WARHOLwords,films,
and a little more1

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1928年8月6日，ピッツバーグ生れ*ディズニーが「ミッキーマウス」を世に問うた年
スロヴァキア共和国からのウクライナ系移民の三男
父アンドレイ，建設労働者，1942年死母ジュリア，造花・イースターエッグなどをつくる
本名アンドリュー・ウォーホラ，Andrew Warhola
体が弱く神経衰弱気味の内気な性格

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“repetition is itself in essence imaginary... itGilles Deleuze

makes that which it contacts appear as
elements or cases of repetition."
Gilles Deleuze4

I think every painting should be the same size andthe same color so they're all interchangeable andnobody thinks they have a better painting or aworse painting... Besides even when the subject isdifferent, people want the same painting.

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I'm afraid that if you look at a thing long enough, itloses all of its meaning.

6I suppose I have a really loose interpretation of"work" because I think that just being alive is somuch work at something you don't always want todo. Being born is like being kidnapped. And thensold into slavery. People are working every minute.
The machinery is always going. Even when yousleep.

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I like boring things.

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I've decided something: Commercial things really dostink. As soon as it becomes commercial for a mass
market it really stinks.

9repetition adds up to reputation.

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When I think about the sort of person I would most
like to have on retainer, it would be a boss. A boss
who could tell me what to do, because that makes
everything easy when you're working.

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WARHOL
Turquoise Marilyn
1962

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I like money on the wall. Say you were going to buy
a $200,000 painting. I think you should take thatmoney, tie it up and hang it on the wall. Then whensomeone visited you, the first thing they would seeis the money on the wall.

13WarholDance Diagram no.6
1962

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What’s great about this country is that America
started the tradition where the richest consumers
buy essentially the same things as the poorest. Youcan be watching TV and see Coca-Cola, and youknow that the President drinks Coke, Liz Taylor
drinks Coke, and just think, you can drink Coke, too.
A Coke is a Coke and no amount of money can get
you a better Coke than the one the bum on thecorner is drinking. All the Cokes are the same andall the Cokes are good. Liz Taylor knows it, thePresident knows it, the bum knows it, and you know
it...........

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I paint this way because I want to be a machine.
Everything I do is done like a machine, because thisis what I want to do. I think it would be great if
everybody is like that. Machines have much fewer
problems. I'd like to be a machine — wouldn't you?

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I want everybody to think alike .... Everybody looks
alike and acts alike, and we're getting more andmore that way. I think everybody should be amachine...because you do the same thing every time.
You do it again and again... It doesn't matter what
you do. Everybody just goes on thinking the samething, and every year it gets more and more alike.
Those who talk about individuality the most are theones who most object to deviation, and in a few
years it may be the other way round. Someday
everybody will think just what they want to think,and then everybody will probably be thinking
alike.....

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Jackie The Week That Was
196318Dying is the most embarrassing thing that can ever
happen to you, because someone's got to take careof all your details.

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I never think that people die. They just go todepartment stores.

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WARHOL
Most wanted men
1964

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woronov in the warhol photo booth22

Silver Clouds, 1966

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Merce Cunningham
RainForest
1968
choreography by Cunningham
music by David Tudor
set by Warhol
costumes by Jasper Johns

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WARHOL
films

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People sometimes say that the way things happen
in the movies is unreal, but actually it's the way
things happen to you in life that's unreal. Themovies make emotions look so strong and real,
whereas when things really do happen to you, it's
like watching television -- you don't feel anything.

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In the future, everyone will be world-famous for 15
minutes.

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I love Los Angeles. I love Hollywood. They'rebeautiful. Everybody's plastic, but I love plastic. I
want to be plastic.”29

I met someone on the street who said wasn't itgreat that we're going to have a movie star forpresident, that it was so Pop, and (laughs) when you
think about it like that, it is great, it's so American.

30Empire, 196431

Sleep, 1963

32WARHOL
Outer and Inner Space
1965
Filmed in two thirty-three minute b/w
segments with Warhol's Norelco camera,
the film focuses on actress Edie Sedgwick.
The two segments were spliced together on
two separate reels of film creating a split
screen with four close ups of the actress.
Two of the images show Sedgwick
speaking spontaneously into the camera,
while the other two are of her speaking tosomeone off-screen, commenting on
watching herself on television.

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Paul Taylor: What about your transformation frombeing a commercial artist to a real artist.
Andy Warhol: I'm still a commercial artist. I wasalways a commercial artist.
Paul Taylor: Then what's a commercial artist?
Andy Warhol: I don't know - someone who sells art.
Paul Taylor: So almost all artists are commericalartists, just to varying degrees.
Andy Warhol: I think so.
Paul Taylor: Is a better commercial artist one whosells more work?
Andy Warhol: I don't know. When I started out, art
was doing down the drain. The people who used tomagazine illustrations and the covers were being
replaced by photographers. And when they started
using photographers, I started to show my workwith galleries. Everybody also was doing window
decoration. That led into more galleries. I had somepaintings in a window, then in a gallery.
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Paul Taylor: What do you ever see that makes you
stop in your tracks?
Andy Warhol: A good display in a window... I don't
know, a good-looking face.
PT: What's the feeling when you see a good window
display or a good face.
Warhol: You just take longer to look at it. I went toChina, I didn't want to go, and I went to see theGreat Wall. You know, you read about it for years.
And actually it was great. It was really, really, reallygreat.

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