PRESS RELEASE

July 29, 2021
Arts Council Tokyo(Tokyo Metropolitan Foundation
For History and Culture)
masayume office

Gigantic Face Floated in the Tokyo Sky!

“masayume”, a project by Contemporary Art Team 目[mé],finally unveiled, on July 16, 2021!
Organized by the Tokyo Metropolitan Government and Arts Council Tokyo (Tokyo Metropolitan Foundation for History andCulture) as one of the Tokyo Tokyo FESTIVAL Special 13, “masayume” was produced and curated by 目［mé］. Gigantic facefloating in the Tokyo sky was finally unveiled after being postponed for a year.

Photo : KANEDA Kozo

The contemporary art team 目 [mé] has been making asplash with their original and creative works atinternational art festivals and exhibitions. “masayume”
is a project that invites faces from all over the world—
regardless of age, gender, or nationality—and floats aselected "face of an existing person" in the sky overTokyo. The project was conceived out of a dream KOJIN
Haruka, the artist of the team, had when she was in juniorhigh school, and it evolved into a spectacle of a gigantic
face floating in the familiar sky of Tokyo.
In order to realize the artist's concept of "delivering thePhoto : KANEDA Kozo
work as an independent experience for each person who encounters it," the date, time, and location of thisproject were not announced in advance. Encountering the work by chance is one of the important elementsthat makes the work possible.
“masayume” aims to be a work of art that doesn’t require a crowd to gather in one place to view it, but canbe experienced and shared in different places, times, and environments through various channels such as live
streaming, social media, and mass media.
The floating face was roughly the size of a six- or seven-storey building. The face’s model and the method offlotation are not disclosed, based on the artist's intention.

Project Outline

Date : July 16, 2021
Floating Location : Yoyogi Park, Tokyo
Description : A project to float a selected “face of an existing person” in the Tokyo sky.
Organized by : Tokyo Metropolitan Government,Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture)
Produced and curated by : 目［mé］
Cooperated by : P3 art and environment“masayume” can be viewed in various formats. Please check the Official WEBSITE and social media accounts.
●Official WEBSITE https://masayume.mouthplustwo.me/en
Images are posted on the website.
●social media
Facebook：@masayume.mouthplustwo
Instagram：@masayume.me
The project’s stages are showcased on social media. #masayume

Twitter：@masayume_me

Artist statement
Amid our current crisis, which has been going on for more than a year, the clear structure to plan and execute something that has
previously supported us is collapsing. Even though we are taking steps to navigate this reality, the feeling of being real in our daily lives
is as uncertain and unclear as if it were far into the future.
Needless to say, the medical and economic perspectives that we see and hear every day are indispensable, but they are not enough tograsp and accept this reality--we need another perspective, another way of looking at things. In the Copiapó mining accident in Chile(*1), miners trapped deep underground for 69 days gradually found roles such as pastors, doctors, and reporters in the midst of theirdifficult lives and found a "small society" in the dark and narrow space. The way we look at things is sometimes directly connected toour survival.
This current crisis, which has been described as a humanitarian disaster, was undoubtedly brought about by humans, but it is still
difficult to accept at times. However, no matter how difficult the situation, we must try to see and capture it with sensibility. It isokay to find something out later. Humans, who are already here without being asked, have always found the meaning of this world
and its existence "after the fact" through imagination, with a broad perspective. While it's difficult to find meaning now during thiscrisis, we nevertheless must not stop looking to face these difficulties.
The anonymous face floats in the Tokyo sky unexpectedly.
“masayume” will be carried out suddenly and without prior notice nor a clear reason, just like an image a 14-year-old Japanese girlsaw in a dream, momentarily disabling the ordinary. The face of an existing person will be seen by many viewers from various places
through social media and media. And the face will be gazing back at us from the sky in the midst of this pandemic. It is as though weare a part of the spectacle.
“masayume” will continue to face difficulties in the future, but, no matter what, we will continue to imagine and share when we findsomething.
Contemporary Art Team 目[mé]1 Copiapó mining accident: A mine collapse accident that occurred in August 2010 at a mine in Chile. Thirty- three workers were trapped, but all were rescued 69 days after the accident.

目 [mé]A Japanese contemporary art collective/team project with three core members,
artist KOJIN Haruka(middle), director MINAMIGAWA Kenji(left), and production
manager MASUI Hirofumi(right). 目 [mé] works on the realization of artworks
that manipulate perceptions of the physical world. Their installations provoke
awareness of the inherent unreliability and uncertainty in the world around us.
Their prominent work includes solo exhibition Unreliable Reality - The Whereof This World (Shiseido Gallery, 2014), Day with a Man’s Face Floating in theSky (Utsunomiya Museum of Art Outreach Project, 2013-14), Elemental
Detection (Saitama Triennale 2016), repetitive objects (Echigo Tsumari Art
Photo : TSUSHIMA Takahiro
Triennale 2018), Contact (Roppongi Crossing 2019: Connexions, Mori ArtMuseum), and solo exhibition Obviously, no one can make heads nor tails. (Chiba City Museum of Art, 2019) among others. 目[mé] was the recipient of the Takashimaya Cultural Foundation’s 28th (2017) Takashimaya Art Award, and VOCA 2019 Award.
New artworks are presented in 2021 at solo exhibition Just a world (SCAI THE BATHHOUSE) etc.
目［mé］Official WEBSITE http://mouthplustwo.me/en
About “masayume”"masayume" is a project that invites submissions of faces from all over the world, regardless of age, gender, or nationality,and floats the chosen "face of an existing person" in the sky over Tokyo. From March to June 2019, there were more than
1,000 faces gathered through the project’s website and the 15 workshops at 12 different places in Tokyo, and excitement in
the project grew. Following initiatives such as the "Face Meeting" (held in late June 2019), a public meeting to explore theselection process, the face floating was scheduled for the summer of 2020, but was postponed due to the COVID-19 global
pandemic. Preparations for the project included various people sharing its concept, such as “the meaning of Tokyo as thebackdrop” and “what it means to see the artworks.”
Official WEBSITE https://masayume.mouthplustwo.me/en

Open call (Mar. 26, 2019 – June 30, 2019)
Open call was held to recruit “faces” to float up in the sky of Tokyo from people of all ages, genders, and countries/regions.
Not only by using the internet, also a Face Collecting Workshop was conducted with the members of 目 [mé], where peoplein public were asked and collected photographs of their faces. The face recruiting was not limited to Tokyo, but expanded toother parts of Japan and abroad, with more than 1,000 people applying—far more than expected.
Open call Report https://masayume.mouthplustwo.me/en/articles/report-opencall.html“Face Meeting”(June 23, 2019 (Sun))
Having received faces from all over the world among the young, old, men and women, a Face Meeting was held to seek clues
upon selecting the only face from the many through exchanging opinions and ideas from diverse participants. The meeting
was live-streamed on YouTube, Facebook, and Instagram, where the numbers of viewers summed up to a total of 3400. There
were also many comments that came in from the people who viewed the meeting online.
“Face Meeting” Report https://masayume.mouthplustwo.me/en/articles/report-facemeeting.html
Talk Session Series (April 11, 12, 14 2020)
The “Talk Session Series,” consisting of three sessions, was held online as a related program of the “masayume” project. With
the aim of exploring “masayume”, this series started in the spring of 2019 from various perspectives. Guests with different
specialties spoke with the members of the contemporary art team 目 [mé] under the three themes of “city and people,”“seeing,” and “landscape of Tokyo.”
Talk session series Report https://masayume.mouthplustwo.me/en/articles/report-talksession.html

About Tokyo Tokyo FESTIVAL
Tokyo Tokyo FESTIVAL is an initiative that unfolds a variety of cultural programs in the run-up to the Olympic and Paralympic Games held inTokyo, promoting its appeal as a city of arts and culture.
Official WEBSITE https://tokyotokyofestival.jp/en/
About Tokyo Tokyo FESTIVAL Special 13
The Tokyo Metropolitan Government and Arts Council Tokyo sought a wide range of creative and innovative ideas from the public for projects thatwould become the core of the cultural programs for the Tokyo Tokyo FESTIVAL. From a total of 2,436 project proposals submitted from within
Japan and overseas, 13 were selected for implementation. The 13 projects are collectively named “Tokyo Tokyo FESTIVAL Special 13”, and are being
implemented in sequence.
Official WEBSITE https://ttf-koubo.jp/en/[For Interview Requests and Inquiries on this Press Information]
masayume PR Office
Mail: masayume@xpd-inc.co.jp
TEL: 090-3683-9213（Weekdays 10 a.m.-6 p.m）
PR Office for Tokyo Tokyo FESTIVAL Special 13
Mail: ttf-solaris@solarispace.com
TEL: NAKAYAMA Junko 090-3503-4356 / KONNO Rika 070-6478-7121[ For Inquiries on this Project ]masayume office
E-MAIL：masayume@mouthplustwo.me
TEL：AKASHI Kaoru 070-1568-9864