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Ravel’s Jeux d’eau as a Sonata Form:
A New Connection Method between the Development and the Recapitulation੤ඎ ༺NISHIO Yo

In Ravel’s Jeux d’eau the development is connected to the recapitulation through using an organ point neither indominant nor tonic, but in the mediant. This is not a typical use of such a connection. Furthermore, this organ point
is so long that it stays almost a quarter of the whole piece and remains even for 5 bars after the beginning of therecapitulation. It might have a conflict with the idea of the classical and even romantic sonata form because the beginof the recapitulation is both formally and harmonically not so clear. Historically seen some composers, like Beethoven,
Schumann, Brahms or Debussy, have tried to shape connections between the development and the recapitulation, notlike a pure da capo. This article investigates how this organ point functions in a piece composed as a sonata form
after such composers. As result it can be said about the connection that Ravel 1) almost eliminates the steps at thebeginning of the recapitulation, 2) got the harmonic movement closer to a stationary state, 3) set the beginning phrase
in major key in the exposition to the minor key in the recapitulation, and 4) transformed therefore the recursive threepart-sonata form to a chronological.

ͺͣΌͶ ຌ࿨ߡͲͺɾϠϨηʀϧϲΥϩ Maurice Ravelʤ1875-1937ʥ͹ʮਭ͹ٖΗ Jeux d’eauʯͶ͕͜Ζఴ֋෨஦൭͖Δ࠸‫ݳ‬෨͹೘ΕͶ͖͜ͱ͹ώη͗஦Խ͹ฯକͲ͍Ζ͞ͳ͹ߑଆద͵қັΝ‫ͤৄݗ‬Ζɽλψν‫ࣞܙ‬͹࠸‫ݳ‬෨๱ಆͶ͕͏ͱͺɾྼ࢛దͶ͠Ή͡Ή͵ߑଆ͗ଚࡑͪ͢ɽ࠸‫ݳ‬෨Ͷ‫ݳ‬ΗΖϓϪʖθ͹ॳ঄͗ఆࣖ෨͹΍͹ͳҡ͵ͮͱ͏ͪΕɾक௒͹յ‫ݳ࠸͗ؾ‬෨Ͷ೘ͮͱ͢ͻΔ͚‫͖ͱͮܨ‬ΔͲ͍ͮͪΕɾఆࣖ෨͹͍ΖϓϪʖθ͗ͤͲͶఴ֋෨Ͳक௒ͶΓͮͱ࠸‫͠ݳ‬Ηͱ͏ͪΕ΍ͤΖɽ͑͞͏ͮͪ࠸‫ݳ‬෨ͺఆࣖ෨͹ช࣊௪Ε͹࠸‫Ͳݳ‬ͺ͵͏͞ͳ͖Δɾοϡʖϩθʀϫʖκϱ Charles Rosenʤ1927-2012ʥͺ࠸‫ݳ‬෨ͳ͏͑໌সͶͯ͏ͱʰ‫ޣ‬সͲ͍Ζʱͳ͢ͱ͏Ζʤϫʖκϱ 1997: 292ʥɽͲͺͨ͹࠸‫ݳ‬෨ͳ͏͑‫;ݼ‬๏͗ྼ࢛৏ʹ͹Γ͑Ͷ࢘ΚΗͱͪ͘͹͖Νටմ͚ͳɾϦύϱʀβρφϓϨʖφʀϲΟϩνʖJohann Gottfried Walterʤ1684-1748ʥͺɾ࠸‫ݳ‬෨ΝқັͤΖϓϧϱη‫ ޢ‬reprise Ώχ΢ς‫ޢ‬
Reprise ͹‫͍Ͳݫ‬Ζ΢νϨΠ‫ޢ‬͹ ripresa Ͷͯ͏ͱʰ‫܃‬Εศ͢‫͍Ͳߺى‬Ζ also heisset das WiederholungsZeichenʱͳͫ͜‫͏ͱ͢ى‬Ζ (Walther 1732: 528)ɽΉͪύ΢ϱϨρϐʀέϨηφϓʀαρϙ Heinrich ChristophKochʤ1749-1816ʥͺʲԽֺࣆఱ Musikalisches Lexiconʳ͹ Reprise ͹ߴͶ͕͏ͱʰʲ‫܃‬Εศ͢‫ߺى‬ʳΝࢂলͦΓ siehe Wiederholungszeichenʱͳ‫( ͢ى‬Koch 1802: 1246)ɾࢂল઎ͲͺΏͺΕ‫܃‬Εศ͢‫ߺى‬͹֦झͶͯ͏ͱઈ໎ΝՅ͓ͱ͏Ζ͹ΊͲ͍ΖʤKoch 1802: 1741-1744ʥɽ൶͹ʲࡠ‫ۄ‬͹घӀ͘͹ࢾΊ Versuch einer Anleitung 

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zur CompositionʳͲͺɾ͞ΞͶͬͲ͏͑ͳ͞Θ͹ఆࣖ෨ΝɾΉ͠Ͷ‫܃‬Εศ͢‫ߺى‬ͶΓͮͱ‫܃‬Εศ͠ΗΖͳ͞Θͳ͏͑͞ͳ͖Δʰ୊ 1 ϪϕϨʖκ erste Repriseʱͳ͢ʤKoch 1782-1793, 3: 130ʥɾࢴͪͬ͹ཀྵմͤΖλψν‫ࣞܙ‬͹࠸‫ݳ‬෨͹͞ͳͺʰ୊ 2 ෨Ͷ͕͜Ζ࠹‫ޛ‬͹कઇ letzten Hauptperiode des zweyten Theilsʱͳ‫ى‬फ़͢ͱ͏ΖʤKoch 1782-1793, 3: 308ʥɽϲΟϩνʖΏαρϙ͗λψν‫ࣞܙ‬͹Γ͑͵ 3 ෨‫ࣞܙ‬͹୊ 3 ෨ʤαρϙͶॊ͓ͻ୊ 2 ෨͹‫رޛ‬ΕʥΝ
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3 ෨ͺ૱ରదͶյ‫ؾ‬ɾ࠸‫ݳ‬͹ༀׄΝ૮౲ఖౕͶ୴ͮͱ͏Ζɽͨ͹Γ͑͵஦Ͳɾϫʖκϱͺɾλψν‫ࣞܙ‬͹୊ 3 ෨ͶՁΔ͖͹ཀྵ༟ͶΓͮͱ෨෾దͶՅ͓ΔΗͪรԿ͗ʰߑଆద͵қັΝ࣍ͯʱͳࢨఢͤΖʤϫʖκϱ 1997: 295ʥɽ‫ັڷ‬਄͏͹ͺɾͨ͹ߑଆద͵қັ͗൅ਫ਼ͤΖͪΌͶͺɾ‫و‬ଉ੓Ώ‫׵‬सͶॊ͑͵Δͻͨ͑Ͳͺ͵͏͗ɾͨ͹ࡠ඾Ͳͺҩ͑ͳ͏͑Γ͑͵ർֳ͹ͪΌͶʰ‫و‬ଉ੓Ͷॊͮͪໃ໌͹ࢡʱΝ૟ఈͤΖචགྷ͍͗Ζͳ͏͑͞ͳͲ͍Ζɽͨ͹ࢡͪΖ‫ߑݬ‬ଆͺɾ΍ͬΘΞʰ࠸‫ݳ‬෨ʱͳ͏͑໌઴Ͷॊͮͱ‫܃‬Εศ͠ΗΖ΄͘ͺͥ͹ఆࣖ෨ɾͲͺ͵͚ɾಝఈ͹࣎େΏஏҮͶҲൢద͵‫׵‬सΏ‫و‬൥͖Δ૟ఈ͠ΗΖ΍͹Ͳ͍ΖɽϚϱθͺ͞ΗΔΝͨΗͩΗʰʲ಼దʳ‫ࣞܙ‬ʱʰʲ֐దʳ‫ࣞܙ‬ʱʤϚϱ
θ 2018, 11ʥ͍Ζ͏ͺʰਫ਼੔࿨ద generativeʱʰ‫و‬൥࿨ద conformationalʱͳ෾ྪ͢ɾ͞Η͗ʰԽֺ‫ࣞܙ‬͹ϏϧχρέηʱͲ͍Ζͳफ़΄ͱ͏ΖʤϚϱθ 2018: 28-29ʥɽ
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ͱ͏ΖɽฯକԽͺ࿪੢෾ੵͶ͕͏ͱ 2 ͯ͹ѽ͏͗Ն೵Ͳ͍ΖɽҲͯͺฯକԽΝߡࡱ͹ଲে͖Δঈ֐͢ɾͨΗҐ֐͹੢෨Ͷ͕͜Ζ࠹ఁԽΝࣆࣰ৏͹ώηͳߡ͓Ζ๏๑Ͳ͍ΖɽͨΗͶΓΗͻɾොྭ 2 ͹࿪੢ߑଆͺঙ͵͚ͳ΍֋࢟‫ ޛ‬3 ঘઇؔͺรԿ͢ͱ͏͵͏͞ͳͶ͵Ζɽ΍͑Ҳͯ͹‫ݡ‬๏ͺɾฯକԽ৏Ͷ͏͖͵Ζ࿪੢ߑଆ͍͗ͮͪͳ͢ͱ΍ɾͨΗͺಋҲฯକԽ৏Ͳ͹ඏࡋ͵รԿͶ͙ͤ͵͏ͳͤΖ΍͹Ͳ͍ΖɽͨΗͶΓΗͻɾොྭ 2 ͺ Gis ৏ͶԽ‫࣍͗ڻ‬କ͢ͱ͏Ζͫ͜ͳ͏͑͞ͳͶ͵Ζɽ ͙ͯͶɾ͞͞Ͳฯକ͠Ηͱ͏Ζ Gis ͺʹ͹Γ͑Ͷ६ඍ͠Ηͱ͏Ζ͹͖Ν؏ࡱͤΖɽ͞͹Խͺఴ֋෨͹୊
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ොྭ 2 ʮਭ͹ٖΗʯ࠸‫ݳ‬෨๱ಆʤ୊ 62ʛ65 ঘઇʥ ฯକ͠Ηͱ͏Ζ Gis ͗࢟ΉΖ͹ͺ୊ 48 ঘઇͲɾఴ֋෨͹࠹΍੟Ε৏͗ͮͪ෨෾
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ɽ୊ 49 ঘઇͲఁԽͶ͍Ζ΄͘ Gis0 ͹େΚΕͶ
A0 ͗༽͏ΔΗͱ͏Ζ͹ͺɾ௪৙͹伶൭Ͷ͞͹Խ͗ଚࡑ͢ͱ͏͵͏ͪΌͲ͍Ζɽොྭ 3 ʮਭ͹ٖΗʯ୊ 48ʛ50 ঘઇຌ࿨ߡ͹‫ৄݗ‬͹൥ᙟΝ௔͓ΖͪΌ͞͞ͲͺࢨఢͤΖͶͳʹΌΖ͗ɾϧϲΥϩͶ͕͏ͱɾGis0 ͹େ଺ͳ͢ͱ࢘༽͢ͱ͏Ζͳߡ͓ΔΗΖ A0 ͹ࣆྭͺɾͪͳ͓ͻʮϒΠό‫ڢ‬૙‫ۄ‬ʯΏʮ໹͹ΪηϏʖϩʯ͹ʬηΩϩϚʭͶ‫ݡ‬ΔΗΖɽ伶൭͹‫ݸ‬ֆͶΓͮͱԽ͹รߍΝ༪ٓ͵͚͠Ηͪ΍͹ࣙରͺྼ࢛దͶࣰྭ͍͗Εɾώρύʮฑ‫ཱۋ‬έϧϲΡʖΠ‫ॄۄ‬ʯ୊ 1 ‫ת‬୊ 8 ൬ BWV853 ϓʖΪ͹୊ 16 ঘઇΏɾϗʖφʖϲΥϱʮϒΠόʀ λψνʯop. 31-2 ୊ 1 ֺহ୊ 189-192 ঘઇ͵ʹ͗‫͝ڏ‬ΔΗΖɽ͞ΗΔͺ΍͢ࡠ‫ۄ‬͹఼࣎Ͳ伶൭͗ͤͲͶ֨௃͠Ηͱ͏ͪ͵Δɾ͕ͨΔ͚ʰਜ਼͢͏ԽʱͲॽ͏ͱ͏ͪͲ͍Θ͑ͳਬ଎͠ΗΖɽ͵ͧ͵Δɾॽ͘‫͠ى‬ΗͪԽͺ‫׵‬सదͶ΍ࡠ‫ۄ‬ཀྵ࿨దͶ΍ʰ‫ͱͮޣ‬ʱ͏Ζ͞ͳɾଲԢͤΖ෨෾ͳ໎Δ͖Ͷҡ͵ͮͱ͏Ζ͞ͳΏɾͨΗ
Δ֚͗౲ͤΖࡠ‫ۄ‬Պ͹Ҳൢద͵ॽ๑Ͳͺ͵͏͖ΔͲ͍Ζɽ͖͢͢ϧϲΥϩ͹ A0 ͹࢘༽๑ͺɾ‫ ͱ͓׸‬A0ΓΕఁ͏Խ͗චགྷͳ͠ΗΖ௒ɾ࿪ԽɾԽ‫ܗ‬౵ΝߑଆదͶઅఈ͢ͱࡠ‫͏ͱ͢ۄ‬Ζ͞ͳɾେ଺͗ҲౕͶ‫ݸ‬ΔΗ͵͏͞ͳʤʮਭ͹ٖΗʯͶ‫ͱͮݸ‬΍ Gis0 Ͳ͍Ζ΄͘ A0 Ν 3 յ΍༽͏ͱ͏Ζʥ͵ʹ͖ΔɾՁΔ͖͹қਦ͗ഐ‫ܢ‬Ͷଚࡑ͢ͱ͏ΖՆ೵੓͗ߡ͓ΔΗΖɽ̐ɿંକ෨෾͹ߑଆద͵қັ Ήͥ࠸‫ݳ‬෨͗ɾ௜઴͹ఴ֋෨͖Δକ͚ఁԽ৏Ͷ֋࢟͢ͱ͏Ζ͞ͳ͖Δɾͨ͞Ͷ‫ࣞܙ‬৏͹୉͘͵ۢ઀ΕΏஇઊΓΕ΍ɾรԿΝ಼ใͤΖ୉͘͵࣍କΝࡠΕड़ͨ͑ͳͤΖқਦ͗‫ݡ‬ड़͠ΗΖɽͨ΍ͨ΍ฯକఁԽͺɾ‫͚ݻ‬ͺϘϫνϱΏϪΨψϱΔόʖφϩξϞֺഁ͹ླྀٓͶɾ͍Ζ͏ͺώϫρέ࣎େ͹ΨϩΪϱԍ૙Ͷ‫ݡ‬ΔΗΖΓ͑ͶɾԽՃ͗֨୉͠Ηͪఈડཱ৏Ͳଠ੢෨͗ૹ২దͶಊ͚ͳ͘Ͷɾఈડཱ͹֦Խ͗݃Վͳ͢ͱฯକదͶѽΚΗΖ৖߻ͳɾΨϩΪϱࡠ඾͹֋࢟Ώश྅෉ۛͶ͕͜ΖϘξϩʤΨϩΰϩʀϕϱέφʥ͹৖߻͗
͍Ζɽͨ͹͏ͥΗ΍ɾಋҲฯକԽ৏Ͳ͏͖͵Ζ͞ͳ͗͵͠ΗΓ͑ͳɾͨ͹ฯକ͢ͱ͏ΖԽ͗ॶ଒ͤΖΓΕ୉͘͵સର͗͵ͨ͑ͳ͢ͱ͏Ζ͞ͳͶͺɾՁΔӪ‫ڻ‬Ν༫͓͵͏ɽͨ͢ͱΉ͠Ͷͨ͹ཀྵ༟ͶΓͮͱɾΨϩΪϱͶ͕͜Ζଊ‫ڷ‬ԍ૙Ͷଡ༽͠ΗɾकԽΏ଒Խͳ͏ͮͪ௒దͶ୉͘͵қັ͹͍ΖԽΝӀ͘Ԉͻ͢ɾ΋͢Θͨ͹ఁԽ͗΍ͯ௒ద͵ްՎΝଁ୉ͦ͠ΖͪΌͶଠ੢෨͗࣎ؔ͹ԈӀΝ୴ͮͱ͏Ζ৖߻͍͗Ζͳ΍͏͓Ζɽ
ͪͳ͓ͻϦύϱʀιώητΡΠϱʀώρύ Johann Sebastian Bachʤ1685-1750ʥ͗ΨϩΪϱ͹ͪΌͶॽ͏ͪʮφρΩʖνͳϓʖΪʯBWV540 ͹φρΩʖνͺɾकԽ͹ฯକఁԽ͗୊ 1ʛ54 ঘઇΉͲକ͘ɾͨ͹‫ޛ‬ώη͹λϫ͗୊ 80 ঘઇΉͲ͍Εɾ଒௒΃͹͘ΚΌͱ୻͏शࢯ‫͗ܙ‬କ͘ɾशࢯ‫ܙ‬͹௜઴ΉͲࣰ࣯దͶͺकԽ৏͹‫͑͏ͳ͘ڻ‬୉͘͵஬͗รԿͤΖ͞ͳͺ͵͏ʤොྭ 4ʥɽͨ͢ͱͨ͹शࢯ‫ܙ‬͹࣏ͺ଒Խ৏ͲಋͣΓ͑͵ฯକʤ୊ 83ʛ136 ঘઇʥΝ‫܃‬Εศͤ͞ͳͶΓͮͱɾ଒Խ৏͹‫͘ڻ‬͹୉͘͵஬͗ࡠΔΗΖɽ
ොྭ 4 ώρύʮφρΩʖνͳϓʖΪ ϖௗ௒ʯBWV540 ୊ 1ʛ11 ঘઇ ͨ͹Γ͑͵ߡ͓Ͷཱིͮͪͳ͘ɾ
ʮਭ͹ٖΗʯ͹࠸‫ݳ‬෨͹೘ΕΝ‫؜‬΋୊ 48ʛ66 ঘઇͺɾक௒Ͳ͍Ζ E-Dur
͹஦Խ৏͹͍ΔΑΖ‫͘ڻ‬͹࿊࠱ΏรԿͳ͏ͮͪ΍͹Ͳ͍Εɾঙ͵͚ͳ΍ఴ֋෨ͳ࠸‫ݳ‬෨͹ࠫҡΝ໎ྐͶԍड़͢Γ͑ͳ͏͑΍͹Ͳͺ͵͏ɽఆࣖ෨ͳ࠸‫ݳ‬෨͹ͨΗͩΗ๱ಆ͹ϓϪʖθͺΆ·ಋҲͳ͏ͮͱΓ͏͗ɾ࿪ԽસରΝ෾ੵͤΖͳɾ઴ंͺ 

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E-Dur ͹क࿪Խ‫ܧ‬྽Ͳ͍Εɾ‫ंޛ‬ͺ gis-Moll ͹क࿪Խ‫ܧ‬྽ͳߡ͓Ζ͞ͳ͗Ͳ͘Ζʤොྭ 5ʥɽ઴ं͹αʖχϋʖϞͺ Eadd9ɾ‫ंޛ‬ͺ G♯m7 ͳॽ͘නͦΖɽ‫ंޛ‬Ν E-Dur ͹क࿪Խ͹୊ 1 ఺յ‫ܙ‬ʤEadd9 on G♯ʥͳ‫ݡ‬Ζ͞ͳ΍ҲԢՆ೵ͫ͗ɾकԽ E ͹༽๑͗෯࣏దͲ͍Ζ͞ͳɾఁԽ Gis ͹໒Ε‫͏ͱ͏ڻ‬Ζ࣎ؔ͗઴‫Ͳޛ‬ඉ৙Ͷௗ͚ɾΉͪԽҮదͶ΍ଚࡑ‫͖ͳ͞͏ک͗״‬ΔɾGis ৏͹࿪Խͳߡ͓ɾE ͺմ݀͢͵͏෉ՅԽɾΉͪͺ಼੢Ͷ͕͜ΖकԽ͹ฯକͳߡ͓ΔΗΖɽොྭ 5 ʮਭ͹ٖΗʯ͹୊ 1 ঘઇͳ୊ 48 ঘઇ͹࿪Խർֳ ݃ՎదͶ࠸‫ݳ‬෨ͺఆࣖ෨ͳಋͣԽોࡒΝ༽͏͵͗Δɾௗ௒͖Δ୻௒΃͹٘ࣇద͵ʰ఺௒ʱްՎΝਫ਼Ίड़͢ͱ͏ΖɽΉͪɾԽ֌୊ 3 Խ͗ώηͶ༽͏ΔΗͪ࠸‫ݳ‬෨ͲͺɾकԽΏ଒Խ͵ʹͳർ΄ͱ͠Άʹ‫͏ک‬ಢࣙ͹‫ؽ‬೵࿪੢ద͵ྙΝ࣍ͪ͵͚͵ͮͱ͏Ζɽ Ґ৏Ν੖ཀྵͤΖͳɾఴ֋෨͖Δ࠸‫ݳ‬෨΃͹ંକͺ࣏͹Γ͑ͶΉͳΌΔΗΖʁ ʀώη͗ฯକ͠Ηͱ͕Εɾ‫ߑࣞܙ‬ଆ৏͹இઊͺ͘ΚΌͱओ͏ɽ ʀௗ௒Ͳ͍ͮͪఆࣖ෨͹ϓϪʖθ͗Խ߶Ν୉͚͘ร͓Ζ͞ͳ͵͚୻௒ͳ͢ͱ࠸‫͠ݳ‬Ηͱ͏Ζɽ ʀฯକఁԽͶ༽͏ΔΗͱ͏Ζ஦Խ͗ώηͶ͍Ζ৖߻ɾ‫ߑࣞܙ‬ଆ৏͹‫͏ک‬ਬ਒ྙΝ࣍ͮͱ͏͵͏ͪΌɾ͞͞Ͷ௒ద͵ྙָ͹໪ཱིͮͪಊ͘ͺ‫ݡ‬ΔΗ͵͏ɽ̑ɿλψν‫ࣞܙ‬Ͷ͕͜Ζ࠸‫ݳ‬෨͹೘Ε͹޽෋ ఴ֋෨஦൭Ͷ֋࢟͢ɾ࠸‫ݳ‬෨Ͷ೘ͮͱ΍͵͕ఁԽͶฯକ͠Ηͱ͏Ζ Gis ͺ୊ 67 ঘઇͲ Fis ΃ɾͨ͹‫ޛ‬ࡋΏ͖͵༵ΗΝ‫ͱܨ‬୊ 77 ঘઇͲ଒Խ͹ H Ͷ೘Εɾ୊ 80 ঘઇͲ Aɾ୊ 81 ঘઇͲ GisɾFis ͳ‫ܨ‬գదͶԾ͗Εɾ୊ 82 ঘઇͲकԽ E Ͷ౺ୣͤΖɽ઴फ़ͪ͢Γ͑Ͷ GisʤԽ֌୊ 3 ԽʥͺԽ֌಼Ͳ‫ྙ͏ک‬Ν࣍ͮͱ͏ΖΚ͜Ͳͺ͵͏͗ɾକ͚ Fis-H- (ʞ) E ͺ‫ؽ‬೵࿪੢ద͵शࢯ‫ܙ‬Ν૟ًͦ͠Ζɽ ͠ΔͶࢻ఼Ν֨͝ɾఴ֋෨͖Δ͹ླྀΗΝ૱‫ׇͤ‬Ζɽ୊ 48ʛ49 ঘઇͲ௘఼Ν‫ܙ‬੔͢ɾҲ‫ـ‬ᄁ੔ͶཚԾͪ͢ώηͺɾ伶൭࠹ఁԽ͹‫ݸ‬ֆΝ௔͓Γ͑ͳ͢͵͗ΔͨΗ͗‫א‬Κͥ A0 Ͳେ଺ͪ͢͞ͳͺͤͲͶफ़΄ͪʤොྭ 3ʥɽ͞͞Ͳɾఴ֋෨͹೘Εʤ୊ 38 ঘઇʥ͖Δ৤੔͠Ηͱͪ͘੟Ε৏͗Ε͹݃Վͳ͢ͱ͹௘఼͖Δɾಧષɾώηͳ͢ͱ௒దͶ͠Άʹ‫ྙ͏ک‬Ν࣍ͪ͵͏஦Խ৏Ͷం଼ͤΖɽͨ͢ͱͨ͹ం଼Ν࣍କͪ͢ΉΉ࠸‫ݳ‬෨Ͷ೘Εɾฯକ͠Ηͱ͏ͪώη͗؉Ώ͖ͶԾ߳࢟͢Όɾඉ৙Ͷఁଐ͵शࢯ‫ܙ‬Ν‫ܙ‬੔͢͵͗ΔकԽͶ౺ୣͪ͢ͳ͘Ͷͺࡠ඾͹࠹श‫ۃ‬໚Ͷ೘Ζɽ λψν‫ࣞܙ‬Ν‫؜‬΋ 3 ෨‫ࣞܙ‬Ν੔ཱིͦ͠Ζ࠹୉͹གྷҾ͹Ҳͯͺ࠸‫ݳ‬෨͹ଚࡑͲ͍Ζɽ͞͹࠸‫ݳ‬෨Ͷʹ͹ Γ͑Ͷ਒೘͢ͱ͏͚͹͖Ͷͯ͏ͱɾͯΉΕ࠸‫ݳ‬͹࢕๏Ͷͯ͏ͱ޽෋Νͪ͢ྭͺঙ͵͚͵͏ɽͪͳ͓ͻ୊ 2कୌ͖Δ࠸‫ͱ͢ݳ‬୊ 1 कୌͲถͣΖ΍͹ʤϠʖςΟϩφʮϒΠόʀλψνʯKV311 ୊ 1 ֺহ͵ʹʥɾ୊ 1कୌ͹೘Ε͗क௒Ґ֐͹΍͹ʤϗʖφʖϲΥϱʮϒΠόʀλψνʯop. 10-2 ୊ 1 ֺহ͵ʹʥɾ͍Ζ͏ͺύ
΢χϱͶಝ௅ద͵٘ࣇ࠸‫ ݳ‬Scheinreprise Ν൒͑λψν‫͍Ͳʹ͵ࣞܙ‬Ζɽ͞ΗΔͶ‫خ‬ຌదͶ‫ڠ‬௪͢ͱ͏Ζ͹ͺɾఴ֋෨͹शΚΕ͗ҲൢͶՁΔ͖͹௒͹ൔशࢯͲ͍Εɾ࠸‫ݳ‬෨ͺक࿪Խ͹‫خ‬ຌ‫ܙ‬ʤఆࣖ෨͹֋࢟͗ͨΗͲ͍ͮͪ৖߻ʥͲ֋࢟ͤΖ͞ͳͲ͍Ζɽ͖͢͢ɾఴ֋෨ͳ࠸‫ݳ‬෨͹ؔͶ࿪੢ద͵ۢ઀ΕΝઅͥ͜ɾ࿪੢ϓϪʖθ͹౏஦Ͷ࠸‫ݳ‬෨͹೘Ε͗ଚࡑͤΖΓ͑͵ࡠ‫ۄ‬घ๑Ν༽͏ͪ΍͹͍͗Ζɽͪͳ͓ͻϗʖφʖϲΥϱʮި‫ۄڻ‬୊ 9 ൬ʯ୊ 3 ֺহʤොྭ 6ʥɾεϣʖϜϱʮި‫ۄڻ‬୊ 1 ൬ʯ
୊ 1 ֺহɾಋʮި‫ۄڻ‬୊ 3 ൬ʯ୊ 1 ֺহɾΉͪλψν‫Ͳࣞܙ‬ͺ͵͏͗χϑϣρεʖʮࢢ‫ڛ‬͹྘෾ʯΓΕʬήϧχΣηʀΠχʀϏϩψρηϞദ࢞ʭ͵ʹͺɾक࿪Խ͹୊ 2 ఺յ‫ܙ‬ʤ࢝࿣͹࿪Խʥ͗࠸‫ݳ‬෨͹೘ΕͶड़‫ͤݳ‬ΖΓ͑͵࿪੢਒ߨͶ͵ͮͱ͏Ζɽक࿪Խ͹୊ 2 ఺յ‫ܙ‬ͺఁԽ 4 ౕΝ‫؜‬΋ြ࿪ԽͲ͍Εɾ‫ؽ‬೵దͶ଒࿪ԽͲ͍Ζɽͪ͗ͮ͢ͱɾशࢯ‫ܙ‬͹մ݀઎Ͳ͍Ζक࿪Խ͹௜઴Ͷ͍Ζɾ࠹΍‫ە‬௃ౕʤ͍Ζ͏ͺ෈҈ఈౕʥ͹߶͏࿪ԽͲ͍Εɾक࿪Խ΃͹մ݀Ν‫غ͚ک‬ଶͦ͠Ζ‫͍Ͳ͘ڻ‬Ζɽͨ͹Γ͑͵࿪ԽΝ࠸‫ݳ‬͹೘Ε͹఼࣎Ͷ࣍ͮͱ͚Ζ͹ͺɾఴ֋෨͖Δ৤੔͠Ηͱͪ͘ླྀΗΝ‫ࣞܙ‬ͶΓͮͱஇઊͦ͠Ζ͞ͳ͵͚࠸‫ݳ‬෨Ͷ࣍ͬࠒ΋қਦ͹‫ݳ‬ΗͲ͍ΖɽΠχϩό͹͏͑ʰླྀ೘࠸‫ ݳ‬Mündungsrepriseʱ΍଒Խ͹ฯକΝ൒͑͗ʤAdorno 2004:143ʥɾ͞Ηͺఴ֋෨͹श݃Ͷ͕͜Ζ࠸‫ݳ‬͹६ඍʤͪͳ͓ͻϗʖφʖϲΥϱʮϒΠόʀλψνʯop. 2-1 ୊ 1㸬㸬㸬㸬㸬ֺহʥΝࢨ͢ͱ͕Εɾ࠸‫ݳ‬෨Ͷ೘ͮͱ͖Δ͹଒Խฯକ͹͞ͳͲͺ͵͏ɽ   ොྭ 6 ϗʖφʖϲΥϱʮި‫ۄڻ‬୊ 9 ൬ʯ୊ 3 ֺহ ୊ 121ʛ126 ঘઇ Ґ৏͹Γ͑͵ɾ߁ٝ͹଒࿪ԽͶΓΖ࠸‫ݳ‬෨͹֋࢟Ͷ͕͏ͱͺɾͨ͹଒࿪Խ͹ࠞԽͲ͍Ζ଒Խʤᶙ͹࢝࿣ͺຌ࣯దͶᶝʥΝఁԽͶฯକͦ͠Ζ͞ͳ͗ଡ͏ɽఆࣖ෨͹ϓϪʖθ͹࠸‫ݳ‬Νɾ௒ద͍Ζ͏ͺ࿪੢ద͵‫ە‬௃ౕΝ߶ΌΖ͞ͳͶΓͮͱ‫ک‬௒ͦͪ͠Εɾ‫ࣞܙ‬͹෨෾͟ͳ͹ۢ઀ΕΝۢ઀ΕͳͦͥͶ࿊କͦͪ͠ΕͤΖް 

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Վ͍͗Ζɽ͞ΗͺҲ๏Ͳͺ࠸‫ݳ‬͹‫ک‬௒Ͳ͍Ε͵͗Δɾଠ๏Ͳͺ؉Ώ͖͵͗Δ 3 ෨‫ࣞܙ‬͹൅ఴదմভ΃͹ಕͶଏΝಁΊ೘Ηͪ͞ͳͲ΍͍Ζɽ ϔϧʖϞηͺʮި‫ۄڻ‬୊ 3 ൬ʯop. 90 ୊ 1 ֺহͶ͕͏ͱɾ࣏͹Γ͑͵࠸‫ݳ‬෨͹೘ΕΝ༽қͪ͢ʤොྭ7ʥɽఴ֋෨श྅෨෾ͲͤͲͶյ‫͠ؾ‬ΗΖ΄͘क௒ F-Dur ͹कԽ F ͗ฯକ͠Ηͱ͏Ζʤ‫Ͳ؛‬ҕͮͱ͍Ζʥɽಋ࣎Ͷ F-phrygisch ͹Ծߨ಍ԽͲ͍Ζ Ges ͖ΔकԽ F ΃մ݀ͤΖླྀΗͳɾཔͪΖ F-Dur ͹৏ߨ಍ԽͲ͍ΖE ͖ΔकԽ F ΃մ݀ͤΖླྀΗ͗‫ڠ‬ଚ͢ͱ͏Ζɽ͞Ηͺ‫ॶۃ‬దͶ‫ݡ‬Ηͻ B-Dur Ͷ͕͜Ζϓϧϱη͹࿣͹࿪Խ͗଒࿪ԽͶմ݀ͤΖ਒ߨͳಋྪͲ͍Ζ͗ɾͨΗ͗ F-Dur ͹࿰ૌΊͲ͵͠ΗΖ͞ͳͶΓͮͱɾ‫ع‬ͶৰΗͪक࿪Խ͹୊ 2 ఺յ‫ܙ‬ͶΓΖ࠸‫Ͳݳ‬΍ͪΔ͠ΗΖ͹ͳࣇͪΓ͑ްՎ͗ɾक࿪Խ͹‫خ‬ຌ‫ܙ‬ͶΓͮͱ͓ܶΔ
Ηͱ͏Ζʤಋͣक࿪ԽͲ͍Ε͵͗Δ࢝࿣͹‫ܙ‬Νखͮͱ͏͵͏ͪΌɾ࿪੢ྙָదͶͺऑ‫ױ‬͹ࠫҡ͍͗ΖɽϔϧʖϞηͺ͖ͨ͢͢͹‫ޛ‬αʖξɾ͍Ζ͏ͺ୊ 2 ఴ֋෨Ν֋࢟ͤΖ୊ 183 ঘઇͶ͕͏ͱɾಋͣϓϪʖθΝक࿪Խ͹࢝࿣ɾͯΉΕ଒࿪Խ৏Ͷఴ֋ͤΖ͞ͳͶ͵Ζʥɽ   ොྭ 7 ϔϧʖϞηʮި‫ۄڻ‬୊ 3 ൬ʯ୊ 1 ֺহ ୊ 118ʛ123 ঘઇʤࡠ‫ࣙंۄ‬ਐͶΓΖ 2 ୈϒΠό൝ʥ ϔϧʖϞηͶͺఴ֋෨Ͷௗ͏ฯକԽΝ༽͏ͪ΍͹͍͗ΖɽʮϲΟ΢ΨϨϱʀλψν୊ 3 ൬ʯop. 108 ୊ 1ֺহ͹ఴ֋෨ͺҲؑ͢ͱఁԽͶ଒ԽΝฯକ͢ͱ͕Εɾ఺௒ΝࢭͳͤΖఴ֋෨͹‫ྭ׵‬Ͷൕ͢ͱ͘ΚΌͱҡྭͲ͍Ζɽ͞͞Ͳฯକ͠Ηͪ଒Խͺɾͨ͹ΉΉఆࣖ෨๱ಆͳߑଆదͶ୉͘͵րร͹͵͏࠸‫ݳ‬෨ͶɾࣙષͶ਒೘͢ͱ͏͚ʤොྭ 8ʥɽఴ֋෨͹ฯକԽ A ͺɾఆࣖ෨͕Γ;࠸‫ݳ‬෨͹ϲΟ΢ΨϨϱͳϒΠό͹֋࢟ԽͳಋͣͲ͍Εɾ୉‫ۃ‬దͶ‫ݡ‬ΗͻฯକԽͶࢩഓ͠Ηͪఴ֋෨સର͗࠸‫ݳ‬෨๱ಆ͹ 1 ԽΝ୉͚֨͘୉ͪ͢΍͹
Ͳ͍Ζͳ͏͓͵͚΍͵͏ɽͬ͵ΊͶఴ֋͢͵͖ͮͪఴ֋෨͹ൕಊͺɾ୊ 1 कୌ෨ͳ୊ 2 कୌ෨͹ؔ͹ਬҢ෨ʤ୊ 157ʛ171 ঘઇʥͶ͕͏ͱಊ‫ؽ‬࿓ࡠͳ͵ͮͱනΗɾλψνͳ͢ͱ͹ώϧϱη͗खΔΗͱ͏Ζɽ͖͢͢αʖξʤ୊ 236ʛ264 ঘઇʥͲͺఴ֋෨͹಼༲͗ࠕౕͺकԽ͹ฯକԽ৏Ͷ͵͠Ηͱ͏Ζɽ

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    ොྭ 8 ϔϧʖϞηʮϲΟ΢ΨϨϱʀλψν୊ 3 ൬ʯ୊ 1 ֺহ ୊ 124ʛ134 ঘઇ̒ɿΉͳΌʮਭ͹ٖΗʯ͹ַ৿੓ Ґ৏͹Γ͑͵λψν‫ࣞܙ‬Ͷ͕͜Ζࡠ‫ٗۄ‬๑͹ྼ࢛͹͵͖ͲɾϧϲΥϩ͹ʮਭ͹ٖΗʯͺɾ࣏͹఼Ͳַ৿దͲ͍Ζɽʤ̏ʥఴ֋෨͖Δ࠸‫ݳ‬෨Ͷ೘ͮͱ͢ͻΔ͚ͤΖΉͲҲؑͪ͢ฯକఁԽΝඍ͓Ζ͞ͳͶΓΕɼ‫ࣞܙ‬ద͵ۢ઀ΕΝ‫ݸ‬Ε͵͚ভ໕ͶۛͰͪ͜͞ͳɽʤ̐ʥͨ͹ฯକఁԽ͗ώηͳ͢ͱ௒దͶ‫ؽ͏ک‬೵ΝෝΚ͵͏஦ԽͲ͍Ζ͞ͳͶΓΕɼ‫ؽ‬೵࿪੢ద͵ӣಊΝ؉Ώ͖͵੫ࢯয়ସͶۛͰͪ͜͞ͳɽʤ̑ʥௗ௒Ͳ֋࢟ͪ͢ϓϪʖθΝʤ٘ࣇʥ୻௒Ͳ࠸‫ͳͪͦ͞͠ݳ‬ɽʤ̒ʥҐ৏ͶΓͮͱຌཔյ‫ؾ‬ద͵λψν‫ࣞܙ‬Ν‫࣎ܨ‬ద͵ߑଆͳͪ͢͞ͳɽ λψν‫ࣞܙ‬͹સରߑଆͳ͢ͱ‫͘ͳͪݡ‬ɾ͞͹Γ͑Ͷఴ֋෨͹஦ΆʹͶ௘఼Νࡠͮͪ͹ͬͶΆͳΞʹܸద͵ಊ͘Νͦͥɾఴ֋෨ͳಋͣఁԽΝ࠸‫ݳ‬෨Ͳ΍࣍କͦ͠କ͜ɾͨΗ͗ͨ͹ΉΉ؉Ώ͖͵शࢯ‫ܙ‬ͶླྀΗͱ͏͚ͳ͏͑ߑଆద͵࿪੢અ‫ܯ‬ͺɾ͘ΚΌͱλψνదͲͺ͵͏ɽࡠ඾ͺఴ֋෨͹஦൭͖Δ؉Ώ͖Ͷशࢯ࢟͢Όͱ͕Εɾ͞Ηͺ 3 ෨‫ͱ͢ͳࣞܙ‬͹λψν‫ࣞܙ‬͹໪ࢨͤ΄͘๏޴Ͷ໅८ͤΖɽ͍Ζ͏ͺ 3 ෨‫ࣞܙ‬͹ຌ࣯ΝΆͳΞʹ൳ఈ͖͢͸͵͏ɽ͵ͧ͵Δɾλψν‫ࣞܙ‬ద͵ 3 ෨‫ࣞܙ‬ͺɾ‫ؽ‬೵࿪੢Ͷ͕͜ΖकԽͳ଒Խɾक࿪Խͳ଒࿪Խɾक௒ͳ଒௒͹ؔ͹ΑΗͳ͏͑௒੓Խֺ͹ຌ࣯ద੓࣯͗‫ࣞܙ‬Ͷනड़ͪ͢΍͹͖ͫΔͲ͍ΖɽͨΗΑ͓Ͷɾ୊ 3 ߴͲ‫ͪ͝ڏ‬ϗʖφʖϲΥϱɾεϣʖϜϱɾϔϧʖϞηΔͺɾ଒Խ΍͚͢ͺकԽ͹ฯକΝ൒͑࠸‫ݳ‬෨͹೘ΕΝઅ‫ͪ͏ͱ͢ܯ‬ɽ
୊ 48ʛ49 ঘઇͶ͕͜Ζ௘఼ͳఁԽฯକ͹֋࢟ͶΓͮͱࡠ඾ͺͨ͹ླྀΗΝ୉͚͘ร͓ΖͪΌɼસରͺ͞͹ஏ఼Ͳ෾ׄ͠ΗΖɽͨ͹৖߻ɾ͞͹ࡠ඾ͺන޴͘ 3 ෨‫ࣞܙ‬Ν‫͗͵͝ܟ‬ΔɾͨΗͳͺพ͹࣏‫್Ͳݫ‬෾͠Η 

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Ζ઄யద͵༹ࣞͲ͍Ζͳ͏͓ΖɽΉͪɾఴ֋෨͹௘఼ͳ Gis ͹ฯକ͗࢟ΉΖ୊ 48ʛ49 ঘઇͺɾࡠ඾સର
Ͷ͕͜Ζԭۜ෾఼ׄ͹ʤ85*0.618=ʥ52.53 Ͷ͖͵Εۛ͏ʤ୊ 48 ঘઇΝ෾఼ׄͳ͢ͱ‫ͤࢋܯ‬Ηͻԭۜ෾఼ׄͳ͹ࠫͺ༁ 5.3%ɾ୊ 49 ঘઇͲͺ༁ 4.2%ʥ
ɽଐౕࢨࣖ͹รԿΏΩυϱςΟ෫͹ঘઇ͹ଚࡑ͍͗ΖͪΌɾঘઇ਼ͶΓΖ‫ࢋ׷‬ͺ‫Ͳືݭ‬ͺ͵͏ͳ͢ͱ΍ɾસରߑଆΝ್෾ͤΖ͞ͳͶ͵Ζ͞͹෾఼ׄ͗ɾ݃ՎదͶͨ͹Γ͑͵Ғ஖Ͷ͍Ζͳ͏͑͞ͳͺࢨఢͲ͘Ζɽ ϧϲΥϩ͗஦ԽΝฯକఁԽͶમΞͫ݃Վɾ୊ 2 ߴͲොྭ 5 ͳͳ΍Ͷઈ໎ͪ͢Γ͑Ͷɾ͞͹ࡠ඾Ͷ͕͏ͱௗ௒Ͳ͍ͮͪ๱ಆ͹ϓϪʖθͺɾͨ͹‫خ‬ຌద͵Խ߶ΝՁΔรԿͦ͠Ζ͞ͳ͵͚ɾͪͫώηͶ஦ԽΝՅ͓ͪͫ͜Ͳ୻௒Ͷ఺ͣͪͳߡ͓Ζ͞ͳ͗Ͳ͘Ζɽ΍ͮͳ΍ɾ͞ΗΝ୻௒Ͳ͍ΖͳஇఈͤΖ͞ͳͶͺ৽॑Ͳ͵͜Ηͻ͵Δ͵͏͗ɾঙ͵͚ͳ΍୻ࢀ࿪Խ͹‫ܧ‬྽Ͳ΍͍Ζͳ͏͑մएͺՆ೵Ͳ͍Ζɽௗ௒Ͳ֋࢟ͪ͢ડཱ͗Ҳ࣎దͶ୻௒Ͷ఺ડ͢ͱ͏Ζ΍͹ͺร૙‫ʹ͵ۄ‬Ν஦ৼͶଡ͚‫ݡ‬ΔΗΖɽ͖͢͢ɾͨΗΔͺ࠸;ௗ௒Ͷ఺ͣͱ‫ۄ‬Ν݃΁͹͗৙Ͳ͍Ζɽௗ௒Ͳ֋࢟ͪ͢λψν‫ࣞܙ‬͹Խֺ͗ડཱ͹‫ܗݬ‬ΝԽ߶͹ϪϗϩͲ΍ཻΌ͵͗Δ୻௒ͶΓͮͱʤΉͪͺ୻ࢀ࿪ԽΝ൒ͮͱʥ࠸‫͠ݳ‬Ηͱ͏Ζྭͺɾࣧජं͹எΖ‫ݸ‬ΔΗͪ൥ҕͲͺ‫ݡ‬ड़ͫͦͱ͏͵͏ɽϧϲΥϩͺɾλψν‫ࣞܙ‬͹‫׵‬सͶ͕͜Ζ‫ݬ‬ଉ͹ҲͯͲ͍ͮͪ 3 ෨‫ࣞܙ‬੓ͳɾͨ͹‫ܙ‬ࣞ͹࣎ؔྙָͶଉͮͪक௒΃͹յ‫ؾ‬ΝҲఈఖౕ଩ͬভ͢ɾյ‫ؾ‬੓ΓΕ௪࣎੓ɾ‫࣎ܨ‬੓Ν࣢ͳͪ࣎ؔ͢ߑଆͶΓΖࡠ‫ۄ‬ΝࢾΊͪ͞ͳ͗໎Δ͖Ͷ͵ͮͪɽࢂߡช‫ݛ‬
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