年間活動報告【 2020年度 】

・本報告は、『千總⽂化研究所 年報』3号（2022年4⽉発⾏）に掲載した内容の内、以下の概要を抜粋したものである。
当研究所が主催した研究会および講演会等展覧会への出陳協⼒
当研究所の所員が実施した、講演および発表などの教育・研究活動
・講演会および研究会の登壇者の所属、役職は、開催当時のものを表記する。
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028［史料研究 1］ਅफେ୩೿쎅๏ҥ૷ଋɾ૳‫۩ݫ‬쎅ௐࠪ
調査者ợ
ୈ
2ষ
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썻쎘쎢

ઍ ័ จԽ‫ॴ  ॴ ڀ ݚ‬௕ ɹ Ճ౻ ݁ཧࢠத ੈ೔ຊ ‫ॴ ॴ ڀ ݚ‬௕ ɹ 쏬쏕쎵  쏣썗쏐த ੈ೔ຊ ‫ڀ ݚ ॴ ڀ ݚ‬һ ɹ ‫ٶ‬ඌૉࢠ‫౎ ژ‬෎ ‫౎ ژ‬จԽത ෺ ‫ܳ ֶ  ؗ‬һ ɹ ྛ  ஐࢠ‫ݚ‬‫ڀ‬‫׆‬ಈ Mitsumeru—Seminars and ResearchesỘĢ֓ཁĤɹ೥౓썢쎠೥౓쎂썢써썽ɺਅफେ୩೿ඣ࿏ધ৔ɹຊௐࠪ썾쎆ɺ๏ҥ঎썾썙쎢ઍ័썣ʮ‫૷ޚ‬ଋࢣઍ੾԰૜ผӃຊಙࣉʢҎԼɺຊಙࣉʣ썣ॴଂ썰쎢๏ҥ૷ଋɾ૳‫۩ݫ‬ࠨӴ໳ʯ썿썮썽ख썣써썶썿ߟ썟쎠쎣쎢๏ҥ૷ଋ썣໿఺֬఺썡쎟쎊ɺਅफେ୩೿쎅໳टҰ଒썾썙쎢େ୩Ղਓࢯ썣ೝ썬쎣썶ɻ쎕썶ઍ័Ҏ֎쎅๏ҥ঎쎅໊લ썣݅‫ݟ‬쎠쎣썶ɻॴଂ썰쎢๏ҥ૷ଋ఺쎩ର৅쎂ௐࠪ쎩ߦ썺썶ɻߐ‫࣌ށ‬୅ɹ썬쎕썭쎕쎁छྨ쎅๏ҥ૷ଋ썿썴쎣쎠쎂‫ݟ‬쎠쎣쎢৭쎛จ༷썢쎠ত࿨࣌୅쎂썢써썽੍࡞썬쎣ɺૐཿ썣ண༻썰쎢쎁쎀ɺࣉ쎆ɺ౰࣌쎅‫౎ژ‬쎂썡써쎢๛썢쎁છ ৫ จԽ쎩ࣔ썰쎙쎅썾썙Ӄ썾࢖༻썬쎣썶છ৫඼‫܈‬썾썙쎢ɻ쎡ɺຊࢿྉ‫܈‬쎆‫౎ژ‬쎩‫఺ى‬썿썮썶ਓ썿쏬쏘쎅ަྲྀ쎩Ӑ썛஌ɹຊௐࠪ쎅ओ쎁໨త쎆ɺ‫ࣜג‬ձࣾઍ័ʢҎԼɺઍ័ʣ썣ɺ૑쎢썪썿쎅썾썤쎢‫و‬ॏ쎁ࢿྉ썿‫ݴ‬썟쎢ɻ‫ۀ‬쎅ࣨொ࣌୅썢쎠େਖ਼࣌୅쎂썢써썽๏ҥ썡쎟쎊ଧෑ쎛ਫɹઍ័쎂఻쎦쎢ࢿྉ썿쎅ৄࡉ쎁ൺֱௐࠪ‫ڀݚ‬쎆ࠓ‫ࢪ࣮ޙ‬Ҿ썿썛썺썶૳‫۩ݫ‬쎩ѻ썝๏ҥ঎썿썮썽‫׆‬ಈ썮썽썛썶࣮ଶ썿ɺ༧ఆ썾쎆썙쎢썣ɺ೥ؒ쎅ௐࠪ쎅֓ཁ쎩ใࠂ썰쎢ɻ썴쎣쎠છ৫඼쎅੒ཱഎ‫ܠ‬쎅ख썣썢쎡쎩௫쎗썪썿썾썙썺썶ɻઍ័쎂쎆ɺ๏ҥ૷ଋ썡쎟쎊૳‫۩ݫ‬쎅੍࡞쎂ؔ썰쎢‫ݟ‬ຊ྾஽쎛࢓༷ॻɺਤҊ쎁쎀쎅ࢿྉɺਅफେ୩೿쎅ຊࢁɾ౦ຊ‫ئ‬ࣉ쎅‫༻ޚ‬঎ਓ썾썙쎢썪썿쎩ࣔ썰ߐ‫࣌ށ‬୅쎅ؑࡳ썣࢒썬쎣썽썛쎢썣ɺೲ쎘썶છ৫඼쎂썻썛썽쎆ɺ썪쎣쎕썾쎒썿쎪쎀໌쎠썢쎂썬쎣썽썛쎁썢썺썶ɻ

本調査は、2019年度文化庁文化芸術振興補助金「地域と共働した博物館創造活動支援事業」、2020年度公益財団法人カメイ社会教育振興財団「博物館学芸員等の内外研修に対する助成」のもと実施された。

066ợୈ2ষỤ‫ݟ‬썻쎘쎢‫ݚ‬‫ڀ‬‫׆‬ಈ Mitsumeru—Seminars and ResearchesỘʦௐࠪใࠂձɾ‫ڀݚ‬ձʧਅफେ୩೿쎅๏ҥ૷ଋ쎅ௐࠪใࠂձɾ‫ڀݚ‬ձ೔࣌ɿ  ೥ ݄೔ʢ ۚʣ ‫ ࣌  ޙ ޕ‬ʙ ‫࣌  ޙ ޕ‬‫ࣜܗ‬ɿ쎴쏽쏳쎮쏽഑ ৴ʕ

調査報告ʮ ਅफେ୩೿쎅๏ҥ ૷ ଋ썿ઍ ੾԰૜ ࠨӴ໳ʯ     ೥౓ௐ ࠪใࠂઍ ័ จԽ‫ॴ  ॴ ڀ ݚ‬௕ ɹ Ճ౻ ݁ཧࢠʕ講演ʮ ‫ف‬쎡쎅‫ܗ‬ʕೌ໳੻ࣉӃ썿ਅफେ୩೿ࣉӃ쎂఻쎦쎢છ ৫ ඼쎩쎘썧썺썽ʕʯத ੈ೔ຊ ‫ॴ  ॴ ڀ ݚ‬௕ ɹ 쏬쏕쎵쏣썗쏐

ʕディスカッションಉ๎େ ֶ‫ ڭ‬तಉ๎େ ֶ ෹‫ ڭ‬จԽ‫ॴॴ ڀ ݚ‬௕ɹ ҆౻ ໻ਅफେ ୩ ೿ ᅵ ਖ਼ࣉ  ॅ ৬ ɹ ࢁ‫ޱ‬ত඙ਅफେ ୩ ೿ ඣ ࿏ ધ ৔ผ Ӄ ຊ ಙ ࣉ  ྻ ࠲ ɹ ຊ ୩  ኍ쎽썗쏑쎭쏗썗쏉썗ɿઍ ័จԽ‫ॴॴ ڀ ݚ‬௕ɹ Ճ౻ ݁ཧࢠĢ֓ཁĤɹ೥౓쎂࣮ࢪ썮썶ɺਅफେ୩೿ɾඣ࿏ધ৔ผӃຊಙɹຊձ쎩௨썮썽ɺਅफେ୩೿쎩쎆썯쎘ࣉӃ쎂఻쎦쎢๏ҥ૷ࣉॴଂ쎅છ৫඼썿ਅफେ୩೿썫໳टҰ଒쎂఻쎦쎢૷ଋ쎅ଋ쎁쎀쎅છ৫඼쎩ɺࣉӃ쎅ّྱจԽ쎛फ‫ֶڭ‬쎅఺썢쎠쎙ଊௐࠪ쎂썻썛썽ɺใࠂ쎩ߦ썺썶ɻ썟쎢ඞཁੑ썣ࣔ썬쎣썶ɻɹ썬쎠쎂ɺೌ໳੻ࣉӃ쎅૷ଋจԽ쎛છ৫ٕ๏쎩썫ઐ໳썿썬ɹຊձ쎂쎆ɺ޻࢙ܳɾ೔ຊ࢙쎁쎀쎅ֶ࢙쎁쎠쎊쎂ܳज़ֶ쎁쎣ɺຊௐࠪ쎅‫ڞ‬ಉ‫ऀڀݚ‬썾쎙썙쎢쏬쏕쎵 쏣썗쏐ࢯ쎂ɺफ೿쎀쎅ઐ໳ՈɺࣉӃؔ܎ऀ쎠໿໊썣ࢀՃ썮썶ɻؒ쎂썡써쎢૷ଋ쎛૳‫۩ݫ‬쎅࢖༻๏쎛఻ঝ๏쎅ҧ썛쎂썻썛썽ɺ썫ൃද쎩썛썶썷썛썶ɻɹ쏑쎭쏃쎵쏍쏁쏱쏽썾쎆ɺ೔ຊ෹‫࢙ڭ‬ɺਅफ࢙썣썫ઐ໳쎅҆౻ ໻ࢯɺ쎁쎠쎊쎂ਅफେ୩೿쎅ૐཿ쎅ࢁ‫ޱ‬ত඙ࢯɺຊ୩ ኍࢯ쎟쎡จ‫ࢿݙ‬ྉ쎂‫ݟ‬쎠쎣쎢๏ҥ쎂ؔ썰쎢‫ه‬ड़쎛๏ҥ૷ଋ쎅ෳࡶ쎁ମ‫ܥ‬썿ண༻쎂ؔ썰쎢‫ن‬ఆ쎁쎀쎩썫ղઆ썛썶썷

本報告会は、2020年度公益財団法人カメイ社会教育振興財団

썛썶ɻ「博物館学芸員等の内外研修に対する助成」のもと実施された。

070［史料研究 2］ઍ័ॴଂ쎅ଧෑ썡쎟쎊ਫҾ쎅ਤҊ쎅ௐࠪợୈ2ষỤ‫ݟ‬썻쎘쎢‫ݚ‬‫ڀ‬‫׆‬ಈ Mitsumeru—Seminars and ResearchesỘ

Ģ֓ཁĤɹઍ័쎂쎆ɺ૬౰਺쎅ଧෑ썡쎟쎊ਫҾ쎅ਤҊ썣ॴଂ썬쎣썽ମ਺쎆໿఺썾ɺ썴쎅ੇ๏쎆େখ썬쎕썭쎕썾썙쎢ɻ썴쎅಺쎅썛쎢ɻࣨொ࣌୅쎅૑‫ۀ‬쎟쎡๏ҥ঎썿썮썽‫׆‬ಈ썮썽썛썶ઍ័఺쎂쎆ɺ੍࡞೥ɺೲ඼ઌɺ༻్ɺ࢖༻썮썶ੜ஍쎅छྨ썿쎆ɺૐཿ쎅ҥ෰썾썙쎢๏ҥ૷ଋ쎅쎖쎁쎠썱ɺଧෑ쎛ਫҾ썿৭ɺ໛༷쎅໊শɺٕ๏쎅໊শ౳썣‫ه‬썬쎣썶๽ॻ썣֬ೝ썬쎣썛썺썶ࣉӃ쎅‫ޚ‬ಊ쎩૳‫ݫ‬썰쎢છ৫඼쎙खֻ써썽썛썶썿ߟ썟썶ɻ໛༷쎅๣쎠쎂৭쎛ੇ๏౳썣‫ه‬썬쎣썽썛쎢쎙쎅쎙썙쎡ɺຊ쎠쎣쎢ɻࢿྉ쎆੍࡞աఔ쎂썡썛썽৬ਓ쎏쎅ࢦࣔॻ쎅໾ׂ쎙୲썺썽ɹઍ័จԽ‫ॴڀݚ‬쎆ɺ೥౓썢쎠೥౓쎂썢써썽썪썛썶쎙쎅썿ࢥ쎦쎣쎢ɻ쎣쎠쎅ਤҊ쎅ௐࠪ쎩ߦ썛ɺࣸਅࡱ Ө썡쎟쎊ੇ๏ɾٕ๏ɾ

ɹਤҊ쎆છ৫඼쎅੍࡞쎂썡썛썽࠷ॳ쎅޻ఔ썾࡞쎠쎣쎢쎙쎅໛ ༷쎅‫ ه‬࿥ ࡞੒ɺҰ ෦쎅ਤҊ쎂‫ه‬썬쎣썶๽ॻ쎅຋ ࠁ쎩썾썙쎡ɺઍ័썣ख썣써썶છ৫඼쎂ؔ썰쎢‫و‬ॏ쎁‫ه‬࿥썿쎙‫ݴ‬ߦ썺썶ɻ썟쎢ɻৄࡉ쎁ௐࠪ쎆ࠓ‫ࢪ࣮ޙ‬༧ఆ썷썣ɺຊߘ썾쎆ࢿྉ쎅֓ɹຊࢿྉ쎂쎆ɺࢴ쎂๽쎕썶쎆࠼৭쎂쎟쎡໛༷썣ඳ썢쎣썶೑ཁ쎩ใࠂ썰쎢ɻච쎅쎙쎅썣ଟ਺쎩઎쎘쎢썣ɺ썴쎅ଞ쎂‫ࢴܕ‬쎩༻썛썽໛༷썣࡮쎡ग़썬쎣썶쎙쎅쎛ɺಛఆ쎅‫ܗ‬쎂੾쎡ൈ썢쎣썶ผࢴ쎩ష쎡෇

本調査の一部は2019年度文化庁文化芸術振興補助金「地域と共써쎢썪썿썾໛༷썣ද썬쎣썶쎙쎅쎙֬ೝ썬쎣썶ɻຊࢿྉ쎅શ働した博物館創造活動支援事業」のもとに実施された。

088ʦಛผߨԋձʧߖࣨจԽ썿‫఻౎ژ‬౷쎅ٕߨ ࢣɿලࢠঁԦ ఼Լợୈ3ষỤ‫ܨ‬썧೔࣌ɿ    ೥ ݄೔ʢ ۚʣ ‫ ࣌  ޙ ޕ‬ʙ ‫࣌  ޙ ޕ‬ձ ৔ɿઍ ័ ຊ ࣾ쏝쏵  ֊쏥썗쏵ࢀՃ ऀɿ  ໊࠵ࣄɾߨԋձ Tsunagu—Special Exhibitions and LecturesỘ

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ग़඼࡞඼ɿ৿ૂઋචʪழਤʫ

093

లཡձ‫ྗڠ‬Survey of clerical garments and altar cloths of the Ōtani-ha Schoolof Jōdo Shinshū Buddhism
Researchers029[Research 1]

ợୈ2ষ
Ụ
‫ݟ‬
썻
쎘
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Kato YurikoɹDirector, Institute for Chiso Arts and Culture
Monica BetheɹDirector, Medieval Japanese Studies InstituteMiyao MotokoɹResearcher, Medieval Japanese Studies InstituteHayashi TomokoɹCurator, The Museum of Kyoto‫ݚ‬‫ڀ‬‫׆‬
ಈ Mitsumeru—Seminars and ResearchesỘSummary
Between FY2019 and FY2021, clerical garments (hōishōzoku) and decorative items like altar cloths (uchishiki)
dating from the Edo period (1603-1867) to the Showaperiod (1926-1989) were researched: 159 items at Himeji
Senba Hontokuji Temple, a branch temple of the Ōtaniha School of Jōdo Shinshū Buddhism, and 50 items
belonging to Ōtani Yoshihito, a member of the mainŌtani-ha family.
T he ma in objec t ive of t he su r ve y wa s to g a in abetter understanding of the activities of Chiso from its
establishment in 1555 until the early 20th century, when
it operated as supplier of clerical garments and decorative
items, and of how such textile products developed. Chisoholds a collection which includes books of samples,
specification documents, and design drawings related tothe production of clerical garments and decorative items,
as well as permits dating back to the Edo period attestingthat Chiso was a supplier to Higashi Hongan-ji, the head
temple of the Ōtani-ha School. However, until now little
was known about the textile products that were actuallydelivered.
In the course of this sur vey, 20 clerical garments
were identif ied a s made by Chiso u nder t he na me“Onshōzokushi Chikiriya Sōzaemon”, when it operated
as a clerical garment trader. Additionally, the namesof 15 other clerical garment traders from Kyōto apartfrom Chiso were found. The diversity of types of clericalgarments and the colors and patterns they exhibit show
the rich culture of textile production in Kyōto at thattime and represent a valuable source of information on
the exchange network of people and goods that originatedfrom Kyōto.
A detailed comparative analysis with the materials heldby Chiso will be carried out in the future. This reportsummarizes the results of the two years of survey.

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Date: Friday, July 9, 2021, 2:00 pm to 4:00 pm
Format: Online

Survey Report

Report on the Survey of Clerical Garments and Chikiriya Sōzaemon, FY2020

Kato YurikoɹDirector, Institute for Chiso Arts and Culture‫ݚ‬‫ڀ‬‫׆‬ಈʕLectureMonica BetheɹDirector, Medieval Japanese Studies InstituteʕDiscussion

Andō WataruɹProfessor, Dōhō UniversityɹDirector, Dōhō University Research Institute of Buddhist Culture
Yamaguchi AkihikoɹChief Priest, Enshō-ji Temple, Ōtani-ha School
Mototani HiroshiɹPriest, Himeji Senba Hontoku-ji Temple, Ōtani-ha School
Coordinator: Kato YurikoɹDirector, Institute for Chiso Arts and Culture

The need to understand the textiles held by Buddhisttemples also from the point of view of their ceremonial
culture and religious studies became clear through thissymposium.
The symposium was attended by around 50 participants,
including experts in history of applied arts, Japanese
history and science of arts.

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4PDJBM&EVDBUJPOỘ Mitsumeru—Seminars and Researches

The Prayer Materialized: On the Textiles held at Amamonzeki Convents and Ōtani-ha Temples

SummaryThe Symposium presented the results of the survey
carried out during FY2020 of garments held by the Himeji
Senba Hontokuji Temple and the Ōtani Family of theŌtani-ha School of Jōdo Shinshū Buddhism.
In addition, Monica Bethe, co-researcher in this survey
and long-time researcher of the Amamonzeki imperial
convents, gave a presentation on the diﬀerences between
Buddhist Schools in the way they use and transmit clericalgarments and altar decorations.
During the discussion, researcher of history of Japanese
Buddhism and history of Jōdo Shinshū Buddhism AndōWataru, and Ōtani-ha School priests Yamaguchi Akihikoand Mototani Hiroshi, explained about the mentions tothese garments found in historical documents, and thecomplex rules and etiquette surrounding them.

ợୈ2ষỤ‫ݟ‬썻쎘쎢

ʕ

067

Symposium on the Survey of Clerical Textiles from the Ōtani
School of Jōdo Shinshū Buddhism

Survey on the Uchishiki and Mizuhiki in the Chiso Collection.

071[Research 2]ợୈ2ষỤ‫ݟ‬썻쎘쎢‫ݚ‬‫ڀ‬‫׆‬ಈ Mitsumeru—Seminars and ResearchesỘ

SummaryChiso keeps a large collection of design drawings ofuchishiki (altar cloths) and mizuhiki (decorative cords).
Since its foundation in 1555 as a clerical garment trader,
Chiso produced and supplied not only clothing but also
textile products such as uchishiki and mizuhiki used forthe decoration of Buddhist temples.
The Institute for Chiso Arts and Culture carried out asurvey of these design drawings from FY2019 to FY2020.
The survey consisted of photographing and documentationof the measurements, techniques, and patterns of thesedrawings, as well as reproduction of part of the ink
writings found on them.
The majority of these drawings were painted by brush,directly applying color or ink on paper. Additionally, someof them were printed using paper patterns, and in othercases the pattern was created by pasting on a base paper a
motif cut out from another paper. In total, approximately
90 drawings of diﬀerent sizes were surveyed. 18 of themincluded ink writings detailing their date of creation, placeof delivery, purpose, type and color of the fabric, nameof the pattern, and name of the technique. The fact thatdetails regarding color and measurements were written
next to the patterns suggests that these drawings were used
as instructions for the craftspeople during the production
process.
The creation of design drawings is the ﬁrst step in themaking of textile products. Therefore, this collection ofdesign drawings represents a valuable record of the textile
production developed by Chiso. A lthough a detailed
survey is still to be carried out, this report gives an outlineof this collection of documents.

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Lecturer: HIH Princess Akiko

089

The Culture of the Imperial Household and the Traditional
Craftsmanship of Kyoto

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Ụ‫ܨ‬
썧

Date: Friday, December 4, 2020, 3:00 pm to 4:00 pm

Venue: Chiso Building 5th Floor Hall

Participants: 50࠵ࣄɾߨԋձ Tsunagu—Special Exhibitions and LecturesỘ

SummaryHow should traditional Japanese culture and techniquesbe ha nded dow n to f ut u re generat ion s? In a n a gecharacterized by an unprecedented exchange of people,
goods and information, and increasingly diversifying
values, several initiatives have been set in motion in
diﬀerent ﬁelds, and discussions are ongoing.
The Institute for Chiso Arts and Culture, under theproject title “Exploring the Future of Japanese Culture
with the Chiso Collection”, has been presenting tangible
cultural properties held in the Chiso Collection andinviting prominent researchers from different fields toanalyze their historical and social significance. In thefuture, we intend to broaden the horizon and discuss
Japanese “Culture” from multiple points of view.
In this lecture, HIH Princess A kiko discussed thehistor y of t he Imperia l Household a s a leader a nd
supporter of Japanese culture and art, focusing especiallyon the court garments of the Meiji Period as an exampleof the transmission of Japanese culture and traditionaltechniques.
Historical documents illustrating the relationshipbetween the Imperial Household and Chiso, such as
paintings for textile products created by Chiso as a
Purveyor of the Imperial Household during the Meiji
period, where exhibited at the venue.

Lecturer
HIH Princess Akiko was born on 20 December 1981
as the first daughter of HIH Prince Tomohito. After
graduating from Gakushūin University, she studied in
Merton College, Oxford. She specialized in Japanese Art
History and conducted research on Japanese Art conserved
outside Japan. She earned her doctoral degree (the firstfemale member of the Imperial Family to do so) in 2010.
She is a full-time researcher at the Institute of Japanese
Culture of the Kyōto Sa ng yō Universit y, a visiting
professor at the Kyōto City University of Arts, a special
professor at Chiba University, and a head researcher atthe Institute for Geo-Cosmology of the Chiba Institute ofTechnology. She is the founder of Shinyūsha, a nationwide
orga niz ation ded ic ated to teaching children about
Japanese culture. She is the author of “Saigo no Shokunin
Monogatari: Nihonbi no Kokoro” (“Japanese Art; Untold
Stories – Last Artisans”, Shōgakukan), “Aka to Ao noGaun – Okusufōdo Ryūgakuki” (“The Red and Blue
Gown: Memoirs of Studying at Oxford”, PHP Kenkyūjo),and “Kyoto Monogatari no Michi” (“Tales of the Streetsof Kyoto”, Mainichi Shinbunsha).