1

About HKDC
關於香港設計中心

A non-governmental organisation registeredin 2001 and established in 2002, Hong Kong
Design Centre is a strategic partner of theHong Kong SAR Government in advancing
Hong Kong as an international centre of design
excellence in Asia.

Connect
all industry doers andthinkers, foster exchange andcollaboration among designers,
businesses and academia

Our public mission is to promote wider andstrategic use of design and design thinking tocreate business value and improve societal
well-being.

香港設計中心年報 2022—23

聯繫業界

為設計師、商界、學術
界及有夢想的人提供
交流和合作平台香港設計中心 為於 2001年註冊、2002 年成立的

非 政 府 機 構，擔當香 港 特別 行 政區 政 府的 策 略

夥伴，以推動香港成為亞洲區內享譽國際的設計

Celebrate

我 們 的公共使 命是 推 動 社會更 廣泛和具 策略 性

talents and good designs that
improve quality of life, addresssocial innovation and preserve
cultural heritage之都為目標。

地運用設計及設計思維，為業界創造價值及改善
社會福祉。

弘揚人才

嘉許為改善生活質素、推動社會創新、保育文
化遺產有所貢獻的人才和設計

Nurturecreative talent, budding
designpreneurs and startups
to give them more opportunity
to thrive

Advanceexpertise and knowledge topromote innovation withinorganisations, and drive Hong
Kong’s design ecosystem forward

Engagethe society by sharing industry
news, knowledge and insights,
and stimulate the public’s interest
and appreciation of design

融入社會

推動各界互聯，積極
與傳媒和大眾分享業
界資訊和知識突顯專業

提升業界及設計專才
的質素和專業技能，帶動創新和成長

啟蒙創業

為未來設計企業家
拓展創業路向，培育
創意和創業精神HKDC Annual Report 2022—23

2

3

香港設計中心年報 2022—23

Table of Contents
目錄

Dialogue with Chairman and Vice-Chairmen

4

20 Years of Design Excellence: Celebrating
Hong Kong Design Centre’s Milestone
香港設計中心 20 年卓越里程碑

12與主席、副主席對談

esign
anAdvance
Knowledge
設計可共進交流

Business of Design Week (BODW) 設計營商周

5 Key Pillars to Look Out
for in 2022 and Beyond
2022 年的五大挑戰及前瞻

Knowledge of Design Week (KODW) 設計智識周Bringing KODW to Prime
Time: A Glimpse into the
Future of Global Forums
將設計智識周搬上電視螢幕：
國際設計峰會以全新面貌示人
Fashion Asia Hong Kong

When Innovation Meets
Creativity, Trends are
Born and the Future
Takes Shape當創新遇上創意：引領趨勢 形塑未來

esign
an
NurturePeople
設計可培育人才

Design Incubation Programme (DIP)
設計創業培育計劃Nurturing Creativity:
The Transformative
Power of Industry Mentors
培育創意人才：業界導師以智慧洞見導引新一代

亞洲十大焦點設計師

UnlockingFashion’s Potential:
The Power of FIP in
Transforming
Emerging Designers
釋放時裝潛能：FIP 助新晉設計師展開蛻變之旅

A Look Across the 10 FIP Designer Brands of 22/23

22/23 年度10 個時裝創業培育計劃
（FIP）設計師品牌一覽Meta x DIP Instagram Academy 2022
Meta 與香港設計中心推出「Instagram Academy 2022 」

計劃

Empowering Our
City with
Sustainable Design

城區活動 2022 x 商業 x 外國創意單位Fashion Incubation Programme (FIP)
時裝創業培育計劃

BODW City Programme (CityProg)「設計營商周城區活動」（城區活動）

CityProg 2022 x Businesses x Overseas

DFA World’s Outstanding Chinese Designer (WOCD)
DFA 世界傑出華人設計師

生活即是設計的原動力

設計可改善社區集合可持續設計力量 起動全城創意DFA Lifetime Achievement Award (LAA)DFA 亞洲設計終身成就獎

Life is the Driving Force Behind Design

Ignite New Possibilities

DFA Design for Asia Awards (DFAA)
DFA 亞洲最具影響力設計獎

A Glimpse into DFA Designfor Asia Awards 2022
Grand Awards「DFA亞洲最具影響力設計獎2022」
大獎得主一覽

DFA Hong Kong Young Design Talent Award (HKYDTA)DFA 香港青年設計才俊獎

Let Your Mistakes andFailures Fuel Your Success「追求失敗」的成功哲學

跨界合作 開拓新機遇

Design !n Action 設計好改變

A Dialogue with Designers
in the City Nurturing a
New Generation ofCreative Talent穿梭城市與設計師對話 培育新一代創意人才
Design Spectrum 設計光譜

Inspiring andShowcasing Good Designs
In Our Communities
展示好設計 啟發創意社群

esign
an
Connect
Society
設計可聯繫社會

Board of Directors 董事會成員

Driving Changewith Design
設計引領 改變未來Design Digest 設計二三事

All About Our Events,and More!
全面掌握活動資訊及其他消息

Ear Up Gig On 2022

DS Shop

Community Engagement 凝聚社區DIP Incubation Companies – New Joiners in 2022-23

Bringing Great Design
into Daily LifeInternational Alliances 國際聯盟

DIP 培育公司 – 於 2022-23 年度加入的新成員

HKDC's Design and Fashion Incubatees –Achieving Their Dreams

14

設計可策動創意DFA Design Leadership Award (DLA)
DFA 設計領袖獎

搶耳 Gig On 2022

10 Asian Designers to Watch

esign
an
Celebrate
Innovation

esign
an
EngageCommunity

設計及時裝培育計劃培育公司 – 朝夢想昂首進發

3274

讓好設計融入日常生活

Friends of HKDC Membership Programme
HKDC 設計之友會員計劃Corporate Governance 企業管治
Our Accounts 帳目Boards of Directors Meeting Attendance
董事會會議出席次數

100

116

HKDC Annual Report 2022—23

45

香港設計中心年報 2022—23

2022年至2023年間，香港設計中心無疑經歷

非凡蛻變。世界各地想方設法應對疫情的深遠
影響，努力適應疫後時代的新常態，而面對不斷演變的形勢，香港設計中心亦需要克服不少挑戰。我們邀請到香港設計中心主席嚴志明教授，以及兩位副主席陳一枬教授及梁志天先生，分享香港設計中心未來的工作。從訪談之中，我們更深入了解三位對「設計引領 改變
未來」的看法及背後理念，獲益匪淺。

SLEY

Dialogue with
與主席、副主席

對談

VC

ChairmanVice-Chairmen
The period spanning 2022 to 2023 proved to be a time ofremarkable transformations for Hong Kong Design Centre(HKDC). As the world grappled with the far-reaching effects of
COVID-19 and adjusted to a new normal in the post-pandemicera, HKDC faced numerous challenges in adapting to thischanging landscape. We spoke with Prof. Eric Yim, Chairmanof HKDC and the two Vice-Chairs, Prof. Viveca Chan and
Mr Steve Leung, about the future work of HKDC. We gained
valuable understanding from the conversation, which offered
us deeper insights into their perspectives and the fundamental
ideas behind ‘Driving Change of Design’.

6What factors do you believe contributeto the success of a design?

Dialogue with Chairman and Vice-Chairmen

HKDC Annual Report 2022—23

與
主
席
、
副
主
席
對
談

‘
Design canreally change
how we live,
work and play.
設計可以為我們的生活、

工作和消閒方式帶來真正改變。

’

EY Design, in contrast to art, must possess aclear purpose. Unlike an artwork displayed ina museum, design needs to be meaningful,practical, and relevant to people.
VC An iconic or successful design encompasses
both aesthetics and functionality. The
foundation of a design’s success lies in an
intangible idea, which endures perpetually.
A remarkable design not only shapes thecourse of its era but also leaves an indelible
mark on history.
SL A successful design has to be humancentric. While the mind makes it happen, agreat design also starts with the heart.

Prof. Eric Yim
嚴志明教授

Chairman of HKDC
香港設計中心主席

How would you summarise the workand developments of HKDC in the year2022-2023 in a few words?
VC We have taken continuous efforts to position
Hong Kong as a design hub, employing
fresh and captivating approaches. We
have enhanced the depth and breadth of
our programmes. For instance, during the
pandemic restrictions, we leveraged digital
TV to invite a multitude of international
speakers to our events. Furthermore, wehave expanded our programme offerings toencompass a wider range of initiatives that
foster design and engage the community.

你認為成功的設計要包含甚麼要素？

EY 設計，須 具備明確的目的，藝 術不然。與博 物館裡的藝 術品不同，設計必須有意義、有用、
與人相關。

VC 經典或成功的設計集美觀與功能於一身。成功7

香港設計中心年報 2022—23

Would you share your most memorable
moments at HKDC in the year 20222023?

SL As Eric mentioned, the HKDC 20th anniversary
dinner was certainly memorable, especiallywhen we had the chance to reunite with goodold friends who came back from abroad tojoin us. Another memorable moment for me
was a site visit to the Sham Shui Po project,which holds great significance for HKDC
and the design community in Hong Kong. As
someone with an architectural background, I
could envision how the spaces would appear
once they were completed. It was an exciting
experience, and I eagerly anticipate witnessing
the final outcome when it is unveiled next year.

EY 2022 marked the 20th anniversary of HKDC,
and one of the most memorable moments
for me was the BODW dinner. Walking withformer Chairman Dr Victor Lo along a wall
adorned with images chronicling HKDC’s
development over the past two decades
was awe-inspiring. Witnessing the extensive
work accomplished thus far was remarkable,
yet it also highlighted the ongoing tasks thatlie ahead of us.
VC I have two memorable moments. The first one
was when BODW returned to being a physicalevent at M+. We had put in so much effort,
and finally, we were back. The event took
place on a grander scale at a new venue that
redefined the culture of what we do.
The second memorable moment was thegraduation ceremony of ‘Design !n Action’held at Hong Kong Disneyland. I witnessed
numerous young students with their parents,
some of whom may not have had theopportunity to be exposed to design before.
It was fascinating to see the kids so engaged,
and it was touching to observe how we caninvolve and inspire young people with thepotential of design.

在 2022-2023 年度，哪個是你於香港設計中
心最難忘的時刻？

SL 正如 Eric提到，香港設計中心 20周年晚宴確實

EY 2022年是香港設計中心成立20周年。我最難另一個難忘時刻是實地考察深水埗項目（香港

忘的時刻之一是設計營商周晚宴。當我和前主席羅 仲榮博士 沿 著會 場 一 幅 掛滿照片的牆 走
過，看著那些照片記錄了中心過去20年的發展的設計由無形的想法開始，並永遠長存。而偉

歷程，實在讚嘆不已。看到我們過往所做工作

上留下不可磨滅的印記。

很多。

大的設計既塑造了所處時代的面貌，更在歷史

SL 成功的設計必須以人為本。傑出的設計要變為
現實，既要依靠智慧，更要由心出發。

你會如何概括香港設計中心 2022-2023年度
的工作和發展？
VC 我們一直努力不懈地以新穎、更引人入勝的方式，去宣傳香港作為設計中心的地位。我們以更深更廣的形式舉行活動，例如，實施防疫限

制 期 間，我 們 透 過 數碼電 視 邀 請 眾多國 際 講者參加活動。此外，我們亦推展更多元化的項
目，以推動設計及連繫社群。

取得矚目的成績，同時也看到我們要做的還有

VC 我有兩個難忘的時刻，第一個是設計營商周終於再以實體形式並選址M+舉行。我們一直盡心竭力舉辦設計營商周，現在得以全面回歸，規模更大之餘，更移師至新場地，為我們一貫所做的寫下新定義。

第二個 是 在 香 港 迪 士尼 樂 園 舉 行 的「設計 好改變」畢業典禮，出席的年輕學生和他們的父

母，有些本身可能並沒有機會接觸設計。然而我看到孩子們如此投入，實在很有意思。透過
設計的無限可能，我們吸引到年輕人參與活動並深受啟發，亦令我為之觸動。

令人難忘，尤其是再見到從海外回港與我們共聚的老朋友們。

設計中心新基地），這對於香港設計中心以至本地設計界來說，都是一件別具意義的大事。
對於建築出身的我，可以想像這些空間竣工後

的模樣，這段經歷必定會令人感到振奮，我迫切期待明年基地全面落成。

What strategies can HKDC adopt todifferentiate Hong Kong from other
cities that are also being promoted
as design hubs, and stand out on
the global stage as a unique cultural
exchange centre?
SL Hong Kong’s unique geographical locationand its historical role as a meeting point
between the East and the West make it a vital
cultural exchange hub. Situated near China
and the Greater Bay Area, and benefitingfrom the ‘one country, two systems’, Hong
Kong plays a pivotal role in supporting andpromoting these initiatives. Its unique identity
comes with the responsibility of nurturing
vibrant cultural interactions and contributing
to global cultural enrichment.

HKDC has been creating significant
impacts on the design industry throughits diverse community programmes.
Can you share your favourite example
of a project that had a positive impact
on the people it served?
EY My favourite initiative would undoubtedly
be Design !n Action. It organises studiovisits for students at various educationlevels, introducing them to designers andarchitects. Through hands-on experiences,
students witness the transformative power
and impact of design. The ultimate aim is toinspire them to pursue design as a subject forhigher studies or as a potential career path.

有不少城市亦以設計中心自居，香港設計中心
可以採取哪些策略以突顯香港的與眾不同，並以獨特的文化交流中心定位在國際舞台突圍
而出？
SL 在「一國兩制」方針下，香港有著背靠祖國，位處大灣區的得天獨厚顯著優勢，在此獨特的地

理位置及歷史背景之下，醞釀出中西薈萃的特色。因此，在支援並推動落實這些政府舉措方面，我們發揮獨特且重要的作用，培育充滿活
力的多元文化交流，為豐富世界文化發展做出更大貢獻。

香港設計中心一直透過多元化的社區活動，在設計界發揮重要影響。在眾多為受眾帶來正面
影響的項目中，你可否分享一個深刻例子？
EY 毫無疑問，我最喜歡的社區活動是「設計好改變」。計劃的理念是向不同教育程度的學生介

紹 不 同 的 設計 師 和 建 築 師，帶 他 們 參 觀 工作室。透過親身體驗，學生能了解設計的變革力
量和影響，從而激發他們對設計的熱情，將來
便可考慮選擇修讀設計或投身設計行業。

89VC One aspect that left a strong impact on me
was the Skynet art series by the renowned
LA-based artist Patrick Shearn at the Central
Harbourfront Event Space, featured as partof Design District Hong Kong’s (#ddhk) 2021
programme. It was truly captivating becauseof its Instagrammable appeal, attracting
numerous people, including myself, totake photos there. The artwork effectively
captured the spirit of Hong Kong, while alsooffering a broader perspective beyond thecity itself.
SL My favourite was the ‘The Full Gamut’
exhibition presented by Design Spectrum,
which took place on the upper floor of anindustrial building in Sham Shui Po. Sham
Shui Po holds a significant place in the historyof Hong Kong’s fashion industry, renowned
for its trading of apparel, fabrics, andgarment-related accessories. What intriguedme the most was the exhibition’s explorationof the redefinition of fashion. It went beyond
the literal realm of garments and appareldesign, emphasising that fashion should not
be limited to the garment industry alone.
The exhibition effectively conveyed the
crucial message that fashion is inherently
intertwined with the realm of design.

VC 最令 我 印象深刻的是 委 約來自美國洛杉 磯 知
名藝術家 Patrick Shearn，於中環海濱活動空間 所展 出 的「 S k y n e t 」系列 藝 術 作 品，這 是「設計#香港地」2021 項目之一。展覽非常適合打卡，我 與 很 多人一 樣 都 深 受 吸 引而 前 往 拍
照。這次活動充分體驗香港精神，同時以別開
生面的視角探索城市。

SL 我最喜歡設計光譜的《譜・度・時尚》展覽，展

覽於深水埗一棟工業大廈的樓上單位舉行。深水 埗區在香港 時 裝 產 業的歷 史 上有著 舉足輕
重的地位，多年來以服裝、布藝和成衣相關配

件方面的貿易而聞名。在展覽中，我對重新定義何為時裝很感興趣，將成衣和服裝設計的定義昇華至另一個層次，時裝也不局限於成衣行業。這正是展覽傳遞的重要信息，即時裝與設計是密不可分的。

香港設計中心年報 2022—23

The pandemic accelerated the use ofdigital tools such as AR and Web3/themetaverse, as we have seen in someof HKDC’s events such as BODW in
the past year. Do you think technology
is going to play a bigger role – to thepoint of replacing human designers
in the design industry? Or will the‘human touch’ always be needed in thedesign process?
EY We have always embraced technology
as a tool to enhance productivity, but we
acknowledge that it cannot replace humanpresence and craftsmanship. We value theartistry and skill involved in crafting by hand.
Technology may assist us, but it is the humantouch and dedication that we truly cherish.
VC AI and technology advancements prompt
designers to prioritise the idea’s essence andcraftsmanship over physical assembly. The
heart and passion behind true craftsmanshipcannot be replaced. Technology aids theprocess, but the human touch and creativity
remain invaluable in design.
SL The longstanding relationship between
technology and humans dates back to
the Industrial Revolution. It has offered
opportunities for easier and improved
lives, yet it also pushes us to strive forcontinuous improvement.

疫情令企業加快採用擴增實境及Web3/元宇宙等數碼工具，去年香港設計中心的一些活動(如設計營商周)亦有採用。你認為科技所扮演
的角色會越來越重要嗎？甚至會取代設計師的工作？抑或是設計過程始終需要展現「人味」？
EY 我 們 視 技 術為 提 供 生 產 力的工具，但 無可 否
認的是，技術無法取代人類和手工藝。科技能

輔助我們，但我們依然珍惜人手製作品及其技
巧，還有那份「人的溫度」與奉獻精神。

VC 人工智能和科技不斷發展，能促使設計師減少

把心神放於拼湊組裝，回歸意念本源：想法和
手工藝。儘管科技能輔助製作過程，但真正的手工藝背後蘊藏的心思和熱情，人的觸覺和創
造力，是設計中最寶貴的。

SL 科技與人類之間悠久的關係可追溯到工業革命時期。科技讓我們的生活變得更便利和輕鬆美好，同時推動我們不斷追求進步以活得更好。

Prof. Viveca Chan
陳一枬教授Vice-Chairman of HKDC
香港設計中心副主席‘
Designcan create
betterlifestyles,
and a higher
brand value.
設計可以塑造更美好的生活

方式，以及更高的品牌價值。

’

Dialogue with Chairman and Vice-Chairmen

HKDC Annual Report 2022—23

與
主
席
、
副
主
席
對
談

HKDC Annual Report 2022—23

10
Can you give us a sneak peek into
HKDC’s upcoming plans and initiatives?

‘
Design canbe anywhere.

EY Sham Shui Po project represents an exciting
milestone for us, as we plan to relocate thereby the end of next year. With a significantly
larger space, our new premises will house apermanent exhibition area where visitors canimmerse themselves in design year-round.
A key highlight will be the showcasing ofaward-winning designs from the prestigious
DFA Awards, celebrating exceptional designfrom Hong Kong and across Asia. This
physical presence will not only provide
a platform for appreciation but also offer
opportunities for the public to purchase theirfavourite designs. We are eager to expand
our reach and foster a deeper understandingof our work and its impact in Sham Shui Po.

設計可以是無處不在。

’

Mr Steve Leung梁志天先生

Vice-Chairman of HKDC
香港設計中心副主席

VC I am delighted to announce that France has
become BODW’s partner country in 2024.
The year 2024 will mark the China-FranceYear of Culture and Tourism. This timing istruly remarkable and epitomises how HKDC
embodies the concept of ‘East meets West’.
As part of this partnership, we have planneda study trip to France, allowing us to explore
and learn from their rich design heritage.
Likewise, a delegation of experts from France
will visit us, fostering mutual exchanges
and knowledge sharing. This collaboration
promises to be a significant opportunity forcultural and creative exchanges between
our countries.

可否透露香港設計中心接下來的計劃和活動 嗎？

Dialogue with Chairman and Vice-Chairmen

EY 於深水埗設立基地是我們的一項重點項目，我

與
主
席
、
副
主
席
對
談

們將於明年底進行搬遷。深水埗基地比我們的

現址更大，將劃分常設的展覽空間，讓大家可以全年無休投入設計體驗。當中最受矚目的將
是展出「 DFA 設計獎」的得獎設計，表彰香港
及亞洲的優秀設計之餘，亦能讓公眾親眼欣賞

及選購心頭好。藉此新基地，我們期望可以擴
大 影 響 力，並 讓 市民 大 眾 更 深 入了解 我 們 的工作。

VC 我 很高興法國 將成 為設計營商周下一年度的合作國家伙伴。 2 024 年是中法文化旅 遊年，

這是一個非常難得的好時機，充分展現香港設計中心如何推動「中外交流」。合作期間，我們將前往法國考察，探索和藉鑒他們豐富的傳統
設計。法國專家代表團亦會來訪與我們分享交流。這次合作將為中法兩國之間的文化和創意交流帶來重要契機。

11

香港設計中心年報 2022—23

SL Eric and Viveca have outlined the upcoming
crucial programmes as we strive to transform
Hong Kong into a design hub, not only
within Asia but also as a prominent global
cultural exchange center. The ultimate goal
is to establish Hong Kong’s prominence andreputation in the design industry, facilitating
meaningful cultural exchanges on aninternational scale.

How do you see the future of theindustry, and what trends do you think
will dominate in the coming years?

What is HKDC aiming to achieve with
its upcoming base in Sham Shui Po?
EY Many may assume that the new HKDC
facility is exclusively for designers, but that’s
not entirely accurate. It is a space for anyone
with an interest in design, allowing themto explore its relevance to their lives. We
enthusiastically invite the local communityof Sham Shui Po and beyond to visit us.
Additionally, the government envisions thefacility as a tourist destination, showcasing
how design is shaping Hong Kong’s identityand promoting our culture. Therefore,
the new facility will serve as an excellent
platform for us to achieve these objectives.

EY Design should prioritise the humanexperience, whether it’s in creating new
spaces, products, or services. The ability ofdesign to create and enhance experiences
will be highly valued by people. Moreover,younger generations prioritise sustainability,
equality, and addressing climate change
challenges. The trend in design will be toaddress these concerns and demonstrate
how design can contribute to solving them.
VC In my opinion, the future lies in ‘win bydesign’. Embracing design in its broader
sense, including service design andexperiential design, will lead to more efficientbusinesses. Consequently, we can expect
to see a rise in the presence of designers
in C-suite and management positions.
Incorporating design thinking becomes
crucial for companies aiming to succeed andthrive in a competitive landscape.
SL The value of design can be seen from asocio-economic standpoint, particularly inaddressing global challenges like inequality.
Bringing the benefits of design to lessprivileged communities on a global scale isessential. Examples such as The DFA Designfor Asia Awards, which include designs forrainwater collection systems, demonstrate thereal value of design in improving the lives ofpeople in poorer communities.

SL Eric 及 Viveca 剛簡介了來年大計。我們致力推動香港成為亞洲設計之都，以及國際級的文化交流中心。終極目標是確立香港在設計行業的你對設計行業的未 來有甚麼看法？你認為未來數年的大趨勢是甚麼？

重要地位及聲譽，以促進國際間深層次的文化

EY 設 計 需 要 將人 的 體 驗 置 於首位。無 論 是 新 空對於即將揭幕的深水埗基地，香港設計中心希望藉此達到甚麼目標？

年輕一代重視可持續發展和平等，及氣候變化

互動交流。

EY 很多人可能認為香港設計中心的新設施專門為間、新產品或是新服務，設計都可以塑造及提升體驗，這將是人們更加珍惜的元素。此外，所帶來的挑戰。如何透過設計解決人們關心的問題，將是未來的趨勢。

設計師而設。但不僅如此，這個地方歡迎任何VC 對我來說，未來是關乎「以設計取勝」。更廣泛

活的關係。我們歡迎深水埗的街坊及各區人士

助 提 高業 務 效 率。對 於 一 些 企 業 想在 競爭激對設計感興趣的人士，藉此了解設計與自己生
前來參觀。此外，特區政府亦希望新設施能成

為一個旅遊景點，以宣揚我們的文化，向遊客

展示設計如何改變香港的面貌。因此，新設施將成為我們實現這些目標的理想基地。

地使 用設計，例如服務設計、體 驗設計，將有
烈的環境中取得成功，設計思維不可或缺，因此，我們可預示到日後會有更多設計師晉身高
級管理層。

SL 從 社 會 經 濟 的 角度 出發，設計 的 價 值 愈 趨 明
顯，尤其在解決世界各地面臨的機會和財富不平等的挑戰。縱觀全球，我們應該將設計的價值帶給弱勢群體。例如，「 DFA 亞洲最具影響
力設計獎」的一項得獎作品，是協助貧困社區

的民眾採集雨水供日常使用，這正是設計的真正價值所在。

HKDC Annual Report 2022—23

12

132022 marked the 20th anniversary of HKDC, and wecelebrated this milestone with a series of activities under thetheme of ‘Design for Sustainable Community’. We continued
to promote wider and strategic uses of design with a calendar
of engaging initiatives, including an exhibition, a campaign
site, and a TV programme, which gave participants many
insights into its potential for positive impact.

HKDC 20th Anniversary Campaign

Tell us what DESIGNCAN do!
「 Design Can 」二十周年紀念活動網站
Our 20th anniversary theme highlighted how
co-creation, and the weaving together of humaneffort and values, can create impactful designs.
With a goal to ignite people’s imaginations about
the myriad possibilities of design and expand its
positive influences, we developed this campaignsite for the public to share their ideas with us onwhat design can do, and how it creates value
and meaning for the community.
我們的 20周年主題強調共同創造，以及結合眾

人之努力以創造價值，造就具影響力的設計。為啟發大眾想像設計的種種可能，並為社會帶來更深遠的正面影響，我們推出此線上活動，讓大眾
分享想法，談談設計可以有甚麼作為、如何為社區創造價值及意義。

DFA Awards Exhibition

Years of Design Excellence:

Celebrating
Hong Kong Design
Centre’s Milestone
香港設計中心 20 年卓越里程碑

Design Redefines
Our Times「DFA 設計獎展覽：創新設計 重塑時代」
Taking on the theme ‘Design Redefines
Our Times’, the DFA Awards Exhibition waspresented as a debut event for the celebrationof HKDC’s 20th Anniversary, showcasing nearly
200 winning projects and designers of the fiveawards of the DFA Awards 2021, namely ‘DFA
Lifetime Achievement Award’, ‘DFA Design
Leadership Award’, ‘DFA World’s Outstanding
Chinese Designer’, ‘DFA Design for Asia
Awards’, and ‘DFA Hong Kong Young Design
Talent Award’, with exhibition period from 21st to
29th May, 2022 at The Mills.
於2022年5月21日至29日假南豐紗廠紗廠坊舉行

2022 年是香港設計中心成立 20 周年，為慶祝 這個重要里程碑，我們以「設計 • 構建可持續社區」為主題推出多項活動。透過一連串內容豐富的精彩項目，我們繼續推動社會更廣泛和具

策略性地運用設計，當中包括展覽、線上活動及電視特輯，讓參加者深入了解設計發揮正面影響的無限潛力。

香港設計中心年報 2022—23

的「DFA設計獎展覽：創新設計 重塑時代」，為二十周年打響頭炮，展示五個不同設計獎項，包括：「DFA 亞洲設計終身成就獎」、「DFA 設計領

袖獎 」、「DFA世界傑出華人設計師」、「DFA亞洲

最具影響力設計獎」及「DFA香港青年設計才俊獎」，近 200個 2021年的得獎單位及項目，琳瑯滿目、各具特色、創意無限。

DFA Hong Kong Young Design TalentAward Special TV Programme

A Legend of
Creativity
電視特輯 「香港青年設計才俊奬 創意傳承」DFA Awards produced a special TV programmeseries ‘A Legend of Creativity’ in partnership withViuTV, featuring the inspiring stories of 20 pastwinners of the DFA Hong Kong Young Design
Talent Award for HKDC’s 20th Anniversary. From
starting business, transforming dreams into
action, to succeeding in the creative industries,
these winners have brought Hong Kong designs
to the world stage, and contributed to our local
design industry with international elements.
為慶祝香港設計中心成立二十周年，DFA設計獎
聯同本地電視台ViuTV 製作了「香港青年設計才俊奬 創意傳承」電視特輯，請來二十位「DFA香港青年設計才俊奬」歷屆得獎者分享他們的創意故事：由踏上品牌創建之路、成就創意事業，到為夢想起飛……把香港設計帶到世界舞台之餘，
亦為本地設計增添不少國際色彩。

HKDC Annual Report 2022—23

14

esign
an
Advance
Knowledge
設
計
可
共
進
交
流

15

01
香港設計中心年報 2022—23

BODW 2022

HKDC Annual Report 2022—23

設
計
營
商
周

16

5 key pillars
to look out for in
2022 and beyond
2022 年的五大挑 戰及前瞻國 際 創 意 領 袖 探 索「 設 計 求 變 」 的 力 量

年度 旗艦活動設計營商周峰會於 2022 年 11 月 30 日至12 月 3 日期間舉辦，聯同策略伙伴荷蘭及其創意開發平

台「創意荷蘭」（CreativeNL），攜 手 將 M+ 博 物 館 打造
About BODW
Launched in 2002, Business of Design

Week (BODW) has become Asia’s premierannual event on design, innovation andbrands, gathering some of the world’s

foremost design masters, brand leadersand entrepreneurs from Hong Kong aswell as overseas. It drives discourse on
the value of design and innovation to

inspire global audiences and explore new
business opportunities.

關於設計營商周「設計營商周」自 2002 年舉辦以來，是亞洲設
計界的年度盛事，全面探索設計、創新及品牌趨勢，匯聚香港以至海外頂尖 設計大師、品牌

領袖和企業精英，促進對設計價值及創新的討論，激發環球觀眾的靈感，探索新商機。

成創意天堂，超過 90 位包括本地及從法國、意大利、荷蘭、
泰國及英國等 14 個國家及地區遠 道而來的創意領袖聚

首一堂。峰會帶來逾 30 場專題討論，講者展開具突破性
的分享和交流，內容精彩吸引。無論身在何地，我們的生活和工作模式都正經 歷巨變，因此「設計求變 」這一主

題實在適合不過。透過五大議題，包括重塑品牌價值、文化與都市、元宇宙與元生活、新都市模式，以及社會創新設計，共同探討設計如何塑造更光明的未來。峰會取得空

前成功，現場參加者及從各大渠道收看的觀眾合共有 130

萬人次，不但予人深刻印象，更有助推動設計界創新求變。

17

香港設計中心年報 2022—23

Global Design Visionaries Explore
the Power of Design For Change
From 30 November 2022 to 3 December 2022, theannual flagship Business of Design Week (BODW)
Summit transformed the M+ Museum into a creative
haven in collaboration with Strategic Partner the
Netherlands as well as CreativeNL (The Netherlands’
platform for creative pioneers), gathering 90 leadersfrom 14 countries and territories including France,
Hong Kong, Italy, the Netherlands, Thailand, and theUnited Kingdom. Over 30 sessions captivated theaudience’s attention, fostering discussions and sparking
groundbreaking ideas. With the world navigating
through a whirlwind of momentous changes in how wework and live, the theme of ‘Design for Change’ couldn’t
have been more timely. Across 5 pivotal domains –Brand Transformation, Culture and the City, Metaverse
and Metaliving, New Urban Models, and Social Design
Innovation – we looked at how design can shape abrighter future for us all. The Summit was a resounding
success with a total of 1.3 million attendees and ondemand viewership through multiple channels, leaving
a profound impression and setting the stage forextraordinary transformations in the design world.

5 key pillars

1 2 3 45

Brand
Transformation:
Building
Connections andPersonalising
Brand Offerings

重 塑 品 牌 價 值：
建 立 連 繫， 提 供 個 人 化產品及服務Culture &the City:
Safeguarding
Heritage
Through Design

Metaverse &Metaliving:
the Next
Evolution of the
Human Experience文 化 與 都 市：
透 過設計 保育文化遺 產

元 宇 宙 與 元 生 活：
人類體驗再度進化

New Urban
Models:How to Co-create
Sustainable
Habitats Now to
Benefit Future

新 都 市 模 式：
起動共建可持續的都市
棲 息 地， 惠 及 未 來 世 代

Social Design
Innovation:
Promoting
Deeper Human
Connections

社 會 創 新 設 計：
加深人與人之間的關係1

BODW 2022

HKDC Annual Report 2022—23

設
計
營
商
周

Brand Transformation:
Building Connections
and Personalising
Brand Offerings
重 塑 品 牌 價 值：建 立 連 繫，
提 供 個 人化 產 品 及 服 務

Global challenges such as the climate crisis,
combined with pandemic-induced uncertainties
and an impending economic downturn, haveprompted companies to identify new opportunities
and develop alternate business models that canmake a difference. Understanding consumers’
journeys and responding to environmental
and social changes are critical parts of thesuccess equation, while design and innovation
give brands the ability to evolve and stay
relevant amid a fickle landscape. Among the
key takeaways during BODW 2022 were theimportance for brands to build connections with
their clients, and understanding their opinions toaccurately develop new products and enhancetheir adaptability. Another highlight was on the
rapid digitalisation of the customer experiencein a mobile-first world, which has prompted
companies to personalise digital marketingstrategies to leverage first-party data in order toprovide customers a better experience, basedon their own preferences.
面對全球氣候危機、經濟下行等挑戰，加上疫情帶來的不穩 因素，企業 必須 主 動求 變，尋找 新的機

遇，開展嶄新的業務模式。品牌要取得成功，了解

顧客的消費體驗固然重要，回應生態和社會轉變更是關鍵。設計和創意正好助品牌一臂之力，在變
幻莫測的商業環境中，保持競爭力並不斷發展。設計營商周 2022 的討論要點之一，便是連繫品牌和用戶的重要性，同時要了解用戶的意見，以助精準研發新產品，提高匹配度。此外，身處以手機為先的世界，顧客體驗的數碼化步伐不斷加快，企業必須制定個性化數碼營銷策略，運 用第一方數 據 並
根據顧客的喜好，為他們提供更佳體驗。

18

Culture & the City:
Safeguarding Heritage
Through Design
文 化 與 都 市：
透 過設計保育文化遺產

The cultural landscape of a city evokes a senseof place, where human-focused creativity
stimulates economic growth and contributes
to sustainable planning. In times of change, itis especially important for design masters andadvocates to gather and weave together ourmost cherished human values, legacies andinnovations, to help define the cultural identityof a city. When change happens, it can not
only affect the present and future, but also
the past, with the danger that a city’s precious
cultural heritage is lost to the passage of time.
The BODW 2022 Summit highlighted this stark
possibility, and called for cities to be not only
liveable, but loveable: by having citizens be partof the design process, providing them a senseof agency. City planners can no longer say‘we know better’; they have to engage a city’s
stakeholders: its inhabitants.
都市中的文化生態，能夠培養出歸屬感，配合文化
活動及創意產業，更可刺激經濟增長，有利都市規劃持續發展。在求變之時，設計大師及 先驅 更需

交流協作，推廣我們珍而重之的人文價值、文化遺產與創新意念，以確立都市的文化定位。改變不僅會影響現在和未來，更會影響到我們的過去，皆因城市寶貴的文化遺產正消失於時間洪流之中。設計營商周 2022 峰會強調出現 這種情況的莫大可能，並指出城市不僅要宜居，更是要受人喜愛，而

方法是讓市民成為設計過程的一部分，令他們感
到對自己的生活擁有自主權。城市規劃師所 做的

一切都應讓城巿的持份者 — 其巿民 — 參與其中。

2

3
Metaverse & Metaliving:
the Next Evolution of the
Human Experience

元 宇 宙 與 元 生 活：
人類體驗再度進化

The line between our physical and digital worlds
is rapidly blurring. The metaverse is where thenext evolution of the human experience willtake place, and creative leaders and designers
are determined to lead the charge to unlock
the endless possibilities of this new frontier.
Innovation in technologies and businessmodels promise to reshape our future digitallandscape, and set bold new boundaries in theways we live, work and do business. So where
do we go from here? Trying to predict how themetaverse will unfold is not an easy task, butbusinesses are striving to take up the challenge,
because the opportunities for creating wealth in
the metaverse are expected to be in the trillionsof dollars. This important takeaway is a wake-up
call for designers and marketers to venture intoand explore this exciting new world.
今時今日，實體與數碼世界之間的界線越來越模糊。人類體驗會於元宇宙再度進化，創意領袖和設計師已經準備就緒，牽頭釋放這一新領域的無限可能。嶄新的科技和商業模式不斷冒起，既改變了未 來數碼發展的趨勢，亦擴闊了我們生活、
工作和營商的界限，那麼我們今後該何去何從？

預測元宇宙的未來發展並非易事，但企業正想方
設法迎接挑戰，皆因元宇宙中的機遇價值高達數
萬億美元。這一要點提醒設計師和營銷人員要勇
闖這個新世界，探索令人興奮的契機。

New Urban Models:
How to Co-create
Sustainable Habitats
Now to Benefit Future

新 都 市 模 式：起 動 共 建 可 持 續
的 都 市 棲 息 地， 惠 及 未 來 世 代

Safeguarding and sustaining urban development
and prosperity are ongoing challenges forcities. Mobility, economics, and peoplecentric design converge and redefine a city’s
liveability and the well-being of its inhabitants.
For cities to prosper long-term, architects anddesigners need to identify potential areas ofintervention, remodel urban development,
and co-create sustainable practices that will
benefit generations to come. At BODW 2022,
key ideas included the need to develop criticalthinking in reimagining our future habitats, toengage the public to make significant moves
away from old consumption cycles, building
climate-resilient neighbourhoods in anticipationof a changing global climate, and incorporating
nature into urban habitats, including making
greenery and capturing rainwater integral tohigh-rise buildings. If we want our cities to beready for the future, we need to start designingfor change now.
城市要持續朝繁榮穩定的方向發展，過程中的挑戰 與日俱增。出行體 驗、經濟水平、設計是否以

人為本等因素，不但影響都市的宜居程度，亦與
居民的身心健康息息相關。都市若要長期蓬勃發

展，需要建築師和設計師緊密合作，找出理想的介入點，重塑都市的發展模式，共同實踐可持續的方案，以惠及未來的世代。在設計營商周 2022

中，討論要點包括需要在塑造都市棲息地時培養
批判性思維、助大眾走出舊有的消費循環、建立

適應氣候變化的模範以應對全球氣候變化，並將
大自然融入都市棲息地，例如在高層進行綠化及收集雨水。如果我們想為未來城市做好準備，就必須立即以設計求變。

4

5

19

Social Design Innovation:
Promoting Deeper
Human Connections
社 會 創 新 設 計：
加深人與人之間的關係

Social design encompasses everything fromurban transportation to AI, from creating
sustainable supply chains to preserving
communal spaces that promote more profoundhuman connections. It requires a holistic
approach that integrates human-centred
design, technology, and service perspectives.
Designers and creative entrepreneurs are
exploring new design thinking and technologicalinnovations such as the internet of things (IoT)
to better respond to the endless possibilities ofsocial design. At the heart of it, social designmeans creating a better world for all. Keynote
speakers at BODW 2022 spoke on social
design and reminded us all that we don’t always
need to rush to get places, and if we designed
our lives around people, we will not be in dangerof losing sight of our collective humanity. This
realisation could forever change the way wetravel, connect, produce and live, transforming
our cities and economies once and for all.
社會設計涵蓋都市運輸系統、人工智能、創建可持 續 供 應 鏈，及 至 保留拉 近 人 際 距 離 的 公共空間，當中需要以人為本的設計、科技應用和服務
規 劃 等多方面 配 合。設計 師 和 創意企 業 家 現 時
在物 聯 網 等範 疇 不 斷嘗試 創 新，冀 以 設計 新思

維打破傳統規範，成就社會設計的無限可能。為大 眾 塑 造 更 美 好的未 來，便 是 社會 設計的核心所在。設計營商周 2022 的主題演講講者分享對

社會設計的想法，並提醒我們可以放慢腳步。此外，如果生活方式能以人為本設計，便可避免失
去人民精神的危機。我們的出行、互動、生產和
生活方式 會 因而徹 底 改 變，將 經 濟 和都 市發展
帶進新紀元。

香港設計中心年報 2022—23

About KODW
Knowledge of Design Week (KODW)
is an annual thematic event thatgathers the global design community
in workshops, forums, and a high-level networking event. It offers an

opportunity for industry practitioners
to join in the big conversation on

how design can solve the complex

challenges that society faces today.

關於設計智識周「設計智識周」是香港設計中心的年度旗艦活動之一，透過舉辦工作坊、論壇及業

界聯誼活動，匯聚全球設計社群，帶動業
界討論設計如何解決現今社會面對的複
雜挑戰。

20

21

香港設計中心年報 2022—23

Every year since 2006, Knowledge of Design Week (KODW) has
convened multi-level dialogues that examine how design solves
complex challenges in society. With the theme of ‘Regeneration
by Design’, KODW 2022 brought together a powerhouse castof over 40 experts, entrepreneurs and creative minds from allover the world to explore topics organised under four pillars:
Regenerative Design for Our Ecosystem, Regenerative
Design for Social Good, Regenerative Economy and The
Future of Regenerative Culture. Using immersive Extended
Reality (XR) technology, KODW 2022 provided a remarkably
exciting sneak peek into the future of global forums. For the firsttime, 13 panel discussions featuring A-list industry leaders were
held using XR technology, simulcast over 4 TV episodes over
ViuTV, bodw+ and social media, successfully achieving a totalof over 680,000 viewership.

KODW 2022

HKDC Annual Report 2022—23

設
計
智
識
周

自2006年起，設計智識周從多方面探討如何以設計應對各種形式的社
會挑戰。設計智識周2022以「再生設計」為主題，匯聚超過40位來自世

界各地的精英、企業家和創意領袖，重點探索四大議題，包括生態主導

再生設計、社會為本 再生設計、再生經濟及再生文化的未 來。設計智識周2022採用沉浸式XR延展實境科技，以嶄新模式舉辦國際設計峰會。13場專題討論不但邀得頂尖行業領袖分享見解，更首次使用XR科

技製作節目，並在ViuTV、bodw+網上平台及社交平台同步直播四集電視

節目，錄得逾 68萬人次觀看。

Perfectly showcasing its theme of ‘Regeneration
by Design’, KODW 2022 was simulcast as areal-time virtual production using powerful XR
technology to create immersive settings forparticipants to interact, and brought the future
forward with a glimpse of a new-normal viewing
experience for the international community.

a glimpse into the
future of global forums
將設計智識周搬上電視螢幕：
國際設計峰會以全新面貌示人Highlights of KODW 2022 included discussions
on sustainable leadership and sustainability
in creating a smart food ecosystem, on thepossibilities of urban farming and creating
indoor vertical farms. As populations grow, how
we design consumption patterns to benefit thepeople in our value chain is a pressing concern.
At her KODW 2022 keynote session, Cherrie
Atilano, Founding Farmer/President and CEO ofAGREA, the Philippines, said, ‘It is really about
working with nature, rather than against it.’
Jack Moy, CEO of Sustenir Group, Singapore,
whose company aims to strengthen foodresilience in megacities through indoor vertical
farming, shared his thoughts on sustainable foodinnovation: ‘It’s also very important for us to plana multi-stakeholder approach that lives to our
purpose to nourish people and the planet, one
leaf at a time.’

設計智識周2022完美展現「再生設計」主題，以

先進 XR科技營造沉浸式的實時虛擬場景，讓參

加者互動交流，而環球觀眾亦能在新常態下以新方式參與峰會，一同前瞻未來。

設計 智識 周 2022 的 焦 點 話 題 包 括 如 何 開 拓 智
能食品生態系統的環保領域及相關可持續發展

工作，以 及都 市農 耕及 實 現 室內垂直 耕 種 的可
能 性。隨 著人口不 斷 增加，我 們 需 要 規 劃 消費

模 式，確 保 價 值 鏈中所有人都 能 從 中受 益。在設計智識周 2022 的專題討論中，來自菲律賓的

AGREA 創辦人/主席及行政總裁 Cherrie Atilano
談到：「我們需要與自然共存，而非違抗自然。」

新加坡 Sustenir Group 致力於推動室內垂直耕種
來加強都市糧食系統 復 原力。行政 總裁 梅丁捷
分享了他對可持續食品創新的想法：「我們亦需要規劃一個令多方受益的方案，從細節逐步開始
實現我們的願景，更好地滋養人類與地球。」

Immersive XRPlatformed Talks by
Global Experts Yield Key
Learnings on Design,
Culture, Technology
and Sustainability
以 XR 科技營造沉浸式場景，讓環球專家暢談有關
設計、文化、科技及可持續發展的真知灼見

22

23

香港設計中心年報 2022—23

KODW 2022

HKDC Annual Report 2022—23

設
計
智
識
周

The issues surrounding the inequalities andchallenges in post-pandemic healthcare systems
around the world were also examined in KODW
2022, within the context of how design can create
more equitable living standards for everyone. The
first step on how to do this, according to Queenie
Man, Founder and CEO of Project Futurus, Hong
Kong, is through awareness building: ‘Awarenessbuilding is very important and it has to be done
through education, advocacy. People fear ageing
but in fact, if you look into the industry today, there’s
a lot of integration of technology in elderly care.’
Dr Sanjay Batra, Hardware Research Manager
at Google US, added, ‘When we’re talking about
inclusive design, we are not designing one thingfor everyone, we are designing a diversity ofways for people to participate in an experience.’‘The new normal’ no longer only refers to how wehave collectively adapted to post-pandemic life. It
also means how we work, live and play in today’s
digital world, as we venture into the metaverse
and its infinite possibilities. KODW 2022 speakers
also explored how Web3, the latest iteration of
the internet, will redefine how we use and interact
with the digital world. Web3 is about to transform
cultures and communities, and the first step tounlocking its potential is to introduce users to
its definitions and possibilities. Benny Ho, Headof Business Development of Animoca Brands,
Hong Kong, said ‘If we were to think about Web1
as reading and receiving information from theinternet, but Web2 was about reading and writing,what Web3 goes into is an extra layer of reading,writing, and ownership. You begin to have true
ownership of your data, and true ownership ofyour content.’
KODW 2022 joined hands with Strategic Partner
the Netherlands, and its platform for creative
pioneers, CreativeNL; Strategic Regional
Partner, Guangzhou Design Week; andStrategic Cultural Partner, M+ , Asia’s museumof global visual culture and the site for physicalevents. In addition to the televised programmes,
KODW 2022 workshops and masterclasses were
held in hybrid format, with sessions led by global
experts based in Denmark, France, Hong Kong,
The Mainland, and the United Kingdom.
The talks from KODW 2022 are currently
available on-demand on bodw+, Asia’s leading
online design portal.

疫後全球醫療系統的不平等現象及所面對的挑
戰亦是討論話題。至於設計如何為人們創造更公平的生活環境，香港 Project Futurus 創辦人及行政總裁文慧妍認為先要建構意識：「建構意識是
十分重要，這需要透過不斷教育和宣傳來達成。

事實上，目前業界已經綜合運用不同科技，以配合及提供長者護理 服務。」美國 Google 硬件研
究經理 Sanjay Batra 博士補充：「當我們談論包
容性設計時，我 們並不是去設計 一 個 適合 大 眾

使用的物件，反而是設計一個多樣化的方式讓大眾共同體驗。」

Join bodw+ to explore
what’s next in design!
登記成為bodw+會員
緊貼設計趨勢Originating from Business of Design Week (BODW),
bodw+ is an interactive design knowledge platform
provides you a great view on seminal design trends,
featuring takeaways of BODW and KODW, alongsideengaging livestreamed events, on-demand content,case studies, podcasts, feature stories, interviews,
event listings, programme archives, and much more.

「 新 常 態 」不 再 單 指 我 們 如 何 一 同 適 應 疫 後 生

取名自「設計營商周」（BODW），設計知識數碼平台

娛樂，擁抱元宇宙及其無限可能性。設計智識周貼設計營商周及設計智識周的最新動向之餘，還可通活，亦關乎如何在現今的數碼世界工作、生活和2022 的講者剖析新一代互聯網 Web3 如何重新定義 我 們 運 用數碼 技 術，以 及 與 數碼世界進 行
互動的方式。Web3即將為文化界和社區帶來改

bodw+ 全面探索設計、創新及品牌趨勢，讓你可以緊
過直播活動、節目重溫、案例研究、播客、專題故事及人物訪問、活動分享、節目存檔等深入了解設計世界。

變，要釋放箇中潛力，第一步便是向使用者解說

其定義及可能性。香港 Animoca Brands 業務發
展主管 Benny Ho 表示：「 如果我們把 Web1 看成是閱讀及接收網上的資訊，Web2 是關於閱讀和寫作，那麼 Web3 便帶領我們踏入閱讀、寫作
和擁有權的另一層次。使用者開始對自己的資料
及內容有真正的擁有權。」

設計智識周 2022 與策略伙伴荷蘭、其創意開發

平台「創意荷蘭」（CreativeNL），以及區域策略
伙伴廣州設計周攜手合作。另外，亞洲首間全球性當代視 覺 文化博物 館 M+ 作 為是次 文化策略
伙伴，聯合舉辦多項實體活動。除製作電視節目外，設計智識周 2022 亦以現場及網上形式舉辦

由來自丹麥、法國、香港、內地和英國全球專家
主導的工作坊和大師班。

歡迎於亞洲領先的線上設計知識網站 bodw+ 重溫專題討論精彩內容。

Find out more at瀏覽網頁了解更多www.bodw.com

HKDC Annual Report 2022—23

24

WHEN
INNOVATIONMEETSCREATIVITY,
TRENDS ARE
BORN ANDTHE FUTURE
TAKES SHAPE

當 創新
遇上 創 意 ：引 領趨勢
形塑 未 來

25

香港設計中心年報 2022—23

In today’s ever-evolving world, fashion
has emerged as not only a form of
self-expression but also a dynamic
industry that fuels economies and shapes
consumer behaviour. The businessof fashion involves an intricate web ofstrategies, operations, and creativity todrive the fashion industry forward. Fromdesigning and manufacturing to marketing
and retailing, fashion has to interweave
with business savvy at almost every level.
The success of fashion brands andretailers hinges on understanding
consumer trends, implementing effective
marketing strategies, fostering strong
supply chains, and staying ahead of thecurve in a fiercely competitive landscape.
Fashion Asia delves into the fascinatingintersection of fashion and business.
身處瞬息萬變的世界，時裝不但是一種表達自我的方式，更是一個充滿活力的行業，帶動經濟發展的同時，
亦影響消費模式。時裝業務涉及策略、營運及創意，各個元素環環相扣，推動業界邁步向前。從設計、製造、

About Fashion Asia Hong Kong
Fashion Asia Hong Kong (FAHK),

an initiative of the Hong Kong SAR

Government, is a dynamic programme that關於 Fashion Asia Hong Kong

professionals from the fashion industry

港特別行政區政府倡議的一項大型多元時尚

unites designers, academics, leaders andto inspire collaboration, creativity anddialogue. Through a combination of

insightful conversations, engaging events

Fashion Asia Hong Kong (FAHK) 是由香
企劃，將時裝界中的領袖、專家、設計師及學者匯聚起來，促進協同合作及交流對話，藉以

提升整個行業的創造力。Fashion Asia 致力

and cultural exchanges, FAHK reinforces帶來深入的業界對話、推行精彩活動，增進文

fashion trade and business development.

發展中心的地位。

the city’s position as the Asian hub for

化交流，以鞏固香港作為亞洲時裝貿易和商務營銷到零售，幾乎每個時裝範疇都講求營商技巧。

時裝品牌及零售商要踏上成功大道，必須了解消費趨

勢、實施有效的營銷策略、建立穩健的供應鏈網絡，以及在激烈的競爭環境保持優勢。 Fashion Asia 深入探究時裝與營商的關係，剖析兩者如何相輔相成。

26

27
Tracey Cheng (Left 左)Vice President of Merchandising,
Womenswear 女裝商品部副總裁, I.T

Shashi Menon
CEO 行政總裁, Vogue Arabia& UNXD

Simone Rocha (Middle 中)Founder & Fashion Designer
創辦人及時裝設計師, Simone Rocha

Divia Harilela (Right 右)Principal & Editor 主理人及編輯, The D’Vine

時尚未來論壇FASHION
CHALLENGES
FORUM

時尚未來論壇 2022 與設計營商周同期舉行，以實體及網上模式，匯聚一眾商界翹楚及時裝潮流先驅。勇於創新的領袖、突破常規的創意人才及充滿
熱誠的倡導者聚首一堂，分享專業知識及精闢想
法，力求塑造未來的商業及時裝世界。

Buyers and Brand Curation
時裝買手看新晉設計師

Jimmy Chan (Left 左)Head of Account Management Farfetch
APAC

此外，Fashion Asia 2022 製作豐富的數碼內容，
包括四集內容豐富的節目，邀得多位重塑時裝格
局的專才及業內人士分享心得。

Tracey Cheng (Right 右)Vice President of Merchandising,
Womenswear 女裝商品部副總裁, I.T

業界翹楚透過短片暢談寶貴見解，提供具啟發性
的營商方案及務實可行的意見，以應對變化多端的本地及全球時裝發展，助觀眾領先商業世界中
日新月異的競爭。

Caroline Issa (Left 左)CEO 行政總裁,
Tank Group
Alice Temperley (Right 右)Founder &Fashion Designer
創辦人及時裝設計師,
Temperley London

The New Era of Glamour
本地時裝的黃金時代

Jihong Mao
Founder and Chairman
創始人兼董事長,
EXCEPTION de MIXMIND& Fangsuo Commune

元宇宙及數碼時裝大行其道，講者藉探索相關創
新科技及數碼發展，揭示種種嶄新可能。身處後疫情時代，我們見證設計人才輩出，時裝零售市
場不斷變化，消費者行為亦出現巨變。

VENUE:
POOLHOUSE,GRAND HYATTHONG KONG

香港君悅酒店

Poolhouse

These short videos are more than just a glimpse
into the minds of industry trailblazers – they
are a treasure trove of insightful businesssolutions and actionable perspectives on
the ever-evolving local and global fashion
developments, letting viewers stay one stepahead of the competition.

28.11.2022

Constance Lee (Left 左)Founder & Image Director 創辦人及形象總監,
CONSTYLEVIRTUALSESSIONS

Derek Chan (Right 右)Co-Founder & Design Director
共同創辦人及設計總監,
DEMO

While the physical Fashion Challenges Forumset the stage for inspirational insights in thebusiness of fashion, the magic didn’t stop
there. A series of captivating virtual sessions
blurred the lines between the physical and thevirtual, where fashion pioneers from around theglobe took centre stage. Through the power oftechnology, visionaries and trailblazers from far
and wide connected continents and created a
global tapestry of creativity and innovation.
時尚未來論壇為時裝界注入源源靈感，其影響力
更延伸至網上平台。網上論壇集結環球時裝界先驅，借助嶄新科技，來自各大洲的業界先驅及翹楚探討不同主題，環球創意及創新力量共冶一爐。

The Boldness of New Generation
新世代時裝與音樂的火花

Rex Lo (Back Row, Left 後排左)Founder & Designer 創辦人及設計師,
SOMEWHERE NOWHERE
Lung (Back Row, Right 後排右)Video Director & VJ 經理人及監製

Merry Lamb Lamb (Front Row, Left 前排左)Electronic Musician 電子音樂人及歌手

Embracing Culture throughFashion
時尚與文化交織

Kenji Wong (Left 左)Creative Director & Founder
創作總監及創辦人,
GrowthRing & Supply
Jerry Keung 姜偉池 (Right 右)Keung’s Dragon and Lion Team姜氏金龍醒獅團

Elly Cheng (Front Row, Right 前排右)Founder & Designer 創辦人及設計師,
SOMEWHERE NOWHERE

Fashion Asia Hong Kong

Speakers explored the tech innovations anddigitalization sweeping through the trending
metaverse and digital fashion realms to unveil awhole new world of possibilities. We witnessed
the emergence of rising design talents, thedynamic shifts in the fashion retail market,
and the profound transformation of consumer
behaviours in a post-pandemic era.

Fashion Asia 2022 also unveiled an
extraordinary lineup of digital content with four
enriching episodes showcasing the brilliance of
fashion experts and insiders who are redefining
the landscape of style.

訪談視頻Held alongside Business of Design Week
(BODW), Fashion Challenges Forum 2022 wasa gathering of visionaries and trendsetters in
the world of business and fashion, bothin-person and virtually. Trailblazing leaders,boundary-pushing creators and passionate
activists brought their expertise and invaluable
insights that have the potential to reshape thebusiness and fashion world of the future.

DIGITALSERIES香港設計中心年報 2022—23

數碼系列

HKDC Annual Report 2022—23

HKDC Annual Report 2022—23

28

ASHLYNPONDER.ER

29
Fashion Asia 與連卡佛及蕾虎合辦亞洲十大香港設計中心年報 2022—23

焦點設計師時裝展覽。這 10 位設計新星即將為時裝帶來新定義，展品盡顯他們的才華、

創意及獨有觸覺。不論是大膽前衛的設計，抑或是以創新手法重新演繹傳統風格，ASHLYN、

pillings

Unveiling the rising stars that are set to redefine
the industry, Fashion Asia partnered with Lane
Crawford and LABELHOOD to present the
talent, creativity, and unique perspectives of 10
upcoming fashion designers in the ‘10 AsianDesigners to Watch’ exhibition. From bold andavant-garde designs to innovative reinterpretationsof tradition, ASHLYN, BAD BINCH TONGTONG,CELINE KWAN, MÄRCHEN, MING MA, pillings,
PONDER.ER, RYUNOSUKEOKAZAKI, YUEQIQI and Yuhan Wang are pushing boundaries,
making their mark on the global fashion stage andcaptivating audiences around the world.

十大
焦 點

設計師
YUEQI QIRYUNOSUKEOKAZAKI亞洲TOWAT CHMING MA

國際時裝舞台留下足跡，令全球觀眾讚嘆不已。

Fashion Asia Hong Kong

DESIGNERSYUEQI QI 及 Yuhan Wang 不斷破舊立新，並在Yuhan Wang

ASIAN

PONDER.ER、RYUNOSUKEOKAZAKI、

BAD BINCH TONGTONG

10MÄRCHEN、MING MA、pillings、MÄRCHEN

CELINE KWANBAD BINCH TONGTONG、CELINE KWAN、

HKDC Annual Report 2022—23

30

31

Fashion Asia collaborated with I.T
to host an exclusive exhibition for
the uprising fashion designers inHong Kong. Held concurrently withthe forum, Hong Kong Showroom
shone a spotlight on the remarkable
designs of local talents including
CHRISTIAN STONE, CODA,
KARMUEL YOUNG, TAK L., and
VANN, who are from HKDC’s Fashion
Incubation Programme (FIP) and
Design Incubation Programme (DIP).
This was also the first-ever Hong
Kong Showroom with an e-commerce
experience, which opened up
unprecedented business opportunities
for these talented designers.

LANE CRAWFORDTIME SQUARE SHANGHAI
上海時代廣場連卡佛

Taking place at the same time andsame venue, Pop-up Spaces featured
outstanding fashion students andgraduates from Hong Kong Design
Institute, Hong Kong Polytechnic
University, Technological and Higher
Education Institute of Hong Kong, andCaritas Bianchi College of Careers.

3-13.
03.2023

22-29.
11.2022LANE CRAWFORD FLAHSHIP STOREIFC MALL香港國際金融中心連卡佛

23-28.
03.2023
THE SOMEKH BUILDINGROCKBUND SHANGHAI

上海外灘哈密大樓

I.T ONE HYSAN AVENUE

希慎道一號 I.T
Fashion Asia與I.T攜手合作，為香港時裝設計

新秀打造獨一無二的展覽空間「Hong Kong

Showroom」。 展覽與論壇同期舉行，展品令人眼前一亮，皆來自由香港設計中心旗下兩

個大型專才培育計劃：時裝創業培育計劃及
設計創業培育計劃培育的本地時尚新星，包括 CHRISTIAN STONE、CODA、KARMUELYOUNG、TAK L. 及 VANN。Hong Kong

Showroom 首次提供電子商貿服務，為一眾設Fashion Asia Hong Kong

計人才帶來前所未有的商機。

同期展覽「Pop-up Spaces」於同場舉行，集合時裝系學生及畢業生的出色作品，他們分別來
自香港知專設計學院、香港理工大學、香港高等教育科技學院及明愛白英奇專業學校。

HONG KONG SHOWROOM AND POP-UP SPACES

4-18.
11.2022

香港設計中心年報 2022—23

HKDC Annual Report 2022—23

32

esign
an
NurturePeople
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人
才

02
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香港設計中心年報 2022—23

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34

35

香港設計中心年報 2022—23

Mandy
Tsang

導以業培
引智界育
新慧導創
一洞師意
代見
人
才
：

Ron Leung
Walter Ma
Mandy Tsang

Hong Kong is a fertile environment for
creative minds to push boundaries andreimagine the possibilities of design, andthere are many talented young designers
brimming with potential here. However,the point where raw creativity needs tobe transformed into tangible commercial
viability is an important crossroad forany designer. This is where the influenceof industry mentors becomes a guiding
beacon on the runway towards success.
HKDC’s Design Incubation Programme(DIP) is a two-year programme thatprovides financial support, training andmentorship for young designers. The
synergy between seasoned industry
professionals and the talent they nurtureis a symbiotic relationship that fosters
learning on both sides. Here, our mentors
give us a glimpse into their own journeys
in the design world, and share their hardearned wisdom and expertise.

梁
昆
剛

馬
偉
明

Ron
Leung

WalterMa

Nurturing Creativity:
The Transformative
Power ofIndustry Mentors

曾為民

香港提供理想環境激發創意，有利業界人

才突破常規，再思設計的種種可能。不少本
地年輕設計師準備大放異彩，盡展無限潛力。然而，將純粹創意變為切實可行的業

務，往往推使設計師站在關鍵抉擇的十字路口。在邁向成功的路上，業界導師往往是
引路明燈，帶來重大深遠的影響。香港設

計中心的設計創業培育計劃（DIP）為期兩

年，為年輕設計師提供財務資助、培訓及指導。資深業界專才與培育公司之間建立雙

贏關係，加強雙方學習交流效益。我們邀得計劃導師暢談各自的設計歷程，分享得來
不易的睿智和專業知識。

36

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香港設計中心年報 2022—23

Would you tell us how you started your careerin the design industry and how you keep yourbrand competitive long-term?
I studied fashion design at the Hong Kong
Institution of Fashion Design, and dressmaking at
Far East Dressmaking School respectively. After
graduating, I was invited to be a guest tutor at bothschools. This allowed me to further my learningby supporting new students and exploring ways
to achieve my ultimate goal of launching my own
fashion brand. At that time, I joined a major Far
East Dressmaking School’s fashion show. Following
this exposure, I was invited to be interviewed on atelevision show. My first employer saw the interview
and gave me a call - inviting me to join theircompany. I learnt a lot about design, production,and business operations there.
With that entrepreneurial foundation, just 8 months
later, I established my own fashion house – Vee
by Walter Ma. My rule of thumb for healthy andsustainable growth is to remain competitive in theever-changing industry and to evolve over time.
Focusing on innovation and reacting to market trends
has been key to the brand's ongoing success.
你當初如何投身設計業？你如何保持品牌的長遠競爭力 ?
我分別在香港時裝設計學院修讀時裝設計和遠東裁剪
學校學習裁剪技巧。畢業後，我受邀成為這兩所學校

的客座導師，過程中，我扶植新入學的學生，亦探索到
自己可如何實現推出自家時裝品牌的目標，令我獲益

更多。當時，我參加了遠東裁剪學校舉辦的時裝表演。
在這次曝光之後，我獲得了參與電視節目的機會，在節
目中接受訪問。節目播出後，我接到第一任老闆的電話，邀請我加入他們公司。我在那裡學到了很多關於設計、生產和業務營運的知識。

憑藉這種創業基礎，僅僅8個月後，我成立了自己的時
裝公司——Vee by Walter Ma。要維持品牌健康平穩的發展，關鍵是在這個不斷變化的行業中保持品牌的競爭力，與時俱進。專注於創新及掌握市場趨勢一直是品
牌持續成功的關鍵。

What advice do you have for aspiring designers
who are running businesses in the industry?
Every fashion designer dreams of succeeding on
the global stage — participating in major fashion
weeks and gaining recognition internationally.
However, breaking into established European
markets presents challenges for new designers
due to high costs. To lay the foundation for future
expansion, we must first approach fashion as thebusiness it is. Stabilising revenue streams andminimising overheads at home will allow brands
to strengthen their financial footing before
venturing abroad.

Would you tell us about how the fashion
design industry in Hong Kong has changed
in recent decades?
I began my career in the mid-1970s, wheninternational fashion brands had yet to dominate
the Hong Kong market. Local selections werelimited at the time, so my distinctive designs offeredsomething fresh for customers to discover. Today's
landscape has changed dramatically. With theinternet and social media, consumers have accessto trends from around the globe instantly. For local
brands like mine to remain top-of-mind amidst the
influx of information, we must enhance our marketing
efforts to stay on people's radars.
Compared to when I started, the government now
provides ample opportunities to support fashion
education through creative funding and workshops —resources that did not exist previously. This encourages
young talents to explore and develop their skills. I
hope the next generation will make the most of theseadvantages to forge their own paths in this dynamic
industry. Constant evolution is essential given today's
fast-paced climate, but passion and perseverance will
always lead to success.
香港近幾十年來的時尚設計行業有哪些變化？

我在 70年代中期入行。當年鮮有國際品牌，本地選擇亦有限，所以我的設計為顧客帶來新穎獨特的選擇。時Meanwhile, the Mainland market offers tremendous
opportunities for growth. As interest in fashion
continues to rise there, young designers would be
wise to explore opportunities within the thriving
domestic scene. Last but not least, focusing on
astute execution will be the key to bring concepts
to life.
對於自己創業的時裝設計師，你有甚麼建議？

參加大型時裝週、打響名堂，以至在全球舞台上大舉成
功是每個時裝設計師的夢想。但是對於新晉設計師來

說，進軍歐洲市場成本實在太高。要奠定穩固的基礎，
我們必須首先將時裝視為一項商業。在本地穩定收入來源並減少非必要的經營開支，能加強品牌的財務基礎，然後再嘗試進軍海外市場。

與此同時，內地的服裝消費市場提供了龐大的拓展機會。近年內地對時尚品的追求，成為香港時裝設計的新市場，對於本地設計師來說，探索內地市場是不錯的選擇。不得不提的是，精準的策略與高效執行是將願景
轉化為成果的關鍵。

Vice Chairman of Hong Kong Fashion
Designers Association
香港時裝設計師協會副主席

至今日，隨著互聯網和社交媒體的出現，消費者可以即時獲取全球的時尚潮流信息。對於像我這樣的本地品

牌來說，在這個資訊發達時代要保持人們的關注度，我們必須加強營銷推廣。

與我創業時相比，政府現在為時裝學生提供更多機會，
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為創意產業提供資助和通過研討會支持時尚教育，鼓勵年輕人探索和發展自己的才能，這些資源以前是不存在的。我希望新一代能充分利用這些優勢，在這個

充滿活力的行業中開創自己的道路。在當今快節奏和快速變化的商業環境中，推陳出新固然重要，但激情
和毅力將始終引領成功。

馬偉明

Mr. Walter Ma38

39
I was searching for a role that would combine mypassions for design and video production. Usually,
these two fields are separate in most industries.
However, the rise of social media gave rise to a
growing demand for engaging visuals. As platforms
like YouTube and Instagram boomed in the 2010s,
the need for dynamic motion design emerged. I
founded eMotionLAB in 2012 to deliver creativelydriven motion work to clients.
Would you tell us the element(s) that you
consider as important for success in thedesign business?
Passion and perseverance lay the groundwork forachievement in any industry. That being said, deft
communication and proficient execution are equally
paramount in the design business, as expertise
alone is insufficient. One must skilfully convey
concepts and interact with clients. Converting
ideas into quality, on-schedule outcomes requires
agile project management and problem-solving. It
is through technical prowess paired with excellent
communication and follow-through that designers
find lasting recognition.

香港設計中心年報 2022—23

Ms. Mandy Tsang

Would you tell us your story about how you
started your own business?

曾為民

What is the most memorable experience you
can share with our DIP incubatees?
My first government project holds a special placein my career – it was a series of promotional
videos for the Economic Development Committee,
combining live action and motion graphics. Its
extensive scope demanded far more time thantypical productions. With tight deadlines looming,
the challenges seemed insurmountable at times.
Yet my dedicated team spurred me on during mymoments of doubt. Their unfailing support helped
ensure project delivery, culminating in high praisefrom the government client.

Founder and Creative Director ofeMotionLAB, a Motion Design Studio
動態影像設計工作室eMotionLAB
創辦人及創意總監This experience taught me that even in the face ofimmense difficulties, a persevering spirit remains
key. No goal is unattainable as long as one refuses
to surrender. I share this story hoping to encourage
DIP incubatees that commitment and diligent effort
can help them surmount obstacles at work andevents in life. Through teamwork and a strong will to
succeed, all things become possible.
As a mentor for DIP, what advice do you havefor aspiring designers who are just starting out
in the industry?
To thrive in the ever-evolving design industry
requires concentration, continuous learning andgrowth. If there’s something that separates pros
from amateurs, it’s the willingness to welcome
obstacles, take smart risks and embracechallenges. Making the most of networking,embracing feedback to strengthen your skills andmaintaining a professional yet innovative approach
will help you stay ahead of the curve. All in all,success comes to those who embrace challenges.
But success doesn't come overnight. It demands
commitment to consistent self-improvement
through diligent and never-ending work.
可否分享你的創業故事？

當時的我一直在想如何結合自己對設計及影片製作的熱誠，但是在大多數行業中，它們都是屬於兩個個別範疇。然而，社交媒體的興起帶動了用戶對動態影像內

要成功發展設計業務，你認為需要具備甚麼條件？

無論從事什麼行業，熱誠和毅力絕對是成功要素。在設計行業中，僅憑專業知識是不夠的，懂得靈活溝通和有效執行很重要。要將天馬行空的想法生動又有條理

的傳達給客戶，需要靈活的項目管理和解難能力，在這之中，高度溝通能力扮演重要關鍵角色。通過出色的溝
通和後續跟進，設計師方能獲得認可。

能為我們的 DIP 學員分享一個令你難忘的經歷嗎？

我參與的第一個政府項目，在我的職業生涯中別具意

義——那是為經濟發展委員會製作一系列的宣傳短片，
當中涉及實景和動態影像設計，項目的範圍之廣比一
般的製作需時較長。隨著截止日期步步逼近，我們似乎難以達成目標。在我感到氣餒之時，團隊成員鼓勵我，最終順利完成項目交付，並獲得了政府客戶的高度讚揚。

容的需求。隨著 YouTube 和 Instagram 等平台在 2010這次經歷讓我知道，即使事情看起來很困難，重要的的需求上升。我於 2012 年創立了eMotionLAB，為市

有堅持不懈的精神可以幫助他們克服工作和生活中的

年代蓬勃發展，市場對於新興行業如動態圖影像設計

場提供新派動態影像設計，在數碼年代帶來動態視覺
傳達設計。

是永不言棄。我希望這個故事能夠鼓勵 DIP 的學員，擁障礙。憑藉團隊合作和堅定的意志，一切皆有可能。

身為 DIP 的導師，你對剛入行的設計師有甚麼建議？

設計行業瞬息萬變，設計師需要保持專注，要以求進的DIP

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精神鞭策自己不斷成長。想在眾多競爭對手中突圍而

出，便要有冒險的精神，迎難而上，積極應對挑戰。與

專業人士交流、認真看重反饋以提升自己的技能、並時刻展現專業可靠的態度，將幫助你保持領先地位。總而
言之，擁抱挑戰，是邁向成功的起點。但成功並非一朝
一夕，而是需要精進不休、一點一滴累積得來。

40What are the biggest challenges facing
young designers in Hong Kong’s businessenvironment today?
The primary challenge faced by designers andthe design industry in Hong Kong, as well as
in general, pertains to the limited recognition of
the value of design within society. The prevailing
perception among individuals is that design issolely associated with aesthetics, which is often
considered an optional factor in the market andbusiness competition. However, it is importantto acknowledge that design is an indispensable
element for achieving success in competitiveenvironments. If business managers currently only
perceive design as a mere expense, it is imperativethat they reconsider their perspective. Design
should not be regarded solely as an expenditure;
rather, it should be viewed as an investment that
can yield returns. Until the broader society andclients recognise the inherent value of design
is not merely aesthetic but more accurately:'understanding audience needs' , designers anddesign businesses will continue to face challenges.

41

香港設計中心年報 2022—23

面對現今香港的營商環境，年輕設計師遇到的最大挑

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HKDC Annual Report 2022—23

戰是甚麼？

挑戰是社會大眾普遍對設計價值缺乏認知。很多人認為設計純粹是關乎美學的事，而美感在市場及商業競爭層面只是一個非必要性的選項。然而，要在競爭激

烈的環境中穩操勝券，則需知道設計是不可或缺的要素。如果決策者目前只將設計視為一項開支，那麼他們
就必須重新審視自己的看法。設計不應被視為一項支出，而是可以帶來回報的投資。設計師和設計企業仍將繼續面對挑戰，直至社會及顧客普遍意識到設計的內
在價值不單只在於美感，而是「了解受眾需要」。

How do you help DIP incubatees navigate thosechallenges you just mentioned?
As a mentor, I am so gratified to witness the growthof these exceptional young talents who possess
remarkable abilities and promise, thanks to thecomprehensive business training, support andguidance of the programme. In my role, I offer
advice and suggestions based on my experience,
providing objective insights when needed. I also givethem my opinions on how to leverage their strengths
and advantages to maximise their competitiveness,address any challenges or shortcomings in theirbusiness models, and strategically position theirbusinesses within the market in alignment with
their specialised offerings. Often, these aspiring
designers find themselves at a crossroad, facing
perplexing decisions, and I assist them in making
informed choices.

What advice would you give to young designers
who want to expand their business outside
Hong Kong?
Hong Kong designers are highly adaptable, thanks
to their long-established history and repertoire ofcatering to the needs of global markets. It is crucial
for young designers to avoid limiting their visionand business prospects solely to Hong Kong.
Numerous potential markets surround us, extending
beyond the traditional markets of the Americas
and Europe. The ASEAN and North Eastern Asia
regions offer vast opportunities, not to mention theready accessibility of the Greater Bay Area andthe rest of the mainland China market. Moreover,the emerging Middle East market should not be
overlooked. Overall, we possess the advantage
and competitive edge required to thrive in thesemarkets. Just be brave and step out!

設
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業
培
育
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對於香港設計師、香港以至環球設計行業來說，主要對於有意將業務拓展到香港以外的年輕設計師，你有
甚麼建議？

香港設計師都有適應能力非常強的特質，這是受惠於香港設計行業的發展一向是面向國際，慣於迎合環球

市場的需求。年輕設計師不應固步自封，把自己的視野你如何幫助設計創業培育計劃（DIP）的設計師應對剛
才提到的挑戰？

我接觸過的這群年輕設計師都是才華橫溢，前途無可限量，而身為導師，能親眼見證他們在計劃的全面營商
培訓、支援及指導下得以成長，實在非常欣慰。我的角色是根據自己的經驗提供意見及建議，並在有需要時

分享客觀見解。此外，我會跟他們談談可如何發揮自己的專長和優點以提升競爭力、其商業模式的缺點及可能面對的挑戰，以及如何根據產品及服務特點將業務定位。這些有抱負的設計師不時會發現自己處於十字路口，不知怎樣作出抉擇，而我便會從旁協助他們，在掌握更多信息下作出明智選擇。

Founder and Creative Directorof L.I.M. Design Work,a Multi-disciplinary Design House
跨範疇設計工作室白水草堂創作室
創辦人及創意總監

和業務發展局限於香港，而應放眼世界。除了美洲、歐
洲等傳統市場外，我們周邊亦有不少具潛力的市場。

東盟及東北亞地區機遇處處，更不用說毗鄰的大灣區

及其他內地市場。另外，新興的中東市場也不容忽視。
總括來說，我們具備有利條件和競爭優勢，有能力在

這些市場蓬勃發展。只要勇敢走出去，便能闖出一片
新天地！

梁
昆
剛

Mr. Ron Leung能夠更集中精神，以清晰的
頭腦構思設計理念。」

郊
區
跑
步

生活即是設計的原動力

徑

People need inspiration in every aspect of life.
Its position is no exception when it comes todesign. Inspiration from daily life will always
help you generate creative and unique ideas foryour projects. Meet the 12 incubatees from our
Design Incubation Programme (DIP) who laybare their sources of inspiration.

‘Deep Food’s experimental prawn
dumplings, also known as HarGow,
were among our very first projects. The
idea happened spontaneously when ourfamily was making dim sum. It carries a
fun yet serendipitous spirit that is still
important in our practice.’

在生活的各個方面，人們都需要靈感，而在設計領域上也不例外。來自生活的靈感可以幫助你激發創意，產生

獨特且創新的想法。讓我們一起認識12家「設計創業培

育計劃」公司，了解他們的靈感來源。

HarGow蝦‘Running in nature
gives me a clear andconcentrated mind to
start a design concept.’

DIP

Running
Trails in
Nature
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香港設計中心年報 2022—23

餃
Heinrik NG
Cindy CHAN

Terence OR

Deep Food Limited 深食

LTMC LIMITED
LTMC is a collective of multidisciplinary
creatives, we specialise in creating bespoke
spaces for a diverse array of clients.
Constantly pushing boundaries of our field, wetake clients on a personalised creative journeyand have a penchant for the extraordinary.
Balancing meticulousness with ingenuity, we
unlock fresh ideas and create unforgettableenvironments that rouse curiosity and awaken
the senses.

LTMC是一個集合多學科創意人才的單位，我們專
注於為不同類型的客戶創造定制室內空間。
我們不斷地挑戰領域的邊界，對非凡的事物充滿
熱情，帶領客戶走上一段個性化的創意旅程。在細緻和獨創性之間取得平衡，釋放新鮮的想法，創造
令人難忘的環境，喚醒好奇心，激發感官體驗。

Deep Food is ‘Food for Thought’, a creative
agency that deploys multi-sensory edible
experiences for public programmes to promoteart and culture. We extend the value of edibles
as a content medium, with creation ranges
from immersive exhibition experiences to multisensory performances and creative workshops.
Co-founders of Deep Food, Cindy and Heinrik,
both graduated from PolyU with BA in Product
Design. Cindy has a MA in Applied Imaginationin the Creative Industries at Saint Martins.

深食（Deep Food）是為思辯而創作的食物設計，成員陳可兒和伍澤均利用產品設計背景，致力於為公共項目提供多感官的可食用體驗，以推廣藝術和文化。在設計中反映各種生活文化和哲學觀
點，透過進食體驗來激發公眾思考及引起討論。
兩位聯合創始人畢業於理工大學產品設計系，陳氏亦畢業於倫敦聖馬丁學院（設計碩士）。

於偶然，這份精神在我們的設計過程中仍佔重要席位。」

Life is theDriving Force
Behind Design「在大自然環境中跑步，讓我43

人製作點心時，腦海突然浮現這個想法，有趣味之餘而又出42「Deep Food 的實驗蝦餃是我們的早期項目之一。我們一家HKDC Annual Report 2022—23

44

45

‘My messy studiois my source ofinspiration –because creating
your own ambienceis the first stepin design.’

永不言棄，努力不懈，同時行出善良。」

提醒我要毋忘初心，永不停止提問，

記錄了我入行首四年的心路歷程和掙扎，‘Time Flows, a handmade
book documenting myinner thoughts andstruggles during myfirst four years of design
practice, reminds me of
why I started, to neverstop questioning, nevergive up and work hardwith a good heart.’「《Time Flows》是一本人手製作的書，

香港設計中心年報 2022—23

Time Flows我凌亂
WONG Yui Chung, Eddie

LAM Kin Yan

Eddie The Studios 本Genau Studio 係工作室

Eddie The Studios is a collaborative design
and research practice that works in the field ofgraphic design and typography with a focus onbooks and visual identities. We combine creativeand strategic perspectives with a contemporary
visual sensibility to approach projects ofdifferent scales and complexities.

本（Eddie The Studios）是一間設計與研究實踐並重的工作室，專注各種視覺形象企劃及書籍體驗設計。我們重視設計的力量，通過設計實踐及思量，以故事性轉化，留下觀者一個訊息，強調
設計生命觀。

Genau Studio was established in December
2021 by LAM Kin Yan. It aims to provide
both garments in an ethical manner. Withsustainability and craftsmanship as its focus,
it endeavours to create long lasting garmentswith high quality. Genau Studio explores theapplication of natural dye, including screen
print and block print, and the use of traditional
techniques in a modern context.

的係工作室（Genau studio）由林健仁於2021年12月成立，旨在以文化工藝和可持續性為軸心創造
高品質的服裝。工作室探索天然染料的應用，包括絲網印刷和木刻印刷，以及在現代思維下使用
傳統技術。

My Messy Studio

工

DIP

HKDC Annual Report 2022—23

室「 凌亂的工作室便是我的靈感泉源 –

作

設
計
創
業
培
育
計
劃

因為營造屬於自己的氛圍，

是設計的第一步。」

DIP

HKDC Annual Report 2022—23

設
計
創
業
培
育
計
劃

46

47

「我們如能在平凡中發現美，便更懂得欣賞‘We are fascinated by surreal
and utopian landscapes. Ourbold and experimental designs
reference Blobitecture, which
does not merely represent
a style or form, but a nontangible, experimental spirit.’

自然世界及其所蘊藏的奧袐。有時，大自然
甚至可以幫助我們覓得創作靈感。」

The Art ofFinding Beautyin the Mundane

在
平
凡
中
發
現
美

無形的實驗精神。」

SurrealArchitectureandUtopianLandscapes

超
現
實

邦
的
景

LE MANDORLE LIMITED

Kinks Lab

品牌名取自意大利文「杏仁」的意思。透過精巧設計，探索自然、女性與首飾三者之間的關係，將永恆作為設計的關鍵詞。利用環保純銀與18k 鍍金，
以此延續在品牌理念中的可持續觀。

僅是代表一種風格或形式，更是體現了一種

托Tara LEE

The name LE MANDORLE, which translates
to ‘The Almond’ in Italian, reflects the brand’s
philosophy of simplicity and organic beauty. The
studio is committed to ethical sourcing, with afocus on using primarily recycled sterling silver
with 18k gold plating. This commitment ensuresthat each piece is accessible to all who seek toadorn themselves in wearable art.

風大膽的實驗設計參考了「流體建築」，它不

烏Andrea LAU
Sam CHAN

由設計師 Tara Lee於 2021年創立的首飾品牌 LE
MANDORLE，創作兼具雕塑感與當代女性特質的輕奢珠寶首飾。

「我們對超現實和烏托邦的景觀著迷。我們作和‘Discovering beauty inthe mundane
encourages us to gaina deeper appreciation
for the natural world
and the wonders that it
holds. Sometimes it caneven help us findinspiration for our own
creative endeavours.’

Founded in 2021 by Tara LEE, LE MANDORLE isa jewellery design studio that delicately weaves
artistry and practicality into wearable sculptures.

香港設計中心年報 2022—23

Kinks Lab aims to explore creative ways injewellery wearability through the combinationof 3D technology and traditional metalsmith.
The designer-duo base their ideas on a uniqueform of architecture, Blobitecture, in creating
experimental and bold jewellery. Its organic form
represents their utopian vision as designers witharchitectural background and the integration of
spatial concepts in jewellery making.
Kinks Lab expands the market globally to Japan,
Taiwan and the United Kingdom, and is featuredby multiple media, including Vogue HK, Madame
Figaro, Harper’s Bazaar, Schön! Magazine,
WWD Japan and more.

觀Kinks Lab 透過將流態立體建模技術及傳統金工
工藝相結合，探索珠寶的另類穿搭可能性。設計師
二人以獨特形態的「流體建築」為設計概念，創作
出實驗性及大膽的珠寶。
Kinks Lab 在兩年間將市場擴展至全球包括日本、台灣和英國。品牌還與造型師和藝術家密切合作，並受到多家媒體報導，包括 Vogue HK、Madame
Figaro、Harper’s Bazaar、Schön!雜誌、WWD
Japan 等。

HKDC Annual Report 2022—23

48

49

大
自
然

一直是創作靈感的泉源。人所無法掌控的強大自然力量，
能夠激發創意想像。 我渴望像花卉或植物一樣，在任何
環境中都能茁壯成長。」

以「任何人都能做到」作出發點，讓人更深入欣賞竹藝。」

Nature「大自然奇觀色彩斑斕，呈現錯綜複雜的圖案及紋理，「大自然啟發了我創作這款竹編作品材料包，既精緻又易做，

DIP‘Nature inspired me tocreate this bamboo craft
kit with the idea of ‘Make
Your Own Bamboo Work’.
It’s sophisticated yet easy
to do, and it gives a deeper
appreciation of the art ofbamboo craft.’

設
計
創
業
培
育
計
劃

大
自
然

Mandy TSANGYIWOOO.CO 二回

Momant Studio Limited「二回」竹細工文化組織成立於2018年。「二回」
意味重覆，名字靈感來自於竹編圖案至少重覆兩
次才能穩固結構。品牌透過製作竹細工產品、工作坊、空間裝置設計，致力於將竹工藝重新帶進城市，連結現代生活。作品曾於Crafts on Peel及LANDMARK及Blue Bottle Coffee等展出。

‘Nature’s wonders, with
their diverse colours,
intricate patterns andtextures, have always
been a source ofinspiration.
The powerful anduncontrollable forcesof nature inspire
creativity. I aspire to
grow and thrive likea flower or plant inany environment.’
NatureTING For Chun

Yiwooo is a bamboo craft brand established in
2018. With the meaning of ‘twice’ in Chinese,
the name is inspired by the creation process
where bamboo strips have to be woven acrossat least twice for sturdiness. The brand commits
to connecting bamboo crafts with modern city
life through its handicraft bamboo product,
workshop, spatial design and installation.
Exhibitions have been shown on Crafts on Peel,
LANDMARK and Blue Bottle Coffee.

香港設計中心年報 2022—23

Established in 2020, Momant Studio is a visualand spatial design studio that provides tailormade services. Combining natural materials
such as flowers and foliage with multimedia
elements, the studio creates a pleasant journey
for clients from a different perspective. We haveparticipated in projects such as Louis Vuitton’s
global project paying tribute to the legendary
designer Virgil Abloh in Hong Kong 2021 etc.

於2020年成立的Momant Studio 是一間視覺及空間裝置藝術工作室。透過植栽及花藝，揉合實體佈
置及多媒體，協助客戶呈現不同的主題及故事。我們曾參與國際品牌的藝術裝置工作，例如在2021
年參與LV男裝藝術總監 Virgil Abloh 的香港紀念
活動的植栽創作。

HKDC Annual Report 2022—23

50

51

DIP

「我小時候玩具不多，長大後令我十分在意，所以現在會買

很多，這對我來說有療癒作用。我最終收藏了一大批玩具，

設
計
創
業
培
育
計
劃

中的一切都是從那一刻開始。」

世界。由畫家走到調香師，我生命如此細膩的香味啟發我探索奢華「Chanel N°5 是我最早的嗅覺記憶，

而這些玩具為我的設計工作注入無限靈感。」

香港設計中心年報 2022—23‘I didn’t have a lot oftoys as a child, so
I buy a lot of themnow. It’s therapeutic
for me. I ended
up with a hugecollection, and 小
they inspire時
my work as a
候
designer.’想擁Chanel N°5‘Chanel N°5 was my earliest
olfactory memory. Its
exquisite scent inspired me
to embark on an exploratory
journey into the world of
luxury. Everything in my life,
from being a painter to a
perfumer, started fromthat moment.’

Toys I Wanted
as a Child

有
的
玩
具

Jasper LI
Adrian YU

Toki WONGTOBBA PARFUMS LIMITED

Toki Studio Limited

Tobba’s founder Jasper views perfume as awork of art and a way of expression. The former
painter is influenced by the statement ‘Art is notbounded by one dimension’, which drives him toexperiment with different mediums throughout
his artistic journey. Scent being one of them,turns out to be the perfect canvas for him.
Jasper translates the visual into the olfactory,
utilising a wide variety of ingredients to build
layers, add depth and create textures while
evoking heart-warming memories that form thefoundation of the audience’s interpretation.

Tobba的創辦人Jasper Li視香水為一種藝術的呈現。曾經是一位全職畫家的他相信，藝術不局限
於一個維度，這信念一直推動他尋找畫畫以外的可能性，直至他發現氣味擁有令人著迷的力量，進而大膽嘗試和探索調製香水，把其藝術的語言從視覺轉化為嗅覺，利用香氣造出視覺的層次，
溫度和質感。

Kowloon City Boy was born out of our belief
that fashion is not unattainable, but accessible
and down-to-earth. While the clothes on the
runway are indeed eye-catching and dazzling,
we believe that great designs are practical andwearable in daily life.
Simply put, we want to make ‘beautiful and downto-earth’ fashion items! That’s why Kowloon City
Boy is here! We hope to share our beliefs andcreative ideas through localised designs.

Kowloon City Boy的出現，源於我們認為時裝並
不是高不可攀，而是可以平易近人。伸展台上的衣
服確實燿眼，但我們更期望出色的設計能夠「著出街」，在日常生活中可以讓更多人穿上。
簡單來說，我們想做「靚得貼地」的時裝！於是Kowloon City Boy風格出現了！希望通過在地化的設計，分享我們的信念和創作意念。

53

為任何家居增添生趣。」

Achieve aState of Flow

讓
自

DIP

‘Our innovative,
award-winning
Bubbly Lamp is
designed to be able
to transform into
different forms. This
playful yet elegant
floor lamp will be a
special addition to
any home.’
設
計
創
業
培
育
計
劃

己
不
斷
流
動

Bubbly Lamp
Francis LAM
Etain HOSam WONG
Venus KWAN

Canalside Studio

8899 Creative Limited

Canalside Studio is a design practice curious atmultiple disciplines from architecture, interior,
installation art to furniture and product. We
approach design subjects through questions
and innocent perspectives, to identify practicalconstraints and distill its essential characters
into a physical experience.
Works of the founders, Francis and Eain, havealso been featured in media and publications
including Designboom, Dezeen, Archdaily, AD
Clever and Detail magazine.

Canalside Studio是一間涉及建築、室內、裝置藝
術和產品的多面向設計工作室。工作室通過提問和回歸基本的觀點進行設計，從切實的限制裡分析
出根本的特徵成為獨特的體驗。
創辦人Francis和Etain的作品曾刊登在於Designboom、Dezeen、Archdaily、AD Clever及Detail magazine等媒體及雜誌。

8899 Creative was founded in 2020 and is anadvertising agency and production house. We
provide comprehensive creative communicationand production solutions, including televisioncommercials, online videos, graphic design,
outdoor advertising, event planning, digitaladvertising campaign design, and more.
Through precise planning in the pre-production,
production, and post-production stages, clientscan visualize the finished product to about
eighty to ninety percent completion from thevery beginning.

8899 Creative成立於2020年，是一間廣告創作與
製作公司。我們提供全面的創意溝通和製作方案
服務，包括電視廣告、網絡短片、平面設計、戶外
廣告、活動統籌、數碼營銷廣告設計等。
通過前中後期的精確規劃，客戶一開始便可以預視到8899的完成品。

文字及影像記錄。」

這款座地燈既優雅又玩味十足，

然後用一部電話，將稍瞬即逝的意念以‘I am always on the go. To feed my mind
with innovative and creative ideas,
I like to shuffle between transportmodes. I wander around, using mysmartphone to capture fleeting ideas
through text and images.’

格創新，能夠變換成不同的形態。

我喜歡穿梭於交通工具上或在街上步行，「我們屢獲殊榮的 Bubbly Lamp 破香港設計中心年報 2022—23

不能簡單只坐在辦公桌前。

52「為客戶找出廣告創作意念，

HKDC Annual Report 2022—23

HKDC Annual Report 2022—23

In the competitive fashion world, having
the right support can make all thedifference between success and failure.
Three emerging designers, Jason,
Vann and Wilson were among those
who received assistance to pursue theirambitions through HKDC’s Fashion
Incubation Programme (FIP). With theguidance and resources provided by the
programme, they were able to chart a
successful trajectory towards achieving
their professional goals.
Jason learned about FIP during his studies
and seized the opportunity to apply forthe programme after he entered thecommercial market. Vann knew that FIP
has abundant resources and funding, so
she decided to give it a try and applied for
FIP when figuring out where to begin toadvance her business. Wilson, after yearsof building his brand, saw FIP as the ideal
platform to take it to the next level.

54

55

時裝界競爭日趨激烈，設計師要突圍而出，關鍵之

香港設計中心年報 2022—23

Unlocking Fashion’s Potential:
The Power of FIP
in Transforming
Emerging Designers

一是能否獲得適切支援。三位新晉設計師李居錡（Jason）、郭妍慧（Vann）及蔡鴻成（ Wilson）在香

港設計中心的時裝創業培育計劃（FIP）支援下，得到專業指導及寶貴資源，幫助他們逐步實現夢想，向事業目標進發，踏上成功創業路。

Jason在就學期間知悉 FIP，其後踏足商業市場即把握機會申請參加計劃。Vann得知 FIP擁有豐富的資

源和創業資助，當她想要推進品牌業務時，她決定嘗試申請 FIP。而建立品牌數年的 Wilson，則認為FIP是將品牌推到更高層次的理想平台。

在邁向成功的路上，三位設計師皆認為尋求支援至關重要，有助在業界競爭對手中脫穎而出。

Vann Kwok
郭妍慧

Wilson Choi
蔡鴻成

Jason Lee
李居錡

釋
展
放
開新
時
蛻晉 F 裝
變設 I 潛
之計 P 能旅師助：

FIP

United by their pursuit of success, the threedesigners recognised the value of seeking
support in order to thrive and succeed in
the competitive fashion landscape.

時
裝
創
業
培
育
計
劃

HKDC Annual Report 2022—23

56

Crafting an Inspirational Journey:
The Visionaries Behind
REDEMPTIVE, YMDH, and VANN
打造鼓舞人心的旅程：
REDEMPTIVE 、YMDH及VANN
背後的設計先鋒
Wilson, the visionary behind the fashion brand
REDEMPTIVE, masterfully balances design
philosophy, wearability, and market demand
while staying true to the brand’s strong message
and sustainable ethos. Drawing from his own
emotions and experiences, Wilson’s approachto each collection is about bringing awareness,positivity, and energy to the seen and unseensocial, cultural, and environmental issues facing
our world. His latest collection, ‘Out of Service’,expresses the exhaustion he felt after a previous
fashion show. In the collection, a combination ofa suit jacket and sweatpants aptly symbolises
the ubiquitous Zoom meetings of the work-fromhome era.
Jason founded YMDH with the intention ofembarking on a journey of growth alongside
his daughter, and has created designs rooted
in their joyful shared experiences. As hisbrand evolves, Jason faces the delicate task ofbalancing his creative vision with the realities of
the commercial market. He is actively learning
time management skills and seeking guidancefrom the experiences of others, and finding
suitable means to run the brand in a way thatworks for him.
Vann, the creative force behind VANN,
seamlessly merges traditional craftsmanshipwith modern aesthetics in her jewellery designs.
Even as she embraces technology for tasks
such as resizing, she maintains a focus on theenduring value of traditional techniques. By
integrating 3D scanning and computer software,
Vann enhances efficiency without compromising
the skilled workmanship of her artisans. Vannenvisions exciting possibilities for the convergenceof technology, art, and traditional craftsmanship.

時裝品牌 REDEMPTIVE 由別具遠見的 Wilson 創

辦，巧妙平衡設計理念、實用性及市場需求，同時忠於品牌希望傳遞的訊息及可持續發展精神。
Wilson 以親身經歷和感受作為靈感，透過設計

回應可見及不可見的社會、文化及環境問題，提高公民意識之餘，亦注入正面力量。他的最新

系列名為「Out of Service 」，藉此表達自己在上
一場時裝表演後的疲憊感覺。系列結合西裝外套及運動褲，充分表達在家工作時無窮無盡的
Zoom會議。

Jason成立品牌 YMDH 的初衷是與女兒一起踏上

成長旅程，並以父女兩人的愉快經歷作為設計

靈感。隨著品牌日漸發展，Jason 需要解決在創
意和成本之間取得平衡的現實問題。他積極學

習時間管理技巧、聆聽其他人的經驗之談，並尋找適合自己的方式來經營品牌。

57
Aspiring designers often face daunting
challenges on their path to success. However,with the unwavering support and resources
provided by FIP, these entrepreneurs have beenable to overcome obstacles, embrace creativity,
and achieve remarkable milestones.
Wilson faced the formidable task of organisinga fashion show in the Mainland after the
pandemic, and having to handle every aspect of
it independently. Fortunately, with FIP’s support,
he triumphed over obstacles and achieved aresounding success. Incorporating 3D printed
pieces – developed using FIP’s project funding– added a unique and exceptional dimension
to the show. Wilson’s journey with FIP also
showcases the crucial role of mentorshipsupport. He gained invaluable guidance andprofessional advice from various experts, suchas legal consultations in contract dealings withbuyers. Over and above that, with the support ofmarketing funding which enabled him to expand
his brand’s reach through strategic marketing
and PR efforts, he was able to showcase hiscollections at prestigious events such as the
Shanghai and Paris Fashion Weeks. For Wilson,
joining FIP was a lifeline.
Jason’s brand journey was enriched by the
support from FIP, which provided invaluable
resources and a diverse network. Through
FIP’s projects and collaborations, he was able
to delve into Hong Kong’s vibrant Hip-Hop
culture, exploring new artistic expressions andconnecting with like-minded individuals. Withan introduction by FIP, he successfully held an

exhibition of his capsule collection at Home
Kong over the Christmas season last year, whichfeatured collaborative events by local artists andworkshops. This paved the way for him to engage
in further collaborations and pop-up showcasesof his ‘420’ and Spring/Summer 2023 collections.
FIP’s diverse resources have empowered Jason’s
brand to evolve and seek new challenges, andthis perfectly exemplifies how the programme
enables designers to embrace their creativity andunlock new horizons.
Vann’s experience with FIP highlighted thesignificant benefits of networking, expert
advice, and operational support. FIP’s
extensive designer network provided invaluableguidance and insights, aiding in problemsolving and connecting with experienced
brands. The platform facilitated brand-to-brandcommunications, allowing for collaborations
and knowledge exchanges. These measures
alleviated Vann’s sense of isolation as she
worked on her own, and reassured her that
she was not alone on her journey. She also
found FIP’s tailored, one-on-one branding
consultation, not commonly available in themarket, very beneficial. With a consultant’s
professional advice, she was able to tackle
and address brand-related issues. Additionally,
with FIP’s operational funding, Vann has the
freedom to pursue her vision and aspirations forher brand. FIP’s regular milestone reviews withincubatees ensure ongoing support to minimise
errors and setbacks, and it is this kind ofcomprehensive support that inspires confidence
in Vann and empowers her brand journey.

飾設計完美融合傳統工藝與現代美學。儘管她
在調整尺寸等工序中運用科技，採納 3D 掃描

及電腦軟件以提高工作效率，但她依然重視傳賦予時裝企業家力量：
助設計師裝備所需技能 ，克服挑戰並為品牌取得成功

統技藝的深遠價值，作品盡顯匠人之精湛工藝。
Vann 糅合科技、藝術及傳統工藝，帶來令人期
待的種種可能。

每個有抱負的設計師總需要經歷各種挑戰，才舉辦膠囊系列展覽，當中包括本地藝術家的聯幫助這些企業家衝破重重難關，充分發揮創意，示作品的機會，包括「420」和 2023 年春夏系列。

能嘗到成功滋味。然而，FIP 的支持及資源大大並奠下一個又一個重要的里程碑。Wilson 於疫情後在內地舉辦一場時裝表演，過程相當艱鉅，需

要親力親為處理所有細節。幸而在 FIP 的支持下，他克服一切困難並取得莫大成功。FIP 所提供的乘項目及工作坊。他藉此拓展更多合作及快閃展
FIP 提供多元化的資源，推動 Jason 的品牌不斷發展並尋求新挑戰。這例子完美體現計劃如何幫
助設計師發揮創意，並開拓嶄新視野。

項目資助更幫助他使用3D 打印技術來開發產品，

交流網絡、專家建議及營運支援所帶來的裨益，

FIP 歷程中，專家指導亦起關鍵作用。他聽取多

師網絡提供寶貴指導及精闢見解，有助解決疑為時裝表演添上獨一無二的非凡元素。在他的位專家的寶貴指導及專業建議，例如與買家簽訂
運用市場推廣資助，推展策略營銷及公關工作

以擴大品牌足跡，成功在上海及巴黎時裝周等

頂尖活動展示系列作品。對於 Wilson 來說，加入
FIP 有助排難解憂。
FIP

Empowering
FashionEntrepreneurs:
Equipping
Designers with
Essential Skills
to Overcome
Challenges andAchieve Success

Vann 是品牌 VANN 背後的創意力量，其時尚首

合約的相關法律諮詢，獲益良多。除此之外，他

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香港設計中心年報 2022—23

FIP 提供寶貴資源及廣泛的交流網絡，有助

Jason逐步建立品牌。透過FIP的項目及合作機會，

他能夠鑽研香港充滿活力的嘻哈文化，探索嶄新
的藝術形式，並廣交志同道合的益友。去年聖誕
節期間，在 FIP 的穿針引線下，他於 Home Kong

從 Vann 的 FIP 歷程可見一斑。FIP 的強大設計

難，並與資深品牌建立聯繫。平台促進品牌之間的交流，推動合作及知識分享。這些項目減輕
Vann 一個人工作時的孤獨感，並令她知道自己在創業途上並非孤軍作戰。她又認為 FIP 度身設
計的一對一品牌諮詢非常有幫助，而這在市場

上並不常見。她聽取顧問的專業建議後，能夠處
理及解決與品牌相關的難題。此外，FIP 的營運
資金讓 Vann 更有自由度追求理想，實現品牌願景。FIP 與培育公司定期進行階段性檢討，確保
持續提供支援以減少錯誤及障礙，而正正是這種全面的支持，令Vann 充滿信心，亦為其建立
品牌的進程注入動力。

58

Navigating theFashion Frontier:
FIP's Nurturing Support Fuels
Designers' Dreams and Sets thePath to a Bright Future for Brands
走在時裝最前線：
FIP成為設計師追夢的強大後盾 ，
讓品牌邁向光明未來

Designers’ worlds can be both exhilarating anddaunting, but FIP can be the ultimate gateway
to confidence and achievement. While theirrespective creative journeys may have beendaunting at times, Wilson, Jason, and Vann havemade great progress and found confidence andinspiration from FIP’s support and guidance.
Wilson’s journey was enabled by financial
assistance from FIP, which liberated andempowered him to take his place on centre
stage. With this newfound freedom, he was able
to fearlessly pursue collaborations and events,
and witnessed his dreams unfold.
FIP played a pivotal role in Jason’s journey,transforming him into an entrepreneur as well
as a designer. With FIP’s expert businessadvice, he gained fresh perspectives on brandmanagement, honing his strategic visionand expanding his horizons. Armed with
newfound skills, knowledge, and insightfuldecision-making, Jason navigated the intricate
landscape of fashion as a business, and wasable to propel his brand forward toward new
and exciting horizons.

59
For Vann, FIP was a beacon in a tumultuous
sea of ever-evolving market conditions and thechallenges that they bring. With the unwavering
presence and support of FIP, these challenges
became less daunting for her; and with arenewed sense of purpose, Vann has fearlessly
embraced her journey towards success.
Looking ahead, Wilson aims to create moredesigns each season, participate in fashionshows, and explore more collaboration
opportunities. In the dynamic fashion scene ofHong Kong, Jason focuses on staying true to hisbrand's philosophy. Recognising the importanceof a digital presence, Vann plans to enhance her
online sales and engage directly with customers.
The three rising stars perfectly represent how acommitment to adaptability and growth can leadto great accomplishments and success in theever-evolving fashion industry.

香港設計中心年報 2022—23

對於 Vann 來說，面對瞬息萬變的市況及箇中挑

戰，FIP就如汪洋大海中的燈塔。有賴 FIP的扶持，

挑戰不再令 Vann 卻步，更懷著新的目標，無畏無懼踏上成功之路。

展望未來，Wilson 的目標是每季設計更多作品、參與時裝表演並發掘更多合作機會。在變化萬千的香港時裝界，Jason 堅持忠於其品牌理念。
而 Vann 則明白到立足數碼世界的重要性，計劃
加強網上銷售並與顧客進行更多直接互動。在不斷蛻變的時裝行業中，這三位設計新星完美

體現如何憑藉適應力及積極成長的心態，取得非凡成就及莫大成功。

設計師的世界既令人興奮又消磨意志，但 FIP

可以成為通往自信及驕人成就的大門。雖然在

Wilson、Jason 及 Vann 各自的創作之旅中，有時會出現令人氣餒的時刻，但在 FIP 的支持和指導下，他們得以建立自信及深受啟發，取得莫大進展。

FIP 的財務資助為 Wilson 賦予自由度，讓他在時裝舞台嶄露鋒芒。他不再受資金因素的牽絆，能夠無所顧慮參與合作項目和活動，一步一步實現夢想。

在 Jason 成為企業家兼設計師的歷程中，FIP 起
了關鍵作用。在 FIP專業的營商建議下，他獲得

管理品牌的新觀點，重塑策略願景並開拓視野。
憑藉新技能、新知識及有見地的決策，Jason 成功駕馭錯綜複雜的時裝格局，並推動品牌邁向令人期待的新領域。

FIP

HKDC Annual Report 2022—23

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Christian Stone於2018年創立，設計師馮子華以互聯網、流行文化
與數碼文化的特性為靈感，將

真實和虛擬元素融合在作品中，
抒發對現代生活、身份認同和

幻想主義的見解。品牌以獨特、
大膽和玩味風格，展現狂野的線條輪廓與形態。其獨美學更吸引演藝名人ASAP Rocky、

Chae Lin CL、Billie Eilish、FKA

CHRISTIAN
STONETwigs和Steve Lacy等擁戴。

KEVIN HO創立於 2015 年，設計師

何昀霖專注於女裝設計，以彰顯時裝

結構和女性氣質，透過引人注目的輪廓
和明亮的對比色調呈獻現代時尚，

捕捉穿著者的獨特個性。每件作品均充分體現出強與柔的平衡之美。

品牌曾於東京、紐約和台北時裝週上
展出，並在意大利版《Vogue》、《GQ 中國》、《ELLE》、《Marie Claire》和《Milk》
等雜誌上亮相。

到服裝和配件中，充滿城市氣息的意象散落於系列之上。

熱衷於顛覆文化的時尚品牌Founded in 2015, KEVIN HO
is grounded in an appreciation
for structure and femininity.
Focused on womenswear, thedesigns express individuality
and modernity through striking
silhouettes and bright, contrasting
colours that capture theuniqueness of the wearer. Eachpiece fully embodies the beauty ofbalancing power and gentleness.
The label has been showcasedat Tokyo, New York and Taipei
Fashion Weeks and featured in
Vogue Italia, GQ China,
ELLE, Marie Claire and
Milk Magazine, etc.

KEVIN HO

Launched in 2018, Christian Stone
is a brand with a penchant for
cultural subversion. Inspired by
the internet, pop and digital culture
and identity, designer ChristianFung bridges physical and virtual
elements in pieces that exist as
a commentary on modern life,
identity and escapism. The label’s
distinctive, bold, playful stylecomes to life in wild silhouettes
and futuristic forms. The unique
Christian Stone aesthetic counts
boundary-pushing celebrities
among its fans, including artists
such as ASAP Rocky, Chae Lin
CL, Billie Eilish, FKA Twigs andSteve Lacy.

The Autumn/Winter2023 collection is
inspired by Hong Kong’snight scenes, integrating
its architecturalwonders and urban
landscapes into clothingthat expresses thecity’s appearance andcharacteristics.

香港設計中心年報 2022—23

2023 秋冬系列以香港夜景作為靈感，將都市建築和景觀融入時裝創業培育計劃（FIP）
設計師品牌一覽將其收藏於睡房及車庫裡的喜好及興趣一一展示。

22/23 年度 1 0 個

61
相提並論。透過系列探討一般人心目中書呆子的形象，

A Look Across the
10 FIP Designer
Brands of 22/23

60
V17 將社交孤立及尷尬不安的感覺跟抱石運動的振奮感

HKDC Annual Report 2022—23

62

63
Founded in 2017 by designer
Mike Yeung, Nilmance is an urban
menswear brand inspired by daily
life. Challenging what it means
to be fashionable and practical,
the brand uses cutting-edge
technology and textiles to deliverfunction-focused designs with adistinctive visual style. Integrating
modern technology and the needsof day-to-day modern living,
Nilmance’s unique aesthetic
is about details, technical skill
and the ability to step out withconfidence in a low-key style.
Nilmance由設計師楊未名於2017

年創立，是一個以日常生活為靈感

的都市男裝品牌。設計師敢於挑戰
高難度的實用性時尚，採用尖端技術和紡織品，設計出以功能為核
心，兼具獨特視覺風格的時尚服飾。Nilmance整合科技與現代生活的日常需要，以精巧細節和實用功

THE COLLECTION WAS INSPIRED

能，營造出低調自信、別樹一幟的美學風格。

BY OBSERVATIONS OF REAL-LIFE
AND ANALYSING WEARERS’
BEHAVIOUR AL PATTERNS. THESE
PATTERNS ARE AFFIRMED WITH
CONTEMPOR ARY VERSATILIT Y
AND DESIGN PR ACTICE THATSIGNALS STRENGTH AND

NILMANCE

MOVEMENT.

系列靈感源自對現實生活情景的觀察和對穿衣者行為的分析，彰顯出象徵著力量及動感的多用途當代設計。

SCENARIOS, BY ABSORBING

By reimagining a college
boy’s daily laundry,‘DIRTY LAUNDRY’ isabout exploring thesensual relationshipbetween garments
and the wearer.
Twisting familiar forms
and structures, thecollection continues toalter the narrative ofmodern masculinity.

香港設計中心年報 2022—23

PONDER.ER

HKDC Annual Report 2022—23

Founded by Alex Po and Derek
Cheng, Ponder.er’s gender-fluid
designs examine stereotypes
and conventions, encouraging
wearers to experiment with andexplore their identities. The
brand has collaborated with theHong Kong Ballet and featured
in Vogue Hong Kong’s ‘The Next
List 2020’. They were honored
as the Yu Prize 2022 Grand
Prize winner and named one of
10 Asian Designers To Watch
2022 by Fashion Asia HongKong. Their AW 2022 collection
was nominated for Best Fashion
Collection in Wallpaper* China
Design Awards 2022.
由浦加林及鄭仲㬢創立的Ponder.er，

以無性別服裝設計，檢視刻板印象與規條，鼓勵用家多作嘗試以探索
個人身份。品牌曾與香港芭蕾舞團

合作，並登上香港版《Vogue》的「The Next List 2020」，於2022

年榮獲Yu Prize創意大獎年度大獎及Fashion Asia Hong Kong

的亞洲十大焦點設計師名銜。

其2022年秋冬系列亦入圍卷宗Wallpaper*2022年設計大獎最佳時裝系列。

「DIRTY LAUNDRY」重新構想男學生們的日常衣物，探索衣服與

穿衣者之間的感官連繫。品牌以打破大眾對男性特質的刻板印象
為出發點，繼續以另一個角度探索現代男裝世界。

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HKDC Annual Report 2022—23

以年輕人的叛逆精神為創作靈感的
REDEMPTIVE，由設計師蔡鴻成

於2018年創立，是一個專為新世代

而設的都市服飾品牌。設計師把科技
注入時尚，以創新物料及面料為設計
開創出不同的可能性，讓每件作品都擁有各自的故事。REDEMPTIVE於2019年巴黎時裝週入選「TRANOÏ x

TAK L.

Not Just a Label 10 Take Ten」十大新晉男裝品牌，也是2021年上海時裝週YU PRIZE創意大獎唯一重塑往昔的工藝及剪裁技術，透過新形態及新色調為服裝的廓形注入活力。

入圍的香港品牌。

訴說一個有關青春、理想與心碎的故事。

系列從內容圍繞著三個成長於富裕家庭的少年之電影《養子不教誰之過》汲取靈感，

THE COLLECTION WAS INSPIREDBY THE MOVIE ‘REBEL WITHOUT A
CAUSE’, ABOUT THREE TEENAGERS
FROM WEALTHY FAMILIES.
IT TELLS A STORY OF YOUTHFUL
EXUBERANCE AND IDEALS,INTERTWINED WITH HEARTBREAK.

REDEMPTIVE

香港設計中心年報 2022—23

SEASON VIII 整合了 Tak L. 及 EXCEPTION de MIXMIND 過往的聯乘合作，Inspired by the spirit of teenage
rebellion, REDEMPTIVE isan urban wear label foundedin 2018 by Wilson Choi andcreated for a new generation.
The brand combines fashion withtechnology to create different
design possibilities with innovative
materials and fabrics, every
piece has its own story to share.
REDEMPTIVE was named‘TRANOÏ x Not Just a Label
10 Take Ten’ top 10 emerging
menswear labels at Paris Fashion
Week in 2019, and was the only
finalist from Hong Kong for the YU
PRIZE Creative Award at Shanghai
Fashion Week 2021.

65

Launched in 2018 by designer
Tak Lee, avant-garde Hong
Kong-based designer label Tak L.
is known for its uniquely complex
cuts and garment constructions,which use natural dyes and fabrics
including linen, silk, cotton andwool. The label draws inspirationfrom traditional craftsmanship
techniques to create distinctly
contemporary silhouettes thatcan be layered together to echo
the individuality of the wearer.
Celebrating artisanal skill andvaluing sustainability, both in thecreation process and the longevityof each individual piece, every
design is effortlessly timeless.

由設計師李德誠於2018年推出的香港設計師品牌Tak L.，擅長採用

天然植物染及布料如麻、絲、棉及羊毛，造出獨特複雜剪裁和結構。
作品結合傳統含蓄的工匠文化和當代美學，經過嘗試、推翻和重塑

的過程，塑造出衣物的無常之美。
每一件衣物均體現了布料與身體之間的互動與平衡，在有形與無形之間與穿著者的個性相融合。

時裝系列旨在透過環保設計及精湛

的手工細節，為被棄置的舊衣賦予重生機會。自稱時裝外科醫生的

Kay，還創立了時尚診所 (Fashion

Clinic)，把時裝業界的過季貨物與

舊衣進行升級改造，藉此延長衣服
的壽命，減少浪費。

Inspired by the beauty of natural
Japanese forest scenes in Shiratani
Unsuikyo, UNSUIKYO eyewear ishandcrafted to evoke appreciation
for the natural world. Created byeyewear designer Chan Ho Yin,
Brian, the award-winning designs
use natural materials including
sedimentary rock and wood, inframes inspired by classic andvintage eyewear. UNSUIKYO’s
timeless aesthetic offers comfort, fit
and a unique way of looking at theworld; the designs are sold globally.
由眼鏡設計師陳浩然創立的

UNSUIKYO，其設計靈感源自日本
白谷雲水峽的自然森林美景，所有

眼鏡均以手工製作，喚起對自然世界

感謝 Adidas 給予很大的自由度及支持，讓我們以品牌已停售的衣物為基礎進行
升級改造成為新及獨特的單品。

的情感。他擅長採用天然石材和木材，創造出經典復古風格的眼鏡框，並獲獎無數。UNSUIKYO以永不過時的美學，配合舒適貼面的眼鏡設計，

為佩戴者提供獨特的視窗，盡情觀賞
世界。品牌於多國設有銷售點。

香港設計中心年報 2022—23

和 M. Eternal，以手工匠心製作，象徵生命歷程的轉變。

設計師黃琪於2018年創立，品牌的

67

UNSUIKYO

Tomorrow by Daydream Nation由Our classic stonemade designs havebeen expanded into
new collections:M. Shine, M. Eclipse, andM. Eternal. Each collection
is crafted with meticulous
attention to detail,representing different
stages of life.

品牌的經典石製眼鏡推出三款全新系列：M. Shine、M. Eclipse

Founded by Kay Wong in 2018,
Tomorrow by Daydream Nation’s
fashion line is about giving
castaways a second chance atlife through ecologically-intelligent
design and lovingly hand-crafted
details. Kay also calls herself afashion surgeon, creating Fashion
Clinic, resuscitating dead stock
and preloved clothing to close theloop of the consumption cycle.

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TOMORROW BY DAYDREAM NATIONHKDC Annual Report 2022—23

HKDC Annual Report 2022—23

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香港設計中心年報 2022—23

YMDH 喜歡創出令人快樂的設計和打破服裝的定義。重申 YMDH 不只是

時裝，更是像讓人愛不釋手的玩具，

VANN

設計具趣味性且實用的服飾。

YMDH (You Make Daddy Happy)
was founded by Jason Lee in 2018
and is proudly made in Hong Kong.
Focused on celebrating novelty
and imagination with a sense of
humour and freedom, the brandaims to unlock happiness andshare countercultures, artistic
heritage, and stunning creativity.
Known for its vibrant and inspiring
pop-ups in Hong Kong’s trendiest
and most creative districts, YMDH
is a favourite with local influencers,
and has been featured in Vogue
Hong Kong, Jet Magazine, and
Milk Magazine.
設計師李居錡於2018年創立

YMDH（You Make Daddy Happy），

以百份百香港製造為榮。品牌旨在以時尚釋放快樂元素，分享非主流

文化、藝術傳承和驚人的創造力，

透過幽默和天馬行空的手法，讚頌

各種新穎事物與奇妙想像。

YMDH 經常於香港時尚及創意熱點

開設快閃店，是本地網紅的最愛品

牌之一，並曾獲香港版《Vogue》、

Vibrant, bold, and wondrous,
VANN was established in2019 by jewellery designer Vann
Kwok. Using 3D drawing andhand-fabrication techniques, VANN
combines innovative solutions withtraditional artisanship to create
one-of-a-kind handmade jewellery.
Driven by process and seeing
perfection as a subjective pursuit,
VANN seeks to define a new metal
language with its remarkable forms
hinting at the familiar while shifting
our mind’s eye and inviting us tothink beyond what we perceive
something to be.
鮮明、大膽而玄妙的VANN，
由設計師郭妍慧於2019年創立。品牌使用3D繪圖和手工
製作技術，將創新設計與傳統

工藝相結合，打造出獨一無二的手工珠寶。VANN的作品著重創作

過程，視完美為一種主觀追求，旨為金屬物料尋找新的呈現方式，以別樹一幟的形態，聯繫著日常熟悉的事物，同時轉移焦點，鼓勵我們以思考超越感知。

YMDH

將情感融入於標誌性的特大心形圖案，以表達新希望的象徵。

VANN 最新 2023 秋冬系列 YOU BROKE MY F ♥♥ KING HEART《Jet》及《Milk》雜誌報導。

70

71

META X DIP INSTAGRAM ACADEMY 2022 :META 與香港設計中心推出「 INSTAGRAM ACADEMY 2022 」計劃：向專家學習建立品牌及電子商貿的知識

本地設計師聚首一堂，參與由香港設計中心及 Meta
於 2022 年 2 月啟動的創新合作計劃「Instagram

Academy 2022 」。

EAR UP GIG ON 2022
A FUSION OF FASHION AND MUSIC「Instagram Academy 2022 」為專業培訓計劃，旨在搶耳 GIG ON 2022：將時裝與音樂結合的創新視覺體驗

透過提供數碼行業相關技能、應用工具及知識的培訓，以幫助年輕設計師及品牌企業家，一同投入數碼營銷的世界。由 2022 年 2 月至 10 月為期 8 個月的計劃中，

年輕設計師獲配對 Meta 的專家，學習建設品牌及探索電子商貿機遇，了解當中的錯綜複雜之處。

röyksopp gakkai x Esther Wu

計劃特設小測及決賽環節，挑戰參加者所學新知識及應用實踐。三位參加者的表現尤其出色，令評審團留下
深刻印象，並以優異成績完成「Instagram Academy

2022 」，他們分別是 Concretology、Femance

和 XPLOR。

KEVIN HO x The Lemon Ones

Approximately 100 designers from HKDC, Hong
Kong Trade development Council Design Gallery
and Hong Kong Federation of Youth Groups
came together for ‘Instagram Academy 2022’, aninnovative partnership between HKDC and Meta
that launched in February 2022.
‘Instagram Academy 2022’ was a professional
training programme to help Hong Kong’s young
designers and brand entrepreneurs grow in thedigital era by empowering them with industryrelevant digital skills, tools and knowledge. Overthe course of 8 months between February andOctober 2022, emerging designers were immersed
in a world of digital marketing mastery, which
paired enthusiastic young minds with experts
from Meta who guided them through the intricate
landscapes of brand building and exploring
e-commerce opportunities.
There were quizzes and a final competition thatchallenged participants’ newfound knowledge withreal-world applications. Three stellar contestants,
namely Concretology, Femance, and XPLOR,
impressed the judges and graduated top of theclass in Instagram Academy 2022.

香港設計中心年報 2022—23

NILMANCE x Andy is Typing…

LEARNING BRAND
BUILDING AND
E-COMMERCE FROMTHE EXPERTS

約 100 位來自香港設計中心、香港貿易發展局（貿發局）旗下「香港．設計廊」及香港青年協會（青協）的Wilsonkaki x Gordon Flanders

HKDC Annual Report 2022—23

YMDH x Ragpickers

Eight designers from our Fashion
Incubation Programme (FIP) and Design
Incubation Programme (DIP) were invited
to participate in the ‘Ear Up Gig On 2022:
Music x Fashion Creative Scheme’. They
craft outfits for eight indie music units,
resulting in an innovative audio-visualexperience that inspired new forms ofartistic expression by intertwining music,
fashion and modern styles on stage
during the ‘Ear Up Music Festival 2023’
in January 2023.

8 位來自時裝創業培育計劃和設計創業培育

計劃的設計師參與了「搶耳 Gig On 2022: 音

樂 x 時尚創意展演計劃」的製作，為 8個音樂單位設計服飾，帶出一個嶄新的合作模式 ——將音樂、時裝設計和現代風格結合，透過嶄

新的表達手法，於 2023年初的《搶耳音樂節2023》呈現出前所未有的視覺體驗。

REDEMPTIVE x METER ROOM

Christian Stone x Merry Lamb Lamb

KOWLOON CITY BOY x Higgo Raj

72

HKDC Annual Report 2022—23

73

DIP Incubation Companies – New Joiners in 2022-23
DIP 培育公司 – 於 2022-23 年度加入的新成員
1

P

00Rings

2

M&C

8899 Creative Ltd

HKDC's Design and Fashion Incubatees – Achieving Their Dreams
設計及時裝培育計劃培育公司 – 朝夢想昂首進發

3

PBardoru Group Ltd

4

I/A

5

Canalside Studio Ltd

O

Deep Food Ltd

6O

Eddie The Studios

We are always very happy when we hear of our incubatees going on to achieve greater things! These achievements showcase how our DIP
and FIP programmes provide launching pads for talented designers on their path toward success. We are proud to share some of their recent
achievements here, and congratulate them on their well-deserved accolades.
我們樂見培育公司取得更非凡的成就，足證「設計創業培育計劃」及「時裝創業培育計劃」成功為優秀設計師揚帆起航，助他們邁向成功之路。在此我們與大家分享他們最近的一些成就，並衷心祝賀最近取得驕人佳績的一眾培育公司，確實是實至名歸。

Christian Stone
7

P

8

F

9

J

10

J

11

I/A

12

V/S

13

Genau StudioJ

MOUCCM Studio

19

14

Kinks LabO

Puzzle Weekly Ltd

F20

Le Mandorle Ltd

15

F

RÖYKSOPP GAKKAI

O

21

16

LTMC LtdO

17

Studio Nous Ltd

P

22

Momant Studio Ltd

P

Syzygy Design Ltd

F

23

18

F

The Hole Studio

P

24

F

Technology (Healthcare Devices) – Silver Award'The Mythic Creatures' Digital Fashion Collection

療保健設備）– 銀獎榮獲 Prestige 40 under 40 和 HYPEBEAST 100 NEXT 榮譽

25

Wilsonkaki Design Co.

F

26

Tobba Parfums Ltd
F

WOMEN HUMANYOUTH STUDIO

27

Toki Studio LtdFYAT PIT Fashion Ltd

28

Tooplastic Art Toy Ltd
P

29

Yiwooo.co

Yuan Design StudioF— Fashion 時裝設計I/A — Interior / Architecture 室內／建築設計
J— Jewellery 珠寶及配飾
M&C — Media and Communication 媒體及傳播
O— Others 其他
P— Product 產品設計
V/S — Visual / Spatial Art 視覺及空間藝術

P30

in NIKE x áunn museum ‘MAXXED OUT’ Exhibition inlaunch NILMANCE X CONVERSE X LABELHOOD Create

Shanghai

Next Project「 MAXXED OUT」展覽

CONVERSE X LABELHOOD 蕾虎 Create Next ProjectTomorrow By Daydream Nation

Ddiin Concept Ltd

O&O Studio Ltd

Clinic x Calvin Klein Jeans ‘Reimagine Denim’ Capsule

Winner of MUSE Design Awards 2022 – Product Design

Winner of Good Design Award 2022 – Community(Office Equipment) – Gold Award

Engagement Public Art Installation

與 Calvin Klein Jeans 合作推出 Fashion Clinic x Calvin與 NIKE 及 áunn 博物館合作，亮相上海 NIKE x áunn 博物館

榮獲MUSE Design Awards 2022 – 產品設計組別 (辦公設備) –金獎

認識更多設計培育計劃培育公司
Find Out More About Design Incubation Companies

1

2

KEVIN HO

Nilmance

PONDER.ER

REDEMPTIVE

7

8

9

10

at Tzu Chi Environmental Action Centre

Ha! Design Studio Ltd

Pure StudioWinner of Golden Image Awards 2022 – Outstanding

UNSUIKYO

Winner of MUSE Design Awards 2022 – Toys –Gold Award

Artist Award

Design Awards 2023 - Excellence in Best Aesthetics

備/文具組別 (最佳設計)

榮獲MUSE Design Awards 2022 – 玩具組別 – 金獎

Tak L.

Tomorrow By Daydream
NationUNSUIKYO

VANN

YMDH

SS23 Collection showcased at SPHERE - Paris Fashion
2023 春夏系列在巴黎時裝週 SPHERE 展廳展出2023 秋冬系列在巴黎時裝週 SPHERE 展廳展出

榮獲Golden Image Awards 2022 – 傑出藝術家獎

and Pop-up

Originals Redesign and Upcycle 系列及快閃店

於慈濟環保願行館舉辦「布後餘生」藝術個展

Winner of Hong Kong Designers Association’s Brand
Value Award (Fashion and Toys: Eyewear andAccessories)

KEVIN HO

REDEMPTIVE

榮獲香港設計師協會「最佳設計品牌大獎 2023 」– 卓越美學

Capsule Collection at VICE VERSA ART：TECH Relativity

2023 春夏系列於香港貿發局 CENTRESTAGE 展出First Hong Kong fashion eyewear designer collaborated

價值獎（時裝及玩具：眼鏡及配飾）

Presented KEVIN HO x Aska Yeung ‘BLOSSOM’

SS23 Collection showcased at HKTDC CENTRESTAGE

Exhibition at K11 Musea, organised by the Hong Kong

AW23 Collection showcased at LABELHOOD Fashion

with ZEISS to launch UNSUIKYO x ZEISS Sunglasses

Show at Shanghai Fashion Week

clip-on with ZEISS lenses for UNSUIKYO 2022 & 2023

Multimedia Design Association

2023 秋冬系列亮相上海時裝週 LABELHOOD 時裝表演Studio of SAI Ltd

Winner of MUSE Design Awards 2022 – Interior Design(Restaurants & Bars) – Silver Award

Collections

首位香港時尚眼鏡設計師與蔡司合作，為 UNSUIKYO 2022

和 2023 系列推出 UNSUIKYO x ZEISS 打造了帶有蔡司鏡片

的外掛式太陽鏡

KnitWarm Ltd

榮獲MUSE Design Awards 2022 – 室內設計組別（餐廳及酒YMDH(Travel Accessories) – Gold Award

Winner of MUSE Design Awards 2023 – Interior Design2023 春夏系列於香港貿發局 CENTRESTAGE 展出Winner of MUSE Design Awards 2022 – Fashion Design

金獎Winner of MUSE Design Awards 2022 – Product Design吧）– 銀獎

(Installation) – Silver Award

榮獲MUSE Design Awards 2023 – 室內設計組別（裝置）–銀獎SS23 Collection showcased at HKTDC CENTRESTAGE

Yuan Design StudioWinner of Architecture & Design Collection (ADC) Awards
2022 – Professionals Category (Office Accessories Design

榮獲MUSE Design Awards 2022 – 產品設計組別（個人護

Tak L.

Built) – Gold Award

Winner of NY Product Design Awards 2022 – Fashion &VII collaborated with EXCEPTION de MIXMIND

專業組別（辦公配件設計）– 金獎理）– 金獎

Lifestyle (Clothing & Accessories) – Silver Award®

Klein Jeans「 Reimagine Denim 」系列及快閃店

Collaborated with adidas Originals to launch Fashion

Week® showroom

榮獲European Product Design Award (EPDA) 2022 – 辦公設(Personal Care) – Gold Award

6

Collection and Pop-up

Presented ‘Afterlife, Loved Clothes Last’ Solo Exhibition

榮獲MUSE Design Awards 2022 – 時裝設計組別（旅行配飾）–

Christian Stone

Collaborated with Calvin Klein Jeans to launch Fashion

AW23 Collection showcased at SPHERE - Paris Fashion

2023 春夏系列於香港貿發局 CENTRESTAGE 展出

5

銅立方獎

與 adidas Originals 合作推出 Fashion Clinic x adidas

SS23 Collection showcased at HKTDC CENTRESTAGE

4

榮獲The ADC 101st Annual Awards – 品牌/傳訊設計組別 –Week® showroom

展覽中展示KEVIN HO x Aska Yeung「花開霓裳」系列

3

榮獲Good Design Award 2022 – 社區參與公共藝術裝置Communication Design Category – Bronze Cube

Clinic x adidas Originals Redesign and Upcycle Series

在香港多媒體設計協會於 K11 Musea 舉辦的「科藝相對論」

FIP Incubation Companies
FIP 培育公司

與 CONVERSE 和 LABELHOOD 蕾虎合作推出 NILMANCE X

Winner of The ADC 101st Annual Awards – Brand /PONDER.ER

Office Equipment / Stationery (Top Design)

Zephyr Design Studio Ltd

The Hong Kong Type Foundry Ltd

Collaborated with CONVERSE and LABELHOOD toWinner of European Product Design Award (EPDA) 2022 –V/S

EXCEPTIONEXPERIMENT X Tak L.——SEASON VIII

Collaborated with NIKE and áunn museum and featured

榮獲iF 設計獎 2022 – 產品設計組別 (辧公設備 / 文具)

Weavipedia Company

發佈與「例外」EXCEPTION de MIXMIND合作系列

Nilmance(Office / Stationery)

TMS.Site Ltd

榮獲NY Product Design Awards 2022 – 可穿戴技術組別（醫VIII collaborated with EXCEPTION de MIXMIND「 The Mythic Creatures 」虛擬時裝系列於 PMQ FabriX 展出

Winner of iF Design Award 2022 – Product Design

Three Pound Void

Winner of NY Product Design Awards 2022 – Wearable

Honouree of Prestige 40 under 40 and HYPEBEAST 100 NEXT

showcased at PMQ FabriXEPHELIS香港設計中心年報 2022—23

榮獲 NY Product Design Awards 2022 – 時尚與生活組別（服裝與配飾）– 銀獎

Presented EXCEPTION EXPERIMENT X Tak L. Season
發佈與「例外」EXCEPTION de MIXMIND合作系列

EXCEPTIONEXPERIMENT X Tak L.——SEASON VII
Presented EXCEPTION EXPERIMENT X Tak L. Season

榮獲Architecture & Design Collection (ADC) Awards 2022 –HKDC Annual Report 2022—23

74

esign
an
Celebrate
Innovation
設
計
可
策
動
創
意

03
75

香港設計中心年報 2022—23

DFA 亞洲設計終身成就獎

DFA Lifetime Achievement Award

HKDC Annual Report 2022—23

76

KATSUMI
ASABA
淺 葉克己

‘

77

香港設計中心年報 2022—23

Designwork is acontinuous
process.
設計工作是

一個持續的過程。

淺 葉 克己

KATSUMIASABAHKDC Annual Report 2022—23

78

79

The DFA Lifetime Achievement Award香港設計中心年報 2022—23

Over the years, Asaba has received numerous

awards including Tokyo Type Directors Club

recognises and celebrates the passion

Award, Yusaku Kamekura Award, Japanand uncommon excellence that makes a

Academy Prize for Outstanding Achievementin Art Direction, Tokyo Art Directors Club

designer reach extraordinary heights inGrand Prix, and Order of the Rising Sun.

their craft. The Award signifies the respect

He is the chairman of the Tokyo Type Directorsof the design community for individuals

Club, Committee Member of the Tokyo Art

who have made lifelong contributions

Directors Club and JAGDA (Japan Graphic

to the design profession, education and

Designers Association), Japan’s representativein the Alliance Graphique Internationale. He issociety, especially in Asia.

also the 10th successive director of his almamater Kuwasawa Design School, and visitingDFA亞洲設計終身成就 獎 嘉許充滿熱誠、追professor at Tokyo Zokei University and Kyoto

求卓越，並致力將作品提升至非凡境界的設計

Seika University. He also holds the title of sixth
degree master in table tennis.

師。獎項表揚終身為設計專業、設計教育及社會發展，尤其在亞洲地區作出深遠 及 重大貢When asked about his childhood influences

and inspirations, Asaba remembers how he

獻，備受業界敬仰尊崇之人士。

found courage from the fierce-eyed Nio statues
from the Kamakura period, which seemed toemit a power that made them appear alive.
Similarly, the mesmerising calligraphy of
Katsumi Asaba seems to possess a life ofits own, transcending its two-dimensional
The 2022 DFA Lifetime Achievement AwardDFA 亞洲設計終身成就獎 2022得獎者為淺葉克

calligrapher Katsumi ASABA, whose interest in

富的書法文化遺產尤感興趣，並藉此探索文字與

winner is Japanese designer and masterthe rich cultural heritage of written charactersin Asia has led him to explore the relationships

between written and visual expressions.
Through his creativity and imagination, thebeauty of calligraphy is elevated to new heights.

DFA

書法之美更上一層樓。

淺葉克己生於 1940 年，從桑澤設計研究所畢業

後便效力Light Publicity Inc.，其後於1975年創Born in Yokohama in 1940, he attended
graduating and joining Light Publicity Inc. He的烙印，代表作品有西武百貨、三得利、武田藥

and, over a lifetime’s career, his typographic

系列 HOMME PLISSÉ ISSEY MIYAKE設計的Tokyo’s Kuwasawa Design School before身從事字體創作，在日本廣告設計史上留下長久

founded Katsumi Asaba Design Studio in 1975

品等品牌的標誌性廣告，以及為三宅一生的男裝

of Japanese advertising design, which include

亞洲設計 終身成 就 獎視覺傳意之間的關係。透過其創意和想像力，讓

立工作室Katsumi Asaba Design Studio。他終works have left an indelible mark on the history

DFA
Lifetime
Achievement
Award己。他是一位日本設計師兼書法大師，對亞洲豐

商標。

medium to visually express the thoughts andideas that lie beyond words.

歷年來，淺葉克己獲獎無數，包括東京字體指導俱樂部獎、龜倉雄策獎、日本藝術指導傑出成就

獎、東京藝術導演俱樂部大獎賽，以及旭日勳章。
他 現任東京字體指導俱樂部主席、東京藝 術 編

導俱 樂部委 員、日本平面設計師協會 委 員 及國際平面設計聯盟的日本代表。他亦為母校桑澤設
計研究 所第十 任院長、東京造 型大學 和京都 精

華大學的客席教授。此外，他持有乒乓球六級大師的頭銜。

當談到童年時所受到的影 響 和啟蒙，淺 葉克己

landmark ads for Seibu department store,

想起源自鎌 倉時代的仁王 雕 像。這 些栩栩如生and the logo design for HOMME PLISSÉ

從其凶猛眼神中找到勇氣的泉源。同樣，淺葉克

Suntory, Takeda Pharmaceutical Company,

的雕 像猶 如散發出一種 力量，而淺 葉克己正 是ISSEY MIYAKE.

己扣人心弦的書法亦彷似有生命一樣，超越二維

平面的框 架，以視 覺設計表 達 無法言喻的想法
和意念。

HKDC Annual Report 2022—23

MUNEAKIMASUDA增田宗昭DFA 設計領袖獎

DFA Design Leadership Award

80

‘

81

香港設計中心年報 2022—23

搜尋器當然有用，然而在一字排開的書海中遊走，

更易令人眼前一亮，
啟發思考與靈感 ;特別當你還未確定

Search engines areuseful, but walking
through rows of books islikely to provide an intuitive,
insightful flash of inspiration,
especially when you are
open-minded about what
you are looking for.
要找尋甚麼。

82

增田宗 昭

MUNEAKIMASUDAHKDC Annual Report 2022—23

83

The DFA Design Leadership Award

Masuda also founded Culture Convenience
Club (CCC) in 1985, which specialises inrecognises business leaders who create
exceptional,

sustainablebusinesses

highly上日本銀髮族的需要。但他認為書店應該吸引所– people 50 years and older. Nevertheless,Masuda believes that bookstores should

is because they know that in today’sanda cultural complex built around the flagshipTokyo, for Japan’s ‘Premier Age’ demographic

in their vision for their businesses. This
globalised樂部在東 京代官山地區開設以代官山蔦屋書店

Tsutaya Bookstore in the Daikanyama area ofof design, whether in real life spaces, orcompetitive

或業務願 景層面，創新並有策略地善用設

call ‘a library in the forest’. Human-scale

非依賴機器演算法而得的推薦作出選擇。

優秀設計是企業的致勝之道。

a digital world. He wishes for his customers

the chance discoveries and encounters thatbooks and bookstores can still offer, even in

to reflect on what they would really like andgenuinely enjoy, rather than making theirchoices from recommendations based onmachine algorithms.

MASUDA, winner of the 2022 DFA Design
Leadership Award, still believes in creating2022得主增田宗昭依然認為需要締造人際互動的空間。增田宗昭1951年生於日本大阪市，一生

spaces for human connection. Born in Osaka

致力於促進人與人之間的思想交流，為大眾建構

individuals, to create a ‘culture infrastructure’for everyone.

增田宗昭於1983年創辦蔦屋書店，蔦屋現已成為

In 1983, Masuda founded Tsutaya Bookstore,

中國，最近業務更擴充至馬來西亞。書店設計及outlets have since expanded across Japan,

及其他相關物品，例如烹飪書與一併展示的廚具

in 1951, Masuda has committed his life’s work 「文化基礎設施」。
to facilitating the exchange of ideas between

now Japan’s largest bookstore chain. Its

建築美輪美奐，顧客可以從中找到感興趣的書籍

China and most recently, Malaysia. Tsutaya

及廚房電器。

Bookstores are known for their beautiful design andarchitecture, and customers can often find books

and other things that match their interests – forDFA
DesignLeadershipAward

DFA 設計 領袖 獎

日本最具規模的連鎖書店，分店遍佈日本各地及example, cookbooks are displayed together withcookware and appliances.

關注，令人在數碼世界之中仍能透過書籍和書店，投入一次又一次偶然的發現和相遇。他希望顧客

and it is this attention to detail that creates身處 生活 越 趨 數碼化的時代，DFA 設計 領袖 獎的氛圍，並稱之為「森林中的圖書館」。人性化This determined focus on good design creates

計，取得持續且卓越的商業成就之企業領

In this age of digitalised lifestyles, Muneaki

顧客交流或工作。

空間營造溫馨的環境，而正正 是 這種 對 細節的

spaces produce welcoming surroundings,

袖翹楚。在現今競爭激烈的環球市場之中，的讀物，並設有咖啡館及工作間，讓不同年紀的generations, and have cafes and workspaces

a cosy atmosphere which Masuda likes toDFA設計領袖獎嘉許能夠在日常生活空間

有年齡層，因此蔦屋書店亦提供年輕一代感興趣增田宗昭對 好設計的極 致 追求，成就 舒適愜意for customers of all ages to mingle or work in.

role in the success of a company.

為中心的文化綜合體——T-SITE，以滿足50歲以

appeal to all ages, and so Tsutaya Bookstoresalso carry genres to appeal to the younger

market, outstanding design plays a vital

構供大眾享用的文化空間。2011年，文化便利俱

creating cultural spaces for people to enjoy. In
2011, CCC established Daikanyama T-SITE,

through the strategic and innovative use

其後，他於1985年成立文化便利俱樂部，專門建

能 夠想想自己真正喜 歡 及 真心 享受的事 物，而

香港設計中心年報 2022—23

DFA 世界傑出華人設計師

DFA World’s Outstanding Chinese Designer

HKDC Annual Report 2022—23

84

GUO
PEI
郭培

‘

85

香港設計中心年報 2022—23

我希望可以把中國的傳統文化，

古老的技藝以及對
設計的熱愛帶給

更廣闊的世界 。

I want to sharetraditional culture,
ancient craftsmanshipand passion for thedesigns of our beautiful
country with the restof the world.

郭培

GUO
PEI

HKDC Annual Report 2022—23

86

87

The DFA World’s Outstanding Chinese
Designer acknowledges designers ofChinese origin whose works have beenoutstanding in the design world, andwho have made a significant cultural
impact, both in Asia and internationally.
The Award honours their achievements
and recognises their contributions to
the world of design.
DFA世界傑出華人設計師表揚成就非凡的

華裔設計師，得獎者須在設計範疇上盡顯才華，並於亞洲地區及至國際間發揮重大的文化影響力。獎項旨在嘉許設計師的卓
越成就並對設計界所作出的貢獻。

The winner of the 2022 DFA World’s

生 於 北 京 的 郭 培 是 D FA 世界 傑 出 華 人 設 計 師

For over 20 years, Guo Pei has designed some

20多年來，郭培一直為中國最受歡迎的電視節目

GUO Pei, whose breathtaking designs were代 刺 繡 技 術與 前 衛 剪裁。當 年，她 希望 報 讀 北hosts and performers of one of China’s most-計晚裝，也是 2008 年北京奧運會頒獎典禮禮服techniques

裝還需要設計嗎？」。她成功說服雙親並修畢課Outstanding Chinese Designer is Beijing-borninspired by both ancient Chinese embroidery
andavant-garde

silhouettes.

Before she could attend Beijing Second Light
Industry School to study fashion design,
she had to convince her parents who asked

her, ‘What is there left to design?’, and later縱然郭培的父母起初並不予以支持，但可幸的是The world is indeed fortunate that she

位最具影響力人物之一。此外，她是亞洲首位法

objections, because Guo Pei has gone on to裝聯合會認證為亞洲高級時裝師。

she was named one of TIME Magazine’s ‘100

世界傑出華人設計師

程，其後於1997年創辦玫瑰坊。

郭 培無懼 反對聲音，最後 成 功展開非一 般的事

carve out an extraordinary career. In 2016,

DFA

京二輕工業學校服裝設計專業，父母問她：「服establish her atelier, Rose Studio in 1997.

managed to overcome her parents’ early

DFA
World’s
Outstanding
ChineseDesigner

2022 得主，其非同凡響的設計靈感源自中國古業之旅。2016 年，她榮登《時代周刊》全球 100

國巴黎高級時裝公會受邀會員，亦獲亞洲高級時

of the most stunning gowns and dresses for thewatched TV programmes, CCTV’s annual
Spring Festival Gala, and was the designer
for the 2008 Beijing Olympic Games Awards

郭 培設計 作品時，醉心開創植根 於中國文化的The inspirations for her designs come from her

由種種 靈 感而生，並在新加坡 亞洲文明博 物 館
等博物館展出。

culture. These inspirations have resulted in

以中國人 身 份為榮的郭 培善於訴說 故事，現 正have since been exhibited in museums such as

舞台，並破舊立新以創作能經歷時光淬煉的永恆

of identity that is deeply rooted in Chinese
magnificent gowns and couture pieces that
the Asian Civilisations Museum in Singapore.

join France’s Chambre Syndicale de la Hautethe beauty of China’s ancient culture andCouturier Extraordinaire by the Asian Couture
Fédération (ACF).

新意義 及 身 份認同。華麗的禮 服 及高級訂製服

desire to create a new meaning and a sense

Proudly Chinese, Guo Pei is a storyteller who

Couture, and has also been named Asian

的設計師。

Ceremony dresses.

Most Influential People in the World’. She

was also the first Asian designer invited to

之一、中央電視台年度春晚的主持人和表演者設is fulfilling two important missions: sharing

craftsmanship with the world, and innovating
and creating her own works that will, in turn,stand the test of time.

實踐兩大使命：將中國傳統文化和工藝帶入世界作品。

香港設計中心年報 2022—23

88

HKDC Annual Report 2022—23

A
Glimpseinto DFA
Designfor Asia
Awards2022
GrandAwards89

香港設計中心年報 2022—23

DFA Design for Asia Awards (DFA
DFAA) are bestowed on projects in
Asia that epitomise design excellence
and contribute to the betterment ofsociety and the design industry. A
total of 195 winners are recognisedin the DFA Design for Asia Awards
2022, including 9 Grand Awards, 21Gold Awards, 38 Silver Awards, 49Bronze Awards, and 78 Merit Awards.

EOS R3

Taking the highest honours at theDFA DFAA 2022, these are the 9
outstanding projects bestowed GrandAwards. Catch a glimpse of these
inspiring projects!

機 體 積 和重 量小 約 30%，令攝 影 師能 更 輕 鬆Canon Inc.

Japan
日本

The Canon EOS R3 is a mirrorless camera
intended for photographers who seek
to capture sharp photos of fast-moving
subjects, such as athletes in competition,
wildlife, and racing cars. About 30%
smaller and lighter than other SLR
cameras with comparable performance,
the EOS R3 has made photography moreaccessible to all, as well as professional
photographers shooting under pressure.
佳能 EOS R3 是新款的無反光鏡相機，是攝影
師捕捉快速移動對象的好幫手。無論是拍攝比賽中的運 動員、野生動物或賽車，照片都清晰
分明。 EOS R3 比其他具有同等性能的單反相

地長時間進行拍攝。

「DFA亞洲最具影響力設計獎 2022」
大獎得主一覽
HONG KONG
HongKong
WALK ON /香港
tai ping x
anothermountainman
香港前行 /太平 x 又一山人
84000 Communications Limited
八萬四千溝通事務所有限公司「DFA 亞 洲最 具 影 響力設計 獎 」旨在表彰對社會和設計行業的發展作出貢獻
的 亞 洲 優 秀 設 計項 目。 2 0 2 2 年「 DFA亞洲最具影響力設計獎」共評選出195項

得獎作品，以表揚他們的傑出設計，當中
的獎 項包括 9 個大獎、21 個金 獎、38個
銀獎、49 個銅獎，以及 78 個優異獎。

以下是本年度榮獲最高榮譽大獎的 9 個
得獎 項目的介 紹和設計故事。

Hong Kong Walk On is a collaboration
between Tai Ping, a leading rug andcarpet maker, and anothermountainman,a Hong Kong-based cross-disciplinary
artist. Consisting of two 3 x 6 metre
handmade carpets, the installation pays
tribute to the classic red, white and blue
stripes that represent part of Hong Kong’s
heritage and identity. This project uses
photography and art as a medium of
expression, bringing Hong Kong’s history,
spirit and culture to life beautifully.
「香港前 行」是著名地 氈 製 造商太平地 氈與香

港跨界藝 術家又一山人攜手合作、由兩幅 3x6

米的手工地氈組成的作品。項目以攝影和藝術
為媒介，向代表香港傳統及身份認同的紅白藍經典三色設計致敬，淋漓盡致地呈現香港部分
歷史、精神和文化。

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HKDC Annual Report 2022—23

M+│Hong Kong
M+│香港

M Plus Museum Limited

Hong
Kong
香港

91

香港設計中心年報 2022—23

Music Hall in
the Sky│Japan
空中音樂廳│日本

Japan
日本

Takuro Yamamoto Architects

A flagship of the West Kowloon Cultural
District in Hong Kong, M+ is a museum
for visual culture with outstanding design
details. It has a tall slender tower that
forms an inverted T-shape standing ona spacious, rectangular podium clad.
The venue is not just about well-designed
exhibition galleries and architecturalelements, but the many multipurpose indoor
and outdoor spaces of various sizes offer a
range of possibilities for engagement.
M+作為香港西九文化區的旗艦 級藝 術場館，

建築物富有特色，外形修長的縱向大樓，矗立在 寬 敞 的 橫 向 基 座 平台之 上，組 成一 個 倒 轉的「T」字。M+ 不僅 是 一 個 精心設計的展 覽場地，也提供各種類型及大小的多功能室內和室
外空間，發揮多重功能。

M+ museum ofvisual culture

M+視覺文化博物館

The
Netherlands
荷蘭thonikAmsterdam-based design agency Thonik
created a striking visual identity for the M+
museum in Hong Kong featuring a rangeof vibrant colours influenced by the city’sarchitecture and neon signage. Working
across the institution’s physical and digitalplatforms, the system connects the big
screen on the facade, the website, social
media platforms, the way-finding and a
grand opening campaign.
受香港獨有的城市面貌和霓虹招牌所啟發，阿姆斯 特丹平面設計工作室 Thonik 由顏色 和感

官出發，為 M + 構思出一套 活力充沛的視 覺識別系統，並在館方的實體和電子資產上大派用Music Hall in the Sky is a small classicalmusic concert hall with roughly 50 seats in
a Tokyo residential neighbourhood.The
key design idea is a ribbon window in thesky that gives audiences an impression
they’re surrounded by the sky rather thanbuildings in the Tokyo metropolis. The
clever use of optics and its unusual setting
makes this project one of a kind.
被 住宅 樓包 圍 的空中音樂 廳 是 一 個 座 落於日
本 東 京住 宅 區、可 容 納 50人 的 小 型 古典音 樂廳。其 特 色 是 一 扇 窄 長 而 可以 望 向 天 空 的 窗戶，給予聽 眾別有洞天的感覺。建築師極具創

意的光學運用，以及不尋常的選址是這個建築
項目獨一無二的原因。

Pingtan Book
House│The Mainland
坪坦書屋│內地

Hong
Kong
香港

Condition_Lab

Using local materials in building, Pingtan
Book House not only provides a place
for local children to play and read in the
traditional wooden structure, but has
also inspired the local community’s love
for reading and the rich Dong culture.
While the schoolchildren can recognise
the familiar architecture, the façade andlight-hearted stairway design are bothcontemporary and unique.

場。LED 大 屏 幕、網站、社 媒平台、導向指示

坪坦書屋不僅為當地兒童提供了閱讀和玩耍的

特的色彩組合。

文化的嚮往。這棟就地取材而建成的木製書屋

和盛大的開幕活動，都呈現了這系列繽紛而獨

場所，也激發了當地社區對閱讀和燦爛的侗族

擁有當代風格的立面和活潑有趣的樓梯，同時保留了侗族建築風格和特點。

DFA 亞洲最具影響力設計獎 2022

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HKDC Annual Report 2022—23

TaiSugarCircular Village
沙崙智慧綠能循環
住宅園區

Taiwan台灣

93

香港設計中心年報 2022—23

Yuandang
Bridge│The Mainland

Australia澳洲元盪橋│內地

Bio-Architecture Formosana

BAU Brearley Architects+
Urbanists | SIDRI | T&D

九典聯合建築師事務所

TaiSugar Circular Village in Taiwan invites
residents to adopt a circular lifestyle,while raising their standard of living
through sharing and community. For
example, the extensive facilities rental
system ranging from furniture to artworks,
their comprehensive circular strategy
in architecture, resource management,
and service design reduces waste andimproves sustainability.
台灣 沙 崙智慧 綠 能 循環 住宅園區 鼓 勵居民 採

The Yuandang Bridge connects two
sections of Shanghai Yuandang Lake’s
wetlands. The 600-metre bridge isdesigned to carry pedestrians andbicycles across the water, and at thesame time it provides beautiful views of
the landscape, and a leisure and viewing
pavilion. Drawing cultural references, thebridge prepares users for a journey thatcrisscrosses not only regional boundaries,
but also temporal and cultural ones.

用循環生活方式，並通過社區共享來提高大家環 元 盪 貫 通 橋 連 接 上 海元 蕩湖 濕 地 的兩端。

設施租賃服務為例，設計團隊在建築、資源管

亦提供優美的景觀以及休閒觀景亭。這條橋的的生活品質。以由家具到藝術品都一應俱全的理和服務設計方面均提出了全面的循環方案，
有助居民減少浪費，促進永續生活。

Venova(YVS-140)
Yamaha Corporation

這座 600米的大橋承載行人和單車通過，同時

流 線 外 型和中國古典 花 園 的 設計 理 念有異曲

同工之妙，跨越自然與文化的設計讓遊客耳目
一新。

Japan
日本

雅馬哈公司

Yamaha has developed the Venova,
a wind instrument made of lightweight
ABS resin that is significantly cheaper
than existing saxophones and requires
low maintenance. With clever design,
innovative manufacturing processes
and inexpensive materials, the Venova
makes it easier for all musicians, young
musicians and beginners in particular, tolearn how to play a wind instrument.
Yamaha 開發了Venova，是一款比傳統色士風

廉 宜 很 多的產 品，由 輕 盈和易於 保 養 的 ABS
樹脂製成。巧妙的設計、創新的製作工藝再加

上相宜的售價，讓普羅大眾，尤其是年輕音樂
家和初學者，更容易學習演奏管樂器。

DFA 亞洲最具影響力設計獎 2022區翠

創意智優青年設計才俊獎

CreateSmart Young Design Talent Award
創意智優青年設計才俊獎

ALU Table 焊紋鋁枱 (2020)

目標的踏腳石及學習、成長的寶貴機會。成功背後往往

充滿著不為人知的掙扎及失誤，但這些都是必經階段，
有助我們琢磨技巧，提升自信及鍛鍊毅力。讓我們看看DFA香港青年設計才俊獎2022的得主如何從錯誤中吸

Let YourMistakes andFailures FuelYour Success

張可欣

CreateSmart Young Design Talent Award

在邁向成功的路上，錯誤及失敗並非絆腳石，而是達成

取教訓，克服挑戰，並培養堅韌、求新及成長的心態。

Cheung Ho Yan

When I was exploring material
production for a project,
I overlooked a step in thetechnical process, and it
led to an unexpected result.
Even though it wasn’t what
I originally had in mind, we
embraced it and createdsomething unique in the end.
So a mistake can sometimes
turn out to be an inspirationfor exploring something new.
我在為一個項目試驗物料時，因過程中遺漏了一個步驟，導致效果未如理想。
儘管結果與預期大相逕庭，我們
在錯誤中有意外的收穫，創作出獨特的紋路。所以有時候我們也能從錯誤中取得靈感。

I used to think thatcreating high-quality
designs for clients was myresponsibility alone. I later
realised that consideringa client’s opinions in theprocess not only increases
their participation andsatisfaction, it can help
us better understand theirneeds as well.
我曾經以為設計師的職責就是為
客戶提供高質量的設計。後來，
我意識到在設計過程中考慮客
戶的意見，不僅能增加他們的參與感和滿意度，也能幫助我們更好地了解他
們的需求。

香港設計中心年報 2022—23

Lam Yeuk Hei
Alize
林若曦

CreateSmart Young
Design Talent Award

創意智優青年設計才俊獎Cheung Wui Hei
Rolland張滙希CreateSmart Young
Design Talent Award

創意智優青年設計才俊獎

When I was developing
my DIY Kit, I realised thatsome design concepts canbecome too complicatedfor the general public
to understand. So, aftergathering feedback froma variety of participants,
I adjusted and refineda design conceptthat everyone could
understand, and easily
complete by themselves.
在剛開始著手設計手作套裝的時候，有很多想
法想呈現，不自覺地把簡單的理念複雜化，令受眾難以招架。後來，我透過收集用家的反饋，幫助我調整和優化設計，讓大家可以輕鬆享受
DIY 的樂趣。

Once, on my way to aworkshop, I carried a 30kg
suitcase filled with tools,
along with 10 blowtorches.
On the train, the ignition
switch of a blowtorch got
accidentally turned on.
It burned a hole and half
the items in the suitcase. I
had to run out of the train
to extinguish the burning
suitcase! I am extra carefulwith equipment these days.
有一次，我在前往一個工作坊的途中，攜帶了一個

30 公斤重、裝滿工具和 10 支噴槍的行李箱。乘搭
火車時，有噴槍的火掣意外地打開了，將行李箱燒

穿了一個洞，有一半的物資被燒毀，更令我要跑出
車外撲熄火種！自此之後，我對整理工具變得更加
小心謹慎。

Y D TA 香港青年設計才俊獎

Au Tsui Isa「追求失敗」
的成功哲學

The Coastline 岸海 (2019)

On our journeys towards success,mistakes and failures are not setbacks,
but stepping stones and valuable
opportunities to learn and grow. Behind
every success often lies a trail of unseen
struggles and missteps, but these are
essential because they hone our skills,
confidence and determination. Let’ssee how the Awardees of DFA Hong
Kong Young Design Talent Award 2022
embraced the learning gained from their
mistakes to push beyond challenges,
and cultivate a mindset that champions
resilience, innovation, and growth.

95

Winebox Grand Piano 酒箱三角琴 (2020)

94

Pause for Life (2018)

HKDC Annual Report 2022—23

96

97

K11 CirKularity (2021)

Chan Kwun Hop Theo
陳冠合

CreateSmart Young Design Talent Special Award

CreateSmart Young Design Talent Award
創意智優青年設計才俊獎

When I began creatingconcrete art, I wanted
complete control overevery aspect of theprocess, from moulding
and infusion to shaping
and polishing. However, I
realised I could not control
the temperature, humidity
or water flow. Throughnumerous failures, I
gained a newfoundappreciation of the beautyof imperfection, andlearned to embrace flaws
and recognise the valueof working with nature’s
unpredictable influence.
初時創作水泥藝術，從造模、灌注到打磨的每一個步驟，我都很想掌控一切。可惜事與願違，我意識

到自己是無法控制溫度、濕度或水流等影響因素。
經過無數次失敗，我學會了欣賞缺陷美，擁抱缺陷唐樓空間 (2016)

深水埗工藝醫院 - 活化被閒置的

crafts hospital and cultural hub

buildings in Sham Shui Po as a local

Adaptive reuse of old tenement

Y D TA 香港青年設計才俊獎

及領悟大自然的奧妙，感受共同創作的魅力。

Yu Hoi Tung
Jacqueline余愷彤CreateSmart Young
Design Talent Award

創意智優青年設計才俊獎

Leadership is never aneasy task, especially whenit comes to leading anarchitectural design team.
When I first began, I wasvery hands-on with every
task. I soon realised that
this was not an effective
way for my team to learn.
A good leader should
always encourage, but also
recognise that a team needs
to explore and express
themselves to grow.
領導團隊向來是一門學問，尤其是帶領一個建築設計團隊。初時，我事無大小都親力親為，但我很快地意識到這種管理方式會阻礙團隊成長。出色的領導者應該要多鼓勵團隊成員，讓他們學習探索自我
和表達自己，推動團隊成長。

I was once so exhausted
that I slept through animportant fitting time. At
the time, I felt very guilty
and sorry, but everyone
makes mistakes, andthis made me realisethat time management
and maintaining ahealthy lifestyle wasmore important than justfocusing on work progress.
有次我因為太疲倦而昏昏入睡，豈料錯過了一個重要的試身時間，當下我感到非常内疚和抱歉。然而，每個人都有犯錯的時候，從中我明白到時間管理與

維持健康生活，比起只關注工作進度顯得更為重要。

Cheung Hoi Ning
Lorraine張凱甯CreateSmart Young Design Talent Special Award
創意智優青年設計才俊特別獎

Shout with Whisper 耳語 (2022)

劉頌銘

Choi Yuet Sum
SharonSlave Liberation 自由 . 奴隸 (2022)

Home as a Living Resort (2020)

創意智優青年設計才俊特別獎

Lau Chung Ming Mig

香港設計中心年報 2022—23

While I was making apleated skirt 2 or 3 days
before the deadline of
the Shout With Whispercollection, I burned alarge section of the skirt.
I had wanted to finish theorganza skirt as soon as I
could, and used a higher
heat to set the pleats better,but the skirt got burned
because of my impatience.
在距離「耳語」系列的遞交限期只剩下 2、3 日之時，
我因為很急切地想儘快完成一條以柯根紗製作的

百褶裙，使用了更高溫為裙子做定型，結果弄巧反拙，百褶裙不慎被燒毀一大部分。

蔡悅心

CreateSmart Young Design Talent Special Award
創意智優青年設計才俊特別獎In my early career as
a designer, I made thecritical mistake of hastily
accepting a job without
evaluating its compatibility
with my skills and values.
This misjudgment led to adisastrous collaboration
with my senior, ultimately
causing the project to fail.
It taught me the importanceof carefully assessing
job offers and effective
communications in
the workplace.
在設計師生涯初期，我曾經犯過一個嚴重錯誤。我在忽視了評估工
作内容與個人能力、價值觀是
否匹配的情況下，匆忙地接受
一項工作，這令我難以協調與
上司之間的合作，項目最終

以失敗告終。經過這次教訓，
我明白到認真評估工作和有
效職場溝通的重要性。

Kong Sin
Yan Lisa江倩欣Diatom Glass 矽藻玻璃 (2021)

HKDC Annual Report 2022—23

CreateSmart Young Design Talent Special Award
創意智優青年設計才俊特別獎After graduating, I
struggled for a year tofind work as an interior
designer. Rejections leftme doubtful, frustrated,and desperate. But I
devoted myself to building
a strong portfolio. Slowly,
my confidence grew, andarmed with new skills, I
secured a position at therenowned studio of Neri &Hu. This experience taught
me resilience, preparation,and self-belief, making
me stronger andmore confident.
畢業後的一年，我努力尋找室内設計師的工作卻屢次失敗，令我感到疑慮和絕望。同時間，我全

心全意地製作個人作品集。漸漸地，我增强了自信心，亦學到新技能，最終獲得著名的如恩工作

室聘用。這段經歷教會了我要有韌性、準備和相
信自己，自然會變得堅强與自信。

98

99
Geometry and Line 幾何與線 (2021)

Yeung Wing Ting
Cowon
楊詠婷

HKDI Young Design Talent Award香港知專設計學院青年設計才俊獎

Cheng Yuk Sing
Alex

吳芷君

Young Design TalentSpecial Mention Award

Young Design Talent Special Mention Award

Cheung Tsz Ching
Emily
張芷晴

PolyU School of Design Young Design Talent Award
香港理工大學設計學院青年設計才俊獎Precision and accuracy
are my enemies in design
production. When I wasdoing an internship ina ceramic and design
studio, I carelessly poured
the wrong amount ofingredients into a mixture
for clay production. My
boss and I were very
frustrated and upset. Now
I have learned to always
double-check beforehand.
在設計製作中，精準度和準確度就像是我的「敵人」。在陶瓷設計工作室實習時，粗心大意的我將調錯了比例的用料，倒入黏土混合物中，失敗的結果讓我和上司感到非常氣餒與沮喪。至此之後，我學會凡事都要預先仔細複查。

英國讀書時，我因為英語不好而未能在設計課

堂上完整地匯報個人作品，那時我感到氣餒又沮喪。後來，我學會用另一種方式來展示設計

作品，不需要用任何語言文字，那就是：繪畫。
一幅好的畫作是不言自明的。

In executing a design froma drawing, the designer
sometimes experiences
many failures. For example,
when heat transferring
prints to fabrics, different
textures will give different
visual effects. For chiffon,
we have to experiment withmany different types, and it
takes many failures before
we succeed in finding theright proportion of patterns
and colour chroma.
從紙上圖畫到實現設計的過程中，設計師往往會經歷很多次失敗。
例如將彩圖印製到布料上，不同
質感的布會出現不同的視覺效果。簡單如雪紡綢，我們亦需要試驗不同的種類，經過無數次的失敗，才能成功找到
最適合印製的圖案比例與
色彩度。

So Cheuk Lam
Jonathan蘇卓霖Young Design Talent Special Mention Award
青年設計才俊優異獎During my first time
casting a concrete model,
I overestimated the ratioof water to cement andsand. It turned out thatthe model did not dry as
much as I expected, andwas 1 cm taller than theoriginal. With time runningout, I had to use sandpaper
to sand it down. It was avaluable lesson for myself
to reserve time for errors.
我第一次做石屎模型時，由於高估了水泥與沙之間的用水量配方，結果模型不似預期中乾燥，還比原來的模型高了 1 厘米。因為時間有限，我只好用砂紙將其打磨掉。那次的經歷，讓我上了寶
貴的一堂課：要預留空檔來應對所有可能發生
的錯誤。

Y D TA 香港青年設計才俊獎

習慣，這個習慣仍保持至今！

建築中的共生互動 - 機械與仿生學之間 (2022)

再畫。經過多次教訓後，我養成了定時備份的Once, in the UK, I failed
a design course because
my English was not goodenough for me to present
my design. At the time,
I was frustrated anddepressed about it, but
I learned another way topresent my design
without any words:
through drawings. A good
drawing can sometimes
speak for itself.

Between Machinery and Biomimicry

電腦軟件突然關閉，重新開啟後我不得不重新

青年設計才俊優異獎Symbiotic Interaction in Architecture -My Printing Machine (2022)

青年設計才俊優異獎有很多次我在用電腦畫圖稿時還未儲存草圖，Unrestrained 奔放 (2022)

Ng Tsz Kwan Cherry

鄭育昇

Phased Regeneration for Obsolete Factory

It has happened manytimes that I didn’t save adraft during my sketchingprocess, and the computer
software would suddenly
shut down, causing me tohave to start all over again
from scratch. This taught
me to regularly save mywork, and to this day I still
maintain this habit!

香港設計中心年報 2022—23

再生廢棄建築 (2021)

HKDC Annual Report 2022—23

HKDC Annual Report 2022—23

100

esign
an
EngageCommunity
設
計
可
改
善
社
區

04
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香港設計中心年報 2022—23

102

With a focus on sound design, ‘Sensory Symphony’explored new possibilities for materials and boosted themicro economy in Sham Shui Po, a material paradise formany designers and creatives. With tours, workshops, atalk, an exhibition and jam sessions, the public had funfilled opportunities to design musical instruments withelectronic parts and materials found in the district andturned everyday sounds into beautiful symphonies.

openground「感官共奏」聚焦聲音設計，發掘尋常

物料的更多可能性，並推動地方微 經濟。深水 埗一直是 眾多設計師及 創意
人才採購 物料的天堂，是次活動透 過導賞、工作坊、講座、展覽及即興演奏，
讓大眾活用區內的電子零件及物料設計樂器，將日常聲音化成美妙樂章。

Gaming Out 街 上 遊 樂 點

活力。透過一系列的設計思維工作坊，設計

師協助居民及其他參加者使用簡單的物料、
工具和規則，創作嶄新的街道遊戲。「街上遊 樂 周」舉 辦 期 間，市民 大 眾一 起 盡 情 遊樂，藉此共同重塑社區，並提升幸福感。

埗

MAP

20
s:

鄰里 及社群，並為深 水 埗的公共空間注 入i t y Pr o g

深水

BODW City Programme (CityProg)
peaked in November and December 2022,
activating citywide business and creative
clusters with over 100 remarkable,
design-driven collaborations, including
10 design festivals and programmes that
illuminated the transformative power ofsustainable design. Under the theme of‘20’s: Reflect‧Refresh‧Reset’ with a focus
on ‘Design for Sustainable Community’,
CityProg invited various sector partners
and local communities to witness,engage, and learn how to reimagine
our city with design and creativity.

「街上遊樂點」透過創新的街道遊戲，凝聚At ‘Gaming Out’, innovative street games brought
communities together and revitalised public spaces in
Sham Shui Po. Through a series of design thinking
workshops, designers helped the residents and otherparticipants create new street games using simple
materials, tools and rules. Everyone had a great time playing
the games during ‘Gaming Out Week’, together reshaping
the community and enhancing well-being through play.
C
DW
BO

集合可持續設計力量
起動全城創意Milk Design and
Kennifstudiot

Sensory Symphony 感 官 共 奏香港設計中心年報 2022—23

seEmpowering
Our City with
Sustainable
Design103

Re

HKDC Annual Report 2022—23

Reflec t · Refresh·project G_IJ_

The Beautiful Pages
好一天 繪本見Picture books are beloved by bothyoung and old alike, and what betterway to tell stories of everyday life
than through designers’ captivating
illustrations? With an exhibition, amural installation, a walking tour, anevening outdoor sketching workshop
and more, students and the publiclearned how to observe and tellstories about the hidden treasures intheir neighbourhood with a newfoundsense of empathy.

「設計營商周城區活動」（城區活動）
2022主要橫跨11月至12月期間舉行，

起動全城商業及創意集群，帶來超過100個精彩設計活動，

繪 本深受不同年紀的人士喜愛。要講 述日

持續設計的變革力量。

作 品 更 為合 適？透 過 展 覽、壁 畫 裝 置、導當中10個設計節及項目盡顯可常生活的故事，還有甚麼比設計師的插 圖

賞 行、夜 光寫生 工作 坊 等活 動，項目激發

本年度的城區活動以「二十而立：學生和公眾的同理心，學習觀察並講述社

深思．煥然．一新」為主題，

聚焦「設計．構建可持續社區」，

邀請各界伙伴和本地社
群，一同見證、參與並
學習如何透過設計及創意，從創新角度想像城市未來。

區鮮為人知的珍貴故事。

Play Out of the Box 玩 具 無 界 限Every year in Hong Kong, countless unwanted
toys are thrown away, adding to the growing
environmental issue. To promote a circular economy
and sustainability, ‘Play Out of the Box’ featured
an enlightening talk, workshops and a carnival
engaging the public in Sham Shui Po. Led by adesigner, participants learned about the importanceof upcycling and resource-sharing, and extended
the lifespans of toys through design and creativity.

Anewtoys香港每年有許多「失寵」玩具遭丟
棄，加劇日益嚴重的生態問題。為
推動循環 經濟和可持續發展，「玩具 無 界限 」於 深 水 埗 舉 辦 具 啟 發
性的講座、工作坊和嘉年華，吸引公眾參與。設計師助參加者了解升級再造及資源共享的重要性，並透
過設計和創意延續玩具的生命。

Cheongsam Rhapsody 長 衫 狂 想 曲‘Cheongsam Rhapsody’ happened partly by chanceand partly from inspiration. The lucky discovery of acollection of cheongsams from the 1920s to the 1960s
was an opportunity to curate a trip down memory lane.
With an exhibition, a discussion, a demonstration and aworkshop, the programme celebrated and imagined thefuture of this iconic symbol of Chinese femininity andelegance, and explored sustainable fashion design.

FashionClinic by T
and Wontonmeen

有關「長衫狂想曲」的出現，一半是偶然，
一 半 是 靈 感。多 得 一 次 可 遇 不 可 求 的 機會，發 現 多 件19 2 0至 6 0 年 代 的 長 衫，成就一趟回到過去之旅。別具代表性的長衫盡 展中國女性的柔美與優雅，項目透 過 展

覽、研討會、示範和工作坊，構想長衫的未來發展，並探索可持續時裝設計。

104

HKDC Annual Report 2022—23

{
設
計
營
商
周
城
區
活
動

Ⅰ
二
十
而
立
：
深
思
‧
煥
然
‧
一
新

105

香港設計中心年報 2022—23

InNovAction
Tsuen
Tsuen Wan HKFYGWan Youth

Tour Around
Sai Kung

Sports design is not only about
venues, equipment and outfits,
but also creative placemaking
that enables healthy activities inpublic spaces. Featuring a mobile
sports station, an exhibition, a map
and various sports experiences,‘InNovAction Tsuen Wan’ engaged
a designer and a group of young
people to equip the public with sports
design knowledge and promote a
healthy lifestyle in a creative way.

A new chapter in creative cultural tourism
begins! Participants of ‘Tour Around Sai
Kung’ were treated to community tours
led by an architect, a fishing raft tour, Sai
Kung souvenir shopping, a cultural productdesign sharing session and workshop,
an aroma oil workshop and an ugly foodcooking class, all showcasing the quirky
charm of the ‘back garden of Hong Kong’.

運 動 . 荃城周圍「貢」

S.P.O.T.

Mode of Design
Alliance andBottoms Up
Communication
Limited

創意文化旅遊新體驗由此展開！「周圍貢」的參

加 者 透 過 建 築 師 率 領 的 地 區 導 賞 團、漁 排 遊、「貢品」特色手信限定店、文化產品設計分享會

運 動設計不局限 於場地、器 材或服裝，更及 工作 坊、香 薰 工作 坊及「醜 食美 饌 」烹飪 班

包含創意地方營造，以推廣於公共空間進等，感受「香港後花園」的獨特魅力。

行有益健康的活動。透過流動運動挑戰站、}

展覽、地圖及各種運動體驗，「運動．荃城」
找來一位設計師與青少年向大眾分享運動與設計，以創意手法推廣健康生活方式。

C
DW
BO

ityProg

圖
地
區
20
s:

CityProg 2022
Highlights
城區活動2022花絮

CityProg 2022
Interviews with
Creative Partners
城區活動2022
創意伙伴訪談

et

CI

P
A
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s

城

Reflec t · Refresh·Creation to Emerge
樂在．做_Walkable Workable Fashion 着 得 又 行 德Casual, comfortable clothing is better suited toenvironmentally-friendly daily mobility habits such as
walking. Featuring a webinar on sustainable materials,
a competition, a fashion presentation and a lookbook
to promote new officewear design trends, ‘Walkable
Workable Fashion’ took a timely look at professional officeattire, because looking great should not have to come at
the cost of sustainability and an excessive carbon footprint.

Walk DVRC

穿上適合步行的舒適輕裝，推動更環保的日常出行習慣。「着得又行德 」透 過以可持續物料為主題的網上研討會、比賽、時裝展示及造型冊，推廣上班服飾的 設計 新 趨 勢，再思專 業白領 的穿搭，
探索如何保持美觀造型之餘，又可以為可持續發展出一分力，並減少碳足跡。

The Warehouse

Reimagine the South 再 思 南 區 ．社 區 設 計 Teenage Club
Through the lens of design, young people and the public
deep dived into the history and culture of the Southern
District, which has undergone a massive transformationfrom a sleepy fishing village to a bustling urban area. With
engaging activities including a sampan cruise experience,
a community design workshop, an Augmented Reality
Instagram filter experience and more, ‘Reimagine theSouth’ unlocked the district’s creative potential.

從設計角度入手，引領青少年和公眾

Making On Loft

To Kwa Wan, the vintage urban district,
has evolved its own vibrant cultural andcreative ecosystem over the years. With
pop-up design studios, zine workshops,
an exhibition and a market, ‘Creation
to Emerge’ empowered the creative
community and encouraged young talents
to unleash their creativity by designing forthe small shops in the neighbourhood,turning the area into a thriving ‘design andcreative maker cluster’.

發掘南區的豐富歷史及文化，了解南舊區土瓜灣歷年來逐漸蛻 變，發展出活力十足

都 市。「 再思南 區・社區 設 計」透 過間限定設計工作室、小誌工作坊、展覽和市集，

區 如何由式 微 漁村 搖身 一 變 成 繁 華
舢板體驗、社區設計工作坊、擴增實境 Instagram 濾鏡體驗等引人入勝的活動，釋放區內的創意潛力。

的文化和創意生態系統。「樂在・做＿」透過期
為創意社群注入力量，並鼓 勵年輕人才為鄰近
小店製作生活設計用品，讓 創意 飛 揚，帶 動 該
區成為蓬勃發展的「設計與創意生產集群」。

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107

香港設計中心年報 2022—23

CityProg 2022 x Businesses x Overseas

Ignite New
Possibilities
跨界合作
開拓新機遇

Dr. Ruffina Thilakaratne
RIBA International Council
member for Asia and Australasia
英國皇家建築師協會國際理事會成員（亞洲及澳大利西亞）

Ms. Fanny Yu
余卓婷小姐Apart from presenting 10 design
festivals and programmes,
CityProg 2022 fostered exchanges
and collaborations among
different sectors, local businesses
and overseas creative units tochampion innovation for our cityand economy, and nurture a
thriving creative ecosystem inHong Kong.
Check out some of the Satellite
Events we hosted and hear what
our partners say about us!
城區活動 2022 除了推出 10 個設計節和

項目，亦積極推動社會各界、本地商業及外國創意單位之間的交流與合作，帶動
創意經濟發展，締造香港創意生態。

以下是部分我們舉辦過的衛星活動，
來聽聽我們的合作伙伴怎麼說！

Ms. Angie Chung鍾詠婷小姐

General Manager,
Central Market of Chinachem Group華懋集團中環街市總經理For two consecutive years, Central Market
has been a CityProg creative partner. Thistime, we joined hands with Walk DVRC and
CityProg to host the ‘Walkable Workable
Fashion Presentation’, providing a platform
for local designers to showcase their works.
We will continue to create value for thecommunity by organising a series of different
programmes and exciting events.

Loupe has broadened the promotional
channels and strategies, and connectedwith more new partners through being
part of CityProg 2022. We collaborated
with CityProg to launch different
educational projects that fulfilled our social
responsibilities. We look forward to working
with more people to promote design and arts
through various events.
Loupe 透過城區活動 2022 擴闊宣傳的渠道

和方式，並認識更多合作伙伴。我們與城區
活動合作推出不同的教育項目，聯手善盡企

業社會責任。往後的日子，我們期待與更多

不同單位合作，於不同活動中宣揚設計和藝術文化。

Ms. Kristie Leung梁皓明小姐
Director of Campell Group –KC100 Art Space
金寶集團 KC100 藝術空間總監
It is very encouraging to see the success of
CityProg 2022 as it continues to identify andcultivate new possibilities to grow the local
design, arts and cultural community. We
look forward to our continued partnershipin showcasing local designers and artists’talents, not only in the Kwai Chung district,but also to the world!

英國皇家建築師協會（香港分部）與城區活動

2022 攜手合作，成功舉辦「2022 後疫情時代

家具設計比賽」，並邀得香港設計中心主席嚴
志明教授加入評審團，從專業人士和學生的創

作中選出獲獎作品。是次與香港設計中心的合
作實在意義非凡。

Mrs. Klára JURČOVÁ
Consul General of the
Czech Republic in Hong Kong
捷克共和國駐香港總領事
Our collaboration with CityProg 2022
was our first deeper immersion into thedesign dialogue between Czech and Hong
Kong designers. We are glad that several
Czech brands got the chance to introduce
themselves, and be involved in exchanges
with Hong Kong partners and the younger
generation. The biggest benefits were the
networking opportunities that will lead tonew collaborations.

中環街市連續兩年成為城區活動的創意伙伴。

城 區 活 動 2022 的成 功 非 常 令人 鼓 舞，全 因今次參與城區活動 2022，讓捷克和香港設行德 」時裝 展示，為本 地設計師提供一 個向

和文化圈的各種可能性。期待未來繼續合作，

讓 更 多人 認識 來自捷 克的品 牌，並把 握了

他們努力不懈 地發掘和培養本 地設計、藝 術

今次，我們聯同行德及城區活動舉行「着得又公眾展示作品的平台。我們會繼 續積極舉辦The Hong Kong Illustration and Creative Show vol.4

Spark Up Asia (APAC
Culture and Creative
Industries Alliance)

亞洲創意盛宴 3.0

HKHands

與香港 伙伴和年 輕一 代交流的機會，從中

計師和藝術家的才華！

Creative Feast 3.0

Highlighted Satellite Events
精選衛星活動計師得以 展開更深入的對話。我們很高興不僅 只向葵涌社區，而是全世界展示本 地設

一連串精彩活動，為社區創造價值。

香港插畫及文創展 vol.4

RIBA HK Chapter partnered with CityProg
2022 on the ‘2022 Post Covid Furniture Design
Competition’, which was a huge success.
Prof. Eric Yim, Chairman of Hong Kong Design
Centre joined the judging panel to select thewinners from the creative entries submitted byprofessionals and students. The partnershipwith HKDC has been rewarding.

Project Director of Loupe
Loupe 項目總監

促成新的合作。

Lamborghini Hong Kong
Walk DVRC
行德

Skateboard Symposium
滑板文化研討會

SUBXMAS ‘A Night with the Angry Cat’SUBXMAS 「招財鬧貓之夜」

林寶堅尼香港30 Years Of Lamborghini Hong Kong – HK30
林寶堅尼香港 30週年展覽 – HK30

CarnabyFair &
Goodsof Desire(G.O.D.)

HKDC Annual Report 2022—23

108

As a concurrent programme of CityProg, thespecial initiative ‘Design !n Action’ created ‘Open
House’ experiences for students, taking themon tours at design companies to learn about
the working environment and meet professional
designers in person. Nearly 60 local design
companies took part in over 70 activities to share
their expertise, inspiring over 300 senior primary,junior secondary, and tertiary students to explore
the value of design and future career planning.

The Design !n Action tours gave me insights into
designing various types of spaces, like houses,
malls, and resting spots. Out of all the programme
activities, I enjoyed the ‘Contributing to society in
Minecraft’ project the most. Working collaboratively
with my team, we built different structures, including
the Axolotl Library and Tree Land, and created thesafest and most exciting water slide for the publicswimming pool. Receiving feedback from thedesigners helped me gain more confidence in mydesign skills.
「設計好改變」讓我深入了解各式空間設計，如房屋、商場及休憩處等。在一眾活動中我最喜愛的是「在我的世界中為社會做貢獻」。
活動期間，我與團隊合作
構建了不同建築物，包括

Design !n Action
exposed me todifferent areasof Hong Kong aswell as community
events, allowing
me to reconnect
with the city andmeet dedicated individuals from various fields.
Through interactions with industry pioneers, I
discovered that a designer’s soul is defined not
only by creativity but also by persistence andexperience from mistakes. The ability to integratethese elements is what sets a designer apart.

Axolotl圖書館和綠林，並為「設計好改 變 」讓 我參加到香港 各區的社區活動，又好玩的水滑梯。設計導努力深耕細作的專業人士。通過與行業先驅的交流，

公共游泳池建造出既安全
師提出的寶貴意見和建議，提升了我對設計的信心。

Cristen Hoo 胡文嘉

Sir Ellis Kadoorie (S) Primary School
官立嘉道理爵士小學

在過程中重新認識這個城市，並接觸來自不同領域、
我發現設計師不僅講求創意，更要堅持信念和從錯
誤中汲取經驗。這些元素的結合正是設計師的靈魂所在。

Lung Chik Tang 龍籍騰

Hong Kong Chu Hai College
香港珠海學院109
The graduation ceremony of ‘Desig
n !n Action’was successfully
held at Hong Ko
ng Disneyland.
Mr. William Kelly
Willis, Executive
Creative
Director of Walt Dis
ney Imagineering
Asia, wasinvited to reveal
the secrets behin
d the park’s
magical experienc
e design.

Design !n Action 設 計 好 改 變

特別企劃「設計好改變」為城區活動之同期活動，

以「設計開放日」（Open House）形式，帶領學生

走進設計企業的工作空間，實地了解設計師的工作「設計 好 改 變 」

duatiotion’ Gra!n Ac
‘Design業禮改 變 」結「設計好n Ceremony

結業禮 於香港 迪
士尼 樂 園 圓 滿 舉行，邀 請 了華 特 迪
士 尼 幻 想 工 程（ 亞洲 ）行 政 創
意 總 監 韋 愷 禮（Kelly Wi llis）擔 任
特別 嘉 賓，向在 場 同 學 分享 樂
園背 後 體 驗 設計
的 奧 妙之 處。

日常，親身與設計師互動交談。項目邀請近 60 家

本地設計企業分享他們的專業知識，舉辦了超過 70

場活動，讓超過 300 位本地大專、初中和高小學生，

認識設計的價值和職業生涯規劃。

來自香港不同領域的設計師。透This special
initiative taught
me about design
methods, object
pairing, and
3D tools. I was
impressed by
the designers’ creativity and ability to generatemany innovative ideas quickly. This surprised mesince I usually take longer to come up with myown concepts, even in my personal artwork. Their
efficiency challenged my approach to design andleft a lasting impression.

我 對 設計 的 理 解，啟 發 我 尋

這次的特別企劃讓我學到有關設計方法、物件搭

旅程和追求成功的決心，非快速產生許多創新想法，令我感到十分佩服。在創

Taking part in Design !n Action gave me theopportunity to meet and learn from various designersin Hong Kong. Meeting designers from different
fields broadened my understanding of design andinspired me to find my own style. Learning about
their journeys and determination to succeed was
intriguing and motivating. Their passion for design
encouraged me to pursue my dreams.
「設計好改變」讓我有機會接觸到過與他們見面和交流，加深了
找自己的風 格。他 們 的設計
常引人入勝和激勵人心。他
們對設計的熱誠鼓勵了我
追求自己的夢想。

Wong Nga Lam 黃雅霖

St. Paul’s Co-educational College
聖保羅男女中學

香港設計中心年報 2022—23

Participating in Design !n Action allowed me tolearn about design in different industries and its
potential to improve people’s lives. I used to findit challenging to acquire design knowledge in mydaily life, but now I understand its importance andimpact. Through various visits and interactions,
I discovered that designers are approachable
and enjoy communicating. Their human-centeredapproach encourages us to seek better life
experiences and to make design an essential
aspect of our lives.

業和良好設計實踐的寶貴見解。與在不同領域中表參觀和交流活動，我發現設計
本的設計理念鼓 勵我們尋求
更 好 的 生 活 體 驗， 讓 設 計
成為我們生活中不可或的印象。

‘Design !n Action’Interviews with 12 Local
Design Companies《設計好改變》12家
本地設計企業的故事

師都很平易近人，他們以人為計知識，現在我終於可以理解

念，所以設計師的高效率創作，讓我留下了深刻

Explore What
Design Can Do
發掘更多設計成就的好改變

「設計好改變」豐富多樣的活動，包括設計師分享、

的應用，以及它對改善人們生活的潛力。我以往覺

作個人畫作時，我通常需要更長的時間去構思概

King’s College
英皇書院

到它的重要性與影響力。通過參與「設計好改變」讓我學習到設計在不同行業中

配及3D工具應用的知識，設計師極具創意、並能Chau Tsz Ho 周子昊

得很難在日常生活中學習到設

Design !n Action’s diverse
range of activities, including
designers’ sharing, oneon-one conversations, andstudio visits, provided mewith valuable insights
into the design industry
and good design
practices. Interactingwith designers who
excel in various fields
taught me about traits such as diligence, creativity,
and a willingness to experiment. Their willingness
to share their experiences and knowledge has
inspired and enriched me, giving me a clearer
sense of direction for my career.

缺的一部分。

Chan Pak Wing 陳柏穎Creative Kids
奇極創作室

‘Design !n Action’
Online Exhibition
設計好改變作品展

一對一交流和工作室參觀，為我提供了有關設計行

現出色的設計師互動，讓我發掘到他們勤奮、富創

意和願意嘗試的特質，他們十分樂於分享經驗和知識，令我深受啟發，為我的職業生涯帶來了更清晰的方向。

Wong Ki Sum 王淇心

Hong Kong Polytechnic University
香港理工大學110

HKDC Annual Report 2022—23

111
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Following🌟🎨Design Spectrum 設計光譜🌟Design Spectrum 設計光譜
Central Market✨379

香港設計中心年報 2022—23

✨

🎨✨
🌈🌍

🌟🎨

Design Spectrum 設計光譜
PMQ

🌟🤝💡

148 likes💡🌈🌍🌟🤝💡
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MessageEmailEnvisioning
A Community
That Thinks
Beyond Green
超越環保的設計思維

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呈現香港設計續航力
設計光譜

常行

大夢細想

Design Spectrum 設計光譜

Inspiring andShowcasing Good
Designs In Our
Communities
展示好設計 啟發創意社群

Curator 策展人
Benny Au and Teresa Chan

DS Shopdesignspectrum.hk 1w#alwaysExhibition #DesignJourney#CreativityUnleashed #BrighterFuture#InnovationUnleashed #AdaptableSpaces#DesignAcrossGenerations#InspirationUnleashed#常行展覽 #設計旅程 #釋放創造力#光明未來 #激發創新活力 #靈活空間#跨時代設計區德誠及陳婉衡
DesignSho...

Exhibition Date 展覽日期22.11.2022 – 12.12.2022
in Central Market 於中環街市展出

💪💭
🌈 🌍🌱

15.12.2022 – 26.02.2023
in PMQ 於元創方展出

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112

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113

Design Spectrum 設計光譜 1hDesign Spectrum 設計光譜
2hDesign Spectrum 設計光譜
Mallory Street

Design Spectrum 設計光譜
5h

香港設計中心年報 2022—23

💭🚀🌱✨

Bridging Virtual and Real
Visions from Designers

💭🚀🌱✨

遊走真實與虛擬世界 超越夢想 跨越時空

Curator 策展人
Michael Leung
梁展邦

Exhibition Date 展覽日期11.05.2022 – 17.07.2022
at 7 Mallory Street
於茂蘿街7號展出

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114

HKDC Annual Report 2022—23

115
1 Green One Lab Limited 綠壹研究所有限公司

One Pair Straw is anaward-winning reusable
straw with an innovative
detachable design, andcan be cleaned easily
without a cleaning brush.

2 MOODLABBYLORRAINE壹對飲管是一支可拆式
的可重用飲管，獲得多個設計獎項。獨特的可拆式設計，能夠清洗飲管每一個位置，毋須使
用飲管刷。

FUJI SOCKS, inspired by the iconic
Mount Fuji and Japanese Sashikoembroidery, symbolises a yearning
for travel. The playful patchwork of
stitching styles represents a fusion of
the old and the new.

3 Mosi Design Limited 無事設計有限公司

襪子圖案的靈感來自富
士山及日本傳統工藝刺子繡，當中表達了對日
本旅遊的思念。拼接工
藝營造出一種新舊融合的衝突美感。

In:visible wallet is designed for thevisually impaired to distinguish thevalue of banknotes, with a stairshaped measurement tool built inside.
With its minimalist design, this walletis also a very stylish accessory.

2

4

香港設計中心年報 2022—23

帶有梯形量度的看得
見銀包專為視障人士而設計，讓用家可以
自主分辨不同紙幣面額。銀包外形簡約而
不失時尚感。

3

8
1

讓好設計
融入日常生活7
6

Brimming with whimsical home decor, fashionforward apparel and delightful accessories, DS
Shop showcases winners of the prestigious
DFA Awards and the design talents nurtured by
HKDC’s incubation programmes with a launching
pad and a platform to sell their innovative
creations. Come discover the original wonders of
DS Shop — a true celebration of great design inthe heart of Hong Kong!

5

DS Shop 為著名「DFA 設計獎」得獎者及香港設計中心旗下培育計劃的創意人才提供銷售創新產

品的平台，展示多款由他們匠心設計的家居飾品、
前衛服裝及精美配飾。本土創意於 DS Shop 發光發亮，快來探索原創好物！

4 Storyteller Limited 說故事有限公司

Developed for‘The Heart Seeker’
exhibition in 2020, thishandy tote bag features
an illustration by local
artist Theo Hikari.

StoryTeller 與本地插畫師 Theo
Hikari 合作，取材自2020 年「The Heart
Seekers」展覽而創
作的專屬帆布袋。

5 Isatisse Studio 大賞工作室This whimsicaldrawstring bag by
Isatisse is roomy
enough for your on-thego necessities – lunch,wallet, keys – and more.

Isatisse 的索繩
袋兼具輕巧便攜與大容量，非常適合盛載午餐
盒、錢包和鑰匙
等日常必需品。

6 Kevin Cheung Design

Rice Bell gives recycled
rice cooker bowls a
new life and purpose,and their resonant
aluminium domes ringhappily because of this!

飯鈴讓廢棄電飯煲內膽獲得新生命，用創意再造成能敲出清
脆響聲的單車響鈴，
將升級再造的理念發揮得淋漓盡致。

7 Milk Design

Designed for brewing and sharing tea,
this simple, elegant pitcher has a lid
and heat protection wrap, making iteasier to hold and maintain a moderatewater temperature that opens up thelayers of fragrance in the tea.

這款茶具專為泡茶及與
人分享好茶而設，造型
簡約優雅。附壼蓋及隔熱帶，防燙手之餘可延長保溫，讓好茶徐徐散
發出層次豐富的茶香。

8 In Wonderland Co.

Inspired by the rubber screaming
chicken toy, this innovative Screaming
Chicken DIY Kit is eco-friendly and great
fun to build. With a simple compression,
it unleashes a screech that is sure to
grab attention and bring laughter.

受橡膠尖叫雞玩具啟發，這款創新的尖叫雞 DIY
套裝既環保又好玩。這個DIY 尖叫雞捏一下就會發
出叫聲，肯定能吸引眾人
的注意力，帶來歡笑。

HKDC Annual Report 2022—23

116

esign
an
Connect
Society
設
計
可
聯
繫
社
會

05
117

香港設計中心年報 2022—23

BOARD OF DIRECTORS 董事會成員

HKDC Annual Report 2022—23

118

119

03

01 Prof. Eric Yim 嚴志明教授

02 Prof. Viveca Chan 陳一枬教授

03 Steve Leung 梁志天

Airbnb is a design thinking success story. Founded by
two designers Brian Chesky and Joe Gebbia, Airbnb’s
two main design-focused principles behind its successare the company’s holistic experience approachwith a simple and novel booking procedure; and its
interpenetration of lifestyles, culture characteristics anddesign. Airbnb has helped define the sharing economy
and experience design.

The iPhone redefined the role of mobile phones. Itchanged the way we communicate and interact withpeople and technology in four ways: its sleek design;
its revolutionary touch screen, easy navigation andcamera; its App ecosystem that transformed phones
into indispensable personal devices for functionality
and entertainment; and its continuous innovation, suchas facial recognition and AR functions.

Chopsticks, a simple pair of equal-length sticks, havebeen indispensable cooking and eating utensils forthousands of years. Originating in China and now
used in many other parts of Asia, their simple andtimeless design symbolises Asian dining etiquette, an
enduring symbol of Chinese culture, and a global iconof functional design.

愛彼迎是一個成功運用設計思維的例子。平台由同為設計師的iPhone 重新定義手機的角色，包括改變人際溝通及人與科技具。筷子起源於中國，現已廣泛使 用於亞洲其他地區。設計簡

Chairman 主席

Chopsticks 筷子

DrivingChangewith
Design香港設計中心年報 2022—23

Vice Chairman 副主席

Vice Chairman 副主席

Brian Chesky 及 Joe Gebbia 創辦，秉持兩大以設計主導的原互動的方式：擁有纖巧時尚的外型；革命性的輕觸式屏幕、易第二是將生活方式、文化特色及設計融為一體。愛彼迎成為定

出門必備、集實用功能與娛樂於一身的個人裝置；以及持續不

則，第一是採用整合式體驗模式，配合嶄新易用的預訂流程；義何謂共享經濟及體驗設計的一員。

用的導航和相機功能；高度整合的行動作業系統，令手機變成一雙 一對的 筷 子，數千年來一直 是不可或 缺 的 煮 食用具 及餐
約而歷久常新，不但體現亞洲餐飲禮儀，長久以來象徵中國文化，更是功能性設計的國際級代表作。

斷的創新，例如人臉辨識和擴增實境功能。

設計引領

02
04

iPhone05

Condom 避孕套

改變未來

06

Change often evokes fear and uncertainty, but it is also
the element that compels designers to create solutions
that enable societies to progress. At HKDC, we believethat design has the power to drive positive change
in the world. Here, our Board of Directors share
their perspectives on the greatest designs that haveindelibly shaped the world we live in today.
改變也許會打破安逸的現狀，但亦推使設計師構思解決方案，以推動社會邁步向前。香港設計中心深信設計可以成為
引領世界進步的主要力量，我們的董事會成員藉此分享一些
形塑現今世界的優秀設計，暢談精闢見解。

Notre-Dame du Haut 廊香教堂

06 Prof. Leslie Chen 陳弘志教授
Director 董事

04 Bonnie Chan 陳德姿
Director 董事

01

Airbnb 愛彼迎A smartphone with an all-in-one touch screen design
was considered so groundbreaking at the time, but isnow unquestionably ubiquitous. Very few people cango without a smartphone now. It has changed many
aspects of our lives across the world.
想當年，配備全功能輕觸式屏幕的智能手機獲視為破格創新，現在無疑已變成處處可見。智能手機在很多方面改變了人類的生活，成為現代人生活中必不可少的一部分。

05 David Lo 盧永強
Director 董事

Condoms are one of the most important designs inhuman history. It is not only a product that prevents
pregnancy but also a most effective tool to prevent
sexually transmitted infections. (STIs)
避孕套是人類史上最重要的設計之一，不但能夠避孕，亦是最有效預防性病的工具。

As a design educator, I find Le Corbusier’s Ronchamp,
also known as the Church of Notre-Dame du Haut, truly
remarkable. Its uniquely expressive form challenges
traditions. The interplay of light and shadow within
its walls evokes both spirituality and emotion. The
innovative use of materials and harmonious integration
with nature are valuable lessons in pushing theboundaries of design.
身為設計教育家，我認為由 Le Corbusier 設計的廊香教堂非常出色，其表達手法相當獨特，挑 戰傳統規範。室內的光影效

果營造神聖氣氛，喚 起情感共鳴。教堂選材創新，同時與自然
和諧融合，成為展現何謂突破常規的寶貴教材。

120

BOARD OF DIRECTORS 董事會成員

HKDC Annual Report 2022—23

17

07

121
07 Dr Benson Cheung 張本善博士

08 Karr Yip 葉憬翰

09 Kevin Yeung 楊棋彬

Photoshop is a widely recognized software for its
exceptional capabilities in photo editing, graphic
design, digital painting, and photo manipulation. Its
power lies in its versatility and features that allow
users to create stunning visuals. It is an essential
tool for photographers, designers, artists, and otherprofessionals who create and edit visual content all
around the world.

The column-and-beam structure – vertical columns
that support horizontal beams – has had a significant
impact on architecture and construction. This structural
system has allowed for the construction of large andcomplex buildings, including skyscrapers, bridges, andstadiums. It has also influenced the development ofother construction materials and techniques.

Originally designed as an undergarment, the t-shirt has
transformed into the most ubiquitous item in apparel.
The origins of the t-shirt date back to the late 19th
century, when laborers would wear the undershirt only
to keep cool in warmer months of the year. Fast forward
to today – it is a fashion staple of global culture today.

Photoshop 的照片編輯、平面設計、數碼繪圖及影像處理功能樑的結構系統，得以建造設計複雜的大型建築物，包括摩天大Director 董事

Photoshop

09

T-Shirt T恤

08

The Column andBeam Structure柱樑結構超卓，備受推崇，優勢 在於集多功能 於一身，用戶可以使 用不同功能創作非凡影像。對於世界各地從事創作及編輯影像的攝

Artificial Intelligence (AI)

Director 董事

柱樑 結構對建 築及 施 工的影 響 深遠，有賴 這種以 直柱 支 撐 橫廈、橋樑和體育場，亦有助推動其他建築材料和技術的發展。

影師、設計師、藝 術家及其他專業人士來說，這是必不可少的

人工智能

香港設計中心年報 2022—23

Director 董事

日常生活中最常見的T恤已經成為大家離不開的一種簡約又舒適的衣服。它的起源可以追溯到19世紀末，最初是作為內衣出

現的，當時 從事體力勞動的工人會將T恤 外穿，以便 適 應炎熱

的氣候環境。時至今日，T恤已變成日常衣著，顛覆時裝的內外
分野。

工具。

11

18
Thonet Chair #14
Thonet 14號椅

3D printing
3D 打印技術

10 Horace Pan 潘鴻彬Bruce
11 Patrick
Director 董事

12 Alan Cheung 張益麟

Underground subway trains require less landconsumption than road transportation systems. They
also offer other important benefits for the community:
better air quality, lower energy costs and lower
transportation accident rates.

Michael Thonet’s revolutionary ‘Thonet #14 chair’,created in 1859, was a product ahead of its time. Its new
way of bending wood into shapes of great simplicity
was arguably the original precursor of the flatpack
furniture revolution. Assembled from 6 components anda handful of screws and bolts, it is an iconic object stillseen in restaurants and cafes today.

The NEOM project in Saudi Arabia can revolutionise
how we conceive, build, and live in cities. It embraces
renewable energy, AI and advanced technologies.
Its carbon-positive urban development focuses onsustainability, and offers a model for tackling climatechange. The city’s design also prioritises human wellbeing with automated services and digital infrastructure,creating a balance between technology and nature.

Director 董事

相比道路交通系統，地下鐵路使用更少的土地，同時為社區帶來其他裨益：令空氣質量更好、能源成本更低、交通意外更少。

Michael Thonet 於 1859 年創作革命性的14號椅，破格前衛。椅
子採用彎曲實木的嶄新技術，非常精簡，可稱得上是扁平式包裝

家具的先驅。這款椅子僅需六個組件及少量螺釘和螺栓組裝而
成，至今仍然具代表性，可見於餐廳和咖啡館。

Director 董事

沙特阿拉伯的 NEOM 項目徹底改變我們如何構建城市，以及在當中的生活方式，項目運用了可再生能源、人工智能和先進科技。
都會開發區達致減碳正效益，注重可持續發展的同時，亦帶來應對氣候變化的發展模式。此外，城市設計以人類福祉為先，透過自動化服務和數碼基礎設施，力求在科技與自然之間取得平衡。

10

Metro Systems 地下鐵路

Alessi Juicy Salif
Citrus Squeezer
Alessi 外星人榨汁機

15 James Law 羅發禮In tackling the affordable housing crisis, the OPod
concrete pipe house by architect James Law canpotentially change the world. It promotes sustainability,
and offers adaptable solutions for diverse populations
by providing affordable, space-efficient, andenvironmentally friendly housing. The OPod can
improve the lives of individuals and communities, andmake a positive, lasting impact on the world.

This Squeezer designed by Philippe Starck for Alessi
was a product from the 90s, when I was still at college.
It was the first time I had seen such a creative productthat combined functionality and aesthetics. This is also
the philosophy behind our product development at
SMEK today - to combine creativity with practicality.

The iconic Death Star in the Star Wars movies has left
an indelible impact on popular culture. It represents thelimitless possibilities of technology and their potential
consequences. The Death Star serves as a reminderof the power and responsibility that come with great
innovations, and of the need to contemplate the ethicalimplications of our own creations.

面對可負擔房屋 短缺 的困 局，由建 築師羅 發 禮設計的混 凝 土

結合功能和設計美學於一身。把創意跟實用性結合在一起，也正

OPod「水管屋」有望改變世界。「水管屋」可促進可持續發展，並透過提供經濟實惠、節省空間且環保的住屋，為各類人士提供

Director 董事

這個由 Philips Starck 為 Alessi 設計的榨汁機是 90 年代誕生的

Director 董事

產品，那個時候的我還是學生，頭一次看到這麼有創意的產品，《星球大戰》電影中的「死星」極具代表性，在流行文化中留下不是我們SMEK 從起家到今天做產品的理念。

創新發明所帶來的力量及所伴隨的責任，以及需要在創作時納靈活的解決方案。OPod 可以改善生活質素及社區環境，並為世

可磨滅的足跡。它代表科技的無限可能及潛在後果，提醒我們入道德考量。

界帶來正面深遠的影響。

The Ugly Fruits and
Veggies Movement
醜食文化

15
OPod Concrete Pipe House OPod「水管屋」

The NEOM
project inSaudi Arabia
沙特阿拉伯的NEOM 項目16

13

14 Eddie Hui 許夏林

Director 董事

12

14

13 Joanne Chow 周凱瑜

The Death Star from Star Wars

《星球大戰》中的「死星」

16 Prof. Kun-pyo Lee 李健杓教授

17 Tommy Li 李永銓

18 Stephen Liang 梁國浩

The ‘ugly’ fruits and veggies movement urges
shoppers not to throw away perfectly good fruits andvegetables just because they do not meet arbitrary
cosmetic criteria. Many families can’t afford to eat therecommended daily portions of fruits and vegetables.
The produce tastes just the same, and eating ‘ugly’
fruits and veggies helps reduce global food waste.

I believe that Artificial intelligence is the key to unlocking
the Fourth Industrial Revolution. Today, we are at the
beginning of this era, and I look forward to a future
where AI creates other AIs. This is a new era where AI
will have a tremendous influence on the world as weknow it.

3D printing is a technology that can create complex
objects from digital designs, which has the potential torevolutionise the way we produce and distribute goods.
It can reduce waste and transportation costs, andenable customisation and personalisation of products.

人工智能將是開啟第四次工業革命的鑰匙。今天，我們正站在底改變我們生產和分銷商品的方式。它有助減少浪費及降低運

Director 董事「醜食」運 動 推 動 消費者不 要單 單因 為所謂的審美 要求，便丟掉絕對可供食用的蔬果。許多家庭都負擔不到每日應攝取的蔬果份量。即使蔬果賣相欠佳，仍然無損味道，推廣「醜食」文化
有助減少全球的食物浪費問題。

Director 董事

這個時代的開端，我期待著用 A I 創造 A I 的未 來，這 將會是一個顛覆認知的新時代。

Director 董事

透過 3D 打印技術，數碼設計可製作成結構複雜的實物，有望徹

輸成本，並提供度身訂造產品。

HKDC Annual Report 2022—23

122

19 Joseph Lo 勞建青

20 Victor Lo 羅仲榮

21 Victor Tsang 曾昭學

25 Janet Cheung 張啟秀Grey
26 TomAlternate Director 後補董事

27 Eddy Hui 許迅

The French inventor Nicéphore Niépce was one of theearliest pioneers of modern photography, and the print hecreated in 1825, ‘View from the Window at Le Gras’, is theoldest surviving product of a photographic process. The
invention of the camera changed the way we see the world,allowing us to preserve moments, and to document eventsfrom the past.

Shigeru Ban’s ‘invisible structure’ design for humanitariandisaster relief projects is based on recyclable materials,
notably paper. Since 1994, his ‘Paper Partition System’ hasenabled the production of high quality, low-cost emergency
evacuation centres to provide housing and privacy for thevictims of disasters such as earthquakes across the world,
including in Rwanda, Haiti, Turkey, Japan and more.

The Chinese people began using chopsticks 4,000 years
ago, first for cooking and serving, then later adapted fortable use. They are the perfect utensils for a culture thatvalues families dining together and sharing food placed at thecentre of the table. Today, among Chinese and other Asian
cultures, chopsticks still foster harmony, respect and unity.

The iPhone revolutionised the way we communicate, work,and play. Its impact on technology and society has been
immense, making it one of the greatest design innovationsof all time. With its iconic form, innovative features, andunparalleled user experience, the iPhone is a cultural
phenomenon and a symbol of technological progress,
shaping the world as we know it today.

The need to heat, cool and power skyscrapers currently
contributes to approximately 28% of the world’s carbon
emissions. To address this, we can harness the gamechanging power of solar energy. Using photovoltaic (PV)technology in building façades and windows, we canconvert buildings into electric solar farms that can powerthemselves and contribute towards a net-zero future.

The Sega Telegenesis modem shattered geographicalbarriers, allowing people around the world to connect andplay console games with each other. This groundbreaking
innovation inspired developers and paved the way for
online multiplayer gaming, transforming how we play andconnect with others.

法國發明家 Nicéphore Niépce 是現代攝影的先驅之一，他攝

建築師坂茂為救災援助項目搭建的房子採用「無形結構」，以中國人早於 四千年前便 開 始 使 用筷 子，最初是 用於烹飪 及奉

iPhone革命性地改變我們的溝通、工作和娛樂模式。它對科

目前，摩天大廈的供暖、製冷和供電需要，約佔全球碳排放量戰。這一破格創新的概念為開發人員帶來啟發，為多人連線遊相機的發明改變了我們看世界的方式，不但能讓一刻永存，亦

系統 」，得以 興建高質素、低成 本的應 急 避 難 所，為世界各地

擺放於餐桌中央分嚐的民族來說，筷子是完美的用具。時至今設計之一。憑藉其標誌性的外型、創新性的功能以及無與倫

過在建築外牆和窗戶使用光伏技術，將建築物變為能夠自行供Director 董事

Director 董事

於 1825 年的《在萊斯格拉的窗外景色》是現存最古老的相片。
能記錄過去的大事。

19

123
Director 董事

可回收材料如紙張為建材。自1994 年以來，有賴其「紙管隔間受地震等災難影響的災民，提供享有私隱的容身之所，包括盧
旺達、海地、土耳其及日本等。

20

Camera 相機菜，後來才經改良作食具。對於重視一家人相聚用餐、將餸 菜

天，綜觀中國及其他亞洲文化，筷子仍然體現和諧、尊重和團
結的精神。

21

Alternate Director 後補董事

技和社會的影響極為深遠，使之成為有史以來最偉大的創新
比的用家體驗，成為一種文化現象和科技躍進的象徵，塑造
著我們今日所認知的世界。

Alternate Director 後補董事

的 28%。為解決這個問題，我們可以利用太陽能扭轉局勢。透Shigeru Ban’s ‘Invisible
Structure’ Design

26

建築師坂茂的「無形結構」

24

23

Photovoltaic Technology –Harnessing the Sun
太陽能光伏科技27

iPhoneDirector 董事

Paper, invented by Cai Lun in the 2nd-century AD Han
Dynasty, was one of the greatest designs in the world.
Papermaking enabled the mass production of books anddocuments to disseminate knowledge and ideas acrossthe world. Its impact on human civilization was immense,
and it remains one of the most significant and enduringcontributions of Chinese civilization.
遠在公元二世紀的漢朝，蔡倫發明了紙張，成為世界上最偉大的設計之一。造紙術令書籍和文件可大量生產，有助知識和思

想傳播全世界。它對人類文明產生莫大影響，而在中華文明發
展史上，仍然是最重要、影響最深遠的貢獻之一。

世嘉數據機Friedrichstrasse Skyscraper Project
柏林 Friedrichstrasse 摩天樓設計方案

Victorinox
Swiss Army Knife
維氏瑞士軍刀巴克敏斯特·富勒的測量圓頂屋

23 Donald Choi 蔡宏興

The Sega
Telegenesis
photo by boffy_b

R. Buckminster Fuller’s
Geodesic Dome

22 Mui Kinoshita 梅傲雪戲的發展鋪路，改變了我們玩遊戲以及與人聯繫的方式。

電的太陽能發電場，為實現淨零排放目標出一分力。

30
Papermaking 造紙工藝世嘉數 據 機 打 破地 域界限，連 繫世界各地的遊 戲 玩 家 進行對

Chopsticks 筷子

25

22

香港設計中心年報 2022—23

28

29

LEGO 樂高積木

Rotary Car Parking
System (RCPS)
自動泊車系統28 Antony Chan 陳志毅

29 Lowell Cho 曹黎淑霞

30 Michael Chan 陳詩華

The Victorinox Swiss Army Knife was introduced over 100
years ago. It gained popularity after WWII and it was evenbrought on space missions. This popular red object waseven added to the Museum of Modern Art in New York.
Today, Victorinox incorporates new functions such as LED
lights. I am a big fan of it.

LEGO is a beloved toy that many of us have grown up
with, from childhood through adulthood. Its timeless andinnovative design, featuring simple interlocking blocks, has
fuelled creativity and imagination for generations. Beyond
play, LEGO’s versatility and countless variations make it avaluable tool for education, helping to develop problemsolving, engineering, and creativity skills.

The RCPS is a new smart parking technology that offers
solutions to parking issues in congested cities. It offers
operational flexibility without the need for attendants,
increased security and a lower risk of vehicle damage.
With the use of composite parts, it is easy to assemble
and dismantle, and can be used effectively in areas where
space is limited.

In 1921, in a competition to design Berlin’s first-ever skyscraper,
the revolutionary design by the then-unknown young architect
Mies van der Rohe did not win. However his innovative use ofsteel and glass was ahead of its time: it offered a glimpse into
the future of modern architecture. It would be decades before
a similar building was actually constructed.

及「以少創多」的永恆睿智。今天，我們製造過多廢物，生活方

維氏瑞士軍刀於 100 多年前面世，在二戰後廣受歡迎，甚至應樂高積木是伴隨不少人成長的玩具，深得小孩和成人的歡心。

自動泊車系統是嶄新的智能泊車技術，為密集發展的城市應對

經傳的年輕建築師 Mies van der Rohe 提交了一份破格的參賽

在 這種 方法下，設計師集藝 術家、發明家、技師、客 觀 經 濟學

藝術博物館的展品。時至今日，維氏加入 LED 燈等新功能。我和想像。除玩樂外，多元多變的樂高積木也是不可多得的教 育

低車輛受損的風險。系統採用組合模式，易於組裝及拆件，同

Director 董事

R. Buckminster Fuller’s Geodesic Dome is a design rooted
in the elegant beauty of simplicity and the timeless wisdomof ‘doing more with less’. In our present era of excessive
waste and unsustainable lifestyles, we have much tolearn from Fuller’s sustainable design approach wherea designer is a synthesis of artist, inventor, mechanic,
objective economist and evolutionary strategist.
巴克敏斯特·富勒的測量圓頂 屋設計植根 於簡約優雅之美，以式亦不可持續，實在需要從富勒的可持續設計方法多多學習。
家及策略先驅於一身。

24 Hon Sunny Tan 陳祖恆
Director 董事

用到太空人的裝備上。此紅色小物深受愛戴，更成為紐約現代

是它的忠實粉絲。

Alternate Director 後補董事

其創新設計永不過時，以簡單拼砌的積木，啟發多代人 的創意
工具，有助鍛練解難、工程及創意方面的技能。

Alternate Director 後補董事

Alternate Director 後補董事

1921 年，在 設計柏林 第一 幢 摩天 大 廈的比賽中，當時 名不見

泊車問題。操作靈活，無需服務人員在場，更保安全並有效減

作品，然而未能獲勝。不過，他對鋼材和玻璃的運用別具前瞻時有助善用有限空間。

計實現成真。

性，讓 人一瞥現代建築的未 來發展。數十年後，類似的建築設

HKDC Annual Report 2022—23

124

Design Digest 設計二三事

Media Publicity

All About
Our Events,and More!
全面掌握活動資訊
及其他消息

Design Digest gives you an
overview of HKDC’s designfocused activities that ignite
the imaginations of all design
enthusiasts, including
our flagship Business of
Design Week (BODW) andits concurrent events. This
year, to our lively calendar offorums, exhibitions, festivals,
publications and media
outreach activities, we added
the consultation project,
POSsible! Public Open Space
Design Lab; and a study trip
to The Netherlands, which
presented great opportunities
to engage in international
cultural cooperation. Read on
to find out more!
設計二三事助你了解香港設計中心的各大設計活動，當中包括旗艦盛事「設計營商周」及相關同期活動，激發一眾設計愛好者的創意想像。今年，我們不但涵蓋了論壇、展覽、設計節、書刊出版及媒體外展，
同時新增了探討公共空間設計的諮詢項目

傳媒推廣Metro Radio Programme Good Life Good Design125

香港設計中心年報 2022—23

BODW 2022 Concurrent Events
設計營商周 2022 同期活動

新城知訊台節目——生活就是設計

DesignInspire 2022
創意設計博覽 2022

deTour 2022 Design Festival
deTour 2022 設計節

Leadership Forum on
Design Education 2022
設計教育領袖論壇 2022

Business of IP Asia Forum(BIP Asia Forum) 2022亞洲知識產權營商論壇 2022

Design takes to the airwaves on ‘Good Life Good
Design’ co-hosted by HKCD and Metro Radio, which
has aired every two months since 2017 on Metro
Info FM99.7, Metro Radio’s ‘Doors to the World’programme. From April 2022 to March 2023, we had
an engaging season titled ‘Design for Sustainable
Community’. The entertaining and informative
radio segments explored how design isn’t justabout aesthetics – we learned how, with thoughtful
design thinking that focuses on sustainability we canelevate our daily lives, enhance our wellbeing andfuture-proof our communities.

DesignInspire 2022 is a celebration of worldclass designs by global creative gurus, trending
brands and design academies and institutions.
Since 2021, this annual creative showcase has
been broadened into a year-round online-to-offline
programme for promoting international designers
and projects to industry elites and the public. The
virtual experience featured an engaging showcaseof designer projects, thematic designer stories,
fun interactive experiences and a range of creative
workshops; while the in-person roadshow in Hong
Kong highlighted local creative forces.

deTour is Hong Kong’s leading design festival thatcelebrates the innovative works and concepts oflocal and overseas designers and creative talents.
With the aim of erasing the barriers that exist
between design and people, deTour 2022 took on
the theme of ‘Design as One’, encouraging the
public to express their ideas and take part in thedesign process. The design festival comprised 4
main exhibition categories, 39 workshop sessions
and 11 design dialogue sessions, film screenings
and guided tours, as well as a virtual festival.

The Leadership Forum was a full-day event
which brought together renowned leaders fromindustry and academia to share their ideas on thesignificance of having the mindset, process andmethods of design entrepreneurship under the vastdevelopment of business and technology in themodern age, and how education can keep up withthe footsteps to nurture challenge-prepared talents.
Under the theme ‘Design & Entrepreneurship’, there
were a total of over 7,000 cumulative audiences
joining the forum in-person and virtually.

自2017年起，新城知訊台FM99.7《世界隨意門》每

DesignInspire創意設計博覽2022匯聚全球創意精deTour是 香港 年度 設計盛事，展示本 地 和國 際設

設計教育領袖論壇雲集業界和學術界的知名人士，

With the theme of ‘Creating New Value, Discovering
New Frontiers’, the 12th edition of BIP Asia Forumbrought together over 70 speakers and inspired
14,000 online and physical attendees. The forum
explored the potential of IPs in business value
creation and uncovered the profound impact ofmegatrends on the IP landscape in Asia and beyond.
To strengthen IP commercialisation and facilitate
industry collaboration, the debut of the ‘Innovation& IP Market’ showcased original projects from IP
owners, and provided an ideal platform for IP users
and service providers to explore new collaborations.

主持的「生活就 是設計」環節，讓 聽 眾透 過 大氣電計。自2021年起，此年度創意博覽已升級為全年推兩個月播放一次由香港設計中心與新城知訊台聯合

波窺探設計世界。由2022年4月至2023年3月，環節
以「設計．構建可持續社區」為主題，內容娛樂性及資訊性並重，探討設計如何不僅僅是關乎美學，更可透過縝密的設計思維，聚焦於可持續發展，有助

改善日常生活，為大眾謀 福祉，並構建著眼未來的社區。

英、潮流設計品牌，以及設計院校和機構的頂尖設廣活動，透過線上及線下多個渠道，進一步向業界

精英和公眾推廣國際設計師及專案。線上平台呈獻
各種設計項目、專題創作故事、趣味互動體驗和一

計 師 及 創 意 專 才 的 創 新 作 品，盡 顯 其 破 格 意念。deTour 2022的主題是「設計共同」，旨在將人和

設計的距離拉近，鼓 勵大眾發表意見，並參與設計過程。活動包括四大主題展覽、39場工作坊、11場
設計講座、電影放映會、導賞團，以及虛擬設計節。

探 討 在 商 業 和 科 技 急 速 發展 的 今 天，設計創業 思

第12屆亞洲知識產權營商論壇以「共建創新價值．

維、步驟和方法的重要性，同時分享教育應如何與

開 拓 嶄 新 領 域 」為主 題，匯 聚7 0 多 位 講 者及 超 過

題為「設計與創業」，全日累計共有超過7,000名現

值創造方面的潛力，分析環球大趨勢對亞洲以至全時並進，栽培有能力應對挑戰的人才。本屆論壇主場和線上觀眾。

連串創意工作坊，於香港舉辦的線下設計路演，則14,000名現場和線上觀眾。講者探討知識產權在價
球知識產權格局的影響。為加強知識產權商品化和促進業界合作，論壇首次舉辦「創科營商廊」，展示

知識產權擁有者的創新項目，並為知識產權用戶和服

大展本地創意人才的才華。

務供應商提供理想的平台，讓與會者探索合作機會。

「空間大可能！」，以及促進國際文化交流
與合作的荷蘭考察團。細心閱讀，了解更多資料！

Organiser 主辦單位
Hong Kong Trade Development Council
香港貿易發展局

When and format 時期及形式
Year-round, hybrid promotional programme
全年，線上及線下推廣活動

Organiser 主辦單位PMQ
元創方

When and format 時期及形式
18.11.2022 - 04.12.2022
Hybrid event 線上及線下融合活動

Organiser 主辦單位The Hong Kong Polytechnic University School of
Design, Hong Kong Design Institute (member of VTC
Group) and Hong Kong Design Centre
香港理工大學設計學院、香港知專設計學院及香港設計中心When and format 時期及形式
25.11.2022
Hybrid fourm 線上及線下融合論壇

Organiser 主辦單位HKSAR Government, Hong Kong Trade
Development Council, Hong Kong Design Centre
香港特區政府、香港貿易發展局及香港設計中心
When and format 時期及形式
01.12.2022 - 02.12.2022
Hybrid forum 線上及線下融合論壇

HKDC Annual Report 2022—23

126
Quarterly E-newsletter
季刊電子通訊

Guangzhou Design Week 2022
廣州設計周 2022

DMatters

127
Publications

Online Resource

出版物

HKDC Annual Report 2021-2022:
DESIGN CAN《香港設計中心年報 2021—2022：
DESIGN CAN 》

網上資源

Design for Sustainable
Community《深思設計・永續城區》

Our dynamic quarterly newsletter DMatters is yourgo-to-resource to stay updated on all the vibranthappenings and trends sweeping through HKDC’s
lively calendar of programmes and activities. Don’t
miss all the biggest industry stories about up-andcoming new talents who are setting the design
world abuzz with their creativity, the visionaries
who are changing the global design landscape, andthe innovations that are set to change the world.
Subscribe today at www.hkdesigncentre.org to readour exclusive interviews, articles and features thatwill leave you informed and inspired.

As a special edition to celebrate our 20th Anniversary,
the name DESIGN CAN highlights the immense
potential of design for improving our society andcollective wellbeing, and it is the first of more editions
to come. From ‘massive weaving’ of creative ideas
from different community stakeholders, to themed
events and exhibitions that bring industry innovation
trends, this report maps out a lively account of
HKDC’s achievements under the theme ‘Design for
Sustainable Community’. This 2021-2022 edition
has won LACP Vision Awards (Platinum) and ARC
Awards (Bronze).

要了解香港設計中心形形色色的計劃及活動，緊貼藉慶祝香港設計中心成立二十周年之際，我們的年第17屆廣州設計周展 覽以「熱愛 」為主 題，場地面

計界注入創意新元素的新晉人才、重塑全球設計格訊DMatters便 是 你的不二之 選。無論是關於為設

可能，並能改善人們生活，為社會提供各種創新的觀。展覽會專為設計業界及商貿專業人士而設，探個業界故事皆精彩萬分。閱讀獨家訪談、文章和專

積 達180,000平方米，成 功 吸引402,713名訪客 參索當 代 生 活美 學 新業 態 的 設計及 選 材，共 有 超 過

1,006家知名企業展出產品，並邀得逾400位設計大師、跨界藝術家及新晉設計精英出席。大會帶來40

多個「超級策展」裝置和展位，舉行超過150場設計

活動，包括一場內容主導、集社交互動及商貿交流
於一身的設計盛會。

Organiser 主辦單位Guangzhou Design Week Organising
Committee
廣州設計周組委會
When and format 時期及形式
03.03.2023 - 06.03.2023
Physical exhibition 實體展覽最新設計消息及趨勢潮流，內容豐富的季度電子通局的創意先驅，或是即將改變世界的創新設計，每
題內容，以掌握 更多資訊，啟 廸 思潮。立即於訂閱
DMatters：www.hkdesigncentre.org

報正式取名為DESIGN CAN，象徵著設計帶來無限解決方案。在「設計‧構建可持續社區」的周年主題
下，我們一同來回顧中心過去一年的項目，內容包括：促 進不同合作伙伴 攜手以「大 量交 織」的方法
構建創意設計社群，以及重溫為參加者帶來最新趨
勢的主題活動及展覽等。2021-2022年報勇奪美國傳媒專業聯盟Vision大獎（白金獎）、及 ARC年報
大獎（銅獎）。

Won Two Awards
勇奪兩獎

Design !n Action《設計好改變》

The interviews for ‘Design for Sustainable
Community’ were a journey into the minds of 10
creative partners from BODW CityProg 2022.
Individually, we may have limited powers, but when
diverse disciplines come together, the boundlesspotential of innovative thinking and design canunleash its magic to shape a better community.
From reimagining living spaces to transforming
everyday objects, together we can pave the way fora more sustainable future.

In ‘Design !n Action’, 12 local design companies
shared their stories on public space, art tech, social
innovation, sustainability, and experience design.
They were part of ‘Design !n Action 2022-2023’,
a special initiative that embraced the concept of‘Business for Good’. Bringing together nearly 60
design companies, the initiative nurtured over 300
local tertiary, secondary and primary students throughengaging and interactive activities, promoting thevalue of design and inspiring the next generation in
their creative career planning.

《深思設計・永續城區》收錄了十 個「設計營商周城《設計 好 改 變 》訪問了12家本地設計企業，記錄它

程 和 想法，讓 大 眾了解 跨 領 域 的 創意 如何成 就 無體驗設計方面的發展和故事。它們更實踐以商為善

區活動 2022」創意伙伴 在社區發揮設計力量的歷With the theme of ‘PASSION’, the 17th annual
Guangzhou Design Week exhibition welcomed
402,713 participants in an event space of over
180,000 square metres. The B2B exhibition exploredthe exciting possibilities of design and building
materials in contemporary living life aesthetics aswell as new business formats. Over 1,006 renowned
enterprises showcased their products, along withmore than 400 distinguished guests from the designindustry including design masters, crossover artists,and emerging designers. The exhibition featured
over 40 ‘Super Curation’ installations and booths,
as well as over 150 design activities, including a
successful content-led design event that combinedsocial interactions and business explorations.

香港設計中心年報 2022—23

盡可能。個人的力量也許微不足道，但如能集各界之力，便能釋放創新思維及設計的潛力，共同營造
美好社區。無論是重塑生活空間，或是改造日常用品，我 們可以 攜 手 構 建 更 可持 續 的
未來。

Hong Kong Design Directory
香港設計指南們在公共空間、藝 術科技、社會 創新、可持續性和的理念，成為「設計好改變2022-2023」近60家參與

設計企業的一份子，透過不同活動與超過300位本地大專、初中和高小學生交流，讓下一 代了解設計
的價值和職業生涯規劃，播下薪火相
傳的種子。

The Hong Kong Design Directory is a one-stop
resource that connects businesses that require
design expertise and services with local design
enterprises and creative talents across different
disciplines. Hong Kong Design Centre publishes
the Design Directory on its website. To search the
Directory, please visit www.hkdesigncentre.org.
香港設計指南為本地設計企業提供一 個一站式

的 網 上 資 料庫 及名錄。從 事 各 類 設計專 業 的 公司
和 創意 人才可以 展 示 其 履 歷，讓 有 需 求 的 企 業 進

Design for Asia:
DFA Awards 2022
《給亞洲設計—— DFA 設計獎 2022 》
Discover the best in the world of design! Featuringexceptional designs that span across science andtechnology, spatial and environmental experiences
as well as important social and humanitarian issues,
this book provides a good look into the contributionsof three industry trendsetters, 195 winning design
projects, and 16 young and promising Hong Kong
designers from the DFA Awards 2022. An excellent
cover for all design enthusiasts who seek inspirationfrom the best in the field.
齊來 欣 賞全 球 最 優 秀 的 設計！此書 結集 於 科 技革新、空間及環境體驗、重大社會與人道議題方面的《設計後半生》The topic of ageing gracefully took centre stage as
HKDC teamed up with Joint Publishing to publish
the inspiring Chinese-language book, on thetransformative power of good design in the lives ofthe elderly. Echoing the thematic exhibition, ‘Brand
New Youth’, curated by Design Spectrum in 2021,
the book features interviews with 15 specialists
in elderly design and social innovation. Fromreimagining living spaces to revolutionary social
initiatives, this book shines a light on creating an
inclusive community for all generations.
有見「優雅地老去」成 為城中熱話，香港設計中心

與三聯書店合 作出版 這本啟 迪 人心的中文 讀 物，
展示好設計如何協助老齡人活好後半生。此書源自非凡設計，內容聚焦來自DFA設計獎2022的三位設「設計光譜」於2021年策展的「後。生」主題展覽，採訪

計才俊，闡述他們所帶來的貢獻。如果你對設計深

活 空間到 改 革 社區 措 施，此書為 構計界翹楚、195個得獎設計項目及16位香港年青設

感興趣，並希望從業界頂尖高手汲取靈感，萬勿錯
過這本好書。

了15個從事銀齡設計及社會創新的單位。從改造生
建全齡友善的共融社區帶來啟發。

行 配 對。要 搜尋 設 計 指 南，請 瀏 覽 香 港 設 計 中 心
網站：www.hkdesigncentre.org

HKDC Annual Report 2022—23

128

129

International Cultural Cooperation

Design Thinking & Innovation Consultancy

Business of Design Week – The Netherlands Study Trip 2023
設計營商周 - 荷蘭考察團 2023

「空間大可能！」國際文化交流香港設計中心年報 2022—23

設計思維及社會創新項目咨詢

Business of Design Week 2023 (BODW 2023) isorganised by Hong Kong Design Centre, together
with CreativeNL, the platform for creative pioneersfrom the Netherlands, BODW 2023’s Partner
Country, and Create Hong Kong (CreateHK) of
HKSAR Government as the Lead Sponsor.
The Netherlands study trip, which took place from23 to 31 March 2023, marked the first major event of
the strategic year for BODW 2023. This trip provided
a unique opportunity to connect with key Dutch
stakeholders and explore potential collaborations
for the BODW 2023 programme. The study trip
was co-led by Mr Kevin Yeung Yun-hung, GBS,
JP, Secretary for Culture, Sports and Tourism,
HKSAR Government and Prof. Eric Yim, MH, JP,
Chairman, Hong Kong Design Centre. A total of 24
Hong Kong delegates from HKSAR Government,
public organisations, design sector and institutions
participated in the trip, which included visits to Dutch
studios, iconic buildings, training programmes, theministries, and museums. The Hong Kong delegates
gained insight into how the Dutch creative industry
is facilitated.
Fast facts of the Netherlands Study Trip 2023
- Visited: 5 cities: Eindhoven, Rotterdam, Delft,
The Hague, Amsterdam- Visited: 40+ organisations and brands- Met: 60+ representatives from the Netherlands- Attended: 2 networking events on circular design

POSsible! Public Open Space Design Lab

設計營商周2023由香港設計中心聯同策略伙伴荷蘭及其創意開發平台「創意荷蘭」（CreativeNL）舉辦，並由

香港特別行政區政府「創意香港」作為主要贊助機構。

荷蘭考察團於2023年 3月23日至31日進行實地交流，

標誌著設計營商周2023的首個重點活動。香港代表藉
此與荷蘭伙伴建立聯繫，並探索設計營商周2023合作

項目的種種可能。考察團由香港特別行政區政府文化
體育及旅遊局局長楊潤雄先生及香港設計中心主席嚴

志明教授共同率領。考察團共有24位來自香港特區政
府、公營機構、設計行業及機構的香港代表參加，行程包括參觀荷蘭工作室、地標建築、培訓課程、政府部門

及博物館，讓香港代表深入了解荷蘭創意產業的發展情況。

荷蘭考察團2023概覽

- 造訪5個城市：埃因霍溫、鹿特丹、代爾夫特、海牙、阿姆斯特丹- 參觀40多個機構及品牌- 會見60多名來自荷蘭的代表- 參加2場關於循環設計的交流活動

HKDC helmed the POSsible! Public Open Space
Design Lab project as Design Thinking Advisor,
it is an initiative by the Architectural Services
Department of the Government of the HKSAR,
which explores innovative design to transform Hong
Kong’s public open spaces (POS) into desirable
bustling hubs of life and community, as well as
achieve sustainable development.
POSsible! explored six common types of public
open spaces in Hong Kong, from Sitting-Out
Areas to Public Play Spaces, Plazas, Public Parks,
Waterfront Promenades, and the natural tranquillityof Country Parks.
A series of interactive Design Thinking Workshops,
Field Surveys, Literature Reviews, enlightening
Case Studies, and a Symposium brought together
over a thousand participants, including members of
the public, government officials, talented designers,
and industry experts. POSsible! embraced thecollective wisdom and creativity of the community,
united in their quest to co-create sustainable,
thriving POS.
The initiative yielded a tailor-made Design Thinking
Toolkit and Design Guide Set developed according
to the principles of Good Design-led Values
and Strategies, which will pave the way towards
creating sustainable, inviting, and truly inclusive
spaces in Hong Kong.

「空間大可能！」由香港設計中心擔任設計思維顧問、

香港特別行政區政府建築署主辦，旨在探索如何透過
創新設計，將香港公共空間轉變成令人嚮往使用及流
連的民生及社群聚腳點，同時實現可持續發展。

「空間大可能！」探索六個香港常見的公共空間類型，

包括休憩處、公共遊樂場、廣場、公共公園、海濱長廊
及郊野公園。

項目包括一系列的互動設計思維工作坊、實地考察、文獻探討、案例研究及研討會，共匯聚一千多名參加者，當中包括公眾、政府官員、設計專才和行業專家。「空間大可能！」集結社區的集體智慧及創意，共同塑造可持續發展、朝氣勃勃的公共空間。

Design Guide features three volumes, shedding
light on the basics and the essentials of a desirable
POS project; diving into different innovative designideas that could help to achieve a desirable POS;
and providing resources that could help users along
a POS project respectively.

設計指南共分三冊，分別包含關於理想公共空間項目
的基礎知識和重要要素、探討有助於實現理想公共空間的創新設計理念，以及提供協助使用設計指南完成
公共空間項目的資源。

項目根據公眾參與過程中制定的「優秀設計主導策略」，
精心編製出一套專為更新未來公共空間之「空間大可能！設計手冊」及「空間大可能！設計思維工具包」，

為香港構建可持續發展、具吸引力且真正共融的空間
鋪路。

Design Thinking Toolkit creates combinations ofactions and tools to deepen the understanding on
the dynamics between POS users, stakeholders
and the team in the design process.

設計思維工具包透過組合不同行動和工具，達至深入了解公共空間項目中各方，即使用者、持份者及團
隊的動態。

HKDC Annual Report 2022—23

Expanding the design scene withcollective effort
合力拓展設計領域

131

Building local andglobal connections

建立本地及全球聯繫Design advocacy andknowledge sharing
設計推廣與知識分享Our Friends of HKDC (FOHKDC)
Programme unites those who are
passionate about design and believe
in its inherent value for our society
and well-being. Open to organisations
and individuals from all walks of life,
the programme offers opportunities tofoster knowledge sharing, networking
and collaboration.
HKDC設計之友計劃廣結熱愛設計，並深信優秀設計能為社會創更多福祉的同路人。計劃匯聚不同界別的組 織
和人士，為設計之友創造交流專業知香港設計中心致力與不同行業及社會各界合As the government’s strategic partner on
design, HKDC welcomes interorganisational
and intercultural exchange with stakeholders
from around the world to advance our
mission. In 2022-2023, HKDC hosted
three delegations from trade organisations,industry associations, and government
representatives from Hong, Czech Republic,
and Italy. Through these visits, we gained amutual understanding of industry directions
and trends, laying the foundation for futurecooperation in fostering local design ecologies.

The Board of Directors and senior
management of HKDC are often invited totake part in initiatives hosted by both design
and non-design organisations, educational
institutions, and professional associations.
Joining as speakers, judges, and special
guests, they leverage their extensive
knowledge to drive home the importanceof human-centred design to people acrossdifferent sectors. They also advocate theimportance of design during media interviews
to inspire members of the public.

今年，我們全力支持39個來自不同界別的合作為政府推廣創新設計的策略伙伴，香港設

香港設計中心董事會及管理層成員經常獲邀

活動和計劃，集眾人之力帶動業界走向多元

跨 機構、跨 文化交 流，進一 步 實踐 使 命。在和專 業協會舉 辦 的各 類 活動，並 以 演 講 者、

HKDC is dedicated to promoting design
thinking and nurturing creative talent throughpartners in different industries and sectorsof the community. This year, we supported
39 partners in promoting 51 design-andinnovation-related programmes, contributing
to our collective efforts to foster industry
diversity and to drive Hong Kong’s design
ecosystem forward.

作，推動設計思維的應 用及培育創意人才。
作伙伴，合共推廣51個與設計及創新相關的發展，促進香港設計生態繁榮。

計 中心 積 極 與 來自世界 各地 的 持 份 者 進 行

2022年至2023年度，中心接待了分別來自香

港、意大利、捷克的貿易組織、行業協會和政

府官員合共三個 代 表團。透 過 這 些訪問，我們互相交流業界的發展方向和趨勢，為未來
合作奠定基礎，有助推動本地設計生態薘勃發展。

出席由設計及其他行業的機構，如教育機構

評委和嘉賓的身份，與社會各界分享設計的重 要 角色， 及 推 廣 人本 設 計 的 重 要。 此 外，他 們 亦 會 在 媒 體 採 訪中宣 揚 設計 的 價 值 所
在，為市民大眾帶來啟發。

識、拓展人脈網絡及建立合作關係的
機會。

香港設計中心年報 2022—23

Acknowledgement of Corporate Members
鳴謝公司會籍之會員

Acknowledgement of Patron Members
鳴謝永久贊助會籍之會員
Mr Fawaz Abid Bakhotmah
Architect & Designer
Culture-Based Innovation Network
Mr Hei Shing Chan
陳曦成先生
Founder, Hei Shing Book Design
曦成製本創辦人
Ms Kali Chan
陳嘉莉女士
Vice General Manager and
Design Director - Interior,
JATO Design International Limited
傑拓設計（國際）有限公司
副總經理及室內設計總監

Till 31 March 2023, in alphabetical order by surname截至 2023 年 3 月 31 日，以姓氏英文字母排序

Mr Man-ting, Edmond Lai
黎文定先生
Director, Much Creative
Communication Limited
多點創意設計有限公司總監
Dr Michael Lam
林寶興博士
CEO, Hong Kong Quality
Assurance Agency
香港品質保證局總裁
Ms Denise Lau
劉思蔚女士
Chief Executive Officer, COLOURLIVINGCOLOURLIVING 行政總裁

Mr Michael Cheung
張志立先生
Director, Zincere Limited
先時有限公司總裁

Dr Flora Lau
劉偉婷博士
Founder, Flora Lau Designers Ltd
劉偉婷設計師有限公司創辦人

Ms Agnes Chiu
趙靄文女士
Lee Kum Kee Co Ltd
李錦記（香港）有限公司

Mr Siu Hong Freeman Lau, BBS
劉小康先生
Founder, KL & K Creative Strategics
靳劉高創意策略創辦人

Ms Karen Chui
徐倩珩女士
General Manager, Corporate Affairs,
Hong Kong Ferry (Holdings)
Company Limited
香港小輪(集團)有限公企業事務總經理Mr Tai Yum Lau
劉棣欽先生

Mr Alex Chunn
Principle, nxus space
Prof. Richard Fung
馮立中教授
Chief Executive, Hong Kong
Standards and Testing Centre
香港標準及檢定中心總裁
Ms Pansy Ho
何超瓊女士Group Executive Chairman andManaging Director, Shun Tak Holdings
Limited信德集團有限公司集團
行政主席兼董事總經理Mr Jeremy Hocking
President, Herman Miller International
Ms Kigge Mai Hvid
Partner, JA design studio
Dr Tai-keung Kan, SBS, BBS
靳埭強博士Founder, KL & K Creative Strategics
靳劉高創意策略創辦人Dr Kwong Man-hang, Bengie, JP(Aust.)
鄺敏恆博士
President , WKK Technology Ltd.
王氏港建科技有限公司總裁

Dr Edmund Lee
利德裕博士
General Manager & Head of Group ESG
Initiatives, Gold Peak Technology Group
Limited; Former Executive Director,
Hong Kong Design Centre
金山工業（集團）有限公司
總經理兼集團環境、社會和管治主管；
前香港設計中心行政總裁
Dr Harry Lee, SBS, JP李乃熺博士
Chairman, TAL APPAREL LTD.
聯業製衣有限公司主席

Mr Wai-fung Leung
梁偉峰先生
Founder & CEO, Artemis Digital Limited衍盛數碼有限公司創辦人及行政總裁
Mr Lu Lam, Leslie
盧林先生

Mr Ma Yu Hung, Samuel馬餘雄先生Managing Director,
Luk Ka Paper Industrial Limited
力嘉紙品印刷工業有限公司
董事總經理Mr Ng Man Wai, Danny
吳文偉先生
Director, 4N design
四目建築設計事務所董事

Mr Nils Neckel
Director, Designlink operated by
Design & Distribution Link Limited

Mr Benson Pau
鮑潔鈞先生
Founder and CEO,Wings Trading (HK) Co. Limited
飛騰行（香港）有限公司創辦人及行政總裁

Mr Chiu Hang Tsoi
蔡超恆先生
Chief Executive Officer, LifestyleCreating Holding Limited
時尚創建集團有限公司首席執行官

Mr Chi-fung Wang
王志峰先生
Director, China Energy
Technology Holdings Limited
中國能源科技集團有限公司董事長

Mr Ben Wong黃志奇先生
Director, Sure Profit Holdings Ltd.
利保集團有限公司董事長
Mr Danny Wong
Executive Director, Wiseman
International Digitech Limited華冕國際數碼技術有限公司執行董事
Mr Peter Wong黃紹開先生
Mr Qin Xia
夏勤先生
President,
Makestream Design Co.Limited
杭州麥客意識流設計有限公司負責人

Prof. Eric Yim, JP
嚴志明教授
Chairman, Hong Kong Design Centre
香港設計中心主席
Mr Leon K L Yoong
翁國樑先生
Techtronic Product Development Ltd
Vice president - Techtronic Design
Dr Allan Zeman
盛智文博士
Chairman, Lan Kwai Fong Group
蘭桂坊集團主席
2B Square

4M Industrial Development Limited
FringeBacker Limited
Play Concept Limited
Shantou University
汕頭大學
Tandem Design

深圳巿易訊天空網絡技術有限公司

Friends of HKDC Membership Programme HKDC

Community Engagement
凝
聚
社
區

130

設
計
之
友
會
員
計
劃

HKDC Annual Report 2022—23

PROMOTING DESIGN THROUGHINTERNATIONAL COLLABORATIONS
國際協作 推廣設計

As part of a worldwide network of design
promotion organisations, Hong Kong
Design Centre (HKDC) contributes to theglobal design dialogue and facilitates theregular sharing of news and updates toadvance Hong Kong’s position as one ofAsia’s leading design capitals.
作為國際設計組織網絡的成員之一，香港設計中心不時參與討論全球的熱門設計議題，
促進本地與海外業界交流，突顯香港身為亞洲區內重要設計之都的地位。

133

International Council of Design (ICoD)
國際平面設計協會

As a publicly funded organisation, HKDC has continuously strengthened
its corporate governance and improved its workplace culture over theyears to foster accountability, cooperation and collaboration.
In addition to regular reviews of its operation, HKDC provides timely
updates to staff to ensure that operational procedures comply with its
own corporate governance principles.

The International Council of Design (ICoD)
is a world body for professional design,
representing 125 organisations in 53
countries. Founded as Icograda in 1963,
it is a non-profit, non-partisan, memberbased network of independent organisations
and stakeholders working within themultidisciplinary scope of design. The
Council actively works to promote the value ofdesign practice, critique, education, researchand policy.

國際平面設計協會（ICoD）是一個全球專業
設計組織，代表53個國家及地區的125個團體。在1963年成立之時，本會稱為 Icograda，多年來一直奉行非牟利、無派別的成員制，並由眾多從事設計專業的獨立機構及持份者
組成網絡，積極推廣設計實踐、評論、教育、研究及政策的價值。

International Federation of Interior Architects/Designers (IFI)
國際室內建築師/設計師團體聯盟

A singular federation of national associations,design communities, experts and enthusiasts,
IFI acts as the ‘UN’ for Interior Architecture /Design worldwide. IFI’s purpose is to coalesce
the international interiors community for everhigher design standards while addressing
and incorporating topical issues anddevelopments affecting society and culture
today into tomorrow.

國際室內建築師/設計師團體聯盟是一 個由
國家協會、設計業界、專家及愛好者組成的單一聯盟，被視為室內建築與設計領域上的「聯合國」。本聯盟旨在凝聚國際室內設計界，以提升設計標準，同時致力解決影響當今社

會及文化發展焦點議題，並將之與未來融合。

World Design Organization (WDO)®
國際工業設計協會

World Design Organization (WDO)® is a globally
recognized non-governmental organisationthat aims to promote and advance thediscipline of industrial design and its power
to enhance economic, social, cultural andenvironmental quality of life. Founded in 1957,
WDO services over 200 member organisation
around the world, engaging thousands ofindividual designers through our innovative
programming and initiatives that champion‘design for a better world’.

國 際 工 業 設計 協 會（ WDO）是 一 個 全 球 認

可的非政 府組 織，旨在推廣工業設計，促 進經 濟、社會、文化 發展和改善 生 活 環 境。協會成立於1957年，全球有超過 200個成員組
織，吸引數千名設計師參於以「為更 美 好的
世界而設計」為倡導的創新計劃。

HKDC has also implemented a two-tier reporting system for managing
potential conflicts of interest for its directors. Apart from self-reporting
potential conflicts at board or committee meetings, directors are now
also required to disclose their general interests, direct or indirect,
pecuniary or otherwise, on appointment to HKDC’s board. Theirdeclarations are also available for inspection by members of the public
upon request.

香港設計中心年報 2022—23

香港設計中心作為一間獲公帑資助的機構，多年來一直致力加強企業
管治及提升職場文化，以維持高度的問責性及內部的緊密協作。

除了定期檢討日常運作，香港設計中心亦定期向員工發出更新通知，確保營運程序符合其企業管治原則。

此外，香港設計中心亦實行兩層通報機制，以處理董事的潛在利益衝突。除了向董事會或委員會自行申報外，董事在獲委任加入香港設計中心董事會時，亦須披 露所有直接或間接、金 錢或非金 錢的一 般 利益。如有需要，有關披露的資訊亦會公開予公眾人士查閱。

Corporate GovernanceInternational Alliances
國
際
聯
盟

132

企
業
管
治

134

HKDC Annual Report 2022—23

Income and Expenditure Statement for the Year ended 31 March 2023
截至2023年3月31日止財政年度收支結算表

NON-GOVERNMENT FUNDING
非政府資金

INCOME
收入

HK$’000
港幣千元

創意香港資金
HK$’000
港幣千元

OTHER GOVERNMENT FUNDING
其他政府資金
HK$’000
港幣千元

TOTAL
總計

HK$’000
港幣千元

Government
Grant

政府資助

-

95,1355,431

100,566

Project
Income項目收入Sponsorship贊助

Other Income
其他收入EXPENDITURES
支出

433

5,949

-

6,382

325

12,368-

12,693

-

-

-

-

758

113,452

5,431

119,641

HK$’000
港幣千元

HK$’000
港幣千元

HK$’000
港幣千元

HK$’000
港幣千元

Project
Expenses
項目支出

325

71,972

13

72,310

Payroll &Related Cost

薪資及相關支出
Donation捐款-34,3395,418

39,757

NET SURPLUS
淨盈餘

FINANCE AND

PROGRAMMEDEVELOPMENT

AUDIT

DIRECTORSADMINISTRATION COMMITTEECOMMITTEECOMMITTEECOMMITTEE

5/5

-

4/4

-

4/4

4/5

4/5

4/4

4/4

-

STEVE LEUNG 梁志天

4/5

-

2/4

4/4

-

PATRICK BRUCE

4/5

5/5

-

-

4/4

BONNIE CHAN 陳德姿

3/5

-

-

2/4

-

3/5

5/5

-

-

-

3/5

3/5

-

2/4

-

5/5

5/5

-

-

4/4

3/5

-

1/4

-

-

2/5

-

4/4

3/4

-

3/5

-

3/4

-

-

1/5

-

4/4

-

-

3/5

-

2/4

-

-

2/5

-

-

3/4

-

2/5

-

-

-

4/4

4/5

-

0/4

-

-

SUNNY TAN 陳祖恆

2/5

-

4/4

-

-

KARR YIP葉憬翰

3/5

-

-

4/4

-

5/5

5/5

4/4

4/4

4/4

5/5

-

-

4/4

-

5/5

-

4/4

-

-

5/5

-

-

4/4

-

4/5

-

2/4

-

-

4/5

-

2/4

-

-

ERIC YIM 嚴志明

VIVECA CHAN 陳一枬

ALAN CHEUNG 張益麟
DONALD CHOI 蔡宏興

JOANNE CHOW 周凱瑜
EDDIE HUI 許夏林

JAMES LAW 羅發禮

KUN-PYO LEE 李健杓
TOMMY LI 李永銓

STEPHEN LIANG 梁國浩
DAVID LO 盧永強

JOSEPH LO 勞建青
VICTOR LO 羅仲榮

-

-

-

-

創意香港總監

7,141

-

7,190

財務及行政委員會

計劃委員會

發展委員會

審核委員會

REPRESENTATIVE APPOINTED BY HONG KONG
FEDERATION OF DESIGN AND CREATIVE INDUSTRIES

49

董事會

香港設計及創意產業總會

REPRESENTATIVE APPOINTED BY HONG KONG
374

113,452

5,431

119,257

384

-

-

384

FASHION DESIGNERS ASSOCIATION
香港時裝設計師協會代表

REPRESENTATIVE APPOINTED BY THE CHARTERED
SOCIETY OF DESIGNERS (HONG KONG)
英國特許設計師協會（香港）代表

REPRESENTATIVE APPOINTED BY HONG
KONG DESIGNERS ASSOCIATION
香港設計師協會代表

REPRESENTATIVE APPOINTED BY HONG
KONG INTERIOR DESIGN ASSOCIATION
香港室内設計師協會代表

董
事
會
會
議
出
席
次
數

1/4/2022 — 31/3/2023

一般營運及行政費用

BOARD OF

Total Number of Meetings

HEAD OF CREATEHKOverhead &Administration

Meeting Attendance /會議出席次數/會議數目

FUND FROM CREATE HONG KONG

香港設計中心年報 2022—23

Board of Directors Meeting Attendance

Our Accounts
帳
目

135

HKDC Annual Report 2022—23

136

HKDC Annual Report 2022—23
Editorial and Publishing
Hong Kong Design Centre

香港設計中心年報 2022—23
編輯及出版
香港設計中心Planning and Design
THE CABINET

統籌及設計THE CABINET

Text and Translation
Mind Your Language Limited

文字及翻譯Mind Your Language Limited

Printing
Colham Printing Ltd.

印刷
高行印刷有限公司

Photography (Interviews)
Kelvin Or

專訪攝影
柯喬中

Illustration
THE CABINET

插畫THE CABINET© Hong Kong Design Centre
All rights reserves.

© 香港設計中心
版權所有，翻印必究