exhibition. On the 12 February, one day after the exhib it ion had closed, a five-page letterfrom the Indones ian Embassy, landed on my desk like an arrow. In th is the Embassy
complained bitterly about the "misrepresentations" of the political situation in Indonesia which appeared in the catalogue. In particular the Embassy disputed that President
Suharto had come to power in a military coup, that Indonesia was ruled by a militaristic
government, that the Indonesian government had failed to confront the despoliation of
the tropical forests, that there was not full freedom of the press and that the countrysidewas "politicised, militar ised, mechanised and territorialised." The Embassy finished theletter by asking the Museum to withdraw the catalogue from circulat ion "so as to avoid
misunderstanding between our two peoples." " I was away from the office at that t ime
but my assistant acknowledged the letter and said t hat the catalogue wou ld be temporarily w ithd rawn from sale pending my return when I would respond to the ir letter. As
the exhib ition had already closed this was no hardship.
We then had to decide what to do: from the point of view of the Museum, Heri Dono
had not presented work in Oxford which he would not have shown in Indonesia, although
the issues were certainly discussed more frankly in the catalogue than could have been
the case there. In doing this we felt that both the artist and the Museum were exercising
the right of fair comment and free speech and that we should not accede to any pressure
from a foreign government which was only acting true to form. Yet the potent ial problems for Heri Dono and his family within Indones ia which could result from this, were
not purely matters of principle ; measures could be taken which at best could prevent
him from working outside the country, and it is unlikely that the politicians "whose abuseof powe r" Dono had described as belying "their sweetness" (comments which the Indonesian Embassy had described as "arbitrary and mali cious") would take a char itab leview of his artist ic freedom. In the end it was decided that the best course of act ion was
masterly inaction: no further letter was sent to the Embassy and this seemed to makeeveryone happy. The Embassy had its "withdrawal" and Heri Dono's position as art ist
rather than political or social commentator was not compromised. Of course the catalogue was still available to anyone who was interested but it was not openly in circulation. In these maneuvers it almost seemed as if Oxford had become a small part ofIndonesia .
And that is how the situation remained until the beginning of this year. The politicalchanges w ithin Indonesia have meant that the kris can be put back in its sheath; it isagain possib le directly to speak the truth.

Notes
1.

Zenoof E\eawas knownas one of the Eleatic philosphers.

2. Heri Dono, "The Game," in David Elliott & Gilane Tawadros (ed.) , Heri Dono (London and Oxford: Institute of Visual
Arts and Museum of Modern Art Oxford, 1996), p.18.

3. M. Dwi Marianto,"Mainstreamingof Ngeledekin IndonesianContemporaryArt," AWAS!RecentArt fromIndonesia(Indonesian Arts Society, 1999), pp.17-20.
4. Julie Ewington, "Between the Cracks: Art and Method in Southeast Asia," ARTAsioPacific,vol.3, no.4, 1996, pp.57-63.

Forthis metaphorshe creditsWilliamHenryScottthe historianof the pre-HispanicPhilippinesas the source.
5. R. Kipling, "The Ballad of East and West," 1889.

6. See for example JimSupangkat, "The Framingof ContemporaryIndonesian Art," Art/ink, vol.13, nos.3 and 4,
November-March 1993/ 4, pp.46-50. In particular the section entitled "Modernism in Indonesia: a difference."
Malaysian artist and critic Redza Piyadasa also has referred to the prescient multi-ethnic and multi-traditional
postmodernlty of Malaysian contemporary art in "Modern Malaysian Art 1945-1991: a Historical Overview"in C. Turner (ed.), Tradition and Change.ContemporaryArt a{ Asia and the Pacific (Brisbane: University of Queensland
Press, 1993), pp. 58-71.

7. Rizki A. Zaelani, "ContemporaryArt in Indonesia:Beware!Aher the BigChange,"AWAS!RecentArt from Indonesia,
op cit .. pp.85-89.
8. A similarlycriticalbut distantlyrelated attitude towardsmodernity,identity, truth and power has characterizedthe
work of many Europeanartists duringthe 1990s.
9. Astri Wright, Soul, Spirit and Mountain. Preoccupationsof ContemporaryIndonesian Painters (Kuala Lumpur,
Oxford University Press, 1994), p.238. This statement was made between 1988 and 1992.
10. Dadang Christanto to Astri Wright, letter 25.05.99, published in A. Wright, "Thoughts from the Crest of a Breaking
Wave," AWAS1 RecentArt from Indonesia, op. cit., p.60.

109

of ContemporaryIndonesianPainters,op. cit., p.236.
11. A. Wright,Soul,Spiritand Mountain.Preoccupations
12. Southeost Asian Art Today (Singapore: Roeder Publications, 1996), p.17.
13. The debt of early modernismto Easternand other non-Westernvisualarchetypeshas long been acknowledged.By
the middle of the 20th century such "influences" had become fully absorbed within the "indigenous"Westerncultures.
14. Programmefor Heri Dono, Kudo Binol (Yogyakarta:Alun-Alun Utara, 29 July 1992).
15. Ibid.
16. D. Elliott & G.Tawadros (ed.), "Blooming in Oxford," op. cit., p.13.
17. Heri Dono, "The Game," ibid., pp.18-21.
18. Heri Dono in an interviewwith Tim Martin, ibid., p.38.
19. Heri Dono, "Bloomingin Arms,"ibid., p.22.
20. The Times, London, Tuesday,6 February1996.
21. Letter from the Indonesian Embassyto David Elliott, 12 February1996,exhibition archive of the Museum of Modern
Art Oxford.

110Biography

Born: 12 June, 1960, Jakarta, Indonesia
Currently lives in Yogyakarta, Central Java, Indonesia

1960~
6Fl12 El :/-t ;iJiv'.>'( 1' :.+ :t-:,,7' ) ,:::'.t;l':h{>1980-87~
1' ::,,~·:t-:,,7'~lifi*Cj!,

( :h7

>-tn

iv'.>') ,:::Cj!,,s;

Education (formal and non-formal)

1987-88~:)a?::/-t

7JJv:$11±110).7-;/J.7x ::,,(:::'7-\'::,, • -7

1)·:;

mif€i)-_J'fgz)ls) tCj!,,S(

1990-91~•

1,·--tz1vOO~{'lc~Cx:ili!7 °• 7-5 t,. ( IAAB ) ( 1,--tz·Jv, 7-1' 7- ) (:::w;IJ

1993~
24HR Art - /--tf::,,1)7')(:::-C 7'-7'1·7' 1J~ 1J-l.lH\:~j;fij-tz::,,51-( :;t-".11 ::,,, ;t-7-~-5

1980-87
Studied at the Indones ia Institute of the Arts (151: lnstitut Seni
Indonesia), Yogyakarta, Indonesia
1987-88
Studied wayang kulit with Sukasman in Yogyakarta , Indones ia
1990-91
International Artists Exchange Program (IAAB), Basel, Switzerland

7-~ • 1' > i.,:;· j"::,, 71993
Artist-in-residence at 24HR Art-Northern Territory Centre forContemporary Art, Darwin, Australia

1994~'l°--t>',7~ffi*Cj!,
v:,·j''::,, 7-( '1'--t>',7,1)7';t-.7-~-5) (:::C:7'-7'17-~• 1'::,, •1994
Art ist-in-residence at Canberra School of Arts, Canberra, Australia

1995~
inlVAt:!=icl'/ilc'ct· :; -7 7- 7 ,t -~ -ili:1-\:~ffi~( et ·:;-77- 7,t-~-, 1' c¥.1J 7-) (:::J7' ) 1:::c:7'-7'1_;,_~• 1'::,, •v-C7'-7'17-~·1'>v>·5"::,,_;,_

1996~:$1".I::,,
7-'".1·1Jv ( ?1-::,, _;,_·-5::,,~·.
ct-7-~-5:;·j"::,, 7-

1

1999~
-tz·:;7 7' .::.7'~ -• 1' ::,,51-j-:,, 3 -j- !v· 7'-7'17-~•'7--7:,,a•:;7° ( ".Ii -Jv

1995
Artist-in-residence at Museum of Modern Art Oxford with Institu te ofInternational Visual Art, London, U.K.
1996
Artist-in-residence in Townsville, Queensland, Australia
1999
Cyfuniad International Artists Workshop, Wales, U.K.
Artist-in-residence at Queensland Art College, Brisbane, Australia
Artist-in-residence at Auckland University, Auckland, New Zealand_;,_·, -,c¥1J.7-l 1:::w!J•-71-::,, 7.'-5 ::,,~-~j *j*Cj!, (jl)A,o,; ·-::,, , ;t-7-~-5)7' ) ,:::C:7'-7'11A~•-,::,,.i.,:; ·7'>7ct-?-5::,,~ ·**v:,·j"::,,_;,_( ;t--7-5::,,~· • .::..2-:,·--5::,,nI:::C:7'-7'17-~·

2000
Artist-in-residence at Vermont Studio Center, Vermont, U.5.A.

1'::,, •Selected Solo Exhibitions

2000~/\-,:/~• 7-511/Cf • iz ::,,51- (1,-,:::,,~,

7' ;f.lJ;/J)( :::C:7'-71::,,.i.,:_;;j"::,,_;,_

A~• 1'

1988
Cemeti Contemporary Art Gallery, Yogyakarta, Indonesia
Mitra Budaya Indonesia Gallery, Jakarta, Indonesia
Bentara Budaya, Yogyakarta, Indonesia
1991"Unknown Dimensions ," Museum fur Volkerkunde, Basel, Switzerland
1993"The Chair," Canberra Contemporary Art Space, Australia
1996"Heri Dono: Blooming in Arms," Museum of Modern Art Oxford, U.K.
1998
"Tanah Dari Merapi," Center Culture[ Frarn;a ise (CCF),Yogyakarta,
Indonesia
1999"Mythical Monsters in Contemporary Society," Gajah Gallery, Singapore

112Biography

Born: 12 June, 1960, Jakarta, Indonesia
Currently lives in Yogyakarta, Central Java, Indonesia

19604::,:v)(:::~:J::tt~( 1:--+;z..
6Fl12B V ,-,;/]Jv:$1
1980 87-'f.

-<:..,1-'I'::,7-'ji;ffi:k~ (:; 3'7 './-\'7JJv:$1')(:::cj,,,S!

Education (formal and non-formal)

1987-88.qc

1980-87:..,,:::'7-\"':..,• -71J·, (~~J-.lUZ:Ji!i)~~-si
V3-7:; i,;/JJv:$1'1:EfiQ).7-;/J.7-"

Studied at the Indonesia Institute of the Arts (151:lnstitut Seni
Indonesia), Yogyakarta, lndonPsia

1990-91.qc

1987-88

I\-t:tJl.,(!]~f'F*xil!r;t• -7 7 k (IAAB) (/\-if

JI.,, 7-1' 7-H:::~/.)O

Studied wayang kulit with Sukasman ir Yogyakarta, Indonesia

1990-91

1993-'f.

International Artists Exchange Program (IAAB) Basel, Switzerland

Jr- 1J-JJHt~lil\j-t:t:..,:$1'-(-$i-';,r:..,,:;j--7-t--7
1Jy) ,:::-r:V-j--<' 7-r- • 1;,, • L,:)j-:..,
7-

24HR Art,/--!f:..,.j-1993
Artist-in-residence at 24HR Art-Northern Territory Certre forContemporar y Art, Darwin , Australia

19944'1".,;,,"-·7~\;f.f:k'f':;j--7-r-7 1J7) ,:::-r7>-'r1(=I'., :..,x77-r-· 1;,, •1994

L,:)5":..,7-

Artist-in-residence at Canberra School of Arts, Canberra Au,tral,a

1995-47-7,i--F ,fr{UHl\i~ (:;j-•;1-77-7,t-1-'·, 1' '\" 1JA) ,:::
inlVAl:::#iA11':;j-•;1-7
V·5":--7T7-'f17-1--•1>v

1996

1996-'f.

;,_','f1 Jvl-71 -:--;,_·7;,,f' , :;j--7-r-7 1JFJ ,:::-r7>- 'f1 7-r-• 1 :---1,,:$1".l:-V:r:--7-

1:..,,1,,;;'j-;,,;,_:;j---77;,,f":k~(:;j---7

Artist-in-residence in Townsville, Queensla nd, Australia

1999

1999-4-tt ;17p:::.. 7>1-'• 1 :..,51-7:)=i T Jv• J7-j-,r;,_· 1 '1"1PH:::wtJn-7~-:.., 7-'7;,,F~lilii:k~1995
Artist-in-re sid ence at Museum of Modern Art Oxford with Institute ofInternatio nal Visual Art, London, U.K.

(7 1J.7-"--;,,,

7-r-·'7--7:.,3-;;'7°(".lI-Jv
7-r-·:;j--7-r-5- 1JJ7)k c7-j-,r=i -V-5-;,,F)

7:..,1-'·,

Cyfuniad International Artists Workshop, Wales U.K.
Artist-in-residence at Queensland Art College. Brisbane, Australia
Artist-in-residence at Auckland University, Auckland, N w le;;; andt:::c7-'r17-r-·1:..,

2000

Artist-in-residence at Ver"lor• Studio Le nt e , VeA.

•

V1/T /A
Selected Solo Exhibitio~s
200 0-'f.

•-t:t:--:$1'-(1,-'E;,,t--,, 7-:$1':;':;j1<.--=c;,,1-:..,•v :;'j-';,, 7-7-';OJ;/J)(:::T:V-'f

17-r-· 1

1988
Cemeti Contemporary Art (:Jllery, Yogyakarta, Indonesia
Mitra Budaya Indonesia Gullery, Jakarta, Indonesia
Bentara Budaya, Yogyakarta, Indonesia

1991"Unknown Dimensions," Museum fur VblkerkurCle, Basel, Switzerland

1993"The Chair," Canberra Contemporary Art Space, Australia

1996"Heri Dono: Blooming in Arms," Museum of Modern Art Oxford, U.K.

1998
" Tanah Dari Merapi," Center Culture! Fran(aise (CCF),Yogyakarta,
Indones ia

1999"Mythi cal Monsters in Contemporary Society," Gajah Gallery, Singapore

1l2

r,;smus Huis, Jakarta, Indonesia
ulturel Frarn;aise (CCF),Yogyakarta, Indonesia.<rtoo~," Vermont Studio Center, Johnson, U.S.A.
ung Demons-and Drunken Deities," The Japan: , [c nter, Tokyo, Japan (1-"'J +' ,.t -llJl!L,t.:·e:tt-@-f:,,~ '?,,.3(;i1t~~7 ;J---3 .l., :il[.li()
0•ed Group Exhibitions

1992"Sanggar Dewata: Indonesian Art Exhibition," Museum Nyoman Gunarsa.
Yogyakarta, Indonesia
7th Asian International Art Exhibition, Gedung Merdeka, Bandung,Indonesia"l(uda Binal," performance, Alun-Alun Utara, Yogyal<arta, Indonesia"New Art from Southeast Asia 1992," Tokyo Metropolitan Art Space
Exhibition Gallery, Tokyo, Japan; traveled to Fukuoka Art Museum, Fukuoka;
Hiroshima City Museum of Contemporary Art, Hiroshima and Kirin Plaza
Osaka, Osaka (1~1iliitiii*l~tJ:i:p :ilfi$J7:-"70)=i-7'-~
Jli.Lt:.liiit

f,i;rJ#1JiiJm5f--c¥;-,-3')~,:ilf*
1illiilrn~1,t-illg'-1i~JZ.:J1.;rnlJl.ft§!Hf<fW:,JZ.:~
I ~,;;,.-7-3 -lj';;\;:~,&,;;\;:j,&lt,§\§1)and Performances"the Environment," Parangtritis Beach, Yogyakarta, Indonesia

ennial of Indonesian Young Artists, TIM (Taman Ismail Marzuki),k Indonesia

1993"Indonesian Modern Art: Indonesian Painting since 1945," The Gate
Foundation, De Oude Kerk, Amsterdam, The Netherlands
International Festival of Puppetry in the World, Taman Budaya,
Yogyakarta, Indonesia
1st Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery,
Brisbane, Australia
9th Jakarta Biennial of Contemporary Art, TIM, Jakarta, Indonesia, i ASEAN Youth Artists Exhibition, ISI, Yogyakarta, Indonesia

1, B1enn1olof Indonesian Young Artists, TIM, Jakarta, Indonesia"Experimental Music and Vis ual Art," Seni Sano Gall ery, Yogyakarta,
Indonesia

1987"Sandiwa," Kulay-Diwa Art Galleries, Cultural Center of the Philippine s,
Manila, The Philippines"Three Indonesian Arti sts," De Schone Kunsten, Heemstede, The
Netherlands
1988"W• Le15enda," shadow play, Seni Sona Gallery. Yogyakarta,
Inda es,"Hedendaagse lndon esi sche Kunst," Volkenkundig Museum Nusantara,.,. The Netherlands
1989"Wayang Imaginative," performance, Mendut te mple, Central Java,In 11
1.
Compern,ve Exl 1bit un o Young Inda esian Artists, Instit ute ofTechnology Bandung and L'Alliance Francaise. West Java, Indonesia
,.)

1994
"Adelai de Installations," Adelaide Biennial of Australian Art, Art Galleryof South Australia, Adelaide , Aust ralia"Kl! da Bina!," performa nce, 24HR Art-Northern Territory Centre forContemporary Art. Darwin, Australia
The Jakarta International Fine Arts Exhibition 1994, The Indonesian Fine
Arts Foundation, Indonesia
9th Asian International Art Exhibition , Natio nal Museum of History, Taipei,
Taiwan" Realism as an Attitude,"4th Asian Art Show Fukuoka, Fukuoka Art
Museum, Fukuoka, Japan; traveled to Setagaya Art Museum, Tokyo(~4§1Y-;JY~1iliilm1ffa'tfUJl.
-::i<l6itlJU:/;\lllillrn~1ffitffe:Ai~
lli:IB-s~itq~-**~ifil.§1)"Super Suburb," 3rd Museum City Tenjin ·94, Fukuoka, Japan(~3@-".i-;;Y1,, :,,-r1•3':::)lll'94ml(~? }J,ti~rn;Rt$-;)fl:,ti.illil!J

1995"Visions of Happiness-Ten Asian Contemp orary Artists," The JapanFoundation Forum. Tokyo, Japan

ff ~:/iiD~ -7;;·70),l,IH\:~1iliif'F1%ttct,J;m,@~xilil 7,t- -3L., :ilf.liil"Unity in Diversity: Contemporary Art of th e Non-A lig ned Countries, "National Gallery, Jakarta, Indonesia"B eyond the Border," 1st Kwangju Biennale, Kwangju, Korea

I"Moes,.m Art: Three Generations of Change, 1945-1990,"
Festival of lnao 1 " '9C/ , Sewall Gallery, Rice University, Houston;
traveled to San Diego, Oakiand Se<ll'I•· and Honolulu, U.S.A.

1991
I(" st Oo,terpoort , Groningen, The"Sama Sama," Centrum Beeld
Ne·h,:,•·lands;traveled to TIIburg, Th N , . 1 .1nds,Yogy.1karta and Jakarta,I•y of British Columbia,n," Tropen Museum, Am,terJa111,They;ing Top," perf
, n, Bali, lndone,"Dest, u• trve Images," pYogyakarta, ,,donesia

nation al Culture Camp Desa Apuan,Td, · i Sano Gallery and Malioboro,

1

113

1996
" Modernity and Beyond: Themes in Southeast Asian Art," Singa pore Art
Museum, Singapore"Orientation," Stedelijk Museum de Laken ha I, Leiden, The Netherlands"Jurasic Technologies Revenant," 10th Biennale of Sydney, The Art
Gallery of New South Wales, Sydney, Australia"The Huid van De Witte Dame," Arctic Foundati on, Eindhoven, The
Netherlands"Drawing," Institute of International Visual Art s, London, U.K.
"Traditions /Tensions: Contemporary Art in Asia ," The Asia Society, New
York, U.S.A.; traveled to Canada, Australia and Taiwan"T he Spiritual and the Social, Nine Artists from Thailand, Indonesia andthe Philippines," Queensland Art Gallery, Brisbane . Australia; traveledthroughout Queensland"Universalis," 23rd Sao Paulo Biennale, Brazil

"Virtual Reality," Erasmus Huis, Jaka rt a, Indonesia"Tirtara," Center Culture ! Fran,aise (CCF),Yogyakarta, Indonesia
2000"Life as a Cartoon," Vermont Studio Center, Johnson, U.S.A.
"Heri Dono: Dancing Demons and Drunken Deities," The JapanFoundation Asia Center, Tokyo, Japan (f "- 1) • F / - l!Jl!:L,t.:2'tl. Q1 :,~· t1/7' J~, 00!11f-:Q:ilil~'i:7;t-5L.., *:i/ 0

Selected Group Exhibitions and Performances
1981"Art on the Environment," Parangtritis Beach, Yogyakarta, Indonesia
1984
4th Biennial of Indonesian Young Artists, TIM (Taman Ismail Marzuki),
Jakarta, Indonesia
1985
3rd ASEAN Youth Artists Exhibition, ISI, Yogyakarta, Indonesia
1986
5th Biennial of Indonesian Young Artists, TIM, Jakarta, Indonesia"Experimental Music and Visual Art," Seni Sono Gallery, Yogyakarta,
Indonesia
1987"Sandiwa," Kulay-Diwa Art Galler ies, Cultural Center of the Philippines,
Manila, The Philippines"Three Indonesian Artists," De Schone Kunsten, Heemstede, The
Netherlands

1988"Wayang Legenda," shadow play, Seni Sono Gallery, Yogyakarta,
Indonesia"Hedendaagse lndonesische Kunst," Volkenkundig Museum Nusantara,
Delft, The Netherlands
1989"W ayang Imaginative," performance, Mendut temp le, Central Java,
Indonesia
Competitive Exhibition of Young Indonesian Artists, Inst itute ofTechnology Bandung and L'Alliance Francaise, West Java, Indonesia
1990"Modern Indonesian Art: Three Generations of Change, 1945-1990,"
Festival of Indonesia 1990, Sewall Gallery, Rice University, Houston;
traveled to San Diego, Oakland, Seattle and Honolulu, U.S.A.
1991"Sama Sama," Centrum Beeldende Kunst Oosterpoort, Groningen, The
Netherlands; trave led to Tilburg, The Netherlands, Yogyakarta and Jakarta,
Indonesia"Wayang: From Gods to Bart Simpson," University of British Columbi a,
Vancouver, Canada"Man and Human Expression," Tropen Museum, Amsterdam, The
Netherlands"Wayang Top," performance, International Culture Camp Desa Apuan,
Tabanan, Bali, Indonesia"Destructive Images," performance, Seni Sono Gallery and Malioboro,
Yogyakarta, Indonesia

1992"Sanggar Dewata : Indonesian Art Exhibition," Museum Nyoman Gunarsa,
Yogyakarta, Indonesia
7th Asian International Art Exhibition, Gedung Merdeka, Bandung,Indonesia"Kuda Bina I," performance, Alun-Alun Utara, Yogyakarta, Indonesia"New Art from Southeast Asia 1992," Tokyo Metropolitan Art Space
Exhibition Gallery, Tokyo, Japan; traveled to Fukuoka Art Museum, Fukuoka;
Hiroshima City Museum of Contemporary Art, Hiroshima and Kirin Plaza
Osaka, Osaka (f ~1il\JM~~t.l'P - *~7':J7'0).::..i-7'-~
JiL **ii
1
1il\JtJJJJ;~ir-'t";-,5J- , ** l :/ili/lillm~i;Jiitt,:/ili/lill/ ~.1¥;mi.l!.1t~1il\Jtt,~.1¥;
A 1J:,7"5-lf*l!lii , *~Ji!fili\lEI)

1993"Indonesian Modern Art : Indonesian Painting since 1945," The Gate
Foundation, De Oude Kerk, Amsterdam, The Netherlands
International Festival of Puppetry in the World, Taman Budaya,
Yogyakarta, Indonesia
1st Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery,
Brisbane, Australia
9th Jakarta Biennial of Contemporary Art, TIM, Jakarta, Indonesia
1994"Adelaide Installations," Adelaide Biennial of Australian Art, Art Galleryof South Australia, Adelaide, Australia"Kuda Bina!," performance, 24HR Art-Northern Territory Centre forContemporary Art, Darwin, Australia
The Jakarta International Fine Arts Exhibition 1994, The Indonesian Fine
Arts Foundation, Indonesia
9th Asian International Art Exhibition, National Museum of History, Taipei,
Taiwan"Realism as an Attitude,"4th Asian Art Show Fukuoka, Fukuoka Art
Museum, Fukuoka, Japan; traveled to Setagaya Art Museum, Tokyo(~41El7':J7'~1il\J~fa,¥f-\;fJi -::>d.>NIU
tili/lillm~i;f.t&i, tili!lill/ tl!EE-a-~ii\jtt,*Ji;:fili\lEI )"Super Suburb," 3rd Museum City Tenjin '94, Fukuoka, Japan(~31El~.i -:J7' L..1/71 · ?C:/111'94[itll1B7'~
J, :/ili/lillm?C:/111-.)!l;, :/ili/lill)
1995"Visions of Happiness-Ten Asian Contemporary Artists," The JapanFoundation Forum, Tokyo, Japan(f ~tiliiD:l<ll- 7':)J'O)lJ!,ft~i*H'le*t~-tsJ~, OO~:Q:ili!7:t-5 L.., ** )"Unity in Diversity : Contemporary Art of the Non-Aligned Countr ies,"
National Gallery, Jakarta, Indones ia"Beyond the Border," 1st Kwangju Biennale, Kwangju, Korea
1996"Modernity and Beyond : Themes in Southeast Asian Art," Singapore Art
Museum, Singapore"Orientation," Stedelijk Museum de Lakenhal, Leiden, The Netherlands"Jurasic Technologies Revenant," 10th Biennale of Sydney, The Art
Gallery of New South Wales, Sydney, Australia"The Huid van De Witte Dame," Arctic Foundation, Eindhoven, The
Netherlands"Drawing," Institute of International Visual Arts, London, U.K.
"Traditions /Tensions : Contemporary Art in Asia," The Asia Society, New
York, U.S.A.; traveled to Canada, Australia and Taiwan"The Spir itual and the Social, Nine Artists from Thailand, Indonesia andthe Philippines," Queensland Art Gallery, Brisbane, Australia; traveledthroughout Queensland"Universalis," 23rd Sao Paulo Biennale, Brazil

1997

1998

"Sounding Sphere," Harima Science Garden City Opening, Hyogo
Prefecture, Japan (f i·l!Hf0)-J:l'f111i~1 T ;:'.i:,!t, :CRS-J,!'~7 IA 7'-1 /\JL, J_Ii

Prince Claus Awa rd!In!-cJe:L}~t~rn,A~ )2000"lnnensite," Projektgruppe Stoffwechsel, Kassel, Germany"Permanent Exhibition," NTT Intercommunication Center (ICC), Tokyo,]lj:Ji;:)Japan (f~~lf/lll:if-;J, NTT-f :,,,9-:::i2_.1=?"-:,3:,,,,-t,:,,,9-[ICC],"Resurrection ofTopos 3, Collaboration between Artists and Architects,"
Hillside Forum, Tokyo, Japan; traveled to Toyama Shimin Plaza.Toyama
ff~ ;f- ,sO)fi~llll3 - ~j;fq*l::lt~lf~O):::i5 ;t,1.,,-:,3:,,, J, t:JL,-!f ff 7-t-

Freeman Fellowship, Vermont Studio Center, Vermont, U.5.A.

)
mLl.Jtili<.1§151.,.,]lj:Jii:/ 'i'Ll.Jrn!c£7"5-f1',

Artoteek Den Haag, The Hague, The Netherlands
Cemeti Contemporary Art Gallery, Yogyakarta, Indonesia
Fukuoka Asian Art Museum, Fukuoka, Japan (:/iliill7'~/7'~1f-itt )Indonesia Institute of the Arts, Yogyakarta, Indonesia
Museum der Kulturen, Basel, Switzerl andSingapore Art Museum, Singapore
Queensland Art Gallery, Brisbane, Australia
Stedelijk Museum de Lakenhal, Leiden, The Netherlands
Okinawa Prefectural Contemporary Art Museum (construction), Okinawa,"Asian Contemporary Art," Base Gallery, Tokyo, Japan (f7':>7'I.ll.{-\:~j;fqj/Ill,-" 1 A'f -\'5 1)-,]lj:Ji;:)"Cities on the Move," Secession, Vienna, Austria; traveled to Denmark,U.K., Finland and Thailand"A Gift for India," Lalit Kala Academi, Rabindra Bhavan, New Delhi, India

1998"Images of Power, Expressions of Cultural and Social Awareness inSoutheast Asia," Jakarta International School, Jakarta, Indonesia"Art in Freedom," Museum Boijmans Van Beuningen, Rotterdam,
The Netherlands

Public Collection sJapan (;<j>t,'l!l/\l_:;'.[!Jl.{-\:~1#tt[{&f/J;))NTT Intercommunication Center, Tokyo, Japan (ICC) (NTT1:.<;i-:::i2.
ICC))=-7-:,3:,,,.-t,:,,,9-[National Gallery, Canberra, Australia

1999
6th Yogyakarta Biennial, Puma Budaya, Yogyakarta, Indonesia"Knalpot, Fine Arts Exhibition," Cemeti Art House, Yogyakarta; traveled
to Bali, Indonesia"Sound Culture," Auckland City Art Gallery, Auckland, New Zealand
Makasar Art Forum '99, Ujung Pandang, South Sulawes i, Indonesia
3rd Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery,
Brisbane, Australia"AWAS! Recent Art from Indonesia," Museum Benteng Vredeburg,
Yogyakarta, Indonesia; traveling to Australia, Japan (Hirosima City
Museum of Contemporary Art, Hirosima and Hokkaido Asahikawa
Museum of Art, Hokkaido), Germany and The Netherlands (f AWAS! -,:...+t-:,7'0)ifiU

1/ ~Uli~:iL;@Jll~1;t,jtt,~1*iJ,/t:Jil;rn!Jl.{-\:~1;t,jtt,/t:Jil;~t;tlj~ )1999 International Art Festival Tachikawa, Tokyo, Japan ( 1999:iLJ II00~~

j;fq~,]lj:Ji;:)
2000"Sonic Boom," Hayward Gallery, London, U.K.
"12 ASEAN Artists," National Art Gallery, Kuala Lumpur, Malaysia"Humanism in Art," Volkenkundig Museum Nusantara, Delft, The
Netherlands" Fuori Uso," Pescara, Italy

Honors & Awards

1981, 1985
The Best Painting Award, Indonesia Institute of the Arts, Yogyakarta,
Indonesia

1989
Young Indonesia Art ists , L'Alliance Francaise and the Institute ofTechnology (1TB),Bandung, Indonesia
1992

I Gusti Nyoman Lempad Prize, Sanggar Dewata Indonesia, Yogyakarta,
Indonesia.11'Ftl"• 1J7J-- / List of Works

1

5

8

11\IJEEt'~M-r-Qt1H$

mtJJ-r-Q;,;:{ie

19894

19944

7'7 1JJv,:::i5-V ..1,;t,Jl:
46 X 5 1.5cm*~O):tJl,¾l'r, ;;$:, tJ-t·:;~ ·7°L,-t'-,:ii:~
fiB£, 77'11,-75:;z,".11·*>V.r:..--Jot00!

m1400X 400cm ( i'§-90X 70 X 130c m ), 9-t ·;,~

19964

~'r

77'11,-7·5;;z,4'tiO)mm, ~'rflB£, ~tJ400 x 500cm ( il§-100 x 60 x 25cm ) , 101:$f'F*OO!

( 1-t ·:;~2f:$ )The Suppressor

f'F*OO!

Flying Angels

1989
acrylic and col lage on paper
46x51.5cm
Collect ion of Dr. Oei Hong Djien, Indones ia

Fermentation of Mind

1996
fi berglass, old clock parts, electronic parts,
cotton1994
wooden school desk, chair, book, tape playerelectronic parts, fiberglass, metal
approx. 4oox 4oocm (each piece 9ox 7ox13ocm),
9 sets (2 figures per 1 set)
Collect ion of the artist

2flO)~iHU.::7

9

19944

iE5t5M9~1t~ili

7'7 1JJv, :::i-5-:)..1,t;:,.,rfy ;;z150 X 120cm-etapprox. 4oox 5oocm (each piece 10ox6o x 25cm),
10 figures
Collection of t he art ist

Jv7&I;;z;,(-:,Jv5i··*5>t51c~OO!

6

19994

~O):tJ?,~*M--77'1 /\-77;;z1::-tJ-

19954
Where is My Head?
1994
acrylic and collage on canvas
15ox12ocm
Collection of Marc and Esmeralda Bol lansee

n, 77'11,-75

A, 7°5 kr·;,7,tJ -t ·:;~ • 7"v-t'-,~Jlll/J!, *M

5:/:,J-,

m9400X 500cm (i'§-100X 50 X 50cm ) , 15f:$

i'F*~

tJ300 X 400c m ( i'§-70X 60 X 50cm ), 91:$

f'F*OO!

Political Clowns

Ceremony of the Soul

1999
wood, fiberglass, electric bulb, metal, electronicparts, speaker~itj*l;tll>U J:M' n-Q

1995
stone, fiberglass, plastic, radio, tape player, fan,
wood

19914

approx. 3oox 400cm (each piece 7ox 6o x 50cm),

3

A, ~BJ<,:ii:~, ~'rflB£,

approx. 4oox 500 cm (each piece 1oox 5ox 50cm),
15 fugures
Collect ion of the artist

9 figuresCollection of the art ist

149 X 149c m

10:/i.i[lli]r:>r~iMWOO!

~t~S-)
Artist Gets Obsessed

7

19834

1991
oil on canvasti"b 5 :..,O)~tJ/Mi; (PjjO)-jj"i.,,5:,.,)

7'7 1JJv, :::i-5-:/..1,tJ :,.,rfy ;;z1992-934

96 X 96cm

149x 149cm
Collect ion of Fukuoka Asian Art Museum*M, 7i 1.,,5:,.,, 'E - :$1- , tJ - ~ · -"Jv, ,i.:~,i'lc,7-·;i;vf'F*OO!

4~*iO) AR i 1£:/J!.
-r -Q
20004

*M, 77'11,-75:;z,;;z.1::-tJ-~BJ<,:ii:~, 5V:t,

m1400X 400cm ( i'§-25X 15 X 33c m ) , 35f:$

Eating Shit:/i.i[lli]?;.,?~i*fWOO!

1983
acrylic and collage on canvas

Game/an of Rumor

96 x 96cm
Collection of the artist

1992-93wood, gamelan, motor, cart-bell, wheel, iron,cab lemlS00 X 170cm (i'§-45X 3 1 X 3 1cm ), 10ft

approx. 4oo x 4ooc m (each piece 25x15x33cm),

f'F*OO!

35 figures
Collection of Fukuoka Asian Art Museum

Watching the Marginal People 2000
2000
wood, fibe rglass , elect ric bulb, metal, rad io,
speaker
approx. 5oox17ocm (each piece 45x31x31cm),
10 figures
Collection of the ar t ist

115

11

14

18

£J't5,jlf~S?

!HIAJ(HO)mi1i

I \D'.,,if;t!!j@i9

1992-9'7'71)Jv,::J5-:>.i,M
66X77cm
71'-:,, 7i5'.,,fi · ?-r-•'f'·,-,5

1998-9'7'71)Jv,::J7-·).:1.,M

1991i'J':

36 X48cm'r1::J• • :,,i5\c.Aiiml.

150 X 150cm

1)-iiml,-Q:;l;:j!lj~J,.

?7 1JJv, :::i5-·).i,"\',-,Jv 1)-tJ;,,rf-p :7.

·"f 1? · I--(r-iiml,

Eating Bullets (Makan Pelor)

Dialog with a Pistol

The Barong's Imagination of the Drunkard

1992
acrylic and collage on paper

1998
acrylic and collage on paper

1991
acrylic and collage on canvas

66x77cm
Purchased 1995. Queensland Art Gallery
Foundation

36x48cm
Collection of Mrs. Keiko Rochaix

15ox15ocm
Collection of GALERIEVIA EIGHT

15

19

12

-'fl •O)jf~~rn,O)mO)
JBl 1Jfflc'le\'cj:,(:::~L,t~=./l!O)£J't

1994-9'7'71)Jv,::J5-:/.i,
120 x 150cm

1992-9'7'71)Jv, ::J5-:/.i,tJ'.,,"fT :7.

150 x 150cm:/:f:/,-,·"\',-,5')-iiml,?

2000i'J':tJ;,,"fr :7.

1992
acrylic and collage on canvas
15ox15ocm.i,tJ '.,,'J-p:7.

154 X205cm*5>t5\c~iiml,

Jv7&I:7.:l-5JHi•

The Bearer of the Peace Discus
Three Pistols in the Back

? 7 1) Jv, ::J5-:/{'F*iiml.

1994
acrylic and collage on canvas

The Guard Who is Keeping the Bank's Key
2000
acrylic and collage on canvas

12ox 150cm
Collection of Marc and Esmeralda Bollansee

154x205cm
Collection of the artist

16

20

Collection of Gajah Gallery

13.::.iE!<'.l!/:0)~*,H!J
1992-9'7'71)Jv, :::i5-:>.i, tJ;,,rf-p :7.
98X98.5cm
71-'.,, ;7.'5 :,,~-• ?-r-•'f'·,-,5,J-iiml.

1 /flltrnifi
ilic<n-Q;::cO)ti:c:/E?'~'.>i'.

2000-9'7'71)Jv,::J5-:/

2000i'J':i,tJ;,,"fr :7.

?7 1)Jv, ::J5-:/.i,7J'.,,'J-p:7.

154 X207cm

154 X207cm

1H,iiml.

{'F*iiml.

A Magician Who Never Killed
acrylic and collage on canvas

Flower Diplomacy
2000
acrylic and collage on canvas

154x207cm
Collection of the artist

154x207cm
Collection of the artist

17

21('r t:7.&

1' :7.::J· :l-1 i'-?::/?!~j-1:;~j;j:j::Jv7:,,3'.,,)
1993-9'-(::::1-11'-~~0)Jj}JJix(:::J:fJ71- / ;7.·5:,,F· F-r- ·"\',-,:,1J-ME!lf,mc;·n,;;._
Campaign of the Three Parties

2000

1992
acrylic and collage on canvas
98x98.5cm
The Kenneth and Yasuko Myer Collection ofContemporary Asian Art. Purchased 1993 withfunds from The Myer Foundation. Michael Myerand Ann Gamble Myer through the Queensland
Art Gallery Foundation.

i§f J<-Q1,• :,,,:::,i-:u_-Q.:1:At

2000-9'?71)Jv,

1t:,,"Jr-v-=:,,'fcj:,0):7.-1t-?:,,

2000i'J'::::i5-:/.i,tJ;,,rf-p :7.

?7 1)Jv, ::J5-::/ .i, 7J'.,,'J-p:7.

153 X205cm

148 X98cm{'F*iiml.

1'F*iiml.

The King Who is Afraid of Approaching Barong
2000
acryl ic and collage on canvas

Superman Still Learning How to Wear
Underwear
2000
acrylic and collage on canvas

153x205cm
Collection of the artist

116

148x98cm
Collection of the artist

{ • l::'··• I::')

22

10,t-x:.,,;z.ffFoi

20001l'-10J=I13 B, OO~xiliE£:fr£7,t-:, 1,.i::1998.ij'.

Z ..b~'J 17:,j"' -'E=:$1-, ;!'5t"fS'l"O)!/t
Performance: Lobi Lobi
Performance at the Japan Foundation Forum,
13 October 2000

i\l-130 x 50 x 40cm, 5-g-

11'*00<Interrogation

1998
video, monitor, toy-gun
each piece 13o x 5ox4ocm, 5 sets
Collection of the art ist

23-j':,,j--;,,7-(
19991l'-x:'rA·/, 7y11,-7·:,;z,'J17'::t, -'E='.$1-,~~

170X 100 X 45cm

11'*00<Inner City

1999
mannequine, fiberglass, video, monitor,
electric bulb
17ox10ox45cm
Collection of the artist

24,~~1w~g- i1r~1 :,,f'* ;,,7'
20001l'-k'.71J-:.,,, '71':,, JJIU'J*".J220x 300cm ( ill-70 x 60cm ) , 121*

11'*00<Wayang Legenda : Indonesia Baru
2000
screen, wayang puppet, bamboo poleapprox. 22ox 300cm (each piece 7ox 60cm).
12 figures
Collection of the artist

25
20001l'-'J1T::t11'*00<Wayang Legenda
2000
video
Collection of the artist

117

Notes on Contributors

Apinan Poshyananda

195641,;,,:::i7:::i-tJv:;l;:~( :$11') ~;1::!t o I71//\7:;l;:~o 19911!cJ:fJ'f .1 7 • ;,,:::i- ;,,:;1;:(*OO ) T~Uit\1/±~fl&i~~ ( 1\/:::J? ) c'~¥/fHJLfJ,

C~rn]) -r~±·1~±~f.

ffl:(£1a]:;l;:~;1t~~ o 7'")7' ~[!10)!.l!,j-\'.~I.H,f.ff

fa:@e\Jt:filll'l!H,.
1Trad itions / Tensio nsJ ( 1996.qc) 0)-'f ;l.~ ·°".:iv 1' :$1'i'>. ~24@-fj-;,, /~'7 •• t:·I;,,j--L,,;l:tc 8 *O)mf~'/l7'-~~( 1998.qc) 0)7'~/p}JHM:::i~ •;,:,,3 7 -,JI;,,j--L,,2000(2000.qc). t~~~'JI

1v2001 (2001.qc) /Jc . 7'~/Pi1!llltPJ9~0) j.<0)00~/i.U:*iifil
t1t~i-sA.1v1 :$1- ct., T~-*iTi;sl!li

o =i'IRVC:,,j--

o 7';/7'i1!liltr Modern A rt in

ThailandJ ( 19921!c) 'i'>rw este rn Style Painting and Sculpture in the Thai
Roya l Co urtJ ( 1993.qc) /Jc!f&>-s> o 1,;,,:::i7:(£1i oBorn in Bangkok , Thailand, 1956. He obtained his M.F.A. from Edinburgh
University (U.K.), then his Ph.D. from Cornell University (U.S.A.). He started
to teach at Chulalongkorn University in 1991 and is now associate profes·
sor. He has made major researches on contemporary art in Asia and has
curated internat ional shows such as "Traditions / Tensions: Contemporary
Art in Asia" (1996), as guest curator of the Asia Society in New York, and24th Sao Paulo Biennale (1998), as commissioner for the Asian section. He
is also international advisor for 1st Echigo-TsumariArt Triennial (2000) and1st Yokohama Triennale (2001). He is now one of the most important curators in the Asian region. He is the author of Modern Art in Thailand (1992)
and Western Style Painting and Sculpture in the Thai Royal Court (1993).
Lives in Bangkok.

David Elliott

19491jc7'1,,;l.~r.; ·1J -( 1;,,J7;,,t-: ·) ~;i::lt o ~-7

if . •:,,~;,,:;1;:~1~±m.'.cl'51,,z~ffi.l!:f1~~-s>

7 ;l. 7,t-F,lrf-\'.~j;jijti;tl;:l.Hf1s~.

ti:~

L--:k~Tifr1t.1!:HP11:
o 19761!cJ:1J201!cF.i::t -;,1996.qcJ:fJ;l.~ ·;,7 ,t; JvL--,lrf-\'.~j;jijtg

B*!J•t.J.T J:fJ~Fi3X*~t000)ifrJJ!.1t~ffit:r,/l,i:.,,fW;.so1!c1tn•G0'('>-(;,,t-:·. 9"00/Jc0)7'--r1;l.~f l!l(IJJ::Jftcifrfflft~ffi/!H'.lf:iifil

o fO)?J-

Jffc'O)=i'f"F'i'>M4i~tj.1, ' o 19961!ct:tt1 -" 'J • ~-/ J/!H::t ·;,7 A 7,i--~·,af-\'.
~ffittt:Tlffl1lli.~MHHJ'A,t.:o OO~~j;jijtg~~ll

Born in Prestbury, England, 1949. He obtained a BA in modern history from
University of Durham and an M.A. in history of art from Courtauld Instituteof Art, University of London . He was director of Museum of Modern Art
Oxford for 20 years from 1976 and assumed his current position as directorof Medema Museet, Stockho lm in 1996. He has focused on modern / contemporary art in non-Western countries, and curated the much-talked-about" Heri Dono" exhi bition in 1996 at Oxford. He has lectured and pub lishednumerous books and catalogues relating to these areas. President of CIMAM.
Lives in Stockholm.

(CIMAM ) ~~ o ;l.~·;,7,t;J v L--1:Efio
Jim Supangkat

19484'71/ _:,_/. I ~;,,~;,,~;1::/1, 0 ;,;,,f:?/~ o 7'--r1;l.~cl, TO)iMilif.

tc~ffiH~~*cL,
1J

Irf:k~~i*i7if-(;,,~fiB-¥-(;,,71-":;,,7;,,~. °" .1v1':$1 - cl, T, ;leTi;sl!l. o ifr1!c'l=!J'lt tc,lj'!i~cl,

Tli 11' ;,,f: .:j-.:--7' · 1J7'

A-L-~iifilc f O)'Jl'.~ J ( 1 9971!c l . -r;,,n. :--7' oo.it~f,lirttlffltt~c~/j(1999.qc) I;,:c!f&>-s>o Uc. 17'1/7'0)-'f:--71 ·;1? • ~7 1 I = 7' Jv/J c~j;jij,ljt:j;<*iifil'.i = ;l.' L--J,ij ( 1995.qc) 'i'>7'')7'

a * 'i'>::t-;l.~7'J7'1~1;,:cc'O)OO~e\JIJJJ!.ft

o ~i';,f.1Jv:$1:(£1io

118

Born in Ujung Pandang, 1948. Trained at the Department of Fine Arts andDesign, Bandung Institute of Technology, he started his career as an artist
but eventually became a prominent art critic and an independent curator .
He has curated exhibitions such as "The Mutat ion: Painstaking Realism inIndonesian Contemporary Painting"(1997) and inaugural exhibit ion of the
National Gallery in Indonesia (1999). He has been extensively involved ininternat ional exhibitions in the Asia-Pacific region as well, including "AsianModernism"(1995) and the Asia-Pacific Triennial of Contemporary Art. Lives
in Jakarta.

Photo credit·:;ft.,,-~.' · 7'T'1 • /Blaise Adilon flg.9'ti'ilJG
Ando Takeshi figs.6, 7, cat.nos.1, 4-6, 8-10, 16. 21, 22, p.79(bottom)

7.1:.., - ·;f';',tD
layung Buworo cat.nos .4-6, 9, 10, 16, 21, 22
A. •) • t,:",I

Heri Dono figs.1, 8, 11, 13-15

ilf*fJtl\
Fujimoto Kenpachi cat.no.7

is-m1¥-1Furuichi Yasuko fig.to:¥-vJl,-IJ- • -fr'j :;t /• '7 /r'j

I-

Jl,

Galerie Ivon Lambert fig.12"i-7' ;,_', . 71:,,7;,,eJJli-\:§lii\li§iKiasma Museum of Contemporary Art / Petri Vertanen cat.no.23

fl* ~Matsumoto Ryo (1'7-\':,,f;i,!il,;t; j_ ..,;::i\,U, 1994'r-) figs.2, 3*fli ;/)
Ohashi Tsutomu fig.18

7't::':l->;J-/--!J--\'-:;f-:,,Apinan Poshyananda figs-4 , 5.tff~tj~
Ueno Norihiro fig. 20, pp.76-78

Ji/UL#
Washio Leben cat.no.a

1;-;,
7:;;7:gif<;;!i!i,~ fll]Jl..::,:

I-"')+'/.Im- a)J!:t.,t.:~n~1:-+·:z-::.-r

AsianContemporaryArtist
Solo Exhibition Series I

Heri Dono :Dancing Demons and Drunken Deities

Editor:Furuichi Yasuko

ti:!t,!H'r:
E:/lll~.~!LJE!IP:;%cill~::!€:itf •~ :ilfrn'[;i_fJJi..IB~tli!'ff •)t:;€~: 7.:$1;., 1J- ·N. 7';., $'-'.I;.,·* ::.-7'li~f•~: i1lrMUIH. lill.lH•c1';., i-:ck •::JJt,::,;, -;;-7
1' ;..-FC?-::.-7'li~:!€~::!€:ltttll!l: kr7 y ;., •::J-~-. e-? 7. •L,,·;;F'J·;;F
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ifi:ff-51J;

Assistant Editor :lshigami Mori, Hoashi Aki
Translations:
English-Japanese Translation: Fujihara Erimi,
Tsuzuki Etsuko
Japanese-English Translation: Stanley N. Anderson
Indonesian-Japanese Translation: Yui Rieko,

lnami Kazumi
Indonesian-English : Tom Kortschak
English Proofreading: Stephen Comee,
Thomas Redwood
Cooperation (Translation):
Kakinuma Tsutomu, Murakami Keiko
Designed by
Kondo Kazuya
Produced by
Cogito Inc.

~fi:
00~3'.i:ii'i!£ii:1":J7't ;.,::,,:$!'7-1 F**'B~!Ri/isf.&2-17-22 iJisJ.&·;;1;.,
Tel.03-5562-3892 Fax.03-5562-3897

Published by
The Japan Foundation Asia Center
Akasaka Twin Tower 1F, 2-17-22 Akasaka, Minatoku, Tokyo 107-0052, Japan
Tel.81-3-5562-3892 Fax.81-3-5562-3897~fiB:

Published on

2000.q'.10Fl 138

October 13, 2000
© The Japan Foundation Asia CenterAll rights reserved
This book may not be reproduced, in whole or inpart, in any form, without written permission from©00~3'.i:ii'i!£ii:7':J7't;.,::,,(1,ffi!!,\fil! )the publisher .

PrintedinJapanJ

7' :J7'J.lef-1;)11;1,li
j@~yl)-;>_

AsianContemporary Artist
Solo Exhibition Series I

I-" 'J •l<'/Ji.
IIJ1lL,t~2':tL91';,,i-·* ::--7'

Heri Dono:
Dancing Demons and Drunken Deities

Editor:Furuichi Yasuko

ffi\&;l fi':
:io:/lll~- $/tJE.i!Hc

Assista nt Edito r:
lshigami Mori, Hoashi Aki

GIDl:!%:itf•[R :iffl[ffj!~)JJ;l.,-1!~~1'$a-i'
fa:i'l:~ii.R:;;i:.$1;,, 1)-· N.7':..-$1-'.l:..-Translations:
English-Japanese Translation: Fujihar a Erimi.

1;,,Fz-yJ'iU •ffi :;m#!UH, 'li1HVt•c
1:..-f:::r-Y7'Ui~iiR t--.L.•:::iJt,::,".;?
~:i'l:*1fl!l:;;,:.
r7 7':..--::i-::.-.t---,X•v •"'Tsuzuki Etsuko
Japanese-Engli sh Translation: Stanley N Anderson

lndone51ar-Japanese'rc11sl0t1O11. Vu;Rieko,
1I
l:1a1:1iKazunt

11·1doriesian-Fngli'>I-om Kortstt-,akE•iglish Proofreadirg· Stephen Comee,

Gffi t,\'lt.,:•mitltlJ H Hs-i'

Thomas Redwood
Cooperation (TranslatioP)·
Kakinuma Tsutomu, Murakami Keikoj-' ,f-(;,,:,6:iji-f,r,Designed by
Kondo Kazuya
Produced by
Cogito Inc.

~fr:
00~3Zmt*ii7' :JJ't? :,9 Jlnl,~iff&iJisi.lii2-17-22iJistJii•;.,-(:..-$1'7-1
F
Tel.03-5562-3892 Fax.03-5562-3897

Published by
The Japan Foundation Asia Center
Akasaka Twin Tower 1F, 2-17-22 Akasaka, Minatoku, Tokyo 107-0052, Japan
Tel.81-3-5 562-3892 Fax.81-3-5 562-3897~fi's:

Published on

2000$10/'l13S

October 13, 2000©00~3lin!~~7'~7't;,,$1-© The Japan Foundation Asia Center

1Wlli!!lill'

All rights reserved
This book may not be reproduced, in whole or inpart, in any form. without written permission fromthe publisher.
Printedin Japan