021052ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở‫ݚ‬‫ڀ‬‫׆‬ಈʗ‫ݚ‬‫ڀ‬ձỠỘઍ័จԽ‫ॴڀݚ‬쎅‫׆‬ಈɹʦ‫׆ڀݚ‬ಈʗ‫ڀݚ‬ձʧୈճʮ೔ຊ쎅છ৭ʕ썴쎅৭썿ٕʕʯ೔࣌ɿ೥݄೔ʢਫʣ‫࣌ޙޕ‬ʙ‫࣌ޙޕ‬෼ԙɿઍ័ຊࣾ쏝쏵ʕ쏛쏗쏵쏑쎭쏃쎵쏍쏁쏱쏽
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٢Ԭ޾༤ɹછ࢘쎟썮썡썢᛹ຊԆɹɹ‫ࣜג‬ձࣾઍ័ɹઐ຿औక໾ਫଜ༟એɹ‫ࣜג‬ձࣾઍ័ɹ੡࡞ຊ෦ຊ෦௕

 Activities of the Institute for Chiso Arts and Culture [Reserch / Seminar]ʦ֓ཁʧಉ೔։࠵썬쎣썶ୈճಛผؑ৆ձɾߨԋձʮઍ័༑ષʕଋᗌేจ༷ৼକ쎅෮‫ݩ‬੡࡞쎩쎘썧썺썽ʕʯ쎅࿈ಈ
‫ا‬ը썿썮썽쏟쏴썗쏑쎭쏃쎵쏍쏁쏱쏽‫ࣜܗ‬썾࣮ࢪ썮쎕썮썶ɻ
ߨԋձߨࢣ쎅٢Ԭ޾༤ࢯ쎂Ճ썟ɺ෮‫ݩ‬쎩ख썣써썶ઍ័쎅੡࡞ຊ෦썣쏛쏗쏴쏃쏒썿썮썽ࢀՃ썮ɺఱવછྉ쎅ಛ৭쎛ɺ෮‫ݩ‬쎂썡썛썽੡࡞‫ݱ‬৔썾՝୊썿쎁썺썶ࣄฑ쎛‫ݱ‬୅쎅ٕज़썿쎅ҧ썛ɺૠ썮༑ષ쎂썡써쎢ೱ౓ௐ੔쎅೉썮썬
౳쎂썻썛썽‫ޠ‬쎡쎕썮썶ɻम෮ɺછ৫ɺ쏟쎫쏍쏁쏱쏽쎅‫ݚ‬‫ऀڀ‬ɺછ৭࡞Ոɺඒज़࢙Ոɺ෰০จԽɺจԽਓྨֶ
ऀ쎠໊썣ࢀՃ썮ɺߐ‫࣌ށ‬୅썢쎠쎅ୀ৭쎩ߟྀ썮썶্썾쎅৭쎩쎀쎅쎟썝쎂ߟ썟쎢썢ɺଋᗌేจ༷ৼକ쎅จԽతɾྺ࢙తഎ‫ܠ‬쎂썻썛썽ɺ썬쎕썭쎕쎁ҙ‫ݟ‬썣ग़썬쎣쎕썮썶ɻ༑ષ썿썛썝ٕज़쎂썻썛썽ɺ쎕썶෮‫ݩ‬썿썛썝࡞‫ۀ‬쎂썻썛썽ɺଟ֯త쎁ࢹ఺썢쎠쎅ٞ࿦썣ల։썬쎣쎕썮썶ɻ

062ઍ័จԽ‫ॴڀݚ‬쎅‫׆‬ಈɹʦ‫׆ڀݚ‬ಈʗ‫ڀݚ‬ձʧୈ̏ճʮ‫౎ژ‬쎅঎썛ʕઍ੾԰Ұ໳썿ࡾ৚쎅ொʕʯ
Third Seminar: Business in Kyoto—Chikiriya Clan and the Town of Sanjoઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở‫ݚ‬‫ڀ‬‫׆‬ಈʗ‫ݚ‬‫ڀ‬ձỠỘ೔࣌ɿ೥݄೔ʢՐʣ‫࣌ޙޕ‬ʙ‫࣌ޙޕ‬෼ԙɿઍ័ຊࣾ쏝쏵ʕ
発表ʮߐ‫࣌ށ‬୅쎅ઍ੾԰썿஍ҬจԽʯ‫౎ژ‬෎‫౎ژ‬จԽത෺‫ֶܳؗ‬һ੢ࢁ߶ʕ

資料編1ʙ

 Activities of the Institute for Chiso Arts and Culture [Reserch / Seminar]ʦ֓ཁʧಉ೔։࠵썬쎣썶ୈ̐ճಛผؑ৆ձɾߨԋձʮઍ័썿౦ຊ‫ࣉئ‬ʕ‫૷ޚ‬ଋࢣ쎅࢟ʕʯ썿࿈ಈ썰쎢‫ا‬ը썿썮썽։࠵썬쎣쎕썮썶ɻ૷ଋ쎩ௐਐ썰쎢঎ਓɺ༗৬จԽ쎅୲썛ख썿썮썽쎅ઍ័쎅࢟썢쎠ɺ‫ژ‬쎅ொ썿쎅ؔ܎ੑ쎏੾쎡‫ޱ‬쎩ม썟ɺٞ࿦쎩ల։썮쎕썮썶ɻɹൃදऀ쎅੢ࢁ߶ࢯ쎆ɺ೥쎂‫౎ژ‬จԽത෺‫ؗ‬썿ઍ័썣‫࠵ڞ‬썮썶ʮઍ័೥쎅ྺ࢙ɹ‫౎ژ‬࿝ฮ쎅จԽ࢙ʯలʢୈձ৔ɿ‫౎ژ‬෎‫౎ژ‬จԽത෺‫ؗ‬ɺୈձ৔ɿઍ័쎸쏭쏳쏴썗ʣ쎩୲౰썬쎣ɺలཡձ쎂൐썛೥썢쎠೥쎂썢써썽ઍ័จॻ쎅Ұ෦໿఺쎅‫ૅج‬ௐࠪ쎩썬쎣쎕썮썶ɻࠓճ쎆썴쎅੒Ռ썿‫ڞ‬쎂ɺઍ័쎩‫ؚ‬쎗ઍ੾԰Ұ໳쎅঎ਓ썿썮썽쎅ྺ࢙ɺ஍Ҭࣾձ쎅த썾쎅Ґஔ썼써ɺ썴썮썽쎀쎅쎟썝쎂஍ҬจԽ쎩୲썺썽썛썺썶쎅썢쎂썻썛썽ɺ썫ൃද썛썶썷썤쎕썮썶ɻߨԋձ썾썡࿩썮썛썶썷썛썶ࢁ‫ޱ‬ত඙ࢯʢ౦ຊ‫಺ࣉئ‬ࣄ෦ॻ‫ه‬ʣ쎩쎆썯쎘ɺ૷ଋɺफ‫ֶڭ‬ɺจԽ࢙쎅ઐ໳Ո썣ू썛ɺ썬쎕썭쎕쎁ଆ໘ɾ෼໺쎩಺แ썰쎢‫౎ژ‬쎅঎ਓɺ‫౎ژ‬쎅஍ҬจԽ쎂썻썛썽ɺҙ‫ݟ‬쎩ަ쎦썮쎕썮썶ɻ116ઍ័จԽ‫ॴڀݚ‬쎅‫׆‬ಈɹʦ࠵ࣄʗಛผؑ৆ձɾߨԋձʧઍ័쎽쏶쎹쏁쏱쏽썿‫ڞ‬쎂ɺ೔ຊจԽ쎅ະདྷ쎩ߟ썟쎢ୈ  ճʮઍ័썿౦ຊ‫ࣉئ‬ʵ‫૷ޚ‬ଋࢣ쎅࢟ʵʯ೔࣌ɿ೥݄೔ʢՐʣ‫࣌ޙޕ‬ʙ࣌෼ԙɿઍ័ຊࣾ쏝쏵֊쏥썗쏵ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở࠵ࣄʗಛผؑ৆ձɾߨԋձỠỘʦ֓ཁʧʦߨࢣʧ Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]ʮ‫૷ޚ‬ଋࢣʯ썿썮썽༗৬จԽ쎩୲썺썽썤썶ઍ័쎅঎썛ࢁ‫ޱ‬ত඙ʢ쎛쎕썧썸썙썤쎉썪ʣ썿ྺ࢙쎩ඥղ썤쎕썮썶ɻ썡쎟썴೥લɺઍ័쎅࢝૆썾೥෱Ҫ‫ݝ‬ੜ쎕쎣ɻେ୩େֶେֶӃจֶ‫ڀݚ‬Պम썙쎢ઍ੾԰༩ࡾӈӴ໳쎆๏ҥ঎썿썮썽‫౎ژ‬쎅ࡾ৚ࣨொ࢜՝ఔ෹‫ڭ‬จԽઐ߈मྃɻ‫ࡏݱ‬ɺ౦ຊ‫ࣄ಺ࣉئ‬෦ॻ썾঎썛쎩࢝쎘쎕썮썶ɻ౰࣌ɺۙྡ쎂쎆ଟ਺쎅ࣉӃ썣썙쎡ɺ‫ه‬ɻਅफେ୩೿ᅵਖ਼ࣉॅ৬ɻઍ੾԰Ұ໳쎆ࡾ৚௨쎡쎂‫ݢ‬쎩࿈쎄๏ҥ૷ଋɾۚ᧩‫ר‬෺‫ڞ‬ஶ ‫ژ‬๏ҥࣄ‫ڠۀ‬ಉ૊߹ઃཱप೥‫ه‬೦ࢽʰ‫ژ‬๏ҥ쎩ೲ쎘썽ൟӫ썮쎕썮썶ɻத썾쎙ઍ័쎆౦ຊ‫ࣉئ‬썿쎅‫ܨ‬썣঎࢙ʱ써썬쎡썣‫ڧ‬썦ɺ‫༻ޚ‬঎ਓ썿썮썽ૐཿ쎅૷ଋ썾썙쎢‫ ࠰ ܌‬쎛‫ޚ‬썝썸썮썤ಊ쎩૳‫ݫ‬썰쎢ଧෑ쎩਺ଟ썦ௐਐ썮썽썤썶ྺ࢙썣썙쎡쎕썰ɻ౦ຊ‫ࣉئ‬쎟쎡ࢁ‫ޱ‬ত඙ࢯ쎩ܴ썟ɺ‫౎ژ‬쎅จԽ쎂ࠜ썭썰૷ଋ쎅ඒɺެՈ쎅썮썤썶쎡썾썙쎢༗৬쎂썻썛썽쎅썫ߨԋ썿‫ڞ‬쎂ɺ౦ຊ‫ࣉئ‬썾쎅࠷ߴྱ૷썾썙쎢๏෰ࣣᑍ‫࠰܌‬쎅ண૷쎅࣮ԋ쎩썫൸࿐썛썶썷썤쎕썮썶ɻ쎕썶ಛผ쎁쎼쏃썟 쎙쎪쎀썝쏒썿썮썽ҥ໲ಓࢁՊՈ쎅ୈ୅ࢁՊ‫ݴ‬਌༷쎩썡ট썤썮ɺߨԋձ쎅த썾༗৬쎂썻썛썽썫ൃ‫ݴ‬썛썶썷썤쎕썮썶ɻؑ৆ձ썾쎆ɺࢁ‫ޱ‬ত඙ࢯ쎅썫ॿྗ쎅쎙썿౦ຊ‫ࣉئ‬쎩쎆썯쎘쎒썝 쎙썡썮썿쎄ਅफେ୩೿쎅ࣉӃ썢쎠ഈआ썮썶ᧁী쎛‫࠰܌‬ɺ‫ޚ‬ᣊ쎛ᐻઔ쎁쎀쎩఺썱썻ղઆ썛썶썷썤쎕썮썶ɻઍ័쎽쏶쎹쏁쏱쏽썢쎠쎆ɺ૷ଋ쎅‫ݟ‬ຊ஽쎛ଧෑ썿‫࠰܌‬쎅ਤҊ쎩ग़௠썮쎕썮썶ɻ108ઍ័จԽ‫ॴڀݚ‬쎅‫׆‬ಈɹʦ࠵ࣄʗಛผؑ৆ձɾߨԋձʧઍ័쎽쏶쎹쏁쏱쏽썿‫ڞ‬쎂ɺ೔ຊจԽ쎅ະདྷ쎩ߟ썟쎢ୈ  ճʮઍ័༑ષʕଋᗌేจ༷ৼକ쎅෮‫ݩ‬੡࡞쎩쎘썧썺썽ʕʯ೔࣌ɿ೥݄೔ʢਫʣɹ‫࣌ޙޕ‬෼ʙ‫࣌ޙޕ‬ԙɿઍ័ຊࣾ쏝쏵֊쏥썗쏵ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở࠵ࣄʗಛผؑ৆ձɾߨԋձỠỘʦ֓ཁʧઍ័썣୅ද쎩຿쎘쎢༑ષ࢙ձॴଂ쎅ʮଋᗌేจ༷ৼʦߨࢣʧ٢Ԭ޾༤ʢ쎟썮썡썢썬썸썡ʣ

 Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]କʯ쎩୊ࡐ쎂ɺઍ័༑ષ쎅ٕज़썿೔ຊ‫ݹ‬དྷ쎅છ৭쎂য

೥‫౎ژ‬ੜ쎕쎣ɺછ৭Ոɻ೥ૣҴాେֶୈҰ఺쎩౰썽쎕썮썶ɻઍ័쎆ɺ೥썢쎠೥쎂썢써썽ɺจֶ෦ଔ‫ޙۀ‬ɺ೥쎂ඒज़޻ܳॻग़൛ࣾ쎅ࢵߚࣾ쏫쏵쎽쏴쏈썗쏎ˍ쎲쏽쏉썗쏐쎮쏽쏫쏽쏒쎂쎟쎢શࠃ쎅ண෺쎩ઃཱɻ೥ੜՈ쎅ʮછ࢘쎟썮썡썢ʯ୅໨쎩‫ܧ‬ঝɻ࢈஍쎅৬ਓ썣࠷ߴ‫ڃ‬쎅ண෺쎩੡࡞썮ެ։썰쎢ʮண෺ʷ২෺છ쎅ୈҰਓऀ썿썮썽ༀࢣࣉɺ౦େࣉ쎁쎀쎅จԽࡒ

썤쎙쎅ʷ,*.0/0쏡쏷쏂쎱쎹쏒ʯ쎅Ұ‫؀‬썿썮썽ɺʮଋᗌ쎅෮‫ݩ‬쎩쎆썯쎘ɺӳࠃ 7" ത෺‫ؗ‬썢쎠쎅ґཔ썾Ӭ‫ٱ‬ేจ༷ৼକʯ쎅෮‫ݩ‬੡࡞ ‫؂‬मɿՏ্ൟथ‫ڭ‬तʢؔ੢ֶอଘ༻ʮ২෺છ쎘쎅쏁쏵쎹ʯ쎅੍࡞౳쎩खֻ써쎢ɻஶӃେֶ  쎩ख썣써쎕썮썶ɻ썴쎅ࡉ쎛썢쎁จ༷ද‫ݱ‬썿խॻ쎆ʰ೔ຊ쎅৭ࣙయʱʰԦே쎅썢썬쎄৭ࣙయʱʢࢵߚࣾʣɺ쎁৭࠼썾ߐ‫࣌ށ‬୅쎅༑ષછ쎅࠷ߴๆ썿썮썽ॏཁจԽࡒʰઍ೥쎅৭ ‫ݹ‬썤೔ຊ쎅ඒ썮썬ʱʢ1)1 ‫ॴڀݚ‬ʣɺʰ೔ຊ쎂ࢦఆ썬쎣썽썛쎢ʪଋᗌేจ༷ৼକʫ썾썰썣ɺ‫ݱ‬୅썿쎅৭쎩છ쎘쎢ʱʢ‫ؠ‬೾৽ॻʣɺʰ৭‫ߦل‬೔ຊ쎅ඒ썮썛෩‫ܠ‬ʱ쎆‫ݜ‬쎛છྉ썿썛썺썶ૉࡐ쎙ɺٕज़쎙ҟ쎁쎢ߐ‫࣌ށ‬୅쎅ʢਗ਼ྲྀग़൛ʣ쎁쎀ଟ਺ɻҥী쎅෮‫ݩ‬쎆ɺ֤޻ఔ썾썬쎕썭쎕쎁՝୊썿޲썤߹썝쎙쎅썾썮썶ɻ썴쎅த썾ɺછ৭쎂썡썛썽쎆ʮછ࢘쎟썮썡썢ʯ쎅‫ྗڠ‬쎩ಘ썽ɺ썰쎐썽ఱવછྉ쎂쎟쎢࠶‫ݱ‬쎩໨ࢦ썮쎕썮썶ɻ୅છ࢘쎟썮썡썢౰ओ쎅٢Ԭ޾༤ࢯ쎩ܴ썟ɺ੡࡞աఔ쎩ৼ쎡ฦ쎡쎁썣쎠ɺ೔ຊ쎅৭쎅ྺ࢙썿ັྗɺ೔ຊਓ썣େ੾쎂썮썽썤썶ણࡉ쎁ඒҙࣝ쎂썻썛썽࢕썛쎕썮썶ɻߨԋձ썿썿쎙쎂ɺ‫ཱࠃ౎ژ‬ത෺‫ؗ‬쎂‫د‬ୗ썬쎣썽썛쎢ʪଋᗌేจ༷ৼକʫ썿෮‫ݩ‬඼쎅఺쎩ฒ쎐썽쎅ؑ৆ձ쎙࣮ࢪ썮쎕썮썶ɻ쎕썶ʪଋᗌేจ༷ৼକʫ썿෼썢쎣썽썛썶෦෼쎅྾஍쎩썫ॴଂ쎅໺‫ࣜגޱ‬ձ༷ࣾ쎂ಛผ쎂썫࣋ࢀ௖썤쎕썮썶ɻ084ઍ័จԽ‫ॴڀݚ‬쎅‫׆‬ಈɹʦ‫׆ڀݚ‬ಈʗແ‫ܗ‬จԽࡒௐࠪʧԳग़ߜ쎡ٕज़‫ܧ‬ঝ쏡쏷쏂쎱쎹쏒
A study of okedashi shibori techniqueઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở‫ݚ‬‫ڀ‬‫׆‬ಈʗແ‫ܗ‬จԽࡒௐࠪỠỘ‫ؒظ‬ɿ೥݄ʙ೥݄ɺ೥݄ʙ೥݄࿈‫ܞ‬ɿ‫ࣜג‬ձࣾઍ័ॿ੒ɿ‫ۀ࢈ࡁܦ‬লۙ‫ہۀ࢈ࡁܦـ‬ɺ೥౓ʮ஍Ҭத֩‫ۀا‬૑ग़ɾࢧԉࣄ‫ۀ‬ʯʦ֓ཁʧ೥౓쎆ɺԳ쎅ࡐ࣭ɾ‫ܗ‬ঢ়ɾѹྗ౳쎩‫ܭ‬ଌ썮ɺ୅Գग़ߜ쎡쎆ɺେ୾쎁จ༷쎩ଟ৭쎂છ쎘෼써쎢썿‫ڞ‬쎂ସಓ۩։ൃ쎅ࢳ‫ޱ‬쎩୳쎡쎕썮썶ɻ쎕썶ɺ쏟쏳쏽쏃썾‫׆‬༂ߜ쎡ಛ༗쎅ॊ쎠썢쎁෩߹썛쎩ද‫ݱ‬썾썤쎢ઍ័쎅ண෺쎂썿썺

썰쎢쏑쏀쎮쏔썗.BUIJMEF #SFHFPO ࢯ썿쎅‫ۀڠ‬썾쏃쎵썗썽ܽ썢썰썪썿쎅썾썤쎁썛ٕज़썾썰ɻ썮썢썮쎁썣쎠ɺ༷ʑ쏟쎩੡࡞썮ɺ೔ຊ쎅‫ݹ‬యจ༷썷써썾쎆쎁썦쎽쏽쏐쏽쏧쏳쎁఻౷ٕज़썿ಉ༷쎂ɺٕज़쎅शಘ쎆ࢣ쎩‫ݟ‬썽ਅࣅ쎢썪쏴썗쎁쏑쏀쎮쏽쎕썾࠶‫ݱ‬썾썤쎢ɺٕज़쎅Մೳੑ쎩࠶֬ೝ썿썣લఏ썿썮썽썙쎡ɺٕज़쎅޻ఔ쎛ॏཁ쎁쏧쎮쏽쏒쎆ɺ

썮쎕썮썶ɻ

 Activities of the Institute for Chiso Arts and Cultue [Joint research projects / Studies of intargible cultural property]‫ޠݴ‬ԽɺՄࢹԽ쎆썬쎣썽썡쎠썱ɺٕज़ऀ쎅ߴྸԽɾਓ

੒Ռൃද썿썮썽೥쎅݄쎂쏛쏴썾లࣔձ쎩࣮ࢪ썮

‫ݮޱ‬썣ਐߦ썮썽썛쎢썷써썾쎁썦ɺԳ쎛ఝ쎁쎀ಓ۩쎅ੜ

쎕썮썶ɻ쏐쎷쏃쏉쎮쏵쎅쏚쎮쏮썗ɺ쎴썗쏒쎹쏋쏯썗쏵쎅쏫࢈ऀ쎩ࣦ썺썽썛쎕썰ɻ쏈쏽쎅৬ਓɺඒज़‫ऀ܎ؔؗ‬ɺ쏟쎫쏍쏁쏱쏽ઐ໳ֶߍ쎅೥౓쎆ɺٕज़੡࡞޻ఔ쎩ௐࠪɺ‫ه‬࿥ɺ쏜쎬쏴쏽‫ڭ‬त쎛ֶੜ쎩쎆썯쎘ɺ೔ؒ쎅‫ؒظ‬த쎂໊썣དྷ৔썮쎺౳쎩࣮ࢪ썮ɺҰ썻Ұ썻쎅޻ఔ썿ɺٕज़ऀ쎛ઍ័쎅੡쎕썮썶ɻٕज़쎅޻ఔ썫썿쎂쎀쎣썦쎠썛쎅࣌ؒ썣썢썢쎢쎅썢ɺ࡞୲౰ऀ썣ແҙࣝ쎅썝썸쎂ଟ༻썮썽썛쎢‫ݴ‬༿쎩‫ه‬࿥썮ɺ쎀쎅쎟썝쎁છྉ쎛ૉࡐ쎩࢖썺썽썛쎢썢ɺ쎁쎀ଟ썦쎅࣭໰ٕज़쎩‫ܧ‬ঝ썮썽썛썦্썾ʮ쎷쏬ʯ썿쎁쎢࡞‫ۀ‬쎩‫ূݕ‬썮쎕썣౤썩썢써쎠쎣ɺؔ৺쎅ߴ썬썣썝썢썣썟쎕썮썶ɻ఻౷ٕ썮썶ɻ

ज़쎅‫ܧ‬ঝ쎆쏟쏳쏽쏃쎂썡썛썽쎙େ썤쎁՝୊썿쎁썺썽썡쎡ɺ
೔ຊจԽ쎩औ쎡‫ר‬썦ࣾձతɾ‫ࡁܦ‬తଆ໘쎂쎕썾ؔ৺썣
‫د‬썲쎠쎣쎕썮썶ɻ

パリ展示会風景

於：アトリエ・ブランマント

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ʪԴ୮౻Ֆଋ੨ւ೾จ༷খକʫɺʪቼນߚ༿จ༷খକʫɺʰ౰ੈછ༷ઍ୅쎅쎉썛쎁썢썶ʱʕ

‫ࡁܦ౎ژ‬쏅쏽쏉썗'‫ۀ࢈౎ژ‬ձ‫ؗ‬쏥썗쏵

ʮ5IF,*.0/04UZMFE3F4UZMFEʙ쏟쎫쏍쏁쏱쏽썿썮썽쎅썤쎙쎅೥ʯ೥݄೔ʢ౔ʣʙ೔ʢۚʣʪएদจ༷ଧֻʫɺʪ೾쎂௽จ༷ৼକʫʕ੢‫ࢢٶ‬େ୩‫ه‬೦ඒज़‫ؗ‬ʮ࢛৚೿쎏쎅ಓɹ‫ޖ‬य़쎩த৺썿썮썽ʯ೥݄೔ʢ౔ʣʙ݄೔ʢ೔ʣࢁ‫ޱ‬ૉҀʪ쎛썰쎠썛ࡇਤẒ෩ʫ

129

లཡձ‫ྗڠ‬Activities of the Institute for Chiso Arts and Culture [Reserch / Seminar]
053

Second Seminar:

Traditional Japanese Dyeing—Colors and Techniques
Date and Time: Wednesday, April 25, 2018, 4:00 pm to 5:30 pm
Location: Chiso Head Office Buildingʕ

Panelists:

 Activities of the Institute for Chiso Arts and Culture [Reserch / Seminar]

Summary
The second seminar was held in association with theThird Special Exhibition and Lecture on “Chiso Yuzen—
Reproducing a Furisode Kimono with Noshi Bundle
Design,” which was held on the same day. The seminar
was held as a free discussion session, attended by panelists
including Sachio Yoshioka, who gave the lecture, and theDirector of the Production Department of Chiso, whowas engaged in the reproduction project. The discussion
topics ranged from the characteristics of natural dyes, thechallenges encountered during the reproduction project, thetechnical differences between the reproduced kimono andcontemporary kimonos, and to the difficulty in adjusting
the color density in the coloring process. The seminar wasalso attended by 21 specialists and professionals including
researchers in reproduction, textiles, and fashion, dyeing
artists, art historians, fashion and culture experts, andcultural anthropologists, who shared various views ontopics including how to reproduce colors ref lecting thediscoloration over years since the Edo period, and culturaland historical backgrounds of the Furisode Kimono withNoshi Bundle Design. The yuzen dyeing techniques andthe reproduction work were discussed from many different
angles.

Sachio Yoshioka, Somenotsukasa Yoshioka (Textile Dyer Yoshioka)
En Isomoto, Managing Director, Chiso Co., Ltd.
Hironobu Mizumura, Production Department Director, Chiso Co., Ltd.

ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở‫ݚ‬‫ڀ‬‫׆‬ಈʗ‫ݚ‬‫ڀ‬ձỠỘ

Activities of the Institute for Chiso Arts and Cultue [Reserch / Seminer]
063

Third Seminar:

Business in Kyoto—Chikiriya Clan and the Town of Sanjo
Date and Time: Tuesday, October 23, 2018, 4:00 pm to 5:30 pm
Location: Chiso Head Office BuildingʕPresentation:

Chikiriya in the Edo Period and Local Culture

The speaker, Tsuyoshi Nishiyama, curated the exhibition “AHistory of Chiso: 460 Years of Tradition and Innovation”
held in 2015 at two venues (the Museum of Kyoto and theChiso Gallery), which was co-organized by the Museumof Kyoto and Chiso. In preparation for the exhibition,from 2014 to 2015, he examined some 500 items from
Chiso’s archives as basic research. In his presentation,
Nishiyama shared the research results and talked about thebusiness history of the Chikiriya clan including Chiso, thecompany’s relationship with the local community, and how
the company acquired a role in the local culture.
At the seminar, Akihiko Yamaguchi (secretary at theinternal affairs department, Higashi Honganji Temple), whogave the lecture, and other experts in vestments, religion,and cultural history shared their views on the multifacetedrole of traders in Kyoto as well as the local culture of Kyoto.

 Activities of the Institute for Chiso Arts and Culture [Reserch / Seminar]

SummaryThe third seminar was held in association with the FourthSpecial Exhibition and Lecture on “Chiso and Higashi
Honganji Temple—Being a Vestment Purveyor,” which
was held on the same day. The seminar aimed at discussing
Chiso as a vestment trader supporting the culture of ancientimperial court practices, and then providing a different
perspective on the company by exploring its relations withthe local community of Kyoto.

Tsuyoshi Nishiyama, Curator at the Museum of Kyotoઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở‫ݚ‬‫ڀ‬‫׆‬ಈʗ‫ݚ‬‫ڀ‬ձỠỘ

Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]
109

Exploring the Future of Japanese Culture with Chiso Collection–3

Chiso Yuzen—Reproducing the Furisode Kimono with Noshi Bundle Design
Date and Time: Wednesday, April 25, 2018, 1:30 pm to 3:00 pm
Location: Chiso Head Office Building, Hall (5th floor)ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở࠵ࣄʗಛผؑ৆ձɾߨԋձỠỘLecturer:

Under the theme of the Furisode Kimono with Noshi

Sachio Yoshioka

Bundle Design, which belongs to Yuzenshi-kai headed by

Sachio Yoshioka is a textile dyer born in Kyoto in 1946.

Chiso, the lecture focused on the techniques of Chiso

He graduated from the Schools of Letters, A rts andYuzen and old Japanese dyeing. From 2015 to 2017, Chiso

Sciences I, Waseda University in 1971, and establishedcarried out a project aiming to reproduce the FurisodeA r t Book s Shikosha Publishing Co., Ltd. in 1973.

Kimono with Noshi Bundle Design as a part of the “ ண෺ ×
썤쎙쎅 ×KIMONO” project, which was funded by Melco

He succeeded to his family’s business Somenotsukasa
Yoshioka as a fifth-generation head in 1987. As a leading

Resorts & Entertainment. The project invited artisans

expert in plant-based dyeing, he has restored culturalfrom kimono-producing districts across the country toproperties of Yakushiji Temple and Todaiji Temple, andproduce and exhibit their best kimonos.

produced plant-based dyed silk textiles to be preservedin perpetuity at the request of the Victoria and Albert

The Furisode Kimono with Noshi Bundle Design is aMu seu m, E n g l a nd . He h a s aut hore d a nu mber ofpremier Edo-period, yuzen-dyed textile designated as anbooks including Nihon no iro jiten (Shikosha), Ocho no

Important Cultural Property of Japan. In reproducing akasane iro jiten (Shikosha), Sennen no iro: Furuki Nihon

kimono from the Edo period, where materials, such asno utsukushisa (PHP Institute), Nihon no iro o someru

silk or dyes, and techniques are different from modern(Iwanami Shinsho), and Iro kiko: Nihon no utsukushii fukei

times, the project faced a number of challenges in every(Seiryu Publishing).

process. For dyeing the kimono using only natural dyes,
Somenotsukasa Yoshioka joined the project to provide
coloring materials.
We invited Sachio Yoshioka, the fifth-generation headof Somenotsukasa Yoshioka, to explain the reproduction
process and lecture on the history and charm of Japanesecolors and the delicate sense of beauty that the Japanese
have cherished. The event also exhibited the Furisode
Kimono with Noshi Bundle Design and its replica sideby side, which are now deposited in the Kyoto NationalMuseum. We also invited Noguchi Co., Ltd. to present
their proprietary Furisode Kimono with Noshi Bundle
Design, which was presented as a separated piece of theoriginal Furisode kimono.

 Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]

Summary

Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]
117

Exploring the Future of Japanese Culture with Chiso Collection–4

Chiso and Higashi Honganji Temple—Being a Vestment Purveyor
Date and Time: Tuesday, October 23, 2018, 2:00 pm to 3:30 pm
Location: Chiso Head Office Building, Hall (5th floor)ઍ័จԽ‫ݚ‬‫ڀ‬ॴ쎅‫׆‬ಈở࠵ࣄʗಛผؑ৆ձɾߨԋձỠỘLecturer:The event aimed to unveil the history and the businessAkihiko Yamaguchi

of Chiso, which has supported the culture of ancient

A kihiko Yamaguchi was born in Fukui in 1961, andimperial court practices as a pur veyor of vestments.

completed the master’s course in Buddhist Culture

About 460 years ago, Chikiriya Yosoemon (Yozaemon),at the Graduate School of Letters, Otani University.

the founder of Chiso, started his business as a religious

Currently, he serves as the secretary at the internal affairs

vestment trader in Sanjo Muromachi, Kyoto. With many

department, Higashi Honganji Temple, and as the chiefneighboring temples in those times, the Chikiriya clan,

priest at Enshoji Temple (Shinshu Otani-ha branch). He

nestling up along Sanjo Dori, prospered in business byis also a co-author of Kyo hoe sho shi (History of religious

delivering religious vestments and gold brocade scrolls tovestment merchants in Kyoto), which is a book publishedthe temples. Having a strong relationship with Higashi

to mark the 10th anniversary of the Kyo Hoe BusinessHonganji Temple, in particular, Chiso delivered, to theCooperative.

priests there, many costumes for them called kesa andcloths called uchishiki for decorating the altars in thetemple.
We invited Akihiko Yamaguchi from Higashi Honganji
Temple to deliver a lecture on t he beaut y of t hose
vestments tied to Kyoto’s culture, and the culture ofancient imperial court practices. He also demonstrated
how to wear a shichijo kesa, a supreme ceremonial vestment
at Higashi Honganji Temple. The special guests wereTokichika Yamashina, the 30th heir of the Yamashina
family dedicated to the emon-do (the art of dressing oftraditional attire), who was invited to deliver a talk on theculture of ancient imperial court practices from his own
perspectives.
At the exhibition, Akihiko Yamaguchi explained one by
one about a hohmo (supreme Buddhist robe), kesa, oshitone(floor mat), and hiogi (wooden fan) collected from Higashi
Honganji Temple and other temples of the Shinshu Otaniha branch of Shin Buddhism. Chiso exhibited a sample
book of vestments and the designs of uchishiki and kesa,
which were brought from the Chiso collection.

 Activities of the Institute for Chiso Arts and Cultue [Special Exhibitions and Lectures]

Summary