osage art foundation
Press Release
Attention Arts and Features Editors

Osage Art Foundation
4/F, Union Hing Yip Factory Bldg,
20 Hing Yip St, Kwun Tong,
Hong Kong
T: (852) 2389 8332
E: info@oaf.cc
W: www.oaf.cc

6 March 2012
For immediate release

Regional Perspectives: Thailand
17 March – 19 April 2012
Reception: 16 March 2012, 6-8pm
Osage Kwun Tong

The Osage Art Foundation recognizes that more needs to be done todevelop the cultural conversations happening in Asia. The OAF has developed aplatform “Regional Perspectives” with the aim to foster deeper regional
consciousness of the arts within Asia.
The exhibition and forums will make the case that certain key andemergent artists from the region have a larger and international significance. The
exhibitions are developed from substantial research and will provide regional
platforms for innovative curatorial perspectives.
Regional Perspectives: Thailand encompasses two exhibitions: Nuova(Arte) Povera (contemporary visual art exhibition of seven artists fromThailand), and Not Reconciled: Video Art from Thailand, as well as a public
programme named Ideas Incubator. Please refer to the programme breakdown
on the following pages.

Nuova (Arte) Povera
Artists:

Krit Ngamsom, Kentaro Hiroki, Dusadee Huntrakul, Boonsri Tangtongsin,
Prateep Suthathongthai, Pisitakun Kuantalaeng, Lek Kiatsirikajorn

Curator:Ark Fongsmut

Curatorial team:Monvilai Rojanatanti, Tamsit Tiacharoen

Exhibition period:

17 March 2012 to 19 April 2012

Exhibition opening:

16 March 2012 6-8pm

Exhibition venue:

Osage Kwun Tong

Address:

5/F Kian Dai Industrial Bldg, 73-75 Hung To Road, Kwun Tong

Exhibition description:

The exhibition ‘Nuova (Arte) Povera’, curated by Ark Fongsmut, will reflect
upon themes of globalisation, cultural flattening and the rise of the “NewPoor”.
During the past few years, much information has been generated from theinfluence of globalisation. Though this information can be consideredappropriately beneficial for us, they have in reality become overwhelming
when compared to our ability and efficiency in processing and analysing
reality. Too much information has ironically reduced one's ability to directly
reach facts and reality, or simply put, pulled one away from the truth. The
issue will be acknowledged by the participating artists who form points ofview based on their diverse background, skill and proficiency in various
aspects and dimensions in relation to the central theme of the exhibition.
Apart from the effect on the amount and the ability to perceive theinformation, globalisation also has a great influential presence in theeconomical sector; precisely it affects the economical structure by
consuming and wasting an enormous amount of natural resources that weconcern for the ‘New Poor’.
For Thailand, an example of poverty and its related poor ability to perceive
information can be seen in particular from laborers, who are willing to be in
debt in order to own high technology mobile phones, as clearly shown inmany capital cities.
At the same moment, policies issued by the government through borrowing
money and resources from the future might be on the surface beconsidered as a resolution, yet deep within, the attempts proved to be futile
in clearing their poverty of knowledge, mind and soul.

Images:

Lek Kiatsirikajorn
Lost in Paradise: Korn Bangkhuntod From Nakhon Ratchasima Province,
Toopoon, Bangkok
Digital print
96 x 120 cm
2011

Kentaro Hiroki
Untitled
Hand drawn sculptures
Dimensions variable2010

Public Programmes:

Ideas Incubator
Speakers:

Mr. Ark Fongsmut, Mr. Thomas Lollar, Mr. Charles Merewether, Ms. Eileen
Lagaspi-Ramirez, Ms. Isabel Ching, and Ms. Arianna Gellini

Moderator:

Mr. Lewis Biggs

Date and time:

17 March 2012 10am-1pm

Venue:

Osage Kwun Tong

Address:

5/F Kian Dai Industrial Bldg, 73-75 Hung To Road, Kwun Tong

Program description:

The curator Ark Fongsmut will speak about the Arte (Nuova) Povera
exhibition and its place in the history of art in Thailand, while Charles
Merewether and Thomas Lollar (artist and former Director of Visual Arts at
the Lincoln Centre) will comment on contemporary art in the Region fromthe perspective of Singapore and New York respectively.
Exploring contemporary art from a Regional perspective is also the aim of
the major forthcoming exhibition 'United States of Asia – Combustible
Chemistries'. Initiated by Osage Art Foundation, this project will be
introduced by curators: Isabel Ching (Singapore), Arianna Gellini (HongKong) and Eileen Legaspi-Ramirez (Manila).

RSVP:

Sybil Kot | T 2793 4817 | E sybilkot@osageartideas.com

Our Built Culture: Can it be Saved?
Speakers:

Prof. Desmond Hui, Mr. Stephen Byrns, Mr. Charles Merewether,Mr. Kenneth SW Tam and Mr. Alexander Hui

Moderator:

Mr. Lewis Biggs

Date and time:

17 March 2012 2:30-5:30 pm

Venue:

Osage Kwun Tong

Address:

5/F Kian Dai Industrial Bldg, 73-75 Hung To Road, Kwun Tong

Program description:

These presentations and discussion will be of great interest to anyone withan interest in the cultural expressiveness of our buildings and urban
environment.
The quality of any urban environment is a unique expression of geography
and history. Where a city is developed with a lack of respect for thesefactors, the result is a poor environment for its citizens, leading to social
alienation and breakdown of civic values. How does Hong Kong compare toother Asian cities in this respect? How critical a problem for our future
wellbeing is the the destruction of historic buildings and environments?
The event will include a Keynote Speech by Professor Desmond Hui(Professor of Cultural Studies in the Department of Cultural and Religious
Studies, Chinese University of Hong Kong, and advisor to UNESCO on
cultural industries in Asia and the Pacific), and some case studies from theRegion and from the USA. Contributors include Stephen Byrns (leaddesign partner for BKSK architects and former Commissioner, New York City
Landmarks Preservation Commission, 2004-2010); Alexander Hui, Board
member of the Heritage Hong Kong Foundation; Professor Charles
Merewether, Head of the ICAS at Lasalle College of Arts, Singapore and
Mr. Kenneth SW Tam, Chief Heritage Manager of Antiquities andMonuments Office, Leisure and Cultural Services Department, Hong Kong.

RSVP:

Sybil Kot | T 2793 4817 | E sybilkot@osageartideas.com

Not Reconciled: Video Art from Thailand
Artists:

Arin Rungjang, Chatchai Suban, Taiki Sakpisit

Curator:Narawan Pathomvat

Exhibition period:

17 March 2012 to 19 April 2012

Exhibition opening:

16 March 2012 6-8pm

Curator talk:

18 March 2012 2-3pm

Exhibition venue:

Osage Kwun Tong

Address:

5/F Kian Dai Industrial Bldg, 73-75 Hung To Road, Kwun Tong

Exhibition description:

Not Reconciled is a title of a 1965 film by Jean-Marie Straub and Daniele
Huillet, which is a loose adaptation of Heinrich Boll's novel, Billiards at Half
Past Nine. Both film and novel focus on a German family's struggle incoming to terms with the history of themselves, their family, and their nation.
Similar spirit, as well as act of resistance is central to this eponymous groupexhibition of recent video art from Thailand.
The four selected works by three artists embody the 'not reconciled' essence- with memory, history, and time.
Arin Rungjang's piece Never Congregate, Never Disregard (2007) is theartist's personal attempt to hold on to his intimate memory through hismother's fading yet lucid recollection; Chatchai Suban's Grandfather (2011)is a subtly defiant statement on society and its constructed history andfabricated truth; while Taiki Sakpisit's works I Did Not Dream Last Night(2009) and Looking Into God's Eye (2010) convey an enduring metaphysicalmessage that transcends the kaleidoscope of time.

Images:

Taiki Sakpisit
Looking into God’s Eye
Video
Dimension variable
2010

Chatchai Suban
Grandfather
single channel video
Dimension Variable
2011

APPENDIX A: ABOUT THE ARTISTS
Kentaro Hiroki is a Japanese artist who works as an art lecturer at the School of Architecture and
Design (SoAD), KMUTT, Bangkok. Kentaro graduated MA Fine Art from Malmö Art Academy, Sweden,
Foundation Course from Central Saints Martin School of Design, London Institute and PGD Fine Art
from Goldsmiths College, University of London, and also BA Fine Art from Osaka Art University, Japan.
Since 2001, Kentaro started to exhibit his artworks in several places, included UK, Norway andSweden. Kentaro’s latest project was exhibit at nospace gallery in December 2007.

Krit Ngamsom is a graduate of the School of Art at Bangkok University and and graduatedwith a MA in Visual Art at the Faculty of Architecture of King Mongkut’s Institute ofTechnology Ladkrabang. Ngamsom creates interactive works influenced by childhood
memories, often incorporating domestic objects such as electric fans and kitchen utensils.
Ngamsom was one of the artists selected for Thailand’s Brand New exhibition in 2008. He
has earlier participated in the group exhibitions Bangkok Bananas at Central World (2009), Imagine
Peace, Bangkok 226, Traces of Siamese Smile and Lets Panic at the Bangkok Art & Culture Centre(both 2008-2011)

Lek Kiatsirikajorn was born in 1977. He completed a BA in fine arts at Bangkok's Silpakron university
in 2000, and was one of the up and coming Thai young artists at that time. Lek went to England in
2001. He studied professional photography at The Arts Institute at Bournemouth in the UK. Soon after
he finished the course, he won a photography prize called ” fashion meets art ” organised by ArtReview
magazine (UK). The judges include; Kate Bush; head of galleries at the Barbican, Steven Klein; fashion
photographer, Alexandra Shulman; editor of UK Vogue, Matthew Williamson; fashion designer,
Rebecca Wilson; editor of ArtReview and Barney Pickard; art director of ArtReview. In the same year,
Lek also had his photo displayed in National Portrait Gallery (London) in a portrait photography
exhibition organised by Schweppes.

Boonsri Tangtrongsin is an artist, animator and director, who managed to express her artistic
concepts through animation and cartoons. Graduated with a BFA(Visual Arts) at Bangkok University
in 1999, Tangtrongsin continue her career by producing various short films and animations, and iscurrently a MFA candidate of Malmo Art Academy, Sweden. She will be presenting her latest work, ashort video “Superbarbara Saving the World” in the exhibition.

Born and raised in Thailand, Dusadee Huntrakul graduated in fine arts from UCLA (University ofCalifornia Los Angeles) in 2007 and is now studying his graduate degree at UC Berkeley (theUniversity of California Berkeley), which he has received a scholarship. Huntrakul is keen on working
conceptually with found objects, drawings and also installation.

Born and based in Bangkok, Pisitakun Kuntalaeng is a young artist who works on different
materials. Graduated with a BFA in scupture from KingMongkut’s Institute of Technology
Ladkrabang,Bangkok, the young artist has participated in various solo and group exhibitions inThailand and also in Asia during the past few years. Pisitakun expresses his idea by using techniqueof wooden craft, to compare human life and termite.

Born in Bangkok, Prateep Suthathongthai graduated with BFA from Rajamangara Institute ofTechnology, Bangkok, Thailand in 2001 and MFA from Silpakorn University, Bangkok, Thailand in
2006. Prateep mainly the form of photography and started to explore the use of video medium in2006. The artist has held two solos and was invited to participate in various group shows. He received
Grand Prize of Asian New Media Art Competition in Jakarta, Indonesia in 2007.

Arin Rungjang is one of the most upcoming Thai emerging artists.His video works and installation
has been shown widely in Group Exbitions and Biennales. Some of his most recent solo exhibitions

include: “Russamee Rungjang”, Gallery Ver, Bangkok, Thailand, 2009 and “Let’s make sense”,
Gallerie West, Den Haag, Netherland. Among his most recent group exhibitions include:“Intineraries”, Valentine Willw, Kuala Lumpur, Malaysia 2011, “Bangkok Density”, Gallery Biagiotti.
Florence. Italy, “Open House”, Singapore Biennale, Singapore 2011 and “Power to The People”,
ACCA, Melbourne, Australia. This year he will present his work at the 18th Sydney Biennale.

Over the past years, Taiki Sakpisit has created series of short films that have established him as oneof the most distinctive experimental filmmakers working in Thailand today. His films are praised forthe powerful visual and sound and the extraordinary transformation of narrative structure. He recently
won the R.D. Pestonji Award at The 15th Thai Short Film & Video Festival for his film “A Ripe
Volcano”

Chatchai Suban was born in 1978, a short filmmaker and video artist. He is a lecturer at Chiang Mai
University and now lives and works in Chiang Mai. His short film "Undo Redo" was awarded R.D.
Pertonji Award (Runner-up) for Best Thai Short Film at Thai Film Foundation's Thai Short Film andVideo Festival in 2005. He recently participated in a 3-person exhibition at Gallery Seescape (ChiangMai) in 2011.

APPENDIX B: ABOUT THE CURATORS
Ark Fongsmut received his MA in Fine Art Administration and Curatorship from Goldsmiths
College, London, and his MA and BA in Political Science from Chulalongkorn University,
Bangkok. He is a curator in Bangkok University Gallery since 2000 and has produced many
important exhibitions and launched initiatives including the annual Brand New Project andArtist Residency Programme. He was also appointed chief curator of the 2004 and 2006
Month of Photography - Bangkok and co-curator of the International Singapore Photography
Festival 2008 and 2010.
Ark has published in many exhibition catalogues and books, including Art Now, his latest
collections of art writings. He also contributed to many publications, namely Esquire (Thai Edition),
MARS and East Bridge, an online Korean art magazine.
He is a recipient of BIZ Art Residency (Shanghai); Association Française d' Action Artistique
Fellowship (Paris); The Alliance Française Residency (Bangkok); and The Japan Foundation
Fellowship (Bangkok and Tokyo).

Narawan Pathomvat is the founder and director of a contemporary art library/non-profit platform, The
Reading Room (Bangkok & Chiang Mai).
She is a lecturer at Department of Art History, Faculty of Archaeology, Silpakorn University; and an
independent curator, writer, and translator.

APPENDIX C: ABOUT THE SPEAKERS
Lewis Biggs stepped down as the Chief Executive and Artistic Director of Liverpool Biennial in July
2011 after ten years in the role, during which time the ten week Biennial Festival became one of themost exciting and best attended arts events in the country. Internationally recognised as ‘the UK’s
Biennial’, the 2010 Festival attracted nearly one million visits by over 500,000 visitors.
Lewis Biggs was Director of Tate Liverpool 1990-2000, and has been commissioning art for public
spaces in a regeneration context since co-curating ‘Artranspennine’ with Robert Hopper in 1998. For
Liverpool Biennial, he brought Anthony Gormley’s Another Place to Crosby Beach in 2005, and in2007 commissioned Turning the Place Over, from Folkestone Triennial 2008 artist Richard Wilson.
These and other initiatives contributed to Liverpool’s programme as European Capital of Culture
2008.
Lewis Biggs is currently a Visiting Professor in Contemporary Art at Liverpool John Moores andShanghai Universities, and an Honorary Professor at Glasgow University. He the Chair, Organising
Committee, International Award for Public Art, curator for Folkestone Triennial 2014 and the cocurator for 2013 Aichi Triennale (Nagoya, Japan).
Stephen Byrns is a lead design partner for private residential, multi-family and institutional projects,
with an emphasis on traditional architecture and interiors. His work is informed by a deep knowledge
of architectural history and craftsmanship. An active member of the New York City architecturalcommunity, Stephen served as a New York City Landmarks Preservation Commissioner from 2004 to
2010, for which he was responsible for identifying and designating the City’s landmarks and historic
districts, and regulating changes to designated buildings. He is also the founding chairman of theUntermyer Gardens Conservancy, an organization that will work with the City of Yonkers to restore
one of America's great gardens. Stephen holds a Master of Architecture, 1981, from Columbia
University and a Bachelor of Arts in History, 1977, from Princeton University.
Isabel Ching is a Singaporean independent curator and art writer. She holds an M.A. in Art History
and Theory from the University of Sydney, Australia, and also lectures part-time in the Masters of Arts
(Asian Art Histories programme) at the LASALLE College of the Arts. Her research interests include
contemporary art in Myanmar, the Philippines, and Singapore. She is the co-curator of the Roberto
Chabet solo and group exhibitions ‘To Be Continued’, and ‘Complete & Unabridged’ parts 1 and 2, in
Singapore and Hong Kong earlier this year, both of which are part of the year-long events celebrating
50 years of Chabet's art practice.
Arianna Gellini, an Italian Hong Kong based curator. She held a BA degree in Chinese Language
and Culture from Venice Ca' Foscari University in Venice, Italy and later on acquired an MA degree in
Contemporary Art at The Sotheby's Institute of Art Singapore. Since 2007 she has worked withnumerous art organizations in China including Galleria dell'Arco Shanghai and Para/Site Art Spaceand has written for magazines such as Arteri Magazine. She joined Osage Gallery in November 2010and has since curated the well received exhibition Points of Ellipsis... featuring artists from Hong
Kong and the Philippines including Roberto Chabet, Lani Maestro, Tozer Pak , among others andSlipping Transmission with works by Shirley Tse, Felix Bacolor, and Yan Shan Chun. Her latest
curated exhibition features the solo works by the Singaporean artist Jane Lee entitled PRELUDE A
L'APRES MIDI D'UN FAUNE
Alexander Hui, an architect with an interest in conservation and currently board member of the
Heritage Hong Kong Foundation.
Desmond Hui is Associate Dean of Arts (External and General Affairs), Professor of Cultural Studies
in the Department of Cultural and Religious Studies, Programme Director of BA in Cultural
Management, Director of the Centre for Culture and Development, Fellow and Warden of SH Ho
College, Associate Director of the Research Institute of Humanities at the Chinese University of HongKong; Honorary Chair Professor at the China University of Technology, Taiwan. He obtained
Bachelor of Architecture from Cornell University; Master and Doctor of Philosophy from University ofCambridge and was Director of the Centre for Cultural Policy Research at the University of Hong
Kong.

Professor Hui is Non-executive Director of the Urban Renewal Authority, member of the Old Wan
Chai Revitalisation Initiatives Special Committee, Museum Expert Advisor of the Leisure and Cultural
Services Department, and assessor for CreateSmart Initiative under the Commerce and Economic
Development Bureau. He was formerly a member of the Antiquities Advisory Board and theCommission on Strategic Development, co-opted member of the Advisory Committee on
Revitalization of Historic Buildings and advisor for the HK Arts Development Council.
He is Chief Author and Editor of several government studies related to cultural policy and creative
industries including the Baseline Study on HK’s Creative Industries (2003) and A Study on Creativity
Index (2005). He was selected as Lead Curator for the 11th International Architecture Exhibition of
Venice Biennale Hong Kong Exhibition in 2008.
Thomas Lollar is an internationally renowned ceramist and professor of fine arts whose work isrepresented in a number of public, corporate and private collections. He grew up in Detroit, and was
educated at Western Michigan University, where he earned his bachelors and masters degrees in
sculpture, ceramics and art history.
Having taught ceramics and sculpture since 1975 at prestigious institutions such as Parsons Schoolof Design in New York, he is currently on the faculty of Teachers College, Columbia University. He hasreceived several top-tier honors in the field, including the post of visiting scholar at the American
Academy in Rome, a fellowship at the Salzburg Seminar, a fellowship at Jugendstil Design in Austria
and the prestigious Waldo-Sangren Award for Contemporary Ceramics in England.
His work has been featured in gallery exhibitions at Tiffany & Co. NY, Columbia University as well as
in the collections of The Smithsonian/Cooper Hewitt Museum, The Museum of Art and Design, and
The Karlin Collection in Boston. Mr. Lollar has been widely covered in the international arts press,
including interviews in Art & Auction magazine, and The New York Sun.
Charles Merewether is an art historian, writer and curator who has worked in Australia, Europe andthe Americas. He worked as collections curator at the Getty Center in Los Angeles from 1994-2004.
Between 2004 and 2006, he was artistic director and curator of the 2006 Biennale of Sydney andsenior research fellow at the Centre for Cross Cultural Research, Australian National University. In
October 2007, he was appointed deputy director of the Cultural District for the Tourist Development
and Investment Company, Abu Dhabi. Since March 2010 he is Director at Institute of Contemporary
Arts Singapore.
Dr. Charles Merewether has taught at the University of Sydney, Universitat Autònoma in Barcelona,
the Ibero-Americana in Mexico City and the University of Southern California, and has lectured at the
Beijing Academy of Art, Lingnan University in Hong Kong and the Asia Research Center at the
National University of Singapore.
Recent edited and co-edited publications include: Beijing-Venice-London: Ai Weiwei-Herzog & deMeuron (London/Basel, 2008), Art, Anti-Art,. Non-Art: Experimentations in the Public Sphere in
Postwar Japan 1950-1970 (Los Angeles, 2007) and The Archive (London/Mass.,2006)
Eileen Legaspi-Ramirez is a faculty member of the Department of Art Studies, University of thePhilippines and curatorial consultant at the Lopez Memorial Museum. Her writing has appeared inTransit: A Quarterly of Art Discussion, Pananaw: Philippine Journal of Visual Arts, Fine Art Forum,
Forum on Contemporary Art and Society, n.paradoxa: international feminist art journal,
RealTime+Onscreen, Visual Arts Magazine, Indonesia, Metropolis M, C-Arts, and the Sunday Inquirer
Magazine.
Kenneth Tam is the Chief Heritage Manager of the Technical Advisory Unit in the Antiquities andMonuments Office. He has obtained his training at the Architectural Association School of Architecturein London and a Master Degree in Architectural Conservation at the University of Hong Kong.
He has worked for different successful and award winning heritage projects in Hong Kong including
the Museum of Coastal Defence and the Dr. Sun Yat-sen Museum.

ABOUT OSAGE ART FOUNDATIONThe Osage Art Foundation (OAF), established in 2004, works in the areas of cultural
exchange, educational outreach and the building of knowledge. And since 2005, OAF has
been promoting cross cultural understanding through art exhibitions between Hong Kong,
China, Japan, Singapore, the Philippines, Myanmar and Thailand. OAF exhibitions develop
from substantial research, aim to make strong statements about significant as well as
emerging artists, and to provide regional platforms for innovative curatorial perspectives.
While the arts from Asia have become increasingly visible both within this part of the world,and globally, OAF recognises that more needs to be done to develop the culturalconversations happening within Asia. Even today, the exchanges between artists in Asia are
too often mediated by global centres in Europe and North America.
Osage Gallery is part of the Osage Group encompassing the Osage Gallery, Osage Art
Consultancy and Osage Design.
Please visit www.oaf.cc for more information.

ABOUT OSAGE GALLERYOsage Gallery is devoted to the exhibition and promotion of international and Asian
contemporary visual arts, exploring the diverse and complex artistic relationships between
the different regions of Asia, and beyond that, of the artistic relationships between Asia andother parts of the world. Osage Gallery represents some of the most exciting and significant
artists in the region. The gallery also works closely with international critics and curators topresent exhibitions and projects that address themes and issues relevant to our times.
In addition to organising major group and thematic exhibitions, Osage Gallery has
represented some of the most significant artists in Asia, such as Sun Yuan and Peng Yu,
Shen Shaomin and Jiang Zhi from China, as well as other Asian artists such as Lee Kit(Hong Kong), Wilson Shieh (Hong Kong), Nipan Oranniwesna (Thailand), Tintin Wulia(Indonesia), Donna Ong (Singapore) and Louie Cordero (Phillippines).
Osage Gallery is part of the Osage Group encompassing the Osage Art Foundation, OsageArt Consultancy and Osage Design.
Please visit www.osagegallery.com for more information.

MEDIA ENQUIRIES
Sybil Kot
Marketing Executive | Osage
Email sybilkot@osageartideas.com
Telephone + 852 27934817