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FEBRUARY 2023—ISSUE 250

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YOUR FREE GUIDE TO THE NYC JAZZ SCENE

MARCH 2023—ISSUE 251

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YOUR FREE GUIDE TO THE NYC JAZZ SCENENYCJAZZRECORD.COM

SPECFE AT IAL
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EGBERTOGISMONTITOOTSTHIELEMANS

NicoleMitchellJazz Royalty
Family Tradition

BILLSAXTONBLACKHISTORYMONTHISSUEIMMANUELWILKINSROGERHUMPHRIESCEDAR
WALTONRT

Finding a
New Utopia

LÉ AN DRE
JOË LLE Rebel
Lifetime

SPECIAL FEATURE:WAYNE SHORTER
IN MEMORIAMSARA
CASWELL

ENDEA
OWENS

ROSA
PASSOS

SPECIAL FEATURE:
KARL BERGERIN MEMORIAMSCatherine
Russell

TUBA
ISSUE!

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REFLECTIONS

Godfather ofAfro-Cuban JazzB

FOSTERWOMEN’SHISTORY MONTH
ISSUE

JUNE 2023-ISSUE 254

May 2023-Issue 253

MarioBauza

AL

JAMAALADEENTACUMAAPRIL 2023—ISSUE 252

BO

JANUARY 2023—ISSUE 249

CHRISTINE
CORREACONNIECROTHERSWENDY
EISENBERG

SVEN-ÅKEJOHANSSONHALWILLNERJOSEDAVILABEN
STAPPPER-ÅKEHOLMLANDERRAYDRAPERBOBBYSANABRIA

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ALAN
SKIDMORE

BUDDY
TATE2024 MEDIA KITJUlY 2023—ISSUE 255

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AUGUST 2023—ISSUE 256

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YOUR FREE GUIDE TO THE NYC JAZZ SCENESEPTEMbER 2023—ISSUE 257

THE COOKERS
Cookin’’ AT Bird Fest!
CookinnJoT

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heat70!

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Weathering and Perseverance

RSNOvEMBER 2023—ISSUE 259

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DECEMBER 2023—ISSUE 260

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SPECIAL FEATUR
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RICHARD DAVMCARLA BLEY

IN MEMORIAIN MEMORIJOHNlEEOCTOBER 2023—ISSUE 258

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NYCJAZZRECORD.COMMARTÁSANCHEZPAULWEST

KEITH
TIPPETTIDRISACKAMOORFAY
VICTORJOSEPHDALEYSLIDEHAMPTONTISZIJI
MUÑOZIN MEMORIAM

MELANIE
CHARLESJOHNETHERIDGE

JAIMIE
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YAMANAKALESMCCANN“PUCHO”
ESCALANTEGREGORY
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JEFF
LEDERER

STEPHANIENAKASIAN

NEW YORK’S ONLY HOMEGROWN JAZZ GAZETTEEARTHA
KITTAt The New York City Jazz Record...
Founded in 2002, The New York City Jazz Record (né AllAboutJazz-New York) is a highly respected source

for information and opinion on jazz in New York City and thus the larger jazz world. For 17 years,
it has been nominated as "Best Jazz Publication" by the Jazz Journalists Association Awards.
With a combined readership of over 23,000 monthly, there is no better way to reach the city’s jazz listeners
as well as a cross section of the national and international listenership.

Our mission is to promote jazz in New York City through timely editorial coverage of jazz artistsand venues. We also publish the city’s most extensive calendar of events. Our coverage philosophy
reflects the breadth of jazz in New York City and serves as a unifying force for the community.
Featured artists range from Anthony Braxton to Mary Halvorson, Evan Parker to Shabaka Hutchings,John Zorn to Sonny Rollins, Vijay Iyer to Danilo Pérez, Maria Schneider to Nels Cline.

Our value as an advertising venue is demonstrated by a selection of featured companies:

Labels: Arbors, AUM Fidelity, Capri, Criss Cross, Delmark, Dot Time, ECM, ESP-Disk', Fresh Sound,Gearbox, HighNote, ILK Music, Innova, Intakt, Not Two, Palmetto, Resonance, RogueArt, Ropeadope,SteepleChase, Storyville, Summit, Sunnyside
Venues: 92NY, Aaron Davis Hall, Apollo, Bar Bayeux, Blue Note, Bronx River Arts Center, Carnegie Hall,The Django, Flushing Town Hall, Harlem Stage, Hostos Center for the Arts & Culture,
New Jersey Performing Arts Center, Jazz@Lincoln Center, Le Poisson Rouge, Roulette, Town Hall,Tribeca Performing Arts Center, Village Vanguard
Festivals: BRIC JazzFest, Caramoor, CityParks Summerstage, Lake George, Litchfield, Moers, Montréal,Newport, Panama, Syracuse, White Plains, Victo, Vision, Winter JazzFest
Others: AACM, Jazzmobile, Jazz Record Center, WBGO fm, World Music Institute

Five Reasons to Advertise
In-depth and timely coverage of the local NYC jazz scene is a reason for readers to pick up each issue.
The city’s most complete event calendar listings is an indispensable resource for anyone attending jazz showsin the city, as well as just outside the metropolitan area within one hundred miles (given, TNYCJR’s “100Miles Out” listings which extend to north of the city plus the tri-state area). Whether someone goes to one
show a month or one a day, The New York City Jazz Record is a vital resource.

Accessibility of the paper at hundreds of locations throughout New York City means that there is no pub-lication that more fully targets jazz listeners in the Metropolitan area.

Each issue is archived on our website (online editions are presented in full color) for two years so youradvertising dollars do not stop working when the month ends.

Simply can't beat the cost effectiveness! Our large format edition means your ad reproduces bigger, and nofull pages of small ads that can be ignored or competitors’ ads placed next to each other. Couple this with awide open editorial policy means reaching people you may not even be directly targeting.

Testimonials
Being a New Yorker for more than 60 years, and having read lots of newspapers and music magazines,

I still find The New York City Jazz Record the easiest to read, as well as the most informative jazz magazine
and calendar of all. (Bassist Ron Carter)

Always ahead of the game! The most informative gazette featuring the most important genre in Americanmusic. All the musicians from the genre of Latin jazz and jazz are blessed to have this publication.
(Pianist Eddie Palmieri)

Your publication has consistently gone above and beyond - combining comprehensive listings, great

photos and insightful features year after year for the fulfillment of our fans. I have long appreciatedyour efforts and am pleased to have been featured in your pages. (Vocalist Nancy Wilson)

The New York City Jazz Record is a well-written paper covering a broad spectrum of jazz. It is interesting,has good articles and fills a void… and amazingly enough it's free! (Drummer Jack DeJohnette)

Simply the hippest journal about jazz in New York that has ever been published... The deep passionof all of the folks involved in its production is evident each and every month. (Saxophonist Joe Lovano)

One of the best, most beautiful things this city has! (Drummer Billy Hart)
A publication we’ve been needing for about 100 years. (Saxophonist Prince Lasha)
An indispensable giveaway. (Jazz critic Francis Davis)
One of the most consistent sources available for tracking developments in the New Yorkand international jazz avant-garde. (John Gray, Creative Improvised Music)A

wonderful advertising tool for us. Our presence in the paper has resulted in significantly
increased traffic and is the perfect vehicle for reaching our target customer base. (Maxwell Drums)

I love reading the The New York City Jazz Record every month because it’s created by people

who are as passionate about music as I am. The TNYCJR team is professional and the writing is
uniformly excellent. (Braithwaite & Katz, Publicist)

It is great to see a publication that cares about jazz. (Berklee College of Music)Your paper is tremendous. I’ve enjoyed every page. (Drummer Alvin Fielder)
My favorite magazine - heartbeat of the music. (Saxophonist JD Allen)
We feel very positive about the work, which really stands out among many of theother publications of its kind. (Scott Menhinick, Publicist, Improvised Communications)Availability
Tc hihteey ’scciitmtyyo’s’ss tmmtooassrttg ettataerrgdgeejttaeezddz jjpaazuzzbz lppi cuuabbtlliiioccnaa!ttiiAvailable
oonn!! Available
Available at
at hundreds
hundreds ofof jazz
jazz clubs,clubs, performance
performance
T h evenues,
at hundreds of jazz clubs, performancevenues, music
music andand instrument
instrument stores,
stores, schools,schools, churches
churches && coffee
coffee shops
shops throughout
throughout thethe metropolitan
metropolitan area.
area.

venues, music and instrument stores, schools, churches & coffee shops throughout the metropolitan area.

GeorgeGeorge Benson
BensonJoe Lovano
LovanoJoe

Dave Liebman
Liebman
DaveLouis Hayes
Hayes
Louis

Advertising Information		AD SIZE			OPEN		3X			6X		12X			$925			$830			$740			$650
FULL PAGE
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HALF PAGE
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SIXTH PAGE
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3.15"W x 3.15"H (8cmW x 8cmH)

Display Advertising
Mechanical Specifications
T		 he New York City Jazz Record is printed by non-heatset process in tabloid format on 30-lb. paper.

Method of binding: Folded, not stitched.		

P		 ublication trim size: 11 1/2" wide, 14" deep. 3 columns per page.		
Type-page size, 10" wide, 12" deep. Margin at fold measures 1/2".

Column widths: Single column, 3 2/5". Two columns, 6 1/2". Three columns, 10".				

Depth of column: 12".		

Bleed specifications: Do not include bleeds.
A		 cceptable materials: The New York City Jazz Record accepts materials in digital format, in 300 DPI resolution.		
Advertisers are encouraged to submit B&W files for the print edition and color versions for our online pdf.

P		 ress gain: Our expected press gain of 30% should be taken into consideration.

T		 ype: We recommend using at least 10-point sans serif type (bold or medium-weight) when reversing		type out of one color.

D		 igital Ad Submissions:		
Platform: MAC or PC		File formats: Acrobat, Photoshop, Illustrator. The document size must be set to the ad size.		

Method of delivery: Digital ads may be submitted via e-mail to ldgreene@nycjazzrecord.com
P		 roofs: We require jpeg proofs for all pdfs.		To confirm receipt of materials, or for more information e-mail: ldgreene@nycjazzrecord.com		Display Advertising
Publisher-set Ads
I		 f you are unable to submit your black-and-white ad in camera-ready format,		The New York City Jazz Record provides advertisement design services.

T		 he New York City Jazz Record will typeset simple layouts without graphics at a rate of 25% of the open rate.

F		 or more complicated layouts or advertisements with graphics, the charge will be 35% of the open rate.

Minor revisions will be done free of charge. Major revisions will be done at a 10% charge per revision.				Advertisers using The New York City Jazz Record’s design services are required to provide an		electronic version of all text (in either .doc or .txt format).		Advertisers using The New York City Jazz Record’s design services are required to provide all logos		

or graphics in .jpeg, .tiff or .eps format. Faxed copies of logos and graphics are not acceptable.

Coming to America for a short but sweet tour:
October 13 – 23, 2023
Listen for yourself and find out!
ericandwill.info

MEHMET ALI SANLIKOL&WHATSNEXT?

ERIC VLOEIMANS (trumpet) &WILL HOLSHOUSER (accordion)
Performing at Barbès in Brooklyn on
Saturday, October 21st (8-9:30 pm)

Two for the Road(V-Flow/Challenge)on Bandcamp& streaming platforms

Bassist/composer MARTIN WIND introduces his latest
trio project Counterpoint (Laika Records)
featuring two veterans of the New York jazz scene:“An accordion and a
trumpet. They broughta sold-out house . . . toecstasy.” — JazzNu (NL)featuring
ANAT COHEN&MIGUEL ZENÓNJIM MCNEELY (piano) and ED NEUMEISTER (trombone),
who happen to be two of this music's
most celebrated composers and arrangers of the pastfew decades, as well! The trio explores original
material such as McNeely's hit big band chart“Extra Credit” and Wind's “Counter My Point”,
as well as unique renditions ofjazz standards “Blame it on My Youth” and“In the Wee Small Hours of the Morning”.

For orders:

New Album

Elijah Shiffer

CITY OF BIRDS

Volume I
releases November 6th on Star Jelly Records

martinwind.com/counterpoint (U.S. only)or laika-records.com
Also available on iTunes, Amazon,
Bandcamp and other streaming platforms

For more info visit Scott Thompson PR:Album release concerts in the NYC area include:
9/7 (7:30/9 pm): Mezzrow, NYC
9/8 (7-10 pm): Deer Head Inn, Delaware Water Gap, PA
9/9 (8 pm): Maureen’s Jazz Cellar, Nyack, NY

Appearing at Birdland

9/10 (2 pm): Beattiy-Powers Place, Catskill, NY

October 1

conta.cc/43M7nyN

Elijah Shiffer's All The Birds Quartet
is at Lowlands Bar Nov. 7th (8/9:30 pm)
elijahshiffer.com(5:30 PM)

Celebrating
the release of their new jazzorchestra album...

Turkish Hispter:
Tales From Swing to Psychedelic

Santi Debriano'sArkestra Bembefeaturing special guests George Garzone (tenor)
and Jack Walrath (trumpet)
atIridium Jazz Club (1650 Broadway at 51st St.)
October 21st (8:30 pm)
For tickets go to theiridium.com

Arkestra Bembe is:Andrea Brachfeld (ﬂute), Ray Scro (baritone), TK Blue (alto),
Tommy Morimoto (tenor), Mamiko Watanabe (piano),Adrian Alvarado (guitar), Robby Ameen (drums) andSanti Debriano (bass/compositions)“At its core, Ashanti is the product of commitment, abanner of sympathy and understanding between
musicians born from a crossroads.”—Bass MagazineFo r m o re i n f o v i s i t
jojorecords.com

For more info visit

sanlikol.com“The multiculturalism is nottouristy, but rather sophisticated,informed, internalized… A
true fusion of jazz andfolkloric Turkish language
and colors.”-The Boston GlobeDisplay Advertising
Insertion ScheduleJ		 anuary 2024			
Reservation Deadline: December 13th; Material Receipt: December 15th; Streetdate: December 29th		February 2024			

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MONTH(S) OF INSERTION:oo		o			ooo		oooooJAN
JULFEB		MAR		APR		MAY		JUNo			____­AUG		SEP		OCT		NOV		DEC		 YEARo ARTWORK PROVIDED		
o DESIGN REQUIREDRATE OF INSERTION:$____BILLING ADDRESSNAME:						ORGANIZATION:
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SIGNATURE 										DATEPLEASE SIGN INSERTION ORDER AND FAX TO 212-568-9628

66 Mt. Airy Road East, Croton-on-Hudson, NY 10520
phone/fax: 212-568-9628 | www.nycjazzrecord.com
Laurence Donohue-Greene, Managing Editor ldgreene@nycjazzrecord.com
ADVERTISING POLICY
Advertisements not paid in full within 60 days of insertion order are subject to 5% per month interest charge on unpaid balance.
Positioning of advertisements is at the discretion of The New York City Jazz Record, which will make good faith effort to honor position requests when possible.
No allowance will be given for advertisement position.
Open rates will be enforced for failure to meet multiple insertions. Advertisements not received by the closing date may incur open rate charge.
Although every effort is made to ensure that advertisements appear correctly, errors due occur.
Allowance for errors is given as monetary credit or reruns and is based on the impact the error has of the effectiveness of the entire advertisement.
In case of ads designed in-house, advertiser's final sign-off indemnifies The New York City Jazz Record against any errors.
Any request for credit must be received within seven days of publication. The New York City Jazz Record assumes no liability for omissions.
The New York City Jazz Record reserves the right to make minor color-correction to submitted files for optimal printing.
Advertiser agrees to indemnify and hold The New York City Jazz Record harmless against any expense or loss by reason of any claims arising out of publication.
First-time advertisers are required to pay in advance for first insertion.
Signature of Insertion Order indicates reading of and agreement to all terms and conditions specified therein.
Signing and submitting Insertion Order serves as a contract between The New York City Jazz Record and advertiser who commits to advertisement details
as filled out in respective Insertion Order form. Canceling a reserved ad is allowed if done so by issue ad request deadline.