~·,aau._....
.......................

.~HANKIE.-...

~.

1AUGHAN!f"Nlaal' •.,MALCOLM.VAUGIIAN'fop of the bW. P,7

LOUIS.ARMSTRONG
hla ---· •.••~JtUJS$•PAGE

6.5 FILM
SUPPLEMENTMODIINJ ■-s Is booming, The club•
ha,. newer had It
good or th•
10

modern fan, 10 much to chooH from.
Typical was the queue In London's Tottenham Court R-0ad on Saturday evenlnr for the
opentnr of the newest Mecca or ModernltyUenny Green's Jan City.
Almost an hour after the session kicked off,
It slretohed 50 yards up the road. Eventually
ne:irl1 1,000 passed tbrourh the doors.
From Um.e to time the MELODY MAK.ER
r-----cameras are coins to Yklt
DON'T fORGE1 Britain'• top jau fll)Ots--tolbe NN 18 out
ODbrine you monlaaes lllle thll.

MM camMGman Ron Coll.nItallot tllU Jaa Cit' f)Ol/e.

THURSDAY, f::"t :f::m~~ ,::::,. <1fii1
seamen (dr,.) and compere
APRIL 3 Benn11 Green. Centre: :rcnnrn11

NEXT WEEKWhittle(tnrJ,HalTII

Kirin<barl.> andJ oe Hamott (alto.>.
rlgl1t; HarrJI Klefn.

. __ _ _ ___,1 Bottom

INSmE: Sex in sonp ...-Ur.

I'

Page 2-MELODY MAKER. M<UCb 29, 11158

I

STARS
ROW
OVER
Pat Boone here :ROCK-'N' -ROLLDATES WITH THE STARSt Wet.II HftltMlf\C ln■ M1rctl M) 11,u, Aeutla THA R...
&und11\ ; W.DtU o judtm. Bourn,~.. tl'al ■OOHI
mouLh&atu:d.1f
T rocadtto. I:•
S.&u«s&Y·
l"rn Tradenan.
ph•nt and CM.\Jetl!ddl1 CALYIIIT
Wttll.

U ppodrom1

Mao.

<'htllf'r

Alm■ COGAN

Wf'tkl,,np.1rt

MaocMattr
THIIH MOHAIICHISuM>n: Pn.oca or Walu. W

YIP■ III

YORK. Wednesday.N EW
Mitch Miller, the .. aenlalW«t· N't• Tl'M'lllt. Card1ft

BhdlltlO

Hc.dtc, WAR D TtM
WNk &:molff. c~m,~' '"' W•
DALEu
Ne• Thtaln CatclSB De•ld
WHITFIELD, .i.onr DUNC AN
Pantomtmf': PaHad ham. W
Wt .. tm ppodrome. air. Mart,
WILDE
1
Wrt:k : Dnplrt. N0Ul n1h1m
Mo,10:
HarmOftlc■ YAN.A
n.u.a11t
Wttk:
O!><ra Ho..., lkllu lPan:o.m mt Pal ladium. W.
Wu W,lhe HARRIS
Wf'tt h p.rt.. U we.rpool
Al HIHLEII
8und1 v:Daw.a
Tbuln,

Sven1all " A and R man
behind ao man y Columbia
disc lltartl, made :i s lashingattack on roclc-'n'-roll andother u teenaae music" atan a s I e m b la I e or thenation's dee-lays In Kansas
City, Mlssour
Alrea,dy b is a p e e c h bas
broughL a aha11> rncllon fromroclt promoter &nd dee-Jay Alan
Frted, who says: " A$ my per•

"1:~TIR'I

JAZZ

C roydonWtf'k Pa ta ct. MI .DChUltf
APflie H ILTON

Lu

1:;0':c!trrGmL Br11htoa
WNll

I np:re

Wt r•

NOTES
N

Ll•t'rpool

tdomund HOOKIIIDOE

O p .. ,:a HOUH

OeUaatMlchael HOLLIDAY
Wu.t. Emp,re NewtuUI
I DUld HUOHIIt
W~:~-~lttD"•
l"bU\ff
KOIIOITU
Wrtt : l..~plrt t..ffda

EW YORK. WNft1Nda7.- To

crtebrato<heir albuon, a conecrl • PO• tint
Ella Pllza,,rald and lbP Duh
ElllnlJU)n OrChNtra wll: be held
al Carnealc Hall on E&blor Sun•dak;0
wtui1a~~~he
TV aerie. Tbc networ1t·s e1ttt1•
U•es arT ao happy •Ith the showson11I protea L against Mr.
MUJ,r'a gpeech, I'm hereby be.n·nlng all Columbia records frommy ahow.•!~~~•~:,tiJ
Adds Prttd: " IL sounda 1111:eliOW' IJ'lopes to me, slnce MIi.Ch
can no lonau be the diet.at.or~~•~r~7:.~~ •:~~•~:~: ~~bl~ ol pop music. H e' s always beenand reviewers to gromote thr claM!cal m inded and my feelIna II I.hat he"a a musical anOb.
l','gl~Ql~JbS:Jn~c 11u!~~ Let'I race IL: rock-'D'-roU Is
bJger Lhan all ol us.·

M1,io UNlA).lone, , o, .IJonUott Hall
Lc:nsttrt

MACUU Tww
Wu-k E:n:,tre. Po:umouUI

MOST 8retMr1t

Pnt~':-s1,~:f're. Unrpool
w~i:,~. JuNn'■

From REN GREVATT~ :tav ot

tho

Thellrt'r~D••;,r. Pulc11u

T,nu1u~f'kROg ;•ae, Pc,n.a~oulb

Jottings

WN t :: H ippodrome. &.n1ht•
Edna SAYAOI!
I

Nothing eclult

KNIOHT arrlVM ID
Enatand on May 9 tor a conMARIE
Miller mid that on Amer:canradio today It la dlmcull l o l1ndaouV~'tANrt:r,·· NolUlllhUI &,"Ju~~•:tt :i'1r\~_;:bi; ,':»11~~~
but ban nol Jel l>N!n v t . . . a ·crown-up " hour before mld-

'V'W"___________
W~t: H lppodroml

Bl.rm.JD...

ham

W. C. Handy ill
in New YorkHOLLYWOOD.

0

•ttlt

• 1bc
Jim O lullrea t nl&l\L. • Adull.S everywhere a.retbe Bobvnla
IMt Trio opened
tor a twc>longing fer a break In the days

Wcdnesda,.-h e said. • Jt'a all'J::f J~n::;.. !~~lt3'.o"i~ tJ:: C&OOlllionYJ~
rlaht to I ve tlle 11:lds aome nl
blll, . •On lhe atren.r.b o1 an

wfi■l they watft. but how aboutre.~~..,~.■;l•~~ -.~~~ ~ some mm!c for the rm of us? "Blue Note In Chlcaco IOdaJ
Tbe ~ 8roduceci a raaht Wcdn..cta,1 tor one wttk . • . . of comment.
ne wrt~r called
Coral ~ r d• 11 readrlni 1•0
addreas of~~'fl7~.f/l:Y~r.:\~fP1. ~~:{~rt~:~.
r~~
11Ui; :~i~Ztn~•

Bl~" "!!:"Jiu:'_Lo.':.13 ~~~our ~?!!!!-~ ~i.a, '81'~ ALAI FREED
man,
tn a
Hank Jonu and Jobnny
Stil hoping .
fill~~"}~~~ 7e~~r' bu been
Bun Ko...U
ALAN PR.EEO also lold me

s'iuS_;
otha Ju& classlca. la
Marz.
com&. •ufferinll trom bronch ial CO.I.a,_ ....~ - - - - - - - - - - - - - - - - - - - - , BrlU&h
thatI.Om,
be 1Llll hopes to do a

• U we can J)()lllbly malte I t Sam I the lhlll Taylor and Ed
Dez\ Oc:tober 1'e will do IL." be Townsend.

said, "with the talent LO be
drawn at least partly f rom the,uoup we have lined up for ourlour ol Ulls country sl&J'tlng
1exl week."
New tren4?
The tour, which st.art.a Its:o-day.plus tnlr. Priday 128th) • HE'S Oot The Whole World
1cludea J erry Lee Lewis I" we
In His Handa" may h ave
1ay be brlngln1 him back to st.arud n new rell1l080 L.rend
nd with us," &aid Pref<!) , beN In the reconl scene.
Holly ano the Crlaeta.
The Laurie London record Is
Berry, the Diamonds, beading ror • million ale,>annJ &lid the Junlora. DIiiy and It has been covered by Jc
nd IJllle. Prnnkle Lymon the March on K a pp, Barbara~hantels, Billy Williams, D icky McNalr on Coral. and lhla " 'eek
Joo and the DonL'a, Screamln' by lhe one and o nly Mahaliara, Bawltlns. Jo AM Campbell. J ackhon on Columbia.

LAURIE LONDON=

tf'Aa ~ £ ' --=t Selmer~
OSCAR =

Tower Ballroom
all setplayed b>

HARRY
ROCHE

BLACKPOOL'S Tower Ballroom. which caught nro
last year, ls set to reopen on
Mav 23. Leader Is expected tobe saxln Charlie Barlow. who
was In command 11t I.he Ume ol

ftalurtd TV & Rtcord,ng Arustt

the ti.re.

1 · ou:-.ot!r_-v~1i.t 0 Maurern~~:~ gr.,,/g~,:, 'r..'l~:f.~n". . .
rgea~:n~. . .

B Rl(l llTOS.-b•Cluu Barb<'rRon Bowden hu

d rummer

Tlt<Jt art bu, a / ,.. o/ 1ht m1J111 otlitr /a,now artu11,
uclu11~tly u1111r Tro111bon11 /n 1/,1"ilcad,,.,y• ra1111:-lllll PEIIJI
o- 11..,••• ll•i
•HJ[ I PILLmo- 11....-, 11.u
11111£ nwooD Joh■>°""'"'"
TIH lfflUL 1.,,. ., o..._.,., 0m,,..,.
IAU SNAIIIIIAIK•• Modi••••••• On1w11,oClAlll IAIIES
c..u s,,,i,,..•, o"""'"

o..-.,.,Pm IOU£S~ l'MU,,,. ,,_Malcolm~airharllone..

1--1 4Mln-' ,._,.
lb null•-. ,.,• ,...,.,_,,_ _,...

rtg,i:,!

:~~h~n:~.1 . .
~~Itnan hu Jo\n~ T~clr Fo.1cr on*v"" ,_,

Nllldt(ICJ.,.--u. ,..c...........
...,,,,.,..,.,.,'""' D•• phtllll" pro":ln~ftund
OltlOrd
ON 8MlTH.
leadnu,, trumpet-

LIie

~

IQSDI & co. LTI~ 15, WEl:T 1nm, LDIDDI. w.u

Still the Bestfor Latin-A merican Tone

J~~~~nt a,_.alt•hOUIC

C'll \ 11'1.t:, ·. - Sulat

1'DI. 11111/1

I

a l I f ~•·Oa11Cr10I
In •uccesslon to Oeorac z.ana
haa now llnd the nu llno-up
or u,1 14-plect band be ialt1t
Ulne on SatutdaJ ua, 3.
Penonnel -~~ Don flpt_ =dlhe Ken•clL lf r o r. t i n I

Ronnie••l ' llll' ll f:,<T£1C.-S1ndr Bro•ntrill IUHl al a Jau Ball oraanLSNI b> Club Ntw Orleans at tbe
Dolpb:n ,110....1 on April 10~ 0••,-T t lCrORT. -A R tvrrboll
Sbuffle on tb• Severn u Sto ur•
Porl on.J une I
feature B lrn1ln1bam • Roc:k 11 and Jazz Band

•

""II

tu1ram Beaa!e Ja u••

MM:aula r. Brtat, Whltlle. Oa.,yT\' :.£ \llll'TII. - The \lrmon
Cox RoJ Oron• and Oen, Stre,t Jllumen and the 01m1>-

f!:U sHi·=~~.J~~1:: ~::; !:1':'h!j~6':1°r~t'c?t.."1';!!~J' ~r.ri:~r~!'ltbe:r:· anJtV,'tJ; &'iiit::r•,n a~/ p:n•:e'lJ..:~.~~~o~V~~: '%1:,~io,= on Mar~ 2a.
~IL\ andRon

StepbeJllOD

•

•

FLIP

PBRLIPSA te Arntriun lanor pl4iyer .. ho,.... U mt over wllh lhe first ")4u

a1lhe Phtlhannonlc" p,Kuge , how,W,dely known u •• anange, arc!
conapo,., in lhemodern id.om. lolt
mo,t of lho wcceulul Amo,iun
playtn he has wed Selmer each,.
sivtly lo, .,_., °" his ,how, ood
19Cording work.

Tbe
Slclo(dn. ·~ •::ug~U:1• t~!0~f'.n'f:':' J..~: s.,,..., •o•t • ol .JI ••-' dHhll, u
Oll'l TOCallata aH Julltl,.. Runor Sltlffle Conte1t.

:::ai ~"-." ~~~"'l:

,._.,
_
_
_
I.CJ
~ U_
ff6
-P
-,1
TO
.

BIL\OfDRD. -= . . .

-..,nt at u, Altort N0 1)!ASCII£ TER. - 1be PrldaJ•-- am.
•a.
modtm Jua ■-Ion. at 1be
W2lb
Bod,aa R H l&UTant, ba,e ur1b• nw auUlt •Utru nttn.l•e mlnatcd. Prom \On.llM (Marchreb~inLolldonen 281 tbe n ew pollcJ wlll be toApril H .
feature la~L Ju:& anct pop dlac:a.

Newabex by ; ; : : •• Jeny Dawson

Vt1 roio/opo, S.W.7 .., , , _ , /•••:~
11' Chatlng Crou U.london, WC l

MQtcb 29, 1958. MELODY MAltER-Poge 3

r.f~o-7VAUGHAN FOR!II MIAMI SPOT?

MIAMI, the millionaires' playground, la biddingfor Frankie Vaughan.
Paul Cave. Frankie's manager. wld the MM on Mond:1ythat he h11d had an olfer for the singer to llPP<'ar 11 t a
I Miamihotel. ·• This Is one of many S:nteslde offers th,H

In America." he added.
I have followed Frankie's TV shows
Pranlclc Is due back -lrom

Pop and jazz in1958 Soho Fair

America on Tuesdll}. nes t (A1ml
1,. He ap~rs at the De :\font.
lort Hall. Leicester. on Ea~ter
Sundny <6th 1. t h en shortly art~r
Easter records "Wonderlul
Things "-tllle song or l11s b 1e;1,
ftlm-!or PhiliPS.

'Ouar ' award"if~l~~·~~d-:::i~ ~ ~.~.\~:

Sa~~
lhe PTl!St'lltatlon U "Sho.. Bu.,1n - Perwn&llty 01 The Y•ar ~from lbe Varlet, Club ot Or.at
Brtt&ID.

onf!&.P:~•1.Jl,llfi'1n~~~r't•~'l[~third n1m-W1th Anna Nea11e on
Maifuf'the week belore he n1l'1
to the Stetn tor an appHrante
Patti Pqe·a .. Bts Recotd~:i;.nan~tare,~11: oraJh,~
Clubs Oonve.nuon In Allanl10
Prankle may
take time oir lo IIJ -.aln to Nrw
York ror the Broadwa,, p rem11!t1
or " Th- Danll1!rou• Ytara...

CLEO LAINE HASSTRAIGHT ROLE

OD

Sister Rosetta isgoing to Church TWO MORE BLUES
Ol~i::re M~rm,or.

On Jui, 7. be open.o at Brlah•
ton H ippodrome In hl1 own alllow,.. Hapµy-Oo-Luolt,y."alnier Slater Rosella Tharpe Is lo sins In a London
GT OSPEL
church durln1 her forthcoming second BriUsh tour.
he Rn. Harold O. J ohmon bu arranaed tor htt to vl&lt the

Prince or Walea 8oa(I MclhodllL Ollurch. KeDlllh Town. IL evenlnRaervloc on Aorll 2, when ahe wlll_,.11: and atn11 lo t he cona:rfif.':,t l ~ due lo arrive In Lon•don ,~1erd1y ITbUradl.J) from
O..nmarlt. where 1he oomp leled

SINGERS FOR
BRITAIN

her nve mo11111.s· tour or Lile, conHer n rs l conccru wlll be with
tbe !.tick Mulllpn and Ke n Col·
Band, at tbe Royat Pesllval
0~nlN lo Au.lrllla ror • serlcs or concert.at1ncn1.

ft'"iio r.:~:1':."~h.

Fast working

Thtre wa!I ~~ some fut !(Ult•rwork tomorrow tSaturd•y~ror

1:"n\"11 er, o~~'tcFut .. ,,.g~w,•.ythe Plocadlllr Studio until 11.30~Hl·FI

p.m.. an<1 10 110w with .. The
B~nny 111.!J Show .. at SbeJ)btrdl
Bu•b TV I bt&lre from 8 .15.

Music Notes
T

HE newl~ lormed Joe Hor•rlo(Lulntet has been
booked lor I days' resident)' oL
the Stort}'Yllle Club, Frankfurt..
rrom April I
J oe 1alto1 leadt Honk Show(t pt.){ Harry South Cpno.l.
Coler dge Ooode Ibass) andBenny Ooodm:m (d rs.).
On Sunday lllt.cmoons J oe Is
running his own aaslon5 with
the Quint.ct and 1111eat artlst.s at
the Star Club. Wardour Street.

Dem.anded by le1dln1 New\'orlc dru mmen-a Premierqu~lity sn&re drum with ten
fi11in11 designed fo r H lah
Fidelity tone, A drum onl)I
Premier could make. A drum
proudl}• offettd to the con•noincur u a price withiD}'Our reach.

from

w.

nrat on ..nlrht s tand on Aprll a&l Lon111on, Staffs.
With Vic l<adln1 on cla rtn•t.
h i• perMJnncl compra.,. Svd
Boaunan 1pno.J. Orotr Sothro,Lf ~:~'!nd f
O lbb, rvcl•. 1.

L\~..lre ~r.~~fi.liTwentr-flve rears

bandleoder Mlclr. o,.i.,..
I RlSHhuntr t.hls year c:olebra1,..
hit 2Stb f tar Ln tbe mu le OU•I•~f~er ~i\'dand~~~~c8..,f11 •~!e~~t~•~
two o r bis col•Clonrpcl:ca1tUr, a rr r.o prochll , a book.
.. T he Delabunt1 StorJ.''£21 . 0 . 0

Winning wa,

Show Biwnc"' Soccer Xl
T HEbctpcd
10 ral.se .caoo tor lh<>
Mancbc1tcr United Munich mu..

ter Pund In a lootbell match 1H:~11\uvn"cfa,~1•d.W,':,'jl l1ncbe11.tt Sport.. Oulld team1
byJ~~~hfn:
and AIOI&~:!~'ft~t•~•Jg.:~

Coran IUolr.cd on. and Edn•
SAva1eout ralltc 11,12..._

Own jall& club

Alreody an escablit hcd !1vourlre

w11!'~oiITt %"i:~ d~;i.' and • trom;

Wonderful, 1htrp, blah·

Plh..nrd (One.

£22 . 1 . Q

H.P. TERMS,1nm

Une•upbe Ton y CrL5p C•ntrc. Sheen Road.
(tpt. J. Harry Lock roll.I. J ohn
Oeora• 1111• I. Rat Ollkes fb...at.

•nJ nowlhtedwlththeswee1c1t•
1,1iun throw-off II n.o ex1rafrom

SaturdaJ nights

lAN1S1 Norman Day hU ltll
D O D D Y PEATIIERSTO:-lth~ K r n Htne Dt1lrland•r• J~
HAUOH Is tronuna I qU\n•10 open a Jan club with h!a own tet
ror Saturday nt1ht &c-., .. u;11111~~~~t.~'. 0~~
lad E•••• al the Hlchrno nd Comn1u111i v

P

C'OSL

handedSee them atyour Premier Dealer NOW
or post this coupon TODAY I

r------------------~I
PRDIIER DIUM CO. LTD.. 17 REGEIT STIID, lOIDOI. W.1

I Pleue ,end m• furlher d111,l1 (6d for complelt cai,loguel

I NameI Ill' C.utlAiS/
I Addreu ....•__________________ ...

I ..........................................................................____.................
.._I My dealw 11.............. - ......· - · - - - - - - -..........Mll

fcge 4-MELODT M1JtE1t MG?Cb 29, 1958

(iilr2~ iati~~ml~a their

111111111111111111111111111111111111111111111111111111111- - - - - - , aUon who p ruumablv have
WHIN one , . .d, thebetta thlnp to do than wrll,• •erage ja&:s contro•
Yen, In trade paper1, one
to:ee :,p~,r~er art., reslly ~<'m uch better off? R ead Str
i, at flr1t engulfed by •Allred Munnlnp on modt rn
gr-t •••• of depression.
art and tall:e heart. l think
Why ts It, one asks, thatperhaps folly and cant dirllarder In Jan than In ollltr
jazz has been singled out
arUstlc llelds 6ltnply becau.rt_ _ _.., the bulk or Ute Jazz ronowln~
among all the arts ror the
young or Immature Jud~special a t t e n t I o n of standard or jazz commen- unfair. We nave good critics, Is
menl anii wildly fickle entlluslcretlns whose pawers of tary ln Britain (In the th ough they nou rish mall'.lly asm.s.
rea.sonlng, If ever they national newspapers, for in specJallst Journals whlchthem to write proper
Juvenile idea
existed, have apparently Instance) Is pitch ed allow
crit icism and not the son oflong s Ince shrivelled rather below the school soupedPracUtloners or the art m115t
up, s t accato Jour•av/ay?
which " attracts thl' grow a p rotective skin earl>• In
mag level. · And It's really nnlese
hfe II I.bey RN' not to be txMrpade r."perated beyond endurance b)'
little consolation for us toSd,ool mag
Ahcer foollsbn-.
be able to say that we Staunch support
Had l bffn a composer ol
As visltlng American seldom read it and 11ever
opera or a Cubist painter In·
jazzmen have repeatedly t.alte U. seriously.
And 1.-e are all dimly awaN' ai.ead or a Jazz musician. I
a s t.aunch body or mature d oubt If I should have read. 85
observed, more In sorrow On renectton, or course. or
Ja1.z-loven. people or balanced I did rec,mtly, that " Humphthan In anger, the general WI' know au this to be Judgment and wide apprecl- has been a bit or a I rail or tosays HUMPHREYLYTTELTONI
ex-weIt S ·no. comp.
A RE 1n f erIO r- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - , his fana."This notionJoran artlst::i!8Ju~i~111lfan~.
:i~. ~ ah~t.erlslic ol I.be Jan-cum-pop
world.
Can one Imagine the Bret,
hoven Pan Club Inducing th,composer to abandon h is quarCompost Heap" IMM J!i/ 3/ 581 tets and stick to s}·mphonlrs
1fa5 admlttedlv entertalnme,,lt r l alt to th ?
- and lauaha ble. Can ll be OU O oy yemlhat Mr. L}'ttelton, having auc-Supposing Shakespear e b ad
ceedrd In becoming a larglah h it lhe Jackpot ..,.!lb " Till$!lab In quite 11, amall bowl.I, ta ~~ron~~':ci;m~:Jld 10ht h~J~~~howlng orr by pretending t nl r.omtca ror u,e rest or h li; creohe 15 going 10 break the gl8'S?
READER G. R. Watson
H!s dl.s.satlsrncllon wllh him- ~~ !Jfe out or "loyalty to hl•(MM 2%/3/ 58) s a J s :atlf Is quite apparenL"We b.1ve ae.,,eral dnunmtrs
PEycho?0111Sta might suggtsl
wen up to American stanlba t he Is having a stru11lecltesfnuf
dard." but falls to menUon
w.thln because he knows nry
edited br IOI DAWIAIN
Ult name of one.
wrll lbat his chosen car eer or
We who paddle In t.bt shallr~
We do have a few drum- S lddmore-our a-al!ed Jazz. Orchestra I!! alwa11 worth hear. p ald e:1tenalner Is hardly In ~'ld or the creative pool m11.•1
mers possessing exceptional men have DOL got a complex, Ing, we could ctrtalnly do with lltep!ng ll"llh his own bac.lc- claim the aame rlgbl5 ol lndrtechnic al ablllt y but not one they a re s imply lnlerlor.- aome a!temaUve talent In this groun d. and he fea rs the aneera penden~.
1s able t o swing In the Dcwld F. Hor111u1.11, /Joraham, lie.Id-there la .Plenty to ch005e from those In h is ordinary
I n a ttcenl controversy In
lrom. What allout Don Carloa, placr In so.1tty, I am s urpraed " Reynolds Newa "S~1ez.
I
Amerlcan manner.
the Denis Brotllers and Pran- to lllld that h e has even alarmed to find Ru HarriS, ol
Toe wide gull between B rltuh
c:lao cave. to ~n !Jon onl)' a acquired the middle c!a.ss p reJu• a ll people, referring lo m,·
and Ammcan dnlmmers bu
bttn pamlully emphulsed by
f ew?-Jonathan D11de11e'JI, Han- dire 10 prost!tullon.-C. Lawson navlng " decided to reJ~ l the
Lpndc.n . .VW3.
' Jazz wh ich pul him In ht~
READ 9'llh lntn est t.be lOOrlll, llldd.z.
all the \•lsltlng artlat.a. especfle
tter
by
0
.
Smith
(M
M
nlly ...-hen a British group h aspresent J>Olllllon ."btt:1 u'llortunale enough to 22/ 3 / 58) and commend b lll
Thal reminds me ol Lhe oldremaru mo s L au-ongly. l lahare the billing.
chestnut about the parron •·ho
Mr Wal.50D also thlnkl It Is &eems to me a great pity thal
stopped to apeak to an old man
VER the last 2!i years I have on his allotment. " W e 11.
time 10 l fl rid or our Inferiority the BBC Ignores our own
h tard lhr lot and. contrarv O1!0rge. what a wonderful Job
complex. Let's race It. Wlth genuine Lau n-American bands
to pubhc acdalm. I find I.be )'OU and lhe Almighty hll\'f
f our1)056!ble excepUons- to auch an ex~ nl.
And wbUe the Edmundo Roi\ 'O!Ct'! ol Doris Day. Pat Boone, m3de .,,.Ith this J>lece o( land ..
Do.nkv.-onh. Rendell, Rau and
Cleo
Lalnr
and
Norman To wh ich the old man rrpliccl
lllY pe71onal manager .
J"I - Seymour I/tiler, haa
W!.sdom trrltnle me beyond grumpily . " Huh . . . you shouldmeasure. - John D. Daw,011. 'ave seen It •'hen the Alm1~nt,
11111 r,lr:en me a big thrill
Sale, Cheshire.
bl! 1/lolDfno 1M the March'ad It to '!mselr I"
HAROLD DAVISON presents
So ,rill 10me or the re11Uu, I
I lull<! o/ "lletod, Make."
eJ111«rl.
I IOUh to thank ,011 per.
,onallll / or pre41cttno that
m11 ,on11 • OIi. Oh. r m FallThe )azz which Is sup~ed 10
Ing I n !.(me Again " will behn.-e ' put me In my preH'lll
a hit.
PoSlllon•· came Into exlllttm •PRESLEY
calledup
Intothe
I am 100/rlno forward to
making a t rlp to 'JIOllr
Armv. That Is lhe best by kind permls.,lo::i of !hP
brea
th
or
my lungs a nd • Jch
nev.
s
or
1~58
Now
perhapswewondu/ul co1111t111 In the&hall have ll re<il from the cater· musical Ideas as my brain
ntar Juture amt /lope to
T-9Ullng he calls slngllijl. I could muster.
hoe% the opportunit'JI to
F£ATURJNC
bo;,e h e has a re11lly tough serThe Idea or Pure J aa beml!
mert I/Oil an4 all oJ ffl'JI new
l!elnt ! - Don \lm~nt, Edin- some sort of superhuman fo1ce.
Jr lend• per,onallr,,
burgh.
ELLA FITZGERALD
1'21, N. V ne 6lrttl,
like Ab.solu~ Oood. Is dellrlOU5)lo,it or h i■ rrcord• 1ound u claptrap.
Dolly wood, 28, Calif.
thoucb Ibey "ue reeorded In a
Besides. look what II did ror
STAN GETZ· THE OSCAR PETERSON TRIO· SONNY STITT
n f• ~n but. an:,way.
Kln R Oliver and Bunk J obnS()n I

LETTERSOld,:u

Latin-American

I

Jimlllie Rodgers
says 'Thanks'

So long, Presley

Middle-class

OMPHREY LYTTELTONGAUMONT STATE • KILBURN H
Ill an ent.ertalntr, and h isarllcle " Tin Pan Alley l s A

FRI. MAY 2, 8.0 p.m.
SOLD OUT
SAT. MAY 3, 5.30 p.~. 5/- 10/- 12/6 15/- 20/SAT. MAY 3, 8.30 p.m. SOLD OUT
SUN. MAY 4, 5.30 p.m. 5/- 10/- 12/6 15/- 20/SUN. MAY 4, 8.30 p.m. - - SOLD OUT

O

It's claptrap

NORMAN GRANZ'DIZZY GIUESPIE • COLEMAN HAWKINS • ETC.

Irritating

KESSR'S TWO
LEn HANDSJAZZSIIOWS

pre111e ■ t

Only London Appearance of

SISTERROSETTA THARPE,\111,•rica·• Crcatc, r Gosl'el Sing ing andGuitar l'loy ins Star
Ap.,..ring withAll hecl dl• '" odYOM• /tM G...,..., Slolt a., 0 1/tet. (Pl,.., MAI 1011}

KEN COLYER'SJAZZMENNOW BOOKINGMICK MULLIGAN& HIS BAND

IndSUN. MAY 11 • 6.0 and 8.30 p.m.

GEORGE MELLYDAVIS • CROYDONROYAL FESTIVAL HALL

TICKETS: 5/- 7/6 10/- 12/6 and 15/-

Ava,tabtt f,om Soi 01/ictt, Davis, Croydon. (Phone : CRO 831 I)
and wual agtnll.

~.~------,-11

STAlllrtD ADHESUI [H[LOPE lflTII POSTAL APPUCATIOII PWSE_______...,,..aej~--++~,

Gen..-at Manaaeri T. E. ■ltAN

Secrral readn, are l nlrigued allwt u;eek'• plctu,11 of B arnt'JI
K t u d . "Now we kno,c h cnr
ht doe, It." Ill e, IOI/, • He's 901
t u:o le/t lloncta." Sa here. f u1t
Ill CINT MJI lM •lflltrJ, I, l ht
pkti.re / rom another ongle. The
orhtr lt /t luJIUI bdonp, to Harr11
Jome, oltop.MV'1he Smilh. • ,MAJN AUDITORIUM

THIS SATURDAY, Mar. 29, at 5.30 & 8.30 p.m.
Tickets : Sf-, 7/6, 10/- from
Rova• Festival Hall Box Office (WAT. 31911
or at Door

Artist IC
sui·c idebuslnen tHOJ
THEis music
thick with men who
agree that, artl1tlcallr, we

hive hit bottom. Chart•them with their re,ponsl•
bilitJ in this stat• of affoln
and they look lnJurecl.

March 29, 1958. MELODY' NAKER-Pao• 5.. ., peeple
folatlng
rubbish 011 thepublkgetthw
ha11da dirty
thoy muatn't
complain If wenotke lt/•eaye
Dr, Donald
Sopo,. "It may

aee111 thatthey de ••real 11-.

-ytn.,_, do.'I
1

that's what sexy songs
wlll lead to, says . . .

Dr. DONALD SOPER"I'm ln this business to
In an int•r•l•w with Ton, Brown
make money," they say. " " ' - - - " I have to give the publJc
D•. Donald Sope•-ramous
what It wants."
Methodist p•eacbe• and a man
Suggest that they also
h.1,•e an artistic respon•espected by all •ellglous de•sibility and they are stungnominations-doesn't speak as aInto Irony. "I'll laugh nil
bigot. He was a lazz enthusiast
Lhe way to the bank," theyand still takes a keen lnte•est In,neer.
This answer , screamingly!iinny though It may be,:f ,e.n·t s ntlsry everybody. It
dJesn't satisfy Dr. Dona ld.:iJ pcr. for o n e.
· 11 people lolsUng rubbish on
l ,le P.Ubllc 11et thelr hands,1:m·. · be savs. "then they:uutn·t complaln I! we n otice 11..

populu music. It ls as a ramUy
man and spbtltual leade• that be
makes this Ro•th•lgbt attack on
bad songs In gene•al-and on
sexy songs 1n putlcula•.

tact that tbls material reaches Is tbat one aspect or Ure Is being
beyond tffna.aers may be the explol~ out or au proportionmore serious. Some or the and solely tor financial galn.
poorer ltema In the ,•ast pop" I t seems that the writers or• I t ma,· seem that they do no output ftnd avid Uslenera In
have only two ap.
I C31 harm. I say I.bey do-the achoolchlldren. Age group !or lyrics
clllallibutlon of populai music In trash extends lrom the brlaht proaches: sickly and unreallstlc
sentlment
on tbe moon andIlle form o[ records bas become 10-year-old to tbe rel.al'ded
J une level. and plain 11mut.".., wide. The obJectlonable adult..
Sex,
contends
Dr. SOper,nuure o[ much ot It Ls bollDd to"Let's be !Tnnk about this.
,ll, r~garded with dlsLaste by Impressionable youngaten, are plav11 a leading r61e In the experienceot
youngpeoplen ISp,1rems who take their responaJ. being bombarded with the
he "spinal approach" that Is
htlllles serlou,ly,• Love me possess me ' type or twrong.
He belleves that the In·· What I object to In partlcu- song. When they see some or
lnr Is the undue emphasis on tbe performers on stage. they terests or youngsters ahould be
and catered tor,ex In so many ao11g&.
mav be treated to h ighly aua· aclcnowltdRed
In an adult way. ~ he says.
• or course. there are rarely gesllve pelvic contortions.
bave a psychologlcal power. A
direct references. But there Is.. Tbe Implication Is that the catchy
melodY serves to Impress
olten a combination or am- physical exvresalon or love Is
blauous or auraestlve words as rlgbt aa It 11 Inevitable. This words or doubtful taste on thewith the ge.,turea and algnlfl. la not only morally dubious. Xt mind. Repelltlon dins thtm Into mrntal ballads beloved by the police rorce to protect our PhJ·
the subconscious.
c1111t phrasln1t from tbe singer. IS practlcaUy dangerow .
lr.te-Vlctorians - themes like steal wel!are. The prcaervauon
TOiether they can produce awhere • Is • m_v • wondertn1-boy. ot artllltlc and moral 1t.andard.s" Don't mlaunderstand this.
dtJtlnctly erotic Impact.."
tonlaht. But at least tbey wereI am not aaamat any reference
Dr. Soper PolDll out that the to aex In aonaa. What Is wrone
needed Is
senllment.al about morality. la
Dr. .Sooer !eels, ~ 1 that we We're amtlmental about aenll- aomcthln1 on the tines ot theare being overwhelm"II ~ those ment.
very efficient 111m censorshipaspects or tbe American mualcal"There's a remarkable com- which Is operated by the Indaacene that many rlgbc..tblnldng placency abroad. too. The other Itself.
Americans d eplore.
Otber evenJu1 I saw one songwriter onnations &eem to draw on Amert- televlalon.
can mater ial without crampln1.. Be app:iren Uy tbougbt his
their own musical tradJUona.
song said as much as a Shake" We need courqeous dl.3e" We all know that the Amer!- speare aonnet. That ls what I Jodteya who will refuse allcansproduce PoP music ot the call I ..,_ lb! I
btandlahments and reject trub
blghest quality. I 've beard son ....c e gnorance.
or all types.
much tbat I've Ilked since ,,.9
" I wat.cb ' 8.5 Special ' someB t....,.n h •- In t h eth"·,"'' • tlm~
a penance. I'm per.. u every......., w o ""day Wh•n I as
"H . Is PhJnIs•w an en .....aa. plexed. J can't understand how bualnel!S or writing, publlsbtna:,
t h IItfe n er no es orere. eas " on an At antic~~~~fJ1s!8s some- Intelligent people can derive any recordlnffa publlclalntiand aetr.
LP George Weln aa:,s of the phenomenal n ew pian o., Nevertheless. It was found sort or satisfaction rrom some- t~flopu r songs Is vohed 1nstylist : "To m:, knowledge the only planlat Who b as as necessary to control the Impart thing which ts emotionally em.. To set out to deprave yoan,:a re at, or greater command or the piano 11 Art T atum." or horror comics wbleh -;;-ere barTi.salng and lnteUectUlllly people and to plead prosperity
One or PhJneaa' claJ.ma to t am e la hla ability to put his being sold rreely to chJldren. It ridiculous."
as a Justlftcation Is shockinJt.
r ight hand In h i.I pocket and pln:, two choruses of a ballad, may be Jwt as necessary to curb
What to do about lhe altua- Nolhln1t worth while was bulft
i Uch as " Embraceable You," c,cclusivety with hts left hand. trashy &onlfS.
tlcn? Dr. SOper Is equally de- on the lfOld..standard atone.
Born In Whiteville, Tenn.. In 1031, Phlneu began stud)•lng• Not that the Americana are finite that some ltlnd or censor"To try to do so la, to be
Phano at the age of six In Mmiphla. He continued to atudy the only ollenders. We olten abli> Is nece.ssary. No sane blunl, Immoral. Prom an artist ' rough high school. where be learned to play trumpet,. tuba. rh_ea__
r _sn__e_er_a_a_,,boo.;.;.t;...;tb;;;.;.
e_.;.;;;;
aen...
u
...
.
_;;..
perso,,...._,d..,e_n 1_es
_ t...b...
e__
nttc1
.........
ro...r....
a.....u...c..;P;.;.;.
oln...t_o..,r_v...1...
ew.......1...
t _1s......
au...1...
c1...
d...
al
;.;.
"
baritone hom and Prencb horn.
Lat.er on be learned I.be vibes.
and In collele and lhe army heacquired the baritone, tenor
and alto aaxoDhones. Thoee
who have bearer hJm aay he Is
nearly u fantaatlc on thesevarious tnatrumenta u he la on
the piano.
P blneas' earlv experience wu
mainly ID rhytb.ni and blues
IITOUp&-Wardell Orey, Willia
J ackson and Saunders Kina.
Fashions may come and go - but esta!;.
He also played with Lionel
lished favourites stay forever. That', why
Hampton's band In 1950 and
by Rudi Blesh'52.
most trumpet players choon • Boo,ey

DISTASTE'°CONTROL

J~r~:':~1~

Phenomenal
PhineasIN~g~f

IHEBaNIRUMPEIRANGE

THEY ALL
PLAYEDRAGTIMEand Harriet Janis

Outstanding

In this yeasty and vibrant

In 1955 he broke away lrom
rhythm and blues to make what
he considered bla real start In
Jazz with h is own quartet,
brlnslna' It to New York for an
appearance at Ba.sin Streel..
In July, bis appearance at the
Newport Jazz ~stlval waa
acclaimed a., one of the out,.
atandlng events on the prosmmme.
Phineas hu been heralded
entbuslutlcally by such auP:Portera aa Count B asie arid
John Hammond. though there
has t,,,en cr1tlclsm or hi$ workas over-tecbnlcal and lacklnf.
In emotional content. SUI •moet or those who have heard
him agree he Is one or thomoat remarkable Bud Powell•tnnuenced soloist.a r.o emerge
In recent yeara.
Recently ho auffered a ne~
YOUS breakdown and had IO
dl!ib&nd his IIJ'OIIP to 1mter ahospital Ho la now well on therood r.o recover, and Is expected
to be back on tbo n ight club.scene soon.

book the true story of an
American music and thestories of the men who
made it what it was, havebe(.n told by Rudi Blesh(author of the classic
history of Jazz, Shining
T rumpets) and Harriet
Janis, well-known writeron modem art. A contribution 10 American history and a fittin g m e m o rial
10 remarkable m en, it isalso a summons to save,
before it is too late, an
American expression indanger of being lost.

Demy Bvo. 301. net
SIDGWICK & JACKSONSHOCKING·· · · ·Leonard ht:ther*,till ,ut (1611tt I& Hawkes ALL-BRITISH instrument.

Th•,.•• n C•nlury o/ Britl,h C,n/hmnnell.lp
n11d •n1in~ffln1 &rnoe,,•"o"' b•ldrwl ..,.,.,
l'1Amprl lt'ilh a 8 00,f')' & llawL~• Ir-ad•
morlr:.

*Ask your clHler lo ,how you lhH•
wonderful instrum•nh and lh• tM9nifi ..
cent HEW " lmperi1I 23 Mark 9 ., or wilit
ou, showrooms at 11-10 Oenm■,, Str•et, W .I.
295 Regent StrHI, W.1.

•

S• ll l111 /ail la An1trlca; lee(BOtJ..~l~.,I" 4 II,. I II "KES LTIJ)FREDERICK CLOSE, STANHOPE PLACE, LONDON, W.2.

TEL. : PAD. 3091

Friday, Morel, 28th

SANDY BROWN'S JAll BAND
Saturday, March 29111

HUMPHREY LYTTELTON..,.,.,... •.-AND HIS BAND

THI &AHOY HOWM QUAIITIT

Sunday, Morch 30th

Mil ACKER BIUC'S

PARAMOUNT .WZ UND_... 71h Ile.al of 1958 Jou

ChampionshipM o nday, March 31st

CHRIS BAIIO'S JAll IAND

wh" O tTitJI lltATnalON
lnten,ol HetlMI • IONNMY lltAallU

Tuesd a)•, Apnl Jn

Al.EX WWN
AND HIS BAND
Mtlo aurn UYDUI
Wednuda)', April 2nd

HUMPHlfY lfflllTON
All> HIS IANO....;;:; ~ y HOWM QUAIITIT

Thursday, April 3 rd

TIDY LKNTFOOrs JAZZMEN

s.....,..-. 7.JO p ,o,. Som. 7. I S p,,.,-a.it-- ....

ca,..,..._...._...,........,,..
..., .....................
...................
c.... .........

01• ,,,.1-.nn1:
7,,,, ••o.,.. O•I•,_.• Sq.in.

...........
-.............
t
D.talllolOubandS.1,._.lnaH.l.~Offlc•.
I Gre•t Chapel Stteet. W.I.
G.-rwd 7•t .t

CONWAY HALL

n.. Nut Concert by:!
•!HUMPHREY!
tLYTTELTON 1& HISwlthBAND i':'!! Artistes !

•i

11-:0.,0.

A ■Aff.llllEA modtm lft.tlon," Swtncb01.J!I": ' Cravtn Arm.a: Ktnnr
Bar\t.T 51Tt.n.:,..._ __lll,PIIEJl'I HUD,

Special
TifURS.APlll 24, 7.30,.._ !!'TlCllm o«k• • QA 4 /• ;il:~.-..... ...

Mf~ w.;611;,~•::~~-r:~):

:s,..
,.
,,,,,,,PETE CUITII aL 1J H QUA RTET,
1-:0 JO. IM. 241 aad A.
AT THE llllffLI OLLI.All, d

IU.C. - -~~M,~c~·li~~M,: ir.~lhelllll'PLE andP•~~r,:c•~\"~ho: :AY~~~;■At1P'11, IP111E THO~ PION,KEN

COLYERCLUB
rt•''1. 11/11 Ct. lnport Strut.
Lllan11 '4u11 (hh)~ .t 1..10 .....,,_PIUDAYM

11N COlYa'S JmMIN

8ATVRDAY

11N CDlYEl"S W1MEH& SONNY MOIIIS JAilMEN
SUNDAY 17,15/

UN COlYll'S JUIMENMONDAY

1EM COlYEl"S JmMIN
WEDNESDAY___

SONNY MOIIIS JAZZMEN....,_,__...,.,,.,,t_all_

Park la11 Jazz Clu~

PARK LANI: • CROYDON 9453

Euler Pntn■- of J.u
GOOD HIDAY
7A>-II,..._•THURSDAYA lAD .aaaton DUtr Wit - Arton•,
Modtro Ju.a Out., .. WhUt Hart,·•00■ 1-

NIW

1~n1>.

pt..

OOWNIEAT

CUii.
ManOT H ou» toppodte T"Dbr•. N 4 :Plnl that hue- CUY AL.LARO

1rand 1&.ar b&c.kJna.
ILUII
AND
aAIIIIILHOUH ,WAIDOU II ITIIHT1~~l'»."'rd¥fl;._

CHUICI, NJILIYHaATH1 M~u11.
lV-~~'1Artr~1:1u~~V.. a".::i~nl uiUmai.:Jua..
_ _ __IEIITIT, 1 SO.II . Ucnmd bl r.
IIOCII J N',l l ~ d t Door Cl~ D.
11. eraha.an azett. Oar-deoe:n corn,,
E.1,
I OUTH HHll RHYTHM CLUa•• Ornhound,"Chadw,H
llfNHY IALL ,AllMEN.

•TUESDAY

lltath :•r=a =CHWI CA■ IN. •· Shir ud Clart,r,"~ ~ f t t t.

udUra:CY U.UIIII Jou Club:TAYLOII aAHD, 7.1~10.O .

aRIANe,=°&'o~ ~ . ,~'.HBT:a~.:,••t~.7.
11

Oardt a el'I c.n..r. 111.
WATPOIID 4AU CLUI,

On!ltclh - 8 t 1 - • 1 C,ab, 8t
AlbaftA" AOAM AHO EVE," PECIIHAM1 RO&d: ALIX WIUH DtXtlUHDE RI.
NOIIMAN DA Y'I ,.t.UMEH.
AC AIN,
SOUTHALL.
"Whit,
Bari . • DON IICNDIU. IIJCTff,SH P'ndlJ,
HAltOlD DAVISONAT THC ~ CIU.AII. 0
Ott• k au..t. WI. Ull•II pm.: TH C
pr-,.11TEIIIII P IC I DHO CIIOUP, Dhlt 1hr
WOHDEIIPUL •UIIL£E IIIIP•U.

I

TM Illy Ctttccrl
A,,urancc ,rAauica's"8He1,f tlie Ceol"
u~~g~':°bt::"Tbiu~wi':H~
JuuaadAUd1UOIIJ 7. 7 ,0 p.m..

IAANET, ~ R a l l . Onion
8Uff'l: 8lf\ t Muon.., D11.ltlandtra..

JUNE CHRISTY

Didr Ouwleawo,th Jau:b.tnd
The No..d, Country & We11 ■m~I!_

IASTEI SUNDAY
7, JO-IO.J0 ,.,..

l rn,n Teylor Jlllband
JoHphln• Stahl, o... JonH Trio
Cloy lllfflt ()..inlet
Th. Noiud, Country& W estern

TEO HEATH
AND l1SMUSIC

GrCMIJ!

lank Holidor- Mondar
7.AS-U. )O PA

Didi Ch1rluworlh Jaubancl
Perdldo Juzb1nd
S.l'"'n Volley loy,
The No.,.d, Country& Wutem
Group... i;j"......,.. -m;;.
,n,.-.,_.._,.JI.. ,,.,.. 41.
PERSONAL APPEARANCE!
SISTERROSETTA THARPE
The sensational American Gospel Singe r
AT

MORTON'S RECORD SHOP
10 WALKERS COURT, BREWER ST., W.1

TODAY (Friday) at 12.30 p.m.

...
f'

114reb 19, 1958. IIELO!n' IUUCER-Pag,9 11*************************** ******~Three years at
the top{{{{ THIU , ..n at the~
top Is a lo119 whlle In~ the mocl.n-age wltlrU>r gig of British clltc busl~ ness.

lut this moeth-t( one of HM V's VIP••• AND THAT'S WHY
MALCOLM VAUGHANLOOKS SO HAPPY

re CO r cl I II I I ta rs{{ Malcolm Vaughan~ notchH up his first~ three rears. Ancl>, breathH a sigh of b
30.000 muea a , ear~ relief I
e round the comer," ·1d tranl
I .... b•~
Becausehehas says Malcolm.
• ~Y- n...,. a .. car," he aaya-t(
But so far he hasn t
Pour rears qo he teamed up
salted away all the had to use any of It wlt.h hla pa1 Kenneth Earle and{{ royalties from d isc because h e Is still rldlng ronned a double acL Slnceh its like " St Theresa on the crest or Lhe wave then they have buUL up a-t( or The Ro; es " and ~~tre looks like s tayi ng ti~r-~~~lraa':!ri.a.wWch rates" My Special Angel "To iln d out more abOut{{ to provide him wtth a this rather reLlrtng d isc
No breakIdol, who celebrates h is
~ nice little nest-egg.
29th birthday this mon th.
For their ftrst wee.k 1n0~

I visited him the oth er Variety they got about £16.

Insurance

Now they are In the .£6.000-aevfie1'tt've:, 1n a moc1e1t nat year
dua. They have a five.
In a modest road In

year contract •'Ith the OradeHe hu none o! office, and thcre·s more work
" They are my 1.n - TooUng.
the usual outward algna of than they can handle.
surance against any successexcept a J a,uar 3.t.
When l\lalcolm had h is " My
{I rainy days that may and even this h e JusUnes: S pecial
Angel .. h it In the Lop-t(

Mal<obn Vaughan with bis wife, Gay,

niat was banned by the BBC teenagers. or onyU1lng 1111:e I}
three of th o Be..t Sellers a rew aa religious. but Luxembourg that. I 'm now trying LO get "'months ogo. ao111e suggested he pluas sent It Into the hatr- awa.,v from IL",....migh t break away from the mllllon clus and made It IreMalcolm can afiord LO forget
partnership.
land's best-&elllng record.. No about pseudo-rellglou.s aonga. t-11...
But don't worry-that's not other d lac has ever touched IL With a Olm ,-rt. a TV aerfes ~llkel.Y Lo h appen.
Since then most or Malcolm's and a Lop 11Ummer aeaaon In "'I aued Ma.lcolm whether he sonaa have had a rehgloua the offing. he looka u though ..,had wed rellg1on a.s his gim- touch Lo them.
he·s, seL tor another threemick In the dlac business-• This religion bu a I n e II years.
t-11...
remember •· SL Theresa."' the atarted olJ ctuiLe accldentallv."~
disc that really P'lltll blm on Malcolm oold me. " I certahtly
fd
to the band11'll&Oll?
haven·t an)· message for the
I
O

~

CI
~
~
~

B"II ffen********* ******** ***** *

Ct

*
*
~
*
{t
*
-tc
*
{t Ronnie Harris is *
-tc
*
{t
~

er

Ronnie Hlln'I, 1111th Gu11 Ml ~ll and Palrlcla
Medina.

biding
his
time
!
-tc
{t R ch eek and said: "U's no use malun1 records I}
O NNIE BARRIS whipped a razor over a taut

Jus t to have youn elf on wax. ....

" I Uied lo record n ery lwo mon..... 1
ic la1t
year, ltut
I cll4n't
bruk any record sale.wise

did Ove aonc· "'• ,....-

&11

I}

says JOHN*
ic ~~~•om the m a Ronnie
STUART
The same Ronnie Rarrll
I}{I f~~!~~.:~:..1 do t • o or

A catch w inner from{t who set r.ongues wanlna

ic

>t-

ic

*

way bllCk ln ISM when hie m AuKUSt when h is nome
recordlnl!. of ~ Tbe Story is Ukely to bunst Into fullor T ina Jumped Lo n wn• bloom
agaln.
~
ber th1 ee lri the Top
Says he: wThen I may ~{t Twenw
go on a Continental tour
ror Lew and Leslle Oradr.
Either oo my own or wltb
a D&Cka1e."{tl'lls casual approach to It I}
T o11v Ronnie hu no au prompted 1-ne question:"
Don't
you want Lo brealt "'rocth?ld In the recordlnRworld"s 20-rung ladder or Into the Top T••e n\y ,...again?"~ suc:6S-:md he la obvl•·· It depends on whet.her I}
y-1. oun•v not worried about IL!'or he told me In New- singers lllte me become~ c:ia:1•: ·· I don't mind wh at po;mlar." be replied. ·• Look "'-.
~ I do s, I~~~ learv• at the Top Twenty. AbOUL .....{t In~ .f.~' t.bl.s · or ahow. ~ ballads and the rest I}
h w.a; somel badD'I~ d:>n• before.•~
H i n.s lalk1la about
P,ul !hymood'a •"Btara of{t St· h'.e •&e.h In wblcb he ll · Wben I can ace I? IOOCI
work I"llJ a 2>wedt Vlll'letJ :sonp and three pieces of~ l'> Ur 01 Britain wtt.b Harr)_' trash. I 'll have another 110.
~ Ba I I e y and "Europe •" But looting at tho kid.,~ youn,iest and moat publl• or today l woil.ld 8ll.l' It 15 ~y-1. cl!l•:l str!o ctueena."very unlikely \ hat t he ~A 1,r cry rrom the Top tnllad will oome back. It~ T11:t"l ty. but a path alon~ m~t come vla another "'~ wh ch Rono.10-• I did 32 aort or mualc. I Just don'I. ,....•·e,·n or tbe same thing lmow.·~ lllst1 vcu "-does DOI. mind
Whlch makes me wonder I}~ W'l: :in,11
whether rm Reing thlnp~
Per he IS quleUy bldln11 in the cunent MM Top "'-.
~ h !& tlml' untu the Lour encS.. "I'wentJ chana.
,....-

Not worried'RETURN TO ME''BLESS• FO~GETilNG YOU'I I II I

111111 1

b/w

El- ----•,-----

YOUR
PEA
PICKIN'HEART'The grtalut irulrumenlal of all lime

STAN KENTON'TEQUILA'
b/w

b/w•DOWN DE■P•11

CUBAN MUMBLE'

TEl'E

*
*
*

* * * * * * * * * * * * *,.*

- a beautiful new ballad

~FORD

-tc

Unlikely

Dean Martin'Tennessee' Ernie

T h<it ls a typical atat.e--tI*

JOHNNY OTISS Er:0"'117

vocal s by Marie Ad11m1•ALL I WANT IS YOUR LCVE'
b/w•T HI! LIGHT &TI L L 8 HIN l!8 IN MY WINDOW'_ 11-.....:.-

-

i-- I

'

Capitol Artistes-Capital £ntertainme~
-

..

'

:

TOP TWENTY

-n.
I

1-

lAl>olfltJo( 1) MAGIC MOMENTS/
Perry- Como
CATCH A FALLING STAR
Otlm 4--Roiwo lllh4D tllKV>,

RCA=1 ~ - - J - 7

Lllbboa 11'111:

2J(4) DON'T/I BEG OF YOU(3) NAIROBI

4(1) THE STORY OF MY UFE Michael Hollldays(e) AT THE HOP

Danny and Junlon HMY•(I J) LA DEE DAM

Jackie DennJI

Decca(S) JAILHOUSE ROCKEYts Presley

RCA

EIY1I Presley
Tommy Steele

RCA

Decca

Bob Kerrin !Cl>ll.

Columbial>on KJ.os llltcl; Alma cw.. lllllV); w...., n - . trl)Q),0.,,, \nun IP·l'lla~

NkllTodd iLaal

Oolln I.Udo, IP •Sl1l : 0 1117 &ll<I LUllt CLool: llonulo UMI R,.ir Pu!

7

Jl&r ...U.,l(U,8(7) YOU ARE MY DESTINY Paul Anka
Columbia(11) WHOLE LOTTA WOMAN Manin Rainwater MGM

10(9) M AYBE BABY

Crickets

Yo,ue-II(U) SWINGIN' SHEPHERD

Ted Heath

Coral
Decca

Mon Urotbtrt IDt<I

BLUES

.

Jobur P•to IV.rt: Moe K• ll"mu !Loa!. Km M.oc•h>l<III> ,IIlll'VI

11(8) GOOD GOLLY, MISS
MOLLY(11) CAN'T GET ALONGWITHOUT YOU/WE'RE NOT ALONE( 10) OH BOYi

Frankie Vaupan(- ) TO BE LOVED

Malcolm Vaupanle( 14) APRIL LOVEPat Boone

London17

Moe Koffman

London18( - ) SWINGIN' SHEPHERD
BLUES(18) ALL THE WAYFrank Sinatra

C.pltol

19( IS) MANDY

Eddie Calwert

Columbta( 17) PEGGY SUE

Buddy Holly

Yo,ueCoralnTERRYDENECOMEBACK

14

Uttle Rl~rd

LondonYo,ue-.IACklo ll'llaon tV,CorJ: ROUJtle <:am,U CPbll

R_.. ~ tl'llQ

Phlllpsl'I« IMIJu lion <OIIJ: \' l<lor 8llflltcr IOolJ

HMV

Coral

J oo , P ,!'1• 1• .u 1llo l ' a a Q - - - JIGa tl>o<I: R - O.W.,, tOilll. Ao LA- - lwtal WurJ; llobulo Ill~
1111111; t:ddll llardlr lflll); la Buw ICail►Paw l tk.b lt'.mb.
Two • llod" for Ulb UMI ltlb Po111-.
ff0aZ8 IVl'l'l,YIIIO IIITOllllM'ICIII roa 11EOOaD 0IAff

ru.

D-

~~it~~=='~ 't:1:1=~~,_:S.'=·~=.~eo.~:~f::ii ~~~aJm'!::At~i~.:~ti-8. ,.M;3i!:1111
IL I. Xlldam. Lid., I , GAILDDP- ll<mla. iODTB IIPEIDll- lntU.
W . IIIDl>Ullllliol10H- 1jb1 - 1• ILO\JOB- rua-. IILACKWOOD-Oln Lrwlo. IIDDIB11KOB- kad-,. • . . . . W.. 1. HIJLL-~ l ~ i : a l ° ~ ~Zffn, record 1011 ma.Ice on :rour W&lta 3XJ tape recordl!r i. a WfllllCl'lltlffle. vocallaln,, amateur dramaUca, Jau or aer:toua mualc.
OeL a Wall.er 3XJ and double your Cunl OeL a W&lter 3XJ and bO popular" berever you sol You mal<e perfect records wtLbout technicalllmowled&6-Lbe almplo JoysUc:I< C:ODLl'OI Pllta YOU 1D the pro!ealonaJ~ r:l&bL from Lbo aLUt.

._ OLAaJOw----.. 1M. c.a. IIEWCAnL&-

NEWS ABOUT THE STARS{{T HEAmerica
V>pers plan· to go to Bar Session " ls due to be re~a~ the end or~

Lllls year in an exchange for

Americanleased In America t.h1s m onth.

folk singer Pete

Seeger and vocal lf'OUP, The
Weavera. Vlp,,rs leadu wan,·
Wbyton Is ahortly going to
St.ates for a record exploitation tour and to orepare ~hethetour. The Vipers' LP " Coffee-,,.,,,~ ,,, ,. .

BIiiy ~eJ~f"1o~~0in'rh0..':
Cotton :~;.~~nd Show ..

...I·,..-.. Jean .

. l .tll:."lllt :.

mr,u h i. own BBC-TV

Sablon m tt OD April 8

iEI iIHi f~
T":uf:~if:.' l!~' .~~ '!':<~•.:,;~~Jt,"~:;..i:..••s~~II~;.
~~
1.he Mutlc Pubnahen' Auocla ~on.
Ltd. (l.&H wttk'I pla<IDr, :n ~HD•ui ..... ,I,. .
Ottilie rf:,r.~~~t.~
P1tterse11l'l'ld:rJitnShe l 'Wlll
10np Al lb:"- Prlcsa,, Nfabl ~sona " itMlon o rpntaed b y IJle
W orltcrg' Mualc A&socl•Llon ,.llhe PrlnCftS Loutae. Hl1h Holborn.

Ill MACI C

MOMENTS
11

1AI~1¥:'~tA ) tJ •l • •• •• Pe?d.m•nt. U ) ci~~H · A•·;ALLiHi~.

13) T HE ITORTtAl (2 · • •o, MT Li,E
• S ltrl~nll._ 10 IU GART IMI 1A1 , 2 ·•SoJl.htra

I. Ill APRIL LOYI t AI 12 ,,Roob. ,l,I. Ill LOVE Ml fOAEYER •A •f2f•I. •• •K mon, r~~;/on111 ALL THI WAT ,A,
I . 1111 MAHOT (THE PANSY) •l'I
I~-) ••, Wor.d w ic.
I , tll AT TKa HOP 1A1 t2 · •Bron
II. OIi NAIROII 1,\ I 12 • I Lc< e,11, 1111 RAUNCHY ( A I 12 • f
1,

Abrrbtth

11. 1121 POAQOTTIH DREAMS •A l
(1 It .. . ..... MULi l11hMlC
lltl IAILHOUH ROCIII
1A1
1'. ( - ).~'fiJaiil:.•i::-:~n:-.. ~':.'iaUJQ ( A J t 2 •t Sbtn ln
11. 1141 ,Y OU ARI MY DESTINY
1
11. ..,WINDOW tAI 12. ·I,lN i "tia~""r~ ..;:,:;;

Doffl.JDIOD

11. 111) CHICAGO IA 1 12 ·I

l'tl4nll~

11. ()ti MY IPEOIAL ANCEL
11. IUI•A•,i"~~ i:.o·v1R iA,·CTom•r:t,; ~··"

29. 1111 OK IDYI CAI 12 • I

Walter303&ouUW-rn
IJI) W KY DO H ' T T H I Y
UHDERITAHDt 181 12 •I

Htccunon

22, 1-) TO H LOYED 1A1 t2. •I
Ducluu23. 1-) DON'T IA) •2 •I

Dt-Hnda l.lu, ~1-) USOHTEHITS INEA POLIIA_.,.o...1f~'~\~

Two u~P). l!~ ·}. ior
Mid :Drd
A- Amttlc:&D; D,-BJIIW>:

Write for free fotder To Dept . ■•WAL Ta .. IN6TRUMl!NT8 LIMITl!DMO .. D•N•SUR .. l!V

cac ItP'-OU>tN,(All rllbla rucrud,I

IT'S- GOOD TO HEAR
DINAH AGAIN► Don Don••D ON RO'NDO. a rocker With abetter • Lhan • a wer11c \'OICe.
lln p t.0 a p oundln1 sbufflc bO,Ho n .. W hllL A l:lba.me' CLo ntluo
111,IMlli) .
.. Made Po r Eich Other .. bl.aI.he d ooqaOo-<loo a<>unCI ot a
IIOIII from I.be '"91DUe a• Dinah Shore
back on th4 map,

• Tommy Steele. . . so11111 not so fmprculve

WILL Dinah Shore's IIICTV series put theonetime "U.S. Forces' POP DISCS
SwHtheart " back on thebypop record map?
Laurie Henshaw
It remains to be seen.
But RCA h aYe given a
recorded sample or the
Dinah of today with " ru
Never Say 'Never Again•
Agaln " and " Thirteen
Men" (1054) .
"Again," which date.i
from 1935, Is given a ► Jrri Soudu·rnswingy beat treatment by
Dinah and Harry Zimmerman's Orchestra. Backing
ls a mvel number projected with maximum Impact to an L- A beat.

► To■i Dalli► Sil Austin

A.

COUPLE ot " c:nz-J ca tt " IDthrouah Lile mouon• or alive IHllon on tbe a.eeve ot

s :ow Wallr. Rock:' an LP rud r·l.allored for lobe l:llx•t-tver~ Iller•
cury .IIPLG.»I).

► Denni._ LoCis·· I

MAY N"•·•r Pa&f Thi■ w a,A;aln ·· Cl:ul. 4;;..11111ouo1 10
o ne or lhO'IC 1 P A .. I PC-'<:IBla "Wl,W,an,l~~\t't, uni!"l~ n~Ort lar,i:g~P~f[~~ :!~~n':/' .:i~1J► .Hontovnni.t'"\UITE a ohan1e to 11.ien t.O""Mantovan1·■ rich a1,:1n~ o r"To My !Ave" \Ileen l'l l•HJ ll.
.. T he Canary" • the no,eitr
p iece tor • t rlnCIA lhal • .., lll&dO
lamous by America·• Paul ,:>;oro.
lUOnLY plays II WILII tho reqU).
11110 •lvacitJ.

co,11n1, TI10~ Who I D !o r Liltso r numwr .Khourd fft ll o\'ert ,cm,eh·.,_., w odd LIii• d lso tothol r llhrary of ·· H....... O ardc na ►Ot Eden." uc.
Den n i, t.oU• d ellven, ua ■ona..-1111 Cll'CllcaLrd convlcUon.
I n contnhC.. ·· Gttlna G reen"l• a brlihL no,elt l/.

tr,peBernie Lee► Gordon .Jenkins

I could fnult Dlnnh's
stngtng In pnrts. but theoverall effect or lhese sides

r egtsters. Anyway. It's goodto hear the gnl ngnln.

llf

OST or the aoni• fromll
T ommy Stee!e·s late.n n:m.
• TIie Duke Wore J eans:· did not
lmprrss m e ao much ,., t hou
In "TIie T o mmy Sttt:e Storr:·
All except "All Happ en1n-i."
Th1a. I.he opent na number I.I
a b rlah t and brutr aon~ iha,
11ns the u u bi,ram
Tommr
t!,J'.' lnlr. It cou:d
It I.a la.,ued alona wllh t b eu·,~~"~fM' : w,•.

~eot'kW-g~e 'fe~ns ~!t~•uiA'tr~~
I.POD Ottn& U "l !IU~.

T'h t C ~•• •u1Jen ol'' Tt w na ., h:a• . . . ., lh•boar·• tn Ult lt.atn: It

1hMII. do ttn1■ 1tr ••II httt
(London HLUUNI
Thtt rtM.k mllfflbe ,u11,tOlt..t- lt

Htft OUt• Ktt\lOn.1.,,. •ttuon , . .,,.in.a.

1ft ._.,appol nllAI c:ontra.1l.,.. Train To N••tlt n " has,llrIn..

'"''i,. ,,unl1au, N>tak•0• Carmen McRae
rulth lier ll$UOI command►•eig GuUar•► Carmen !Hdlue'"AS soundlna,
I Love Yo u ·· Is th e h1•mna1
b ut n ot un•
att ractive aon1 rut ured In •· Tne

iOMORROW'S HITS•· Tllli

UIRL HE LEfT B£.

:!:,~:~;•. t,1rl1"1.n•mS.~dl":gv~P~JII/:
111oth,r •• t.ar
~ our Arms··
Down
I >r ,onptrAnne. R eleu ed,lprlt I.
·• \IX"T l") I A 000 " by lln nnle

"DES 16 II.Ill\'" and .. TOO
1·0 so To m: m.n : .. i.r ,,rr,, .-11-1 beat number br a new ltwd. Roclr. and ballad n umb•,.
lm•rican &rllll (Phlllp• PUIIIU). by a n ""' Ao1trlc■Jl .1n;rtr a::id
com l)06er ll'■ II• ol....t.Ll4:sJI ,.

11·.o .~ d Apel! 1.

* * * * * * * * *~ * * * * **CITY HALL, SHEFFIELD*~ARAU VAUGHA~ **GUAU> CONDI CHUAHA PIIIHHTATIONIISATURDAY. APRIL lll■t G.30 ■nd 8 .45
O n.t, •PPf'0rona, I n VMhltlr-

OSSIE PRA.~Cl3. a
araduate or the
Arthur Ot,drreJ Sh~w
tn the S t at••· otter. a,tow rock ve1'1'lon of u,eoldle.. Who'a Sorr;
Now• 0D 4i>-l1 0 ) 1-9l ~.

CThi• I& belLtr tb&D
" You Wertt Onlr f',» :•
to1,·· a couou·, 41.Dd
we,11ern... tyleCI b a.clr.tn , .

pklo TONY KINSEY QUINTCT lwllh llll l.SAGIIJAZZ COURIERS Cw;th lONHII SCOTT. TUIIY Ho\YlSI
1100C -WIUON ,ra 12707'1• 6/•. 7/, . 1/6, ID/, . C•d• 7/6. 1/6, I0/6, lol<HT S/·. 6/·. Pl, of.,. J /S l.,..,..,.-,11**
CHARLIE GRACIE *,.

SUNDAY. APRIL 20■t 5.30 and 7 .45

ST. GEORGE'S HALL, BRADFORD
p i.,,RONNIE ALDRICH ■ nd I~■ SQUADRONAIRES
soo,; - J11SIJJ...._ \"11'l!AT r. \ he name o! ~,,,..- ' l t he tune !enun,d ~In tbe tum ' Be au..-i... Jamu" t hat wu wntten J;r"I" by Jomes Wall<er, an "\~ r1oi!f1! m~oek I i(,,,.."\VIII Y au Lott .Ut / r,
Df!Cernber.".-{~~-----------.
*CHAHLI ( GRACI( : £,_,~:~--------San, 116, IOJ,. Cktle 716, 101-, u..., Cwc~ SI•. 6/4. n.tfet1tt 316 f.i:11rt1•1v.d'

COLSTON I
CHAJIUI H. LOCJllU ..........
I T,ch• •HALL I T lfli FABULOUS VOL' NO AMSRICAlll STAR , ,1;•.1Il...._ ~ittaJ.ot

u., ·1EASTER I
5 HITT~•~ ~:~~1v I

I LOCKIER'S
I0~ & us I •l'ltb STRo:-;c SUPl'ORTr:-;c co~n•Ai-;Y I Tel. 2~•~

CRESTABALLROOMSTAIIT YO UII IAITU HOUOAY. LUTON* M•k•&ATUlOAY, A~H. Ulh
TED REATH Sm PHILLIPSo ftoto of

Oft THUUOAY. AN& JNI. • llh& HIS MUSICDANCING 7.J 0-12 MIO,

,lOM. G I •& HIS BANDDANCING 7.lO-IJ MID.

ADM. G/•T HE American

I '">

<:

)t

...._ to Junction 111 lijl~ 01!•· k,,,..- Ill uear.- aettcrr,.
~.-l. ' 'THAT Is tht rec»:d ~,:~r1,.,,., .,,.-, u •h•• lk"C wM a " """'"• •"• ilflN 1ld...-u. P M11,, L,o.-n J 7IIO

l b &tlntr\XI.U."t."1
Mlchael J acuon·• ·• 1• ·• ~R.4'COrd Time .. o>11 RAIi., ~Lu1em1>ours , - u. "~*DE MONTFORT HALL· LEICESTER * .

l "b n tt-r.

SUN DAY, APRIL 20th, S,40 p.m. rJ 8.0 p.m,
Artlnir Kl. .rtll J rnut , Oy,umlc Am•rlcan S11r

V'>:'J.!

1roup, t he
F-1u, i(,,,..- Ace•. are reputed 10 h~ ..,maele their llrn B el·i.!: •1our In 1115~. ; et I •~~ certaln l saw cbem .,m:! 'yeara earlier. C~n i-o ~ ~connrm 1h11,-~1. u .. ~l.ontlo n.
..-i...
You must hor• .rt• J~,-. the BrltC.,h orouo of ,1,, "l1Arne ·n am• that Ct 'l P l...._,..\..

YD11'r e T Iit T OI> - bu , , .
B11111 Mor, ( Capito! LP ...._..L I.CT 6015 llnd liP £ .t/'2· .....

..... 0521,. -\. c0t71D.JOHNNIERAY
KEN MACKINTOSH, HIS ORCHESTRA & ARTISTES
~

*

OU or
" "Almame ...._
d ■ ta J!h...._ conn·• o.ra, reoorcn - ,....
..... C. C. FUL" To Be.... 12/1, 1011

G1IL 7 /8, &11111 , i., 7h I /•
Anhu:r KJmlln ll. ,.. ~ ttNd. Hlncll;ley. Lekl . Or Wunlclpel Bo& Offka.
&Ailc.MlM. 1.M._. a--,tu nu aN S.A.L

Wort/111 0/ ......__
Yo11 w ~"'-- Ya" " I " w ould

~ I HJIV Jt1029l.

****** *..~ AlAN WHEATLEY
EIIIC POH lMANlt
CUVEMORTON.. JUNE LAVERICK·-n,,

P'fodond.., fflll 110G11S.,,

Priiruu •0ironod t,y GBALO TIIONU&c,.. Plor bot IIOIIUII IIIIDIS e.n.d .. • S-, .,OOWUIAIITUllCMAD.'RA'IT.
A116l0 AIIAL6AIUTID IIUI DIITIIIIITOH, Lt4.

NOW
RELEASEGENERAL

Poge 1 0-NEWDY NAJCER. Ma.rc:h 29, 1"8Collllllillee:11 1 1 1 1 1 1 1 :•meeting

STUDY

YOUR

FIELD

"WELL, LadlH ■ nd• •• advises
Tommy

Steele'ssongwriterN' " IIEN I m et Lion el
Rart In the ltz ClubIn Ch11rlnc Cross Road
rec-ently "' natur11lly
f ell lo dlscu sslnr the
new Tommy Steele film,"The Duke Wore Jeans,"
wbkh opened tbb weekat

DomJ n lon ,t he

Tottenha m Cou,r t Road.
Naturally, b eca u se
Lion el Bart and h u
p artner. Michael J>r'(ltt,w r o t,e theGentlemen, Jou •■know whJ we're her• ... todiscuss the formation of
the Nether lloxte ■ dlh,tfim Soclet,.''" I thought we wereHonorar, president. Mr.
going to start a jazz club,Ch(llrtnan ."Mr. Chairman."~ Ooodnl!l!II y -honorarv pre" We are. But we"re not sident.. I have here the rtSUlla
going to call It a Jazz club. ot the ballot held on this subWe've all had a good edu- JecL They are as folloa: Kid<el. l\flln Davis (61. Oeorao
cation, a nd some or us will Ory(6). Wee Wlllle Harris <I l
be going up to University Lewll- rcal/11, Mo\•lsl-Dave Bnibeclc
pretty soon. So na turally (6 1, Maurice Burman oa1. t
we shall call It a rhythm therefore declare that Maurice
Is duly appo.nted
society. All in favour . . . Burman
honorary prealdent. o.r the
carried unan imously. Now Nether Bloxtead Rh y th m
the question a rises as to Society."
whom we should Invite to " On a point or order. Mr.
Chairman. . . . "be our president."~----------~~~~i~ ll!'fffl

I he Hippodrome, lhlll Llo~l and
A IOIO spot for Tommy at theM1chaei moot~ the orll{I- 2 r a Coffee Bar In Soho got
nal Mory for the l\lm.
them their n rst recordln~.
T omm!' Installed them In "Rock With The Cavemen.•a spare d resalng-room and wh ich was I.Jonel Bart"a n111t hit
they wrote the whole 11.0.r y dlac:. f'ollov.·ed " Buttertln1• n."
and all the aonp before .. A Hllndful Of Soop ~ andcunaln call on the Sat.ur- • Water Wa!A!r.·da}' nl&hll
When Tommv Sttele'a ftrst
The •follov.·lng Monday mm wu pro))08ed, It was stlPU•
morning It wns 5prun11 on lated that all the songs ahould
producer, Nat Cohen and be In the rock•'n"•roll Id iom.
Stu a r l Levy, and Ille Lionel Ba.rt d u1 In bis httls andmom.ha" Intensive .-orll bu uld thaL It mu.st be a varied
produced a ftlm that •·m aeon . .. and he had h is v.-ay.
be box offlc:e wherever It Is Thia aame oollcy has been
6'lov."llfollowNI In .,-The Duke Wore

Jtana.*

Ambition
When I m~ Bart. prac•
ttcallv h la nm v.·oJlda were:• My great.e,,t ambition Is
to write a Brlllsb at a remuslc:a L" The qua.lily of
his SODP for lhe ntm
ruaranteea that one day his
ambition wUI be reallied.
Palry stories cqmc true
111

~tJ'm~t b~:Se e&':;Lionel and Tommy
Stttle have alwaya been
clo6e f rlends. ani:1 every
time Tommy came h ome
on leave from hla MerchantNavr atlnt. they would
mee and dream o f &how
bllllness.
This ,.... In li53 when
Lionel ,..., wnUnr up
ah o a la or material foramateur revues and con•ce1l parllea.
days.

In 1954 he sent a aongto B Iiiy Cotton-" Oh, ~r
A cup Of Tea " - which
B Iii 5Ull broadcast.a I.Oday.
L I on e I had provided aatrlng or pal~ andcomedy ehorl16CS for theaong. Even then he prac:tlaed what he prenehu
today- he ll u d I e d hismarket. And If B ill doem't
mind me aaY!Dr ao, he"1
al..-a}-a a 1ucller for • altuauon material~~ Lionel
Bart aot hla n111t breall.
W h e n Tommy Steelecame home at t~ end or
19~ It WU decided toadopt a do-or-dle policy,
and they formed a &lllme
group which they called
the Cavemen. having got
thl'lr nrst engagement at
The C,ne Jusl off Wale'rlooRoad
1'o m m v played
fU,tar. M1ch:1el Pratt 11U
nn piano, Lionel Bnrt did
the \"OC,ll'I. whlle ~ccond
111111.ar \IA, Wally Whyton.
•·ho afle"'·ards left themto rorm hla o.-n succeaful
rroup. the Vipers.

Songwriters
TPll!I CffHfl 1-ntlU• • • tef,c•
NI an, en. MIia e,•• ,11 f f t 8181 h awa Wtlltt.n O fl•••tc•

•m•tt

••

c,wo.
Ml

fflUIIalttar

Future proepecu? Lionel lawriting a stallo musical, for production In 1959. based on a ,.-enllnown dramallc: novel andTommy S teele'& t.hlrd ftlm 1oe11
on Lhe , tudlo ftoor In Septem•
ber. I.Jone! bu Just po5ted off
010 roul!h &CfflBrtos to TommyIn Sou[h Africa. They areaivlnr themselves plenty ofUme.
I have often aid prumtaUon these daya ls half thebattle. Never wu It more true
than wlt.h Lionel B11rt'1 sonp.
He aaya: " I atudy e\'erv ma nnerism and trick of T om m y
Steele'& performance. We may
cbanre a 1011g a d ozen llmea.
But It.a main object ls to be a
6Ultable vehicle for Tommy.
Sometimes Lhe so n g Itself
suffers because of Ulla, but
knowMftl•rl lln,
ft&ffll,..,·re on a ll!L"

T4r Uaor ,.,.

er,,,, "°"'ir."

IW'tt1,,, lur lou or IIAnut,- o/ MSS, ..,.,.,w,d. 741,
IJ ~lllld• •t1I April 12. 19'1, c,r ,,_.,, l,r
1/101-,,, 1V1t1I At-, 1, l ffl. to,, .,,,,. -c.i.,,,i. _ . _ , ,_Guarantee

RACE

Well. yes. I auppoge /!O. It
you think It"s neceM&n·. Perh11p., I he secrc:ary v.·ou1d v. rae
to Mr. Burman n&klng h im tobe our hon. pres. and Inviting
lll Illllll 11111111111111111111~
h im to drop In at our meet1n1s
whenevu he happens to be In
Northumberland on the second ..-e nN!d 10 on.
We can American Jaz:zman from lhne tn
Tu6day In tho month. All ln obv!oi:filY mttt the guarantee 1r UmP."
Cavour ... carried unanimously. we all. ao to 5peak. sink or.. Thank you, Mr. P onsonb}"we now come to Item 2 nn the s9,•Jm t<>1:ether. Nei.t Item: thal's
a ttrrUlc Idea."
a1enda: vm11e,
Would the \'ISJIIIII bnnds."·• I wLsh to mo\·e an amend•
aecreta ry report? "ment
l0 that. Mr. Chairman.
" In accordance with the• Yes. Mr. Chairman. I conLet"s make lt 4d. a \\"ttk andtac~ the manager of the wlshea of the Inst meeting. Mr. bring 01•er the D uke Elllngton
Bij ou Cinema, but he \\'0Uld Cha!rmnn. I hn,·e prepared a Orchestra."want 4S. 6d. an h our to hire h is list of the bands \\'e would llke.
" COr-ves!
.\Ir. Sttre•11n·.
cat~ to us for an evenlnr . Ted H~nth. Chris Barbu,
wtite
to
Dulle
EIUnrton!5L lld. I! there was an X CCT· Humphrey L}1telton..• • •" On a point of lnrormallon. tomorrow.·
llllcate tllm on.
I therefore
approach~ the landlord of the Mr. Chalnnan.
How much.. I"m 11.u1te willing lo do that.
J olly Muckspreader. He Is prr- would these bands cost?"
ll1r. Chairman. But don't you
pared to let us hove thethmk thlnas are aettlng a bitout of hlLnd? We could ne1tr
Buffalo'• Room free of charge.
l.u exchange for a small
get Duke Elllnrton here."ruarantu."" Why not?"What small ruarantee? •" Perhaps u secretary I can• Because of t he monty, Mr.
"Tv.·enty-ellht plnt.s, actu- a m11·er that. Mr. Chairman. I Chairman.
He"d want payln1:
ally."
don"t exactly know \\•hat the In dollar,."" Twenty • eJ1ht
pints
a members or the Ted Reath
O
h.
Oh
dtar.
Perhap:1
band 1r1. but I assume th ey areDI§~!: Mr. Chairman.*all members of the Musicians' you"re rl1hL All lht r.ame,JOU
Omon. In v.·hlch caae the rate can 'wrlte to Chrla Barber.
.. T ime, aentlemen, please."v.·m be £1 12s. per man. With
16 men m the Hmh blllld, thatmakes £25 12s."" Well. Ladles and Oenlle•" What about Ted Heath him•men, this Is J~ou
r o >POrtunlty to self?"• O h ..• thank rnu. barmnn.
do aomethlna
Uve for the• Oh. I beg }"OUT pardon- Well.
chaps. I think we'l"e made
Nether
Bl cad
Rh\"thma prell\' good start. don"t you?
Society. Mr. Harris. nuld vou £2'1 4s."
"Well, 5peaklng as chair• In closing. I would u k you It•
care to make me an opening
man, J ftnd that very gratify• be up.,1a111llng and drink Lo thr
bid ?"
With 43 club members Nether Blo.xtHd R h y Ihm.. All right. Mr. Chairman. lnr.
payln1 3d. a ..-eell. that means Soclet1·. I lhlnk I can connThrH pints."..-ecanallord to have the T~ denll}' &tale that before Joni;"Well done I A blr handfor !\fr. Barris, chal)Se Now. Heath OrchHtra every . .• let'& the J olly :lfucksprudrr \\ Ill
see.
12a.
9d. a v.eek •.. about become lcno\\"ll rui the J nn
v.•h o'1 next• "once n )'tar."
Centre of North-t'a.• !ern Nori h•"Pour pint,."
O oodnlghl. :llr
"ThAnll you. ~tr. Ponsonby.
.. Mr. Chairman. Since It umberland.
An)" advance?"
aeema that for 3d. ,.., can 1et Harrl5 ... Ooodn!aht. Mr. Pon•
"Eifht pint.a.•
16 men. I move thal ..-e In• sonbv • . . Mavis. rm goma
" Marvellousl
Thank mu, crease the weekly 111bscrlpl!on your·" a,·. I'll see you ~~IC-wa}'
Mavla .. . well, 1 don"t think to 3ld, and bring over an across the common . .• .
ff

Americans, too

ff

Heath • • . larber . . .

Jazz Centre

TEUPIONE :lllYrlll 7HO

FAMO US CHAPPELL

CHAPPELLMAGIC ·MOMENTS

OH I OH I I'M FALLINGIN LOVE AGAIN
I MAY NEVER PASS
THIS WAY AGAIN

THE STORY

OF MY LIFE
MORRIS,,.., tM .. Htt ·• MuttnJ ·· wHl.l l' S (HAIUY ..

CHAPPELL'SFAMOUS STANDARO ARRANGEMENTS

MY DARLINGSHAW AIIANGEMENTS
MY DARLING AITIENIGHT ANO DAVIEGIN THE IEGUIHEONCE IN LOVE WITH AMYSOFTLY AS IN A HORNING SUNRISEIHOIAN LOVE CALL
PUCE 4 /• CACH SETWITCHCRAFT
THE STROLL■nd

H1lllltlf11. Len4eft, W. C.I.

STEVE

• Don"t )'OU thlok perhal)I \\Cought to uk h im?"

CHAPPELL'S BAND MUSIC SERVICE

50 I EW I OU ST~LOHOI, W.1••drne of tht ■cn4u, anti mutt

N acu.,.,.nlttl bF a.a..a. • • ••• knawrlttrt' AfllN luruw.
.. Mcll41 Malilcr,t• t•, H fP:

byff

when everythlns matches .,..eFirst breakan

Third film

" Yts?"

reported

COUNT BASIE SWING SH IESOEIIY TIii • IASJE ILUEI • JIYE IT flVE • RlO IIU IOO&IE
SOOD 111on111 ILUH • ILUE &10 SMIIIUTILJDIIIPII' AT THE WOODSIDE • SEn FOIi YOO YEITEROIYIWIHII ' TIIE ILUU • IIOCK•I-IYE USIE • SNORTY QEORGE
JONl'I IDEA • IIOYIL FlUSN • IIIIE IOOGIEPiJCE . ,. EACH

RAM&

JO-ANN,aw. -

lH TH(FAMOUS CHAPPEL_!:

ANOTHER TIME
ANOTHER PLACE-

IN THI OllH -ANGLO..PIC

LOLLIPOP,ws -IN THIsrr

GLEHN MILLD OI CHESTIATIONSBERTGUITARWEEDON'SDANCING WITHGUIDE
RUSSIAN PATROLANVIL CHORUS
AMERICAN PATROL • J INGLE BELLS • STRING OF PEARLS TO MODERN GUITAR PU.Yl'(GMY SHADOW CAll,IIIEAtt CLIPPER OllANGlS AND W10N$"PLAY IN A DAY".. ntf,uu Ill~~-

PIJCf .,. _EACH srr,.ICE 4/6

M11rch 29. 1958. MELODY MAICER- Paga 11------

l

JaZz

Book
Club

"CA■IN In The Sky," &Hnlost week for the thiNI
time, was • reminder of
Hollywood's generally
infuriating treatment of
Negro ja:u: artist._u·orkln1 to1ether, In lhe only
Avaldan exits 'Independent• with offices bothLouis Armstrong was
Mt:IUCAN Columbia wltl In Hollywood and New York woA
hardly aeem true wlthoul can e.~pand one of the besL jazz
only one whose talents Avakl11n
It. Ourln.r bis 7e11r, album companies Into one ofwere belittled by this early of olllc,,. InG_.,r,,rccordrd and the best popular album comsold
albumsby EUlncton, Arm, p:inles In lhe Independent field.'''forties fllm, and the Him
stronc,Gamer,
Brub<edl
Bush- sa,s A,,.ktan.
was only one or many Inc. Cl1111on Goodman. Condon.
or the nnn·s men,which have neglected, but Jay and K:a1• Mlltt Daris, Tun JoeAnothe'I'
Na.poll, Is at present inand olhen, as 11-ell as Europe openln11 a German
failed to submerge, his Mur11h1
the commerdal names.
branch. He receotlv handed metremendous posslbllltles.
He produced and edited such a HI-Pl Sampler. a 121n. LP con-collectors· aets as taining • .u.sorted Oavours or
He has had plenty or weU-plannrd
Improve your ltnowlcdae andthe lour-volume • Louis Ann- Paclftc J llZZ." Thl.s looked a very
incrcuc your onloyment of jazz absurdly small roles. also strontt Stor.r •• and •• Be&le flllr buy,
meaty ones tn SmlLh Story." reteued Bunk
by pos,eulu1 the many fasdnati n1 "tolerably
New Orleans " and "High J ohnson's "Last Testament .. re- s1c1e one consl.sta or a guided
boob writun by and about lazz Society."
But It has been cordlnl$ (or CRI tttea.se. and tour throu1h the cat&l()lfue. Dlac
mu1lc and juz musicians. Juz left to TV commentator Ed tempted Louis to lhe label In Joclte)· Prank Evana does lhe
guiding : the musical examples
loven In their thousands 1U over Murrow and a man with the 1954 with his Ideas ror the W. C. are excerpta Crom Toufl. MulllHandy LP.
the world hive welcomed the encourllglng name or Fred1111n. Baker. Shank, Twardzlk
Av
..
klan
of~n
wrote
hl,
own
service provided by the Juz Book Friendly to make a picture sleeve notes. and ho made ror Perkins and Chico Hamilton
recordings. Despite aome 11ulf. I
which does him even halrClub. Ito bl•montl,h- ocleetlona Justtce.
g111111111111111111111111111nu1U1IUlllllllllllllllllll(lt Rnd It Instructive.
ha.t,.e4 1:0
meaNn oal:,. e.t" Satchmo The Great:· which
Side Two holds alJt traca• -lallr low prle«, _n,dt■to can be seen In London fromfrom various albums by Mulll•
gan. Chico. the Laurindo•• unri..-aUed llbrery of l•n April II, Is a documentaryaccount or A1'1114trona's vlslta to
Almeldll Q11.11rtet and ao forth.
literet■ re. You 1oowill boproudto Europe &nd the Oold Coast In
In the USA the LP co.n& one
hive thou booltt on your shelves. 1955 &nd '56. It l&sta over Ill
1ol~r &nd QB c:enta. which in
They are cltou,n by a commirree hour a.n d Is runny or movln11 f!IUIIIIIIIIIIUIIUIIIUIIJIIIIUUJIIUUIIIIURIIIIIII~ terms of relative purchasing
all tht! ..,.)'.
power I.!! less than lOs.
headed by Rex Harris, 111lsled by almost
In everytbln11 he does. Louis hlrnselr • repul.allon u A
In Britain Purchase Tax
Humphrey Ly1tel10n and Gerald exhlblta the rorce and humour. formidable tape suraeoo. One would
lnOllle the price. ofLucellct. Bookulrady published, the cooalderatlon. the genulne- or A1'1114l.r01li·.s "Macie ·fhe course. even tr comp'l-nles were
Knlfe •• releases wa., • triumph allowed to market such cut-orice
and avai!able to new memben. nea., and persona I rruagnetlsm of
cuttinJ and apUctna. And producta Still. I think thethat have contribUU<I IO bis:nclude Joe Kina Oliver, Bia Bill greatness,!here was that curious Buck sampler Is here to stay
Blu~Suchmo,Jazz in Penptttive,
The All-Stars. t.>0 DIily with Clayton Jam session which. a.,and Pl•y that Music. They an be llne drive and heat. How ptep. published, cban1e.d rhythm secsant It would be 1r "S11tchmo tion completelv t>eiween beat.a. Langston HughesorJercd on iolnina.
Now Oeo11te ha., tran.s!erred
The Oreat " proved so popularthat more unadulterated laiz to the thriving l'Jlclnc En1er,. .. end this is the current
prises.
Inc.. In which he ha.'!
MERICAS author Lanpton
band stories were lllmed.
acqulnd an lnterat, to take
Ruches. ,..bose comed1
programme :charge of the New York end of •• Simpl1 l1eavenl1 .. wlll be oeen
World-Paclnc Recordl.
here nest monlh, Is makln,: aExplalnln11 the move, Avaltla.n M J:aa•"'llh•l'odry • LP dibu,
Maren / Apr/I 1958
~Us me he had long planned
coincide with the Olm. .. IO set out or the corporate ror MGllt.
The Jazz Is provided bv Red
PhlUps en hul'T)'lnc out a situation .. and 1to on hl.s own.
Allen. \' 1c Dickenson. Sam Tay~ Satehmo The GreatLP b1
future looks fantastic 1n lor.
Sparrow
Os1e J nhnson MIil Hl nton
mld,AprlL The dl1e Is nolhlnc ..ltaThepotentialities." he says.
and I reports Leonnrct Feather,
but the 1oundl111ck-narnllon,b}· ll1hcl Waters, withwho
directed the acs.slonst alnlervlewalntractsfromcon•
Chule• Samuels.
.. fine blues pianist named Al
cert& and mp:omptu session(U', H. Allen. I ll, 6d.
Willl'l-ms. nov,• workln1 al the
cut down to ◄6 minutes.
J.B.C. 6s I
On It are the u.su1l All-St.an.
!llDER lbe dlr«lloo of Uidl Metroi,ole wllh Sol Yaged."probably with three dllfcrent
Bock, who 11'1U In Brll.Aln
Hughes narra~s more than 30
May/ Jun, 1958
bass~l4. The OB. record credlta last year with Gerry l\fulllc.an. poems from h!s own b<>Ok&. This
Arvell
St.aw
and
Dale
Jon~
World-Paelllo(ronnerly
Paciliosummerhe Joins Allen 111taln
Its Evolution
United Artists'
lls14 Jaal bu come a lon.r way In :. for more poetry-Jaiz at :.heand Essence
Shaw and Jackrg.
All re.- 1eara.
Shakespe:ire Festival ln St.nll,•
thrte take part In the lllm
M Bockand I feel that by ford. Ontario
by Andre Hoddr.
(Saker &: Warbu,a. 2s1.
J.B.C. 61.)

~ by MAX~

5 JONES 5A

His Eye is on theTO

Now on wax
M•'nmn: Ol\fTf0E'T plu• 11
SATURDAY, MAAOH 211
11.S0.12,0 A l : LO:Ult. IH11 1th
Pttllf_.. IC.. Cluka. "oad1,.

12.J)-11.,S A 1 2: Tll,,.~ Oria,naa
PIH 8 11":• a.n. War• Sl",atr,
faeft bro.t lJ 111.
4 IM .U ~ : lwlnt ltranad•::~f.r•it:D,!.2,1~:.;,.ttlnp ol _,.,,Tu T Ii l I \7.Z 00"1( CLUD. MM,
J1 Wd J1.;µ I\' $uttt. Lolldoa. W.C . J
I ••"I 1ot■ 1bt Juz loolt CIO ho•
htton,th). &Mtdt.•w Us W•montblp
c '""' ·• •nJ o,'t' one moruh•• not few U
I --. .. 1 1u ,ntln 1hrfflhcr,

llan lnlerlalnn11n1.
t .~t.H 8 : hnault •• ■uftt 30,.lD O W tl ■u TIMI.
• ~J0.10 O P t · ,l■ u
10 0.-10 H P I ~ CUIM dt RIClit,lllt
10.1i-11.o .J: Amtrl••·· Poo IIUJlt
10. 10-10.,0 Y: ,au 01ll1rr,
I U•l20 J : 0..1 l holff.
11,0,.1 0 a.m £.Q• Or , ,1ut1 Llbrlf'r.
t ,._, 0 H,Q: H•Urwffd,Htw Yerll..

7,0-1 0 T : (I) HHlh, llnllr&,
Cuntt, (2) Chi1•,1. 01,, IIHr.
T. O•• ■rultffk. Trtlta..._ &Marine.
C.rtNft.
tTht , MO 1nn1m1 ..
,,on 1, rtpnlf'G niahU.r b t LWtta
10 -12.0. 1

1.M .H J: ••nn11"• UI~: Outt•

I rncLi~ .t0t Id (Jk pll.d ,O tJ~ and p,ctlntl fo, MS booU
(C ~,th('h t nJ C..rit
rrtfU)ffl:l''n l IOI 1lai>-•.>k• I~ fC'QUc-ttcd),

daun't 1ee,#i IQ mind theihort.c:omings of this portlculor bond. and she 11111
bee11 brlnr,lnr, Ille hou,edolDlt eoerr,where. allltour,h.
unfartuMttllf, the puice,houe nol bun full. Tue1dal/'1 t 10 o concert, In
Copenhagen were poorl11
attended. Bui Sister has

114d u«llent un-tt.e ,ups."
Donllh

criticHoral4

Grut reporU : "Th ere
u.ere ,om e bca11tl/ul
moment, rvhen Rosetta
111n11 without the aulstance of Dllley's bond, ond
several tmbarrua11111 o~,when the shadow of rock.•n·-ro11 IIOceTed In the
background. A low mart
1ocu reoclted w h tr n theSf,ter marched the collected bonda dow11 tht allte
to the ,trains of ' The
Soln.U.' S""'J. but Johan1tn·, boJ,1 de/mite/JI had It
all 011er the 11llttor1."

automation cuts
purchase tax on
new trump,t !

U

13

GUINEASGO

Why not complete the enrolment form below now- don't
d. lay. There•• pleuurc In
11orc for you.
_ _ Pos t Today _ _ _O~.~~::,.~•ro,ttsr•!tlu.:o.-:•or:»::::1p:.r.dmcrrow IS11turda11• at the
ROI/al Fl!StiUal Holl.
A Dlsle11 letter f r a m
StocJcholm 1a11i : "Rosetta
has been reaJt11 greal. Sitea new slant

J11/y/ All(IIII 1958C

the but tcflh her at Copenhagen•, KB Hall ID.JI wed:.
Rosetta. now bock In
Brlraln, opens her to11r I~

on prices at

JAZZMEN
by FrcJeric Ranuey Jr. andC:harles Edward Smhh.
Fureword by G,,,..ld Lasccllc~.
(S:dawkk &: Jackson. 3os.
J.B.C. 6s.l

Dl1ley 1/enrll< Joh ansen
and Qroham Stewart-thebondleadvs 1oho 1h11red

Pacific expands

~:sis

JAZZ:

Rosella Tllarpe
SI STER,een will& 11. lo r.>,,.1,aa•e..

,..,,..

SUNDAY. MAIICH . ,f 114 1$ pm A l 2' Moftr·,- lau

51().6.,0 A I 2: ,lat.1 News.
S.30-t O 8 : H■mp, Oullt, Milltr
M11Clnloy,,.o~7 MI T(I) R idell t ,Aut•(t) lp:anl1r, M1rl1rt M4~•• £1tl

rtt11•~ Ha,w,o, l1e1to.
Ktnl111t 11111, L.Male.

,uo~to P a: J1u10,

Herm1n.

Tr•••ll•refannounctmtnt br,,k ...t.pp 10 0•

I0 ,0-10 HP t ; .lau Ml1ro1roo,1110 30-11 0 W: Humph
MONDAY, MAIICH Jl 1
'704.0 i,m T
UJ.. IIIINI\CIOW, ' 'ItawUr•&•n11

H 1r-..1n,'°"""' IN

hrnel, T.O., Shaw, (fl tlahMOn•
AMMON■- IIJQ. MIit 11111.Hnt Ott.
L.Q. a11d ■trlcan,
PtrklM•P-r,
Ywoc-Cla,ltn.

Ork. (one f'tour),Ct>
Oanhworth Ork. (1n1 h4tUr).
IO 5 JO W · HlrrJ la,nN ltto..
I J.0-.9 0 P I ; Yat1flltll ■ ru,-.111._
I 0..J JO P J TIH Dlllt lte. . .n,.
t to..:o a S ; .,., tlau Pa.--...

Lun1nord.

w,....., Ceu. Dull-.
z. ciu-11..- hn.
with ••rrl ar,...... Cll'f LalUt.

...........,.

1,0-, 10t . tct.10 o 8 : , . , ,Ian ,,..._
l .,..I01IO app K : ...,, C.IIHrL
10 ..., 0 J • o...a "'··· (nl&bllJIt ».too r •· ttu l1t••r•

10 4G ,! t :, DL:■r'.-Cli .

I :O-!O O 9 P'or J111 l'anl.
Pro11:,arnmr1 •ubJrct to th l n1t

Kral, M1nll•Mlll,t M • ~ ,..._,.,. JIJ.1 1111..
t M JS D~m: TIM
I .au ,
I 10-1' o I ' for tlau f'aM..
I >CMG O N· ,., ,au f'ana.

••al

...

.. ,

a

At•

H.1m.,._,.,..,._

tot» J 11an o, .,.,,.

Jol'dl"•''''"'·.,••,. Dult1'l•lna Collt&a. .,,..... C1l11.,,,a.u Clull

PIIID.\Y, A~AIL • :1 I).~ O rt m T · (t) Qftnn M1U1r'1
1111
11 Hatt Otflurt. (1)Loub. HtrM:a•. C.1.1.. . ,.._..• ..,..,.

c.,...

nJDDA't". A~alL II
1 I0-30 pm O 2: AVIIO ,aa.
'MOT. (II• by T ,D . J br llallb,.
car,uir, Mllltr, Hetti. Ct) au1,,

I 30-10 16 t· lnttrftallln.al Din

f

GIICKeKtY TO ITATIONI AND
WAVE~NOTHI IH MllTA£S
RTP' P:uv l nltr: 1-1n1 4-1..H
2 - !tl

RT'P Ptrh rn: UO, 111 Jtl JSI,JU HJ t H
0 1 fflhrHUffl l-t02 2 291

DI eat: E Illt--:IIOO ,n• 1 NOii\ WOR JO) lU. ♦t JI
2 f $.'\ O D
0 t:
C1r11n.
" ' &:;..,i &Cl R..1d o 1--111
J- 211
4 -:lJ
4 ◄G-4 0 1' t • J ll'lnnr Kt.allft&.
7 0-1 o T en l•nnra,, CM MlnL). " ' RIA.d u rl.n JO)
ffl H3 ll6
Molllnloy, T.o .• ■.o. 01 ......, .. t I S WI' B-UJdtn
It 19
1haM. Zurlet. KMU.t. HAMO•
1 11 211. sn. .54 II
Hawlt Rae.burn. J,r,, .lohnun• J I A~
Watltt • ••htt. ou111wwu,, .l■1t!. I• " ' SBC StK'lth~:m·:n:. 2.:,) ,u Jot

WIZONUDU , APRIL I I

m

.,,,u

,SO'S

h , lt..
I , ,.. $\ 41• Uf1 1r Dl•fll'L
I . . ,0 JI' )Jau fH RfHYIM..., ...,, ~."..

, , b-andN , ).l>C lr Ctrlo %Dl
0 • H'I P~Hltfan ~I : El '1fl" t lffl
t 10---10, 8
I ~-• , , P • Lautt. N .O. WarMltrtra. T 1 VO~ Til pm ; ll ti. 19 ll 41
b1-:d\ 10 I) fl m ' ! 9 2l JI b il llth81• OOnd1n •"' CQ,
rilh :;H rrom 11 1 pm
t ,0, 10 U Z la,a Attu1llll.._W I L Urtt\llJIJfl
208
10 111-11 "O DL DllM..,tll.
Y: so:- Loi•aao !tlll
t58 "'"' O •n,-..a Lau.una.t. J'JJ. Jt
f"HURSOAY. '"'AIL J :rn.n g; .«;,..1'.::!:!·...

1 O•i IIT·

( fl

N.. Ql..n

IIUlltb •r••

ruu 1cale mf'ch•nu .u 1on ,n " " ""Pl• n t brln11 Y<kf h•.awy IIJUK • bu nP••··• • lono1I modtl . ,,,. .. •

•••,n

• ...

end fast ••cthtft ttk 11.r1
P1,'"'J•
mletO•fflll ChN to ...1... C,UI 1,uR,llnun•nh lnctvd• tuu ••" • ,, ''""·. . .. ,Iler . b•c hl yo,e mau tt'!Plf"CI

AND new atyl4' 1nap f ..nlt?n11t,c u '""'

pa,.nt p rotectlv.- v., h,{' l.ac- , t Pro••cq1,1.-, flnhh.

.tll d ..J.,. ., Ito/letF. W. Street ~

r

f,o•

114 CHAIN; I II. W.e 2

12-MELODY MAKER.

MmohA, Hil,l,/er deserves a
Hll ■ LH' S British
A Ldebut
In V■ri ■tJ at■n errorof Judgment on., •11n1H111llmlllllllllllllllllllllllllllUIIIIIIIJJJIIIIIIIJIIIIIIIJllllllllllllllll!g,omeboclr'• part I
:'l"
rr11w
§
Jazzwlse Al Is a ftne•mttslnger. His elcht years with
= ~.,..,.&111
Duke Ellington are evidence~ 111111111111111111111n111m1111111um1111u1111111111m111111111111111111u111raenough o! I.his. In 1955 hll;,
solo recording of "Un- try Hla 1'0rk la ror the sopbls. act as we know IL He "'u achained Melody " was a IJcatecl, for I.be IO\Tffll or stylillh lonely figure on the huge stage
seller both ln the U.S. and alnaina wit.Ii a strong Jazz ln- with only John Mnlachl at thelluence. An acquired taste.
plan• 1J ohn was here !Ive rears
over here.

~

rally DAW.1v.

~

At I.he very lea.st he should ago with Snrah Vaughan).
have been presented with thebacltlrur or a ataae bandBut thls doem't make hJm pollshecl rehearsed, able to COPe
Al"s affliction lhe was boma top-of-the-bill attr action with the ;recording arrangeat a provincial variety house ment.a which Al hid brought blind> UmlLS h la movementa.
with
him
from
America. nnd bJs choice or numbers waswithout a name suppart.. But
t.hla would not utterly unsuited to the toughThis Is no reftectlon on the have even1111ed Li,erpoolh
It Emp,lf_e Monday night audience. Oreo.ht
supporting artists' capabili- on
a Mooday n gwl', ..- numbers llke "' l '\'C Oot A Rig t
ties. They are excellent pei;- out I.he aid or at least one To Sim, The Blues:• .. Day•
formers all-but they aren t extra comedian m aybe. or even break" .,, Do Nothing "I'll You
big box-office n ames.
roclc or altlffle favourite. As Hear 'Prom Mc" and "Don•.~
And without dll;paragl n11 his
waa, ht. dJdn't atand n chance. Get Around Much Anymofrhe,_
vocal latents. Al docm·t poMeas The a11dlence waa very sparse were way over the heads o ~a household name In this coun- - and Al doem't have a Vprtety audience.

ExcellentUnsuited

ft.

..

~~~~

ollywood pays tribute to Handyl,etter l,reak!

Liverpool Empire l■ at
Mond■J was, to l■J t heleait, unfortunate. It w■a

Al Kllller-1111fortuaate

Moreb 29. 1958. MELODY MAXEii- Paga 18

mt

Al or
should)Ian- Wllboatn ,tnn doallt.
a ~ene-t>l.fbt
a nll&bl eband. wtl.b '4uUJ suitable ~at&ndl, badled- by■apportln1 rroape, ror ...e•~lallaed audience lbat becollld attract.

Effort
The Modem Jazz Quartet or
the Dave Brubeck Quartet
would have been no more athome ln a Variety theatre. Yet

they did well enough oo . onen lijhters. And the same tnat.-ment la planned ror Barabvaushan next month.
Somebody has boobed. And
we owe It to Al Hibbler to maken dra.stlc etrort, to rectUy a p iece
or bad pregentaUon. At least
give hlm a chance to appear
before thoee who can apprecia tebis undoubted t.alent,--wtth theright ba.cklng.

bLynn Dutton was disappointedby Dutton. we were let dowp
by Melady hlr. And Darenld &failed to &Core wit.II CopenbaJ~~tl " over the latter
was Ben Nllbet. " I backed
M&11lc Moment." he told me.
Why? Because his hit aons•.. O.tch A Falling Star," is•. baekNI" on the PeJTJ Com~
recording by " Magic Moment.a.

Eh?
In t he L II n n~ - Dutton OJ/Ice, fncule11toll11,
haa a " dl"I/ •· 1e111e of tiumour .
C'OMEONERainwater ope114 M• tour ln-

Manche1t er1

n pictu res• STi.oLOUISBLUES." the film trlbult ><lltno It outrfllht J,w '50 to th• ••loon
W. C. Dand1, fa t her of blUN • <t l>tr Jor u,1tom he and Oooo u:ork.

<!om p•-'llon , bu Juat bffo C'O~tl~
f Band,men(Barney B14,ord oJUl
H ue, lloll1"·ood,JOrNS~~m~eall:°":tt• -1: Teddi,, Bc,,,knerl IIJ)Grote wu, andLucnll lint 111"' readu
dire ll•eper Blade ICob Col/OIOlll/l In
wuoal < orrr 001>11rfollt1. coltUe GOQO
view of {be fllm:.
WIii /lond11 (/1/ot • Kln11 .. Colel.
•• ":'o"Z~~~•g,e.N~h~~tt~llffl olld OOU
1 JH!/Udto com- and ploJI Jo~;
~ 'R' lll'1 fnremo/ llruooir tntu,een Ion
I M;,.i~;·

aon111 utro,,ttd Jrom .{olkh t,ordtred from IIDm• In -•mp on Jot/Irr
1ra-nl11 ,1'-'P~~rowf/g~t oomposo:;::tl1co1 camJ)GfOn
irh tchlie PIJJN1 In Beale Street Porodu.
(ton,:/e, E/labttll 1Rub11 Dt<l.
/Ind, him In a Bea~ St reet d r~plelld1 u,fth lllm 10 rtturn llomt.
~.
WIii on rite brink oJ n,a,u, 0 • 0 10•,) 011<1 a11ertd muric tontlnue. GIid /uJ
aradllall11 IIOcl blind. Set:trOI mon t"4.110 . . . choir. ledbi, Bt#le 11OJI
llollalla Jac,1.-,on). rlollt. cllorua' ·"'"' en •ldr, l/a nd11·, cltur,:lt. WUI •••hr ,, re11ored bu a ,umfno mlrocle.
Still unable to ,holu Ill, faith In} modtrn mullr. IVIII dllllDJ>llOrl.
Vrc nirlllfe rite Neco York sl'.'"a~on11
mu"cson, d«llne,.
•chellra i>reJIQ reJ Ill, •• St. Louol.1:""
IVllen,ono, or• rn-oJutt'{, tobrlno, 111'::lnrernalfonol Jome bl/ Gooo '{;. , •t /or or~nHtre, and .ummon, 1111
malne 1Earlha Klltl, Neco Yor,i. o11,, •c. 11 il11. Pcr/or-morac-e t, a ttll~ut. a,lllhtri and ollonoorao/1 c>0mJ1Qn •• 11 /ont llaoor I Ptorl Bolle111, Reva1111<1
contracu Jor on carlu aona. 8111 rllan<111 011(1 £/f&abellt Ulllnc11 Wfl/' 1
COtJ<r11 11 made I/cat WIii u:a.t rrld t d Into ,<mour, /rom ,tooa u::fno,.

Uo'::'~ a

2

,ono.

wm·,

3

"!'

9 I•

':;;,,,,"/'"~~;~ ,r:.,n,.~t1u :i:,:rwm·,

HOLLYWOOD
Ht:ADLINES
TROUP and Ju.lie
B OBBY
London wlJI produce a motie
modem melodrama with_ .. 8music." . .. Ruby ~urny's ·· I 'll

Remem~r Today plaUer bu
Just been released here by Capitol . . . Jack.le Caln and Roy
Kral are starred at Maynard

S loat.e's swank Avante Garde.
no-emor, Cloon•:r ls rMns up
TV t or • 1 ov ronowlnr I.be
Jrrlval a r ollsprtnr number rour.
T•nnf11M'C! Ernie Ford had an
operation OD hl.s foot l o OOrrt'Cl
childhood raotball Injuries.. •, •Roc:k-·n••roll alnrlng r&irt' Hlc•kyS•l~on t 171 hu • •250.00(! lrust
rund. . .• Pull I ru~• so.d b er
In lCretl In tbal snazzy MIi.ml
h oit!Jti S lrtrn1-.• .. Five P ennles ,.

used by every player
ol note ...
JACIJt AUIITIONI • HIIE It.all

FIODTClAnOll•CWITllmDIU

AUCIT NAU
• (HIE unn
LHUIIIEIT • 'NUIIPN' LffllLTOIGEOII[ I Wfn • TORY TIDIPE

fllAIII TI0HT0N • AITNUI WHY
DUNCAII WIYTE ... I llaal I I IIUar........
, ,11,....

TltUMPET ~ models, shtllow.
medium. dHp and,.,,,,-deep cups
'1 • 19 • 7
TR O M BON E 3 models,
1lwllfow. medium
and dHp cups
(2. 7. 8

BING AND THE
DIXIELAND BANDS
Dlxl•land band; Nobody'a &Wffthevt:

Always in the picture ...
Rudy Mud is rhe choice of topline srylisls a ppearing
on TV, anc:1 Films. Featured also on Broadcast andRecordings. In any dauical or dance orchesrra,
for sedion anc:I solo, players find them so edapt·able to all styl.e of perfom,ance. Rudy Mud
gives them the incentive to play better.
Send coupon I or details. See •nd cry Chem al,,_ lout music lhop, You'll /ind lhoy ••lv>I lhe lob for you.

FREE ! Fully muu,..,d b,.>chu, c 017
I l.udy J.1iick Trumpcu le Trombon<1 I

I Hana.,.·----,-- - -···- 1
Add11,u,---·--·-··-- - - - - .... Ii..-::::·:::::·= ··.::::··=·-.:::.:-.::::·:;::;·~'!!!.5'_ ,. • ~ .IIHUlllt. CIJnDII fflffl.1, w

e;

j

;

I .. Il I

I

Jamboru Jon.. When my dreamboatcom• home: WalkJQ6 tbe naor over you:
I want my mama; After You' ve l'ono:That"a a plmLY': Bloo; Be boneet Wltb
me: Ida. aweet u apple ddu; Ooodbyo.
my lover. soodbye

THE UKE
WORE EANS(aoundln"

It's all hllPP<'"1111:
Pamlly lret'; lilrH
boe-<lown: Prfnu-·.,

tbe ftlm),al do )"OU do;•tar: Ha lNlowot ~ph: Tbanka

BIG T's JAZZ
Peralan rus: I l'Otla rlsht to &Ina tbe
bluu; Love mo or leave mo; The Sheik of
Araby>: Body and aoul: Aunt Haav"ablues•: Love mo; Nobody tno.. tile
tro uble I've aeon; I'm ironna atomp, Mr.
Denn• Lee; Somebody Iona ma•; Bluert
ROie or tbe Rio G raade•••r:• WITH• w1TN EDDIE CONDONAND HIS ORCHESTRACONNEE BOSWELL
LAT 8228

6'

THE DEOOA n2oonp OP.MP ANY LTD DECL AB

LAT 8:129

ellllE ALBERT EMDANl<M'l!:NT LONDON 8 ~ ;( ••••- .... .

Rock hard fibre. While
enamelled. Do nol aher orchange pitch. Fcl any makeof instrument,
S1'RAJGH1' Trumpec

16. 9

Trombone 21 • 0
SOL01'0Nf Trumpet 24 • 9
Trombone 31 . 6

HUSH
CUP

JACK
TEAGARDEN

BING
CROSBY

MUTES

wow

Trumpet 29 . 6
Trombone 38. 6
Trumpel 29. 6
Trombone 39. 6
Trw,,pol 29 • 6
Trombone 39 • 6.. ,... .. ,i,-....

,._.. .-ct..
~

The complete range for evl!ry brassmanTrumpel. • Trombones, Mulo5 & Mou1hp1eces.

h:,e t 4-MELODY MAXER. Moreb !9, 1958

Hodges ............
........
.....
............
still the .....
.......
greatest• JOINNY
10116£.S...... .._"'~•-v ....

NC11rl1allle. . . •flare.

,oHHHY HOOCH • 1111 THE
liLINCTON AU. I TAIII II.Pl
MIii Mr. Rallilllt t DIO.l"t 1ft 11:•1,h,11 lalHt.11 Mt; ConfU Wllh
AU i Afil Oldie OOllie; lalaadt
For Vtrr T tnd Leh• Ea11n: It

H ■tl To It Yo1i1 : Black And Tan,ancau ; T aki TIit .. A " Tra in.
c1,r 121n. :1.1cx,_ _411, li d.I
HN&u
fallol; .11,mnJ' Hamlllon
l e.It. 1nr l: Harry Carne-, 1bar. , :CLlrll T«.r(7 t lpl I ; Ra., N&J\Ct t lpl..
win.I. QVt.nlln J acUOn U.mb.J: lllt,
llr.1,horn tpno , . , tram, w....
c c.1,11t11>1■

lb.J UI,.

.....

....,..,.

USA.

OCIO!M'r 1'11

Oul\1 tJacuon LP a superlall•e wrlte-

11,11. &ad that (U JOU can 11111>,..

ODOES. In tbe opinion or
rtllbt of lb•
who took
1!~r.
atc.o n11.~ attll.
A lot or re&dera wrote ■corn•
tullJ, u reader■ will, about theHcnllcat~• pt~mffi1~tca~~~&~t~'f:\JU

aample or hi■ pla,tnci tor 1e&n.

•modlum,we.. J-.:tblu•~~l~t>.P1:'~':.'~!
which brlnp
r~i~!.~l~\Dt,l11 ~n~~~~Acrobatics

u>d t h• wbole or the t.lllrd. Be lo=ee~r.,~=llo':.'11~;.tborn. tben more band aad

Hod1ru lo tbe rod.
1
a n~ J ~ ~ l o ~tblA nrn number, aad all pla,rc.trein•1r well. malatalnlna a~~\;''titt'r.:'r.=~aoi.o. p errorma-.

:~i:san:':-.

~ r Lr~ c~ :l:ffJ'ro~o~T~f:iror tb• authority ~ ll1•

■trlkl Dll•~~.'!~a~fifc~\
ua~C:r~
f11, ot udlo, and thepiece baaeharacterlitlc """DC108 louchea.

1;?!!.'m~~Fm~'W:::'.!!

c#i~1n: :"~!

IWIDlfnl UIIOD4'Dta.
'Ibe acenmp■nlm4'Dt

FESTIVAL~
1957 U.,, .......-£- --1.

~,21 ,au

Oounl Ibale

awt• Bolld1r"/Je Sefmerw~e.

1111- , lladCII

IClplloll
COD
TO
COLU!C■II.Pl

Ds•• BnlbttkfPonbnst•.. , ~ - -

NIii■

WAI

(IPI

fOohtmbla-01•11" ' NEWHIIT•AZ Z
FUTIYAL ILPI
1111a Pl...n-ald ■ad

TEDDY WILSON and GERRY MUWGAN .

~ ••, ·N-■ fLPJ
J~~~~i~Dut llllattoo

r. t -1 DIANOO ILPIIPIIJU1»1

DJ..,p lldllbardl

RED ALLEN~ Ill)

wlttl ,IAOa TKAOA-N
anll KID 091Y~,.

OSCAR PETERSON■

r~--~ • •~..

wlttt ■ONNY anTT
• - ltOY ■LD911DG■

tOnole1wn.•u• DE PUii" ... I t•1

ITffllpol

Ill EUAANO
LOUIi
AOAIN- Yet. I 1LP1

SU. P\Lqer~ld andLou1t Armnroa1
4HMV•Vtr\'f l
I~ 1- 1 T ■ AD IT I ONINOOLOU ■ILPI

Terr, UsJ>lf1-1 TN■

lCotUrnbl~ I
AIIII •LOUIi

IT■ ONC

I fLP•

n-o•v...

1Phlllp1',_, 1..uoan.1..y - Y•L

1

(■I')

HaUle t..fdbtUer
fll.e1Pdllc1

DIZZY GILLESPIE .,...

••RY LOU WILLIAM■

I.Pl by llteH Mfiata WIii be a'l•ll•ble - ,.._
COl.Ulll•IA •Cl.£F' •r:1tl~S ttom April !lrd

COLUMBIA e RECORDS,.... ,.,.., ..., , , ~ ......... w.,....... - I I O S . . - n O , M r - C : . . - - W . l

/

I

~•
:~~; '".1io1r:.,,,,-..=!!
Paramount 1tudlaa.
Aile,- lbat be ■eema 10 11. .e
fallen Into 01>sa1r111. to emerae
onu; occulooally lo 11:.1 p iano
•Jmi>!i r~•h { ~ ~ tb:'frmb_:
labt Inwben be wn,~ ror
1fbuma on Norman Onoa·a Cleflabel and arranrecs !or Count
Ba.ale an10n1 others.
HI■ tUDe9 In tbl■ 2oot Sim,~\bu1n,1"n"". lh!~Ft iu'!'lt~hJ
material f or ■mill Jazz IITI)upa.t!<lcar ,mr k...,o.

AINIO■, COONT BASIE ::::.:::=.~'!-::-.::•

J:1,:,,::.r1S:.-t1~P::ra

Two r,conb .. tied·· fo r

t lh

l

1ls.

,:>era... pfag teller "• /iNI l4cd o Cwt...kib M ~ ,i,n•1•.., -,,..,11,. H.,. cu. 1A. /ac~, ,....,_ ., ,_,/...ti-, p/01.,., witA opolog/u ro 611111/,od., o/.,.,,. "'"'""' hr lunitoti.tu •I ,_..,
llehh tird
Tf
Cha. Chap••
Cal a.riluu ( ~ClillDoug l obiouon
C♦
Cyril..._
C.
~t.., WahltoeC•
1""'-Hurllu..,.i.as,,- HS•
HS♦
0.. ,..w.-,
C
Ala NriiitLii.r,cD.
... Milla,.

........... c...

°""'

s--

Midwolllt..

<•

f:1~°: ~J:.rtcOfCb .. l lf'd ••IO\'Wolo•

STOIUIISUPPLYINOIN•
PO-ATTOH POil JAZZ RI,

TH"'-1
VIC Adi,,. Smuh
Eddie Mordue'*

Ted Thonlti

CttJoel Godd,,d,AJl,n ftriJ

D.

CORD lfflAAT.
LOH'OON-Jam• Aama.n:'i Jan

emu·, •~~:OLAIIOOW-~~t'z!:1t.L:t«.,Z:/ :::r.
011..,..._Blmt •ndAddhon,L,ld.. U.d Record R.ffidtnou.t:~- 0 . Wind"••

~

JAZZ
DISCS

f~e~,\\1his nn1t nol.able wr1t1n11 ror tbe
Boyd Rllebum orcbeatn around

Ill IAll AT TN■ ILACKNAWK (LPI
DaH a:ru.taea cvncutt
ff l COTHAM ,All ICEN8=• -- f-=.:-·

t:~t··:r:-.t.~~~:.J: ~~rm;

TOP JAZZ
EPs, LPst.

men-•ltb planl■t JObnn1 Williama
notable l o, aome aOOd Jwn11ln11
aol.,.....upport tbe_tr leader well.
Or cour■e. tbe record rote Ito
LIiie from tbe rac:\ that Oeora•
Handy wrote •JI tbo tune9,
Tbll 311-year-old pit.DIil it well-

AT THE.

NEWPORT

Dependable,,rrTH

Sims' saxes

MORE JAZZ

.....

C'"
=-~~=~~ a1:t

au,
-•k.

:~!:.~~~«,e:"~" •,~,'~:.:, 1b:'..!J.'~

elate ma iortuoua •-01011 ,..., , _ 08A. 1.&m. A.Bc-l'ar&•
aptalna boW I.bl■ one come.a IO moucu.
be called ~ Ran Notice."~.l'.~...-old
tbl1 record we welcome
l l to .. Jazz . Dlaca "tbe
AJIC.Paramount label
at t,b e tamoua Jullllard mualo Am•rlcan
wbtch.
as,1reac1J
announaect
11■cbOOI IA N.., York.
He la alao a nimbi• putormer. belu1 handled bere bJ BMV.
Tb1 man oa the tra~ had noOn th• wbole tbe label a•t■
thln& on lltm. Be ftlea lbrouab a worthy ■e nd-oa.
Lbe u,a With tbe 11naten or1l e~La~~..~~n~nl.!,.t•ttl. ~Bu, 1, all amounta IO IIUII mlllU•r•cunUna,
tbem
mon, than 1111 acrobatJc f•~ Mr.
Jacbon lacb tho uua Jua t eel•
Inc aod baa llllle wortb.-?llle IO IRI on oae. tracll:. but t be 1. .
.., ror iu-1r.
aid l boUL lll&t tbe bcLlff. )P8Cff
APC>le,ard.
another2ool'1 comparaU•eJJ CKU)lallrlcbUr lnacn.uneoLallat• ...,.. addition or tho bJ1 ban7 10 bl■
lo ba'f9 more Juz anae and mon atock•ln-tnde, and the Ucll•
reellDS,he. too. tbe~~I o~ ~~t~rn~
dlnne
0
1
IIOaM ot \be rui.er tracka. espetb°:':~~ ~c1a11r • SIOmDln"," maoqe IO
klok. But tor lh• most part bolb Lion " work ■ound a little untrr,.
Lbe .._mrnte and pertorm•
But ■olowue Zoot lo bl■ uaUAI
anc• are Rl:bor futlle cocktail toworloa aolt.
pa n, mualc.-Edpr ,~ell.loo
1
tb!to~r.'it.e'.~~Jl~that bu tor Iona been an out~'if'dl~ ~~. o~:i,1■ a teno~
ao1fa'it, tbllt. with onlr a ffn'10
more e1perl..nce. collld mau blm
one or tbe lnstnuneot'1 most~i'~tu':~Ti:~'~t::'dtt::iR':~~\t•ab~il~IJI~~~ :l'fci:.>r'1
doubt IC .... bawe beard a botter:ur'f-..

=---~--.?

t dn.).

1Am.. Nonna

1l..._LffEIU'OOt..-Bnm

ll&dlo fOUdl~ . ~ l P P-clts

ti.r,c-...

~

OJ.or
L

D.
D.
f,

C♦

r....

c...

... ,....
......'°"""

'*
'*'*

lilffy s.itJI

L 0.
Toey Sr-,

*

C•
Ctt

1-k IOlllorC.
h•D,w,oaCttRClflllito-bcrl,l,,D,
I.aw Smilll
0,till lniftttOIIlJalr Dowbt
D.
Jalooay Oaaboortlo D.

....... ..

-,sa,..,,.,,,At any rood d1al,r.

114 C~~ Cross Road. London, W .C.2

Montrose-marathon
is a severe test
E<er,thtns that bapl)fnl la
obvlou-u rou ex«pl theocu.ionnt tnttn'1,lpllona bJ bellor alren-11nd. a.llboullb I.he•n•mibJ•a are hammered out
with adrqunte technique. lheJ
h &we a r lltted. mec.bantcal qul\ltty"'hlch II ,urely Ille antllheala oC
real •"'Ina.
More .. rooty " and rtaolutelJ~e'~'),"~~mg~ ~~~,~-c-::::.f~!he tel peraonneJ b eat ou~ adozen tnmlll&r lore aonp UDMra " Plar1 Por Lorrra " budln1.
On))· Probert stru,.. a r up011&e
ID me.-:uu Jones.

Fine Rushing

ILHE DAY

Accompult4•1 tbe • .

IJBBJE GREEN

ARTlN SLAVIN SEXTET&I......,_....,.........""',

ta 11&,ta (vlbe1): Dn, Lor, Dill J1M1 (piano);Sa-,(baa); PU So.muo, DH LI•- (drums);~n CollMfl. ROJ Pl•=- (SUItar);
1n1ce 1'llnl<r (al~ and clarinetl~

M~,t RtHOUIEt PIVE PLUS TWO

ti.Pl

CHIRLI ■ PARKEa-o,zzy• SOUT1!£R1' SACA ..

OILLH PII! 1£1'1....llftl&o,laftt~G-,Dl.•aft.tblothtL&f••.. One More n.m. ..

,cw TrHd'WtlJ
fTake Jt;
Moha.._tq~NC21:tT■ teJlUn,,• • , • • Wllh Lu t'l'ah 21.

,c111umt111 Ol1t 11!810N7- 111. 10d.)'f'HJ::SE ore RlltrnaU•e 1tal<t1 toI.'•• T°ii~1'o°"nl:r. Pa~~~k~UJu\'!~t••'.·•r-'!i1b\t;'~g',.~~=•-~~ i~ hi1'e
The ,n,..mble work la

Poe Saqp (alto);"" c,111~, urumllC'll:
An Dtl..., (teno,); l<nalr
cls\l 11ont);
w-, Hwll (piano); 11111,.,, 1b.u11:
An • . . _ 1drum11

I~

c..r,,~rc;~1~:t:~d~,'1~01.~ W~:~!
art
nurnt.

•IDIIQI W1l1I.t'l-6u,u,--.....i.1a.t.1n.n..,,.. 1,,n,

B.P thla i. 11 rewarding opoor• ,1,n1· lO compare, Y.'llb 1he LP.
•., c!Jff<rtn ... ,. I\ top-OlghL

n.t'9llrffl • .&MlkrTMnnt"""'-•.. ,,.nn wt11 npproach n a-hen
1 .t. •u,uonc:e.-1!. J .

nu, u . ,n:1H1

1,

r E.f , lff 1M7

THE DON SAfAGE SEfEIc, :,~~::.-·c1~~-~'5'J~s~•d ODt~

YUODl&II Ir I.P. ,n IMl1

I

BIG BILL BROOHl'(VOCAL AND GUITAR).1.1.!

.........

ou,-. .....10olUWla4-41a\-~01-.

hllla\-1""""--Nfl'a-1'kt'htU,M
lftl.A1t•u . anw.. Ocit1 Sou,h •·a lablffl■ Jublltt ltu; Sw■nee Rlurh. : lattn lt,111 llua t• •:L■ap

Sir Clwln n •.,_ tplanol: Aun BtO • - • :FrtUII Crt<11 (ruJ~r) ; a."7 Do..W.n (drum1)

CAW TD nrra.•...,....,Ttlinr.1.11t•10ttlMc111I.. Tlitlllll!t/

Dixie-type'"' Oua,

AND BB IAlfl>u""° Cm• (trombone); "-117 In.I (trompel);.... l'l«J (alt o IU); l'rul< W•(teDOTIU &: llute) ;RUBY BRAFF
and ElLIS LARUXS

I

I
I
I
I
I
I
I
I
I

Ra~ Inf (trumpet ); EIIII Llrllm (plllDO)• rwo ,ut mnsnoa ar uz::z. y,.._. L ..
.,_ r. a. • au o.w a...-""-'., 1'bn T• ..,,
kDNllaLIN.....,_.W-..AW--.. ....... AJl&al, .. ,.,.,. . . . .,1111:,llJ:att

VUG'OdDll" U . PPT 1NCI

I

I
I

I
I
I

I
I
I
I

II

Jl~l~IY RtSDING
AND BIS ALL STAR BAJID
11mm, RIIUlq I bluu ahtj!trl; Eauntll llenJ( t runi~t);
Rdr Poa,u ,alto 1U &: clanottl:
I KIJ T11t ttcnor aax1: 1.1...- ■-,, ttrombone);r.1t
1p11no1: In-MIi c,.,,. traluu-1;
Wallu P&&t tboul); l o J , - tdraml)

1,-.,..

..un,.a IDIJl1'•·mi.,cr,.._.,

r....

1'.llGVAU ; ~U . EPP I -LOU IS AR MITRONO AND HIS HOT
l'IVE 1LP1
Co m, lack lw111 Papa I Ct0r1fa~4!:~i •t,t~l~t r::p:~d :1~1"'a'ur.::Cr, n1J1And

0rien111

Eq

llrut:

M•:

You're

Sunu&

Cale

I

!.ltMp: You Made Mt Lht You:"••h alack lllfOffl.

lhnlana TfR--211. 2 (d,)

TUE JAZZPICHRS( 'lll.L£CTORS who m l55N1 tbl•
H ?tct!OD When ll ..... a,a11• , on Columbia LP, bar,.. an• 11 r rhance of •LOcklntr up OD0t
tho"'' ijtnt or earlY .11rma1ron11:1.
1lir•o are remarul>lo for t bc ran1"5110 Hilnr l!ld clarity of the.imoot lhio111hout, and for tho
G !Pu~.l'lblDI lklll oc lb.la p tck-Ul)

H•trJ laloula ('a,lll'l; IN4r Celltll, CftUlt)
10 Nanlll{loo (drum• A: ,·lbnphonc>:
IW Dtql&a (drums,; o.. 0 ...
11u11nr)!j-,;::J;>~~;i J! l ~;~erwtth....,...,.i.n.....,DAacY Ir 1.P. CIL Ut6

IJ,

1lnaln1 on "Butttt And£·•~,The... "Sun.-etand olber■
natdlyLhe v."Ork
O&te"

attr■ cuve. and; 'he rhyth~ duo falla tar .Jbo"·rnf ~J[\i;c:~:.;i':1.:Uc b~il;"'::ft~.~~-~ .OC llnG-.1,w~n&ataWA,nt-.

, •·• Charlie Parker · ·III

ll.\t FITCH

I
I

lhl Flltll , p l•no) ; SUn Tl.)i.t tlfnM ' " :I•IIAl Hall tb.tll) . a,a,n1 LffllWI ,drurru.,
Win J fll l a ~ ,n.,. ~ T• lnn luua l~......,o..o,.._IJlilCT U' LP. IJt. 1ffl

Na1cb U, U151

Kcucb 19, 1958. IIELODY MAXEJ\-Pog-e IS

FOOTE-:T:"!'l~N~PA~N-A.,..L_L_E_Y__ci

exll4CHARING CROSS RD.
LO:NDOH,w.c.a.
TEMPLE BAR 0444_..._,_r_ .
J

TAPERECORDERS,h.
_ _, _ ·..a.-lO"' . ..,...........,,_ ,....... - . ....y 42 pa.

WATKINS "WESTMINSTER" AMPLIFIERTRIXON!

UIIEATHLE VALUE II l■PUFIEIS I*KITCHENS*

1'r 5 Valve, PUlh•puJI amplllle,.
10 -ti.a OUIPUL 10' lfflker
Too-mounted control.a.
•
Two lnputa-lnelependent volume.

ft1!11n1'1

GUITARS**** Trable/ lbu tone control.
Attrac11ve, two-colour** l"ully
Guaranteed.

Vibes and Drums

La a.a:..,.,.,G.L..L..a...,._. . • •tlaftda. G.L.&..L. w..,,••.. 11..._.__.,!!-L,L..a.. .. MY •••• W I

cabln ■ L

"TIM Choice of die Stars"=:.a.ra . • a . = .O.L..I...L£19 . 10 • 0

PAWIDNT IIUSICAL INSlUIIOO Cl.

w.,

WATKINS GUITARS tt ....

,.,,. IHAFYUeuu AVI..
Of'ffl AU OAY SAT,
GIA. tl7t/••72---•M OJ... t...8,t

BILL LEWINGTON
lor u,e'""FllfST INSTRUIIOOS IN TOWN:!~"11:.':... £27.10 ~~:~•:l;W,lfl.~:•... £32.10..._ .......... '1. IIIM ...... _.. '111 I.... CIIIWIL&..a.....,_, .. _,. . , I!:::~~=.:...... ~~~....:-.0...:,.-...... -·-==--~~=----:;~ :r - . ru&JID&&ll....-.,CU. •• ~
_, 11

••

..

a-ca..
mn__
cr . .._,.,._.a......,..
.. .• , 11__ 4'11.. _. . . . . . . . ...
1,1~ Ulll,.A.K, a, ...... .,..

•• -

I

~ -:C.~n,:t:.:=' ~1:~~~=:

IIU WIIICTH'S PUMiul AnllllNt, Tur SAi 1111 CUlllO PIOIUMS. . . . . . . . •NJIIW.. . . . . . ., , . . . ........

~~·~i:..~-;.:~

N.P. DEPOSIT £2 lrU lllll Aw

MIO 6'0

The SNAPETIE 14"13"

11 aKcwnw mm not n.r1
IIAITUIIU AWL W.1 IU 4211

1/IHUIM • IJIC:WIIVI~J'u'~~r. £6 . 10 • 0~ANCAIU,vanted ·1'•:.= £22 M!f:!Y::::"-

1

t7 lt,ayt,, ' ---~
tt,. 0....-C.&.

200 SAXOPHONESFLUTES·CLAIINETSOBOES · CORNETS · ett.

AlttCMI luictw. . .
C..r.,._ 5 ,,._.

11110 CAU. lillOP •d IUDS

10 IOIUUY If_ INAnUIUIY HOil.
LDIIHII. W.1

Tif£_..,5KlffU...... Kn II

Io~ALTO 1.AltU In Co■••

ALTO IAXOl'HONU
complete w1th cue &M mCMtdlplec:et ~ s J", ._,....._.....,....U MI t~
. at,. f .l., cv.p,. • "114.• ....,.ba IU tea.•......,.·w._ar,. aJ,.. "",....., • "7 10...., ...... ta..... . I., .... •"W. &II •c..., _.,._ •t.an. ........ r J..
••

••

••

••

<•••._

B:UMJJOS 1ft
S,HIAL Offlll

i~::•••1 ti,'r.:\~ ::.::;•J~1.?.i. ::: m1

Spedal clearMCe ol new • ~ aoll9d
MOdel (UOONl GUif.Ai
AMIIIU"US, S only, IS waif. Of'•i~o,k e US, now C.30 and • aN-,
10 WIO, ontinlll'f Ul. 1.0
now

In Do Lun cuo O.L. ... au:,....::l!I.~'.:!·!.::8~r 0 -:. mPt•'-•••t

TIOMaONII In CaH.,_

1111, H, u <. barpjn, O.L.

£19.10.0m

fGJt Hite Pu,clvue T. , ..1

oi.-. u , rondlllon. 0.L.

BESSON & CO. LTD.

11,ehlMW--••rel

151R.IIUU.,,A...._c..tq,c11a1.

T•l•phoiM1 Glltwd 1211

TIMpl• I• 9919.

,....._.u,,.

Iha -a..tlat ■OlHM a.atutn1 In <••ti
L■•r, G - rondhloa ...
... 111
I. a N. TI, llodd...
•.. UO

1hopl

Cnllu, l 'IUllc ...

l■llat, \ ',;a Amutaa.

C~Uo Bod>'

S,nd IOI dtlll1J NOW and .,.. · - ,FrH Depo1il Servi..," Melody Maker,"

96 Long Ac1e, London, W .C.2

IU.... 111

8d• Per,.,,,,•••. c,•• c .i.n. I/• Per
dar, Hatta.. S.rvieH ..

wANTED 5d. Wordflee•••• i., ••••°'
W1n11d, ,.-,110 ■•lion , . ..... . ,..

Word

11.....,n, .. P rlftlina.

CA.LP HIA S latter or Sna.,.. JO}-.
Aho S.1urcl1y1 &Ill 6.0.

VIC O'HIEI /:;_°=,•~,!";'.,'!~

144 0111 , . . . . . . . . .. - _ U
COIII Ftrl ■- Ttnal-1 ADY.... IIU

T. . . .t U.S. AJL IU&.ta..a. .. 1....,GUITARSOar n.w, f11U, Uhulnl~d~•••INu•• af Call•n a.ocl••• llflen .,. 11aw • wa11•

Word

able freo Oft N'CllU.~:IL,

Al.I. ~ - • A-ePCSN.LVTS l /• P£a ••o■D
A.II . . . . . . tat.ta, t1raC lwet la 111..ACM t:'APrl'AU. GIii.. ••r ••N est.r-L,.
a.u.,.,.O.&IH.#. anttut•lt
1na1«•'1MI,W,

a.• x .....n.a ...... au.. Twe &Jr1r• W•Nh. r, .. I f- len-ae-. Fee.

TH« Nll:W

PSnN- O4. llam,r«,.,....,, rtt.ura

SID PHILLIPS
IIIADIATED COIRESPOIDEICE

ADl'EBTISEA1Ei\ 'T ORDER FORAI
Aff • m•H •dnrtJume11ts mw.st be p,ep114 • "-d elloutd • N1n not te te, lh•n flnt post frld1y for lflhrllon In
the folt->•l"I frld•l"'• tu111-AddrH1 com•umkaUot11 10 :-Cl••Jfled Ad.. OePL. • MELODY MAKER...

Ill, Loni Acre, London, W.c.2

ol NII ..,_in.

l-

WATKINSCODISE FOi

CLARINET

Phone: Ttlll. Bar 24611. EitL 21 I an d 2113.

Th• fw11 neme • n d 1ddreu or the Advlf'tlMI, no1 nec11uu ly fN Pl,lbllc• llon. rnu1t ec:company eve,.,.
e dw• Mlaem•nt .
Rtplla lo • BH H 11.m Nr fflWII N e :U t HHCI lO u .. ., Melody Maka," otfku .
,,.... m,11: •• u ,emln1nc.a• p.ay1DI• 10 " M£t,..OO't MAICtlt."
Ctl• QUH • n d P.O•• lO be CtOSHd I ..

21 ■-Nlpl..._\Vrlte noco ro :-IALba

TKI IIO l'HU.S MUSIC ICHOOL•• ONtrhtw c,.., a.i•• w.e..2. o.ra J•i1 ·

CD.,.

*ALL
JET SERVICE ON
MAKES•.urea a.ur•i•••-----...

GIRL
VOCALISTSrN i..t UIIIUT lfUU JUIIU'-1--.......
-Jh•t,W"-3.....,an.,,.--.n-n...

{

OF DRUMS AND EQUIPMENT
THE DOC'S OWN H.P.

.............
"""" -...-----:--------------........,,. ________. . . ti#'_____
e'-------------,,
e-e-orwN,_..,,..__,.,_,..,..___
1 ........

.,,..... ,___,.

• 11\1 IIAIGAlU • UDUCJIQ • ALL UPAIU• MUNI Ill HCADS • lvtHIHING OIUWlll,,_,_,.,._,._.s,J.o.

• IUPWIIIG • . ...........

L W. IIIT 11111 CO. LTI.

•11111--.-....._-..J(NW---·...
no DIV•1111u· IIUPQCl.dffU

I, A N, '77" GLAllllllT. 0► Low Plld1. Boehm 8111<m ...
:A■TIII FIIIIIII GLAlllllitr OUHIT. D► llochm HY1lt111

1.W
.T2
3UI

tC,.lln, •tltt1-.--,,,• .JI~•,BARGAINS IN INSTRUMENTS
WANTED

T(f. I Loe> (II, 41110 12' • r (II.
Sl,oa•l'Wl4 1:1' • Y Wh/Ptl/Ch. 4• ' -m:'~~. 1!';~•1ir:,1\'.,:,Z ~JJ/•, douM►laff4«. 1-..u,rn JtoiL..•• IUtu,., l11ei . , w 1,uec1.
1 ndFound.S1 1est1yAucllon, Pet1on•1.
ENGAGEMENTS menu
Accea a orl•••
MowUt1tl • c •• •tn11tum1nt lttp,,lr&, fwlllon. Muslcal

Per

no WARREN DRUM SHOP

nucno IAIIGAINS,-,,. 1r Stla.
z,...a. OluolT U ,, l◄'KZ.lctt""'"",irs.,.,z,."a. n ·A..4.. "a.. 1r
Swnbul O 11. l'Nffl,cr ... • 16' Wh/Ch.

00, other ty,.._ from 00. , , emler No. l
54.iper A.a W~Q. «IJ I L Ot,mp1c 14• •, • Wh/Ch. S . 0 . llt., a t<. HST''Melody Maker" Clmilied Advertisement Rates, 11bllcNotkH. 5Pffla1NollcH, lotit&.P, ftUla.t.m.lAlldllm

HICE ■AH IIITll■DIT UPl'UEIS
ie--■,111...-.w.1 . IUT4'1

rrr~~ .~·S~c!,!:..~d~:'K:h~DRUMS

outla lNn. • M&a pa,t, u •, t•
a-...,...,...w..
,-,1. u·, r... Ill8•10 DENMAN STIIHT,
PICCADILLY CIRCUS,LONDON, w .1 c;u,.,J 16'8

USED PEARL DRUM KITS
1-1, ..,,. • WW &ad d&nNIII. U "a 1 • , , '1t...,,_ ...... • Mk PKtt, U '1: ,•r. Doi.

BOOSEYLIMlffD& HAWKES

0.,.,..-.u....._ ,-,1. ..... ,....

... 116. .. Ill

GUffAl'S-1. . . te, ,,ea U.1U

:tt g~i H,_~~lt;i ~:~l, °::::::
T5...

I. a N~ Ol■too - . i ...

W,C.%

1
1 L5

,. UI
... UI

Ntltu, Es<. co1141hlon, G.L. ... U2
DlslrlAnd ll.o dd. O.L. ...
•.. liew,tte for d1·1.u, to-10/11 Arc•tr llntt. Plccllllll)Clrcn, W.1

FREE DEPOSIT SERVICE?

LJJ.

■aahattaa, Al Qtl'W. A.It .• O.L.... IU

hnt, J..,INla"P-•-W..•••L,P,.._lll • n Cb 0lt"'-11a,J""°tNffl.p. •'W..al.r, r L. 1&.tlu Q6 0
~ l•l--► •'M.. elJ, f L. ,.._. a.t t...... . ,.............,,...... ,,... .....

(dns

f":':l~i~:i:t:U.t .:-8.t::::::
l111N:t1r, Trut 1one,. Y.A•• O.L.... 141

Why not use the "llelody Mater"

Bands, Mw1lc l1n1 Wanled. ln1ln,•

T1L 2J222

BOOSEY ..\ JL\\\'KES

LEN DANIELS : :=i:m::;Hi:MNO~.H.:~1 ~::~~...,_,, 4111.. tll 11• • Nr.U., •I ,_, ....,,...,.,. _..., ., .u, n~1 ., ,,..,....

I. I. fflCIO ILTD., 27-31 Q- flctarb It., Ulds 1.

HARRY HAYES

SPEC/AL ! OPEN

• CO. LTD, (UT, 1710)••

DaUDITftDDL AIU.. CUI.TOIi. ~IIUT. U1'DUT•

ALL INSTRUMENTS. GUITARS FROM £5 . 15. 0
SPECIAL OFFER- L .P. RECORDS FROM 10/-

Rudall. Carte:-11,..,. ..

...., ..... ...................... __.... ............. ,,_ - ... a.c,..
An nn:, • ..... Ullt a., ,._ ........... 90W,

BARGAIN SALE!?-.

Sa:J Dttoi/1 for B411 0 6tr1 tot

1....,-ttult 1,-,.J.. O.L. • .,. • • • , • •t..,_._. ....

(Ci!y c......1

1rtn1e-ua.

IOEHM CLAIINETSm

m: ...._~o.a.... .......,,..,_,.. m••• at It2 a WL.,,_.Ala&. tcw a•a..o.... LD ........._ LD. ..... LD ~ T•C')_..1 ...
CJu,l,IBlllila-. ata.,....., ......... ... ~ .,._........ .._puri •• a, &I*

119 JOHN
ll"HT ST.

CLARINETS & SUES
0
SEND FOR
FREE CATALOGUE, .tTO LUononl. . . . . . . a.tu,,() l.. u .,.• , hdl a, 11

et..n...,.,r.u utuk, uw•

n..... ....... a. . w.,.

*

TRUMPET • £13.0.0*BUFFET*

C&UD~., ......... .,_ .. - •ca...
DI.. m.aa. o...-11. .. . ...... - ·•· iU IIINI I.P. DIUII■•BRANO NtW ' 'GOLD LACQUDr..,_ DLLIIIL&R. Ull...._.,.. ,, a• I..

.. mit.. w ,

0-1... ... . .. , . ......

IIEOR:UD ar.
2'J • 1) ' L V.--. 14 a a•&. Ona. I• 1• 'ha T- ........ ~ ........t.. T._
C'J...a.Jn.Mtr. LO.--....._ &.Onlltf'tilW.. a.DNa.,.,.. UJllM.....,..•tt ,.,......_

1111111 rw-u,11

WHIU STOCKS LAST

~ 'm"-=~-·..... .,,.

..

Ill I
• • 117 II......,.oL.. .. ••·•.. ,..,.
~

mar.a 1..~. .. .. ,,...nJr.s...

t INSTRUIIEIITS WANTED I ~o~.=.'!°1'cu.:g~fi'=!,~~

c11,u■ SIL hN. ti al11. LN•• 1,11111,1

lirmin9h.m's urgest
Billcl lnstnunent
laildin9

DE LUXE DRUM KIT

••

:U :
, , lllH::=-~::,'"ia,~~:i...u.... ;..;, ::• 14111
ldurP&rlf..O~L.,L.A., a.t..-.

JACK WOODROFFE

IO to•• Ill I= •-~--::--~lJ,..n;j~

DISCRIMINATING PLAYEAS,,

K.a..o..a...~ ::1(Term1 avail.bl•)
HIGH ,owU-A8IOLUn ■IUA■IUTY I
A••ll•bl• from e1n·r bono--ftde dealer.
IINO 2<11, ITA- JO■ IUUSTRAYIO LIAJLU
21 UlNAIII IIIN IOU, LONDON, I .W.12
ON• 111 br bl. l,rt, Ot1lt1 Wd. Ill 3111

SEND NOW FOR FREE
LISTS AND BROCHURES

Laroe Stodo, ef tll Ty"' al Guilan
from 6 gn-■• Send for )'D<ln today.

s.,_,,.~.,,CURRENT ORCHESTRATIONS P':iii~~r... IU t•.. Ill 0

1i.~.~~-~·~1:.~~~•a'u,~t,~·«t~i·~l<JII ::: ::: ::: ru 1::W~~t~~M~'
l.~iT1o'lr.8i. ·1>r~~1c1oj:.:;~:~ nn~. :::... •~:::tlTAII AMPLIJIIII. 1-10 wallt, 10' 1palra,, CDDU'Olalie Uv,~r::·
l""'
To, . llound Saund llolo, Melt! 8 U1ap ...
... ... 11
IIAT Ill: UMPI , llo 0 ,L., Low Plldl ...
...
••.
•.. 111 7
S, 14" 81dt Orum Mid 81&11d. II' llJm"-1 and 811.1111,■utr■'::li ~ H T o·u·TPJC& lloihm in1m1 ... ::: ::: ru 1 :t!.'.l■clA IUITAII. 0.llo built l'l«uum-., ami.bar■1... 111 11
A. . .tr. 1-10 Wall• OGIPII. 10" . _ . . .

...

. ..

... lie J

FRANCIS, DAY &. HUNTER, LTD.
TllfUO OUUl8'1G caou IIOAD. LONAON, w.c.s.

TIIM,i. -PJJI/JMUSIC u . ,., -•LIIRARY R I OUIRCO, modtrn old

Umr.-Can1rrbury Mn

Ju,- •,_· wt\tre ,.., 1ft. 11- ttll
" -IAUCLU■CALUIOAR,".....,." ..... ,. ,..
aopu" en ..,., a.
0 11,u . . .11

a.._ la lhla 1...,,~

ttr• All Hf
Ufll.lJf

uca.a,s.ccn ull.• l ....-.. .r
G. SCARTH LTD. (lfulII ltkn. . " · ka.l 111 n 11

Motoh 29, 19!1

Page 1 8-MELODY MAXE1t**

UIRMINGHAM

CURTll' I RICORD IHOP, Rllh
St.I fft.. K.aawlr. BoUJiul~ u1nn1a11utm.
TH I LATUT record.I lrl atw111
INVERNESS
1n1t.ock.
tnclud101
a1ltrnau,,
THI MUIIC IALOH, 2, Que•nuau
nu.mbt.ra oo 11a.. U 1pttd.-Huluck '1 Arcade,
Jave rnns. Orta&.ul uperu.
Radio •ad Ttl..lllOD, Lid., • • I.OHIII Oil Oaellc,
BcoUl.ab Counlry O.ndn1.
Ro:ad. Blrmln1ham II,•::n:~ular rtcord.l.

**

f~f~~-:•~:~

*

LEEDS

IUTCHIHI

Of*

RoconlLEEOI,

k loo. Kla1 ldward 8trHL**

LIVERPOOL**

11111111\'IIDF I HEWE$T ROIDll•
LUTON
YOUI I Bn1bU
0&TI
ModtrnILUHO~L' I HOUSIEHOLO ■TORI.
TOP HAT Recunl Bar. Dalt 8U'NI.
WAUIII ITIIHT, UITON.
POST f"IID all ordtn owu £1.
BRIGHTON & HOVE
DOSILL' I 4All IIICOIIO I HOP, TA• PIIH &11 ordtl'I allroad. ALL
MANCHESTER
UK. Wnlln> Road. Hno , un:11 .
MAIIIHALL'S 1118011D CPfftlE.
M .m ~ i a ~~WADMAH'I or KIMPTOWH lor all Hts11y•1 LUI..
l ~ lJ.a..adaatt.r ffh?•lonl Road. W..atbNIU I Ard,oor reconsa.-. 81. Ot01"1•'• Road. &lntL. lJnn,ool
WICKHAM, IIIIMHII a ad OAKl.fl'
NOTTINGHAM
Ll.ANELLY
loroae ., l he llllT · - al IAll
0
rtCON1I la Oru, BrtlalA.-4. O.Orit,011 ALL ,our •HIIU.•~•~t~ 11~
, : : i;i.
8\rUL Bo n .
INOP, Ul;IAIIOD Rood.
. . ~ -11. w.. Ind A.r cado. Hollllll·**•'3!"...w~~!f.~* ------ **~~:i8,*BRISTOL

*

*

*

*

a,••~

t

h.am.

ITAN•I . P\Yt OtnmaB lllfffl Ja.u
Duba

lpt'C1a11.tlL Sttoodb.ud dtpL
PrlHlt Recordtn1.

llliOOIIOI a\' POIT, With a 111Ar•
aDlN amd t or d1~lla.-Pa'PW0f \b·1.
···························~
Get your " M.M. Top 20" n Alln ton Road. NattlncbaDL(page 8)

records from Stock...

These TOP RECORD
DEALERS carry large*

stocks of current hits
for your selection.

*DARLINGTON

CIO. A. WILLIAMI &ad Boa Lid_
1-10.
TUwtU
Row. D&rUDIIOD•Mnft ,••••••••••••••••••••••••••••**LONDON

8.W.2.

*EDINBURGH
Lld.,»..11..

HIL ;;.Sl;;;;J4.;;;•' - - -IE. C.1, -C IIAHAMI, ...

Mornaoa

81rHI IDPII, RQlll, lldlDb"'Rh.

*

ENFIELDwt~Yl~~~IA~~t!:~'f.
8lrtU.

BRON'S

P.o. ■ox 46,
29•J1 OXFOllO STREET,LONDON, W.1

0

Road.

IAMU ICOTT and Co. 11Dtclr1e&l

EnrinN·n ),

*
*
0 on•

SKIPTON

SMETHWICKOUOMORIE'I or IMITHWIOa.
~13f J::n~~ :~~:-k:o"t,. ,{~ aro!:f:; ::.~~=l'\mr:.::.!J, \::c.rtD
1

*

*
*

~~-~r.::~.~~1p1:~.~~ ~u1~'!!ii~;~~!"~ ~!~"~I: m
cat in.1trumeat noca--4..a A.cu La.at.

*lht~~~r~MarltLllmouth 11 Cai,. B ill**:?~td. ~~...~~''',J.'1~•

SOUTHAMPTON
H A M M E R I M I T H. -IIEOOIIOREHDE.lYOUI , 211. Kina 81rHI. L..P.
, ..... /!_IIOOIIDI ~ lhr~D>
p11rt•-nchan1e 1uvt01..
&1lt.tlll¥tran,, a1·11tlablt.-Rh·tnldt 7t02..
a&Pt~.
J P. 8 Ull0ll. 01, ShlrlU Road.
HOI.LOWAY,- IAY ILUPIAHOI .
LTD.. lht JhOp:t, With rfford ■tock.I.

-S4$, lloUoway Road. N.'1.

IILIHOTOH,-AL'I AI COIIDI. 0
IHAOI OLT 11101,- Llllfn In comLat;eul. llOC't 1n tforth
ro rl to clntlca and roeL - 163. Cb11&- r,p.m.at
1Anllon.-t$.
Cron Str eet..
N.I.

1ldt.

COnonbury 5..,312=-,--~MUIWELL HILL - LE!, ALOAIOHf
P ,illr\ldl ICtaT ua~ot.
Alt:btt'."*u

HORNCHURCH*UHHDUI AOIHOY,K 11. Bllltl

Laat. Homc.rnuc:.b..

IHIPHE A D ~ - TOLLllf'•
IE.H'S, Wnt London·s only c:,rure tor
r tt0rd.t 11nd ffl\81UI IMtrwntats.-S

Wood UDI. W-,'.l'--2..=~IT. JOHN'I WOOD.- HATIONAL
RADIO HAVICE. U. SL J oha'1 Wood~,a.strn·t
rtw.a. Jaa. DOPI.

Lfrf~~:!'!1,';.:S-;i~Y!!:;.,~ :.~~•• 8ruc.t Or.ott. N 17.

* STOKE-ON-TRENT*
tor

IEWI ., IUHUM
au , ourAll malN. 111Hdl a nd lTOH
DAVIIIOH, LTD., G , W&rul 8UWL
LOcl&lOll IIOll...ft•TUDI mn.

n tordl**

WICK
Tho lloalc• . IHURIIII.
Wttk

Bbop.

.a-NOW........s,,,..•.,,..,....,u,. .
,....,,A&rfa.

.---·__.........
,_....,

i- -MELODY M-AKER-.

,...,

UJ. JNll!f:--·-..

s,,i,.sw,,.

I
Vol. 33
No. 1 273
I_,,.
• EDITOIW OffKfS 119, High Holbom, W.C.1 I
,_u,.
T•-•
__..
I ADVIRJISIMOff oma.s 96, Long Acn, W.C.2 I...,.,.,,,..
.....,....
IT-' ,.._"'*'~"'
M&l>- 1s.........
...,..-.
,_u,.
I I.■ •• Lo• tr &at.hmma - u • • llcnr,
R • d Io Oa.a.&da I
I
lla\141-.
ltffnt : g~, l\~;1. n1ae,:::, T1r11tt: ~;:"' "'-r=i:~ I
anttt.
Toroa&.o~»>>>>»»»>»»>»>»»>»n»»»>»>>>»»>»»»>>>>>>»>»>»>»I - YI""ha...
J o,... .
•1 , Re 0,...Aunu,...,-o· • Pt-dttun.
•••J
Dtumark.
~-TBE 'ROCK' SUIT
Is•··""el■ . llvta
Ort•e.
§
JACKET and JEANS ia Ille true AMERICAN cat
I~
JAcu:T SPEOAU.Y Dl!SlCNW.
POCU"I• ll yCtltpl • D
lkbull- 1
IECOUIIIII ·~,.. ~~ t ~D WAIST ADJUSTMBNT. CONTRAST
ltllywltd: ~~• ao':''°'":: u. 001..,.;...,;:::, "",."'UN·cox .
* JEANS.
nu,,
R-"•rda■ ,J oar • •m. Baturdar ,:,STl'U!
I• c~cago : :=-•~tit.:!.~ ovu1 aa. aocw,s..,._ •■ulldl.J l[
TIii 51'.US.
u•
I ;.~~
0•.•
a!fla:t,.
. . . Road,*IN TOUGH wu••u~ow~.C:.2.IUU.. 111
aOYAL
1 011=,
ltN (,h,a■) : :,,..!:r:.r~•i.;:t~., -•• lilal: ~-e: ,::,_•::::;:: ~ -0on.
I •tous,rot=•Iti*sW!!'ITELY 59/6
0111. _....,.
I, "'•"""- • Rairy llalul,
I , Lau~ace~ ,uuu 2,,. P.PJAacm ,,,. P.P
p...;.
Via
I1• - • PAT.._

JU.

1

MM
..... - - · aA.11. L L A 4111Rt OAWIOM. ~ Olllard Boa4.

...., .. .1a1 Na-,ibu1.u 1
I.Ii■

01.DU&l :l 111
0 0 - 11:ocUU,

H. ......_•• •P Wlll>(.OQ.

llonlNal

Ro24. DubllA0(&elfa.M.

a •

I'•

COoptr11

Upptt Monc.olatr. N.,. JlrMF,
Leooard P•a&.ber, HO. Rl•or•ld•
N .Y.. Burl lloralL U
MIIIIAI"'• 8 ~ llOllaL Vornoac-•·•···· •IOa

UlliL.

• P.O

o . WIDqUIIC. •DH
l26,

IIIOCOOlm. I

BollJ•ood II, Oalllonla. U I A
•

WI.la

11 11~

Anton Kop.

• A llard

Pt1noi,.

0~:l'u'-1&1.itu.

~.--------- ___ _.
HJ

I .. .. .

..

11, I\Al1W~. . • ll&aac,a DltrL
4111&
l l - .. -d• i-ne, hno. Aaaua&-..-11..

FOUR ·

R

0!1111chrd

0

Edt.r.

Htlltrup,

IOWAIIIIIICOIIOINOITVDIOI. 10 &.111 ·1 D
and=lmmt.. Planl11

~

:::
A

.,..

LOW FROl'O"IDTAPEa. TIIICH llllCCINC
TAPl&ID TO

SIDI TO AHIU.I:
AS WORN BY
BOTTOMS.

UY AND

11.ACL...!!;.JOH,O

amatar: ""'la, ,,._
lllld1naua- flNOTJ\pa_~~U>

POSTPTACIAIDEICWSQ w. ,- ::: $cft4 PD. on4 dwn •n4 s•II• .....,u,__,,11 ..,,_~f!.Y!.•,■P.
n!l:9. ~eo,-t,_, Olar!i SIHIICI HUtlC Cl. UL. 111 llp SI~ Paq1, LNN.. S.Ue.._.._.,. liLM, •; f C( CC((C((C(((((C«C((f(((((((C((((((((((((C((C(((CCC(((((C(CC(CC(C(t(((tc((C((C"f,,/ j I,1:.:il1 i

11 (il ;1

li/llllllllllllllllldlllffllllllllllllflll11111IIIIIIIJOIII~~ SU INSmE ! §~ Hollywood, ,im, copy
~ Capnle cOllllleatl§ Jo DOll&las· -··g Wbat the sta~'"siiy·~::

20 ~
21 g
§

g~

~11111111111111111111111111111111111111111111111111111111/f.

AT COHEN & STUART LEVY present___ -;-_:-,t- ~ ~ .......'/I NITMVD(;Ad
~:
..

l -~
ua A K~.·Joa~.

...-,~• KOfG etiifs

DON a.ANG and IN$
NY DANKWf'Dl'U
The

LAS ,eutAUIO,x Five Special" Tea\JO DOUG....,....

m .....

......

-N., ...... '"Ao-late Producer JO DOUGLAS......,.., ., HOINAN HUOtS.-r;,l~•~ilfta--;;,tFi' • ...

""'" witl, CLEO LAINECKlED!MIIISlJie ICEN........
I &..a£
'""ES
la~

..

NB~RRY• ..., MA... GASTONI • - SWINBURMEThe St.-aitge

AwaJceningu~

"Pa11• 20-MELODY l!4AXER. Mcm,b 29, 1951.,

THE FIVE BIG
RECORDS FROM
THE FILM
SIX-FIVE SPECIAL. . . . . . •1

Hollywood
andBBC-please
topy·. ' 6 .5 Special ·:1

supplement

.

,

-

·

JACKIE DENNIS.-WE war aom• of ua talk, rou'd Imagine that theF 10992 (45/78)
La dee dah 1 •·■,ftlah mualcal scene 1houlcl be smelt rather
than heard, 10 great 11 the stink. Thot nothing Is
left enr 1110,e but rodc•'n'•roll and bad lklffle,

Don't let us be bamboozled by the charui and confused
DIANE TODD
by the screaming publicity given to the Undertraln.e d andOvel'l)llld. Her e and there, lt la possible to dlScern talented
who seem to be scratching a fair living.
It's a wonderful thing to be loved; people
You can aee quite a few of them. as a matter of fact, 1n theacrem version or the "U Special." Granted. therea couple
You are my favourite dream or U-and-Os InAIL Dan
But there'• plenty more.
It wortharr_

F 10993 (45/ 78)

Jazz

group

with

BY ~~1:.a~{y I~~o~
DICKIE VALENTINEKing of Dixieland Tony
JOAN REGAN
Brown

lt.e BrllL&ll vocal
group, t he Ke:ntones, for another.
D esmond Lane
playln1 a 11 t t I e
more clarinet than
111111111111111
you might expect.
The
King
Brothers
provingthat YOUDI perf orme:rs can be
IIIIIIIIIIIIJnllllll oons o i enUoua
enough to maketechnical progress. There•• tlult
bobby..aox Idol, Dlcltle Valen•tin~. young llOPl'1lDO Diane
TOC!d. Jimmy, Lloyd and Vietor
Boverall-bot.b from the wen
Indies and both brealtlnr Intothe blg-tlme on merit ralbe:rthan bluff anc:t rlmmlcu.

~UIIIIIF 11005 (45/78)

F 11009 (45/78)

I'll close mv eyes

Ara//16/11hortly

or all(except 'Favourite dream ')together on one great EP

DFE 6485 (BP 45 rpm)

Cunning
This 11.lm made quite an
impression on me1 lirlely, I
auppoi;e becauae ra feared thewom. · On t.be fM:e or It.
aure]y lt wasn't po51Jble foranyone to make a creditablefilm out of IUCb a poor aubJectl
Somehow lt was a.chleved.
'l'be producera bsve 1one about
the t.aSlt with rare cunning.
Shrewdly, they aet about widen- ..__ __lo« tbe appeal by brlnalnl lD

arltsts who have n ever appeared► Dankworth - 11111s1111► Clee>-11 song

ID the TV aertee. And they did
It by ualng a quite legitimate anythingon an American &erVlce to Brltlab light enterdevtce. Most of the action haa soundtrack. Explanation: t,he tainment. In that. I Jee:! It aet3
been eet on a train travelling rroup cut the track 1D a London a p ~ t .
from Pl&sirow kl London, and recordlnr at.udlo.
may ult what It baa totlltlltlltlt\AtlltlllllllltlltlJtlUIIIIU'1tlltllllUlltllU§ I.be performers are 111P~ toI can ooJy hope that all tbJs doYouwith I.be TV procramme or
be ttavelUDg on It..
doesn't encourage an:,one to the aamo name. A IJ'e&t deal.
THE DECCA RECORD COMPANY LTD
DECCA BOOS& ALBBBT EMBANDa:NT LONDON 8 II U

Many thanks for putting ~LA DEE DAH
in theB~:r.w~U:~=~&~.!J ..
to
Uwl •

5

'6.5 Special' Film

JACKIEDENNISs•--------.
5 OPENING OATES
TM. . . . . . . . . . . ... 0.........
N . . .. , , . ,TIIUlr■

I:'

du -

:::11

baa -

. _ , . , . . . .. .

t-• .__, ,., •tovr•

A MIi If 11ar1
larllM I■ ■ll•d tht

55 in:r::~...
lit.lld nm11,o VII•..Woot,... ••IMro
I I - • • A•rll L__._..__.._
5 _1..t_"_·_._c._""_"'__.._·•Ill -1111
■I

1

I

I hope.

It eatabllabea a formula t.ba:

BoU,Wood morevery competenl. lbe BBO . producens W'OUld do(and to Wardour Street) how 11.lm !,hat reodera a very uselul we:11 co follow.

'TOP TWENTY' ~See You in• 1 . , , ~ ~00~::a demomtrates

to turn r. long atr1D1 or unrelated acts Into a balanced enter•talnment.
The attention to detail haa

been extraordinary. Bear, for
Instr.Dee, tb!t sound or the
Personal Mana•er: Evelyn Taylor, WIii Colllna Arenc:y I:'::II Danltworth rtiytbm sect.loo. It
11,u,u,u,u,u,u1Ullll'Ull11u,11111,u,u,u,11,u,u,u,S 1enrmg
comes puJaJnr
tb.rourh, chalcom pa rla on withThis ls what
you've been waiting forl

'SIIFIVISPECIAL'
An LP bued on the popular
TV aerl11, recorded by many of
the original artl1ta

PARLOPRONE aa1 u.-. w.a PLAma BBOOBD

DON LANG•...,, 1111 ·ruimo nft'llla•llft--'al;-•llad4J':
1'00 · - -11>.!Ds

IOHN ■AJIRY..... fflll.&ftll

IAL'ob&fta'"'111ltrftll UIDII

lloclr,..bUly boo11t:
IIYVF•blohnT

TIIIIIYWAYNEH
llo1>1>ln' Ille Bl-:

~ boos1allM DAU

enu:r•-:
J-born (lolii,.,.,..bab7)

THII KING BJIOTHEJIS
001d CDl4-:
Pvul.lme

LAUJIIII LONDON
Pldr ~ ota,uoa:

Up ■-!Qba41-■r-laU.Oalr

llMMY IACUON ff

a11&..a"'11"• b - -•IR.Jl,V.

•ti, .....,_ .,0ohollblll

l'ltCINJ
I.M.I, lllCOtlDI UWTl!), ..11 UIAT CASTU ITIIUT, LONOOH. W,I

II.,, ...... . , .
,:- 6 .5 Special' ::~ supplement ;.

.

~IIUIJIDIIIIIIIIIIIIIOllllllllllllllllllllttllllftlllll'Js

IA new I.loll lq11-rul aerit

Doa Lug-fine trombone

iDeanna iiDurbin? I

Jimmy Uoy•- '111rcnt 111terlal§
5§ as/rs JOAN REGAN §Who you'll see =t
W'hat you'll hear

~ JOANREOAN"S \'erdlrt ~on •• 6.5 Specull ""?
§

= ·n

=

§

will make a lot 01§ money. l lold pnxluur §=Herbert Smith Ulat--but l =§ bad lo be honest and add iii~
oit i::m·t enctly my ~=··There's so much rocll. =§ Of course. lhat"a onlybe §= m;-wl!.
liked more==
. I Close
E

=
=
=

t.o

expected-but I'm a balladl ,r;ould have E§
ballads In the §picture.
ii!
aln1t ·M)• Ena "- an olclle by Billy RddE In a aleeplng car sctUn,: E§ It was photographed verr §well l could make one or§ two minor crlllclsma. but l §§ don·t suppose Joe Public §§ loYtr

HE■E . . the ortl1ta JOU► Vlcto• Sove•all

wil ' " In the flllll, theso1191 anti lnltruaentel1
you will heu, atiMI • CGP•
sule conunent on aech:-• Sa, Goodbye Now.•===
AN anunusual
voice-but on = wUI not.Ice aoythlnJ.
unsuitable sonc. I § "' One thlng- J thi nk the ==fUm will do a lot !or Diane =§==t ell.
§ Todd.
She"s very 1ood
Indeed.
A rul Deann.a §► Dlelde Valeatlae J 11ckle Dennis sound 100 comfort or the cuard"s van ► .Jimmy Lloyd§ Dlll"bln type. I would lllte
much like Fr11nkle Lymon - or the 6.5 Special-but they
..
£nr
Sin«
I
)let
Lucy."
Te Ml, Anna." - Kine .for my taste.
§
~
t
trend
of sln1ln1 lo E
aound ftne and r elued.
Of bl«."JMMY could be heard tocorr, back. Reallv. I.here'•
betln advantage on § been nobod.V since Otanna."' E
dlfftrent material. perhaps. fillllllJIIIIJJIIIIIIIIIIIIIIIIIIIIIIIUIIUllll"IRIIIIUIF.
► Daakwco•~-~!eb. ► Ken-'l'ones
hlE songs with custo. Bis
and leo -.ue
• Gl151 la M)' Soul."
Ian~ will love him.
• Train G2nr;," " What Am I F1NE effort by the Ken Golnc To Tdl Them TonlrbL"
Tones - m:, favourite
P '"-••- "•--k►Tms
Dankworth group. Brltl5h vocal group.
• Baby Lottr."
with Cleo Laine. provides)JTY that Pet had to lldopt what Is t-0 me the high spot ► Lonnie Donegan
the technique or 11ottal of the whole film. They aret Jaculallon. Both she and wown playing In the dis- • lad& O' Dlamoatb," • Grand
C..I~ Dam."

-c-,

=

J

01~..: :gd t°tiet~,114~~

=

••- -

l

lashes n ubernntl\'
I ONNJE
In to two ol h is current h!lb
.J

► Russ Hamilton• I 11114 A Dnam."

Str aight from his film
'6.5 SPECIAL'

has prond his ability
R utoss write
f UC«:eulul ion!!£.

l "d prefer to hear olhus s,ngUlrm at lhls stage.

Petula Clark J► .Jaekle Deaals• La Du Dah."ACKJE Is fine. no doubt. Al<
Juvt n lle puformrn GO. The
trouble Is that they don't i;o-/J46y~RUSS HAMILTON
sings•1 HAD A DREAM'

vtr}' for 11/ltb mt.

Nl5126 (7045)-a htl d isc all along the line I► .John &any
• \'ou-.c Get t.a Wa1i:- • Enr1
Wlllch Way.

Cira, ,~.e 11och, c•">' Hee", n,gged l 1.11,
H1rr.,1,,., w,•t, 1 •cf\Cfetful wn,ng of rho
5,. foe S~cc,11', cwn •-••I h,1- .. I Haid
1 Ot• am, • the latfKI sens,11ton from 1hedtnam,c ,..nnc,1 c l 1he 1957 h-ot N""elloT

Lonnie Donegan'1~ ~ z;a,,;.
(AVJUl.ABLE BHOIULY)

HE John Barry ~ver? All
right II you like lhBl l:mdof thing. Strlcily for the rock-:1

ers-·n·-:ollens. l 'd $\y.

aw•1dl►I HAD A DREAM / LI TTLE ONE
ce 1404

Desmond Lane.. At..i1e la."'roollse lhBl Lnnel)JDN"T
could ploy t.he clBrinr t thal

71 ,.pm and 4 $ ••t""'-well If there·, any JusUce In
this world, .. Mld&eU "' sho11ld
stll.

.. -

Nl511t (7UO )*ORIOLE RECORDS LIMITED, m ouaaD srun. 1 -. w.1
g11aa11c01111ac11-11a11accc.acc:.011SBm■■a1111aaaaa1

i Best Wishes
5
5 to All M-v Fnends and Fans 5i See you aboard the "6,5 tt 5
a

m

■

■

"./

D

m

■

•

C

II

l!I

•

m

I
a

RUSS

■

!
•

I HAMILTON I
II

S
11

11

*

i

(Oriole Records)

*

■

II
II
ti

5

•aBa11maa11cccmcammr.w11maaaccccccggc0ccc0cc0ccc~ta

..

I• I
Page 22-MELODT MA1Cill March 29, 1958
•

•

•

•'-

• I

,, -

I CAN CLAPDN TIE DFF-BB4T. I'.,.,,. ' 6 . S Spec1a
I•-, supple me nt

.

'

·

.

" W HAT on earth have you got on, Mr. Burman?" said Jo Dougla1 a1 I opened thedoor. "lt'1 my rock-'n'-roll outfit to make you feel at home," I said, "You m■ke me
feel anything but," ah• 1ald.
·.

= JOSEPmNE

J o Silt down . A trim, n eat person , she was weo.rl"ng o. tweed s u!t. yellow g11111u111111111111111111111111111111111111111111111111!ii
go.be rdlne shin and a hundred-year-old brooch m ade or Sheffield steel, gEwhich belon ged to h er grnndmother .
g"Miss Dou1IM, you look so terribly County-quite unlike TV's rock-'n'- Egr oll girl."§§.. It mlL>t be the suit, becawse rm anything but. What you see me wearlnll now
b what I wear on the · 8.5.' I only once wore leopard skin pants. provided 6!' I.he E
gproductr to m11lle me look a Charlie. County? l left school at 131 to earn myg
1Mn11. 1 wrote and produced my first pantomime whl;!l I was 15. And when I g
Jolnl'd the WAAF I won a scholarship to 110 to R ADA.
She n111trNI her brooch nervously.
E• Wh11t e~ can you do?"g
~ Well. I'm a produoer. a revue artist. a comedienne and I sing ~ ~~ a L do ~~yo u know§
2
about Jui? •

=

=
=
=

~ ~Ji::t !~*" What&Ort.

DOUGLAS ·=
::=

tells

MAURICEBORMAN===
511111111111111111111111111111111111111111111111111111111n

df
secretary or our local Jazz clubat Buddersfteld, my hometown. and t used.,,~order to copies or the !11£1.0DY 1111.Kllt and ~tribute them all o,·er the place."" It b with regret. J o. tbU I learn you clapon the on-beal.."" No. I clap on the olr-beat. I always try to
get e kids on t.be show to do thlJ but the Don
Lang boys 51.art 1wn1>er1oa me by ctapp!Jls allover the place.". Jos.- Douglas alll B1rm1 (11 rock-'■'·rol farb)
Jye. DIiiy frd& Mills WII llissilr.
" Would you mind clappllli on the off-beat?"
Solemnty I set the tempo
and tnJ.e enough. she was deadon the off-beat.
" Why, dear Jo, ls there &O
much trivia and sub-standard
performance OJI ' 8.5 Special '?".. In spJLe or everythln11.
Maurice, &ldlDers made }'oungpeople make I.heir own entertainment. If only one In ten
learn to play properly, It ls
something. Who would havethought t.haL adolescent Brltlab
boys wou.ld have the courage to
go on the stage and sing? But
they de>--ln their thoUSDllds.''" But tbere's not enough goodmusic at any time. a nd l oo
much rubbish at all limes."t_ hSTARMAKERS LTD.
Free Recording Tests

DON LANG

S~hemeTromboni,1 loadet olth• .. F,1nl1c F1~L"

JIM DALE
fulure gui111 vouli1I■nd N1"on1I Sk,Ule
Con1111 org■nl-.

*

Mc>II of 1he boys in lhe public eye pl1y 1n instrument buill or
JPOniorad by s.1.,.,, b■nd instrument dislrlbutou lo lhe besl mu,,cdulet, T,ck coupon below 10 keep In Iouch.

-

-

-

-

-

-

-

-

o,,_ - - - - - - - - oo..,. ~ - I MYf tided - •:T'IA.■-§e!hnt1 114 CHARING CROSS ROAD, LONDON, W .C .2
p/...,• -,/ - , - lolttl cato/Oflll•
Trvmpels/ Trombonu

O

Guilars/Ampl,fiersO

Acc:otdions0

Saxophones/Clarinets

0

BVEB JfrHING for BlllPP£B
0

Skifftu s':!~ Set

CELLO GUITAR• GUTTER" FINISHOIU 36/· DEPOSIT ...
12 ~ ...,_. ol
D.10.3. c..i, Price

SNARE DRUM
(led Sihw Go'd.)O..,,,

Olkt,o,iu:m-.wy,..,_uol El II t c..i,Price '29. v ~ ol

, _16.16.0...... pd.

wit.11 D£ WlCE IMrY"i., .NV £11.16.0.'
Lillited Supplies.
s...d for list ol .U...

1M lit ..a'.ll>le.

LOVELLS
IIIUSICAL IMIIUMlHIS"""' • """"'.nh ••-fwu

s.......

i,,,,...

Parts."" '11len. my little lamb, vou'rea square.""Nonsense, what about you?
Do \"OU like ' Alda '? ".. Of course I do. I CllMOt.
however, like you. defend bad

SEHO ,oa IEAFIET.
ftllHllutlln,menu.
Fr,1 i•nt,.,"4., •t•••n dU"'u .r ••1•,tnat
C.JJ•niw.ff"..,.1'•f r,.,._._..._,.__,,.. H

r.n...._,..._.__,.,.. ,•.

d•tr....l,a.-t , tN....,_.

sldffle.''Sby

1

She sat. lully In the chair,~rrs~.

' " ' ••

j~ttl• t
MtS..de1 laNM
~iffle, IM., •,.•::,~ :...-~!;; 6_Jl:.i.....~ 1M:lt~~········~·-~~•111 1 T1U11■-.''Al1'IIt A luat.'·11•.......
n.- ,..,

U .«ililt4rh"Y• NOi t., 111 .,..,,, c.•rNew, t1A~N~lllrl• 71 , • ·•

..,_.

~~

"Well, we h ave been throughour programmes or the llut
year and we ftnd that 1100d
1lngers and musicians outnumber the others by ~I. And}"OU know I.hat the unions or
Britain and America prevent us
p u t t I n g on the B rubecks.
Bastes and Teagardco.s. I wish
there oa•as a scbeme by oa•hlch
the unions could Judge eachartist on merit . For example.
Louis Armstrong Is so uniquethat he should be allo'A'ed toappenr on television."" Jo, when I meL you recenUrat the studio and told rou thatLouis was a 'A'Dnderru singer,
vou looked astounded.~" Because you aald he oa·u awonderful slnxer."" That's rtallt."• NobodJl wlth two eara In h isbead can ever ay that Louis
has a wonderful voice. Peraonallty-yes.
Presentation-yes.
And an ace tnlmpet.er. But a
wonderful voi-no, no. ne>-never.".. Do you understand and1"P.?fecl:aC:e -:0, ~~~ence rorJan. Maurice. 1 can't reel awestruck over a performance.
although I can enJoy 11.. But I
can't ,et the same deep thrill
as I did when I saw ' Alda ' In

ti..ve M-..4 IIM aa,,i....,lc '1fteu-HI ,••• 1o.H.-.. •II ,-c..-tf -Av
Mtt1 ,....,. ,,.. ttc.

5-t,4 •v•dlt ..,_jy IOI - ,., tM *-'• -ctwtfl•t .th• ud !Mi.I

•~

o,

PtlS'

~~·y~~"""~c.::~n::.:,n::.~- ,ff!'::.

~~·:..~r~~·~....,1111--iw-lll:111Wi&G
r!."'z:~ - - . t n e , ....,_ ....._ 11.ocll •• • fOII. 0.tneo,.

,.,_,_._,IM"l......r& .....o.........
,,_____,-,:::...:..r,...::;.~ITAR
CASI<_, tr:.... - -- ~0,

, .........

but she was shy and unlike thetype slJe portraya on the
I round her a cultured. clever
and warm-hearted person andlearned she Is the aS110Clate producer to the lllm " 6.5 Special "and she ha.a been contracted Lomake three more pictures. Shebaa also starred In and rroduced " The VtgU" as wel as
producln!f "Cry The Beloved
Country. She Is a llrst,dOM
mechanic,_ and she loves people-all klnw.
BUI Broonzy, J osh Whileand RoaetLa Tharpe have been
to her bome-" Mum 1101 on
with her vary well.~" What or tile future, J o?"" I will always be a producer
and an arUst and I wUI do thethings I IJke lnespecllve of I.bemoney_
l put on a Basie record-the

FREERECORD ofyour VOICEFOR YOU!

* If
*
* If

you take the Stnrmakers singing course you
get these and more.

If you think you could be a STAR lose notime. Write today! We are looking for you.

you like to sing but don't know how, let us
develop your voice and styli.:- YOU COULD
BE STAR MATERIAL.

Send 6d. stamp for 8-page brochure (full of top
pop pictures) wiLh full details of Smnnakcrs
wonderful offer giving everyone with basic taknt
the chance to star.

STARMAKERS · LTD.
Dept.

1.2, Talent House. Surbiton, Surrey

HAND-JIVE IS SWEEPING THE WOILD ! ! !
BUY YOUR INSTRUCTION BOOKLET-NOW

X

X
X

X

~

X

'HAND-JIVE AT 6-5' ~:,;Wrlllen by JACK GOOD

X
X

All moYemenls fully iltuJlraled and d~scribed, including"Formalion Hand :Jive"
PRICE 3/• •••,ywh••• o, (plu, 3d. po1t191) from ,

.,X
H
•..
:)

SOUTHERN MUSIC PUB. CO. LTD.. 8 Denm1rk St.. London. W.C.2 ~x x x x x x ~ ~ : <:•:

:I oici<iE-vAL.ENTiN~s:"SIX-FIVE SPECIAL" HIT
I
IKING ·OF I:I DIXIELAND :I
ON DECCA RECORDS, u1, 111 , 1..~~~::r:•:;•,'.'.m t;t._• ta,.;.m_. ~.,., ~ nearest I 'Ve got Lo roclt-'ll'•roll. I1 ff uJ •·r, . , J JI ta :i§9.f.dU
n.."·.. Pf,...,,.
I
S .,.,,,. . . . p

E AOQUART E R &. . . . . . . . . . . . . .ta ...............

.......

we Jived around tbe
G E N E RAL SUPPII ES l TO . flat.Solemnly
All lbat WU lacldni ll'U
.Preddle ~•p ....... "4• Or. 11...,hint• . .. ,.

LAWREICE WRIGHT 11 10~ffl'Ci ~~~f11. w.u

I • • • • ~ • • • • -~ • • • ...1

•I I INGJcb

n . 1"8. MELODY MAJCIR-Pooe 23

t Jumnmmmm1nllDtfflllllll~ll1111111111mnmmnmmim,mmmmnunnminnn11nnm1111111111111n11111mmm111111111111111mmmmmmt1wi111111DJ11u111111111111Um111111111111m1u1wu1m1111ui111111111111111111111111u111m1111111111111u111u11111111111111W:

11,.

..

..
.
. , . ..-r,:, • • 6· . 5 Spec,a:, supplementl.,.,..,..~!~.~.!,!!!,,.,.!

peop

~

•
,n
#he film
IIIIIIIIUIUIIIIIIIIIIIIIIIIIIIIIIKllllllllllllllllllllllllllllllllllllllllnm111u111111?.

• JT'S a . rrut tJlm6 that
British stadlae are nown•akltl~lma like Ot1a. We're • SIX•FJVE SPECIAL!" uld
IM Is not nry happy aboul
USS DAMlLTOS, who doia
Miln
lo deftlep an4 Dldlle Valt-ntlne on the
bh P&rt l.n the "6.5 Special "" I Had A Drum " In Ole
our own ent. lmtead of ,olnit" The film, yo11 lllrn. Wollld tbe public, aCttl)l - 6.5 Special" film, wan ta lo
around pa:,tni cxoc111'8nt 11111M telephone.
meant'
Y"lcnowIbann't
1ttn
him
as
a
l)aUad.uiruTmueh la carttr on lhe larce
to bear the fordp VarieLy,"
It yet. Rann't even seen the
one thing he confesses to- 5"\"tn-but DOI . . . slnru. fie
r1Ubta or the bll I'm In.
he Is a l the cross-roads.
,.ants lo "t.
.. I was dashlnR up to NewThe 511Ulposts? Skiffle? Bal• U I could make a nr sort or
castle Lo atart In pantomime a t lads? Dram11? Pilau? Or &uccessu a lllm actor; he saya.
the Lime and I only spent one Comedy?
I would 1ladlr atve 11p stn1ln1.
very hectic day at It. Met Jo
He lnslsta that be Isn't sure ··IL
has been an ambltJon of mine
Doualaa and Pete Murray .. e:<acUy h ow Lhe public reacted lor • Iona Ume now to be annone or the rest. or the cast. to h is actlnq d~ul In BBC actor."" Celery~ r ~,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.,.
BUii. I expect 111 be In It OK Radio"s.....,..
when I ftnally 11et Lo see It ... Blues " plav. Re isn"t •Ul' COO·
unless I ftnlshed up on the cut- ftdenl o.r the future for ski/Ile
tln11•room noor."
alnf.ers (" l don"t sing rock-'n'rol . Bill Haley was l he onlv
man to produce a rock-"n·-roh
N tbe film, the Ku-Tona are .eu ~be&ralnr In a rall••l :sound·:,.
,.
NlmJNUi.nltnt. Notbtnr could be more true lo life." ui. ,.
,.
luder&en Flowers. • I've loal co11-al or lbe boun we'ff ,c.. Row about your song.s? • 1,. s~n, on Joume)'W between dates. wortllnr-out and rcheanlq ,.
~~~~? .. " Were you h a ppy with~ a~ roullML 11'1 the only _ , we C&J keep the acl up lo ,.
~dale.~,.
" Ohl certalnlY. they wtre nne.
Nearest the heart of Onie la ,. ThS. Is t1Plcal of the bard•workln1 perfcetlonlst alUlude ,.
They et me plck my own. l: ol the four-a tnal1 home 1nlernatloiii\ quar1el. Cella Wrl&II& :decided Lo do a beat and a oon~dJI.
This young Northamptonshire ,. 1~:n1. Ken Flowenl S. a Olasaow se:oti Ken balls rrom lk ,.
b11lllld, I 've recorded · Kln11 orOl~lel11nd ' and I hope to record slllier &tarted out as Jim Smith, ,. T.<hondda v.i1e1: Lea Want wu bomDeCJ-out of Orlmalty u a,.
lbc other-a very nice ballnd comedian. "'I sang In those ,c boy and now live. to Lelceo1ter; and Vincent O'llapn l1 a ,.
da,•s. but no one took any notice. ,.. Geordie (Tynetldd of Irish ance1tr,,.
,cca lled · Come To ~1y Arms.'
Now I have only to raise mv ICR.. What, no Impressions? ":On April 6 the IN>UP wlll appear In ABC-TV's " Top Num- :.. No, It W(ll augge.,ted, but I'm and lhe teenagers scnam. WIii ,c hers," and then embark• on a two-wedt tour or Swedrn and ,.
very careful about the Impres- It last? I don"l think IO. C<on· ,c D enmark with Tommy Steele, followed by a 14-weell Varlely ,cI am aiming a t becom- ,. lour of Brllaln.
sions part or my net. As this sequenLly,.
wu my very Oral Olm I would ing the perfect all-round enter•xxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
h ave had lo 0nd new mnterlol lalner.'" he explained.
and before I do any new Impression, even on TV. I like Lo
brenk It In In the hnlls ror quite" long lime beroreh11nd. I Just
BEST WISHES TO ALL "6-5 SPECIAL" FANS EVERYWHERE
didn"t h11ve the lime lor that

J

R

DONIS
Jtl/lN'S SHOP~ ~S THB KBN-TONBS ,.

:J

Fae

N

Comedy,.

LONNIE DONEGAN

45'-)'OU?"IUY YOUITHE

GUITAR

KING_..,._ tM tu..,..•• of

BROTHERSIVOR od,,owltdgtd
MAIRANTS
loodingl ,ito.in",,.

·• J would love Lo do II ftlm or

m\· own. Not a me story. though.
as has been suggested. I don"treckon I've reallv lived yet . AnvCONTINENTAL STYLING way. I 0nd people playing t.ht!lrown
Ure aLory do,.'1lrl1h1 tmbarIn blue wilh ,_, while pin•
rasstna . . . the · J olson Story ·slripo design.
Idea Is the way to d o It. . butwhat a 11.orY he h ad•· The type of ntrn I would like
Price
for
me la the IIJ!hl comedy sort
Plu• 1/6 post and padtlng
of t.hlna Dirk BOprde does so
Sizes : 3 4" to 42- c h esl well A dramatic role .-ould be
no aood ror me .
that"s foractora. Look. l"m sorry. but I
muaL
rush
off
to
rehearul
23 CARNAIY ST■EET Thanka ror calllna. and tr now.
) "OU
IEGENT STREET, W.1 see the ftlm before I do . . letme know how I c:ame out. won"I

SEND FOR CATALOGUE

,.

Films

THE NEW STRIPE DENIM"CASUAL"

,.

-·--·

"GU.IID CvOLIE DAJr

LOJINIE DONECAN CLUI
34 Creek SlrHI, London. W.1"JIOIODY LOVES LJXE All WSHNAJI"
IJflllA N UIJI - 71 a 411

pulto, ..,..,,.

6•5 SPECIAL FILM

All IIAUI IIUIICAL INITIUftllUTI
AIID ACCEIIORIEI Ill ITDCK.
IIAIL OHER ' HIRC ruRCNASf
llAWICL

SONC HITS from the
IT'S A WONDEBffl THING.,,..#, .,...... ., ,.,.,

TIE IWDII IIAIIANTS IIUIICCRTAE LTD.
115 WI..., 11ml. ......_ W.1
AEGnl Dl«IIt. PPEARI NG In " 6., S pe<'la l "•"' reall1 m eant somethln1t 10
us. Now we"ve been In eoery
1ld e or show bmln•nd a t
l<UI .. e 1el the chance to see

THE KING BROTHERSSAY HELLO TO ,AU THE1a FANS

and hop. they wUI • - and-" ' - inourad•ea WOt"klnr.
'l'he only trouble I• tha t ""hann't manaced lo ao far. We
mluod lbe pre.le_., and now ,.-ellnd that we're ,.orklnc on Lbe
openlnr da7. But "'"°'II eatcb np
w1t.b oanehea ennlually,

mN:'lt.Mum an4 Dad cou?4'1"t
to~lt~:a1~~-,~~t'd~a,:~~mon uP 1U1out1ll neno to ao to

M'j,~;~~Dfi·■ u ••11. Sb• can..___.._6_-s__s_,_K_W__..__.,.~:...."c:T or our moat ouupot.,nI.

TO BE LOVED

EVER SINCE I MET
LUCY

Recorded by Diane Todd & Gogi Grant

Jimmy Lloyd

BAD ME DOWH MY
WALIIN' CANE

MmGETS

Recorded by The King Brothen

Sid Phillips,
Count Basie, Tony Kinsey

I'll ClOSE IIY EYES • YOI ARE MY FAVOURITE DREAM • COME TO IIY AIIISTHE TIAIR KEPT A ROLLII' • liYPSY IR MY SOULSAY GOODBYE IIOW

&ONG co~~H::' i!tio;'Wo~~ •.t'3~~Efl:' ..t~•~:.~'~. :l"'"10 4
0

0.

,nu
•1----------------------------------THI

MAURICE GIOUP, 21 Denmark St.• W.C.2.

TIM l

•

--- - ----- f'clge 24-M.ELODY MAKER. Match 29, 1951

l

6.5 SENSATION-THE TRUTH!

" SIX .FIVE SPECIAL"

By Laurie
Henshaw

will soon be speed-ing "over the points"
minus three key membersof Its crew - Josephine
Douglas, Pete Murray and Inst programme on Saturday,
Freddie Mills.
May 10.

and~ B¥lJ~l cogA.~r~3th~
f.rtaat1d moneJ,~ut no deal
CO!J,1~0~~~'l:\,ete hM been
11Jte4. lt'I a to\1111 ual~ent
to llnd 1, reoJacoment,"
Pteddle w1i.·• cop~t with
tbe BBO ha& en.ded.
u, waseaten on ortirtnan, tor the ll>ON
re,\&H~.:.~•~~...
been iaken over-In the n1oee{
DOM!ble ae.n.so--bJ NUte and!lernle Wlntera," add.I Dennll
Mt.la WUaon.

=~t

'"'if

1n an exclusive Interview with
the Mm.oDY M.uu:11 on Wednes•
daY producer Dennis Main Wilson• said: • We knew Jo and
SerioUI
Freddie were 11oln11-but Pele
Murro.y·s Jenv!ng came as a b~Ji:'!11~ ~,ri.~M~11~~!1'"'
bombshell.
I hue been doing tbe Job" we
big plo.ru for hlm. ror.. 10
m.ont.ba • ehe told tile MM,
We aimed to bUlld UP Illa " •nd now ll the tlrne act out.
" week's record choice " sooL As
JO(UNNESBUllO.
WodncidaJ.1, j'~~:t{er..,.'j,"t,d1he South African Oovcrnrnont one or the top disc-Jockeys In comm~re I.II my Ure.•thl.s wt.« omc1au1 cancelled t.he count·o•. he was the lde11l
Mu B1irravea will be atarrod
Terry Dene·~ proposed ui.rce-weet man for this feature.
.. Slx-Plve" when the abow ll- The tact ll. Pele. hll a11ent In
tour.
televloed trom Ol&IIOW OD 81.turday weet . .. There ta qo queatlon
or bll • atepptnir In tor Por.e
MurreJ." aid llolal~-Wllaon. " H e
II .. aw ln hll own tltlht.--41 tr~

P ete Murray nnd Freddie
Mills bid goodbye to theireight mllllon teenage audience nrter tomorrow's show;
Jo Dou&'as comm~res her

No Terry Dene

to

b
.
ad

!ct~a.

to" ~:U:FESTIVAL FOR FRASER-HAYES FOUR

mendoua t.rtiat WIUl 1, natural
nrmth that ' oommuntcat..

W:1
t~ :in..~-:s~e~~:,~;.~t;roreht.nd, an7Yt.y."'Good IIIUNC'

Will the 1oaa ot tlle "S!I·Pl•e"trio met.n t.nJ c h ~ ta Ule

allow'•

bUIC

f~I!~! .. n ta

oh&nl!Df
I.JI the 1:1m,: Mam
Wltaon, ...., follow Ule ~ •- ~ otten I - them.
" But l ct.n ~ rou thta-w1 th
bt.111.49 and IIOOd balll4 alacen
nnmlDI' l)aOt:; the -'lUl.a In
ruture wU! b o on ~ muco...
Andlhowdetlnltelf
run tlU'O b to December-➔-ent210Wlh I will be cut
10
m1nutM when It c,olncldu With
the aummar Teat ll&ldl...

thil'

,,m

to

=t

6.5 blent show
na'tlo~~~~rn:':
to Ute acreenlna
ot " CLO,t..,..

P mu~tc~re on tha · 11w· fllt' the SonswntrN"
Soec\al" OQ Ult O1.WDODt clrcult
Oulld "a annual "Our Frienda The Stan" coaoen at VIC&Ort..
ticm April 18.
l~ce tu t Sundal'. Almo.t ,••~Por - t commenctna: A:>rll fl,£500 wu l"llbed - to heir.
11<1uld~. rock•'il'"'l'Ollers.
8rlll1h papular mualc.
al<l1llere and oomedtana can tt.te ThOle
plctures.1how
a
.rew
or
the
tha •taaea at •Qlllt clnemu.
1at.~..
11u1be,, J 07Cle Sgoc,k an1 Bert
Wet<loD,and (below)\, tloe newbead or BRC-'l'V U11 t Enterl\luchwltz,
Et• eeatainment,
friend yEric
warnln&10 .ran1e■
Marden and Rnn Uamllton.
L\'lB PBESLJIJY on ,1on-

und-0!{.

:~r. ~:a111u-

r1u
t aredrr,uer.i1011u , our la Pioon Tuflilo11 during llte
/ lnl of t~ BBC'• Futwal

PRESLEY HAS

n~~raCR£WCUJ-ARMY STYLE f

Tommy Steele to
E
MIDNIGHTDATE
DO YOU BUY open in Dundee WITH SATCHMO(ij Do""• Jlfiu{c J>tOjlram,r,e,.
'.f/lu ""'• tJtefr flr,t appear-'"°'

the Fulfoal. L. tot . arefn bauul
Toni1 Ho11u
1'00Gllrt Kern Sima, guftarln1

i11111m11 Fran, a nd ocoordlo11,4a)' ~ e a Pr'lftlt

or the V}C A.rm,-wttb •!al Nlck11 Wtl,/l.

~ t ?I dollAn a montll.
tile

HE tlrat dates In Tommy Steele's 14-weelt tour of B ritain haveTbeen &et. He kicks off on April 30 with two ahows at theC11lrd Hall, Dundee, and follows with con.cerlll at the Usher Ball,

LPs?

- - - - - - - - - - - - , Edlnbur&h (May ll and CityGERMAN MU BANS

Hall, NewcasUe (2nd).
Tommy then plar

23,y:fr-oi~·t•htol=:'1f•n•-rou ttporttd o Arm1
Ueadquuun In Memphll.
Ptrteen pallcemui stood
11, to control \he erpectH

lWdnltrbt Prem\frc
A N11wmall-starlaunch the 1on11-awaltod
11¥/,~ o'°}~tro:i. 1nh, ··o ~ i-•ta at London'a Ca.meo---i'or aJ on Aprtl="&t~
O:Uf1°g~hl,1~f~i 11.The premltrc WIii be h eld at
Empire f2Gthl, Southend Odoon

~~II

0

:rot:S'•, JgJ

r:"i ..:

rain at 1 a.m. to wat.cb 'J'be

Pe!Jf: i:,r;ri:e-comment wu:

rm nen 01U."
Be was postd to Fort
Cha.lJ~ Arkaru!lul, where-the11.30
the pre91oua evenina.
t11moue hair ra,e WIIJ to an
and WIii be attt nded bJ 100r1S
ArmJ batber's ventou or tile""'c,,_.-...,..,,_. u..,t,,,. .,.._ _.,.._ _ _,...~ITA Jazz peraonallttes.
Tho olcture 1.s • record o • Arm•
1tron11·1 Europet.n 1.nd AfricanOg and Co,enn-y Tbet.tre
1Gth).
!June
The weell: at Lewt1h t.m will be ~!C:iti...•~~~'.'8anf~b~ :~~hll tlrat London dar.e atnce bLa&OUOD 1.t the Dom.talon Tbet.tre

last 141.J.

:iw.••

v..'f1~:;w.J~a~mt¥.a.:1'Ji'1..,0~n~~0Di~ ~~~~~
the Three ldarttnl1 t.Dd tho P eter Ball. BIily ~~ 0 Arvell Sb a~
OrovesTr1o.
Tommy returna from bla South t~~~:.l\~.floton~el ~~~ ?D1 t
AfTlcan trip on April 11 and wu abot durln1 Annatrona'•
three d&FI 11.cer au,rts 1, 1>wo- oeuon at the Empress Hall, Lon•
wee11: tour lD Sct.ndlD&YIL

A GREAT NEW SONG

LOVE ME AGAIN
Ruordl!d by

DICKIE VALENTINE (Dem)EVE BOSWELL (Plllophone)
MAL PERRY (Font1n1)

PETULA CLARK (N"i11)
JIMMY YOUNG (Col.)J'OE LOSS (HMV)HON ASSOC. PUB. LTD., 1331 Cbarint (Joss Rd.. W.C.J. QI S06l

TRUMPET MUSICllBIJM OF TRUMPET SOLOS

MAlGII • TOU GO TO MT HlAD
I OHLT KAVI nu FOIi TOU
WHCH MT DllAM IOAT CO/olU HOMI

SOLOS arr. EDDIE CALVERTAVALON • IIJTIMlla IN TIii RAUiI~

don , tn 191111.

ACID-BATH MUSICAL

THEBo!IIIO,"
new 'Wolf Manltowlta-Jullt.n More musical. ... Expresso
premlued 1n Not~lngham on Tuesday, steeJ)II theworld of J>OP dlacs In t.n aold bath.
The elov1.Uon t.o stardom of a t.ousle-halred Boxton teenQer

wlth Indifferent t.alent and a a et or bongo drums la deplct:ed

caustically throua:n a Jackal of a manager who battens on to 50 per
cent.: caahes in on bribes handed to newspapers ; publicity stun Illt.nd • l&Olt of ecru.pies I.II round.

Nonentities

LltU1 ~ I\~ tt.1t11111.t t1llht
clw., dobe. N,!lloUI nwnben,

man.t.aet: I.Ud e•~fJbOdJ' IIJJ<!Pd to lo at DODOD~llletltcQ)fcUl>SOD~C:-1!::..""l~ne&I:i~M•dalal='·,::lit~.!
HJ JI
I 1,a a. IOOl&lli. abt.rl, It
bltea w,
&Dd often ~
lea-

WJ

MIi•- Joy,,,.,._,J4 DIXIELAND INSTllUMfNTALS VOL 2 • • • 3/6(Maple I.NI a... " - Foot

SI_, •l•I

By Poat 3/9

J.'~~tt. bO;un":..~1,=IJ C/.
aon.

STOP PRESS
BAY, tl'IIO·OJIU.SJ OHNNJ.ll!)llo~ntcbwtan4

tour ot Bdta!Jl at Ma-1>clleater1 Free 'Ind• Ball •8atlll'da1, Aprtl 11, hu
11eea axed · tor ..
flbi t.t the l.oDIIOll
PallaO tlJII fl'OIII MOllclaf,
MaJ I. Tb.II wlll be h1I Gl)J

d=nlte!J

OI

lllt rtd at Ibo O.P.O. u a 1>1w1paper.

A Great Double Orchestration

LOVE ISbacked with:i,~t~~:~~~ 11---------....;.
ALWAYS_______AND FOREVER...;._______,

WHfNDAT ISOOHI •TIIArS MT DUllt

2/6 • • By Post 2/8
2/6 Each ly Poat 2/1
LEVY'S TRUMPET TUTOR • • •• • 2/•
By Poat 2/3
LOUIS ARMSTRONG 125 JAZZ BREAKS• • • 4/•
By Poat 4/3
LOUIS ARMSTRONG 50 JAZZ CLASSICS ; • 4/•
By Poat 4/3
14 DIXIELAND INSTRUMENTAJ.S VOL 1 • • 3/6 By Post 3/'I

Laurie London has
U.S TV guest spot

nl

Ready now.

F.O. 4/6

GROSVENOR MUSIC u:a ~c..-:-::,.w.,sCY LAURIE .JAZZ CLUB
•1 GBL\T WIHDjlJU. STUfT, W.1. Ganrc1 6111

ALL NIGHT JAZZ SESSIONQOOD FRIDAY, APRJL 4,h, U lollDNIQHT-<I ._.._ SAT. MORNING

CY Ldlll llllD • IUIWI fflWUT 1 • 111&11 unn ,m111• • IGHO ttarnc ... .,(,t lot fJH NUloo1 lndudllla Ille Ill olpt.

Tkblt ..,_°" ..,_, M-,_ 101-, _,11 IZ/6.

Po1ta11 OD 1l1>111 coplca: lDlaod 214., Abroad lid., cao ada Id.

• I