W AV E F R O N T P R E C I S I O N L O N G B O WSCALABLE RESOLUTION
THE QUEEN’S AWARDSFOR ENTERPRISE:INNOVATION
2021

G O E S F U RT H E R

Unite Your Audience
The Martin Audio ExperienceWith the launch of the Wavefront Precision™ Series(WPM and WPC) the concept of scalable resolution wasborn — harnessing the research and technology behind
Martin Audio’s self-powered MLA® Series systems in a newline array format with external amplification. Delivering
unmatched sound quality, coverage consistency andcontrol in an affordable package, this uniquely flexible
and upgradeable approach has been rapidly adopted
by sound rental and installation companies worldwide
to become the company’s fastest ever selling line arrayseries.
Wavefront Precision Longbow (WPL) now brings this highperformance, control and flexibility to large-scale touring
and install applications. Designed as a complete systemwith external iKON® multi-channel amplifiers, automatedDISPLAY™ optimisation software and VU-NET™ control
platform, WPL provides financial accessibility to the top
echelons of touring and install sound — from prestigious
stadium concert and outdoor festivals, to highspecification arena and House of Worship installations.
The complete system philosophy guarantees that WPL
arrays perform predictably and effortlessly to their design
maximum, as well as ensuring that they are compatible
with other WPL systems throughout the world.

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FEATURES• High-performance large format line array• All-horn, maximum-efficiency design• Exceptional signature sonic performance• Exemplary 90° horizontal constant directivity
pattern control• External, dedicated, multi-channel Class D
amplification• Scalable resolution for flexible optimisation ofcoverage, consistency and control• Industry-leading DISPLAY software interacts with
DSP for highly-accurate array optimisation• Fast, integral 3-point rigging for up to 24
enclosures• Compact and light weight design with discreet
side handles for ease of handling

BENEFITS• Consistent coverage achieved ‘straight-out-ofthe-box’• DISPLAY intelligent software reduces set-up timeand eliminates trial-and-error• Improved audience coverage with reduced
sound-spill

APPLICATIONS• Touring sound reinforcement for festivals,
stadiums and arenas• Sports stadium and arena installations• Concert hall and HoW installations3

ALL-HORN ADVANTAGE

4WPL is a full-scale line array which is capable of exceptionally high output for
its modest size and weight. A three-way, bi-amped system, its very high output isachieved by utilising Martin Audio’s trademark horn-loading technology acrossall frequency bands — increasing the acoustic output of the low frequency
section, as well as the midrange and HF.

refinements which raise the acoustic performance of WPL to a superior level— both in terms of output and smooth 90° horizontal coverage patterns of the
mid and HF horns. Sonically, WPL’s exemplary horizontal dispersion patterntranslates to an incredibly consistent frequency response off-axis, with minimal
variation from the on-axis response.

It incorporates 2 x 12” (300mm) drivers with Hybrid® horn/reflex loading, 2 x
6.5” (165mm) cone drivers on a midrange horn which covers the vocal frequency
range from 300Hz to 4kHz, and 3 x 1” (25mm) exit HF drivers operating from
4kHz upwards. Each section features innovative horn-loading techniques and

The maximum peak outputs of the LF, Mid and HF sections are 139dB, 140dB
and 145dB per enclosure @1m and 6dB crest factor, respectively – ensuringthat a WPL array will meet the most demanding requirements for throw andclarity in the largest venues and outdoor events.

MODERN PRACTICAL DESIGNAs well as delivering exceptional sonic performance, WPL is designed to meet the
everyday practical challenges encountered by tour sound crews and installers.
Its modest size and light weight - just 64kg (141lbs) - are born from detailed
attention to all aspects of its physical design, and a range of accessories ensurethat it is easy to transport and fast to deploy.

The WPL enclosure is constructed from plywood and finished as standard ina tour-ready heavy-duty Warnex finish (PU coated available as an option). Twoside pocket handles on each side assist handling, while their discreet designis perfectly suited to installation. An integrated three-point rigging systemassures efficient and safe construction of arrays of up to 24 enclosures. A rigid
perforated steel grille protects the front of the enclosure.

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SCALABLE RESOLUTION™ – FLEXIBLE OPTMISATION OF COVERAGE, CONSTENCY AND CONTROLWith unmatched line array performance inherent in the acoustic design of WPL,
scalable resolution offers versatility in the way a WPL array is powered andoptimised. The greater the number of individually driven enclosures, the more
precisely DISPLAY can fine-tune the array’s coverage, consistency and control
within the venue. The advantages of higher resolution over a uniformly-driven
line array are very significant — with front-to-rear frequency responses kept
closely aligned and with greatly reduced output behind the array.
Bi-amped, with a passive mid/high crossover, a 12-enclosure array can be driven
by either 3 x iK42 amplifiers (2-box resolution) or 6 x iK42 amplifiers (1-box
resolution). With the number of amplifiers determined to suit the venue, theapplication and the budget, the commercial advantages of scalable resolution
are clear:• Design systems to suit budget targets• Dynamic deployment within a venue or site where the main PA is driven withmore amplifier channels than may be necessary for delays• Adaptable rental pricing based on event dynamics and clients’ resources
For special case installations that require the ultimate resolution, it is possible
to by-pass the internal passive crossover and control individual transducers
independently. This maximum resolution case offers full MLA-type control, butwith the external, ground-based amplification some installers prefer for largescale fixed installations and stadiums.

Two Box Resolution
Three iK42 Amplifiers

One Box Resolution
Six iK42 Amplifiers

Bi-amp Cabinets
2 Cabinets in parallel
Total – 12 channels

Bi-amp Cabinets
Each Cabinet driven individually
Total – 24 channels

INCREASING RESOLUTION FOR IMPROVED CONSISTENCY,CONTROL & COVERAGE
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Scalable Resolution vs Uniform Driven Array
8 WPL – Uniform Driven Array
Mic positions within venue SPL & Frequency Response
Starting with standard / uniform
driven line array results:

Front Row

1. Large variance in SPL between
various points in venue
2. Uneven frequency response

Mix Position

Back Row

Scalable Resolution – 2 Box Resolution

Scalable Resolution – 1 Box Resolution

8 WPL Array
Mic positions within venue SPL & Frequency Response

8 WPL Array
Mic positions within venue SPL & Frequency Response

2 Box Resolution:

1 Box Resolution:

1. Increase in consistency in SPL measurements
2. Frequency response more consistent too

1. SPL measurements now increasingly even across the audience
2. Frequency response across audience is now very consistent7

DISPLAY OPTIMISATION –ACCURATE RESULTS FROM SWITCH-ON
DISPLAY is an extremely powerful prediction and array configuration tool.
Instead of using a standard geometric model, DISPLAY is based on anindustry-leading acoustic model accurate to within ±1dB of measured
data, and delivers unrivalled coverage consistency over the audience —right from switch-on.

Step 1: Venue entry

Step 2: Set coverage parameters

Step 3: Calculate splay angles

Step 4: Optimisation and upload

DISPLAY takes trial-and-error out of array deployment — generating
highly-accurate SPL and frequency response predictions throughout thevenue, as well as providing comprehensive rigging information, including
mechanical safety analysis. DSP parameters calculated by DISPLAY areeasily uploaded to the iKON amplifiers via Ethernet, using Martin Audio’s
VU-NET real-time control and monitoring software.
By reducing sound impacting non-audience areas, rear walls and ceilings,
DISPLAY mitigates the detrimental influence of the venue acoustics —increasing clarity and intelligibility. DISPLAY’s Hard Avoid® function canalso be used to reduce sound-spill onto stages and rapidly reduce throw
beyond a festival perimeter. Significantly, DISPLAY’s ability to keep off-sitesound within strict limits while maximising audience levels out-front canbring new life to previously unworkable outdoor events.

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AMPLIFICATION, DSP AND NETWORKINGWPL is designed as a complete system with dedicated, high-performanceiKON multi-channel Class D amplifiers. For 1-box and 2-box resolution,
the iK42 4-channel amplifier delivers very high power outputs and featureshigh-speed Ethernet communication for system control and monitoring via
Martin Audio’s VU-NET software, plus Dante™ digital audio networking.
With the option to transmit digital audio over a single CAT5 cable, quality
is maintained over long cable runs and integration with other devices in thesound system is straightforward.
For the ultimate resolution install case, where each mid and HF transducer isdriven independently, a complement of iK42 4-channel and iK81 8-channel
amplifiers power the bass section, each mid and HF driver individually.
Because the amplifiers are external to the loudspeaker enclosures, theresolution of the array can be increased as required by simply adding more
amplifier channels to drive more array enclosures independently — increasing
the level of control available to DISPLAY to fine-tune coverage and reduceroom influence. External amplifiers also facilitate ease-of-servicing in fixedinstallations.

iK42/iK81 FEATURES• Four/eight channels of Class D amplification• Onboard DSP on all inputs and outputs• FIR filtering on each output• Switch mode, global voltage power supply• 20,000 watts (iK42)/10,000 watts (iK81) total RMS output• Intuitive front panel user interface• Ethernet network for system operation and monitoring via VU-NET• Analogue, AES3 and Dante™ digital network audio inputs• Extensive protection and monitoring

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DUAL HYBRID® HORN LF SECTION –INCREASED EFFICIENCY AND OUTPUT
Hybrid technology combines the efficiency and impact of a bass horn with the
low frequency extension of a bass-reflex enclosure. With a typical efficiency
improvement of 4dB compared to direct radiator low-end designs of competitors,
a WPL array has a noticeable advantage over direct radiator arrays when projecting
maximum LF output over distance.

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The LF section utilises 2 x 12” (305mm) drivers front-loaded by separate
hyperbolic horns for maximum efficiency and rear-loaded by a reflex ported
chamber. A differentially flared port reduces turbulence and air noise. Spacing
the mouths of the twin horns as far apart as possible within the enclosure assists
directivity control down to 150Hz — reducing bass mid-bass output at the sides
and rear of the array. The drivers themselves are designed for very high excursion
and feature 3” (75mm) voice coils, neodymium magnet structures and forced
air cooling to reduce power compression.

HORN-LOADED MIDRANGE –ENHANCED VOCAL CLARITY & CONSISTENCY
The patented mid-range section is central to the signature soundand superb horizontal pattern control of WPL. Compared to direct
radiator midrange designs of competitors, the horn design of WPL
mid has the advantages of both greater output and superior horizontal
pattern control which does not vary significantly with frequency.
Featuring 2 x 6.5” (165mm) cone drivers with toroidal phasebungs and mounted on a 90° horizontal constant-directivity horn,
the midrange section covers the range from 300Hz-4kHz. Crucially,
operating over an entire decade means that the fundamental
frequencies of the vocal range are reproduced by a single device anda single diaphragm material, thereby offering superior consistency
and clarity against competitor designs that combine different device
and diaphragm material.
Additionally, the low-compression ratio in the horn throat affordedby the patented toroidal phase bungs reduces distortion comparedto high-compression horn designs and the HiBlade™ waveguidesmooths and improves the horizontal directivity of the horn
throughout its range. The technical refinements of the midrange
horn contribute to the exceptionally powerful and smooth vocal
performance of WPL.

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HIGH FREQUENCY SECTION –PRISTINE HIGH FREQUENCY SOUND
Operating from 4kHz upwards, the HF section of
the WPL utilises 3 x 1” (25mm) exit neodymium
compression drivers mounted on individual horns withtrue 90° horizontal constant directivity characteristics.
Competitors traditionally use large format compression
drivers in line arrays which typically cross-over anoctave lower, resulting in increased distortion andharsh sound just where the ear is at its most sensitive.
In contrast, the high 4kHz crossover point enabledby the midrange horn design, together with the useof smaller HF diaphragm drivers means that WPL
delivers pristine high frequency sound with much
lower distortion than traditional designs — with theadded benefit of a more extended extreme top-end notachievable from large-format devices operating in the
break-up region at the upper end of their range.
Patented kite-shaped ‘wedges’ in the throat of eachhorn flatten the curvature of the wavefront so that the
HF section operates as a true line array.

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FAST AND EASY RIGGING – DEPLOYMENT SPEED
Safety, simplicity and speed are essential aspects of a rigging system
which the WPL three-point rigging system fully addresses. The rigging
design allows for suspension of up to 24 enclosures, with DISPLAY
software calculating the splay angles from 0°-7.5° needed to produce
the desired vertical coverage. DISPLAY also determines the safe limits
and tilt angle of an array and confirms compliance with specific safety
standards, including BGV-C1, prior to deployment.

FRONT RIGGING POINTSThe front hinge points at the top of each WPL enclosure over-extend toensure that there is plenty of ‘finger-room’ for riggers to pin enclosures
together. As well safeguarding hands, this over-extension also gives usefullatitude when connecting the lowermost box in an array to the uppermost
box on a dolly which may not be on level ground, such as a festival site.
As the hang is lowered, a second pin locks the hinge in place in its
unextended position to minimise the gap between enclosures at the hinge
point to just a few millimetres, ensuring vertical coverage consistency.

REAR RIGGING POINT
The rear rigging point sets the inter-cabinet splay angles determined by
DISPLAY, and the design allows the angles to be easily set by a quickrelease pin while enclosures are in their closed-up transport positions on
the dolly. Once the uppermost enclosure on the dolly is attached to thearray and the array is lifted, the dolly enclosures open up to the correct
splay angles. A second pin locks each in place.

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SXH218 HYBRID® SUB BASS –CHEST THUMPING EFFICIENCYThe SXH218 is a highly-powerful ground-stack
subwoofer capable of producing 148dB peakoutput at 1m. Its Hybrid® horn/reflex loading
combines the acoustic efficiency and impactof bass horn technology with the low frequency
extension of a reflex design, enabling it toproduce significantly higher output levels thana traditional reflex-loaded subwoofer. In mostapplications this means fewer subwoofers are
required to achieve better results than standard
reflex-loaded subwoofers. With an operating
range of 32-150Hz + 3dB, it features dual longexcursion 18” (460mm)/4.5” (115mm) voicecoil neodymium drivers, with water resistantcones and triple roll surrounds.

SXHF218 FLOWNHYBRID® SUB BASSThe SXHF218 is a version of the SXH218 withflying hardware. It can be incorporated at the
top of a WPL array, or more commonly flown
as a separate array alongside. Like the groundstack version, a combination of forward and rearfacing enclosures can be configured with specificdirectional properties.

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The enclosure is constructed from multi-laminate
plywood and finished with a rugged polyurea
coating. A rigid perforated steel grille protects
the front of the enclosure, while interlocking
skids protect the top and bottom surfaces andprevent movement when stacked.
The SXH218 can be powered by either a single
channel of an iK42 4-channel amplifier, or abridged pair if maximum output is required.
DSP settings for each SXH218 are determinedby DISPLAY™ and uploaded to the iK42 over
Ethernet via the VU-NET™ real-time control andmonitoring interface. A combination of forward
and rear-facing enclosures can be configured by
DISPLAY as a directional subwoofer array withspecific directional properties, including cardioid.

ACCESSORIES – THE COMPLETE PACKAGE
TOURING FLYING FRAME AND OUTRIGGER

4-BOX DOLLY/CARTThe WPL Touring Flying Frame is used for suspension of up to 24 enclosureswith a two-point lift, or up to 10 enclosures with a single-point lift. With theaddition of an outrigger, it also provides for ground stacking of WPL’s up tosix high. A simpler install flying frame is also available.

The dolly is a convenient,compact solution for transporting 4 WPL enclosures.
Four dollies will fit length-wisein standard US and European
trucks. The top of the dolly is
load-bearing to allow stackingof other equipment within theheight of the truck.

AMPLIFIER RACKThe 9U high amplifier rack for the WPLhouses 3 iK42 4-channel Class D power
amplifiers. This provides 12 channels of
amplification to power a 12-enclosure
array with 2-box resolution, while two
amplifier racks will provide 24 channelsof amplification to power a 12-enclosure
array with 1-box resolution. Each amplifier
rack is equipped with a with a 2U mains
distro, 3 NL8 output connectors and amultiway connector that will power an arrayof 12 enclosures (2-box resolution) or 6
enclosures (1-box resolution) via a single
multicore cable.

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TECHNICAL SPECIFICATIONSWPLTYPEFREQUENCY RESPONSE (5)DRIVERSSYSTEM AMPLIFIERSYSTEM RESOLUTION
MAXIMUM SPL (9)NOMINAL IMPEDANCEDISPERSIONCROSSOVERENCLOSURE
FINISHPROTECTIVE GRILLECONECTORSPIN CONNECTIONSFITTINGSWPLFLOWN ARRAY MAXIMUMDIMENSIONS (ex. pins)
WEIGHTACCESSORIES

Three-way, bi-amp line array element
52Hz-18kHz ± 3dB
LF: 2 x 12” (300mm)/3” (75mm) voice coil, ultra-longexcursion, neodymium magnet drivers, Hybrid® bass horn loaded
MF: 2 x 6.5” (165mm)/2” (50mm) coil, neodymium
magnet drivers, horn loaded
HF: 3 x 1” (25mm) exit neodymium magnet
compression drivers, horn loaded
iKON iK42
1 or 2 enclosures per pair of amplifier channels (Bi-amp)
LF: 139dB
MF: 140dB
HF: 145dB
LF: 8 ohms, MF + HF: 8 ohms
90º horizontal (-6dB), 120º horizontal (-10dB)
7.5° vertical
320Hz active, 4kHz internal passive
Vertical trapezoid with 3.75º wall angle,
multi-laminate birch and poplar-ply construction
Black textured paintBlack HEX perforated steel
2 x NL4 typeLF: 1+/1-, MF + HF: 2+/23-point rigging system
4 x side pocket handles
24 enclosures in single array(W) 1136mm x (H) 371mm x (D) 526mm(W) 44.7in x (H) 14.6in x (D) 20.7in
64kg (141lbs)
Touring flying frame
Install flying frame
Dolly for 4 enclosures
Ground stack outrigger
Flying Pin

Notes(1) Measured on-axis in half (2pi) space at 2 metres, then referred to 1 metre.
(2) AES Standard ANSI S4.26-1984.
(3) Measured in half (2pi) space at 2 metres with 1 watt input, using band limited pink noise, then referred to 1 metre.
(4) Measured in half (2pi) space at 2 metres using band limited pink noise, then referred to 1 metre.
(5) Measured on-axis in open (4pi) space at 2 metres, then referred to 1 metre.
(6) Measured in open (4pi) space at 2 metres with 1 watt input, using band limited pink noise, then referred to 1 metre.
(7) Measured in open (4pi) space at 2 metres using band limited pink noise, then referred to 1 metre.
(8) Measured in open (4pi) space at 2 metres with 2.83v input, using band limited pink noise, then referred to 1 metre.
(9) Calculated at 1 metre with 6dB crest factor.
(10) Measured in half (2pi) space at 2 metres with 2.83V input, using band limited pink noise, then referred to 1 metre.

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SXH218
TYPE
FREQUENCY RESPONSE (1)DRIVERSRATED POWER (2)RECOMMENDED AMPLIFIERSENSITIVITY (10)MAXIMUM SPL(9)NOMINAL IMPEDANCEDISPERSION (-6dB)
ENCLOSURE
FINISHPROTECTIVE GRILLECONNECTORSPIN CONNECTIONSFITTINGSDIMENSIONS (INCL SKIDS)WEIGHTACCESSORIES

Hybrid® horn/reflex subwoofer
32Hz – 150Hz ±3dB, -10dB @ 27Hz
2 x 18” (460mm)/4.5” (115mm) voice coil,long excursion, neodymium magnet, waterproof cone
3000W AES, 12000W peakiKON iK42
107dB
148dB peak (at 1m half space)
4 OhmsOmnidirectional/or Cardioid (paired)
Multi-laminate birch/poplar ply
Textured Black Polyurea
Black perforated steel
2 x NL4
Input: +1/-1, refer to input panel for four-core cable link diagram
Two skids on base, with mating channels on top
Four rear-mounted 100mm (4in) castors
6 x bar handles, 3 on each side
4 x fittings for optional transit cover(W) 1112mm x (H) 609mm x (D) 1023mm (1151mm incl. castors)(W) 43.8in x (H) 23.9in x (D) 40.27in (45.31in incl. castors)
116kg (256lbs), with castors 120kg (265lbs)
Transit coverSXHF218
TYPE
FREQUENCY RESPONSE (1)DRIVERSRATED POWER (2)RECOMMENDED AMPLIFIERSENSITIVITY (10)MAXIMUM SPL(9)NOMINAL IMPEDANCEDISPERSION (-6dB)
ENCLOSURE
FINISHPROTECTIVE GRILLECONNECTORSPIN CONNECTIONSFITTINGSDIMENSIONS (INCL SKIDS)WEIGHTACCESSORIES

Hybrid® horn/reflex subwoofer
32Hz – 150Hz ±3dB, -10dB @ 27Hz
2 x 18” (460mm)/4.5” (115mm) voice coil,long excursion, neodymium magnet, waterproof cone
3000W AES, 12000W peakiKON iK42
107dB
148dB peak (at 1m half space)
4 OhmsOmnidirectional/or Cardioid (paired)
Multi-laminate birch/poplar ply
Textured Black Polyurea
Black perforated steel
2 x NL4
Input: +1/-1, refer to input panel for four-core cable link diagram
Two skids on base, with mating channels on top
Four rear-mounted 100mm (4in) castors
6 x bar handles, 3 on each side
4 x fittings for optional transit cover(W) 1152mm x (H) 609mm x (D) 1013mm (1140mm incl. castors)(W) 45.4in x (H) 23.9in x (D) 39.9in (44.9in incl. castors)
138kg (304lbs), with castors 142kg (313lbs)
Transit cover

SXH218

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iK42
GeneralTYPE
Four-channel Class D amplifier
TOTAL OUTPUT POWER
20,000 Watts RMS, all channels driven
DIGITAL SIGNAL PROCESSING
96kHz DSP on all inputs and outputs
Dual vari-speed fans, front-to-back airflow
COOLING
MAXIMUM AMBIENT TEMPERATURE 40°C (104°F)
Audio Inputs/Outputs
ANALOGUE IN/LINK (4 CHANNELS) 4 x female, 4 x male Neutrik™ XLRANALOGUE INPUT IMPEDANCE
20kΩ balanced to ground
MAXIMUM ANALOGUE INPUT LEVEL +20dBu
NOMINAL SYSTEM GAIN
32dB
AES3 IN/LINK (2 CHANNELS)
1 x female, 1 x male Neutrik™ XLR, balanced
DANTE™ (4 CHANNELS)
2 x shielded RJ45, primary and secondary
AMPLIFIER OUTPUTS
4 x Neutrik Speakon™ NL4
Control and Monitoring Network
TOPOLOGY
Ethernet
Martin Audio VU-NET™
CONTROL APPLICATIONPower Supply
TYPE
High performance Series Resonant
AC INPUT OPERATING RANGE
85 – 240V ~ AC, 47 - 63Hz
MAINS INRUSH CURRENT
6A at 115V, 12A at 230V (max for <10ms)
Neutrik 32A Powercon™
MAINS CONNECTOR
PhysicalDIMENSIONS(W) 482mm x (H) 2U/88mm x (D) 441mm(W) 18.98in x (H) 2U/3.46in x (D) 17.35inincl handles and optional rear support
WEIGHT12.5kg (27.5lbs)

iK42

ON

iK81
GeneralTYPE
Eight-channel Class D amplifier
10,000 Watts RMS, all channels driven
TOTAL OUTPUT POWER
96kHz DSP on all inputs and outputs
DIGITAL SIGNAL PROCESSINGCOOLING
Dual vari-speed fans, front-to-back airflow
MAXIMUM AMBIENT TEMPERATURE 40°C (104°F)
Audio Inputs/Outputs
ANALOGUE IN/LINK (4 CHANNELS) 4 x female, 4 x male Neutrik™ XLRANALOGUE INPUT IMPEDANCE
20kΩ balanced to ground
MAXIMUM ANALOGUE INPUT LEVEL +20dBu
NOMINAL SYSTEM GAIN
32dB
AES3 IN/LINK (2 CHANNELS)
1 x female, 1 x male Neutrik™ XLR, balanced
DANTE™ (4 CHANNELS)
2 x shielded RJ45, primary and secondary
AMPLIFIER OUTPUTS
4 x Neutrik Speakon™ NL4
Control and Monitoring Network
TOPOLOGY
Ethernet
Martin Audio VU-NET™
CONTROL APPLICATIONPower Supply
TYPE
High performance Series Resonant
AC INPUT OPERATING RANGE
85 – 240V ~ AC, 47 - 63Hz
MAINS INRUSH CURRENT
6A at 115V, 12A at 230V (max for <10ms)
Neutrik 32A Powercon™
MAINS CONNECTOR
PhysicalDIMENSIONS(W) 482mm x (H) 2U/88mm x (D) 441mm(W) 18.98in x (H) 2U/3.46in x (D) 17.35inincl handles and optional rear support
WEIGHT12.5kg (27.5lbs)

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iK81

ON

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W AV E F R O N T P R E C I S I O N L O N G B O WSCALABLE RESOLUTIONG O E S F U RT H E RMartin Audio Limited
Century Point
Halifax Road
Cressex Business ParkFOR SALES ENQUIRIES:High Wycombe
Buckinghamshire

UK

HP12 3SL

Telephone: +44 (0)1494 535312

NORTH AMERICA

EnglandE-mail: info@martin-audio.com

Telephone: 323 381 5310

www.martin-audio.com
All information is Copyright © 2021 Martin Audio Ltd.
Martin Audio, the Martin Audio logo and Hybrid are registered trademarks of Martin Audio Ltd. in the United Kingdom, United Statesand other countries; all other Martin Audio trademarks are the property of Martin Audio Ltd.

Unite Your Audience
The Martin Audio Experience

Version 1.2
2021