Aichi Triennale 2016
Homo Faber: A Rainbow Caravan
August 11 – October 23, 2016

Website: http://aichitriennale.jp/ 　 https://www.facebook.com/AICHITRIENNALE 　 https://twitter.com/Aichi_Triennale 　 　 　 　  　 　 　Aichi Triennale 2016	  Overview:	  	  Theme:	  Homo	  Faber:	  A	  Rainbow	  Caravan	  	  Period:	  Thu.,	  Auguest	  11(nat.hol)	  –	  Sun.,	  October	  23,	  2016	  	  [74	  days]	  	  Ar7s7c	  Director:	  Chihiro	  MINATO	  (Photographer,	  Professor	  at	  Tama	  Art	  University,	  InformaNon	  Design	  Department)	  	  Venues:	  Aichi	  Arts	  Center,	  Nagoya	  City	  Art	  Museum,	  Nagoya	  City,	  Toyohashi	  City,	  Okazaki	  City	  	  Organizer:	  Aichi	  Triennale	  Organizing	  CommiRee	  	  Curators:	  	  	  -­‐	  Visual	  Arts:	  HAITO	  Masahiko	  (Chief Curator)	  /	  Daniela	  CASTRO	  (Brazil)	  /	  HATTORI	  Hiroyuki	  /	  Zeynep	  ÖZ	  (Turkey)	  	  	  KANAI	  Tadashi 	  -­‐	  Film	  Program:	  HAMA	  Haruka	  /	  ECHIGOYA	  Takashi	  	  	  -­‐	  Performing	  Arts:	  FUJII	  Akiko	  /	  KARATSU	  Eri	  	  	  Aichi Arts Center

Nagoya City Art Museum

Nagoya city

Toyohashi city

Okazaki city

Held	  every	  three	  years	  since	  2010,	  Aichi	  Triennale	  is	  a	  major	  internaNonal	  art	  fesNval	  showcasing	  both	  contemporary	  visual	   art	   and	   stage	   performances.	   The	   rich	   program	   comprising	   an	   internaNonal	   art	   exhibiNon,	   ﬁlm	   program,	  performing	   arts,	   and	   an	   opera	   producNon	   will	   be	   overseen	   by	   the	   2016	   fesNval’s	   arNsNc	   director,	   photographer	   and	  author	   MINATO	   Chihiro,	   and	   will	   open	   under	   the	   theme	   “Homo	   Faber:	   A	   Rainbow	   Caravan”	   on	   August	   11,	   2016.	  	  	  Aichi	  Triennale	  is	  a	  public	  project	  undertaken	  by	  Aichi	  Prefecture	  to	  make	  a	  posiNve	  contribuNon	  to	  the	  development	  of	  the	  world’s	  culture	  and	  art,	  to	  make	  culture	  and	  art	  more	  accessible,	  and	  to	  enhance	  the	  visitor	  appeal	  of	  Aichi.	  
IniNally,	  venues	  included	  only	  Nagoya	  City.	  The	  2nd	  Triennale	  was	  expanded	  to	  include	  Okazaki	  City,	  known	  as	  a	  city	  of	   jazz,	   and	   the	   upcoming	   3rd	   Triennale	   will	   be	   spread	   across	   three	   ciNes	   with	   the	   addiNon	   of	   Toyohashi	   City,	   which	  	  is	  home	  to	  over	  6,000	  Brazilian	  expats,	  one	  of	  the	  largest	  c	  ommuniNes	  of	  its	  kind	  in	  Japan.			  CelebraNng	   Aichi’s	   close	   Nes	   with	   Brazil,	   the	   2016	   Aichi	   Triennale	   has	   invited	   São	   Paulo-­‐based	   curator	   Daniela	  Castro,	   along	   with	   5	   Brazil-­‐based	   arNsts	   including	   João	   MODÉ（visual	   arts)	   and	   Dani	   LIMA（performing	   arts).	  
Also	   joining	   the	   Triennale	   2016	   curatorial	   team	   is	   Istanbul-­‐based	   Zeynep	   ÖZ.	   Taking	   on	   board	   curators	   and	   arNsts	  from	  many	  diﬀerent	  countries	  and	  regions,	  and	  highlighNng	  the	  uniqueness	  of	  languages	  and	  cultural	  backgrounds	  of	   people	   from	   all	   over	   the	   world,	   Aichi	   Triennale	   2016	   is	   set	   to	   become	   an	   internaNonal	  art	  fesNval	  that	  strongly	  reﬂects	  its	  underlying	  cultural	  anthropological	  perspecNve.	  		  	  The	  Triennale	  will	  be	  showcasing	  works	  not	  only	  in	  museums	  and	  theaters,	  but	  also	  in	  various	  other	  locaNons,	  such	  as	   old	   department	   stores,	   ex-­‐private	   houses,	   public	   squares,	   and	   parks.	   This	   approach	   will	   create	   a	   series	   of	   unusual	  yet	  fascinaNng	  urban	  scenes	  and	  an	  unique	  labyrinth.	  As	  you	  walk	  around	  the	  city	  and	  enter	  in	  the	  buildings,	  you	  will	  ﬁnd	   yourself	   surrounded	   by	   compelling	   works	   of	   art.	   Visitors	   are	   warmly	   invited	   to	   parNcipate	   in	   this	   thrilling	  	  experience.	  	  	  The	  lineup	  of	  arNsts	  has	  now	  been	  ﬁnalized	  and	  a	  total	  of	  119	  ar7sts	  will	  take	  part	  for	  this	  ediNon.	  The	  internaNonal	  art	  exhibiNon,	  featuring	  as	  many	  as	  20	  arNsts	  who	  are	  showing	  in	  Japan	  for	  the	  ﬁrst	  Nme,	  is	  sure	  to	  become	  a	  not-­‐to-­‐	  be-­‐missed	  chance	  to	  discover	  arNsts	  and	  works	  from	  countries	  less	  familiar	  to	  Japanese	  audiences.	

History	  of	  Aichi	  Triennale：	  	  The	  ﬁrst	  edi4on	  of	  the	  Aichi	  Triennale,	  a	  showcase	  of	  the	  world’s	  latest	  contemporary	  art,	  opened	  in	  August	  2010	  in	  Nagoya	  City.	  Under	  the	  arNsNc	  direcNon	  of	  Akira	   Tatehata,	  the	  1st	  Triennale	  deployed	  its	  theme	  “Arts	  and	  CiNes”	  to	  Nagoya’s	  streets	  and	  urban	  spaces,	  in	  addiNon	  to	  museums	  and	  theaters.	  With	  an	  intenNon	  to	  transform	  mundane	  places	  into	  inspiring	  spaces	  through	  close	  viewer/audience	  interacNon	  with	  cuqng-­‐edge	  art,	  the	  urban	  celebraNon	  	  drew	  more	  than	  570,000	  visitors.	  	  The	   second	   Aichi	   Triennale	   took	   place	   between	   August	   and	   October	   2013,	   presenNng	   works	   by	   122	   arNsts	   and	  groups	  of	  arNsts	  from	  Japan	  and	  abroad,	  under	  the	  arNsNc	  direcNon	  of	  Taro	  Igarashi.	  In	  response	  to	  the	  Great	  East	  Japan	   Earthquake	   that	   occurred	   in	   March	   2011,	   the	   event’s	   theme	   “Awakening—Where	   Are	   We	   Standing?	   Earth,	  Memory	   and	   ResurrecNon”	   reﬂected	   on	   the	   radical	   changes	   imposed	   upon	   exisNng	   frameworks	   in	   a	   state	   of	   ﬂux.	  
The	   2nd	   Triennale	   further	   developed	   its	   urban	   celebratory	   nature	   by	   expanding	   to	   include	   venues	   in	   Okazaki	   City	   as	  well	  as	  Nagoya	  City,	  and	  by	  incorporaNng	  architectural	  points	  of	  view,	  achieving	  a	  record	  number	  of	  over	  620,000	  	  visitors.	  	  The	   third	   Aichi	   Triennale,	   scheduled	   for	   Summer	   2016,	   will	   be	   held	   under	   the	   arNsNc	   director,	   Chihiro	   Minato.	  	  Concept	   of	   Aichi	   Triennale	   2016：The	   Persian-­‐derived	   word	   caravanserai	   means	   “an	   inn	   for	   caravans.”	   Although	  designed	   to	   serve	   the	   commercial	   traveler,	   caravanserais	   were	   nothing	   like	   the	   business	   hotels	   of	   today.	   The	  expansive	  courtyard	  of	  a	  caravanserai	  had	  stables,	  storehouses,	  and	  space	  for	  business	  transacNons,	  and	  there	  were	  accommodaNons	  on	  the	  upper	  ﬂoors,	  giving	  the	  whole	  place	  the	  aspect	  of	  a	  palace	  rather	  than	  an	  inn.	  The	  splendid	  ediﬁce	  was	  protected	  by	  high,	  thick	  walls	  enclosing	  a	  tree-­‐shaded	  respite	  from	  the	  long,	  weary	  journey.	  
For	  most	  of	  today’s	  city	  dwellers	  mired	  in	  fast-­‐paced	  lifestyles,	  stopping	  the	  hands	  of	  the	  clock	  and	  wiping	  the	  clock’s	  face	  clean	  of	  numerals	  would	  be	  a	  dream	  beyond	  dreams.	  Giving	  shape	  to	  wild	  dreams,	  however,	  happens	  to	  be	  a	  unique	  preserve	  of	  art.	  Art	  is	  capable	  of	  creaNng	  a	  Nme	  and	  space	  removed	  from	  the	  mundane,	  where	  form,	  color,	  sound	   and	   even	   the	   body	   take	   on	   aspects	   never	   before	   experienced.	   Art	   can	   bring	   together	   travelers	   laden	   with	  wonder	  and	  amazement,	  from	  east,	  west,	  north	  and	  south.	  
What	  would	  be	  the	  languages	  that	  echo	  in	  our	  contemporary	  dream	  courtyard?	  To	  put	  my	  imaginaNon	  to	  work,	  I	  take	  up	  paper	  and	  pen,	  and	  fashion	  my	  own	  caravanserai,	  so	  that	  it	  will	  guide	  and	  encourage	  our	  caravan,	  which	  has	  already	  departed	  on	  its	  journey	  to	  the	  Triennale.	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  Chihiro	  Minato	  (ArNsNc	  Director)	  Ar7sts	  by	  countries	  	  (A	  total	  of	  38	  countries)	  	  	Aichi	  Triennale	  2016	  Ticket	  Sales	  Informa7on	  	  Interna7onal	  Art	  Exhibi7on	  -­‐	  Based	  on	  country	  of	  birth.	  Listed	  by	  number	  of	  arNsts	  in	  descending	  alphabeNcal	  order.	
-­‐	  Individual	  arNsts	  credited	  alongside	  groups/troupes/companies	  count	  toward	  the	  number	  of	  arNsts	  from	  a	  country.	

Par7cipa7ng	  Ar7sts	  (Finalized	  on	  31st	  May,	  2016)：	  	  Visual	  Arts:	  	  A	  *Candy	  Factory	  Project	  /	  Kitakyushu	  Biennial	  in	  Aichi	  /	  Mike	  BODE	  /	  Young-­‐hae	  Chang	  Heavy	  Industries	  /	  John	  MILLER/	  MIYAGAWA	  Keiichi	  /	  KOGO	   Takuji,	   AJIOKA	   Shintaro,	   AKAISHI	   Takaaki,	   Abdullah	   AL	   SAADI,	   Allora	   &	   Calzadilla,	   	   Giovanni	   ANSELMO,	   Architects	   of	   Air,	   Lucas	   Blalock,	  Nomin	   BOLD,	   KersNn	   BRÄTSCH,	   Libidiunga	   CARDOSO	   （a.k.a.	   Leandro	   NEREFUH）,	   Mariana	   CASTILLO	   DEBALL,	   Nidhal	   CHAMEKH,	   Ali	   CHERRI,	  D&DEPARTMENT	   PROJECT,	   Kawayan	   DE	   GUIA,	   İnci	   EVINER,	   Nicholas	   GALANIN,	   Jerry	   GRETZINGER,	   Kio	   GRIFFITH,	   Gulnara	   KASMALIEVA	   &	  Muratbek	   DJUMALIEV,	   HATA	   Satoshi,	   Taloi	   HAVINI,	   HISAKADO	   Tsuyoshi,	   IMAMURA	   Fumi,	   ISHIDA	   Takashi,	   Iman	   ISSA,	   KANNO	   So+yang02,	  Shreyas	  KARLE,	  KATSUMATA	  Kunihiko,	  Hassan	  KHAN,	  Chelsea	  KNIGHT	  with	  Nick	  HALLETT	  /	  Mathew	  Paul	  JINKS	  /	  ChrisOne	  Sun	  KIM	  /	  Ryan	  TRACY,	  KOBAYASHI	  Kohei,	  Valsan	  KOORMA	  KOLLERI,	  KOSUGI	  Takehisa,	  KOYAMA	  Taisuke＋NAWA	  Kohei,	  Ignas	  KRUNGLEVIČIUS,	  LAI	  Chih-­‐Sheng,	  Charles	  LIM	   YI	   YONG,	   Laura	   LIMA,	   LIU	   Wei,	   LOCUS	   FABER	   TSUKULOCCA,	   L	   PACK.,	   Mark	   MANDERS,	   Yornel	   MARTÍNEZ,	   MATSUBARA	   Megumi,	   Adriana	  MINOLITI,	  MITAMURA	  Midori,	  MIYAGI	  Futoshi,	  João	  MODÉ,	  MORIKITA	  Shin,	  Oscar	  MURILLO,	  NAKAMURA	  Yuta,	  UuDam	  Tran	  NGUYEN,	  NISHIO	  Yoshinari	  +	  403architecture	  [dajiba],	  NITO	  Kento,	  NOMURA	  Zai,	  OHMAKI	  Shinji,	  OKABE	  Masao,	  OKI	  Hiroyuki,	  Mathieu	  PERNOT,	  Khalil	  RABAH,	  Mauro	   RESTIFFE,	   ruangrupa,	   Natascha	   SADR	   HAGHIGHIAN,	   SASAKI	   Ai,	   SATO	   Katsuhisa,	   SATO	   Midori,	   SEKIGUCHI	   Ryoko,	   Sensory	   Ethnography	  Lab,	  SHIBATA	  Mariko,	  SHIRAKAWA	  Yoshio,	  SONG	  Sanghee,	  TADA	  Tomomitsu,	  TAJIMA	  Hidehiko,	  TAKAHASHI	  Shiro,	  TAKEKAWA	  Nobuaki,	  TATSUKI	  Masaru,	  TERADA	  Shuko,	  Wendelien	  VAN	  OLDENBORGH,	  Chris	  WATSON,	  Dilek	  WINCHESTER,	  YAMADA	  Ko,	  YAMASHIRO	  Chikako,	  YOKOTA	  Daisuke	  	  (Total:	  85	  /	  	  ArNsts	  to	  be	  introduced	  in	  Japan	  for	  the	  ﬁrst	  Nme	  showed	  in	  Italic)	  	  For	  more	  informaNon,	  please	  visit:	  hRp://aichitriennale.jp/english/arNst/	  	  LIU Wei,
Installation viewat Bentu:
Chinese Artists
in a Time of
Turbulence andTransformation,
Fondation Louis
Vuitton, Paris
2016 photo:
Marc Domage© Fondation
Louis Vuitton /Marc Domage /Liu Wei Studio	Jerry	  GRETZINGER,	  Jerry’s	  Map,	  2016 Courtesy	  of	  the	  arNst	  Architects	  of	  Air,	  Pentalum 2013 photo:	  Alan	  Parkinson	João MODÉ, NET Project Installation view at SESC
Barra Mansa, Brazil, 2003-, photo: João Modé	
UuDam Tran NGUYEN, Waltz of the Machine
Equestrians - The Machine Equestrians #12, 2012
photo: UuDam Tran Nguyen	Giovanni	  ANSELMO,	  Verso	  Oltremare	  a	  nord	  in	  basso	  e	  a	  est	  sud	  est	  in	  alto,	  1979 Foto	  ©Archivio	  fotograﬁco	  Tucci	  Russo	  Charles	  LIM	  YI	  YONG,	  Stealing	  the	  trapeze	  	  2016	  	  Courtesy	  of	  the	  arNst	  NISHIO	  Yoshinari	  +	  403architecture	  [dajiba], PUBROBE
photo:	  Ryohei	  Tomita	  OHMAKI	  Shinji,	  Echoes-­‐Inﬁnity	  ,	  MOMENT	  AND	  ETERNITY	  	  Third	  Floor-­‐Hermès	  Singapore,	  2012	  Created	  with	  the	  support	  of	  the	  FondaNon	  d'entreprise	  Hermès	  	  for	  Third-­‐Floor	  Hermès	  Gallery	  ‒	  Singapore	  2012.	  

2013

Film	  Program:	  	  	  BI	   Gan,	   CHEN	   Chieh-­‐jen,	   MaN	   DIOP,	   Azza	   EL-­‐HASSAN,	   Excinema,	   Maureen	   FAZENDEIRO,	   Christophe	   GAUTRY,	   Nikolaus	   GEYRHALTER,	   Yervant	  GIANIKIAN	  &	  Angela	  RICCI	  LUCCHI,	  Ciro	  GUERRA,	  ITO	  Takashi,	  Boris	  LABBÉ,	  	  MIYAGI	  Futoshi,	  OGAWA	  Iku,	  Lois	  PATIÑO,	  Planet	  Film	  Archive,	  Georges	  SCHWITZGEBEL,	  Kidlat	  TAHIMIK,	  TAKAMINE	  Go,	  Pimpaka	  TOWIRA,	  Agnès	  VARDA,	  Roy	  VILLEVOYE,	  YAMAMURA	  Koji,	  YUKI	  Yoko,	  Midi	  Z	  	  (Total:25	  /	  Japanese	  Premiere	  showed	  in	  Italic)	  	  For	  more	  informaNon,	  please	  visit:	  hRp://aichitriennale.jp/english/arNst/index.html#fp	  	  Kidlat TAHIMIK, Balikbayan #1: Memories of Overdevelopment, 2015
frame-grabbed from IPhone shot by Sang Bum Heo	TAKAMINE Go,
Queer Fish (post-production) Courtesy of the Queer Fish Film
Committee	

Pimpaka Towira, he Island Funeral 2015 Cortesy of the artist	

Performing	  Arts:	  	  	  The	   lineup	   of	   performing	   arts	   will	   include	   works	   by	   Company	   DCA	   /	   Philippe	   DECOUFLÉ,	   one	   of	   France’s	   unique	   talents,	  the	   maverick	   ﬂamenco	   dancer	   and	   choreographer	   Israel	   GALVÁN,	   and	   many	   other	   enNcing	   producNons	   with	   a	   focus	   on	  geographical	  locaNons	  closely	  related	  to	  the	  roots	  of	  indigenous	  tradiNons	  of	  dance	  and	  performing	  arts.	  	  	  Animal	  Religion,	  AOKI	  Ryoko,	  Asian	  Sounds	  Research	  (Project	  director:	  Sachiko	  M),	  Company	  Didier	  THÉRON,	  Company	  DCA	  /	  Philippe	   DECOUFLÉ,	   Israel	   GALVÁN,	   KOSUGI	   Takehisa,	   Dani	   LIMA,	   Rainbow	   Carnival,	   Co.	   YAMADA	   Un	   (Total:10	   /	   Japanese	  Premiere	  showed	  in	  Italic)	  	  For	  more	  informarion,	  please	  visit:	  hRp://aichitriennale.jp/english/arNst/index.html#pa	  	  	  Compagnie DCA / Philippe DECOUFLÉ, CONTACT,
2014
photo: Laurent Philippe

Israel GALVÁN
photo: Luis Castilla Fotografia

Co.Yamada Un, Monaka, 2015 © Naoshi Hatori	Opera	  Produc7on:	  	  	  Aichi	  Triennale	  2016	  will	  present	  as	  its	  opera	  producNon	  a	  fresh	  interpretaNon	  of	  The	  Magic	  Flute,	  the	  last	  operaNc	  work	  composed	  by	  W.	  A.	  Mozart.	  The	  producNon	  will	  be	  directed	  and	  designed	  (stage	  set,	  lighNng,	  and	  costumes)	  by	  TESHIGAWARA	  Saburo,	  a	  dancer	  and	  choreographer	  whose	  highly	  original	  producNons	  have	  won	  him	  internaNonal	  acclaim,	  and	  conducted	  by	  Gaetano	  d‘ESPINOSA,	  one	  of	  Italy’s	  most	  talented	  and	  exciNng	  conductors.		  
Conductor:	  Gaetano	  d’ESPINOSA	  ,	  Director,	  stage	  /	  set	  /	  lighNng	  /	  costume	  design:	  TESHIGAWARA	  Saburo	  Cast:	  SUZUKI	  Jun	  (as	  Tamino),	  MORIYA	  Mari	  (as	  Pamina)	  and	  more	  	  For	  more	  informaNon,	  please	  visit:	  	  hRp://aichitriennale.jp/english/arNst/index.html#op	  	  Gaetano d’ESPINOSATESHIGAWARA Saburo© Norifumi Inagaki

About	  Aichi	  Prefecture:	  Aichi	   prefecture	   is	   located	   roughly	   in	   the	   center	   of	   Japanese	   archipelago	   with	   a	   populaNon	   of	   around	   7.5million,	   it	  is	  also	  the	  4th	  largest.	  Aichi	  prefecture	  has	  an	  excellent	  access	  to	  anywhere,	  not	  only	  inside	  but	  globally	  as	  well.	  
Oƒen	   called	   Japan’s	   industrial	   capital,	   Aichi	   is	   renowned	   for	   its	   world-­‐class,	   cuqng-­‐edge	   technology	   in	   the	  automoNve	   and	   aerospace	   industries.	   In	   fact,	   the	   monetary	   value	   of	   product	   shipments	   from	   Aichi	   has	   been	  leading	  Japan	  for	  38	  consecuNve	  years	  since	  1977.	  It	  is	  also	  a	  land	  of	  history	  and	  tradiNon,	  being	  home	  to	  a	  great	  	  number	  of	  historical	  sites	  and	  three	  prominent	  samurai	  warlords	  who	  paved	  the	  way	  for	  the	  uniﬁcaNon	  of	  Japan	  over	  500	  years	  ago.	  	  	  VENUES:	  	  Nagoya	  City:	  One	  of	  Japan’s	  major	  ciNes	  with	  a	  populaNon	  	  of	  about	  2.29	  million	  people,	  located	  in	  the	  	  western	  part	  of	  Aichi	  Prefecture,	  Nagoya	  is	  the	  	  poliNcal,	  economic,	  and	  cultural	  center	  	  of	  the	  Chubu	  region	  of	  the	  country.	  It	  is	  	  characterized	  by	  its	  mix	  of	  a	  rich	  history,	  	  a	  proud	  culture	  of	  skilled	  manufacturing,	  	  and	  industrial	  vitality.	  	  Venues:	  Aichi	  Arts	  Center,	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  Nagoya	  City	  Art	  Museum,	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  Choja-­‐machi	  Area,	  Sakae	  Site,	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  	  Nagoya	  StaNon	  Site	  	  	  	  Okazaki	  City:	  	  A	  central	  city	  in	  the	  western	  Mikawa	  area,	  Okazaki	  City	  is	  located	  in	  the	  central	  part	  of	  	  Aichi	  Prefecture	  and	  has	  a	  populaNon	  of	  approx.	  	  380,000.	  The	  city	  is	  renowned	  as	  the	  birthplace	  	  of	  Tokugawa	  Ieyasu,	  founder	  of	  the	  Edo	  shogunate,	  	  and	  boasts	  an	  abundance	  of	  historical	  and	  tradiNonal	  	  assets.	  	  Venues:	  Higashi-­‐Okazaki	  StaNon	  Site,	  Kosei	  Site,	  Rokku	  Site	  	  	  	  Toyohashi	  City:	  A	  central	  city	  in	  the	  eastern	  Mikawa	  area,	  Toyohashi	  City	  is	  located	  in	  the	  southeastern	  part	  of	  Aichi	  Prefecture	  and	  has	  a	  populaNon	  of	  approx.	  380,000.	  Due	  to	  its	  proximity	  to	  the	  Paciﬁc	  Ocean	  and	  Mikawa	  Bay,	  the	  city	  boasts	  a	   beauNful	   natural	   environment.	   There	   is	   also	   a	   tradiNonal	   streetcar	   service	   available	   to	   meet	   the	   daily	  	  transportaNon	  needs	  of	  ciNzens.	  	  Venues:	  PLAT	  Site,	  Suijo	  Building	  Site,	  Toyohashi	  Eki-­‐mae	  Main	  Road	  Site	  	  For	  more	  informaNon	  for	  the	  venues,	  please	  visit:	  hRp://aichitriennale.jp/english/about/index.html#nagoya