VOID / P:1

Contents
Introduction

P03

Air 8

P24

Welcome to the family

P04

Air Stream

P26

Co-founders

P06

Air Vantage

P28

Philosophy

P07

Sub Vantage

P30

Customisation

P08

Stasys Xair

P32

Installations introduction

P10

Nexus series

P34

Introducing the Incubus system

P12

Indigo series

P40

Air Array

P14

Cyclone series

P44

Hyperfold

P15

Venu series

P48

Incubus Sub

P15

Touring introduction

P52

Air Motion V2

P16

Arcline series

P54

Tri Motion

P18

Stasys series

P56

Air Motion V2 specs

P20

Amplification

P64

Tri Motion specs

P21

Contact us

P66

Airten V2

P22

VOID / P:04

VOID / P:03

We create stunning
professional audio
systems that soundas good as they look

We are a passion-driven business. We love sound systems.
We love music. We love design. So we put our threebiggest passions together and Void Acoustics was born.
Nothing beats looking out across a shared space andseeing those present immersed in an all-encompassing
sound that’s of such a high quality, it makes everyone
listening feel alive.
We’re happiest when we see one of our sound systems
creating connection.
Total strangers can be united in just a few seconds oncea Void system is turned on.

VOID / P:04

					
					

VOID / P:05

Welcome tothe family
The people behind the brandWe’re proud to have a strong Void ‘family’ working together
behind-the-scenes to design, manufacture and distributeadvanced professional audio systems for both the installed
and live sound market sectors. By keeping it tight-knit, wemanage the production process end-to-end, from that initial
spark of a creative idea, to sealing the packaging on abeautifully crafted product that’s ready to ship globally.
Team Void is comprised of a group of talented, experienced
engineers and craftsmen, together with dedicated support
staff. Every member of our team plays a key role in ensuring
Void is both a well-respected and sought-after name in theaudio industry.

We continually push the boundaries in terms of aesthetic
design and sound quality, skilfully engineering high-end
sound systems known for their quality and style, withoutcompromising functionality.
We’re always looking for ways to evolve our products andour business, while staying true to our roots, combining
pioneering technology with groundbreaking design aesthetics.

VOID / P:06

		Rog
		Mogale

VOID / P:07

Alex
Skan

Philosophy

Co-founder, Director & Design Engineer

Co-founder & Managing Director

by Rog Mogale

Rog has a fascinating background in record production, film
score composition, remixing, audio design, and front-of-houseengineering on major tours around the world. He began
designing his first sound systems in the late ’70s andcontinued to design for other sound companies throughout
his busy schedule of studio work and live touring.

Alex’s intrigue for sound systems started in childhood,heavily influenced by his father’s interest in hi-fi, and wasfurther compounded by the West London music scene in
the late ’80s. He began his career in electronics and was
employed for many years by Thorn EMI. On leaving in the
mid-90s, Alex set up a touring, rental and installationcompany in partnership with a friend, where much of thework involved system rental and installation in some of the
UK’s most renowned nightclubs.

“Our goal is to meticulously engineer the finest products
possible, using the best components available, many ofwhich are manufactured in-house; we even hand-wind
our own inductors and assemble our own printed circuitboards. Very little is outsourced, enabling us to: track
every stage in the manufacturing; quality-control allparts and materials; deliver a greater level of consistencyfrom unit to unit; have the flexibility to make evolutionary
improvements at a rapid rate; and pass the cost savings on
to our customers.

In 2000, Rog started dedicating his efforts to audio andsound system design, creating systems for many of theworld’s most infamous nightclubs, live venues, touring
companies and international dub clash sound systems.
As the principal design engineer for Void Acoustics, theiconic Air Motion V2 and other designs for which Void is
globally recognised are the result of Rog’s creative mind
and design expertise.

In 2002, Alex joined forces with Rog, to establish Void
Acoustics - a manufacturing company creating a unique
catalogue of high-end products like nothing else available
in the audio market.
Alex looks after the day-to-day running of the business,making sure the team have what they need to thrive andoverseeing the production and supply chain.

Working closely with our distributors and customers, we
use their feedback to both refine our existing products
and develop new ones. Research and development is at
the heart of our business. The never-ending challenge todesign, innovate, test, evaluate and refine each productuntil the highest possible standards have been met, is an
exciting and worthy pursuit.

Throughout the company, each of us is willing to go beyond
what many others might deem ‘good enough’. I believe it is
this ethos of professional pride that has made Void such astrong player in the industry in such a short time.
We believe our products should have an impact bothsonically and visually; the fact that many venues spend somuch time and money on décor led me to design productsthat reflect and relate to their surroundings. Why shouldsuch venues have to make do with another ‘black box’
getting in the way? Whatever the challenge, we will always
innovate to offer bespoke solutions for anyone wanting to
break free of traditional speaker design.”

VOID / P:10

VOID / P:11

This Incubus sound system with three Air Vantage
monitors was uniquely designed and custom-built
for BLITZ Music Club in Munich, Germany.
Photographer: Simon Vorhammer

The bespoke green is an example of one of the many customised systems
we have specially designed for some of the world’s most renowned clubs.
We love creating one-of-a-kind colour schemes on systems that becomea real talking point for how they look, as well as how they sound.

VOID / P:10

“Void Acoustics were the ones pushingme in my dreams and going the extra
mile in every aspect, in order to create
the outstanding, one-of-a-kind, custommade sound system and acoustic space
you can now experience at BLITZ.”David Muallem
Co-founder of BLITZ Music Club, Munich, Germany

VOID / P:11

Installations
introduction
Our comprehensive range of installation products has
become world-renowned for sonic perfection, reliability
and revolutionary looks. Prominent installations include
many of the largest and most prestigious ‘super clubs’ andvenues around the world. Void is proud to be at the cuttingedge of aural design, incorporating groundbreaking
technological advances with visual styling that harmoniously
complements the surroundings to visually and sonicallytransform your environment.

We offer the best in contemporary styled loudspeakers
that sound as good as they look. Each model is theculmination of elegant styling, innovative design andbreathtaking performance.

VOID / P:12

Incubus is redefining
expectations
Designed with the sole purpose of being the best
dance club system available
The Incubus is redefining expectations around the world,
providing levels of sound control thought to be impossible.
Its ability to deliver both linear frequency and power shading
within a single mid-top enclosure ensures perfect soundfor everyone on the dance floor. As the go-to choice fordiscerning interior designers, its physical signature isideal for anyone looking to push both sonic and visualboundaries right to the edge.

VOID / P:13

VOID / P:14

VOID / P:15

Air Array
The Air Array is the mid-high element of the Incubus
system with radical looks that are not just for show.
Its shape is specifically designed to fuse each section
together, forming a coherent radiation pattern overits stated dispersion angles. Line source behaviouralconditions allow both frequency and power shading to
be used within a single enclosure so the sound pressurelevel in the near field is attenuated and matched with thatat greater distances, while HF absorption is correctedwith linear frequency shading. By employing a line
source configuration, this is the only mid-high enclosurethat can provide constant SPL at all distances with all
frequencies arriving at the same time, wherever you arewithin its coverage.
The low-mid section consists of two hyperbolic horns fed
from a split manifold, driven by four very high power 12”transducers – each featuring a heatsink cooling system
to reinforce reliability and reduce power compression
levels, for exceptional output with the highest definition.
Four newly developed 3” exit compression drivers
handle the mid-range frequencies, each driven by a 6”
diaphragm to comfortably reproduce frequencies down
to 500 Hz. Path length compensation devices are applied
to the waveguides to seamlessly combine their outputs,
eliminating all destructive interference and ensuring
constant output within the stated coverage angles. The
high frequency section uses six compression drivers
with 1” throat waveguides, positioned on a physicalarc to create a virtual common feed point.

Air Array specifications

This configuration reduces all forms of destructive
interference, maintaining an even frequency response
within every degree of the stated coverage angles.
Path length compensation devices housed within the
waveguides marry with the extended upper responseof the compression drivers, allowing the HF to extend
up to 26 kHz.
The Air Array can either be stack-mounted using a custom
steel box frame stand, or flown with the proprietary load
tested flying system. The Void visual signature is evident
via the standard gloss red finish and weight-saving
fibreglass composite structure.

Configuration
4 x 12” LF, 4 x 3” MF,
6 x 1” HF

Dispersion at -6 dB points
90°H x 45°V

Frequency
Range ±3 dB
90 Hz - 26 kHz

Dimensions
1240 x 944 x 813 mm(48.8” x 37.2” x 32”)

Max Output
143 dB cont146 dB peak

Net Weight
144.8 kg (319.2 lbs)

Power Handling
LF: 3600 W
MHF: 800 W
HF: 320 W

Hyperfold

Hyperfold specifications

A high percentage of the urge to dance comes from theupper bass frequencies. It’s where the kick and finer detailsof the bass are found. The need for speed and articulationin this critical region calls for a dedicated enclosure. The
Hyperfold’s design has evolved over many years, thanks to
the implementation of new technologies and advancement
in materials. Size for size, it contains the highest number ofdrivers, with four high excursion 15”dedicated low frequency
drive units, hence its displacement per cabinet volume tokeep up with the extraordinary efficiency of all the otherelements that go into making the Incubus system. Whenarrayed, Hyperfold cabinets mutually couple in the upperbass region to deliver output far beyond the measured
148 dB maximum output from a single unit.

Configuration
4 x 15” LF

Dimensions
748 x 738 x 1218 mm(29.4” x 29.1” x 47.9”)

Frequency
Range ±3 dB
60 Hz - 190 Hz

Net Weight
150 kg (330.7 lbs)

With the Hyperfold providing the ‘pulse’, the Incubus
Sub serves as the ‘lifeblood’ running through the entire
system; without the Hyperfold pumping there is no system,no urge to connect with the greater whole, or to become
part of the dance.

Max Output
142 dB cont145 dB peakPower Handling4000 Watts AES
Dispersion at -6 dB points
Array dependent

Incubus Sub

Incubus Sub specifications

The Incubus Sub’s structurally challenging design comprises
three massive 21” transducers in a hybrid horn bandpass
enclosure, ideal for all types of dance music. A combined
power handling of 6,000 Watts AES and very high sensitivity
result in foundation-cracking sub frequencies all the way
down to 29 Hz. Designed to work in conjunction with theHyperfold upper bass enclosure, the Incubus Sub is tuned
with all forms of dance music in mind.

Configuration
3 x 21” LF

Dimensions
704 x 1479 x 1218 mm(27.7” x 58.2” x 48”)

Frequency
Range ±3 dB
29 Hz - 95 Hz

Net Weight
214 kg (471.8 lbs)

Lightning-quick impulse response with low groupdelay and an in-your-face style combine to make it
an unforgettable experience.

Max Output
140 dB cont146 dB peakPower Handling6000 Watts AES
Dispersion at -6 dB points
Array dependent944 (37.1”)

944 (37.1”)

944 (37.1”)

1422 (56”)

813 (32”)1240 (48.8”)1422 (56”)

1012 (39.8”)1012 (39.8”)“I love the Void Acoustics
sound system at Eden
Ibiza. It shakes you rightdown to your bones,
whereas most club soundsystems barely permeate
the skin.”
Judge Jules
Award-winning British Music Producer

1012 (39.8”)

944 (37.2”)

VOID / P:16

VOID / P:17

Air Motion V2
Iconic styling, incredible performanceVOID / P:18

VOID / P:19

Tri Motion
Unrivalled composition, the cornerstone of big club soundVOID / P:024

VOID / P:025

Air Motion V2

Tri Motion

Air Motion V2

Air Motion V2 specifications

Tri Motion

Tri Motion specifications

The revolutionary Air Motion sculpted loudspeaker arrayis comprised of three optimally-designed transducers,
each loaded by an isometric conical horn and housed in askeletonised format, free from restricting and potentiallyresonant enclosures. Harnessing the excellent inherent
sound quality of the conical horn, the propagation is basedon the spheroid section and allows for solid radiation
angles. The benefits are twofold: tight beam width control,
giving higher output; and more defined sound quality, due
to a decrease in early reflections. Constant directivity isachieved across the horns’ entire dispersion, allowing foran exceptionally balanced waveform transmission.

Configuration
1 x 12” LF, 1 x 8” MF,
1 x 1.5” HF compression
driverBuilding on the successful acoustic and visual philosophyof the iconic Air Motion, the smaller and even more daring
Tri Motion extends those principles further, allowing aneven larger audience to savour the Void experience.

Configuration
1 x 15” LF, 1 x 8” MF,
1 x 1.5” HF compression
driverFrequency range ±3 dB
140 Hz - 20 kHz

The Tri Motion satisfies the demand for higher SPLs andmore diversified looks, and the rethink on form has also
allowed for wider horizontal dispersion and asymmetricalvertical pattern control, giving further coverage andreducing early reflections from ceilings to provide higher
fidelity. The extra horsepower is generated by a larger low
frequency transducer and super-efficient mid-hi section.

Frequency range ±3 dB
120 Hz - 20 kHz

Air Motion harnesses the excellent inherent sound qualityof the conical horn.

Maximum output
134 dB cont137 dB peakPower handling
LF: 500 Watts AES
HMF: 250 Watts AES
Dispersion at -6 dB points
60°H x 50°V
Dimensions
672 x 854 x 658 mm(26.5” x 33.6” x 25.9”)
Net weight35.4 kg (78 lbs)

Choose to fly the Tri Motion using either: the proprietary
integral flying and mounting system; or via an optional
floor or low frequency enclosure mounted ground support
system, forming a completely stable and correctly angled
audio point source. Perfect for the larger venue requiring
cutting-edge performance, together with art gallery
aesthetics, Tri Motion’s creation stems from years ofpushing both sonic and creative frontiers.

Maximum output
135 dB cont138 dB peakPower handlingLF: 700 Watts AES
HMF: 250 Watts AES
Dispersion at -6 dB points
90°H x 60°V
Dimensions
515 x 810 x 720 mm(20.3” x 31.9” x 28.3”)
Net weight47.1 kg (103.8 lbs)

854 (33.6”)

Ø12.5(0.5”)
658 (25.9”)

672 (26.5”)

672 (26.5”)

854 (33.6”)

361.5 (14.2”)

658 (25.9”)854 (33.6”)

658 (26.5”)“The Void rig at the Dirtybird BBQ series
not only looked amazing, it soundedeven better. We are super happy to workwith Void. The team working withus on site are some of the nicest guys
in the business who I’ve been working
Claude VonStrokewith for over six years.” DJ & Owner of Dirtybird

VOID / P:22

VOID / P:23

Airten V2
Exceptional style in a compact, high output,
dual 10” loudspeakerDon’t be fooled by the Airten V2’s small size. Its dual driver
LF configuration results in greater bass extension, whilea coaxial point source element for the mid and high frequency,
housed in a space-age composite enclosure, delivers
exceptional fidelity across its wide dispersion pattern.
The total elimination of energy-robbing enclosure resonancehas been achieved using super strong composites that
include fibreglass, providing desirable acoustical properties
and allowing the Airten V2’s evolved form to emerge. Unique‘intake protection’ is employed to accurately control and limit
excursion, requiring no additional outboard processing or
powering. The increased headroom available by monitoring
the components at source has produced a system capable ofoutput levels normally associated with enclosures over twice
the size of Airten, making it particularly favoured for near-fieldDJ monitoring.

Airten V2 specifications

Configuration
2 x 10” LF, 1 x 1” HF
compression driver
Frequency
Range ±3 dB
60 Hz - 20 kHz
Maximum output
125 dB cont128 dB peakPower handling
500 Watts AES
Dispersion at -6 dB points
80°H x 80°V
Dimensions
303 x 681 x 330 mm(11.9” x 26.8” x 13”)
Net weight
20 kg (44.1 lbs)

VOID / P:24

VOID / P:25

			 Air 8
A unique passive 8” two-way loudspeaker,
ideally suited for corner mounting
The Air 8 is an interior designer’s dream come true anda sound purist’s heaven. The principles are simple:
take highly refined in-house designed components andcombine them with a modern-day work of art. Combinethat in an installation-friendly package, with endlesspossibilities of enclosure colour, to make it the only
choice for those seeking perfection.
The 8” low frequency driver and 1” coaxially mounted
neodymium high frequency compression driver provide
increased efficiency for its compact and stylish form.
Stand-alone applications for the Air 8 include deliveringhigh-quality sound for small bars, lounges and restaurants,
and area fill when used with a larger main system in clubs.

Air 8 specifications
Configuration
1 x 8”, 1 x 1” Coax
Frequency range ±3 dB
70 Hz - 20 kHz
Maximum output
119 dB cont121 dB peakPower handling
300 Watts AES
Dispersion at -6 dB points
90°H x 90°V
Dimensions
420 x 299 x 171 mm(16.5” x 11.8” x 6.7”)
Net weight
6.2 kg (13.7 lbs)

VOID / P:26

VOID / P:27

Air Stream
A desirable, compact, three-way DJ monitor
capable of full range operation
Comprised of a single 15” low frequency enclosure withcoax 12” midrange and a 1.5” HF, the stylishly sculptured,
two-way active Air Stream offers all the benefits of its
larger brother, the Vantage monitor system, but in a morecompact form. Capable of full range operation, the Air
Stream can be used in smaller booths without the needfor additional low frequency enclosures. For higher levelsof playback, the addition of a low frequency enclosuretransforms the Air Stream into a monitor system suitable forlarger clubs or EDM events. A single Neutrik speakON™
NL4 is used for connection.

Air Stream specifications

Configuration:
LF: 1 x 15”
MHF: 1 x 12” - 1 x 1.5” coax
Frequency range ±3 dB
54 Hz - 20 kHz
Maximum output
127 dB cont133 dB peakPower handlingLF: 700 Watts AES
HF: 500 Watts AES
Dispersion at -6 dB points
70°H x 45°V
Dimensions
743.5 x 511 x 499 mm(29.3” x 20.1” x 19.6”)
Net weight
42.5 kg (93.7 lbs)

VOID / P:28

VOID / P:29

Air Vantage
A highly versatile, dual-role mid-top

Air Vantage specifications

The Air Vantage can either be used as a stand-alone mid-top
with LF enclosures in a main club system, or be paired with
the Sub Vantage for monitoring duties. The same attributes
that make it eminently suitable as a DJ monitor, such astrue point source transmission and a smooth frequency
response, also shine when it comes to filling a dance floor
with high SPL and accurate sound.

Configuration
1 x 12”, 1 x 1.5” coax

Particular attention was paid when designing its internalcrossover to achieve the best possible phase response,
which has allowed for prolonged listening periods at very
high SPLs, with minimum fatigue. Venues with low ceilings
are also a prime candidate for the mid-top, as its diminutive
vertical dimensions and tight pattern control allow for close
mounting to a ceiling.
A fully adjustable mounting bracket is available, allowing
any desired amount of vertical tilt to be applied. A Neutrik
speakON™ NL4s is provided for driver connections.

Frequency
Range ±3 dB
140 Hz - 20 kHz
Maximum output
127 dB cont133 dB peakPower handling
500 Watts AES
Dispersion at -6 dB points
70°H x 40°V
Dimensions
415 x 718.5 x 660 mm(16.3” x 28.3” x 26”)
Net weight
23.5 kg (51.8 lbs)

		

VOID / P:30

VOID / P:31

Sub Vantage
Hyper-quick transients; an asset to every DJ
With four 15” ultra-high power drivers, the Sub Vantage
is the perfect companion for the Air Vantage mid-top
when used as a precision DJ monitor. Its design uses a
newly developed split manifold arrangement to deliver
hyper-quick transients and unparalleled output for its
dimensions. Dual Neutrik speakON™ NL4s are provided
for driver connections.

Sub Vantage specifications
Configuration
4 x 15” LF
Frequency range ±3 dB
40 Hz - 160 Hz
Maximum output
137 dB cont143 dB peakPower handling2 x 1600 Watts AES
Dispersion at -6 dB points
Omnidirectional
Dimensions
908 x 730 x 665 mm(35.7” x 28.7” x 26.2”)
Net weight
91.2 kg (201 lbs)

VOID / P:32

VOID / P:33

Stasys Xair
Innovatively designed with club dance floors in mind

Stasys Xair specifications

Derived from the original Stasys X V2 low frequency
enclosure, the Stasys Xair has been redesigned in a
club-focused version that benefits from several new
innovations. A total rearrangement of the internal
resonant chambers has enhanced the cooling, leading toa reduction in power compression. Transient response,
phase response and overall timing capabilities have also
been improved as a result. The Stasys Xair uses the latest
lightweight cone materials, enabling optimum transfer
efficiency, while maintaining structural rigidity.

Configuration
2 x 18” LF
Frequency range ±3 dB
30 Hz - 180 Hz
Maximum output
138 dB cont144 dB peakPower handling
3200 Watts AES
Dispersion at -6 dB points
Array dependent
Dimensions
562 x 1226 x 9036 mm(22.1” x 48.3” x 35.6”)
Net weight
130 kg (286.6 lbs)

VOID / P:34

Nexus series
Maximum efficiency, transient response and articulation

VOID / P:35

VOID / P:36

VOID / P:37

Nexus 6
Aimed at the larger venue, the radical styling of the
Nexus 6 is born from the innovative internal layout of its
transducers. The four-way Nexus 6 consists of no lessthan 20 high power drivers, housed in a sculpted fibreglass
enclosure that can be ground stacked on low frequency
enclosures, or flown independently using the optional
proprietary Void flying system.
Virtual Arc technology is implemented on every component
to form a common acoustic centre, or virtual point sourcethat exists rearwards of the array. This approach overcomes
all the disadvantages that compromise a traditional arrayof multiple sound sources emitting from different locations.

Nexus 6 specifications
Dispersion, phase, coherency and timing are all controlled
and unified, due to the common acoustic feed point andmulti-channel access. Virtual Arc technology ensures thatthe same sound is experienced by all, regardless of where
they are standing, due to its wide and controlled dispersion.
Total summation of all the components in each passband
can also take place within the Nexus 6, allowing for muchhigher efficiency, greater output and improved reliability
due to reduced component stress.

Configuration
12 x 6.5” LF, 8 x 1” HF
compression driver

Dimensions
1267 x 562 x 430 mm(49.8” x 22.1” x 16.9”)

Frequency range ±3 dB
78 Hz - 21 kHz

Net weight75.5 kg (166.5 lbs)

Whether placed on low frequency enclosures to form adance stack or flown independently, the Nexus 6 brings theperformance and styling of the future to the here and now.

Power handlingLF: 2 x 1350 Watts AES
HF: 2 x 320 Watts AES

Maximum output
137 dB cont140 dB peak

Dispersion at -6 dB points
110°H x 50°V

Nexus Q

Nexus Q specifications

As part of the Nexus LF system, the Nexus Q delivers theupper bass frequencies via a new enclosure design. The
four high power 12” drivers use a front loaded horn to achieve
high efficiency and a rear port with a newly developed‘pressure gradient’ arrangement.

Configuration
4 x 12” LF

Dimensions
754 x 738 x 860 mm(29.7” x 29” x 33.9”)

Frequency range ±3dB
60 Hz - 150 Hz

Net weight
130 kg (286.6 lbs)

This configuration is far more beneficial than previous loading
techniques and results in an enclosure with unparalleled
output, definition, and the total elimination of colourationfrom any turbulent or mechanical port noise. Dual Neutrik
speakON™ NL4s are provided for driver connections.

Maximum output
145 dB cont151 dB peakPower handling2 x 2000 Watts AES
Dispersion at -6 dB points
Array DependentVOID / P:38

VOID / P:39

Nexus XLThis low frequency enclosure expands upon the five resonantchamber theory, as used in the ever-popular Stasys X (a dual
18” low frequency enclosure serving as the backbone ofmany Void Acoustics installations around the world). Further
refining the design principle has led to previously unimaginedlevels of performance.
Transient response and articulation were the two main
design criteria. The use of a large transducer has provided
exceptionally high levels of efficiency and an extended low
frequency response, but a high moving mass can also leadto degradation in speed and articulation. Reinforcing
materials are woven into the cone for superior strength.
A dual-layer coil arrangement has also been deployed
to increase both power handling and efficiency, while
lowering the total moving mass to that of a transducer
with a much smaller shift. Both these measures enable
the transient response and delivery required for modern
styles of music, yet retain the efficiency and extended low
frequency response that only a very large transducer can
provide. For lower power handling, the Nexus XL serves
as an alternative to the Nexus X and is to be used with
the Nexus Q.

Nexus X

Nexus X specifications

The 8,000 Watt Nexus X serves the lower spectrumof the Nexus LF system. It does this with unmatcheddisplacement via its eight 12” drivers, each capable ofextreme amounts of excursion with very low distortion.

Configuration
8 x 12” LF

Dimensions
746 x 738 x 860 mm(29.4” x 29” x 33.9”)

Frequency range ±3 dB
36 Hz - 100 Hz

Net weight
137 kg (302 lbs)

Efficiency is also off the charts thanks to the vast numberof transducers all working in unison in an optimallydesigned, yet deceptively compact enclosure, using thelatest in material technology to assist in minimisingresonances. Dual Neutrik speakON™ NL4s are provided
for driver connections.

Maximum output
146 dB cont152 dB peakPower handling2 x 4000 Watts AES
Dispersion at -6 dB points
Array Dependent

Nexus XL specifications
Configuration
1 x 21” LF

Dispersion at -6dB points
Array Dependent

Frequency range ±3dB
30 Hz - 150 Hz

Dimensions
754 x 738 x 860 mm(29.7” x 29” x33.9”)

Maximum output
135 dB cont141 dB peak

Net weight
90 kg (198.4 lbs)

Power handling2000 Watts AES			VOID / P:40

VOID / P:41

IndigoFuturistic looks, exceptional audio performance
The striking Indigo series brings inspirational levels of
sophistication that every venue will want to be seen with.
Indigo has been created for the style-conscious buyerthat today’s venue designers aspire to impress. Boundaries
are being pushed in all areas of the entertainment industry,
with the visual aspect becoming evermore important. Indigo
not only fulfils the quest for the ultimate styling, it also brings
a new level of sonic richness you never thought possible.

VOID / P:43

Indigo 6 Pro

Indigo Sub

The Indigo 6 Pro is a higher power version of the Indigo
6s, providing increased efficiency and output. Stand-alone
applications for the Indigo 6 Pro include providing highquality sound for small bars, lounges and restaurants,
home theatre 5.1 surround sound, and area fill when usedwith a larger main system in clubs.

Interior designers will love the fact that they can relyon the Indigo Sub’s stunning looks to enhance a venue.
Numerous possibilities for the colour of the enclosure
are available, offering the best choice in low frequency
reinforcement suitable for an extensive range ofapplications. When partnered with the stylish Indigo 6s
or Indigo 6 Pro, applications include medium-sized bars,
lounges and restaurants, and fill for larger areas withinclubs that already have a main dance floor system.

Indigo 6 Pro specifications

Indigo 6s
The passive two-way Indigo 6s loudspeaker is compact,
efficient and emanates style, perfect for any modern,visually-conscious venue. It can be used without a subwoofer
for small bars, lounges, restaurants and area fill, whenused in conjunction with a larger main system in clubs.
Adding an Indigo Sub extends the frequency response andexpands its possibilities to include medium-sized bars,
lounges, and restaurants, and fill for larger areas of clubsthat already have a main dance floor system.
Indigo 6s specifications
Configuration
1 x 6.5 LF, 1 x 1”
soft dome tweeter

Power handling
80 Watts AES

Frequency range ±3 dB
70 Hz - 23 kHz

Dispersion at -6 dB points
90°H x 90°V

Maximum output
108 dB cont111 dB peak

Dimensions
273 x 209 x 163 mm(10.7” x 8.2” x 6.4”)
Net weight
2.2 kg (4.9 lbs)

Configuration
1 x 6.5 LF, 1 x 1”
compression driverPower handling
200 Watts AES

Frequency range ±3dB
68 Hz - 21 kHz

Dispersion at -6dB points
90°H x 90°V

Maximum output
115 dB cont118 dB peak

Dimensions
273 x 209 x 163 mm(10.7” x 8.2” x 6.4”)
Net weight
5.2kg (11.5lbs)

Indigo Sub specifications
Configuration
1 x 12” LF

Power handling
400 Watts AES

Frequency range ±3 dB
40 Hz - 160 Hz

Dispersion at -6 dB points
Omnidirectional

Maximum output
117 dB cont123 dB peak

Dimensions
521 x 395 x 336 mm(20.5” x 15.5” x 13.2”)
Net weight
21 kg (46.3 lbs)

VOID / P:44

VOID / P:45

Cyclone series
Weather-protected loudspeakers with exceptional styling

VOID / P:46

VOID / P:47

Cyclone 10

Cyclone Bass

The Cyclone 10’s beautifully sculpted fibreglass enclosure
is paired with a smooth cellulose finish to create aweather-protected package for years of great sound andtrouble-free outdoor use, even in humid environments suchas beach bars, resorts, cruise ships, hotels and public
spaces. The Easy Hang XL bracket enables the Cyclone 10
to be installed quickly and securely with a wide range ofadjustment.

Cyclone Bass Specifications

Cyclone 10 specifications
Configuration
1 x 10” LF, 1 x 1” HF
compression driverPower handling
350 Watts AES

Frequency range ±3 dB
52 Hz - 22 kHz

Dispersion at -6 dB points
90°H x 60°V

Maximum output
123 dB cont126 dB peak

Dimensions
493 x 320 x 230 mm(19.4” x 12.6” x 9.1”)
Net weight
14.5 kg (32 lbs)

Cyclone 55

Cyclone 55 specifications

The Cyclone 55 offers high levels of fidelity and definition
from an ultra-compact and visually appealing format, in aweather-protected package that is ideally suited to coastal
outdoor applications ranging from beach bars, resorts andcruise ships, to hotels and public spaces. With a dedicatedbracket, the Cyclone 55 can be installed quickly and securely,
and its wide range of adjustment allows the loudspeaker’s
wide dispersion pattern to be accurately aimed at large
audience areas using the least number of loudspeakers.

Configuration
2 x 5” LF, 2 x 1” HF
soft dome tweeter

Power handling
120 Watts AES

Frequency range ±3 dB
70 Hz - 23 kHz

Dispersion at -6 dB points
110°H x 70°V

Maximum output
110 dB cont114 dB peak

Dimensions
192 x 309 x 207 mm(7.6” x 12.2” x 8.1”)
Net weight
3.2 kg (7.1 lbs)

The Cyclone bass brings a new level of aesthetic to highprofile, outside applications. Fitted with a single high-powered12” driver, the design is suitable for beach bars, restaurants,
theme parks and any location where a corrosive atmosphere
exists. Available in a wide range of custom colours, thisdesign makes use of phoenix connectors, with link out
capability for ease of installation.

Configuration
1 x 12” LF

Power handling
600 Watts AES

Frequency range ±3 dB
40 Hz - 160 Hz

Dispersion at -6 dB points
Omnidirectional

Maximum output
123 dB cont129 dB peak

Dimensions
370 x 490 x 455 mm(14.57” x 19.29” x 17.9”)
Net weight33.5 kg (73.9 lbs)

VOID / P:48

VOID / P:49

Venu
A contractor-friendly solution, ideal for schools,
gyms and houses of worship
The Venu series offers everything you could ask for from an
installation loudspeaker range, created from the demandsof many leading installation contractors and engineers
around the world.
Venu includes: rotatable high frequency horns for correct
dispersion, in either vertical or horizontal mounting
positions; birch plywood enclosures; spring-loaded grilles
for easy access to the internal components; the EZ
Hang wall bracket to support satellite enclosures, either
vertically or horizontally; and multiple M8 flying points.

Venu 210i
The Venu 210i is a 1,200 Watts, self-powered double 10”reflex-loaded low frequency enclosure, capable of powering
up to four loudspeaker enclosures from its built-in,
dual-channel 600 Watt power module. speakON™ sockets
are provided for ultra-quick and reliable connections anda protected rear connector panel allows the enclosure to
be placed against a rear wall without damaging the audio
or power connections.
The 210i also features DSP for loudspeaker control andadvanced signal processing capabilities, all of which can beaccessed by the rear USB port. Add to this the evocative Voidsound from the new range of custom designed components
and it’s clear that Venu is the ultimate installation series.

VOID / P:50

VOID / P:51

Venu
Venu 6 specifications

Venu 8 specifications

Venu 10 specifications

Venu 12 specifications

Venu 210i specifications

Venu Bass specifications

Venu Sub specifications

Venu X specifications

Venu 115 specifications

Venu 215 specifications

Configuration
1 x 6.5” LF, 1 x 1” HF
compression driver

Configuration
1 x 8” LF, 1 x 1” HF
compression driver

Configuration
1 x 10” LF, 1 x 1” HF
compression driver

Configuration
1 x 12” LF, 1 x 1” HF
compression driver

Configuration
2 x 10” LF

Configuration
1 x 12” LF

Configuration
1 x 12” LF

Configuration
2 x 12” LF

Configuration
1 x 15” LF

Configuration
2 x 15” LF

Frequency range ±3 dB
72 Hz - 22 kHz

Frequency range ±3 dB
60 Hz - 22 kHz

Frequency range ± 3dB
52 Hz - 22 kHz

Frequency range ±3 dB
50 Hz - 22 kHz

Frequency range ±3 dB
40 Hz - 150 Hz

Frequency range ± 3dB
40 Hz - 160 Hz

Frequency range ± 3dB
41 Hz - 150 Hz

Frequency range ± 3dB
34 Hz - 160 Hz

Frequency range ±3 dB
38 Hz - 160 Hz

Frequency range ±3 dB
38 Hz - 160 Hz

Maximum output
118 dB cont121 dB peak

Maximum output
121 dB cont124 dB peak

Maximum output
123 dB cont126 dB peak

Maximum output
124 dB cont127 dB peak

Maximum output
124 dB cont130 dB peak

Maximum output
123 dB cont129 dB peak

Maximum output
119 dB cont125 dB peak

Maximum output
128 dB cont134 dB peak

Maximum output
123dB cont129dB peak

Maximum output
130 dB cont136 dB peakInput
2 x 10 kΩ Balanced

Power handling
600 Watts AES

Power handling2 x 200 Watts AES

Power handling1200 Watts AES

Power handling
500 Watts AES

Power handling1000 Watts AES

Power handling
200 Watts AES

Power handling
300 Watts AES

Power handling
350 Watts AES

Power handling
400 Watts AES

Dispersion at -6 dB points
Omnidirectional

Dispersion at -6 dB points
Omnidirectional

Dispersion at -6 dB points
Omnidirectional

Dispersion at -6 dB points
Omnidirectional

Dispersion at -6 dB points
Omnidirectional

Dispersion at -6 dB points
90°H x 60°V rotatable

Dispersion at -6 dB points
90°H x 60°V rotatable

Dispersion at -6 dB points
90°H x 60°V rotatable

Dispersion at -6 dB points
90°H x 60°V rotatable

Output1200 W (for LF)
2 x 600 W at 4Ω
Dispersion at -6 dB points
Omnidirectional

Dimensions
370 x 490 x 430 mm(14.6” x 19.3” x 16.9”)

Dimensions
356 x 634 x 360 mm(14” x 25” x 14.2”)

Dimensions
370 x 780 x 490 mm(14.6” x 30.7” x 19.3”)

Dimensions
446 x 448 x 636 mm(17.6” x 17.6” x 25”)

Dimensions
446 x 860 x 636 mm(17.6” x 33.9” x 25”)

Dimensions
372 x 239 x 200 mm(14.6” x 9.4” x 7.9”)

Dimensions
415 x 260 x 223 mm(16.3” x 10.2” x 8.8”)

Dimensions
469 x 315 x 250 mm(18.5” x 12.4” x 9.8”)

Dimensions
522 x 385 x 330 mm(20.6” x 15.2” x 13”)

DSP
Analog Devices SigmaDSP®

Net weight
24 kg (52.9 lbs)

Net weight
25.4 kg (56 lbs)

Net weight44.5 kg (98.1 lbs)

Net weight
24kg (52.9lbs)

Net weight62.5 kg (137.8 lbs)

Net weight
8.5 kg (18.7 lbs)

Net weight
11.5 kg (25.4 lbs)

Net weight
14.5 kg (32 lbs)

Net weight
19.5 kg (43 lbs)

AC Power
90-264V 50-60 Hz PFC
Dimensions
334 x 676 x 530 mm(13.1” x 26.6” x 20.9”)
Net weight
32 kg (70.5 lbs)

260 (10.2”)522 (20.6”)

469 (18.5”)415 (16.3”)

372 (14.6”)
239 (9.4”)

315 (12.4”)

860 (33.9”)

448 (17.6”)

446 (17.6”)385 (15.2”)

446 (17.6”)“OMNI has won numerous internationallyacclaimed awards, including the iF DesignAward and LIVE DESIGN Excellence award.
We believe selecting Void Acoustics was
one of the factors that helped us gain thatrecognition. We look forward to a long-term
Hsia
relationship with Void Acoustics.” Alan
Co-Founder of OMNINightclub, Taipei,
TaiwanVOID / P:52

 rom the smallest workingFband, to the largest tours,
Void touring products
have become industry
standard across the globe.
With countless companies opting for Void as their systemof choice, it’s no wonder our loudspeakers and amplifiers
are seen in many of the world’s largest arenas and on toursof all sizes and musical styles. It’s not just the rental sector
that’s making use of Void touring products; many prestigious
live venues have benefited from permanently installing oursystems, gaining much loyalty among their patrons for theconsistent sound quality they are now able to achieve.

VOID / P:53

The Arcline System
The Arcline System
Keeping at the forefront of new technologies, our pioneering
spirit has produced creations such as the Arcline and Stasys
series of touring loudspeakers. The most recent developmentin the popular Arcline series combines the latest technologicaladvances with proven versatility. Our Research andDevelopment team worked tirelessly for over two years todesign and optimise the Arcline system, overcoming various
engineering challenges, which resulted in a number of newtechnologies that future-proof the Arcline system and surpassthe needs of today’s busy rental house requirements.
Arcline 8 is a high power three-way, small to medium format
line array enclosure optimised for use in theatres, event
spaces and outdoors. The loudspeaker has been developed
using extensive Finite Element Analysis (FEA) modelling for
maximum performance from the smallest footprint. To extend
past the lower cut-off frequency of Arcline 8, the new Arcline
system also includes a low frequency enclosure, the Arcline
212, which can be flown in the array to increase the low
frequency extension of smaller arrays or can be groundstacked in multiples, using the Arcline fly frame to allow
a full range, low profile system.

Any touring solution is only as good as its rigging andtransportation options. Arcline features an all-new rigging
system designed by our mechanical engineers, giving many
configuration options for arraying either flown or groundstacked. The new system also allows for pre-rigging angle
selection, array lock and is self-centring for easy box handlingand interaction.
The Arcline system is packaged with EASE Focus 3, which
is used to simulate and define system configurations. EASE
Focus 3 allows the user to realise the sonic performance ofthe system in three dimensions, using features such as Auto
Splay functions, Virtual EQ, and detailed analysis of soundcoverage, SPL and frequency response of the system.
All of this makes the Arcline system one of the easiest toarray on the market and is deployable by just one person(should manpower limitations dictate), while being cased
and transported in multiples using the optional road cases
further reduces setup time.

VOID / P:54

VOID / P:55

Arcline 8
Versatile, portable and intuitive to use

Arcline 8 specifications

A host of new technologies dramatically improve theperceived sound quality and definition of the Arcline 8,
while an advanced rigging system reduces setup time
and the need for more than one person to rig multiple
enclosures. Delivering a true 110-degree dispersion
results in a highly uniform polar pattern, allowing thewhole audience to experience uniform sound quality
across the entire sound field. The high efficiency, horn
loaded low-mid section assists with low-mid projection.

Configuration
2 x 8” LF, 2 x 8 MF
2 x 1.4” HF
compression drivers

Traditional high frequency driver spacing and path lengthcompensation among line source enclosures have almost
always meant a compromise in high frequency performance,
so a new design of high frequency horn was developed for
the Arcline 8. Extensive FEA modelling was used both toevaluate and optimise the waveguide. A new phase shading
device has also been implemented to allow multiple Arcline 8
enclosures to form a true cylindrical wavefront by splitting
two acoustic sources into four, with the acoustic centre
positioned optimally for coupling in both the horizontal
and vertical planes.
The lightweight 15 mm (5/8”) birch plywood enclosure isfinished in a textured TourCoat polyurea finish, and featuresa unique flying system that allows rigging angles to bepre-selected before flying the system. Two Neutrik speakON™
NL4 connectors provide input and link through connections.

Frequency range ±3 dB
110 Hz - 20 kHz
single enclosure
90 Hz - 20 kHz
three enclosures
Maximum output
128 dB cont145 dB peakPower handling
LF : 500 Watts AES
MF / HF : 500 Watts AES
Dispersion at -6 dB points
110°H x 12°V
Dimensions
285 x 881 x 470 mm(11.2” x 34.7” x 18.5”)
Net weight
39 kg (86 lbs)

VOID / P:56

The Stasys series

VOID / P:57

VOID / P:58

VOID / P:59

Stasys 4

Stasys 2
Ideal for touring, delivering functionality and performance

Stasys 2 specifications

The Stasys 2 is the ideal solution for small to medium-sized
live sound tour productions and as a front-of-house system insmaller fixed venues and theatres. Equipped with a multi-point
Flytrax flying system and a top hat, it effectively doubles as a
foldback monitor. The carefully selected components andwell-designed passive crossover give the Stasys 2 a frequency
response free from any peaks or resonances, enabling higher
than average output levels before feedback.

Configuration
1 x 12” LF, 1 x 1.5” HF
compression driver

Dimensions
620 x 370 x 375 mm(24.4” x 14.6” x 14.8”)

Frequency range ±3 dB
55 Hz - 20 kHz

Net weight
27 kg (59.5 lbs)

Maximum output
127 dB cont130 dB peakPower handling
500 Watts AES
Dispersion at -6 dB points
90°H x 50°V rotatable

Powerful yet adaptable, ideal for touring

Stasys 4 specifications

The Stasys 4 provides better off-axis rejection and constantcoverage within its dispersion angle than conventional
horn designs. This critical factor enables the creation ofa multi-purpose loudspeaker that is equally at home as ahigh level stage monitor as it is in smaller, front-of-houseapplications. The asymmetrical enclosure comes equippedwith multiple flying points and an integral pole mount socket
to suit both portable and permanently installed applications.

Configuration
1 x 15” LF, 1 x 1.5” HF
compression driver

Dimensions
750 x 450 x 430 mm(29.5” x 17.7” x 16.9”)

Frequency range ±3 dB
55 Hz - 20 kHz

Net weight
38 kg (83.6 lbs)

Maximum output
128 dB cont131 dB peakPower handlingLF: 600 Watts AES
HF: 100 Watts AES
Dispersion at -6 dB points
90°H x 50°V rotatable

VOID / P:60

VOID / P:61

Stasys X V2
A phenomenal package with state-of-the-art
design performance
The original Stasys X set new standards in the performancepossible from a double 18” low frequency enclosure. Usedon tours, in live venues and in world-class night venues allaround the world, the Stasys X V2 now benefits from newer
technologies to advance and refine the design further.
A total rearrangement of the internal resonant chambers
has improved the cooling to the extent that no externalheatsinks are required, which has led to a significant decreasein power compression. The systems transient response,
phase response, and overall timing capabilities have also
been vastly improved by the new internal chamber layout.
This has led to a more uniform response in relation to
distance, and greater behavioural predictability when arrayed.

Stasys X V2 specifications
Configuration
2 x 18” LF

Dimensions
562 x 1218 x 896 mm(22.1” x 48” x 35.3”)

Frequency range ±3 dB
30 Hz - 180 Hz

Net weight
130 kg (286.6 lbs)

Maximum output
138 dB cont144 dB peakPower handling
3200 Watts AES
Dispersion at -6 dB points
Array dependentVOID / P:62

VOID / P:63

Stasys 118 / 218
A phenomenal package with state-of-the-art design performance
To attain the maximum performance from the Stasys 118
and 218 design, the heart of these enclosures was subjectedto the same resonance mapping procedures as all otherStasys low frequency models. This practice has dictated
the type of materials used around the enclosure, optimised
the brace positioning and minimised destructive nodal
conditions. All of this adds up to a structurally superior
housing with minimum mass, the least possible cabinet
colouration and vastly increased output.

Exhaustive comparative transducer testing and evaluation
led to the birth of a new 18” transducer with a high excursion
4” voice coil. The sonic properties of differing cone andsurround combinations were studied, as well as differing coil
topographies. Flux intensities and out of band abnormalities
were also manipulated until the perfect combination wasachieved. The marriage of a technologically advanced
enclosure with esoteric transducer performance, applied withsuperlative tuning techniques, has resulted in a phenomenal
package with state-of-the-art performance that has welland truly left tradition behind.

Stasys 118 specifications

Stasys 218 specifications

Configuration

Dimensions

Configuration

Dimensions

1 x 18” LF

638 x 560 x 600 mm(25.1” x 22” x 23.6”)

2 x 18” LF

586 x 1020 x 775 mm(23.1” x 40.2” x 30.5”)

Frequency range ±3 dB

Net weight

Frequency range ±3 dB

Net weight

40 Hz - 200 Hz

47 kg (103.6 lbs)

32 Hz - 200 Hz

86 kg (189.6 lbs)

Max Output

Max Output

129 dB cont132 dB peak

134 dB cont140 dB peakPower handlingPower handling1200 Watts AES

2400 Watts AES

Dispersion at -6 dB points

Dispersion at -6 dB points

Array dependent

Array dependentVOID / P:64

VOID / P:65

Amplification

Bias V9

Bias V3

Bias VQ

The two channel Bias V9 DSP amplifier delivers up
to 18,000 Watts in a single rack space, making it oneof the most powerful amplifiers in its size and class.
Ideal for low frequency enclosures requiring relatively
high continuous power and ample headroom, the Bias
V9 is the unique result of smart design and attention tosound quality, plus an extremely high efficiency, reliability,
portability and adaptability in mind.

The two channel Bias V3 DSP amplifier provides reliable,premier-grade power and headroom in the smallest
possible package size. Fully digitally controlled via Ethernet
using PC control software, the Bias V3 amounts to a fully
integrated, highly sophisticated, yet easy-to-use powersource including state-of-the-art sound shaping andsystem management capabilities.

Delivering 5,000 Watts across four channels in a single rack
space at under 8kg net weight, the Bias VQ DSP amplifier isequally versatile in touring and permanently installed racks.
Patented technologies and outstandingly high efficiency
make the Bias VQ the recommended choice for our small
to mid-sized loudspeaker systems.

Bias V9 Specifications

Bias V3 Specifications

Bias VQ Specifications

No. of Channels
2IMD< 0.5% from 1 W to full power

No. of Channels
2

Input
10 KΩ Balanced/AES3

Slew rate
50 V/μs at 8Ω, input
filter bypassed

Input
10 KΩ Balanced/AES3

Slew rate

Output2 x 2800 W at 2Ω

filter bypassed

Output2 x 9000 W at 2Ω
AC Power
90-264 V 50-60 Hz PFC
Frequency response
20 Hz-20 kHz (±0.5 dB)
S/N Ratio> 110 dB (20 Hz - 20 kHz)
Crosstalk separation
66 dB at 1 kHz
THD+N< 0.5% from 1 W to full powerDamping factor> 5000 at 20-200 Hz
DSP
Analog Devices SHARC®
Dimensions
44.5 x 483 x 475 mm(1.75” x 19.02” x 18.7”)
Weight12 kg (26.5 lbs)

AC Power
90-264 V 50-60 Hz PFC
Frequency response
20 Hz-20 kHz (±0.5 dB)

MD< 0.3% from 1 W to full power

50 V/μs at 8Ω, input

Damping factor> 5000 at 20-200 Hz
DSP
Analog Devices SHARC®

S/N Ratio> 106 dB (20 Hz - 20 kHz)

Dimensions

Crosstalk separation> 70 dB at 1 kHz(1.75” x 19.02” x 15”)

THD+N
< 0.3% from 1 W to full powerI

44.5 x 483 x 380 mm

Weight8 kg (17.6 lbs)

No. of Channels
4IMD< 0.02%Input
10 KΩ Balanced/AES3

Slew rate
50 V/μs at 8Ω, input
filter bypassed

Output4 x 1250 W at 4Ω
AC Power
90-264 V 50-60 Hz PFC
Frequency response
20 Hz-20 kHz (±0.5 dB)
S/N Ratio> 110 dB (20 Hz - 20 kHz)
Crosstalk separation> 70 dB at 1 kHz
THD+N< 0.05% at 1/2 full powerDamping factor> 5000 at 100 Hz
DSP
Analog Devices ADAU®
1701 DSP
Dimensions
44.5 x 483 x 358 mm(1.75” x 19.02” x 14.1”)
Weight7.4 kg (16.3 lbs)

VOID / P:66

Contact us
Void Acoustics Research Limited

Void Acoustics North America

Tel: +44(0)1202666006
Email: sales@voidacoustics.com
Website: www.voidacoustics.com

Tel: 503-854-7134
Email: sales.usa@voidacoustics.com

Unit 15, Dawkins Road Industrial Estate
Poole
DorsetBH15 4JY
United Kingdom
Registered in England & Wales No. 07533536

Subject to change without prior notice. Efficiency is measured in half space. Power handling is AES2-1984 compliant. Maximum output iscalculated. © 2018 Void Acoustics Research Ltd. Void Acoustics and the Void logo are registered trademarks of Void Acoustics Research Ltd.
in the United Kingdom, USA and other countries; all other Void trademarks are the property of Void Acoustics Research Ltd.

www.voidacoustics.com