海爾蓋特，《#👹 #(Muahaha)》，2020，畫布輸出與油彩，190 x 160 cm

ART021 2021
展位 W11November 11 – 14, 2021
陳昭宏 Hilo Chen
伊根弗朗茲 Egan Frantz
海爾蓋特 Hell Gette
周豊硯 Jou LiYan
宮島達男 Miyajima Tatsuo
西野壯平 Sohei Nishino
鈴木展 Hiraku Suzuki
許炯 Xu Jiong
Each Modern亞紀畫廊很榮幸首次參展ART021上海廿一當代藝術博覽會，帶來多位國際藝術家的精彩作品，包括著名的照相寫實藝術家陳昭宏；美國藝術家伊根弗朗茲；德國藝術家海爾蓋特；日本當
代藝術家宮島達男、西野壯平、鈴木展；以及年輕藝術家周豊硯、許炯。透過繪畫、攝影、水墨等媒材的當代實踐，將世界凝聚於本次的展出之中。
EACH MODERN 亞 紀 畫 廊
38 Lane 79 Sec. 2 Xinyi Rd. Taipei Taiwan+886–2–27527002 www.eachmodern.com

陳昭宏，《相對論》，1969，畫布油彩，109.22 x 109.22 cm

旅美照相寫實藝術家陳昭宏（1941年生於台灣宜蘭，英文名Hilo Chen），曾為東方畫會的一員，也是李仲生的學生。陳昭宏在1968年前往巴黎，後定居紐約，而他的作品也在紐約獲得廣大迴響。在國際的照相寫實主義運動中，陳昭宏是非常重要的一位華人藝術家，其最知名的《海灘系列》開始於70年代，極致地繪出了一位海外華人在陽光海灘上所見的的鮮活景色。陳昭宏的作品也獲古根漢美術館、聖荷西藝術博物館、台北市立美術館等國際重要美術機構典藏。

（左）伊根弗朗茲，《執行》，2021，畫布壓克力，100 x 100 cm（右）許炯，諾亞，《2021》，紙本綜合媒材拼貼，75 x 45 cm

伊根弗朗茲（1986年生於美國諾沃克）的2021年畫作將文字繪製成了無法解讀或匪夷所人得圖案，以略帶普普藝術感的色彩與線條，強調了藝術的視覺本質並做出了「繪畫超越語言」的宣示；海爾蓋特（1986年生於哈薩克卡拉布拉克）現居德國慕尼黑，擅長以網路世代流行的「emoji」建構一幕幕的超現實風景，極富趣味卻又呈現了一種原始數碼生態；台灣年輕藝術家周豊硯（1996年生於台灣新北市）透過對後印象派與野獸派的熟悉與崇敬，將繪畫的生命力盡情宣洩。健壯的恐龍身軀經常填EACH MODERN 亞 紀 畫 廊
38 Lane 79 Sec. 2 Xinyi Rd. Taipei Taiwan+886–2–27527002 www.eachmodern.com

滿整個畫面地纏鬥，充滿鮮花、骷髏等矛盾符號的靜物畫吐露著神秘與黑暗；而中國年輕藝術家許炯（1983年生於中國杭州）則集文字、符號、傳統媒材於作品之中。他熟練於水墨書法技巧，並發展至看似抽象塗鴉、狂草字體的當代表述。

西野壯平，《Diorama Map i-land》，2010，無酸噴墨於Hahnemuhle Photo-Rag Baryta相紙，88.8 x 126 cm

日本當代藝術家宮島達男（1957年生於日本東京）是銜接日本戰後前衛與當代藝術的核心人物。他
既被歸類為後物派、亦被定義為東京模擬主義。他主張抽離人的肉身，而將美視為與空間、時間交互，
但與人類沒有關係的「獨立且絕對的存在」。宮島達男的三件最新數字裝置將於本次展出；西野壯平（1982年生於日本兵庫線）經常使用大量的照片拼貼成壯闊的自然景觀與城市俯景，如實地走訪並
使用了數百卷底片拍攝再組合的《Mountain Line, “Everest”》、《Diorama Map》系列；同樣也備受關注的鈴木展（1978年生於日本宮城縣，日文名鈴木ヒラク）則更像是一位製造考古的未來考古者。他的繪畫更像是一種語言字型，看似古文明的圖案。藝術家將這些貌似來自外星的符號以「考古」
的方式再現，意指著他們並非不速之客，而是早已存在。

EACH MODERN 亞 紀 畫 廊
38 Lane 79 Sec. 2 Xinyi Rd. Taipei Taiwan+886–2–27527002 www.eachmodern.com

Sohei Nishino, Mountain Lines, Everest, 2019,archival pigment print on Hahnemuhle Photo-Rag Baryta paper,
185 x 105.4 cm

ART021 2021

Booth W11November 11 – 14, 2021
Hilo Chen Egan Frantz Hell Gette Jou LiYan Miyajima Tatsuo Sohei Nishino Hiraku Suzuki Xu Jiong

Each Modern is pleased to be participating in ART021 for the first time with an internationalpresentation that includes New York-based photorealism artist Hilo Chen; American artist EganFrantz; German artist Hell Gette; contemporary Japanese artists Miyajima Tatsuo, Sohei Nishino,Hiraku Suzuki; and young artist Jou LiYan, Xu Jiong.
New York-based photorealism artist Hilo Chen(born in Yilan, Taiwan, 1942) was the youngest
member of the Ton Fan Painting Group, the first Chinese art group in abstraction, and studied under
Li ChungSheng. In 1968, he traveled to Paris then moved to New York. From his early work to therenowned Beach Series, Hilo Chen’s place in history is adjacent the photorealism master ChuckClose. His works can be found in the collections of the Solomon R. Guggenheim Museum, TaipeiFine Arts Museum, San Jose Museum of Art, and many other renowned contemporary art
institutions.
EACH MODERN 亞 紀 畫 廊
38 Lane 79 Sec. 2 Xinyi Rd. Taipei Taiwan+886–2–27527002 www.eachmodern.com

(L) Hell Gette, #PurpleBrainPurpleBrain, 2018, ceramic, 15 x 20 cm(R) Jou LiYan, Still Life, 2021, oil on canvas, 53 x 48 cm

Egan Frantz(born in Norwalk, USA ,1986)’s 2021 painting with absurd words is almost like amanifesto on how painting is beyond language; Munich-based artist Hell Gette(born in Karabulak,Kazakhstan, 1986) utilizes “emoji” to compose surreal, primitive digital landscapes. Meanwhile,
we will find Post-Impressionism and Fauvism in Jou LiYan(born in New Taipei City, Taiwan, 1996)‘s painting of dinosaur fighting and blossoms in still life; Xu Jiong(born in Hangzhou, China) gathers
abstract signs, calligraphy, and photo collage to create a unique style of contemporary Chinese
ink art.

Hiraku Suzuki, Photon Flux #04, 2021, silver ink and Chinese ink on paper, 100 x 157 cm

Miyajima Tatsuo(born in Tokyo, Japan, 1957) is a key artist that coheres Japanese post-war avantgarde art and contemporary art. He has been seen as a post-Mono-ha artist as well as a Tokyo
Simulationism artist; Sohei Nishino(b. 1982, Hyogo, Japan) often uses large numbers of photos tocollage and form magnificent natural landscapes and urban panoramic views, such as the"Mountain Line ‘Everest’" and "Diorama Map”; in Hiraku Suzuki(b. 1978, Miyagi, Japan)’s works,
drawing is seen as a medium between images and language. His highly recognizable abstract
aesthetics separates reality from text, inviting audiences to interpret infinitely in the universe he has
constructed.
EACH MODERN 亞 紀 畫 廊
38 Lane 79 Sec. 2 Xinyi Rd. Taipei Taiwan+886–2–27527002 www.eachmodern.com