.

-___Frankie:·Vaughan
.

.

. .

See Page 3

•

.,

u
HI Muald~' Union·.. .

thl1 WNk . .eatenecl
T to wlthclr•w Its inend:,en' frdM. Wolu,-- -- · il 19

haMpton'1 "celour-l»ar'" bolltoom.

~ ]t la,v.oltlng report• llwt'

JERRY -LEE..

other Mldlancl INlllrooma are 'opeuathlg •Pare Z. LEWI$ .

colour bar.
" It the report, are true, aGove rnmen t inquiry la calledt or," 1•11 MU aaslstant secretary Harry Fra.ncla.
" We hate alwan polnted

rit, ha with, 4
friracu· band 41114 (right) h#listen, to co«(JT Joar,. Ccwl-

Si natraan accml!nr flnp r
atAmerica•, • Deep South ' andSouth Afrtca, now we findsomethJnJ aa bnd on our own/ftld. Picture, bV GEORGESRBYMOND.

Sinatra singsdoorstep.

A apc>keaman

Ina a colour bar. Tbe Policy
or ·tho manaaement reftecta Ute
Polley or our customeTL''
Al wo clOICld for _press. Q uin•
ton aeml•pro. tiandleader 00n
Smlt.h atat.ed he would defy t.ho••om a.-y ILUDf
PARIS, Wednesday.-Now
th at. all

MO ban and p t..y ac. t.be hallt.be ballyhoo

thla wttkend.

.Fi~~~:~!~ Festival signs Ellington~~~l~~-roats~. lfusaoncfcj
fa vourites..

Whv 13?

•· Be-<:ftuse lt'a my lucky n umber
and I do everyUunr by 135."
he LOld me.

f Or e·1ght showsPOP • QUIZ KIDS'

P*i~= =~:rU:

favourite Sinatra, ..You Make
Me Peel So Youns." Andalthoush tho band hadn't
rehunsed the number, Prank

THE MUDLARKS
Pap 5

GUY MITCHELL.

Pare 8RUBY BRAFF
Pare 10TOMMY STEELE
Pares 5 and 16

LAURIE LONDON
Pa1e 16.d
Humph on ho1I ay

Tolovtewtra wtll be S,ven a
DOH I alao~ OD Ille atare 1D a new
QUla abow lt&rUDI OD A.BC-TV
0
IncludeLonnie Donttao. JUI DaJ. Delll1U wetk . ll rc,um. work on Julr 2

Ht._,,i~~~,. :}~ ~~•ePlJ THE famou, Duke IUlngton Orcheat,o ha1 now been ° ~0:r::i,n!u:a~·wtll
numbers like "Aprtl In
Paris."•• rve" Oot
You tn>der
My Sltln,"
All TheWay "... ..

f or the ball·room-t.he Scala-told the
MAOD'f MAXD: .. We mnko nobones about lt. wo are practi.

'Lucky 13'
for Monaco...

CHARLIE. .
PARKER,i~~H~p~~lJ~f::,9t::

fixed for the 1951 Leecl1 Arb h1tJ•ol In Octobu.
.___
1 nw bookln..
ly~ f::o::r:.
•c=•::•::t_f:.:o::w=-.:.:'".:.:o:.:.n:.::t~h.:..
• .:..=
Lo:.:U.=-:an::d:..:;:.Da:_•:..:ld=-.:.:.::
Whl:.:;t~ncJ;,;c.:__s.
~_•_t -:t.n::-•-::--::l.Jl~~:-1ton=-:-:-01_u_1>_._w_.__• wa'"• exdualv,.e.-::ai;~":~
een set ror
el•ht concerts at. Leeds'TOM HARK, MAN ARRIVES IN LONDON

Odeon--one concen. a nightfrom Oct.ober 13 to 18. Withmatlnees on October 15 andand t.he musiclans success-- 18.
fully
buakedtheir way
Top price tor the shows wlll 1

lhrough It.

be 30s.

..__.,.

dI

Duke and bis u-.uu a~ ue n
London on Ociober l or J and

e.x-ptCl~ to tour aevual
STAPLETON GOES are
major cttfee before t.be Peatlval
BACK TO WORK weelt.
STAPLETON, ln the Mills Brothers in 'C YRJL
Loadon Cllruc tor efaht.
12
cnrtn, t.o overwork. 1s "plans for Britain
Re resumed recording with

=n.

THE

hia Show Band oo Wedoe,dt,yMllla Brothen . the Amtr1·
for his BBO .. s.turday Show .,c:aa~Nes:ro \'OQI 11':0UP thata1tlng on June a
He bu bu bem a topllne a.ct tor De&riJ I

anolfier pre.recorcilna tonllbt. 30 'f:19· mu be headed tort Prtda.Y> and bl'oadcait.s .. 11..e" Br~._ AN rotnr on tor TV aDd
With Ute b&nd

tomonow.

a tour.

FREE-LPs. ,:~·· ·~~:e·;I. .. . . .. . . .. . . . . . . . . . .. .. . . . . . .. . . .. . . . . .. . . . . . . . . .. .. . .. .J.
~
I-- ----

Page 2- NELODY IIAKElt Juu II. 1951

Meet the Sfors wtdl arll GlfVAff

ml'/'0JIT)('l'lmea:

-

•••

NEW
YOIK, WedMIClay.-TIM fortunn of Jen, LN&..wl1 continued to tak• a noM .,.,. hen tills week.

Dates with
the Stars

On opening Dlgbt. at tbe

plush Cate d e Pam, Lewt.l

P.erformed bll usual ~olume
cir hie records 1n hla uualviolent .style.
He lasted one 1Ught-tnstead or two weeks.
On 'lbursday, Lewl.s told methat the hi.ah natnt of tb• ~t(Wtcli: commmclDJ Jt.1.111 :tl.)

KtallJ' ■AKER
T - , 8I'IZ!.z toUr
aMlle CALYacllT

two weeks for btm came at h1I
home 1n Memphls, followiq
bis nlln'D from Eni}a.Dd.
.. ElYJa WU home OD farlougb trom the Army, and he

Wm: Or&11.&th, 8hrtnbUJ7.,..._ CLARK
Wtirll. : Pier Pa"1UoD. Lla!ld11d.no
ORAWfORO,11~Stuon:,
Floral Kall, ac.rboroueti
POUR "OHd S.p
StaJon: Wtllln1t o11
Ortal Yarmouu,
Kan11 CROW

came rlsbt to my house. We
p~ed &Dd o.ng Ule blaa Ill

a«uoa CWH1aadaJ): Alnt•
andn Oa.rdtlu, WtJ'lll0IIUI""1.,. caovn•rNTONU

TOll!Jlfl' 8TEEl& i.w.r

KIHC ■,.Olen
8caacm: Nonll Plu, Black·pool
LAHAllst-

WMII:: Ulppod.t-1. BinDiDI•

ha.m

O.n LAHQ&euon: Central Her, Dlatll•

pool
ctlU. lltDfflTT
TRltfIEBS Tou.r~ MITCHnl.
WMlr: Palau, Manchata
IIUDLAIIKt
a.Mot fWtdnDd.&1l : Aln•aodra Oardcl1a, WtJU!O\llh..,_, MURRAY
en-: Wdlllll\OD Pttr,
Oral Tarmo11lb
11. .-17 IQUlllU

W etlr : Orana.da, 8hreWlbUtJ

TIU!SdaJ :ColllOJB all.

Brlllol
WtdnadaJ : (lit, Billi, 8JUf•
IWd'nlllnd&J: Dt MoillfonJhU.
We.alaTRIHIEAI
eunda.,: Odeou, Pl,moulb
Mood.a,: Oawnout , TaUDIOD
TUada1: Oaumont, 1So11lbamp1m1
Wl!dn~u,:o a um on t,
Soumtmoul.b
ThundaJ:O & 11 m on t,
Rocba.&ff
PrldaJ: Od.toll. 8ouU1tnd
8atlU'd&J: Trocaduo. 1:1►
phatlL aDd CUUIVisit to U.S
to the StA I.a Thia WMll aswitch WU made In hla tJ.8.
record C0ml>Ul1. ~ Recordl Gt-~bu bro~t out the D o M p n • _,., WI ■ disc or .. Grand Coolie Dam... QPPBBS rrom Burcpe ror
Dot hu rlshta to Donep.n d1lca
BrTolJ oarner a.re man:,.
for the n exL year.
Nanba Olaar, JmoU'a mana.If there la •01 acUon on the~-~~.
eel m'slf:~ Ille lanewtv-releaaed d1sc, Donegant:rl".WIJ t.o waau•a ache-

ELVIS PRESLEY

du.le . , b-e ou ~o a PleldJria

Snffl~P.f..
ill UloLes
DelallDt7 hU p\ll hSI b14 1D (MO&rner lll'J)ei&r&nc. ID Pnl.Dce~ \hi.a 1'1.nter.•• •OOne,«t
DU. JD to~
Idell wuD,.. the •..-b.-1.6- a•..1Stro•••
.,...

A

1

I:

Ool,_

..,...... ·••n......

t.M• W: .ta.a Tl-.
l.o-t.61 J : MIiiar lleQ' (tDd},

(I)

Cit
lb

Onll. (01,1 o."8.l•n...,lll't, •...._,, Pate Wnlltr.
1 ,I0-10.0 Pl: Wbltt Net• , , , lln1k
GIIFC

Ga.'ttI.IU.411 Z: IWlfll lere. . . .
1 .-...10 B,..~llni.: "'"'·_,.tan.
.....,.t D L : Par.... • ,taa ■--.
1.0-lt.t T: (t) . _ _ Q.11 lo Ha1III.
....... ...,.
(I) °'7, Pl I . .
Getz.. M::nna. ....,_, .._...

IC,_.

--~). ~ .....

•

10.10.lll,0 IJ: A.I KODdeJ.
10., ..11.0 M: TIM ..._ MIia D.
J0.Jt.JJ.0 • ( :.tau .... let•ltM-11.JI D L: MD Ola
u.o-u.o P: .,._ &AN.

P11i.J~~-•::-JJ•..,_ D.- llaMf.
....... L: . . . . . . . .
■J. . . . .

L ..lt.t T: (1) "'1llla (II . . . .. ) ,llaltnt ,,_ D ■ nsl!ttt.

a,-.

IO,e-JUI B : .........
~ ,►WM P I : 4au t la OU1•
111. 10-11.so Y:
oau-..
111»1.o a.m. J : D~ .,....
l ,o-:1,t &-Q : Ck'. J&U'I L ~ .
l ~.t JI~: ....,, ..... ,._ Ytftl.

.,aunu. ....
Ari,.,_,
ldel....
: .... 81111·• tNlm

Ttlllil.

I• •, ...
111.

....... '*·. .. . .

1u,.u1.a J : Alu II.,.._. Orti.
10.10.1t.t0 o 1: •au MlleA-.
IUNDAY _,UMa n1
lt.J..u ,e e: M M ~.
LC"'-li p.m.. A 1 I :Del a,
lt. l ..lt,e P I: T-. UYl. . "-ur.
Art•-•
10.i.u.1 • : MIi ,.,..,,._.
....... A 11: "-aa ......
I L a-U.t O I : "-IID ,, ... ZPI
1.0-10.0 T: (1) Htadl. Kaata..
ll.M-1. t - . J: 9"" .......
Kw, • .,__,(I) •• 1 ►Pnll:I
m!11-& Lo eb&Qd.
Tat-. WlllM, a.m-. •• 1a nM ....... VOi Tia 111•1• le ~8:c I M)4f, , _ ....._ ete.
PM&edbin. . 11,t &Del
t.Jl-1.JO P t : .,,..., a.-.
1.ea.a.
10.10-IJ.JO a.m. 8 ; Pw .tau PnM.NIil.

•au ,,_--tq~--•a TO ffA'AOttl AMD

WAYWTMI IN IIIIT....
Al Jiff Pruae 1: 1-,l_, 6UI

10.JO,.ltl.O 11,p9. K : ■JI......
U..1U6 p I : .t&a Mla.$Nt&
IMMOAY• .tUNa a,■ 1 B'D' . , . _ I : • • Ill. 111. •••...., ... p.a. T: (1) . . . . . . . . ..
ffl.. Ml, ...
: 1 - - . ...._
Rr1111M HJllltl,I- (I) flutur, 01 IMk•
D1 880: ■ ..._ 1--1100, >t7,
Dtdla.WlltM.I--. T .. - .
....,,.. p I : CIIM!sc Cl}'NII la.a, ■1~JOt, lft, U.M.
10.0-10. a P I : HIIIUU•T.....•rn Pl
ll6dSo: i - - . ~ ' 10.10-llJI 8 : Pw .tau , . . (_..
t-111.
bNU 11..IO).
H1 Rua atrUA: IOI.
10.10-11.t • = . t a u ~11 1SWP ~;115,.i.10 ,0.1 I.JO &Pl). Jt: .,IID Mwle,
ILJ.LO Ml. l : 1M IMIII 0.11~ ,h A.PH: ,U, ffl, 641.
Il l 880 aocaholm; Ull , . . . W.
Lo Tband&J ).
JOt. IOI. teballd.
TUCSN•. .tUNS 111
LI IIR Galo: 1m. sn, srs. •n. 11,•s. ""

DONF.OAN may
L ONNIBaoon make another Y1aIL

will be ruahed here for appear&nces OD TV and radio.

0...-tec.

( - brai 10.N►; U..t\

TNUIIIDA Y, •UNlll • •...._11.t p.a T: n>

Clalta• ...._.

l.»-1 .36.,,........

LONNIE DOIEGAI

pool

Tonuni, ITIIUIE

1'1PcmBan Bonll

n~t tons.
It WU rreat aeetDJr Elvia
aptn. We're real cloee fiimda."
U w1a la DOW ICheduled to do aaueen test for Co'urnN1 Pie>tura lD Koll,Jwood.

Pitt,,>Jr ffEEIZ toa,r. . . HAMILTON
WHJr: 0f'llla4a ■hr11nllol')>. _ HllNOIIIION
W•ll: t Pier Pa'filloo, Uan,
dodnolalun, HOOKRIOCI
euaon: J'ilo:rlh 1'11:r. Dlatli:•

Dankworthon Verve

IATURDAY, ,JUNIE t11
u.1•12.e l>-JL A 1: ... NI..
MIit Hl ntM, WHCNCI MU'llllall.

.....-.n•·••t llallda.

t.M..tts,-=- Pl: o..tnl . . . . .
cltd!Y.

. ...... 0 2: .,~ ......
1.l>-10.0 T: (1) Weraer,,_,.IIUI,

PW

M, Oopenh a~ n: • • 110.
NI KOOC. 01.tlo: - .
MIiier, Pl 80ft 8'UW.ut: Pl. U .11.
Ct) de OI BB Pr&nlcful'I&: IN.

Dole Trt..
flllJI
01i1fHnn

,n_,

C• 11

surOl)I It um.

- b.),
Rlllbl ...
T1. 1'0A: 1.0 p.m.: IJ, 1e, II, ti , ti
10.4-10_.., J : lledffn .tau ttlL
ba.nda, ll.0 p.m. 11, 211, SI br.Dde
10,1-IUS B-,2Nm.: The Ral IULplue l'n4 frcm mldn"1bi .
10. 10-11.0 8 : .U lloDlky.
• • l,•141N'OQt1: • • 41.M.
10.,0.ll O M : .tau ,,_,..._.
Y I 880 l,Upllo; M&.e.
10.-.11.11 1: ln ....u.al DIM Z. 8DO 0-.11.am&IKle: • • t1.

.._,

11•11.o Q: Aatlillll!r Nff 1aa
W. . . .D+AY, .tUN■ W I
1.a-.,41 p,.m. D a: .tau • - •, .10-1.10 0 I : iilnu D.....
1.0.to.o T:
1l11n,011111;
T .O. (t) ........ ...... .. etl,
LU.JO A l : C&IIMI 4au P•t.
,..-.10 It P s: ,1au ..., Cl.•s 1 •11.1•u.o a; Aa vooc1e,.
10.» .11.o Q : 0.... MD P•Urat.
lG.60-11. lS Z :A.eUlallU.
1i.o.1u t : &utw, tta.

11. w. BtletJt

LVIS PRESLEY bu a r,reat QDIIY IIULUO.&!f Sa At t.o be
n ew release tbls wee"k ofreatv.rild Wl&b Che Huttco.. .,,_..,. B-ded Woman ......df'Oflleft)7 b&Dd.!fl_Jaa D!lht ai
.cuwu
,.,.
:& au
~ - so.ton _.. P e K l ~"Dob't Aak Me Why, both
IDM1..Jan.e. • • • ~ Ula str
trom hls new picture, .. Kinior libeti DODWl.i1'7 at tti.e
Creole.•~ ~ - Town Ball COD•
PrantJe • L&lne also bU 8
~ thl Qara Wu• Slqva
POWUful new side called .. 1
wUl IIJl)ear u_~, . ,le at~Have To Or,."_Uoa_ _al_ToTo_1wn__
Bn.l.l
_ _oo
__
.1uno
__
11
_._ _1_1._10_ _1.o_a.m.
__1_: _..,_ ..._-ir-'...,._·___
Othtr strong new d.lacl BN"Same Old Song And Dance"by Sinatra and a eouplln1 of" Llttle Mary " and .. 'nleE..._.n.

•a.aPrisoner•,
DomJ.oo.

sonc "b7

KAYE SISTERS

IArah YAUCHAtt

Newcomen

ww: Elop1rt UnJ'J)CIOl

HMl:t.:.M:a TTWI'
rte

Pat,

TV to focus on
Great Yarmouth

Tarry WAYHll

11QlN'fD'IS ~Take fuR advantage NOW ofpurchase tax redudions. Notethese even keener pric.es forour aaftsmen--built instruments.

YOYr favourite• for quality I

NEWSBOX •• •byJerry Dawson£28.16.0
EJJGWARE Bb £27. 0.0
REGENT Bb £22.13.6
1&177 Bb £20. 9.6
EMPEROR8b

BUBY...-The recentlY ODeDed
Nort.h Side Jaa Club a t &be.Brwiawict Botel, f eatures 1.ba
Da.Uaa Juz Band.

•

•

I

1--------••

P1-Yinl at t1le Eill>la.nU.01,b&m l"atL
IWJlllleT,&de::.aaa a.OM. STAHtOft PLAa, lOtCION, w~
If ""---4.. Wlilcsr .. .,,_....,...,._.

•OOONOIL-VlollQ!aW•der Inlna Ka.Jo baa •ta~ hU t.hird.

r,.-.;;-;-.=-~--------~·I
I•

8f!LFA8T..-Tho tnmr Rb.FUun
Club J.t to hold daoc:.ea _ ffel'J'
Saro.n111 1D Ute Au..nr Rooaill
Ulia awn.mu. ~ band WUJi
be Brtan McOlune, aDd J:1.11,
171.a&.tl' BbFf;bm Kll'.111111nTheatre.._ Ulo Marquee and!

•

•

•

DIGUTON~~•NlkU.n..
- - ~ Ul1fl&D mannpr ot~ Hlol)Odrome• beDMNIU
cm
J
une
28.
Wollhelm l•wea to wh~ta&e
O'rll'$.beo.ns.n.:r•a Arm•==7

.A.r41DCIJ.

•••
FOOTNOTE. - Kn.

J o,ce,PCHN, m, aecret&ry tor 18 Jean,l 11t 8&lWdaJ pre&ented bcr hu.
band. Ken, wtth a Cl-lb. dauabi.tr
to be ChrLltened Klmberl.,-.

Jerey Dawnn
I•

DENNIS
NEWEY
london•born Dennis Newey
Is the guitarist featured
with the Northern Variety
Orchestra and the danceband boy who made history
by appearing with the Hallel
Like so many successful
guitarists he uses Hof ner.
Find out about Hofner fromyour local dealer or write
for ''Catalogue HG 35" to114 CIUIIII CIOU II&&, UUII. W.C.2

•

1n
iscs!
.,

••• 111 yn bn ti deis write u llt1mt1•1

fetter ti 1M 1111. It cu
be CNtrltlrtlll, CIII·
pll■ntary,cbtky ercrltiCII ,. ,••, . II It
co1cera1 PW ■ualc ud
jazz. Hert are U. firstwi1•r1:-

Warning'-roll ls dead,SoIsrock-'n
It? Ballads arecoming back, are they?
Well. so tar as I am con-cerned, thJa apella doom
tor tbe B.rltlah mualc
scene. I started reading
the MM when ballads
were t.be rage, and bow
everybody longed tor'.some sw!ngln1 aounda.

Well. we got swinging
sounds in the form of
rock-'n'-roll apd very''JHI biggest challenge of• An early n labt for once."
mr carffr." That Is
he ln.s1sted. w 'nlla ftlm m~
how Frankie Vaughan~e~~=a~~~:cle1albe1 his thJrcl film,
ton mppod.rorne on July a.
"The Lady 11 A Square,".. I get up at ~.ts a.m. and
L-1
h
El
have
to be on t.he set and madenow - n9 1 ot at ltrff. "I mu.st say that I have with mo In ; Theae ~ erous up by 8 a.m. I leavei the studio" It presents a lot of prob- foun_d enormoua encourage- Years: She said at the tlme around 7 p.m . a nd my day ls
lemst said Frankie, when I ment at being vot~ top movie ILl!at ,me b~~d one day Jan• far f rom complete.
caugnt. hlm Just u he r e - 4m&er ln the award., made b>• ette wouldwith me.
.. I have to dl1eW1B mUS1.cal

rerre.sb.Jng it was. too.
Mark my words, these·• melodic - mind~ mu.sic

men " like S~ve Race wJll
regret It. when they are
wallowing In t.he sYnJP,
They have de.st.roy~ The
Beat.-F. A . Wlllfams, Shlr-h•v. surrev.

e Tut. tut, Ste•e, whatturned from the studJos after ' Plcturegoe.r • as the result ot
another exhausting 12-bour • These Dangerous Years.• "d athPrankle ts d~bted with theD'att~rs wJt:, my recordi""' MD,...
Johnny Pram. and bust.oeas&lfaJra wl&.b m y maoa~, Paul
&ea~
t e~~
or .. The Lady ls A
• 1 11\oo have tremendous adweU 1att:!-~drr.ht~ bed
AtmA Neagle. who produced h1s" Janette SCott ·'-' one of the m lratlara t or Anthqny Newley,
Somehow, he mu.st flt Ln new
first two plct.ures.
n ice.st girls J've ever met and ls who r 1aya my slc:.ie-kfck.
I'm recordings. He hLS .:lust wa.,c~·• It's tough uUng 111.lnst a gre9t, little actress," he de• ctrlaln be has a irreat future." the t.ltle llODI from " "Wonderful
someone who has so far been clared. "It's a happy event
P,.&nkle awned and reached Thloa& " backed by " J L&dy •· his
there to RUlde you," he ex - worklna with h er. becau.se her for hl, PY amu. It was ap. ftrat lxl't ln Ule States, for 1$,ue
plained. " And It I.a no euy task ,.
m.o.th_e._r_._Th__o_ra_ Hlrd
__
. •ap
.;...
pe_a_re..,d_ ;;,.
i,,r_oa_ ch..t...
n,_a_1_p.m......_ _ _ _ _ _o;;.n.;;J.;;u;;:ty;..;;;1.; __ _ _ _ _ __trying to be worthy of an
actress with such a reputatlon."
Prantfe's next worry ls thesfmllarlty ot bis ntm r6le to his
own Ufe and peraon.allty.

tuve you done,

LP WINNER.

ftr:tommc'fi%tA's

BouquetHISm y nm letter toTyou ot an:, other mulichal i,.per, but I tho\J82lt rta

thla COUDtr:, bu J'eton ~ nicent
roaoc:aata tbOJ inlpttaed
me wttb thtir at~le, raopand choice or D\.llDMrs.8111 L4WfflC«, WendONT,
Buch.
Tue a IM»w, Polka Dot&.
rvdueed ,Ce"I play a song-demonstrator
In a publlshlng house andalthough the story la nol true,
lt comes close lo my real-Ute&OUVIUes and the plugger ls
Just t.he kind of br~b07 I
happen to be.

HEbeauWullJ' c1r1v1na
and loau~...,nldna per01 Ronni e Afditcb

and cbe 8Quadrowres wu\0 au- tar a IODl'&waJted
and

DtUch•nCeded• So

t.OD1Ctorm not trying to act

be COJJlpletely

relaxed .ln

Dan1eroua Year3,• there WIUI

the lnLeos ltv of m y LJveri,ool
gana•leader. In my ~ocond
film. ' Wonderful Things.• I 'm atyplcaJ O lbraltartan, apeaklng
In broken Engll.sh, and display.
In! a IOOd sense of humour.
I await the release or • w onderful Thl.ngs,' ln mid.July.
with bated brieath. I only hopetl1e fil~olna... riubllc will like Ita., muc · a., hey did • These
Dangerous Years.

Humphwecu ot tra.ntlt
A P'lr:R
ravtnp aptn.n tradl·

llonall.YlteltonPutllte,
came Humphrey
out wUb
1U1othe:r rouina attack lut

wee!(.
Why doolln't hr. r111.ll.&e ~...,_,...,.__._,.~~----flWYll---.~~W'I

LETTERS

Humphtt}' Ullnu-£dioord and •Y the en--ilre Alu Weith
Grtlfln, OUl W lnd1or. Berk,. IJl"OUP l1 I.be best Dllllell\nd bmncL\\'ell, we wltlh t o heck --John Doro11. Dublm .
llrnl some ul the " t rn<11- • :llr, DDrC'IJ 18 \4' httl'II known M
ll11n111 1rnrhit!I" wou l d follow
a 11uuncl1 ra u lll u111pt1•s IOW)d lllh'ICC:.

e

I

Astounded

fl.AVE :eturned to Britain
a_f~r Ul.ree ,•rars abroacland I am astounded to birar"ucb
800d Jaza io IOOlc of
1 11,. erubs; fn parttculAr bl
L111! Allan O!lrlltl)' Quartet. I
11/
DOUld a l!I() llltO t o m euilou
on
Rendell,
Tommy
Whittle, the Jua Oourlers
and lhe Tour Kln.111, Qulnte t Ja_u. In tJ:1l1 country bu
l mprove<1 tmmeOfflJ'. - 7'•.tloroan,Kfng,ron • on Thomu..
•

LP \\'1!'>~£8.

Greatest

FTER h earln1 Arch ieA
Somple'11 latl!llt LP. I:rutd llke totbat be l8U)I~tafo_eatesL cJarlnetUn

108
ln ract, I wo1lld ao tunbcr~essi6ns and parti~ ___front. or the cameru. but. torelax and be on~lt ls thehardest possible proi>o-,lllon.
"In m y first two rums I bad
to take on completely flcUtJous
rtilu, which caHed for completeat>.wrptlon or lhe chanLCters.
"In my tlr$t plctur~. • These

ham 13 .
• Ll' \\lNNElL

that he hae 1&ld hbit. and the tlmc haa
now come ror htm to• hut up? I ebouldn't
lhlnk there la a pertlOll In Brlt.a1D wbo
d~n•t know Wh i t

0anybody, and that make.a It
dUDcutE to know how far tounder- and over-play. One llkes

BBC " Juz Olub," 12 / 8/ 58) .
am convinced t.bat themutn reason wu tho pres-encc of B ob O'ro,9')J, It. la ao
noticeable now a Brl~bband r ecelves a.. colli,ctln
allot 1n Ule arm when an
American ·• trr~U .. ta 1n the
1&me buJldlQI':
Not stnce the 1111lt or
H ~ O&rmlcbacl to Ulla
N>U DlfY ID 1948 ba•e I beard
l!.ucb tn11>lri!<I p laytna on abroadc:ut. 'Il'lle band on tb&t
oocuton? That.11 rlAht. theSquada.- 0. Knott, Birming-

l

~:Jt

QOSE

Tonic

T
ronnanc:e=:."1

lld to writ♦ JD .,,..la:o of the
Polit& Doti, the l\nen vocal

ltOUJ)ADMIRATIONJazz?
T'S tlme reade-?' Jd. J . 0unn
I1tnlr1H.
f UM, 14 0 ' 581 rot h1a fa.et&
Doea he ttone,n, con•alder Mt'S-UI. Ulllbls. H l.'ndel'IOn .
Holiday a nd 81nalra lO btl JIU•
men ? No wond er we don'L 1et
cnoush Jau on the radio.a . L . B1dcl11:r, Ba1h .

e Thi~ wrrt"<,pondence II now
ciloi.e.: !

with i:he
PHILCO PARTYGRAM
Ifs AUTOMATIC-and only 19l gns. tu paid
N1:al time you hawe a aeuton, mu, It z./-n.g with mualc from theautomaUc P hllco PARTYGRAM. Detloned lo do Ju•I that, thePARTYGRAM la a atnalllve por11bl1 that gJ,ea you mu1lc aa you
want ll-to11•true, rich a nd of c,vatail clarity, Mualc lo rocll to,
11,11n to, u l oud or 11 101t aa the puiy calla for. It'• made to mab
friend• 111111- and priced 10 ma._• It easy to ~v1-on1, 1tl gn1.
tu paid, H. .r It and you'll have II-tr, that M'lrt ol vaJuel

PHILCO PARTYGRAM has• ••pud autoch,ng,r. BHutlful
NJY•IO-Clfff /lghtwtJght UU , .
midnight bl ue Ind grq . El.IT• poww..
fuf 011tput Intl superb ku napon#,for the breathtaking realism of HIGH-FIDELITY.••
llslen to the new

PHILCO TRIO
T he new TRIO HI-Fl Record Play., op111n1 the door to • new worldof mu ■ tcal enloyment • • • a wortd ol breathtaklno ruU1m u true
Hl1h-Fldall ty brtno, en,v o n, ol your record, •l •ldff to ll{e.
Uatan lo lhe mu1lc aa It 1ound1 cul with all 1h1 benn111 of a
1ludJo p1rlonnance. all th• d1plh ol feeling a nd mood lhll themaal1r1 and maestro• OIVI II." Thal'• music H II WH m1d1 " ,you'll uy, and how rlghl you'll b1 I Thi n when you're toldthat lta price 1, Juli 39 on■• Ill paid you're cartalo 10 add 1" But that'• wonderful val111 l '' How right you'll bo 1011n I

LOOK AHEAD . . .4Nt ~~ ~Not one?
~ TRY hu BrHato Dot PT01'1' duced ONE pop a.lnitt'r or
any real quollt1 ?-Jo11ce Ft1ken,
Rlofamond .
Lady, you've ll-~kt'd for 111e*

PHILCOJ.,6f> U, Cl ~ I(.:wdof to MOW

motl.1, and tM 1114nu

a,cn 16aal ,,__
1'M8 1tfffUt Phlko ,.,...

flu

Pllllco (Great Britain) Ltd. Oept.M..M.A .. . .Gl'Q'1 Inn Rd., Londc11, W .C.1

PHILCO TRIO has,f..1Jlffd

autoch,no11r • J lP11lltr1

fa, J-0 .-ound rtlllJJn. S.114r,t1
fNu •ltd trcbk control, COlllp,1111!1:J c ~ t wtlh r,mo.Ultl• ,r,~hci- 4

METODT' NAm.

Jrme SI. 1151**----------------**BIRMINGHAMEDINBURGH

CUIITII' & RICORD &HOP, Bla:b,14MU ICOTT and OIi. fst«tl1cat■Ltnt. K no,rlt. 8ollh11ll, Blrmlna)lam. llnltANnl ,Lld.
26-12. Montlou
THl LATE.&T rtt0rcl.a ne a.twa,s 8Utt& COPll- JLetiil I. ~

*

*

ID
1&«11:
l11cl11d!111
aluniatlwe
numb«-. oo l In. 0 IIM!td--HaalUdt..
H.ARROWRacUo :u1d Ttk¥11lon. U4... '- 1-lla
RADIO TELEYIIION Ctl. T..L. U4.),
Road, Blrmllldam 19.
earr, bll UOdLI of all la.11da.-<llrde**

BRADFORD

S:111u., 1Jdmo11 t 01J'(le. aarrow. Wor.

'°''·*****-----cam **------ ** uwan1 sin.a..** ,eanmn. ** 1.011.r* A COUPLI of , ....
arr,
ua.ocu,.
the lit•• f worW wa1
In-~-----lhaken br the** •o••:i•ataction of an 1-:Mvian
co.,-,.enltr which hacl ac-----e..w.1.
qutncla . .nwcrlpt not••** *'•• isk once •t1ongln9 toa.
A. I. He:cwnsn, the lnghah
poet.
*
*
il
· Find.Ing that certain
rough sketches for poems
uma.oa. eram.
had" been heavny crossed=;;;.._-*'*.:IJ out-presumably because
MOORH 01' aRAOl'ORD, Be~Td
8,slon, 21, North Pt11'-'d1!.

* BRIGHTON & tfOVE *DOIILL'S RECORD &HOI'. - lot.
Wotem lload IUO~t utn)
WAOIUWI or CIMl'TOWH for all

J Ollr rtwids.-19

8\. a - p•a Roacl.

WtCll(HAM. a1a.ra1R a nd OAIJ(LEY
f or OU of lhe ■Eff IIOCU of IAU
ttC'Onla lo Ott:al Bt l\.aln.-1. Oeorse

6lr••· lfo•~

BRISTOL

ITAN' I , l'lvr Oe1i.m.art 6 treeC. Juaa1>ectalltu, fkcoodhancl depL Du.bl.

Prlva\41 Ru.ordl0JI,

HORNCHURCH"UHll!DUI AQEMQT," 11,La.DI, UOTDdlllTe b.

BIUll

HOUNSLOWWALOREN'I. lliQfM. m&b llUUI.

BDIUl.llow. Mdd&.

KENTON b!I alocu
11,T ,I!. ILl!CTJUca
ot a.II labda. - JOO, ltanon RM.CS.
Ktotoo. Wor. 3111.
IUTOMN'S
Ba.loll. I.ti~

LEEDS
Oft uaDI, Reoord

CARDIFF'LLANELLY••010
Lld. 2.
POii ALL~IU.AI
Ch11rcblll Way C&Tdl ll'. 'Phone ij,a. MUIIOIHO • 15. 8'a.UGD Roa4.
Thi' onlJ' apH!allR<I Jau r«ord ahop
WHETHER POP or ~lt.Ul1l JOUT
will be allh• Record
Bro-r:t_t~ Jamtf B owell and'l'C"COrd

Lld., 01m11ff.

CROYDON

ALU>l!R'S of CROY..~ 0Jt. ill mak1,1,

G90

LONDON■ RIXTON. -cu•■• fBt1•t.onl ,Ud , comoNhl!llllft noatd and mllllcal 1n11rumm1 at.oca..-4a, AcN Lan.,

tana.

Jau

CATPORD/ IROML.&Y

lhwc 8IMlp,. 11>, llnlmltYaJI lpttd.l, pop ud 1 caL-"ortb Road.Pal!I•'•
Bit,, .;;.IU..;;..;;;;.._ _lllld. Croydo.a. Crv 4ffl,
a.c.1, -GUHAM... l'- lbmouth

DARLINGTOH

or-o. A. WIIJ.IAMI ud . . Ltd.-,'hlnn1JRow,
Du Dl1,cm

a.JO,(IGU).

M&ft•~----.

IILIICOTON, - il'I RIICORDl.
~ .- 'r.lp.a..a l L&rftU ltOC~ ·~ . Honba.
81.ftn; lU .

O&.aaoatiur,
DEW6BURY
C. T. AUTY. " Tbt Mualo 8bflp," 14M~:%,.r.''t~fo'oY.'" 0for ffe1YUltn. mu1:lcal,
A re. de, Dewll>IU'J.

12•14, Tbe

IO. New Bond 8lnd,
London., W.I.
lh.e counu ·1-1tt all==~~,..

Housman dJd not wish
2, Side 2. and dCLrt from
nfflo
~oo.:_~r.•= them to be seen-the unl- are Innumerable pe•sa1,., of Vol.
record tD record, endln1 up ID
fftfb ■lffte. N ••..L Jua, popa. vemty atair aet about re- aupert, modern Jazz.
Oreat care bu been taken to the middle Of Vol. 4. Side 1.
eJa:ulca.
storing them to legiblllty
the record aleeves wlt.b lnTo add to the contusion, prew.o.s. - oo•ELL'S. .lac:s 011\r.- with the aid 01 chemicals J1ll
teres-t and lnJormatton. Alu.n cl.sel., duplicate takes occur ln
n. OhUl.aa 0r,iu ~ - on. wn.
~fieli.'.'

----

•

W,C,t.-lAllllll
AIMAH
Olftn
1erv1« for ■U r eca. ord bllJen atco•n
Jour c-apnt
Rl!CO!\D C)QffRI!, 21a, New now. 8l.
n cont rcqul r mie:a&a ~m Ult foUow- Marlirl I L,a.ae, Oo-Y, IIIO.
lll• addrmu.
W,O.t.- WAI.IH,
HOLMII,
141.
&.OHDDN a ICtlllt P-rewM H41 C.., Lt-., ~rlAII
Cro.a Road.
Temple Bar
Ult, Hew Boa4 8 Uttt., W .L
nu.
Ill. Oonntr, 8l"111. YI.I.
I.
n , I t ~ lUc b 8UM&. W.
MANCHESTER
tt, ~ w.c..l.
MARI.HALL'& RFCOIID UNTIi ■•1». Baur BJ:I•-· W . I.
a . Ouord Road. Wandlutu 1. Ard.
'1 , P l ~ ~- SC~
l l '11.
ft, LDl1b• 8 w 1.

and X-ray machlnery.

Morgan describes t.be peraonnel
andsession detalla throughout
In due coune a boot was
the set. Plve other writers give
publiahed which included ust.helr per-sonal experiences or
every word t.he poet bad Parker,
and tell ua almost more

b.1m.selt tried to auppre.,a.

about tbemsrh1es U1an about

Volumes 3 and 5 (" Blllle's
Bounce," "Thrlvlna Prom A
Rut") and Volumes f and 5('' ~Ko,·· .. Warml.tlg Op A
RUr ").

It mJght be added that dote,.
Olli.DJm 11 d1'1ded u t.o Bird.
wlle the set beg1na ln Decemwbelher or not t.h1a ls a ra1r
be.r. 19''1. roam.a o..er flve years,
way t.o ~ a creative artlst
andends 1D November, 1945,
Egolislicolarter l:da death.
As I aald earlJcr, 33 aurerent
Oanlel Ha.tpertn•1 piece la ODe t.unca are represented, nil comP&l.r or not.. t.o Lhe n.ame of
N , " " ' 'BODd l~L, W . l
N , ~UJ"Cb lllnt\, S.0.J
or
U:\ose atmOIIJ)berte. New PoRd by Panrr, MUea Davls,
Bousmanandotherawho
NOTI'INGHAII
IM!kDJ!N, .........
have
received
sfmllartreat,. YO.rlterlsh &!Jain. " Dannf, said Ttny Ort.mes or sum GalllBrd.
81LL
ICINHll.L'I
RICORD
JHOP!t.wlaha.r:n. 8...S.13
BJn u t ato4 Jaa reeonll In V d·
An.DJe Ross, Lb.la la Bln:l • • • Obordaequencea
lncludeA•wa &lld Mllthtfl, ....,_
lana- 1'7. Wm ■:nd Attada. Nou tn1- xxxxxxxxxxxxxxxxxxxxx " Thia will be an experience for .. LoYor Oome Ba011: To M&,"• • 8)oane Sl~. 8 ,W, I.
bam.
X
X JOU. ll&id Annl.e. I waa collect.- " Bone,auekle Rose•., ·• I Got
211J. Shaft~ r y Annue. W. l.
1 uld Bood a,,._, w.1.
lnl thf!Dl aL the tune, and ahe Rb.Ythm,. u All OOd's Oblllun
SALISBURY••· w11,11,-..,., 1.111.,w:Or.....:hm." .. Xndlana."
knew It." . .• ODe ahuddens at Got
Q u - . 1 . a,,,._w. .1. .. . RI00llOI tnlm tb rn ahoi,..
B la:h•f'tdtlfty 171tcma. Tapen.- : "9ffl bnmorllil Charle: the smooth. egoU.atlc&l style..
Altred Kan. LI~_.
~ "The Way You
u . ()oni.biH. &u.a.
COrdln. M111lcal llutrw:ncat.a.-J, • .
Charles
PoX
womed
bsr
Look
Tolilabt."
8u lLOll. a . Cruit !. Street.
: .. I Parker• comprises : Parker's addicllon to Sammy "Embraceable YouA "Cherokee,''■ AT'H I . ._C:.laff, Lt'and, of
x tl'Ye 12--. LP• on London x Kaye <as by Armstrong's t.o coune. the 12-bar blues.
CAIIDll'1'1 Dnlll •wsu. Lt'SHEFFIELD'nle a.,-..
____
cox RADIOYIIIOH (9tiellh•ld)_, : L1"Z.CIS10olto1S108. They= Ou., Lombardo>. wrttes ot
Next week I hope tD dl..8cuss
CHILTl!MHAMa CllrrJ.. Ltd..
Lld.j, a1, Attudl4t Road., 8 b taltlacn,alaWo sktgly at >e Blrd's .. Innocence."
the mu.sic Itself, and Un
Hl&h &\rut. .
e. • hone •m=1·--,-Don Rendell. reJectln9
e Obartee Pox's words) " theJJ'a. 6VuL e a ch.
: " 0ne-d1U"-Mile.s-dr~-In-forUITIOURNl!1 _..., and Co., Lt4.,
WILION P'COIC, LLd~ YOUA record :almost elemental power" of
XXX>CX>CXX>CXXXXXXXXXXXX a-eh&t " lclnd ot aDl>l'OM!b, Parker'a
Ttn11lnua Road .
de.ater. -Parpl,e. 8bemt1d.
IOlo work.
POLICaTONE1 a..y a1141 0... Ltll.,
beCW
~~:
~1
. . . . &andp~ k614.
SOUTHAMPTON
ment-may now be added that wUb Oscar Rabln'1 Band at the
OUYHD1D1 C i t ' - • · Lt'..... RllOORDa f1'DID lhrff aho!I', o( & ~ Jazzma.n ; Charlie t1me.•·OT. YARllDISTlh ,.....,.. (Qt. Y■r• ~ed. J~~~ty~t='!~'!! Parker.
Peter Gammond blta opco a-..tfl), Lt._./. P . lllll-., Ul, 11.bUttj' Raacl.
.. The Immortal Charlie P&J"• delJdOllS descrtpUon or Par~ Plllcc. ...~
souTH SHIELDSm • occQP1es Jive 12 In. I.Pa ker's work (" Pure J~
HU~1.!'.!!•~"~and CO'feta 90 "takes" or 33--IAYILU •1101.. LTD., um. 1C1n1
ben (Orituld~~~~~ni'8&o~••H:!!f!:t't,!HA111u 1 RNJhllon"·~rn £anu~oactw3YJ rlcu remlnds ua how Bird,,,, Road.
compuh~t•11 reeont 11
In thear of Ul.oes are dupll- " turned h1s back on the audiMAIDITONRi C t l J - - . u-.
North of En1laad and WC ln'lllt JOU Cated.e. pNllll.llllably k) make UP ence to beKtn playlog" ID
HOTTINCHAM 1 1111111'_,.II(ll■atbf~:.ttu,::l:, 1:h'fb~ tJ.me.)Pa,u. 1949, lhou1tb I was pre•-•11111>.
Litt..
rldet
Hme la the best ot Parker- sent a.t every concert. and couldo..:. ,s,iQ;eward
D.Dd the wol"Bt..
AUbougb have sworn be did no such1c•111oaouc:H1 w. llft'lltne
STOKE-ON-TRENTn ~ 4oubta tbe fasclnattao lblng.

*
*

*
*

*

*

*

*

:

De,a••s:"L&cbt>lrit:'

x.,.

t
. h

*

*

*

*

~r.1.._frL~.S::i~one]::'::~1'iwu.-~~~~~-----

F~LruM,,•.

For those who~uc:'~t.~::u• *=. .~':..tt•••• ot ■UIII FM

fCJT

all ' "'

nc-ordl. A.11 muea.. al)ftda ancl ,,,__DAYIIION, LTD..
Mann Street.
L0111LOn, GLoh-oa.ll'Te:o~ 11nn.

IOUTNUA , ~ LI&.
P a ~ Boa4.

a.

••••••••••••••••••••••••••••••••••••••••••••••••••••••••uwerediscarded. di.her forWb.icb
musicalor
tecbnlc-al . . IOOS. one ma,questa(m whet.her it la qulte fairtD exl)OIO a
1D
ot all one who ha.a
Xondcm. l;leoorda. at any rate,bave DO m11s1Ylnp.
Desc:rtblD&' tbti recmcb u"one ol the most valuable jaa

These TOP RECORD DEALERS carry comprehensive stocks of current Juts for your selection..........................................................

TEMPO JAZZ~BEL RECORDS

aJon. '!be mat.n trouble, tor
which Morgan la surely not ~al)OQS!ble, la the enttni .. bseo~
or order l.n t.be Item.a.
Prank:l:J, I fl.Dd Ulla f.ncom.toc,•rnenta 11\A\ ll&Ye 7d ap- prebenafble.
U the act ofpeared.• Deoca mftman Pet.er records Is realty int.ended to be
0-arnrnood
Trites wtUlout "a valuable Jaa doc:nrnP.Dt,••
apotao or the •• fallures, ftuff1 t.ben the takes abould be ae-t
l'!ld embarruamenta '' whlcb out ln some sort or chronologihave ~llflod matertal ror cal or mllsttc order.
two ,otumea tnt.o a set or ftve.
As tt is. ao1 Ustener trnn.
Oert.am.t, &Dl?!'t,. all the to tTaoe the development ol
Parker would have to bealn b1a"Toldlt1..
researches 1D the mlc@Ie of=k~
SWINGIN'

FABULOUS NEW RELEASE I

THE BLUES
Featuring:-

DIZZY UICI1UIIY HAYISJIMMY DIUCHAI=1GHT. SWINGING

TRACKSTAP 21EXTENDED PLAY'' OPUS DB l'UNK ''1a8.~~

Sarah-thespellbinder
I

0ANN0T understand wb7 pin ~ the audlence wu
8arab Vau,ban dre• auch comple y spellbound.
a thin audienoo for Ute openID •• 'nle Nearness Of You•ins of be.r brlet Variety tour atbecame the perfect balladM•ocbNtar Palace on Monday. Sl er.
The ~ - of Ul.o audl•
ey onlJ real cone-asson toence decW 8-rab. who cul a commen:uLlsrn
wu tbe crazy,~ of numben from her ton{\!~lIH:heek .. acat." nralon
acbiduled P"(ISJ'amme. But or Bow B.1lh Tbe Moon.••~w Cl.Id ·wu still IOOd , ~ D&WSClll.
monp fa, me.
• 8ia:J • Dff ua n numbe.r1

1n ber IS-mfnate acL Ber areatn.esa la ~ P l b«m dlsplayed~ honnance of what are

DA 1•

aitroue" wu a nne~ l e of Chia. So WU " .Polka

D11PO RECORN,. I I

a~..-~~ ROAD, LONDON, S.W.3

ID PllCE

ahtfi

JIMMY DIUCHU SIAIII.. on• DS ..,• • " • _.. LVLLA111r . . IUITDN"
L

Incomprehensib/eAlun Morgan's not.es are oband 1nronnatlve: athla Jcct.lve
model or clarity and comprea-

performer

Set JNr " MM Top 20 ., (pag& 6) rKWU from Stock :~'nf

CK.

want the best

* or ~ takes

instrumental

Dot.a

And

bum-

Mombeerna •ID._________..:,~.t..----------'1 Wblcb JOU cow.d ba.,.. beard a

T - So&o111
ol ,i. ,._,,.
TBD flllAnf

Ord!Mrt------!...-----------,
INAf1 /•
t.fltillarll,1 9'_,,,_.....,tlMM,.

Wria

NAKI _ __ _ _ _ __ADDI.BIS_ __ _ _ __PAT BRAND"........ _. . ··™ L---------------I• ea laelld•»-• Bl•'0a .... ..... wUI be, llOII. M@nfS .. CO, LTD.
• 79/15 ,_. $t,. • • t a. LC.2J

____

.__ _

...

•

.OR··
•

THIii
n•••
11 Mu .....
Fred, J•ff cmdl Mory
Muclcl. Thr•• good•looking roun11t.1, ther
1e1t round tile tale In •11i9h tl7 ......... ,eelmanner.
" Where did you get thename Mudlarka? " I. asked.
"Our mot.her .,ave tt to " No,• they said. • And 1ou're wondc:rt.os bow weus,.. Ule7 1atd.
We d14n'i barmoDJae."
want It at ftnt but we are" You're ao ~ " I repUed.
Jolly clad now.""Well," aald
"we learn the tu.Del tlnt. 3etr alngs.. ll.f.11y I congrat.u.1-.e you ..... the melody and we uUd on that. Sometimes M&rY taus
"Thanlca wry much," aald a melody u It eoea beyond Jetra range.
It. la dlmcutt,
Jeff .••ft lake u 'fer)' l!lloWI.J and WOl'k ln the hlrmooy phrase by" . . . on the auccou of • LoW- phreae on a bl~d'-mlls mothod.
poo •"" Our first record. • Mutual.ilt.'a wonderful,,• said Admlratlon Society,' wu
Mary. .••
h&rd. An arraoaer p'fe ua" • . • bein1
lD
the Bit three dJJfuent Rt& or harmony.
Parade," I said.
We 1ot a pianlat to tte1Jrd eacb
"Thank YOU." aid Pred.
b&niiony and we learned It that
" But." I conUoued. .. J don't. wa,. u loot us t.bJu ween
like the record."
and the number got nowhere."
There was a •trained aUence.
" And, bJ the way,'' said Jeff
"Why not?" they asked. neo- ,. r.oe ,ang tt in perfect Eriglleh.'il
tually.
" Boys," I said •• auppoalna.. Why • Lulllpup. and not Mary get.a engqed .. .'• Lolllec,p '?"• She fl e~aged."•· It.a Ju.st the way we l!D.r ~t." .. WIil you take anolher l(\rl,said 1Ary. " We put. everytblng then?'",,e've got lnto the number. We" No,.. they &aid. ., Tbett'I
dldn'C. do It conacioualy," lbe aomethlna In Ulla famlly aound.
said. red-faced and Incenaed..
we are told, whlcb mek:ee ua 1l7BEN Tommy Steele's manage'l:"o were quoted as saying" rock-'n'-roll 11 a c11rty• Do you a,TN then, with cWrel"tD t. •word," they obviously h.a~·t d.lscussed the matter with Tommy. In b.ia
English singers us{na American" You mow, Maurice .. said 27-minute performance at the Coventry Theatre on Monday, 90 per cent. of hls
nccenta?"Prod, 1ett1nr to hia fee~ " Jt••u

Yes: .

ftl'11------ -,- -- - - - - - - --Tommy Steele retu,ns
in triwnph
rr ·Fred tho~t. they should: a sreat Jump from t>elns an act cons.lated of rock-'n'-roll numbers.
" Using the EnaUah lan,uaae amateur and turn1n1 prores- thls form ot music ts still
ITUlk~ a singer IOU.n d too elite... aional.
When . you are an very much alive.
The other two nodded ln • ~ amatear yau Lhlnk JOU are
Tommy besan with two
rMnt..
good. But directly we ateppedrocknumber& Frankly, beI cnaoged the aubJect: " Do Into the proresston we to~cause of tbe erplosln beat or>·ou ~ad mu.lie?" J •eked.
we lmew nothing at all."the Stttlrnen. I couldn' t hear
the word&. BJ.a next number," Handful Of SoXl88," waaaung with typical Steele
cbann and by thJ.s ume
Tommy bad won over the
audJence. From then on. ho

And by the way the audience reacted,

a 111w 1t1r In show b11i1111

could do no wrons.

ol'tlte •lrip -ti~ ---Yoo'D bf- tmtNd •t ~ 1"lllde11'Ul cl&r1t,
and f&lthful CGDe ol tu mw BtmCID SP,t
B.lah .Sd.lllt, Ta.- Blc:lal'da'. Tba aclm1'f9
Blmcm A!!tornatto D e c k . ~ andmazudactmed c i ~ b7 oal'Nl..,1•1;1;1:ra aucomatlo tape revawl, n1cll
Doi onlF enab!N tbe UNI' to record u» toa boan ol oantJDDOGI maslo ~ ,....,,,_. ,w cAatt- wi au pro"1de oantmaoaa
1WJ11aY 1ns1cftnlc.!T. Thi 11D1Que 10-wa&a
olt;ra..1.1.uar ampliAer and......, m1DI'
balJ> tomab u»SP.t Ule pefec:~lua'"tt...
ror ~ aata or ....-dins o\.bar,erfonntn«- for 1tQ.dl ud analnta.

uw·-•

COMPETITION•• Tommy Steele
In addition to b1s 1010 work,
Tommy, 1a now combining In

simon SPhigh fldellty TAPE RECORDER

ft:'/!,en.
work, atna,lng with bla
The ant af these
f\Umbera,"lteei,with the Simon
Automatic Deck

Walkln.l ,"senerated a beat which bad Ute

lAo.t a.I Uta, f.m,;ncAutomlUa ta.pa 1uoaal.UU.httrp

aodlence wbJ,pped up to Cevl.'I'
pit.ch. And when UJ1a waa followed b1 a beaQ veralon or.. Nellie Dean • the picture waa
complet.e. T00mU' Steele b d·,.w ....

• • ,,,. oa.u, •.....,,.,...,11 : •Uldlboan'oa-\1

S.WUlloatanasuaa.~ba.U~lD mtur. tncn-n-.,ama,t&Oar st..,. &O waua w a 7
an a-11.U. .._returned In triumph.

Guitar workt••

work on the
1s fa.r more
lDlrlcaie &.helle dQI.. Illa- mov&merua are a:recetul wit.bout
be1D1 enae,rated. and be~ t e e • tremendous roJ)i,oru. the Ute crl which I

CONSOLATION PRIUS were awarded to the writers haven't. soen for a Jona dme.
Moroov~ If be ever decidesof th. following entries 1
t.o drop-'D'·roll. I feel Uu1t

* huP,,1,u i•tolf•tl•n fro•* clooriJt•
Tlur,
u Jr11l1121ltn1 in we ahould atU1 ha'fll a atar performer In our m'da
B·/ttu ••P.
• S,I.ur.
'lbe Steelmm. wbo d1d a* .DOrA. . 11b1olut1l1
r,Tla.bu W,,:*...
~nwumt• of Ila,.. tremendg:uA.~ af work. eompriled
Price (piai)O},lu
rd11114 • /hlll·llb IICHOfl.
1NJ

10,

Ml ko1111 •"4 ,-.,,"'
bolan, , .

Ir It

MO

I0

k bditt1ul.

* C on.rin

Ill Ie, tat Ir/yl"'.

114 CHARING CROSS ROAD.
LONDON.

ACddmW _ , . pnflOtia

smtac

Extract fr•■
wl11l11 letter lay
Ir. liEOl&E W. CROFT

11
ff10flit:1 IM I IIUU I.....-"°
Mda'IMIU/1 ... cat.

Tommy bu pat talent..
charm and penonallty. H la

W.C.2

Alan 81.1.lart <t.enorl. Leo BalUni Cdrunu) and Alan Wetcbel
Cbass).

*

u4 m&DJ CJu»r OllYIAnd 1CW

cu:...

voe··-

CAOaNZA ~11,M,i Hier,.,_,,, 14 do JIISUoe&.be9' ;a. IPA"°

Do&I lms,ed&ooe hed: oun,ut •na1blr
llat
00-1.IDOO oi-. 1P band-be•-~&a&JoQ -bM4aol7, 1Atu.
.tu. UUO' air lt&D4.10sm.

,.,:9...,..SaNS

1
I :.:=,._-.nrw,_

r.----.
---------1
I1...... -----TOW. SOUia

1W111 _ _ _ _ __lllfflCILTO•nnsne - - - - -I rt

Joacr•_,.,.,

~~~I.
W.1

L.:.~=- ~!..---~---!,_lMM 11114 1M llc.Ntan

v .,

ADOUU

TA lN

Po;. ~MELODY IUJCER. June 11. 19!58•

TOP TWENTY
1•~
191 ■

WIIK INQID JUNI

...

nil

IMl

A.rUII'Ju.II.-k(I) WHO'S SORRY NOW

I

[Abel

Carne Fnndl

MGM

lFtk!man\~~=:~~~1t-.~o:tm,::ti~F.:~~-rr~,,;..,,:IDec): Glalt& O. llnw 1110M)•I Pracher JlGIJo 1110 111: Joe Da
lluda1 UlllV): llcnn.T Uu'ICr l'arl: Lia N~ 1u.ic,.

<•> TUUPIFROM AMSIERMax Brin••
DAM/YOU NEED HANDS

2THEmantJcs,"
brand new Decca album b}' Sohn Grus. "JauIs outstanding tor the tuba work or Bed~

canendel'. . . . On behalf or Mercury Records, Pete Rup]ohas bought some Hawauan rook-'n'-roll masters from tum&tar Jon Hall. ... Julie London thinks that two watches
and a radio (total value over $1,000) were stolen at ber)

Everly Brothen

LClftclon

Vic Damone

Phlllp,DREAM

ICbalJ'Pelll
ll&ff7 l!ArntU l'1IVVl

recent big Press party... .

(4) ON THE STREET WHERE
YOU UYE,

about dope adct1cts 1n high!ClltPPtnio1m Bai"fV 1h61 ; Marlo Lua me.\) I DnM WlaliOlld IDao) t lld4il " - - CllCA) ; 911MJ 0...00
U-) :,L.w: Dt Welk ,v-oor11 BmDll BIIIG9 CJDn'I I VM!lor ljtflillr (OOIJ I Jolmll7 DukwwUliIPVI I Oal'.J lllller CP•Nbl,(J) TOM HARK

I

schools, has a si,eclnl explanatory prologue by a(lovf)em)

doctor.

•Blq Crosby bas si,:ned for
two or three ~1evi51QD ahowa a,ear. under " the Juiciest oon- Benny Goodman tor nine years.
tract ever Signed ror TV." • . atara In the stqe producUon
They say that Bm,, May ls here of "The MOit Happy
dain& the •n:;n~ementa tor the Pella."next C4nmt
e album. • • •Danny Kaye ha., Joined Franlc
Art ...., !a.med vocallst w1Ul Slllat.ra ln the purchase of'
those ra.dJo stations in lhe'1'14B-'II IDeo).

(1) A WONDERFUL TIME UP
THERE/IT'S TOO SOONTO KNOW
IJ&an1a)(J) STAIRWAY OF LOVE

7

Young slars..,_.,_II'_,••.Joe 1 - IIDffl. ~CJ.-11)•

Pad!lc Nort.h-We:st. . • • S pilleJ ones and bis aney show areb:ack on TV for lhe summer.

Ml

Columbia

Pat BDDM

I.Gnclon

Mfc:hael .,,.....,

ColumMa

lle,Ua lftl) : .IJIM Olpa CIIJffl I IIAl1r • 1• tf 1 !Ira) l 'fm7 Dw m.) I(8) WffCH DOCTOR
OleEltu and . . ~%al Jtve FIUUIDon&.ans

HMY

Mtdlael Medwtn,

HMY

JI-,Ull'NlhlJ:DIIIYlffllll(la).

(9) THE GRAND COOLIEDAM/NOBODY LOVES
UKE AN IRISHMAN

captt.ol'a Youthful at.an. t.he
Four Preps and alnaer Molly
Btt, are at. the Largo on lhe
St.rip. . •. PhWp Crosby la goln1
very steaelY wl\h Lu Vegas
show1lrl Sandra Drummond(the ! onnel' " Miss San F~rnando Valley "), who la in thesame llhow (" Troplcana ") a.a
h1a twtn brother Llndx1'• new

ClataJ(17) THE ARMY GAME

10

Bernard Brealaw,

AHie Baa, LeaUe

Fyson

O'tlcalb)

II

mwua.

act.or ('' Hot 8JM"ll ")turned 11.lng,-r, Earl Hom~, Is
ma.kine lhe DJ rounds plu1KJn1
Pllm(12) KEWPIE DOLL
a.-1111IJ

own Uve song and dance TV
ahow from Hollywood. ... Julie
Lonclon and. Bobby Troup
formed their own company lo

14Frankie Yaupan

PNltpaDavtd Whttflelcl

Decca

Perry Como
PerryCOmo

RCA

Par71'-> ffiCA}(-) ON THE STREET WHERE
YOU UYE(13) KEWPIE DOLL(le) I MAY NEYER PASS THIS
WAY AGAIN

12

hla Oaplt.ol alniJe, ·• A Teenager
Bln1s The Bluea." • . . Fttcl
Astaire la expected to sLart h ~. . . aoorlnD for Barie1

Decca

You Need Danda-£1dll OClnne IDVV)(10) ALL I HAYE TO DO IS

I

The British version of " Htgh
School CoD1ldenttal," with
Ray Anthony, M.amJe Van
Doren and Jerry Lee Lewis,• IDiy IJy

U'vJ; J oe 1 - IJDIV); B4dil

RCA(Qiappell)

produce a musical comedy with
Julie ln t.he lead.

Ronnie DI ilon IUVVl: JOl,Q 'lll'!IUI ll>tel: RolllJl't J'.arl '1'1111: Daultl Lot.II (C<lll: Olm W- 1PM).

II(14) TWIUGHT TIME

PlattenMercury(Vliclorfa)

Jane l'rmwl 10.PI,

16(7) WEAR MY RING AROUND Elva Presley
YOUR NECK

17(11) LOWPOP••19(IS) WffCH DOCTOR

Davkl Seville(-) BOOK OF LOVE

MucUarka

RCA

f1le1hldal

Mudlarkl

Columbta

tADllo-~u,e l'l.al1 : Jl(JQI.J Mid Bub1 CRC'Al.

U/tand1Da1I
N OMI- «.ml: Ban7 Jl.t.mtU I.RMV).

10(10) IMAY NEYER PASS THIS

LaaclonColllmltla

Robert Earl

WAY AGAIN
etaa 6UPPLTDIO ID'OIIJlA'l'lOlf fta JUXl08D CBAJlTLOSDOlf-"-lar lbile-♦-. U : W. A. ClaJtra.-~~~ ~ LI.J.l 1. .. W. ..... U L ~ I . . . . . W.G.1 ;~£.10. A N l l ~-'H. J , OlnoO. WOllTHDlo-.J. W Ne sri,14. ""5. CA.JI,.
Din-'.,.,.,_RWCM'. O. ~ WI.. l . PORTIIIIOln'H- W- . 8111, 1M. PLYKOUTB-C. B. Ytdlff ud
0.. aJdlDfaBAJI--L C. , ,._7 UIL lltt\1'!....,.-0U:OB-«,11a , . . _ . . .. IIIIUIJIVl'OJl- lluillpuu -.ac
- - ~ 1. ~ ...,_ Co. CllAWLSY- 1. C. WWMn. IOlllUIDI.Oont- ...., QLAIOOW-.OW:¥; Ud.. u. IOU'ffiAJIPTOII-Ttle ~ llloll, • nre a. • Q I~~ CLOVOB- IDc:IW aovm
IH'VD-.mllllnG:m. LIA. UVDPOOL---.w..L ~ lee: t o . ~ LIil•

tqM•,:t~ ._.,w....

.•. \\ c• II. J' f CIII··· ····~

I . JIE,/1/f '. I •~fi
TtJI• IJl.-,.·t ·,- .

"Va rl!'lJ "-1.&aue dated'I"'°:!
oopJT!fh\ l ist of lbe 20 bc!sL A.a tat'd byJ lltlt,'I, I068
Hllltll IICDII for lhe wut f.tldt.dIf. lHI, t.a I\IPJIII~ by the
Popular Publiahtn' Ccmunil\tt Df the
MU.le Publbhna' Assodat on. L td.

Jua1

1i .11 wttt'a placl np In paun1hnt1.)
t , (2J OH THE STREET WHCRE
YOU LIVE (AJ (1 .IS)
2.

:S.
4.

(II STAIRWAY

Chapprll

OF

LOVE ( Al
12/•I ••...•••••• . •.. • Lttda(f ) WHO'S SORRY HOW (A)12/.1 .. .. . .. .. . • • l'tldma.n(I) I MAY Nl!Vl!R PASS THIS
WAY ACAIH CA) (!Z.'5)
Ohftpl)t.11

I,(8) TULi Pl FROM AMSTimOAM
IP) (2/·) •• • ••• Clnephonlc(I) LOLLIPOP ( Al (2/-)

Ana lo-Pie

T. (7) A WONDIUtFUL TIM E UP

J'1lr llaUlT QIIO bandrwd ~. Ck;,: 'a OlA bu bNa
made C.O UM -.me NC:NtNldpe Wldu U>e moat rl&™
Cla1ltl'-«mtroL TodlJ,,Oordol,'al.ondoD~ .
GJD 1a Ule lfJl all OTW t.be world.. It bu aiood
U. ten of ttma. A.air t«Oordoa'• b7 came: moat
IIIOPle do aOW'llda,a. &o be aun OC pUJ.o.a" JL · -Gordon·s•--~t-od•

Supt:.·

I.
I.

5.
I.

11) PURPLI P IOPU! lfA Tl!R

!ihtb Woolt)' !MOM)
C:1) ALL I HAVE TO 00 11
DREAM
E\rrlJ' B rot bua !OM!enctl
U ) R&TURN TO M ■DNln MatUn (OIJntoll
It) &EORETLY
J immie :ftodat1'1 t Rov1et.C41 J
Ill WITCH OOOTOR
0 .ll\'ld &evl ll• !Ltbtl'\J)
11) 00 ,Y OU WANNA OANOC
Bobby Pl ecim1i.u IJ.oalt)

1. till YAl<£TY YA K
Coutera (A\ool
I , (I) IIQ MAN

on the pop
SATIRES"orld are sprooH01

and aooner or l~tff theklllinl' r eal tbln,r la boundto CNlp up. Robe.rt lla.ncoclt'1 •• The A & R Man"
(ffu t.cblnson, 12& Gd.) im't

It.

Pour ~ 10191l011

Note of ex~vaaance ls
aeL aa early as oaae threewhen the A & R man detcrlbea the performance orArt •Dd Dou , Todd ( En)

raret ~ve.
" I reallaed that by theatandards or Tln Pan

THl!RE CA I 12/-1 •• Morn,
II ) TOM HARK !P l 12/-1
SoUtb,mI , Clll I COOLO HAVe DANCED
AU. HICHT CA) (211)

I , 1121 ,IINNII LEI
Jaa l.nd A.n:11.e (Anna)
11. (10 ) O+tANSON D'AMOUR

Obappt.Uti. (10) •EWPIE DOLL (A) C:&1-1

tt.

II) TWl&..IOHT TIMI

11.

It) INCH ISi ILaTP

A!!~ Marnrd WU sensa-

ta.

Jod7 ~:i19 (Otmoal
CU) t.00•1NQ IAClt

beat. behind the band, bet'I.

The Gin that has stood
the test of time1,

Too muchfarce in
A&Rbookf,r~~~-.

ti , (12) Tf
11. (I) IWINCIN'

Ltt«U~~?~I-~ ~ :I H IP H I ti O
awa CAI ,21-1 •• Sbtnria
U , {II) WITCH DOCTO ■ (AJ (21·)
Bomu

IC. 01) YOU HUD H•N.DB IBI (II•)

t&Umwti. (U) IIACIO IIOllltHTa ( Al <1' •1, .. {-) 100• OP Love (A) ~ ~Pn.ncu Day

11, 111) TO IE LOYm (Al (2/- )Dachea1L ta) A ff■ Y PIIECIOUI LOYI(AJ t2/-) • • • • • • • • Slesom
IL ti t)•,~:--.~~~~-~~~':i~._ (11) APIIIL LOY& (A) (11.)

Pl:uura CM«cur,JNM .. ltlJIS •• Oi:llt ( Oac,l \el I(l.lJ PAOR&

1-- Arda C'Olocla)( 14) l'Otl YOUR LOYII
11d 'l\»wnw:od tOlclLCoO(1,1) In' TAUi :.OH
~ 8DOU (OIU'1'oa)n . c-1 wtmt a...u.o 1""aa n:>,_,
1.L (S.I Wit.AT AM e UYINC POR
Ob:va WW. fAC.lac.e6cl
1&. (- ) NO Ottall . . PLL\M

OVr7 O,._b&ri l llw:lb3afll)
Robblna . . (- ) W.WI AND ntC HAND
A- Aamcu; B-BnU&h: P~thua.
' " " Johln)J OC. · ~ ,f AU rt1bu ruenoed.)~ b f pa Hr, OI •• V•rltieJ."h la alnltinl dlacovery, Mar-u

S6e waa about avoice wa.s allahtly off key.

and ahe brnthed 1n all
Lbe wron1 pJ1ca "To atrike Ulla level offarce Ja t.o mJas the real
DOlnt ln U:i• ctuaticm{Marc&ret also IUcka bull's-

~es).

The ~

U'lltb Ja Just aa 1nc:redlble-but f&r funnier. And
only the truth can blt.e.
Mr. Hancoc:~ bu manyor tf\e racie rl&bt. but. In•
allta ln bammin• them up.

-ToayBtoWD.

'

~ 11.

we. NJtttnr xrrn ,111119 'JI
•

I
•

•>,
A ND
with that tnclMGn'• aalute-mof"e punny than Fl7 WJQaJ
1lb 1ft
Tell Uer Yoia
11
appropriate perhap1-I aalute the lon9-playln1 Com
tv
del,ut hen of N-.,o alnger ~akota Staton with
benlNNCl-loatWlDC
"Pai
Love

et,_

~

to

Wlkl\rratt, C4me
and

Wltll He ta trom •bc:>1 1'1Ul nm, Men"The Late, Lete lhow." Her lnltlal •Ingle-"Th• Party'a Pran
Oreb~ u \b.la 18 a fati ..mple
UlC~UlllJl tbe to.rUlOwer"/"lnwltatlon." (MM 17/S/SIJ-•a• not Im• or
01!~
lbOuJd bo an,preulwe. lut thl1 LP em- o ......er•·(Cal>JtoJ 11&.P-1- 1011)
phatlcaNy la. Sh• fully
Justlfle1 George Shearing'•
paneg,rlc: ~• Dakota I• WATCH THIS!

Coif datewith Vic·
Damone.

HERE'S & new Idea for
Lboae
baclaoombo,a who dream up

raoc,

tlUes

album.a. Bow
about "MusicFor

81nt1n'OoUera "?
I can t.b1nlt

of atx us
ar.ara who
would IT&b a
copy.
Bina
OrililbJ . beads

tho

l1lt,

1owed
brother

tol-

ror

LP

Perry
OOmb,
Don Cherryand DOW Vic
Damone.
All elnl.
plaf Soll,

All

ID

ract, whero
Clhllmgion IOI•

have

Th1I modern-style alnger

bu an enviable gift for
Tocal lmpromaUon, and atremendous sense or rhythm.

ID these respect& abe beans
f&Y01ll"&ble com~n with theaupe:rb Ella ~ d and Che

aometlmes a u per b S a r ab

Vaua)\an
BuL m• a110 bu ec,me 1.rnta.- Peter Malama
llDI' m,onnert.ama and vocal dectai.Lonil Uiat pall wtt.b re,,eUUoD..
And ,uni, Ui&t
d a t e d lDCun&on

Dalceta ltata ·• a 1 I ■f I I • wltla ... IU, . . .
. . cadlcaut.

W'l"BOrtoie
twla lA Ule news.
haYe PUt out

Readers' queries

8ftd . . .,. Cd Ooot MOOd bJ'1b.eN .. pcmnJ

b&rd!.J
wtuaueptec,a are under•
Lil .. ,P'Olff oa, "- mndablJ prlmlUft. but t!JtJ Q;AN J'OU ieu me bow PraDJt DorotA~ eo CGJW /or "-"which ieDdl
to ~Slllacn bu f&nd 1D MUIXIT .. mou
n gt,,.. act '" ltMM
(Ortole CllHtl)
pre~ Pollaf-C. O., SC.. ........ ft(gllt llbL
formeoco.
•ftJOU t.ll me 1t the numDalrOta la Alded ■011 tM hoo OCCAdo1U tJMJt tlMIben • Teacher, Teecb.- ..
bF eom,e alorlou.
11111 luu " ' " 100Tl4 JJOIU, ~ recorded ~ JobnD7 NaUll.t Ga• C C 0 m p • n J' beard better ttro~ ttom ShMlml 11M tOPJ)«S ,,.,. ln&l.e Ponana &ISO) &D4 .. Teecb•n
Inc wort b7 a ooo•
Terrr Dene \bAn Cnn I ,<qer «ctton ( 12/ 3/ 66 and Pi!~.. b7 Dorla Da7 on PbWa;
nnaent ua4-er 11le " ' alk YOll Dome and. tfHen Hire,• 12/ 10/ 61).
<PBffl> were t•ti1red 111 , •c1JrecUoo ot Van or t.o,e. N e&&be\_[Or lllltar.ce
l'llm "Tescllw'1 Pet •·t~.
Aleu.nd er.
Tb e feature. UMbea~ o 1
la \be "Part A•mue Cambr1cbe.
oootnbul;lona . bJ' Terrr'I memorable Blan Motl n'
HlllblllJ' "7-N. , .. BllraltJ'.
0/ thae onl• • '1'ead1er", rd•
Jonoi landuo- _ _ _ _ (Decaa_ _ _1'11037)_ _..,.._ _ _ _CounCl"I/_ _ _ _and_ _We,tern____....,_______..,._fn_the_ _/llm.
_ _ __
plan• t enBank
anger
IDll4 featured

ca~,

LAURIEHENSHAW

Amcrlcan-elu«Sun. :MO Jard.I ocr Lbe " "Wants to tour
turn.td up et theWM '• omca lD • cbau!Jnirdrtno P11DOc91. He waa
turned o~t lfke • colour ad.
Vic

In •• f!-iQUIN • and IPorlC'd •toll bal tbe aid ot •PIIC>metor.
Wben 1olftrs ■c t. t.oaclhu,
UJe talk co~m• m~~-and noc. mualowll~:.,d i,'1'-

Yl'l/~9:'~ r9M-rf

w~
dOhlll woU In Brtt.afn, AD.CS
that be W'f.Mod to tour bcrei
80 WUI be blolt IOQD,
want to mNt bhn ap.ln torue•• • arand

IU.-.Od ~ oan oc1111DJF

p1a1

I

crt ttclsms.

byball down tb1 1reen taL-wa,.
Vic WM llad Of I.b l c:b&nce\0 aca~ rrom a plethora ofPreas l .D\eTY11WI. ~ u.•• ~ t\0 relaJI 111 Ule fttsb alr,"be ..Id betYND IYll)H
wblcb aent. Ule bell roelle~c.wo reuon,.

Shearing,

COULD

err, .,,_neLin
demOoatnttd
Ullap~rt7 CODClualttlJ W mela.,t wou wben be p laJed
IOlr Oil tbe CO\ltN wbere /llnd. I \OOk blm out \0llM MWIWIU Klll OlUb to

an

late

nece:e,..,Jl•• ..
pop =re::i,:tb~
1-vs
discs

fer
btrry 11concernt!C1, riouune Qulpa :"Trouble wtLb Don i. he
donu't lmow whether \0 bea storer or a ,olltr."
Most or them 1uccaetuU11
combine Ule two.
Vic
Damone, rtd~ hJlh wtt.b
On The trttt \\lure \'ou

whack

But, daring to pit Judgment against the Immacu-

tnco "bopeae" wu Peter NOena

by
Bob,

BIiiy Ecuttne,

drn■-lcl "aou.

n A m odwuo

8Ul.tarla&

are outat&odln1
Tho l'Ultan&t
deee"ea &n earldOm for bu 1nCro
chord l n a eoifchorus In 01,e Me
The Hlmple ure.

to lbt.)rt, Lilla LP llbould DO\

be Dllaed. M an added wau-lJIOQF, I mlrht . ., tbo MOODY
MA,<:n 1tetr practlcau, reducedi.be cUac io ah.red.a on tlle omcemaottlne before I racuect 1' for

rwtnr.

It 11 now undtt lock and ke-,1R41melnt.na tttlea : Broad ,ray;8rt~l};.Jl:.t~Vou :::1f~::;;
1, r o n n y \ "all'nU.ne; You'Jhcnrtd :lile Tbe Wa.,; Mocu1nr:
Ain't So Cae.
(Capitol 7176l

Sue Raney~,.,.
..
r-1•••
--··
·
····
- ·-·
:,
.. ..· -~- -RAVED &bout 11-,ear-old Sue
Rane, .. Brltlab di.IC d6but(Tba Cattl"°" \ ' ears, lC." 17/ l/37l.
I ~ a U1flc muted about Sue 1
LP, Wbcn \ 'our Lo~u Uu Oooe.
m&lt\lJ because ot the l ack ot
f'Arlotr 111 t.be ~mPo ot t.be
,onp.
But Sue Rane, •lnel u tlWJ:::::::: : ::: . :: : : :"- __ ,_ ,RECORDSI.a. GBEAT OAPl'l'OL EP
FROM

aleetl note OblenN wtt.b .. t.be
•DMU•ltr. warmt.b and underttant\lD'i of one far beYQlld ber,oars." t could hove added tbet
we, lJl Britain , haven'c. anyone
to touch ber--evro at twice t.bea~.
euo la tortunete In ha'f111£ tbe
eervloee o.t Nellon Rld4le,_ wboee~an.tmente ma.tcb bw usual
bl.n IIC&Ddord. And I am l llld
WI• eeteaiton tncludee Moon Sonir.
tbat. euracuvc number Crom Cbe
earl, Tblrtlea tbat, WU lonaoven:tue tor rovtval.
VocaUr and lo1trume:nta11,.
~ one ot ,~e moet pteulna
B«Deimoc tit.lea : J flla7ed Too
t .nna At. The t'lllr · If I Could Be
With You (One atour Tontrht l:
My Ideal : rt Look.a UJle Bafn ' "f'hl'rrY OIOA_llOm Lene; It'• F.IL'I)'
To Rtm l'mbtr: n mrt And ~our:If \'ou Wue Thtte· ~tr ~ll•nt

Lo•e : 1 Rem~mbtr ~OU; l'U\'ou In M°J' Dttamll.
(Capltol TH-&)' ff

Neville Taylor
Nntllc TeJ IOr'I DOUR
or Bamboo moat
IBe PIND
Sa • ,nnaer wttb • IOOd 't'OICO
lmJ;naatte.

and innate aell.H of rb.Jtbm

lfhlcb ftnd elftclln espreelOo In
Uitl Wtinc c a l n , ~ ~number.

Mtl'O', lfucy Ptrc, Also aoea
wtlh a food awtns. tor which
Km Joo.ea ea.ma hi.I
lbate ot lbc crecllte.
A moat proamlna Parlopbooe

~••t

d6but
(Parlopbcnc 4~BA40\

Frank Sinatra•• ffbrac • •Cid
O ooiou,

UT on rour track alloeab1r1'a a SlnatTA BP f~tu.rP
lDC The La4Y II A Tramp Ct:rom*

featu,•ing fou,•trulg
Q g,~eat
.
.

,,,,y

i• 6ig9e•t hit ,ong•P S . - ~ 3 SP-2.0ld (9:saot->--raPor,o 8-IIIEtODY NAJ[EJI. Jwie :U, 111111" ' - 11. 1158. IIELODY******************************GUY MITCHEL[TO TURN
COWBOY AGAIN·
MITCHB.I. 11 to _.,_ • plct... with ~ ~ •••GUY.
-•t-cleconted 10Wier, Au41e Mwphr, .......

lt■ttle e11plolt1 • - cleacriltff In his Nit-Ml« ltoolr," To HeU ■ncl lladr."~':fh !°br::.'.\'J~ne:w;.~

the Sunshine Shuffle ***QVEI J ,000 font cou1ht the " 1un1hlne shuffle" from
London to Morg■le on Sunclor, With temp.,.
oturH 1oorln1 Into the· hlth -■•entlH, ther clonced,
lllt.....i ■ncl 11,nl,■thN
to - k fro• OYW 100

THE MUSICAL

auald■na.

ni:rthe~~~dr:::.i ~~;1umme.Jl1 hoL~U

WHIRLYBIRDTERRY WAYNE IS A S ~'W \l'hlrlyblrd •Illt.wilt." aald Ouy... Audie ha.a
OK FOR FILMS doT, ....!:: 1~,. ::_ =.;= ';,:
a lff&t
whlcb I've read
atO?J,

weeltenda tor Lhe Floallna
FeaUnl or l au.

1

11

Mlul119 ..,.._,

I l lJ • br&IHI ftf.W' IJ.ant..

.. A t&mOUI Western wrtteT

NtlQU&~ arealmW\ oom-

once aald that there are bo nly -gi:'1r1~ Mnmw:z=t.'° mue

ellh~ plotAI on wblch t.oorwllb bt.Uce»ln'L

and llke Ytr'J m ueb.

ase

He ,Old .... IOI • \,,Bredtord

a -Wut.em. But we reckon lha\ h1 ~ - - - Bwacrn
we've found one more."~- \e•:.i•. ~"t. mlde
'Soni or two 'B~ra.J:. ~i\.o-r:r,,!;•tor Ulttei:;::,c:::s ors:anl.n.
4rr:' t~ta'l".,&obl.n,. ,_0 10100•

D;~••'J1f1::i~~~~e~r~-<:arrled lhe 18 banda and.:'~:":\-~fi '/:',ft;trom London'• Tower Pier to

=~•~

1;-;

atcb•

h.!~.e 0~·11:~~b~i ~0

nuc-T\''s w 1g 1·o• Wt.re
llt:tt,.. on ,ha.I t 1. andN

f1~e'~~1~· s~•o:.u1 t>e 1KG at

Marpte &nd back.
~ I I • Lba 8.20 a.m. atart,
ooly ODO mualclan mlued lbe-t,-Chrla Barber. TbeJ.:%.alys"tery a t to

&tnaer OtWle P aLtel'IOD, AlteretrortAI to hire a launch badtalleil, Ohrll and Otlllle cau~t0\0' 1&11 that hll r61e wUJ be csan for Hllnm.un TV c,ote ~mainly M:Un1, but he expec\a ~ ~:fto:'!=!/:::.":,~~ ..\,~ ~•J'.

:iti:i;:~Tu!d:':r:~3'°__"M_r_o_r_s~oa_1_n_.__ ____ h I
Jf:,,m~(o~J:

t~.~~iti:~ui~ ·-~~~ :~ualbJiu.i. anJ

D kworth trip
~lhJi:.°&aAt•'!..~-:J.~ti:::: . an
Guy onda hla currmt Britt.II

tour wllh app<amnca at Man·u,5.°"=~

day Bpecl&cular" on J uly 12
and d. . . concert al Blacl<pqol

00 JIIIJ IS.

'

Tho bonds

lodr A11oln
C:a:v Nltellell 111 Ill• IUt

Weatffllt

0a.d G&11••••"

Apart rrom lb• Barber and
Bt.ewan banda, Illeho
U&lobl .,... , ..... I n a -I Pet ....,_ Tham•,----------------------=::.

B=~ ~-~ltl!hJtrlJtU::

Colyer,'W.J:..°.1 K8;
Laurie, Lba Balnla. lb• i?eney-0•1: :,r:e~.:.•~ ':'rta;l ~~ Charity premiere~
blllln. . bu beffl 1ruLt.o~

1~ e c 1 ~ ~~ ~apome of cinema audJe:dcea 00
awnmar abow
at1
Dl7 Granada IOW'. J.larbe lt'a ...
'!l~the annrtr lO the &Jump."
ot \hi Norwood Orpbu&p.

x=:·•pr..:1~J,'1' g~ DickObarlen~~~Id== ~iE;.,:~aoJ::~e1aGa~yi-~.:r:.:,onci~:.n~~ ----------------------~~~;.,~ ,:!::°!t J;~ NINE BANDS SET FOR

tu " ........-NO VARIETY AT
NOTTINGHAM

a!DPI Jaa Band, lhe AYOD
Oltleo, ~ Acller...,.-rrw:r,r =....,,~~

Group 1 to tour u,;
with D•llftl DorstJ!.

:::,• :t'J'ial
r~ID
return trip.
on lhe outward Journey,
OralWD Stewart depped withlbe Bart>er Band aa well aa
leadlna his own ae..n.

■cheater (June 23>, Nev.casUe

IILUEII-._ e

To ~Ray Blllh'°'3'roup ond lbe OltJ

RamblerL~:ion~ii:=ed~; THE 1958 SOHO FA.IRa v anet, tou.r W1th fllm u.ar
D iana Don &04 oomedll n D ICllr:lt
Dtnnon. pl111nL Brlatol

,

cJu1,

1

•j11, Conn':7 C .JcS Blr~=-Jt:

lt~The l1'0UD'a rtc.0N11ny or.. Ohanaon D'AmOW' ·• hu u.1
bet'Oreieuecs..

Roast venison andnon-stop jazz
sz:= ~n~,1>1:~:,w:o:~the m&mmolb LelcNt.enblNI J ua

ll&rbecue 1,1. \.b.e Ma.nor Hou,eHotel, Quom. pn Prtday.
Ohltl •Unction wu the Betty
Smlt.b Qulnlel,
OLber ITOUPI
were: Brian Wooller·• Jazzmen
and Lhe &oar Valle, Jaumen

0 1

lru1ic:i~J~:rf ru1u~ ~'l.~~w1mnr't:rou1b,: c, Bennettnd (Dtrbr>: and Nontn1b&m'a

Cllmu Jaumen.

The

l.500

_n ne weather

Yl&ltora.--aoo

U~led-tmd:=

attracted

more

than

JIYID~ OD

the

!:d~
~l',- :Jn~ 1~:
wu N"ed \0 d&nctn.

Alan Kane leaves
the l uff., O.intt lhe.,e It
for Skegness anIn lntang1
W. ,ugk •..,_nt
known as chlt-«:ttfo,aov1. 11 ,nponcb-it
Ml Ni..nc.---.t lintt..
It has ih own vola.

AhApr-.....lmocltlwilhlltrolile
end 2 be» . _.... • .... o1 trolile
end s ..,, o1 be» hloh orede. r...iy
h.wlH"True louch" 1robl. keywork forfine fingeting. Ric.h, vibrant andswelling lone. Superb qualily al •moderate cost.

Artht• H l■ffet
WIDH IEIIIAI,.__,,,•.• T••rluls pley
Buffet ..,..._.
fo, ....u.

&CIEi IILIAmE IIAW~ . . , _W l"IC-Nllll'-u-, ,..._ A c.cwnplaie ,.,._.

NCh built for MM ol pl.eying Md wry
el1fact,v.Jy fintthH.

The S.C, lhel lho
wotkl's g,Nfe.sJ

WAllf flWIU,• •,....t•flt..,IHY .......

49 GNS,........ IDuttr1tK

OtMf _,,,.,.. ,,..
11 GM.

u ......

TERRY
DENE

SLIM
WHITMANCANDY KISSES., J.D

Blues singer joins
Charlesworth Bandr,.,w,t,.t

UHY LEADEIIILL LtwlUTDI

p-,'-''•• , IEUY IUCIUll[

T..t 11, .._..

,.........,,,...

Cliff TDWISUIWM11 Mth -' l titiUI, ,._luilil
M4C-I Nftt-.l d M-llklt.

FREE!- - - - - - - - - ,I.

_,m_,.,._Mteta....,., I
I

I.._..._':u,__________ .:I...

I!.., _ _ _ _ _----~'~_j

HLW 1111.8111. Cllfla■ T., LDIHI. LU.Ta ■D ■ CC4a ■ cOaDCOMP4H1'&.TOosc o •• oua ■

ALo ■ laT

■ M ■ AHllW ■ NT

LO,COON

■■ II

•

.

e ttsong,,•

Tl J :t mr M, lnff lilctlretl llwlli
wD pbmt F....., lnN. tJa nI raid
lrlll I: 21'- 1111 Flory • alto 1111 tsaflt.
Fl'lll Wea. Stan Ill aot •cawlJ
mb I poll Jazz ulll. urs Roy•THE STOBY SO rAR: Gordon !!JUIIIIIIIIIIUIIIIUllllllllllllllllllllllllllllllllflllllll
S'PUTI/, dUtUuto ,oflalOf'fter.
~ t , ChaTlte MupgarlL_i.oho~u a oromlflna /uh1.r, wr ttus
14<1Nou, recld on:~

by Christopher
I T WAS NOT LONG before = Hodder-WilliamsiiCha.rile Mu1ran took mu, muwrrnm nunw m111111ut nu 11 ,nII rrummra
Gordon alone to the Bloopa• Howd)'ou
doT ,. ealdpbone Record Oom.oany to Gordon.
meet Wilmar Berts. who bad
Wllmurlookedat bbnstrangely. "You're noo aroundbecomefamou
with his reccnd-b ·I here. aren't you?" he said.
dJ.sc of Ulal lOTelJ aon1 "He's rlgh~ wtUl lb Ill UHi
same," ~cut. tn Charlie. Wllmur"Buh!"
t.bou,bt
so too when ho beard"Now. Jt you could only the number
Gordon bad
WTtte another 'Bub I '," anld dreamed up thatduring the plaJCharlie In a ho11rse whlsper bn.ck.
aa they entered the stud.Jo.
"Dljt t.b!Js cra.zy sonpplnner"o-r:::lf:'• What's to atop me?" as.Ired said Wllmlll' approvln1ly. " Be's
Gordon. "Exct!Pt. ~Jbl.y, the reauy 1ot the messaae I "Mec:hanlcal COpyrJlht Protec- Wllmur came trom Stoctton•
tion Soclety? "on-Tees.
WU.mur '!¢as 1mtcuta~"Do we eat no•? .. aatd
enerptkall.y ln fronL of a Gordon.
mJc:ropbone. AL the other end" We have ourseives a ball,"Of \be studlo • fO.l>lece ol'C.hes- COrTeetfJd Charlie. and OOrdOll'I
C;ra was baVioa rather • nola.r face Arttcbed.
Only elJ&bUy,
Ume of It.
but It. twitched.
Bot.b the oLber men uw It.,and P ~ tuu', com~
bend.Ing glances. Por here 1'11
either gmlus or l)&l'lll01& aet,.
• ta Wllmur s1uglng? " Uked ting In. rt. d idn't. matter which
Oordon In pe:rplexUy, ,. or doea -though parano1& had quicker
ho always look like that? All I rel.urns-for elLber of themcan bear 1s the braaa."
meant money.
Gordon's
contuaton
wu Oordon'a llrst ao~ <wa.xe<t bysreau.1 lnettaaed when he heard Wllmur) 1JOJd OTer • ml!Uon
the piayback, becaua WU.mur'a recorcia. and Charlie boulht an'f01ce now boomed Ulroalh Lbe apartment just behind t.be Doraudio with the power Cand, ch.ester. .. It's an lnvestmenL,''
indeed. the quality) of an ocan he explained.
Uner'a a1ren, wbereu tho or" Yes. but who for? ,. uked
cheatra bad DOW receded 1Ato Gordon.
U.a background.
" Por t.b.e company,.. Ch&rlle• u ·e a matter or tMalaoce.• ref?Ued. • You're a direct.or.,.
Did Charlie. • Wllmur WU
I bet YoU'n t.be treasurer,"
moddln1 hlahtt Ulan Ula aid Gordon.
band.".. Someooe'a Sol to do the• Mueb bJglur," ea.ld OordoD. dlrty work."
Wllmlll' came o\'ff and a&ld
Don 't mlal the ftul lutal• Hll "ment ID Dal weell'e MM'.

Confusion•DONT 116 el . ., I Just plar -vsk u
I fNI It/' d•d• •d lultr lntff o•• I learned froml•mch. •TractftJonal, ntOd~ ther'reNa.ti•• WOIU, and often nallleoclin9.

. " I t.h1nk thatwrit.era t.end to
c11st.ort thlnp
by plac ing

Chaplin~ Crqsby
mo.a1c1ans 1nt:ote:t ;!:a~ and Fred Astaire0happens - the1oungstera
often wttb nomore to recmnme11d them • n you Hke mus1c, di. Lou.le.
than t.helr youth and a atm- He's the bible. An arcliltec:L of
mJct or two. ret the work melody, a rbyt.bmlc !Charmer.
and recogrutton. Mea.nwhUe, Pops doesn't !mow how to play

giant.a Uke Ben Webster are bOdlJ. U the l>l'OIU&1l'UIJO ho
DIAYs ls the same each tlrn~
overlooked, and don't 1et. hlsane dlft'erhall
work and respect ent. 1nterpretat1ona
It's
still
Armstrong:he'ethey deserve."
the fountain bead; he IIVft
The volaWe UtU.e trumpeter mu.slolana so m uch tood ro.rla a nwi with a mustcal dlree- t.b.o ugbt ln his 10Joa.
t.lon and deftnlte oPlnlona," A lot o! people say that
wtw.'a mOl'e, he at.tea by them. Lows doesn't p lay aa wen a.a be
used to. I may be p.iiet~~lc,ed.
but I th1.nlt that timeIm•
THREE THINGS
proved him. Both as • alnser
Oom.Dara.tlvely JOU!la, 31 t.o be and a b.o m player, be le a conexact Ruby ls a memba°.,""""" or tho t:1nual ln.splralfon to me.
tlon nurtured on Blrd,"81)"ak1na of J.nsplratlan.s,
and Monk. But un.Uke take Duke, wlult a precious
musician• 1n b1a age talent for melody_ He haa a.ngroup, his allegiance la wlUl uncanny abUJty for autmllatlng
the malns:trea.tn or thQU&hL tbinp around him, muale&J andatven We by eucb u Lowa ot.benrise and mulm1 them
~ BlllJe Holiday and come to ii.re 1n bis work.
the orchestraa of Count Baaleand Duke Ellington.
THE STORY.. Popa, Blille, Dute and
OoUDt, not to mention Lest.er"Though I have some reserYouns, have been BaY1DliP lm• vation, about sorne of hla l'ffeDt
portant tblnp 1n Jaa almost .. wrtttng,
themaJorU.roffar back a.a I can N!member. ' Elllnjtonla • 1a a source Of reA l ~ there le a res.Hf;}-, a ~ freshment for Lbe jazz 1>1Uer.
tlec.tfon of We tn tlhelr work. Like Louia' ~ , . Duke••
NoL that I don't llke the more wrtUO, l'OeS beneath 'the aurcontemporary p1ayen. M a f ~. With UtUe ln.blblUon.
matter or tact. I bave areat ~ tells the al.Ory of h1I
arrectton for B1l"d andand We and race 1n a pencm.aJ jaza
OWTeDtly Qla.ttre, for CheY tell Janauace.•a story,_and a:tve mucb or themAttff an boor or ao had rone
selves w a performance.
by and the barrte:re were down,.. My measurtng rod for ALL It became lnCN"lsJrcly obvtou,
mualclant 1a (IUJLe almple, and bow deeply Ruby feele about
breau down to three thlnp: music and people. Llko moat
emotTon, lndlvtduallty and a P80Dle wtl.b convictions, It ha.a
Kood baals ln t.be t.rac:lJtlons of hurt as well as benetlted hl.m.
jnzz.
"I may well m.ake lt over totheHere's=thefrankest,
most
revealing•
seriesyou'veever read
about

Dus.

Britain's
Teenage Idol I

After the ballyhoo Blld the gossip, PICfUREGOER
presents the real inside story of TOMMY STEELE!
Don't miss th1s thrilling week by week series
covering his fabulous career- early otr\.lggle$,
future prospects, insecurity, and hia romancewith Ann Oonati.

HURRY FOi YOUR COPY-OUT NOW !

Britain in Lbe Pall. However
If I can't ro over With the band
I'v, been rebearetn1, I would" And Jet's race Jt. Jm ta not rather not 10. Stan are notan eaoteric thlna; It ahould be tbe neces,ary element tn a Jaa
lll.lderstandable and dlrecL I've
but. gtzya who lire comlearned a lot from • ahow ffl'OUP,
petent and aympca.thetlc towardpeoJ)1e '-charl.le Obaolln. ~ on.e &notb.e r. • • . I would not be
Crolby, Ethel Wat.era.
R1v1A1 foreign auc:Uencea best l.t
A.ltalre, Sophie Tucter. etA:. l' pertonned wt th a • pick-up•"They re&lJy 1cDow bow to ll'OllJ>.
0011'mlunlcaLe with an audience...
• What am I dotn1 oowT 0.,..
Loula
Armstrong••
name ain1 arollD4 and ftt!Onllnl, T1lecame up trequeoUy durtna our work isn't too t>lenUhal, lnat It._con•eratlon. And when I enouib to cet by. At Jean W'bta
comrnented that Lou.la had re- I wo,--, I work wllb mllllolabl
peated the ame old 111pcrtolre that I re.pe,ut and fflJc)7 liJl&J·
at Newport laa ,e&r, that Nat
I have~ rep-et,,
Pierce and I had called each rer,oar lniecrt'1 le atµno~-1,toJ: b.e came on the rart&y these da711l •ARMSTRONG

ln~w,N:·lt&l>.d,u

cnDed knowlna'-.,a.ad ~•

for

Burt IC01011

Jmwt II, 1958. IIIILO.DT MADII-Paaie, ttl. . . f•lfwal?
Eldrldae, Ella P'tt&seraJd. Dia;, and the empbufs OD U.S. talent.
Olllesple, OoJeman Hawltlm,
Adveotaroua Britons mJaht
Pet.e Jobnaon, Jo Jones, Modem like to Jiote that seat ~ 1orJazz Quartet.. sonny Rollin.a, ~b tet.ea rallle trun about 1.._
Sonny 8Utt and Ben Wmstu. to £2. alao that 1t la advt.sable'I'?lere are Prench mu.siclana, to reset we rooms as well as c:an,.
too, and t.hey are far trom cert seat.a tbro1.11h

aa\lsned, 18J'II Kahn, about~ acency.

-~~=ocoocx--

VOGUE *

11

GOOD TIME JAZZ

=
I

1:

a travel

JAZZ.
*

THE GREATESTCATALOGUE IN THE WORLDWORLD PACIFIC JAZZ

Another \VlnMT I

IWUJ.TON Quintet •"RECORDED IN "TRADITIONALISM The CBl£O
do" tt avatn wtth
REVISITED"NEW ORI.EANS''ne BOB BIOOKMEYEB Quintet "S OUT ~n HfF~ Cf Ff C" :Features FOUR STAR Groupe led by

SHARKEY BONANO • GEORGE GIRARD
PAUL IAIBAIIN & Bill MAnHEWS
It'• GREAT I

A Swinging S.lecllon from the gr•••

Featuring , -I

RODGIAI ond HAMMERSTEIN
Hit Show end FIim

JIMMY GIUffRE • JIM HAll • JOE
IENJAMIH • RALPH PENA• DAVE IAIUY
LAE 12108

LAE 12127,

WI BJIREB BIG BAND

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HuN")I Ior >,'Our cop,, of

THE IIGGIST JAZZ HIT EVIi I"MYrADILADY"by"

SHELLY MANNE • ANDRE PREVINLEROY VlNNEGAR

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LAC 12100

It', o Swln;lnsr Ra1H1 I,... theAU•STAR lin•~P lncludN
CONTE CANDOU • ART PIPPER--•F1AHK ROSOUNO • BUD SHANK•
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LAE 12101

VOGUE RECORDS LTD., 113 Fulham load, London, S.W.3.
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T■AD"IONAL.-Bolqll----~~---f/El.d.~h

WOOD OltUN1 Toa - a• •cm, wt
IT&WAIIT HOT

rR.,i._m;a-ollAMAII

.

•

•

'"#lb
s«arna,MONDAY~~4oo~ll._.,A■NII•

I.Cl.

T!f~"..IIOWII.
. . ..._ ~ "..... ,_,,. a $ $ 1«1 II -.,:o!tt"r• ...

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1,1 ....,. . . 8 - .,..,..________......

' ...._ " ········--- - -- -- - - · 0• ........
N.- _,._··- - ·-· - - - -~ - ·- -·.....--.... _____ _

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Jane 11. 1"8. N!Z-OOY IIAD&-Paait 13

•

fl/US

•

IS
THE1.0NIUI MONK CLP)
Hoet111 .,,.......... l I Len Yoa1....._,._ Ai.tla TIM W-.,1•• TbtlonJu.a B fme•U ..
1'11111111 0..P...
April Ill "a,111 I Dtla' t lklNI A
0'-1 Uf A
Wltb YN : (lrv-.Jai 1t In. LATIUl-4JL 11'->ft1n111, . .11 ••• O.lll., &llltJ•
Aawa• (Preach born. tubal,°"....

..ental o .., Yeu1 t .....,1• can,
'IINnlf 111..._II AU Alenei
alenk'• Meolf (a).
(LOn. .11 11 In. LTz.U11rtt-S7e. lid.)
Monk lpno.). l:l, ll/4/a?. New'l'o rll. IAm. Rlffflldt.)
o,1 - M,1111 IPOO,) i ....... Gtltrant
llnr.): WIMNtr Wirt (b&u) , April,lHT, Po, IP9,l
WON'T keep 10u Jons. ru.
Ju.s~, tic> tl'1 over Ul..«t
new nu111 for nest weu'aaeulon . et d own. p,:ate\tet 1D
the boX pver tb.ue: ... .....,•• A

"J

Di•••

floe«, poo.): c ..,., larnw llDr.) :Arthllr fi'hlppe .baa) ; Al Hartwffd(dn.). l li 21, IG/1/&7. OM. fAm.

D teca.)P ,ou are lnt.ercetcd Sn freak
Ihere~
in.l"tnlml!Atl, 1ou can ft.ad one
ww p robably newbe10

y_o u-St foe oe:rtal.n.11 new to Jua:
UlO tldlen.

AooonUna' to AJun K or,an•••Jeeve note. tb.e t.uben la " am1nlatwo tuba. lnvent.ect bJ
wacner tor we In • Tbo Rt1wf•
L ~ ~ 11p&n the aap between tiie
DVnlll l&Jid ltombc>Del."•nui moue;,~ ...-u_,,.er
llorpn tbl'D QUOtel OroYe'I
friend of mlne 1~ to Dlct.lOJUrJ ol Muaf~. that on the
oolJCC\ f or I
,na no 1JlatnD:11eot • anJUl!n1r LD W
ru.ruier notloo o.t my aJa, bemado blmeelt oomf.orellb e at b1a naturet ol a ccantabllc: aolo wou>dqUite lnaDDrop:rte."
ptano and 1t.arl.ed to run uuo\l&h beBe
!ollon- t.hl•
Ul Ula IIQ.C•
Ult' tunoa.
comment Lba neTe,ttiele111
Now and M&tn eomet:hlna dru:t.
ruboJ>tst D&Y14 Amram • cx,nwouJO tuo h.1.1 ~ and be tri't'M
l&O p tay an iP&temPOTO JlJle
would to, around wtth tb.e LD 'Lobo•; • t.heN!bJ 10•
me1ocs,t eno ale.er tl:itl barman,. aenuoualJ NocbO
tbe taue or
But or Ille molt ~ 1t wu wbeUler or ondJ~
lJOt tbe rNlOrd i,roYOI
the tune of:er bare ~ . aa or dllProT• O eorwe OroTO'a conwrtlc.en b)'
e OOIIU)lllla, pJa,ed
m01u, oa u , aomattmee &nOSl tention.
I don' t bl.a.me MorpnhurrledJJ cloued Offr . . t.boWlh torPranklJ
h1a
rettcenoc.
wu palcl lo
uui-re wer• noU>LDS ot panicurar wrtta ~lop that. Be
would help t.olDtercat. 1n raot, Juat Wbat you aell
the record.
would Qp«Ot rr:orn an:,one wantSo ,OU QOUld hll'dlJ U'POCt
Ina t.o malto a quick &Pl)ra la&l ot
to~tll.at o~t.bor lbe tul>enpiece, with. wti.!Ob. hi wu un- himnora bou t thoremmar.
album
U ct,
f.lter theThat ti III0tlf what thta oplnJon at anyone"Thelonlus Monk ha• an lmoglrw,tton that not be •~preued," aaya ldgar Jaclc.aon.
11!'bo f eel.I, u I
Th.o lonlua Monk reoorct aound.ed do1-th&t t.11o n ottc.eobleln
IJkl! to mo when an, I beard It. thia Amor1can Deccatau ••olr
J'UB
11um au or a eu.ctden t t bit. me. Stud.lo" aeries alnce the exocllonL~brutn1 and U>ere P. mor"
Perbaolt I am onir-equcamlab. doce well. with eomo beautUut
I reallied that. where..~ Wbat I
decoruive trwnP,·~ on Bctu.cuo An.,wa,; t readllJ concede that Ul solo pSano tn To~, Planaaa.n.
b11d hard tr°'1\ mJ' ,nend waa
Me," " Ballin' ' alld " Bl \llll moat ~ t a ¥!.:-~tun. dcaerre. Note, for lnatallM:o, bla work In
whll one cou.ld l'Ot. tra:n ear
Bl.a a6 " -the tut wroncl:Y d c- I.be Jaa co........ deecrlptlon tbe Doo Bue-<Jcne Do PaUl
All Jazz record porsonnnl acrlbed
competent. tnatrumant&llffL wb&t
In H4mmond'a notes aa bHtoftd by the producers ot ballad " You Don·~ Know What
I was hcar1n1 n-om Mo:ns; waa
ftm co~ete IQlo reoons. Lhl,i LP.
Lo~ la.'.'.
details are supplied bJ Bu~••the wortt or an Arti.t.-the wort
Dlckl!lllOD a4o:ffli '' Hllcklffl "Tb.oull'h hJe llwPlration d.erl~es
Mu
Boeob°"
aooeaJ deoe.Ddil
or a mwtdan wtcb a.n ll'n&C1n&and .. Good MomlDa .. wtt.h Woll· from i:..e.ter YOUDJ( Ool eman on bow ~ & I lt'OU are to drum
tlon and a IOuJ tb&t WOUld not
EDGAR JACKSON
conatnacil'dchoruses
anddlftorte
llawleloa&114 Den Webu1a. wiUl 10101. ~ • • Jiore ..,. modele Of
be 1uppre•1fd e•cn whf!D he wu
t.b.e· contours ot " Ballln'" 1D hi.I tho l.nevtLable dub ol hrer, he tecbnlcaJ l)N)Gdanc:7 end wtdut
doln1 no more than •tTI1mmln1>
admlrablJ ortcln&l taahlon.
ooptea none of Ulem. Re baa a racratDL But Often Lbey IIOUDd
co bJmeeJr.
ftnl~ U!lnlO ~ l wnu fBrun.n1clt
Warren, Jones ancl Burrell a1'o tone and 11110 or b1a own.
COO ffl'-'Cb llke 4Plerc!MI.
l ta tm preulon ot complete ln• LA"J.'803G, 8IM6 and aoe9) bu IPTcad
themaelns e.11eouwe1, .
Bo s. not a irenue Pl&,er, andPoalbb' WI II matnlJ due tofonnallty l'llUS Cbla an utonilb,· been atem.au,d.
There 1a no real W'C&ltDea ln ~cbai no s,arctcuJar ft.alr tor the tact Char. lUI haa Lo dU Qp
Jn1 Tf'CIOr4. Tbe WSJ ID whlcb
Am.ram ai.arted u a 1st ralab t ITOUP, e~u number proeeecunc he~ut.y. But bla robust, fcm:,efU) more ~lo C>M:e c.ban an7 drum·
Tlie.lonlu, MoDJt OOUY'l)'I t.bAt mualc1Ju1. Re ptafcd with lhe at Che bllevel fZl)CCLed of tone 10'- coar. olllr when be m(!r ebould bo allowed.
A.ad
iml>resa!on maus lt unique.
Amertcan Nat.ional S,mphony th~ t.o
WU muslclADa.
dete.enda
blOWtq t.boN rude. that. tao, ls not h1I tauJr.. It 1al don't ad'l1N other9 to lrY U>eNatural!Y, tho rblthm eoouon ruptna rMPbefrtes.
t>eeaueo w1t.b ontr four IDft1
u me eor\ or l.bllll', 1, wee a ~~~~:i~
bu
a
lot
to
do
with
Lile
comfo~
Ht.
con~tJoneareln1calandPl
llJinc OAlY Q!f:.;tunee OD a 12-lD.
J.fon.t Lo pt awu w1Ul tc..- S,mphon., OrehCllr&.
He Dlan wltb a bold LP, each tune
to bo apun out
relaxed QualltJ or the ftOWIDlf
Edsnr J a.ckliC>n.
Be 1a a.n academtca11, elt1lled abt,
c:onv
lotionthat«t•ea_powertoanmusic;Jo
Joncs'aUtt,,uncompllror
too
1ona.
and
t
eeema to bau
performer on most 01 tho 111·
drwnmlna d esen-01 the fie doea wbUo aUU auowtq him boeD a c:aee ot anyLblDlt to m,am;.
•trume:ate he pta;e. But. hie Jau cat.e<tfull ecopo t o lndui.ro b1a hlahll' taln Ula nocC11U1 variety.
ezperlence docen' t enable him to utmost CTCc:t.lt.--llu l onea.
cmouonat 11AturolncldenC..IIY,"
la&bow that-uacful u Lbcy ~ ,And bit control bu tm1>roved. actually ·• Ma.cit Tbee." U:AMRAM•IAAIIOW QUAIITff (LP)befor e.DJ"lcbJna cn11Ctt1b,oNo14 which i:>rev1oua>y came out YOU think It .. ~rdlJ a ,rood"Jou 8tUdlo, No . . ...
tone oolour-netu:ier I.ho tuben
ollahtl1 1mpertect arc now eoun• propoettlon tor
nn, RoUtna.
IRIAN
WOO\.LliY'
I_,AUMEN
ll!Pl
nor
11tu,
Prencbhomlawleldforn,, ••• Thllll .,., YOU I Darn
1'111\ted t,o 11tve them U>o ruu act ~ earful or t o 1maa1nac.lYe
crtso
cmouab
tor
Juz
aolo
work.
..
WIid
•o·
Woollq..
T'h1t o..... , 10111--, ..o,nln1,,ubtlct.Y or meatlln,r bo ob-e'tou.,ly way ho rtn1t1 the chanlfC!I on tho
Tcnotut oeorao Barrow. who
WIii 0omt1 I Lit A 1,111 Co Out
Intended,
melody o.Jt.cr havtn,r e,mpoU>et.10OutOf
The
Calleoni
HiawathaR.
.
,
01 Mr H11,11 011, TaDII Lobo tlrat came to Juz prorOM1ona11,'Thia II Sonny•, beat Bdtlab ally atoi.ccs Jr. more or lu. .. u
01111,.....
1D lDll.5, &It.er havtn1 boUlbt bUt\'ClCI\IO, The auooortlntr cut BIIO wrt~teo:·-t.:dnr .illcil110n.
u.xophono withmon117 bo
121n. U-NJ-al. lid, )earned while worklna In • lhlJ>W°'lltJ !dLI; T . C. Jon• l~aftltll:
yar4. la worth bcartn1 wncn ¥ Ptlt
WIiia Umb.) : Mt:vrlA COle:mtn~ eaCll,l)O from con ce rted • 9 r ..
lbJo.• 11,r. 1: A.. f'OICar (bull: •ot1n
Bus1st Arthur Pblpps lhlnOI loooner
ldrs.l .
1/12 ·&1. l.oadaD.
thro~:~t.
But
en bJ and tarse. tbte tC.qUl r'L )album uc-,t, p erhaoa. tor the
EJOF.:SIEH'S BrlAn Woolleylesalnhlbhed.
b1u.ct-(ferl,e4tads OM or the moat,
Wttt tndtd ~ It. !ISi
Momin• " - l&cb
POPUiartradlUon:at Jazz ;:roUl)ll la
spon
ty.
n
11
c.oo
ob•touatyaI . (fl TH IATOMIO
MA.
pre--pl&anect atruqle tor aelt• the Wdlanda. Prom th.la EP It. . . . . (&>)
eapresdon b1 UIOR who &Nm U> would seem to be eomewbt.t.
00011& Bute
have Uttle to aprns thlt mnna erratlc-nnldDc trom irood to(Columblal&n)Tlhlne to U>c aort or muatc onl' moderate to downrt&ht dreadful
2. Ill MY l'AIA UDY CLP)
expecte to tlod under tht' title
P\U'haPIII. aun,nalnall'. I.be bCS\
~ , MalllMI (Vc,aue 1
orJ ~ Studlo.-Edpr ,IG('kton. tn\Clt ta the atow Mezzn>w-Becbet.
J. (II OkAII
UAal!R
IH
blues w Oalleoo." wbJch take.a UD
OOHO&IIT - Ytl.
II
one whole aide of tbe record'-!be(LP)
tPJ!e•Nlsa 1
band aound.s 1>leuantl1 t'Cia;&ed.
• · 121 MIL.al AHIEAD CLP)
the rhythm aeott.o». uumoet. 6lld

nl o

'°

(1~&111,=

Meet the fu6en

Mo~:•

Curale's egg

TOP JAZZ
EPs, LPs(-u•r•

Sensitivily

1111ca DanarPo.nl.ll na ,S. 151 HIWPORT _,All l'fl.l•
TIVAL
Oouot
•
IOollltnOla-Olefl
I . 1'11 LI Kl
IOMIONI! INUIVI (LP)Slit Pltqe,.ld~l

1RMV•Vtn-e1
IUNS HIHI!
I HO WCAII CD)

1, 1-1 MONTY,..,._mu,

Ill AT THI IT..ATI'ORO
INA~Ra MUI •OAIAL CU>)
OIQr Peun,c,at Oo~..C:~ I
I. 1- 1 QIAIIYMULUGAN•..AUL 01111 OHO
I.

J!!ta-a,u

OUARffT
10111.
II. Ill _,All ULTIMATI (LPI
Booby RacUl, a.Del
Jact T•aa,dea
I Oap:c.o!I
8TOeDI 8UPft.YDfO llfPOQ.
MATION POR JAU IU'.l00RD

0IW\T

LOHDON....Dol)eU•• .ku Rtc«dShop,
w.o.t . OLABOOWMc0o.nnaok'1, t.A4.,
BU,.

o.s.

PAST- AllaDUo lleoordl.

MA)f.

OllE8TDl--H,unt aDd Addlaoa.
~ - ~ - ~~ a.tlclt11,_.... . . . . , ~ 0 , Manadl,
Ltd,: Tbt D161Du7, • • NIIW·
0A&Tt.&--J, 0 , W'lndon, I.Cd.
I, LlVID\l'OOC,-0.yU RMMo

U4,, lL.. aou:.eg:r.

OAJ\Dln-alJ Ra4Jo
CClardilf) , U4.

trombone are competent rnoua,n.
Ind Woolley pla,a eomo CSCCl•■UOIC CLAYTON (LPI•• BVc.kitl' The Blues ..
l!luek Huo~ llrt l OIIVCCM'l lai

lon t c:lartnec.•

COOi.. RlowatbA "~1af.Vlful- tllll

ot tbJng wtucb a oui t ho Indoors ond ouldoors thisToo: ICIUHH Mt1 Qovd Mor11to,1 revlnllate a bad name. Tho brilll1111t llnle Tra111e1to pocket•w•1 Ballln' TIii J acka IIUM trumpet uses cl lppcd. at.accnto
Blu41 111, Qllffn't 1111,_,phra-1nir. the trbm.bono aounda rodio wlll bring l ig ht, Home and( Van1vard 12 In. PPLIIOt o-,3.Se. 11d,) 9umbcraom11 and t.ho rhythm Conl!nonl,I 1l1tlo111 lo your fing,rtips. The
Jwtt plod.a, with no vesu.ac or unallo ll sal mad• in Europe, it has a
Cluton 1~.l : ■arl wunn Caito); 1w1JJ1r.
Yle Dlclll1n1011 I tmb I: H111II J•u• Ous t, •• la better. tb ouah 11 p,f11led circuit, a 3" M<oll speaker and Is
tpno.); • - , luntll 111r.1: Aaren
aau t.._l: Jo .,...._ tcln I March. nice ctanne~ eolo la bamoert<I fully lranmtorlud. Siu 4i" x Jj" x 11"
IUl.

New 1orlt

IAm, V1n1u1rd.)

INCB he nrat lmprc:ued the
Jua world wllb bl.II abUIUOI
as a rec:onUn1 bandlraderLQt~,ton bas produced a cons1ClrrM1lO
amount Of am&l!•b:lllCI music
wbteh appe&la becaUM Of l\lsrni s,ru:ia. relaLl•t f rt'edom
from &rTIUJCetDCDUI and lnlJ)lredS

aol~
Dcsp1" tbb l~e out.put, ai.,IDD baa not become a mualcalboTO.
He o)aJa w1UI tuCb UD•
common ,nee and recSlntr I.bat
neul1 all of b la choru11H ire i
pl-.suro. Alld boc:auae or w
company be rcoorde ln. hie
reconta ,enerallY have oona11t.•
enc, and a co,np1Ublo 1Plr1t 1
In .. Buokln' The WUN .. o,a,-bf aome rlckY-llcky drW:l:lm1ll;a. Dnb Dawbarn.

Raspberries

and - iohlno only 14 ou it i s operated
by 4 pencil b&tlarifl costing only 1/6d.

klu11fully finished In 2.-colour polyttynnec.sew 11h salln gold fitments and lolcHl.t
IONHY ROUJNS l'OUR JLPI•• BaffObaDt e o i handle, o, 11,ouldu•tnng this M1U1lional
I1. Tllomaa: YIMI Dtn' t •now Whal
Len II: Su.di Rodal Morllall perr,.on.11 rtdio w,11 be your conslant
companion.
<r..ou:tre 111 n. n-M5-31t Tl d. >..... ··"··

ReCUnt1uir. 1;

T-Y

l'l.atUl&'M

Dtut Waltillll ,i.-1: Nu"41111 td:rt , . 22 I K
USA. IAm
fpno.11

P"'"1p.. J. HAVB a1-,abad eomewnat.
feellnu a.t,ouC. eonn,
IRolllna.
~r one ~lna t.b06Cl
m.llledTHEnew~~die

ton la ap.10 hMl'CI u I.be Lop of bonka, which a .COU!IIR\10 h llll POCKET TRANSISTOR :-1AOIO
plcueclto call "lllf
bla torm1_!'or truJr molodlo. or~ beenrratrtlo, UllPro•laat.lon thf loDl.1 bumour." t.o mo eound merotv■low•• 000dMoral~ •ana yutsar. Tbey a1Yo me tbo reetPRICEGUINEAS,. Ota,io.nt&" WOUid bo bird &o 10,r or mlld c:iontempl an<1 Ill.I
. ht
beat.
nau.eea 1_..r.,, wbm I oomo acroa FROM )'OUR LOCAL RETAILER.. Buclt Buoklera" I b o - I.&•17

t.romoaOD.llLlYilY

or'-GAO UM1

:Ce':rt.•:ill.. or d.n.WlDCII au alum

UNI> f UH PAUICULAU Of
CHAHHll TIANHJlt IADIO........................... ,...................
"'

OIAml lUCllOIIIIC IIIDWSAU1 lfl,
1111111&1,..<HHf 4. SO 1111'.lffl-

, . . . II, -LEW DAVIS

Nlt0DT IIADll-4o. . 1 •SELMER SuMMER SALE
04C4J

OFFERS

114/118 CWINB CROSS ROAD, LONDON, W.c.2

S/HAND INSTRUMENTS
The "ACCENT" Is on(TOI

AU. IUUlaAIN8 Allll e&IPPUllD COIIPLllft WITH -BRASSSole 8,itislt Agents (or-D TRIXON V
R .,..uo,rnuau• I
U t:~~J:1/:::lc'Hffl B
M - UIIIU'flllUI- E
5 .,::;;:':: 1: : : ~ s

U . TW.111-PNlf ~,:O-C:OU::,.l.UC,IQ 11LtC11011 -

0,.., .... ...., ............. ..,....,.

nM un

LONDON. w.c.2•

1111c ..... -w!'f_Ar.1:_o, uauar. nu4aNa..-FOOTE
GUITARS ..., HO~• RIAMIIS , aoaa

*cl.lllllETs
BUFFET*, sms

POTTERS OFFER

Sl'ICW Offl■

1.WCl BASSES ,L::1..
nuam•Jffl--m11•i-iI ffi.... ..-.a..,--: :..~8!-..;;·

~--~
"'-::
..... , ...... c.c.
•••........ ,,,......
u_,u,,...,... . . ,,..._.

-'i:'i:-9:-~ ~~:..~.~
Carll• CIMH ..._ MNlwWI• llaf.... unH ... PILIIIU IRL1

• • • . • . • . ....., Ul. 1.1
111.Dt.,_fdt.tllft.l ..... ULIA
8PS.CIAL OFnll

IOIHM CI.AIINETS'!:'.,\'!·:mt•_ ....

·::: 20 •••u . . . U _. 11 . . . .. el.,.

:-.....m...

nu CATALMUKS & Ufl'S

ll1tl WE. MtP ■- 1££11=.:r....!t~-•= :::::=:::=,-1;.......
::_,._,...,- - • • • -···UT.IU

C1Hlll•£40 1111u11

1.,...., .....1:1....,.•ua.n.1~-----,........==........ u. ...

y_, C.-11& •--•II• .... IIN-. IllTN• NKW

SID
PHILLIPS
llllllTU COUEIPOUUCE,., UI... ... ...

y._ ... UIUtl. .at ...rttt tw UU.

COIIIE fU

IT., IUnt.llffl AYL.
4511

CLARINET

UINI, W.I .

Writ• now UJI-

TNI MO ~ MUIIC ICNOCK..
., O.rMf er... 84.,. w.c.J.. GD JUINYLON BASS
SummitUITIII IH) IIOIIC ITllHI LTO.
13111N-I.Me,~E.I~========::
Why not use the" Melody Maker""Melody Maker" Oassn,ed Adrertisement
Rates
1

FREE DEPOSIT

and • . Mu1kl1n 1 W1n1 .o. ln11111°·••llc HotlcH ,Specla l N0Uct1, Lou,o, l11e
Wanted,1 ndfound, l 11es1tyAuc1lon,,anon11.
ENGAGEMENTS l,nan11
A oc111orl1 1 ,M o u1hpl1 c11 ,11111,um11n1 R1p1!11, lulllon, Mu1tc11
Per •teOfdl for Ille Ot 8d Per
l■McH, Club Caten, I/Per~d • W_. W•••••• •••1t••·• W0(d ""•Halts. S.-u.
• I 0,■,WANTED ~01 ■ I Uou, 11&.. Ile.
ltKCNdlnt &. rrlfUlfll ,Of'... .......... u

WAIDIOUSE SOW...,.
..........
u,. ~....,£40 CASH;;:!·

ltd .,..._ 121. .. .,. - ffl.11.1

We have a ••rs• atocku,. * ol K Avedlt

JI 5 NJIH •••••• 10/7
SIi., ... ... 16/3
1141 AWm4 II 1J111 26/1
1144 [., ., 29/1
15 C NJ111 •• • ••• 1D/7 .,TWO ONLY.... ..CtlG. _........
.....1ftttM....,..__...

--•b,.•~rn.u
6

ZlldJl■n■PH•IH DRU• AGIINfl

HI. , .,. . . . MW '--'·
MnJwu.....

ttt1~·-=....... ::::::*CANNOT a1•1.AT- • 1 t
COM.I. . .
IUYIO

,r

POmRS MUSIC SHOP
7 sount END. CIIOYDON

c:ao ,,.,.,,J • 11 HILL RISE, RICHMOND
llC 6171

BARGAINS! ! ••!
...
,,.....CNw._ ........... -m ,,---~e.a..•• •......... ..... _ _ _! =D:::::::::::::::R====U===M::::::::::::::S==...... .,NfW _ . UKD Pu.al cm. LO._ U ,.

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CYMIAU -lct.N ,_.. a.- U•~....,...,,.__L,..... . ~_ _- ....•. -o••••,O,.ft,aMtf . . . . , _, ,...

D&U.lilS~ ........

tt••

t.DlUM A.NOtOI ti·,UH .,IAJY TIIMS.
P.Uf D.CNAH&IJ

s.s..Jwple•lfennr,181..Wl. a

VIC O'BRIEN~":.~~~,..._.., US. lllL ...._ ..... ...

s..i ,_ dt..a. IOW al -HAYI YOU UIID

fn,mpeh:, T,omboneJ, SuophonM.,
Clarinol1. D..,t,le k,,.._ 0 . -=~=-~~
c:.a----

Free Oepo•it Serwlca,'"Melody Mapf,~
96 loot Acre, Londoo, W.c.2*AU.
JET SERVICE OIi
MAKESGUITARS, ACCESSORIESw AMPLIFIERS

n..-c;,....,.1"-'1S...n-t'k::r,..2.,.e_..._ ~ - :H.r.--~. . .

llM,S,....._\M4lt-

LEN HIIIELI t.!:::1.~.':i,-&SERVICE?

....

AU. TIIA■
AJ1•e11WC1Ui1 £\T!lf II• PD we■■All . . . . . . taJltt ,..,.. ........ aLACll t.APITi-U A., .............. a.Ura.
- - • Jti'■~ r Pl. . . . . . . . . . . . . . . b ua Wer.._ Pt ■• II• •• _...._ .-.,._IVOR MAIRANTS...
...iaYtlits,-,.,-.....,..,.i ......,"-STANLEY LEWIS

O:,....Nt0,Jl7~~ ....... W.l.i,.

end ecceuo,IH

l'luNa.un -,, 4d1"9111.l.......t ..,._ k••hlt- - - - - - - - -- - - -- -- - ,...._.{CfMcv•..... _____________~~,,-..1.• I Ord..- He- - - - - - - -Udrut - - - : :
IN:C
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I :,.,:-:c,u-.:,-::-nc-,:,1o-n-,.J- - - -1

BARGAINS IN INSTRUMENTS

DOC'S OWN H .P.

..,.,,.~

L W. BUITDRUI CO. LTI,FRANCIS,DAY &. HUNTER, LTD .
IHfMO CHM. . . caou IIOAD, LONDON. w.c.a. T11Mp4• a., ,,..,.

~tt.w• 1

ff
CURRENT OllCHESTRATIONS POff~D
RETURN• 11M IMCA!H • lllUCiJlt • AU HPilH• NUIIII fOI NU.S . CYUflNIW nuww,• lUIIAYUIO•I..,.__. • • , 1, a.1-tl.t

Tlf& Dlt11f•&&r ffUD(N/A.ITUI../N . . . s..t. ......... . ~ ...
,...............
u:. . tffl.Js-,.,m■ IIAIUIT111n1eoru ln.
tHW.,._Jt,. W.L 1-. 111GOM,4,,I

OF DRUMS AND EQUIPMEHT
THE

H.P. Teun.a

OfflflllO(I. Mo,1 onion dotpoldwd.

REHEARSAL ROOMS ,,. ,., _.

Or~~,tt!.•-c:::,A-_,~~~
PML.IITO,

IPI• UL DU
UllllUf

G. SCARTH LTD.

Pooe 16-MELODT MAKEi\. June 21. 1958

'

,.,.

•

'

'

~AGI Idol To111111y
Steel• hot • n••". .n..-"-fianc•• Ann•
Donoghue.

'Anne \Old the MM tbls
week tb.l.t ahe had aban-d oned her lhow busln tss
career to travel wU.h Tommyas bta " rllht-man man."Anne (p}otured l ) waa willi
Toann, when be made a trt-

umpbant oomebaclc on Moo-

day at OOVeQtry TheaU'e alterhls recen~ rest..

'Cinderella'• I feel Aue " atd t.be sun•tan.ned 8 t.eelt 6o1. " tb.o Nlll\ bu
ruU# done m o aooct. Now l 'm
all · " to t.aU ""' wboro I left
orr.'·In Stl)tember Tommy e t&rta
ll'Orlt OD hi.a uilrd ftlm. and In
00\obe.r J.I ch• io pla,to a m wt•
cal ..-.nton of .. Cl.Ddenill.a ·• aL
t.be LoodoD Oollaeum.
a. Oot.atrY Tbeat.r-&,=ecman
I.old \he MM ihaiy•a a,ppearanfle 'lfOUJ.d reault In t ho belt~••,. 1IUllQOIII tor VartoLJ t.bere~ W > d a J, the lllDrer ttaum• b.1.1 ~ o eertes, .. A B ADd•rut Qf Dlaca." Don Lane took
onr 'Wb.Ue Tommy WU 111. Tbt,erl• Iii ecbedwed t or anoUler
tl&b t weea.
lSee alaos,.,.5.

Two 'Buts' f Or
Laurie London

VIC DAMONE HAS'HIT' WAITtl&..,___.__~,,_,,___,___.____~----.~-. LAURIE LONDON'S two-week 101pel tour of Ame.rtca'a" Deep South" 1a now acbeduled for J'uly 19-provlded•
the Amulcan promo&en
asree \0 these two 1Upulattons laid down bJ Laune'a. .
fath er :Spotll... t oa
• No t,._vel before midday.
■ew

IEXT WEEI

Jackie Gleason in
TV series

Wftll th,e remJ)ffGture fn tho
ofohtlo, at the BBO'• nluar.ride Studio, laec Saturda.v,

tlluc noo .. Sl.r-FIH S»-ial ..
.Kune end
Bob..-t.Rarl-4«!Cdtd
to,t~JIQJ"fo11.. COOi o/1.. on a coruienuncl>cucona,. Otha , tor, on Che•howl induded £eul"Ce £on,.

doll, Jim Dclc, th4 MulUarb
and file DiMh Dee. JOhnn11
LcmCa Ond Harfl/ Welton
bal'ldl.

.

'ON! BOY' WILL
H4VE ..TG WAIT

LTHOOOU tu,eLlooe to l&at
eTravel mun be .by plane8~.. tnltlal pTOIJTa.llUlle
over Jons diatancel(
were "
f&VO\lrablt," DOmore " 0 I Boy" aboW'8 Jreo"c..I ~ m ~planned b J ABO-TV att•r t h ofather, Wi'?Zodon. " Alt o ~ .IChtduled
tollo•~ , . , _ . .QD
be 11 onl, l ♦ aD4 Deeds aA'N.'t.~~~uru

quota of ilND eftr7 n.llbt."
Laune ahcJ b1a parent. a u to
the 81,ai.e. OD JU)y •plaa aweell'a holk1ar •lD
n Y0tlt
before au.runs the t.o •Next Wfflt b e &I IObfdu.hld w
wax uiot.ber two a1dea for Parlophoae. O no wtll be 1lJ.a own com -f

BENEFIT NIGHTSFOR
JAZZMEN·
B....

Here It I•!
A MUST FOR

B-llat BOOK for ALTO or BARITONE SAX
B-ftat BOOK for TRUMPET., CLAR., TENORC BOOK for GUITAR, VIOLIN, BASS or ACCOROION•e

ftil■ Y NUMUlt COM"urTI[ wrTH ■ ill.ODY. HUIIONYAND CNO•D ffMNU.
AIUtANGilD AS SOLO, DUilT AND nuo.
PLAYA8L& SY ANY COM81NATION.

PIA.NO CONDUCTOR BOOKe INCLUDU Mill.ODY CUil AND CHO■D SYM ■OLL
Con1m u :AT IAIOfl • I'll SEI YII II lff IIWI • ILEIPtlla! UL
ffl wtH MEAIT f'II III • OYU m wnow . Ullfl a RILi
UlltlWI IIUI i[p' IAU. , l'M AlWAYI CUIIII WIIOWI
Price 2s.6d. EACH BOOK. IPo•t••· 3dJ

Por tbt n e1rt prosramm•. Sco\aatnnr Jactne DcllllU hM bee oadA:fed t.o Ua b ill.
Commmta TV

IN HIS DREAMLANDl

GR I SHA FAIFELof theBILLY COTTON BAND

will demonstrate the NEW

SELMER· STERLING

the Jua oowun..

Helping Walll1

On JuJ1 4 Jt the Keo eo1,er
Olu.b, an •IJ•DllhL aesaloo wUl be
ru11 to he~ tn.unpetClr Bob
Wluill, who
StreetHac1U,a l. P l&1•10W•_•wnr1nc f rom
rheum.at.le Iner, ~ aodh-.n uouble.
lined ',IP t.o aid Bob ere t.hebaDdll or Km Oolfer. 8oMJ
Morna. A.Ote1 'I!!~... M.llto Petm~
JobnOJI' J&mte, wru Pru~on ~ a
Lbe JubUINI ,Jazzmen. with PlAO•

on Salurday afternoon, 28th June

Iii '" 6:mr'n"

COURTNEY &. WALKER
17. ARUNDEL STREET, PORT.SMOUTH·-------------·I

I
MELODY MAKER
I
Vol. 33
No. 1285·
I'Prince of Wales I,..........
EDITOIW. Offlma 119, High Holbom, W.C.1
II
96
TV show beg~ns,.,,.'!~~~·~~!'.!.~~~IL~~J-'°.. 1
I.I
1r• t.ar to
OJ.Cordtenee
Sunda &bowa I
Otn traJ 3212..
I
ta~ Bon Vtacn.

•

CHAac.ay ,....

~FRANCIS, DAY & HUNTER LTD. ua.w,=:r:•OAO.

autumn."cr1Uc Ton,
Brown : " • o... ao, • la certa1nly
about tile futat-mo'1i,• 1bow
I've " " aern on TV.
J immyB enne{ mad e a prom1aln1 1tart
Leelto Doualaa ~ na tomorrow aa MM er o r Oeremon.l u--a 1hade
S.tuTd.ay) a t MArpt.e'a Dream• UDOU)'. perll~bUL \he personal ley came oveT."
Mid t or UH aumm~r.

ENEPrr nJl:hta are to be h eld at t,ro London clubs to aid
two muslclam at present 1n hospital.
•OD M ooday, at the Plamtnco Club, W.. 9"tn top modem lf'OUPI
wll1 11,e \heir aenloea to ra1se money fol" t.en~ u
Jtei,.nJ Ora.b&m.
K.rnn 1 S.a In
Paddinl'tlOU H08Plt&l w11.b T.B
an4 w1l1 bt unable to worlt ror• Je&l'Plr.,lns •t Ute Plamlnco wtll
be t.ha .JohnAy Dao.kwor\b 8oHD
EVERY SMALL BAND
and ~ ffOUJ)II ol Tommr
Whl C\.l•~ "l'QlU K insey., Dt U Jon.ea.AUan oanu,y. Joo Harrtott. a nif

COMBO ORCBS.
•~ ltloo. " My Mo thu ."Laune bal a coacen at Low•
to1t on J une 28.

June :m.
.. Th e d1Jllcult1 la io ft t tht
Bbow lnto our IIWDfflOr acbedule1.'' aa)'lt an ABO-TV 11>0lu1&man . "But lt. may re1urn ln t.be

VAtJOHANth ek ick off ATV '•01 I\IJl\DleJ'
1

Oral

from tol) London ~beatree.
B e 11'111 be abolKUCd tlltt
wedtlmd tram I.be Prtnce OI
W alte ~ \ . f l,b .lAmonl •tan &J>DNriDS .......
m are t.be K &Jf
81.eJ!'
W
aD4boot.b! 1Ktna Brol.bera.
ro•'t\U'ea !'Ip tnclu.de an....,. ,AT 81.AHD

Prnlntlll " ... l!dllOrl ,IIIUIY DAWSON, :1-4,
Road. MOD• 'chultr, 1.
BlU RDlhutord. Il l.
• • • , ....... Rtco Ortvatl. ...
• 01'11 Drtu. kUan
OooptrAnnut, ,C'Bdlu& tU'TU .
Oppc:r llootclalr, Nnr Jtrn,• •Buuard .uwn. \SU
Leoiaard Pntbrr. a,o. Rh •tr.ldt- 0 • SUL M ila ltrHI.
Drtq. HY. Burt ltonll, ... •Cblc:as-o u tllloo\a.
Mllllo11on ■Intl. Moun\ Var'lloD,'
N .Y.
~~n1~"'~
llto ... ltahn
R ut • •24, OolOID►Nlppn.
•
do i.ou,n e. Paru: tmt ,, c-e.,.••t■ • Baoa
1or un•r
Prdene11 S.tar•l■I •• 81ampa
Lauunc...le.taWllllln.too,, _..,. 1-♦ lltlltrup, Dnlmar-.
i u.
Via olla......,1- • DOlOns Boa.U, II.
-.rCNt ... 8omt.
• ,~~Ull~L .. !--, • • rRallm1111•
R_.•·er•a■~~ sop,_!~~-

Belfast.

91" •I c•JY•f •I
I.,m Cl.ASIICI ...
... ... - II- ,m t/1 IE:t£.1' ' ~ ~ ~-~-?•notl!!.'t... I c.111111:
Paris.
n
HUY UUIIAI { IIYTIII TIIII All H UI.. •••• ,,. NIT ,,j.
( J U11 0) andToo l oiu1
125 JAZZ HUIII HI AIID CUL ••• , - "'J ' I(JlLb ).
R.,
M IIIIWII IIITIUIIHTAll YII • I 1c,,.,u1u• ,1,)• ••• a'•
Tha Nrt• rfll)l&eee - Bunda, I
•-o
•
I
,..
M ~ At 1be Lolldon Pal la•
M IWWU 11nau•u1w Y,1. II lt1agt• lt.1 b&, I le.) ••• ' "I .stum.• wb1.cb ti • ,..t..d •. t or l.tll•T SILII (l tw, ate.) WH Y IUtlAI J/1 NJT llt
a,mms .
I _.., .,.._.._•
I
111£1.Ult SU Al l CUlll n FIUI I f• HIT 5J'
Pl.., _
in Scotlontl . H1ltyw..d. Boward lAtratl. llrau. ,a. Rol WM!D " ·•S AX Mus IC --------..-- o,,,,fflll
J olulnr Duncan Uld bll B.lue Iu:&.fuom1:.0~ ....~·· Stockltl■: ~.~~ oa:DQII~: I"llllWII IHJlll&(NTWYol. l(Tlltr Su)(C•r•ua111,,tc.) 1/1 NIT .,. O r.ua Bar"• are .., fo r a rour-daJ 1111111.
Sto«bolm , .
I

CLARINET MUSIC--

=;•

•Lll

14 IIIJWII IISTIUl&HTW Ytl. II (Maple Laa la&, ate.) ... I ll
■I IIUS (llu•. tic.) ALTO AID THU••• ••• •..•,.

PIil I l l

TH l&WEJ'l ltl lllts AID TIits ... , , ••STRICT,0
ra::_,;
J': FE L D M A N S
0:·~IA~a

NIT .,.

L~DOH. w I

i Scouand at the end of t.bt
moll . The d.tea are: hl&cc

tour

Hollywood•

QIUHPPt

Darau.111,

at. Via »o,untdto,

Emtc¼~~--~.a~r':f~ I 1111tre1I: ~'!71~· ~~~od~
f28t.h) • and W.Uaro

_ -

11

catA,.

■• I · • • • Lbt 0 .,.0. u • unpa,er. PnatN a.ad pu.uW lll o, Jn\&la II>' Onuau Pun i.n~

I , no..

"'°0•1111.ao '141.

BculcUop Mootrw.

"• - -_.., 11

T1r,1t,. Rtlttl

McNamara.

Toron&A.

Tclttra"• Toroiaco

A1111-a .....,.u.. n ..

- - - ... - - - -i•- _.. - ,-.

Acu , &..ood oo. W.o.:a. Pmtaae OD 11.11114 cop1a. lnbod 21c1., Abroad l id., oaoad:. ,._-