㐃㍕ծॖƱ૨‫ ܖ‬Ü ᛖǓƷžɠ‫ݗ‬ſǛǊƙƬƯ➨㸰㸯ᅇ࢛࢘ࣞࢫ࣭ࢫࢸ࢕࣮ࣦࣥࢬࡢ↓ឡ᝿ୖ 1㜿㒊බᙪ
Abe Masahiko᪉ἲ࡜ࡋ࡚ࡢ୙సἲ
2 ᖺ㛫࡟ࢃࡓࡗ࡚⥆ࡅ࡚ࡁࡓࡇࡢ㐃㍕ࡶ⤊ࢃࡾࡀ㏆࡙࠸࡚ࡁࡓࠋ᣺ࡾ㏉ࡗ࡚ࡳࡿ࡜ࠊᮏ✏ࡢฟⓎⅬ࡟࠶ࡗࡓࡢࡣᩥᏛసရ࡟ぢ࠼㞃ࢀࡍࡿࠕ┦ᡭࠖࡢၥ㢟ࡔࡗࡓࠋ᪥ᖖ⏕άࡢ୰࡛⚾ࡓࡕࡀゝⴥࢆ࠿ࢃࡍ࡜ࡁࠊᚲࡎࠕ┦ᡭࠖ࡜࠸࠺ࣇ࢓ࢡࢱ࣮ࡀ࠿ࡽࢇ࡛ࡃࡿࠋ᝟ሗࡉ࠼ఏࢃࢀࡤ࠸࠸ࢃࡅ࡛ࡣ࡞࠸ࠊゝ࠸ࡓ࠸ࡇ࡜ࢆཱྀ࡟ࡍࢀࡤ῭ࡴࢃࡅ࡛ࡶ࡞࠸ࠋゝⴥࡣࠕ┦ᡭࠖ࡜ࡢ࠿࠿ࢃࡾྜ࠸ࡢ୰࡛ࡣࡌࡵ࡚ᶵ⬟ࡋࠊ౑࿨ࢆ඲࠺ࡍࡿࠋࡋ࠿ࡋࠊ⚾ࡓࡕࡣࡘ࠸᝟ሗࡢࡸࡾྲྀࡾ࡟Ẽࢆྲྀࡽࢀࠊࡇࡢࡼ࠺࡞ࠕ┦ᡭࠖ࡜ࡢ㛵ಀ࡛⏕ࡎࡿࢽࣗ࢔ࣥࢫࢆぢⴠ࡜ࡋࡀࡕ࡛࠶ࡿࠋ࡜ࡾࢃࡅᩥᏛసရࡢ୰࡛ࡣࠊㄒࡾᡭࡀࠕ┦ᡭࠖ࡟ᑐࡋ࡝ࡢࡼ࠺࡞ែᗘࢆ࡜ࡗ࡚࠸ࡿ࠿ࡀసရࡢព࿡ࡸຠᯝ࡟Ỵᐃⓗ࡞ᙳ㡪ࢆᣢࡘࠋㄒࡾᡭࡀᨻ἞
ⓗ࡜࠸ࡗ࡚ࡶ࠸࠸ࡼ࠺࡞ᡓ␎ⓗ࡞ィ⟬ࢆാ࠿ࡏࡿࡇ࡜ࡶ࠶ࢀ1 ᮏ✏ࡣࠊ᪥ᮏ࢔࣓ࣜ࢝ᩥᏛ఍➨ 50 ᅇ඲ᅜ኱఍

2011 ᖺ 10 ᭶ 8᪥ࠊ㛵す኱Ꮫ ࡟࠾࠸࡚⾜ࡗࡓ◊✲Ⓨ⾲ࠕゝ࠸ࡓ࠸ࡇ࡜ࡢ࡞࠸リே ࢛̿࢘ࣞࢫ࣭ࢫࢸ࢕࣮ࣦࣥࢬࡢᚋᮇసရࠖࢆඖ࡟ࡋࡘࡘࠊ኱ᖜ࡞ᨵ✏ࢆຍ࠼ࡓࡶࡢ࡛࠶ࡿࠋ

2 Web ⱥㄒ㟷ᖺ February, 2013ծॖƱ૨‫ܖ‬2ࡤࠊ㐲៖ࡋࡓࡾࠊୡヰࢆ↝࠸ࡓࡾࠊឡ᝟ࢆᶓ⁄ࡉࡏࡓࡾࠊ࡜࡝ࡕࡽ࠿࡜࠸࠺࡜ឤ᝟ⓗ࡞ാࡁ࠿ࡅ࡟ຊࢆὀࡄࡇ࡜ࡶ࠶ࡿࠋࡉࡽ࡟ሙྜ࡟ࡼࡗ࡚ࡣࠊᢚᅽࡸ㞃ⶸࡸỿ㯲࡞࡝ࢆ㏻ࡋ࡚ㄒࡿࡇ࡜ࢆᢚṆࡍࡿ࠿ࡢࡼ࠺࡞ែᗘࡀ࡜ࡽࢀࡿࡇ࡜ࡶ࠶ࡿࠋㄒࡿ࡜࠸࠺⾜㸬㸬㸬㸬Ⅽ࡟ࡣࠊㄒࡿࡲ࠸࡜ࡍࡿ⾪ືࡀΰධࡋ࠺ࡿࡢ࡛࠶ࡿࠋࡇࡢࡼ࠺࡞ㄒࡾᡭࡢ᣺ࡿ⯙࠸ࡢ᰿ᮏ࡟࠶ࡿࡢࡣࠕၿព࡛ࠖ࠶ࡿࠋࠕ┦ᡭࠖࢆ႐ࡤࡍࡇ࡜ࡇࡑࡀ⮳ୖ࿨㢟࡜ࡉࢀࡓࢯࢿࢵࢺ࡟ࡏࡼࠊసἲ᭩ࢆࡑࡢ※ὶ࡜ࡋࡓ㏆௦ࡢᑠㄝ࡟ࡏࡼࠊ㘽࡜࡞ࡗࡓࡢࡣㄒࡾᡭࡢࠕၿពࠖࡢാࡁ᪉࡛࠶ࡾࠊࡑࡢ⾲⌧᪉ἲ࡛࠶ࡗࡓࠋࡓࡔࠊ⯆࿡῝࠸ࡢࡣࠊၿពࡀᚲࡎࡋࡶၿពࡢ⾲ฟࡸᶓ⁄࡟ࡼࡗ࡚⾲⌧ࡉࢀࡿ࡜ࡣ㝈ࡽ࡞࠸࡜࠸࠺ࡇ࡜࡛࠶ࡿࠋ஦ࡣࡑࢀ࡯࡝༢⣧࡛ࡣ࡞࠸ࠋࡍ࡛࡟ 18 ୡ⣖ࡢࠗࢳ࢙ࢫࢱࣇ࢕࣮ࣝࢻཀࡢᡭ⣬࠘ࡢ୰࡛ࡶ♧ࡉࢀ࡚࠸ࡓࡼ࠺࡟ࠊࠕၿពࠖࡣ୍ぢṇ཯ᑐ࡟ぢ࠼ࡿࠕᝏពࠖ࡟ࡼࡗ࡚ࡇࡑ࠺ࡲࡃ⾲⌧ࡉࢀࡿࡇ࡜ࡀ࠶ࡿࠋࢪ
࢙࣮࣭࣮ࣥ࢜ࢫࢸ࢕ࣥࠊࣝ࢖ࢫ࣭࢟ࣕࣟࣝࠊD࣭ H࣭ࣟࣞࣥࢫ
࡜࠸ࡗࡓసᐙࡓࡕࡢసရ࠿ࡽ᫂ࡽ࠿࡟࡞ࡗࡓࡢࡣࠊ㏆௦࠿ࡽ⌧௦࡟࠿ࡅ࡚ࡢᑠㄝㄒࡾ࡛୙ᶵ᎘ࠊ୙సἲࠊࡪࡗࡁࡽࡰ࠺࡜࠸ࡗࡓᅉᏊࡀࡴࡋࢁ኱ࡁ࡞ᙺ๭ࢆᯝࡓࡋ࡚ࡁࡓ࡜࠸࠺ࡇ࡜࡛࠶ࡿࠋ䛂୙సἲࡢ⣔㆕ࠖ࡜࿧ࢇ࡛ࡶࡼ࠸ࡼ࠺࡞₻ὶࡀࡑࡇ࡟ࡣ࠶ࡗࡓࠋࡇࡢ㐃㍕ࡢෑ㢌࡛ࡶゐࢀࡓࡼ࠺࡟ࠊ✚ᴟⓗ࡞୙సἲࡶࡲࡓࠕ࣐࢖ࢼࢫᩗㄒࠖ ༡୙஧⏨ ࡜ࡋ୍࡚✀ࡢᩗㄒⓗ࡞ാࡁࢆᣢࡕ࠺ࡿࢃࡅࡔ࠿ࡽࠊࡇࡢࡼ࠺࡞ഴྥࢆ⌧௦࡞ࡾࡢࠕ୎ᑀࠖࡸࠕ࣏ࣛ࢖ࢺࢿࢫࠖࡢ⾲ࢀ࡜ࡳ࡞ࡍࡇ࡜ࡣ༑ศ࡛ࡁࡿࡔࢁ࠺ࠋ㐃㍕ࡢ᭱ᚋ࡛࡜ࡾ࠶ࡆࡓ࠸ࡢࡣࠊࡑࢇ࡞୰࡛ࠊ୙సἲࢆリᏛࡢࣞ࣋ࣝ࡟ࡲ
࡛㧗ࡵࡓ࢔࣓ࣜ࢝ࡢリேࠊ࢛࢘ࣞࢫ࣭ࢫࢸ࢕࣮ࣦࣥࢬ࡛࠶ࡿࠋ
ࢫࢸ࢕࣮ࣦࣥࢬࡣ࠿࡞ࡾ࢚࢟ࢭࣥࢺࣜࢵࢡ࡞リே࡛࠶ࡿࠋసရࡢᩘࡣᚲࡎࡋࡶᑡ࡞ࡃ࡞࠸ࡢ࡟ࠊࠕ࠸ࡗࡓ࠸ఱࡀゝ࠸ࡓ࠸ࡢ
3 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬3ࡔࢁ࠺㸽ࠖ࡜㤳ࢆࡦࡡࡾࡓࡃ࡞ࡿసရࡀ㠀ᖖ࡟ከ࠸ࠋ࡜ࡾࢃࡅᖺࢆ࡜ࡗ࡚࠿ࡽࡢసရࡣࡑࡢഴྥࡀᙉࡃࠊ௨๓ࡢࡲࡔࢹࣅ࣮ࣗࡋࡓ࡚ࡢ㡭࡟ ̿࡜࠸ࡗ࡚ࡶࢫࢸ࢕࣮ࣦࣥࢬࡣࡍ࡛࡟ 40 ௦ࡔࡗࡓࡢࡔࡀ̿᭩࠸ࡓリࡢࢸ࣮࣐ࢆఱᗘࡶఱᗘࡶ↝ࡁ┤ࡋࠊࡔࡽࡔࡽ࡜ㄒࡾ⥆ࡅ࡚࠸ࡿࡼ࠺࡟ぢ࠼ࡓࡾࡍࡿࠋ
࣐ࣟࣥὴ௨᮶ࡢࡈࡃ୍⯡ⓗ࡞ぢ᪉࡜ࡋ࡚ࠊリࡢᇳ➹ࡣ⾲⌧㸭⾲ฟࡢ⾜Ⅽࡔ࡜࡜ࡽ࠼ࡽࢀ࡚ࡁࡓࠋࢃࡊࢃࡊዲࡁࡇࡢࢇ࡛リࢆ᭩ࡃ࠿ࡽ࡟ࡣࠊఱ࠿ゝ࠸ࡓ࠸ࡇ࡜ࡀ࠶ࡗࡓࡾࠊ࠶ࡿ࠸ࡣᑡ࡞ࡃ࡜ࡶࠕఱ࠿ࢆࡋࡼ࠺㸟ࠖ࡜࠸࠺ືᶵࡀ࠶ࡿࡣࡎࡔ࡜࠸࠺ࡢ࡛࠶ࡿࠋ࡜ࡇࢁࡀࢫࢸ࢕࣮ࣦࣥࢬࡢリࢆㄞࢇ࡛࠸ࡿ࡜ࠊ
ࠕఱ࠿ࢆࡋࡼ࠺㸟ࠖ࡜࠸࠺ືᶵ࡙ࡅࡀぢ࠼࡟ࡃࡃࠊࡲࡿ࡛ࠊືᶵ࡞࡝࡜ࡣ
㛵ಀ࡞࠸࡜ࡇࢁ࡛᭩࠸࡚࠸ࡿ࠿࡜ᛮ࠼ࡿࠋࡇࢀࡣㄞ⪅࡜ࡢ㛵ಀࡢᣢࡕ᪉࡟ࡶ཯ᫎࡍࡿࠋఱࡋࢁࠊࠕఱࡀゝ࠸ࡓ࠸ࡢࡔࢁ࠺㸽ࠖ࡜⪃࠼ࡉࡏࡿ࡯࡝ࡔ࠿ࡽࠊㄞ⪅࡟ᑐࡋ࡚ࡶ࡝ࡇ࠿ࡪࡗࡁࡽࡰ࠺࡜࠸࠺ࡢ࠿ࠊᢞࡆࡸࡾ࡜࠸࠺ࡢ࠿ࠊⱥㄒ㢼࡟ゝ࠺࡜ rude ࡞ែᗘࡉ࠼࠶ࡿࠋぶษ࡛࡞࠸ࠋࢃ࠿ࡽࡏࡼ࠺࡜࠿ࠊ⌮ゎࡉࡏࡼ࠺࡜࠸࠺Ẽᣢࡕࡀឤࡌࡽࢀ࡞࠸ࠋࡇࢀࡣ࠸ࡗࡓ࠸࡝࠺࠸࠺ࡇ࡜࡞ࡢࡔࢁ࠺ࠋࡑࡇ࡟ఱࡽ࠿ࡢリⓗ࣓࢝ࢽࢬ࣒ࢆぢฟࡍࡇ࡜ࡀ࡛ࡁࡿ
ࡢࡔࢁ࠺࠿ࠋࢫࢸ࢕࣮ࣦࣥࢬ࡜⮬ᕫᶍೌࢫࢸ࢕࣮ࣦࣥࢬࡀㄞ⪅࡟ᑐࡋ࡚ᖖࠎᣄ⤯ⓗ࡞ែᗘࢆ࡜ࡗ࡚࠸ࡓࡇ࡜ࡣࡼࡃ▱ࡽࢀ࡚࠸ࡿࠋࡓ࡜࠼ࡤリே࡜ࡋ࡚ࡢࢫࢸ࢕࣮ࣦ
ࣥࢬ࡟ᑐࡍࡿዲወࡢど⥺࡟ᑐࡋ࡚ࠊᙼࡣࠕ>リே࡞ࡿࡶࡢࡣ@൨୓㛗⪅࡜ྠࡌ࡛ࠊே┠࡟ࡘ࠸࡚ࡶࠊヰࡋ࡚࠸ࡿࡢࢆ⫈࠿ࢀ࡚ࡶ࠸ࡅ࡞࠸ࠖ ࣈࣞ࢖ࢰ࣮ 306n ࡜ゝࡗ࡚࠸ࡿࡋࠊࡼࡾ᫂☜࡟ࡣࠕ⚾ࡣಶேⓗ࡞ࡶࡢ࡟㐣ࡂ࡞࠸ࡶࡢࡣࠊᚲṚ࡟㞃ࡑ࠺࡜ࡋ࡚
4 Web ⱥㄒ㟷ᖺ February, 2013ծॖƱ૨‫ܖ‬4࠸ࡿࢇࡔࠋࡑࡢ㎶ࢆࢃ࠿ࡗ࡚ࡶࡽࢃ࡞ࡁࡷᅔࡿࠋࡎࡗ࡜ࡑ࠺ࡸࡗ࡚ࡁࡓࢇࡔ࠿ࡽࠊ௒᭦ࡸࡾ᪉ࢆኚ࠼ࡿࢃࡅ࡟ࡣ࠸࠿࡞࠸ࠖ䛄᭩⡆㞟࠘ 413 ࡜ゝࡗࡓࡾࡶࡋ࡚࠸ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡣᮁ
ㄞ఍ࡸㅮ₇఍ࡶ㛤࠿࡞࠿ࡗࡓࢃࡅ࡛ࡣ࡞࠸ࡀࠊ࠶ࡿㅮ₇࡛ࡣ࠶ࡲࡾ࡟ኌࡀᑠࡉࡍࡂ࡚ఱࢆゝࡗ࡚࠸ࡿ࠿ࡼࡃ⪺ࡇ࠼ࡎࠊ᭱๓ิࡢዪᛶࡀࠕࡍ࠸ࡲࡏࢇࠊࡼࡃ⪺ࡇ࠼࡞࠸࠿ࡽࠊࡶࡗ࡜኱ࡁ࠸ኌ࡛ࡋࡷ࡭ࡗ࡚ࠖ࡜ゝࡗࡓ࡜ࡇࢁࠊࢫࢸ࢕࣮ࣦࣥࢬࡀࡧࡗࡃࡾࡋ࡚࠸ࡗࡑ࠺ᑠࡉ࠸ኌ࡟࡞ࡗ࡚ࡋࡲࡗࡓ࡜࠸࠺ࡼ࠺࡞࢚ࣆࢯ࣮ࢻࡉ࠼࠶ࡿ ࣈࣞ࢖ࢰ࣮ 172 ࠋ 1958 ᖺ࡟ࢫࢸ࢕࣮ࣦࣥࢬࡢᮁㄞࢸ࣮ࣉࡀⓎ኎ࡉࢀࡓ࡜ࡁࡶࠊࡑࡢᮁㄞࡀ࠶ࡲࡾ࡟ࡋࡷࡕࡇࡤࡗ࡚ឡ᝿ࡀ࡞࠿ࡗࡓࡓࡵࠊࠕࡇࢀ࡯࡝ᮁㄞࡢୗᡭ࡞リேࡣ࡝ࡇࢆ
2᥈ࡋ࡚ࡶ࠸࡞࠸ࠖ࡞࡝࡜࠸࠺ホࡀฟࡓࡾࡶࡋࡓࠋ᜝ࡎ࠿ࡋࡀࡾᒇ࡛ᐻ㯲ࠊ࡜࠸࠺ࡢࡀࢫࢸ࢕࣮ࣦࣥࢬࡢ࡜ࡾ࠶࠼ࡎࡢ༳㇟࡞ࡢ࡛࠶ࡿࠋᐇ㝿ࡢリసရ࡟┠ࢆ࠺ࡘࡋ࡚ࡶࠊࠕゝ࠸ࡓ࠸ࡇ࡜࡞࡝࡞࠸ࠖ࡜ゝࢃࢇࡤ࠿ࡾࡢෆྥࡁࡢែᗘࡀ┠࡟ࡘࡃࠋලయ౛࡜ࡋ࡚ࡕࡻ࠺࡝࠸࠸ࡢࡣࠊࢫࢸ࢕࣮ࣦࣥࢬ᭱ᬌᖺࡢ䛂ಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖ “The Course of a Particular” ࡜࠸2 ホ ࡣ ௨ ୗ ࡢ ࡜ ࠾ ࡾ ࠋ “Therelease by Caedomn of Wallace
Stevens must be more an act of piety than of commerce, for it
would be hard to think of a poet whose work is less effective onrecords than that of Stevens.” Thomas Lask, “Poetry ofWallace Stevens,” New York Times >February 9, 1958@: X9ࡋ࠿ࡋࠊࡑࡢ୍᪉࡛ࠊࢫࢸ࢕࣮ࣦࣥࢬࡢᮁㄞ࡟ࡘ࠸࡚ࡣࡑࡢᴟ➃࡞ࡺࡗࡃࡾࡉࡸ㛗࠸㛫ࡢྲྀࡾ᪉ࡀ⏕ࡳฟࡍ῝ࡳࠊෆ㠃ᛶࠊⲮ㔜ࡉ࡞࡝ࢆホ౯ࡍࡿኌࡶከ࠸ࠋࢩ࢙࢖࣐ࢫ࣭ࣄ࣮ࢽ࣮ࡣࡲࡿ࡛ࡑࡢẕ㡢ࡢࡦ࡜ࡘࡦ࡜ࡘࡀ኱⪷ᇽ࡟㡪ࡁΏࡿ࠿ࡢࡼ࠺ࡔ࡜ホࡋ࡚࠸ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡢᮁㄞ࡟ࡘ࠸࡚ࡢࡉࡲࡊࡲ࡞཯ᛂ࡟ࡘ࠸࡚ࡣ࣍ࣇ
࣐ࣥ Tyler Hoffman, 106109 ࢆཧ↷ࠋ

5 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬5࠺సရ࡛࠶ࡿࠋ࡞࠿࡞࠿ࡋࡳࡌࡳࡋࡓㄞᚋឤࢆᣢࡘ࡜ᛮ࠺ேࡶከ࠸リࡔࡀࠊ࡛ࡣఱࡀゝ࠸ࡓ࠸ࡢ࠿㸽 ࡋࡓ࠸ࡇ࡜ࡀ࠶ࡿࡢ࠿㸽 ࡜࠸࠺ၥ࠸ࢆᢞࡆࡽࢀࡿ࡜⟅࠼ࡿࡢࡀ㞴ࡋ࠸ࠋ

Today the leaves cry, hanging on branches swept by wind,Yet the nothingness of winter becomes a little less.
It is still full of icy shades and shapen snow.
The leaves cry . . . One holds off and merely hears the cry.
It is a busy cry, concerning someone else.
And though one says that one is part of everything,
There is a conflict, there is a resistance involved;
And being part is an exertion that declines:
One feels the life of that which gives life as it is.
The leaves cry. It is not a cry of divine attention,
Nor the smoke-drift of puffed-out heroes, nor human cry.
It is the cry of leaves that do not transcend themselves,
In the absence of fantasia, without meaning moreThan they are in the final finding of the ear, in the thing
Itself, until, at last, the cry concerns no one at all.
௒᪥ ᮌࡢⴥࡀኌࢆ࠶ࡆࡿ 㢼࡟྿࠿ࢀࡓᯞ࡟ࡍࡀࡾࡘࡁ࡞ࡀࡽ࡛ࡶ ෤ࡢ↓ࡀᑡࡋࡸࢃࡽࡄࡲࡔࡑࡇࡽ୰ ịࡢࡘࡃࡿᙳࡸ㞷࡟そࢃࢀࡓࡶࡢࡢᙧࡔࡽࡅᮌࡢⴥࡀኌࢆ࠶ࡆࡿ͐͐⮬ศࡣ㌟ࢆᘬ࠸࡚ࡑࡢኌࢆ⪺ࡃࡔࡅࡑࢀࡣࡏࢃࡋ࡞࠸ኌ ㄡ࠿௚ࡢே࡟࠿࠿ࢃࡿኌ6 Web ⱥㄒ㟷ᖺ February, 2013ծॖƱ૨‫ܖ‬6ࡑࡋ࡚⮬ศࡣ࠶ࡽࡺࡿࡶࡢࡢ୍㒊ࡔ࡜ゝ࠺࡟ࡋ࡚ࡶⴱ⸨ࡀ࠶ࡿ ఱ࠿᢬ᢠࡀ࠶ࡿ୍㒊࡛࠶ࡿ࡜࠸࠺ࡢࡣᣄ⤯ࡢ᣺ࡿ⯙࠸௒࠶ࡿࡇࡢ࿨ࢆ୚࠼ࡿ࿨ࡢࡇ࡜ࢆឤࡌࡿᮌࡢⴥࡀኌࢆ࠶ࡆࡿ ࡑࢀࡣ⚄⪷࡞ὀពࡢኌ࡛ࡣ࡞࠸࡫ࡗ࡜ࢱࣂࢥࡢ↮ࢆྤࡃⱥ㞝࠿ࡽࡢࡓ࡞ࡧࡃ⣸↮࡛ࡶኌ࡛ࡶ࡞࠸ࡑࢀࡣᡃࡀ㌟ࢆ㉺࠼ࡿࡇ࡜ࡢ࡞࠸ᮌࡢⴥࡢኌேࡢࡑࡇ࡟ࡣᗁ᝿ࡶ࡞ࡃ ព࿡ࡍࡿࡢࡣࡑࢀࡣ⪥ࡀ࡜ࡽ࠼ࡿ✲ᴟࡢࡶࡢ࡟ࡍࡂ࡞࠸ࡇ࡜ ࡶࡢࡑࢀ⮬యࡢࡓࡔ୰࡟࠶ࡿࡇ࡜ ࡑࡋ࡚ࡘ࠸࡟ ࡑࡢኌࡣㄡ࡟ࡶ୍ษ࠿࠿ࢃࡽ࡞ࡃ࡞ࡿࡇ࡜ࢱ࢖ࢺࣝࡣᢳ㇟ⓗࡔࡀࠊᥥ࠿ࢀ࡚࠸ࡿࡢࡣࡩࡘ࠺ࡢ෤ࡢ㢼ᬒ࡛࠶ࡿࠋ࡜ࡃ࡟↔Ⅼࡀ࠶࡚ࡽࢀࡿࡢࡣⴥࡗࡥࠋࡓࡔࠊⴥࡗࡥࡀ࡝ࢇ࡞ࡩ࠺࡟ぢ࠼ࡿ࡜࠿ࠊ࡝ࢇ࡞ᙧࢆࡋ࡚࠸ࡿ࠿࡜࠸ࡗࡓࡇ࡜
ࡣࡑࢀ࡯࡝㔜せ࡛ࡣ࡞࠸ࡼ࠺࡛ࠊThe leaves cry ࡜࠸࠺ࣇ࣮ࣞࢬࢆ୰ᚰ࡟ࠕⴥࡗࡥࡢኌࠖࢆᣦ♧ࡍࡿ cry ࡜࠿ leaves ࡜࠸ࡗࡓㄒࡤ࠿ࡾࡀ⧞ࡾ㏉ࡉࢀ࡚࠸ࡿࡢࡀࢃ࠿ࡿࠋࡇࡢࠕⴥࡗࡥࡢኌࠖ࡟ࠊࢫࢸ࢕࣮ࣦࣥࢬࡢ࠾࡞ࡌࡳࡢࢸ࣮࣐࡛࠶ࡿࠕ㒊ศ࡜඲యࠖࡢヰࡀ࠿ࡽࡳ࠶ࡗ࡚ࡃࡿ࠶ࡓࡾࡀࠊࡇࡢリࡢⰺࢆᡂࡍ࡜ゝ࠼ࡿࡔࢁ࠺ࠋ3 ஧㐃┠࠿ࡽ୕㐃┠ࡢୗ⥺ࢆᘬ࠸ࡓ࠶ࡓࡾࡀࡑࢀ
3 ࡇࡢࢸ࣮࣐ࡣリ㞟ࠗୡ⏺ࡢ㒊ศ࠘ Part of a World ࠶ࡓࡾ࠿ࡽࡼࡃぢࡽࢀࡿࡼ࠺࡟࡞ࡿࡶࡢ࡛ࠊ࡜ࡃ࡟ࠕ㟷࠸ࢠࢱ࣮ࡢ⏨ࠖ “The Manwith a Blue Guitar” ࡜࠸࠺リ࡛ࡣ⧞ࡾ㏉ࡋリࡢ୰࡟ฟ࡚ࡃࡿࠋ

7 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬7࡟࠶ࡓࡿ It is a busy cry, concerning someone else. 㻛 And
though one says that one is part of everything 㻛 There is aconflict, there is a resistance involved; ࠋ㒊ศࡔࡅࢀ࡝඲య࡟ࡣ྾཰ࡉࢀࡁࡽ࡞࠸ࠊ㒊ศࡀ㒊ศࡢࡲࡲ࡛࠸ࡿࠊ࡜ࡑࢇ࡞ࡇ࡜
ࢆゝࡗ࡚࠸ࡿࠋࢱ࢖ࢺࣝࡢព࿡ࡶࡑࢀ࡛ࢃ࠿ࡿࠋࡋ࠿ࡋࠊࡑࡢ
୍᪉࡛ࠊ㒊ศࡸಶ≀ࡣࡑ࠺⡆༢࡟඲య࠿ࡽ⊂❧ࡋࡓࡾࠊ඲యࢆ
㉸㉺ࡋ࡚ࡋࡲࡗࡓࡾࡋ࡞࠸࡜࠸࠺㆟ㄽࡶᚋ࠿ࡽฟ࡚ࡃࡿࠋ➨ᅄ㐃ࡢἼ⥺ࢆᘬ࠸ࡓ࠶ࡓࡾ࡛࠶ࡿࠋࡇࡢ࡝ࡗࡕࡘ࠿ࡎࡢឤࡌࡣࠊ
࠸࠿࡟ࡶࢫࢸ࢕࣮ࣦࣥࢬࡽࡋ࠸ᒎ㛤࡜ゝ࠼ࡿ It is not a cry ofdivine attention, 㻛 Nor the smoke-drift of puffed-out heroes,nor human cry. 㻛 It is the cry of leaves that do not transcendthemselves, ࠋࡇࡇ࡛ࡣ the smoke-drift of puffed-out heroes࡞࡝࡜࠸࠺✺㣕࡞ẚ႘ࡀ࠶ࡿ࠿࡜ᛮ࠺࡜ࠊ the cry of leaves
that do not transcend themselves ࡞࡝࡜࠸࠺ᓫ㧗࡞⾲⌧ࡶฟ࡚ࡁ࡚ࠊ࡞࠿࡞࠿ⴠࡕ╔࠿࡞࠸ࡢ࡛࠶ࡿࠋ࡝࠺ࡸࡽෆᐜ࡜ࡋ࡚
ࡣࠕ㒊ศࡣ඲య࡟ᚑᒓࡋ࡞࠸ࡀࠊ࡛ࡶࠊ㒊ศࡀ㒊ศ࡜ࡋ࡚ᒧ❧ࡍࡿࢃࡅ࡛ࡶ࡞࠸ࠖ࡜࠸࠺ࡼ࠺࡞ࡇ࡜ࢆゝ࠸ࡓ࠸ࡽࡋ࠸ࠋ
ࡑࢀ࡛ࠊㄞ⪅࡜ࡋ࡚ࡶࠕ㒊ศࡣ඲య࡟ᚑᒓࡋ࡞࠸ࡅ࡝ࠊ࡛ࡶ
㒊ศࡀ඲య࠿ࡽᒧ❧ࡍࡿࡇ࡜ࡶ࡞࠸ࡢࡔࠖ࡜࠸࠺⛬ᗘࡢࠊ࠶ࡿ
ࡢ࠿࡞࠸ࡢ࠿ࢃ࠿ࡽ࡞࠸⤖ㄽ࡟ࡓ࡝ࡾ╔ࡃࢃࡅࡔࡀࠊࡑ࠺ࡍ
ࡿ࡜ࡑࢀ࡟⥆࠸࡚リࡀࡍࡈࡃ୙ᛮ㆟࡞⤊ࢃࡾ᪉ࢆࡍࡿ It isthe cry of leaves that do not transcend themselves, 㻛 In theabsence of fantasia, without meaning more 㻛 Than they arein the final finding of the ear, in the thing 㻛 Itself, until, atlast, the cry concerns no one at all. ࠋ࡜ࡃ࡟᭱ᚋࡢ in thefinal finding of the ear ࡜࠸࠺஧⾜ࡢ⊂≉ࡢࡲ࡝ࢁࡗࡇࡋࡉࡸࠊ
the cry concerns no one at all ࡢ၈✺࡛ᭀຊⓗ࡞࡯࡝ࡢ෭ࡓࡉ

ࡣࠊ࠸࠿࡟ࡶ≉ᚩⓗ࡛ࠊࢫࢸ࢕࣮ࣦࣥࢬ࡟ࡋ࠿᭩ࡅ࡞࠸ࣇ࣮ࣞ
ࢬࡔࢁ࠺ࠋෆᐜⓗ࡟ࡣせࡍࡿ࡟ⴥࡗࡥࡀ⮬↛࡟ᚑᒓࡍࡿࢃࡅ࡛ࡣ࡞࠸ࠊ࡛ࡶ⮬↛ࢆ㉸㉺ࡍࡿࢃࡅ࡛ࡶ࡞࠸ࠊ࡜࠸࠺᭕᫕࡞ቃᆅࡀᥥ࠿ࢀ࡚࠸ࡿࠋⴥࡗࡥࡢ㡢ࡀ⫈ぬ࡟ࡼࡗ࡚✲ᴟࡢ࡜ࡽ࠼ࡽࢀ᪉ࢆࡍࡿࠋ࡛ࡶࡑࢀࡣྠ᫬࡟ࠊ⮬↛ࡢ୰࡟ⴥࡗࡥࡢ㡢ࡀᾘ⁛ࡋ࡚࠸ࡃ࡜࠸࠺ࡇ࡜࡛࠶ࡿࠋ⪥࡟ࡼࡿ✲ᴟࡢⓎぢ࡛࠶ࡿࡼ࠺࡞ࠊ✲ᴟࡢ㡢ࡢࡼ࠺࡞༶≀ᛶ࡟ࡲ࡛⮳ࡿ࡜ࠊࡶ࠺⪺ࡇ࠼࡞࠸ࡶྠ↛࡞ࡢ࡛࠶ࡿࠋ࡜࡟࠿ࡃࠊthe cry concerns no one at all. ࡜࠸࠺ࣇ࣮ࣞࢬࡀᛴ࡟ฟ࡚ࡁ࡚リࢆ⤊ࢃࡽࡏࡿࡇࡢࢱ࢖࣑ࣥࢢ࡟ࡣ࡝ࡁࡗ࡜ࡉࡏࡽࢀࡿࠋࡋ࠿ࡋࠊࡑࡇ࡛ࡩ࡜⪃࠼ࡓࡃ࡞ࡿࠋࡓࡋ࠿࡟㩭ࡸ࠿࡞సရ
࡛ࠊ༳㇟࡟ṧࡿࣇ࣮ࣞࢬࡶ࠶ࡿࡋࠊࡕࡷࢇ࡜┒ࡾୖࡀࡾ࡝ࡇࢁࡶ࠶ࡿࠋ࢜ࢳࡶពእᛶ࡟‶ࡕ࡚࠸࡚ࠊ࠸ࡘࡶ࡞ࡀࡽࡢࢫࢸ࢕࣮
ࣦࣥࢬ⠇ࡀ඲㛤ࠋ㧗㱋࡛Ṛࡠ┤๓ࡢリேࡢసရ࡜ࡣ࡜࡚ࡶᛮ࠼
࡞࠸࡯࡝㗦฼࡞ຊࡀ࠶ࡿࠋ࡛ࡶྠ᫬࡟ࠊリேࡣࡇࡢリ࡛࠸ࡗࡓ࠸ఱࢆࡋࡓ࠸ࡢࡔࢁ࠺ࠊఱ࠿ゝ࠸ࡓ࠸ࡇ࡜ࡀ࠶ࡿࡢ࠿࡜࠸࠺␲ၥࡶᾋ࠿ࡪࠋࡑࡢࡼ࠺࡞␲ၥࡀᾋ࠿ࡪࡢࡣࠊࡇࡢリࢆㄞࡴ࡜ᚲࡎ࠶ࡿసရ
ࢆ᝿࠸ฟࡍ࠿ࡽ࡛࠶ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡢసရࡢ୰࡛ࡶࡶࡗ࡜ࡶ᭷ྡ࡞ࡶࡢࡢࡦ࡜ࡘ࡟ࠕ㞷ࡢ⏨ࠖ “The Snow Man” ࡀ࠶ࡿࠋ࡜ࡃ࡟ࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖࡢ 2 ⾜┠ the nothingness ofwinter becomes a little less. ࡢࡼ࠺࡞୍⠇ࡣࠊ⮬ࡽࡢ㐣ཤࡢసရࢆ᣺ࡾ㏉ࡿ௙ⲡ࡜࡜ࢀࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡣࡇࡢࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖ࡜࠸࠺リ࡛ࠊࠕ㞷ࡢ⏨࡛ࠖ⮬ࡽࡀᥥ࠸ࡓᴟ໭ࡢᆅⅬࠊព࿡ࡢ㝈⏺Ⅼࡢࡼ࠺࡞ࡶࡢࡢཝࡋࡉ࠿ࡽࠊࡕࡻࡗ࡜ࡇࡕࡽഃ࡟ᡠࡗ࡚ࡁ࡚࠸ࡿ࡜⪃࠼ࡽࢀࡑ࠺࡞ࡢ࡛࠶ࡿࠋ

8 Web ⱥㄒ㟷ᖺ February, 20139 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬8ծॖƱ૨‫ܖ‬9䛂㞷ࠖࡢ㉳※࡟ࡍࡿ࡟ࡣ䛂㞷ࡢ⏨ࠖ “The Snow Man” ࡜ࡣ࡝ࢇ࡞リࡔࡗࡓ࠿ࠋࡇࡢリࡶࡲࡓ㞷࡟そࢃࢀࡓ෤ᬒⰍࡢ୰࡟タᐃࡉࢀ࡚࠸ࡓࠋ

One must have a mind of winterTo regard the frost and the boughs
Of the pine-trees crusted with snow;ࡑࢀࡇࡑࡣ኱ᆅࡢ㡢ࡇࡢྠࡌ๝ࡁฟࡋࡢሙᡤ࡛ྠࡌ㢼ࢆࡓࡗ࡫ࡾ࡜ࡣࡽࢇ࡛

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter⪺ࡃ⪅࡟ྥࡅ 㞷ࡢ୰࡛⪥ࢆഴࡅࡿ⪅࡬࡜ࡍࡿ࡜ᙼࡶ ࡶ࠺ఱࡶࡢ࡛ࡶ࡞ࡃࡑࡇ࡟↓࠸ࡶࡢࡣఱࡶぢࡎ ࡓࡔ↓ࡉࡢࡳࢆ┠ࡢᙜࡓࡾ࡟ࡍ
ࡿOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same windThat is blowing in the same bare place
For the listener, who listens in the snow,And, nothing himself, beholds
Nothing that is not there and the nothing that is.
ᚲせ࡞ࡢࡣ෤ࡢᚰࡔ㟖ࡸ 㞷࡛そࢃࢀࡓᯇࡢᯞࢆぢࡿࡓࡵ࡟ࡣ
㛗ࡃᐮࡉ࡟ࡉࡽࡉࢀࡿࡇ࡜ࡔ
ịࢆẟ⩚❧ࡓࡏࡓࢿࢬࡸ
୍᭶ࡢ㐲࠸࠿ࡍ࠿࡞㝧ᑕࡋ࡟
10 Web ⱥㄒ㟷ᖺ February, 2013ࡑࡋ࡚ᛮࢃ࡞࠸ࡇ࡜
㢼ࡢ㡢࡟ࡶ ࡳࡌࡵ࡞࡝࡜ࡣࢃࡎ࠿࡟ṧࡗࡓⴥࡢ㡢࡟ࡶⲨࢀࡓጼࢆࡉࡽࡍࢺ࢘ࣄࢆ┠ծॖƱ૨‫ܖ‬10࠸࠿࡟෤ࡢ㢼ᬒࢆぢ࡞ࡅࢀࡤ࡞ࡽ࠸ࡢ࠿ࠊࡑࡢࡸࡾ᪉ࢆᩍ࠼
࡚࠶ࡆࡼ࠺ࠊ࡜࠸࠺ᢲࡋࡢᙉ࠸ཱྀㄪ࡛リࡣጞࡲࡿ One musthave a mind of winter 㻛 To regard the frost and the boughs 㻛Of the pine-trees crusted with snow; ࠋ࡜ࡇࢁࡀࠊ࡝࠺ࡸࡗ࡚෤ࢆぢࡿ࠿ࠊࡑࡢ᪉ἲࢆ⣽࠿ࡃᣦᐃࡍࡿ࡜ぢ࠼࡚ࠊࡑࡢ࠺ࡕ࡟
୙ᛮ㆟࡞ࡇ࡜ࡀ㉳ࡁࡿࠋ㌿᥮Ⅼ࡟࡞ࡿࡢࡣ୕㐃┠࡛࠶ࡿ andnot to think 㻛 Of any misery in the sound of the wind, 㻛 In
the sound of a few leaves, ࠋ෤ࢆぢࡿࡓࡵ࡟ࡣࠊⴥࡗࡥࡢ㡢ࡀ኱஦ࡔ࡜ゝ࠺ࡢ࡛࠶ࡿࠋ࡛ࡶ༢࡟ⴥࡗࡥࡢ㡢ࢆ⪺ࡅ࡜࠸࠺ࡢ࡛ࡣ࡞࠸ࠋⴥࡗࡥࡢ㡢ࢆ⫈࠸࡚ࡶࠊࡑࡇ࡟ࠕࡳࡌࡵࡉࠖ miseryࢆឤࡌྲྀࡗ࡚ࡣ࠸ࡅ࡞࠸ࠊ࡜࠸࠺ࠋࡎ࠸ࡪࢇᅇࡾࡃ࡝࠸ᣦ♧ࡔࡀࠊᑡ࡞ࡃ࡜ࡶࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖ࡜ྠࡌࡼ࠺࡟ࠊⴥࡗࡥࡢ㡢ࡀ኱஦࡞ᶵ⬟ࢆᯝࡓࡋ࡚࠸ࡿࡢࡣ☜࠿࡛࠶ࡿࠋࡋ࠿ࡶࠊ䛂ࡑࢀ࡛ࡣࠊࡌࡷ࠶ࠊⴥࡗࡥࡢ㡢࡟⪥ࢆ⃈ࡲࡋࡲࡋࡻ࠺࠿ࠖ࡜
11 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬11ࡇࡕࡽࡀ⪺ࡁ⪥࣮ࣔࢻ࡟࡞ࡿ࡜ࠊᛴ࡟㏞㊰࡟ධࡾࡇࡴࠋ୕㐃┠࠿ ࡽ ᅄ 㐃 ┠ ࡟ ࠿ ࡅ ࡚ ࡢ ᒎ 㛤 ࡟ ࡣ ࡑ ࢀ ࡀ ⾲ ࢀ ࡚ ࠸ ࡿ In thesound of a few leaves, 㻛 Which is the sound of the land 㻛Full of the same wind 㻛 That is blowing in the same bareplace 㻛 For the listener, ࠋⴥࡗࡥࡢ㡢ࡢࡇ࡜ࢆ⪃࠼ࡼ࠺࡜ࡍࢀࡤࡍࡿ࡯࡝ࠊࡑࡢ㡢࡟⪥ࢆ⃈ࡲࡑ࠺࡜ࡍࢀࡤࡍࡿ࡯࡝ࠊ㡢ࡣᣑᩓࡋ࡚࠸ࡗ࡚࡜ࡽ࠼࡝ࡇࢁࡀ࡞ࡃ࡞ࡿࠋᩥࢆ㏣ࡗ࡚ࡶࠊ⮬ศࡀ࠸ࡗࡓ࠸ఱࡢ㡢ࢆ⪺ࡇ࠺࡜ࡋ࡚࠸ࡓࡢ࠿ࢃ࠿ࡽ࡞ࡃ࡞ࡿࠋࡑࡢཎᅉࡣࠊᩥࡢỴ╔ࡀ㛵ಀモࡑࡢ௚ࢆ㏻ࡋ࡚࡝ࢇ࡝ࢇඛᘏࡤࡋ
ࡉࢀ࡚࠸ࡿ࠺ࡕ࡟ࠊᩥࡢ୰࡛ඖࠎఱࢆ㏣࠾࠺࡜ࡋ࡚࠸ࡓࡢ࠿ࠊ
࡜ࡽ࠼࡝ࡇࢁࡀ࡞ࡃ࡞ࡿࡇ࡜࡟࠶ࡿࠋࡑࡋ࡚ࠊࡑࢇ࡞㏞㉮ࡢᯝ࡚࡟ࠊ࠸ࡁ࡞ࡾ⤖ᮎࡀゼࢀࡿ For the listener, who listens inthe snow, 㻛 And, nothing himself, beholds 㻛 Nothing that is
not there and the nothing that is. ࠋࡇࡢリࡢᚋ༙࡛ㄒࡽࢀࡿࡢࡣࠊⴥࡗࡥࡢ㡢ࢆ⪺ࡃࡢࡀఱ࠿ࢆࡘࡁ࡜ࡵࡿࡼ࠺࡞┠ⓗⓗ࡞⾜Ⅽ࡛ࡣ࡞ࡃࠊࡶࡗ࡜ཷືⓗ࡞ࡶࡢࡔ࡜࠸࠺ࡇ࡜࡛࠶ࡿࠋㄆ▱ࡋࡓࡾࠊぢฟࡋࡓࡾࡍࡿࡼࡾࠊ㏞㉮ࡋᇙἐࡍࡿࡢ࡛࠶ࡿࠋࡑࡋ࡚ࠊࡇࡢࡇ࡜ࡀ⫈ぬࡔࡅ࡛࡞ࡃࠊどぬ࡟ࡶ࠶࡚ࡣࡲࡿࡢࡀ᭱ᚋ࡟ࢃ࠿ࡿࠋవィ࡞ࡶࡢࢆど⏺࠿ࡽ࡝ࢇ࡝ࢇ᤼㝖ࡋ࡚࠸ࡃ࡜ࠊ୍✀ࡢどぬࡢ㉸㉺࡜ࡋ࡚ࠊ↓ࡑࡢࡶࡢࡀ❧ࡕ⌧ࢀࡿ࠿ࡽ࡛࠶ࡿࠋࡑ࠺ࡍࡿ࡜ࠊ↓ࡑࡢࡶࡢࢆぢࡿࡇ࡜ࡀ࡛ࡁࡿࡼ࠺࡟࡞ࡿࠋ࡜࠸࠺ࢃࡅ࡛ࠊࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖ࡜ࠕ㞷ࡢ⏨ࠖࡣࡲࡗࡓࡃྠࡌෆᐜ࡛ࡣ࡞࠸ࡀࠊࡓ࠸࡬ࢇఝࡓෆᐜࢆᣢࡗࡓリࡔ࡜࠸࠺ࡇ࡜ࡀࢃ࠿ࡿࠋゝⴥࡑࡢࡶࡢࡶὶ⏝ࡋ࡚࠸ࡿࡋࠊ࢜ࢳࡢ௜
ࡅ᪉ࡶࡓ࠸࡬ࢇఝ࡚࠸ࡿࠋ4 ࡋ࠿ࡋࠊࡇࡇ࡛ၥ㢟࡟ࡋࡓ࠸ࡢࡣ
୧⪅ࡢඹ㏻ᛶࡑࡢࡶࡢ࡛ࡣ࡞࠸ࠋẼ࡟࡞ࡿࡢࡣࠊ௨๓࡟᭩࠸ࡓసရ࡟ࡇࡇࡲ࡛౫ᣐࡋࡓసရࢆ᭩࠸࡚ࡋࡲ࠺リேࡢែᗘ࡛࠶
4ࡿࠋ௨๓᭩࠸ࡓసရ࡟౫ᣐࡍࡿ࡜࠸࠺ࡢࡣ୍✀ࡢ⮬ᕫᶍೌ࡛࠶ࡾࠊሙྜ࡟ࡼࡗ࡚ࡣリࢆ᭩ࡃࡇ࡜࡟ࡘ࠸࡚ࡢᩋ໭ᐉゝ࡜ࡶ࡜ࢀ

12 Web ⱥㄒ㟷ᖺ February, 201313 Web ⱥㄒ㟷ᖺ February , 2013ծॖƱ૨‫ܖ‬124 ࡓ࡜࠼ࡤࣅ࣮ࣦ࢕ࢫWilliam W. Bevis ࡣ୧⪅ࡢゝⴥ࡟ࠊඹ㏻
ࡋ࡚ࠕྰᐃࠖ࡜࠸࠺ഃ㠃ࡀᙉࡃ࠶ࡿࡇ࡜࡟ὀ┠ࡍࡿࠋ Like “TheSnow Man,” this poem is a model of poetic closure, and it too
closes with the listener detached from any misery in the wind,in a state of “final” perception.
The speaker has worked past a theory of unity to a practiceof merely hearing. He has progressed in the poem beyond
thought “says” , beyond imagination “fantasia” , and beyond
feeling “concern” , to some ultimate perception, a “final findingof the ear,” which “at last” issues in negation: “no one at all.”
There is enough ultimacy, noetic quality, and negation here tomake the critic stop and think, as William James said ofecstatic reports. 5556

஧ࡘࡢリ࡟ඹ㏻ࡋ࡚ᮾὒⓗࠊࡶࡋࡃࡣ௖ᩍⓗ࡞↓ࡢቃᆅࢆぢࡼ࠺࡜ࡍࡿᢈホࡣከ࠸ࡀࠊ୰࡛ࡶࢳ࢚ࣥ Zhaoming Qian ࡣࠊ䛂ಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖࡢ᪉ࡀࠕ㞷ࡢ⏨ࠖࡼࡾࡶࡣࡿ࠿࡟Ὑ⦎ࡉࢀࡓリ࡛࠶ࡿ࡜୺ᙇࡋ࡚࠸࡚ὀ┠࡟್ࡍࡿ ࠋࠕ㞷ࡢ⏨ࠖࡢimpersonality ࡣࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖࡢࡑࢀ࡟ẚ࡭ࡿ࡜ࡎࡗ࡜ᰂ㌾ࡔࡗࡓ࡜ࡍࡿࣜࢵࢶ A. Walton Litz, 293 ࡢㄞࡳ࡟ᑐࡋࢳ࢚ࣥࡣࠊᚋᮇࡢリࡢᙉࡳࡣ▂᝿ⓗ࡞ Impersonality ࡟ࡇࡔࢃࡿࡇ࡜ࡼࡾࡶࠊ▂᝿ࡀ᝿ീຊࡢ୰࡟ゎᨺࡉࢀ࡚࠸ࡃࡇ࡜࡟࠶ࡿ࡜ゝࡗ࡚࠸ࡿࠋ An Intense impersonal stance, though vital, in myview, is not Stevens’ greatest achievement in the meditativemode. In his final years, I would argue, Stevens was able toenact within the limited space of a short lyric something like adebate between meditative sublimity and imaginative sublimity.
169ծॖƱ૨‫ܖ‬

13ࡿࠋ࡛ࡶࠊ࡯ࢇ࡜࠺࡟ࡑ࠺࡞ࡢ࠿ࠋ࡝࠺ࡶࢫࢸ࢕࣮ࣦࣥࢬࡀ༢࡟ᶍೌ⾜Ⅽࢆᩒ⾜ࡋ࡚࠸ࡿࡔࡅ࡜ࡣᛮ࠼࡞࠸ࡢ࡛࠶ࡿࠋᶍೌ࡞ࡃࡋ࡚࠶ࡾ࠼࡞࠿ࡗࡓఱ࠿ࡀࡇࡇ࡛ࡣ㐩ᡂࡉࢀ࡚࠸ࡿࡢ࡛ࡣ࡞࠸࠿ࠋࡇࡢࡇ࡜࡟ࡘ࠸࡚ḟᅇࡣ᳨ウࡋ࡚ࡳࡓ࠸ࠋ䚾ᩥ ⊩ࠒ
Bevis, William W. Mind of Winter: Wallace Stevens, Meditation,and Literature Pittsburgh: U. of Pittsburgh P., 1988
Brazeau, Peter. Parts of a World: Wallace Stevens Remembered;
An Oral Biography New York: Random House, 1983
Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature,
Deconstruction Ithaca, NY:Cornell U. P., 1981
Lensing, George. Wallace Stevens: A Poet’s Growth Baton
Rouge: Louisiana State U. P., 1986
Miller, J. Hillis. “Stevens’ Rock and Criticism as Cure,” inWallace Stevens. Ed. by Harold Bloom New York: ChelseaHouse, 1985 , 2749.
Hoffman, Tyler. “Wallace Stevens and the Spoken Word,”
Wallace Stevens Journal 33. 1 Spring 2009 , 97110.
Stevens, Holly. Souvenirs and Prophecies: The Young Wallace
Stevens New York: Knopf, 1977
Stevens, Wallace . Collected Poetry and Prose. Ed. by Frank
Kermode and Joan Richardson New York: Library ofAmerica, 1997
̿. Letters of Wallace Stevens. Sel. and ed. by Holly
Stevens Berkeley: U. of California P., 1996
Qian, Zhaoming. “Late Stevens, Nothingness, and theOrient,” Wallace Stevens Journal 25. 2 Fall 2001 , 16472.
ᮾி኱Ꮫ෸ᩍᤵ14 Web ⱥㄒ㟷ᖺ February, 2013ծॖƱ૨‫ܖ‬14