1目錄Contents

002 1 月份活動總覽
January Program Calendar

003 2 月份活動總覽February Program Calendar
006 專欄
Feature032

1 月份節目
January Programs039 2 月份節目February Programs
046 活動Activity

048 場館服務
Weiwuying Service

061 加入會員
Become Our Valued Friend
062 場館交通
Visit Us
開館時間 Opening Hours

11:00-21:00

客服專線時間 Service Line

10:00-20:00

快快搜尋，活動訊息不漏接！
For more information
衛武營國家藝術文化中心
衛武營國家藝術文化中心
weiwuying_centerforthearts@weiwuying@weiwuying_tw

衛武營國家藝術文化中心 weiwuying_centerforthearts雙月刊問卷調查1 月 活動總覽 January Program Calendar
桑布伊《karapule'em 互相祝福》新年音樂會1Mon. SANGPUY karapule'em New Year's Concert

2024 維也納愛樂新年音樂會―全球衛星直播
Vienna Philharmonic - New Year's Concert Live Broadcast

3 【武營來跳舞】從擁抱開始的阿根廷探戈Wed. 【365+ Dance】Start Argentine Tango with a warm embrace
Crispy 脆樂團《愛是我們必經的辛苦》特別場
Crispy We Will Be There Special Edition Concert

5 【珍釀拉赫曼尼諾夫】音樂會Fri. Refined RACHMANINOFF

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Sun.

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音樂廳 Concert Hall
14:30

戶外劇場 Outdoor Theater
16:00 暖場音樂會 Warm-up
Concert18:00 衛星直播 Live
Broadcast
榕樹廣場 Banyan Plaza
19:00

2 月 活 動 總 覽 February Program Calendar
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Sun.

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7 【武營來跳舞】搖擺在探戈裡的當代舞蹈Wed. 【365+ Dance】Swinging between contemporary dance and Tango

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表演廳 Recital Hall
20:00

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表演廳 Recital Hall
19:30

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舒曼魂－陳必先 2024 鋼琴獨奏會
Schumanniana - CHEN Pi-hsien 2024 Piano Recital●音樂廳 Concert Hall
19:30

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哈利波特：死神的聖物 I ™ 電影交響音樂會
Harry Potter and the Deathly Hallows ™Part 1 in Concert●

歌劇院 Opera House
14:30

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《世紀末法國女子圖鑑》黃子維大提琴獨奏會
●Tzu-wei Jack HUANG Cello Recital: Un manuel illustré des musiciennes
françaises à la fin du siècle
2024 新年音樂會
TSSO New Year’s Concert 2024

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音樂時光機
Taipei Philharmonic Youth Ensemble●聽聽 彈談 XIV ～絕美莫札特「沁香」
Amazing Mozart ~ Fragrancy●

表演廳 Recital Hall
19:30

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音樂廳 Concert Hall
19:30

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音樂廳 Concert Hall
14:30

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表演廳 Recital Hall
15:00

2024 IMPF 大師雲集音樂會
All-Star Faculty Concert of 2024 IMPF

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12 【樹洞耳機電影院】鱷魚歌王Mon. 【Headphone Cinema】Lyle, Lyle, Crocodile
13 【樹洞耳機電影院】鱷魚歌王
Tue. 【Headphone Cinema】Lyle, Lyle, Crocodile
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Fri.

職男人生 2- 搞笑重啟Life of Employees 2●

音樂廳 Concert Hall
14:30

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榕樹廣場 Banyan Plaza
19:00

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榕樹廣場 Banyan Plaza
18:30 開始放映
榕樹廣場 Banyan Plaza
18:30 開始放映
戲劇院 Playhouse
19:30● 演講廳 Lecture Hall17 【武營來開槓】貝多芬交響曲中的明珠與遺珠
Sat. 【Arts Talk】BEETHOVEN's symphonies: the well-knowns and the less14:00
knowns絢麗系列－李映衡小提琴獨奏會
The Magnificent Series - Christian LI Violin Recital

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Sun.

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表演廳 Recital Hall
19:30

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職男人生 2- 搞笑重啟Life of Employees 2●

戲劇院 Playhouse
15:30、19:30

39歐洲古樂大師風華 II：Michael FORM 與他的木笛異世界
European Master Series II: Michael FORM and his recorder fantasy●

表演廳 Recital Hall
14:30

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海韻的迴響 Part III
The Echo of Navy Band Part III
職男人生 2- 搞笑重啟Life of Employees 2●

音樂廳 Concert Hall
14:30

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戲劇院 Playhouse
15:30、19:30

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哈利波特：死神的聖物 II™ 電影交響音樂會
Harry Potter and the Deathly Hallows ™Part 2 in Concert

歌劇院 Opera House
14:30

表演廳 Recital Hall
20:00

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歐耶老師《老師雞開啥玩笑》單口站立喜劇
21
Wed. OYA Stand-up Comedy Teacher Rooster's Jokes

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Thu.

永恆的摯愛 舒曼與布拉姆斯－吳易穎鋼琴獨奏會
WU Yi-ying 2024 Piano Recital表演廳 Recital Hall
19:30

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表演廳 Recital Hall
19:30

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Fri.

萬兆九與好朋友們
Joe Wan & Friends
狂美《宮崎駿動畫配樂》交響音樂會－2023 四度巡迴Symphonic Concert: Music from the Films of Hayao MIYAZAKI音樂廳 Concert Hall
14:30

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音樂廳 Concert Hall
19:00

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狂美《璀璨經典百老匯》交響音樂會Symphonic Concert: Brilliant Broadway

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23
Fri.

14
Sun.

【衛武營場館友善計畫】大耳朵公共空間導覽【Inclusive Arts Project】Exploring the Venue through Ears
烏克蘭聯合芭蕾舞團《吉賽兒》
United Ballet of Ukraine Giselle

狂美《宮崎駿動畫配樂》交響音樂會－2023 四度巡迴Symphonic Concert: Music from the Films of Hayao MIYAZAKI
琴鍵上的狂歡節
Carina HUI Piano Recital【衛武營場館友善計畫】大眼睛公共空間導覽【Inclusive Arts Project】Exploring the Venue through Eyes

20 【武營來開槓】生命鬥士 - 貝多芬Sat. 【Arts Talk】BEETHOVEN, the life fighter!

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營運辦公室入口 Weiwuying
Operation Office
15:00
歌劇院 Opera House
13:00、18:00
音樂廳 Concert Hall
14:30
表演廳 Recital Hall
15:00

營運辦公室入口 Weiwuying
Operation Office
15:00
演講廳 Lecture Hall
14:00

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2024 年夢迴聖堡許恕藍小提琴獨奏會
2024 HSU Su-lan Violin &Piano Concert

24 【創意學習工作坊】貝多芬的無懼與自由Sat. 【Creative Learning Workshop】BEETHOVEN's Messages in Fidelio
狂美《璀璨經典百老匯》交響音樂會Symphonic Concert: Brilliant Broadway【衛武營場館友善計畫】大耳朵公共空間導覽【Inclusive Arts Project】Exploring the Venue through Ears
《EXPLORE》：CUBE BAND 當代作曲家專場
EXPLORE

大玩樂家 3―《小蟲 & 簡文彬 & 周蕙 跨樂衛武營音樂會》
Masters Play III - Beyond the Music Boundary @WEIWUYING

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表演廳 Recital Hall
19:30

1192 排練室 Rehearsal
Studio 1192
14:30
音樂廳 Concert Hall
14:30

營運辦公室入口
Weiwuying Operation
Office15:00
表演廳 Recital Hall
19:30

歌劇院 Opera House
19:30

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2 月 活 動總覽 Febuary Program Calendar
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Sun.

大玩樂家 3―《小蟲 & 簡文彬 & 周蕙 跨樂衛武營音樂會》
Masters Play III - Beyond the Music Boundary @WEIWUYING
蘇毓婷法國號獨奏會《美聲號角》
Tina Su Horn Recital “Operatic Horn”

高雄市立英明國中藝才管弦樂班 2024 年度音樂會《啟程》
Kaohsiung Municipal Ying-Ming Junior High School Orchestra Annual
Concert Departure【衛武營場館友善計畫】大眼睛公共空間導覽【Inclusive Arts Project】Exploring the Venue through Eyes

28 2024 年佳播聖詠團、八角塔府城合唱團年度聯合音樂會 陽光與希望
Wed. 2024 Annual Joint Concert - Sunshine and Hope

衛武營主辦

演前導聆

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歌劇院 Opera House
14:30
表演廳 Recital Hall
15:00

音樂廳 Concert Hall
15:00
營運辦公室入口
Weiwuying Operation
Office15:00
表演廳 Recital Hall
15:00

座談

＊節目演前 40 分鐘開放觀眾入場；節目導聆於演前 30 分鐘開始。
＊ You may enter 40 minutes before the start of each performance. Pre-talk will start 30 minutes before the performance.
＊主辦單位保有最終修改、變更、活動解釋及取消本活動之權利，若有相關異動將會公告於衛武營官網。
＊ Please refer to the National Kaohsiung Center for the Arts (Weiwuying) website for the updated program information.

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6

﹁
大我
們
玩
樂都
是
家
﹂

7
文
劉
慕
堯
大
玩
樂
家
系
列
音
樂
會
製
作
人

2022 年 2 月，我與衛武營的藝術總監簡文彬打造了一

真的非常感謝大家的支持，「大玩樂家」秉著一本初衷

行的界線⸺「大玩樂家」系列音樂會。這個構想是蕙 跨樂衛武營音樂會》，我們這次製作選擇致敬小蟲

場臺灣前所未有的音樂盛事，我們試圖打破古典與流
在疫情期間和簡總監閒聊中誕生的。我記得當時討論
古典與流行音樂在營運與行銷管理上的差異，始終沒
有結論。唯一的結論是：「古典與流行不應該存在明顯界定與分眾，經典的好作品是視為無時間與流派界限。」例如：幾百年前的莫札特、貝多芬的音樂或臺灣

的雲門舞集，可以看到「好的」作品無論時光如何推進，
都能不斷的被重複演繹，被大眾記住。我與簡總監堅定的認為進一步的擴充我們對於「好作品資料庫」的定義，讓大眾有更多的選擇，所以孕育出「大玩樂家」，
企圖將古典與流行音樂交融，重新詮釋經典曲目。

的精神，即將推出的大玩樂家 3 –《小蟲 & 簡文彬 & 周

年適逢小蟲老師出道 40 週年，他伴隨我們好幾個世
代，我認為現在做非常具有意義。

老師，考慮小蟲老師相當多元，我在蒐集資料中，發

此次，與小蟲老師致敬，邀請周蕙來詮釋這場音樂會，

信這些作品出自同一個人的手筆」，從鄭怡的〈小雨來

就欣賞不已。在我邀請她演出，我一通電話，她便同

現小蟲老師多麼令人驚豔，「如果不告訴你，你不會相得正是時候〉、林憶蓮的〈玫瑰香〉、梅艷芳的〈親密愛人〉與任賢齊的〈心太軟〉，更令人難以相信連伊能靜
的〈悲傷茱麗葉〉也出自他的巧手創作。小蟲老師兼任

了歌手、製作人、詞曲創作者與唱片公司高層，他是戰將也是伯樂。他的作品與製作範圍也深深影響華語
電視圈與電影圈多部作品而為人著稱，在華語流行音樂史上一直是無可替代的藝術創造者與存在。加上今周蕙具有獨特又不可取代的恬適唱功，這個唱歌，早意了我的邀約。回顧周蕙的作品不拘多元，有主流、
有另類，從抒情、搖滾到電音，樂迷對周蕙音樂的韌性而著迷，隨時間跨越各世代外，在全球所有華人地

區，她的特質魅力非常人能取代，多元搭上多元，由她來詮釋小蟲老師多元又切合、溫婉卻堅韌的曲風，這場音樂會令人相當期待。

喜歡音樂的我們真的是幸福的！「大玩樂家」系列，這場音樂會所帶來的不僅是音樂的重塑，更是衛武營簡© 攝影 林峻永

重新定義，將流行與古典音樂以全新的姿態呈現，打破了原有的框架，讓喜歡音樂的大眾都有不同的選擇與吸引，不管在什麼時光或時空，我們都會有自己喜歡的旋律。我想，喜歡音樂的每位觀眾，都是大玩樂
家！傳遞著對音樂無限可能性的探索與追求。

大玩樂家 3－《小蟲 & 簡文彬 & 周蕙 跨樂衛武營音樂會》
2.24 Sat. 19:30 / 2.25 Sun. 14:30
● 歌劇院

了解更多

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總監期待能夠透過這系列的音樂規劃，對音樂文化的89“Fragrance of Roses,” Anita MUI’s “Intimate Lover,”Richie JEN’s “Heart Too Soft,” and, yes, even Annie YI’s
“Sad Juliet.” He was a singer, producer, writer of music
and lyrics, and senior manager at a record company.
He was both a music star and talent scout. The rangeof his work and productions deeply influenced the
Mandarin TV and film industry, and he’s always been
an integral artist and presence in the Mandopop
realm. This year is the 40th anniversary of his career,so I think doing this now is quite meaningful.
We’ve invited Where CHOU to do the interpretationfor our tribute to him. She has a rare calm in her
singing, which I have long enjoyed. During just one
call, she accepted my offer. Her work is so varied:
there’s mainstream, alternative, lyrical, rock, and

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electronic. Her fans love how she jumps from era
to era. No matter where you go in the Chineseworld, her charm is unparalleled. With her capacity
for so much diversity, having her interpret CHEN’s© Photo Credit: LIN Chun-yungwork through her gentle yet tough style makes it aperfect match. This is a concert that is definitelyWeʼre All Masters
by LIU Mu-yao, Masters Play concert series producer

one to look forward to.
They will always be reinterpreted over and over andMusic fans are really in for a treat! The Masters Playremembered by the public. The two of us decided toseries not only gives us re-imagined classics but also

expand our definition of “good work” to give people

is an opportunity for CHIEN to redefine the music

more choices. This is how Masters Play, a means ofculture by presenting pop and classical music in new

blending classical and pop by interpreting classicalways. Breaking out of original frameworks means

pieces in a new way, was born.

different choices and novel appeal for music fans.
Regardless of time or location, we all have songs that

I’m so thankful for everyone’s support. While sticking

we like, and I think that anyone who likes music is a

The one conclusion we came to was this: there

to our original motivation, Masters Play is about to

Master who can explore and pursue the unlimited

things shut down, Weiwuying General and Artistic

shouldn’t be any clear-cut definitions or segmented

launch its latest edition: Masters Play III - Beyond thepossibilities in this art form.

Director CHIEN Wen-pin and I created a major andmarketing for the two. After all, a classic is not

Music Boundary @WEIWUYING , for which we have

unprecedented music event in Taiwan meant to breaklimited by time or genre. For example, the centuries-

chosen to pay tribute to Johnnybug CHEN. Whilethe barrier between classical and pop music: theold music of MOZART and BEETHOVEN and Taiwan’s

going through his material, I realized how amazing

Masters Play concert series. The idea formed as we

Cloud Gate works will be viewed as masterpieces

and varied his work is. If I didn’t tell you, you wouldn’t

were chatting one day and the differences in operations

regardless of how time progresses.

believe all these songs came from his hand: ZHENGIn February 2022, while Covid was still keeping someand marketing for classical and pop music came up.

Yi’s “Light Rain Just Comes in Time,” Sandy LAM’s

Masters Play III - Beyond the Music Boundary @WEIWUYING
2.24 Sat. 19:30 / 2.25 Sun. 14:30● Opera House

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10

11
歐陸重要城市都有他的足跡，當中像是第三號鋼琴協奏曲、《月光》鋼琴奏鳴曲、《春》小提琴奏鳴曲等，皆預示了貝多芬提升音樂形式的野心。

1775－開始學習音樂，受到嚴厲管教（Heiligenstäd），希望治療耳疾卻不見好轉，陷入憂鬱的1787－首次前往維也納深造，因母親病重提貝多芬的心靈意志，讓他決定要在音樂中解放自我。

1792－再度前往維也納，拜海頓為師

貝多芬寫下了著名的「海利根遺書」，文字的力量恢復了1804 年，貝多芬發表了第三號交響曲《英雄》，此作被

曲，擁有《華德斯坦》與《熱情》等名作的中期鋼琴奏鳴根遺書」

莫札特為師，卻因母親病重而提早返鄉。

1770 年 12 月 17 日，貝多芬出生於德國西部靠近科隆

22 歲時，貝多芬再度前往維也納，這時莫札特已經去（Ludwig），與身為職業男低音兼教堂音樂總監的祖父

具有新穎寫作洞見的貝多芬，與海頓的傳統曲風有著的萊茵河畔古城波昂（Bonn），他被命名為路德維希
同名，貝多芬似乎也得到了他的音樂基因，5 歲時展
現過人天份，但在父親的嚴厲管教下，貝多芬的童年
相當不快樂，甚至多次遭到掌摑責罰，據信是造成日

後失聰的遠因。13 歲時貝多芬就成為波昂最知名作曲

家的助理，同時也首次出版作品，開始受到貴族與音1818 年，貝多芬已全聾，需要靠著紙筆才能溝通，加上給予侄子卡爾的高壓式音樂教育得到反效果，讓 48
歲的貝多芬離群索居，創作也進入了晚年時期：此階段

需至宮廷服務的「僕從」地位。1795 年到 1802 年，是貝多芬開始嶄露頭角的早年時期，不只維也納，各個

1804－完成第三號交響曲《英雄》，標示「浪漫時期」到來

1808－於 12 月 22 日同時發表第五號交響曲《命運》、第六號交響曲《田園》、第四號鋼琴協奏曲與《合唱幻想曲》，處於
創作極盛期

1812－寫下著名的情書「致永恆的愛人」，至都是當世不可解的高深作品，直至今日依然是古典音樂

1818－聽力完全喪失，需要透過紙筆溝通，創唱》，是打破形式窠臼的曠世巨作，引用席勒詩作的《歡1824－發表第九號交響曲《合唱》，觀眾反應

技巧的侷限，寫下的晚期弦樂四重奏與鋼琴奏鳴曲，的最高傑作。在第四樂章加入人聲的第九號交響曲《合樂頌》，更以簡單樂曲帶出四海一家的和平嚮往。1827

年 3 月 26 日，貝多芬逝世於維也納，三日後的葬禮有

超過一萬民眾前來致哀，深遠影響至今不輟。

今仍未解收信者是誰
作則進入晚年顛峰
熱烈

1826－完成最後五首弦樂四重奏與《大賦格》，
並自認第 14 號是生涯最高傑作

1827－3 月 26 日，逝世於奧地利維也納，享壽 56 歲

極大不同，師生關係不算好，但貝多芬仍因此層關係，品，日後得以靠著樂譜版稅維生，扭轉當時音樂家皆

1802－聽力惡化，至溫泉區休養，寫下「海利的貝多芬，反而無聲勝有聲，不再考慮樂器技術與演奏

世，貝多芬轉往與曾在波昂有過數面之緣的海頓求教，

在維也納得到許多機會，也在眾多貴族贊助下出版作

萊比錫等地

瘋迷 24 貝多芬
3.2 Sat. 17:00 - 3.3 Sun. 17:00● 音樂廳、表演廳、音樂廳 3F 大廳、公共鋼琴
敬請期待！

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Ludwig van BEETHOVEN，1770/12/17 ～ 1827/3/26

號鋼琴協奏曲，大獲成功

1800－完成第一號交響曲聲也達到頂峰，成為當時最炙手可熱的作曲家。

樂圈矚目，17 歲曾在波昂宮廷贊助下前往維也納欲拜

1795－首次在維也納舉辦音樂會，演奏第二

主張的藝術品。此後至 1817 年是貝多芬創作的黃金時

曲，以及小提琴協奏曲、歌劇《費黛里奧》等，他的名

路德維希・范・貝多芬

前返鄉

1796－巡迴演出布拉格、布達佩斯、柏林、期，發表了包含《命運》與《田園》的第四至第八號交響

古典音樂界的超級巨星，
瘋迷 24 系列迎來貝多芬，
一窺他的生平

1782－成為波昂宮廷管風琴家助理

視為開啟了音樂史上的「浪漫時期」，也就是音樂創作脫離了「為宮廷服務」的功能性，成為作曲家展現自我

文
連
士
堯

1770－12 月 17 日，出生於德國波昂

好景不常，貝多芬注意到自己的聽力嚴重喪失，他
在 1802 年 曾 居 住 於 維 也 納 著 名 的 溫 泉 區 海 利 根 城

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貝多芬年表

12

13

Classical Music Superstar:
A Look at BEETHOVEN,
Illustrious Guest of the 24
Hours Series

was the most popular of composers.
Chronology of BEETHOVEN's Life
By 1818, he was completely deaf and was thus
reduced to having to communicate in writing. Also,

1770－ Born in Bonn, Germany on December 17.

the overly intense music education he gave his

1775－ Began learning music under the strict

nephew Carl was useless. As a result, BEETHOVEN
gradually faded into isolation, initiating his lateperiod of composition. Though he was quiet, he
had much to voice. He no longer cared about the
restrictions on music imposed by technical skill,
so his string quartets and piano sonatas from thisperiod are extremely complex and to this day are

by Eric LIEN

viewed as the greatest pieces of all classical music. In
the fourth movement of his Symphony No. 9, vocals

Ludwig van BEETHOVEN: Dec. 17, 1770 – Mar. 26, 1827

setting him up for making a living off royalties fromhis compositions instead of having to serve as a

1782－ Became an assistant to the court
organist in Bonn.
1787－ First visit to Vienna; was cut short byhis mother's illness.
1792－ Returned to Vienna and came under
HAYDN's tutelage.
1795－ Held his first concert in Vienna, at

are integrated into a symphony for the first time inwhich he performed Piano Concerto

history. The lyrics come from Friedrich SCHILLER’s

No. 2, receiving wide acclaim.

poem “Ode to Joy” while the simple melody

1796－ Performed in Prague, Budapest, Berlin,

expresses a yearning for peace among the nations.
On March 26, 1827, BEETHOVEN died in Vienna. Threeand Leipzig.
1800－ Completed Symphony No. 1.

BEETHOVEN was born on December 17, 1770, in Bonn,musical “footman” at a royal court as was commonly

an old town on the banks of the Rhine near Cologne

the case. From 1795 to 1802, he started making a

in western Germany. He was named Ludwig, after

real name for himself, traces of which can be seen

his grandfather, who was a bass and the music

not only in Vienna but various other major European

director of a church. The younger BEETHOVEN having

cities. Some pieces of that time include Piano

1804－ Completed Symphony No. 3 (Eroica ),inherited his grandfather’s musical genes became

Concerto No. 3, Moonlight Sonata, and Spring Sonata,

initiating the Romantic era.

apparent when he was just five, but his childhood

signs of his ambition to advance musical form.

days later, over 10,000 people attended the funeralof this composer whose profound influence on themusic world continues to the present day.

All good things come to an end though. He began

have led to his later deafness. At 13, he was named

to notice the decline of his hearing. In 1802, he went

assistant to Bonn’s most reputed composer, atto the famous hot springs of Heiligenstäd to try towhich time he had his first piece of music performed

heal himself, but as it was no help, he fell into despair

publicly and won the attention of the aristocracy andand wrote the Heiligenstäd Testament (a letter to his

local music circle. At 17, he received sponsorship frombrothers about his plight). It was indeed therapeutic,

the local court to go to Vienna and become a pupil of

helping him recover his spirit and become motivated

MOZART, but he soon returned home as his motherto liberate himself through music.

went to hot springs for therapy andwrote the Heiligenstäd Testament.

1808－ Debuted his fifth and sixth

was an unhappy one full of physical and verbal abusefrom his strict father – such treatment is believed to

1802－ His hearing worsened. BEETHOVEN

symphonies, Piano Concerto No. 4, andChoral Fantasy on December 22. This
was the high period of his career.

1812－ Wrote love letters to his“immortal

beloved”– the intended receiver is still
unknown.

1818－ His hearing was completely lost, he
could only communicate in writing.
Reached the peak of his late period offell severely ill.

work.

In 1804, he published his Symphony No. 3 (Eroica ),At 22, he went to Vienna once more. MOZART had

which is viewed as the start of the Romantic period

already passed away, so this time the composerin music as the piece was a pure expression ofsought the tutelage of HAYDN, whom he had met

BEETHOVEN’s feelings as opposed to being written

several times in Bonn. With his insight and innovation,

for a royal court audience. From this point to 1817 is

BEETHOVEN’s style differed greatly from theconsidered his golden years, during which he wrote

tradition of his tutor and was thus a thorn in their

his fourth through eighth symphonies (including therelationship, but through it, he received numerous

Fate and Pastoral ), Piano Sonatas No. 21 and No. 23,

opportunities in Vienna and was able to perform his

his sole violin concerto, and the opera Fidelio . By thiswork with the support of members of the aristocracy,

time, his name had reached the acme of fame and he

1824－ Debuted Symphony No. 9, winning thehighest acclaim from the audience.
1826－ Completed his final five string
quartets and the Great Fugue ; hailed
String Quartet No. 14 as his greatest
24 Hours BEETHOVEN
3.2 Sat. 17:00 - 3.3 Sun. 17:00● Concert Hall, Recital Hall, Concert Hall 3F Lobby, Public Piano
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masterpiece.
1827－ Passed away in Vienna at age 56 on
March 26.

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discipline of his father.

14

狂的搞
言結笑
晶與
: 漫
畫

15
文
詹
慕
如
日
文
口
筆
譯
工
作
者

狂言是什麼？

取材自庶民生活，描繪日常裡每個人都可能經歷的滑一邊做動作一邊發出「霹哩霹哩」的撕紙聲、摔碎茶碗

技，搭配著音樂，有舞蹈、有魔術表演等。同時，日代日本大眾娛樂中深受歡迎的「搞笑」文化，會發現這想起漫畫裡那些爆炸對話框裡的各種誇張擬聲詞呢。

日本從中國傳入了「散樂」，散樂也就是古時的馬戲雜

稽與荒唐，以短劇演繹無名小卒的細瑣故事。對比當

本當地也發展出模仿表演等演藝活動，及在寺廟神社

種充滿自嘲、從小人物日常出發的無厘頭笑料，其實

舉辦祭典的宗教儀禮，這些在地表演與外來元素相結的「唰！哐啷！」等聲音，如何？是不是也跟我一樣聯

在日本淵源已久。

能劇與狂言一悲一喜、一動一靜，前者本於崇敬神佛樂」。大約在 600 多年前，猿樂的眾多表演逐漸分立

在動作上來看轉」，卑賤的僕人其實比主人腦子更靈光、妻子比丈夫

稽、日常的「狂言」。到了明治時期，當時的大佬們嫌

可以把「型」想像成表演動作的固定公式，諸如流淚、

合後，發展出更加豐富的表演型態，後來統稱為「猿出兩條清晰主線，一是嚴肅、優雅的「能劇」，一是滑

講究表演的「型」是「狂言」與「能劇」的共通之處。我們「猿」字不體面，便將「猿樂」改稱「能樂」。

喝酒、摔東西等，所有動作都有固定的步驟、講究的從題材上來說

悲劇偏多的「能劇」多半取自《平家物語》、《今昔物語》

等古典讀物，也會出現實際存在的歷史人物。而「狂言」

的發想，發展為一種宗教劇；狂言則著眼於描繪「反更聰明可靠，俯瞰芸芸眾生，會發現看似位高權重的
人其實「也不過如此」。

形體動作，比方說「哭泣」時要將雙手放在雙眼前、低狂言大家野村萬齋曾經表示，狂言師並不依賴搞笑和

依照這個公式來產出動作，而狂言在拿捏這些動作的

認真表現出人生的無奈滑稽，以及人性中的荒唐可笑，頭的同時晃動全身，一邊哭出聲來。所有表演者都要節奏重點，即是「能不能引人發笑」。

「型」的形成好比將表演系統進行了高度模組化，任何胡鬧來逗樂觀眾，真正的狂言師必須先認真面對人生、才有可能讓觀眾發自內心產生共鳴，痛快捧腹，或者
莞爾一笑。

狂言是什麼呢？

者發揮個人風格的空間，同時也決定了一個表演者究立體漫畫。

而模組與模組相接之處產生的空白或模糊，正是表演
竟是串接模組的功能性角色，或能昇華成為帶動作品

我會說，這是一本充滿人生珠璣、排毒功能絕佳的 4D

的靈魂人物。
表演使用語言大眾認為能樂是一個門檻，且敬而遠之的原因也許是

因為「聽不懂」，尤其是能劇，能劇的台詞少、吟唱多，對國內外觀眾倒是都很公平⸺沒有錯，日本人多半也都聽不懂，因此在表演中你並沒有錯過什麼。相較之下狂言是個對話形式的台詞劇，比能劇好懂許多，

認真聽的話大概可以聽個七八成，其他兩三成不懂的
地方，可能因為劇本中使用了古語，還有狂言對說話

方式的特殊要求。在狂言的台詞訓練中強調字字清晰，
但必須強調「第二音」，這種不同於日常的獨特平仄也
影響了大家的理解。

另外狂言還有一點語言特徵，就是在表演上大量使用
擬聲詞。演員在狂言舞台上必須用最低限度的道具來
表現出豐富的故事世界，因此故事中出現的聲響得由

演員來「人肉配音」。例如在知名的狂言曲目《附子》中，
描述兩個僕人為了掩飾自己偷吃了主人的砂糖，用計
破壞家中珍貴的畫軸、茶碗，只見台上兩個演員輪流

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表演者都能在同一個劇本下表演出相同的動作要求，

野村萬齋狂言劇場
3.9 Sat. 19:30 / 3.10 Sun. 14:30
● 戲劇院
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16

17

The Perfect Combo of
Comedy and Comics: Kyōgen
by TSAN Mu-ju, Japanese-Mandarin translator and interpreter

years ago, sarugaku was gradually divided into two

Sangaku is a form of comedy originally from China

distinct categories, one being the serious, gracefulthat was a combination of circus acrobatics, music,

noh , and the other being the comical, everyday life-

dance, and magic. Japan was developing mimicry

based kyōgen . In the Meiji period, those in authority

and other art forms for religious ceremonies at

felt the name “sarugaku ” (whose first character intemples and shrines. These arts grew richer with

Chinese and Japanese means “monkey/ape”) was

the influence of foreign elements, and they later

improper and thus changed it to “nōgaku ” (whose

became collectively known as “sarugaku .” About 600

first character means “skill”).

© Photo Credit: 政川慎治

probably because it’s archaic or spoken in a non-Noh pieces, which are mostly tragedies, usually

everyday way. That is, though kyōgen performers arecome from such classics as The Tale of the Heike andparticular about clear pronunciation, they have toKonjaku Monogatarishū and also include real figures

stress the second mora (something akin to a syllable

from history, while kyōgen material comes fromin linguistics), which is different from everyday speech.

the lives of the average Joe, relating the funny andabsurd that can happen to anyone. They are usually

Another feature of the speech in kyōgen is the

skits about nothing particularly important in someextensive use of onomatopoeia. Performers have torandom person’s life. When looking at the current

make the show substantial despite a minimal supply

style of popular self-mockery and nonsensicalof props, which means any sounds needed have tocomedy in Japan, we can see its longstanding roots

be produced by the performers. For example, thein kyōgen .

famous piece Busu is about two servants trying tocover up how they have eaten some of their master’s

Movementsugar without permission. Their ingeniously ridiculous

Importance is placed on what is called “form” inplan incorporates ruining his precious scroll andboth kyōgen and noh . Form may be viewed as theteapot. While acting it out, they make a lot of tearing

established formula for movements, such as how to

and crashing noises. It might be similar to the absurd

express crying, drinking, and throwing things. Everybang, whap, and slam that you see in comic books!

movement has its particularly prescribed steps andappearance. For instance, when crying, the performer

One is about tragedy, the other comedy; one ismust place both hands over their eyes, lower theirdynamic, the other static. Noh is based on religion andhead, and shake their entire body while making crying

reverence for Buddha, while kyōgen is about traditionalsounds. Whenever any role cries, they do it in exactlyrole reversal: a lowly servant is actually smarter than

this way, but whether you have what it takes to elicit

his powerful master, and a woman is more intelligent

laughter is a different story.

and reliable than her husband. Through an overview ofsociety, the art shows us that those in high places are

The evolution of form may be viewed as the systemreally no different from the rest of us.

of performance having been highly modularized suchthat any performer can execute any movements

Kyōgen master NOMURA Mansai has said thatfrom the same script. When two modules “collide”

a kyōgen performer does not count on making

and produce a gap or ambiguity, the performers use

the audience laugh by saying and doing funny or

their own style to fill that void. Such skill decides

wild things; a true performer must first seriously

whether a performer is merely a functional role incontemplate life and work hard to express theconnecting modules or can take it to the next level to

comedic helplessness in life along with the absurd

give the piece spirit.

in human nature in order to really resonate withthe audience deep down, in turn causing them toLanguagegenuinely smile or burst out laughing.

Many people view nōgaku as beyond them becauseof how hard it is to understand, especially noh , which

So what is kyōgen ?

has few spoken lines and lots of singing. At least the

For me, it’s a 4-D comic that cleanses the soul and istreatment is fair to both local and foreign audiences!

full of life’s precious beauty.

That’s right, even most Japanese people have a
hard time understanding it, so don’t worry about
dialogue, so if you listen carefully, you can understand

Kyogen with Mansai NOMURA
3.9 Sat. 19:30 / 3.10 Sun. 14:30● Playhouseabout 70-80% of it. What you don’t understand isComing soon !

missing anything. On the other hand, kyōgen is mostly

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18

19
組合、音色璀璨華麗，長笛與管風琴表達的便是木管溫柔靈動的特質；管風琴跟鋼琴則是王者間的對決。
管風琴可以氣勢雄偉，也可以細膩溫柔，一場音樂會體驗管風琴的風情萬種！

第二場《魔幻舞動》將移至擁有獨一無二福爾摩沙笛管的屏東演藝廳演出，曲目和型態也非常特別，完全顛

覆了管風琴莊嚴神聖的形象，展現了她活潑歡樂的一面，由兩位來自荷蘭的管風琴家擔綱演出，上半場是

鹿特丹愛樂管風琴家阿特 • 貝爾沃夫帶來一系列經典
與跨界的舞蹈音樂，包括：阿根廷作曲家皮亞佐拉多

首膾炙人口的作品、俄國作曲家史特拉汶斯基的《探戈舞曲》和芭蕾舞劇《火鳥》選曲，以及荷蘭作曲家西蒙 •霍爾特最著名的作品、以固定音型創作的《頑固音型之歌》等。即興演奏曾是管風琴家必備的技能，也是 20

世紀初默片時代營造劇情氣氛不可缺少的配樂角色，
下半場音樂廳將搖身一變為電影院，由鹿特丹聖勞倫
斯大教堂的管風琴家哈約 • 波勒馬帶領大家穿越時空
回到上世紀，現場搭配默片電影即興演奏，聽音樂會

FEATURE也可以像看電影一樣輕鬆有趣。

管風琴大氣恢宏，管風琴與交響樂團的搭配演出就像
聆賞兩個樂團的競技與合作，一定加倍精彩過癮。音樂節的壓軸音樂會《名家盛會―黃金協奏曲》，將大器

推出分屬浪漫、現代及跨界的管風琴協奏曲以饗愛樂
大眾，這三首協奏曲分別是萊因貝爾格《F 大調第一號

百變管風琴

第一場《舒密特與他的朋友們―經典巴洛克之夜》，以室內樂為主、獨奏為輔，透過與小號、長笛、鋼琴等

̶即興、獨奏、重奏與協奏 -2024 衛武營管風琴音樂節樂器的搭配，來呈現繁花似錦的巴洛克音樂，並傳達

管風琴多姿多彩的魅力。室內樂部分包括韓德爾《水上音樂》組曲第二號、威廉 · 弗利德曼 · 巴赫《e 小調長笛

奏鳴曲》、李斯特第三號交響詩《前奏曲》；獨奏部分

文 陳相瑜

包括巴赫最著名的管風琴曲《d 小調觸技曲與賦格》以及鋼琴獨奏曲巴赫《d 小調半音階幻想曲與賦格》。除喜愛管風琴的朋友們有福了！一年一度的衛武營管風

密特來臺擔任音樂節的藝術總監，策劃了兩地、三場

衛武營也再度聯手屏東縣政府文化處舉辦，本屆邀請

朋友們―經典巴洛克之夜》、《魔幻舞動》以及《名家盛琴音樂節將於 2024 年 3 月 15 日至 3 月 17 日隆重登場，活躍於當今國際樂壇的德國管風琴家克利斯蒂安．舒

型態不同、風格迥異的音樂會，分別是《舒密特與他的會―黃金協奏曲》。

管風琴協奏曲》、紀堯姆 · 康內松《安魂協奏曲》（亞洲

首演），以及皮亞佐拉《阿空加瓜山》協奏曲，透過不同的曲風展現管風琴凌駕管絃樂團的王者風範。此外，還有法朗克為鋼琴和管絃樂團創作的《交響變奏曲》，
以及夏米娜德的《D 大調長笛小協奏曲》。五位頂尖獨

奏家帶來的黃金曲目，再加上衛武營藝術總監簡文彬
指揮高雄市交響樂團的黃金組合，絕對是一場華麗盛大的音樂饗宴。

了舒密特以外，擔任鋼琴的是曾獲葛萊美獎提名的約
瑟夫．穆格；長笛是德國西南廣播交響樂團長笛首席
塔蒂亞娜．胡蘭德，小號則邀請前國立臺灣交響樂團

小號首席侯傳安合作演出。若說小號與管風琴是黃金

2024 衛武營管風琴音樂節
3.15 Fri. - 3.17 Sun.
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will be Grammy-nominee pianist Joseph MOOG,

mesmerizing. For the final concert of the festival,

SWR Symphonieorchester Principal Flutist Tatjana

the audience will be treated to a blend of the

RUHLAND, and former National Taiwan Symphony

Romantic and the modern with RHEINBERGER's

Orchestra Principal Trumpeter HOU Chuan-an. If

Organ Concerto No. 1 in F Major, the Asian premiere

the organ and trumpet are a perfect match with aof contemporary composer Guillaume CONNESSON’s

brilliant timbre, then the organ and flute express a

Concerto da Requiem , and PIAZZOLLA’s Aconcagua ,gentle, spiritual sensation, while the piano and organ

which will show how the organ can take the reinsare a duel of kings! The concert will show how thein leading symphony orchestra music regardlessorgan is capable of expressing spectacular power,of style of music. In addition, FRANCK's Symphonicdelicate tenderness, and a number of moods in

Variations for Piano and Orchestra and CHAMINADE's

between!

Concertino for Flute and Orchestra in D Major will
be performed. These outstanding works presented
by five superb musicians along with the Kaohsiung

Performing Arts Center, site of the unique Flûte

Symphony Orchestra under the baton of Weiwuying

Formosa bamboo pipe organ. The pieces and format

General and Artistic Director CHIEN Wen-pin are towill also be quite interesting, turning away fromcreate a fascinating night of music to remember.

the normally dignified, holy image of the organ for
its lively, joyful side at the fingers of two Dutch

The Many Faces of the Organ– Improv, Solos, Ensembles, and Concertos at 2024 Weiwuying
Organ Festivalorganists. For the first half, Rotterdam Philharmonicorganist Aart BERGWERFF will play a series of classic
dance pieces, including multiple highly lauded ones
by Argentine composer Astor PIAZZOLLA, Russiancomposer STRAVINSKY’s Tango and select pieces
from his ballet L'Oiseau du Feu (The Firebird) , andDutch composer Simeon ten HOLT’s most renowned
piece, Canto Ostinato . Improvisational performanceby CHEN Hsiang-yu

was once a necessary skill for organists, and theorgan was an indispensable component in setting
the atmosphere of silent films in the early 20th
century. So for the second half, the center will be

Organ lovers, get ready for a treat! The annual

The first concert focuses on chamber music alongtransformed into a movie theater as Hayo BOEREMA

Weiwuying Organ Festival is set to take place fromwith a couple of solos. With the accompanimentof the St. Lawrence Church in Rotterdam will bring

March 15 to 17, 2024. Once again, we will be teamingof the trumpet, flute, and piano, the elegance ofus back about a hundred years with live, improvised

up with the Cultural Affairs Department of Pingtung

Baroque music and the diverse appeal of the organ

accompaniment to silent film. You probably neverCounty Government, and we have invited German

will be on display. For chamber music, we will hearthought listening to a concert could be as casual andorganist Christian SCHMITT, a global name in today's

HANDEL’s Water Music Suite, No. 2, W. F. BACH’s

fun as going to a movie!

music realm, to serve as the artistic director. At these

Flute Sonata in e minor, and LISZT’s Les Préludes ,two venues, a total of three concerts with differing

Symphonic Poem No. 3. The solos will be J. S. BACH’s

With the grandness of the organ when played infeatures will be put on: SCHMITT and His Friends -most famous organ piece, Toccata and Fugue inthe company of a symphony orchestra, you get the

One Night in Baroque Classics, A Fantasy of Dance,d minor and J. S. BACH’s piano piece Chromatic

feeling of two ensembles at times competing, atand A Matinee with Masters - Concerto Classics.

Fantasia and Fugue. Performing alongside SCHMITT

times cooperating, making the experience doubly

2024 Weiwuying Organ Festival
3.15 Fri. - 3.17 Sun.
Coming Soon !

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For the second concert, we will be at the Pingtung

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讓最
劇美
場好
接的
住是
我
們

文
許
哲
彬
四
把
椅
子
劇
團
藝
術
總
監

我一直以來其實都很害怕觀賞「互動式」的演出，也對

碰觸憂鬱症議題的戲劇和影視作品族繁不及備載，但清單》的演出，改變了我理解劇場為何仍然在當代社會

讓觀眾席充滿笑聲的例子。即使憂鬱症對於當代社會於充滿正能量的作品常常感到疏離，但過去幾年《好事裡如此重要的原因。這個簡單、質樸、充滿療癒的獨
角戲，似乎提醒了我（們），為什麼需要和陌生人一起坐在劇場裡，共同分享著彼此的感受。

《 好 事 清 單 》是 英 國 當 代 劇 作 家 鄧 肯 • 麥 克 米 倫（Duncan MACMILLAN）與喜劇演員強尼 • 唐納（Jonny
DONAHOE）共同發展與創作的獨角戲。故事從這位「敘
事者」描述他七歲時如何面對母親的自殺未遂開始，天真的小男孩建立了一份「好事清單」，將他認為生命中

值得為之努力活下去的美好事物寫上，嘗試幫助母親
走出憂鬱症的困境。

已經一點都不陌生，但大眾媒體的嗜血性格仍然對自殺和憂鬱過度渲染和汙名化。這也是麥克米倫創作《好事清單》的原因，他希望這個劇本以最平凡的口吻談論

這些身心議題，用不煽情也不悲觀的喜劇獨角戲的形
式述說憂鬱和自殺如何影響所有人。

更重要的是，這是和「每個人」息息相關的事情。
因此，在《好事清單》的演出裡，觀眾的參與不可或缺：「敘事者」在故事中細數人生中的關鍵時刻和持續增加的清單內容，當他喊出數字，手上拿著這張數字的觀眾便會將清單內容喊出來；「敘事者」生命裡所遇見的圖為 2022 好事清單 演出劇照獸醫、輔導老師、大學教師、女友，以及父親角色，也會「邀請」觀眾來扮演並且與演員完成戲劇行動。

在首演前，我其實對這個「互動式」演出仍然存有一絲

不信任：觀眾真的會順利配合嗎？演員能夠應付完全
未知的互動反應嗎？觀眾的參與究竟是一種噱頭還是
真的有其必要性呢？我甚至萌生了為什麼要製作一齣

根本就不是自己擅長和偏好的演出的自我懷疑。然而，

一場一場的演出下來，我理解了《好事清單》的「參與」
不僅只是演出的結構，更是「敘事者」與整個故事的一部分；觀眾藉由唸出清單、扮演角色來「參與」演出，
實際上則是參與了角色的生命歷程。

作為一個導演，我第一次發現我掌握不了眼前的作品，

這些未知、不確定性、意外、質樸的粗糙、不經意的瑕疵、以及因此而生的溫柔與互助，既是劇場的本質，亦是對於人生的精準隱喻。《好事清單》看似輕盈，實則乘載著許多不可承受之重，然而，它藉著劇場之力，
接住了故事裡的角色，也接住了觀眾們的情感。

今年的《好事清單》除了竺定誼、林家麒，加入了新卡
司⸺王世緯，希望能呼應世界各地上演的《好事清單》在表演者的性別、年齡、種族、氣質的光譜廣闊且多元，期待在未來，我們會有更多不同樣貌的臺灣表
演者來述說這個故事。

因為所有觀眾的反應和互動，在演出開始以前，全部

都是未知的；當然，對於演員而言，這份未知的挑戰
和恐懼更是巨大。

我和演員們總是笑稱這是一齣無法排練的演出，這並非
誇大，因為觀眾如何反應、互動，甚至「表演」，即便

在排練場設想了各種可能性，但是每場演出都彷彿打開

驚喜包；他們「影響」了演員如何丟接，卻又在麥克米
倫精巧的劇本設計下，自然地與演員一起完成了這個演
出，即便有時並不流暢，甚至因為害羞或緊張產生了空
拍和尷尬，在這個演出中卻被所有人體貼的包容著。

四把椅子劇團《好事清單》不插電版4.12 Fri. - 4.14 Sun.
● 排練室 B313
敬請期待！

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我鮮少看到像《好事清單》如此溫柔、幽默，甚至不時24

25
depression, but mainstream media’s bloodlust has

show is a surprise. What they do leads to improvised

overly stigmatized suicide and depression. This is partreactions by the performers, but with MACMILLAN’sof the inspiration for Every Brilliant Thing : Macmillan

clever design, they end up completing the piece

wanted the piece to discuss these issues in the most

together, though not always smoothly – at times theordinary tone, so instead of making it emotional andparticipants are so shy or nervous that we hit blanks

painted with tragedy, he chose comedy to discussand moments of awkwardness. Nonetheless, the rest

the influence depression and suicide have on people.

of the audience is always understanding.

More importantly, he wanted it to be something that

The unknown, uncertain, accidental, rough plainness,everyone can relate to.

negligence-induced flaws, and resulting gentlenessand interaction are actually the nature of theater

So during the performance, audience participation isand a precise metaphor for life. Every Brilliant Thinga must. The narrator talks about critical moments inseems light but in fact carries an unbearable weight,

life in detail, continually adding to the list, and whenthough with the power of theater, it captures thethe narrator yells out a number, the vet, counselor,characters and the emotions of the audience.

university professor, girlfriend, and father of thenarrator invite the person in the audience with that

For this year’s production, besides CHU Ding-yi andnumber to perform with the protagonist.

LIN Chia-chi, WANG Shih-wei has joined the team as
we hope to echo the diversity in terms of gender, age,

The Most Brilliant Thing:
Being Captured by Theater

race, and disposition seen in the play’s performers

interactive performance. I wondered, will members

around the world. Moreover, we look forward toof the audience really participate? Can the performer

Taiwanese performers from even more walks of life

really respond well to what will happen during

sharing this story in the future.

the unrehearsed interaction? Is the audiencein a way that I’m not familiar with or even into. But

4 CHAIRS THEATRE Every Brilliant Thing
4.12 Fri. - 4.14 Sun.
● Rehearsal Studio B313

performance after performance showed me that theComing Soon !

participation just a stunt, or is it really necessary?
I also wondered why I should produce a play done

audience’s participation is both a structural aspect
and an integral part of the narrator and the story. By

by Tora HSU, artistic director at 4 Chairs Theatre

saying items on the list and playing characters, theaudience in fact takes part in what the charactershave experienced.

I was actually not into interactive performances for a

DONAHOE. It begins with the only character, theI’m a director, and this was the first time I couldn’t

long time and frequently felt alienated by even thosenarrator, describing how he dealt with his mother’smentally grasp a piece, because all the responses

full of positive energy, but one such piece, Every

attempted suicide when he was seven and triedand interaction from the audience are completely

Brilliant Thing , changed my view of why theater is stillto help her break from the bonds of depression by

unknown until they actually happen. Obviously,

so important in contemporary society over the pastmaking a list of all the things he believes are worth

this is quite challenging and even horrifying for the

few years. This plain, simple, yet strongly therapeuticstaying alive for.

performer.

we need to sit with a bunch of strangers to watch

There are countless theater and film pieces on

I often joke with the performers that the piece can’t

performances and share our feelings.

depression, but Every Brilliant Thing is a rarity inreally be rehearsed. This is no exaggeration, becausethat it’s gentle and humorous, even to the point

even though we may try to prepare for whatever

Every Brilliant Thing was created by British playwrightof eliciting howls of laughter from the audience at

responses, types of interaction, and behavior

Duncan MACMILLAN and British comedian Jonnytimes. Current society is by no means unfamiliar withmembers of the audience might provide, every

one-man show seems to remind me (us) of why

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Before its debut, I had my doubts about such an

26
文Stella TSAI

講武
座營
側來
記開
10 槓
月

27
10 月 ｜一起來 party ！

藝術是生活的體現ﾠ讓場館成為每個人的後花園有別於先前的【武營來開槓】由藝術家分享創作的所

思 所 見， 因 應 衛 武 營 五 週 年 慶 舉 辦 的 這 場「 一 起 來party！」，邀來了真實的居民與觀眾，在衛武營戲劇

顧問耿一偉與木有枝劇場工作室負責人曾靖雯的帶領下，打破場館與民眾的第四面牆，邀請眾人大談各自對衛武營的所思所見。若說藝術是創作者的生活體現，
這場講座就是進一步確認，衛武營是否在開館五年來，成功地扮演眾人親近藝術的橋樑。

上半場：打開心防，你我眼中的衛武營
集結了一般大眾與視聽障人士，講座將參與民眾打散
分組，用一場暖身節奏遊戲打開彼此心房。每個人在小組中扮演一種水果，透過遊戲記住對方的代稱與模
會各式水果的手語名稱，透過如舞蹈般的手語傳達，

讓這組的暖身場面宛如集結了民眾參與的舞蹈呈現，也成功地帶動了後續熱絡的對話。

場館內迷路、四處遊走，接著再往戶外劇場移動，看喚醒同組其他人的回憶，有人自小在鳳山長大、看著

從榕樹走到湖邊，再沿著國泰路繞回來，就是一段完

小組討論帶動每個人的記憶回溯。每個第一印象都能衛武營從無到有，如今衛武營更成為鄰近居民運動、散步的首要目的。也有人因為經常造訪，進一步對館內活動產生興趣，漸漸地會主動看演出、參加活動，讓衛武營成為生活中的選擇之一。

而對藝文活動本身就有興趣的民眾，衛武營的出現不僅讓他們視為城市進步的象徵，更是降低一般大眾接觸藝術的門檻，不再覺得看表演是所謂「高級的殿堂」，而是

「人人都能參與的日常」。也因著「衛武營小時光」等平價

活動的鼓勵，讓他們更願意踏入場館，體驗表演的魅力。
除了優點，眾人也提出許多等待改進的建議，例如場

表演、打卡拍照，末了再深入衛武營都會公園散步，
整又運動量十足的散步路線，是當地人的後花園。

參與者中也不乏喜愛表演的民眾，有人每月至少進館
觀賞 1-3 場，更有人對於最佳觀賞座位如數家珍，近來剛看完匈牙利室內樂團的朋友，直指「2 樓七號門 A1
排」得以一覽無遺演奏技法、音樂家情緒，獲得最棒的聆聽體驗；又或是觀賞鹿特丹管弦樂團的「3 樓九號門

C2 排」，位於合唱席上方，感受音樂從底部灌上來的豐沛暢快，能獲得最完美的聽覺饗宴。短短五年的開館，已讓忠實觀眾有了自己喜歡的座位、對完美聆賞體驗的要求，以及將看表演視為日常的心靈充電站。

館很大，第一次造訪衛武營的朋友容易迷路，需要更軟性的提問則搜集了觀眾對場館營運的建議，像是最

友有感停車動線不夠清楚，以及車道較為擁擠；演講伯、QQ 蛋、滷味、燒烤、紅豆餅、可麗餅等，對大

清楚的動線標示或進一步的協助；另外開車造訪的朋
廳的座椅則對於長者久坐較不友善，期待能在未來有
所調整與改善。而對於不同障別的朋友來說，適合他

們的活動依舊是偏少，期待往後能有為他們量身打造
的演出或是活動。

下半場：過去，這裡是風水最差的；現在，匯聚人氣，已是風水最好的區域經過暖身活動與第一輪的分享，下半場開始主題討論與
小物分享。首先由館方提出指定題目，透過小組討論、

分享，共同決定答案，再輪流上台表達小組的意見與回饋。八道題目圍繞著衛武營本身，針對場館的答案則展

現了多數人對衛武營的熟悉：像是與親友相約的見面地

想在衛武營買到的「小吃」，答案不乏台式經典如香腸
家來說，無負擔的小吃或輕食，將是趕場看演出前填飽肚子的精神來源，也能在看完演出後為一天劃下完
美的句點。

講座的最後邀請民眾帶來與衛武營相關的小物，分享自己與衛武營的記憶連結。其中視障朋友帶來第一次
看節目的點字節目單，驚喜地表示過去鮮少在南部拿
到，小小的節目單讓他們有了被照顧到的參與感，也期許衛武營能朝著文化平權的方向持續邁進。而喜愛

蒐集問卷回饋小禮的朋友，則帶來了《波麗露在高雄》
贈送的 SKB 鉛筆，手邊累積了許多衛武營小禮的她，期待周邊商品特輯，方便長久的追蹤與蒐集。

點，多能直接約在劇院門口，陌生一點也能約在捷運六驚喜現身的簡文彬總監帶來了一顆「蛋」，是開館時按

有氣勢，近看柔軟細膩、照顧著每個人的需求，認為衛

法師親手交給總監的小物。至今依然放在辦公桌上，號出口。對於衛武營的性別認定，參與者形容遠看宏偉武營是個剛柔並濟、具包容性的「雌雄同體」。儘管過
去作為軍營，可謂風水最差的場域；如今改建後的場館
匯聚人氣，轉而成為風水最好的區域。
© 陳建豪佔地甚廣的衛武營亦是在地人消耗熱量的散步熱點，
沿著三多路散步到衛武營，放任自己在充滿科幻感的

習俗舉辦的開光儀式米龍上的蛋，也是儀式完成後、時時提醒他「經營藝術中心就像在孵蛋，總有一天會長成，然而過程需要大家一起呵護，集眾人的力量一起灌溉與孵育。」他也代表衛武營感謝眾人五年來的參與，衛武營將持續傾聽民眾的聲音，針對不足持續調

整、讓好的事情繼續發揚，持續扮演眾人的客廳，以及日常生活的後花園。

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FEATUREFEATURE專欄樣；其中聽障組更是將水果化為手語，讓整組成員學破冰活動後的第一題：「你對衛武營的第一印象？」以

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29

Arts Talk ｜Lecturesidenotes for octoberhalls, especially for the elderly, emphasizing a desire

its inauguration, dedicated patrons have discerned

for a more user-friendly environment. Similarly, sometheir cherished spots, cultivating benchmarks forshared about the limited availability of activities

optimal sonic indulgence. These experiences havetailored for those with disabilities and hoped for atransformed into rejuvenating spiritual escapades.

more inclusive programming in the future.
Attendees were asked to share suggestions for
Second Half: From Worst to Bestby Stella TSAI

October's Theme: "Let's Party!"

they would like to get “local snacks” at Weiwuying,First Half: Weiwuying Through Our Eyes

Art as the Essence of Life: A Communal Weiwuying

In the session's latter half, groups tackled eightsuggestions spanned Taiwanese favorites: sausages,

topics about Weiwuying, taking to the stage to share

sweet potato balls, braised delights, barbecue, redcollective viewpoints. Discussions revealed a deep

bean pastries, and crepes. For most, these economical

connection with the venue, highlighting it as a central

treats are ideal sustenance pre-performance, and ameeting point. For example, when people arrange

great way conclude a day at Weiwuying.

for meet-ups, many choose venue entrances, whilebrought together the public and those with visual andthose less familiar will often choose the Metro exit

Toward the end of the talk, shared personal items

auditory disabilities, promoting unity through shared

6. In terms of Weiwuying's gender identity, it was

linked to their experiences at the center, showcasingcelebration of Weiwuying's five-year milestone.

activities. Participants adopted fruit names, making

evocatively described as a harmonious and inclusive

the diverse ways in which Weiwuying touches lives.

Facilitators KENG Yi-wei and TSENG Ching-wen,

it easier to engage and remember one another. Those"hermaphrodite": imposing from a distance, yet

A visually impaired participant presented a Braillefrom the Wood With Branches Theater Studio,with hearing challenges demonstrated the signs

gentle at close quarters, catering to everyone's needs.

program from the first show they ever attended,for different fruits and imparted these gestures toOnce a military camp with arguably challenging Fengwhich was a rarity in the south and relishing theconventional barriers between the arts venue andother participants. The exercise, enhanced by sign

Shui, Weiwuying has metamorphosed into a lively

inclusivity it symbolized. Another aficionado, an

its patrons. It was a chance to reflect on whether

language, led to a collaborative dance act that pavedhub, emerging as the region's Feng Shui pinnacle.

ardent feedback gift collector, displayed an SKB

Weiwuying has made art a tangible part of everyday

the way for lively discussion.

swapping out artist monologues for a participatoryorchestrated a dialogue-centric event that erased

FEATURE

pencil from "Bolero in Kaohsiung”, expressing
The expansive Weiwuying serves as a cherishedlife during its five-year journey.

aspirations for exclusive merchandise events.

After the icebreaker, attendees were asked to

locale for leisure exercise. A walk along Sanduo Road

share their first impressions of Weiwuying, eliciting

toward Weiwuying, visitors can immerse themselves

General and Artistic Director CHIEN Wen-pin graced thememories and illustrating the venue's transformationin the venue's futuristic ambiance. Here, they cantalk, showcasing a rice-made dragon egg, a memento

from a military base to a community staple forenjoy performances, take pictures, and later meander

from Weiwuying’s inaugural ceremony. This emblematic

leisure and culture. Today, Weiwuying stands as athrough the Weiwuying Metropolitan Park. A serene

relic, bestowed upon him post-ceremony, resides

prime locale for residents to take walks and exercise.

stroll by the banyan trees leading to the lake andon his workspace. Artistic Director CHIEN shared his

Attracting frequent visitors with an array of events,

circling back through Kuotai Road. A wide-ranging

vision, equating the growth of Weiwuying to the carefulleading them to attend performances and activities,

and calorie-shedding journey as such, establishednurturing of a dragon egg— a symbol of the collective

and, gradually, integrating Weiwuying into their lives.

Weiwuying as a community haven.

effort and patience required in cultivating an arts

For aficionados of culture and arts, Weiwuying's

Regular patrons were aplenty among the participants.

Weiwuying's behalf for the unwavering support overemergence represents not just urban advancement

Several attend one to three shows per month.

five years. Pledging to continually echo communal

but also an easy access to the arts. The venue has

Some shared their favorite spots for acoustics andsentiments, address imperfections, amplify its

transitioned from being perceived as an “institution”

viewing. A participant who recently attended thesuccesses, and make Weiwuying an integral part of its

to “a daily delight for all.” Initiatives like “Weiwuying

Hungarian Chamber Orchestra concert, remarked

community's life.

Showtime” have encouraged many to explore the venue,

that "2nd Floor, Door 7, Row A1" affords an unimpeded

immersing themselves in the allure of live performances.

vantage of the artists' prowess and passion, ensuringcommunity. He conveyed his heartfelt appreciation on

an unparalleled auditory delight. Another coveted
While the accolades were numerous, feedback wasseat, "3rd Floor, Door 9, Row C2", positioned above

also solicited, with calls for better navigation aids

the choir, envelops attendees in uplifting melodies,

within the complex, improved traffic and parking

especially resonant during the Rotterdam Symphony

guidance, more comfortable seating in the lecture

Orchestra's rendition. Merely half a decade after

專
欄

FEATURE

Kicking off with an inclusive game, the session
The October Arts Talk diverged from the norm,

專欄

Weiwuying's refinements. Some mentioned that

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2.12 Mon. 15:00、17:00

高雄兩廣龍獅戰鼓團《醒獅鑼鼓賀吉祥》
LUAN GUANG Dragon & Lion
Dance War Drum Corps
Lion Dance With Drums And
Gongs To Celebrate Good
Fortune● 北�場 North Plaza● 自由入場 Free Entry

2024

2024

2.13 Tue. 15:00、17:00
2.14 Wed. 15:00、17:00● ���場 Outdoor Theater● 自由入場 Free Entry攝影 陳韋勝

2.12 Mon. - 2.14 Wed. 15:00-20:00
新春龍賜福市集Lunar New Year Fair

2.10 Sat. - 2.14 Wed.
初一至初五，2024 衛武營新春系列鑼鼓喧天響雲霄！

來自高雄的兩廣龍獅戰鼓團帶來新春熱鬧氣息的舞獅鼓
陣，祥獅獻瑞迎龍年；太日樂集敲響大地意象的打擊樂

Immerse yourself in the lively lion dance and exciting
beating of blessing drums brought by Kaohsiung’s● 北�場、樹冠大�（⻄）North Plaza, Crown Hall Westside● 自由入場 Free Entry

award winning Luan Guang Dragon & Lion Dance War

曲，擊鼓樂音迎新春，舞獅擊樂開展龍年新春新氣象。

Drum Corps. Enjoy percussion music presented by the

From the first to the fifth day of the Lunar New Year,with the drumming music to welcome the New Year.

the 2024 Weiwuying New Year Series of gongs andCome enthrall yourself in the festivities with lion

drums shivaree the sky!

dance and percussion music to embrace a new

Come celebrate Lunar New Year with Weiwuying.

atmosphere for a very happy new year to come!

Tai-Jih Percussion Group, hearing the image of the earth攝影 Kito2024 Weiwuying New Year Series

2024 Weiwuying New Year Series

太日樂集《鴻龍龍龍賀新年》
Tai-Jih Percussion Group
Impression of Yunlin
Percussion Concert

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WEIWUYING

桑布伊《karapule’em 互相祝福》新年音樂會
SANGPUY karapule’em New Year’s Concert● �樂� Concert Hall● �價 Tickets NT$600/900/1200/1600/2000

OPENTIX 兩廳院文化生活 OPENTIX Ticket
衛武營會員購票優惠 Weiwuying Membership Discount Applied.
全長 100 分鐘，無中場休息。
Duration is 100 minutes without intermission.

桑布伊在衛武營音樂廳的首登場，希望用他帶有傳統古調靈魂的歌聲，讓大家在新年伊始，一起擁抱這塊土地，反省、
友愛，藉以得到撫慰、得到力量、得到祝福。
In his debut at Weiwuying, SANGPUY, with his soulful voice, invites everyone to embrace the land, and to reflect, love,and feel the environment and culture, so as to gain consolation, strength, and blessing.
演出曲目 Program● 看不清你的臉 ● 快長大的時候 ● 沒共樣的人（黃連煜）● 狩牛調（恆春民謠）● 擁抱｜ ● Barely See Your Face ● Sweet Sixteen ● Different People (Ayugo
HUANG) ● Manzhou Ballad (Folk Songs from Hengchun) ● Maava / Embrace* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：衛武營國家藝術文化中心｜製作人：桑布伊｜音樂總監：曾仁義、洪子龍｜演唱、族語歌創作：桑布伊｜樂團領隊：曾仁義
Presenter: National Kaohsiung Center for the Arts (Weiwuying) ｜ Producer: SANGPUY ｜ Music Director: Nine G, HUNG Tzu-lung ｜ Singer & Songwriter: SANGPUY ｜Bandleader: Nine G

1.3 Wed. 20:00

Crispy 脆樂團《愛是我們必經的辛苦》
特別場
Crispy We Will Be There Special Edition
ConcertWEIWUYING

1.1 Mon. 14:30● ��� Recital Hall● �價 Tickets NT$300/500/800

OPENTIX 兩廳院文化生活 OPENTIX Ticket
全長 60 分鐘，無中場休息。
Duration is 60 minutes without intermission.

「不管靈魂變成什麼形狀 , 你還是你啊。」
如果有一個夜晚，可以被這種快樂包圍，有一個地方，有著可以陪伴你的大家，有一些歌，可以一起大聲唱著，有一
瞬間，你可以是自己。一趟從自己出發的愛的旅程，感受最溫暖的力量「We Will Be There」。
"No matter what shape your soul becomes, you will always be you."
Imagine a night surrounded by loved ones, singing and laughing together; in that moment, you'd truly be yourself. We
will bring you on the journey that we call love, beginning with the self and through all of its ups and downs.
主辦：衛武營國家藝術文化中心｜演出者：Crispy 脆樂團
Presenter: National Kaohsiung Center for the Arts (Weiwuying) ｜ Performer(s): Crispy

JAN

JAN
WEIWUYING

1.1 Mon. 16:00 暖場音樂會 Warm-up Concert
1.1 Mon. 18:00 衛星直播 Live Broadcast

2024 維也納愛樂新年音樂會―
全球衛星直播Vienna Philharmonic New Year’s Concert Live Broadcast● ���場 Outdoor Theater● �價 Tickets 自由入場 Free Entry

全長 150 分鐘，含中場休息 20 分鐘。
Duration is 150 minutes with a 20-minute intermission.

新年第一天與衛武營一起觀賞「2024 維也納愛樂新年音樂會」的全球衛星直播！這場新年音樂會將由克里斯蒂安．提勒曼指揮，在維也納的金色大廳帶來具有悠久傳統的史特勞斯父子作品及其他精彩曲目。
On the first day of the new year, watch the global live broadcast of the 2024 Vienna Philharmonic New Year’s Concert
with Weiwuying! Picking up the long tradition of New Year's concerts featuring the vast repertoire of the family ofJohann STRAUSS, this year's program will be led by Christian THIELEMANN, performing at the Golden Hall in Vienna.
主辦：衛武營國家藝術文化中心｜全球衛星直播：指揮：克里斯蒂安．提勒曼／維也納愛樂樂團／主持人：張正傑、柯念萱｜暖場音樂會：隨心所欲樂
團｜ Presenter: National Kaohsiung Center for the Arts (Weiwuying) ｜ Live Broadcast Conductor: Christian THIELEMANN / Vienna Philharmonic Orchestra /Host: CHANG Chen-chieh, Karolyn KIEKE ｜ Warm-up Concert: Taiwan Adlib Band

1.5 Fri. 19:30【珍釀拉赫曼尼諾夫】音樂會Refined RACHMANINOFF● ��� Recital Hall● �價 Tickets NT$500/800/1000

年代售票 Era Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 100 分鐘，含中場休息 15 分鐘。
Duration is 100 minutes with a 15-minute intermission.

拉赫瑪尼諾夫的作品，總能喚醒那美麗哀愁的深刻共鳴。本場音樂會希望能藉由藝術歌曲及器樂作品，更全面的去認
識這位偉大音樂家。
Sergei RACHMANINOFF's works can always evoke the deep resonance of that beautiful sadness. This concert hopes to
get a more comprehensive understanding of this great musician through romances and instrumental works.
演出曲目 Program● 拉赫瑪尼諾夫：15 首藝術歌曲、g 小調大提琴與鋼琴奏鳴曲、2 首前奏曲、2 首音畫練習曲、阿列科詠嘆調〈人們都睡了…〉
選自歌劇
《阿列科》

● S. RACHMANINOFF: 15 Romances, Sonata for Cello and Piano in g minor, Op. 19, 2 Preludes, 2 Etudes-Tableaux, Aleko’s Cavatina “Весь табор спит...”from opera Aleko

主辦：南台灣室內樂協會團｜演出者：鋼琴：黃俊瑜／聲樂：林映旻、陳集安／大提琴：林恩俊｜ Presenter: Southern Taiwan Chamber Music Society ｜Performer(s): Piano: HUANG Chun-yu / Soprano: LIN Ying-ming / Baritone: CHEN Chi-an / Cello: Eugene LIN

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1.5 Fri. 19:30

舒曼魂－陳必先 2024 鋼琴獨奏會
Schumanniana - CHEN Pi-hsien 2024 Piano
Recital● �樂� Concert Hall● �價 Tickets NT$500/800/1200/1600/2000/2500

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 75 分鐘，含中場休息 20 分鐘。
Duration is 75 minutes with a 20-minute intermission.

陳必先 1972 年 6 月參加比利時布魯塞爾伊莉莎白大賽得獎，同年 9 月獲得 ARD 國際大賽首獎。2004 年起陳必先於弗萊堡音樂大學任教，並且定居德國。
At the age of 21, CHEN Pi-hsien won the first prize at the ARD-International-Piano-Competition in Munich, later on thefirst prizes at the A.Schönberg-Competition in Rotterdam and at the J.S.Bach-Competition in Washington D.C.
演出曲目 Program● 莫札特：以《女人至上》
為主題的八段變奏曲，K. 613 ● 舒曼：大衛同盟舞曲，作品 6 ● 荀白克：為鋼琴所寫的組曲，作品 25 ● 舒曼：克萊斯勒魂，作品 16● W. A. MOZART: 8 Variations on "Ein Weib ist das herrlichste Ding" in F Major, K. 613 ● R. SCHUMANN: Davidsbündlertänze, Op. 6 ● A. SCHOENBERG: Suite for
Piano, Op. 25 ● SCHUMANN: Kreisleriana, Op. 16

1.6 Sat. 19:30《世紀末法國女子圖鑑》黃子維大提琴獨奏會
Tzu-wei Jack HUANG Cello Recital: Un
manuel illustré des musiciennes françaises
à la fin du siècle● ��� Recital Hall● �價 Tickets NT$500/800

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 65 分鐘，含中場休息 15 分鐘。
Duration is 65 minutes with a 15-minute intermission.

本場突顯 19 世紀末法國女性作曲家的獨特視角。法國女性的音樂風格多樣，既有傳統浪漫主義的和聲，也呈現現代主
義、象徵主義、新古典主義和爵士樂的融合與創新。
The concert tonight is a celebration of the “hundred schools of thought” in musical arts in the fin de siècle era throughthe unconventional lenses of French female composers.
演出曲目 Program● 莉莉•布朗熱：春天早晨 ● 莉莉•布朗熱：兩首小提琴與鋼琴小品 ● 娜迪亞•布朗熱：三首大提琴與鋼琴小品 ● 梅爾•波尼斯：搖籃曲，作品 46 之一● 熱爾梅娜 • 塔耶芙爾：搖籃曲 ● 瑞塔 • 斯特羅爾：偉大戲劇奏鳴曲《提圖斯與貝蓮尼絲》｜ ● Lili BOULANGER: Deux Morceaux pour violin et piano ● Lili
BOULANGER: D'un matin de printemps ● Nadia BOULANGER: Trois Pièces pour violoncelle et piano ● Germaine TAILLEFERRE: Berceuse ● Mel BONIS:
Sérénade, Op. 46, No. 1 ● Rita STROHL: Grande Sonate Dramatique “Titus et Bérénice”

1.6 Sat. 14:30ﾠ1.7 Sun. 14:30

1.6 Sat. 19:30

JAN

主辦：晨邊高地室內樂集｜演出者：大提琴：黃子維／鋼琴：葛柏緯｜ Presenter: Morningside Heights Ensemble ｜ Performer(s): Cello: Tzu-wei JackHUANG / Piano: GER Po-wei

JAN主辦：鵬博藝術｜演出者：鋼琴：陳必先
Presenter: Blooming Arts ｜ Performer(s): Piano: CHEN Pi-hsien哈利波特：死神的聖物 I & II™
電影交響音樂會
Harry Potter and the Deathly Hallows™Part 1 & Part 2 in Concert● ��� Opera House● �價 Tickets ��� MNA 牛��� (02)2703-8868

MNA 售票網
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 170 分鐘（1.6 場次）／155 分鐘（1.7 場次），含中場休息 20 分鐘。
Duration is 170 minutes (1.6 Sat.) / 155 minutes (1.7 Sun.) with a 20-minute intermission.

哈利波特：死神的聖物 ™ 電影交響音樂會即將在衛武營隆重登場！哈利波特電影交響音樂會將由長榮交響樂團獻奏震
撼人心的配樂，高畫質全片播放，帶領觀眾聆賞片中每一個音符創造出的魔法！
Harry Potter and the Deathly Hallows™ in Concert is coming to National Kaohsiung Center for the Arts (Weiwuying)!
The original movie presented live music by Evergreen Symphony Orchestra on a big screen. Bringing you to rediscover
the magical notes from the music of Harry Potter™ in Concert.
主辦：MNA 牛耳藝術｜演出者：指揮：楊士弘／長榮交響樂團
Presenter: MNA ｜ Performer(s): Conductor: YOUNG Shih-hung / Evergreen Symphony Orchestra

2024 新年音樂會
TSSO New Year’s Concert 2024
● �樂� Concert Hall● �價 Tickets NT$500/800/1600/2400/3600

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 100 分鐘，含中場休息 20 分鐘。
Duration is 100 minutes with a 20-minute intermission.

2024 新年音樂會，台灣獨奏家交響樂團與協奏曲女王陳毓襄再次攜手合作，演出拉赫瑪尼諾夫《第二號鋼琴協奏曲》，
以歷久彌新之經典曲目，與大家一同邁向新的一年。
Celebrate the New Year with Taiwan Soloists Symphony Orchestra and pianist Gwhyneth CHEN. This spectacular
program will be performed under the baton of Maestro HSIAO Pang-hsing, and showcase the timeless masterpiecesof the late Romantic Era. Join us on this musical journey and embrace the New Year with a breathtaking performancethat will leave you inspired and uplifted.
演出曲目 Program● 拉赫瑪尼諾夫：《第二號鋼琴協奏曲》，作品 18 ● 布拉姆斯：《大學慶典序曲》，作品 80 ● 斯梅塔納：《我的祖國》
選曲● S. RACHMANINOFF: Piano Concerto No. 2 in c minor, Op. 18 ● J. BRAHMS: Akademische Festouvertüre, Op. 80 ● B. SMETANA: Má vlast Selections

主辦：台灣獨奏家交響樂團｜演出者：指揮：蕭邦享／鋼琴：陳毓襄／台灣獨奏家交響樂團｜ Presenter: Taiwan Soloists Symphony Orchestra ｜Performer(s): Conductor: HSIAO Pang-hsing / Piano: Gwhyneth CHEN / Taiwan Soloists Symphony Orchestra

36

37

1.7 Sun. 14:30

1.12 Fri. 19:30● �樂� Concert Hall● �價 Tickets NT$400/600/800/1000/1200● ��� Recital Hall● �價 Tickets NT$300/600/900/1200

音樂時光機
Taipei Philharmonic Youth Ensemble

萬兆九與好朋友們
Joe Wan & Friends

TIXFUN相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 100 分鐘，含中場休息 20 分鐘。
Duration is 100 minutes with a 20-minute intermission.

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 80 分鐘，含中場休息 20 分鐘。
Duration is 80 minutes with a 20-minute intermission.

台北愛樂少年樂團邀請梁坤豪（小毛叔叔）及男高音張殷齊，以「寓教於樂」的音樂會體驗由大手攜小手進入音樂劇場一起感受表演藝術的美好。讓古典音樂，容易懂！
The Taipei Philharmonic Youth Ensemble invites LIANG Kun-hao and Tenor CHANG Yin-chi for a "Music for Education"
concert. The concert aims to provide an experience of entering the world of musical theater hand in hand, allowing
everyone to appreciate the beauty of performing arts together. Let classical music be easy to understand!

萬兆九在國內樂壇有著上帝大提琴手之盛讚，即將在台北、高雄與好朋友們舉辦音樂會，曲目安排將以大提琴美妙的音色為主，著重在大提琴獨奏以及重奏上。
Joe WAN is a well-known cellist in Taiwan. He will soon hold concerts with friends in Taipei and Kaohsiung. The
repertoire will be based on the beautiful sound of the cello, focusing on cello solos and ensembles.

演出曲目 Program●《唐 • 喬凡尼》
序曲 ●《玩具交響曲》●《卡門》
序曲 ● 鬥牛士之歌 ● 善變的女人 ●《火鳥》
選段 ●《4 分 33 秒》●《星際大戰》
主題曲● Overture from Opera Don Giovanni ● Toy Symphony ● Overture from opera Carmen ● Les Toréadors from Opera Carmen ● La donna è mobile from33”● Main Theme from Star Wars
Opera Rigoletto ● Excerpt from The Firebird ● 4’

指導單位：文化部｜主辦單位：財團法人台北愛樂文教基金會、台北愛樂少年樂團｜協辦單位：社團法人台灣兒童管風琴教育推廣協會｜演出者：指揮：劉柏宏、
游家輔／說書人：梁坤豪（小毛叔叔）／男高音：張殷齊／台北愛樂少年樂團｜ Patron: Ministry of Culture ｜ Organizer: Taipei Phjilharmonic Foundation for
Culture and Education, Taipei Philharmonic Youth Ensemble ｜ Co-organizer: OrgelkidsTaiwan ｜ Performer(s): Conductor: Paul Bo-hung LIU, Ben Chia-fu YU/ Storyteller: LIANG Kun-hao / Tenor: CHANG Yin-chi / Taipei Philharmonic Youth Ensemble

演出曲目 Program● 安東尼奧 •韋瓦第：g 小調雙大提琴協奏曲 ● 卡洛斯 • 葛戴爾：女人香 ● 阿斯托爾 • 皮亞佐拉：天使之殞 ● 弗里德里希 • 杜超威：給三個大提琴的六首作品，Op. 104 ● 尼古洛 •帕格尼尼：摩西主題變奏曲 ● 喬瑟 • 埃利松多：布宜諾斯艾利斯的秋天、麵包糖｜ ● Antonio VIVALDI: Double Cello Concerto for
5 cellos ● Carlos GARDEL: Por Una Cabeza for 4 cellos ● Astor PIAZZOLLA: La Muerte del Angel for 4 cellos ● Friedrich DOTZAUER: 6 pieces for 3 cellos, Op.
104 ● Niccolo PAGANINI: Moses Fantasie for 2 cellos ● Jose ELIZONDO: Otoño en Buenos Aires & Pan de Azucar for 2 cellos* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：萬兆九｜演出者：萬兆九、劉宥辰、張心維、簡彤恩、魏子恆｜ Presenter: Joe WAN ｜ Performer(s): Joe WAN, George LIU, CHANG Hsin-wei, CHIEN
Tung-en, Johann GUI

JAN

JAN

1.7 Sun. 15:00

聽聽 彈談 XIV ～絕美莫札特「沁香」
Amazing Mozart ~ Fragrancy● ��� Recital Hall● �價 Tickets NT$300/500

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 110 分鐘，含中場休息 15 分鐘。
Duration is 110 minutes with a 15-minute intermission.

「音樂神童」莫札特天真細緻的音樂是所有人生命中不可或缺的精神能量。鋼琴家廖皎含 2024 嶄新製作「絕美莫札特」
系列首場「沁香」期待與大家一起品味莫札特！
The first concert of Amazing Mozart Series is “Fragrancy”. All the most popular MOZART piano music will be presented
by LIAO Chiao-han’s wonderful live performance with humor commentary.
演出曲目 Program● 小星星變奏曲 ● 土耳其進行曲 ● D 大調輪旋曲，作品 485 ● C 大調鋼琴奏鳴曲，作品 545 ● C 大調鋼琴奏鳴曲，作品 330 ● 第二十一號 C 大調鋼琴
協奏曲，第二樂章 ● 第二十三號 A 大調鋼琴協奏曲，第一樂章 ● a 小調鋼琴奏鳴曲，作品 310，第一樂章｜ ● 12 variations on Ah vous dirai-je, Maman, K.
265 ● Turkish March ● Rondo in D Major, K. 485 ● Piano Sonata in C Major, K. 545 ● Piano Sonata in C Major, K. 330 ● Piano Concerto No. 21 in C Major, K.
467 Mov. II ● Piano Concerto No. 23 in A Major, K. 488 Mov. I ● Piano Sonata in a minor, K. 310 Mov. I

主辦：含光藝術工作室｜製作人：廖皎含｜演出者：鋼琴：廖皎含｜ Presenter: Hanart ｜ Producer: LIAO Chaio-han ｜ Performer(s): Piano: LIAO Chaio-han

1.13 Sat. 14:30ﾠ1.14 Sun. 14:30

狂美《宮崎駿動畫配樂》交響音樂會－
2023 四度巡迴
Symphonic Concert: Music from the Filmsof Hayao MIYAZAKI● �樂� Concert Hall● �價 Tickets NT$400/600/800/1000/1200/1400/1600/1800
OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 140 分鐘，含中場休息 20 分鐘。
Duration is 140 minutes with a 20-minute intermission.

本場演出，狂美將一次呈現宮崎駿與久石讓歷年所合作的九部經典動畫配樂，並由電影明星 - 楊小黎擔任音樂導聆，伴隨樂音，期待與您重溫初次接觸宮崎駿動畫時的興奮與感動。
We will present nine classic animation soundtracks that Hayao MIYAZAKI and Joe Hisaishi have collaborated over theyears. We also invited the movie star- YANG Shiau-li to act as the music host. I look forward to relived with you theexcitement and touch of the first contact with Hayao MIYAZAKI animation.
演出曲目 Program● 久石讓：交響組曲《風之谷》（森田一浩編曲）● 久石讓：
《天空之城》集錦（真島俊夫編曲）● 久石讓：
《紅豬》
（森田一浩編曲）● 久石讓：
《魔法公主》精選《霍爾的移動城堡》
交響幻想曲（後藤洋編曲）｜ ● Joe Hisaishi: Symphonic Suite Nausicaä of the Valley of the Wind (Arr. by Kazuhiro（森田一浩編曲）● 久石讓：
MORITA) ● Joe Hisaishi: Highlights from Castle in the Sky (Arr. by Toshio MASHIMA) ● Joe Hisaishi: Porco Rosso (Arr. by Kazuhiro MORITA) ● Joe Hisaishi:
Selections from Princess Mononoke (Arr. by Kazuhiro MORITA) ● Joe Hisaishi: Howl's Moving Castle : Symphonic Fantasy for Band (Arr. by Yo GOTO)* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：狂美交響管樂團｜製作人：劉可婕｜監製：謝韋民｜演出者：指揮：巫竑毅（1/13 場次）、謝韋民（1/14 場次）／導聆：楊小黎／狂美交響管樂團
Presenter: Con Bello Symphonic Band ｜Producer: LIU Ke-chieh｜Director: HSIEH Wei-min ｜Performer(s): Conductor: WU Hung-i (1/13), HSIEH Wei-min (1/14)/ Host: YANG Shiau-li / Con Bello Symphonic Band

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1.14 Sun. 13:00、18:00

2.4 Sun. 14:30● ��� Opera House● �價 Tickets NT$1200/1650/1800/2300/2800/3300/3800● �樂� Concert Hall● �價 Tickets NT$400/600/900/1200/1600/2000

烏克蘭聯合芭蕾舞團《吉賽兒》
United Ballet of Ukraine Giselleudn 售票網
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 135 分鐘，含中場休息 25 分鐘。
Duration is 135 minutes with a 25-minute intermission.

聯合數位文創很榮幸能夠再次呈現來自這個飽受戰爭影響的國家的演出，帶來這部集最高水準舞蹈家們的作品《吉賽兒》。烏克蘭聯合芭蕾舞團（United Ballet of Ukraine）聚集了頂尖烏克蘭芭蕾舞者，其強而有力、堅持不懈的舞姿感動
無數人。
The United Ballet of Ukraine comes to Taiwan with Giselle, one of the most famous ballets of the classical repertoire. This
tale of love, madness, death, betrayal and redemption echoes deeply in the current tragedy that has befallen Ukraine.
主辦：聯合數位文創股份有限公司｜製作人：Paul GODFREY ｜演出者：烏克蘭聯合芭蕾舞團｜ Presenter: udnFunLife Co., LTD ｜ Producer: Paul GODFREY ｜Performer(s): United Ballet of Ukraine

2024 IMPF 大師雲集音樂會
All-Star Faculty Concert of 2024 IMPF
OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 110 分鐘，含中場休息 20 分鐘。
Duration is 110 minutes with a 20-minute intermission.

「2024 IMPF 大師雲集音樂會」將邀請八位鋼琴大師輪番帶來一系列經典佳作，以深厚音樂底蘊精湛演繹，恰如主題「大師雲集」名家薈萃，讓觀者目不暇給。
The "All-Star Faculty Concert of 2024 IMPF" will feature performances by 8 master pianists, taking turns to present a
series of classic masterpieces with exquisite interpretations and musical expertise.
演出曲目 Program● 拉赫瑪尼諾夫：第二號雙鋼琴組曲（選曲）● 拉威爾：圓舞曲 ● 戈多夫斯基：維也納氣息 ● 聖桑：天鵝 ● 克萊斯勒：愛之悲 ● 史特拉汶斯基：火鳥之舞、地獄之舞 ● 蕭邦：第二號降 b 小調詼諧曲、第一號 g 小調敘事曲 ● 拉威爾：水之嬉戲、水妖｜ ● S. RACHMANINOFF: Suite No.2 Op. 17 for Two Pianos ● M.
RAVEL: La Valse ● L. GODOWSKY: Alt Wien ● C. SAINT-SAEN / L. GODOWSKY: The Swan ● F. KREISLER / S. RACHMANINOFF: Liebesleid ● I. STRAVINSKY / A.
MOUTOUZKINE: Dance of Firebird & Infernal Dance ● F. CHOPIN: Scherzo No.2 in b-flat minor & Ballade No. 1 in g minor ● M. RAVEL: Jeux d’eau & Ondine

主辦：大師藝術｜藝術總監：嚴俊傑｜演出者：鋼琴：伯里斯 • 史陸斯基、亞歷山大 • 莫圖茲金、朱喜晟、王聰瑀、柳雪莉、法比歐 • 比迪尼、胡安 • 拉戈、嚴俊傑 ｜ Presenter: Maestro Art ｜ Artistic Director: YEN Chun-chieh ｜ Performer(s): Piano: Boris SLUTSKY, Alexandre MOUTOUZKINE, JOO Hee-sung,
WANG Cong-yu, Shirley YOO, Fabio BIDINI, Juan LAGO, YEN Chun-chieh

FEB

JAN

1.14 Sun. 15:00

琴鍵上的狂歡節
Carina HUI Piano Recital● ��� Recital Hall● �價 Tickets NT$300

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 90 分鐘，含中場休息 20 分鐘。
Duration is 90 minutes with a 20-minute intermission.

你有聽過以全大提琴樂團協奏的巴赫鍵盤協奏曲嗎？鋼琴家惠熙雯攜手高雄在地大提琴樂團「Hi Cello 大提琴 X 重奏團」、「VC 大提琴室內樂」帶給你耳目一新的午間時光。
Have you ever listened to J.S. BACH Keyboard concerto accompanied by eight cellos? The pianist Carina is presenting
you a unique performance by collaborating with two cello ensembles from Kaohsiung: Hi Cello Ensemble andVioloncello Ensemble.
演出曲目 Program● 約翰 • 塞巴斯蒂安•巴赫：第三號 D 大調鍵盤協奏曲，作品 1054 ● 巴赫 - 布梭尼：d 小調夏康舞曲，作品 1004 ● 法蘭茲 • 舒伯特：降 B 大調即興曲，作品 142 之 3 ● 羅伯特 • 舒曼：維也納狂想曲，作品 26 ｜ ● J. S. BACH: Keyboard Concerto in D Major No.3, BWV 1054 ● BACH- BUSONI: Chaconne in d minor,
BWV 1004 ● Franz SCHUBERT: Impromptu in B flat Major, Op.142 No. 3 ● Robert SCHUMANN: Faschingsschwank aus Wien, Op. 26

主辦：惠熙雯｜演出者：鋼琴：惠熙雯／大提琴：Hi Cello 大提琴 X 重奏團、VC 大提琴室內樂｜ Presenter: Carina HUI ｜ Performer(s): Piano: Carina HUI /Cello: Hi Cello Ensemble, Violoncello Ensemble

2.16 Fri. 19:30ﾠ
2.17 Sat. 15:30、19:30
2.18 Sun. 15:30、19:30

職男人生 2- 搞笑重啟Life of Employees 2● ��� Playhouse● �價 Tickets NT$450/600/800/1000

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 100 分鐘，無中場休息。
Duration is 100 minutes without intermission.

表演為現場喜劇演出，類似傳統相聲，以更加輕快的節奏及平易近人的生活題材，更能讓觀眾產生共鳴及歡笑。除了經典的日式漫才以外，短劇更是面白大丈夫的招牌，以幽默有趣的對白以及劇情為主。
Japanese manzai and interesting drama are widely known.
主辦：面白大丈夫劇團｜劇本統籌：耿賢｜編劇：面白大丈夫｜演員：董軒、耿賢、阿量、木森｜行政經理：陳婉芸｜視覺設計：羿辰｜燈光音響統籌：藍圖整合行銷 廖俊榮｜燈光設計：張善婷｜音樂、音效設計：阿量｜影像、廣告設計：阿量｜行銷宣傳：面白大丈夫 ｜ Presenter: Funny No Problem
theatrical company ｜ Producer: Kent LIN ｜ Screenplay: Funny No Problem ｜ Actor: Paul TUNG, Kent LIN, William TSAI, Josh LIN ｜ Production Supervisor:
Sandy CHEN ｜ Visual design: YI-CHEN ｜ Music Supervisor:DreamLandCampaign ｜ Planning Gaffer: Sandy CHANG ｜ Sound Designer: William TSAI ｜Advertising Designer: William TSAI ｜ Marketing: Funny No Problem

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2.17 Sat. 19:30

絢麗系列－李映衡小提琴獨奏會
The Magnificent Series - Christian LI Violin
Recital● ��� Recital Hall● �價 Tickets NT$800/1200/1600/2000/2400/3000

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 100 分鐘，含中場休息 20 分鐘。
Duration is 100 minutes with a 20-minute intermission.

2024 年巴哈靈感推出「絢麗系列」，匯集當代最具影響力的新生代獨奏家。本次邀請榮獲梅紐因國際青少年小提琴大賽冠軍──李映衡，與臺灣觀眾分享他獨具特色的小提琴演出。
In 2024, the Bach Inspiration "Magnificent Series" concerts will be launched again, bringing the most influential young
soloists of our time together. This recital will be performed by Christian LI, the winner of the Menuhin Competition. LI
will share his distinctive violin performance with the audience.
演出曲目 Program● 莫札特：A 大調第 22 號小提琴奏鳴曲 ● 法雅：西班牙民歌組曲 ● 塔替尼：g 小調小提琴奏鳴曲「魔鬼的顫音」● 葛利格：c 小調第 3 號小提琴奏鳴曲● 柴 可 夫 斯 基：感 傷 圓 舞 曲、詼 諧 圓 舞 曲｜ ● Wolfgang Amadeus MOZART: Violin Sonata No. 22 in A Major, K. 305 ● Manuel de FALLA: Suite Populaires Trill’● Edvard GRIEG: Violin Sonata No. 3 in c minor, Op. 45 ● Pyotr Ilyich TCHAIKOVSKY: Valse
Espagnole ● Giuseppe TARTINI: Violin Sonata in g minor‘Devil’Sentimentale Op. 51, No. 6, Valse Scherzo, Op. 34

2.18 Sun. 14:30

海韻的迴響 Part III
The Echo of Navy Band Part III● �樂� Concert Hall● �價 Tickets NT$200/300/500

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 110 分鐘，含中場休息 20 分鐘。
Duration is 110 minutes with a 20-minute intermission.

海軍樂隊隊友管樂團成立於 2020 年，團員集結曾在海軍樂隊服役過之隊員。今年將與現任國家交響樂團長號首席，帶給愛樂朋友們國家級的音樂饗宴。
Navy Band Alumni Wind Band was founded in 2020, bringing together members who had served in the Navy Band. This
year, they have invited the current principal trombonist of the National Symphony Orchestra. Together, they will bringa fantastic musical feast to the audiences who love wind ensembles.
演出曲目 Program● 黃帛彥：乘風破浪 ● 貝爾特•阿波蒙特：Colors 長號協奏曲 ● 顏尼歐•莫利克奈：海上鋼琴師 ● 星出尚志：日本風情畫 18 ● 和田直也：丘上之風 ● 約翰•
藍儂 & 保囉•麥卡尼：披頭四集錦 ● 久石讓：久石讓動畫曲集 1 ● 和泉宏隆：寶島 ● HUANG Po-yen: Brave the wind and wave ● Bert APPERMONT:“Colors”
for Trombone ● Ennio MORRICONE: The Legend of 1900 ● Takashi HOSHIDE: Japanes Graffiti XVIII ● Naoya WADA: Wind on the hill ● John LENNON & PaulMCCARTNEY: Beatles Collection ● Jo Hisaishi: Animation Songs Medley, Jo Hisaishi Works ● Hirotaka IZUMI: Takarajima

2.18 Sun. 14:30

2.21 Wed. 20:00

FEB

主辦：高雄市民管樂團｜藝術總監：黃鈺程｜演出者：客席指揮：郭聯昌／指揮：莊峰武、唐宥恩／長號：李昆穎／海軍樂隊隊友管樂團、高雄市民管樂團｜Presenter: Kaohsiung Citizens Wind Band ｜ Artistic Director: HUANG Yu-cheng ｜ Performer(s): Guest Conductor: KUO Lian-chang / Conductor: CHUANG
Feng-wuu, TANG Yu-en / Trombone: LI Kun-ying / Navy Band Alumni Wind Band, Kaohsiung Citizens Wind BandFEB

主辦：社團法人臺北市巴哈靈感音樂文化協會｜演出者：小提琴：李映衡／鋼琴：妮可拉 • 艾默兒｜ Presenter: Bach Inspiration ｜ Performer(s): Violin:
Christian LI / Piano: Nicola EIMER● ��� Recital Hall● �價 Tickets NT$600/800/1000

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 110 分鐘，含中場休息 15 分鐘。
Duration is 110 minutes with a 15-minute intermission.

藝星 Artist Star 繼 2019 年 1 月，在兩廳院國家演奏廳舉行的「歐洲古樂大師風華 - 木笛與大鍵琴」音樂會後，再次邀請
到木笛大師暨指揮 Michael FORM 來臺演出，為臺灣的觀眾帶來更多精彩的木笛與歐洲古樂。
Recorder virtuoso Michael FORM will collaborate with Artist Star on a program that showcases the diversity of styles
in the Baroque era recorder repertoire.
演出曲目 Program● 史卡拉第：F 大調三重奏鳴曲（給三把木笛與數字低音）● 泰勒曼：第三號 A 大調協奏曲 ● 謝倫：D 大調三重奏鳴曲（給兩把木笛與數字低音）● 維拉西
尼：第六號 a 小調奏鳴曲｜ ● A. SCARLATTI: Trio Sonata in F Major, for three recorders and basso continuo ● G. PH. TELEMANN: Concerto III in A Major TWV
34, from “Six Concerts et Six Suites” for recorder and cembalo obligato ● J. A. CHÉRON: Sonate en trio in D Major op. 2 no. 7, for two recorders and bassocontinuo ● F. M. VERACINI: Sonata Sesta a Violino, o flauto solo, e basso in a minor* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：藝星｜演出者：木笛：Michael FORM、梁益彰、曾逸星／巴洛克低音管：蔣皓任／大鍵琴：胡東瀚｜ Presenter: Artist Star ｜ Performer(s): Recorder:
Michael FORM, LIANG Yi-chang, TSENG Yi-hsin / Baroque bassoon: Martin CHIANG / Harpsichord: HU Tung-han

歐耶老師《老師雞開啥玩笑》
單口站立喜劇OYA Stand-up Comedy Teacher Rooster's
Jokes● ��� Recital Hall● �價 Tickets NT$300/600

OPENTIX 兩廳院文化生活 OPENTIX Ticket
全長 60 分鐘，無中場休息。
Duration is 60 minutes without intermission.

喜劇界斜槓大師歐耶老師初登衛武營小時光，那些你曾錯過的段子、網路曾看過的段子、好想到現場聽的段子，一場充滿歡笑、感動和啟發的單口喜劇，即將爆笑登場！
OYA, the comedy slashie, will have his first stage at Weiwuying Showtime. Join us for an evening of laughter, inspiration,and heartwarming moments. Get ready to relish the jokes you’ve missed, those viral internet gags you’ve seen, and thepunchlines you’ve longed to hear live in a hilarious stand-up comedy show!
主辦：衛武營國家藝術文化中心｜製作單位：笑幾咧文化工作室｜編劇、導演、脫口秀演員：歐耶｜ Presenter: National Kaohsiung Center for the Arts
(Weiwuying) ｜ Production Team: Smile Culture Studio ｜ Playwright & Stage Director & Stand-up Comedian: OYAWEIWUYING歐洲古樂大師風華 II：Michael FORM 與他
的木笛異世界European Master Series II: Michael FORM
and his recorder fantasy

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2.22 Thu. 19:30

永恆的摯愛 舒曼與布拉姆斯－吳易穎鋼琴
獨奏會
WU Yi-ying 2024 Piano Recital● ��� Recital Hall● �價 Tickets NT$400/600/800

OPENTIX 兩廳院文化生活 OPENTIX Ticket
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全長 115 分鐘，含中場休息 15 分鐘。
Duration is 115 minutes with a 15-minute intermission.

在本場「永恆的摯愛－舒曼與布拉姆斯」音樂會中，鋼琴家吳易穎博士分別以愛的獻禮、愛的執著、愛的崇高、愛的枷
鎖四個子題，來展現舒曼與布拉姆斯的音樂中，所隱含的那份對於克拉拉纏綿不絕的愛。
In the concert, the pianist WU Yi-ying will use four sub-themes about “Love” to reveal the enduring and intertwined
love that SCHUMANN and BRAHMS held for Clara within their music.
演出曲目 Program● 舒曼：《大衛同盟舞曲》，作品 6 ● 舒曼：《克萊斯勒魂》，作品 16 ● 布拉姆斯：《舒曼主題變奏曲》，作品 9 ● 布拉姆斯：《鋼琴小品》，作品 76 ● Robert
SCHUMANN: Davidsbündlertänze, Op. 6 ● Robert SCHUMANN: Kreisleriana, Op. 16 ● Johannes BRAHMS: Variationen über ein Thema von Robert Schumann,
Op. 9 ● Johannes BRAHMS: Klavierstücke, Op. 76

主辦：歐普思音樂藝術｜演出者：鋼琴：吳易穎｜ Presenter: OPUS MUSIC ARTS ｜ Performer(s): Piano: WU Yi-ying

2.23 Fri. 19:30

2024 年夢迴聖堡許恕藍小提琴獨奏會
2024 HSU Su-lan Violin &Piano Concert● ��� Recital Hall● �價 Tickets NT$500/800

OPENTIX 兩廳院文化生活 OPENTIX Ticket
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全長 103 分鐘，含中場休息 15 分鐘。
Duration is 103 minutes with a 15-minute intermission.

小提琴許恕藍這次邀請出生於屏東的鋼琴家來一同演出柴可夫斯基、佐里拉 • 肖斯塔科維奇、列昂尼德 • 科根、拉赫瑪尼諾夫、普羅科菲、柴可夫斯基等的作品，讓高雄的愛樂者一起聆賞這場音樂會。
In this recital, Violinist HSU Su-lan and Pianist HUANG Jun-yu will perform the works of TCHAIKOVSKY, Zoria
SHIKHMURZAEVA, Leonid KOGAN, RACHMANINOFF, PROKOFIEV, and TCHAIKOVSKY.
演出曲目 Program● 柴可夫斯基：〈冥想曲〉，選自《回憶留戀的地方》，作品編號 42 ● 柴可夫斯基：三首芭蕾舞劇《天鵝湖》
選粹，作品編號 20 ● 葛拉祖諾夫：選自芭蕾舞劇《萊蒙達》
的三首小品，作品編號 57 ● 拉赫瑪尼諾夫：為小提琴與鋼琴所寫的沙龍音樂會小品集，作品編號 6｜ ● Piotr Ilyich TCHAIKOVSKY: "Meditation" from Souvenir
d'un lieu cher, Op.42 ● Piotr Ilyich TCHAIKOVSKY: Three selected excerpts from the ballet Swan Lake Op.20,arranged for violin and piano ● Alexander
Konstantinovich GLAZUNOV: Three pieces from the ballet Raymonda ,Op.57 ● Sergey Vasilyevich RACHMANINOFF: Morceax de salon, Op.6
＊完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：臺灣玉山交響樂團｜演出者：小提琴：許恕藍／鋼琴：黃俊瑜｜ Presenter: Taiwan Yushan Symphony Orchestra ｜ Performer(s): Violin: HSU Su-lan /Piano: HUANG Jun-yu

FEB

FEB

2.23 Fri. 19:00ﾠ2.24 Sat. 14:30

狂美《璀璨經典百老匯》交響音樂會Symphonic Concert: Brilliant Broadway● �樂� Concert Hall● �價 Tickets NT$400/600/800/1000/1200/1500/1800/2200
OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 140 分鐘，含中場休息 20 分鐘。
Duration is 140 minutes with a 20-minute intermission.

嚴選九部百老匯經典音樂劇配樂，網羅《歌劇魅影》、《悲慘世界》、《媽媽咪呀》、《貓》、《美女與野獸》、《獅子王》、《綠野仙蹤》、《西城故事》等知名劇碼，經典薈萃一次呈現！
Conbello Symphonic Band selected nine classic Broadway musical soundtracks. Included The Phantom of the Opera,
Les Misérables, Mamma Mia and other well-known dramas. All collections will be presented at one time.
演出曲目 Program●《綠野仙蹤》（詹姆士•巴恩斯編曲）●《貓》（森田一浩編曲）●《歌劇魅影》（約翰•德•梅傑編曲）●《悲慘世界》（馬塞爾•皮特斯編曲）●《西城故事》
精選（斯（邁克爾•布朗編曲）●《美女與野獸》組曲（真島俊夫編曲）●《獅子王》（約翰•希金斯編曲）｜ ● The Wizard蒂芬•桑德海姆編曲）●《媽媽咪呀！》阿巴金曲of Oz (Arr. James BARNES) ● Cat (Arr. Kazuhiro MORITA) ● The Phantom of the Opera (Arr. Johan de MEIJ) ● Les Misérables (Arr. Marcel PEETERS) ● West Side
Story selection (Arr. Stephen SONDHEIM) ● ABBA on Broadway (Arr. Michael BROWN) ● Beauty And The Beast Medley (Arr. Toshio MASHIMA) ● The Lion King
(Arr. John HIGGINS)
主辦：狂美交響管樂團｜製作人：劉可婕｜監製／指揮：謝韋民｜金鐘導聆：蔡尚樺｜演出者：管風琴：劉信宏／狂美交響管樂團｜ Presenter: Con Bello
Symphonic Band ｜ Producer: LIU Ke-chieh ｜ Director & Conductor: HSIEH Wei-min ｜ Host: TSAI Shang-hua ｜ Performer(s):Organ: LIU Hsin-hung / Con
Bello Symphonic Band

2.24 Sat. 19:30《EXPLORE》：CUBE BAND 當代作曲家專場
EXPLORE● ��� Recital Hall● �價 Tickets NT$600/800/1000/2000

OPENTIX 兩廳院文化生活 OPENTIX Ticket
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全長 110 分鐘，含中場休息 20 分鐘。
Duration is 110 minutes with a 20-minute intermission.

CUBE BAND X 五位臺灣當代作曲家，透過各自獨特創作語彙，為樂團注入新養分，展現別緻的音樂風格，引領觀眾進入當代音樂次元，探索未知的新旅程。
CUBE BAND collaborates with five Taiwanese composers, infusing the ensemble with unique creativity. This concert
presents distinct musical styles and guiding the audience to explore the realm of contemporary music.
演出曲目 Program● 高愷怡：《探索》
琵琶、古箏、打擊三重奏 ● 廖琳妮：《A great Hope built You heard no noise》
琵琶、古箏、打擊三重奏 ● 陸橒：《墨•跡》
之二 ● 林煒傑：《鉦錚》
給預置 21 絃鋼絃箏與打擊 ● 任真慧：
《歸山》
｜ ● Explore for Pipa, Guzheng and percussion ● A great Hope built You heard no noise for Guzheng, Pipa andPercussion ● Zheng Zheng for prepared 21-steel string Zheng and Percussion ● Ink Trace II ● Drifting Mountainwards for Pipa and Live Electronics

主辦：捌號會所｜合辦：大聲藝術有限公司｜贊助：國藝會｜作曲：任真慧、林煒傑、高愷怡、陸橒、廖琳妮｜演出者：CUBE BAND（古箏：吳妍萱／琵琶：
蘇筠涵／擊樂：方馨）｜ Presenter: Studio Acht ｜ Co-Organizer: Taiwan Musicians & Artists Promotion ｜ Sponsor: National Culture and Arts Foundation ｜Composer: JEN Chen-hui, LIN Weu-chieh, KAO Kai-yi, LU Yun, LIAO Lin-ni ｜ Performer(s): CUBE BAND

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2.24 Sat. 19:30ﾠ2.25 Sun. 14:30

2.25 Sun. 15:00● ��� Opera House● �價 Tickets NT$300/600/900/1200/1600/2200/2800/3600/4200● �樂� Concert Hall● �價 Tickets NT$100/200

WEIWUYING

大玩樂家 3―《小蟲 & 簡文彬 & 周蕙 跨樂衛武營音樂會》
Masters Play III - Beyond the Music
Boundary @WEIWUYINGOPENTIX 兩廳院文化生活 OPENTIX Ticket
衛武營會員購票優惠 Weiwuying Membership Discount Applied.
全長 90 分鐘，無中場休息。
Duration is 90 minutes without intermission.

攬一抹月光，或一襲晚霞；聽黎明的鶯囀與花開的聲音。聆賞周蕙細密綿長的歌聲詮釋最懂女人心的創作人大師小蟲之作品。指揮家簡文彬領軍大玩樂家，三度燦爛衛武營歌劇院。
Moonlight's gentle kiss, adorned in sunset, Dawn songbirds whisper, the hymn of blossoms.CHOU's enchanting voice,
CHEN's artful prose, CHIEN's baton, thrice in Weiwuying Opera House.

演出曲目 Program● 小蟲／姚若龍：〈葬心〉● 小蟲：
〈我可以抱你嗎〉● 小蟲：〈小雨來的正是時候〉● 小蟲：〈我是不是你最疼愛的人〉● 小蟲：〈情關〉● 小蟲：〈玫瑰香〉
● 小蟲／姚謙：〈不想你也難〉● 小蟲：〈愛江山更愛美人〉｜ ● Johnnybug CHEN, Daryl YAO: Bury Heart ● Johnnybug CHEN: Can I Hug You ● Johnnybug
CHEN: Light Rain Just Comes in Time ● Johnnybug CHEN: You Love Me Most of All ● Johnnybug CHEN: Borderline of Love ● Johnnybug CHEN: Fragrance ofRoses ● Johnnybug CHEN, Chien YAO: It's Hard Not to Miss You ● Johnnybug CHEN: The Bold and The Beautiful* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：衛武營國家藝術文化中心｜製作人：劉慕堯｜歌曲原創作者：小蟲｜演出者：指揮：簡文彬／演唱：周蕙／長榮交響樂團／天生歌手合唱團｜ Presenter:
National Kaohsiung Center for the Arts (Weiwuying) ｜ Producer: LIU Mu-yao ｜ Songwriter: Johnnybug CHEN ｜ Performer(s): Conductor: CHIEN Wen-pin / Singer:
Where CHOU / Evergreen Symphony Orchestra / Natus Cantorum

高雄市立英明國中藝才管弦樂班2024 年度音樂會《啟程》
Kaohsiung Municipal Ying-Ming Junior HighSchool Orchestra Annual Concert Departure
OPENTIX 兩廳院文化生活 OPENTIX Ticket
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全長 120 分鐘，含中場休息 20 分鐘。
Duration is 120 minutes with a 20-minute intermission.

今年邁入第 14 年的高雄市立英明國中藝才管弦樂班，本年度音樂會除了由校內獲選的協奏曲及室內樂得獎同學演出之外，也將用導聆的方式帶領大家欣賞浪漫樂派及國民樂派的經典作品。
In its 14th year, Kaohsiung Municipal Ying-Ming Junior High School Orchestra is proud to present the performancesby students who have won awards within the school for concerto and chamber music competition. We will also guide
everyone to appreciate classic works from the Romanticism and Nationalist music through a guided listening experience.
演出曲目 Program● 葛利格：皮爾金組曲第一號，作品 46 ● 奧芬巴赫 ：《巴黎的生活》序曲 ● 奧芬巴赫：巴卡洛爾舞曲選自《霍夫曼的故事》● 史麥塔納：三首舞曲選《雪姑娘》｜ ● GRIEG: Peer Gynt Suite No.1, Op.46 ● Jacques OFFENBACH: La Vie Parisienne
自《被出賣的新娘》● 林姆斯基 高沙可夫：雜耍者之舞選自Ouverture ● Jacques OFFENBACH: Les Contes d'Hoffmann Barcarolle ● Bed ich SMETANA: Three Dances from The Bartered Bride ● Nikolai RIMSKYKORSAKOV: Dance of the Tumblers from The Snow Maiden
主辦：高雄市立英明國民中學｜演出者：指揮：林裕錫 ／高雄市立英明國民中學藝才管弦樂班｜ Presenter: Kaohsiung Municipal Ying-Ming Junior HighSchool ｜ Performer(s): Conductor: LIN Yu-hsi / Kaohsiung Municipal Ying-Ming Junior High School Orchestra

FEB

FEB

2.25 Sun. 15:00

蘇毓婷法國號獨奏會《美聲號角》
Tina Su Horn Recital “Operatic Horn”● ��� Recital Hall● �價 Tickets NT$300/500

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 80 分鐘，含中場休息 15 分鐘。
Duration is 80 minutes with a 15-minute intermission.

《美聲號角》以歌劇原素發想，選用多首原創作品及歌劇詠嘆調改編曲，由法國號演奏家蘇毓婷和鋼琴家鍾曉青攜手演
出，展現法國號抒情又充滿能量的音色。
“Operatic Horn” contains original works for horn and piano written by CHERUBINI and WEBER, an arrangement inspired
by STRAUSS’s Rosenkavalier and some of the most famous recitatives and arias of all time.
演出曲目 Program● 凱魯碧尼：第二號法國號奏鳴曲 ● 韋伯：為法國號和鋼琴的小協奏曲，作品 45 ● 史特勞斯：《玫瑰騎士》
幻想曲，改編給法國號和鋼琴 ● 韓德爾：
〈讓我哭
泣吧〉
選自歌劇
《里納多》● 威爾第：〈永遠自由〉
選自《茶花女》｜ ● Luigi CHERUBINI: Sonata for Horn and Piano, No. 2 ● Carl Maria von WEBER: Concertino forHorn and Piano, Op. 45 ● Richard STRAUSS: Der Rosenkavalier Fantasy, arranged for horn and piano ● George Frideric HANDEL: “Lascia ch'io pianga” from
Rinaldo ● Giuseppi VERDI: “Sempre libera” from La Traviata* 完整曲目詳見衛武營官網 For the complete program, please visit the official website of Weiwuying.

主辦：禾立樂集｜演出者：法國號：蘇毓婷／鋼琴：鍾曉青｜ Presenter: UnityArt Music ｜ Performer(s): Horn: Tina SU / Piano: Grace CHUNG

2.28 Wed. 15:00

2024 年佳播聖詠團、八角塔府城合唱團
年度聯合音樂會 陽光與希望2024 Annual Joint Concert - Sunshine and Hope● ��� Recital Hall● �價 Tickets NT$300/500/800

OPENTIX 兩廳院文化生活 OPENTIX Ticket
相關優惠請至購票網站查詢For more information and offers, please visit the ticketing website.
全長 120 分鐘，含中場休息 15 分鐘。
Duration is 120 minutes with a 15-minute intermission.

佳播聖詠團的《經典 • 聖樂之旅》系列跨越宗教，與八角塔府城合唱團合作，以「陽光與希望」為主題，演出《Gallia》、《山旅之歌》、《My God Is A Rock》等多組發人深思的曲目。
The Joint Concert of "Journey of A Classic·Sacred Music" presenting by St. Gabriel Choir & Octangle Tainan Choir withthe theme of "Sunshine and Hope". To perform "Gallia", "Song of Mountain Travel", "My God Is A Rock" and many otherthought-provoking songs.
演出曲目 Program● 加 利 亞 ● 山 旅 之 歌 ● 如 祢 所 願 所 願 ● 頌 主 鴻 恩 ● 願 祢 受 讚 頌｜ ● Gallia ● Song of Mountain Travel ● Flight Song ● Shenandoah ● My God is A
Rock ● Festival Sanctus ● The Ground ● Joshua Fit de Battle of Jericho ● Come tu mi vuoi ● O God, Beyond All Praising

主辦：天主教佳播聖詠團｜佳播聖詠團－音樂總監兼指揮：歐遠帆／鋼琴：毛凱妮／團長：王冰潔／演出經理：廖錫琴｜八角塔府城合唱團－指揮：李建一／鋼琴：張秉真／女高音：王沛君／團長：鄭睦迪｜ Presenter: St. Gabriel Catholic Choir ｜ St. Gabriel Choir - Music Director & Conductor: OU Yuan-fang /Piano: MAO Kai-ni / Leader: WANG Bing-jye / Concert Manager: LIAO Hsi-chin ｜ Octangle Tainan Choir - Conductor: Chien-yi LIST / Piano: CHANG Ping-chen/ Soprano: WANG Pei-chun / Leader: CHENG Mu-ti

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衛武營主辦
創意學習工作坊
Creative Learning Workshop

貝多芬的無懼與自由
BEETHOVEN's Messages in Fidelio
音樂欣賞沒有想像那麼難！
2 月創意學習工作坊聚焦音樂主題，邀請聲樂專業藝術工作者，一起在邊學邊玩的探索中迸發無限創意與想像力！
Let's enjoy music from a different perspective!
Professional artists from various fields will lead participantsin finding inspiration through multimedia materials and share
their thoughts on arts. Let's learn and explore as we unlock
our creativity and imaginations to the fullest!

活動地點 ● 1192 排練室
報名方式 官網報名→繳交費用→檢視官網報名狀況→完成報名
Place ● Rehearsal Studio 1192
Registration Process
Registration on the official webpage(www.npac-weiwuying.org) →Complete payment →Confirm registration status on the official webpage →Registration complete.

衛武營主辦戴上專屬無線耳機、窩進舒適躺椅，曲面牆的 400 吋投影，
耳內流竄的飽滿聲音，樹洞耳機電影院歡樂呈現！
Put on your wireless headphones and snuggle into the comfortable deck chairs. The 400-inch curved projection screen
and rich acoustics invite you to a pleasant cinematic experience.

2.12 Mon. , 2.13 Tue. 18:30 開始放映

鱷魚歌王
Lyle, Lyle, Crocodile

全球暢銷知名繪本改編
12 歲的男童喬許不情願地與家人一起搬到紐約，怕生的喬許意外在家中發現了一隻名叫萊歐的鱷魚。鱷魚萊歐有著驚人
的歌唱技巧及舞台魅力，從此喬許和萊歐便形影不離的共同
探索這座城市，並幫助彼此面對家庭與生活問題。某天當萊歐意外被壞人抓走時，考驗喬許的勇氣才正要開始！
Josh and his parents are shocked to find a singing crocodile
in their attic but quickly learn to love him.

活動地點 ●榕樹廣場
報名方式 非售票活動，敬請現場直接參與
Event Location ● Banyan Plaza
Registration Process Events are not ticketed. Visitors
are welcome to participate.

武營來跳舞365+ Dance

衛武營主辦

1.3 Wed. 19:00-20:30

從擁抱開始的阿根廷探戈Start Argentine Tango with a warm embrace誰來跳舞：陳維寧 CHEN Wei-ning

帶領大家一同探究沙龍探戈中最迷人的即興特質─領導與跟隨
的真義，也在這和諧的舞蹈關係中，進入探戈的語言和對話。
這次讓我們從擁抱開始，一同來探尋阿根廷探戈的神祕世界！
This time, we will lead everyone to explore the most charming improvisational characteristic of salon Tango by leading
and following. In this harmonious dance relationship, we will
invite everyone to enter the world of Tango. Let’s start to explore the mysterious world of Argentine Tango together witha warm embrace!

2.7 Wed. 19:00-20:30

搖擺在探戈裡的當代舞蹈
Swinging between contemporary dance and Tango

誰來跳舞：莫天昀 MO Tian-yun

從探戈的舞步中創造方向性的變化，讓身體更自由迴旋在其中，進而增進肢體表達與控制；透過當代舞蹈的肢體帶入探戈元素發想小品，感受身體在不同風格下所碰撞出的美妙之處。
The directional changes from Tango steps, allowing the bodyto rotate more freely, thereby enhancing body expression
and control. The artist uses contemporary dance to bring
Tango elements into imaginary sketches and to feel the collision of the body in different styles.
活動地點 ●榕樹廣場
報名方式 自由參與Place ● Banyan Plaza
Registration Process
Events are not ticketed.
Visitors are welcome to participate.

武營來開槓Arts Talk

衛武營主辦藝術，是由生活經驗所累積。《武營來開槓》透過邀請知名藝術家，無論音樂、戲劇、電影等，分享對藝術的所思所見，
剖析藝術用什麼傳達方式，與觀眾產生共鳴。
《武營來開槓》一場與藝術零距離的交流，為你的日常生活創造驚喜！
Art is a summary of life experiences. Arts Talk is a project
which gathers together renowned artists from different
fields such as music, theater or movie domains for sharing
their thoughts about art with the public, telling us how art
can communicate and resonate with its audience.
Arts Talk gives you an opportunity to interact directly withart and brings wonderful surprises into your life!

1.20 Sat. 14:00-15:30

生命鬥士 - 貝多芬
BEETHOVEN, the life fighter!

2.17 Sat. 14:00-15:30

貝多芬交響曲中的明珠與遺珠
BEETHOVEN's symphonies: the well-knowns
and the less-knowns

活動地點 ●演講廳

報名方式 非售票活動，敬請一同參與
Place ● Lecture Hall
Registration Process
Events are not ticketed.
Visitors are welcome to participate.

ACTIVITY

ACTIVITY

2.24 Sat. 14:30-17:30

樹洞耳機電影院
Headphone Cinema

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衛武營場館友善計畫Inclusive Arts Project

歐洲銅管之聲（Eurocuivres）為歐洲最受矚目的銅管及打擊音樂節之一。2017 年首次在亞洲舉辦，即造成相當大的迴響。
2024 年更進一步與衛武營國家藝術文化中心合作，期可成
為亞洲最受歡迎的國際管擊樂音樂節之一。
Eurocuivres is Europe's most prominent wind and percussion
music festival. It was first held in Asia in 2017, leaving a substantial impact. In 2024, the festival will expand its collaboration with the National Kaohsiung Center for the Arts (Weiwuying), aiming to establish itself as one of Asia's foremostinternational wind and percussion music festivals.

場館導覽 Exploring the Venue

語音導覽 Audio Guide

大眼睛公共空間導覽

時間 每日 11:00-18:00

衛武營主辦

1.14 Sun. 15:00, 2.25 Sun. 15:00
1.13 Sat. 19:00, 2.24 Sat. 15:00

大耳朵公共空間導覽

語言 華語、英語、日語

費用 一般民眾每人 150 元

Fee NT$150 per person

Schedule Daily at 11:00-18:00

定時導覽 Scheduled Tour場次 每日 13:30, 15:30、Schedule Daily at 13:30, 15:30,

時間 預計 50 分鐘

Duration Approximately 50 minutes

費用 一般民眾每人 100 元國際管樂營Eurocuivres Asia in Weiwuying

衛武營主辦Languages Mandarin, English, Japanese每週三 18:30

7.8 Mon. - 7.14 Sun.

招募對象 國小五年級以上具備基本演奏能力者皆可報名
報名日期 2024 年 1 月 15 日至 4 月 30 日（或額滿為止）
費用 NT$20,000（包含個別課、分組課、合奏課、開幕音樂會、成果發表、午晚餐）※ 若有住宿需求，額外收取住宿費 NT$8,000（含六晚兩人一室之住宿
及早餐）
Eligibility Anyone from the 5th grade of elementary school or above
with basic playing ability is welcome to apply.
Application Dates January 15, 2024, to April 30, 2024 (Registration islimited)Fee NT$20,000 (including individual lessons, sectionals, ensemble
classes, opening concert, final presentation, lunch, & dinner).
※Additional accommodation fee of NT$8,000 will becharged if needed, including six nights of twin roomwith breakfast.

導覽服務Tour Service

Every Wednesday at 18:30
Fee NT$100 per person廳院導覽 Venue Tour
場次 請詳官網查詢
時間 預計 60 分鐘

費用 一般民眾每人 150 元
本活動接受專場預約，也歡迎民眾「共感體驗」
加入大眼睛 / 大耳朵導覽，如欲報名請洽 +886-7-262-6654*Eyes and Ears Project accepts special appointments and public
participation.
To sign up for the Eyes and Ears Project, please call +886-7-262-6654.
贊助單位 Sponsor

Schedule Please refer to
Weiwuying official website
Duration Approximately 60 minutes
Fee NT$150 per person

廳院自由探索 Venue Discover
場次 請詳官網查詢
時間 14:30-16:30

費用 一般民眾每人 100 元

Schedule Please refer to
Weiwuying official website
Duration 14:30-16:30
Fee NT$100 per person

如需客製化團體服務，請於官網表單申請。

藝玩伴計畫
ART-FUN-PLAY

衛武營主辦爸媽看戲、孩子玩戲
Fun at the Theater for Both Parents and Kids
報名方式
凡購買主辦節目票券 1 張，可報名一名 4 至 12 歲的孩童，3
人以上即開班，每場限額 15 名。
報名費用
300 元 / 人，演出前 30 分至活動報到地點繳費。
預約方式
預約場次開放中，每場次於開演前五日停止預約。
Application
Each ticket purchased to a Weiwuying performance is eligible for one application for a child aged 4-12. Art-Fun-Playrequires a minimum of three participants for each session
and a maximum of fifteen people.
Registration Fee
300 TWD/applicant. Participants should complete the payment at check-in 30 minutes before the session starts.
Reservation
Reservation is currently available, and will be closed 5 days
prior to the date of the performance.

WEIWUYING SERVICEACTIVITY衛武營主辦歐洲銅管之聲在
衛武營 – 國際管樂營Eurocuivres Asia in Weiwuying

衛武營出版計畫音樂與文字的印記
FELIX HELL ORGAN FANTASIES :MASTERWORKS BY BACH, LISZT & REGER
利 克 斯・：管 風 琴曲
The American Organis

在衛武營音樂廳主管風琴與回聲管風琴兼具浪漫聲音美學及巴洛克風格的聲響之下，黑爾帶來的管風琴專輯，收錄了音樂巨擘巴赫膾炙人口的管風琴曲《g小調幻想曲與賦格》、《d小調觸技曲與賦格》，李斯特的《贖靈作用之水》幻想與賦格曲等經典曲目，完美展
現觸技曲技巧與幻想曲的即興特色，並將管風琴的寬廣動態及音色極致發揮，不容錯過！

創

勝的藝術：
與維
全的藝文

衛武營
逆轉勝之王麥可•凱瑟用十條準則，帶領英國皇家
歌劇院成功走過破產危機，在美國甘迺迪表演藝術
中心打造出場場叫座的節目。
面臨經營危機的組織，如何吸引觀眾回流，打造具
指標的文化 ICON 5個實際案例，教你讓藝文組織脫
離困境的心態與策略。

網路商店

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加入會員
Become Our Valued Friend

場地租借服務Venue Hire
場館租借（廳院及繪景工廠、其他空間）

會員獨享 Member Exclusive Offer

相關事宜，請於服務時間來電洽詢。
電話 +886-7-262-6612~6617●ﾠ年度主辦節目票券早鳥搶先購
Early-bird ticket pre-order for annual Weiwuying Presented Programs.

更多申請資訊請洽衛武營官網●ﾠ獨享主辦節目購票 9 折起，青年卡會員最低可享 75 折Maximum 10% off for Weiwuying Presented Programs; maximum 25% off for Weiwuying Youth.

For more information, please visit
Weiwuying official website or contact●ﾠ集點享免費續卡，再送親友免費辦卡
Receive free membership renewal with reward points, and gift friends and family freemembership with reward points.

+886-7-262-6612~6617
了解更多●ﾠ點數兌換贈品
Gift in exchange for reward points.
●ﾠ衛武營風格店鋪消費優惠Special offer at shops in Weiwuying.

排練室
Rehearsal Studio
WEIWUYING SERVICEBECOME OUR VALUED FRIEND●ﾠ異業商家優惠
Discounts for cooperating businesses.
●ﾠ會員專屬活動（藝術家近距離座談、專屬工作坊）
Member exclusive event. (Artists Talk , Exclusive Workshop , Annual Programs Announcement)

全方位排練空間

及多元藝文活動使用
排練 Rehearsal
論壇 Forum

講座 Symposium

工作坊 Workshop

年費 300 元

排練室租借相關事宜，請於服務時間來電洽詢。
服務時間 09:00-18:00

電話 +886-7-262-6617

For more information, please visit weiwuying official website
or contact +886-7-262-6617

了解更多

23 歲以下申辦免費

讓生活充滿藝術，就從衛武營開始。
申辦會員卡請參考官網【會員專區】或至本場館 3F【服務中心】辦卡。
Let life be full of art, starting with the Weiwuying Membership Card.
For information and application, please visit official website, or visit Service Center on the 3rd floor of Weiwuying.
衛武營會員相關問題，請洽衛武營客服專線。
Please contact the Weiwuying customer service for more questions.
+886-7-262-6666service@npac-weiwuying.org

加入我們

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場館交通
Visit Us
自行開車

搭捷運

橘線「衛武營 (O10)」下車，

南下

自 6 號出口，出口右手邊即為場館。

● 經國道 1 號

國道 1 號高速公路中正交流道下 →左轉往鳳山方向 → 直行中正一路 →搭臺鐵衛武營國家藝術文化中心

轉搭方式請參閱「搭捷運」。

右轉國泰路二段進入

車道 →搭臺鐵至「高雄火車站」後轉搭捷運，● 經國道 3 號

國道 3 號高速公路轉國道 10 號高速公路 →接國道 1 號高速公路 → 中正交流道下 →左轉往鳳山方向→ 直行中正一路 →右轉國泰路二段進入

搭高鐵

搭高鐵至「左營站」後轉搭捷運，
轉搭方式請參閱「搭捷運」。

車道 →衛武營國家藝術文化中心

搭飛機

北上

搭飛機至「高雄國際航空站」後轉搭捷運，● 經國道 1 號轉搭方式請參閱「搭捷運」。

右轉往鳳山方向 → 直行三多一路 →衛武營國家藝術文化中心● 經國道 3 號

國道 3 號高速公路轉台 88 快速道路 →接國道 1 號高速公路 → 三多交流道下 →右轉往鳳山方向→ 直行三多一路 →lane → Arrive at Weiwuying● National Highway No.3

Change to National Highway No.10 →Take the National Highway No.1 →Get to the Kaohsiung Main Station via Taiwan Railways,
and then transfer to the Metro system. Please refer to“By Metro” for how to transfer and get here.

By High Speed Rail

Exit at Zhongzheng Road interchange →Take Taiwan High-Speed Rail to the Zuoying Station, and

Go Straight on Zhongzheng 1st Rd → Turn right

how to transfer and get here.

Turn left heading toward Fengshan District →transfer to Metro system. Please refer to “By Metro” forheading toward Sec.2, Guotai Rd. to the slow

Take the exit at Sanduo Road interchange →橘 11、紅 21、8001、黃 2A、黃 2B、黃 2C 至建軍站。

Turn right heading toward Fengshan District→ Go straight on Sanduo 1st Rd →Arrive at Weiwuying

段
Se
.
Rd
tai
uo

,G

c. 2

6 號出口
Exit 6

表演廳
Recital Hall
歌劇院
Opera House音樂廳
Concert Hallthen transfer to the Metro system. Please refer to “ByMetro” for how to transfer and get here.

By Bus● National Highway No.3

Take a bus and get off at the stop “National Kaohsiung

Connect to National Highway No.1 →Or take a bus that stops at Jianjun Station: Bus lines-

Change to Provincial Highway 88 (Taiwan) →Center for the Arts (Weiwuying)” : Bus lines-52, 70.

Exit at Sanduo Road interchange →50, 53A, 53B, 88, 248, Orange 7A, Orange 7B, Orange 8,→ Go straight on Sanduo 1st Rd →Yellow 2C.

Turn right heading toward Fengshan District

路二National Kaohsiung Center for the Arts
(Weiwuying) Station

戶外劇場
Outdoor Theater

By Train或搭乘 50、53A、53B、88、248、橘 7A、橘 7B、橘 8、橘 10、公車站 衛武營國家藝術文化中心站

戲劇院Playhouseheading toward Sec.2, Guotai Rd. to the slow

● National Highway No.1

國泰

.
Rd

Go Straight on Zhongzheng 1st Rd → Turn right

可搭乘高雄市公車 52、70 至衛武營國家藝術文化中心站。

Rd.
un
njy

一路

三多

st

o1

du

San

Turn left heading toward Fengshan District →Take a flight to the “Kaohsiung International Airport” and公車站 衛武營國家藝術文化中心站

Highway Interchange
Sanduo Rd.Exit

Exit at Zhongzheng Road interchange →The Center is on your right.

Northbound

中正一路 Jhongjheng 1st Rd.

交流道三多路出口● National Highway No.1

搭公車

Highway Interchange Jhongjheng Rd.Exit

National Kaohsiung Center for the Arts
(Weiwuying) Station

Take the Orange line to the Weiwuying Station (O10), Exit 6.

By Flight

公車站 建軍站Jianjyun Station

Jia

3 號出口
Exit 3

交流道中正路出口

Southboundlane → Arrive at Weiwuying

衛武營國家藝術文化中心

建軍路

By Metro

Arrive at Weiwuying

Orange 10, Orange 11, Red 21, 8001, Yellow 2A, Yellow 2B

VISIT USVISIT US

國道 1 號高速公路三多交流道下 →By Car

節目指南
PROGRAM GUIDE

1 2

國家表演藝術中心衛武營國家藝術文化中心

National Kaohsiung Center for the Arts (Weiwuying)+886-7-262-6666

830043 高雄市鳳山區三多一路 1 號service@npac-weiwuying.org
www.npac-weiwuying.org
出版日期 2023 年 12 月

© 2023 國家表演藝術中心衛武營國家藝術文化中心
主辦單位保留活動異動及最終解釋權Art
CultureLife

國家表演藝術中心衛武營國家藝術文化中心
National Kaohsiung Center for the Arts (Weiwuying)+886-7-262-6666
830043 高雄市鳳山區三多一路 1 號service@npac-weiwuying.org
www.npac-weiwuying.org

連
結
藝
術
文
化
與
生
活