General Report

Setouchi Triennale Executive Committee

Contents
1

Outline of Setouchi Triennale 2016-----------------------------------------------------------

1

2

General Overview-------------------------------------------------------------------------------

2

3

Art Sites and Projects---------------------------------------------------------------------------

3

4

Triennale Attendance------------------------------------------------------------------- ----------13

5

Triennale Events---------------------------------------------------------------------------------- 20

6

Initiatives for Local Revitalization------------------------------------------------------------- 23

7

Effects of the Triennale-------------------------------------------------------------------------- 28

8

Local Residents’ Evaluations of the Triennale------------------------------------------------ 31

9

Activities of Volunteer Supporters-------------------------------------------------------------- 39

10

Publicity-------------------------------------------------------------------------------------------- 41

11

Transportation------------------------------------------------------------------------------------- 52

12

Triennale Visitor Services----------------------------------------------------------------------- 59

13

Triennale Passports, Goods, Etc.--------------------------------------------------------------- 61

14

Donations and Cooperation--------------------------------------------------------------------- 62

15

Executive Committee Account Balance (Forecast)16

Collaboration with Other Regions------------------------------------------------------------- 64--------------------------------------- 63

1

Outline of Setouchi Triennale 2016

Event title

Setouchi Triennale 2016

PeriodSpringMar. 20 – Apr. 17, 2016

PeriodSummerJul. 18 – Sept. 4, 2016

PeriodAutumnOct. 8 – Nov. 6, 2016

PlacesNaoshima, Teshima, Megijima, Ogijima, Shodoshima, Oshima, Inujima,
Shamijima, Honjima, Takamijima, Awashima, Ibukijima, Takamatsu Port,
Uno Port

Theme

Restoration of the Sea

Organizer

Setouchi Triennale Executive Committee
Chairman

Keizo Hamada [Governor of Kagawa Prefecture]

Honorary Chairman
Vice Chairman

Takeki Manabe [Former Governor of Kagawa Prefecture]

Katsuhiko Takesaki [President of Kagawa Federation of
Chambers of Commerce and Industry]
Hideto Onishi [Mayor of Takamatsu City]

General Producer

Soichiro Fukutake [Chairman of the Board, Fukutake
Foundation]

General Director

Fram Kitagawa [Art Director]

InujimaOkayamaTeshima

Shodoshima

Uno
Honjima

Naoshima

OgijimaMegijima
Shamijima
Awashima

Takamijima

Takamatsu
KagawaIbukijima- 2 -Oshima2

General Overview

Setouchi Triennale 2016 continued to pursue the theme Restoration of the Sea. It commenced on
March 20, 2016 and was held over three sessions, spring, summer and autumn, for a total of 108
days in Takamatsu and Uno ports and on the 12 islands of Naoshima, Teshima, Megijima, Ogijima,
Shodoshima, Oshima, Inujima, Shamijima, Honjima, Takamijima, Awashima and Ibukijima.
New art works and events were added with particular emphasis on this year’s sub-themes: theregion’s connections with Asia and the world via the sea; the Setouchi Food Project; and sharing
regional culture, such as lion dances and bonsai.
Over 1 million visitors from Japan and abroad came over the course of the three sessions. This
demonstrated the popularity of the Triennale’s unique approach, which allows visitors toexperience the nature and culture of the Setouchi region and its islands through a wide array ofsite-specific works and projects.
The number of foreign visitors rose dramatically. This was due in part to the establishment ofadditional international routes connecting Takamatsu Airport to other parts of the world and in partto the increase in overseas exposure with each Triennale. The number of repeaters also increased
as did the length of time each visitor stayed in the area. In addition, a greater number of people
visited sightseeing spots that were not part of the Triennale.
The Triennale also generated many other benefits. The influx of visitors not only enlivened the islands
during the Triennale but also sparked local initiatives directed at revitalization. In addition, media
coverage by newspapers, television and magazines raised the reputation and increased the visibility of
Kagawa prefecture as a whole.
Many local people were actively involved in making this Triennale a success by helping with the
production of art works, manning the reception desks, offering food and hospitality that reflected local
customs, and greeting and sending off visitors at the ports. Such efforts, which also contribute torevitalizing local communities, increased noticeably, indicating that they are becoming an establishedfeature of the Triennale.

- 3 -

3

Art Sites and Projects(1) Projects of Focus① Connecting with Asia and the World via the Sea●

The Setouchi Asia Village, which was held near Takamatsu Port from July 18 to August 7 ,reproduced the atmosphere of many parts of Asia and allowed visitors to experience thearea’s strong connections with Asian countries situated on the sea. The project included aThai Factory Market in which skilled artisans and artists from Thailand produced, exhibitedand sold their wares onsite, the Asia Performing Arts Market in Setouchi 2016
(APAMS2016), which entertained visitors with traditional dance, acrobatics, and music byperformers from 12 Asian countries, and the All Away Cafe, where customers had to orderwithout the aid of language.

Thai Factory Market

APAMS2016

ALL AWAY CAFÉ● APAMS2016 performers also visited the islands to give workshops and performances andconnect with visitors and residents alike.

●

The Setouchi Triennale’s use of art as a vehicle for community building and revitalization
has drawn much interest from overseas as well. The Setouchi Asia Forum was held forpeople involved in community building through art in other countries and regions,particularly in Asia, and provided a venue where everyone could learn and share. This
5-day event took place from October 17 to October 21 at the Kagawa International Hall in
Takamatsu and in Fukutake House on Shodoshima.

- 4 -② The Setouchi Food Project●Fram’s Food School provided a course for people interested in contributing to local
revitalization through food. Graduates of the course took the lead in planning andimplementing projects at each site to showcase local foods and food culture.

Restaurant Iara Megijima

One dish born from a book

Urara Treasure Box●

Sanuki Banquet

During the summer and autumn sessions, an event entitled Sanuki Banquet was held at theCommerce and Industry Promotion Hall in Ritsurin Garden. Participants enjoyed a stroll
through the beautiful garden followed by an outdoor theater performance by YUBIWA
Hotel and cuisine created from local ingredients. A total of 18 Sanuki Banquets were held
for capacity audiences and provided the perfect vehicle for sharing the warm hospitality
and charms of this region.

●

With collaboration from Marunouchi Hotel and local island women, Teshima Kitchen
served original cuisine prepared with abundant local fish and produce.

●

The local communities on each island provided visitors with complementary refreshments
and set up temporary restaurants and kiosks selling traditional local dishes.

●

A pamphlet entitled The Setouchi Triennale 2016 Food Project was produced for eachsession to introduce the various food-related local initiatives, and it was distributed during
the Triennale through information centers, etc.
- 5 -

● In addition, the Sanuki Dining and Food Shop Guidebook was published to introduce theregion’s delicious local produce and ingredients and was also distributed throughinformation centers, etc.

③ Local Projects Conveying Regional Culture●

Kagawa prefecture is the top producer of pine bonsai in Japan. Over the course of
several centuries, the local industry has developed its own unique techniques. Setouchi
Triennale 2016 effectively publicized both the attractions and skills of this artform
through Megijima art site feel feel BONSAI and through various events, including bonsai
and moss ball (kokedama) workshops and live bonsai pruning sessions.

● Lion dances known as shishimai are part of Kagawa’s traditional culture. There areapproximately 800 lion dance troupes in the prefecture, each with their own distinct
features rooted in the local history and landscape. Various troupes performed during thesummer and autumn sessions at the Sanuki Lion Dance Kingdom in Takamatsu Port andon the pier for ferry passengers.

「feel feel BONSAI」

Sanuki Lion Dance- 6 -(2) Art Works and Events●

A total of 226 artists and project teams from 34 countries and territories participated in
Setouchi Triennale 2016.

●

The Triennale presented 206 artworks and 37 events. (By comparison, for Setouchi
Triennale 2013, there were 200 participating artists and project teams from 26 countries
and territories, 207 artworks, and 40 events.)

Location

No.

ArtistArtworks/Projects

Naoshima

1

Shinro Ohtake

Naoshima Bath "I❤湯"2

Art(Spring):Yuki Iiyama
Architecture:Taira Nishizawa

100 Living Tales/Artist at Gallery 6
2016/Miyanoura Gallery 6

3

Art(Summer):Yoshinori Niwa
Architecture:Taira Nishizawa

Paying a Courtesy Call on the Incumbent
Mayor by
all His Predecessors in History/Artist atGallery 6 2016/Miyanoura Gallery 64Art:(Autumn)Mari Katayama
Architecture:Taira Nishizawa

bystander/Artist at Gallery 6
2016/Miyanoura Gallery 6

5

Sou Fujimoto

Naoshima Pavilion

6―

Naoshima Architectures + The Naoshima
Plan

7

Hiroshi Sambuichi

Naoshima Hall

8

Tadao Ando

ANDO MUSEUM

9

Tatsuo Miyajima

Art House Project "Kadoya"
Sea of Time '98
Naoshima's Counter Window
Changing Landscape10

Hiroshi Sugimoto

Art House Project "Go'o Shrine"
Appropriate Proportion

11

James Turrell

Art House Project "Minamidera"
Backside of the Moon

12

Yoshihiro Suda

Art House Project "Gokaisho"
Tree of spring

13

Hiroshi Senju

Art House Project "Ishibashi"
The Falls
The Garden of Kū

14

Shinro Ohtake

Art House Project "Haisha"Dreaming Tongue/Bokkon-Nozoki

15

Rei Naito

Art House Project "Kinza"
Being Given

16―

Benesse House Park

17―

Benesse House Museum

18

Artist:Lee Ufan
Architect:Tadao Ando

Lee Ufan Museum

19

Artist:Claude Monet,
James Turrell,
Walter De Maria
Architect:Tadao Ando

Chichu Art Museum

20

Tadao AndoLABYRINTH OF CHERRY BLOSSOM- 7 -Naoshima

Teshima21

Chiyoko Todaka

Sense in the distance201

Yayoi Kusama

Red Pumpkin

202

Kazuyo Sejima＋Ryue Nishizawa/SANAA

Marine station "Naoshima"

203

José de Guimarães

Bunraku Puppet

204―

Artworks around Benesse House

E01

Naoshima Onna Bunraku

Dance Celebrating Spring

E02

Mirai Moriyama × Toshiki Okada

in a silent way

E03

Atsuko Hirota × Megumi Nakamura Unit

Come to the orchard in Spring

22

Tobias Rehberger

Was du liebst, bringt dich auch zum weinen(japanese franchise Version)

23

Concept & Art：Tadanori Yokoo
Architecture: Yuko Nagayama

Teshima Yokoo House

24

Shinro Ohtake

Needle factory

25

Mariko Mori

Tom Na H-iu

26

Noe AokiParticles in the Air

27

Pipilotti Rist

Your First Colour(Solution In My
Head-Solution In My Stomach)

28

Ryo AbeShima Kitchen

29

Janet Cardiff & George Bures Miller

Storm House

30

Smiles:Hotel Lemon

31

Artist:Rei Naito
Architect:Ryue Nishizawa

Teshima Art Museum

32

Llobet & Pons

No one wins－Multibasket

33

Anri Sala

TESHIMA SEAWALL HOUSE

34

Les Archives du CœurChristian Boltanski

35

La forêt des murmures

36

Mike + Doug Starn

Big Bambú

37

Keg De Souza

Abundance: Fruit of the Sea Abundance:
Bounty of the Mountains

38

Chiharu Shiota

Farther Memory

39

Artist:Sputniko!
Architect:Yuri Naruse/Jun Inokuma

Teshima 8 Million Lab

E04
E05

Well, come on stage!（Spring）
Nadegata Instant Party(Tohru Nakazaki,Daisuke Yamashiro,Tomoko
Noda)

E06

Well, come on stage!（Summer）
Well, come on stage!（Autumn）

E07-

Island Birthday Party

E08

Otonoehon

Otonoehon

E09

Torikouen”↗ an arrow”- 8 -MegijimaOgjima40

Takahito Kimura

Sea Gulls Parking Lot

41

Hagetaka Funjo

20th Century Recall

42

Aichi University of the Arts,
Setouchi Art Project TeamMEGI HOUSE

43

Aichi University of the Arts,
Setouchi Art Project TeamInternational Exhibition by AUA"NANAIRO+"

44

Masashi Hirao × SETOUCHI COGEIZ/Kagawa
Prefecture Bonsai Products Promotion Council

feel feel BONSAI

45

Shinro Ohtake

MECON

46

Yoichiro Yoda

ISLAND THEATRE MEGI

47

Leandro Erlich

The Presence of Absence48

Yasuyoshi Sugiura

Terrace Winds

49

CHAOS*LOUNGE

Ogre's House

50

Harumi Yukutake

Equipoise51

Oninoko production

Oninoko Tile project

52

Navin Rawanchaikul + Navin Production

The Tower of Nishiura (OK Tower)

E10

Aichi University of the Arts,
Setouchi Art Project Team

Aichi University of the Arts,Setouchi
Performing Arts Event Program

53

Jaume Plensa

Ogijima's Soul

54

Rikuji Makabe

Project for wall painting in lane,ogijima
wallalley

55

Minouk Lim

Lighthouse Keeper

56

ONBA・FACTORY

ONBA・FACTORY

57

Takeshi Kawashima & Dream Friends

KALEIDOSCOPE BLACK & WHITE

58

Akinori Matsumoto

Akinorium

59

Haruki Takahashi

SEA VINE

60

Lin Tianmiao

Rotation - Revolution

61

Tomoko Taniguchi

Organ

62

Mayumi Kuri

Memory Bottle

63"Maison de Urushi" Projec

Maison de Urushi

64

Oscar Oiwa

The room inside of the room

65

Keisuke Yamaguchi

Walking Ark

66

Regina SilveiraDreaming of Blue

67

The Group1965(Makoto Aida, Sumihisa Arima, Oscar Oiwa,
Tsuyoshi Ozawa, Parco Kinoshita, Hiroyuki
Matsukage)Ogi School PSS40-The Group 1965

68

TEAM OGIOGI Project- 9 -Shodoshima

69

Choi Jeong Hwa

Gift of The Sun

70

Junko Koshino/Atelier OMOYAART no SHOW TERMINAL

71

Masayuki Kishimoto

Tsugi-Tsugi-Kintsugi

72

MeMaze Town-Phantasmagoric Alleys

73

Oscar Oiwa

Oiwa Island 2

74

Nobuho Nagasawa

Voyage through the Void

75

Masato Saito

Shishigaki Island

76

Straw Art Team in Musashino Art University（Representative:Shingo Miyajima Miyajima）

Straw Art

77

Wang Wen ChihDream of Olive78

Pors&Rao

Someone's Coming!

79

Kana Kou (Kana Yoshida)

The Secret of Hanasuwajima

80

Daisuke Omi

Imagination and Insect Cage

81

Hiroko Kubo

Mt.Dan Archaeological Site

82

Daisuke Kuroda

Regarding the Choji-gamazumi

83

Mutsumi Tomosada

The Birth of an Island

84

Mitsuharu Doi

Garden of the Border

85

Charles Worthen

Dance Solo86

James Jack

Sunset House:The House as Language of
Being

87

Yume Akasaka

stories-House-88

Saya Irie

Kukurihime Garden

89

Toshimitsu Ito + Kana Kou (Kana Yoshida) +Hiroshima City University, Faculty of Arts

Shiomimi-so

90

Toshimitsu Ito

1) Boy and Monster Ⅱ2) This sculpture has a life of ten thousand
years, and in the span of a man's life moves
about ten meters Ⅲ

91

graf+FURYU

Shodoshima Gelato Recipes Project by
The Island Lab

92

Sarnath Banerjee

Haragei

93

Satoshi Murakami

Komame-tei

94

Hideyuki Nakayama Architecturestone island's stone95

Sahej Rahal

Revenants

96

Yo Shimada

Hut with the Arc Wall

97

Kaori Kurosaki

Follow the Rules

98

Hisakazu Shimizu

Regent in Olives

99

graf

Shodoshima Island Lab

100

dot architects

Umaki camp

- 10 -

Shodoshima

101

Nagisa Kidosaki Studio, Kyoto University of
Art and Design + graf

Kaguya's Pause

102

Sosa Joseph

What are we ?

103

Yuriko Sasaoka

Atem

104

―

The memorial garden of Sakae Tsuboi

UMA/design farm + MUESUM × YCAM Bio
Lab (Yamaguchi Center for Arts and Media)

Creator in Residence「ei」

UMA/design farm + MUESUM × dot
architects

Creator in Residence「ei」

UMA/design farm + MUESUM ×
Daizaburo Sakamoto

Creator in Residence「ei」

Utsu Yumiko (UMA/design farm + MUESUM)

fish farm house (Creator in Residence 「ei」)

Ryota Yagi (UMA/design farm + MUESUM)

Kaleidoscope (Creator in Residence 「ei」)/Cicada(Creator in Residence 「ei」)

106

Kenji Yanobe

THE STAR ANGER

107

Beat Takeshi × Kenji Yanobe

Beat Shrine / ANGER from the Bottom

108

Nobuaki Furuya + Nobuaki Furuya Laboratory,Waseda University

Making Relationships in Life through Building
Shishigaki Project in Horikoshi

109

Hisakazu Shimizu

Bollard of Love

110-

Fukutake House－Asia Art Platform

111

Lin Shuen Long

Beyond the Border - Tide

112

Kohei Takekoshi

Shodoshima Tree

113

Chichibu Avant-GardeDynamite Traverse Variations

E11

Drama Company Dougeza

Leaf of radish - Memory of happinessE12

mamagoto

Port Theater

E13―

Fukutake House Asia Art Meetingー―

Tonosho Post Office Art Project105

Oshima114

Forest Path/Room of a forest path
Seizo Tashima

115

Blue Sky Aquarium

116

Tsunagari no Ie/Library

117

Art for the Hospital Project, Yasashii Bijyutsu

118

Tsunagari no Ie/Gallery 15 Sea Echo
Tsunagari no Ie/cafe SHIYORU

119

Fuyuki Yamakawa

Radio Oshima

E14―

Oshima Open Air Market

E15―

To Oshima! Children's Summer Art and NatureCamp- 11 -

Inujima

120

Art Kohei Nawa
/Architect Kazuyo Sejima/Artistic Director Direction Yuko Hasegawa

Inujima "Art House Project" F-Art
House/"Biota (Fauna/Flora)"

121

Art Haruka Kojin/Architect Kazuyo Sejima/Artistic Director Yuko Hasegawa

Inujima "Art House Project" A-Art
House/"reflectwo"

Spring-Summer:
Art Yusuke Komuta/Architect Kazuyo Sejima/Artistic Director Yuko Hasegawa

Inujima "Art House Project" I-Art
House/"Plane mirror"/"Reverse"

Autumn:Art Olafur Eliasson/Architect Kazuyo Sejima/Artistic Director Yuko Hasegawa

Inujima "Art House Project" I-Art
House/"Self-loop"

123

Art Haruka Kojin/Architect Kazuyo Sejima/Artistic Director Yuko Hasegawa

Inujima "Art House Project" S-Art
House/"contact lens"124

Art Chinatsu Shimodaira/Architect Kazuyo Sejima/Artistic Director Yuko Hasegawa

Inujima "Art House Project" C-Art
House/"Ether"

125

Yusuke Asai

Former site of a stonecutter's house/Listen to
the Voices of Yesterday Like the Voices ofAncient Times/sprouting01

126

Kazuyo Sejima

Nakanotani Gazebo

127

Keisuke Takahashi

The Fictional Island

128

Artist:Yukinori Yanagi /Architect:Sambuichi Hiroshi

Inujima Seirensho Art Museum

129

Kazuyo Sejima＋Akaruiheya

Inujima Life Garden

E16

MuDA

E17

Nibroll

E18

Kazuhisa Uchihashi

E19

Damien Jalet｜Kohei Nawa

Inujima Performing Arts Program –VESSEL

E21

Takeshi Kobayashi

YEN TOWN in INUJIMA

130

Jitish Kallat

Rippled Sky for Hitomaro

131

Syuzo Fujimoto

Nine Legs of Eight Peoples

132

Tanya Preminger

Stratums

133

Tetsuro Fujiyama+Tomii Architect & Associates

Shamijima Nishinohama Beach House

134

Yasuaki Igarashi

Sora-Ami:Knitting the Sky

Hiroyuki Kawai

Fine Day, Road to Kintoki

Mitsuo Toyazaki

Flying Red Button

Shiriagari Kotobuki

Red Screw

Hana Sakuma

A Song of Ripeness: The Seto Sun Floatingon the Sea

136

Reika Nakayama

Las Islas -Shima/Shima-

137

Tetsuro Fujiyama

Passage of Red Windows

122

Shamijima

Inujima Performing Arts Program –MuDA
IRONInujima Performing Arts Program –TheWorld has Shrunk, and Only a Certain Fact
Remains
Inujima Performing Arts Program –Inujima
Sound Project Inuto Imago

135- 12 -

Shamijima

HonjimaTakamijima

Awashima

E22

Setagaya-Silk Performance"The Little Prince–Open Air Theatre-"

E23

Snuff Puppets

Giant Puppets of Setouchi

E24

Tea Ceremony Group Akebono

Manyo Tea Ceremony: The Waka andCulture of the Reizei Family

138

Akira Ishii

Departure139

Yutaka Kawaguchi, Kaori Naito

Siebold Garden

140

Kazuko Murao

A Project of Signboards of Shikkui and
Kote

141

Rikuji Makabe

Kanrin House

142

Yasuaki Igarashi

Sora-Ami:Knitting the Sky

143

Hiroshi Furugori

From Birthing Hut to Mourning Rites

144

Su-Mei Tse

Moony Tunes

145

Alexander Ponomarev

Bottom Sky

146

Tadashi Saito×Shiwaku Carpenters

Zenkonyu x Tamping Earth

E25

Baby-Pee

2016:A Shiwaku Odyssey ～A Story of theNavy around the Space and the Planet

147

Masahito Nomura

Terrace of Inland Sea

148

Katsura Tanabe

Takamijima Project/Talk of a Fisherman
and a Craftsman

149

Kayako Nakashima

Takamijima Project/Time falls

150

Ryo Wakabayashi

Takamijima Project/Journey of rust

151

Motoi Yamamoto

Takamijima Project/Floating Garden

152

Yasuka Goto

Takamijima Project/IROHAs(ABCs) of
Preparedness

153

Kayako Nakashima

Takamijima Project/Transition House154

APP ARTS STUDIO

Takamijima Project/Souvenir of long night
work

155

Haruyuki Uchida + Ayako Ogawa + Katsura
TanabeTakamijima Project/House of Pyrethrum

E26

MuDA

Takamijima Project/UMIOTOKO / MuDA
Floating field
Project for the Museum of Seabed Inquiry
Ship in Setouchi /"OTOTOIMARU"
Project for the Museum of Seabed Inquiry
Ship in Setouchi/"SOKOSOKOSOZOSHO" /"Re-ing-A"

156
Katsuhiko Hibino
157
158

SOKO LABO

SOKO LABO OPEN

159

Saya Kubota

MISSING POST OFFICE

160

Awashima Artist's Village

Awashima Artist’s Village/HIBINOSHOGAKKO awashima lab.

161

Esther Stocker

Contours of Thinking

162

Mounir Fatmi

The song of the children all Gone

163

Suzuko Yamada

Suda Port Waiting Space Project “RopeHouse”

E27

tetoashiDrift line

- 13 -

Ibukijima

Takamatsu
Port

164

Daigo Ishii

House of Toilet

165

Ryo Toyofuku＋Chiba Art School

Unsinkable Ship

166

contact Gonzo

Legend of Ibuki Island Drift

167

MIKAN+Students of Meiji University

Iriko Retreat

168

Wilfredo Prieto

Limit / In the silence of Ibuki, somedrops of water stroke me the hour

169

Kohei Kobayashi

T-R-A-N-S-F-O-R-M-E-R

170

Alfredo & Isabel Aquilizan

Here, There, Everywhere: Project
Another Country -Dap-Pay-

E28

Ondekoza

Otoshirube ~Wave Motion Indicatorfrom Labyrinth Island~

E29―

Stroll in Town -Evening Music 2016-

171

Shinji Ohmaki

Liminal Air -core-

172

Lin Shuen Long

Beyond the Border - the Ocean

173

Julian Opie

Banker,Nurse,Detective,Lawyer

174

EAT&ART TARO

Setouchi Asia Village - ALL AWAY
CAFE

175

Jun Homma

Waiting for / Mr. Inland Sea

176

Kyoco Taniyama

I'm here!

177

Véronique Joumard

Welcome/Funny Blue

178

Faculty of Fine Arts, Tokyo University of theArts, Central Saint Martins, University of theArts, London

Complex Topography179

Jin Hasegawa

scarecrow180

hi8wayJohn Körmeling

181

Watch Tower

E30

MIWA YANAGIThe Wing of the Sun

E31

Sanuki Shishimai Hozonkai

LionDance Kingdom Sanuki in Sunport-

Setouchi Asia Village - Thai FactoryMarketVietnam Circus Federation
Phare Ponleu Selpak
Ong Yong LocknATANDA Dance Theatre
E32

Setouchi Asia Village - Asia Performing
Arts Market in Setouchi 2016 / APAMS2016

Kim CHAN-SU
Peni Candra Rini
Utsushiomi
Mallakhamb India
ORANG ORANG DRUM THEATRE- 14 -

Nan Jombang Dance Company

Takamatsu
Port

Indra Zubir's Dance
Daloy Dance Company
E32

Setouchi Asia Village - Asia Performing
Arts Market in Setouchi 2016 / APAMS
2016

Team Funniest
Htein Lin
WeiZenCho Kairin

Uno port

E33

YUBIWA Hotel

Sanuki Banquet

182

Yodogawa-Technique

Chinu - the Black Sea Bream of Uno

183

Beyond the last stop
Atsushi Ozawa

184

Islands Hopping

Memory of Ship’s Hull

E34-

Uno Port “Train Ferry Town” Project

185

Takuya Yamashita

Officer BigMac▷Dead Scream▷『Jaku-Jaku-samaⅡ』『Chienron❷』〆186

Haruyuki Uchida

The Sea's Memory

187

Esther Stocker

JR Uno Port Line Art Project

206

Tetsuya Yamamoto

Tetsuko`s Room

E35

nomad note dance

nomad note dance

188

FlowerJosé de Guimarães

189

Happy Snake
Stories of 12 Islands: Animation of Sea
Wanderings
Wakeiseijaku-Harmony, Respect, Purity,
Tranquility
Marugame Genichiro-Inokuma
Museum of Contemporary Art

190

Masahiro Hasunuma

205

Genichiro Inokuma

E36Compagnie Didier Theron

AIR, LA GRANDE PHRASE

E37

Seppuku Pistols

Seppuku Pistols Elusive Ship

E38

Team BankART Tongshinsa

Sequel: Joseon Korean Envoys 2016- 15 -

4

Triennale Attendance(1) Number of Visitors●

The total number of visitors was 1,040,050, with 254,284 attending the spring session,
401,004 attending the summer session, and 384,762 attending the autumn session.

Setouchi Triennale 2016 Number of Visitors
Place
SpringSummerAutumnTotal

Setouchi
Triennale
2013

Naoshima

61,097

108,895

87,594

257,586

265,403

Teshima

29,501

69,23755,975

154,713130,123

Megijima

12,617

19,291

17,36849,276

57,582Ogijima

13,121

21,71819,39354,232

49,712

Shodoshima

35,12066,17054,256

155,546

196,357

Oshima

1,070

2,056

1,978

5,104

4,544

Inujima

12,39023,35024,47260,21261,809Shamijima

58,766--58,766

77,693

Honjima--

21,80221,802

28,372

Takamijima--

21,02821,02824,371

Awashima--

23,66823,66832,412

Ibukijima--

16,756

16,75637,706

Takamatsu Port

21,166

72,38629,003

122,555

68,160

Uno Port

9,436

17,901

11,46938,80636,124

Total

254,284

401,004

384,762

1,040,050

1,070,368- 16 -

(2) Visitor Questionnaire Survey
Trends observed in the characteristics of Triennale visitors who responded to thequestionnaire survey during the Triennale are outlined below.
Visitor Characteristics●

Gender: 70% were female and 30% were male.

●

Age: 24.7% were in their 20s, 24.1% were in their 30s, and 18.1% were in their 40s.

Gender●％No. of People％ for 2013

Female10,297

67.2%

67.5%

Male

5,019

32.8%

32.5%

Total

15,316100.0%

100.0%％％ for 2013

Age

No. of People

10s

900

5.9%

8.6%

20s

3,777

24.7%

27.6%

30s

3,689

24.1%

23.9%

40s

2,769

18.1%

14.6%

50s

2,059

13.5%

12.0%

60s

1,549

10.1%

9.7%

70s

542

3.5%

3.5%

Total

15,285100.0%

100.0%Of the total number of visitors, 40.7% were from Kagawa and Okayama prefectures while
45.9% were from other prefectures in Japan and 13.4% were from other countries.

●

Of those visitors who came from areas of Japan other than Shikoku, 15.8% were from the
Kanto region and 14.7% were from the Kansai region.

●

Visitors came from every prefecture in the country.

％％ for 2013

Kagawa Prefecture

4,729

30.9%

36.1%

Okayama Prefecture

1,507

9.8%

11.0%

Other prefectures

7,028

45.9%

50.3%
2.6%

Place of residence No. of people

Other countries

2,044

13.4%

Total

15,308100.0% 100.0%- 17 -

％

No. of people

Areas of Japan％ for 2013

147

1.0%

0.9%

Kanto region

2,396

15.8%

17.8%

Chubu region

703

4.7%

4.9%

Kansai region

2,231

14.7%

16.5%

Chugoku region

1,924

12.7%

14.3%

Shikoku region

5,416

35.8%

41.1%

Ky husy u/Okinawa region

280

1.8%

1.9%

Other countries

2,044

13.4%

2.6%

Total

15,141100.0% 100.0%

Hokkaido/Tohoku region

The highest number of overseas visitors came from Taiwan, Hong Kong, China and●France.

Country

No. of People％％ for 2013

Taiwan

731

37.2%

29.2%

Hong Kong

272

13.8%

9.1%

China

223

11.4%

2.3%

France

122

6.2%

9.8%

USA

90

4.6%

8.4%

Australia

72

3.7%

4.5%

UK

60

3.1%

3.6%

South Korea

60

3.1%

12.5%

Netherlands

35

1.8%

1.8%

Germany

36

1.8%

1.4%

Other countries

263

13.4%

17.4%

Total

1,964 100.0% 100.0%

Of the total number of visitors, 40.9% were repeaters from previous Triennales.

●

Repeaters from previous Triennale
Response

No. of People％％ for 2013

Yes

5,668

40.9%

32.2%

No

8,195

59.1%

67.8%

Total

13,863100.0% 100.0%- 18 -

Visitors’ Duration of Stay
The average length of stay for non-local visitors was 2.72 days (Triennale 2013: 2.48 days),●and the average number of nights spent in the area was 2.36 (Triennale 2013: 2 nights).
Concerning accommodation, 40.4% of visitors who stayed overnight were accommodated in●

Takamatsu, followed by Shodoshima and Naoshima.

Concerning accommodation％％ for 2013

Place

No. of People

Takamatsu

3,626

40.4%

41.4%

Shodoshima

1,655

18.4%

18.8%

Naoshima

1,605

17.9%

18.6%

Other [Kagawa]

1,263

14.1%

13.0%

Okayama prefecture

541

6.0%

6.0%

Other

281

3.1%

2.2%

Total

8,971

100.0%

100.0%

Visits to Sightseeing Spots
More than half the total number of Triennale visitors (51.2%) also visited local sightseeing●

spots during their stay.

Visits to Sightseeing Spots
Response

No. of People％％ for 2013

Yes

7,244

51.2%

27.3%

No

6,897

48.8%

72.7%

Total

14,141100.0%

100.0%- 19 -

Evaluation of the Triennale
95.3% of visitors responded that the Triennale was “very good” or “good.”●

Q. How was the Setouchi Triennale overall ?
Evaluation

No. of People％％ for 2013

Very good

7,536

55.4%

52.8%

Good

5,433

39.9%

41.2%

Not very good

104

0.8%

1.2%

Bad

19

0.1%

0.2%

None of the above

510

3.7%

4.6%

13,602100.0%

100.0%

Total●

When asked if they wished to come to the next Triennale, 81.5% responded “definitely
want to” or “want to”.

Q. Do you want to come to the next Triennale if it is held again ?
Response

No. of People％％ for 2013

Definitely want to

6,845

51.0%

50.4%

Want to

4,096

30.5%

30.0%

Probably won't come

311

2.3%

2.5%

Won't come again

138

1.0%

0.8%

Don't know

2,040

15.2%

16.3%

Total

13,430100.0%

100.0%●

91.8％ of repeaters said that they “definitely want to” or “want to” come again.

Q. [Repeaters] Do you want to come to the next Triennale
if it is held again ?
Response

No. of People％％ for 2013

Definitely want to

3,779

68.4%

68.8%

Want to

1,293

23.4%

23.3%

Probably won't come

38

0.7%

0.5%

Won't come again

6

0.1%

0.1%

405

7.3%

7.3%

5,521

100.0%

100.0%

Don't know
Total

- 20 -

5

Triennale Events●

Thirty-seven official art events were held with a total of 30,064 people attending. Visitors
flocked to these events, which were almost all filled to capacity. (Triennale 2013: 40 events,
26,823 visitors.)●

In addition, special attractions were held at events where artists, local people, volunteers andsupporters gathered, such as the Triennale opening and closing ceremonies and the launchingof the Setouchi Asia Village. At the opening ceremony, for example, joint performances bylion dance troupes created a lively atmosphere while at the closing ceremony, islanders shared
their personal recollections of the Triennale, and a retrospective video and skits were alsopresented.

●

A variety of developments utilizing the region’s bountiful resources were also seen at the
local and regional levels, including independent workshops hosted by individual artists andevents hosted by local towns and cities. Some examples include the Naoshima Architectural
Tour, the Shodoshima Pre-Symposium for the World Archeological Congress (WAC-8 Kyoto),
and the Shodoshima Somen Noodle Symposium.

- 21 -

6

Initiatives for Local Revitalization

Many local people were directly involved in the production and implementation of Setouchi Triennale
2016. Such involvement contributes to the revitalization and restoration of local communities and isbecoming a firmly established feature of the Triennale.

●Naoshima
・The island of Naoshima utilized its rich traditional performing culture to foster collaborations
with artists from other places. Naoshima Onna Bunraku is an all-female Japanese puppet
theater troupe native to the island, and it represents an important cultural heritage. During a
Triennale-viewing cruise, the troupe performed to the accompaniment of Tsugaru-jamisen, athree-stringed plucked instrument from northern Japan. Naoshima Tsutsuji-Daiko, adrumming troupe, gave joint performances with Malaysian drummers and also played at theport for arriving and departing visitors.

・The people of Naoshima town kept the areas around the art sites clean and engaged in avariety of activities to welcome visitors, such as decorating well-trafficked routes withflowers and pictures, serving tea, and setting up rest areas.

・To handle the increase in visitors, a group of about 20 elementary and junior high school
students provided information in English about the island’s charms as well as tourist
information at the ferry terminal, Naoshima Hall and around certain art works.

●Teshima
・Local islanders in collaboration with the Fukutake Foundation continue to maintain theterraced rice fields, which are an integral part of the Teshima landscape.

・Many islanders actively participated in the production of artworks, workshops and events
organized by artists, etc.

・In the autumn session, the residents of Kou were central in providing hospitality to visitors byserving a local jelly.

・ An increasing number of young people have been relocating to Teshima, and several
collaborated with long-term islanders to operate restaurants. The number of restaurants
increased from 18 before the Triennale to 24.

- 22 -

●Megijima
・An artwork was installed in the village of Nishiura for the first time. The artist interviewed
each resident and created a video as part of the installation. Although many residents were
shy at first, as they shared stories of their lives and families, they gradually relaxed. The
artwork attracted many visitors and press, bringing life to this little village of about 20
people. Some residents spontaneously began acting as guides for this art site.

・ The local community organization prepared the island to welcome visitors by creating alittle rest area near the artwork Terrace Winds and improving the promenade.

●Ogijima
・Previous Triennales attracted a number of families with school-aged children to relocate toOgijima, and, as a result, the elementary and junior high schools, which had been closed formany years, were reopened. In May 2016, the nursery school also reopened.

・Many islanders actively engaged with visitors, providing hospitality, serving foods made withlocal ingredients, and manning the art site reception desks. On the last day, the islanders andartists threw paper streamers and waved banners to send off visitors.

●Shodoshima
・New artworks emerged in Obe, Kitaura, Ikeda Port, Kusakabe Port and Taura Peninsula.
Local residents and school children were directly involved in artwork production andpost-installation operation and management.

・Fukuda town has been promoting grassroots-level exchanges with Asian organizations and the
Xinwu District of Taoyuan in Taiwan, the works of artists from which were exhibited at
Fukutake House. These efforts have greatly stimulated and envigorated the local community.

・The local residents of every area with art sites on Shodoshima enjoyed opportunities tointeract with visitors and provided hospitality in the form of foods made with local
ingredients, such as somen noodles and rice boiled with fish and vegetables. These
initiatives, as well as art sites devoted to promoting local foods, highlighted one of the
Triennale’s central themes and drew attention to the features of each community.

- 23 -

●Oshima
・ Yottenmai, a much-anticipated space for social gatherings and activities, was finallycompleted and serves as a center for exchanges between the residents and visitors. The
facility has a café and a multipurpose hall and was created through the collaboration of thelocal residents’ organization, the sanatorium, artists and Koebitai volunteers.

●Inujima
・During the spring session, visitors were welcomed by a local junior high school brassband
and traditional sweets prepared by the local women’s association.

・During the autumn session, the Inujima Life Garden opened in the Nishi no Tani area, which
is a little distant from the island’s center. This renewed local interest in that part of the island,and encouraged the participation of local residents in Triennale workshops.

●Shamijima
・About 400 volunteers participated in a major pre-Triennale cleanup effort. At the opening of
the spring session, visitors were greeted with traditional performing arts from the 5 islands in
the Yoshima district.

・Meals representing each of the 5 islands were sold during the Triennale providing an
opportunity for many visitors to interact with local islanders and to learn more about
Setouchi food culture. It was also an opportunity to rediscover the charms of the local
landscape and cuisine.

・ Parents and children from Sakaide city banded together to offer visitors Japanese tea
ceremony and guide them around the island. Local women sold a traditional soup made withwhite miso and bean-paste filled rice cakes, and visitors were entertained by a local drama
group and by music performed on an instrument made from Sanukite, a local stone.

●Honjima
・Islanders, including youth, who had experienced the previous Triennale, formed a committee
to plan and provide hospitality to visitors as a means of revitalizing their island.

・Each ferry that departed from the island port was sent off with a fanfare of drums, wooden
flutes and flag-waving until the boat disappeared from sight. Artists with connections to theisland were invited for the locally produced Sea Wind Festival at which visitors were treatedto music and traditional foods. This was a vehicle for islanders to communicate their love for
their home and to establish a pattern of action for the future.

- 24 -

●Takamijima
・People from Takamijima made a rest stop where visitors could enjoy a local dish of rice gruelcooked in tea. Several restaurants also opened, taking advantage of the area’s fresh seafood.
The local marine coop young men’s association added to this by serving seafood dishes oncertain days of the week. The Sazae-tai, a group of volunteers supporting Takamijima,
worked hard to make flower beds and improve the walkways for visitors and also served as
guides during the Triennale.

・Takamijima is located in Tadotsu Town. The Triennale helped to strengthen bonds among
islanders, former islanders and off-island Tadotsu residents, and the islanders appeared
happier and seemed to have regained their pride.

●Awashima
・The Awashima Boys & Girls Association was formed to revitalize the island through eventsand activities, including providing support to the Triennale. Members were on hand
everyday to introduce visitors to the art sites and to increase their appreciation of each
artwork. The group also cleaned the public washrooms daily and strove to keep the island
looking beautiful.

・Awashima is part of Mitoyo city, and a non-profit organization of Mitoyo citizens formed inconjuntion with the Triennale to introduce the island’s attractions and the art sites throughguided tours, serving as a bridge connecting visitors to the island. Local residents
rediscovered their island’s charms, forged stronger bonds among themselves as well as withartists and others, and strengthened their desire to carry on these transgenerational activities.

●Ibukijima
・The development of the Food Project’s Urara Kitchen fostered collaboration among different
groups on the island, generating a network among them and inspiring islanders to participatein events. This has built a firm foundation for future collaboration in providing hospitality.

・Islanders, various organizations and Triennale staff joined together to send off visitors from
Kanonji and Maura ports by waving large fishing banners and Triennale flags. Someislanders and staff ran along the breakwater waving the huge flags, and each group foundunique ways to please visitors.

- 25 -

●Uno Port・Young people were very visible in Triennale related activities in Uno. Students from 3 seniorhigh schools in Uno city collaborated with the Unoichi committee responsible for hosting
the Unoichi market at Uno Port. The students participated in the opening event, used English
materials to introduce non-Japanese speaking visitors to the artworks, and sold boxedlunches. Students from a local junior high school also helped by manning art site reception
desks and information booths.

・Residents and community organizations, including the women’s and seniors’ associations,were involved in a variety of ways, such as assisting with art site reception desks and the
Food Project. These efforts were well-integrated with those of local non-profit organizationsand volunteer groups such as the Koebi-tai and were supported by the local government,
establishing the beginnings of a revitalization movement based on collaborative community
building.

- 26 -

７

Effects of the Triennale

The results of input-output analysis and hearing surveys of transportation companies and otherrelated parties indicate that Setouchi Triennale 2016 had the effects described below.
(1) Economic Ripple Effects● Based on the Ministry of Internal Affairs and Communications’ 2011 input-output table andthe 2011 input-output table for Kagawa produced by the prefectural government, theTakamatsu branch of the Bank of Japan and the Setouchi Triennale Executive Committee
concluded that the Triennale had the following economic ripple effects.

①Ripple Effects
Economic Ripple

Direct EffectPrimary EffectSecondary Effect

(yen)

(yen)

(yen)

13.9 billion

8.6 billion

2.9 billion

2.4 billion

Spring: 2.8 billion
Summer: 5.9 billion
Autumn: 5.3 billion

Spring: 1.7 billion
Summer: 3.6 billion
Autumn: 3.3 billion

Spring: 600 million
Summer: 1.2 billion
Autumn: 1.1 billion

Spring: 500 million
Summer: 1 billion
Autumn: 900 million

Effects (yen)Direct Effect:

The amount spent that would flow out of the prefecture, such as goods and services that must be procured
externally, etc., was deducted from the amount spent by Triennale visitors within the prefecture.

Primary Effect:

The increase in output for each industry within the prefecture due to the Triennale’s direct effect.

Secondary Effect: The increase in output for each industry within the prefecture due to the direct and primary effects thatwould result in additional consumption due to increased employee earnings.

②Amount Spent by Visitors

Ratio

From Outside:

From Outside:

From Kagawa:

From Kagawa:Overnight Stay

Daytrip

Overnight Stay

Daytrip

47.5％

21.4％

0.9％

30.2％

53,127

19,15031,072

14,646

Amountspent/person(yen)
The amount spent by overseas visitors was 61,733 yen per person, accounting for 13.3% of the total in the “FromOutside: Overnight Stay” category.

・The economic ripple effect within Kagawa prefecture amounted to 13.9 billion yen, which
represents an increase of 700 million yen, or a percent increase of 105.3%, compared to2013.
- 27 -

・The results of the visitor questionnaire survey indicate that the average number of days
outside visitors stayed was longer and that the amount spent on accommodation, food andtransporation increased, contributing to an increased economic ripple effect. Overseas
visitors spend more money in the area, and therefore the increase in the number of overseas
visitors was particularly significant.

・Due to the emphasis of the 2016 Triennale on food-related projects, every island offered
diverse options for eating, which contributed to an increase in the overall amount spent on
food.

●

According to the Ministry of Tourism’s Shikoku Transport and Tourism Bureau, the total
number of visitors from other countries who stayed at least one night in Kagawa between
January and September 2016 saw a percent increase of 152.5% over the same period for theprevious year, setting a new record. In addition, in Ocotober, the percent increase over thesame month of the previous year was 234.1%, placing Kagawa at the top nationwide.
According to the Takamatsu Chamber of Commerce survey on business trends for eachindustry for July through September, the positive impact of the 2016 Triennale onaccommodation within the prefecture was even greater than that of the 2013 Triennale.

●

Rakuten Travel, an online travel reservation service, ranked Kagawa as the second mostpopular domestic tourist destination for the 2016 summer season, with a percent increase of
148.6% over the same period in the previous year, and as the most popular destination forthe 2016 autumn season, with a percent increase of 192.3%. Kagawa prefecture, andspecifically the Takamatsu, Sanuki and Higashi-kagawa area, ranked number 1 for the entire
year (a percent increase of 341.6%). All of these figures are considered to be a direct effectof holding the Setouchi Triennale.

●

According to the Shikoku Transport and Tourism Bureau, the percent increase over theprevious year in the number of people using ferries and boats to the islands participating in
the Triennale was 132.4%. Naoshima routes saw a percent increase in passengers of 132%,
while the percent increase in passengers for Teshima and Inujima routes was 249.9%, for
Ogijima, Megijima and Oshima routes, 241.1% and for Shodoshima routes, 101.3%. In
addition, in the autumn session, routes to Honjima, Takamijima and Awashima saw a percent
increase over the previous year of 384.1% while the percent increase for the Iwabukijima
route was 514.6%.

- 28 -

●

There was a percent increase over the previous year of 106% in the number of train
passengers between l Kojima and Takamatsu stations on the JR line during the Triennale. In
addition, sales for the period from April to October 2016 of the All Shikoku Rail Pass, a
special pass for overseas travelers produced by JR Shikoku, exceeded those for the entire
year of 2015. The percent increase over the previous year for the number of tickets soldfrom ticket machines at Takamatsu Chikko station on the Kotoden line was 115%.

●

The percent increase in Takamatsu Airport use from April to October 2016 over theprevious
year was 103% while the percent increase in Takamatsu airport limousine bus ticket sales
was 114%.

●

Concerning main tourist attractions within the prefecture, a total of 2.697 million people
visited tourist sites between April and October 2016, which represents a percent increaseover the previous year of 102% (as compared to a percent decrease of 2% during the 2013
Triennale). The report on financial and economic conditions in Kagawa published by the
Takamatsu branch of the Bank of Japan stated that “the number of tourists increased overall
due to such factors as the impact of the Setouchi Triennale 2016,” (September), and “thenumber of tourists increased, boosted in part by the Setouchi Triennale” (December).

(2) Enhancing the Region’s Image●The Triennale’s progressive initiatives aimed at revitalizing local communities through art andculture drew much interest from Japan and abroad, and many people involved in governmentand community building activities in other regions came to observe.
・A total of 33 observation tours were conducted for various Japanese organizations, including 8
tours for ministers and agencies at the national level, 7 for prefectural and municipal
assemblies and 10 for other organizations at the prefectural and municipal level.
・A total of 34 observation tours were conducted for visitors from other countries, including 13
for ministers and agencies at the national and regional level, 6 for embassy related personnel,
and 9 for organizations at the prefectural or municipal level.

●

The Setouchi Triennale Executive Committee received the 1st Japan Tourism Award Grand
Prize in recognition of its outstanding, sustainable contributions to the development andexpansion of the tourism industry. The Setouchi Triennale was praised for its creative initiatives
aimed at revitalizing local communities and for its potential to foster wide-ranging collaboration
through content unique to the region.

- 29 -

8

Local Residents’ Evaluations of the Triennale(1) Islanders’ Evaluations (From public meetings)●

Public meetings were held after the Triennale with leaders of local governmentorganizations on each island and other relevant people.

●

The majority of opinions expressed by those involved on every island were very positiveand covered such topics as issues concerning future implementation, the period for hosting
the Triennale and revitalization of the community.

●Naoshima・No major problems occurred with ferry transportation. Increasing ferry runs to Takamatsu andmaking the last ferry departure later seemed to be very effective, and it would be good toretain these measures even after the Triennale.

・

Many people complained that cyclists were not obeying basic traffic rules and etiquette. We
will need to implement direct and persistent measures to improve the situation, such as
placing traffic guards at points with heavy traffic and warning people to be more careful.

・The 3-day ferry pass was limited to select routes. Considering that many foreigners visit
Naoshima in particular, we are worried about how to explain things that have restrictions on
their use such as this pass.

●Teshima
・

The Triennale gets better every time and is leading to revitalization of the island.

・

Residents complained that visitors ignore basic traffic rules and etiquette. Someone wasinjured by a bicycle.

・We definitely want to you to hold another Triennale, and the local community is willing to
help.

●Megijima・

Local people spontaneously began explaining the works to visitors, indicating that their senseof ownership is increasing.

・

Many overseas visitors came. Although we could only communicate with broken English, welearned a lot from the experience. They were very well mannered.

- 30 -

・

Megijima is becoming more widely known, both in Japan and abroad, which demonstrates thepower of art. Please host another Triennale in 3 years.

●Ogijima
・ Even after the Triennale sessions, visitors continued coming to the island to see the scenery or
the cats. As with the last Triennale, there were many visitors from other countries in Asia.

・

People from overseas, in particular, tended to litter and to block the narrow roads when
walking down them.

・

Many people have been moving to the island and, the schools and preschool were reopened.
This is a direct result of the Triennale. We definitely want you to hold the Triennale again.

●Shodoshima [Tonosyo Town]
・ We were relieved that Obe district’s first Triennale went well and felt that the projects were an
overall success.

・Many visitors came by car or rented cars on the island, and residents complained of heavy
traffic on streets near the art sites.

・

Many visitors came during the Triennale, which really livened up the island. We would likethe Triennale to continue.

●Shodoshima [Shodoshima Town]
・

We were able to meet many visitors from other parts of Japan and the world by providing
wonderful place this is and to be thanked for what we are doing. It was an opportunity torediscover the good things about where we live.

・The number of foreigners increased, and many of them got lost. It might be necessary toprovide signs not just in English but also in other languages or in symbols. We need
explanations of the works in other languages as well.

・The Triennale provided opportunities to make many friends. It will be important for future
Triennales to involve even more local people and for us to work together as a wholecommunity.

- 31 -

●Oshima・The number of works increased and their content was excellent.

・ Visitors were courteous and respectful. They clearly came to learn about Hansens’ disease andabout Oshima. This year, in particular, the Triennale seemed very international.

●Inujima
・ Visitors’ manners were better than before, but we still had trouble with people leaving behind
their garbage.

・

We tell each other “Let’s stay healthy for another three years. We’re looking forward to thenext Triennale.

●Shamijima
・

The Triennale concluded without any major problems thanks to the hard work of the staff,
including workers from the city.

・ The power of the artists to join people together is incredible. They are such an integral part ofthis effot that we can’t imagine doing the Triennale without them.

・The fact that the Triennale is held on Shamijima every three years is becoming our selling
point, but we could not do it without the cooperation of the city. I am always telling the restof the community that it’s important for us to collaborate with the city instead of just asking
it for things.

●Honjima
・We want to continue sharing with artists the resources, history, culture, folk traditions andother things from our community that they use in their artworks and events.

・Participating in the drumming to send off the ferries united the islanders, and thanks to the
Sea Wind Festival, which was a local effort, many young people came to the island to help
us and we had more opportunities to work together.

・ More young people, elderly people and children were involved than last time. Please hold the
Triennale again.

- 32 -

●Takamijima
・Many people praised the fact that the artworks highlighted features of the island.

・

Visitors from both Japan and overseas were all very well mannered, and there was not muchlittering.

・ It made us really happy to have people come from all over Japan to see our island and to hear
many of them say that they will come next time, too.

●Awashima
・ We were very impressed by how hard the artists worked. We also helped to make the artworks,
and the Triennale really enlivened our island.

・ In general, I think that visitors were very well mannered, but many of them took up the wholeroad when they walked along it together.

●Ibukijima・There are many steep hills on the island so holding the Triennale in the autumn when theweather is cooler helped make it more pleasant for visitors.

・Visitors took their garbage back with them, and they also obeyed the traffic rules.

●Uno Port・ We were involved in making the works and, although it was heavy labor and sometimes highup, it felt great when the artwork was completed. While working on the artwork, we
gradually came to understand the artists’ intentions. We want to help again next time.
・Visitors from other countries were more proactive than Japanese visitors. Although I
couldn’t understand what they were saying, we communicated quite animatedly using
gestures.

- 33 -

(2) Islanders’ Evaluations (From Questionnaires)●

Concerning the impact of the Triennale on revitalization, 72.1% of island residents said thatholding the Triennale contributed to revitalization of the local community. In addition,
69.5% of residents responded that it was good to have artworks installed in the area where
they live.

Ｑ Now the 2016 Triennale is over, do you think it contributed
to revitalization of the local community ?
Response

No. of people％

１．It contributed greatly

336

24.5%

２．It contributed a little

651

47.6%

３．It did not contributed much

184

13.4%

４．It did not contributed at all

92

6.7%

５．None of the above

106

7.7%

1,369

100%

Total

Q Do you think it was good to have artworks instslled in the area
where you live ?
Response

No. of people％

１．It was very good

360

26.9%

２．It was moderatily good

569

42.6%

３．It was not so good

131

9.8%

４．It was bad

74

5.5%

５．None of the aboxe

203

15.2%

1,337 100.0%

Total

●

Concerning the next Triennale, 65% of residents said that they would like it to be held again.

Q Do you want the Triennale to be held again in the area where you live ?
Response

No. of people％

１．Yes, very much

390

29.2%

２．If I had to choose, I would prefer it was held again

478

35.8%

３．If I had to choose, I would prefer it was not held again

146

10.9%

４．I do not want another Triennale to be held

111

8.3%

212

15.9%

５．I don't know
Total

1,337 100.0%- 34 -

8

Activities of Volunteer Supporters(1) Koebitai Activities●

As with previous Triennales, the Koebitai volunteer supporters were instrumental in
supporting the various Triennale activities.

●

A cumulative total of 7,000 volunteers (1,000 actual registered volunteers) were involved in
Koebitai activities for the 2016 Triennale, assisting with artwork production from theautumn of 2015, manning reception desks from March 2016, removing artworks after the
Triennale, etc.

●

Compared to the 2013 Triennale, the number of volunteers participating from overseas
increased, with overseas volunteers comprising about 10 percent of the total. They camefrom such places as Taiwan, Shanghai, Hong Kong, Singapore, the USA, and France.
Overseas participation increased partly due to accepting applications in English via thewebsite, partly through the participation of student groups from Asian universities and partly
through word of mouth from foreigners who had volunteered before .

●Volunteers from outside the prefecture and outside Japan who were able to stay for an
extended period were instrumental in supporting the spring, summer and autumn sessions of
the Triennale. From the summer session on, when the number of volunteers from overseas
increased, morning meetings and activities were often conducted with English and Chineseinterpretation.

●

Volunteering presented an opportunity for international exchange with Japanese andnon-Japanese volunteers working together.

- 35 -

(2) Volunteer Activities by Universities and Companies●

A total of 9 companies and organizations in Kagawa applied as company volunteer
supporters, and a cumulative total of 1,000 volunteers took on various jobs, mainly on
weekends and holidays.

●

About 350 students from local universities volunteered mainly in the summer session.

●

A cumulative total of about 550 seniors volunteered through such organizations as thePrefectural Government Retirees Association.

●

During the summer session, students from Sakaide Daiichi Senior High School wereinvolved in running Shima Kitchen, a restaurant on Teshima. They worked with local
women preparing and presenting the food, serving customers and washing dishes.

- 36 -

10

Publicity

Publicity Materials
PR materials, including posters and pamphlets, and Triennale goods such as plastic folders andmetal badges were made with designs by graphic designer Kenya Hara.

- 37 -

Official Website, Etc.

① Official Triennale Website●

The renewed official Triennale website, which introduces all aspects of the Triennale, wasonline from November 30, 2015. This was the first time the site was completely renewedsince it was established. Information was presented in Japanese, English, simplified andunsimplified Standard Chinese script, and Korean, and the site was accessed about 2.83
million times from 181 countries until the end of the Triennale on November 6.

② Twitter●

Prior to the Triennale, Twitter was used to give frequent updates on the progress ofdifferent art sites, sales of Triennale Passports, etc. During each session, it was used toprovide such information as events and food-related news, as well as notices of Triennale
coverage on national television.

●

The number of followers, which indicates popularity, increased, with 25,020 for theJapanese account and 1,937 for the English account as of November 1, 2016.

③ Facebook●

Prior to the Triennale, Facebook was used to give frequent updates on the progress ofdifferent art sites, sales of Triennale Passports, etc., while during each session, it was used
to provide information on events, food-related projects, etc., as well as to announce
Triennale coverage on national television●

The number of Likes, which also indicates popularity, increased with 50,845 Likes for theJapanese account and 3,209 Likes for the English account as of November 1, 2016.

④ Instagram●

Instragram, which has recently gained in popularity worldwide, was used for promotion
from January 2016.

●

The number of followers, which indicates popularity, was 7,862 as of November 1, 2016.

- 38 -

Official Guidebook● Japanese● English

・80,000 copies printed

・First English Guidebook produced
・10,000 copies printed

Responding to MediaA total of 656 inquiries were received concerning media coverage from both Japan and abroad
between January 2016 and the end of the Triennale.
Type

Japan

AbroadTotal

Newspaper

116

9

125

TV

236

18

254

Radio

62

2

64

Magazine

83

48

131

Website

38

34

72

Other

6

4

10

Total

541

115

656

Publicity
The Triennale was covered 1,740 times by newspapers, television, magazines and other media.

Type

AbroadOther prefecture onlyJapan

Kagawa prefecture only
Okay ama prefecture only

Total

Newspaper

11

92

16

908

1,027

TV

18

41

5

131

195

Radio

2

5

3

61

71

Magazine

95

149

33

45

322

Website

50

75

-

-

125

Total

176

362

57

1,145

1,740

- 39 -

11

Transportation

Improving Maritime Transport for the Triennale●

To improve access to the Triennale sites, new ferry and speedboat routes were temporarily
added and the number of sailings for existing ferries were increased between theparticipating islands with the mother port of Takamatsu and with ports in west Kagawa forthe duration of the Triennale.

●

Martime transport companies for each route adopted various measures to handle theincreased demand on days when the Triennale was crowded, such as increasing the number
sailings and the prescribed number of passengers,.

●

Measures to facilitate smoother boarding were adopted where necessary for certain
speedboats and passenger boats, such as issuing numbered tickets to ease congestion atboarding time.

●

Various measures to smoothly direct passengers to their boats and ease congestion were
implemented at Takamatsu Port and ports on participating islands, including setting up
information signs, stationing guides at the ports and using the Art Navi news ticker, large
display screens and other means to provide timely information on congestion. At Takamatsu
Port, a map of the area was also distributed to visitors.

- 40 -

Map of Ferry Routes during Setouchi Triennale 2016

New Okayama Port

Hoden Port

To Okayama Hinase Port

Inujima

To Himeji Port

Obe Port
Fukuda Port

Shodoshima
Tonosho Port

Uno Port

Ikeda Port
Karato
Port

Ieura
Port
MiyanouraPort

Kusakabe Port

TonoshoHigashiPort

SakatePort

Teshima

HonmuraPort

Naoshima
Ogijima

To Kobe Port

OshimaMegijima
Regular routes
Extra sailings
New temporary routes
Takamatsu Higashi Port

Takamatsu Port

Map of Ferry Routes for West Kagawa during Setouchi
Triennale 2016 Autumn Session
To Okayama

Uno Port

Kojima Port

【Teshima】【Hiroshima】【Honjima】
JR Seto Ohashi Line

【Koteshima】【Sanagijima】【Ushijima】【Takamijima】

Marugame Port
【Shishijima】【Awashima】

Tadotsu Port

Regular routes
Extra sailings

Suda Port

New temporary routes

Miyanoshita Port

JR Dosan sen

JR Yosan sen【Ibukijima】
Kanonji Port
To Matsuyama- 41 -

To KochiTo Takamatsu

12

Triennale Visitor Services(1) Operation of Information Centers, Etc.

●

Information centers were established at Takamatsu, Uno and Miyanoura Naoshima ports tosell Triennale Passports and provide comprehensive information concerning the Triennale.

●

In addition, a total of 41 information booths, including Navi Spots where the Art Navi news
ticker could be viewed, were established at the ports of participating islands and other places
to provide information concerning Triennale artworks, events, transportation and othertopics for each location.

(2) Strengthening Support Services for Visitors from Overseas●

Staff capable of responding in English, Chinese and Korean were stationed at the general
information center at Takamatsu Port, and English-speaking staff were stationed at the
information center in Naoshima as well at ports on the main ferry routes.

●

Tablets and Smartphones with translation functions were placed at information centers andbooths and at Navi Spots.

●

Japanese, English, Chinese (simplified and unsimplified) and Korean versions were made of
the official website and pamphlets, and an English version of the official guidebook was
published. An English version of the official Triennale app was also made available andprovided realtime information concerning crowding, urgent notices, etc.

(3) Provision of Urgent Notices and Other Relevant Information●

Urgent notices concerning the Triennale, information on Triennale site holidays andinformation on congestion at art sites and ports were displayed on large screens at 40
locations, including information centers and booths, as well as on the official website and in
realtime via the official Triennale app.

(4) Free WiFi Spots●

Free WiFi spots were set up in 53 locations, including the information booths on each island,
Takamatsu, Uno and other ports and at JR stations, to ensure that all visitors, including thosefrom overseas, could connect to the internet.

- 42 -

(5) Main Tools for Providing Information① Official Triennale App●

An iOS and an Android version of the official Triennale app were released to provide
information on artworks as well as realtime information on ferry and island bus schedules,
congestion, urgent notices, and art site hours. The app also pinpointed the user’s current
location on a map.

●

An English version was made to improve information access for non-Japanese speaking
visitors.

② Guide Map●

Guidemaps of the areas around art sites on each island were prepared, and these together
with signs helped to improve access to the art sites.

③ Transporation Access Maps
The complex transportation networks for the Triennale were displayed on the Setouchi●

Triennale 2016 Transportation Access Map and the West Kagawa Transportation Access
Map, including ferry routes to the islands and transportation within each island. These
maps were distributed free to improve visitors’ access to and on the islands.

●

A map of the Takamatsu Port area was distributed free of charge, smoothing access fromthe railway station to the various ferry and speedboat piers.

(6) Free Wheelchair Rental●

Free wheelchair rental services were offered at 12 information centers and booths tofacilitiate access to Triennale sites for people with disabilities. These wheelchairs were
donated by a local company.

- 43 -

13

Triennale Passports, Goods, Etc.

(1) Triennale Passports●

A total of 84,208 Triennale Passports were sold.

●In addition, Triennale Kids’ Passports were provided free of charge at information centersand booths, increasing the enjoyment of visitors aged 15 and under.
作品鑑賞パスポート（左から一般、高校生、こどもパスポート）(2) 3-Day Ferry Pass●

A Setouchi Triennale 2016 3-Day Ferry Pass was issued in cooperation with 7 ferrycompanies, allowing visitors to make repeated ferry trips on specific routes at no extra
charge. This was an added convenience for visitors who stayed longer in the area and helped
to reduce congestion at ticket counters.

●

At total of 15,540 passes were sold during the Triennale.

(3) Setouchi Specialty Products Redesign Project●

In cooperation with graphic designers, the packaging and presentation of local specialty
products were redesigned, enhancing their appeal as Triennale souvenirs and gifts.

- 44 -

14

Donations and Cooperation

Increased efforts were made to solicit wide support from individuals and businesses, to encourage
many individuals, businesses and organizations to become involved in the Triennale and thereby
to secure the financial resources needed for running the Triennale.

2014
corporation

2015
11

2016
189

Total
15

215

4,077,000 yen 164,609,000 yen 24,981,000 yen 193,667,000 yen

Cash donationsindividual

Subtotal

0

205

22

227

0 yen

1,646,000 yen

352,000 yen

1,998,000 yen

11

394

37

442

4,077,000 yen 166,255,000 yen 25,333,000 yen 195,665,000 yen
Donation of goods

014

0 yen 21,811,000 yen

Total

11

408

1

15

384,000 yen 22,195,000 yen
38

457

4,077,000 yen 188,066,000 yen 25,717,000 yen 217,860,000 yen- 45 -

15

Executive Committee Account Balance (Forecast)

Incom[Unit : million yen]Setouchi Trennale 2016
Incom
Projected/Expenditure
RevenuePlan

FY2014
Revenue

FY2015
Revenue

Projected
FY2016
Revenue

24

297

297

618

618

Kagawa Prefecture

10

95

95

200

200

Related Cities/Towns

14

107

107

228

228

Fukutake Foundation

-

95

95

190

190

Grants/Subsidies

10

93

114

217

183

Donations/Funding

4

162

24

190

176

Incom from Sales ofTickets/Goods

-

95

197

292

249

Other

47

3

21

71

50

Subtotal

85

650

653

① 1,3881,276

Balance from previous year

0

51

239

-

-

Total

85

701

892

-

-

Item

Amount Covered by:

Expenditures[Unit : million yen]Setouchi Trennale 2016

Projected
FY2016
Expenditures

Item

FY2014
Expenditures

FY2015
Expenditures

Art Project Costs

20

268

402

690

704

20

240

314

574

583

Events

-

28

88

116

121

Management

14

147

302

463

483

Publicity

2

87

72

161

169

Transportation Measures

-

2

29

31

32

Site Operation

-

37

169

206

216

Office Operation

12

21

32

65

66

Production of Tickets/Goods, Etc.

-

47

38

85

89

Subtotal

34

462

742

② 1,238

1,276

Balance from previous year

51

239

150

-

-

Total

85

701

892

-

-

Artwork Production, Etc.

- 46 -

Projected
Expenditures

Incom/Expenditure
Plan

Balance of Income and Expenses①‐②＝ 1150

16

Collaboration with Other Regions

To extend the effects of the Triennale to Kagawa prefecture as a whole and to other areas of the
Setouchi region, art-related events within the region that were judged to be in synergy with the
Triennale were designated as Setouchi Triennale 2016 Collaborative Projects and Setouchi Art
Event Projects.
(1) Setouchi Triennale 2016 Collaborative Projects●

To promote revitalization throughout the prefecture, organizations running art events in
Kagawa were invited to apply for recognition as Setouchi Triennale 2016 Partnership
Projects. A total of 20 projects were selected for mutual collaboration.

(2) Setouchi Art Event Projects●

To raise the profile of the entire Setouchi region within Japan and the world, organizations
running art events in the the Setouchi region were invited to apply for recognition as
Setouchi Triennale 2016 Cross-Regional Collaboration Projects. A total of 12 projects wereselected for mutual collaboration.

●

In particular, in cooperation with Ube City, which hosts the UBE Biennale, one of Japan’s
longest running contemporary sculpture exhibitions, the 27th UBE Biennale grand prize
winner, sculptor Kohei Takekoshi, was invited to participate in Setouchi Triennale 2016. Hecreated the work Shodoshima Tree in Obe, Shodoshima.

- 47 -