ART & CULTURE

I Made Djirna: Paints his feelings
A. KURNIAWAN ULUNGTHE JAKARTA POSTJakarta / Thu, November 16, 2017 / 09:29 am

It’s so transparent: A girl admires I Made Djirna’s paintings at an exhibition titledTransparan (Transparent) at Historia café in Kota Tua, West Jakarta. Djirna did nottitle any of the 45 exhibited paintings. (JP/A. Kurniawan Ulung)For renowned Balinese artist I Made Djirna, his paintings mirror his feelings.
Balinese artist I Made Djirna closely followed news reports about the volcanic activityof Mount Agung, which had forced tens of thousands of people in Bali to evacuate.
His house in Ubud might not have been in the danger zone, but he could not rest
thinking about the possible eruption that would have harmful eﬀects across theisland. After learning that the volcano’s status was elevated from level three “alert” toA. Kurniawan Ulung, “I Made Djirna: Paints his feelings” The Jakarta Post, ( Accessed date 29 Jan 2020 )https://www.thejakartapost.com/life/2017/11/16/i-made-djirna-paints-his-feelings.html

level four “danger” in late September, Djirna made four watercolor paintings toexpress his anxiety.
“That reminded me of my childhood in 1963 when the mountain erupted. I draw
what I feel,” the 60-year-old said, recalling that his family suﬀered from foodshortages after the eruption.
The four paintings are part of his 45 paintings displayed in an exhibition, entitledTransparan (Transparent), at Historia café in Kota Tua, West Jakarta, from Nov. 5 toNov. 19.
Since 1978, Djirna, who is also a sculptor, has held six solo art exhibitions and taken
part in over 24 joint exhibitions at home and abroad, but he says, the current
exhibition is special because it is his ﬁrst solo painting exhibition.
Transparan curator Asikin Hasan said Djirna’s paintings were mind-blowing because
he used his intuition and the paintings displayed his impressive skills in playing
brushstrokes in watercolor. His works are also open to interpretation and spark theimagination.

Chatting: I Made Djirna depicts the life of Balinese women in one of his paintings.
(JP/A. Kurniawan Ulung)“When wielding his brush, he is like a trained samurai warrior who can handle hissword quickly and precisely,” Asikin said.
He said the exhibition showed the characteristics of Djirna, who does not want tolabel the style of his painting in one speciﬁc genre.

“There are abstract paintings, but there are also paintings with decorative aspects,”
Asikin said.
In a painting about the animal world, Djirna shows his skills in drawing strong andﬂexible lines. Shapes resembling diﬀerent animals can be distinguished and identiﬁed
even though they are created through a single stroke.
In other paintings, the pressure used to draw lines is not expressive, which results inunclear objects whether they are objects, humans or animals.
“When he draws clouds, for example, they look like animals chasing each other,”
Asikin said. “He has strong associative abilities.”
In some works, Djirna shows minimalist characters, for which he combines a sweepof expressive tendencies with strong and sharp line strokes. His paintings mostly
portray speciﬁc body parts, such as the head, face, eyes and lips, because he saysthat they are the most recognizable and remembered parts of any living thing.
Born into a farming family in Kedewatan village, Ubud in 1957, little Djirna liked todraw puppets either on paper or on house walls because he liked to watch puppet
shows.

I see you: I Made Djirna often takes inspirations from certain body parts, such as thehead, face, eyes and lips. (JP/A. Kurniawan Ulung)At that time, the style of Djirna’s paintings was inﬂuenced by the Young Artist
school, which was created and developed by students of Dutch-born Indonesian
painter Arie Smit, who lived in Ubud in 1960s.
In 1978, he moved to Yogyakarta to continue his studies at the Indonesian Academy

of Arts (ASRI), which was the ﬁrst ﬁne-arts campus in the country and is now known
as the Indonesian Art Institute (ISI). He was among the ﬁrst few Balinese artists tostudy art in universities in Java. Previously, renowned painter I Nyoman Gunarsa andproliﬁc artist Made Wianta studied in the ISI.
After graduating in 1985, Djirna became more creative and instrumental. Whenmaking artworks, he refuses to follow common standards, but still respects Balinese
tradition and customs.
Asikin said Djirna was unique not only in his artwork but also in his behavior.
When visiting Djirna’s studio in Ubud, he felt an unusual atmosphere because he saw
rocks, wood and statues, which all were treated like archeological objects. The artist
had picked them up from rivers, beaches and other places.

For renowned Balinese artist I Made Djirna, his paintings mirror his feelings. (JP/A.
Kurniawan Ulung)
For the Djirna these things are not inanimate objects. They are his friends, who havestories and histories.
Asikin understands that the artist has a deep concern for social issues, although hedoes not like to express criticism explicitly through his works. He does not mind if
some people say that Djirna’s paintings are hard to understand.
For Asikin, an artwork is considered good if it can confuse people because it will
drive them to look for answers to questions that pop up in their minds.
“A good painting always inspires observers to develop it themselves because each
artwork contains an aspect of intellectuality,” he said.