H4

Getting to the Museum
By busTen-minute walk from the Furumachi bus stop
By taxi
Ten minutes from the Bandai side of Niigata Station
By car
1. 20 minutes via Ryuto Bridge from the Niigata Kameda Interchangeon the Nihonkai Tohoku Expressway
2. 15 minutes via Ryuto Bridge from the Shichikuyama Interchange
on Route 8 (Niigata Bypass)Free parking available for 46 cars
Getting to Niigata
Tokyo Station to Niigata Station (by JR Joetsu Shinkansen,
about 2 hours)
Osaka (Itami) Airport to Niigata Airport (about 1 hour by plane)
Chubu International Airport, Nagoya (Komaki) Airport
to Niigata Airport (about 1 hour by plane)
25-minute bus ride from the Niigata Airport to Niigata Station

City
Ofﬁce
Hakusan
ShrineNiigata City
Art Museum

Nishi Ohata
Park

Route 116
Higashinaka-dori St.

Nishibori-dori St.
Furumachi-dori St.

Bank of Japan
Niigata
Branch Ofﬁce

Mitsukoshi(Dept. Store)

P

Niigata Legal
Affairs Bureau
Gas Station

NEXT 21

Furumachi

Niigata City
History Museum

Showa Bridge

Yachiyo Bridge

JoetsuShinkansen

Nagaoka

Bandai Bridge

Ryuto Bridge
Shinano River

Bandai side

Route 113

Niigata Station
Sakuragi
Interchange

Route 8
Niigata Kameda Interchange

Niigata City Art Museum
5191-9 Nishi Ohata-cho, Chuo-ku, Niigata
Telephone: 025-223-1622
Facsimile: 025-228-3051
Email: museum@city.niigata.lg.jp
http://www.ncam.jp/

Shichikuyama
Interchange

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3
The Niigata City Art Museum: Overview
PurposeThe purpose of the Niigata City Art Museum is to provide knowledge and cultural enrichment tothe citizens of Niigata.

Our Vision

The Niigata City Art Museum aims at developing a strong individual character, being as open as
possible to the surrounding community, and maintaining a level of quality appropriate to a major city.
Our vision for the museum is expressed in the following list of characteristics. We want it to be:
1. A Museum for Discovery
A museum where discoveries are made possible by applying all possible resources – our collection,

the diverse cultural resources of the region, and the wonderful natural environment around the city –and increasing knowledge.

The museum has acquired an excellent collection of modern and contemporary art, and the city of Niigata is
blessed with diverse cultural resources and a rich natural environment. We hope to stay aware of the things
passed down by our ancestors as well as the gifts of nature and make the most of them. At the same time, we
endeavor to cultivate new knowledge, make it available to the public, and broadcast what we have to theworld. The museum should be a place where new values can be discovered through the act of seeing.

Contents

2. A Museum for Learning
A museum that provides effective educational programs to serve citizens of all ages.

Niigata City Art Museum: Overview

3

Facilities

5

Equipment

6

Plan

7

Architecture of the Niigata City Art Museum

8

New Design Features

9

Museum Divisions and Services

10

Collection Policies

12

Organization

14

Information

15

Collaborating with local schools, we create opportunities for children, who represent the future of the city, toexpand their powers of imagination and increase their sensitivity through the experience of art. We alsoorganize educational programs for adults, workshops where they can learn actual art-making techniques andclasses and lectures where they can participate in discussions about art. We hope to make the museum aplace where citizens of all ages can learn about the world and other people through art.

3. A Living Museum
A museum where visitors are inspired by interactions with various kinds of art.
The museum is to be a site of diverse forms of art – including music, dance, literature, ﬁlm, design, and fashion– a place where people can encounter interesting ideas and events rather than just quietly appreciating
conventional works of art. The museum is always moving and changing, a place where people will havestimulating, fascinating experiences whenever they visit.

4. A Museum for Connection
A museum that creates bonds between citizens and connections with other regional cultural institutions.
The museum is a space where visitors encounter unknown artworks and artists, but at the same time it should
be a place where citizens have opportunities to meet each other and build relationships. As relationships form,
they proliferate and spread outward. We want the museum to be open to the world outside it, to form
connections and collaborate with other cultural facilities in Niigata as well as private organizations in promoting
the culture of the entire region.

5. A Museum That Inspires Trust
A museum with high standards in which the citizens of Niigata can take pride.

Design: Kazunari Hattori
Photography: Tomoki Imai

The natural responsibility of a municipal art museum is to manage its collection effectively as a treasured
possession of the citizens, keeping it safe and preserving it for the future. It is also important to maintain astable environment in the exhibition spaces that provides optimal conditions for the works of art on display.
These fundamental tasks of an art museum will be performed faithfully and diligently by the staff, and our
top-grade physical facilities will be utilized and managed with a creative and professional approach thatmakes the museum worthy of respect on a national and international level and an institution of which thecitizens of Niigata can be proud.

©2015 Niigata City Art Museum

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5
Facilities

History
1978
1980
1981

1982

1983

1984

1985

1986
1992
1994
2000
2004
2005
2012
2014
2015

September: Alliance for Implementation of Art Museum Construction
presents petition to the mayor for construction of an art museum.
April: Establishment of Art Museum Construction Planning Committee (eightpeople with knowledge and experience of art).
February: Resolution for the purchase of building site passed by a special
session of the city council.
March: Acquisition of building site (9,725.19 m² in area)
March: Basic plan for museum announced.
June: Competition for museum design by six designated ﬁrms; entries judged
by seven-member jury.
September: Mayekawa Associates, Architects & Engineers awarded contract
for basic architectural design.
March: Basic construction plan completed.
July: Construction begins.
October: Establishment of 12-member Museum Preparation Committee andsix-member Museum Art Materials Selection Committee.
February: Museum Preparation Ofﬁce established in the Social Education
Division of the Niigata Municipal Board of Education.
December: Construction completed.
March: Art Museum Ordinance passed.
April: Art Museum Ordinance put into effect.
October: Museum opens.
March: Designated as “registered museum” under Japanese Museum Act(deregistered in March 1999).
June: Additional construction of collection galleries begins.
March: Additional construction of collection galleries completed.
March: Designated as “Facility equivalent to museum” under JapaneseMuseum Act.
October: New lighting and air conditioning equipment project begins.
March: New lighting and air conditioning equipment project completed.
March: Design of museum logo and symbol mark by HATTORI Kazunari.
August: Large-scale remodeling project begins.
March: Large-scale remodeling project completed.

The Niigata City Art Museum was designed to harmonize with Nishi Ohata Park, which recalls the oldatmosphere of Niigata with its canals and willow trees. The museum aims at being an institution that is
loved by the people of the city and embodies the functions expressed by the motto of “seeing, making,and talking” adopted at opening.
Location: 5191-9 Nishi Ohata-cho, Chuo-ku, Niigata
Area of building site: 9,598.14 m²
Structure: Reinforced concrete, two stories
Building area: 4,394.86 m²
Total ﬂoor area: 5,550.70 m²; ﬁrst ﬂoor: 4.195.69 m²; second ﬂoor: 1,355.01 m²
Design ﬁrm: Mayekawa Associates, Architects and Engineers
Construction project dates
Initial construction: July 1983 – March 1985
Collection gallery addition: June 1992 – March 1994
Display lighting remodeling project: October 2004 – March 2005
Large-scale remodeling project: August 2014 – March 2015
Exterior ﬁnish
Roof: Asphalt waterprooﬁng and insulation layer, concrete layer, urethane waterproof coating
Exterior walls: Stoneware blocks embedded in concrete
Doors and windows: Corrosion-resistant steel, double glazing for insulation, Weather Coat treatedFence and gates: Corrosion-resistant steel with Weather Coat
Exterior paving and ﬂoors: Stoneware ﬂoor tile, interlocking brick
Interior ﬁnish
Function

Name of room

Floor

Walls

Ceiling

Exhibition

Collection Galleries

Padauk flooring

Imitation wood, glass fiber,
emulsion paintRock wool acoustic panels

Temporary Exhibition
Galleries

50x50 cm carpet squares

Flame-resistant plywood,glass fiber, emulsion paintRock wool acoustic panels

Temporary Exhibition
Gallery Entry Room

Stoneware tile

Emulsion paint on plaster

Rock wool acoustic panels

Citizen’s Gallery

Stoneware tile

Flame-resistant plywood,glass fiber, emulsion paintRock wool acoustic panels

Auditorium

Linoleum

Kabazakura fireproof
plywood veneer

Kabazakura fireproof
plywood veneer

StudioVinyl tile

Acrylic emulsion paint on plaster

Rock wool acoustic panels

Library

50x50 cm carpet squares

Stoneware tile,
glossy emulsion paint on plaster

Rock wool acoustic panels

Lounge N

Linoleum

Glossy emulsion paint on plaster

Rock wool acoustic panels

Preservation

Storage Rooms

Oak flooring, Americancedar siding subfloor

Cedar tongue-and-groove

Cedar lapped boards

Rest spaces

Entrance Hall

Stoneware tile

Stoneware tile,

Rock wool acoustic panels

Education,
ExchangeAwards for Facilities and Equipment
1986

May: Good Lighting Award from the Illuminating Engineering Institute of Japan
November: Building Contractors Society Awardemulsion paint on plaster4

Collection Gallery Lobby

Stoneware tile

Stoneware tile,
emulsion paint on plaster

Rock wool acoustic panels

Rest Areas

50x50 cm carpet squares

Emulsion paint on plaster

Rock wool acoustic panels

CaféStoneware tile

Emulsion paint on plaster

Rock wool acoustic panels

5Equipment

Plan

N

Mechanical Equipment
Air conditioning equipment: Temperature and humidity conditions
Galleries, glass display cases

Temperature setting (C˚)

Jan.

Feb.

Mar.

Apr.

May

June

July

Aug.

Sep.

Oct.

Nov.

Dec.

20

20

20

21

22

23

25

26

25

23

21

20

First Floor

55

Humidity setting (%)

Artwork Delivery
Entrance

Temperature setting (C˚)

18

Feb.

18

Mar.

Apr.

19

20

May

21

June

July

22

Aug.

22

Humidity setting (%)

22

Sep.

Oct.

21

Nov.

20

19

ELV

Emergency
Generator Room

Administration
OfficeWork Space 1

Dec.

Electrical
Substation

Storage
Room 1

18

Collection Galleries

Warehouse

Service Entrance

First-Aid
Room

Guard Room

55

ELV

Heating equipment: Gas absorption water chiller-boiler Two 100 usRT units
Cooling tower (low noise, salt-resistant internal piping) Two 100 usRT units
Air conditioning system: Fixed atmospheric volume, single-duct system Three systems for galleries
Six systems for other rooms
Constant temperature and humidity package duct parallel system
Two systems for storage rooms
Two systems for glass display cases
Separate air-cooling heat pump systems Three systems for other rooms
Ventilation equipment: Type 1 (machine room, electrical control room, etc.)
Type 3 (restrooms, studio, etc.) Eleven systems

Heat
SourceRoomCentralControl RoomStorage rooms
Jan.

Air Conditioning
Equipment Room 1
Truck Yard

Citizen’s
Gallery
Lounge N

Garden of
Mountain

Café

Collection
Gallery
Lobby

Entrance Hall
MuseumShop

Ten systems

Temporary
Exhibition
Gallery 3

Garden of
Ocean

Temporary
Exhibition
Gallery
Entry Room

Smoke extraction equipment: Mechanical smoke extraction, partially natural smoke extraction
Main Entrance

Water supply equipment: City water (drinking water, multipurpose water)
Water receiving tank: FRP single tank One 8 m3 tankMultipurpose water tank: underground RC tank One 18 m3 tank
Automatic water supply pump unit: Ggeneral water supply system One system
Supplemental water supply system One system

Rest
Area

Rest
Area

Temporary
Exhibition
Gallery 2
Temporary
Exhibition
Gallery 1

Rest
Area

Hot water equipment: Localized hot water system (small electrical water heaters)
Drain equipment:         
which come together outside and drain into the sewage system.

   

Fire extinguishing equipment:         !  
glass display cases, etc.
Elevators: Elevator for the physically challenged (hydraulic, 11-person capacity, 30 m/minute)Freight elevator (hydraulic, 2 ton, 15 m/minute) One
Table lifter (2 ton) One   

One

Second Floor

Electrical equipment
Power receiving and transforming equipment: Voltage at receiving stage 6.6 kVTransformer capacity 3-phase, 300 kVA, one unit / 3-phase, 200 kVA, one unit /3-phase, 75 kVA, one unit / Single-phase, 100 kVA, three units
Storage battery equipment: Sealed storage battery 50 AH, 54 cells (power source for emergency lighting and operation)
Generating equipment: Diesel engine 140 ps, 1,500 rpm / Generator 100 kVA, 3-phase, 200 V
Lighting equipment:"      #  $   %  &'''*+Collection galleries (large and medium rooms): LED (direct tube type, 4000 k)
Spotlights: LED, halogen
All above lights meet museum standards and can be adjusted for brightness.









Curatorial
OfficeMeeting
Room

ELV

Work
Space 2

Air
Conditioning
Equipment
Room 3Storage
Room 2

Director’s
Room

ELV

Auditorium

StudioLibrary

Studio Terrace   ## $  ##9 $   % + ; %";+Public address system:     160 W
Air
Conditioning
Equipment
Room 2

Electric clock: Mercury oscillation master clock Two circuits, 14 slave clocks
Intercom system: Two-way intercom 24 channels
ITV system:            <
The monitoring data is recorded continuously 24 hours a day. Data can be preserved for 16 days.
Control panel for smoke control system: Proprietary type, class 1, 60 circuits

6

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9

Architecture of the Niigata City Art Museum

New Design Features

The Niigata City Art Museum is a late work by MAYEKAWA Kunio, an architect with a great deal of experience in

The symbol mark and logotype of the museum were selected through a national contest in February 2012. The winnerdesigning museums.

of the contest was HATTORI Kazunari.

The building was designed to suit the local environment. The exterior walls are constructed of ceramic blocks with a

Hattori’s symbol mark, based on the letter N, the ﬁrst letter of Niigata, depicts light entering the rectangular museum

dark green glaze embedded in concrete which is poured after the blocks are set in place. The museum is located in abuilding designed by Mayekawa Kunio. The green color refers to the olive green of the exterior tile but is a brighter,place near the Japan Sea where the land rises gently to form a long sandy hill along the coast. The undulating slopes ofmore contemporary green meant to symbolize the activities of a living museum. The Japanese-language logo is

the nearby sand dunes are reﬂected in the sloping passageway leading from the entrance lobby to the galleries, a spaceconstructed of small square forms that also relate to the shape of the building. While being a calm and orderly design,

ﬁlled with exterior light where visitors can observe the changes of the seasons as they move through the museum. A

it projects a sense of freshness, uniqueness, vitality, and lightness appropriate to the present and future museum. The

uniﬁed design concept is applied to every detail of the building from materials, colors, and surface textures to ﬁxtures

letters of the Romanized logo are constructed concisely with straight and curved lines. The delicate curves resonating

and furnishings. The galleries are arranged in clear relationships and given individuality through differences in height,

with each other distinguish it from the Japanese logo with its thick, straight lines.

breadth, and shape.

When the building was remodeled in 2014, Hattori designed new signs for the interior, adding a light touch to the

Mayekawa also designed Nishi Ohata Park, which is located across the street from the museum.

heavy architecture.

In former times, the city of Niigata was crisscrossed by canals lined with willow trees, and these features have been
reproduced in the center of the park, a nostalgic reference to the way the architect remembered the city where he was born.
Mayekawa’s mental impressions of the climate and cultural milieu of the city were given form in his designs for themuseum and nearby park.

MAYEKAWA Kunio

HATTORI Kazunari

Born in Niigata in 1905. After graduating from Tokyo Imperial University, studied with masters of modern

Born in Tokyo in 1964. Graduated from Tokyo National University of Fine Arts and Music in 1988. Went
to work for Light Publicity the same year. Became a free-lance art director and graphic designer afterarchitecture Le Corbusier and Antonin Raymond. Established Mayekawa Kunio Associates, Architects

and Engineers in 1935. Became a leading ﬁgure in postwar Japanese modernist architecture. Died in1986. Important works include the Kanagawa Prefectural Concert Hall and Library (1954), Tokyo Bunka
Kaikan (1961), Tokyo Metropolitan Art Museum (1975), and Kumamoto Prefectural Museum of Art (1977).

8

2001. Created design work involving advertising, books, magazines, packages, corporate identity, etc.
Major awards include the Mainichi Design Award, Yusaku Kamekura Design Award, Tokyo ADC Award,
Tokyo TDC Grand Prix, and Memorial Prize of Hiromu Hara.

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11

Museum Divisions & Services
EXHIBITSPUBLIC SPACES

Collection Galleries: 693.74 m² (ceiling height is 3 m in

Citizen’s Gallery: 128.39 m² (anteroom 14.18 m²)

small gallery, 4 m in medium gallery, and 5 m in large gallery)

The Citizen’s Gallery is an exhibition space that can berented to show creative work by citizens of Niigata. A
room is provided where people having exhibitions can
wait or entertain visitors. Necessary equipment andlighting ﬁxtures are provided, and museum staff
provide advice on methods of exhibition.

The collection galleries consist of a large gallery
equipped with an independent glass display case inwhich air conditions are controlled, a medium-size
galley with a long curved wall, and a small gallery witha quiet atmosphere. Four exhibitions of works fromthe museum collections are presented every year. The
glass display case along one wall of the large gallery is
10.3 m in length. Illumination is provided by LED lightsthat can be adjusted with smooth gradations.

Citizen’s Gallery

Lounge N

Temporary Exhibition Galleries:
Gallery 1 362.56 m² (ceiling height 4m)
Gallery 2 297.63 m² (ceiling height 4m)
Gallery 3 308.11 m² (ceiling height 5m)
Entry room 224.78 m²
These galleries are equipped with moveable panels sothey can be adjusted to suit different types of artworks.
They are used for a variety of exhibitions that reﬂect acontemporary viewpoint while being rooted in local
history. Performances and concerts are also presented in the galleries. Gallery 1 is equipped with a glass
display case that extends along a 25.1 m wall. Eachroom has a glass-enclosed rest area referred to as a“lantern.” All galleries are equipped with halon ﬁreextinguishing equipment.

Collection Galleries

Lounge N is a space where museum visitors can relax
and enjoy themselves. Light food and drink areallowed. A bulletin board is provided for posting of
information. Casual workshops and other programs
are sometimes presented in the lounge. N stands for
Niigata City Art Museum, Nishi Ohata, and nanakamado (mountain ash or rowan), a tree planted to commemorate the opening of the museum. It is hoped that
visitors will discover many new ways of using the room.
Lounge N

Library
The library is an area for relaxation on the second ﬂoor
with a view of the entrance hall. It is provided withreading materials including books on art, design, andarchitecture, exhibition catalogues, and magazines.
The staff chooses the books and magazines andchanges them from time to time, giving visitors
opportunities for discovery.
* Free WiFi is available in the Entrance Hall, Lounge N, and the Library.

Library

EDUCATION
Studio: 183.59 m²
The studio is designed for on-hands production ofartworks and crafts and is equipped with sinks, adark room, and lithography and etching presses. It is
used for children’s classes during summer vacation
every year. Workshops related to temporary exhibitions are presented from time to time, and participants in the workshops have the opportunity to meetand associate with artists. Every Friday, the studio is
open free of charge to the public as a place forindividual creative activity.

Temporary Exhibition Galleries

STORAGE AND HANDLING OF ARTWORKSOTHER SERVICES

Storage Rooms: Each room has an area of 249.83 m²

Café

The storage rooms found on the ﬁrst and second
ﬂoors are used for different kinds of art work. The
ﬁrst ﬂoor storage room is equipped with racks forsafe and compact storage of two-dimensional
artworks. The walls and ceiling are covered with
American cedar. Air conditions are controlled 24
hours a day, so temperature and humidity are
effectively regulated. Both rooms are equipped withhalon ﬁre extinguishing systems.

The café has a separate entrance accessible fromthe outside. It is a pleasant space where visitors
can enjoy lunch or tea.

Auditorium: 145.81 m²

Truck yard and work space

The auditorium is a space for talking about art.
Lectures related to exhibitions and talks on art bycurators are presented there. The room is equippedwith audio equipment, a video projector, a multipurpose white board and chairs equipped with small
writing tables. The room will also be used for guidance
to school groups and other kinds of groups and can berented by citizens for study sessions or presentations.

Long-body 4-ton trucks can be accommodated in thespace between the outer shutters and the loading dock.
The loading dock is equipped with an electric lifter (2-ton
capacity), and objects can be moved from the loading
dock to the galleries on the same ﬂoor level. Air
conditions can be controlled in the work space in frontof the storage room. This entire area is a security zone
where unauthorized personnel are not allowed.

Auditorium

10

Museum Shop
The museum shop sells exhibition catalogues andoriginal goods. It is located near the entrance so
it can be accessed without entering the galleries.
Gardens
The Garden of Ocean contains a pond that isvisually connected to water in Nishi Ohata Park.
The Garden of Mountain features beautiful beech
trees. People can spend time in these gardens
and move in and out of them without passing
through the museum. Outdoor sculptures arefound along the path joining the two gardens,
which can be used for strolling and enjoying thebeauties of the four seasons.

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13

Collection Policies①⑤⑤ Paul Klee
Mosaic from PRHUN
1931

The collection has been formed around the following
categories.

⑥ YOKOYAMA Misao
Grand Canyon
1961

1. Niigata Yesterday, Today, and Tomorrow
Works by artists born in or connected to the region
where the museum is located, which is deﬁned broadly
as Niigata prefecture.
Some of these important artists are KOYAMA Shotaro,
ATAKA Yasugoro, TSUCHIDA Bakusen, YABE Tomoe,
SATO Tetsuzo, ABE Nobuya, YOKOYAMA Misao,
GOCHO Shigeo.

©Motoko Yokoyama 2015 /JAA1500042⑦ SATO Tetsuzo
A Wasteland
1951⑧ ABE Nobuya
R-32-ROMA
1970⑨ GOCHO Shigeo
The Childhood Series
date unknown

2. 19th and 20th Century Art②

Artworks made in Japan and overseas which areconsidered worthy of study because of thecontribution they have made to the development of art
from the beginning of the modern period to the end of
the 20th century. With respect to overseas art, there isan emphasis on art that expresses the inner life of
human beings, which has appeared in such⑥

⑩ KUSAMA Yayoi
Shooting Stars
1992

photo by MIYAHARA Kazuo

movements as Symbolism at the end of the 19th
century, Surrealism in the ﬁrst half of the 20th century,and the fantasy art that emerged in Vienna shortly afterWorld War II.

⑧

3. 21st Century Art, with an Emphasis on Japan
Excellent works of art, mainly by Japanese artists, thatshow possibilities of new creation in the 21st century.

③

Major Works in the Collection④① Odilon Redon
Infant Inside a Sphere of Lightca. 1900⑦⑩⑨② Eugéne Carrière
Mother and Childca. 1899③ Pierre Bonnard
Woman Bending Over1907
④ Auguste Rodin
Hanako, Death Mask
ca. 1910

photo by MIYAHARA Kazuo

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15

Organization

Information
Niigata City

Culture and Sports Department

Hours: 9:30 AM – 6:00 PM
Museum closed on Mondays (unless Monday falls on a national holiday or makeup holiday),the day after a national holiday or makeup holiday (Tuesday when this day falls on Sunday),and year-end and New Year holidays (December 28 – January 3 of the following year)

Admission

Niigata City Art Museum

Admission in yen (per person)

Type

Director

Collection
Exhibitions

Vice Director

Temporary
Exhibitions(including collection
exhibitions)

Administrative Department

Curatorial Department

Department Manager, Staff

Chief Curator, Curators

IndividualGroup

Users of regular city tour buses

General

200

160

160

College, high school students

150

110

110

Junior high school and elementary school students

100

70

70

GeneralThe admission fee is determined by the mayor forCollege, high school students

each exhibition depending on the content.

Junior high school and elementary school students

Elementary and junior high school students are admitted free of charge on Saturday, Sunday, and national holidays.
During temporary exhibitions, the admission ticket includes admission to the collection exhibition.

Special Permission
Category

Related Organizations

Niigata City Art Museum and Niitsu Art Museum Council
Niigata City Art Museum and Niitsu Art Museum Art Material Selection Committee
Related Rules and Regulations
Niigata City Art Museum Ordinance (enacted March 29, 1985, Ordinance No. 4)
Regulations for Execution of the Niigata City Art Museum Ordinance (enacted April 1, 1999, Regulation No. 33)

Photography

Special permission fee in yen

Color

3,000

Black and white

Copying

2,000

One work

2,000

Detailed inspection

500

Photography of “one work” is limited to three negatives of a single work.

Fees for Use of Facilities
Use fee in yen
Category

One dayMorning

Afternoon

9:30 AM – 6:00 PM

9:30 AM – 12:00 AM

1:00PM – 6:00 PM

Gallery 1

30,00010,00020,000

Gallery 2

24,0008,000

16,000

Gallery 3

25,0008,300

16,700Citizen’s Gallery

8,000

2,700

5,300

Studio

9,000

3,000

6,000

Auditorium

11,000

3,700

7,300

Notes
1. Users of the Citizen’s Gallery and the Studio are not allowed to charge admission or to perform sales.
2. Facilities are rented only for full-day or half-day periods as speciﬁed in the chart. Use fees will not be reduced for shorter periods of time.
3. If the museum is closed during the period of use, no use fees will be required for the day or days when the museum is closed.
However, the fee will be required when work associated with delivering or removing works of art or setting up an exhibition is done while
the museum is closed.

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