kong聯袂，接連東西兩方的文化美學，Blind by JW

用傳統縫紉工藝，配合亞麻、真絲綢等自然素材，糅合當今技術與環保理念，

的設計旅程時刻追尋獨特性，深信時裝非單是為追逐時髦，更是為日常締造自履行永續設計，更在永續這份不朽文化記憶。

在，在女裝與飾品美學中處處呈現。

74

About JESSICA LAU &WALTER KONG

About JANKO LAM

About DEREK CHAN

About MASS LUCIANO &ANTONI D’ESTERRE

Jessica graduated from Central Saint Martins
and was named ‘Best Emerging Fashion
Designer’ at her graduation show. Walter
graduated from The Hong Kong Polytechnic
University. He was voted overall champion
at the Hong Kong Young Fashion Designers
Contest.

Since founding her fashion label in 2014,
Janko Lam has devoted herself to designing
Chinese-styled clothing and promoting it to
the rest of the world. She won the Eco-Chic
Design Award conferred by Redress, and hercreations are part of the permanent collectionof Hong Kong Heritage Museum.

Mass Luciano has 15 years of experience inthe fashion industry. Antoni d’Esterre worked
in top advertising agencies while working as a
fashion photographer at the same time. Massand Antoni founded MASSBRANDED in 2016
and won the Lane Crawford Creative Call Out
for the ‘Best New Menswear Brand’.

Jessica畢業於中央聖馬丁藝術與設計學院時裝，並於2014年成立自家品牌新裝如初，全情投入中式時裝設

Derek Chan graduated from The Hong
Kong Polytechnic University’s Institute of
Textiles and Clothing. His creations have woninternational recognition, and the Hong Kong
Fashion Council named him 2016 Designer of
the Year (Menswear). He contrasts classicalelements with contemporary styling to infuse
menswear with fluidity and softness.

畢業作品展上榮獲「最佳新進時裝設計師」；Walter

計，並將旗袍文化帶往世界各地。曾獲Redress頒發

香港理工大學紡織及服裝學系哲學碩士畢業，作品

驗；Antoni d'Esterre曾在多間頂級廣告公司工作，

畢業於香港理工大學，曾於香港青年時裝設計家創作「衣酷適再生時尚設計」大獎，作品更榮獲香港文化備受國際推崇，獲Hong Kong Fashion Council選為同時擔任時尚攝影師。二人於2016年成立品牌，並贏

表演賽中獲得總冠軍。

博物館永久收藏。

2016年「年度時裝設計師(男裝)」，擅於運用古典與

得連卡佛Creative Call Out比賽「最佳男裝新品牌」

現代元素對比，為原本陽剛的男裝增添柔和感。

之殊榮。

Mass Luciano於時裝行業擁有超過15年的經

75

MATTER MATTERS

OPLUS2

THE WORLD IS YOUR OYSTER

Apart from fashion and lifestyle products, Matter Matters also offers

From fashion to uniforms, Oplus2 uses abstract digital photographic

Created for the new generation, The World Is Your Oyster is about

creative services such as graphic design, photography, and videography.

prints to create a distinct and contemporary fashion line. Sophisticatedexploration and experimentation, as evidenced by the rich details

Taking a multidisciplinary approach to design, the studio focuses on

and wearable, Oplus2 casual wear is perfect for the working woman.

of its designs. The label advocates a wearable, pared-back style thattimeless designs and rejects the typical fashion cycle, a commitment

Materials are selectively sourced to ensure environmental sustainability.

transcends the gender divide and harks back to the basics of fashion.

由時裝到制服，Oplus2以抽象的數碼攝影印花，創造一系列鮮明富動感的時

生於當代，不斷地探索實驗，奇思妙想可見於細節之間，呈現品牌性格，The裝系列，時尚光譜觸及日常生活，又為精明練達的職場人設想。素材精益求World Is Your Oyster重視穿戴性的設計更如一場宣言，主張反璞歸真，超越精，更顧及環境可持續性。

性別籓籬，回歸服裝本質。

that is illustrated in the bold colour blocks and geometrical patternsof its design.
從時裝與日常用品，伸展到平面設計及影像創作，Matter Matters的創作場
域四面八方，專注追尋能夠不為時代風尚左右的本色作品。這份堅持，盡見於
其明亮大膽的色彩及幾何圖案。

About FLORA LEUNG

About OTTO TANG

About CALVIN CHAN &JOYCE KUN

Flora Leung graduated from the Departmentof Visual Communication, Birmingham City
University, in 2004. She also obtained adegree in Cordwainers Accessories Designfrom London College of Fashion. She was anart director in M&C SAATCHI and McCann
Erickson, two of the biggest advertising firms
in the world.

Otto Tang was awarded a Bachelor’s degree
in Fashion Design by the University of
Huddersfield and worked for renowned
fashion designer Lu Lu Cheung. He won the
Hong Kong New Fashion Collection Award
2005 and founded his brand in 2015.

The designs of Calvin and Joyce found favour
with JOYCE Boutique and they ran a pop-up
store at PMQ. They were among the "10 AsianDesigners to Watch" of Fashion Asia Hong
Kong in 2017.

於英國赫德斯菲爾德大學修讀時裝設計(榮譽)學士

於元創方開設限定店。2017年獲Fashion Asia Hong

課程，曾於名設計師Lu Lu Cheung旗下品牌工Kong選為「10 Asian Designers to Watch」設計師。

2004年畢業於英國伯明翰城市大學視覺傳播系，後在作，2005年勇奪香港新系列時裝創作大獎總冠軍，於倫敦藝術大學倫敦時裝學院完成Cordwainers配飾設

2015年推出個人品牌。

Calvin和Joyce的設計早年獲JOYCE Boutique賞識，計學士學位，曾在全球兩間規模最大的廣告公司M&C
SAATCHI和McCann Erickson擔任美術指導。

76

77

HONG KONG FASHION TALENTS
SHOWCASE
Wool Fashion Like No Other
不一樣的羊毛時尚
Wool is not only warm and soft to wear, but offers endless design possibilities.
Like the wool-based creations by local fashion designers under the Design
Incubation Programme and Fashion Incubation Programme at the “Hong Kong
Fashion Talents Showcase". Co-organised by Hong Kong Design Centre and The
Woolmark Company, an authoritative international certification body for the wool
industry based in Australia, the showcase was displayed from 30 November to 10
December 2019 on the first floor of The Mills in Tsuen Wan. The fashion outfits
were characterised by bold colours and daring, innovative tailoring techniquesthat highlighted the many facets of wool including as a delicate and versatilematerial, demonstrating the sophisticated craftsmanship and infinite creativity of
local fashion designers.
一件羊毛大衣除了帶來溫暖、柔和的感覺，還有什麼可能性？香港設計中心與來自澳
洲的羊毛業國際權威認證機構－The Woolmark Company合作，在2019年11月30日至12月10日期間於荃灣南豐紗廠的一樓中庭及走廊舉辦「Hong Kong Fashion
Talents Showcase」展覽，邀請設計創業培育計劃及時裝創業培育計劃的本地時裝
設計師，展出他們以羊毛為主要物料創作的服裝系列。一眾作品用色及剪裁大膽新穎，將羊毛細緻同時風格多變的潛質發揮到極致，盡顯本地時尚設計師的高超技藝
及無窮創造力。

DESIGN INCUBATION PROGRAMME
設計創業培育計劃As the city’s up-and-coming designers stand ready to realise theirinnovative ideas, the Design Incubation Programme (DIP) of Hong
Kong Design Centre provides all-round support to help them cultivate
the business acumen needed to thrive in Hong Kong and beyond.
During the two-year incubation period, the designers are offered officespace, subsidies, training as well as exchange and business opportunities
that are essential for developing their professional competence andnetwork. More than 200 designer brands have graduated and over 90
percent have stayed in operation for at least two years after graduation.
The programme is funded by Create Hong Kong with support frombusiness partners, academic institutions, angel investors, professional
bodies and other organisations in concerted efforts to contribute to
Hong Kong’s creative industries.
一眾本土創意種子已經蓄勢待發，香港設計中心的設計創業培育計劃為設計師創業初期提供全方位有效支援，就如同為種子提供良好土壤及灌溉，希望For more information
please visit

培養這些設計界初創企業，長成一棵棵蒼翠挺拔的大樹。

了解更多請瀏覽

獲選設計公司可於兩年培育期內享用辦公室空間，獲得資助、培訓、交流以至參與商業項目的機會，從中裝備自己、發展業務及擴闊人際網絡。至今已有超
過200間培育公司畢業，而逾九成初創企業更於畢業後營運長達最少兩年以上。計劃由創意香港資助，更得到工商界、大專院校、天使投資者及專業團體
等廣泛支持，共同為香港創意產業發展出一分力。

78* Figures as of 31 March 2020 以上數據截至2020年3月31日

79

A Human-centric Era:
Unlocking thePower of Design Thinking
人本時代：解密設計思維Driven by a desire to satisfy our wants and needs, design thinking seeks
novel solutions to different issues and engenders endless possibilities.

FASHION INCUBATION PROGRAMMEThis concept has gained overwhelming traction around the world for two

時裝創業培育計劃

education and businesses alike. Committed to our mission of promoting thedecades, paving the way for more human-centred innovation for society,wide and strategic use of design thinking at the community level, we have

Giving rising stars a bigger and wider stage to show their talents, theconducted various design thinking forums, classes and workshops this year

Fashion Incubation Programme (FIP) is a two-year programme that

including Knowledge of Design Week, and through our Institute of Design

nurtures and empowers emerging fashion designers and brands.

Knowledge and Unleash! Empowered by Design Thinking programmes. By

Organised by Hong Kong Design Centre and supported by Create Hongintegrating design thinking into all aspects of life, we are looking to create a

Kong, FIP fosters the development of Hong Kong’s creative industry

better society and boost Hong Kong’s competitiveness in the long run.

by bringing the advice and mentorship of industry heavyweights andIt’s official - the power of design thinking is now unlocked!

practical resources to help designers grow by pushing their boundaries
and building their reputations. The programme was launched in 2016

設計思維從人的需求出發，為各種議題尋求新穎的解決方案，並創造無窮可能，是and has since supported 15 fashion designer brands.

近二十年來風扉全球的革新概念，帶領社會、教育界及商界邁向自主創新的時代。

明日之星值得擁有一個更閃耀、更廣闊的舞台展露鋒芒。時裝創業培育計劃

For more information
please visit

為期兩年，致力啟發、引領和支持新興時裝設計師品牌穩步發展。計劃由香港

了解更多請瀏覽

今年我們秉持推動社會更廣泛和具策略性地運用設計思維的宗旨，透過旗下各種
知識交流活動及平台，包括設計智識周、設計知識學院及Unleash！設計思維．無限
可能，以論壇、課程及工作坊等將設計思維引入各行各業，鼓勵他們加深了解及應設計中心主辦，創意香港資助，匯集了業界專家及顧問，更提供多元化實用資用，共同締造一個具競爭力的香港社會。

源，協助時裝設計師不斷學習與成長，突破界限及建立名聲，共同推動香港創
意工業的發展。計劃於2016年開展，至今已支援15個時裝設計師品牌。

80

設計思維正式解碼！

* Figures as of 31 March 2020 以上數據截至2020年3月31日

81

#KODWForums#設計智識周論壇

KNOWLEDGE OFDESIGN WEEK2019

設計智識周 2019

FORUM 論壇 1

#LiveableSmartCity#宜居智慧城市

Designing Digital Futures
智用設計‧數造未來The objective of Knowledge of Design Week (KODW) is to encourage
different industries to exchange creative ideas and learn from one
another, exploring solutions to the current challenges we face frommultiple perspectives.
Living in the digital age, it is almost impossible not to consider technology
in everything we do. It is only when technology incorporates design thatprioritises human needs and our wellbeing that positive impacts can becreated for business, healthcare, urban development and other aspectsof our lives.
Curated under the theme “Designing Digital Futures”, KODW 2019was held between 17 and 21 June 2019. Its programme included threeforums, seven workshops, an InnoDesign Leadership CEO Forum anda Roundtable on Public Service Innovation. Thirty internationally

FORUM 論壇 1
FORUM 論壇 2

#FutureRetail&Lifestyle#未來零售與營商

renowned creative leaders were invited to investigate how human-#LiveableSmartCity#宜居智慧城市"Striving to help humanity to live happily, healthily, and alleviating
the suffering of those who are less fortunate by using the latest
technologies and innovative strategies is our goal."「透過運用最新科技和創新策略，幫助人們更幸福和健康地生活，並centred designs and digital technology could work in sync to enhance

Human-centred design has become a common aspiration in

our lives and benefit society as a whole.

cities to make its citizens’ lives more convenient and enjoyable.
In this forum, some of the world’s forerunners in innovation

香港要成為亞洲設計之都，加深各行各業人士對設計思維的了解不可或缺。

shared their successful experiences in using big data and舉辦「設計智識周」(KODW)就是旨在鼓勵跨界別學習及交流，透過不同的

artificial intelligence to envision how the cities of tomorrow can觀點與角度，探索設計如何解決社會上各種挑戰。

be made more liveable.

活在當今的數碼年代，科技有著無可取代的重要性。然而科技必須結合以人

在我們居住的城市中，加入以人為本的設計可以方便市民及節省為本的設計，才可策略地應用到社會上各個範疇，如商業、都市環境，以至時間，是大勢所趨。在題目為「宜居智慧城巿」的論壇中，一眾領醫療保健等民生議題，令大眾得益。

先世界的創意領袖分享了透過設計主導的概念，善用了大數據和

減輕不幸的人的痛苦。」
James Law, JP, Hong Kong architect and Chairman &CEO of James Law Cybertecture
香港科技建築師及科建國際集團有限公司創辦人及主席羅發禮太平紳士"There has been a lot of passion about solving some of the hardest
problems using design and incorporating that in the ways we would
normally tackle problems, and understanding that it adds something
to ensure that you have a design mentality - especially a humancentred design mentality."「我們必須具備設計心態─尤其是以人為本的設計精神。」

智能技術的成功經驗，對塑造未來更宜居城市有著重要啟示。

KODW 2019以「智用設計．數造未來」為年度主題，於6月17至21日期間舉

Chris Ferguson, Director - National, International & Research,
UK's Government Digital Service (GDS)
英國政府數碼服務總監 Chris Ferguson

行了三個論壇、七個工作坊、設計及創新領袖論壇以及公共服務創新圓桌會議，邀請了30位國際級設計界及商界領袖，探討人性化的設計如何配合數碼
科技創造各種方案，滿足用者需要及提升用者體驗。

"Propelled by digitalisation, data privacy, internet safety, capability
FORUM 論壇 3

and user benefit are essential elements for development."#DigitalHealth#數碼醫療與健康「在數位化轉型的推動下，數據隱私、網絡安全、發展能力與用戶利益
才是發展的關鍵。」
Jens-Peter Brauner, CEO of Siemens Mobility Ltd
Siemens Mobility Ltd行政總裁 Jens-Peter Brauner

82

83

FORUM 論壇 2

#FutureRetail&Lifestyle#未來零售與營商

FORUM 論壇 3

"Technology alone is not the answer. Everything comes back to
the customer and how best to understand their needs and design
around that."#DigitalHealth#數碼醫療與健康「科技本身並不是答案。一切考慮必須回到顧客身上，充分了解他們的需

Online shopping has become a significant component in theretail business. The data collected from customers allows
retailers to construct a personalised consumption experience

求，從而進行設計。」
Chris Dobson, Executive Principal, Asia of Eight Inc.
Eight Inc.亞洲區首席總監 Chris Dobson

and the city’s ageing population pose certain challenges to thesystem. Digitalisation provides many possible answers. In thisforum, the presenters highlighted new medical opportunities

retail landscape, as well as how to assimilate innovative retail"No matter how incredible or immersive mobile applications may

and solutions brought forth by the digital era. In addition, they

concepts into local cultures. They also provided insights

become, they will be hard pressed to fully replace or even emulate

addressed some of the ways in which connecting design with

consumer behaviour trends, which had a direct influence on
omnichannel and future retail patterns.
網上購物已是不容置疑的零售趨勢，這改變了我們的市場、銷售

「無論手機應用程式的功能如何令人感到難以置信、甚至如同親歷某些
場境，依然是難以完全取代或模仿實體店帶來的體驗。」
Tommy Campbell, Digital Designer of SPACE10SPACE10工作室數碼設計師 Tommy Campbell

及購物經驗與習慣，開拓了一個全新的零售業新模式。對於各品
牌來說，以數碼化重塑業務可以方便整合顧客的大數據，得出顧
客的需求；對於消費者來講，這有利於建立個人化的消費體驗，從而得到貼心的服務。在「未來零售與營商」論壇中，講者分享了
全球零售業轉型的趨勢，以及如何將創新理念成功融入本地文化"They aren’t just consumers; they are also the users of theplatform. We can’t only think on the level of consumption."「消費者不只是客戶，他們更是平台的用戶，不能只停留於消費的層
面去思考 。」

的見解。講者們分析品牌如何掌握人口數據及消費趨勢轉變的心得尤為珍貴，因為這主導了全渠道(omnichannel)及零售發展的未來路向。

84

quality and efficiency. Yet a shortage of medical professionals

shared emerging trends that are transforming the global

the kind of experience that brick and mortar affords."of different stakeholders, including healthcare professionals andpatients."「要為服務設計帶來創新，我們必須了解不同持份者的需求，包括醫療專業人員和病人。」

Healthcare in Hong Kong has long been acclaimed for its

more desirable to each customer. In this forum, the speakers

on how retail brands obtain demographic data and dissect"As an innovator of service design, we must understand the needs

digital technology could improve our medical infrastructure,
products, services and experiences.
香港醫療系統一直高質素及高效率，但同時亦面臨醫療人員設施

Dr Hong Fung, Executive Director and Chief Executive Officer
of CUHK Medical Centre
香港中文大學醫院執行董事及行政總裁馮康醫生"With a focus on people’s needs, human-centred design undeniably
serves as a bridge to effect meaningful and compelling user
experience and create better healthcare systems."「世界上每個城市都希望變得更具智慧，但我們不能忘記城市中的人們，而解決人們的需求是極其重要的。」
Low Cheaw Hwei, Head of Design of Philips ASEAN Pacific/Head of
Design Consulting Asia of Philips Design
飛利浦設計亞太及東盟區設計主管劉昭槐先生

短缺、人口老化等問題所挑戰，數碼化正好為此提供了出路。加上經歷過疫情，世界對於醫療的需求及標準將會大大提高，要改"Smart hospitals, medical services and management

善醫療質素，數碼界也可以出一分力。在「數碼醫療與健康」論壇

development create value for the medical business. Based on the

中，講者分享了數碼時代為醫療健康領域帶來的創新機會和解決

use of digital technologies, we can provide more convenient and

方案，如何令設計、數碼與科技的連繫更緊密，從而提升我們的醫療系統、服務、產品和健康體驗。論壇亦聚焦當下香港醫療系

efficient medical services."「智能醫院、醫療服務和管理的發展，為醫療行業創造了價值。通過運
用數碼和科技，我們可以提供更方便、更高效的醫療服務。」

統的情況。
Alexis Bonhomme, Vice President Greater China –Commercial of Farfetch
Farfetch營商部大中華區副總裁Alexis Bonhomme

Dr. Sun Xin, Director of Guangzhou Women and Children’s Medical
Center (Medical Department)
廣州市婦女兒童醫療中心醫務部主任孫新醫生

85

#KODWWorkshops#設計智識周工作坊
How can we deal with the world’s challenges through a more humancentred perspective? KODW hosted a series of workshops by creative#TinNguyen

leaders, allowing participants to learn the tools and approaches of design#EdwardCutting

thinking and innovation. They were given the opportunity to explore#PerKristiansen#RamaGheerawo

new ideas and collaborate with each other, delving into the various
possibilities of tackling different problems.
如何從以人為本角度面對世界挑戰？KODW工作坊由創意領袖主持，學員可認識各種設計思考工具、思考方法及創新思維，藉此學習協作共創、WORKSHOP 工作坊 1

WORKSHOP 工作坊 2 & 4

WORKSHOP 工作坊 3

Breaking Space and Media Boundaries:

The LEGO® SERIOUS PLAY® Method:

Design Thinking in a Day:

Co-creating Augmented Experiences

Envisioning Future Leadership for Change

Advanced Tools for Creativity and Leadership

打破空間與媒體界限：「玩」轉虛實設計

The LEGO® SERIOUS PLAY®：智用創意‧引領轉變

設計思維與創意領袖實踐The virtual and physical worlds intertwining is one of the common

LEGO® is a childhood companion to many, but have you ever thought it

The government, private and education sectors are increasingly adopting

tropes in filmmaking. But with the rise of mixed media, this has become

could be a teaching tool in a professional context? The LEGO® SERIOUS

design thinking to tackle uncertainty and solve problems with innovative

a reality. Conducted by design studio Tin&Ed, this experimental digital

PLAY® is a creative and effective approach to facilitate teamwork. It turns

approaches. Rama Gheerawo’s workshop employed the theories used

media workshop blends art, design and fun. The two instructors sharedparticipants’ hands into a means of expressing what is going on in theirand proven by more than 100 organisations. It helped participants

their experiences in conjuring up interactive stories where the virtual isminds. Using LEGO® to generate new knowledge, they had to work as a

discover their creative leadership via multiple group activities and equip

indistinguishable from the real.

team to solve complex challenges.

themselves for different scenarios in life.

不少電影都有描述數碼與現實世界交錯，可會想到隨著混合傳媒興起，LEGO ®是不少人的童年玩具，可有想過 這亦是一份職 場教材？LEGO ®

政府、公司及不同機構愈來愈懂得利用設計思維來改變工作方法。Rama

這已經是事實？是次工作坊邀請到Tin&Ed工作室帶參加者走進混合媒

SERIOUS‧PLAY®正是一種能夠有效促進協作工作模式的創意方法，讓參加Gheerawo於工作坊中引用曾與100多個組織廣泛應用及驗證的理論，並通體的世界：這個融合藝術、設計和玩樂元素的數碼媒體實驗的工作坊，二者的雙手成為思考及表達內心想法的工具，以團隊合作方式解決複雜難題，以過分組活動助參加者發展成為一位創意領袖 。

人在工作坊內分享了為觀眾打造虛實互動體驗的內幕故事。

LEGO®共同創造新知識。

開發創意及探討不同的解決問題可能性。

#CliveGrinyer#PublicService#JavierMariscal#LiamMcGuire
#ChrisMackenzie

WORKSHOP 工作坊 5

WORKSHOP 工作坊 6

WORKSHOP 工作坊 7

Masterclass by Javier Mariscal:

Designing for Digital and Service Transformation

Sorting Wheat from Chaff:Roundtable on Public Service Innovation

Digital Drawing - Move in Hong Kong

服務變革：設計數碼新體驗A Robust Approach to Emerging Technology Adoption

公共服務創新圓桌會議

Javier Mariscal 傳意設計 大師班：躍動香港

活用新興科技‧創造無限可能

Spanish master Javier Mariscal is one of the most original and charismatic

How are digital technologies such as artificial intelligence, big data

Virtual Reality (VR) has enjoyed a surge in popularity in recent years, andThe roundtable co-hosted by Hong Kong Design Centre and thedesigners of our time. Known for his love for Hong Kong, he has visitedand IoT reinventing products, services and the way society works,

provides many prospects for innovation. The biggest challenge lies in

Efficiency Office of the Hong Kong SAR Government intended to findthe city for four times already. This workshop took participants on a tour

considering people, digital systems and infrastructures will be more

how to apply this technology to create solutions that make a difference.

solutions to keep public services up-to-date to satisfy citizens’ needs.

to understand his creative process. They were able to get a sense of theclosely interweaved in the future? This workshop introduced the vitalIn this workshop, the technology experts from Opaque shared how to

The topics discussed include the application of design thinking, smart

designer’s genius through his digital illustration demonstration as well ascomponents of service design, and used case studies to exemplify how it

implement VR and other simulation techniques to set up experience-technology and human-centred approaches to enhance public service

other drawings, moving images and maps. The lively group discussions

can revolutionise private and public organisations. Participants were ableoriented training programmes for healthcare, commercial organisations

quality, and how to implement effective city planning and policy making

also invited participants to define and analyse Hong Kong’s core values.

to understand how adopting a human-centred design perspective could

and advocacy groups.

strategies.

improve service quality and user experiences.

虛擬實境技術(VR)是近年流行的模擬技術，善用者可以帶來創新和變革

香港設計中心與香港特區政府效率促進辦公室舉辦的圓桌會議，旨在討論

人魅力的設計師，雖然他去年已經是第四次訪港，不過他對香港的熱情仍

數碼科技如人工智能、大數據和IoT技術，正如何改寫產品、服務領域和現

的機會，但如何成功運用和轉化這些科技的優勢，亦成為一大挑戰。來自

現今公共服務要如何與時並進，才能滿足市民的需要。圓桌會議上討論了推

然與日俱增，在工作坊內更帶領了參加者穿梭他的創意歷程，透過生動活潑

有的社會運作？人、智能系統和數碼基礎建設將會在未來服務領域中出現

Opaque的新興科技專家在此工作坊分享了如何利用其VR及模擬技術，

廣創新設計思維及智能科技的應用、從以人為本的策略提升公共質素，完的集體討論，嘗試定義及剖析香港的核心價值所在，參加者可從他的數碼繪怎樣的互動？這個工作坊介紹了服務設計的核心元素，亦以不同案例呈現了為醫療保健、企業及倡導組織設計出著重體驗的訓練計劃。

善城市規劃及政策制訂。

圖示範、一系列插畫、流動圖像和地圖感受到他的創意。

服務設計如何為商業和公共機構帶來變革，可以幫助到參加者透過以人為來自西班牙的創意大師Javier‧Mariscal，是當代其中一位最具原創性和個

本的設計態度，改善服務質素和用家體驗。

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#InnoDesignLeadershipCEOForum#設計及創新領袖論壇
One of the main objectives of KODW is to bring experts fromdifferent industries under the same roof to facilitate fruitful
dialogues and cross-discipline learning and collaboration.
The InnoDesign Leadership CEO Forum on 20 June 2019at the Grand Hyatt Hong Kong did just that. Featuring short
Di-Ann Eisnor,

presentations by Di-Ann Eisnor, then-CWeO Cities of The We

then- CWeO Cities of The We Company

Company and Clive Grinyer, Design Consultant of Clivegrinyer

The We Company 時任 CWeO Cities
Di-Ann Eisnor

Limited, the gala dinner provided valuable networking
opportunities and inspiration to all participants.
匯 聚各 行 業 專 家、促 進 跨 領 域 學習與 交 流 一直 是 KO D W 的目

Clive Grinyer,
Design Consultant of
Clivegrinyer Limited
Clivegrinyer Limited設計顧問

標，設計及 創新 領袖論 壇 正正集合各界領袖。晚宴在2019年6月20日假香港君悅酒店舉行，分別有The We Company時任CWeO Cities Di-Ann Eisnor及Clivegrinyer Limited設計顧問
Clive Grinyer作演講。

Clive Grinyer
晚宴結束後，各人都帶有創意及點子滿意地離開。

INSTITUTE OFDESIGNKNOWLEDGE
設計知識學院

Study·Think·Practice
學習·思想·實踐Design thinking is not an exclusive skill or tool for designers. It is an approachthat anyone can learn and use to solve everyday problems with innovative,
human-centric solutions. The executive training arm of Hong Kong Design Centre(HKDC), the Institute of Design Knowledge (IDK) is committed to promoting
awareness and application of design thinking across industries and sectors, in thehope of nurturing more creative leaders for driving innovation in Hong Kong.
設計思維豈是設計師的專利！它是一套人人適用的思考模式，透過以人為本的創新方案，解決日常生活各種問題。香港設計中心旗下的設計知識學院旨在提供專業創新及設計管理培訓，提升各行各業對設計思維的認識及應用，望能為香港社會培育出更多
創意及睿智兼備的領袖。

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Eight Design Thinking Tips
八個設計思維錦囊

IDK has shared many benefits and tips of design thinking through its social media channels since

設計知識學院由去年開始以社交媒體作為公眾推廣平台，進一步將設計思維的裨益及

last year. There is no shortage of real-life examples we can learn from in the creative application of

竅門一傳千里。其實在公私營機構乃至日常生活中，已經存在不少妙用設計思維的實

design thinking in the public and private sectors, and even in our daily lives.

例，值得大家借鏡。

Follow IDK’s social media channels
追蹤設計知識學院社交平台
Facebook

Instagram

Watch the full video
觀看足本影片內容Rapid ethnography is a research method commonly used by

In complicated situations, stakeholder mapping helps us outline the role

Pain point is a concept that advocates the importance of identifying

Since 2017, secondary school teacher Miss Wong has incorporated

anthropologists. It relies heavily on first-hand observations, interviewsof each stakeholder involved, to facilitate a better understanding of users

people’s real needs and difficulties before customising a solution. The

design thinking into her Maker course to equip students for facing up

and interactions to understand specific target groups before

from a broader perspective and to create truly human-centred products

process involves collecting user feedback and behavioural data in orderto future challenges. The course allows students to explore community

consolidating and analysing data to identify their hidden needs.

or services.

to hammer out a customised solution.

needs and create small inventions for problem-solving by putting people

快速民族誌透過身歷其境的觀察、訪談和互動，了解特定目標族群，進而歸

面對錯綜複雜的問題，要透徹了解每個用家及持份者之間的關係，可以使

痛點是商界經常提及的概念：主張先了解受眾的需要與困難，然後對症下

納和分析收集所得的數據，從中找出群體潛在的需求，是人類學者常用的用持份者關係圖，列出牽涉在方案內眾人的角色，從而以更宏觀的角度了解

藥。尋找痛點的過程牽涉收集用家意見和行為數據，以理解出他們的真正中學老師黃佩珮自2017年推行一套有別於坊間的創客課程，她以裝備學生

方法。

用家，創造出真正以人為本的產品或服務。

所需，繼而度身訂造方案。

應對未來挑戰為己任，為課程注入設計思維元素，讓學生發掘周邊社區人

first, as advocated in design thinking.

士需要，創作改善社區的小發明，做到設計思維提倡的「以人為本」。

Watch the full video
觀看足本影片內容

SCAMPER is a creative thinking method to inspire divergent thinking andIn the process of improving a product or service, an A/B test provides an

guide designers to improve their products, services and user experiences

effective way to test ideas through comparison. For example, controlled

Innovative applications of design thinking abound in the design of

In 1996, designers developed a game-changing toothbrush for children

via seven thinking modes – Substitute, Combine, Adapt, Modify, Put toexperiments can be conducted to develop an understanding of online

everyday things. A good example are the road curves of highways. The

with a thicker handle, based on the observation that children always

other uses, Eliminate, and Rearrange.

user behaviours and preferences.

curves are a deliberate feature to avert traffic accidents by making it easierheld their toothbrush in a clenched fist, as their fingers are less well-

奔馳法是一套創意思考方法，透過七個切入點，包括替換、整合、調整、修在改善產品或服務的過程中，A/B測試能有效地快速驗證想法和假設。例

for drivers to concentrate, unlike straight roads which can wear drivers

developed than an adult’s. The children toothbrush is an excellent

改、其他用途、消除及重組，引導設計師思考如何改良服務、產品及用戶體

如，透過一系列對照實驗，了解網上用戶的行為與偏好。

out and cause them to swerve out of lane. In many countries, there is a

example of applying design thinking for innovation.

驗，有助應用擴散性思維。

set limit on the length of a straight road to keep drivers alert on the road.

另一個活用設計思維的創新成果是兒童牙刷：1996年，口腔產品品牌準備創

巧用設計思維的日常設計不少，例如為何很多公路會被刻意設計成九曲十三

造新的兒童牙刷，設計師就觀察到小朋友的手指不及大人靈活，常用拳頭緊

彎？原來在筆直公路行駛，司機容易因疲勞而偏離車道釀成交通意外，因此很

握牙刷，最終設計出較粗身的兒童牙刷，從此改變市場面貌。

多國家會限制直線公路的長度，提防司機走神。

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Workshops for Professionals fromDifferent Disciplines
跨界專業工作坊
By applying design thinking at work, professionals not only can bring innovation
to their institutions but also provide product and service experiences more suited
to user needs. Therefore, IDK actively promotes design thinking to different units
across disciplines and sectors. More than 680 civil servants have participated in
our programmes since 2013. In the past year, we have provided training to over
230 public services professionals and 40 education professionals, with many
institutions and members of the public also benefitting from them.
專業人士於工作崗位上應用設計思維，不但能在工作上及為機構帶來創新，亦可提
供更符合使用者需要的產品和服務體驗。設計知識學院積極向社會不同界別及服務
單位宣揚設計思維知識，自2013年起受訓的公務員累計已達680人；在過去一年，超過230位來自公共服務領域的專業人士及逾40位教育界專業人士接受培訓，受惠的機構及公眾參加者更不計其數。

Workshop organised with Wofoo Leaders’ Network to introduce design thinking to
the city’s future leaders.
與和富領袖網絡舉辦工作坊，讓未來社會接班人認識設計思維。

Workshop for Bachelor’s of Arts and Sciences programme of the University of Hong
Kong, encouraging students to use design thinking to propose creative solutions toproblems surrounding their lives and communities.

IDK organised a workshop for Queen Elizabeth Hospital for medical professionals
to learn and apply design thinking in their daily work.
為伊利沙白醫院開辦工作坊，讓更多醫護人員學習設計思維，並應用於日常工作中。

為香港大學文理學士課程舉辦工作坊，鼓勵學生將設計思維付諸實踐，並提出充滿創意的方案解決圍繞自身及社區的問題。

Workshop co-organised with the Jockey Club School of Public Health and Primary
Care of the Chinese University of Hong Kong.
與香港中文大學賽馬會公共衛生及基層醫療學院聯合舉辦工作坊。

IDK organised a series of workshops in partnership with Rama Gheerawo, Directorof the Helen Hamlyn Centre for Design of the Royal College of Art, for theInnovative Leadership Programme of the Civil Service Training and Development
Institute of the HKSAR Government. It aims to encourage middle-level civil
servants to apply design thinking in public services.

A workshop co-organised with the Chief Executive's Award for Teaching Excellence
Teachers' Association to facilitate the application of design thinking by principals
and teachers in exploring education innovation.

Public workshop for Design Spectrum, HKDC’s new initiative in Wan Chai, to
educate the public on design thinking.

與行政長官卓越教學獎教師協會合辦工作坊，推動校長及教師活用設計思維，探索教

認識設計思維的大門。

為香港設計中心位於灣仔的全新項目─「設計光譜」舉辦的公眾工作坊，為市民打開

學創新的各種可能。

與英國皇家藝術學院海倫．哈姆林設計中心的總監Rama Gheerawo合作，為香港政
府公務員事務局公務員培訓處舉辦「創意領袖培訓計劃」工作坊，鼓勵中層公務員運用
設計思維創新公共服務。

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Design Thinking Tool Kit

How should we start applying design thinking in our day-to-day lives? The following tools guide
beginners in seeking innovative solutions through four stages – Discover, Define, Develop and
Deliver.

設計思維小工具想在日常工作中活用設計思維，應該從何入手？以下小工具有助新手實踐「探索」、「定義」、「構想」、「執行」四個階段，得出創新的解決方案。

Discover 探索
Photo Safari 照片探尋Apart from gathering data, photo safari is also a useful tool forstudying specific user groups. Researchers observe users’ dailyexperiences and take pictures for record. Alternatively, users
can also take pictures of things or places. By putting the photos
together, we get a comprehensive visual impression of their needs,
perceptions and feelings.
要了解特定用戶群體，除了收集數據信息，「照片探尋」也是一個
好方法。研究者會觀察用家的日常體驗，拍下照片作記錄；用家亦
可提起相機，拍下事物與環境。只要整理所得照片，就能得出一個

User Journey Mapping 用家體驗歷程圖
User journey mapping provides a visual and diagrammatic
representation of a user’s experiences such that changes can bemade apparent and understandable. It enables us to identify pain
points and moments for improvement and open up new problemsolving possibilities.
「用家體驗歷程圖」以按時序的圖表表達用家的體驗，可以觀察當中變化，令我們能夠辨別出痛點和每個出現改善的契機，找出新的解難可能。

全面的視覺印象，理解他們的需要、觀點和感受。

Define 定義

Segmentation 分類排列

User Personas 用家人物誌

There are different ways to segment or sort your findings, andIn contrast to conventional analysis methods that mostly sortpresenting it visually is one of them. Segmentation reveals patterns

stakeholders by age and gender, turning them into personasof things and is a good way to gain insights.

provides a basis for in-depth analyses.

將資訊分類排列的方法有很多，以視覺方法呈現是其中一種，「分傳統分析多以年齡及性別等劃分持份者，「用家人物誌」將持份者

類排列」可以顯示事物之規律，讓你找到新的看法。

以用者群組分類，其後便可針對不同族群作出深入分析。

UNLEASH!

Empowered by Design Thinking

Develop 構想
Mini Storyboard 迷你故事板
Draw it, Build It 繪畫與建造模型
Ideas are intangible and sometimes difficult to describe in words.
Using visual aids can help us express ourselves: simply sketch
your ideas on a piece of paper, or build a prototype using building
blocks, clay, cardboard, or anything you can get hold of.
概念雖然難以用言語表達，我們可以利用視覺工具表達：在紙上直接畫出想法，又或用積木、泥膠、硬卡紙等任何物料來製作模型。

A mini storyboard can help you articulate the details of an abstract

設計思維·無限可能

idea, especially user experiences and journeys. Through themini storyboard, you can also evaluate the effectiveness of yoursolution from the user’s point of view. It is particularly suitablefor communicating creative ideas for apps, services, events andprocesses.
「迷你故事板」能協助你描述抽象事物的細節，特別是用家體驗和歷程，你亦可以從用家角度評估成效，特別適用於闡釋應用程式、服務、活動或流程等創新意念。

Deliver 執行

Motivating the City with the Power ofCreative Problem Solving
創意解難·全城啟動
Globalisation, technological developments and higher life expectancy have brought forth new
possibilities as well as challenges to business and society. Capitalising on opportunities toPrototyping 製作雛型

reshape our community based on these trends require new approaches to thinking, new creative

Prototyping realises and tests your ideas. You do not need to spend

Testing and Evaluating 測試與評估

solutions and new patterns in conducting our everyday lives, and such are the areas where design

too much time to build a perfect prototype. Whether it is a physicalShare your concept or show your prototype to users. Capture theirthinking matters.

model, a sketch or a scenario, it will prompt you to consider which

feedback systematically in a grid to help identify the strengths andparts can be improved.

potential of your concept.

The Chief Executive’s 2017 Policy Address stated that “Design thinking is a problem-solving

製作雛型能將概念化成實體，便於測試。過程中應多作嘗試，不必

向用家分享你的概念或雛型，聆聽他們的想法，將收集到的意見寫

太着重外觀，而且用料不拘，可以是一個實體模型、一張草圖甚至

在方格上，便於分辨概念的優點與可行性。

capability, and a new way of thinking that promotes value-adding and advocates interdisciplinary

是一個情境，均會刺激你思考當中哪些元素可以改良。

collaboration.” Shortly after in 2018, Hong Kong Design Centre (HKDC) initiated the “Unleash!
Empowered by Design Thinking” programme. Its focus in 2019-2020 is on promoting design
thinking in the business and education sectors, and also to the wider society.

Download
Design Thinking Toolkit
下載設計思維工具套材

全球化、科技發展及人均壽命的延長為我們的事業、業務及社會帶來新挑戰。這些前所未有的問題
需要新的思維、新的解決方案及新的工作模式去面對，這正是需要設計思維的地方。設計思維，就是在解決問題之前，透過了解人的需要，認清問題所在。
香港政府在2017年的施政報告上表明：「設計思維是一種解難能力，更是一種增值和倡導跨界别合
作的新思維。」香港設計中心在2018年開展了「Unleash!設計思維．無限可能」，2019年至2020年
度的重點在於建立商界、教育界、社會及整個城市的設計思維能力。

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In Business

In Education

商業篇

In the Society

教育篇

Unleash! Forum for Educators
Unleash! 教育工作者論壇

社會篇

HKDC was invited to organise an "Unleash! Forum for Educators" tocultivate a better understanding of design thinking among teachingprofessionals. Held on 13 December 2019 at the Learning and Teaching
Expo, a major annual education expo in Asia, the forum featured lecturesand experiential workshops hosted by over 20 experts from design,
education, technology and other fields. As teachers learned about thevalue and application of design thinking, the groundwork was laid for acreative boom among the new generation.
香 港 設 計 中 心 應 邀 於 亞 洲 年 度 大 型 教 育 博 覽 會「 學 與 教 博 覽 」，舉 行「Unleash!教育工作者論壇」，向本地教師推廣設計思維。論壇於2019年
12月13日進行，邀請了20多位來自設計、教育、科技等界別之專家主持講座
及體驗工作坊，讓教育工作者深入了解設計思維的價值，並將之應用於教學，讓創意在新一代之間無限綻放。

Professional Tips 專業教路

Professional Tips 專業教路

Professional Tips 專業教路

Traditionally, design thinking puts a premium on user desirability, businessKnowing how to ask questions is a crucial part of the learning process, andWhile new problems inevitably arise in every society, design thinking andviability and technological feasibility. Stephen Wong, founder of Design

cultivating a design thinking mindset allows students to acquire essential

creativity can provide far more solutions than problems. Design thinking

Thinking In Action, believes that since the business landscape is changing

problem-solving skills. Established by Angelina Lo-Chui, CreativeKids devised

grants stakeholders the access to participate, and aligns their goals in the face

every day, sustainability is especially important in the business sector thana teaching approach with design thinking which combines arts and design.

of change and uncertainty. Yanki Lee founded Enable Foundation in 2017 to

anywhere else. “Companies nowadays have to look beyond commercial gains

One of its projects “Playful Public Design by Children” challenges students toshed light on the issue of the ageing population. Its three activities, namely

and disrupt the entire business, from the production chain to the concept

create solutions to satisfy the needs of both people and animals in Shing Mun“Dementia Going”, “Fine Dying” and “Productive Aging”, turned seniors intoof consumerism, by working with investors, team members and partners. A

Country Park. It develops their empathy and ability for ideation. The project

creative partners to help young people contemplate the problems arising

human-centred solution can create meaningful value for the society, which

represented Hong Kong to compete in the UIA Golden Cubes Awards.

in old age. “Envelope”, a design generated from “Fine Dying”, is now one ofwill in turn ensure business sustainability,” he said.

懂得發問是學習過程重要的一環，但懂得解答問題同樣重要。教學時培養學生的

the ash dissipater options for funerals held at the Garden of Remembrance,
operated by the Food and Environmental Hygiene Department. It provides a

傳 統 的 設 計思 維 最 講 求 用 戶 需 求 性、企 業 存 活 性 及 科 技 可 行 性，D e s i g n

設計思維，可讓他們掌握所需的解難技能。徐羅國彥女士成立的「奇極創作室」，

Thinking In Action創辦人黃思遠認為商界環境每天都變化，加上思考持續性對

便運用設計思維教學，推行藝術與設計糅合的教學法。例如其「玩樂公共設計」

商界而言比其他行業更加重要。他說：「不能只著眼商業利益，反而是透過投資

項目，著學生滿足城門郊野公園內不論人還是動物的需求，意在培養學員的同理

社會問題無日無之，設計思維透過賦權予市民，讓持份者參與當中，加上在變更

者、企業團隊及合作伙伴，由生產鏈到消費主義來一場全面的思想變革，甚至為

心以掌握設計思維，項目更代表香港競逐國際建築師聯盟舉辦的「金立方獎」。

中樹立共同理念，或會成為解決問題的出路。李欣琪博士2017年成立啟民創社，

社會創造意義，延續企業的發展。」

good example of how design thinking can be used to address social issues.

關注社會老齡化，舉辦了「腦化城市」、「死物習作」及「老力生產」三個專題活動，邀請長者以創意伙伴身份和年輕人一同思考老齡所面對的問題。當中「死物習作」設計的紙撒灰器「信別」，已成為食環署轄下紀念花園進行花園葬禮時可以選擇的撒灰器之一，為以設計思維解答社會議題的實例。

about Stephen S.Y. Wong 黃思遠

about Angelina Lo-Chui 徐羅國彥

about Yanki Lee 李欣琪

Stephen has a Bachelor of Arts degree in marketingat the Michigan State University, the US, as well
as a Master of Science degree in Management
at the Stanford graduate school of business. He
established Design Thinking In Action in 2016,
assuming the roles of Founder and Chief Curator.
The company aims at collating the human-centred
design experiences from various thought leaders,educators and industry professionals, promoting
design thinking through collective learning andgrowth.

Founder of CreativeKids and IMCreative, Angelina
has worked in arts education for over 30 years.
Both initiatives strive to boost children’s
creativity via visual arts. She has a bachelor’s
degree in visual arts at the University of Hawaii
and a master’s degree in religious education atGolden Gate Baptist Theological Seminary. She iscurrently studying in the doctorate programme at
PolyU School of Design.

Yanki is the Associate Professor of Linnaeus
University in Sweden, master’s graduate inarchitecture at the Royal College of Art, the UK,
doctor in design at the Hong Kong Polytechnic
University, and a former Research Fellow at the
Helen Hamlyn Centre for Inclusive Design, theRoyal College of Art. In 2013, she was invited by
the Vocational Training Council to return to Hong
Kong to develop a social design studio. Later on,
she founded the non-profit Enable Foundation,using design to propose cross-generation, crossindustry solutions to global social issues.

美國密西根州立大學市場學文學士及史丹福大學商務研
究院管理學理碩士，2016年成立D e sig n‧T hin king‧In
Ac tio n，為創辦人 及首席策 展 人，旨在集合不同思維領
袖、教育家和業界人士分享以人為本的設計經驗，學習相
關知識共同成長，從而推廣設計思維。

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從事藝術 教育超 過30年，為「奇極 創作室 」和「創想 聯
萌」創辦人，透過視覺藝術令兒童的創意得到充分發展。
美國夏威夷大學視覺藝術學士、加州金門浸會神學院宗教教育碩士，現時正攻讀香港理工大學設計學院博士學位。

瑞典林奈大學副教授、英國皇家藝術學院建築學碩士、香港理工大學設計博士，歷任英國皇家藝術學院海倫．哈姆
林設計中心共融設計研究員教授。2013年香港職業訓練局邀請她回港成立社會設計工作室，又成立非牟利機構啟
民創社，透過設計研究，為全球社會議題提出跨代跨界別的創新方案。

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8 WAYS TO CONNECT WITH DESIGN· DesignInspire ·八個接軌設計的方法

IN QUEST OF CREATIVE INSPIRATIONS尋覓創意靈感In a world offering such diverse experiences and perspectives, even the smallest encounters
can ignite new inspiration, and open a new dialogue with design. An annual gala of creativity,
DesignInspire showcases the works of outstanding designers, design schools and up-andcoming brands to fulfil our quest for new inspiration.
The 2019 edition of DesignInspire organised by Hong Kong Trade Development Council(HKTDC) and themed "Co-create Sustainable Cities" took place from 5 to 7 December atthe Hong Kong Convention and Exhibition Centre (HKCEC). Among the thematic pavilions,"Urbanovation" presented design works for experimental business solutions, smart living
and STEAM education produced by 25 collaborators. Reputed as the world’s most advanced
entertainment robot, “Titan the Robot” from the UK amazed visitors with its movie stunt-likeagile movements, with the aid of hi-tech environmental sensors. The "Hong Kong Creative
Force" pavilion showcased a wide collection of original products created by aspiring designers
from Hong Kong.
世界這麼大，人與人的相遇交流，每每造就靈感迸發而生，而這正正是接軌設計的第一課。每年一度

A thousand-mile journey begins with a small step forward. Spanning different online and offline

的DesignInspire，就是一場盛大的創意盛會，雲集國際傑出設計人才、設計學院與潮流品牌攜手引發

platforms, Hong Kong Design Centre has put together eight initiatives, some in conjunction with

新靈感。

partners, to put design within our reach, and encourage us to take small steps forward on this journeyof creativity. These initiatives enable anyone from design professionals to the public to connect withoutstanding design and design thinking – one step at a time.

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2019年度的DesignInspire，由香港貿易發展局主辦，就以「共創可持續都市」為主題，於12月5至7日
期間於香港會展舉行。當中，「城創新活」主題館展出25個單位的設計作品，演示體驗式商業方案、智慧生活及STEAM教學三大範疇，勾勒未來創意藍圖；從英國遠道而來，被譽為全球最先進的娛樂機

千里之行，始於足下。以下八個項目由香港設計中心精心策動或與緊密伙伴聯合舉辦，橫跨線上線下各個媒

械人Titan the Robot亦同場亮相，具備高科技環境感知功能，可做出電影特技般的流暢動作。而「香介，無論是設計從業人士抑或大眾，都能通過這些起點，一步步接軌優秀設計及設計思維，踏上創意之路。

港創意力量」展區就匯聚了一眾本地設計菁英及其原創產品。

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· DesignInspire ·· deTour ·· BIP Asia Forum 亞洲知識產權營商論壇 ·GOOD DESIGN NEW AND OLD
好設計 貪新亦戀舊

Excellent designs not only address the prevailing needs of our society,but can also stand the test of time. PMQ in Central, a creative landmarkthat houses some of the best designers in the city, organises deTour every
year to bring more creativity into our everyday lives. In 2019, under thetheme “NEW OLD. OLD NEW”, deTour partnered with great design minds
at home and abroad to explore how the OLD can be reinterpreted in a
NEW context by incorporating values relevant to design today. Through aseries of installation exhibitions, workshops, talks and activities, the event
encouraged constant exploration and experimentation to drive innovationand trigger original thinking.
優秀設計除了能回應時下社會需求，更能經得起時間考驗，成就不朽。位於中環的元創方，一直是匯集不少本港設計菁英的創意地標，每年更舉行deTour推動設計
融入大眾日常。今年就以主題「NEW OLD. OLD NEW」，邀請海內外設計單位，深入探索「舊」概念如何結合當下社會價值，賦予「新」意義，透過一系列裝置展覽、工作坊、講座及活動等，不斷發掘與實驗，力行創新，激活原創思維。

RESPECTING ORIGINALITY
AND INTELLECTUAL PROPERTY
尊重原創 守護知識產權A robust intellectual property system is essential for the realisation of more
Design is always multifaceted, offering a broad range of perspectives for appreciation. Themed

innovative designs in Hong Kong. With a shared commitment to this core

“Perspectives of Design”, the Hong Kong Design Centre (HKDC) pavilion at DesignInspire

value, the HKTDC, the HKSAR Government and HKDC co-organised thehighlighted the power of design to the public through its wide spectrum of programmes. They

9th annual “Business of IP Asia Forum" on 5 and 6 December 2019 themedbrought together the best creative talent in Hong Kong and across Asia, including winners“IP: Building an Innovative and Inclusive Future for Businesses”. Moreof the DFA Awards 2019, as well as creations by local designers from the Design Incubation

than 70 key global representatives of relevant organisations were invited

Programme and the Fashion Incubation Programme.

to share the latest strategies in intellectual property rights and sustainablecorporate development. Industry leaders also explored the market demand

Furthermore, as an extension of the Design Exchange Tour organised by HKDC in September

for innovative technologies at the "Global Tech Summit", while panel

2019, the pavilion featured a “Co-creating Hong Kong: a Design+Exhibition” for 12 Hong Kong

members of the International Exhibition of Inventions of Geneva shareddesigners to share their creative inspirations after the California exchange tour.

their insights on the commercialisation of inventions at the “Hong Kong

設計從來都不是單面的，我們可以從許多不同角度觀賞設計。由香港設計中心呈獻的主題館「設計多Invention Congress”.

面睇」，讓大眾從旗下多姿多彩的項目中，感受設計的力量，當中集結了香港以及亞洲的創意精萃，展香港之所以能成就許多創新設計，完善的知識產權制度是不可或缺的基礎。正因

出包括DFA設計獎2019的得獎作品、設計及時裝創業培育計劃的本地設計師佳作等。

重視這份核心價值，香港貿發局、香港政府與香港設計中心聯手舉辦的年度「亞洲今年，我們更為旗下活動「DX設計交流」設立「Co-creating Hong Kong: a Design+Exhibition」

知識產權營商論壇」，第九屆主題為「知識產權：為企業建構創新及共融的未來」，

特別展區，由12位於2019年9月遠赴美國加州考察交流的香港設計師，分享旅程中獲得的靈感。

於12月5及6日邀請70位各國相關組織要員為嘉賓，分析最新知識產權及企業持續發展的策略。同場的「環球科技峰會」更有多位領袖探討創新科技行業的市場需*deTour 2019 originally scheduled on 29 November to 8 December 2019 was cancelled due toprevailing circumstances in Hong Kong.
鑑於香港當時情況，主辦單位宣佈取消原定於2019年11月29日至12月8日舉行的deTour 2019。

100

求；「香港發明論壇」就由日內瓦國際發明展評委會成員，分享發明趨勢及發明
商業化。

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· GDN Symposium 國際設計師聯席會議 ·· M+ Matters | Keynote M+思考 | 焦點談 ·· Hong Kong Design Directory 香港設計指南 ·ENGAGING
GLOBAL DESIGNERS TO ENVISIONTHE INDUSTRY’S FUTURE
連結世界設計人 展望行業前景

Inaugurated in 2005 by the Hong Kong Federation of Design Associations,Global Design Network (GDN) aims to promote design by building a global
network of influential design organisations with Hong Kong as the hub ofactivity. Capitalising on the assembly of top design minds drawn to Businessof Design Week each year, GDN organises a GDN Symposium concurrently
with the bigger event to look into the future developments of the designindustry.
國際設計聯盟（GDN）於2005年由香港設計總會成立，目標以香港為樞紐，集結來自全球具影響力的設計組織會員，共同推廣設計。GDN藉著每年「設計營商周」設計菁英齊聚香港的契機，舉辦「國際設計師聯席會議」，展望環球設計業界的發展前沿。

STANDING ON THE SHOULDERS
OF GIANTS TO SEE FAR AND BEYOND

BRINGING DESIGNERS AND
BUSINESSES TOGETHER

Museums are home to the very finest of culture and creativity. At theGreat design talents are vital to Hong Kong’s thriving creative industries, but having businesses“M+ Matters | Keynote” held by M+, Hong Kong’s new museum of visualthat appreciate the value of design is equally important for building a robust creative ecosystem.

culture, Director of Tate Maria Balshaw was invited to share her insights on

Aspiring to connect the two, HKDC provides a Hong Kong Design Directory on its website, athe development strategy and positioning of museums in the face of theuser-friendly platform which helps businesses find Hong Kong-registered design companies fromrapidly shifting global political and social landscape.

different disciplines with the right portfolio for their needs.

博物館可謂匯聚文化創意的終極殿堂。香港全新視覺文化博物館M+在早前舉行

香港的創意產業得以蓬勃發展，才華洋溢的設計人才固然不可或缺，也需要懂得欣賞及發揮設計的

的「M+思考 | 焦點談」中，就邀請了泰特美術館館長Maria Balshaw女士，以其價值的企業及商家，形成相輔相成的創意產業生態。香港設計中心期望連繫兩者，透過「香港設計

淵博學識及豐富經驗，向大家細述博物館在世界政治及社會環境急速變遷之中，指南」這個方便的免費網上平台，讓從事各種設計專業的香港註冊公司分享履歷，商界人士以至公

整體發展的策略與定位，分享了獨到的見解。

眾能隨時按他們的需要進行搜尋，從而締造更多商機。

站上巨人肩膀 望得更遠尋找知音 連繫伯樂For more information
立即瀏覽*Due to Hong Kong’s prevailing circumstances, the organiser announced the cancellation of the GDN
Symposium originally scheduled to take place on 7 December 2019.
鑑於香港當時情況，主辦單位宣佈取消原定於2019年12月7日舉辦的「國際設計師聯席會議 」。

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103

GOOD BOOKS開卷有益 閱讀好設計

Whether you are looking for creative inspirations or just keeping an eye on major design-related eventsin your area, these books and publications by HKDC will enrich your knowledge of design one chapter
after another.
想尋找創意啟迪，緊貼設計界盛事動向，香港設計中心編著的叢書及期刊，就為你打開一頁頁設計新篇章。

Read 閱讀
DMatters

HKDC Annual Report 2018-19《香港設計中心年報 2018－19》

DMatters

Entitled "Reimagine Design", the annual report’s cover features a uniquely

DMatters, HKDC’s quarterly e-newsletter, provides an update of design

rearranged font design composed of geometric elements, prompting readers

happenings and the latest news from HKDC’s programmes. It explores start-

to rethink the meaning of design. The annual report illustrates to the public

up brands of enormous potential and presents award-winning designers andand partners the many design promotion initiatives and achievements of

their works, inspiring more appreciation of design among the public.

HKDC, and sets new milestones for the coming year.

香港設計中心的電子季刊《DMatters》，介紹設計相關的活動資訊及緊貼行業動以「設計再想像」為題，本年報封面特別以幾何圖案元素設計出嶄新字體，觸

態，亦發掘潛力無限的初創品牌及推介得獎設計師和其傑作，由此啟迪公眾的發讀者重新思考何謂設計。年報向公眾及合作伙伴闡示香港設計中心推廣設計

設計思維及傳揚優秀設計。

和設計思維的項目成果，並展望來年目標。

TUNING IN TO “GOOD LIFE GOOD DESIGN”
緊貼大氣電波 細聽「生活就是設計」Love to hear a good design story? All you need to do is tune in your radio! HKDC
continued its partnership with Metro Radio in the “Doors to the World” programme throughits bi-weekly radio segment “Good Life Good Design”. On air since 2017, the show featured
personal interviews and creative insights from winners of the DFA Hong Kong Young
Design Talent Award, Design District Hong Kong partners, and designers from the Design
Incubation Programme and Fashion Incubation Programme.
有沒有想過，只要透過大氣電波，就可以安坐家中輕鬆領略設計之道？香港設計中心與新城知訊
台節目《世界隨意門》合作，於2017年推出「生活就是設計」環節，每兩星期播出。去年，節目先後邀請DFA香港青年設計才俊獎歷屆得獎者、設計＃香港地合作單位、設計創業培育計劃和時裝創
業培育計劃的設計師，分享創作的心路歷程，解構設計的獨特價值和魅力。

Listen to "Good Life Good Design"收聽「生活就是設計」

Design for Asia: DFA Awards 2019

Placemaking: Reinventing the Past and Future of Urban Fabric《給亞洲設計－DFA設計獎2019》《地方營造－重塑社區肌理的過去與未來》

Since 2003, the DFA Awards has been recognising outstanding designs

Curated by Prof. Eric Yim, Chairman of HKDC, written by veteran journalist

and distinguished individuals through its five design award programmes.

Tinny Cheng and published by Joint Publishing, the book revisits the tales

This book is a collection of the award-winning works from DFA Awardsof 13 Hong Kong placemaking heroes who created ‘places’ from ‘spaces’ by

2019, celebrating the new face of Asian design in technology innovation,

applying design thinking. Their stories were first told in the “Good Life Good

environmental experiences, social issues and humanitarian values from an

Design” segment in Metro Radio’s “Doors to the World” programme. The book

Asian perspective.

launch-cum-Wan Chai guided tour was successfully held on 9 November 2019

DFA設計獎自2003年起，透過五個設計獎項表揚卓越設計及傑出人物。本書輯

at JP Books Wan Chai Store.

錄2019年度的得獎作品，從亞洲觀點，以科技革新、環保體驗、社會議題和人

由香港設計中心主席嚴志明教授策劃、資深傳媒工作者鄭天儀撰寫、三聯書店出文關懷四個面向，揭示亞洲設計的新面貌。

版，本書把新城知訊台《世界隨意門》的「生活就是設計」環節中，13位香港地方營造幕後英雄於城市中妙用設計思維的個案轉化為文字。新書分享會暨灣仔導
賞團於2019年11月9日在三聯書店·灣仔文化生活薈順利舉行。

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DESIGN
REDEFINEDAs a publicly funded organisation, HKDC has continuously

香港設計中心作為一間獲公帑資助的機構，多年來一直致力加

strengthened its corporate governance and improved its

強企業管治及提升職場文化，以維持高度的問責性及內部的緊

workplace culture over the years to foster accountability,

密協作。

cooperation and collaboration.
除了定期檢討日常運作，香港設計中心亦定期提供僱員培訓，In addition to regular reviews of its operation, HKDC conducts

確保營運程序符合其企業管治原則。

regular staff training to ensure that operational procedures
comply with its own corporate governance principles.

此外，香港設計中心亦實行兩層通報機制，以處理董事的潛在利益衝突。除了向董事會或委員會自行申報外，董事在獲委任

HKDC has also implemented a two-tier reporting system for加入香港設計中心董事會時，亦須披露所有直接或間接、金錢managing potential conflicts of interest for its directors. Apart

或非金錢的一般利益。如有需要，有關披露的資訊亦會公開予from self-reporting potential conflicts at board or committee公眾人士查閱。

meetings, directors are now also required to disclose theirgeneral interests, direct or indirect, pecuniary or otherwise,
on appointment to HKDC’s board. Their declarations are alsoavailable for inspection by members of the public upon request.

· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·Chairman
Chairman 董事會主席
董事會主席

Director
Director 董事
董事

PATRICK BRUCEDAVID LO

Design Vision 預見設計

Vice Chairman 董事會副主席

盧永
強

BONNIE CHAN陳
德
姿

ERIC YIM嚴志明

Vice Chairman 董事會副主席

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design will be the tectonic force and economic
driver that alter our lives in all sectors of thesociety,society,fromfromtraditional
traditionalbusinessbusinessenvironments
environment
to creative industries in the new economy.

Designwill betectonic
andeconomic
The futureof thedesignis oneforce
where
the
widestdriver
that
alter
our
lives
in
all
sectorsof therange of stakeholders contribute to co-create
society, fromtraditional
businesssolutionsfor thecommunity,with environment
sustainabilitytocreativeindustries
in
the
new
economy.
in mind and a fully circular feedback
loop.

Designwill
uses
thinking
asand
its basis
andDesignbecreative
the tectonic
force
economic
aesthetics
asits
compass.
Not
only
does
it
solve
driver that alter our lives in all sectors of the
problems,
but itputs forward
questions,formingsociety, fromtraditional
business
environmenta
two-way
constructofcivilisation.
to creative industries in the new economy.

We must design for impact – social, economic,
Designwill be the tectonic
forceasandeconomic
environmental.
Otherwise,a design
driver thatwe
alter
our livesin all sectorsof theprofession,
becomeobsolete.
We needto besociety,
traditional
business
environmentfar
morefrom
responsible
for thereal impactsof ourto creative industries
in thenew economy.
work in theseareas.

設計將是改變社會各領域的巨大力量，
設計將是改變社會各領域的巨大力量－

設計將是改變社會各領域的巨大力量－
未來設計將由廣泛持份者出發，各施所長，為社區共
從傳統商業環境走向新經濟的創意產業。
創兼顧可持續性及完整反饋循環的解決方案。

設計以創意思考為經，美學管理為緯，設計將是改變社會各領域的巨大力量－
不只能解決問題，也可以提出問題，
從傳統商業環境走向新經濟的創意產業。
雙向建構文明。

推動傳統商業環境走向新經濟的創意產業。
從傳統商業環境走向新經濟的創意產業。

設計將是改變社會各領域的巨大力量－
設計應為社會、經濟及環境帶來正面的影響，
從傳統商業環境走向新經濟的創意產業。
否則設計這個專業便會過時。
我們需要對作品的影響負責。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

The Rise
Rise ofof thetheCreative
CreativeClassClass

Doughnut
The Rise ofEconomics
the Creative Class

The
Rise
of the Creative
Class視像會議軟件
Video
conferencing
softwareChair
The Rise# 670
of the Creative Class

The book
interpretationof economic
developmentin theThebookoffers
offersa aradical
radicalinterpretationof economic
development

This
work offers
outlines
how aneconomy canofbe
organised
to be fully
The booka radical
interpretation
economicdevelopment

The book
globaloffers
pandemic
has interpretation
changed the world
entirely, development
including ourThea radicalof economic

Charles
andoffers
Ray Eames
wereprolific designers
who stated:“we don’t
The booka radical
interpretationof economic
development

century.
Creativearechanging
not just referring
to artists
or designers
21st21stincentury
whenpeople
we areas a society.
Hong
Kong issustainable.
I learned
about
the earlyof COVID-19.
It hasin 21st century
when
we thisare duringchanging
as a phasesociety.
Hong Kongislifestyles,
with people
less time as
meetingin person
morein
21st century
when spending
we are changing
a society.
HongandKongisdoart –century
we solve
problems”.
problema veryin 21stwhen
we are Theirchanging
as a solving
society.spanned
Hong Kongisbutuniqueredefined
as professionals
who solve
creative
ancity,
it does not only
have complex
the rightproblems
physical,withsocialandinspired
mecity,to rethink
andre-imagine
what
world
could belike ifand
we
an uniqueit does
notonly havethetherightphysical,socialtime
than evervirtually.
Thesethedays,
as physical,
the designof videoanuniquecity, meetingit does not
only haverightsocialandwide
spectrum,architecture
woodenmedicalsplints,
and lots
an uniquecity, fromit does
not only to
have
the right
physical,socialandthinkinginfrastructure,
who are driving
entrepreneurial
digitalbutinnovations,also inclusive
enough foractivities
diversityand
toaregiveninfrastructure,
the chance to build
systemswith aninclusiveandsustainabledigitalbut ouralso
inclusiveenoughfordiversity
toconferencing
software gains
great inclusive
headway, we
can appreciate
the first
digitalinfrastructure,
but also
enoughfor diversity
tomore
They were
temptedto “specialise”
in anyparticular
digitalbetween.
infrastructure,butnotalso
inclusiveenough fordiversitytoeconomic
globalcompetition
thesecreativetalents,
shine.
Thegrowth.
book isWith
nottheabout
Hong
Kong butfor
I can
see
the futureofmindset,to addresssocial andecologicalshine. The
book is our
notcurrent
about Hong
Kong
but I canchallenges.
see the future oflesson The
frombook
our design"To design
to solve
shine.
is notteachers,
about Hong
Kong isbut
I can problems."
see the future oftypology.
This
Chair
# 670
symbolises
the extent
to whichtheyappliedshine. The
book
is notabout
Hong Kong
but I cansee thefutureof

we areKong
seeingasaastronger
on theClass.
importance of the quality of
Hongplace foremphasis
the Creative

Hong Kong as a place for the Creative Class.

Hong Kong as a place for the Creative Class.

theirskills,regardlessof Class.
what we would now think of as
Hongproblem-solving
Kong as a place
for theCreativeplace. Hong Kong not only has the right physical, social and digital

我在疫情早期接觸這本書，裡面概述了如何組織一個能達致全面可持續性

全球疫情改變世界，包括我們的生活模式，人與人的親身接觸少了，大家透過

separate and narrowly focused design disciplines. They were driven by a

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
infrastructure, but is inclusive enough for diversity to shine. I can see the的經濟模式。我不禁重新思考及想像：若我們有機會重新構建我們的社會系
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝螢幕對話的時間比任何時候都長。這些日子以來，視像會議軟件的設計質素本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
desirefor design to be a driver of social change. Something we all need tofuture of Hong Kong as a place for the Creative Class.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

統，以具包容性及可持續性的思維，解決當前社會及生態層面的挑戰，世界會
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

不停改善和提升，真正做到每個設計老師在第一課所說的：「設計是為了解
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

reinvent
within ourselves 80 years after they led the way.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更有何改變？

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

by Richard Florida

本書大膽詮釋廿一世紀經濟發展：具創造力的人不僅指藝術家或設計師，而
是重新定義為用創意解難及推動創新、商業活動及經濟增長的專業人士。各
地求才若渴，地方的生活質素成為吸引創意人才的重要因素。香港不但擁有完善的物質、社會及數碼基建，更可高度包容多元文化，相信未來會成為創意

by KateRichardRaworthFloridaby Richard Florida

決問題」。

by Charles
Richard andFloridaRay Eames們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更「我們不做藝術品，而是解決問題。」Eames夫婦設計作品無數，解決的問

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

題範圍十分廣泛，從建築到木製醫療夾板不等，不願「精專」於特定範疇。這

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

張椅子充分表現了其解難能力，超越了我們單獨而狹窄的設計分類和範疇。

即將成為屬於創意階層的地方

他們渴望以設計驅動社會改變，創新精神歷經80年仍值得我們學習。

階層聚居之地。

108

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· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·董事
Director
Chairman
董事會主席

Director 董事
董事
Director

Vice Chairman
Director董事會副主席
董事

BENSON CHEUNG張本善

ALAN CHEUNG張益麟

VIVECA CHAN

陳一枬

HOI-YAN CHAN陳凱
欣

Vice Chairman
Director董事會副主席
董事

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Anything is possible if you dare to dream. The
Design will be the tectonic force and economic
future of design should no longer just flow withdriver that alter our lives in all sectors of thethe tide, and society should accept every style.
society, from traditional business environment
Innovation is our future.
to creative industries in the new economy.

Great design will go beyond value-adding
Design will be the tectonic force and economic
aesthetics, commercial viability, sustainability
driver that alter our lives in all sectors of theand improvement of human lives to include asociety, from traditional business environment
value-driving process.
to creative industries in the new economy.

Designwill beofthe
tectonic
force
and economic
The future
designis about
going
beyonddriver
that
alter
our
lives
in
all
sectorsthedefining and solving today’s problems. Itofwould
society,fromtraditional
business
environment
take theusers
into a more
comfortablepath
to creative
industries
in
the
new
economy.
which is beyond their expectations.

只要敢想，萬事皆有可能。
設計將是改變社會各領域的巨大力量－
未來的設計不應再隨波逐流，
從傳統商業環境走向新經濟的創意產業。
社會應接納每一種風格。創新就是未來。

偉大設計除了集美學、商業可行性、設計將是改變社會各領域的巨大力量－
可持續發展性及改善人類生活之大成，
從傳統商業環境走向新經濟的創意產業。
更蘊含創造價值的過程。

The future of the visual communication design
Design will be the tectonic force and economic
and the overall design disciplines depend very
driver that alter our lives in all sectors of themuch on the research development of thesociety, from traditional business environment
body of knowledge, ways of practice and its
to creative industries in the new economy.
professionalism.

設計將是改變社會各領域的巨大力量－
未來設計將不只定義和解決當今問題，
從傳統商業環境走向新經濟的創意產業。
還能帶領用家踏上更舒適並超乎他們期望的道路。

設計將是改變社會各領域的巨大力量－視覺傳意設計及整體設計界的未來將取決於建立知從傳統商業環境走向新經濟的創意產業。
識體系的研究和發展、實踐方式及專業精神。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

“FighttheofVirus”
Leaflet 抗疫單張The
Rise
the Creative
Class

The
NikeRise
Air Maxof the Creative ClassThe
HowRiseDesignof theMakes
Creative
The World
Class

DesignThe RiseStudies:of the Creative
Theory andClass
Research in Graphic Design

This isa smallcreationof myinterpretation
daughter, whichofI believe
was inspiredby theThe
bookoffersa radical
economicdevelopment

When
I helped
theinterpretation
first Nike Air ofMax
in Hong development
Kong in 1989,
The book
offerslauncha radical
economicThis
a wonderful
for me as
innovativedevelopment
entrepreneur
The book
bookwasoffersa radicalstimulusinterpretation
ofan
economicThe
enlightenedon a prolongedof the Graphic
DesignThe book
bookhasoffersa radicalmeinterpretation
ofissueeconomicdevelopment

recentCreativity
could
come from
idea orKong
a statein
21stpandemic.
century when
we arechanging
as aa feeling,society.anHongis

wecombinedconveyingspiritHong
with Konga clearin 21stcenturyadvertisingwhen we arechangingthe
as Nikea society.
isas
an inspiring
always seek
improvement
in well
21st ascentury
whenreminder
we are tochanging
as acontinuous
society. Hong
Kong is(Visualdiscipline:
representative
scholarsHongfrom thebookin 21st Communication)
century when weare changing
as a society.
Kongisof mind.
Ratherputting
on a pedestal,should justgo backanuniquecity,thanit does
not‘design’
only havethe rightwe
physical,socialanddemonstration
its visible“air”havedesign.
by Tinker
an unique city, of
it does
not only
the Conceptualised
right physical, social
andinlife city,
experiences.
I highly
it foranyone social
workinginan dailyuniqueit does not
only recommend
have the rightphysical,
and

state
that theoveremphasis
the haveimportanceof aesthetic
an uniquecity,
it does noton
only
the right
physical,appearance,social andto basicsinfrastructure,and express ourbut
thoughts
on life in different
Maybe thendigitalalso inclusive
enough ways.
for diversity
toHarfield,
Air Max popularised
Nike’s ubiquitous
Air diversity
Cushioning
digital infrastructure,
but also inclusive
enough fortoanyindustry
who wantsbut
to upgrade
and transform
digitalinfrastructure,also inclusive
enoughtheirfor businessdiversitywith
tostylingvisual structurebeen
a long-standing
the graphic
digital andinfrastructure,buthasalso
inclusiveenoughissue
for indiversity
to

we can The
bringbookforthisa newunderstandingon life.
shine.
not about
Hong Kong
but I can see the future ofplatform.
designis thefirst
to offera window
tosee
thethesole,
makingshine. TheHis
book
is not
about
Hong
Kong
but I canfutureofcreativity
andinnovation.
shine. The
book
is not about Hong Kong but I can see the future ofdesigndiscipline
education.
ThereKong
has been
discourse
aboutshine. The
bookandis notabout Hongbut Ilimited
can seethe futureofHong Kong as a place for the Creative Class.

Air
technology
andtheaddingstyleClass.
to performance and comfort.
Hong
Kong as avisible,
place for
Creative

Hong Kong as a place for the Creative Class.

thereasons
the designs
Hong
Kong andas afunctions
place forbehind
the Creative
Class.and what objectives they

這是我女兒的一個小創作，相信靈感來自近月的疫情。其實創作就是一種

Nike Air Max truly connected sports engineering with design culture

本書涵蓋設計哲學、原理和方法論，解釋了為什麼「好設計」對每個人都很

try to achieve.

感受、一個想法、一個心態。我們也許不應該將「設計」放於一個高高在上本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
forthe first time and set the stage for 30 years of reinvention and

重要。作為一個創新型企業家，它為我帶來靈感，同時激發我不斷尋求改善
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝的位置。我們何不回歸初心，用不同方式記錄生活，或者你對生活從此就有術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

innovationsin the industry.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

日常生活體驗。我強烈推薦此書給所有希望通過創意與創新來進行升級和術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

本書啟發了我思考平面設計（視覺傳意）的深層問題：書中學者指出，平面設
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更轉型的朋友。

計界及教育長久以來的問題是過分強調美學外觀、風格及視覺結構，關於設

my daughter
妹豬
by Richard
Florida了一個新的了解？

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完
善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港
即將成為屬於創意階層的地方

by Richard Florida

1989年，我協助Nike在港推出Air Max，利用廣告清晰傳達其可見式「空by Richard
Scott Berkun
Florida們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更Publishedby Richardby
FloridaPrinceton Architectural Press

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更計背後的原因、功能及設計師想達成的目標的討論亦不足夠。

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

氣」設計，並結合Nike的品牌精神。由Tinker Harfield構思的Air Max，是

首個採用可見式設計展示氣墊技術的產品，於性能及舒適度上增添了時尚
風格，令Nike氣墊技術大受歡迎。產品首度連繫了體育工程與設計文化，並為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完為其後30年間行業的革新奠定基礎。

110

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· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·Director
董事
Chairman
董事會主席

Director 董事
董事
Director

Vice Chairman
Director董事會副主席
董事

EDDIE HUI許夏林

FELIX CHUNG鍾國
斌

JOANNE CHOW周凱
瑜JANET CHEUNG張啟秀

Vice Chairman
Director董事會副主席
董事

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

The realm of fashion is evolving technologically.
Designwill isbeathetectonic
force
and economic
There
clear
trend inblending
thedriver
that
alter
our
lives
in
all
sectorsof thephysical world with 3D technology,society,
fromcollections
traditional tobusiness
environment
from virtual
limitlesscreativity.
to creative
industries
in
the
new
economy.
A movement empowered by AI.

Design will be the tectonic force and economic
A basis of understanding is crucial to thedriver that alter our lives in all sectors of theimagination and to the evolution of the criticalsociety, from traditional business environment
design movement.
to creative industries in the new economy.

Designwill be thetectonic
force andeconomic
Enhancingvaluewith design,
creating
driver sustainability
that alter our lives
inallsectors
with technology…of thesociety, from traditional
This is thebusinessfuture! environment
to creative industries in the new economy.

Design will be the tectonic force and economic
driver that alter our lives in all sectors of thesociety, frombusiness
environment
Everytraditional
human being
is an artist.
to creative industries in the new economy.

設計將是改變社會各領域的巨大力量－
時尚領域由AI技術上的不斷發展，從傳統商業環境走向新經濟的創意產業。
糅合現實與3D的技術，從虛擬到無限創意，

基礎知識不但對想像力極為重要，
設計將是改變社會各領域的巨大力量－
也是重大設計運動發展的關鍵。
從傳統商業環境走向新經濟的創意產業。

以設計提升價值、
設計將是改變社會各領域的巨大力量－
以科技創造可持續性…..
從傳統商業環境走向新經濟的創意產業。
這就是未來!

人人都是藝術家。
設計將是改變社會各領域的巨大力量－

從傳統商業環境走向新經濟的創意產業。

由人工智能驅動的時尚變革顯然是個大趨勢。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Azzedine
Alaïa
The
Rise ofthe Creative ClassThe RiseFamíliaof the Creative
聖家堂 Class
SagradaRoyal
CollegeArt
The Riseof theofCreativeClass

The Riseof the Creative Class
JosephBeuys

Duringmy offers
fashiona designin Paris andI wasstunned byThe
bookradicalcareerinterpretationof London,
economicdevelopment"Havinga special
to synthesise
tradition
the courage
to try newThe
bookoffersability
a radical
interpretationof andeconomicdevelopment

Visiting
theoffers
RoyalaCollegeof Art in the earlyyears gavedevelopment
me a deeperThebook
radical interpretationof economicFor
Beuys,aoneof thegreatest conceptual
artists from
Germany,
TheJosephbook offers
radicalinterpretationof economic
development

the21stperfection
the sculptural
coutureascraftsmanshipof legendaryincenturyofwhen
we are changing
a society. Hong
Kong istechnical
solutions,
Antonicreated someof the mostimaginativein
21st century
when
we Gaudíare changing
as a society.
Hong
Kong isunderstanding
design.weRealis notabout appearance,in
21st centuryofwhen
aredesignchanging
asjusta society.
Hong Kongbut
iseverythingin our whenlife is art
He oncesaid,“Everyin 21st century
weand
areeveryonechangingis an
as artist.
a society.
Hong
Kong
is

Parisian
CouturierOncephysical,
dubbed "the
King
of
an
uniquecity, itAzzedine
does notAlaïa
only(1935
have-2017).
the right
socialandarchitecturalforms
in history.
Thehavearchitectseesphysical,
things clearlyanunique city,
it does
not only
the right
social as
andashouldhavecity,
the itability
the ecosystem
andanuniquedoes tonotsolve
onlyproblems,
have the changeright physical,
social andsphereof humancanonly
be a havework ofas long
as it is asocial
conscious
an uniquecity, itactivity…
does nottheartrightphysical,andCling", Alaïa
was highly revered
forinclusive
his garmentsthat moulded
the body
digitalinfrastructure,
but also
enoughfor diversity
towhole before
they are done,
and situates
andenoughconnectsfor
thediversity
elements toindigitalinfrastructure,
but also
inclusive

influence
the world! In recent
years,inclusive
we have seen
the upriseinnovative
digitalinfrastructure,
but also
enoughfor ofdiversity
toact.”
In practice,exploringbut
newalsodimensions
to excelat whatalready
digitalinfrastructure,inclusiveenoughforpeople
diversity
tointo extraordinary
In finding
hisbutwork
as myspirit”,
shine.
The book isproportions.
not about Hong
Kong
I can
see“kindred
the futureoftheir plastic
relationshipand atHong
the right
distance."*believe
great
shine.
The book
is not aboutKong
but I canI see
the that
futureofenterprises
makeuseaboutof technology,
designthe see‘sharing
shine.
The thatbook
is notHong Kong
butandI canthe economy’future ofknow
tobookincorporate
our Kong
multiple
portraits
to realise
shine.andThe
is not them
aboutinto
HongbutlifeI cansee thefuturetheof

I have Kong
persistedadvocatingrefined aesthetic
Hong
as a inplace
for the aCreative
Class. sense combined witharchitects
andfrom thatchange and from their belief
Hong
Kong
asmovements
a place for comethe Creative
Class.

concept
disrupt
our forlong-established,traditional methodologies.
Hong
Kong
as a place
the Creative Class.

artof livingthemain themeofCreative
Eddie’s designs.
Hong
Kongisasa placefor theClass.

much emphasis placed on the finesse of cut and proportion, together within the change needed.

Their success is a testament that functional innovations, with help of本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
attention to details… throughout my design career.

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
digitalisation, can create new value and open new markets.

JosephBeuys是德國最偉大的概念藝術家之一，他認為我們的生活空間、工本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

Gaudí結合傳統及對新技術的追求，創造出不少史上最具創意的建築物，他
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

作以至日常對話都是藝術，一切都是藝術，
人人都是藝術家，人類每個有意識
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更早 年 我 於 倫 敦 開 展 我 的 時 裝 設 計 生 涯 時，已 對 傳 奇 的 巴 黎 時 裝 設 計 師

做事有全盤計劃，把各種元素以適當距離放置，並以塑性關係連結。我相信們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更早年到訪英國皇家藝術學院讓我加深對設計的認知，真正的設計不只靠外

的行為，都是一件藝術作品。我把他的理念付諸實踐，平日不斷從熟悉的事

Azzedine Alaïa 完美如雕塑般的剪裁技術印象深刻，並視他的作品與我的偉大的建築師及建築運動均來自於這種改變，以及時刻求變的信念。

觀而應可解決問題、改變生態系統、影響世界！近年很多革命性創新企業以物探索新角度，並將其融入不同生活層面，透過作品實現生活的藝術。

© www.rca.ac.uk

Idea Insight 靈感追蹤by Richard Florida

by Antoni
RichardGaudí
Florida

英國皇家藝術學院
by Richard Florida

by Richard Florida

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

設計理念志同道合，從此驅使我於多年之時裝設計職業中，一直堅持及標榜
優質剪裁，配合設計美學的審美意識，以達到最終之精煉設計效果。

「經濟共享」概念，利用科技及設計打破由來已久的傳統應用方法。他們的
成功足以證明具功能性的創意，透過數碼化可為使用者帶來新價值及市場。

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完*Source來源: https://www.widewalls.ch/magazine/antoni-gaudi-work-buildings-architecture

112

113

· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·董事
Director
Chairman
董事會主席

KUN-PYO LEEJAMES LAW李健杓Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design will be the tectonic force and economic
Extravagant and fancy design are an
driver that alter our lives in all sectors of theanachronism; design should make life moresociety, from traditional business environment
pleasurable, safer and more personalised.
to creative industries in the new economy.

Designwill be thewetectonic
and economic
As designers,
shouldforce
re-examine
ourdriver
that
alter
our
lives
in
all
sectorsoftheresponsibility to the environment, and howsociety,from traditional
business
environment
we can assist
humanity inrecovering
after theto creative industries
in
the
new
economy.
pandemic is over.

Designwill betectonic
force
economic
The futureofthe
designshouldbe aand“Designofdriver
that
alter
our
lives
in
all
sectorsofthe
Purpose” focused on solving the big problems ofsociety,
traditional
business
environment
the from
world,
and alleviating
sufferinginto creative industries
in
the
new
economy.
our flawed world.

Designwillthatbe thetectonic
force
andeconomic
Designenables
crowds
and
links
all
driver
that
alter
our
lives
in
all
sectorsofthedifferent stakeholders with empathy, aesthetic
society,from traditional
business environment
sensitivity
and multidisciplinary
skills.
to creative industries in the new economy.

奢華和標新立異的設計已不合時宜；設計將是改變社會各領域的巨大力量－
設計應使生活變得更加愉悅、可靠、人性化。
從傳統商業環境走向新經濟的創意產業。

設計將是改變社會各領域的巨大力量－面對疫情，設計師應思考自身對環境的責任，
從傳統商業環境走向新經濟的創意產業。
以及往後如何協助人們重拾正常生活。

設計將是改變社會各領域的巨大力量－
設計的未來應以解決世界性問題為重點，從傳統商業環境走向新經濟的創意產業。
減輕及改善目前世界上的缺陷所帶來的痛苦。

未來的設計必須能引發共鳴，
設計將是改變社會各領域的巨大力量－
以同理心、美學敏感度及跨領域技能
從傳統商業環境走向新經濟的創意產業。
連繫不同持份者。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤Fix
TheyouRise of the Creative Class

《劉小康決定設計》
The Rise of the Creative Class
by Freeman
Lau 劉小康
Richard Florida

The
Rise
of the Creative
Class
OPod
Concrete
Pipe Housing
byRichardFloridaOPod
水管屋

The Rise
SilentofLanguage
the Creative ClassMusic
allowsfor adeep
self-healing:
this songtells us thatthe worst
The book
offersradicalinterpretationof economic
development

The
catalogue,
took five years
to compile,
is not only
The exhibition
book offersa radicalwhichinterpretationof economic
development

Billionsof offers
peoplein the interpretationworld struggleofwith
housing.development
The world’sThebooka radical
economic

The book offers a radical interpretation of economic development

situations
happenwhen
for a reason,transform asouralivesfor good.
Evenat ourin 21st century
we aretochanging
society.
Hong
Kong
is

ainrecordof my design
journeyin the past
years, but
outlines
21st century
when weare changing
as40
a society.
Hong
Kongtheiseconomic
and politicalhave propagateda huge dividein
21st century
when systems
we are changing
as a society.
Hong between
Kong isin 21st century when we are changing as a society. Hong Kong islowestebb, city,
thereitisdoes
alwaysnotlightat theendtheof thetunnel,and thebest andway
an unique
only
have
right
physical,socialHong
Kong’sdevelopmentfrom ‘graphic
to the‘creative
an uniquecity,
it does notphases
only havethe rightdesign’
physical,socialand

those
who canandafforda homelive.
Architecture
becomeanuniquecity,
it cannot
does notonly
have totherightphysical,has
socialandNotes
oncity,theitSynthesisof Form
anuniquedoes not only
have the right physical, social andtofix yourself
is to try. Creativity
not a skill enoughto be learned,
but a desire
digitalinfrastructure,
but alsoisinclusivefor diversity
toindustries‘
from the 1980sbut
to thepresent.
digital infrastructure,also
inclusive enough for diversity tomore aninfrastructure,
economic commodity
thana solution
for housing.
The OPod
digitalbut also
inclusiveenoughfor diversity
todigital infrastructure, but also inclusive enough for diversity tofora bettershine.
The life.
book is not about Hong Kong but I can see the future ofshine. The book is not about Hong Kong but I can see the future ofconcrete
pipe
house
takes
a cheap,
availableof theshine.
Thebook
is notabout
Hongreadily
Kong but
I can component
see the futureofHong Kong as a place for the Creative Class.

經過五年醞釀而成的個人展覽目錄，不單記錄了我四十年來的設計歷程，更Hong Kong as a place for the Creative Class.

concretewater
andforconverts
it into a Class.
home solution that can provide
Hong
Kong
as pipea placethe Creative

音樂讓 人進行深入的自我修補：這首歌告訴我們，最糟糕的情況之所以發

展現了香港自八十年代至今從「平面設計」到「創意產業」不同階段的發展。

housing for billions of people.

生，是為了成就我們生命所需的轉化。低潮時我們總會看到一束光的指引，而
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

最好的修復方式就是嘗試。創意不是學回來的技巧，而是對美好生活的渴望。
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

全球數十億人正為住屋需求掙扎，世界經濟及政治體系在有力與無力負擔
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更房屋的人們之間，造成了一條巨大的鴻溝，建築已變成經濟商品多於解決住
們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完
這些書的研究範圍甚廣，不論從傳統設計到設計方法論、從用家為本設計到

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

文化設計，都改變了我原本對設計的觀點，並引領我的學術生涯，樹下一個
善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方個里程碑。
即將成為屬於創意階層的地方

by Coldplay
Richard Florida

114

Director 董事
董事
Director

Vice Chairman
Director董事會副主席
董事

羅
發
禮

FREEMAN LAU劉小康JOEY HO何宗
憲

Vice Chairman
Director董事會副主席
董事

屋需求的產物。OPod水管屋採用廉價的現成混凝土水管組件，將其變成為
可為數十億人口提供住屋需求的解決方案。

by Richard
Edward T.
FloridaHall

By Designby Ralph Caplan

by Christopher Alexander

PlansThe
andbook
Situated
shine.
is not Actions
about Hong Kong but I can see the future of
by LucyKong
A. Suchman
Hong
as a place for the Creative Class.

Those books changed my existing points of view on design and eventually本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
led to new milestones in my academic career: from conventional design to
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他
design methodology, user-centred design, and cultural design.
們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更115

· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·Director
董事
Chairman
董事會主席

JOSEPH LO

STEPHEN LIANG勞建青Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design will be the tectonic force and economic
Design is people-oriented, combining
driver that alter our lives in all sectors of thetechnology and aesthetics to create a better life
society, from traditional business environmentthat is symbiotic with nature.
to creative industries in the new economy.

Design and the future of human beings are like
Design will be the tectonic force and economic
a mystery novel - you can never know what
driver that alter our lives in all sectors of thehappens next, and that’s why it’s important tosociety, from traditional business environment
count on yourself.
to creative industries in the new economy.

Designbe the tectonic
force andIn thewill
post-COVID
era, design
will economic
have todriver
that
alter
our
lives
in
all
sectorsof thebe even more closely connected with othersociety,
fromincluding
traditional
business environment
disciplines,
technology,
healthcare
to creative
industries
in
the
new
economy.
and environmental protection.

Designwillofbedesign
the tectonic
force
and economicThe
futurelies in its
integration
withdriver thatnature
alter ourin all sectors of theandlives
technology.
society,frombusiness
environment
This isthetraditional
next step toa new industrial
to creative- forindustries
in theandnew
economy.
revolution
both design
technology.

設計以人為本，結合科技與美學，
設計將是改變社會各領域的巨大力量－
創造與自然共生的美好生活。
從傳統商業環境走向新經濟的創意產業。

設計和人的未來跟推理小說一樣，
設計將是改變社會各領域的巨大力量－
永遠不會知道下一頁是怎樣，從傳統商業環境走向新經濟的創意產業。
所以最重要是靠自己。

設計將是改變社會各領域的巨大力量－
在後疫情時代，設計必須與技術、醫療保健
從傳統商業環境走向新經濟的創意產業。
和環境保護等領域更緊密連繫。

設計將是改變社會各領域的巨大力量－
未來設計在於融合自然與技術，
從傳統商業環境走向新經濟的創意產業。
正是設計及科技新工業革命的新一章。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Villa
SavoyeThe Riseof the Creative Class

Foucault’s《傅科擺》
The Rise ofPendulum
the Creative
Class

The
Riseandof theCreative
OrangeYellow
1956 ClassThe Riseof thePavilion
Creative密爾沃基美術博物館
Class
Quadracci

I wasbookgreatlyinspiredby Le interpretation
Corbusier's use ofof economic
space and proportion.
His
The
offersa radical
development

The
threeinterpretation
protagonists inof
theirquest fordevelopment
the medieval
The novel
book follows
offers atheradicaleconomicIThefindbook
Mark Rothko’s
Yellow 1956 magical.
On thedevelopment
one hand, theoffers a Orange
radical andinterpretationof economic

The
Pavilionis thebird-like structure
extendingout of the
The Quadracci
book offersa radical
interpretationof economic
development

1920
Villa
Savoye whenis forward-looking
in its design
efficient
in itsspatialin
21stcentury
we are changing
as a andsociety.
Hong
Kong
is

Christian"Templar
Conspiracy
Theory", linking
togethera seriesin 21st century
when
we are changing
as a society.
Hong
Kong ofisartistguidesthe viewer
admire it. On
other hand,by Kong
creating
in 21stcentury
whenonwehow
aretochanging
as athesociety.
HongisMilwaukee
Art Museum,designedby Spanish
Santiagoin 21st century
when weare changing
asarchitecta society.
HongCalatrava.
Kong isplanning.
blendsarchitecturewithnature,highlighting
theanuniqueThecity,design
it does
not only
have therightphysical,social andhistoricalthey nottry only
to solvethemystery.
The writeris a true
an uniqueevents
city, itasdoes
havetheright physical,
socialandaanseemingly
minimalist
allowsviewerto freelyinterpret
unique city,
it doesapproach,
not onlyhehave
thetherightphysical,socialandThis
iconic city,
structure
is anot
prime
exampleof biomimicryin architecture.
an uniqueit does
only
have theright physical,
social andbeauty ofsimplicity, purity
andalsotranquillity.
It isenoughan icon offor
modernism
digitalinfrastructure,but
inclusive
diversitythat
tomasterblurring realitybut
withalso
fiction,who constructs
a fictitious
world
digital of
infrastructure,inclusiveenough fordiversity
totheworkinfrastructure,both on an emotional
and abstractlevel.
Emotionally,
the vibrantdigitalbut also
inclusiveenoughfor diversity
toCalatrava
loves to use curving
concretecolumns
that cometogether todigital infrastructure,
but also
inclusiveenoughfor diversity

will liveTheon forgenerations
to come.
shine.
bookis not about
Hong Kong but I can see the future of

based
facts
and
deeplyIt is anshine. onThebook
is knowledge
not about that
Hong
Kongfascinates
but I can thesee reader.
the futureofcolours
instantlyof ecstasy,
passionOn anshine. The
book evoke
is not feelings
about Hong
Kong but
I canandseetragedy.
the futureofcreatethe resemblanceof a ribcageof animals.
He excels
creating
shine. The
book is not about
Hong Kong
but I cansee theinfutureofHong Kong as a place for the Creative Class.

extraordinary
for theHong Kong asfeast
a placeforimagination.
the Creative Class.

abstractlevel,asdifferent
imagesClass.
seem to emerge, and personal
Hong Konga place colours
for the andCreative

sculptural
architecture
seems
to defyClass.
the laws of physics and infuses
Hong Kongas a placethat
for theCreativemental connotations occur to the viewer. Inspiration is when this kind of

a sense of motion into still objects.

by Le
CorbusierRichardFloridaby Alberto
安伯托·艾可Richard Echo
FloridaLe C o r b u s i e r在空間及比例上的運 用給 我極 大 啟發。他1920年的V ill aby Richard
FloridaMark Rothko

by Richard
SantiagoFlorida
Calatrava

Savoye內外貫通的設計甚具前瞻性，空間規劃極具效率。設計將大自然與建築
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

小說以三位主人翁追尋中世紀基督教的「聖殿騎士陰謀論」為主線，串連歷本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
magic
happens.

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝相融，呈現簡約、純粹、寧靜之美，是歷久彌新的現代主義建築指標。
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

史大事，並試圖解開謎團。作者擅長遊走於真實與虛構之間的把戲，更以真術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

誇德拉奇館由西班牙建築師Santiago
Calatrava設計，是密爾沃基藝術博
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更實知識構建了一個系統，讓虛構得以成為真實，讓讀者就如置身其中，深深們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更作品十分神奇，藝術家一方面引導觀眾如何欣賞，另一方面以看似極簡主義

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更物館的鳥形延伸建築結構，為仿生學建築的典範：其彎曲的混凝土柱，組合

著迷，可謂「宇宙級的滿漢全席」。

的手法，容許觀者從情感及抽象層面自由解讀：從情感出發，鮮豔的橙色、

成如胸腔般的結構，讓人聯想到動物的形態。這位建築師的創作無視物理

黃色喚起狂喜、激情和悲劇感。從抽象角度而言，不同顏色及畫面彷彿浮現

定律，把動感注入靜態物件。

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

116

Director 董事
董事
Director

Vice Chairman
Director董事會副主席
董事

梁
國
浩

TOMMY LI李永
銓STEVE LEUNG梁志
天

Vice Chairman
Director董事會副主席
董事

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完
善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

眼前，靈感就在這奇妙的瞬間迸發。

即將成為屬於創意階層的地方

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完
善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港
即將成為屬於創意階層的地方

117

· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·Director
董事
Chairman
董事會主席

We need to enliven creativity and embrace
Designwillforbehuman-centred
the tectonic force
and economic
empathytransformation.
driver
that
alter
our
lives
in
all
sectorsof theThrough integrating design into all non-design
society, frombusiness
disciplines,
wetraditional
can STEAM
the cityenvironment
with creative
tocreativeindustries
in
the
new
economy.
leadership and co-shape new possibilities!

Design’s roles were when Homo Sapiens
Designwill betools
the tectonic
force andunified
economic
designedand Bauhausians
driver
that
alter
our
lives
in
all
sectors
theproduction with art. Design will take on ofa muchsociety,environment
biggerfrom
role traditional
to integratebusinesshuman needs
withtotechnology
creative industries
in
the
new
economy.
/ innovation for our future.

設計將是改變社會各領域的巨大力量－
我們應善用同理心進行人本創新，激發創意，
從傳統商業環境走向新經濟的創意產業。
將設計融入非設計領域，讓創意領導力

設計將是改變社會各領域的巨大力量－
設計早於古人製造工具、結合從傳統商業環境走向新經濟的創意產業。
生產與藝術時定型，未來將著重於

為城市注入活力，共創新機遇！

整合人類需求與技術創新。

TOM GREY

Design Vision 預見設計

KARR YIP

Design Vision 預見設計

Alternate
Director
後補董事
Director
董事

Vice Chairman
Director董事會副主席
董事

葉
小
卡

VICTOR TSANG

曾昭學

VICTOR LO

羅仲榮Vice Chairman
Director董事會副主席
董事

Design Vision 預見設計

Designwill bearchitecture
the tectonicis
force
and economic
Sustainablea growing
trend.
driver
that
alter
our
lives
in
all
sectorsof thePeople are seeking for more adventure, mystery,society,from traditional
business
environment
self-healing
and connection
withnature.
to creative industries in the new economy.
可持續發展建築漸成趨勢，
設計將是改變社會各領域的巨大力量－人們將更追求探險、秘境、治癒的體驗，
從傳統商業環境走向新經濟的創意產業。
與自然連結。

Design Vision 預見設計

In today’s world of digital tools, creativity andconceptwill
arebe
still
Exposure
theeconomic
physicalDesigntheking.
tectonic
forcetoandexperienceoftraditional
media
and
techniques
driver that alter our lives in all sectors of theisimportant,
only intellectually,
but also tosociety,from nottraditional
business environment
enrichthelibraryofvisuallanguages
one canto creative industries in the new economy.
draw upon.
設計將是改變社會各領域的巨大力量－
在現今的數碼世界，創造力和概念仍然無比重要。
從傳統商業環境走向新經濟的創意產業。
多接觸傳統媒體及技術，有助豐富我們的視覺語言庫。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

PMQRise元創方
Theof the Creative Class

Creative
The Rise Confidenceof the Creative Class
by Richard Florida
Unleashing
the Creative Potential within Us All

Theof theCreativeClass
TreeRise
House
Hotel
樹屋酒店

The Wayang
Rise of the
Kulit
Creative
Shadow
Class
TheatreThe book offers a radical interpretation of economic developmentby Richard Florida

Designhasoffers
been awritten
PMQ’s architecture,businessplan andThe
book
radicalinto
interpretationof economic
development

by David M. Kelley and Tom Kelley

by Richard
FloridaPeter Pichler

哇揚皮影偶戲劇場
by Richard Florida

The book advocates almost religiously that creativity is in everyone ofPeterbook
Pichler's
encourages
us to explore
nature, development
by combining
The
offersworka radical
interpretationof economic

Sincebookmy earliest
tointerpretation
Java I have been
the WayangThe
offers atravels
radicalof captivatedeconomic bydevelopment

operationfrom theverywebeginning.
Today, as
it stands
proud
as a Kongcreativein
21st century
when
are changing
a society.
Hongisin 21st century when we are changing as a society. Hong Kong is

Kulit
shadow
theatre,art of storytelling
accompaniedby thein
21stcentury
whentheweancientare changing
as a society.
Hong Kongislandmark
andan integral
the city’s
ecologieswithrefreshedanuniquecity,
it doespart
notofonly
havecreative
the right
physical,socialandus. It demystifies creativity by explaining the core meaning of creativity,

local
characteristics
andwe
human
history to as
createa balanceof function,in
21stcentury whenare changing
a society.
Hong
Kong isan unique city, it does not only have the right physical, social andmusicality
theitgamelan
orchestra.
From
side
of the screenyouanunique ofcity,does notonly havetheonerightphysical,social andnarratives,display of designers'
creativeworks anda rich mix
exhibitions
digitalinfrastructure,
but also
inclusiveenoughfor ofdiversity
tocreative practices and practical tips and tools that when added together,aesthetics,
visualnot
impact.
Hotel,
standing
anunique art
city,andit does
only Pichler's
have theTreerightHouse
physical,socialanddigital infrastructure, but also inclusive enough for diversity tohave a visual
feast of musicians
batik and brocade
gleaming
digitalinfrastructure,
but alsoin inclusive
enough textiles,
for diversity
toand creative
programmes
for all Hongages. PMQ
designshine.
The book
is not about
Kongwellbutdemonstrates
I can see thethat
futureofshape the creative process. It breaks the misconception that creativity isin the mountains
of northeasternis designed
to forblend
in with its
digitalinfrastructure,
but also Italy,
inclusiveenoughdiversity
toshine. The book is not about Hong Kong but I can see the future ofsurroundings,
forginga connection
betweenheaven,shine.
The book
is notabout Hong
Kong but
I canearth
see andthe man.
future ofpercussiona castof colourful
the othershine.
The instrumentsbook is not and
about
Hong
Kong butpuppets.
I can seeFrom
the futureofis not Kong
just about
the creative
also requires creative vision,
Hongas a place
for theconcept.
CreativeItClass.

Hong Kong as a place for the Creative Class.

Hong Kong as a place for the Creative Class.

side, oneis transported
tothe
theCreative
flickeringClass.
shadows of puppets in everHong
Kong
as a place forreserved for professional designers and artists, and leads the readers tounleash their own creative potentials. With the accumulation of creative

Peter Pichler的作品鼓勵人類探索自然，並結合地域特性及人文歷史，將

changing landscapes of mountains and palaces – creating atmospheric 2D

功能、美學、藝術、視覺等融合及達至平衡。其位於意大利東北部山脈的樹本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
and 3D performances that are philosophical and entertaining.

also a good case demonstrating public-private partnership.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

confidence,
we will be able to relate the contagious mindset to problems
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
in our life or career.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

屋酒店設計，與附近環境融為一體，建立天地人的關係。
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

business acumen, design and cultural leadership, and both individual and本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
group creativity underpinned by forward-thinking governance. PMQ is

自從我第一次到爪哇旅遊後，就被「哇揚皮影偶戲」這種古老的說故事藝術「設計」早被列入元創方的建築、商業規劃及營運之中。如今，它已成為創

本書如宗教般倡導人 人皆有創造力，通過介紹創造力的核心意義、創意實

意地標及城市創意生態重要的一部份，從創新視野出發，呈獻適合各年齡層

踐，再結合實用技巧與工具，塑造創意過程。本書打破了「創意只屬於設計師

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

的展覽、創意節目及設計師作品，證明設計不只關乎理念，更需具備創意視

和藝術家」的迷思，引導讀者釋放自己的創意潛能。隨著創意信心逐漸累積，

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方
我們終可以把這種具感染力的思維，用於生活或工作中解決問題。

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

野、商業觸覺、設計及文化領導能力、個人及團體的創意，還有具前瞻性的

深深吸引。表演伴隨甘美蘭樂隊的獨特音樂，屏幕一邊是身穿蠟染和錦緞
紡織品的音樂家、閃閃發光的敲擊樂器和色彩繽紛的木偶，另一邊可看到木
偶的身影於不斷變化的山林與宮殿間搖曳，以平面及立體呈現撼動人心的演出。

管理。元創方亦是公私營合作的成功例子。

118

119

· Directors’ Choice 董事會創意之選 ·· Directors’ Choice 董事會創意之選 ·Alternate
Director
後補董事
Chairman
董事會主席

JERSEY YUEN袁賽
芳

ANTONY CHAN陳志
毅

KEVIN YEUNG楊棋彬EDDY HUI許迅

Alternate
Director
後補董事
Director
董事

後補董事
Alternate
Director
Vice
Chairman
董事會副主席

Alternate
Director
後補董事
Vice
Chairman
董事會副主席

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design Vision 預見設計

Design will be the tectonic force and economicThe
futurefull ofpossibilities,
but it can
only
driverthatisalter
ourlives in all sectorsof thebesustained
design education
promoted tosociety,
fromiftraditional
businessisenvironment
thecommunityatlarge.
to creative industries in the new economy.

Design will be the tectonic force and economic
In addition to being practical and aesthetic,
driver that alter our lives in all sectors of the
future designs must also bring meaning andsociety, from traditional business environment
evoke a feeling of euphoria.
to creative industries in the new economy.

Designwill bethe futuretectonic
force
and economic
Designin thewill
be inclusive.
driver
that
alter
our
lives
in
all
sectors
oflife.
the
Design thinking will infuse all aspects ofsociety,
fromwilltraditional
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Designbe the DNAof allenvironment
things.
to creative industries in the new economy.

Designwill be thetectonic
force isandeconomic
As happening
right
now, design
entering
andriver
that
alter
our
lives
in
all
sectorsoftheera of cross-disciplinary creativity andsociety,from traditionalinnovations
with no businessboundaryenvironment
in time,to creative
industries
in
the
new
economy.
geography and business sectors.

未來充滿可能，但唯有將設計教育推廣
設計將是改變社會各領域的巨大力量－
至更闊層面，才可延續希望。
從傳統商業環境走向新經濟的創意產業。

未來的設計，除了要實用和有美感外，設計將是改變社會各領域的巨大力量－
還要有意義和幸福的感覺。
從傳統商業環境走向新經濟的創意產業。

未來設計將具包容性，設計將是改變社會各領域的巨大力量－
設計思維將滲透至各行各業，
從傳統商業環境走向新經濟的創意產業。
設計將成為萬物基因。

設計將是改變社會各領域的巨大力量－
目前，設計正在進入不受時間、地域及從傳統商業環境走向新經濟的創意產業。
商業限制的跨領域創意及創新時代。

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Idea Insight 靈感追蹤

Tron
創戰紀
The Riseof the Creative Class

Fashion《時裝·視野》
The RiseVisionariesof the CreativeClass

The Rise
Poeticsof theof Space
Creative ClassHigh
The RiseHeelsof the Creative Class

The book offers a radical interpretation of economic development

I am book
intrigued
bya Bachelard's
view that there
is a dynamic
interplayThe
offersradical interpretationof economic
development

Asshoe-lover,alwaysadmired the ofdesignof ladies’
high heels.
Thea bookoffersI ahave
radicalinterpretation
economicdevelopmentin 21st century when we are changing as a society. Hong Kong is

betweenan activewhen
mind andis the abodehumanin
21st century
we itsaresurroundings.
changing asSpacea society.
HongofKongisThe
designitself whenis a creative
workof beauty,
andHongcraftsmanship.
in 21stcentury
we arechanging
as fashiona society.
Kong isan unique city, it does not only have the right physical, social andconsciousness
architects
shouldbasethetheir
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anunique city,and
it does
not onlyhave
rightphysical,social and

Besideshavingqualities,
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enrichphysical,
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anddigital infrastructure, but also inclusive enough for diversity to

it will engender,
rather thanabstract
rationales
thatformaydiversity
or may notdigitalinfrastructure,but onalso
inclusiveenoughtostyle
andinfrastructure,
personality of thewearing them.
digitalbutwomanalso inclusive
enough for diversity toshine. The book is not about Hong Kong but I can see the future of

ThebutPoeticsSpacea deepaffect viewers
andisusersof architecture.
shine.
The book
not about
Hong Kong
I canofsee
thehasfutureofshine. The book is not about Hong Kong but I can see the future ofHong Kong as a place for the Creative Class.

influenceon as
myadesign
exploringClass.
the more intimate relationship
Hong
Kong
placethinking,for the Creative

作為鞋履愛好者，我十分欣賞女士的高跟鞋設計。高跟鞋的設計本身就是Hong Kong as a place for the Creative Class.

Directed
byFlorida
Steven Lisberger
by Richard

Published
Leisure and Cultural Services Department, HKSAR
by Richardby
Floridaby Richard
Gaston Bachelard
Florida高跟鞋by Richard Florida

香港康樂及文化事務署出版

The book
film’s offers
world aoutlook,costume designofandprops setting,uniqueTheradical interpretation
economicdevelopment
colours
and typography
captivate
our imaginationby shuttlingin21st century
when weare changing
as a society.
Hong between
Kong istheuniquevirtual andtheworld.
had havea hugethe
impactthe development
of
an
city,
it realdoes
not Itonly
rightonphysical,
social andcomputer-generated
imagery,
and inspired
manyof my creations
as well.to
digitalinfrastructure,
but also
inclusiveenoughfor diversity

shine. The book is not about Hong Kong but I can see the future of
在電影中首見的世界觀、服裝設計及道具設定、獨有的色彩及字型運用令人
Hong
Kong as a place for the Creative Class.

Exhibition organised by Hong Kong Fashion Designers Association

at Hong Kong Heritage Museum in 2011. In addition to narrating thehistory of Hong Kong’s fashion development in the past few decades, italso introduces a number of renowned local fashion designers, art and神往，引發當時世人對穿梭於數碼與現實的無限遐想，對電腦特技的發展

image directors, graphic designers, photographers and models. It lets you

一件展現美感、時尚和精湛工藝的創意作品，穿著時還可以提升女士的典雅本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

風格及個性。
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

understandthe diversity, achievement and development of Hong Kong’s
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝
fashion industry.
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

between humans and spaces.

有深遠影響，亦啟發了自己不少創作。
本書對21世紀的經濟發展作出根本性的解讀－有創造力的人不僅指藝

作者認為活躍的思想與其周圍的環境有著動態的關聯關係，這一觀點讓我深
術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

術家或設計師，還包括透過創造性思維解決複雜問題的專業人員－他

們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更感好奇，並開始研讀這本書。作者指出，空間是人類意識的居所，建築師應把們是改革、創業活動和經濟增長的推動力，而創造力正在成為經濟體更為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港
計師、攝影師及模特兒等，展現香港時裝界的多元文化、成就及發展。

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

善的物理、社會及數碼基礎建設，並具有高度包容性。我可以預視香港

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

即將成為屬於創意階層的地方

為重要的部分。香港是一個擁有地道色彩社區的獨特城市，不僅擁有完

120This book is published in conjunction with the "Fashion Visionaries"

這本書是配合香港時裝設計師協會2011年舉辦的展覽而出版，除了闡述本地
時裝發展史外，更介紹了具代表性的時裝設計師、美術及形象指導、繪圖設

創作的重心放在創造體驗，而非那些可能會亦或可能不會對觀者或者使用者
產生任何影響的抽象理論。這本書對於我的設計思維有很深遠的影響，讓我更專注於探索人與空間的親密關係。

121

COMMUNITY ENGAGEMENT 凝聚社區FRIENDS OF HKDC MEMBERSHIP PROGRAMME 香港設計中心之友會員計劃

MAKING DESIGN ACCESSIBLE TO ALL

BRINGING TOGETHER LIKE-MINDED ENTHUSIASTS
集合設計同路人 匯聚創意力量

讓設計走進大眾CreateSmart Initiative Exhibition 創意智優計劃邁向十周年展覽

This membership programme brings together individuals and corporates that appreciate the value of design, to garner support

Staged at One ifc from 14 June to 3 July 2019, the event showcased outstanding

展覽於2019年6月14日至7月3日在國際金融中心

for HKDC’s efforts to establish Hong Kong into a centre of design excellence. Members are invited to HKDC’s knowledge sharing

designs and designers of initiatives funded by Create Hong Kong, including

一期舉行，展示了創意香港資助項目，包括DFA香and networking events, receive priority invitations to partner activities, enjoy exclusive ticket discounts, and get up-to-date news

the DFA Hong Kong Young Design Talent Award, DIP and FIP. The exhibition

港青年設計才俊獎、設計及時裝創業培育計劃設

about HKDC.

continued on 6 July to 5 August 2019 at D2 Place, where free creative workshops

計師的優秀作品。及後展覽於7月6日至8月5日移

were offered to the public to make their own designs guided by the designers.

師至D2 Place繼續舉行，展期內另有免費創意工
作坊，由設計師帶領市民創作屬於自己的作品。

Hong Kong Library Festival 2019 香港圖書館節 2019
Themed "Reading • Creativity", the festival promoted the reading culture

活動以「閲讀‧創意」爲主題，帶給參加者多重閲

by providing participants with multi-faceted reading-related experiences. A

讀體驗，藉以推廣閱讀文化。「DFA亞洲最具影響

selection of award-winning publications from the DFA Design for Asia Awards

力設計獎－書刊獲獎作品展」便展出多本得獎書

were exhibited so the public could appreciate the ingenious creativity of book刊，讓讀者從書本欣賞設計師的創意巧思。

「香港設計中心之友會員計劃」集結認同設計價值的人士及機構，為會員創造交流專業知識及拓展人脈網絡的機會，共同推動香港成為亞洲設計之都。各會員可優先獲邀參加香港設計中心及其伙伴機構舉辦的活動，享有專屬優惠，並掌握中心最新動向。

Acknowledgement of Corporate Members
鳴謝公司會籍之會員(Till 31 March 2020, in alphabetical order 截至2020年 3月31日，以英文字母排序 )designers.
®

RTHK’s “90+ Logo Design Initiative” 香港電台頻道標誌設計比賽
Radio Television Hong Kong (RTHK) co-organised the event with HKDC in 2019

香港電台於2019年邁向90周年，為強化形象，邀

to bolster its image on its 90 th year of broadcasting. Young design talents in

請了本地青年設計師為六條頻道設計新標誌，項Hong Kong were invited to design new logos to unify the identity of its six radio

目由香港設計中心協辦。設計創業培育計劃設計channels. Jason Kwan from DIP emerged the winner with his creations based on

師關子軒最終脫穎而出，他的作品以「字」作為主“letters” or “Chinese characters” as the key visual element, delivering a refreshing

要視覺元素，既和諧貫穿了六條電台頻道，又令傳

yet coherent style of logos for RTHK’s radio channels.

統電台耳目一新。

Acknowledgement of Patron Members

Creating industry synergies to empower design 匯聚業界設計推廣力量

鳴謝永久贊助會籍之會員

HKDC aims to inspire the public to appreciate the value of design and design

香港設計中心希望啟發大眾欣賞設計及設計思維

thinking. In addition to driving its own programmes and initiatives, HKDC has

的價值，除了旗下項目，更積極支持各界同伴。本actively supported partners from the community at large. This year, we acted

年度我們協助44個協會及教育機構等宣傳56場

as supporting organisation of the initiatives by 44 associations and educational

精彩活動，推動本地創意生態發展。

institutions, promoting 56 exciting events that generate momentum into building
Hong Kong’s creative ecology.

Fostering local and international connections 加強本地與國際連繫

Mr Fawaz Abid Bakhotmah

Architect & Designer
Culture-Based Innovation Network

Mr Hei Shing Chan
陳曦成先生

Ms Pansy Ho
何超瓊女士

Dr Flora Lau
劉偉婷博士

Group Executive Chairman and Managing
Director, Shun Tak Holdings Limited

Founder, Flora Lau Designers Ltd

信德集團有限公司集團行政主席兼董事總經理Founder, Hei Shing Book Design

Mr Jeremy Hocking

曦成製本創辦人

President, Herman Miller International

Ms Kali Chan
陳嘉莉女士

Ms Kigge Mai Hvid

Vice General Manager and
Design Director - Interior,
JATO Design International Limited

Partner, JA design studio

Dr Tai-keung Kan, SBS, BBS
靳埭強博士Founder, KL & K Creative Strategics

During the year 2019-2020, HKDC received different delegations from Mainland

為促進本地設計業界與國際合作，2019–2020

China, the UK, France and Thailand to facilitate exchange between Hong Kong

年度我們接待了來自中國內地、英國、法國及泰

and its international counterparts, while engaging with trade associations, industry

國等地的考察代表團，與海內外商貿協會、業界

Mr Michael Cheung
張志立先生

organisations, educational institutions and government agencies at home and abroad.

組織、教育及政府機構密切交流。我們亦與泰國

Director, Zincere Limited

President , WKK Technology Ltd.
王氏港建科技有限公司總裁

It also entered into a memorandum of understanding with the Creative Economy

Creative Economy Agency簽署諒解備忘錄，為先時有限公司總裁

Agency of Thailand to unlock new opportunities for cooperation for the design and兩地的設計及創意產業開拓新機遇。

Ms Agnes Chiu
趙靄文女士

Mr Man-ting, Edmond Lai
黎文定先生

李錦記（香港）有限公司

Mr Alex Chunn

Design exchange with different industries 促進各專業界別交流

Principle, nxus space

As a publicly funded design promotion agency, the Board of Directors and香港設計中心董事會及管理層代表一向積極參與

management at HKDC are often invited to take part in initiatives hosted by various

設計組織、教育機構及商貿協會舉辦的活動和項

design organisations, educational institutions and professional associations. They

目，不時應邀擔任講者及評審，樂於與各界人士就

are delighted to share their insights on design and design thinking with people

設計及設計思維分享真知灼見。

from different community sectors in the capacity of speakers, judges and guests.

傑拓設計(國際)有限公司副總經理及室內設計總監Lee Kum Kee Co Ltd

creative industries of the two places.

122(Till 31 March 2020, in alphabetical order by surname 截至2020年 3月31日，以姓氏英文字母排序 )Prof. Richard Fung
馮立中教授
Chief Executive, Hong Kong
Standards and Testing Centre
香港標準及檢定中心總裁

靳劉高創意策略創辦人Dr Kwong Man-hang, Bengle, JP (Aust.)
鄺敏恆博士

Director,
Much Creative Communication Limited
多點創意設計有限公司總監

Dr Michael Lam
林寶興博士
CEO, Hong Kong Quality Assurance Agency
香港品質保證局總裁

Ms Denise Lau
劉思蔚女士
Chief Executive Officer, COLOURLIVINGCOLOURLIVING行政總裁

劉偉婷設計師有限公司創辦人

Mr Siu Hong Freeman Lau, BBS
劉小康先生
Founder, KL & K Creative Strategics
靳劉高創意策略創辦人

Mr Tai Yum Lau
劉棣欽先生
Dr Edmund Lee
利德裕博士

Mr Ng Man Wai, Danny
吳文偉先生
Director, 4N design

四目建築設計事務所董事

Mr Nils Neckel

Director, Designlink operated by
Design & Distribution Link Limited

Mr Benson Pau
鮑潔鈞先生
Founder and CEO,Wings Trading (HK) Co. Limited

飛騰行(香港)有限公司創辦人及行政總裁

Executive Director,
Hong Kong Design Centre

Mr Chiu Hang Tsoi
蔡超恆先生

Dr Harry Lee, SBS, JP李乃熺博士

時尚創建集團有限公司首席執行官

香港設計中心行政總裁

Chairman, TAL APPAREL LTD.
聯業製衣有限公司主席

Mr Wai-fung Leung
梁偉峰先生
Founder & CEO, Artemis Digital Limited衍盛數碼有限公司創辦人及行政總裁

Dr John S.K. Lo
羅肇強博士

Chief Executive Officer,
Lifestyle Creating Holding Limited

Mr Chi Fung Wang
王志峰先生

Mr Peter Wong黃紹開先生
Mr Qin Xia
夏勤先生
President, Makestream Design Co. Limited
杭州麥客意識流設計有限公司負責人

Prof. Eric Yim, JP
嚴志明教授
Chairman, Hong Kong Design Centre
香港設計中心主席

Mr Leon K L Yoong
翁國樑先生
Techtronic Product Development Ltd
Vice president - Techtronic Design

Dr Allan Zeman
盛智文博士
Chairman, Lan Kwai Fong Group
蘭桂坊集團主席

Director, China Energy
Technology Holdings Limited

2B Square

Mr Ben Wong黃志奇先生

FringeBacker Limited

中國能源科技集團有限公司董事長

Director, Sure Profit Holdings Ltd.

4M Industrial Development Limited

Play Concept Limited

利保集團有限公司董事長

Mr Lu Lam, Leslie
盧林先生

Shantou University 汕頭大學

Mr Danny Wong

Tandem Design

Mr Ma Yu Hung, Samuel馬餘雄先生華冕國際數碼技術有限公司執行董事

Executive Director, Wiseman
International Digitech Limited

深圳巿易訊天空網絡技術有限公司

Managing Director, Luk Ka
Paper Industrial Limited

力嘉紙品印刷工業有限公司董事總經理123

INTERNATIONAL ALLIANCES 國際聯盟

COLLABORATING FOR
A GREAT DESIGN VISION BEYOND ASIA

OUR ACCOUNTS 帳目
Income and Expenditure Statement for the year ended 31 March 2020
截至2020年3月31日止財政年度收支結算表

衝出亞洲 共創設計美好願景

Hong Kong Design Centre (HKDC) is part of a global network of design organisations which work together to promote design
initiatives at an international level, reinforcing Hong Kong’s position as the design capital of Asia and the world.

NON-GOVERNMENTFUNDING
非政府資助

FUNDING FROMCREATE HONG KONG
創意香港資助OTHER GOVERNMENTFUNDING
其他政府資助TOTAL
總計

HK$’000
港幣千元

HK$’000
港幣千元

HK$’000
港幣千元

HK$’000
港幣千元-

89,414

19,526108,940

1,109

5,170

-

6,279

-

3,164

-

3,164

4

78

4

86

1,113

97,826

19,530118,469874

55,34816,06072,282-32,862

3,470

36,332

31

9,616

-

9,647

905

97,826

19,530118,261

208

-

-

208

香港設計中心與全球設計組織攜手，在國際間推廣各個設計項目，以提升香港在亞洲乃至全球的設計之都地位。

GLOBAL DESIGN NETWORK (GDN) 國際設計聯盟 (GDN)
Co-founded by HKDC and the Hong Kong Trade Development Council in 2005, GDN is a major partnershipnetwork founded and based in Hong Kong. Under the management of the Hong Kong Federation of Design
Associations, the network engages members from leading design organisations and the creative cultural industry
to encourage and drive cooperation across nations.
GDN由香港設計中心及香港貿易發展局於2005年共同創立，是一個以香港為中心的大型合作網絡。目前由香港設計總會負責管理工作，聯盟會員來自全球各地的頂尖設計組織及創意文化機構，旨在鼓勵及推動設計界進行跨國交流合作。

INCOME 收入
Government Grant
政府資助

Project Income
項目收入Sponsorship贊助

Other Income其他收入World Design Organization (WDO)®
WDO is an international non-governmental organization that promotes the profession of industrial design andits ability to generate better products, systems, services, and experiences; better business and industry; and abetter environment and society. Founded in 1957, WDO has grown to include over 170 member organizations
from over 40 nations. WDO has United Nations Special Consultative Status.
WDO成立於1957年，具有聯合國特別諮詢地位，全球已有超過170個成員組織，來自40多個國家。組織以推廣工業設
計專業為目標，支持業界在產品、系統、服務及體驗上的創新，藉此促進環境與社會發展。

EXPENDITURES 支出
Project Expenses
項目支出

Payroll & Related Cost

INTERNATIONAL COUNCIL OF DESIGN (ICoD)
ICoD is an international body for design with a membership of more than 120 design organisations from53 countries and regions, including state-level professional associations, educational institutions and promotion

薪資及相關支出

Overhead & Administration
一般營運及行政費用

bodies. Since its inauguration in 1963, ICoD has been connecting independent organisations and stakeholders
across different design domains to advocate the value of the design profession as well as design education,
research and policies.
ICoD的成員來自53個國家及地區的120多個設計組織，包括國家級專業協會、設計院校及推廣團體。自1963年成立以來，ICoD一直聯繫不同設計領域的獨立組織及持份者，宣揚設計專業、教育、研究及政策的價值。

124

NET SURPLUS 淨盈餘125

BOARD OF DIRECTORS MEETING ATTENDANCE
董事會會議出席次數01.04.2019 – 31.03.2020

MEETING ATTENDANCE /TOTAL NUMBER OF MEETINGS
會議出席次數 / 會議數目

BOARD OF DIRECTORS
董事會

FINANCE AND ADMINISTRATIONCOMMITTEE
財務及行政委員會

PROGRAMMECOMMITTEE
計劃委員會

DEVELOPMENTCOMMITTEE
發展委員會

AUDIT
COMMITTEE
審核委員會

Eric Yim 嚴志明

5/5

-

4/4

-

-

Bonnie Chan 陳德姿

4/5

4/4

1/4

3/3

-

David Lo 盧永強

4/5

-

-

-

-

Patrick Bruce

4/5

4/4

-

3/3

-

Hoi-Yan Chan 陳凱欣

3/5

-

0/4

-

-

Viveca Chan 陳一枬

3/5

-

2/4

-

1/1

Alan Cheung 張益麟

4/5

3/4

-

1/3

-

Joanne Chow 周凱瑜

4/5

2/4

-

-

-

Felix Chung 鍾國斌

1/5

-

-

0/3

-

Eddie Hui 許夏林

1/5

-

-

2/3

-

James Law 羅發禮

5/5

-

2/4

2/3

-

Kun-Pyo Lee 李健杓

2/5

-

2/4

-

-

Steve Leung 梁志天

1/5

-

-

0/3

-

Tommy Li 李永銓

2/5

-

-

0/3

-

Stephen Liang 梁國浩

4/5

-

2/4

-

-

Joseph Lo 勞建青

2/5

-

-

-

1/1

Victor Lo 羅仲榮

1/5

-

0/4

-

-

Head Of CreateHK 創意香港總監

5/5

4/4

4/4

3/3

1/1

Representative appointed byHong Kong Federation Of
Design Associations

2/5

3/4

0/2

-

-

Representative appointed byHong Kong Fashion Designers Association

5/5

-

2/4

-

-

Representative appointed by
The Charted Society Of Designers(Hong Kong)

4/5

-

4/4

-

-

Representative appointed byHong Kong Designers Association

3/5

-

-

-

-

Representative appointed byHong Kong Interior Design Association

1/5

-

-

1/3

-

香港設計總會代表

香港時裝設計師協會代表

英國特許設計師協會（香港）代表

香港設計師協會代表

香港室内設計師協會代表126

Remarks 註釋:Freeman Lau (Representative appointed by Hong Kong Federation of Design Associations) withdrew from the Programme Committee on 10 October 2019.
劉小康 (香港設計總會代表) 於2019年10月10日退出計劃委員會。

127

Hong Kong Design Centre 香港設計中心
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