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Count10
Asia
Before You Say

Asian Art after Postmodemism

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Count 10 BeforeYou Say Asia
Asian Art after Postmodernism

2008li' 11/'122B[±l I 14:00 - 17:30
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International Symposium 2008

Count 10 BeforeYou Say Asia
Asian Art after Postmodernism

Saturday, November 22, 2008 I 14:00- 17:30
Sunday, November 23, 2008 I 10:30- 17:30

Venue:JFJC Hall "SAKURA;' The Japan Founda,;on
Organizer:

The Japan Foundation

Advisers:
Hayashi Michio

MaedaKyoji

~

JAPAN
FOUNIJAT~

International Symposium 2008 ,Count10
BeforeYouSay Asia
Asian Art after Postmodernismtl§a l Report

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IForeword

The Japan Foundation assembled a panel of leading art historians andart critics for an international symposium titled "Count 10 Before You
Say Asia-Asian

Art After Postmodernism "on November 22nd and23rd, 2008.
Around 20 years have passed since rhe esrablishment of a global art scene
made it possible for the contemporary art of Asia to attract attention
internationally. That development was of course greatly assisted by
concurrent economic growth in the region and also advancements in
information technology, which made global communication a reality. The
theoretical frameworks were those of postmodernism-of

multiculmralism

and postcolonialism . Meanwhile, both Asia's art scenes and its art itself
underwent a rapid transformation

as the forces of the local and the global

came into direct contact. While globalization is undeniably pushing
culmre in the direction of standardization,

it is surely the case that there

are greater exchange and network-building

among artists, art historians,

curators and art critics from throughout the Asian region, and a growing
and shared awareness on the importance of re-consideration, retheorization, and accumulation of knowledge on contemporary art in Asia
from a regional context.
Since 1990, the Japan Foundation has endeavored ro stay abreast of andintroduce through various programs the latest developments on the groundin the rapidly changing art scenes of Asia. You could say that the art
programs of the Japan Foundation have developed in tandem with the artof the region. In the face of even g reater potential for fumre transformation,

chis symposium, the sixth held co dare, attempted co examine the Asian arr
and the various discourses behind it over the lase 20 years and co engage intheorizing it in the age of post-posrmodernism .
We are very pleased co report that over 200 people attended thesymposium, and in each of its three sessions held over two da,,s'a highly
constructive exchange of opinions rook place, based on wide-ranging andderailed research. This rime many of the participants were young andenthusiastic, enabling us co build a bridge between the developments of
the last two decades and the thoughts of the next generation .
This report, which documents the content of the symposium, includes themany opinions, issues and ideas chat emerged in the course of the rwo days'
discussions. Ir is our hope that they prove useful in furure considerations ofAsian artistic exchange.
To conclude, we must note that Hayashi Michio and Maeda Kyoji
devoted much of their time co this symposium, from the planning stages
co its realization. The 13 panelists were also kind enough co prepare theirpresentations in advance and make revisions during the production ofchis report. We would like to express our sincere thanks co everyone
involved, including chose who came and attended during the two days of
discussions, for helping co make chis symposium possible.

March 2009
The Japan Foundation

Count10 BeforeYouSayAsia I AsianArtafterPostmodernismI

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I 11:l<I Contents~ffifiJ,., o-:tJIJ-l!-1/3 ✓ I i!iHtii.fil!
= AAContents

I Maeda Kyoji

198

Footnote, Autumn 2008

203

I Session 1 I The Formation, Reception, and Transformation of Asian Art in the Context of Postmodernism

204

Opening Remarks for Session 1

208

Presentation 1 I Asian Contemporary Art in Japan and the Ghost of Modernity

222

Presentation 2 I The Curarorial Turn in Southeast Asia and the Afterlife of the Modern

I Kajiya Kenji
I Patrick D. Flores
Presentation 3 I Chinese Contempora ry Art: In Between the Global and the Local I Fan Di'an

232
238

Discussion

265

I Session 2 I Blindness and Insight of Postmodernism: Case Studies

266

Opening Remarks for Session 2
Presentation 1 I At the Crossroads of Cultura l Clash: In the Case of Suh Do Ho

I Kim Bog-gi
Presentation 2 I Huang Yong Ping and the Agitation of the West and the East I Hirayoshi Yukihiro
Presentation 3 I Becoming India: The "Locality " of Subodh Gupta I Kanai Tadashi

210
277

286
296

Discussion

315

I Session 3 I Liquidation of "Asian-ness"? : The Specter of Locality

316

Opening Remarks for Session 3318

I Presentation 1 I Locating Authenticity: Is this Asian Dress >Hybridity and Postcolonial Identity in the Philippines

327

Presentation 2 I An Inquiry into th e "Modern " Through Drawing:

335

Presentation 3 I The Politics of the "Decorative"

I Florina H . Capistrano-Baker

I Hosaka Kenjiro
I Tanaka Masayuki

Nara Yoshiromo, Empathy, and Localization

344

Discussion

371

Bringing the Afterimage into Focus I Hayashi Michio

379

Program

386

Panelist Profiles

008

I 009

Count10 Before YouSay Asia

I AsianArt after Postmodemism I

Notes7

OOlll\~ii!(£f1tE1JliO);.jsco,;,,,Js:J7t-l;!,This symposium was organized

The Japan Foundation has

2008if. ll!'l2213(± ), 23 8(8 )0)jlijl3, by the Japan Foundation andorganized rhe following

OOlll\~ii!E£16:JFIC,J,-1v[~<GH: was held on Saturday,

symposia on themes related co.131,,,·cB*!ft / }tgftQ)~~:iffifit"t:November 22 and Sunday,

Asian art before thisfr;l:,/1.:J'Ltc
oNovembe r 23, 2008 at the JFIC

symposium:Hall "SAKURA," assisted by;.jscffli'fl!Fi;!,o,;,,,Js:J7t-O)F'J'.@:>!c Japanese / Eng lish simu ltaneous

1994

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interpretation.

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3

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discussions chat cook placeo,;,,,Js',Jryt-/j:l:7.\C-n-l'lJ'.tl:J:9

during the symposium.

1997&ITT~ll.tcbO)>!c:Q,l,t-1.lfll/::L-c 3

Symposium:

lll~l:l'Ltc o

The Japan Foundation is"Asian Contemporary A rt

4

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report.

1999

5

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At.QJB:;fi:!ft-JHft3XirJ:-:::i1,,,·n±The original presentat ion

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finalized by the au thors after

JMl'i;!, £16:1:.toc•-C,lli:- l..,:l'L.tcothe symposium for chis report.

4'00A, •ooA, 13;,$CA1:0,,-c1;1"Asian Art: Prospects for the
Future"2002
International Symposium 2002

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The positions and affiliations of"Asia in Transition:6

the panelists are as ofRep resentation and Identity"

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November 2008.

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