003

HONG KONG
DESIGN CENTRE

ABOUT US

Hong Kong Design Centre is a non-governmental organisation,
and was founded in 2001 as a strategic partner of theGovernment of the Hong Kong Special Administrative Region
in establishing Hong Kong as an international centre of design
excellence in Asia.
Our public mission is to promote wider and strategic useof design and design thinking to create business value andimprove societal well-being.
香港設計中心為於2001年成立的非政府機構，擔當香港特別行政
區政府的策略夥伴，以推動香港成為亞洲區內享譽國際的設計之
都為目標。
我們的公共使命是推動社會更廣泛和具策略性地運用設計及設計
思維，為業界創造價值及改善社會福祉。

香港 設
計
中
心

Founding Members 創會成員

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sector and cross-discipline
exchange and collaboration
為設計師、商界、學術界及有夢想的人提供交流和合作平台

About Us
Our Five Strategic Work Directions
我們的五大工作範疇

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026

Message from the Chairman & Executive Director
主席及行政總裁的話

共創人本未來

and designs that
improve qualityof life and addresssocial innovation
嘉許為改善生活、發展
社會、保留文化有所貢獻的人才和設計

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Business of Design Week 設計營商周

Finding Clarity in Uncertainty in the Post-pandemic Era

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044

Fashion Asia Hong Kong046

ups and emerging brands
培育創意人才、新進設計
企業家和初創公司，為他們
提供更多成長和發展機會

ADVANCE expertise andknowledge to promote
innovation and growth anddrive Hong Kong's design
ecosystem foreward
提升業界的專業知識以推動
不同機構創新，並促進香港
設計生態發展

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with the press as well as the
public
推動各界交流及分享業界資訊，及培養公眾對設計的欣賞

DesignInspire 創意設計博覽Leadership Forum on Education 設計教育領袖論壇

DFA 香港青年設計才俊獎 2020

Designing Digital Futures for the New Normal

Inspiration from All Around

智用設計 ‧ 數造新常態
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Design Thinking in the Real WorldDFA 亞洲最具影響力設計獎 2020

設計思維 活學活用
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Publications 書刊
Hong Kong Design Directory 香港設計指南

Expanding Your Design Repertoire
設計面面觀

UNLEASH! Empowered by Design Thinking 設計思維 · 無限可能

Empowering Society to Adapt to the Changing Times

DFA Lifetime Achievement Award 2020

BIP Asia Forum 亞洲知識產權營商論壇

Institute of Design Knowledge 設計知識學院

DFA Design For Asia Awards 2020

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設計為先，積極開拓

REIMAGINING HONG KONG’S LOCAL NEIGHBOURHOODS

DFA World’s Outstanding Chinese Designer 2020

香港社區新「設」想082

131#ddHK 設計#香港地

A Celebration of Our Unique Localities

培育設計新世代

地方營造 擁抱香港地
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BODW CityProg 設計營商周城區活動Where Designers Go to Grow

Nurturing a Hive of Ideas

助設計師茁壯成長

創意蜂擁 採集設計靈感
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凝聚設計力量Enriching Community Creativity

成為時裝界先鋒

無限創意 盡在社區

Ear Up Music X DIP X FIP

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5 minutes with… … 與項目總監5分鐘對談Crossover of Local Music & Fashion Industry

Design for the Public

本地音樂聯乘本地時裝

讓設計走進公眾International Alliances 國際聯盟

Partnering for a Purpose與業界伙伴結盟 追尋共同願景133

Corporate Governance
企業管治

134

Our Accounts
帳目

Design Spectrum 設計光譜

Where Fashion Finds its Leading Edge

Friends of HKDC Membership Programme 香港設計中心之友會員計劃An Eye for Design

Our Design Footprint

GEARING UP A NEW GENERATION OF DESIGNERS

Fashion Incubation Programme(FIP) 時裝創業培育計劃

Community Engagement 凝聚社區Champion Design Accessibility

DFA Design Leadership Award 2020

Design Incubation Programme(DIP) 設計創業培育計劃

Wise Words from the Board of Directors
董事會睿智名言

創意解難 扭轉疫境

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knowledge and insights

Metro Radio Programme 新城知訊台節目

區區有設計

設計應變力

sharing industry news,deTour066

多角度時尚體驗

Design Resilience

ENGAGE the society byKnowledge of Design Week 設計智識周DFA Hong Kong Young Design Talent Award 2020

DFA 世界傑出華人設計師 2020

5 minutes with… … 與項目總監5分鐘對談

融
入
社
會

人人「識」用．學好設計思維

DFA 設計領袖獎 2020

A Multidimensional Fashion Experience022

students, design start-

突
顯
專
業

DFA 亞洲設計終身成就獎 2020

洞悉幻變 重新定義疫後世代
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entrepreneurship among

論．賞．好設計從亞洲出發 向世界展示設計力量
建構創意網絡 併發非凡力量

NURTURE creativity and

TRAINING CREATIVE PROBLEM SOLVERS FOR TOMORROW

Asian Perspectives, International Acclaim
BUILDING NETWORKS OF DESIGN INFLUENCE

啟
蒙
創
業

COMMENDING EXEMPLARY DESIGN TALENT

此時此地 與設計新星走訪靈感地

Co-creating Human-centred Futures目錄

CELEBRATE talents

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關於我們
004

弘
揚
人
才

ENGAGEand thinkers, foster cross-

ADVANCECONNECT industry doers

NURTURECONTENTS

002

聯
繫
業
界

CELEBRATE

我們的五大工作範疇

CONNECTOUR FIVESTRATEGIC
WORK
DIRECTIONS

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Board of Directors Meeting Attendance
董事會會議出席次數007

PROF. ERIC YIM
嚴志明教授
Chairman of HKDC
香港設計中心主席“Design is problem-solving
and can address different
issues, from health andwellbeing to connectivity,
so designers must
consider societal impact,sustainability, nature, andthe future.”「設計的解難能力涵蓋醫療健康以至互聯互通各個

Message from the Chairman & Executive Director
主 席與行政總裁的話
As millions rose to the challenges presented by the Covid-19 pandemic, 2020–21 continued todemonstrate the importance of empathy and human-centricity in design. Hong Kong Design
Centre (HKDC) has set ambitious targets to widely connect and engage with different sectors
and stakeholders around the world.
As HKDC’s Chairman, Prof. Eric Yim, and Executive Director, Dr Edmund Lee, share, thelockdown has posed challenges to businesses and impacted our ways of living and working. Yet,
there remains ample scope for people-centred innovations across many touchpoints to makeour lives more amenable. We spoke to them about how HKDC has embraced a broader scope
for the applications of design thinking and the importance of design research and co-design.
社會各界在2020至2021年間奮起應對世紀疫症的挑戰，不忘發揮「同理心」和「以人為本」的
創新與設計精神。香港設計中心早已定下長遠目標，並致力加強與全球各地、各行各業持份者的連繫及交流。
香港設計中心主席嚴志明教授及行政總裁利德裕博士均表示，限聚令及各種防疫措施成為社會新範疇，所以設計師須認真考慮社會因素、可持續

常態，市民生活和工作都大受影響，但只要細心觀察，我們身邊其實潛在許多「接觸點」，有待性，以及對大自然和未來的影響等。」

用推展至更為廣泛的範疇，並強調設計研究和協作的重要性呢？就讓兩位分享他們的看法。

採納以人為本的創新設計方案，令生活更方便舒適。這一年來，香港設計中心如何把設計思維應

可讓人們認識和運用到設計思路，以達致共同創作

共
創
人本未來
和成就大眾所喜愛的創新。」

MESSAGE FROM THE CHAIRMAN & EXECUTIVE DIRECTOR「香港設計中心項目通過加強跨界別學習與交流，

009“Through the emphasis on
cross-disciplinary learningand exchange in our
programmes, we can expose
people to the design mindset
required to enable true
co-creation and innovations
endeared by people.”
DR EDMUND LEE
利德裕博士
Executive Director of HKDC
香港設計中心行政總裁

Q1. Why are good design and design thinking important for businesses, society, and our city?
為什麼優秀設計和設計思維對企業、社會和城市來說十分重要？

ERIC・ Because of Covid-19, businesses are seeking ways to be more

EDMUND・ We need to attain meaningful designs and solutions through a

relevant, and customers are valuing experiences above products and physicalbetter understanding of people’s aspirations, motivations and concerns. We

attributes. When it comes to addressing the needs of real people, human-can deploy design thinking for better framing and solving of problems. Basedcentricity has become more important than ever before. Hong Kong is aon deep, actionable insights, meaningful solutions and experiences can beservice-based economy, so when we talk about a ‘human-centric mindset’, itdelivered. Such a creative approach of problem solving can be applied acrossmust be all encompassing, from the front to the back end of operations. Thispublic and private sectors.

was overlooked in the past, but there is much to gain from co-creating with all
stakeholders.

要達成有意義的設計和方案，我們必須先了解人們的願望、動機和關注點。設計思維有助我們定義及解決問題，勾畫出深入的洞見及可行的方法，打造出以

因著疫情，商界千方百計為顧客帶來商品的增值服務和體驗，引起他們的興趣。事事從人的角度出發是大趨勢，而香港作為服務型經濟體，「以人為本」
概念一定要融會貫通，由前台至後勤管理，環環相扣。或許我們以前一直忽略
的，都可從持份者共同創造中獲得啟發，得以進步與作出改變。

人為本而有意義的體驗。這套創意解難方式可以廣泛應用於公營及私營機構。

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design important for our collective future?
為什麽設計教育和參與對於我們的集體未來甚
為重要？

Q5. How is HKDC promoting design andQ2. How has the pandemic affected design
ecosystems over the last year?

ERIC・ People today value experiences and過去一年，疫情如何影響設計生態？

sharing. Participation is an experience that

ERIC・ Before the pandemic, we all talked abouthuman-centric design, but now it is even more
important. Designers need to have a holistic
and empathetic mindset; be good listeners,
communicators, and analysts. Design is problemsolving and can address different issues,
from health and wellbeing to connectivity,
so designers must consider societal impact,sustainability, nature, and the future.

Q3. How has HKDC risen to the challenges
presented by Covid-19?
香港設計中心如何應對疫情帶來的挑戰?

EDMUND・The pandemic has challenged theteam to deliver our creative best in executing anddelivering our programmes, and we have made abigger impact than anticipated. During Businessof Design Week (BODW), for example, we havedeveloped a new format with ViuTV, so our

疫情前我們已在討論設計要以人為本，但現在更是迫在眉睫。設計師必須具備大局意識和同理
心，擁有良好的聆聽、溝通和分析能力。設計的
解難能力涵蓋醫療健康以至互聯互通各個範疇，
所以設計師必須認真考慮社會因素、可持續性，content could be simulcast on internet, social
media and TV. We have also smartly deployedexisting resources and collaborative synergy toadvance our mission, drawing inspirations fromour strong speaker line-up.

以及對大自然和未來的影響等。

pandemichas

challenged

designers to reimagine innovative ways how
people can be better connected and services
delivered. The lack of human contact has
great implications on design research, posing
challenges even for experienced educators anddesigners. Despite that, the best creative efforts
have been attempted in digital spaces using afull array of technologies, tools and co-creationinterfaces available.
疫情令人際關係變得疏離，設計師須重新構思連
繫人與人及提供服務的嶄新方式。面對新常態，
即使最有經驗的教育家和設計師也束手無策，為設計相關的研究帶來一定影響。話雖如此，創新的嘗試仍處處可見，而最佳例子莫過於在數碼層面，由各種科技、工具和共創界面揉合而生。

understand what we want to create, to deliver
something that people will value.
今時今日經驗和分享愈發受到重視。能鼓勵大眾參與設計，我們樂此不疲。在設計路上，我們需了解創作目的，才能夠創造出人們會重視的東西。

EDMUND・ Knowledge should not be siloed.
Through the emphasis on cross-disciplinary
learning and exchange in our programmes,
we can expose people to the design mindset
toenabletrue

co-creation

大眾？

Q6. Can you give us a sneak peek into HKDC’s
upcoming plans and initiatives?

EDMUND・ Ever since design was elevated to

可否介紹一下香港設計中心的未來動向？

the policy level, we have worked hard to promoterequired

香 港 設 計 中 心 如 何 推 動 設 計，讓 設 計更 接 近

andinnovations endeared by people.
知識是無窮無盡的，不應故步自封。香港設計中

good design and cultivate design thinking across

ERIC・ Come 2024, we are excited for our new

EDMUND・The new Design and Fashion baseprofessions, industries and age groups. We wantbase in Sham Shui Po. It is considered one of thein Sham Shui Po will allow us to work on new

to advance the design movement so that people

coolest districts, not just in Hong Kong, but inprogramming to connect with the community

can experience the magic of design. For example,

the world. It has a rich and vibrant heritage, it isand the trades, and infuse the city with creative

our #ddHK installations along the harbourfront

both home and workplace for a cross-section ofvibe. Apart from being a meeting place forwere not just urban art—they carried the creative

people, and it is just the perfect place for HKDC

designers, we can showcase Hong Kong’s design

narratives to transform public spaces forto be. We will be both with and in the community.

prowess and the power of co-creation, including
drawingenjoyment through the power of placemaking.

from

the

continuously

unfolding

2024年，香港設計中心將進駐深水埗！深水埗legacies of Sham Shui Po. It is an exciting work-

自從設計提升至政策層面以來，我們更加倍努

被選 為全港、甚至全球最具型格的社區之一。它

in-progress.

力，針對不同的專業、行業和年齡的人士推廣優

是個歷史文化的寶庫，同時是不同階層人士生活

秀的設計，並培養他們的設計思維。我們希望進

和工作的 地點，因此是我們了解社區、融入社區

於深水埗設計及時裝基地，我們將發展新項目，

一步廣泛推動設計，讓大眾體驗設計的力量。例

的理想選址。

連繫社區和業界，為城市注入創意養份。在此，如，設計#香港地遍佈維港海濱的裝置項目不單單

設計師可聚會交流，我們將更能展示香港的設計

是城市藝術，更從創意及地方營造角度出發，把實力和共同創作的成果，而深水埗的活力、歷史

現有公共空間打造成市民享受的地方。

和文化正正不斷滋養我們的靈感，激發想像力。

時在互聯網
 、社交媒體和電視上播放。我們還ERIC・ We don’t want to promote design

ERIC・ Ultimately,靈活調配現有資源，與持份者發揮協作精神，exclusively through our annual programmes;

aesthetics and should contribute to the從在節目中分享的設計大師身上獲得啟發，力求

we want to connect with people daily so thatwellbeing of society. It is the aim of HKDC and創新。

they can understand and access design. Our

the design community to use design to enhance

programme segment on Metro Radio, theexperiences and quality of life. By taking on a

ERIC・ Digital technology is more integrated

exhibitions held at Design Spectrum at 7 Mallory

greater responsibility in using their skills to makeinto our work, and we have all sought channels

Street in Wan Chai, our variety of online andthe world better, mix with different types ofthat enable us to pursue and fulfil our mission.

hybrid programmes over the last year—these arepeople, and work with communities, designers

Covid-19 presented many challenges but also

all designed to be accessible.

can really make a difference—there are still so

我們團隊的創造力和應變力甚高，縱使面對疫情EDMUND・The

we can offer. When designing, we need tomaking it accessible to everyone?

大流行的考驗，仍游刃有餘，順利執行及推出各
項目，成果甚至比預期好。例如，我們與ViuTV
合作打造全新直播模式，令設計營商周節目可同心項目通過加強跨界別學習與交流，可讓人們認
識和運用到設計思路，以達致共同創作和成就大眾所喜愛的創新。

design

is

more

than

many amazing opportunities ahead for us.

gave us the chance to present our work in novel
ways so that people can enjoy it. With BODW,

除了舉辦各項年度活動，我們更希望透過與大

we were so mindful of potential limitations,眾的日常連繫，深化他們對設計的了解。我們與歸根究底，設計遠超於美學應用，其價值在於為and so focused on how to effectively reach our

新城知訊台聯合主持的電台節目、在灣仔茂蘿街

社會福祉作出貢獻。香港設計中心及設計界的目

audience, that results exceeded expectations.

7號設計光譜舉辦的公眾展覽、去年舉辦的一系

標是利用設計改善生活，帶來更美好的生活體列虛擬及跨媒體活動，都是為了鼓勵大眾多接觸驗。設計師的責任重大，透過發揮所長，與不同

設計。

人士和社區合作，他們絕對可把握機會改變世數碼科技已完全融入我們的工作，我們亦尋求各種渠道，為實現使命全力以赴。疫情帶來重重挑
戰，也令我們反思如何跳出框框，擺脫以往模式
的局限 ，吸引更多參與者。如設計營商周，我們
為了能更有效地接觸觀眾採用嶄新形式，成果令人驚喜。

界，前途無限。

MESSAGE FROM THE CHAIRMAN & EXECUTIVE DIRECTOR

Q4. Why are knowledge and participation in建構創意網絡 併發非凡力量013

BUILDING NETWORKS OF
DESIGN INFLUENCE

015

BODW

BUSINESS OF DESIGN WEEK (BODW )COMMUNICATION
& DESIGN

BUSINESS OF DESIGN WEEK 設計營商周傳 意 與 設 計

IMMERSIVE TECH洞悉幻變

感 官 體 驗 與 科 技

重新定義疫後世代

CIRCULARECONOMY設 計 與 可 持 續 經 濟

願景20/21：洞悉幻變由香港特別行政區政府創意香港贊
助、亞洲年度矚目盛事設計營商
周，衝破疫情陰霾，再次匯聚創新及創意領袖，探討設計、創新及品
牌趨勢，啟發參加者共同建設更美好的未來。設計營商周以「願景20/21：洞悉幻變」為主題，期望
創意願景能在變幻莫測的時代中帶來轉機。超過100位本地及國際的設計和商業精英，於2020年11月30日至12月5日期間為大家帶來

FINDING CLARITY IN
UNCERTAINTY IN THE
POST-PANDEMIC ERA

50場重點會議、論壇及大師班，分析未來行業動向，分享真知灼
見。從出行新體驗到設計與可持續經濟、感官體驗與科技和品牌
前瞻，設計翹楚逐一探討後疫情時代的熱門話題。
活動得以成功舉辦，有賴一眾合作伙伴鼎力支持。當中英國為今年的策略伙伴，令演講嘉賓陣容更強大，邀得15位來自英國享譽

VISION 20/21: Finding Clarity in Uncertainty

盛名的創意及商界領袖進行直播及拍攝預錄短片，為首度播出的Sponsored by Create Hong Kong of the Government of the「BODW Great British Design」系列帶來耳目一新的內容。同時，

Hong Kong Special Administrative Region, Asia’s annual flagship

峰會設有「BODW Greatest Moments」環節，重溫自2002年設

design, innovation and brands event, Business of Design Week

計營商周誕生以來，歷屆9位環球創意先鋒別具啟發性的經典(BODW), once again brought together innovators and creative

分享。

leaders to design a better future. Curated under the theme‘VISION 20/21’, the event called for creative visions that canmake a difference in a time of change and ambiguity. Over 100
local and international design and business leaders, across 50
talks, forums, and master classes, shared their insights into future
trends and inspirations during 30 November to 5 December 2020.
From safe travels to circular economy, immersive technology,
and the future of brands, design heavyweights explored topics
relevant to the post-pandemic era.
Positive partnerships underpinned the entire programme. HKDC teamed up with the
UK as a strategic partner to form an impressive line-up of speakers. Fifteen celebrated
and renowned creatives and business leaders from the UK joined via livestreamed
conversations and as part of a new ‘BODW Great British Design’ series that premiered
during the event. Nine selected sessions by global creative pioneers from past years
were featured in ‘BODW Greatest Moments’, which stretched back to 2002, when
BODW was first launched.

SAFE
TRAVELS出 行 新 體 驗

017

Hybrid event expands reach across platforms& bordersThis was also the first hybrid BODW summit, thanks to alive on TV, in addition to the live simulcast on BODW’s
virtual platform and social media. The multiple broadcast
channels allowed an even wider geographical audience toaccess and enjoy the discussions from the comfort of homeor their mobile devices. BODW CitySalon partner locations

BUSINESS OF DESIGN WEEK (BODW )BRAND
FUTURES

partnership with ViuTV, which broadcast selected sessions

品 牌 前 瞻across the city (including D2 Place and Fashion Walk)
engaged passers-by from all walks of life with the power ofinnovative design.
Networking and fostering the exchange of ideas within
the community remained a cornerstone for BODW, andparticipants were able to connect via the summit’s virtual
networking platform. The platform hosted virtual meetups
and live chats for participants to explore new creative andbusiness collaborations.

ENTWINED SPACES
無 界 空 間CULTURE &THE CITY

跨媒體活動 全球觀眾參與其中首度跨媒體直播的設計營商周峰會與ViuTV

文 化 與 大 都 會

合作，除了於電視直播精選環節，更在設計
營商周的網上交流平台和社交媒體作現場同步直播，令身處全球各地的觀眾能安坐家
中，通過流動裝置觀看精彩討論。設計營商
周亦通過遍布全港的CitySalon合作伙伴場
地（包括D2 Place及Fashion Walk），吸引途人參與其中，宣揚創新設計力量。
促進人脈建立和意見交流一直是設計營商周
成功的基石。參加者可通過峰會的網上交流
平台互相聯繫，亦可進行網上會面和即時
對談，拓展網絡，發掘創意及商業合作的機會。

CREATIVE LEADERSHIP
創 意 領 袖CONNECTEDHEALTH健 康 互 聯隨著時代的進步，人們的行為將不可能跟以前完全一樣。加強本地化產品的多元性、
滿足本地消費者需求等業務趨勢將持續下去。

Andrew Wu

Digital Dialogues

時尚達人網上對談Fashion Challenges Digital Forum, a two-day virtual event held

Fashion Challenges Digital Forum可謂疫情期間時尚產業討論on 2-3 December 2020, was the centre of thought-provoking

交流的焦點舞台。為期兩天的網上論壇於2020年12月2至3日

discussions about the fashion industry during the pandemic.

舉行，雲集了20多位國際間的行業領袖、設計師和企業家，一From braving challenges and sustaining customer loyalty in

同分享他們的洞察和經驗，剖釋實戰策略，分享品牌和企業如the new normal to employing effective digital engagement

何在疫情期間轉危為機。豐富內容涵蓋如何在新常態下把握機

tools, over 20 international industry leaders, designers and遇，以至有效運用數碼互動工具來維持顧客忠誠度。

entrepreneurs shared their observations and experiences, andFashion Asia Hong Kong由主要贊助機構創意香港全力支持。

H

Anya Hindmarch

Fashion Asia Hong Kong is supported by Create Hong Kong,

Managing Director & Creative Director, ANYA HINDMARCH

the programme’s Lead Sponsor.

ANYA HINDMARCH 執行總監及創意總監

WThe first and foremost aspect of striking thebalance between globalisation and localisation
is you need to have a very strong team on the
ground with solid expertise and experience in themarket, complemented by a global mindset anda personality that is able to demonstrate theChinese versus Western perspectives.
要在全球化和本地化之間取得平衡，首要工作是在本地招攬
強大的團隊，且須擁有紮實的工作能力和豐富的市場經驗，B

具備環球視野，以及學貫中西、兼容並蓄的個性。

For me, luxury is about stories. It is not abouta brand nor showing your wealth and status.
It can also be something that can be
inherited. I think we need to find the meaningof luxury again as it has been bandied
around and certainly abused.
對我來說，奢華不是炫耀你的財富和社會地位，而是關於背後的故事，或是可以傳承的東西。由於奢華的定義已陷入作繭自Alexis Bonhomme

縛的狀況，甚至被濫用，因此我們更應追求它的真義。

Vice President, Greater China & APAC – Commercial, Farfetch
Farfetch 營商部大中華區及亞太區副總裁Fashion Asia Digital Series
A brand-new online platform, Fashion Asia Digital Series, was built to help weather

因疫情而誕生的全新網上平台Fashion Asia Digital Series，邀請時尚和品牌達人就行業

the challenges of Covid-19 by inviting fashion and brand leaders to share actionable全球發展趨勢及策略進行分享與對談。一連五集的節目於2020年以Podcasts和影片方式

insights on global fashion developments in the form of podcasts and videos. In

推出，緊貼潮流脈搏。

2020, five episodes, featuring presentations and dialogues between industry
visionaries, were aired.

FASHION ASIA HONG KONG

continue to be the part of the trend.

LVMH 集團大中華區總裁

多角度時尚體驗

brands and businesses in times of crisis.

the local offering and meeting the local consumer demands will

President, LVMH Group Greater China

A MULTIDIMENSIONALFASHION EXPERIENCE

explained tried-and-tested strategies and opportunities forthere is behavioural progression. Behaviours like strengthening

019

FASHION ASIA
HONG KONG

People’s behaviour are not likely to go back 100% becauseFashion on a Virtual Stage

聯手各大伙伴 挑戰時尚創新Every year, ‘10 Asian Designers to Watch’ celebrates and showcases the innovation, creativity, and craft ofa rising generation of fashion design talent. This year was a chance to leverage technology and bring thework of the region’s most exciting new fashion designers to the world. Starting December 2020, designers

The ‘10 Asian Designers to Watch’ were once again

displayed their award-winning pieces in specially designed three-dimensional virtual showrooms.

brought to an international stage with dynamic andcreative partnerships with strategic and respected時裝展覽 虛幻成真

partners. Labelhood, an incubator and independent

每年10 Asian Designers to Watch都會表揚新一代時裝設計師，展示他們層出不窮的創意和工藝。今年

A Sai Ta

晉時裝設計師的得獎作品，務求讓全球觀眾一同「參觀」和欣賞他們的出眾才華。

ASAI

JiSun Park & KyuYong Shin

Caroline Hu

Peng Chen

Blindness

Caroline Hu

Chenpeng

LABELHOOD

更配合先進科技，特別打造立體虛擬陳列室。自2020年12月起，虛擬時裝展覽呈獻亞洲區內最優秀的新showcasing platform, hosted a physical exhibitionof designs for fashion industry elites within its‘Pioneer Fashion & Art Festival’. A stunning showcase
in collaboration with Lane Crawford also captured
audiences on one of Shanghai’s busiest streets, thePiazza in Shanghai Times Square, during Shanghai
Fashion Week. The physical exhibitions and virtual
platform attracted more than 30,000 visits, with over
50,000 people tuning in to watch livestreams of
the event.
Fashion Asia得力於一眾知名策略合作伙伴，共同打造多元化創意項目，成功將10 Asian Designers to Watch推
展至國際舞台，包括在時裝培育及獨立展示平台Labelhood舉辦的「先鋒時裝藝術節」中舉行實體展覽，以及與連卡佛合作，於上海時裝週期間，在熱鬧的大上海時代廣場舉辦了一場觸目的時裝展覽，吸引大量途人注目。實體展覽及虛擬平台共有超過30,000人次訪問，直播活動亦錄得超過50,000名觀眾收看。

As part of these events, designers and industry leaders
shared views on the current challenges facing theworld of fashion, with workshops and conversations
taking place in a hybrid format. These in-depth andinspiring conversations were opportunities for experts
to share successful experiences in overcoming their

Hideaki Shikama

Sun YunDerek ChanChildren of the Discordance

Cornerstone

DEMO

own dilemmas, and for audience members to exchange
knowledge on how to be more resilient.
Fashion Asia also continued to support local fashion
talent through Hong Kong Showroom & Pop-up Spaces,
thanks to partnerships with The Woolmark Company andfour leading local fashion institutions.
設計師和行業領袖亦透過實體和線上工作坊及研討會，
分享他們對時裝界當前挑戰的看法，以及克服難關的成
功歷程，啟發觀眾提升應變力。
Fashion Asia亦伙拍The Woolmark Company及四間本地時裝設計院校，合作舉辦Hong Kong Showroom &Jinwoo Choi & Yeonjoo Koo

Robert Wun

Shimo Zhou & Une Yea

J Koo

Robert Wun

STAFFONLY

Pop-up Spaces，繼續支持本地時裝人才茁壯成長。

L A N E C R AW F O R D

FASHION ASIA HONG KONG

DYNAMICPARTNERSHIPS

021

10 ASIAN DESIGNERS TO WATCH

#CREATIVEMINDSET #創意思維#TEAMSPIRIT #團隊精神#DIGITALISATION #數碼化KENNIS CHAN 陳昌琪

JILLIAN LEE 李燕清

Programme Director, Fashion Asia,
Fashion & Design Incubation Programmes

Programme Director,
Innovation & Design Knowledge

Fashion Asia 及時裝及設計創業培育計劃總監

創新及設計知識總監

DESIGN RESILIENCE# 5 minutes with…
# 與項目總監5分鐘對談023

2O20-2O21

025

#Q1

首次舉辦虛擬活動，同事們都必須掌握新What was the year like for yourprogrammes?

技術才能事半功倍。對於團隊共同努力而

過去一年籌備活動的情況如何？

DESIGN RESILIENCE

It was our first time doing a virtual
event, and everyone had to level up
their skills to make it happen. We werevery proud of what we achieved.

取得的成就，我們感到非常自豪。

Kennis Chan 陳昌琪

Jillian・ We faced persistent challenges because of Covid-19, but our team
maintained a creative mindset and human-centric approach, and we were able
to adjust our Business of Design Week strategy to cope with the ever-changing
situation. Ultimately, it was a good year. The transformation of our programme into

We turned challenges into
opportunities, transforming ourprogrammes and reaching more target
audiences around the world and in
Mainland China.
我們成功轉危為機，改變節目的舉行及播放模式，以吸引中國內地以至a hybrid format enhanced both its style and substance, and we learned so much.
疫情帶來重重挑戰，但我們的團隊憑藉創意思維及以人為本的精神，成功以全新方式籌
辦設計營商周，以靈活的策略應對環境變化，迎難而上。結果，今年成績斐然，活動更首度以跨媒體直播形式舉行，可謂有聲有色，我們也受益匪浅。

#Q3

Kennis・The year was definitely challenging, but also very exciting for us. We didn’t

What were you particularly proud of?

want to just cancel the Fashion Asia programme, so we had to adapt it for the newnormal. It was our first time doing a virtual event, and everyone had to level up theirskills to make it happen. We were very proud of what we achieved.

全球更多目標受眾。
這一年絕對充滿挑戰，但我們奮勇面對。為免因疫情而取消Fashion Asia，我們作出應
變以迎接新常態。首次舉辦虛擬活動，同事們都必須掌握新技術才能事半功倍。對於團

Jillian Lee 李燕清有什麼令你們特別自豪？

隊共同努力而取得的成就，我們感到非常自豪。

#Q2

What challenges did you overcome?

Jillian・Teamwork. The team’s commitment to delivering
their best was the key to our success. Additionally,#Q4

partners, we wouldn’t have been able to deliver the

How did you adapt and digitalise
your programmes?

first edition of our hybrid programme in such a short

策劃節目時如何適應數碼化新常態？

without the strong support of our programme steeringcommittee, senior management, as well as great

timeline. We were also inspired to develop bodw+, anevergreen digital knowledge platform that will open ourcontent and programmes up to a broader audience, both

Kennis・ Digital content and how we curate it, was important to us. We recognised thatgeographically and demographically.

people have shorter attention spans online, so we moved away from the format of ourprevious physical forum and integrated more visuals for digital audiences to ensure our你們克服了哪些挑戰？
我們成功的關鍵在於發揮團隊精神，竭盡所能做出驕人成

programme maintained its impact. We also found better ways to engage our audience on績。此外，如果沒有項目指導委員會、管理層和合作伙伴

social media using the right channels and content. It’s something we will continue to work

Kennis・Transforming Fashion Asia from a physical event to digital one was complex. We started

的鼎力支持，我們無法在這麼短的時間內以全新形式舉辦

on in the future.

from zero and had to work with new vendors. In the beginning, we couldn’t visualise what we might

跨媒體直播節目。疫情還啟發我們推出bodw+設計知識數

need—like a green screen, and we did have some technical issues, but it meant we had to think fast on

碼平台，將我們的內容和節目開放予更多來自不同背景和數碼內容的策劃非常重要。我們留意到人們在網上的注意力較短，因此決定在網上節目加

our feet. By staging a virtual event, we also reached a bigger audience base, in particular. We worked地區的觀眾。

入更多視覺元素，取代以往實體論壇時的模式，從而保持節目的吸引力。在社交媒體宣傳

with different broadcast companies to expand our reach, and this created greater brand awarenessfor the forum.

方面，我們尋找更合適的渠道和內容，以提升觀眾關注和參與，未來我們會繼續在這方面

Kennis・ Last year was difficult for everyone, and it was

努力。

hard to stay motivated. But every member of the team
將Fashion Asia從實體活動變為虛擬形式過程複雜。一切需從零開始，包括重新物色新的服務供應商。

did their best. They were flexible and adaptable, found

Jillian・The pandemic was a catalyst for the overall digitalisation of our programme. We

最初，我們無法想像會用到如綠屏背景之類的工具，而且還遇到一些技術難題，所以我們必須靈活應ways to overcome obstacles and issues, and maintained

worked with good partners to enrich our delivery format and broadcast our event live on變。我們又與不同直播平台合作，觸及更廣大的觀眾群，進一步提升論壇的知名度。

a positive and strong team spirit throughout. As a result,different channels, so that people from all over the city and around the world could takewe were able to engage our audiences in new ways andpart in the design conversation. Thanks to the addition of the virtual format, our audiences

Jillian・ We had to deliver an action-packed programme under time constraints, adhere to strictbuild stronger exposure on social media. I am so proudcan now enjoy our programmes anywhere, anytime, for free. Having created the newsocial distancing policies, navigate technical difficulties, and try to meet users’ expectations,of my team.

bodw+ platform, we can continue to build a connected international design community.

transforming our programmes and reaching more target audiences around the world and in

去年對每個人來說都是艱難的一年，一再考驗我們的意志

疫情加速我們項目的數碼化。透過與優秀的伙伴合作，我們可於不同的渠道直播活動，讓

Mainland China.

力。幸好團隊每位成員都具應變和創新能力，面對疫情依然

全港及世界各地的觀眾都能參與這場設計交流盛事。虛擬模式令觀眾可以隨時隨地免費欣

緊守崗位，團結一致。因此，我們能夠以嶄新方式吸引觀眾，

賞節目，而新推出的bodw+平台亦能促進我們與國際設計社群互連互通。

including both speakers and participants. But in the end, we turned challenges into opportunities,

我們要在有限的時間內準備精彩緊湊的節目，同時必須嚴格執行社交距離措施、克服技術上的各種挑

並增強於社交媒體上的號召力，為此而全力以赴的團隊令人

戰，並且滿足演講嘉賓和參加者的期望。最後，我們成功轉危為機，改變節目的舉行及播放模式，以驕傲。

吸引中國內地以至全球更多目標受眾。

論 ‧ 賞 ‧ 好設計

027

COMMENDING EXEMPLARYDESIGN TALENT

029
DFA AWARDS

DFA

exemplary designs and outstanding design leaders that have
impact in Asia. Its Lead Sponsor is Create Hong Kong.
2003年：DFA設計獎正式成立，表揚在亞洲具有影響力的優秀
設計項目及設計師。獎項由創意香港為主要贊助機構。

hail from 40+ economies.

ECONOMIESThe awards are inspired by diversity—international awardees

15

A MILESTONE OF

PAGE VIEWSDFA AWARDS

設計獎

2003: the DFA Awards was officially launched to recogniseThis year, the number of total submissions
received since the awards began reached amilestone of 15,000.
自開展以來，DFA設計獎收到的作品總數已達到
15,000份，創下里程碑。

22

AWARDEES

2,200+ awardees have been recognised to date, inspiring the rest of the world
with the revolutionary possibilities of design.

迄今為止，已有超過2,200個得獎單位，以具前瞻性的設計為世界帶來新啟發。

Over 62,500 page views have been clocked up for the DFA Awards 2020 Online Showcase. From 27 November to
10 December 2020, the physical exhibition at 7 Mallory Street, Wan Chai, Hong Kong shared the design stories
behind winning projects and portfolios for visitors to explore.
Complementing the excitement of the exhibition was a series of design engagement activities including
Design Dialogues held in Hong Kong and Taiwan, and the Design for Asia Forum at Business of Design Week
2020.
DFA設計獎2020網上展廳的瀏覽量已超過62,500次。展覽更於2020年11月27日至12月10日期間，以實體形式於香港灣仔茂蘿街7號舉行，展示了得獎作品背後的設計故事。
其他公眾參與活動包括在香港和台灣舉行設計對談，以及設計營商周2020的給亞洲設計論壇。

優秀設計跨越地域界限─得獎單位來自全球40多個經濟體。
Figures as of 31 March 2021
以上數據截至2021年3月31日

031

創 意 智 優 青 年 設 計 才 俊 獎CreateSmart Young Design Talent Award

Tai Kwun, Hong Kong

創 意 智 優 青 年 設 計 才 俊 獎

香港大館

Koke Lab & comes n goes Shared Space, Hong Kong

#LAW CHUN WAI JUSTIN

香港 Koke Lab & comes n goes 共享空間

#羅晋偉

#CHEUNG WAI MING
#張偉明

#ENVIRONMENTAL DESIGN#環境設計#COMMUNICATIONDESIGN

D F A

#傳訊設計

香 港 青 年
設 計 才 俊 獎

The whole transformation of Tai Kwun impresses
me a lot, especially compared to my visit toVictoria Prison in 2008. How the architects,

These two creative units sharing a space inspires me.

Herzog and de Meuron, were able to reactivate

The atmosphere is priceless. Having somewhere to2 0 2 0the space and convert it into a new cultural hub,discuss design matters and have open discussions

without losing the traces of time in the complex,

is important for design. Through dialogues withis most inspiring.

others, you can consolidate your design message

Inspiration from All Around
Hong Kong’s emerging designers

and execution, and gain insights into the role of a

整個大館的改造真是令我嘆為觀止，特別是當我對designer.

照2008年參觀維多利亞監獄的體驗。最具啟發性的
地方莫過於Herzog and de Meuron建築事務所如何

and design graduates are a trove ofinspiration, with each embodying

這兩個創意單位的共享空間是我的靈感來源。這裏的氣

活化和復修大館，令它轉變為全新的文化樞紐，同氛是無價的，共用空間能讓設計師公開討論各種問題，時保留歷史印記。

their own truly distinctive design對設計而言極其重要。通過對話，設計師可調整設計帶

aesthetics, philosophies, and talents.

出的意義和執行方式，並深入了解設計師的角色。

The DFA Hong Kong Young Design
Talent Award was born from acommitment to support the growthof these designers and our own
local design ecosystems, by offeringsponsorship to awardees to work or
CreateSmart Young Design Talent Award

study overseas.

創 意 智 優 青 年 設 計 才 俊 獎Read on to learn more about these

Concord Villas, Hong Kong
香港大坑融苑young designers, their inspiration,and insights about the places that aremeaningful to them.

CreateSmart Young Design Talent Award
創 意 智 優 青 年 設 計 才 俊 獎Jockey Club Creative Arts Centre, Hong Kong

此時此地
與設計新星走訪靈感地
香港設計界人才輩出，每位新晉設計師及設計系畢業生都擁有非凡的個人
設計美學觀點、理念和才華。DFA香港青年設計才俊獎的成立初衷，是支
持這些新一代設計新星及推動本地設
計生態發展，贊助得獎者到海外工作
或學習。
一起來造訪他們獲取靈感的地方，聽
聽他們的故事。

香港賽馬會創意藝術中心#LAM KIT MING MANDI#林潔明#APPAREL &ACCESSORY DESIGN#服飾設計

This was the first place I was exposed to local
art and artists during high school. I grewup near the area and so I have many fondmemories and nostalgic feelings about it.
It contributed to my aspirations to becomea designer and give back to the community
one day.
我在中心附近的社區長大，因此對這個地方有很多美好的回憶和懷念。高中時，我在這裡第
一次接觸本地藝術和藝術家，從而啟發我成為
一位設計師，希望有天能回饋社區。

#MAK CHUN TING ANAIS#麥雋亭#APPAREL &ACCESSORY DESIGN#服飾設計

I love looking at how traditions evolvewith changing aspirations, which you
can see in this place.
我喜歡觀察傳統如何隨著不斷變化的期
望而演變，就如這個地方。

DFA HONG KONG YOUNG DESIGN TALENT AWARD 2020

DFA HONG KONG YOUNG DESIGN TALENT AWARD 2020

CreateSmart Young Design Talent Award

033

創 意 智 優 青 年 設 計 才 俊 獎CreateSmart Young Design Talent Award

Eye Filmmuseum, the Netherlands

創 意 智 優 青 年 設 計 才 俊 獎

荷蘭 EYE 電影博物館

Anywhere#ALICE WONG

任何地方

#王雅媛

#YEUNG WING HIM WILLIAM#傳訊設計#COMMUNICATION DESIGN#楊穎謙#COMMUNICATION DESIGN

calming atmosphere, the inspiring artists and#傳訊設計

their works, and the interesting visitors whom

I always feel fresh, and find new inspiration,

This is one of my favourite places to be: theI can have intellectual conversations with.

when I jump out of my comfort zone andThey all motivate me to have a stronger drive

explore the world. It's not about being in a

in mastering my work.

particular place. Anywhere can inspire you,as long as you are willing to broaden your

這是我最喜歡去的地方之一：寧靜平和的氣氛、

horizons, pay attention to details, and stay啟發人心的藝術家和作品，以及和我志趣相投的

curious.

訪客，這些都成為我發奮工作的推動力。
當我離開自己習慣的生活並開始探索世界時，總會找到新靈感。只要你願意拓闊視野、留意
細節及保持好奇心，任何地方都可以為你帶來啟發。

CreateSmart Young Design Talent Award
創 意 智 優 青 年 設 計 才 俊 獎Church of Light, Japan
日本光之教會#MAK KAI HANG#麥綮桁CreateSmart Young Design Talent Special Award
創 意 智 優 青 年 設 計 才 俊 特 別 獎
The Centrium Courtyard, Hong Kong
香港中央廣場花園#COMMUNICATIONDESIGN#HU TSZ HUNG TONY

The church is designed by Tadao Ando and his use#ENVIRONMENTAL DESIGN#傳訊設計

of fair-faced concrete creates a pitch-black spacethat isolates visitors from the outside world. I can
profoundly feel the power of how minimalistic

#許梓鴻

#環境設計

elements can lead to enormous creations.

This is a space to escape and recharge. In densely

教堂由安藤忠雄設計，利用清水混凝土創造漆黑的空

tranquil space amid high-rise buildings is rare.

間，將訪客與外界隔開，令我深刻體會到如何以簡約的元素創作出宏大的作品。

developed areas like Hong Kong, having such aSpace-making is exactly what we architects aretrained in. I will continue to strive to craft and createcherished spaces for the general public.
這裡讓人從繁囂忙碌的生活中喘一口氣。在香港這樣發
展稠密的都市，如此寧靜的空間在高樓大廈之間非常罕
見。創造空間正是建築師須要接受的訓練之一，我期望繼續努力為人們打造珍貴的公共空間。

DFA HONG KONG YOUNG DESIGN TALENT AWARD 2020

CreateSmart Young Design Talent Award

035
DFA HONG KONG YOUNG DESIGN TALENT AWARD 2020

CreateSmart Young Design Talent Special Award
創 意 智 優 青 年 設 計 才 俊 特 別 獎CreateSmart Young Design Talent Special Award
創 意 智 優 青 年 設 計 才 俊 特 別 獎Discovery Bay, Hong Kong

Shirakawa Village, Japan
日本白川村#TUNG WAI YIN RYAN#LEE WING HONG BEN#董偉賢#COMMUNICATION DESIGN

#環境設計

香港愉景灣

#李穎康

#傳訊設計

Discovery Bay is a place that lets me slow down, andrefreshes my mind and intentions. It’s a place thatoffers an escape from the rush of city life. I love andadmire the design intentions of Paula Scher, a designer
who is defining different standards of typography increative, intelligent, and unique ways.
愉景灣令我放慢腳步，放鬆身心，並讓我遠離城市喧囂的
生活。我欣賞Paula Scher的設計理念，她憑藉創意、智慧
和獨特方式為字型學定下了一套獨特的標準。

#ENVIRONMENTAL DESIGNI am not only a designer but also a traveller, andJapan's design always inspires me. There are many
Japanese designers I admire, including Sanaa, Kengo
Kuma, Toyo Ito, and Ishigami. Japanese designers
always try to bring nature into their designs, which
I think Hong Kong designers should also consider.
我不只是一名設計師，也是旅行者，而日本設計總是我
的靈感泉源。我欣賞多位日本設計大師，包括 Sanaa、
隈研吾、伊東豊雄和石上純也。日本設計師經常試圖將
大自然融入他們的設計當中，我認為香港設計師也應參
考這種做法。

HKDI Young Design Talent Award香港知專設計學院青年設計才俊獎
Yue Po Chai Curios Store, Hong Kong
香港裕寶齋

CreateSmart Young Design Talent Special Award
創 意 智 優 青 年 設 計 才 俊 特 別 獎
Fo Tan MTR Station, Hong Kong
香港火炭港鐵站#CHAN PUI YI YOYO#陳珮怡

#MOK KA KI APPLE#APPAREL &ACCESSORY DESIGN#COMMUNICATION DESIGNThis place is permeated by traditional

#莫家琪

#傳訊設計

I’m inspired by the city's night, particularly inplaces where there is a contrast of brightness and#服飾設計

smells and the textures and shapes of thestore structure. I find many stories thathave been left behind in here, within all
the antiques and curios of the store.

darkness. This photo shows the upper ground is a

走進裕寶齋，空氣中瀰漫着傳統氣息，眼前

railway/bridge and the lower ground is a tunnel,

的結構紋理和形狀都散發出一種韻味。還有generating a natural half-half composition. The

店內的古董和古玩，每件都蘊藏著許多前人

image has great contrast and even a sense of

留下的動人故事。

loneliness.
夜幕下的都市令我靈感湧現，尤其在光暗差異強烈的地方。這張照片上半部顯示的是鐵路/橋樑，下半部
則是隧道，產生自然分半的構圖。在強烈的光影對比
之下，甚至帶出一份孤獨感。

037

PolyU School of Design Young Design Talent AwardDFA HONG KONG YOUNG DESIGN TALENT AWARD 2020

香港理工大學設計學院青年設計才俊獎Young Design Talent Special Mention Award

Warehouse, Hong Kong

青 年 設 計 才 俊 優 異 獎

香港蒲窩青少年中心#LAM KA SIU WILLY

Burano, Italy

意大利布拉諾島#林家兆#LEUNG SHEK YEN SAMSON#ENVIRONMENTAL DESIGN

#梁碩仁

#環境設計

#APPAREL &ACCESSORY DESIGNI am interested in the way we renovate old#服飾設計

buildings. This place evokes my reflections on
the meanings and relationships between a placeand memory, and how intentions determine theAnywhere that has a history of craft inspires

outcome of architecture.

me. In my design work, I translate intangible
emotions and narratives into subtle garment

我對於如何復修舊建築物很感興趣。此處令我反思

details and handmade textiles. I admire Jil

地方和回憶之間的意義和關係，以及建築意向如何

Sander for her simple, effortless cuts for

決定成果。

everyday wardrobes.
我的靈感來自任何有手工藝歷史的地方。我的設計將無形的情感和故事轉化為微妙的服裝細
節和手工紡織品。我十分欣賞Jil Sander以簡單舒適的剪裁設計日常服裝。

Young Design Talent Special Mention Award
青 年 設 計 才 俊 優 異 獎The Roof of Tempodrom, Germany
德國藤普杜音樂廳屋頂#KONG KA YU CHRISTINA#江嘉洳#ENVIRONMENTAL DESIGN#環境設計

I just love climbing up to rooftops or hidden
spots in architecture, to find the gorgeous
perspectives that we seldom notice in thehustle. These places are often defined astechnical or hideous spaces, but I am curious
about how they could be something more.

Young Design Talent Special Mention Award
青 年 設 計 才 俊 優 異 獎Hong Kong
香港#KUN TSZ YAN JOYCE#鄞子欣#APPAREL &ACCESSORY DESIGN#服飾設計

The people of Hong Kong, and their unique spirit,我總是喜歡參觀建築物的天台或隱蔽點，發掘被

inspires me. In terms of my own design work,人們於匆忙間忽略的美麗角度。這些地方通常被I am inspired by French fashion house Maison

定義為技術性需要或沒吸引力的空間，但我好奇Margiela for their use of ground-breaking

它們潛在的可能性。

concepts in fashion design.
香港人和他們獨特的個性精神，是我的靈感來源。就我的設計工作而言，法國時裝品牌Maison Margiela
其破格創新的時裝設計概念深深啟發著我。

039
DFA DESIGN FOR ASIA AWARDS 2020從亞洲出發 向世界展示設計力量
Celebrating design excellence and designs that embody Asian aesthetics and culture, theDFA Design for Asia Awards showcases outstanding design projects to the world. The awards
encompasses 23 design categories in four major disciplines: Apparel & Accessory Design,
Communication Design, Environmental Design, and Product & Industrial Design. All the winning

D F A

projects exemplify design thinking in action by providing innovative solutions to social problems,

亞 洲 最 具 影 響 力
設 計 獎

medical and industrial needs, and more.
DFA亞洲最具影響力設計獎旨在向世界展示並表揚具亞洲獨有美學和文化的優秀設計項目。獎項涵蓋
四大設計領域共23個設計組別，包括服飾設計、傳訊設計、環境設計和產品及工業設計，各得獎項目

2 0 2 0均秉持設計思維的大方針，為社會問題、醫療及工業需要等等提供適切的設計和解決方案。

GRAND AWARDDFA DESIGN FOR ASIA AWARDS 2020

ASIAN PERSPECTIVES,INTERNATIONAL ACCLAIM

大獎

PANDAID

Empowering Social Change in a Pandemic

NOSIGNER

governmental website created and run by a team of 300 volunteers, was established toJapan 日本

Covid-19 continues to present challenges to our everyday lives. PANDAID, a nonbetter equip people to stay safe, stay calm, and understand the science behind stopping
the spread of the contagion. Its simple design disseminates scientific information as easyto-follow guidelines, such as using pop culture and traditional symbols as references
to develop a broad array of visualisations that help bring clarity to complexity. The
innovative printable face-shield template was the most shared content, and was an
example of how smart design has the potential to spread fast and make an impact.

創新傳意設計助大眾抗疫疫情肆虐，各地政府為有效地向公眾傳播衛生防疫資訊費煞思量。PANDAID集結了300名

GRAND AWARD

大獎

志願者的力量，通過網站分享有關傳染病的科學數據，以優秀的視覺溝通方式免費公開，Longfu Life
Experience Center瓏 府生活體驗中心Mainland China 中國內地

A Portable Building Designed for Sustainability

例如利用流行文化或具體例子，令真確可靠的抗疫常識一目了然。網上最多人分享的可打印

Real estate developments have yet to overcome a by-product of their sales efforts:

保護面罩模板，極具成本效益，證明優秀視覺設計能迅速為社會帶來貢獻。

wasteful marketing centres that are often demolished once sales end. The Longfu Life
Experience Center breathes fresh air into this issue, with a simple, portable buildingthat can be dismantled and rebuilt. The beautiful, uplifting, and multifunctional space

LUO Studiois created with an innovative modular system, designed with ecologically friendly

羅宇杰工作室timber and glass. The structure can be assembled with simple construction techniques

Mainland China 中國內地that reduce time and labour costs, while minimising waste. This featured 1,600 square
metre centre was designed, commissioned, and built in just under two months.

以永續設計打造可攜式建築物
房地產項目的銷售中心大多是臨時建築，拆卸後產生大量廢物。瓏府生活體驗中心是一
座可重複使用的環保建築，模塊化建築系統採用木材和玻璃為原料，設計簡單可攜，方便隨時拆卸和重新組裝，節省人力物力，以創新方法減少浪費。以這座佔地1,600平方
米的中心為例，僅用了不足兩個月來完成設計和建造，並投入服務。

Aranya Art Center

UCCA Center for Contemporary Art / OPEN Architecture
UCCA 尤倫斯當代藝術中心 / OPEN 建築事務所

阿那亞藝術中心

Mainland China 中國內地

Mainland China 中國內地

Neri&Hu
Design and Research Office

An Artistic Sanctuary

如恩設計研究室

Carefully balancing the ecology of the surrounding area and opportunities

Mainland China 中國內地

for cohabitation, the UCCA Dune is over a 930 square meter art gallerytranscending nature and culture. Located within a sand dune and offering
a myriad of perspectives of the sea and the sky, the spectacular sanctuary

A Hive of Activity

changes with sunlight and seasons, to create a profound and radical

Dedicated to design and the arts, Aranya Art Center was created to enrich community life with performances and exhibitions. It provides

connection to the natural world.

a space for visitors to connect and create meaningful experiences through exchanges in art and life. A spiral corridor for graphic arts
displays leads to a 360-degree roof viewing platform, where visitors can look down into the amphitheatre through a funnel.

與自然融為一體的藝術天堂
UCCA沙丘美術館佔地超過930平方米，超越自然和文化的分野，其設計巧妙

藝術生活共享空間

地與附近的自然生態平衡共存。美術館盡覽海天一色，景象變幻莫測，隨着阿那亞藝術中心是為設計和藝術而設的展覽空間及表演場地，令社區生活更添藝術氣息。可展覽視覺藝術作品的螺旋形走廊，引領參觀者

日光及四季轉換，彷彿與天地渾然為一，美不勝收。

一步步登上屋頂的觀景台，往下俯瞰階梯式的圓形劇場，感覺別有洞天，是藝術交流的好去處。

Tainan Spring

Truck Art Childfinder

Jewel Changi Airport

URMIII河樂廣場Impact BBDO / Samar Minallah Khan

星耀樟宜機場

Unilumin Group Co. , Ltd.

Taiwan 台灣

United Arab Emirates 阿拉伯聯合酋長國Singapore 新加坡

Mainland China 中國內地MVRDV B.V.

Safdie Architects

The Netherlands 荷蘭

The United States 美國

A Downtown Oasis

Social Impact on Wheels

An Indoor Garden Like No OtherThe Ultimate LED Wall Solution

The need to repurpose an outdated mall in Taiwan led to an opportunity

In Pakistan, the realisation that trucks are like moving billboards led to an

Jewel, at Singapore’s Changi Airport, brings the essence of the city to

The installation and disassembly of multiple LED screens is a time-

to reconnect people with the city’s canal and harbour. Rotterdam-based

incredible awareness campaign for missing children. The trucks became thepassengers by reimagining urban centres and providing families andconsuming, high-cost process. In LED rental, as in any business, the ability toarchitecture studio MVRDV B.V. proposed turning the basement carpark into

perfect canvas to spread images of children to remote areas where regulartravellers with an opportunity to enjoy a garden environment, within an

shorten setup time is critical to increasing its bottom line. Enter the URMIII,a shallow lagoon that could be enjoyed year-round. Trees and flowerbeds

media coverage is minimal. Since the campaign launched, over 5,300 calls

urban structure. Designed to solve the problem of access and land use,a modular video wall unit mounted with booster handles. Its innovative andwere planted to create a lush urban garden, and to provide a cool setting forabout missing children have been received from 39 cities, and eight children

Jewel is a carefully curated and versatile space that offers connective

precise framework, one-touch locking mechanism, and positioning system

music, dance, and cinematic showcases for residents.

have been reunited with their parents.

experiences between people, nature, and commerce.

can be installed by just one person, cutting labour costs by a third.

都市綠洲

流動廣告車助尋回失蹤兒童舉世無雙的室內花園

終極LED牆解決方案台南一座舊有商場用地大變身，由鹿特丹MVRDV建築事務所將該處地下停車在巴基斯坦，為了警惕失蹤兒童問題，貨車化身成流動廣告板，將失蹤兒童

星耀樟宜機場重塑都市核心，將新加坡的城市特質和精髓活現旅客眼前。此安裝和拆除多個LED屏幕成本高昂，過程耗時。對LED屏幕出租業務來說，場改建為親水廣場，令市民全年都可享用這草木茂盛的花園空間。這個繽紛的

資訊和照片傳播到媒體難以觸及的偏遠地區。自推出以來，熱線接獲來自全

建築設計提供多用途空間，揉合人、大自然及商業元素，解決了機場通道和

能夠縮短安裝時間是提升利潤的關鍵。URMIII模組化LED屏幕配備加強手柄

城市綠洲同時為音樂、舞蹈及電影放映等活動提供獨特的戶外場地。

國39個城市共5,300多個電話，成功助八名失蹤兒童與家人重聚。

土地使用的問題，為旅客提供多元體驗，是出類拔萃之作。

及一按式鎖定和解鎖系統，只需一人安裝，令勞動成本減少三份一。

DFA DESIGN FOR ASIA AWARDS 2020

Mainland China 中國內地

大
獎

041

UCCA Dune
UCCA 沙丘美術館

GRAND AWARD

GRAND AWARD

大獎又一山人 x 黃炳培 /四十年創意展》

Time Will Tell is more than a retrospective of acclaimed designer Stanley Wong’s work—
it offers a glimpse of Hong Kong’s social and economic history over his 40-year career.
Six years in the making, the exhibition presents two creative personas: Stanley Wong’s,
and that of his pseudonym, anothermountainman. Exploring the relationship between
time and life, the curated exhibition features photography, installations, conceptual art,and commercial design.

時光倒流四十年
籌備了六年的《時間的見證》展覽，回顧了黃炳培 / 又一山人截然不同的創作，更透過他

八萬四千溝通事務所

40年的創作生涯，見證香港社會所經歷的變遷，並從攝影、裝置、概念藝術與商業設計中
細味時間與生活的關係。

Philips Experience Design
The Netherlands 荷蘭Medical Technology for the Future
Designed for the operating theatres of the future, the Azurion 7 C20 with FlexArm by Philips Healthcare is an image-guided therapy
system that can be ceiling-mounted to move around with ease. It combines advanced robotics and imaging technologies to offer
superior imaging, intuitive operations, and exceptional positioning freedom for medical teams, equipping doctors to treat morepatients in less time, while enhancing patient safety and comfort.

革新性未來醫療科技
飛利浦Azurion 7 C20是一套影像引導治療系統，其靈活臂可裝置在天花自由移動，專為未來手術而設。它結合先進的機械人和成像技術，為醫護提供高質影像、高自由度且直觀的操控和定位體驗，於更短的時間內讓更多病人獲得及時、安全而舒適的治療。

GRAND AWARD FOR 
TECHNOLOGY

Azurion 7 C20 with FlexArm
Azurion 7 C20 治療系統

法政 大學
都市屋頂 農場
Thailand 泰國

LANDPROCESS
Thailand 泰國

Reclaiming Nature from Concrete
Thailand’s climate and ecology may make it the perfect place to cultivate rice, but its
agricultural benefits haven’t made it immune to urban sprawl. As paddy fields give way
to urban developments, those who live off the land have found themselves losing anessential way of life. To address this disparity, Thammasat Urban Rooftop Farm (TURF)
has sought to reclaim rice fields from concrete. Not only does it absorb the carbon dioxidefrom human activities and provide natural insulation and ventilation for the building, but
Asia’s largest organic rooftop farm also acts as a blueprint for how to build sustainable
cities in the future.

收復失地，再興農業
泰國的氣候和環境尤其適合種植稻米，但農業的興旺並未能阻止混凝土建築的蔓延。城市化發展令稻田日漸消失，威脅農民生計。就此問題，泰國國立法政大學設計出亞洲最大的
有機屋頂農場，除了可吸收二氧化碳、為樓宇加添天然隔熱和通風效果，更是構建未來可
持續城市的最佳藍本。

84000 Communications Limited
Hong Kong 香港

Thammasat Urban
Rooftop Farm

科
技
大
獎

DFA DESIGN FOR ASIA AWARDS 2020

《時間的見證 /A Journey Through Time

可
持
續
發
展
大
獎

043

Time Will Tell /anothermountainman x
Stanley Wong /40 years of work

GRAND AWARD FOR
SUSTAINABILITYGRAND AWARD &GRAND AWARD FOR CULTURE

大
獎
及
文
化
大
獎

IDEO 執行主席

do next?” From a young age, Brown has always been fascinated by the interdisciplinary,multifaceted nature of design. He studied Industrial Design at the University of Northumbria,
before attending the Royal College of Art.
Today, as Executive Chair of IDEO, a global design and consulting firm that creates positive
impact through design, Brown advocates for “Design Thinking”, a human-centred approachto design innovation, which integrates the needs of people, the possibilities of technology,
and the ingredients for commercial success. As a celebrated author, speaker, design thinker
and educator, Brown embraces different opportunities to demonstrate how design strategies
can benefit every level of a business. His critically acclaimed book, Change by Design, explainsdesign thinking, methods and more, and demonstrates how design thinking transforms
organisations and inspires innovation.

D F A
亞 洲 設 計終 身 成 就 獎

2 0 2 0

設計思維教父 同理心和協作力量改變世界
全球對創新解決方案的需求日漸增加，Tim Brown不斷反省：「接下來應做什麼設計？」自青年時代，Brown對跨學科及多向性的設計非常着迷，更先後攻讀諾桑比亞大學工業設計及英
國皇家藝術學院。
作為跨國設計及顧問公司IDEO的執行主席，Brown提倡「設計思維」─ 一個以人為本的解決
問題方法，針對用家需求，結合科技及商業成功要素，創造更多可能。作為國際知名作家、
演講者、設計思維專家和教育家，Brown擅於運用設計策略幫助企業改革和創新，其鉅著
《設計思考改造世界》展示設計思維的無限可能，廣受好評。

DFA LIFETIME ACHIEVEMENT AWARD 2020

Executive Chair, IDEO

045

DFA
LIFETIMEACHIEVEMENTAWARD 2020
TIM BROWN

A Design Leader Inspired by Empathy and Collaboration
In a world desperate for new solutions, Tim Brown continues to ask, “What should design

047

DFA DESIGNLEADERSHIP
AWARD
2020

DFA DESIGN LEADERSHIP AWARD 2020

Progress Takes Flight with the Lord of the Drones
Not only has Frank Wang always dreamed of seeing the world from above, but even asa teenager he was determined to help others experience the joy of flight. Originallyfrom Zhejiang Province in China, Wang received his master’s degree in Electronic
and Computer Engineering at the Hong Kong University of Science and Technology—
designing his first drone prototype in a dorm room.
An entrepreneur at heart, it wasn’t long before he established DJI in 2006, a company
devoted to developing drone and aerial technology that could truly change the world.
In 2013, Wang launched the first consumer drone, which quickly became a market hit.
Today, DJI also produces high-tech camera accessories, flight control systems, and drone

D F A
設 計 領 袖 獎

2 0 2 0systems, but stays true to its core vision: to become a technology company that cancontribute to human progress and the betterment of society.

無人機之父帶領世界翱翔來自中國浙江省的汪滔，年青時不但夢想有天能在高空鳥瞰地面，還決心幫助人們體驗
飛行的樂趣。他的第一部無人機原型就在他於香港科技大學主修電子與計算機工程學期
間，在宿舍裏誕生。

FRANK WANG 汪滔
CEO & Founder, DJI

懷揣創業夢想，汪滔在2006年創立大疆，一間專注研發無人機和航拍技術的公司，以圖改變世界。2013年，他推出首部小型消費級無人機，旋即風靡各地市場。時至今天，大疆還生產高科技攝影鏡頭、飛行控制器及無人機系統，但其願景始終如一：要成為對
人類和社會進步作出貢獻的科技公司。

大疆創新(DJI)行政總裁及創辦人

049

Better known as anothermountainman, Stanley Wong is a visual communicator whose
an influential role in exploring and expressing the values and cultural emblems andelements that define the city and its people. As an educator, speaker, and design thinker,
his work transcends commercial interests and reverberates with rich meaning and social
commentary around the resilience and adaptability of Hong Kong people.
Wong’s most revered and acclaimed work, the Red White Blue Series, was created toinspire the people of Hong Kong with positive energy and a sense of hope. It captured theworld’s attention at the 51st Venice Biennale, where he gained international recognition
for his ability to elevate everyday items and motifs to symbols of pride.

視覺傳意形象設計大師期。他不單積極投入設計教育及演講分享經驗，推動設計思維，同時透過設計探索文化，以及城市和人民的價值觀，角色舉足輕重。作品的豐富內涵超越商業價值，膾炙人
口的設計象徵香港人的韌力和適應能力。
黃炳培最為人所熟悉的「紅白藍」系列寄意鼓勵香港人重拾希望和正能量。他在2005
年第51屆威尼斯雙年展上展出「紅白藍」，引領大家思考這日常用品背後的象徵意義，獲得國際熱烈迴響。

D F A
世 界 傑 出華 人 設 計 師

2 0 2 0DFA WORLD’S OUTSTANDING CHINESE DESIGNER 2020

work emerged in the golden era of Hong Kong’s creative industries. He has played

別號「又一山人」的黃炳培是一位視覺傳意大師，入行時正值香港創意產業的黃金時

DFA WORLD’SOUTSTANDINGCHINESEDESIGNER2020

A Master of Articulating Identity through Design

STANLEY WONG
(ANOTHERMOUNTAINMAN)
黃炳培（又一山人）Founder & Creative Director,
84000 Communications Limited
八萬四千溝通事務所創辦人及創作總監

051

GEARING UP
A NEW GENERATION
OF DESIGNERS
培育設計新世代

053

The Design Incubation Programme (DIP) is a two-year programmewith Create Hong Kong as the Lead Sponsor. It helps start-ups
from across the design world navigate and overcome challenges
in the critical early stages of business development.
Teaming up with creative dynamos, professional organisations,and academic institutions, the programme offers financial support,
training, and mentorship, as well as networking opportunities totake design businesses to the next level.
Around 95% of DIP's 214 graduates are still in business two years
after graduating. DIP incubatees and alumni have received a totalof 406 local and international design awards, applied for 393
intellectual property rights and created over 1,400 jobs.

助設計師茁壯成長
設計創業培育計劃是一個為期兩年的創業支援計劃，由創意香港為主要贊助機構，協助處於關鍵創業初期的設計企業，提供各種創業援助，面對和克服各種挑戰。
計劃與創意匠人、專業組織和學術機構緊密合作，為初創設計公司
提供資金、培訓、指導及交流機會，使其業務提升至更高水平。
至今，由設計創業培育計劃畢業的214間設計公司中，約有95%在畢業兩年後仍保持業務穩定發展。培育公司及畢業生已共獲得406
項本地及國際設計獎項、作出393項知識產權有關申請，並創造了
1,400多個職位。

Figures as of 31 March 2021
以上數據截至2021年3月31日

DESIGN INCUBATION PROGRAMME (DIP )Design Incubation
Programme (DIP) isa two-year programmethat helps start-ups
from across thedesign world navigate
and overcome
challenges in thecritical early stagesof businessdevelopment.

Where designers go to growBrian Chan

Designed in Hong Kong香港設計

然世界的情感。

Upon joining DIP, Double Black received funding and opportunities to boost their brand exposure

KnitWarm,

being

Since 2017 | 2017年成立

partners of their commitment topush the boundaries for brandtechnology and cross-disciplinary
collaboration together.
對於KnitWarm而言，成為DIP培
育公司是一份認同，能加強潛在合
作伙伴的信心，繼而一起突破品
牌技術的界限，進行跨界別合作。

www.knitwarm.com

透過DIP的資助和機會，Double Black成功爭取更多曝光度及增進營商知識。期間，他們到訪超過
700家眼鏡店，並參加不同的海外展覽，現在正積極準備發展台灣市場。

With its sights originally set on theinternational market, Mini Kardi had torethink its strategy and focus on the local
market when the pandemic took hold.

Fashion 時裝設計The brand’s first physical retail store was

Mini StudioLimited

opened at Yoho Mall during her incubation
period.

Product 產品設計

Ddiin Concept Limited點設計有限公司
Designed in Hong Kong
香港設計

Designed in Hong Kong
香港設計

Kay Ching

Mini Kardi最初將目標定於國際市場，但當
疫情爆發後，不得不重整策略，最後決定集

Sofia Lee中拓展本地市場。他們更在培育計劃期間
成功在元朗形點商場內開設首間自家品牌
實體零售店。

During their time in DIP, Ddiin strengthened their commercial skills and successfully launched their third product.
They found the programme’s business and marketing courses beneficial, built strong relationships and developed
more open-mindedness, which boosted creativity and improved operations.
在參與DIP期間，Ddiin的營商技能得以提升，並成功推出第三款產品。他們認為計劃的商業及市場推廣課程非常
實用，讓他們建立強大網絡，保持開放態度，從而提升創造力和改善營運。

Focused on desirability and innovation, Ddiin
designs professional, multifunctional stationery
with fun and flexible pieces created to boost
ideas.
Ddiin專注於追求理想及創新的設計，所推出的多功能文具既專業實用，又靈活有趣，激發用家的創意靈感。

Since 2019 | 2019年成立

www.ddiin.com

DIPof trust that assured potential

尚設計於一身，為日常生活增添色彩。

different overseas exhibitions. UNSUIKYO is now ready to explore new markets in Taiwan.

aincubatee was an endorsement「暖之織」是創新智能針織品牌，集合專利科技與時and hone their business skills. They visited over 700 eyewear and glasses shops and attended
www.unsuikyo.com

For

KnitWarm is an innovative knitwear branddevoted to integrating newly patented
technology into creative designs that enrichdaily life.

UNSUIKYO的設計靈感源自日本白谷雲水峽的自然
森林美景，所有眼鏡均以手工製作，喚起用家對自

Stanley Kwok
Stephen Ng
Regina Kwok

Mini Kardi is a playful aesthetic kids knitwear
brand that celebrates boundless childhood
imagination and creativity.
Mini Kardi的童裝針織產品經過精心設計，玩味十足，展現如孩童般無限的想像力和創造力。

Since 2016 | 2016年成立

www.minikardi.com

DESIGN INCUBATION PROGRAMME (DIP )織暖有限公司

Inspired by the beauty of natural Japanese
forest scenes in Shiratani Unsuikyo, UNSUIKYO
eyewear is handcrafted to evoke appreciation for
the natural world.

Since 2017 | 2017年成立

055

香港設計

Product 產品設計

KnitWarm Limited

玄點有限公司Designed in Hong Kong

PROGRAMMEDESIGN

Product 產品設計

Double Black Co. Ltd

brand physical store in Harbour City. The
advice from DIP mentors and others has
opened up future opportunities for ARTO
to promote Hong Kong fashion designs to

Fashion 時裝設計

Arto Wong Studio
Designed in Hong Kong
香港設計

the world.

Interior & Architecture 室內設計及建築

Orient Occident Atelier Limited

Arto Wong經營獨立品牌零售生意充滿挑戰，但在
DIP的支持下，ARTO成功在海港城開設
聯營品牌實體店。此外，DIP導師等人的
專業建議也為ARTO打開機會之門，為他
們日後代表香港時裝設計踏上國際舞台而
鋪路。

ARTO creates modern, colourful andingenious knitwear designs to inspire andenergise contemporary women with unlimited
possibilities.

ARTO以時尚、豐富多彩及別出心裁的針織設計，
為現代⼥性創造出無限可能性。

東西建築有限公司
Designed in Hong Kong
香港設計

The financial and networking support provided by DIP helped OOA gain international acclaim in competitions,
including DFA Design for Asia Awards 2021. Through mentoring and evaluation sessions, they met experienced
professionals and gained constructive feedback.

Since 2017 | 2017年成立

www.artoofficial.com

Magic Kwan
Kenrick Wong

Orient Occident Atelier (OOA) is aninterdisciplinary architectural, interior andurban design studio focused on discovering,
researching and connecting design, space andcommunity.
Orient Occident Atelier (OOA)是一家跨界建築設

DIP提供的資助和網絡拓展機會，促使OOA獲得不少國際榮譽，包括DFA亞洲最具影響力設計獎2021，而他們亦
透過師友指導和評估服務，結識了經驗豐富的專業人士，為事務所取得建設性的意見。

計、室內設計和城市設計事務所，專注於探索和研
發，以及連繫設計、空間與社區。

Since 2016 | 2016年成立

ooa.design

Charlotte Ng Studio was able to open aconcept store in Harbour City in her firstyear of incubation. The brand also took
Fashion 時裝設計

initial stock, customer requests and design

Charlotte Ng Studiochallenges in stride with the support and

Designed in Hong Kong
香港設計Charlotte Ng

insight of DIP tutors. This experience was

empowering and motivated the brand’s

Interior & Architecture 室內設計及建築

hopes to join overseas trade shows in the

Litto Lighting Design Limited

future.

Designed in Hong Kong
香港設計

Oscar LeeCharlotte Ng Studio在參加培育計劃的首
年即成功在海港城開設概念店。作為初次進軍零售界的品牌，他們在DIP導師的悉心指

導下，從容解決庫存問題、滿足客戶要求及應對設計挑戰，而這次經歷也為日後參加海Charlotte Ng Studio designs clothes rich withstories and attitude, for independent, intelligent
women.
Charlotte Ng Studio為獨立而聰穎的女性設計別具
故事和態度的服飾。

外貿易展注入動力及強心針。

Litto Lighting is a small team of talented
designers passionate about creating practical,
aesthetic and timeless lighting designs.

DIP offered Litto Lighting practical business and operations knowledge in everything from company

Litto Lighting由才華橫溢的設計師組成，他們熱衷

management and trademark registration to marketing and promotions. It served as a platform for joining

於創造實用、富美感和長青的燈飾設計。

Since 2019 | 2019年成立 www.charlottengstudio.com

Since 2018 | 2018年成立

a community and network, and sparked new creative ideas—one of which was integrating cutting-edge
technology and artificial intelligence into future lighting designs.

littodesign.com

DIP為Litto Lighting提供實用的商業及營運知識，從公司管理和商標註冊，到市場推廣及宣傳都一應俱
全。DIP更為培育公司提供一個互相交流及支持的平台，同時啟發創意，例如讓Litto Lighting成功將
頂尖技術和人工智能融入未來的照明設計。

DESIGN INCUBATION PROGRAMME (DIP )support, ARTO was able to open a joint-

057

to run a retail business, but with DIP’s

PROGRAMME

It’s challenging for independent labels

The Fashion Incubation Programme (FIP) is a two-year programme that

時裝創業培育計劃致力啟發、引領和支持新興時裝設計師品牌穩步發展，計劃

inspires, empowers, and supports emerging fashion designers and brands,

為期兩年，由創意香港為主要贊助機構。

with Create Hong Kong as the Lead Sponsor.
匯聚業內重量級專家及創意先驅，時裝創業培育計劃提供一系列實用資源，激Bringing together industry heavyweights and creative visionaries, FIP

發靈感來源，幫助設計師不斷學習和成長，突破自我界限，令他們在時尚界打delivers a suite of practical resources and sources of inspiration to help

響名堂。

designers learn, grow, push boundaries, and make a name for themselves in
the world of fashion.

The Fashion
Incubation
Programme (FIP)
is a two-year
programme thatinspires, empowers
and supports
emerging fashion
designers andbrands.

DESIGN INCUBATIONFASHION
INCUBATIONPROGRAMMEPROGRAMME (FIP )成為時裝界先鋒

059

Where fashion finds its leading edge

061

FASHION

Both Queenie and Day wanted
to connect with the local fashion
way, and after attending multiple FIP
workshops by industry leaders, they
now have a better understanding of
their strengths and weaknesses in
the market. The duo has continued
to refine and perfect Cafuné—a big

Fashion 時裝設計

Designed in Hong Kong
香港設計

Accessories 配飾設計

milestone was building up their

ALPS Annie Ling

Cafuné

e-commerce capabilities.

Annie Ling

Designed in Hong Kong
香港設計

Queenie和Day希望與本地時裝界集Queenie FanDay Lau

思廣益，建立更具意義的連繫。自從Inspired by a new age of active living andcutting-edge textile innovations, ALPS Annie
Ling designs enduring clothing that supports
wellbeing.

後，更明白其品牌於市場上的定位。

Cafuné seeks to redefine the notion of luxury:
reimagining it as the attachment and emotional
connection between a wearer and an item.

二人更不斷追求Cafuné業務上的突

Cafuné以重塑奢華為宗旨，並透過作品來呈現穿

她們參加了FIP舉行的業界領袖工作坊

ALPS設計師Annie Ling以融合時裝及科技元素作為創作理念，為追求品味生活的活躍新世代帶來

著者與配飾之間的情感聯繫。

破，其中建立電子商務平台對她們而

實用衣飾。

言意義重大。

Since 2015 | 2015年成立

www.annieling.com

Since 2015 | 2015年成立

FIP provided great support, notably strengthening Annie’s knowledge of brand-building and conducting

www.ca-fune.com

presentations with professionalism. The all-round resources created opportunities to learn from industry mentors
in marketing and trend forecasting, and to spark collaborations with other enterprises, which helped ALPS Annie
Ling excel in a relatively short time.

在FIP的全力支持下，Annie掌握了品牌形象建立的知識及專業演示技巧，配合全方位資源，讓她有機會向時尚行業
的導師學習營銷和預測潮流趨勢，並促成企業合作，令ALPS在短時間內脫穎而出。

Jessica and Walter joined FIP to
grow

their

networks,

enhancetheir online and offline businessknowledge and brand awareness, andmaximise opportunities. The duo havedeveloped a richer understandingof their brand’s unique points ofdifference, and are better able to pitch
ideas to corporates and connect withthose who can continue to support
the business.

Fashion 時裝設計

Designed in Hong Kong

設計師二人組Jessica和Walter透過

Fashion 時裝設計Blind by JW

香港設計

CAR2IE
Jessica Lau
Walter Kong

加入FIP擴展商業網絡、增進線上線下營銷知識、提升品牌知名度，創造更多機會。計劃期間他們加深了解品牌
的獨特之處，從而更有效推銷設計理念，連繫到不少能夠支持他們業務成長的合作伙伴。

Bridging Eastern and Western influences, Blind
by JW is a womenswear and accessories label
celebrated for its artistic patterns and handdrawn prints.

Designed in Hong Kong
香港設計

Carrie Kwok

Bringing together feminine design details,
graphic elements, and traditional tailoring witha twist, CAR2IE collections are at once sincere
and striking.

Blind by JW作為香港女裝及配飾品牌，融合東西

CAR2IE巧妙地融合女性化的設計細節、圖案元

方生活品味，憑著富有藝術感的圖案和手繪印花而素，及經重新演繹的傳統剪裁，作品精緻而悅目。

One of CAR2IE’s biggest milestones was opening a store in Harbour City. Physical retail comes with a broad

闖出名堂。

Since 2012 | 2012年成立

www.blindbyjw.com

Since 2016 | 2016年成立

www.car2ie.com

range of challenges, but FIP provided insightful training courses that helped equip Carrie with the knowledge tosurvive and thrive. After finishing an empowerment course, she felt armed with new perspectives, most notably
in the field of marketing.
正當實體零售面臨嚴峻的考驗，FIP提供深入淺出的培訓課程，幫助Carrie掌握維持業務發展所需的知識。完
成課程後，她感覺大開眼界，尤其在市場推廣技巧方面。計劃期間於海港城開設零售店，正是CAR2IE最重要的里程碑之一。

FASHION INCUBATION PROGRAMME (FIP )community in a more meaningfuland articulate this with greater
clarity. The multitude of resources at
FIP empowered Janko to effectively
run her business as a productive andsuccessful operation, and she now
has a plan to expand her market reachacross Japan, Taiwan, Singapore, andMalaysia.

Fashion 時裝設計Classics Anew
Designed in Hong Kong

在FIP的協助下，Janko徵詢了市場推廣專家的意見，深入認識目標市場，
令她更精準地掌握機遇。FIP資源豐
富，令Janko在營運上更得心應手、
更具效率，目前正計劃拓展日本、台灣、新加坡和馬來西亞等市場。

香港設計

Kay Kwok
Designed in Hong Kong
香港設計

Kay Kwok

Driven to fill a gap in the world of fashion,
Kay Kwok’s eponymous label is boldly andunapologetically avant-garde and futuristic.
Kay Kwok的同名時裝品牌以大膽無畏精神，展現
前衛及充滿未來感的設計風格，於時尚界獨樹一幟。

Janko Lam

揉合中國傳統美學與現代設計元素，新裝如初致力為新一代重塑中國復古時尚，活化華服文化。

香港設計

C-level executives from the industry.
After joining FIP, KKLUE launched
Unlock—a collection that was sowell-liked by customers that itquickly became one of the bestselling necklaces on Tmall.
Kellyn Zhou
加入FIP後，Kellyn有機會向來自時尚

Motivated by the femininity and fiercenessof modern women, KKLUE is committed toconnection, inspiration, self-expression, andgrowth.
靈感源自現代女性溫柔與勇悍俱全的特性，KKLUE
力求連繫女性，激勵女性擴闊視野、表達自我和

Since 2017 | 2017年成立

bolstered

to discuss plans and ideas with

成長。

www.classicsanew.com

hasthinking, as have the opportunities

KKLUE
Designed in Hong Kongprogramme

Kellyn’s experience and strategic

Accessories 配飾設計

Blending traditional Chinese aesthetics with
contemporary elements, Classics Anew seeks
to preserve and reimagine vintage fashion for a
new generation.

Since 2013 | 2013年成立

Fashion 時裝設計the

企業高級管理層的導師交流取經，討論業務計劃，從中學習策略思維及豐富其經驗。其後，KKLUE推出深受顧
客喜愛的Unlock系列，迅速成為天貓
上最暢銷的頸鍊產品之一。

www.kklue.com

Fashion 時裝設計MASSBRANDED
Designed in
Hong Kong
香港設計

Mass Luciano
Antoni d’Esterre

MASSBRANDED is a high-end men’s streetwear
label that pushes boundaries and revs styleengines.
高級男裝街頭時尚品牌MASSBRANDED挑戰尺度
極限，引領時尚潮流。

Recognising that a great idea isn’t always enough, Kay joined FIP to develop his skills and strategy for adapting toSince 2013 | 2013年成立

www.kaykwok.com

changing markets. In addition to short-term financial support, FIP empowered Kay with comprehensive business

FIP helped Mass and Antoni run a successful enterprise, with their business growing 15% since they joined

training and network building. During his time with FIP, he built a unisex fashion line to critical acclaim.

the programme. The studio space was a real highlight for the duo, as having a place to focus and work within a
growing community of local designers helped them keep momentum and build a positive network.

Kay明白到只有好設計不一定足夠，因此加入FIP以提升適應市場變遷的技能和策略。除了短期的資金支持外，FIP還為Kay提供全面的業務培訓和建立網絡的機會。在計劃期間，他推出男女皆宜的中性時裝系列，廣受好評。

FIP協助Mass和Antoni取得商業成功，自加入培育計劃後，業務已有15%增長。FIP提供的工作室是令他倆最為
雀躍的地方，使他們能專心致志地工作之餘，又可結識志同道合的設計界朋友多作交流，共同成長。

Since 2016 | 2016年成立

www.massbranded.com

FASHION INCUBATION PROGRAMME (FIP )understanding of her target market

Connecting with mentors through063

marketing executives to sharpen her

INCUBATION

Through FIP, Janko consulted with

065
EAR UP MUSIC X DIP X FIPPROGRAMMEEar Up Music X DIP X FIP
Crossover of local music & fashion industry
本地音樂聯乘本地時裝Fashion 時裝設計Matter Matters

Designed in Hong Kong
香港設計

Flora Leung

Inspired by the Art Deco and Bauhaus
movements, Matter Matters celebrates art,
graphic design, and fashion.
Matter Matters的作品備受裝飾藝術與包浩斯運動所啟發，以歌頌藝術、平面設計及時尚為理念。

Since 2013 | 2013年成立 www.matterreallymatters.com

Flora saw FIP as a gateway to gaining valuable industry insights. She felt better equipped to overcome challenges
by learning from the fresh perspectives and impartial opinions of FIP mentors. Matter Matters strengthened their
online retail capabilities and are now working to combine and bolster their online and offline offerings.
Flora視FIP為獲取時尚界業內寶貴洞見的途徑。她嘗試從新角度思考問題，加上FIP導師中肯的意見，讓她做好準備，克服挑戰。在計劃期間，Matter Matters成功提高網上零售的能力，目前正全力加強和結合線上和線下零售平台。

The increased media exposure that
Serrini x CARI2IE

came from joining FIP, elevated the

Chonotenki 超能天氣 x Atelier 1303

The Flashback x YMDH

value of Oplus2 and the commercial
viability of its designs in the market.
FIP funding support allowed Otto
to upgrade and improve the qualityof his products. The marketingknowledge and studio facilities all
supported his success.

加入FIP後，Oplus2的媒體曝光率與日俱增，令品牌價值躍升，亦令其

素，加上市場推廣培訓及工作空間設
施等支援，令他的事業成長起飛。

於2020年12月及2021年2月期間舉辦的三場搶耳音樂網上音樂會，觸發本地

spotlighted the exciting possibilities of mixing different creative disciplines.

年輕時裝設計師和音樂人之間破天荒的創意碰撞。來自設計創業培育計劃和時The showcases were the result of the collaboration with Ear Up Music in裝創業培育計劃的設計師，分別為20組本地樂團量身訂製獨一無二的造型，呼which 20 local musical units performed in outfits tailored by 20 DIP and FIP

應其音樂風格，帶來視覺與聽覺的雙重盛宴。

designers to suit each group's unique music styles.

Fashion 時裝設計Oplus2
Designed in Hong Kong
香港設計

Otto Tang

設計產品在市場上更具商業潛力。創辦人Otto透過FIP的資助改良產品質Three online musical showcases in December 2020 and February 2021

Characterised by their muted, whimsical paletteand philosophical themes, Oplus2 collections
have a distinctly dynamic, fresh, and sporty feel.
Oplus2以柔和幻變的色調，配以百搭多元的設
計，詮釋豁達的生活哲學，創造鮮明動感、清新與
富有運動氣息的時裝系列。

Since 2015 | 2015年成立

www.oplus2.com

DIP

FIP

FIP Alumni

Chonotenki 超能天氣 x Atelier 1303

Serrini x CAR|2IE

Nowehere Boys x ANGUS TSUIThe Hertz x Vvisionary

Zenwester 馬瑋謙 & 三元四喜 x Classics Anew

Saiseichu 再生中 x Yeung Chin

WHIZZ x KLOCKWISE

Dipsy Ha x Blind by JW

Carrier 帶菌者 x 112 mountainyam

The Flashback x YMDH

Mocking Bullet 無稽子彈 x MASSBRANDEDMETER ROOM x The World Is Your Oyster

Clave x FromClothing Of

Prune Deer 話梅鹿 x Oplus2

Michael Lai 黎曉陽 x DEMO

Cow head x KEVIN HO

TAO TAO & flat550 x ALPS Annie Ling

GDJYB 雞蛋蒸肉餅 x MODEMENTClub Fiasco x REDEMPTIVE
Merry Lamb Lamb 瑪莉羊羊 x Somewhere Nowehere

Credit: Ear Up Music @earupmusic
Photo by Madame Figaro @madamefigarohk

067

TRAINING
CREATIVE PROBLEM SOLVERSFOR TOMORROW

人 人「 識 」用 ‧ 學 好 設 計 思 維

069
KNOWLEDGE OF DESIGN WEEK

設
計
智
識
周

DESIGNING DIGITAL FUTURESFOR THE NEW NORMALKODWKNOWLEDGE OF DESIGN WEEK

智
用
設
計
．
數
造
新
常
態

As businesses and societies are forced to reset,
rethink, and reinvent, Knowledge of Design
Week (KODW) made its virtual debut on 26–29
August 2020. With Create Hong Kong as the Leadand thrive during the pandemic. More than 40

Over four days, more than 10,000 people tuned

疫情令社會和商界面臨重新洗牌，於2020年8月

作坊內，就健康與醫療、未來工作、創意及設計領

Sponsor, this popular event lived up to its theme ofinnovative

speakers

in to the livestreamed discussions and connected

26日至29日期間舉行的設計智識周就以「智用袖，以及品牌應變力等範疇分享見解。香港設計中‘Designing Digital Futures for the New Normal’ by

joined the event across 15 thematic sessions andwith speakers and like minds on KODW’s exclusive

設計．數造新常態」為題，首次移師至網上直播平心和效率促進辦公室更舉辦了一場圓桌會議，討

adapting to the challenges of Covid-19 and sharing

interactive online workshops on topics ranging

community networking platform. The provision of台。活動由創意香港為主要贊助機構，與觀眾探索論設計思維如何應用於未來的公共服務設計之中。

design thinking strategies focused on solvingfrom global health and wellbeing to the future ofsimultaneous interpretation in English, Cantonese,如何應對伴隨疫情接踵而來的挑戰，以及如何以設

problems and creating value in today’s world.

work, creativity and design leadership, and brandand Putonghua opened discussions up to a broad

計思維為策解決問題，為現今世界創造價值。

resilience. A round-table discussion about theaudience, with those who missed out on the live

Bridging new technology and user needs, KODW

adoption of design thinking when it comes tosessions granted on-demand access for free after

設計智識周聚焦數碼轉型及以人為本的設計，闡

交流。論壇提供英語、廣東話及普通話即時傳譯，

explored how digital transformation and human-designing future public services was organised by

the event.

釋通過聯繫新科技與用戶需求，幫助人們扭轉

成功接觸更多全球觀眾，如錯過現場直播亦可於平

centric design can help us navigate uncertainty

HKDC and the Efficiency Office.

「疫」境的範例。演講嘉賓陣容強盛，40多名本

台免費重温。

local

andinternational

超過10,000人收看為期四天的論壇直播環節，並在設計智識周獨家平台上與演講嘉賓和其他參加者

地及國際創新領袖在15個主題環節及遙距互動工

Dr Hong Fung 馮康醫生

Executive Director and Chief Executive Officer of CUHK Medical Centre
香港中文大學醫院執行董事及行政總裁“We want to design an enterprisethat is responsive, that is agile, andis also data-driven. Those are thekey ingredients in building what wecall a cognitive enterprise.”David Chow 周立釗

General Manager and Partner Global Business Services – Hong Kong of IBMIBM 全球企業諮詢服務部香港區總經理及合夥人

Winnie Lee 李穎茵

Co-founderof Spread-it Limited
Spread-it Limited 共同創辦人Jason Huang 黃峰Creator of X Thinking, Founder & CEO of Tang UX

Co-founder / Managing Partner of scenarioDNA
scenarioDNA 共同創辦人 / 董事總經理Former Vice President, Chief Brand and Design Officer of 3M Company
3M 前副總裁、首席品牌及設計總監

唐碩體驗諮詢體驗思維®提出者、創始人&CEO

Tim Stock

Eric Quint“Because we dideverything open
source, people aroundthe world started
taking our design andbuilding their own. By
open sourcing we’remuch faster in design,in replication andexecution. In a crisis
we need to rethink
what we do. We try
something, we shareit, and get feedback
immediately.”

Prof. Viveca Chan 陳一枬教授“For me, design is all about creativity
with purpose, driven by empathy. The
success of design is closely linked to thelevel of interconnectivity of design.”

Chairman and CEO of WE Marketing Group
WE Marketing 主席及首席執行總裁“If you’re fast enough to keep up with current events, the‘issue jacking’ strategy can get a lot of publicity, but at thesame time, the brand needs to take a considerable risk.
Brands need to be smart enough to handle and evaluate
how much impact this strategy has on them.”“We need to think less inthe near term, and thinkmuch more about thelong-term consequences ofwhat we’re building. And
that’s really the key to how
to build sustainable design
systems going forward.”

KNOWLEDGE OF DESIGN WEEK

“Going mobile is becoming
more important, as is goingdigital. Telehealth is not justa trend, it’s a requirement.”

071

Clive Grinyer

Design Consultant of Clivegrinyer Limited andHead of Service Design of Royal College of Art
Clivegrinyer 設計顧問及皇家藝術學院服務設計系主任

SHARED WISDOM

共
享
智
慧

“When talking about the newworkplace, they are all about
open spaces like having gyms,
working cafe, but we never reallytalk openly about mental healthand wellbeing.”

Carlo Ratti

Tatiana Gomez

Director of MIT Senseable City Lab andFounding Partner of Carlo Ratti Associati
MIT Senseable City Lab 總監、Carlo Ratti Associati 創始合夥人Workplace Consultant of Herman Miller
Herman Miller 工作空間知識顧問

and finding solutions that have true value to people. These three case studies look at how

COMMUNITY PLACEMAKERS - ONE BITE DESIGN STUDIO
地 方 營 造 者 策 動 社 區

INSTITUTE OF DESIGN KNOWLEDGE

creatives from different walks of life are harnessing the power of design thinking in reallife projects to make a positive impact.
設計思維是一種以人為本的方法，從人的需求出發，並通過思考各種可能性，為不同議題尋求創新解決方案。以下三個個案分享了各行各業的創意先鋒，如何實踐設計思維，帶來正面
影響。

For a truly usable design,
we should involve stakeholders
during the ideation process.
一個貼地的設計，應該在構思的過程中加入持份者的參與。

Design thinking is in part about advocating forprocess, and they shared valuable insights that

Sarah於2014年成立一口設計工作室的共同理

collective creativity: learning from others to solve

would have been overlooked otherwise. The念，希望將「地方營造」的概念帶入香港，透過

problems and inspire change. This same principle

reveal of the final simulation flat, in full scale, was

協作過程達到以建築連繫社群的效果。

can be applied to architecture, an area thata testament to the strength of the collaboration.

One Bite Design Studio, established in 2014 by

Its facilities and spatial design directly addressed

在康樂及文化事務署一個戶外公共設計項目中，co-founders Alan Cheung and Sarah Mui, ismany of the challenges faced by the elderly and他們深刻認識到持份者參與的價值。當時他們以

passionate about developing in Hong Kong. Their

their caregivers. Hinged doors were replaced with

綠色為主去設計藝術座椅，但有用家反映原來綠

interest lies in the concept of ‘placemaking’,

sliding doors, rooms were laid out with enough

色惹蚊，讓他們始料不及。此外，他們為香港房astrengthens

space for wheelchairs to turn around in, and屋協會設計駿發花園長者家居時，邀請了長者組

connections between people and the places they

everyday objects were placed at easy-to-reach織「小松隊」一起參與構思，分享一些可能會被share.

locations.

忽視的寶貴見解。他們運用了一比一的模擬空

collaborative

processthat

間，令用家更容易去想像和表達實際想法。改良Their experiences working on an outdoor

The experience was enlightening for Alan and

後的設施和空間設計能幫助長者及其照顧者應對public installation for the Leisure and Cultural

Sarah, who believe that a well-designed place

多種挑戰，例如將門改成趟門、在房間內預留更Services Department helped them recognise theshould create interaction with people. They

多空間予輪椅轉動，以及將日常用品放置在長者

value of stakeholder participation, when users

changed their studio’s motto to ‘Interconnecting

容易觸及的地方，效果足證共同設計的重要性。

commented that green-coloured seats may attract

People and Making Places’, as a reminder tomosquitoes—an issue they had not considered.

always focus on connecting communities through這個經驗對Alan和Sarah來說很有意義，他們相信

The studio also collaborated with the Hongplacemaking.

一個好的地方空間是會與群眾相互影響。因此，Kong Housing Society to design elderly housingin

Prosperous

Garden. Elderly他們將工作室的宗旨改成「連繫社群及營造地

organisation

設計思維主張集眾人之見去解決問題，並鼓勵創方」，時刻提醒他們在日後的工作中將空間連結至‘Nutcrackers’ was invited to join the ideation

新。這個原則亦能應用於建築上，也是Alan與

社群。

073

設
計
知
識
學
院

Design Thinking

活
學
活
用

for the Real WorldIDKINSTITUTE OF DESIGN KNOWLEDGE

設
計
思
維

Design thinking is, at its heart, a human-centric approach. It’s about embracing possibilities

Alan Cheung & Sarah Mui產 品 創 新 實 踐 家

BUSINESS BREAKTHROUGHS - MAINETTI GROUP

照 顧 長 者 需 要

075

P RO D U C T I N N OVATORS - STUDIO DOOZY

業 務 突 破 全 靠 設 計 思 維with Parkinson’s disease changed her trajectory
as a designer. Seeing first-hand the challenges
he faced when using conventional toilets, andknowing that the risk of falling was an issue facedby countless elderly and disabled people aroundthe world, she was inspired to create the Libue
toilet bowl. The design incorporated a horse-riding
concept that allowed users to skip the body’s
turning action when using conventional toilets,
enabling everyone to use the toilet independently
and safely.
Partnering with Joan Calduch Ferran, Emily
establishedahealthcare

designstudio,Studio Doozy, in 2017. Today, the team employs
design thinking in everything from colour choices
to product modifications, ensuring they tend to thephysical and psychological needs of their users
throughout the product development process.

When we help customers solve
problems while tackling their pain
points, we create value that enables
us to grow with our customers.
當我們幫客戶解決困難、解決痛點時，我們便可以創造價值，與客人肩並肩跑得更前、更遠。

By interacting with and gathering feedback fromtheir users, they continue to design leading
healthcare and lifestyle products that elevate user
experiences.

Emily Tang &Joan Calduch
FerranEmily照顧患上柏金遜症的爺爺的經驗，改變了她其後她與Joan Calduch Ferran在2017年共同創立

A company with a specialised product line will only

作為設計師的職業生涯。因親身目睹爺爺使用一一間專注護理設計的工作室Studio Doozy。時至sustain its business growth if it institutionalises

般廁所時的不便，並明白到無數傷殘人士及長者

今日，他們的團隊一直運用設計思維，使整個產

creativity in its culture and operations. For Paul

都可能同樣面對因失平衡而跌倒的問題，她設計

品開發過程中，從顏色選擇到產品改良，都確保

Tai, Regional Director at Mainetti Group, the出座廁Libue，以供行動不便的人士使用。她將騎

能照顧用家的生理和心理需要。透過不斷發掘使

humble clothes hanger was a product his company

馬的概念放入設計，令用家使用一般廁所時可以

用者需求及收集意見，他們會繼續以提升用家體

perfected for more than 60 years. At the beginning

省卻轉身的步驟，在無需其他人幫忙下都能安全

驗為目標，設計具前瞻性的護理及生活產品。

of the Covid-19 pandemic, Hong Kong had a face使用。

mask shortage, and Paul knew design thinking
could help. His team embarked on a R&D project,using their strengths in manufacturing plastic

We believe that the unceasing
modification of designs following
the needs of users can help people
and bring changes to society.

products. Through iteration and user feedback,they designed HK96, a mask that can be used
for up to 96 hours. Design thinking enabled thebusiness to grow, producing a range of hygiene
products to fulfil market needs, with a team united
towards greater success.
一間擁有專門產品線的企業必須將創意在公司
文化和營運上制度化，才能維持業務穩步增長。
萬美集團遠東區總監Paul表示，其公司60年來精
益求精的主要業務，就是製造不同類型的衣架。
疫情初期，香港口罩短缺，Paul知道設計思維能
大派用場。因此他的團隊展開了一項新的研發項目，運用他們製作塑膠產品的技術，以及透過反

我相信唯有不斷改良設計，緊貼用家的需求，
才可以真正幫助到有需要的人，為社會帶來改變。

覆測試及收集用家意見，研發出一款可以連續使
用96小時的HK96口罩。設計思維令企業得以成長，推出一系列貼合市場需要的防疫產品，並凝聚團隊，邁向更成功的道路。

Paul Tai

INSTITUTE OF DESIGN KNOWLEDGE

Emily Tang’s experiences caring for her grandfather

“Touch Tung O!” Community Design Research

077

The Sustainable Lantau Office of the Civil Engineering and Development Department
appointed HKDC, in partnership with Land+Civilization Compositions and MakerBay,
as its consultant to conduct a pilot community design research project, with the visionof identifying revitalisation opportunities for the Tung O Ancient Trail and the nearby
villages. With a series of design thinking engagement activities, the ‘Touch Tung O!’ teamsought to understand the local characteristics of culture, environment, and economy, so
as to arrive at guiding principles for designing the trail’s sustainable future.

Toilet Tells – Rediscover Public Toilets「東澳山水研作舍」社區設計研究
土木工程拓展署轄下的可持續大嶼辦事處委任香港設計中心為顧問，並伙拍
Land+Civilization Compositions及MakerBay，進行在地社區設計研究，為東澳古道和附近村落尋找活化的可能性。東澳山水研作舍團隊透過一系列設計思維參與活動，了解
當地的文化、環境和經濟，從而建議東澳古道未來可持續發展的指導原則。

HKDC was the Design Thinking Advisor for ‘Toilet Tells –Rediscover Public Toilets’, which was jointly organised by
the Food and Environmental Hygiene Department and theArchitectural Services Department. To help ignite innovativeideas for Hong Kong’s public toilet services, HKDC was
engaged to guide the design thinking programme. A numberof public interactive workshops were delivered by One Bite

UNDERSTAND 了解

Design Studio, who acted as the project’s Programme Partner.

To build trust and communication, the project team
was introduced to locals on organised field trips.

請廁教：香港公廁再發現為了建立村民的信任及促進彼此溝通，項目團隊

為啟迪創新思維，重新思考香港公廁服務，食物環境衞生署

實地考察，主動接觸當地村民。

及建築署攜手合辦「請廁教：香港公廁再發現」，並由香港
設計中心擔任設計思維諮詢顧問，引導這個設計思維項目。

ACTIVATE 活化社群項目伙伴一口設計工作室則籌辦了一連串的互動工作坊，讓公眾集思廣益。

The team developed visual tools forvillagers and trail users to share theiropinions and visions of revitalisation.
團隊利用視覺工具，讓村民和步道
使用者更容易分享他們對活化社區的
看法和願景。

DESIGN
THINKING
STAGES
個設計思維階段

Ideation sessions were held with stakeholders
and trail users to explore future possibilities
and spark collective creativity.
團隊、持份者和步道使用者一同探索未來
的可能性，並激發共創力量。

CO-DESIGN 共創

To impart understanding and provide a
synthesis of local and expert knowledge, initialideas were shared with the local community.
團隊結合了村民及專家的智慧，與當地社區分享初步構思，促進討論及加深了解。

SHARE ANDRE-ACTIVATE 分享及回饋

INSTITUTE OF DESIGN KNOWLEDGE

Co-designing Public Spaces and Services

共
同
設
計
公
眾
空
間
及
服
務

Design Thinking for Civil Servants

IDK advances creative thinking across different

As a structured creative process, design thinking can be a powerfulsectors by providing professional training andapproach to overcoming hurdles and embracing innovation withinresources. As a knowledge platform that focusesorganisations to achieve meaningful outcomes. Since 2013, over 700 civilon enhancing innovation, design management,

servants have participated in customised IDK training programmes, heldand creative leadership, it has been true to its core

in collaboration with Rama Gheerawo, Director of the Helen Hamlyn

mission by adapting and evolving its workshop

Centre for Design of the Royal College of Art. Many of the bespoke

format during the pandemic. More than 700

training have centred around how public services can keep pace withparticipants joined training workshops held online

digital and societal transformations, and participants are encouraged toand in-person over the course of the year. These

apply design thinking to drive human-centric public services.

training workshops have been an opportunity
for participants to explore, develop, and sustain

為公務員而設的設計思維培訓

innovative approaches in their workplaces and設計思維是具系統性的創意過程，也是讓機構克服障礙、擁抱創新，以combat challenges brought by new normal.

及取得實際成果的有效工具。自2013年起，已有700多位公務員參加了
由設計知識學院設計、與英國皇家藝術學院海倫‧哈姆林設計中心總監

疫情下的全新學習模式
設計知識學院通過提供專業培訓和資源，促進不同
界別的創意思維。作為推廣創新、設計管理及創意

Rama Gheerawo合作舉辦的培訓課程。其中許多內容都圍繞公共服務
應如何緊貼數碼及社會轉型的步伐，以及鼓勵參加者將設計思維應用於Design Thinking Workshop @ DIP Design Entrepreneur Day

公共服務當中。

設計思維工作坊 @ DIP Design Entrepreneur Day

領袖的知識平台，設計知識學院在疫情下調整培訓
模式，並於過去一年，為700多位參加者提供網上

The New Normal Guru

或實體培訓工作坊。這些工作坊鼓勵參加者探索、In 2021, IDK hosted the New Normal GURU series of online design

開拓及持續運用創新思維，讓他們在職場上更得心

thinking workshops. In response to the way our world has changed

應手，靈活應對新常態帶來的挑戰。

in light of the pandemic, facilitators took participants on a journey ofself-reflection, covering topics such as sharpening business thinking
and boosting team productivity, to find ways to bring more agility andcreativity into our lives with design thinking.

新常態達人
2021年，設計知識學院舉辦了一系列New Normal GURU設計思維網上工作坊。導師帶領參加者運用設計思維，一同探討如何加強商業思維及
提升工作效率，為生活帶來更大的靈活性、更多的創意，使我們從容地
應對全球新常態。

Workshop on Design Thinking: "Innovative Leadership
Programme” commissioned by the Civil Service Training andDevelopment Institute of Civil Service Bureau
為公務員事務局公務員培訓處舉辦「創意領袖培訓計劃」工作坊

Design Thinking Workshop: Designing through Play @ Design Spectrum
設計思維工作坊：玩樂設計@設計光譜

Workshop on “Future of Edu-Tech: Smart Learning for Social
Impact” co-hosted with MIT Hong Kong Innovation Node andCyberport
與麻省理工學院香港創新中心及數碼港合辦「教育科技於未來 ─
影響社群的智能學習」工作坊

New Normal GURU Design Thinking Online Workshop Series
New Normal GURU 設計思維網上工作坊系列

INSTITUTE OF DESIGN KNOWLEDGE

New Ways to Learn During the Pandemic

079

Finding New Bearings with Design Thinking

設
計
思
維
領
航

機構更加需要運用設計思維，才能開拓可持續未來的路徑。

We need totransform ourselves
on a daily basis.
The goal is to makesmall changes
every day.
我們要日復一日，持之以恆，以每天帶來一小點改變為目標。

Design thinking is amindset that helps
you design solutions
for your challenges
that increase yourchances of success.

設計思維是一套思考方式，
能助你想出應對難題的辦法，增加成功機會。

Chris Pacione

Co-founder and CEO of LUMA
Institute
LUMA Institute 聯合創辦人兼行政總裁

Miko Cheung 張嘉瑩

HR Director of LAWSGROUP
羅氏集團人力資源總監

The accountability
and responsibilityof understanding
the customer andinnovating should
belong to everyone.

Lena Low 劉麗娜

Senior Director – Customer andBusiness Development of CLP
Power Hong Kong Limited
中華電力有限公司客戶及
業務拓展部高級總監

Using design
thinking is a way toexperiment in small
forms immediately.
If you have an idea
in the morning, we
can test it in theafternoon.

Back in the 2017 Policy Address, HKDC was excited to hear

important interdisciplinary problems in the real world; thethe Chief Executive of the Hong Kong SAR highlight theother course enhanced organisational readiness by training

need to build Hong Kong’s design thinking capability andfacilitators to use design thinking effectively.

capacity across all sectors, including business, civil service,
and education. Bolstered by this strong policy support,

Ultimately, these initiatives sparked chain reactions across

HKDC set in motion big plans to cultivate creative mindsets

sectors, with more and more people and organisations

and design thinking in the community, which culminated inunderstanding the value of design thinking for Hong Kong

the Unleash! Empowered by Design Thinking programme.

society and helping to drive the city’s reputation as a design
hub in Asia.

Last year, two events ran: the Unleash! Design Thinking
e-Forum, centred on the theme of “Managing VUCA with

建立香港商界、教育界以至公共服務的設計思維能力，一直Design Thinking”, and the Design Thinking Certificate

是香港設計中心的使命，其重要性早見於2017年的施政報告

Programme for School Leaders, which was about harnessing中。香港設計中心歡迎有關政策的大力支持，並訂立及開展

design thinking to enhance student learning experiences and「Unleash! 設計思維

deepen a school culture that embraces 21st century skills.

設計思維。

As part of the Unleash! programme, two courses were

去年，項目以「活用設計思維

offered: one covered practical applications for leveraging

行「Unleash! 網上論壇」，以及開辦「設計思維校長及科主任

design thinking in teams, processes, products, services,

證書課程」，旨在提升學生的學習體驗，以及促進能迎合21世

organisations, and people, and was focused on tackling

紀的技能。

無限可能」項目，在社區培養創意及駕馭VUCA時代」為主題，舉

試牛刀，試驗即時效果的方Be prepared to be
wrong and fail…
If getting things
wrong was going toparalyse what we do,
we would never havedone what we did.

法。晨早才出現的新念頭，

我們要為犯錯或失敗作好準

下午便可進行實測。

多人和組織了解設計思維為香港社會創造的價值，並有助於提備，若錯誤令我們卻步，我升本港作為亞洲設計中心的美譽。

設計思維是一種讓你可以小Unleash!項目更相繼推出了兩大專業課程，其中一個探討
設計思維於團隊、流程、產品、服務、組織和人材等方面的實際應用，解決現實世界中的重要跨領域問題；另一個課
程則通過培訓設計思維輔引師，協助機構發揮創意解難的成效。
通過各界人士參與及推動，這些計劃觸發跨界連鎖效應，讓更們根本不可能取得今天的每一個人都肩負著了解顧客

Roel van der Heijde

所需及創新的責任。

Former Health Care Consultantof the Rotterdam Eye Hospital

Gary Liu 劉可瑞

扭
轉
疫
境

UNLEASH! EMPOWERED BY DESIGN THINKING

如目前的全球疫情，公私營

081

維。在面對重大事件時，例

Empowering Society to

各行各業應積極採用設計思

創
意
解
難

Adapt to the Changing Times

UNLEASH!
EMPOWEREDBY
DESIGNTHINKING
All industries andsectors should
actively adopt
design thinking,especially in the faceof major events, likethe recent global
pandemic. Design
thinking will help the
public and private
sectors create asustainable future.

設計
思維

鹿特丹眼科醫院前醫療顧問成果。

Alexander Ng 吳文達

CEO of South China Morning Post

Vice President ofTencent Healthcare

南華早報行政總裁

騰訊醫療副總裁無限可能

香 港 社 區 新「 設 」想083

REIMAGINING
HONG KONG'S LOCALNEIGHBOURHOODS085
OUR DESIGN FOOTPRINTOUR
DESIGNFOOTPRINT
區區有設計

Thanks to our community engagement programmes
through BODW CityProg partner collaborations,the creative tourism and placemaking efforts of
Design District Hong Kong (#ddHK), and yearround exhibitions and activities at our publicfacing initiative Design Spectrum, design ideas
and inspiration blossomed across every district inHong Kong.
「設計營商周城區活動」策動的創意和商業伙伴
合作、「設計#香港地」的創意旅遊及地方營造企
劃，以及「設計光譜」的全年公眾展覽及活動，讓
靈感觸動城市脈搏，在香港各區綻放設計巧思。

BODW CITYPROG

設計營商周城區活動#ddHK
設計 #香港地
DESIGN SPECTRUM

設計光譜

087

#ddHK

#ddHK
DDHK

設
計
#
香
港
地

BRINGING COMMUNITYSPIRIT AND POSITIVEVIBES TO THE CITY AS A
“DESTINATION”
重拾社區精神 共建活力旅遊城市
The third and final year of #ddHK revolved around the themeof transformation. Harnessing the richness and vitality of both
Wan Chai and Sham Shui Po, the year saw distinct programmesrolled out in the two districts, which overflowed with positive
vibes, creativity, and community spirit.
The Heart of Cyberpunk – Immersive Fashion Experience and
SSP_People projects spotlighted Sham Shui Po’s roots asa cultural melting pot of history, fashion, creativity, andA CELEBRATION OF
OUR UNIQUE LOCALITIES
地方營造 擁抱香港地
Embracing the unique “Heung Gong Dei” ( 香港地 ) experience, Design District Hong Kong (#ddHK)
is a pioneering three-year creative tourism and placemaking project that celebrates culture andcraftsmanship, and celebrated the colourful and diverse
everyday lives of the neighbourhood’s people. In Wan Chai, thetransFORM exhibition featured large-scale creative works andinstallations from Wan Chai to the Central harbourfront, inspiring
new ways for the community to engage with public spaces.
踏入第三年，也是最後一年的設計#香港地，借助灣仔和深水埗
兩區本身的豐富文化底蘊和活力，以蛻變為題推出各式各樣的項creativity in Wan Chai and Sham Shui Po.

目，盡顯敢創敢想，群策群力的精神。

Presented by the Tourism Commission, and curated and organised by HKDC, #ddHK seeks to capture「數碼龐克號」創意時尚體驗和「深水埗人__人」項目聚焦深水埗

how the people of Hong Kong contribute to and shape the city’s collective identity by harnessing
the collective creativity of different design disciplines. From footbridges to fire stations, parks toharbourside spaces, #ddHK fosters collaborations that highlight the spirit and uniqueness behindneighbourhoods, envisioning them as pop-up “open-air design district galleries”. By breathing newlife into ordinary public facilities and activating previously underutilised spaces, #ddHK has elevatedexisting tourist attractions and reconnected people with their localities since its launch.
設計#香港地透過為期三年的創意旅遊及地方營造企劃，將灣仔和深水埗兩區的文化特色與創意精神
發揚光大，重塑不一樣的香港體驗。
由旅遊事務署呈獻、香港設計中心策展和策劃舉辦的設計#香港地，連繫不同設計範疇的創意力量，勾劃出香港人為這座城市努力付出和塑造的集體印記。由行人天橋、消防局、公園到海濱，設計#香港地帶來跨界別合作，將社區精心策劃成期間限定的「露天城區設計廊」，突顯背後的人文色彩。自推出以來，設計#香港地為平常的公共設施和閒置的公共空間賦予新生命，提升現有旅遊景點的吸引力，重新連繫香港人與這片土地。

作為文化大熔爐的特質，無論歷史、時尚、創意和工藝以至街坊
鄰里的日常生活都引人入勝。而「transFORM 維港蛻變」的大型設計作品和裝置，則從灣仔綿延至中環海濱一帶，激發市民以嶄新方式與公共空間進行互動。

089

HEART OF CYBERPUNK –IMMERSIVE FASHIONEXPERIENCE#ddHK - Heart of Cyberpunk

「

「

數
碼
龐
克
號
創
意
時
尚
體
驗

HIGH-TECH MODERNITYMEETS URBAN GRIT
With its neon lights, metropolitan high-rises, sights, sounds, smells, and舊區重生 超現實都市蛻變
五光十色的霓虹燈、密集的高樓大廈、熙來攘往的小販

street vendors, Sham Shui Po has been the inspiration behind cyberpunk,

市集……目不瑕給的深水埗街頭風景，一直是數碼龐克

futuristic, and sci-fi aesthetics. An area ripe with fringe fashion, unique

文化、未來主義及科幻美學的靈感來源，更多次躍上大銀

design ideas and raw materials, it’s no surprise it has been the backdrop

幕，成為無數電影的取景地。當區豐富的布藝原材料，亦

for many cinematic worlds.

造就獨特的設計概念及時裝風格大放異彩。

To explore this part of Sham Shui Po’s identity and perception, we「數碼龐克號」創意時尚體驗正是一場探索深水埗多元文化

joined hands with guest curator and creative director of this fashion

身份的大型匯演，設計#香港地團隊與創意時裝活動客席策展

extravaganza, Eugene Leung, creative partner, Number 2, and及創作總監梁慧德、創意伙伴Number 2、多位本地及海外設計

various local and overseas multidisciplinary designers as well as

師，以及當區民間機構、商店及少數族裔居民等聯手，在2020年

NGOs, non-profit organisations, local shops and ethnic minority

10月17日至25日期間上演時尚聯乘設計的沉浸式跨界體驗，配合

groups, etc. to bring Heart of Cyberpunk (HOCP), an immersive

連串周邊活動，帶大家走進科幻電影中的未來大都市。

fashion experience to underused public facilities and open
spaces in Sham Shui Po from 17 to 25 October 2020. The
experiential event was a cross-disciplinary showcase of
fashion and design, and featured a variety of peripheral
activities that transformed the area into a futuristic
metropolis straight out of a blockbuster sci-fi film.

091

To tell the HOCP story with richness anddepth, the event utilised different mediums,#ddHK
DDHK - Heart of Cyberpunkcrossing over various disciplines of design. The
showcase featured everything from fashion
to film, 3D modelling, props and set design,illustration, animation, mural art, exhibition
design,technology

andperformingarts,

and was created in collaboration with local
creatives from Sham Shui Po and recognised
international experts. #ddHK invited visitors
to connect with and explore the community
in creative ways, which enhanced theirappreciation of the neighbourhood’s uniqueofferings. This helped to preserve the sense of
locality and share an authentic experience ofSham Shui Po’s defining qualities.

活動還利用了各種媒介、跨越不同的設計界別，由來自深
水埗的本地創作達人及國際知名專家合作，展示時尚、電影、3D建模、道具及場景設計、插圖、動畫、牆畫藝術、
展覽設計、科技及表演藝術等領域的新穎嘗試，敘說「數碼龐克號」的故事。遊人藉此可以創新方式探索社區，發掘和
欣賞社區獨特之處，通過真實體驗體會深水埗的本質，從而

The location choice of Tung Chau Street Temporary Market was creative and subversive, with the space feelinglike the headquarters of a spaceship that had been hidden under the Golden Seam (i.e. the flyover) in the
middle of the city. The exhibition meticulously applied barrier-free accessible design to cater for the needsof different visitors. Visitors entered through an abstract tunnel which led to the living quarters of the future.
Past these space-age bedrooms was a laboratory where the public came face to face with cyberpunk voyagers
wearing outfits created by ten up-and-coming local fashion and accessory designers. Bringing together sci-fi
trimmings and urban motifs to create outfits that interpreted what it means to be cyberpunk, the looks werecreated with materials sourced from Sham Shui Po. To preserve the unique ensembles, each piece was handmade into a limited-edition collectible figurine.
活動別開生面地以通州街臨時街市為主場館選址，貼心應用了無障礙的通達展覽設計，照顧不同參觀人士需
要。主場館就像一艘隱藏在城市中心「黃金接縫」（天橋底）下的太空船，參觀者先步入時光隧道通往未來
生活區，穿過太空艙臥室到達實驗室，最後遇上各個來自未來的時空旅人，他們穿上由十位本地新晉時裝及配飾設計師所創作的服裝。設計師結合科幻裝飾材料及都市圖案，透過衣服各自演繹出心目中的數碼龐克風，材料更採購自深水埗。獨特的設計作品亦以人手製作成為限量版立體人像模型，以作收藏紀念。

達致保育地區文化。

093
#ddHK
DDHK - SSP_People

SSP_PEOPLE

深
水
埗
人
人

TRUE STORIES FROM LOCAL
CHARACTERS
設計細說深水埗故事
Sham Shui Po has endured years of change and challenge—shaping the district’s identity, culture,
history, and community dynamics. Known for its abundance of colourful fabric, accessories,
electronics, and other raw materials, it has evolved from an ageing district into a treasure trove
for local creative industries, and a hub for emerging design studios, cafés and boutiques.
In recognition and celebration of the people of Sham Shui Po, SSP_People turned theneighbourhood into an urban living room, where the community can come together to interact
and inspire one another. #ddHK joined hands with a local curatorial team led by guest curator
Michael Leung and Pat from Wontonmeen, the project’s creative partner based in Sham
Shui Po, and presented a range of site-specific design installations co-created by people andorganisations of different ethnic and cultural backgrounds for a range of public spaces. In
addition, SSP_People featured two self-guided routes to connect people with the stories of thearea, inviting exploration on foot or bike with an audio guide.
深水埗的特色、文化、歷史和社區互動，從多年來經歷的變遷和挑戰而成形。這個歷史悠久的地區以售賣包羅萬有的布料、配飾、電子產品及其他原材料而聞名，近年更發展成本地創意產業的基地，匯集新興設計工作室、咖啡店和小店。
為了呈現深水埗的精彩人和事，「深水埗人_人」把這地方塑造成「城市起居室」，讓人們可在
這裏互動交流，互相啟發。設計#香港地團隊聯同客席策展人梁展邦和扎根深水埗的創意伙伴
Wontonmeen的主理人Pat策劃，於公共空間展示一系列由不同種族和文化背景的居民和非牟利組織共同創作的場地特定設計裝置。此外，「深水埗人_人」還提供兩條自助路線，邀請遊人
以步行或踏單車的方式，配合語音導賞，細意發掘當地故事，將人們與區內故事連繫起來。

PUTTING LIFE INTOA LIVING ROOMSKILLSLEVELLED UPWOVEN STORIESSHOP CAT SPOTLIGHT 貓店長登場

REAL-LIFE CHATROOM 聊天起居室

活現日常故事升級再造

編織故事#ppl_&_meow_dd #人人和喵dd#ppl_chill_dd #人人鬆dd#ppl_lean_&_learn_dd #人人學dd#ppl_upcycle_dd #人人造dd#ppl_weave_dd #人人織dd#Tai Nan Street Refuse Collection Point # 大南街垃圾收集站

#Nam Cheong Street Sitting-out Area #深水埗南昌街休憩處#Nam Cheong Park #南昌公園

Over 500 shop cats live in the Sham Shui Po district,#ddHK joined forces with a group of Hong Kong designers and Sham Shui Po residents to transform

Together with young people from "10 Stories

Working with coaches and students from Hong

Students from HKICC Lee Shau Kee School of

welcoming visitors and customers to stores with furry

the neighbourhood’s centre and allow curious visitors the chance to renew their appreciation of the

100 Pieces" of the Hong Kong Young Women’s

Kong Young Women’s Christian Association

Creativity gathered deadstock fabric from aroundfriendliness. Kristopher Ho was inspired by these unique

district. Together with local kaifongs—people from the same community—they co-created three sets

Christian Association, Christian Concern forand the Christian Concern for the HomelessSham Shui Po to create #ppl_weave_dd. The piece

critters and teamed up with volunteers from Hope of theof design installations, #ppl_chill_dd, which turned a park into a “real-life chatroom”.

the Homeless Association, Project Futurus andAssociation, #ddHK organised woodworking

aimed to remind others that Sham Shui Po is not

Walk in Hong Kong, a living room was created toclasses to train participants. They applied theirjust a supply base for the fashion industry but canCity, a non-profit youth group, to create a 20-metre-long#Maple Street Playground #楓樹街遊樂場

mural, #ppl_&_meow_dd. As well as shop cats, the mural

Featuring painted phrases from different languages by Katol; life-size multidimensional cultural

display Sham Shui Po’s stories and population

new skills to 10 local shops, communicating and

be a source of design inspiration. The final tapestry

features cotton flowers to symbolise the area’s textile

figures by Rex Koo; handmade lanterns crafted using traditional materials and deadstock textiles

demographics. The space was designed with

understanding the owners’ needs to custom-

was hung on the fence behind a goal on the sports

trade. A short film on the theme, Meow Shui Po, was also

from the area, by kaifongs apprenticed with Mr Au Yeung Ping-chi, the second generation of Bo Wah

recycled pallets and paper tubes, and visitors

make upcycled furniture using recycled materials

ground, and showed population demographics

made by filmmaker Bobyea.

Effigies; and music videos featuring local residents from different backgrounds singing popular songs

could “lean and learn” as they deepened theirand design thinking. The pieces are exhibited forinterpreted in multiple colours and patterns in thefrom their cultures and nationalities, the installations were an uplifting celebration of diversity.

understanding about the community throughvisitors to see at the stores while exploring the

woven, fabric strip design.

design, social, and cultural lenses.

local trades of Sham Shui Po.

設計#香港地團隊與社區組織Project Futurus、活設計#香港地團隊與香港基督教女青年會拾源百塊

感的泉源。香港兆基創意書院學生就收集了來自

深水埗區有超過500位貓店長，這些毛茸茸，人見人
愛的小動物是名副其實的店舖親善大使。Kristopher Ho

為了讓好奇的市民有機會重新認識及欣賞深水埗，設計#香港地團隊聯同一班香港設計師及深水埗居民

以此為題，聯同社區組織「城市的盼望」(Hope of the

改造這個街坊聚腳的地方，共創三套設計裝置，將公園變成「聊天起居室」，希望能讓《人人鬆dd》。

City)的義工，創作了一幅長逾20米的牆畫《人人和喵

深水埗不只是時尚界的原料供應地，也是設計靈
現香港，以及一班來自香港基督教女青年會拾源

及基督教關懷無家者協會合作舉辦的木工手藝班，

深水埗布行貨尾的布料，齊齊《人人織dd》。這個dd》。除了繪上貓店長，背景更畫上棉花，象徵著深水這些裝置突顯出深水埗的多元文化，包括Katol以手工繪製不同語言的問好短句；Rex Koo創作的

百塊及基督教關懷無家者協會的年青人，以廢棄授予參加者新技能。他們還到訪十間區內小店，了大型編織品高掛於球場龍門後的鐵絲網上，以布埗的布料行業。導演Bobyea更以一眾貓店長為主角拍真人大小立體人像，重現一位位文化傳奇人物；由當區承傳紙扎文化的師傅─寶華扎作第二代傳人

卡板及紙筒製作及設置了一個小型的深水埗生活

解每位店主的需要，以設計思維及重用材料，帶來

條織出不同形狀，通過抽象化的圖案及顏色標示攝了一齣名為《喵水埗》的短片。

歐陽秉志先生與街坊學徒利用傳統物料紥作而成的燈籠；以及由不同種族的居民以自己的語言唱出地

起居室，展示區內豐富的故事及人口數據，讓大

升級再造的家具，讓遊人欣賞展品之餘，亦體驗到

深水埗的人口數據。

道歌曲的音樂錄像，歌頌出區內的多樣性。

家休憩之餘，亦能從設計、社會和文化角度更深深水埗新舊店舖的特色。

層認識社區。

095

Hong Kong is a city defined by its resilience and adaptability. #ddHK sought to capturethat spirit by curating a series of installations that encouraged people to enjoy being#ddHK - transFORM

transFORM

維
港蛻變

Splashes of colour and culture

outdoors and celebrate the city’s unique beauty.
Using placemaking and design thinking, seven sets of installations designed by local
and overseas creatives were exhibited along the Hong Kong harbourfront. Inspired by
Tai Hang’s fire dragon dance and Chinese garden elements, the installations appeared toembrace Victoria Harbour, like a fire dragon blessing Hong Kong. In a year when social
distancing measures were in place, the installations were mindful of space, ensuringvisitors were safe while still being able to engage with the installations.
The overall effect was soul-soothing, with many visitors able to relax and escape thestresses of daily life and live in the moment. The installations also unveiled a pilot for awalking and running route along Hong Kong’s famous harbourfront, exuding the charm of
the new Pearl of the Orient in this tourist landmark.

創意飛揚

維港海濱新面貌

香港這座城市以強韌的生命力和極富適應力見稱，設計#香港地策劃一系列設計裝置，來捕捉這種香港精神，並鼓勵人們探索戶外，欣賞城市美景。
七組裝置由本地及海外創意團隊設計，以地方營造策劃，沿著壯麗的香港海濱展出。這些裝置靈感來自大坑舞火龍及中國園林設計的元素，高空俯瞰猶如緊抱維多利亞港的火龍，為香港送上祝福。在實施社交距離措施的這一年，這些裝置特別著重空間距離，讓
遊客能夠安心與裝置進行互動。
項目讓遊客放鬆身心，擺脫日常生活的壓力，享受當下，還連結出一條試驗式的散步及跑步路線，讓維港這個旅遊地標散發全新東方之珠的魅力。

RIVER OF LIGHT

川流不熄Central Harbourfront Event Space
中環海濱活動空間

Commissioned from world renowned US-based artist Patrick Shearn
of Poetic Kinetics, the River of Light was a polychromatic installation
comprising more than 45,000 colourful streamers stretching across
700 square metres of air. It marked the Hong Kong debut of theacclaimed “Skynet Art Series” and was the final act of the transFORM
exhibition. As a kinetic sculpture, River of Light moved with the wind,creating a magical effect for those viewing it. With a light-reflecting
band running through it, the river symbolically connected the past,present, and future of our city with life, growth, and the sense of hopeand promise that comes from moving water—just as the harbour has
always been a source of life and opportunity for Hong Kong.
多姿多彩的《川流不熄》由美國知名設計工作室Poetic Kinetics之藝術家Patrick Shearn委約創作，利用超過45,000條色帶組成，在空中伸延近700平方米，極盡視覺效果。這是著名的「Skynet」系
列創作首度在香港展出，也是維港蛻變的壓軸展覽。隨風飄揚的彩帶充滿悠揚動感，中間的「河」由一條反光帶貫穿整個裝置，猶如
貫穿古今的時光之河，展現流水帶來的無盡生機和希望，襯托出維
港為香港帶來的充沛活力和無限可能。

097

THE RIPPLE OF TIME

首

#ddHK - transFORM

THE LEAD

漣．輪

Harbourfront, Causeway Bay Typhoon Shelter

Victoria Park銅鑼灣避風塘海濱

維多利亞公園The Lead was meticulously made using chamber bitter covered with incense sticks by the

Local event and visual design agency Double V recreated the changing coastal line of

Tai Hang Residents’ Welfare Association, and was shaped like mountains and rocks in a

Wan Chai in The Ripple of Time, a kinetic installation pieced together from over 2,000

Chinese garden pond, representing good wishes for our homes. This cultural installation

colour panels. The undulating motion of the sculpture echoed the pace of city life, withwas designed to follow the curve of the harbourfront, evoking the lead-in for the Tai Hang

an accompanying mobile app allowing visitors to make a wish, listen to collected stories

fire dragon and culminating with the River of Light in Central—the dragon’s tail.

from the people of Wan Chai, and learn more about the district’s history.

意取置於中式花園水池中假山石的作品《首》，由大坑坊眾福利會親自監製，以珍珠草巧手

本地設計團隊Double V以2,000多片彩色板塊連成《漣．輪》動態裝置，重新演繹灣仔紮成龍首，並插上火紅的長壽香，寄託美好期許。這意念深長的裝置為整個系列大坑火龍

海岸線的變遷。板塊隨池水起伏互相敲擊，仿如香港急促生活節奏的迴響，市民透過手

意象的開首，延展至《川流不熄》為結尾，猶如火龍盤踞，形成首尾呼應的效果。

機應用程式，可以向水池許願，又或細聽灣仔街坊的故事，深入了解該區歷史。

APARTOGETHER

一齊一個人

RECESS AT HARBOURFRONT

維港放小息

Harbourfront, Causeway Bay Typhoon Shelter

Central & Western District Promenade銅鑼灣避風塘海濱

中西區海濱長廊

Adapting to the new normal of social distancing, One Bite Design Studio reimagined

Inspired by childhood games such as Rock Paper Scissors, Hopscotch, and Traffic Light,

outdoor space, and created #APARTOGETHER, a series of pieces of pavilion-style outdoor

Recess at Harbourfront took five game-inspired floor designs and scattered them along

furniture that allowed visitors to be outside together, while remaining apart. Whether

the promenade. In this experience created through a series of public space design

visitors enjoyed a quiet seated moment or a solo merry-go-round ride, each of the furniture

workshops led by local design team Napp Studio, users of all ages redesigned the games

pieces was thoughtfully designed so users could share the facilities while maintaining a safe

and tweaked the rules to try out new takes on old games.

distance.
靈感取自童年遊戲的《維港放小息》，將五組地面遊戲圖案設計佈於中西區海濱長廊之公共設施的設計如何能適應新常態？一口設計工作室加以反思後創作出一系列「亭台」式間。納設計及建築事務所團隊於多場空間設計工作坊中，邀請不同年齡人士重新設計遊的戶外家具，無論是安坐沉思或是踏上旋轉木馬，讓遊人享受「一齊」但又「一個人」的

戲，或開創全新的遊戲規則。

時光。每件家具都經過精心考量，遊人可無顧慮地一起享受公共設施和空間。

SKY CASTLE

聲之穹蒼Water Sports and Recreation Precinct, Wan Chai
灣仔水上運動及康樂主題區

NATURE THERAPY –DREAM OUR RAINBOW

NATURE THERAPY –SEE, HEAR, TOUCH, BREATHE靜觀自然－靜思彩虹

靜觀自然－看見、聽見、觸碰、深呼吸

Wan Chai Pierside HarbourChill

Central & Western District Promenade灣仔碼頭之海濱休閒站

中西區海濱長廊

Australian multimedia design studio ENESS worked with local design and production teamHattrick Creative to bring their interactive installation, Sky Castle, to Hong Kong. As visitors

Chinese gardens are designed to create a sense of infinite enchantment within a definite

moved through the 12 illuminated inflated archways, they triggered an audio soundscape.

space. Using artificial and natural elements, local design studio Milk Design unearthed

The result was an immersive and dreamy expression of Wan Chai’s urban energy.

the versatility of open space in five sense-awakening works. Designed to immerse visitors
in the beauty of nature, these were a feast for all the senses, with their core work, Dream澳洲多媒體設計團隊ENESS伙拍本地設計及製作團隊雅卓創意，將互動裝置《聲之穹蒼》

Our Rainbow, rewarding visitors’ mindfulness with a glimpse of a shimmering rainbow.

帶到香港。當遊人漫步於十二道色彩斑斕的充氣「門窗」之下，就會聽到收集自香港不同
角落的聲音，在夢幻迷人的氛圍中感受灣仔的活力。

中式園林的精髓在於以有限的空間，創造無限明媚風光。本地設計工作室Milk Design
利用人工及自然元素，透過五組感官裝置，讓市民發掘公共空間的無限可塑性，感受自然之美。系列之主要作品《靜觀彩虹》鼓勵參與者靜心練習正念，完成後更可一睹難得
的彩虹，慰藉身心。

BODW
CITYPROG

and design units and organisations with innovative cocreation, partnership, and exchange opportunities. Like abeekeeper, CityProg fosters cross-pollination in creative
collaborations, tending to local partnerships to build a hiveof ideas and activity that can sustain the community andbeyond. An extension of BODW, CityProg encompasses
three distinct platforms: Anchor Site Festivals, Design
EduVation Programmes, and Satellite Events & Offers. It is
supported by Create Hong Kong, its Lead Sponsor.
The third year of CityProg was centred around a powerfultheme: 20/20 Vision of a Post-Pandemic World. It saw thelaunch of the CityProg Design Scavenger Hunt, an apppowered urban exploration redemption campaign that

BODW CITYPROGBODW CityProg is designed to connect local creative

150+
17
5
100+

Creative units, businesses &community organisations connected
創意和設計、商業及社區機構

Anchor Site Festivals
主要伙伴場地創意節

Design EduVation Programmes
公眾社區教育項目

Satellite Events & Offers
衛星活動及優惠

invited the public to connect creative dots across the city.

創意蜂擁 採集設計靈感
「設計營商周城區活動」旨在促進和起動創意及設計社群、
商業及社區機構之間的共創、互助及交流。「城區活動」
就像養蜂人一樣，悉心傳播創意花粉，鼓勵本地伙伴合作

Creative and Design Community Activation
CityProg has the role of cultivator, catalyst, and harvester when it comesto supporting the growth of a design ecosystem, enabling projects tobloom and bear fruit.

以匯聚靈感及推出各種活動，使設計社群生生不息。它作
為設計營商周之社區延伸，當中包含三大協作平台：「主要伙伴場地創意節」、「公眾社區教育項目」及
「衛星活動及優惠」。「城區活動」由創意香港為Empowering partners to develop and enhance their businesses and projects,
CityProg enables new initiatives to thrive. A design ecosystem relies on crosspollination, and CityProg brings together partners and resources, helping tonurture young creatives by facilitating the exchange and blossoming of ideas all

HUMMING PRAISE

Nurturing a Hive of Ideas

099

設
計
營
商
周
城
區
活
動

伙
伴
共
鳴

Last year, we recruited more than 40 young people tocoordinate and organise events for BODW CityProg.
These young people were able to lead the events andcontribute to their own community.
在去年的「設計營商周城區活動」，我們招募了四十多位青年加入統籌及
組織，讓他們成為活動的主導者，為自己生活的社區作出貢獻。

Wan Cho-leong and Janette Wong溫祖亮（溫Sir）及黃曉庭
Unit-in-charge and Youth Worker of Tsuen Wan Youth S.P.O.T.,
The Hong Kong Federation of Youth Groups
香港青年協會荃灣青年空間單位主任及青年工作員

認識了許多志同道合的團體，大家對社區發展都有自己的看法，某些以往被擱In spite of being good quality, the works or activities
we have done in the past seem to be very “rough”
and not trendy enough. For China Bright Production,
BODW CityProg plays a leading role in teaching
us to equip ourselves and tackle challenges withcreativity in these changing times.

夠一步步實踐，是一件非常值得開心的事情。

Eric Ho 何力輝
Co-founder and Director,
Architecture Commons Limited

新潮。於耀華製作室而言，「設計營商周城區活動」就像是一個領頭的角

Architecture Commons Limited 創辦及合夥人色，會教我們如何去裝備自己，運用創意應對時代轉變帶來的挑戰。

第三屆「城區活動」圍繞「後疫情時代的20/20「城區活動」用心孕育及栽培地區伙伴，讓設計生態蓬勃發展，到處結出創意的視野」為主題，更推出了智能版城市追蹤獎賞遊戲累累碩果。

李健明（阿健）及李維明

建構設計生態的重中之重是要把創意花粉傳授開去，在「城區活動」的支持下，Project Managers, China Bright Production

新的計劃不斷蜂擁而來。「城區活動」造就合作伙伴交換及善用彼此資源，發展

耀華製作室項目經理

及提升各項目的創意成果，驅動新力軍振翅飛翔，讓創意在整個城市開花結果。

置的想法，在共同合作的情況下似乎能

雖然以往我們做的作品或活動的質素很好，但看起來十分「土炮」，不夠

over the city.

「城區設賞」。

在參與「設計營商周城區活動」的數年
間，Architecture Commons Limited

主要贊助機構。

創意及設計起動社群

In the past few years,
Architecture Commons
Limited has participated in
BODW CityProg and met
many like-minded groups.
Everyone has their own views
on community development –and we’re glad that someideas set aside in the pastseem to be implementablethrough collaborations.

Lee Kin-ming & Jacqueline Lee

A festival made in Fo Tan

Fostering creative collaboration andnurturing design in the community
推動創意協作，在社區醞釀設計

火炭製造 發揮本地創意
Since joining CityProg in 2019, GLOs Café by fooody wasable to invite two Fo Tan-based creative partners to help
expand and co-create an Anchor Site Festival with CityProg’s
encouragement and support.

設
計
養
蜂
人

These collaborations inspired and activated other creative
units in Fo Tan to join in, enhancing the magnitude of theevent and its uniquely Fo-Tan culture within a ‘Made in Hong
Kong’ context. Industry professionals contributed by sharing
their views on Hong Kong’s industrialisation. The team alsoorganised guided tours of neighbourhood design studios, so
the public could discover the creative side of Fo Tan.
自2019年加入以來，伙食工業在「城區活動」的鼓勵與協助下，成功邀請了兩個同樣位於火炭的創意伙伴共同策劃「主要場地伙伴場地創意節」，令區內的創意氛圍更濃厚。
這些協作觸發了區內其他創意單位的興趣和參與，令活動規模得以擴大，更突出了「香港製造」的獨特火炭文化。當中
活動包括由業內人士分享對香港工業化的看法，以及帶領公
眾走訪當區的設計工作室，讓他們發掘火炭的創意潛力。

Design thinking to make a difference
讓設計思維造就改變HKFYG Tsuen Wan Youth S.P.O.T. is an NGO for youth that has extensive

香港青年協會荃灣青年空間是一所非牟利機構，為區內青少年提供服務已經

experience in community work, but was yet to employ design thinking to

多年，經驗豐富，但從未曾試過運用設計思維來策劃他們的活動。有見及此，organise their programmes. The CityProg team worked with them to co-create「城區活動」團隊與他們合作協辦「主要伙伴場地創意節」，加添新意。

A sign of good things to come「招」來新想法

an engaging Anchor Site Festival programme.
該計劃撮合了荃灣青年空間及「公眾社區教育項目」策略伙伴美國建築師學會

The programme connected Youth S.P.O.T. with one of CityProg’s Design

香港分會，一起舉辦學生工作坊，探討位於荃灣的「要有光」社房企的公共空

Skilled in calligraphy and signage design, China Bright Production (CBP) is part擅長書法和招牌設計的耀華製作室，一直希望為新蒲崗這個舊工業區注入新靈

EduVation partners, the American Institute of Architects, to organise student

間設計。「城區活動」還協助他們取得荃新天地作場地贊助，以舉辦「主要伙of a community bringing new energy and inspiration to San Po Kong, a heritage

感。自從成為「主要伙伴場地伙伴」，耀華製作室陸續引入文化創意團體及廠

workshops about the design of the communal space LightBe, a social housing

伴場地創意節」的展覽，並同時獲得南豐紗廠及如心廣場贊助數碼廣告屏，將industrial area. Inspired to collaborate with the Anchor Site, CBP welcomed

二代，分享設計如何將他們的品牌和業務轉化為創造社會福祉的力量。

project in Tsuen Wan. It also secured CityWalk as a venue sponsor for Youth

活動在當區的影響力發揚光大。

cultural and creative groups, as well as second-generation factory owners who

S.P.O.T. Anchor Site Festival’s exhibition, and helped promote the events withdigital advertisements at The Mills and Nina Mall in Tsuen Wan.

shared how design has transformed their brands and businesses into forces for通過「城區活動」的伙伴合作，社區間的連結得以加強，而不同的活動平台也

social good.

讓公眾加深對新蒲崗區內設計業的認識，例如由香港理工大學社區學院舉辦的
公眾模版字工作坊。

Through CityProg’s partnership, community connections have strengthened.
With more platforms, the public learned about San Po Kong’s design industry—including an opportunity to join a public stencil typography workshop at PolyU
Hong Kong Community College.

BODW CITYPROG

傳播創意花粉101

DESIGN BEEKEEPER

Cross-Pollinating theCreative Community

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BODW CITYPROG

Cultivating a
Thriving Hive
培養創意社群蓬勃發展
Fertilising design projects andpotential by providing support
and opportunities

Spotlighting social issues
聚焦熱門社會議題
Focusing on design research projects centred around

給予充分支持和機會，
滋養和促進設計項目綻放

social issues, Enable Foundation and its projects
enjoyed greater public engagement by joining
CityProg as a Design EduVation partner in 2019.
They won a Special Annual Award for Social Design
at the 2020 Golden Pin Awards and continued thissuccess by joining CityProg again. In 2020, theyrolled out the Dementia Hong Kong Co-Creation
Showcase II, organising two public exhibitions in
Jordan and Sheung Wan.
With CityProg’s funding support, Enable Foundation
extended their physical event to a digital format tocreate more opportunities for participation, including
co-creating a ‘resting room’ for those with dementia.
啟民創社一向致力通過旗下項目，圍繞社會問題進行
設計研究，在2019年成為「城區活動」的「公眾社Making public space inspiring區教育項目」伙伴後，成功吸引更多公眾參與活動，屢創佳績。
在2020年奪得金點設計獎年度特別獎社會設計獎
後，他們於同年再度加入「城區活動」，推出「腦化香港」設計物語II，並在佐敦及上環舉行兩場公眾展覽，讓大家進一步認識腦退化症及認知障礙症。
在「城區活動」的支持下，啟民創社將實體活動擴展
至網上方式進行，從而讓更多普羅大眾有機會參與，當中包括為腦退化症患者而共創的「休息室」，以喚起外界的關注。

Growing from participant to partner

公共空間承載靈感點子
NGO HKALPS runs a public event space in Kwun Tong. Experienced at event management andhosting different art events, they provide indoor and outdoor spaces for external parties to reach
their audiences. CityProg reached out to HKALPS to organise “The Discovery of Design Arts
among Kwung Tong Business District” Anchor Site Festival, and utilised seed funding from theprogramme.
The festival comprised a large outdoor exhibition, and guided design and industrial history toursof Kwun Tong for the community. The exhibition was well received by visitors, which encouraged
HKALPS to organise large-scale installations and showcases in outdoor public spaces in the future.
非牟利機構香港藝土民間一直於觀塘經營公共活動空間，專為其他機構提供室內外場地以接觸目
標群眾，在管理及籌辦活動方面經驗豐富，尤其是各種藝術活動。因此，「城區活動」邀請香港
藝土民間成為主要伙伴場地，舉辦「發現觀塘商貿區中的設計藝術創意節」，以計劃提供的種子
資金籌辦活動。
創意節包括設置大型戶外展覽，以及介紹觀塘區設計及工業歷史的導賞團，反應熱烈，為香港藝
土民間日後再度舉辦大型戶外裝置及展覽注入強心針。

由參與者到合作伙伴
Architecture Commons Limited first joined CityProg in 2018 with the Design

Architecture Commons Limited當初通過於2018年舉辦的「公眾社區教育項

EduVation programme “Creative Windows”, which inspired them to explore

目」Creative Windows而成為「城區活動」一份子，並自此激發了他們探索大how people think about public spaces, communities, and human-centric眾對公共空間、社區及重視人情味的鄰里關係的看法。他們於2019年創立伙

neighbourhoods. They established Neighbourhood Innovation Lab in 2019 to

伴關係鄰里研究所，為人口密集的亞洲城市打造具包容性的鄰里身份，並透過

help foster an inclusive neighbourhood identity in dense Asian cities and to設計和建築締造更美好的社會。同年，他們以公眾社區教育伙伴身份再度參與

contribute to bettering society through design and architecture. They joined「城區活動」，並獲得種子資金發展項目。

CityProg again in the same year, as an EduVation partner with seed funding
support.

在2020年，藉由「城區活動」穿針引線，Architecture Commons成為衛星活動伙伴，並成功攜手太古集團，讓伙伴關係鄰里研究所的運作得以於灣仔延In 2020, thanks to CityProg’s network and introductions, Architecture Commons
became a Satellite Event partner and connected with Swire Properties tocontinue Neighbourhood Innovation Lab in Wan Chai. The project received
funding support from ChinaChem and extended to Tsuen Wan.

續。此外，該項目亦獲得華懋集團的贊助，擴展至荃灣區舉行。

105

Using seed funding from CityProg, openground brought together a group of cross-disciplinary
designers to become ‘neighbour makers’. Through a series of design thinking workshops, the teamaim was to use design thinking to connect the community with the district’s material suppliers
and local craftsman, bringing design into everyday life.
Their collaborative works were curated into an exhibition that showcased how local design andcrafts can form part of a community’s culture. In the future, a Sham Shui Po Material Map will becreated to bridge the district’s material suppliers and community’s needs.
openground利用「城區活動」的種子資金，聯同一班不同界別的設計師擔任「neighbour
makers」，合作舉辦設計思維工作坊，邀請街坊、本地新晉設計師，以及深水埗的工藝小店，以設計思維連結當地社群與材料供應商及工藝人，讓設計融入生活。
這些社區共創作品以展覽形式呈現，讓大眾了解本土設計與工藝如何結合社區文化，更計劃未來
建立深水埗原材料供應商地圖，以設計思維連結區內材料供應及生活需求。

Nurturing a Creative Cycle
推動創意循環

Connecting a neighbourhood with its culture
連結街坊與文化

Empowering designers to connect with others,
and building a future-focused ecosystem
讓設計師連繫各界，構建放眼未來的創意生態

Showcasing sound from sustainability
永續之音
FabCafe Hong Kong, with seed funding from CityProg, presented their “Bring the Music
Hong Kong Children & Youth Services (HKCYS) has been a CityProg partner since
2018. The collaboration started with engaging young people to take part in a fashion
parade at the Fo Tan Anchor Site Festival. GLOs Café by fooody further strengthened
this partnership by supporting 20 HKCYS young people to produce a short film
under the mentorship of renowned local film art director, Alex Mok.
In 2020, fooody continued their support by mentoring HKCYS participants in visualdesign and videography. In recognition of the partnership, HKCYS presented HKDC
with a Caring Community Award in 2020.

Helping youth to thrive
助青少年展翅高飛

香港青少年服務處自2018年起成為「城區活動」的合作伙伴，於首次合作中鼓勵年青人參加火炭「主要場地伙伴場地創意節」的時裝匯演。其後，伙食工業支持了20
位香港青少年服務處的年青人，在本地著名電影藝術總監Alex Mok的指導下製作短
片，進一步加強合作關係。
2020年，伙食工業繼續為香港青少年服務處的參加者提供支持，讓他們接受視覺設
計和拍攝的培訓。香港青少年服務處更於2020年向香港設計中心頒發關懷社區獎，
表揚友好伙伴關係。

to Life” Design EduVation programme. It included a Design Thinking Ideathon foryoung designers and students, thanks to FabCafe’s first overseas collaborator: a creative
community from Japan called Electronicos Fantasticos. Part of the programme promoted
trash-to-treasure sustainable design practices: participants with an interest in electronic
music recycled electrical appliances to create musical instruments.
Their creations were showcased at an exhibition that taught visitors how to use thetechnology of barcode scanners to find and create unique new sounds. It was a fresh
twist on making music using design thinking.
「城區活動」的種子資金讓FabCafe Hong Kong成功呈獻「公眾社區教育項目」Bring
the Music to Life，其中包括為年輕設計師和學生而設的「設計思維工作坊：從電子條碼器發掘新聲音」，為FabCafe與其首個海外伙伴、來自日本的創作社群Electronicos
Fantasticos合辦，將廢棄電子產品再造成電子樂器，聚集一眾有興趣的人士，實踐永續設計概念。
他們的樂器作品於展覽中呈現，參與者更可學習運用電子條碼技術發掘新聲音，務求以設計思維為公眾帶來別具一格的音樂體驗。

BODW CITYPROG

engaged the community, budding designers, and Sham Shui Po neighbourhood craft stores. The

DESIGN
SPECTRUM

107

設
計
光
譜

DESIGN SPECTRUM

In early 2021, PLAY LIVES, an exhibition that explored the infinite
possibilities of play and design, and one of the space’s most dynamic
exhibitions, attracted a large audience from all ages and walks of life.
Co-curated by Rémi Leclerc, Founder of PolyPlay Lab, and Chi-wing Lee,
Founder and Creative Director of Milk Design, PLAY LIVES featured over
90 play and design projects from around the world in interactive andthemed rooms. The exhibition took visitors on a journey to discover thevalue of design in shaping contemporary play, and the importance of playwhen it comes to enhancing design.
2021年初舉行的「好玩日日」展覽探索玩樂設計的無限可能性，吸引不同年

ENRICHING COMMUNITY CREATIVITY
無 限 創 意 盡在 社 區齡和背景的訪客，是設計光譜本年度最具活力的展覽之一。展覽由PolyPlay
Lab創始人Rémi Leclerc和Milk Design創辦人及設計總監利志榮先生共同策
劃，近百個來自世界各地的好玩設計項目，遍佈不同的互動及主題展區。公眾可以從中親身體驗玩樂過程，從而認識設計如何塑造當代遊樂，以及了解玩樂
和設計互為推動的重要關係。

At 7 Mallory Street in Wan Chai, creativity runs rife. This is where you’ll find
Design Spectrum: an initiative by HKDC committed to stimulating creativity
and strengthening the connection between the community and design throughexhibitions, workshops, and more.

A specially commissioned work, Rolling Fun – Community Playground,
took place in the open public space at 7 Mallory Street. Making use of
the structures put in place during this work, Design Spectrum also held a
Design Festival, comprising six events that offered an opportunity for thecommunity to unleash their creativity. Visitors of all ages were invited to
discover and experience the versatility of the installation and the space, andto join a series of workshops ranging from creative play to remote control
car races. The public were also invited to design their own play ideas andprovide suggestions for how to maximise the delight and possibilities of aplayground. To engage and inspire visitors further, a ‘playshop’ workshop
series and guided tours were held in parallel with the exhibition itself, withpeople of all ages and backgrounds attending.
於灣仔茂蘿街7號地下中庭擺放的委約項目「敢動換樂—歇腳遊玩場」，邀請大
家利用當中的組件結構，共同創作「玩」法。設計光譜還舉辦「好玩設計節」，

灣仔茂蘿街7號洋溢濃厚的創意氛圍，因為這裏就是設計光譜的所在地。設計

六個以玩樂為主題的工作坊圍繞創意玩樂到搖控跑車，讓大小朋友盡情發揮創

光譜是香港設計中心為了加強社區與設計之間的連繫的重點項目，通過舉辦展意，發掘互動裝置和空間多變的玩法，一起化身成為玩樂設計師。活動亦邀請覽、工作坊等活動激發社區大眾的創造力。

公眾設計出自己的玩樂主意，並就如何提升遊樂場的樂趣和可能性提出建議。
展覽期間亦舉辦「免費玩作坊」和導賞團，與眾同樂。

Established in December 2020 and located on the ground floor of 7 Mallory Street, theMeet the Murray

Phoenix Coronet

播個水果

Invisibilis Moveré Limited

鳳冠

STICKYLINE

Wist Group Limited

DESIGN SPECTRUM

DS Shop is both a showcase and a retail spot for young design talent and start-ups fromFRUITY SOUND

109

DS SHOPA Design Treasure Trove

HKDC’s flagship programmes, including DFA Awards, Design Incubation Programme, andFashion Incubation Programme. Having displayed over 100 unique design products, including
objects from the exhibitions, it provides designers with a year-round space to increase theirbrand awareness and exposure.

小巷裡的設計寶庫位於茂蘿街7號地下的DS Shop，展出及售賣優秀設計作品，大多來自香港設計中心旗艦項目，
10:00am – 8:00pm (Mon – Sun)

早上10時正至晚上8時正 (星期一至日)

Shop 7, G/F, 7 Mallory Street, Wan Chai, Hong Kong
香港灣仔茂蘿街7號地下7室

包括DFA設計獎得主、設計創業培育計劃及時裝創業培育計劃內的年青設計師及初創企業。自
2020年12月成立以來，店舖售賣100多款設計獨特的產品，不少曾於設計光譜中展出，為設計
師提供一個全年空間，以提升品牌知名度及開拓商機。

Bright and fun, these three vibrant Bluetoothspeakers shaped like origami fruits are great
gifts for those who love music.
三款看似水果摺紙的藍牙小音響，配上繽紛活潑

Channelling chromaticity, this colourful
design reflects Hong Kong’s multiculturalism and historical architecture in awearable work of art that is both timelessand luxurious.

Pop-Up™ Booster

AN ALAN CHAN CONCEPTNOW

Pop-Up™ 嬰幼兒餐椅

KILLER LE ROUGE 設計師口紅當下此圍巾反映香港多元文化及歷史建築，並加入

Studio Gooris Ltd

Alan Chan Design Company

Alan Chan Design Company

色度元素，重塑可穿戴藝術作品的概念，集經

的顏色，是送給音樂愛好者的創意禮品。

典與奢華於一身。

Bubble Memory Stick

Where Are You Going?

泡泡記憶棒

Benny Lau

Adorned with precious jewels, stones, pearls, and jade, this ornate and exquisite
coronet honours tradition and modern beauty to bring brides good fortune, hope,and happiness.
這頂華麗精緻的鳳冠飾以珍貴的珠寶、玉石、珍珠和翡翠，糅合傳統和現代之美，為新Yellowdot Design Limited

娘帶來祥瑞、希望和幸福。

Tomorrow Myth
明日神話

llab Design Limited

Light and portable, this innovative and super-strong origami-like folding
booster seat is durable, versatile, and easy to clean—perfect for little ones.

Shaped like bullets of confidence, andavailable in vibrant hues, these are the ultimate
lipsticks, designed to unleash bold instincts forany occasion.

The ‘Magic of Chinese Calligraphy’ clock
was a sensation in 1998. This continuation of
the limited-edition classic is a modern, yettimeless, watch for all design sensibilities.

外型如同一枚子彈的設計師口紅，色彩鮮明大膽，

書法時鐘在1998年推出，吸引不少粉絲搶購收藏。

如同摺紙般輕巧、方便攜帶的Pop-Up，結構極其堅固及耐用，加上易於清潔，是是適用於任何場合增強自信、喚醒內在魅力的不二

由其復刻而成的《當下》腕錶以限量版發售，設計

父母必備之選。

之選。

既富現代感，又恆久耐看，讓經典設計得以延續。

CHÁN BY ALAN CHAN

ZERO TO UNLIMITED Ruffled Knit Top

Oriental Tea Perfume Collection

零至無限 荷葉邊針織上衣

東方茶香水系列

設計師陳幼堅與法國傳奇調香師跨界合作，推出三款限量版香水：烏龍茶、薄荷茶
及焙茶香味，包裝設計揉合東西方情調。

Go on a journey of wonder in a stickerscapebook that follows Gato the cat and Galo therooster on an adventure.

兒時吹泡泡用的泡泡棒今天化身USB記憶棒，

仔亞嘉度和雞仔亞嘉路的步伐，踏上一趟冒險

此系列將受保護動物的圖案製成搪瓷別針，充滿神話之美，更喚起大眾對瀕臨絕種生物

承載童年回憶，同時保存重要的數碼資料。

之旅。

的關注。

自主創作stickerscape貼紙風景書讓你跟隨貓

Created to raise awareness of endangered animals, this series of sophisticated andcolourful enamel pins highlights creatures who need our help to survive.

ARTO

Alan Chan Design Company

A collaboration between legendary French perfumers and designer Alan
Chan, this collection features three limited-edition fragrances: Oolong Tea,
Mint Tea, and Hojicha, with ‘East meets West’ stylistic touches.

Memories are whimsical, and this bubblestick inspired USB flash drive is a playful way
to preserve special moments while having alittle fun.

THIS IS HONG KONG Puzzle

Tetra Soap

The New Floor《從前，有個香港》原畫拼圖

防波堤造形防滑冷壓手工番梘

Invisibilis Moveré Limited

Cup Magazine Publishing Limited

Furnitury Limited

An eye-catching explosion of orange and blue, this futuristic knitwear top tells a story of how
molecules gather to create unlimited possibilities.

Hand-painted and easy to carry and complete on the go, this map puzzle depicts
the charm of Hong Kong in the 1960s.

這件富未來感的針織品採用亮藍色和鮮艷的橙色，訴說分子轉化過程中的無限可能。

這款方便攜帶的原畫拼圖以人手繪製地圖，拼湊出60年代的香港情懷。

Slow-made with cold-process production,these handmade and fragrant soaps tackle
the slippery soap problem with a uniquetetrapod-shape that’s 100% slip-free.

With a motif inspired by the ceiling
architecture of the Chi Lin Nunnery in Hong
Kong, this stylish scarf transports you to aplace of serenity.

慢工出細貨─手造冷壓肥皂獨特的水泥防波堤

這款時尚圍巾設計意念來自香港志蓮淨苑的天造型，確保拿起時「滑不溜手」，還配以淡淡香花建築設計，令人彷如進入了寧靜平和之地。

氣。

2O20-2O21

111# 5 minutes with…
# 與項目總監5分鐘對談

DESIGN FOR THE PUBLIC#PLACEMAKING #地方營造
#DESIGNECOSYSTEM #設計生態圈
#PARTNERSHIP #伙伴合作

ISABELLA CHOW 周詠賢

SAM LAM 林美華

Director, DFA Awards, Design Exchange (Design Spectrum)

Director, Business Development & Projects(BODW CityProg and #ddHK)

DFA設計獎及設計交流項目總監 (設計光譜)

業務發展及項目總監 (設計營商周城區活動及設計#香港地)

113

#Q1

DESIGN FOR THE PUBLIC

What were some of your key initiatives
over the year, and how did they promoteknowledge and appreciation of design?

#Q2

Looking back, was there anything
you were particularly proud of?

過去一年舉辦過什麼主要活動？
這些活動如何提升公眾對設計的知識和欣賞？

回顧過去的工作，有什麼令你引以為傲？
Sam・ Placemaking became part of our bigger mission and will continue to be

Sam・ Between BODW CityProg and #ddHK, we had

important for the future. Our #ddHK transFORM installations on the harbourfront

projects centred around urban regeneration, placemaking,We want to grow bigger andmake design a part of thecommunity, with more involvementfrom corporates and grassroots
organisations to reach a variety ofpeople in the design ecosystem.

storytelling, and community engagement. #ddHK’s ‘The
Heart of Cyberpunk’ was an immersive fashion experiencethat brought together digital artists, animators, AI
designers, and more. We sourced materials from Sham
Shui Po, where it was held, and used local designers andpart-time workers in its setup to cultivate our roots in the
district — as the future HKDC headquarters. Alongsideour ‘SSP_People’, these projects really engaged thepeople in the neighbourhood. By shining a new lens on

demonstrated to the public that they too can participate in the discussion about
shaping the future of our city and how we use our collective spaces. Our projects
stimulated imaginations, reactivated both old and new areas, and sprouted thecreative seeds for new ideas to grow.
地方營造更大程度地成為我們使命的一部分，且對未來舉足輕重。我們在維港海濱
一帶的設計#香港地「維港蛻變」七組設計裝置，就邀請市民一起討論如何塑造未
來城市及使用公共空間，突顯公眾參與的重要性。我們的項目不但激發想像力，還能為新舊地區注入活力，並播下敢想敢創的種子。

the area, we reintroduced the neighbourhood to the local

我們希望繼續擴大規模，令設計成為社區的

community — showcasing the stories of ethnic minorities

一部分，鼓勵更多企業和基層組織參與，and using design to build a more inclusive society.

接觸設計生態中不同層面的人士。

and children come to the exhibition. The number of visitors was a big plus, and its

BODW CityProg is a citywide design activation

Isabella Chow 周詠賢

us why our premises were the right place to promote design and the benefits ofprogramme driven by local partners. We partnered with

Isabella・ It surprised us and the curator of PLAY LIVES to see so many families
location in a historic building on Mallory Street also made that possible. It showed
being accessible. The DS Shop supported that as well, with people coming in fromthe street to browse and purchase unique design products.

them or matched them with partners to present over 200
unique events across Hong Kong. Each event connected
people and creative energy, and enabled us to work withstudents and NGOs to benefit neighbourhoods, while

Our projects stimulated
imaginations, reactivated both oldand new areas, and sprouted thecreative seeds for new ideas to grow.

看到許多家庭和孩子們都踴躍前來參觀「PLAY LIVES好玩日日」，我們和策展人都我們的項目不但激發想像力，還能為新舊

驚喜萬分。設計光譜坐落於灣仔茂蘿街歷史建築，方便熱鬧的選址具有吸引人流的優地區注入活力，並播下敢想敢創的種子。

勢，有利推廣設計。DS Shop的街舖位置也十分便利，方便途人光臨欣賞及選購獨developing local creative ecology.

Sam Lam 林美華

一無二的設計作品。

設計營商周城區活動和設計#香港地項目以市區再生、地方營造、敘事和社區參與等為主軸。設計#香港地的數碼龐克號創意時尚體驗，雲集數碼藝術家、動畫師、人工智能設計

Isabella・The two big projects for Design Spectrum were the PLAY LIVES Exhibition and師等。活動於深水埗進行，因此我們就地取材，又邀請當區

our DS Shop.

#Q3

Isabella・ We would be excited to expand Design

Sam・Through our BODW CityProg, we want to

What’s next?

Spectrum to other districts to offer more exhibitions

continue to support design-driven programmes forand more retail products from designers. We want tosocial good, incubate more creative talent, and link

grow bigger and make design a part of the community,

these with the public and communities. Partnership iswith more involvement from corporates and grassroots

very important, so we will continue to strengthen our

engaging designers, makers, engineers, production houses, curators, craftsmen, and more.

organisations to reach a variety of people in the design

existing partnerships and bring on board more who

設計營商周城區活動是一個全城設計起動計劃，我們通過It demonstrated how important and valuable it is for everyone to co-create in the design

ecosystem.

share our mission and spirit of collaboration. This will

與本地伙伴合作或提供配對服務，順利在香港各區為公眾

process. The newly opened DS Shop is also a great way to showcase designers’ work and帶來200多場各具特色的活動。每場活動都展現出連繫大眾

support their commercial success.

設計師及居民共同參與製作，滋養創意力量在這片香港設計
中心未來總部的所在地成長。與此同時，「深水埗人_人」讓

The PLAY LIVES exhibition stimulated the public’s knowledge about both play and街坊朋友真正參與其中，用嶄新角度呈現深水埗的方方面

design, offering people of all ages the opportunity to explore their child-like creativity.

面，將少數族裔的故事娓娓道來，充分實踐以設計創建更具

Secondary school students and their teachers joined workshops where they were able to

包容性的社會。

create something and understand what design is about. Setting up the exhibition meantcatalyse the integration of design and design thinking
我們熱切期盼能夠把設計光譜擴展至其他地區，從而為設

across the city.

計師帶來更多展覽和零售的場地及機會。我們希望繼續擴

和創意的力量，為我們帶來與學生和非政府組織合作的機
會造福社區，並開拓當地的創意生態。

接下來有什麼新項目？

設計光譜的兩個大項目是「PLAY LIVES好玩日日」展覽和DS Shop。

大規模，令設計成為社區的一部分，鼓勵更多企業和基層

通過設計營商周城區活動，我們會繼續支持設計項目，為組織參與，接觸設計生態中不同層面的人士。

社會創造福祉，孕育更多創意人才，同時加強與公眾及社

「PLAY LIVES好玩日日」展覽引起了公眾對玩樂和設計的興趣，讓不同年齡的人士重拾童真，區連繫。伙伴的參與和支持非常重要，因此我們將鞏固現

親手創作自己的玩意，還有創意工作坊讓中學生和老師一起通過創造領悟設計的意義。舉辦

有伙伴合作關係，引入更多理念相同、合作無間的組織，

展覽為設計師、創客、工程師、製作公司、策展人、工匠等帶來合作機會，體現設計過程中

讓設計及設計思維的力量傳遍香港。

共同創造的重要性和價值。新開幕的DS Shop則是展示設計師作品的極佳途徑，同時支持他
們取得商業成功。

115

DesignInspire

EXPANDING YOUR DESIGN REPERTOIREEXPANDINGYOUR DESIGNREPERTOIRE

創意設計博覽

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /3-9 DEC 2020

設計面面觀Organised by the Hong Kong Trade Development Council (HKTDC), the2020年12月3日至9日，由香港貿易發展局主辦的DesignInspire創意設計博覽DesignInspire ONLINE showcase was open to both trade and public visitors（線上版）

盛大舉行，為業界及公眾展示來自本地、中國內地、日本、韓國和澳from 3 to 9 December 2020 and featured designs from Hong Kong, Mainland

洲等地的設計項目。

China, Japan, Korea, and Australia.
今年博覽以「Design for Good」為題，全力推動創新和創意解難的精神，為社

Promoting a spirit of innovation and creative problem-solving, this year’s

會注入正能量之餘，亦聚焦協助人們克服「疫」境的高質素的設計理念和創新theme, ‘Design for Good’, was about delivering positive energy to society,思維。網上博覽展出一系列國際設計師及團體的創意設計項目，而同步直播的and embracing quality design ideas and innovations that can empower「創新對話」系列亦探討行業趨勢，還有適合大小朋友參加的網上工作坊。

people to overcome adversity in the global pandemic. A series of global
design projects were featured online, while a live-streamed InnoTalk series

作為活動的協辦單位，香港設計中心在DesignInspire設有線上展館，展示設計

covered discussions about industry trends, and a variety of online workshops

創業培育計劃及時裝創業培育計劃旗下一系列本地設計師的傑作，還有來自全welcomed both adults and children.

球各地的DFA設計奬得獎者。參觀者亦可透過生動的介紹進一步認識香港設計
中心的社區項目，包括位於灣仔茂蘿街7號的公眾平台設計光譜，以及起動全There are many ways of enriching your knowledge and appreciation of design, suchas through the public activities and resources offered by HKDC and partners. Theyrev up your creative power by enabling you to see design both far and near, learn
from innovative leaders, and discover design via different channels.
設計的世界無限大，想從不同角度認識及鑒賞設計？香港設計中心與合作伙伴打造
形形色色的公眾項目，並提供資訊和資源，讓你涉獵多元設計，向創新領袖取經，
提升創造力。設計新意無處不在，時時刻刻待你發掘。

As a co-organiser of the event, HKDC had a pavilion at DesignInspire
ONLINE and presented an array of work by Hong Kong designers from its
Design Incubation Programme (DIP) and Fashion Incubation Programme(FIP), alongside DFA Awards winners from around the world. Visitors werealso able to learn more about HKDC’s community programmes, including
Design Spectrum, the open-to-the-public initiative at 7 Mallory Street in Wan
Chai, and the more-than 200 design events that are part of BODW CityProg toactivate citywide creative business and community.

城創意商業和社群的設計營商周城區活動帶來的200多項設計節目。

新城知訊台節目/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /啟發性的環節「生活就是設計」。自2017年起，長達一小時的環節於新城知訊台
FM99.7播出，是香港設計中心向公眾推廣設計的重要平台之一，去年更訪問了
香港一眾設計精英及新晉年輕設計師，趣談啟發人心的創新設計及設計熱話，分享跨界創意的無限可能。

“Good Life Good Design” Metro Radio Programme

設計教育領袖論壇

Leadership Forumon Education

EXPANDING YOUR DESIGN REPERTOIRE

Metro Radio Programme

香港設計中心一直與新城知訊台節目《世界隨意門》合作，製作廣受歡迎及具117

新城知訊台「生活就是設計」節目環節/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /30 NOV 2020

HKDC continued co-hosting its popular and enlightening radio segment,‘Good Life Good Design’, on Metro Radio’s Doors to the World programme.

Held on 30 November 2020, during Business of Design Week, the Leadership

The hour-long segment on MetroInfo FM99.7 has been on the air since 2017,

Forum on Design Education was held virtually for the first time. Centred

and last year featured a variety of fascinating interviews with Hong Kongaround the theme ‘Design Education in the Era of AI’, the thirteenth edition

creative trailblazers and emerging young designers. Considered to be one ofof the forum was jointly organised by The Hong Kong Polytechnic University

HKDC’s important initiatives for promoting design to the public, it continues

School of Design, the Hong Kong Design Institute and HKDC. Renowned

to be an inspirational programme that balances lively interviews with current

academics and design industry leaders came together to share insights

industry discussions around design and design thinking.

and discuss the future of design education, with attendees joining from 21
different countries and cities.
設計教育領袖論壇首次以虛擬方式，於2020年11月30日設計營商周期間舉
行。論壇以「人工智能時代下的的設計教育」為主題，由香港理工大學設計
學院、香港知專設計學院及香港設計中心合辦。知名學者及設計界領袖聚首一
堂，於來自21個不同國家和城市的與會者見證下，分享見解並探討設計教育的未來。

Organised by the HKSAR Government, HKTDC, and HKDC, the tenthHong Kong’s largest annual design festival, deTour, took place at PMQ from27 November to 6 December 2020, with a packed schedule of events andexhibitions united by the theme ‘Matter of Life’. deTour’s curatorial team,
Trilingua Design, collaborated with talented local and international designers
to present the vibrant line-up of exhibitions, workshops, and talks, exploringdeTour/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /27 NOV - 6 DEC 2020亞洲知識產權營商論壇

Business of IP Asia Forum (BIP Asia Forum) was held on 3 and 4 December

BIP Asia Forum2020. Hosted virtually, the event brought together more than 60 international/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /industry trends and developments, and shared insights and observations

3-4 DEC 2020

about IP issues in an ever-changing world. Hot topics included ‘Open

business leaders and intellectual property experts, who discussed the latest

innovation: Driving Collaboration in Times of Change’, ‘Creating IP Values
through Collaboration’, and ‘IPHatch Hong Kong: Supercharging Innovation
for Impact’, among others. Over 14,500 viewers from across 48 countries andregions joined the forum.

design’s evolving purpose in a changing world. With the goal of sparking new
perspectives and experiences, deTour also launched its first virtual festival

由香港特別行政區政府、香港貿易發展局及香港設計中心合辦的第十屆亞洲知with physical and live-streamed events. Some 33,325 visitors attended in識產權營商論壇於2020年12月3日至4日於綫上舉行。論壇匯聚了60多位國際

person, with 321,535 visiting the official website.

商界領袖及知識產權專家，討論最新行業趨勢和發展，針對知識產權問題分享
與時並進的見解。熱門話題包括「開放式創新：轉變中推動協作」、「通過協作香港最大型的年度設計節deTour一項接一項的精彩活動於2020年11月27日至創造知識產權價值」、「IPHatch香港：激發創新 釋放潛力」等。論壇活動吸引

12月6日，在PMQ元創方圓滿舉行，以「設計本源」為主題，策展團隊叁語設計與

了來自48個國家及地區超過14,500名觀眾參與。

才華橫溢的本地及國際設計師合作，舉辦形形色色的展覽、工作坊和講座，探索
設計在瞬息萬變的世界中擔當的角色。為了引入新角度、打造新體驗，deTour還推出首個虛擬設計節，糅合直播與實體活動同步進行。現場人次達33,325，而官
方網站亦錄得321,535訪客人次。

119

香港設計指南Publications

Hong Kong Design Directory/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / // / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /To help enrich design knowledge

為了提升大眾對設計的認識和鑑

and appreciation, strengthen the

賞力，加深設 計 活動的影 響力並

profile of design events, and spark激發 創意，香港設 計中心製作各

creativity, HKDC continues to

項書刊及 通訊，與社會各界人士

produce a variety of publications

分享設計故事、洞見和靈感。

and newsletters that share designstories, insights, and inspiration.

EXPANDING YOUR DESIGN REPERTOIRE

書刊

HKDC Annual Report 2019-2020
Design Redefined, HKDC’s 2019–2020 Annual Report is centred aroundthe theme of redefining design as a people-orientated approach to solving
problems, and harnessing design thinking to navigate challenges on thehorizon. Highlighting HKDC’s new milestones and partnership engagements,
the report is crafted to look and read like a magazine and be just as engaging
as the initiatives and events it showcases.

《香港設計中心年報 2019-2020》「設計．再定義」是香港設計中心2019-2020年報的主題，強調為設計重新定
義，通過以人為本的方法來解決問題，並利用設計思維應對即將來臨的挑戰。
年報內容突顯香港設計中心的新里程和協作項目，閱讀起來像一本雜誌，就如過往的各個設計項目和活動一樣引人入勝，娓娓道來。

Design for Asia: DFA Awards 2020
Featuring a remarkable line-up of the year’s DFA Awards winners, readers candiscover the people, ideas, and creations behind acclaimed designs in Asia.
Highlighting pioneering design in science and technology, environmental
experiences, and social and humanitarian issues, this awards book spotlights
three design giants, 197 design projects and 16 young designers.

《給亞洲設計 – DFA設計獎2020》此書輯錄了2020年陣容強盛的DFA設計獎得主，讀者能發掘備受讚譽的亞
洲設計背後的人物、理念和創作過程。書中展示於科技革新、環保體驗、社會議題和人文關懷方面的嶄新設計，聚焦三位設計大師、197個得獎項目和
16位年輕設計師。

Living in Design: Stories of 16 Designers
The third in HKDC’s publication series with Joint Publishing,

DMatters

Living in Design takes a closer look at the impact of good design

HKDC’s quarterly e-newsletter, DMatters, is a rundown

across four themes: Wear, Eat, Live, Play, through interviewsof the latest design news and updates from acrosswith 16 Hong Kong designers—who are also DFA Hong

HKDC’s programmes. Showcasing dynamic start-ups;

Kong Young Design Talent Award winners. As one designeraward-winning designers and their work; and publiccomments, “Design is like air. You may not think about it, but it isengagement initiatives; it’s an inclusive digest thatessential.” With the world rapidly changing, these stories explore

inspires a deeper appreciation for design.

how design can help us live well.

To subscribe, visit www.hkdesigncentre.org《活在設計 – 從衣食住閒開始》
香港設計中心與三聯書店出版的作品系列第三部，採訪了16位獲香港設計中心的季度電子通訊DMatters扼要介紹設計

得DFA香港青年設計才俊獎的香港設計師，深入探討優秀設計對

人才及各項活動消息，展示初創企業的動向、獲獎設計師

衣、食、住、閒的影響，以及設計如何令生活在瞬息萬變的世界中及其作品，以及面向公眾的設計活動公眾參與活動等，內

更美好。正如其中一位設計師所說：「設計就如空氣。或許你平

容包羅萬有，啟發更多人欣賞設計的力量和價值。

日不以為意，但它無比重要。」

訂閱：www.hkdesigncentre.org

HKDC publishes the Hong Kong Design Directory on its website. The directory

透過香港設計中心的網上香港設計指南，從事各類設計專業的公司和創意人

connects design enterprises and creatives across different disciplines with

才可以展示其設計經驗和能力，讓有需求的企業進行配對。

businesses that need design expertise and services.
To search the directory, visit www.hkdesigncentre.org

指南可於香港設計中心網站瀏覽：www.hkdesigncentre.org

121

123

WISE WORDS FROM THE BOARD OF DIRECTORS

董事會睿智名言

Chairman
董 事會主席

It’s important to broaden the scope of your thinking and diversify
your experience. Try to truly understand the value and purpose ofdesign, and figure out how to do more good to the world rather thanlook good in your portfolio.
擴闊思考空間，嘗試用心理解設計的價值和意義，不應只求豐富自己的履歷，而是豐富你的閱歷，並務求令世界變得更美好。

BONNIE
CHAN

年輕設計師有什麼建議？

盧永強

Vice Chairman
董 事會副主席

DAVID LO

Vice Chairman
董 事會副主席

Director
董 事

An ambition for designers – as expressed so effectively by the late Bill
Moggridge in this quote from an interview with Debbie Millman for theSmithsonian Magazine.

around us is something that somebody has control over and perhaps
they could have control of, that’s a nice ambition.”
設計師的抱負─最精妙的說法可從一篇刊登於美國Smithsonian雜誌中，“If you think about what people are most interested in… it doesn’t
occur to them that everything is designed, that every building,everything they touch in the world is designed, even foods are designed
nowadays. So the idea of getting that into people’s heads and helping
them understand it, making them more aware of the fact that the world

陳凱
欣

HOI-YAN
CHAN

Director
董 事

已故設計大師Bill Moggridge回答Debbie Millman的訪問中參透：「想想人們最感興趣的東西……他們不會想到每件事物都是精心設計的，他們也不
會一下子想到每座建築或每種食品也是設計而成的。因此，能夠站在人們
的角度，讓他們留意到設計師打造的世界，知道也許自己亦能參與其中，
這是個很好的抱負。」

VIVECACHAN陳德
姿從個人經驗來看，你對於希望成功的

PATRICKBRUCEWISE WORDS FROM THE BOARD OF DIRECTORSERIC YIM嚴志明

Drawing fromyour personal
experience, what is
one piece of advice
you have for young
designers wanting
to succeed?

陳一枬Director
董 事

Design is a discipline that applies to every aspect of personal andEveryone has a different definition of DESIGN. Over the years,

Our creation was created to create.

Good design starts with ideas, putting creativity and aesthetics toprofessional life. Be intentional, purposeful in your design, be

I have worked in many roles of its spectrum such as designer, art

Salvador Dali said, “Have no fear of perfection - you’ll never reach it.”work that exceeds expectations. Young designers should keep anhumble and patient while honing your craft, and be ever so curious

director, brand consultant, teacher, editor, even media management.

Just because we’re so imperfect, we’re made perfect to create

inquisitive mind, pursue interests that may not directly relate toand adventurous as you grow.

Every segment of my design journey is fun, rich and exciting.

unlimited possibilities.

your work. This diverse experience can give you fresh inspiration

設計這門學問能應用於個人及專業發展的方方面面：做好設計須敏於

Design is not just a job. It’s a personal challenge.

創作是不斷尋求創新突破。

WISE WORDS FROM THE
BOARD OF DIRECTORS
to think out of the box.

觀察、有的放矢，精益求精之餘，亦須保持謙卑和耐性，懷抱好奇心
和冒險精神以不斷進步。

每個人對設計都有不一樣的定義。多年來我擔任過不同職位，如設計師、藝術總監、品牌顧問、教師、編輯，甚至媒體管理層。每段設計之路都令我感到有趣、充實和興奮。

設計不只是一份工作，而是對個人的挑戰。

Salvador Dali曾說：「無須害怕完美—因為你永遠無法達到。」

優秀設計始於好的構想，結合創意和美學，效果可能超乎想像。年輕

因為不完美，因此我們希望追求完美以創造無限可能。

設計師應保持好奇心，積極追求工作以外的興趣，因為多元化的體驗可帶來新靈感，助你跳出思考框框。

125

董事

Director
董事

周凱
瑜

JOANNE
CHOW

Director
董事

鍾
國斌Director
董事

One often feels proud to be a learned and competent young

When proposing your idea, set up the problem you were trying toBusiness acumen is as essential as creativity to the design process.

Success is only reserved for those who are well prepared, because

designer, but one also needs to remain humble to further advancesolve, and then describe how your solution solves that problem

It’s crucial to develop a sustainable business model, a personal

success is not innate, but created by yourself. One needs tooneself. One of my favorite quotes – “It was pride that changed

with empathy. The best design work is not only compelling visuallyprinciple, to excel in an evolving market - a fulfilled life depends

go through numerous challenges in the process of creation.

angels into devils; it is humility that makes men as angels,” Saintand emotionally, but actually solves a social issue or businessmore on how we plan our course and being present to execute ourOpportunities are believed to be everywhere, and you have toAugustine.

objective in which all the stakeholders are benefitted.

ideals.

actively gear up yourself and strive for it!

年輕有為的設計師不應驕傲，應虛心學習，尋求進步。我喜歡Saint

提出建議時，先清楚界定要解決的問題，然後才點明你的方案如何為在設計過程中，商業頭腦和創意同樣重要。在不斷變化的市場中，開成功只會留給有準備的人，因為成功不是先天的，而是靠自己的努

Augustine的名言：「驕傲令天使變成惡魔，謙遜令人成為天使。」

用家設身處地解決問題。最好的設計不求花巧或煽情，而是能夠真正

拓可持續的商業模式和個人風格能助你脫穎而出，充實的生活取決於力。每個人在創作過程中都須經歷無數挑戰，但機會無處不在，你要

解決社會問題或助長業務的方案，令所有持份者受惠。

我們如何規劃，專注實踐理想。

積極裝備自己，時機一到便全力以赴！

張
本
善

JANET
CHEUNG

Director
董事

許夏林

Director
董事

Director董事羅發禮Director
董事

Always think of out the box. If you don’t get out of your comfort“There is no Fate than what we Make for Ourselves” - John Connor

zone, you would never know what you can achieve. Do your best

(The Terminator movie). This is what I hope every young designer

and never regret!

realises if you want to find your own success.

best to expose your work in cities & cultures where they recognise

突破思想框框，跳出舒適圈，你的成就可能超乎所想。只有盡力而《未來戰士》電影主角John Connor的其中一句名言是「命運由我不由

true talent, so that the diamonds in the rough could shine and be

為，才不會後悔！

天」。我希望每位追求成功的設計師都明白這句話的意義。

Having been a communication designer, design entrepreneur

Genuine talent with refined aesthetic sense; creativity combined

and academic for decades, I observed that the key quality of awith sophisticated craftsmanship; passion & persistence in thriving

successful design professional is to have an open and humble mind

for perfection. All these are key ingredients for a true blue designer

to job requirements and stakeholders. If a young designer is very

to make magic happens, and the rest will follow. Most importantly,

talented but self-centred with a big ego, I do not think he/she willgo very far to become successful in his/her design career.

EDDIE HUI

JAMES
LAW

BENSONCHEUNG張啟秀

discovered.
過去數十年，我一直擔任傳意設計師、設計企業家和學者，我觀察到
成功的設計師須擁有一顆謙遜的心，對持份者和工作要求須保持開放

真正的時裝設計⼈才是具有精緻的審美觀；天賦的創造⼒與成熟的的的態度。如果一位年輕設計師非常有才華，但自我中心又自負，我不技術相結合；並有堅持追求完美的熱情，以上這些都是創作優質設計

認為他能在設計生涯中取得成功。

的關鍵因素，事業成功將指⽇可待。 另⼀重要的關鍵是在真正能發掘
⼈才的城市和⽂化中展示您的作品，讓原⽯中的寶⽯能閃耀奪⽬。

WISE WORDS FROM THE BOARD OF DIRECTORS

Director

張
益
麟

FELIX
CHUNG

LESLIE
CHEN

ALAN
CHEUNG

陳
弘
志

127

董事

STEVE
LEUNG

勞建青

JOSEPH LO

Director
董事

Director董事羅仲榮Director
董事

Finding the right design question is far more important thanA designer has to be passionate in life and work, willing to take on

Success comes from relentless hard work. It is measured by one’s

Covid-19 is a very threatening crisis to the whole world. Many ofgenerating good design solutions. Among the questions, ‘Why dochallenges and move out of your comfort zone to experience life at

willingness to help and contribution to the community.

the changes caused by Covid may not be reversed for some time to

we need design?’ and ‘What the design is for?’, are more importantits fullest, as each daily life experience could be a great inspiration.

than ‘How can we design?’.

We believe we can make a positive impact in our communities bycome. This may bring about lots of new and exciting opportunities
成功來自不懈的努力。樂於助人和貢獻社會才是衡量成功的標準。

for prudent change management and smart problem solving.

creating human-centric, inclusive and sustainable designs.
新冠疫情威脅全球，並造成許多一時間無法逆轉的改變，但同時亦

設計時，問對問題遠比做出好的方案重要，要先了解「為什麼需要設計？」和「設計目的是什麼？」，比起「如何設計？」更為重要。

設計師必須對生活和工作充滿熱誠，並勇於接受挑戰，不安於現狀，為縝密的應變管理和創意解難帶來前所未有的新機會。

盡情體驗生活，視每天生活為靈感來源。我們相信通過創造以人為本、共融和可持續的設計，能為社區帶來正面影響。

TOMMY LI

Director
董事

STEPHEN
LIANG

李永銓

梁
國
浩

Director
董事

A successful designer must own at least one masterpiece in his life,

In addition to being creative, a young designer should have a broad,which is more important than fame, money, and applause!

global vision. They should establish extensive industry connections,closely watch both local and international style trends and strike潘鴻彬

HORACE
PAN

曾昭學

Director
董事

Design is a profession that creates enormous value in enriching
life experiences; in order to do it well you need to understand theessence of culture, business and technology.

我認為成功的設計師一生中必須創作出至少一件大師級作品，這比名

a balance between personal and market preferences. In this fast-

譽、金錢和掌聲更重要！

changing digital age, they must also be agile, tech-savvy, and be

設計能創造無窮無盡的價值，豐富生活體驗；要做好設計，就先需

prepared to capitalise on both physical and online promotion

要透徹了解文化、商業和科技的底蘊。

channels.

VICTOR
TSANG

Director
董事

The single most important development that will fundamentallychange the paradigm of design is the integration with technology.
Increasingly designers can deploy technologies from ideation to
execution of their designs and even create new business models
by means of AI, big data, various modes of realities and modelling.
設計與科技的結合將徹底改變設計的模式。越來越多設計師從創作
到執行均利用科技，甚至通過人工智能、大數據、各種虛擬現實和年輕設計師除了創意十足，還應具備廣闊的胸襟和全球視野。爭取建
立業界人脈，緊貼本地和國際設計動向，於追求個人風格和迎合市場
需求之間取得平衡。數碼時代急速幻變，設計師更須懂得靈活運用實
體和網上推廣渠道。

建模系統來創建新的營商模式。

WISE WORDS FROM THE BOARD OF DIRECTORS

Director

梁
志
天

VICTORLO

KUN-PYO
LEE

李
健
杓

129

董事

Alternate Director
後補董事

許
迅

Alternate Director
後補董事

楊
棋
彬

KEVIN
YEUNG

Alternate Director
後補董事

If you are able to find a significant ideal, stay true to your own

Taking a step further, pondering a bit longer. Perseverance. You will

When I was studying both art and computer science in university, I

Learn from both the successes and failures of a predecessor, whichinterest and adhere to your conviction, you are already on the way

be amazed by the magic of the Staying Power.

designed my very first word processor and exhibited my “interactive

will inspire you to make better career decisions.

to success!

art”. I was therefore called an “IT guy” when I went back to Hong
多走一步，再三思考。毅力和耐力將帶來驚人的成就。

快樂地追求夢想，忠於自己的興趣，然後專注地堅持信念，你已經在Kong in the 90s, as I couldn’t fit into any category – until UX/UI and從前人的成功和失敗中學習，你會獲得啟發，並作出更好的職業

Media Art became buzz words.

決定。

成功的路上了。
在大學修讀藝術和計算機科學時，我設計了自己首個文字處理器，並展出我的「互動藝術」。但當我90年代回流香港時，因為當時職場上還未興起UX/UI及多媒體創作人的職銜，我無法被列入任何職業類型，
因此只能被視作「IT人」！

Don’t think about success if you want to succeed.
如果你想要成功，就不要去追求成功。

Alternate Director
後補董事

TOM
GREY

Alternate Director
後補董事

JERSEYYUEN

MICHAEL
CHAN

陳
詩
華

袁
賽
芳

Alternate Director
後補董事

A significant factor I would like to share with young designers is

Think big, set high goals, take bold steps, seize opportunities, andto articulate to a client/end user the origins and justification for ago for it.

design concept as not everyone is visually driven. This helps theprocess with the client being more engaged intellectually fromdevelopment to final design.
我想向年輕設計師分享的一個重要心得：每個人的視覺觀點都不同，
因此要向客戶或用家清楚解釋設計概念的源起和目的，讓他們清晰整個設計過程，並更積極地參與其中。

雄心壯志，目標遠大，勇於嘗試，抓緊機遇，奮力向前。

WISE WORDS FROM THE BOARD OF DIRECTORS

Director

陳志
毅

EDDY HUIKARR YIP

ANTONYCHAN

葉憬翰

FRIENDS OF HKDC MEMBERSHIP PROGRAMME 香港設計中心之友會員計劃CHAMPIONING DESIGN ACCESSIBILITYAN EYE FOR DESIGN131

COMMUNITY ENGAGEMENT 凝聚社區

凝聚設計力量設計為先，積極開拓

A global celebration of culture, design, and innovation

表揚文化、設計與創新的環球虛擬盛事WRLDCTY is a dynamic virtual celebration of world-class cities,

WRLDCTY是匯聚全球頂尖城市的虛擬節

leading up to the UN’s World Cities Day. On 22–24 October

日，於2020年10月22日至24日在聯合國

2020, Hong Kong was one of the host cities of the inaugural

世界城市日前夕首度舉行，香港更成為其此計劃匯聚熱衷設計的人士和機構，一起支持香港設計中心推動本地設計及創意氛圍。會員可享獨家門票優惠及優先獲邀參加各項

festival. Partnering with Brand HK, HKDC curated a design

中一個主辦城市，香港設計中心獲邀與伙伴活動，尊享香港設計中心的專業知識分享及網絡交流活動。

panel: ‘City Branding with Design: Snapshots of Hong Kong’,

香港特別行政區政府新聞處香港品牌管理

and invited esteemed speakers to HKDC’s stylish office for a

組合作，策劃了題為「設計城市品牌：香discussion about why experiential design, placemaking, creative

港概況」的研討會。知名業界人士應邀前business models, design thinking, and growth mindset are vital來我們時尚的辦公室，討論及分享體驗式

for value creation, identity building, and city branding.

設計、地方營造、創意商業模式、設計思維，及成長心態對於創造價值、打造城市

Bringing together individuals and corporates passionate about design, this membership programme supports HKDC and design
advocacy in Hong Kong. Members can enjoy exclusive ticket discounts and priority invitations to partner activities, and can join
HKDC’s knowledge-sharing and networking events.

Acknowledgement of Corporate Members
鳴謝公司會籍之會員(Till 31 March 2021, in alphabetical order 截至2021年3月31日，以英文字母排序)

品牌和形象的重要性。

Empowering the industry with creative synergy

賦予業界創意協同力量

An essential part of HKDC’s mission is to inspire appreciation

香港設計中心其中一個重要使命是啟迪公

for design and design thinking in society. This year, in addition

眾對設計與設計思維的重視與認同。今Acknowledgement of Patron Members

to spearheading its own programmes and initiatives, HKDC

年，除了實行旗下的計劃和活動外，我們

鳴謝永久贊助會籍之會員

supported 52 community partners and promoted 51 events,

還支持了52個業界伙伴舉辦51項活動，(Till 31 March 2021, in alphabetical order by surname 截至2021年3月31日，以姓氏英文字母排序)

increasing public awareness and engagement for Hong Kong’s從而提升公眾對香港創意生態的認識，並creative ecosystem.

鼓勵他們參與其中。

Mr Fawaz Abid Bakhotmah

Architect & Designer
Culture-Based Innovation Network

Mr Hei Shing Chan
陳曦成先生

Ms Pansy Ho
何超瓊女士

Dr Flora Lau
劉偉婷博士

Group Executive Chairman and Managing
Director, Shun Tak Holdings Limited

Founder, Flora Lau Designers Ltd

信德集團有限公司集團行政主席兼董事總經理Founder, Hei Shing Book Design

Mr Jeremy Hocking

曦成製本創辦人

President, Herman Miller International

加強本地及全球聯繫Ms Kali Chan
陳嘉莉女士

Ms Kigge Mai Hvid

While Covid-19 may have limited physical interactions between

儘管疫情為香港設計中心與海外組織之間

HKDC and organisations overseas, HKDC nurtured connections

的的實體互動帶來限制，但通過積極連

Vice General Manager and
Design Director - Interior,
JATO Design International Limited

and partnerships through engaging communications, online

繫、網上會議及有限度的訪問，我們仍與meetings, and invitations for those who were able to visit. Seven

外界保持緊密關係，期間分別接待了七個

Mr Michael Cheung
張志立先生

delegations, who were interested in the mission and work of

代表團，介紹我們的工作和使命，並助其HKDC and who were looking for avenues of collaboration with

拓展與香港設計師進一步溝通與合作的Hong Kong designers, visited the HKDC office.

途徑。

Strengthening local and global connections

傑拓設計(國際)有限公司副總經理及室內設計總監in initiatives hosted by design organisations, educational institutions, and professional

機構和專業協會舉辦的活動，與社會各界分享真知灼見。今年，他

associations, to share insights with people across the community. This year, many joined

們以演講者、評委和嘉賓的身份出席各項活動和展覽，宣揚不同形

events and showcases as speakers, judges, and guests, to advocate for and promote design

式的設計，加強對外交流聯繫。

in all its forms, and foster wider connections with the community.

Dr Kwong Man-hang, Bengle, JP (Aust.)
鄺敏恆博士
王氏港建科技有限公司總裁

Ms Agnes Chiu
趙靄文女士

Mr Man-ting, Edmond Lai
黎文定先生

Lee Kum Kee Co Ltd

李錦記（香港）有限公司

Chief Executive, Hong Kong
Standards and Testing Centre
香港標準及檢定中心總裁

香港設計中心董事會及管理層成員經常受邀出席由設計組織、教育

靳劉高創意策略創辦人President , WKK Technology Ltd.

Prof. Richard Fung
馮立中教授

The HKDC Board of Directors and senior management are often invited to participate

Founder, KL & K Creative Strategics

先時有限公司總裁

Principle, nxus space

促進跨界別設計交流

Dr Tai-keung Kan, SBS, BBS
靳埭強博士

Director, Zincere Limited

Mr Alex Chunn

Cross-sector design exchanges

Partner, JA design studio

Director,
Much Creative Communication Limited
多點創意設計有限公司總監

Dr Michael Lam
林寶興博士
CEO, Hong Kong Quality Assurance Agency
香港品質保證局總裁

Ms Denise Lau
劉思蔚女士
Chief Executive Officer, COLOURLIVINGCOLOURLIVING行政總裁

劉偉婷設計師有限公司創辦人

Mr Siu Hong Freeman Lau, BBS
劉小康先生
Founder, KL & K Creative Strategics
靳劉高創意策略創辦人

Mr Tai Yum Lau
劉棣欽先生
Dr Edmund Lee
利德裕博士

Mr Ng Man Wai, Danny
吳文偉先生
Director, 4N design

四目建築設計事務所董事

Mr Nils Neckel

Director, Designlink operated by
Design & Distribution Link Limited

Mr Benson Pau
鮑潔鈞先生
Founder and CEO,Wings Trading (HK) Co. Limited

飛騰行(香港)有限公司創辦人及行政總裁

Executive Director,
Hong Kong Design Centre

Mr Chiu Hang Tsoi
蔡超恆先生

Dr Harry Lee, SBS, JP李乃熺博士

時尚創建集團有限公司首席執行官

香港設計中心行政總裁

Chairman, TAL APPAREL LTD.
聯業製衣有限公司主席

Mr Wai-fung Leung
梁偉峰先生
Founder & CEO, Artemis Digital Limited衍盛數碼有限公司創辦人及行政總裁

Dr John S.K. Lo
羅肇強博士

Chief Executive Officer,
Lifestyle Creating Holding Limited

Mr Chi Fung Wang
王志峰先生

President, Makestream Design Co. Limited
杭州麥客意識流設計有限公司負責人

Prof. Eric Yim, JP
嚴志明教授
Chairman, Hong Kong Design Centre
香港設計中心主席

Mr Leon K L Yoong
翁國樑先生
Techtronic Product Development Ltd
Vice president - Techtronic Design

Dr Allan Zeman
盛智文博士
Chairman, Lan Kwai Fong Group
蘭桂坊集團主席

2B Square

Mr Ben Wong黃志奇先生

FringeBacker Limited

中國能源科技集團有限公司董事長

Director, Sure Profit Holdings Ltd.
利保集團有限公司董事長

Mr Danny Wong

Mr Ma Yu Hung, Samuel馬餘雄先生華冕國際數碼技術有限公司執行董事

Managing Director, Luk Ka
Paper Industrial Limited

Mr Qin Xia
夏勤先生

Director, China Energy
Technology Holdings Limited

Mr Lu Lam, Leslie
盧林先生

力嘉紙品印刷工業有限公司董事總經理

Mr Peter Wong黃紹開先生

Executive Director, Wiseman
International Digitech Limited

4M Industrial Development Limited

Play Concept Limited
Shantou University 汕頭大學
Tandem Design
深圳巿易訊天空網絡技術有限公司

CORPORATE GOVERNANCE 企業管治PARTNERING FOR A PURPOSE
與業界伙伴結盟 追尋共同願景As a publicly funded organisation, HKDC has continuously strengthened its corporate governance and improved its
workplace culture over the years to foster accountability, cooperation and collaboration.
In addition to regular reviews of its operation, HKDC conducts regular staff training to ensure that operational

To promote design initiatives on an international level, HKDC works with a global network of design organisations, further

procedures comply with its own corporate governance principles.

strengthening Hong Kong as the design capital of Asia and the world.

HKDC has also implemented a two-tier reporting system for managing potential conflicts of interest for its directors.

為將設計的價值推廣至全球各地，香港設計中心與國際設計組織進行多方面溝通和合作，鞏固香港作為亞洲及全球設計之都的地位。

Apart from self-reporting potential conflicts at board or committee meetings, directors are now also required todisclose their general interests, direct or indirect, pecuniary or otherwise, on appointment to HKDC’s board. Theirdeclarations are also available for inspection by members of the public upon request.

GLOBAL DESIGN NETWORK (GDN) 國際設計聯盟 (GDN)
Co-founded by HKDC and the Hong Kong Trade Development Council in 2005, GDN is a major partnership香港設計中心作為一間獲公帑資助的機構，多年來一直致力加強企業管治及提升職場文化，以維持高度的問責性及內部的緊密協作。

network founded and based in Hong Kong. Under the management of the Hong Kong Federation of Design and

除了定期檢討日常運作，香港設計中心亦定期提供僱員培訓，確保營運程序符合其企業管治原則。

Creative Industries, the network engages members from leading design organisations and the creative cultural

此外，香港設計中心亦實行兩層通報機制，以處理董事的潛在利益衝突。除了向董事會或委員會自行申報外，董事

industry to encourage and drive cooperation across nations.
GDN由香港設計中心及香港貿易發展局於2005年共同創立，是一個以香港為中心的大型合作網絡。目前由香港設計及創意產業總會負責管理工作，聯盟會員來自全球各地的頂尖設計組織及創意文化機構，旨在鼓勵及
推動設計界進行跨國交流合作。

WORLD DESIGN ORGANIZATION (WDO)®
WDO is an international non-governmental organization that promotes the profession of industrial design andits ability to generate better products, systems, services, and experiences; better business and industry; and abetter environment and society. Founded in 1957, WDO has grown to include over 180 member organizations
from over 40 nations. WDO has United Nations Special Consultative Status.
WDO成立於1957年，具有聯合國特別諮詢地位，全球已有超過180個成員組織，來自40多個國家。組織以推廣
工業設計專業為目標，支持業界在產品、系統、服務及體驗上的創新，藉此促進環境與社會發展。

INTERNATIONAL COUNCIL OF DESIGN (ICoD)
ICoD is an international non-governmental organisation for design with a membership of more than 120 designorganisations from 53 countries and regions, including state-level professional associations, educational
institutions and promotion bodies. Since its inauguration in 1963, ICoD has been connecting independent
organisations and stakeholders across different design domains to advocate the value of the design profession
as well as design education, research and policies.
ICoD的成員來自53個國家及地區的120多個設計組織，包括國家級專業協會、設計院校及推廣團體。自1963年
成立以來，ICoD一直聯繫不同設計領域的獨立組織及持份者，宣揚設計專業、教育、研究及政策的價值。

在獲委任加入香港設計中心董事會時，亦須披露所有直接或間接、金錢或非金錢的一般利益。如有需要，有關披露的資訊亦會公開予公眾人士查閱。

133

INTERNATIONAL ALLIANCES 國際聯盟

BOARD OF DIRECTORS MEETING ATTENDANCE

Income and Expenditure Statement for the year ended 31 March 2021

董事會會議出席次數截至2021年3月31日止財政年度收支結算表

01.04.2020 – 31.03.2021

MEETING ATTENDANCE /TOTAL NUMBER OF MEETINGS

董事會

FINANCE AND ADMINISTRATIONCOMMITTEEPROGRAMMECOMMITTEEDEVELOPMENTCOMMITTEEAUDITCOMMITTEE

Eric Yim 嚴志明

5/5

-

4/4

-

-

Bonnie Chan 陳德姿

4/5

3/4

3/4

3/3

-

David Lo 盧永強

5/5

-

-

-

-

Patrick Bruce

4/5

4/4

-

3/3

-

Hoi-Yan Chan 陳凱欣

3/5

-

3/4

-

-

Viveca Chan 陳一枬

5/5

-

4/4

-

5/5

Alan Cheung 張益麟

4/5

4/4

-

3/3

-

Joanne Chow 周凱瑜

4/5

2/4

-

-

-

Felix Chung 鍾國斌

1/5

-

-

2/3

-

Eddie Hui 許夏林

2/5

-

-

1/3

-

James Law 羅發禮

5/5

-

4/4

3/3

-

Kun-Pyo Lee 李健杓

3/5

-

3/4

-

-

Steve Leung 梁志天

3/5

-

-

1/3

-

Tommy Li 李永銓

2/5

-

-

3/3

-

Stephen Liang 梁國浩

4/5

-

4/4

-

-

Joseph Lo 勞建青

5/5

-

-

-

5/5

Victor Lo 羅仲榮

4/5

-

0/4

-

-

會議出席次數 / 會議數目

NON-GOVERNMENTFUNDING

FUND FROMCREATE HONG KONG

OTHER GOVERNMENTFUNDING

非政府資金

創意香港資金

其他政府資金

HK$’000
港幣千元

HK$’000
港幣千元

HK$’000
港幣千元

TOTAL
總計

HK$’000

政府資助

Project Income
項目收入Sponsorship贊助

Other Income
其他收入-90,782

18,690109,472

560

3,533

-

4,093

-

8,441

-

8,441

-

-

-

-

560

102,756

18,690122,006

EXPENDITURES 支出
Project Expenses
項目支出

Payroll & Related Cost
薪資及相關支出

Donation捐款Overhead & Administration
一般營運及行政費用

297

57,06014,71772,074

財務及行政委員會

計劃委員會

發展委員會

審核委員會

-

37,384

3,973

41,357

Head Of CreateHK 創意香港總監

5/5

4/4

4/4

3/3

5/5

-

-

-

-

Representative appointed byHong Kong Federation of
Design and Creative Industries

2/5

2/2

-

-

-

Representative appointed byHong Kong Fashion Designers Association

5/5

-

4/4

-

-

Representative appointed by
The Chartered Society Of Designers(Hong Kong)

5/5

-

4/4

-

-

Representative appointed byHong Kong Designers Association

2/5

-

-

-

-

Representative appointed byHong Kong Interior Design Association

1/5

-

-

1/3

-

香港設計及創意產業總會代表

32

8,312

-

8,344

香港時裝設計師協會代表

329

NET SURPLUS 淨盈餘BOARD OF DIRECTORS

港幣千元

INCOME 收入
Government Grant

135

OUR ACCOUNTS 帳目

231

102,756-

18,690-121,775231

英國特許設計師協會（香港）代表

香港設計師協會代表

香港室内設計師協會代表

Remarks 註釋:Freeman Lau (Representative appointed by Hong Kong Federation of Design and Creative Industries) resigned as Director on 31 July 2020.
劉小康 (香港設計及創意產業總會代表) 於2020年7月31日辭任董事。

CO-CREATINGHUMAN-CENTRED
FUTURESCover Design Concept: Co-creating Human-centred Futures
The future is constantly being built by people from different walks of life, coming
together through conversation, communication, and collaboration. The cover captures
how mobility is shaping how the world unfolds, with people moving across it. Design(represented by the symbol of Hong Kong Design Centre) opens pathways for people
to spark new inspiration and co-create new values for our future.

封面設計概念：共創人本未來
不同人的相遇、溝通、交流和協作，成就我們共同的未來。封面表達人與人的互動如何塑造全球趨勢，並透過設計（以香港設計中心的「d」標誌為象徵）開創道路，使人們
獲得啟發，運用設計共創新的價值，邁向人本未來。