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REVIEW: TECHDAS AIR FORCE TWO TURNTABLE
12371 READERS
Reviews (Https://Www.stereo.net.au/Reviews)
by Alistair McKeough(Https://Www.stereo.net.au/Associated-Posts/26)

17th March, 2015(https://stereonet9080.kxcdn.com//images/made/images/articles/Images/_8C15740_681_300_c1.jpg)
The Air Force Two (AF2) is the younger sibling of TechDAS’ flagship Air Force One (AF1)(AF1).
After its debut in 2012 the AF1 took almost no time to sweep away the competition andplace itself firmly in every discussion about the world’s best turntable.
Likewise, the AF2 has created its own stir. In particular because the younger sibling has
drawn just as deeply as its big brother on the traits that made the AF1 what it is. The AF2
isn’t a stripped down AF1 – it is a magnificent turntable in its own right. Indeed, it takes
up more space on the rack than its older brother.
TechDAS is the in-house brand of Stella Inc, a Japanese distributor of some seriously goodhifi gear. While the TechDAS Air Force turntables are relatively young, they are steeped in
the most revered history of Japanese turntable manufacture. The AF1 was designed by
Hideaki Nishikawa, former technical manager at Micro Seiki, who was reportedly given justone design criterion – to make the best reasonably sized analogue turntable possible.

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(https://www.stereo.net.au/images/articles/Images/_8C12805---Copy.jpg)
That objective required the best possible vacuum systems, air suspension, air bearing, air
damping and air suction. These were technologies that Hideaki Nishikawa felt were notsufficiently evolved from his time with Micro Seiki, and so the Air Force turntables
represent a better approach, but one that has benefited from decades of learning anddevelopment at Micro Seiki.
The good news for those considering the AF2 is that rather than trickling down, the AF1’s
technology has veritably flooded into the AF2. A hybrid suspension system for the chassis’
four feet, in which springs are damped by both oil and air pressure, replaces the “air only”
approach of the AF1, but otherwise the key ingredients that set the AF1 apart are all
there, with the air bearing and vacuum coming straight from the AF1.

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Vacuum hold down turntables aren’t novel. As well as Micro Seiki, brands such as SOTA andBasis have produced variations on the theme. This is hardly surprising, as the advantagesof having a flat surface for the stylus to track are self-evident.

(https://www.stereo.net.au/images/articles/Images/_8C12808---Copy.jpg)(https://www.stereo.net.au/images/articles/Images/_8C12809.jpg)
But the vacuum does more than simply hold the record flat. It damps vibration. Sonic
advantages include higher resolution of detail, a lower noise floor, a more stable andcoherent soundstage and more powerful bass.
The AF2 takes vibration damping to extremes. You can tap the surface of the record while
it is playing on the AF2, without inducing tracking error. Forget the rest. The vacuum
system deployed by TechDAS offers levels of vibration damping that no other turntablemanufacturer has currently achieved.

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MOST POPULAR BRANDS(/brands/denon)
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With an RRP of $42,000 the AF2 is an eye-wateringly expensive end game turntable. Yet it
is around half the price of the AF1, while still enjoying the AF1’s technology andperformance levels.

2. KEF (/BRANDS/KEF)
3. BOWERS & WILKINS (/BRANDS/BOWERSWILKINS)
4. PIONEER (/BRANDS/PIONEER)
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TechDAS achieved this cost reduction cleverly. A large part of the compromise to produce
the AF2 at this price point involved cost cutting the chassis production, by casting it
rather than machining it. Deliciously, this in no way compromises audio fidelity. Finish is amatter of personal preference, but I like the matte cast metal. It is not as premium as amachined chassis, but it still looks great. And it’s as tough as a Le Creuset Casserole toboot.
Once setup, the turntable weighs 47kg and takes up considerable space, with its
684mm(w) x 454mm(d) x 195(h) footprint. Those with narrow racks be warned!
Additionally, the power supply and vacuum control unit comes in a separate box,
measuring 430mm(w) x 232mm(d) x 150mm(h) and weighing 10kg. This box can bepositioned away from the turntable, and I positioned it out of sight with my power
conditioner.

(https://www.stereo.net.au/images/articles/Images/DF0_5216.jpg)
The motor drives the same 4mm polished polyurethane belt used in the AF1, using an
optical microprocessor controlled system to regulate speed. The belt has no perceptible
stretch and I expect that protagonists for string drive will be happy to leave this one
alone. During initial setup the turntable is placed into “Tension Cal” mode and belt tension(/retailers/len-wallis-audio)
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is manually adjusted, while the computer tests the speed for both 33 and 45rpm
operation. According to my KAB SpeedStrobe the AF2 is completely accurate and has
remained so over four months of heavy use.
The turntable has no conventional bearings. The 10kg aluminum platter is installed on apolished glass plate. With the turntable off, the platter sits on the glass and cannot be
rotated. Switch on the turntable and the air pump lifts the platter to precisely 0.03mm
above the base, allowing it to rotate. All of this is completely silent.
In operation, the turntable is a delight to use. The brushed aluminum front panel has“Stop”, “33” and “45” buttons on the left side and “Suction” and pitch control buttons on
the right side. It also incorporates a two line monochrome LCD display, on which it shows
platter speed in real time.
Pop on the record, press “Suction” and the record couples to the platter. This occurs evenwith a badly warped 180g pressing. Select your speed and the LCD displays “wait” on one
line as it brings the platter up to either 33 or 45rpm. A couple of seconds later the display
confirms “lock” and you’re ready to drop the needle. When it is time to take the record off,a push of the Suction button gently, and silently, breaks the vacuum hold and decouples
the vinyl from the platter.

(https://www.stereo.net.au/images/articles/Images/_8C13115.jpg)
In four months of heavy use, the turntable has locked speed almost immediately at both
33 and 45 every single time. Indeed, I no longer wait for the lock, just load it up and thenhead back to my listening chair. Invariably, it is locked at the right speed before I finish
that short journey.
A quick word on tonearms. I tried two with the AF2. I have never seen a record player thatplaces less strain on the tonearm. On every recording the tonearms had essentially no
vertical movement. The AF2 plays records so flat and with so little vibration that thedemands on the tonearm are lessened to a very great degree.
My listening was done using a Lyra Atlas, mounted on either a Thales Simplicity II or a
Graham Phantom II Supreme. Phono duties were handled by the onboard stage of a
Dartzeel NHB-18NS preamp, in turn feeding a Dartzeel NHB-108 power amp which is
driving Avantgarde Trio loudspeakers. Speaker cables include Jorma Statement,interconnects Evolution BNC Links and phono cable a Tara Labs Zero.

LISTENING
Over some four months I listened to an extensive range of music, all of which the AF2
handled with impeccable aplomb.

(https://www.stereo.net.au/images/articles/Images/DF0_5601.jpg)
So, how does it sound? At this point I’m struggling to avoid a series of audiophile clichés.
First up, the AF2 is quiet. Very quiet. It makes no mechanical noise during operation and it
transmits none through the phono cartridge. The silence in between tracks is complete.
On most of my records the noise floor was lower than my room’s. Some records where I
previously put up with a little hiss and crackle on the outer rim play without noise.

(https://www.stereo.net.au/images/articles/Images/_8C15733.jpg)It is trite, but ofcourse the lowest possible noise floor is of fundamental importance in audio reproduction.
It provides the well spring from which the rest of the audio experience flows. The Air Forceturntables require a reevaluation of how quiet the noise floor can be in analogue playback.
On the many records where the noise floor is lower than my room’s, the AF2 is as good as
digital in this respect.
Another stand out character of the AF2 is the power, dynamic slam, and drive it provides.
In these respects it is reminiscent of direct drive classics, such as the Yamaha GT-2000,
which impart such great weight and presence to the instruments. But at the same time
the AF2 isn’t overblown, or pushy. Despite its authority it doesn’t lack for elegance. It justpresents the music with a sense of power and ease. Like a surfer riding a wave, who cansense all of the effortless power of the deep blue ocean, a listener to the AF2 enjoys asense that the turntable is presenting the music as it should be, without ever straining or
becoming breathless.
With a soundstage built on a vanishingly low noise floor and powerful presentation, theAF2 has oodles of bass. It positively drips with rich tones. But to say that might give theimpression the turntable is a bit dark and treacly, which it isn’t. That bass foundation
however is simply the start of a presentation that is equally impressive through the mid
and treble ranges.

(https://www.stereo.net.au/images/articles/Images/DF0_5219-Edit.jpg)
The result is a turntable that is marvelously balanced and impressively versatile. I threwrock, pop, electronica, orchestral, chamber, vocal, metal, folk, bluegrass, country, organ,brass, jazz, blues, and soul at the AF2 and it served them all up flawlessly. I didn’t try any
hip hop, because I consider it a mild form of torture, but even that would probably soundalright through this turntable.
The most striking thing about the AF2 is how organic and unprocessed it sounds. Upon
hearing it for the first time an experienced musician and music teacher turned to me andsaid, “It’s so natural”. That sums it up nicely really. The AF2 presents the music without
any of its mechanical underpinning intruding.
Top flight digital systems are usually just a little too impressive to be completely natural.
On the analogue side, most turntables impart some sense of the mechanical processes
behind the music extraction. The AF2 somehow avoids this. It is like the turntable doesn’t
exist. A consequence of this is that it is by far the most relaxing front end I have heard.
Everything is there, in all its glory, but without any of the slightly pressurised impressionthat often accompanies highly resolving sources.

(https://www.stereo.net.au/images/articles/Images/_8C15734.jpg)
The AF2 provides a turntable where the audiophile no longer needs to compromise to find asource tuned for their preference. It has it all. Bass and mids are faithful to the recording,with the AF2 able to present them as crisp and clean or warm and rich, as required. Treblepresents as organic and unpetrified. Decays are natural and extended. It can be elegant orprovide epic slam. Wow and flutter are in essence eliminated.
In the immortal words of Ferris Beuller, “If you have the means, I highly recommend picking
one up”.
TechDAS Air Force Two is available now for $42,000 RRP (excluding tonearm).
TechDAS is distributed in Australia by Pure Music Group(http://www.puremusicgroup.com/).

Written by:
ALISTAIR MCKEOUGH(HTTPS://WWW.STEREO.NET.AU/ASSOCIATEDPOSTS/26)

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Tags: pure music group (/tag/pure+music+group) techdas (/tag/techdas) af2 (/tag/af2)
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