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Works in Clay: Eiji Uematsu, 2023

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October 12, 2023 in Ceramic art

Two persons, 2023

starry sky, 2023

water & clay, 2023

ash, 2023

Fluttering its Wings, 2011

Moon Jumping Rope, 2011

Stars in the Garden, 2020

Air, 2020

Clay Flower, 2012

fresh green, 2023

hanging flower vase, 2023

morning moon, 2023

Sky, 2020

smile, 2023

Works in Clay: Eiji Uematsu, 2023
Alison Bradley Projects is pleased to announce Works in Clay: Eiji Uematsu, featuring sixteen
works by Eiji Uematsu in his first-ever New York exhibition.
Over the course of his five-decade long career, Eiji Uematsu has produced exceptional ceramic
work with a deep sensitivity to the material and ontological qualities of clay, as well as acommitment to keen observation of the natural world. He first began experimenting with clay as
a student in the early 1970s, taken by the materiality and possibilities of the medium. In 1975,
Uematsu moved to Shigaraki, in the Shiga Prefecture of Japan, an important historical center ofShigaraki-ware ceramic production, later settling in his current home in Iga, Mie Prefecture, oneof richest clay-mining deposits in Japan due to its location on the clay bed of the prehistoric Lake
Biwa. In the artist’s own words, he frequently describes his process as not creating new forms,
but drawing out shapes that have already existed in the earth from its beginning.
Central to Uematsu’s practice is his profound dedication to highlighting the material
characteristics of clay itself: rather than taking the ornamental approach of imposing onto theclay as a vehicle for personal expression, Uematsu’s works center the highly-textured, visualvariety of his clay composites, free of glaze. Their wide range of colors derive purely fromthoughtful mixtures of clay and experimental variations in firing. Some of the artist’s forms evoke
shapes resonant of earlier ceramics, such as those of the Jōmon or Haniwa periods, while others
revel in the intrinsic materiality which he brings forward. The works on display exemplify
Uematsu’s characteristic sense of playfulness, humor, and spontaneity, as well as the emotional
depth and sense of memory that are core to his artistic lexicon.
Uematsu’s departure from popular ceramic frameworks derives from his firm rootedness inthings experienced by and within the body. The work Stars in the Garden (2020), for example,
sources its repeated spherical forms from Uematsu’s early childhood memories, rolling mudballs in the palms of his hands. Experiments in clay-building demonstrate Uematsu’s uninhibited
relationship to earthen materials, for example, in the work Clay Flower (2012) in which the artist
threw repeated lumps of clay slip onto the floor and fired the resulting form. Equally crucial to
Uematsu’s practice is his approach to the element of fire, as both a collaborator and a source ofcreativity. This relationship is illustrated by Uematsu’s use of powdered clay on the surface of thework Sky (2020), allowing the heat of the kiln to leave dramatic and unusual cracks in its surface:lines drawn by flame. Both his experimental production and expressive capacity to breathe theworld around him into the essential dialogue between clay and the artist’s hand has allowed hiswork to challenge traditional notions and forms of ceramics, and transcend categories of fine art
and clay work.

The works in this exhibition present the artist’s journey through the last fifteen years, standing as
totems to the elemental phenomena that enliven our natural world—from the sky, to the moon, tothe stars, to fresh green leaves, to human life itself. Uematsu’s clay works seek to reveal
fundamental qualities and textures of the world around us, reorienting our sensibilities to thegeological and poetic rhythms of passing time, and declaring our place among them. Alison
Bradley Projects is delighted to present this progression of enigmatic, contemplative, and joyful
work in this exhibition.
Captions
Object Images
Eiji Uematsu, Two persons, 2023, Clay, 4 7/8 x 4 1/8 x 2 1/2 in 12.5 x 10.5 x 6.5 cm © Sugimoto Reproduction
Eiji Uematsu, starry sky, 2023, Clay, 4 x 4 1/8 x 3 1/2 in 10 x 10.5 x 9 cm © Sugimoto Reproduction
Eiji Uematsu, water & clay, 2023 Clay 5 7/8 x 4 3/4 x 4 3/4 in 15 x 12 x 12 cm © Sugimoto Reproduction
Eiji Uematsu, ash, 2023, Clay, 11 5/8 x 11 x 2 in 29.5 x 28 x 5 cm © Sugimoto Reproduction
Eiji Uematsu, Fluttering its Wings, 2011, Clay, 5 1/4 x 15 x 7 7/8 in 13.5 x 38 x 20 cm © Sugimoto Reproduction
Eiji Uematsu, Moon Jumping Rope, 2011, Clay, 8 1/4 x 7 7/8 in 21 x 20 cm © Sugimoto Reproduction
Eiji Uematsu, Stars in the Garden, 2020, Clay, 9 3/4 x 7 3/8 x 7 3/8 in 24.7 x 18.7 x 18.7 cm © Sugimoto Reproduction
Eiji Uematsu, Air, 2020, Clay, 13 3/4 x 10 3/8 x 1 1/8 in 35 x 26.3 x 3 cm © Sugimoto Reproduction
Eiji Uematsu, Clay Flower, 2012, Clay, 19 3/4 x 14 1/8 x 1 5/8 in 50 x 36 x 4 cm © Sugimoto Reproduction
Eiji Uematsu, fresh green, 2023, Clay, 11 3/4 x 7 7/8 x 1 3/8 in © Sugimoto Reproduction
Eiji Uematsu, hanging flower vase, 2023, Clay, 12 5/8 x 1 in 32 x 2.5 cm © Sugimoto Reproduction
Eiji Uematsu, morning moon, 2023, Clay, 18 1/4 x 12 5/8 x 1 in 46.5 x 32 x 2.5 cm © Sugimoto Reproduction
Eiji Uematsu, Sky, 2020, Clay, 28 3/4 x 15 1/8 x 1 1/8 in 73 x 38.5 x 3 cm © Sugimoto Reproduction
Eiji Uematsu, smile, 2023, Clay, 5 7/8 x 4 1/2 x 4 1/2 in 15 x 11.5 x 11.5 cm © Sugimoto Reproduction
Installation Images
Works in Clay: Eiji Uematsu, gallery installation view, photo © Dario Lasagni

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Alison Bradley Projects

Eiji Uematsu

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