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004 7 剢⟨崞⹛籏錒խխ JULY PROGRAM CALENDER

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遺娀斊㕜㹻谁遯俒⻋⚥䗱
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խխ BECOME OUR VALUED FRIEND
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遺娀斊㕜㹻谁遯俒⻋⚥䗱
National Kaohsiung Center for the Arts (Weiwuying)

Preventive Measures against the Coronavirus (COVID-19) Epidemic

字滞鹎㜥긭锞ꂂざ
Please follow the policies below before entering the venue窍邍怵谁遯㣎⠶⦛涸氋䞕劍꟦暶ⴽ倰呪䧀➃⺫
A Special Plan for Performers

㔔䥰չ㓂ꅾ暶婌⫄厪䚍肾拨COVID-19պ䓽⻋꣈氋䲃倷Ӫ怵ⴀ⵹ 60 傈Ⰹ《嶋怵ⴀ㜥獆鷎⟃鑪墂劍醢⡲灇涮䪮遯庠鑑⿻䱖箻瘞⯝獆ꆄ

Performers can get a full refund for the rent if cancel the show 60 days before thescheduled date. Technical tests and rehearsals require no fee.

Ӫ⟃♴䞕䕎獆ꆄ⟃⾲㹁⭆ 50%Rents are 50% off in the following situations:Ԯ ⾲㜥㖒䱰꟦ꥬ䏠怵ⴀԯ ⾲㜥妄佖捀湬久 / ꏗ䕧԰ 倞歍锞㜥㖒鹎遤湬久 / ꏗ䕧Ա 倞歍锞㜥㖒醢⡲灇涮䪮遯庠鑑⿻䱖箻Ԯ Audience are required to sit at intervals.

ԯ Live shows are changed into online streamingor recorded videos.
԰ First-time auditorium rental for online
streaming or video recordingԱ First-time auditorium rental for technical tests
and rehearsals

Ӫ㼭㘗㜥㖒獵䖃㣐㘗㜥㖒笞䭰⾲佐顥蕰ざ倴괐ꦖ鐱⠮刿䳖㜥㖒糒糵㈒牱䖤㼠呪贖椚

If you change the auditorium reservation from the original one into a larger one, theprices remain unchanged. Please contact us for the following ticketing matters.

Ӫ㔔氋䞕《嶋怵ⴀ㜥긭㸞䱖♴⼱䎃僈䎃♳⼱䎃墂劍㼟⴪Ⰵ罌ꆀ⚛⟃㕜Ⰹ㕰꥙⮛⯓For the shows cancelled with a purpose of pandemic prevention, domestic
performance teams have the priority to schedule the time in the second half of 2020
and the first half of 2021.

Ӫ劥倰呪㻜倷劍꟦Ⰹ㺂⿻眕㕠⣜⚥㣜氋䞕䭸䳸⚥䗱涮䋒✲갪⨞怎⹛䒭㔔䥰锅侮

Weiwuying will keep updating this special plan according to National Health CommandCenter policies.

遺娀斊莅滞➃ず䗱⼿⸂꣈眕氋䞕仍侕Ⱏず䩧鸤莞黠㸞䗱涸㜥긭瑠꟦湱ꡠ꣈氋䲃倷⣜⚺盘堥ꡠ剓倞䭸爚鹎遤怎⹛䒭锅侮
Weiwuying will work together with the public in preventing the spread of the epidemic andbuilding a comfortable and safe venue. Adjustments following preventive measures announced bycompetent authorities will be carried out.
〥剤ꡠ㓂ꅾ暶婌⫄厪䚍肾拨COVID-19氋䞕鑬锞⿮罌遺欰犷ⵄ鿈氭氻盘ⵖ縭笪畀䧴丸䩧氭盘縭꣈氋㼠箁 1922
For information on the coronavirus (COVID-19), please see the official website of Taiwan Centers for Disease Control,
or dial hotline 1922.

刿㢵꣈氋䲃倷锞鑬㸽笪For more information眏湡殯⹛ Program changed眏湡殯⹛ Program changed

89谁遯鹎㾝䗏疮鵔䱺 !
俒 盘괐楪㹻 ⷠ⥌㸪〢䋞茣剤㔋谁 (Quadrivium)僽䭸갉坿侸㷸䎙⡦㣔俒鸏㸤輑Ⰵ倴շ遺娀斊㕜㹻谁遯俒⻋⚥䗱ո酭♶〫僽礶皿麕涸炽넓穡圓錬䏞涸鹎㾝갉㜥⯕䕧䫏㼙㖈䒊眡暟♳涸蒀䕙莅嚩埠䑞㜥㕜㼭铭劥⚥剤䲿ⵌ듻㶩〳⟃麌欽傈䕧㖒煂僤✫긭Ⰹ影军涸➃俒莅欰崞剦⿼澗鍑듻㶩䖎⿐㹳⛓㢫⛳㷸绢ⵌ➃欰涸䧭Ꟁ♳⟓劆㣔瑠涸傈剢僤鴇刿㣼㦫涸僽鸏⛳穡ざꧪ搭盘괐楪㖈姘繡㕜㹻酭僽䌢鋅涸坿㐼⡎㖈荩抓鼩僽㼱鋅㼩嫲倴㕜Ⰹ㢫涸橇㞯酭遺娀斊涸盘괐楪僽❏崎剓㣐⛳僽鵜劍㕜ꥹ갉坿䑼♳剓⯓鹎涸盘괐楪鸏⢪䖤遺娀斊갉坿䑼〳⟃怵ⴀ⟤⡦〢Ⱙ騗俒⻋걆㚖涸刼湡㼟鵜 400 䎃⛓⛉㖈⿮莅怵ⴀ儘遺娀斊䨾窍✮涸♶〫僽㥪涸坿㐼莅갉坿䑼㔔衽耫갉莅鋕錏䱺鍸⢪滞➃䟝澗鍑刿㢵ꡠ倴盘괐楪䊨谁♳涸稣眏鸤䧭✫➃莅䏠♲乵♧⢵ⴼ㹁暓涸假玑⡎ꅾ銴涸㉬爚僽雊㼭⚥僽剤䔞䚍涸遺娀斊⛳僽䖰♶ず涸倰⡙莊鳵✫ꬌ䌢㢵剤䠑纏涸崞⹛⢵䲀䑞谁遯⼿⸔來肬⫄䪭㖈ջⵄ傱 ˙ 頺晋劥鋷㶩䲀䑞盘괐楪갉坿剚ռ⚥㽠Ꟛ佞✫㹻Ꟁ莅㼭剦⿼⦛涸涮㉏莅✽⹛㼭剦⿼㔔衽㹻Ꟁ莅갉坿㹻涸ꤙ⠶♧饱竤娜繡㥪涸鋷㶩갉坿꺨㹶儘⯕㖈 Léon Berben 涸갉坿剚⚥♶锸僽獘䎸䧴僽㼭剦⿼湬䱺欽薊俒䲿㉏瘞雊
Léon 幀䠮荩抓涸㼭剦⿼溫僽㣖問✫⿡䎃涸չ谁⟱㷸ˌ繡䠮來肬鎙ⷔպ⛳僽〥♧갪莅䖰遺娀斊Ꟛ䍌ⵌ植㖈嫦妄⢵鏞涸盘괐楪㹻鿪剚斊⚺䭰涸꤫⤧⡡䓹恎鮯罉䌌⛳欽䎖랿剤馱㜥㖒ꅾ銴涸⛳僽䑼Ⰹ䊨⡲➃㆞涸㼠噠⿼㊥谁遯來肬剤ꡠ涸崞⹛ꤑ✫긭Ⰹず➋➝稲遺娀涸倰䒭➝稲갉坿䑼Ⰹ涸䪮遯稣眏莅狲眏ㅷ呔來肬瘞剚䖕⚛Ꟛ佞雊䌌Ꟁ莅ず㷸⦛涮㉏ꡠ倴盘괐楪涸㉏겗㖈嫦妄갉坿剚穡勲儘䧮⦛鿪剚溏ⵌ䌌Ꟁ莅ず㷸⦛翹꧌♧饱撑湱♶䰎䘰坿涸儘⯕♧♴㶩㽠麕⿡㔔衽չ谁⟱㷸ˌ繡䠮來肬鎙ⷔպ갉坿ⷜ㜥狲⭑涸ⴕ❧䬘鵜吥ꥹ꟦䌌Ꟁ莅ず㷸䲿ⵌ➮⦛㼩遺娀斊涸䠮闒鸏♶〫僽坿㐼莅邍怵㼤ꅾ⚛⚂鿓ⶰ籏湌儘䌢鋷荈㖈䖕〵⼿⸔卺鏤堥㐼矦籏湌䘑鹎䘑ⴀ涸㼬翕莅鋷ⴗ㔐瘸⢵频涸㉏겗鸮չ谁⟱㷸ˌ繡䠮來肬鎙ⷔպ鿪鋷荈➝稲⚛殹✫怵㆞鸏❉Ⱖ㻜鿪䌟窍✫갉坿㹻滚⚥ꬌ䌢䠮➃涸♧䍌

⦛涸翹꧌⿻谁遯㼩➮⦛涸䕧갠谁遯俒僈涸鹎㾝鿪꨾銴儘꟦㥪涸谁遯俒⻋ꧪ➛䎃椕旙涮ꅾ㣐涸氋䞕➃⦛痧♧妄竤娜ⵌ㕜ㄤ琽㹁莅䠮錏欰ㄐ⚥〳顜涸䋞劆殹䧮⦛濼麥ꥹ涸갉坿䑼㔔捀꣈氋涸箔佦䗳갭ꡠꟗ荩抓㔔捀
佟䏎莅滞➃涸⸗⸂⢪㣐㹻㕰穡♧饱欰崞♴⿡⡎氋䞕訬䒂儘㼩䨾剤涸➃莅谁俒欰䢀鿪䊺鸤䧭㔮仠莅罌뀿㖈鸏⦐儘⦬矦俒䕟籏湌涮饱✫չ䊼饟갉坿涸㤀桐պ笪騟⚮耢崞⹛鼝锞㕜Ⰹ㢫涸谁遯㹻♧ず⿮莅诔歋갉坿⫄久窍➃⦛㸞䣆䎂㸞莅䋞劆⚛⚂չ谁⟱㷸ˌ繡䠮來肬鎙ⷔպ鸏⦐崞⹛⛳䘰鸠㖒锅侮✫倰ぢ䒂⠽✫չ遺娀斊繡䠮來肬侸⡙晝պꤑ䕧晚⟃㢫⛳醢⡲✫來勞⯝顥⣘㷸吥歍锞⤑ⵄ罉䌌涸來㷸➛䎃荛㼱剤侸⼧蠝涸䌌欰剚⢪欽ⵌ遺娀斊醢⡲涸來勞㔔捀來㷸涸⫄䪭ⱄ竤麕♧Ⰽ䎃鸏❉㷸绢娜玑䥰鑪㽠剚䯄岤倴㷸吥麨涰蠝➃⛓㢵搭䖎㔮ꨈ⿡ꆀ⻋⡎搂䕎⚥涸⸂ꆀ⽿䌟窍滞➃牬
剤➃曼暨⮛⾩涸谁遯欰巆㕜㢫鵦荩⢵ⵌ遺娀斊剤➃㢹儻㖈갉坿㹻ꨆ〵䖕鼩㖈랿랿㖒侮椚莻〵剤➃曼暨荈䊹莅㹻➃湱翹涸儘꟦〫僽㔔捀㖈
遺娀斊酭〳⟃雊➮➃䖤ⵌ刿㢵涸怏駈莅姹疮䧴鏪谁遯繡䠮來肬䌟窍㷸吥㷸欰滞➃涸♶〫僽ꣳ倴坿㐼谁遯邍怵♳罜僽侮⦐㕜㹻俒僈涸鹎㾝莅窍♴♧➿繡㥪涸欰崞椚䙂莅㣆䟝滞➃涸遺娀斊遺娀斊⛳㔔➃䖤犷氋䞕琽㹁䖕鎹䖤銴⢵遺娀斊 !

谁⟱㷸－繡䠮來肬鎙ⷔ䰿䧮♧瓹瑖界Scan for the video of
Collaboration between Arts and Other SectorsˌOutreach Aesthetic Education Project㼠奌

FEATUREFEATURE㼠奌➃⛓꟦涸鸮穡罜湬䱺䧴꟦䱺涸䕧갠俒⻋欰崞♳

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Embrace the Progress of Art with a Smile
Article Organist LIU Hsin-hunggrowing up involves being flexible with available

students from different schools together andand respect of its staff members. Very often,

mathematics, geometry, and astronomy as

options. Weiwuying employs a wide range ofaugments arts social impact.

you get to see vice director Kuo help out with

the quadrivium, the four arts. At Weiwuying,approaches to promote the arts and education.

the concept of quadrivium fuses into its

Léon Berben Organ Family Concert contained

Bearing the brunt of the Covid-19 pandemic,

come and go giving introductory notes or fielding

structure and function. The carefully calculateda Q&A session for parents and children tointernational concert halls have to shut downquestions from his guests. CHIEN has even takenarchitecture pays attention to each structuralraise questions and talk more about the show.

to counteract the virus for the first time. Taiwan

on acting to introduce the digital version of theunit, angle, and soundstage. What is evenChildren benefited immensely from the occasion

manages to keep up its social life thanks to theart entrepreneurship program. These gestures

more fascinating is the way the venue gives

to enjoy the company of their parents and great

effort and solidarity of the government andmean a lot for the visiting musicians and artists.

sensory shape to its exciting cultural life withmusic. The event went with cordial properties

Taiwanese society, while the spread of the virus

the splendid lights cast on the building and thewith children asking questions in English to

has already created a crucible for everyone

It takes time for the arts and civilization

constellation visible over the Banyan Plaza.

Berben, who has had a positive impression on

and the way our cultural life used to be. And so,

to evolve. Whereas it is difficult to apply

how the meeting got on.

director CHIEN Wen-pin has launched Bach’s

the installation of machines and director CHIENMusical Offering online for artists from home andThough the pipe organ is commonly seen inquantitative methods to evaluate good art andculture, the invisible power of these practices

Europe and America, it remains much of a rarity

The Collaboration between Arts andabroad to get involved so that music can bring

bring peace, stability, and the invaluable sense

in Taiwan. Weiwuying boasts the largest pipe

Other SectorsˌThe Overview of Outreachpeople relief, peace and hope. The Collaborationof hope to people. There are also artists whoorgan across Asia, and the state-of-the-art

Aesthetic Education Project dedicated to art

between Arts and Other SectorsˌThe Overview

relinquish their profitable career abroad to comeinstrument can support any musical repertory

entrepreneurship last year stands as anotherof Outreach Aesthetic Education Project hasback to Weiwuying, technicians who straighten

for nearly four centuries. However, Weiwuying

example conjoining the arts and education.

also repurposed its program by adding a digitalup the stage after the departure of musicians

does not merely offer excellent instrument or

It involves the briefing of Weiwuying staff

version to its aesthetic education project. Apartat night, and people who sacrifice the time toconcert hall for performers. The establishment

members and goes through technical details of

from video, the project offers free materials forspend with their loved ones just to provide morecares about how sounds work in tandem withthe construction of its concert halls, punctuatedschools to order to facilitate teaching. Now, atsatisfaction and joy to others at Weiwuying.

sights, how the story behind each component

by the humor of CHEN Chun-you and CHANG

least hundreds of thousands of teachers andWhat the arts and aesthetic education bringmay interest the audience, and how technicalHan-hsuan as the events hosts. It also touches

students are using course materials produced byto schools, pupils, and the public goes beyond

detail brings people together and reflects theon aspects of good manners and character

Weiwuying. In a year or two, these courses may

the provision of instruments and performing

progress of culture directly or indirectly.

discipline. After the talk, a Q&A session is held

reach a million users with an expanding body ofprograms, as the undertaking is concerned withfor the participating teachers and pupils to

subscribing schools.

the progress of national civilization and the

In elementary school textbooks, it is mentioned

know more about the pipe organ. At the end

that the pigeon makes use of the location of theof each show, we see teachers and pupils take

Since its opening, Weiwuying has regularly

posterity. As Weiwuying serves the people, it alsosun, the geomagnetic field, and constellation togroup pictures not wanting the happy timereceived thanks from visiting organists not only

benefits from them. When the epidemic is undernavigate its journey. It is important to impart not

to slip by just like that. Featuring music andfor the quality of the instrument and the venue,

control, remember to drop by at Weiwuying!

only this forte of pigeon to children but also thattheater decorum, the event brings teachers andbut also for the professionalism, friendliness,

ideals and dreams that we desire to pass on to㼠奌

FEATUREFEATURE㼠奌

Ancient Greece categorizes the study of music,

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✲暟䗳㹁恸恸鸚⿡䧮⦛腋殆♴䣔牝涸〫剤䧃䙂䧮䟝銴⨞♧⦐騟鼹꣚Ⱇ꣚㵉饥麕⿡鿪錏䖤㥪梖剤鸮穡涸⡲ㅷ鸏垺涸㋐䜤僽谁遯腋⨞ⵌ涸「鏞罏 管莻㹻 / 莻罏衞そ埢管莻㹻 / 莻罏衞そ埢鏞锓罏 鏪尃広

Q: 䝡剎䌢꽏倴♶ず㙹䋑㥶荩抓荩⻍䮱㪮⼻晋姿䗱酆ㄤ魨넓䖎㢵饱⠃⡎䖕⢵⛳㽠鸏垺攛麕饥✫♧麒留䎃儘劍㼩䧮⢵铞ꅾ銴涸㖒倰⿡✫♶兞♴鹎遤ⶾ⡲㼩䝡⢵铞剤➊랃♶ず㛇劥涸꨾宠㖈չ欰崞պ⚥⿡㔐溏䧴佐竤娜논䧮䟝銴⨞♧⦐騟鼹꣚Ⱇ꣚㵉饥麕⿡鿪錏䖤㥪呏傈劥堾憺 㕜㹻鹎遤ⶾ⡲㖈♶ず俒⻋胝澖꟦䟝饱 2012 䎃痧♧妄꽏勠歍锞繏剋螩莻骪栁⸔ꆄⵌ䮱㪮⼻晋呏꬗㼩꬗鑑㸽卌䧃字罉䌌铞涸鑨չ㉇⡹銴⿡齡랃黇涸㖒倰䎍㎹պ鸏♧겗䧮彋⪔✫馄⛉涸呏劥♶欽㢵䟝䧮铞չ罉䌌䧮䖰㼭♧騟⨞㣆銴殹耷噠莻罏ㄐ麌尝剤䌟䧮ⵌ齡⿡⡎⿶♶䟝佞唳尝剤➃㋐姹䧮騥➮⦛涸莻齡䧮㽠荈䊹管⢵騥铪濼噲Ⱖ汥蕲管✫䎙䎃

FEATURE嫦嫦鿪♶侒㔐溏荈䊹涸⡲ㅷ䧮錏䖤䧮♧럊鿪♶剚管䨾⟃⨢姺✫♲䎃♶管莻ꨆꟚ㷸吥䖕䧮䖎䟝ⱄ㷸绢⡎䧮䟝銴㖈♧⦐䧮㸤♶腋䟝⫹涸橇㞯⢵㷸绢⻍姘䖎黇䨾⟃䧮銴⿡齡㷸绢պ罉䌌铞չ䧮窍⡹⿡⡎⡹⿡齡䖕➊랃鿪♶銴⨞筝㠺簮⽰⤑僽佞瑠涸麕玑䟝銴涸չ⡲ㅷպ欩荛僽荈䊹涸➃欰⛳饱✫隶⻋嫦♧畀涸殯㖒꽏勠鿪僽⥜遤畀♶ず㕜㹻涸暶䚍㶸㖈衽Ⱖ暶婌䕧갠⡎䧮钢捀䌟衽չ䙦垺涸荈䊹պ䩞僽剓ꅾ銴涸䕧갠㔔稇

Q: 䝡僽㥶⡦鷴麕莻骪鑣ꅼ䝡㼩⚆꟦涸넓뀿䧮䥰鑪僽㿂倴չ瑠꫙㘗պ涸ⶾ⡲罏ゅ˘˘䧮㥪㣼欰ㄐ儘꟦蠝暟⹨麕䠮䞕佟屛䧴儘䢀㥪♧럊涸铞岁僽չ䠮濼㘗պ涸籏僽䖰♧⦐暟颶⿡耢䟝ⵌ刿㢵⢿㥶㖈⻍姘儘䧮䪾չⱺպ鸮ⵌչ荈搭պ莅չ儘꟦պ䪾չ辷պ鸮ⵌ✫չ欰ㄐպㄤչ䗅橇պ䪾չ䯨띳➃պ耢䟝ⵌչ鸚⿡涸⫄窡ㄤ㔐䥊˘˘ 搭䖕䧮剚欽魨넓莻骪⿡鱲䳖䨾⟃ꤑ✫չ魨넓պ

© CLEE Hsin che㢫չ暟颶պㄤչ瑠꟦պ⛳僽䧮⡲ㅷ⚥涸䗳⪔⯋稇雊䧮ꨆꟚ✫㖈չⷜ㜥պ酭涸䕎䒭瑠꟦ㄤ暟⟝鿪剤䟝㼩䧮铞涸鑨⛳雊䧮䟝銴涸⡲ㅷ瑳灶歲箁 暟颶ㄤꬌ暟颶涸湱⸈䥰鑪㽠〳⟃皿僽⚆꟦✫ゅ

Q: ➛䎃♧剢䝡㔐ⵌ넞꧆莅昿嫢♧饱鹎遤ⶾ⡲骪铭պ齡儘涸䧮⚛♶䥢欩荛錏䖤꩏끇䧮僽⦐钢溫涸➃䨾⟃䧮撑⨞✫麕玑⚥剤럊汥蕲籏剤珏縢䟅錏䖤荈䊹㖈⩔䧀䧴⛳㹳䙲⸆⸂鷎ㅷ㻜颶腋㼩爢剚橇㞯➃字⟃⿻㼩䗱꫙欴欰秩梖剤鸮穡⿶Ⱏ䠮⡲ㅷ鸏垺涸㋐䜤僽谁遯遤捀㖈㔮갾儘〳⟃僽♧珏鮿䚍涸⿾䨞⿾齡搂腋⨞ⵌ涸➊랃垺涸✲䞕雊➮⦛饥麕溏ⵌ剚疮剚㥪㣼䧮䖰荈䊹ⴀ涮痧♧妄⟃չ➃պ捀ⶾ⡲겗勞椚殹銴剤䧮䠦涸時㱙♧ずⰟ䏞鏤㹁չ橇⥃պ湈〳腋捀䗳銴哭⟝⸈♳չ䩛䊨պ鸏ꅾ럊㖈植㖈䘰鸠涸儘➿♴儘꟦䠮䊺㣟溫䧮衽㻜涸搋拃鏪⛉♧倰꬗僽阮㻜✫鵜ꀀ䞕䚚〥♧⦐铭겗僽䧮䖤㥪㥪涸ⱄ♧妄钢陏䧮涸㹻ꀀ㖈鸏儘➿䧮剤⸆腋

Q: ⡲ㅷշ欬欬㖒ո䟝⫄麨➊랃窍字滞椚涸⯋稇չ➃պㄤ♧䍌䍌涸兞韍崩麕滚⵹儘焷⺫酤秶䩛䊨醢⨞䖰⵹㋐姹涸䋒郍䨡䪾姐ⷜꤎ㣐䑼隶䧭韝螠⽓䬘 ok 䌟衽時㱙㈖衽竤Ⱙ〵铃矦㋲⽿⛳剓ꅾ銴涸♧⦐չ欰崞պ䧮姻㖈箻绢贖㻜䧮⦛腋溏鋅չ儘꟦պ䞕姐鸏僽䧮⦐➃涸㔐䥊⛳〳腋僽⡹涸㔐䥊鸏❉麕⿡♧䍌䍌㼭晚媯溫㻜♳怵窍䧮⦛涸♳♧➿ㄤ♴♧➿✲暟䗳㹁恸恸鸚⿡䧮⦛腋殆♴䣔牝涸〫剤䧃䙂怵ⴀ须鎝

Q: ➛䎃㢚㣔䝡ⱄ䏞⢵ⵌ遺娀斊鹎遤ⶾ⡲㼩䝡涸շ欬欬㖒ո➛䎃㢚㣔ⱄ䏞㔐ⵌ遺娀斊㥶ずչ遺娀斊㔋㕜꽏● 6.27-28 (Sat.-Sun. 14:30)
7.4-5 (Sat.-Sun 14:30)

䠑纏⿶僽➊랃

㖒鎙殥պ涸㸻傌ㄤ䞕䠮 (E-motions) 鸮穡涸㼩鑨鷴麕꽏㖒ⶾ⡲鸏♧妄㔔捀չ遺娀斊㔋㕜꽏㖒鎙殥պ銴㔐ⵌ넞꧆㖈㔮ꨈ⚥谁遯♶剚⨢⡞➃⦛⛳♶剚䧮䖎䎋麌㖣剤墼嚧郍䔞棟导宐櫖暋㥘緶䩛尣ㄳ㉱ⷜꤎ⮭询涸⡑兞麥Ⱘ㖈넞꧆⡞㹻騟鼹书⢵涸㘏䙂剅✫㖈䧮鸏鰳䧴刿傍⟃⵹㼩倴㖈넞꧆㷸騥䘰䘰ꨆꟚ㔔姽䧮ㄤ㹻莅㹻ꀀ涸騅ꨆ僽麶黇涸〳䫼乺涸蕲嘽ㄤ䛌䧌⿾齡搂䕎涸㔮䨞ㄤ朶毠չ欰崞պչ➃պչ儘꟦պ罉䌌剎䭸럊䧮剓չ谁遯㹻⦛㖈㙹䋑獵㾀ⶾ⡲鷴麕荈䊹䖰㹻ꀀ䨾莻涸➃⢵铞鸏酭僽⦐珏㶩鎯箻斊Ꟁ䧭✫㽠䖤鍑谁遯㖈㸞㻞儘蕰僽♧珏鼇乵䚍欩䧴僽㤱⢹涸鑑衽㔐ⵌ㥶ず㷛㶩菛涸䟝⫹莅ⶾ鸤⸂䵦ⴀ✫姐㼩䝡涸䠑纏僽➊랃䧮僽㹻⚥剓「㼀涸㷛㶩⡎䧮 16 娔㽠ꨆ㹻⻍♳⡹銴⿡ջ欰崞ռ⿡莻䑼騥莻鿪㥪〳ⴽ⿡♳莻剎ⵌ麕涸㖒⼦窍✫䧮⹅孵⨞✫䧮尝⨞麕涸㎲鑑䌟⢵涸暟⟝䧴荈䊹涸欰ㄐ佦✲㖈殹㖒欴欰㔐䥊ⶾ⡲罏腋涮㾝ⴀ倞涸殹➿莻骪铃䕀ㄤ㣐滞湬䱺㼩鑨涸〳腋⤛⢪㣐滞ꅾ倞钢陏荈魨莅爢⼦橇㞯㙹䋑涸鸮穡⟃⿻莻骪莅殹➿欰崞⚥涸鸒欽䚍˘˘ պPink Smile Time & Location● 怵ⴀ㖒럊 : 遺娀斊姐ⷜꤎ♧垜⵹䑼խ Weiwuying 1F Foyer of Opera Houseչ㔋㕜꽏㖒鎙殥պ私ꏗ䕧晚䰿䧮♧瓹瑖界Scan for the video of
Weiwuying International Partnership Project㼠奌

FEATURE㼠奌✫䖃䖕涸嫦妄殯㖒竤뀿䧮䌢欽鸏䬸⟃➃剓㖈 2020 䎃倞ⱟ氻嫬硱縟⚆歲涸ꤥ䕧♴谁遯⡲

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As things are destined to fade away,
what we can retain and celebrate is but
memory.

Choreographer YEH Ming-hwa

Interviewer HSU Ching-yu

Q: As an artist with multiple residence experiences (such as Taipei, Taiwan; Bergen, Norway, and

Q: How do you interpret lived experience

Q: This January you came back to Kaohsiung

Yokohama, Japan), what does it mean to you to work in different cultural context?

through dancing?

to create works with your parents. What is theThis question reminds me of what Lin Hwai-min said when he was interviewing me for the Lo Man-fei

Dance Grant in support of my first residence project in Bergen in 2012: Why are you going somewhere
so far away? Having made a substantial preparation for this question, I replied right away: Being aId describe myself as a spiritual type. My

significance of it? What about your summer
project (June-July) at Weiwuying?

curiosity prioritizes life, time and whatever
there is in this world over the influence ofAs the child who receives the most attention

professional dancer has always been my dream since I was a child. Circumstances did not really permit

sentiments, politics or historical specificity.

from my family, I left home and went northward

this, but I do not want to give up. No choreographer welcomes me to dance their piece, so I just create

Perhaps it is more accurately termed as

to study when I was 16. For my generation or

my own work. Heaven knows its such an ordealˌovercognitive, for I tend to associate one thing

predecessors, Kaohsiung is just a place forwith another. For instance, my thoughts dwelledtyros at dance. One needs to leave as soon as

works. Far from getting the hang of it, I stopped foron time because of the ice I saw in Northern

one gets mature enough. As a result, there is athree years without creating a piece. That said, I yearn

Europe. And then, I went on to think about

distance between my family and me, between

for the opportunity to keep learning after school, andlife and the idea of cycle. Another example isKaohsiung and me. This time, the project of

I want to learn new things in a completely unthinkable

the figurine made of glutinous paste, as theplace. Northern Europe is a remote region and thatsobject induces my reflection on declining

the years, I cannot bear to look back at my previous

FEATURE

why I want to go there and learn. You know what,

Museum of Human E-motions presented by

Weiwuying brings me back to Kaohsiung after

traditions and memory...Then, I use bodystaying at three other cities as distinct cultural(dancing) as the medium to translate the input,

hubs form different countries. It vexed meafter you get there, dont do anything. Just haveso the prerequisite for my work involves body,indeed. The vexation proved the proverb thata lifeˌeven dancing in clubs would do, dont takematerials, and space. This definition of work

one winces at getting closer to home, whereas

dance lessons. At that time, I did not see the point

departs from the form of theater, because there

it was also a timely occasion for me to get toof this and was even shocked. As the kind of person

are messages for me to retrieve form the spaceknow Kaohsiung better. And so, I revisited someattentive to advice, I did what I was told to do. Evenand objects to break through the confines of myspots significant for my childhood and went

if it was hard for me and involved a kind of guiltiness,work.

to places I had never been to. It gave me the

I can get you to Northern Europe, replied Lin, but,© CLEE Hsin che

for it smacked of idleness or lack of commitment, I just went through the whole thing despite the ups

courage to try things I had never done before.

and downs I had experienced mentally and physically. Over the following years, I used this old trick

The material and the non-material add up

I wanted to work on something that would

every time I was staying abroad. I looked at and took in things in the most basic terms of living as aroughly to the world, dont they?

even hook a senior passer-by who could relate

person. The process leads you through a series of tension and release, or even just a period of hiatus,

to it. My conviction was that art can attainand it will bring about changes in the work on your mind and your life as well. Each residence offers athis kind of joy of connection. But, what would

set of training, on which different national character certainly has a bearing. But what matters the mostfunction as a hook that makes them smile? My

comes back to what kind of attitude you have when dealing with it.

brainstorming was thus based on things human㼠奌

FEATURE㼠奌© CLEE Hsin che

Interviewee Choreographer YEH Ming-hwa

I wanted to work on something that would even hook asenior passer-by who could relate to it. Art can attain thiskind of joy of connection.

㼠
奌

㼠
奌

© CLEE Hsin-che

for the first time, and it made perfect sense to

and leaves a legacy for posterity. As things arewith the public, such that the public gains theIn hard times, art will not stop. Neither will

involve my beloved parents.

destined to fade away, what we can retain andopportunity to know themselves and theirpeople stop. I feel lucky to be able to docelebrate is but memory.

community, living environment, and city form

something at this moment.

I set up self-imposed rules concerning eco-a new angle with an enhanced awareness offriendliness and hand-made quality. Given that

What being able to return to Weiwuying thishow dance can have an active presence in

Q: Viewing that you will be performing Pink

the rapid pace of life tends to encroach oursummer means for me necessitates a quotation

contemporary life...

Smile at Weiwuying this summer, what do you

E-motions:The Covid-19 pandemic casts a shadow onsense of time, I attempted to regain childlike
imagination and creativity. So, I made use of
the props at Weiwuyings depot, collected
litters including betel nut wraps, soda bottles,
milk cartons, and coffee filters to had-makeof the motivation of Museum of HumanAs artists migrate from one city to another,want to convey to the audience?
the world in 2020 and highlights the role ofart as something that really brings relief to theLife, people, and time are what I put into thisshow. Life pertains to the advice Lin Hwai-

their works contain an interest in objects

society and its members living through multiple

puppets that I used to adore. I also temporarily

brought from their hometown or their own life

mental strains. If art is an optional or luxuriousthat appears to be the simplest but is also there-equipped the opera hall into a classy karaokestory, which are nodes to form dialogic linkage

activity in periods of peace, in turbulent times

most important above all. What I am currently

where I sang classic Taiwanese love songs with

with the memory and emotions they haveits soft power supports resistance against

working on is how to give shape to the vision of

my parents. These amount to my personalin the current place. Residence projects are

overwhelming hardship and fear, against

people as a flux of images so that the aspect ofmemory and you may identify with somesites where artists develop a new vocabulary

hopelessness and suspicion.

time can be properly registered.

aspects of it. Re-enacting fragments of memory,for contemporary dance and explore thefor me, pays tribute to the former generations

possibilities to entertain direct dialogues

min has given me, a reminder on something

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宠牟㉏✲鍑硹㖈溏⡂鍑䞨涸湡涸♴刿㢵僽湱✽涸ꡠ䧃莅⫙聃「鏞罏

EUREKA 谁遯㹻 랔렳✻鏞锓罏卌㎗楑詓僕Q: ⡲捀 EUREKA 谁遯㹻䖰ꨫⵌ剤涸ⶾ⡲騟玑♳麂ⵌ剓ꨈ鍑对涸㉏겗僽➊랃嫦⦐ⶾ⡲罏鿪僽栬用涸⦐넓㼩倴♧⚺겗涸椚鍑莅鑣ꅼ肥㹁剤䨾♶ず嫦⦐➃涸鎯箻胝兞莅繡䠮ⴼ倬⛳肥㹁♶ず麕玑⚥荈搭ⴀ植䖎㢵䷒亮莅鴄

♶ず涸椚鍑莅鑣ꅼず儘⛳姹鵔衽⿮莅錚滞欽荈䊹涸椚鍑⿡䠮「⿡鑣ꅼ鸏⟝⡲ㅷ⡲ㅷ䧭捀䧮⦛彘鸒涸➝꬗⛳䎑⻋䧭莅錚滞㼩鑨涸䎂〵阮䧮䟝鸏⤑僽剓棇顜涸㖒倰⛳僽剓鳟蕲涸㖒

Q: 㼩倴怵ⴀշ䫬鱽ո殹ⴲ僽㥶⡦涮䟝ⴀ⟃㣔ㄤ㖒涸彘鸒⡲捀⫄窡字꟦绢⤺չ㉏✲պ涸韍䗚㼩谁遯贖椚倰岁銴剤Ⱏ陏鸏垺涸Ⱏずⶾ⡲莅Ⱖ㖈⿡䎃2019 䎃籏窡鼇莊屗屗䳓䳓⛓儘厥倰䧮⦛ⶾ鸤ⴀⰟず䫏㼙涸陾겗莅ꡠ䧃ず儘⛳➮䊨⡲♳涸ざ⡲剓㣐涸♶ず僽㸐ꤑ✫ⴕ䊨佪妄ⶾ⡲剚陾鎣锸ⵌ荩抓㸻來⥌⟓字꟦⥌⟓騈佟⛳銴鑑衽乩䫵嫦⡙ⶾ⡲罏ꨈ⟃そ朜涸չ湬錏պ걆郜꨾銴չ鼇鼹畀պ欩荛剤⦬鼇➃㹒珖㔔չ䩯桧椚䚍ⴕ區⟃⿻㟞⸈欴腋♳剤❉䊴殯㸐ず儘䖎㢵儘꟦䧮⦛鿪濼麥ⶾ⡲♳涸鏪㢵鼇乵♶♧㹁剤♧⦐僈焷涸椚歋䧮⦛㥶⡦乩䫵䕹姽搂岁鎊铞涸䠮「莅湬錏⚛《䖤Ⱏ陏莅剓椚䟝涸对㹁䖃䖃꨾銴䖎Ꟁ儘꟦涸湱✽鎣锸莅湱贖搭罜鸏垺Ⱏずⶾ⡲涸䕎䒭⛳僽㔔姽罜棇顜⡲ㅷ腋⻽꧌鏪㢵ⶾ⡲罏涸錚럊㸐⫹⦐㢵꬗湱涸兪넓㖈⿾䥰涸麕玑⚥䧮⦛⛳輑ざ✫䕹姽㼩ⶾ⡲屛鼇莊⛓꟦暶婌涸ꡠ⤚♶⫦嫦嫦鼇莊㸻來䠑鋅㣆պ罜对㹁⿮鼇鸏植韍雊䧮⦛⼧ⴕ䠮莇馱麕䖃䧮⦛椚鍑չ字⚺պ僽椚䚍㖒鼇颩莅腋僽➃字䠑䘋涸꧌넓㾝植字⚺ⴲ㨥㽠僽䟝佖隶㋲♧奚⸂⢿㥶牟奚ば奚涸佟屛禺窡劍䖊♧纈➃䪪ⵌ剓黠ざ涸ⵖ䏞⿡屛椚荈䊹⡎㖈荩抓涸涮㾝⚥չ字⚺牟⸂պ䖃䖃搂䨾♶㖈鸏⦐幋珏涸䞕㞯䒸饱䧮⦛涸㥪㣼⫄窡㸻來騈植➿字⚺Ⱖ㻜尝剤騅ꨆ鸏랃黇ջ牟涸䠑傌ռ剚♶剚⿾罜刿⫹僽雊䧮⦛Ⳗ翹㉂鎣涸㯯➝

EUREKA 谁遯㹻 랔렳✻殹䧮⦛㔐걧溏字꟦㸻來⭑䒭儘殹⚥暶ⴽ僽䩳鱽ⴀ䊣✲㻜♳僽չ➃䊨պ莅չ牟⸂պ涸꧌ざ㾝植牟涸獵⹛➠꨾銴➃涸䍲⸔⭑䒭⻋涸麕玑⛳雊䧮⦛Ⳗ翹㸐⫹僽爢剚⚥秉㹁⤺䧭涸ⷜ劥䧮⦛鑑衽㉏殹꧌넓遤⹛⚛㼟鸏չ꧌넓植韍պ䲾粭䧭չ牟涸䠑䘋պ儘剚♶剚Ⱖ㻜僽♧珏չ〥겳字⚺պ䳖⦐錬䏞⫄窡㸻來騈植➿字⚺Ⱖ㻜尝剤騅ꨆ鸏랃黇չ牟涸䠑傌պ剚♶剚⿾罜刿⫹僽雊䧮⦛Ⳗ翹㉂鎣涸㯯➝欰崞⚥㉏✲涸➃莅鍑硹涸➃Ⱖ㻜鿪僽➃㖈溏⡂鍑䞨湡涸♴刿㢵僽湱✽涸ꡠ䧃莅⫙聃荛倴僽牟鼩僽➃涸䠑䙼䧴鏪⚛♶僽剓ꅾ銴涸鸏僽㖈⡲ㅷ⚥䟝銴邍麨涸♧⦐꬗ぢ
Q: 㖈ⶾ⡲涸麕玑⚥莅⦐➃欰崞剤➊랃鸮穡 ?
谁遯ⶾ⡲䊨⡲剤儘⦬刿⫹僽䪾荈䊹殹䧭♧㯯➝㸐莅傈䌢欰崞䨾䠮濼ⵌ涸莅爢剚孨㕠腠⹛僽筝筝湱⣜涸䧮⦛䙦랃溏䖊莅㔐䥰䧮⦛Ⱏ鸒涸竤뀿⚛鱲⻋䧭♶ず涸铃鎊邍麨ⶾ⡲麕玑⚥嫦妄焥꬗鎣锸儘籏剚剤䖎Ꟁ涸չ军堥պ儘꟦꟥翝荈䊹鵜傈涸䨾鋅䨾耂鸏❉溏⡂괐꼛暋♶湱䎁涸欰崞䗱䖤莅錚㻌✲㻜♳鿪〳腋䕧갠ⵌ䩛♳鸏⟝⡲ㅷ涸涮㾝〳腋♧⦐錚㻌䧴䗱䖤〳腋剚䒂⠽㸤♶ず涸鑣ꅼ騟䖜⛳歋倴谁遯ⶾ⡲♶僽㋲♧垦彋⛳♶僽ꬌ랱⽰涯涸䧮⦛籏僽鷴麕ⶾ⡲⿡鏤岁ⶾ鸤彘鸒莅鎣锸涸䎂〵蕰銴腋欴欰Ⱏ뒊齡❉չ꫙䠮պ⹴䗳⛳僽䩟䩟㻜㻜㖒⢵荈欰崞䨾䠮濼ⵌ涸⚛㗞搭㖒乩䫵㸐⦛

Q: 䝡䋞劆姽鎙殥腋⫄黃窍㣐滞➊랃垺涸须鎝⿻䟝岁劥妄㾝怵䱰《✫嫲鯱醳ざ涸䕎䒭侮넓㸞䱖傂剤怵ⴀ⛳剤㾝錒鸏垺涸㸞䱖Ⱖ㻜僽䋞劆雊錚滞〳⟃刿꬗㖒⿡䠮錏ⵌ♶⫦僽չ⡲ㅷ涸植㜥պ⛳⺫わ㸐涸չⶾ⡲麕玑莅涮㾝鮨騋պ䖎㢵㖈怵ⴀ殹♴♶鋅䖤腋넓뀿ⵌ䠮「ⵌ涸✲䞕䧴鏪腋鷴麕俒㶶䕧⫹ⱄ妄涸侮椚⿡顦鵜⸈♳鸏妄怵ⴀ涸䕎䒭暶婌〫剤暶㼱侸錚滞剤堥剚竤娜♧ⴗ⚛♶僽䨾剤錚滞鿪腋䱺佐ⵌ湱ず涸竤뀿⿮莅㉏✲⿮莅鍑硹⿮莅ⴀ䊣嫦♧媯鿪♶ず⡎⛳姻㔔㥶姽剤馱嫦⦐➃㖈鸏㾝怵⚥鿪栽䖤✫♶ず涸竤뀿穉籽ⴀ荈䊹㼩⡲ㅷ涸椚鍑麕䖃錚滞竤뀿⡲ㅷ儘䖃䖃鿪〫腋溏ⵌ㋲꬗ぢ涸侮넓穡卓㼩䧮⦛⢵铞⿾罜剤럊〳䞼錚滞䖎㺂僒㖒〫䟝濼麥♧⦐垦彋瘸呪齡儘⦬ⶾ⡲罏㥪⫹㽠隶䧭齡⦐չ牟奚㪮պ꨾銴⢵鍑䞨罜鸏⛳僽䧮⦛㖈ツ植鸏⟝⡲ㅷ儘䟝銴鼚⯝涸殹ツ植䕎䒭莅鎝䜂刿㢵垺儘錚滞䧴鏪腋荈䊹稡琎ⴀ㿂倴荈䊹涸䟝岁莅䪡鐱㼩䧮⦛⢵铞僽䖎ꅾ銴涸㼠奌

FEATUREFEATURE㼠奌莅谁遯涸錚럊♶倬㖒鹎⻋♧⟝⡲ㅷ〳⟃剤䖎㢵

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Beneath the surface acts of clarification
are acts of mutual care and listening.
Perhaps traditional religion and modern democracy are not as distant asthey seem? Could the gods' will be a means of facilitating our gatheringsand discussions?
EUREKA! 2.0 Rediscovering Weiwuying Artist

HUANG Ding-yun
Interviewee EUREKA! 2.0 Rediscovering Weiwuying Artist HUANG Ding-yun
Interviewers Kela LIN, Cynthia CHIANG

Q: In Lift Me Up, how did the communication between Heaven and Earth come to symbolize the

EUREKA! project?

traditional custom of fortune-telling?

Every creator is an independent individual, and will doubtlessly have a unique understanding andDuring the presidential election last year (2019), the relationship between Taiwanese folk/religious

interpretation of a theme. We each have different training backgrounds and aesthetic viewpoints. Therebeliefs and politics came up during one of our creative meetings. The discussion involved ourwere naturally many instances of disagreement and debate, which I see as both the most valuable andfascination with how, during every election, religious leaders are required to pick a side, and how

most difficult part of the creative process. We created things that were an extension of our combinedsome candidates claim that their decision to run came out of divinities coming to them in a dream. We

concerns and interests, something of an artistic consensus.

often associate democracy with the rational choosing of virtue and ability, as the collective expressionof the peoples choice. Democracy originated in a desire to move away from authoritarian power

The biggest difference between this kind of collaboration and other forms of collaborative work is that,in addition to increasing productivity through the efficient division of labor and rational analysis, thistype of collaboration also has to embody the nebulous intuition of each creator. We all know that there

systems such as those found in theocratic and monocratic governments, in the hope that a people willfind the best system to govern themselves. However, divine democracy is a constant thread in thedevelopment of Taiwan, and it was this hybrid situation that piqued our curiosity.

is often no specific reasoning behind creative decisions, and for this project, it took a long while for
us to discuss and familiarize ourselves with one another before we were able to embrace everyones

When we look back at religious and folk ceremonies, especially the lifting of the sedan chair in theindescribable feelings and intuitions, and ultimately reach ideal decisions.

pilgrimages, we see a demonstration of manpower and the heavenly powers combined. Movement of
the deities requires the help of man, while the ceremonial process brings us together like a script ofHowever, this form of collaboration is precious for this very reason. Our work incorporates thesocietal conventions. We posed the question of whether this collective action and the perception ofperspectives of several creators. Like a multi-faceted crystal in a chemical reaction, it is a fusion ofcollectivism as the gods will is actually an alternative form of democracy. Perhaps traditional religion

our many differing creative and artistic opinions in an unending evolution, each piece shaped fromand modern democracy are not as distant as they seem? Could the gods will be a means of facilitating

countless forms of understanding and interpretation. The audience is also encouraged to sense and feelour gatherings and discussions? In reality, those who seek out fortune-telling through the gods andthrough their own understandings of each piece. These pieces are embodiments of our communication

those who interpret the gods responses are all human. Beneath the surface acts of clarification are

as well as platforms for dialogue with the audience.

acts of mutual care and listening, and whether that is the will of the gods or of man may not be soimportant. This is part of what we really wanted to express in this show.

㼠奌

FEATUREFEATURE㼠奌

Q: What are the most difficult part youve encountered in your creative journey as an artist in the

㼠
奌

㼠
奌

Q: How do the work connect to your personal life?

Q: What messages and ideas are you hoping to communicate to the audience with this project?

Sometimes, artistic work involves turning yourself into a medium. Your art is closely intertwined withThis show took on a complex form that involves performance as well as exhibition. We chose to dowhat you sense in daily life, and with the energy and pulse of society. For us, it involves the way we viewit this way because we wanted the audience to feel the site of the art as well as the process of its

and respond to our shared experiences, and how we express that in a completely different language.

creation and development. Many aspects that may not be absorbed during the performance might

In the creative process there is often a long warmup time at the start of every discussion where wetake form more intimately through words or images. And since the form of this show is so unique,just chat about what we observed and heard recently. These seemingly unrelated experiences andonly a small number of people will have the chance to experience all of it. Not every audience member

observations actually affect the development of the work at hand; an observation or experience

will have the same takeaway from participating in the fortune-telling, the interpretations, and thecan open doors to completely new interpretations. Since artistic creations dont adhere to any one

pilgrimage; each segment differs, which is what makes it so interesting. Each person experiences thestandard and are never black and white, we are always attempting to build platforms for discussion andshow differently, and formulates their own understanding of the work. In the past, audiences often only

communication through the act of creation. We have to willingly embrace inspirations that come fromsaw a work from one perspective, which we find unfortunate. Audiences often look for one standard

genuine, everyday life and truly resonate with people.

answer to art, making a sort of authority or deity out of the creators to ease their confusion. This is what
we wanted to avoid with this show. It was really important to us to include a wide variety of output andways of presenting it, in the hope that the audience would then build their own ideas and criticisms.

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遺娀斊㖈瑠꟦♳剓剤馱涸㽠僽㺂鏪➃㖈瑠꟦⚥ⶾ鸤չ倞㹁纏պ「鏞罏 EUREKA! 2.0 ⶾ䠑㻜뀿荈鸤䨾㒷㼬 / ❜鸒㣐㷸䒊眡灇瑖䨾 Ⲵ㣔 來䱇鏞锓罏 㽍⽈䚃鏪尃広

Q: 㽠谁遯ⶾ⡲⟃⿻㣐滞⿮莅罜鎊䝡钢捀遺娀斊涸瑠꟦♳剤⡦暶婌䚍䧮荈䊹䌢䭭荩⚥姐ⷜꤎ넞꧆遺娀斊㕜㹻谁遯俒⻋⚥䗱鼩剤荩⻍⽰㼟衆䧭涸邍怵谁遯⚥䗱⨞嫲鯱⟃⯏怏⫄窡莅㖈㖒佦✲涸ջ뒉㿋ռ莅倞罜㺢剤劢⢵䚍涸ջ遺娀斊ռ腋慨湚䖎㢵䓹⸂莅ⵞ慨
EUREKA! 2.0 ⶾ䠑㻜뀿荈鸤䨾㒷㼬 / ❜鸒㣐㷸䒊眡灇瑖䨾 Ⲵ㣔 來䱇䒊眡ㄤ瑠꟦⢵铞鸏♲䏠㖈ず♧䪡儘꟦鏤鎙歂衆䧭莅⽰㼟斊麌涸㜥긭䕹姽鋊垸鵜⡂䪮遯♳⛳鿪剤䖎㣐涸䮋䨞⡎僽㛇㖒⡙縨⽿㣐♶湱ず䒊眡鏤鎙涸䕎䒭铃鎊ㄤ瑠꟦乽⡲刿剤⼪猨ⴕⴽ⟃♲珏瑠꟦䢀⹴㼩䥰䨔搭♶ず涸㛇㖒朜屣♶⫦㣐㣐㖒Ꟛ涮䧮⦛㼩倴邍怵㜥㚖欩荛僽♧⦐ⰗⰟ䚍俒⻋䚍䒊眡겳㘗涸䟝⫹⸂⛳ⶾ鸤ⴀ荩抓⵹䨾劢剤涸倞겳㘗邍植湱㼩倴〥㢫Ⰽ䏠艏㖒鯱捀㺙꧌涸㜥긭遺娀斊涸չ㣐պ刿黠ざツ植䎂箣㻫䑞涸䢀⹴㸐涸刼箁僽莞箣⚂㼠奌堾ぢ䒂⠽涸鸏⦐չ㣐պ♶⫦〳⟃怏駈ⷜ㜥䨾꨾涸⸆腋䚍⛳ⶾ鸤ⴀ⯏怏ぐ珏〳腋䚍涸鸮䱺瑠꟦䕎䧭鏪㢵剤馱涸朜屣Ⱖ⚥⽫韍剓幀ⵠ僽嚩埠䑞㜥涸չⰗⰟꏈ楪պ嚩埠䑞㜥涸瑠꟦㽯䏞⛓㣐䎙⛖僽♧珏

FEATUREFEATURE㼠奌佦䠑涸垸祎鸤㽠ⴀ♶ず崞⹛ⴀ植涸〳腋䚍罜ⰗⰟꏈ楪䧭捀ⰗⰟ崞⹛㹁纏瑠꟦⢪欽涸㥪⢿㶩㖈ꏈ楪鏤縨䖕㣐㹻剚荈涮㖒䱖꥙鰶崩⢪欽䕎䧭♧珏⿼㊥涸Ⱏ欽堥ⵖ〥㢫♲垜 simtree ㄳ㉱涸ꪫ〵錬衆涯㣔僽⠅䤲涸㖒倰儻♳⽿僽♧纈㷸欰涸隡剅瑠꟦欩荛剚荈⪔㼭ꠗ隡敚⢵酢駈❮䏞鸏❉鿪僽傂剤瑠꟦鄄⢪欽ⴀ倞涸崞⹛罜鸏❉崞⹛ⱄ䕎䧭瑠꟦涸㢵ꅾ㹁纏遺娀斊㖈瑠꟦♳剓剤馱涸㽠僽㺂鏪鸏珏瑠꟦⚥չ倞㹁纏պ涸涮欰鸏⛳僽㸐剓⟂➃劍䖊涸㖒倰

Q: 䊨⡲㖷⚥䝡⨞✫➊랃⢵慨涮谁遯㹻㼩遺娀斊瑠꟦䒊眡涸䟝⫹

Q: 䊨⡲㖷⚥捀⡦չ뒉㿋պ㖒⼦⯋稇輑Ⰵⶾ⡲僽㥶姽ꅾ銴痧 ♧ 妄 涸 EUREKA 僽 㜥 긭 彋 ⪔ 銴 ㉬ 欽 儘 㔔 姽 䧮 ⦛ 鼩 㖈 䟝 ⫹ 鸏 ❉ 瑠 ꟦ 剚 鄄 㥶 ⡦ ⢪ 欽 Ⰽ 䎃 ⛓ 䖕 涸遺娀斊僽㕜㹻秹涸㜥긭僽넞꧆剓ꅾ銴涸㣐㘗俒⻋堥圓⛓♧⡎㸐ず儘⛳僽뒉㿋ꨈ䖤ⴀ植涸㣐㘗俒⻋鸏⟝✲䞕䨾⟃鸏妄涸⿮鏞ꤑ✫遺娀斊㜥긭⛓㢫鼩⿡뒉㿋饥♧㕖鑑㕬欽♧珏㖒㕬䒭涸嚌䙂㼟鸏❉㖒涸倞㘗邍怵㜥긭♶〫僽怏駈邍怵堥腋涸㼠噠瑠꟦刿僽Ꟛ佞⢪欽涸ⰗⰟ鏤倷䨾⟃莅滞➃鸮穡⼧ⴕ

EUREKA 2.0 䊨⡲㖷鱲罜꬗㼩涸僽䊺竤Ꟛ긭涸瑠꟦㥶⡦鼩剤㢵垺⢪欽涸仍䓹䟝⫹⟃⿻㥶⡦鸮穡㖈㖒㖒⼦莅鿪䋑涸竤뀿䬘鹎⢵㼩瑠꟦剤Ⰹ㢫侮넓涸ꅾ倞钢陏顀䎓琐罉䌌꧌ざ♧⦐㖒倰酭ぐ⦐♶ず涸⢪欽罏㼟➮⦛ぐ荈錚럊涸騟箁錚㻌⚛粭醢♴⢵ヰ⠺蓐罉䌌䲿ⴀ儘꟦涸錚䙂㼟遺娀斊鱲⻋捀儘꟦莅瑠꟦涸麉諴䓽锅谁遯ⶾ⡲鸤㽠钢陏♳涸չ灶〡պ鸤㽠䖕糵ぐ珏鑣ꅼ〳腋꤫䕔俛 Fangas Nayaw 罉䌌⵱⟃荈魨佦✲ⴕ❧Ꟛ㨥䌟걆㣐㹻⟃㹻停ㄤ걆㚖涸嚌䙂⢵ⶾ鸤ㄐそ莅⭑䒭欴欰遺娀斊酭♶ず瑠꟦涸倞ꡠ⤚䧮⵱僽鷴麕䕧⫹䫏䕧⿡鎣锸չ⫄黃պ鸏⟝✲植㖈涸氋䞕㽠僽♧珏⫄黃涸穡卓罜爢❜瑠꟦ꥬꨆ⛓䖕䧮⦛刿꨾銴须鎝䕧⫹莅暟崩涸⫄黃䧮⦛鏤鎙✫♧⦐⫹㣐㖒麉䨡駵ꡠ涸㼭箻绢嫦♧穉銴诔歋䫏䕧㖈遺來肬⿻⠅䤲涸ⰗⰟ堥圓䨾⟃遺娀斊涸⟤⹡僽㢵⯋涸㕜㹻莅㖈㖒涸錬蒀鿪ず瘞곏衽⵹꬗䲿ⵌ荩抓ぐꅾ銴⯏怏⫄窡莅㖈㖒佦✲涸뒉㿋莅倞罜㺢剤劢⢵䚍涸遺娀斊⛓꟦涸㼩嫲腋慨涮ⴀ䖎㢵䓹⸂ⶾ鸤㼩㜥긭劥魨㢵垺涸ⵞ慨䨾⟃䖰䒊眡♳⢵铞Ⱖ㻜䖎坿䠑溏ⵌ㜥긭腋ㄤ㖈㖒剤刿⸈鞮㺢㢵⯋涸ꡠ⤚⵹꬗䲿ⵌ涸⣘㣐滞⢪欽涸䎂〵ꏈ楪娀斊⢵騥莻涸崞⹛鼩剤㖈㖒넞⚥涸㷸欰⢵㈥剅鸏❉♶僽剓㼠噠涸俒⻋谁遯邍怵⡎涸焷鿪㖈遺娀斊酭涮欰✫遺娀斊⚛♶僽䎂傈㼓ꟗ〫剤㣐㘗邍怵䩞Ꟛ佞涸㜥긭罜僽䎃Ꟛ佞꟥儚麉諴涸瑠꟦䎂傈䪐怵㖈㖒ⰗⰟ瑠꟦錬蒀涸⟨ꆀⰦ㻜馄麕邍怵傈䪐怵㕜㹻秹㜥긭涸儘꟦䨾⟃㸐腋肖頾刿㢵㖈㖒䚍ⰗⰟ䚍欩荛僽麉䤲䚍涸⟤⹡鸏㖈䒊眡♳㽠剤䖎㣐涸䠑纏娀斊ぐ⦐錬衆涸뒉㿋䕧⫹鹎遤䘰鸠䕧⫹䬝伢♴♧穉⛳銴䱺糵㼩䥰♳♧穉涸䕧⫹ⱄⶾ⡲䭰糵㖒䖃♴⫄黃㣐㹻剚ⵄ欽㻜ꥹ㖈㜥涸䒊眡瑠꟦㼩䥰䒊眡⛓㢫涸㙹䋑兞錚剓䖕涸꧌넓ⶾ⡲♶⫦剤遺娀斊㜥긭涸瑠꟦朜䢀䧴崞⹛⛳䪾ヰ黩涸鿪䋑秙椚䟝⫹莅竤뀿䌟鹎⢵ツ植Ⰹ㢫㼩鑨涸垺頗

遺娀斊 Eureka! 鎙殥䖰⡦罜⢵䰿䧮✫鍑刿㢵⢵륌⿡腠
What is Weiwuying Eureka! ? Scan to know more!

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27

Most interestingly in the space of
Weiwuying is that it allows the occurrenceof new definition.

"Fongshan, compared with the brand new and futuristic Weiwuying, is fullof traditions and local stories, and can inspire more tension and create avariety of stimuli for the venue itself."

Interviewee EUREKA! 2.0 Creative and Experimental Lab Guide/ Professor of NCTU Department of Architecture LING Tienխ

EUREKA! 2.0 Creative and Experimental Lab Guide/ Professor of NCTU Department of Architecture LING Tien

Interviews Bonnie YOU, HSU Ching-yu

imagination on performance venues, or evena public and cultural category of architecture,
but also created a new type of performance
unprecedented in Taiwan.
Comparing to the other two venues with densed

Weiwuying is that it allows the occurrence of
new definition, which is very anticipating.

emphasizing on artistic works that creates thebreakthrough of acknowledge, which could

follow with a variety of possible interpretations.

Q: In the lab, how did you stimulate the artists'

And guide Fangas Nayaw started with sharing

imagination of the space and architecture of

his own stories, leading participants to create

Weiwuying?

the naming and rituals with the concept ofhinterlands, the immensity of Weiwuying makes

family and domain, establishing new relations in

it more suitable for presenting a smooth and

The first EUREKA! project had occured whenbroad condition with its curve soothing andthe venue was about to launch, so we wereextending laterally. The immensity can notstill imagining how the spaces will be used.

only meet those theater required features, but

Two years later, the EUREKA! 2.0 workshop

Q: Considering artistic creation and publicalso create a connecting space full of various

was facing the venue and its spaces alreadyengagement, how would you see the uniquenesspossibilities, composing many interestingin operation, bringing up questions on how

after social-distancing, we even need morein the space of Weiwuying?

situations. One of the most impressive is theto expand the imagination of multiple uses,

conveyance of information, images andpublic piano at Banyan Plaza: the large scaleand how to connect with the localof the Banyan Plaza is almost a deliberate blur,community. Therefore, besides

National Taichung Theater, National Kaohsiungcreating the possibility for different activities.

the venue Weiwuying itself, theCenter for the Arts (Weiwuying), and the

And the public piano has become a marvelous

workshop also visited Fongshan,

upcoming Taipei Performing Arts Center. In

example of defining space by public events.

trying to draw in the experienceterms of architecture and space, the three

After the piano is set up, people line up andfrom these regions and cities byvenues were designed at the same period ofplay it spontaneously, forming a friendly sharing

applying a map concept, in ordertime, now just completed or about to operate,

system. Furthermore, the terrace corner ofto give a new understanding of theon a similar scale to each other, and were also

simtree café on the third floor is a resting area

space internally and externally. Guide

technically challenged during construction.

during day time, but it becomes a reading space

Kung Yu-ying gathered different

However, their location bases are quite different,

for group of students in the eveningˌtheyusers of the same space, observed

and each has its advantages on the language

even prepare their own small reading lamps

them and drew down the routes

forms and space shaping in architectural

to bring up the brightness. These are existingin their perspectives. Guide Chow

design. The responses to respectively different

spaces where new activities taken place, and

Ling-chih put forward the conceptbase conditions with three distinct spatial

these activities give multiple definitions to theof time, transforming Weiwuying

arrangements, not only hugely developed ourspace itself. Most interestingly in the space of

into the wander of time and space,

I often take the three venues in comparison:

On the other hand, I explored the act oftransfer through image projection. The

current pandemic is a result of transmission;㼠奌

FEATUREFEATURE㼠奌

different spaces within Weiwuying.

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logistics. We designed a small exercise like thethe new performing venues across Taiwan

tournaments in field games. Each group had to

not only are professional spaces satisfying

shoot quick images of the Fongshan projections

performance functions, are also facilities open

in the corners throughout Weiwuying, andto public, and so are they important to connect

the next group should re-create the images

with the people. Fongshan, compared with thecorresponding to the previous group, passing

brand new and futuristic Weiwuying, is full ofdown this pattern continuously. The participants

traditions and local stories, and can inspire

made use of the actual architectural space

more tension and create a variety of stimuli foron site corresponding to the urban landscapethe venue itself. Architecturally, I feel content tooutside the venue. The final collective creation

see the venue building its diverse connections

not only included the spatial status or activities

with the local area. The grand piano mentionedof the venue Weiwuying, but also brought inabove for public use, the event Weiwuying

the urban texture, imagination and experience,

365+ Dance, and the reading space for local

presenting a bilateral dialogue.

high school studentsˌthese are not the mostprofessional or cultural artistic performances,

Q: In the lab, why is it so important to integrate
the elements of Fongshan area into thecreation?

but they all in deed happen in Weiwuying. It is
not a venue closed on weekdays and only open
for large-scale performances, but a space thatis open for wandering all year round. The weight

Weiwuying, as a national venue, is one of theof the role as a local public space on weekdays

most important large cultural institutions in

actually exceeds its time as a national venue on

Kaohsiung. It is also a rare enormous-scale

performance days. Weiwuying can carry much

cultural, educational and recreational publicmore local, public, and even recreational tasks,

institution in Fongshan. Therefore, the mission ofand this is of huge significance architecturally.

Weiwuying is diverse; its national and local roles
are equally significant. As mentioned previously,㼠奌

FEATUREFEATURE

㼠
奌

29

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CHEN Yu-cheng
Percussion Recital31

7.4 Sat. 19:30

꤫⿶铇䩧乹坿栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500

Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 76 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻDuration is 76 minutes with a 15-minute intermission.

劥㜥갉坿剚⽰㼟䌟窍聃滞欰⹛涸䠮㸽❧「ⵄ欽侫乹坿㐼儘涸鋕錏䌟衽鞮㺢耫갠涸聃錏䠮「嫦껷刼㶩涸栬暶䚍ㄤ䊴殯䚍䩧乹坿刼籏僽⯏怏腋ꆀㄤ孵⹴⫹㸤䧭♶〳腋涸⟤⹡菛涸ⵞ慨刼湡管䱖✫攨䞕莅⹛➃⛓贖䌟ⴀ礶ꅷ涸佦✲劥㜥갉坿剚㼟歋假薊䩧乹坿怵㤉㹻꤫⿶铇䌟⢵礶廴涸怵ⴀ捀聃滞㸞䱖♧㜥眏㤉莅䖒⹛䠮ꬌ䌢䓽捙涸栬㤉剚ꨶ㶩갉坿ջ粳㾀ռ⟃⿻ջ䒸⸂ռ涼捀ꬌ䌢倞琐⛓刼湡렽겳⛳㸞䱖♧禺⴪ꬌ䌢竤Ⱙ⹛聃⛓そ刼劥㜥갉坿剚鼝锞ꏈ楪㹻詎⣜㺀⟃⿻䩧乹坿㹻㶰酕䡹♧ず捀錚滞鑣ꅼ礶䕙乹坿刼CHEN Yu-Chengs debut percussion recital in Weiwuying combines many elements. Yu-Cheng chooses
many famous drum masterpieces for audience, such as Matre’s Dance, Tchik and Raise the Roof. Jazz
vibraphone piece Boogie makes the recital reach more possibilities. It is essential for a percussionist
to choose a piece with prerecorded CD. Both Attraction and Hikikomori are really challenging pieces
for percussionists. He also invites Percussionist Yu-Tzu Kung and Yi-Chen Tsai to join his debut concert.
⚺鳵 Presenter (s)侫䩧乹坿㕰 Triple Trip Percussion Group怵ⴀ Performer (s)栬㤉㹻 Percussionist | ꤫⿶铇 CHEN Yu-cheng ⼿怵 Duet | 㶰酕䡹 KUNG Yu-tzu ꏈ楪 Piano | 詎⣜㺀 TSAI Yi-chen

JULY

Joseph YANG & Joshua YANG
2020 Joint Recital

7.5 Sun. 14:30

嘥椚䰦嘥椚烂 2020 耢ざ栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 100, 200Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 115 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻDuration is 115 minutes with a 15-minute intermission.

冸 2018 䎃嘥椚䰦莅嘥椚烂Ⰽ⯌䓍涬♳㕜㹻怵㤉䑼䖕㷸遯Ⱟ⮛涸✳➃㼟㖈 2020 䎃冖⧺ⱄ䏞䮋䨞荈䊹㖈荩⻍⿻넞꧆涸Ⰽ㜥갉坿剚➮⦛㼟䌟⢵㣐䲿楪⿻㼭䲿楪涸竤Ⱙ刼湡⺫わ䊼饟涸搂⠶㤉穉刼蜓劦暶痧㔋贫⼿㤉刼䋪呔㽳㽳涸ꦑ䟝刼岁貽⯘晋㤉뒊刼⿻叞〳㣗蘘㛇涸峫〳〳隶㤉刼˘瘞瘞꧖宕坿刼ず儘⛳ⱄ䏞鼝锞ⵌꏈ楪㹻桬俒㫲伟䩛ざ⡲竤娜 2 䎃涸㷸绢⿻䧭Ꟁ➮⦛㼟踙隶䧭刿剤눃⸂涸栬㤉㹻穪㼩剚끇蒈㜥錚滞㽠雊䧮⦛䭎湡⟃䖊ゅ !

After challenging National Concert Hall in 2018, this summer, the talented twins, Joseph and Joshua
Yang, are once again holding concerts in Taipei and Kaohsiung. They will collaborate with pianist WenChuan Wang and perform classics for violin and cello, which includes pieces by Bach, Mozart, Paganini
and Tchaikovsky.With their progress in these years, they are definitely becoming soloists with charm
and will undoubtedly impress the audience!
⚺鳵 Presenter (s)敚錬坿㕰 Deng Jiao Orchestra怵ⴀ Performer (s)㣐䲿楪 Cello | 嘥椚䰦 Joseph YANG 㼭䲿楪 Violin | 嘥椚烂 Joshua YANG ꏈ楪 Piano | 桬俒㫲 WANG Wen-Chuan

♬
剢

JULY

♬
剢

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Ti HUANGs Clarinet
Recital33

7.12 Sun 19:30

姐莅莻Э랔蚣㋲矲盘栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 400Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻDuration is 90 minutes with a 20-minute intermission.

侮㜥刼湡⟃姐莅莻捀⚺鯥꣚呏䒄⡲刼㹻檘倛㝝笞開稇⟃⹛聃涸耫箁濼そ 罜嫲䩞姐ⷜջ⽓Ꟍռ兜繏넞螩㣗莻ⷜջ繏㺙姘莅蘕뜩衞ռ涸鼇刼姻僽ջ搂耫♶姐搂⹛♶莻ռ涸噲荞邍植繡㕜⡲刼㹻꼛宝⟃

㹨䃷꾚ꨶ䕧շ꩛晋涸獵⹛㙹㜄ո⚥涸抡눦շ⽓銯岁ո捀话㕬涸㻨⡲䌟剤㸙㸿瑝⯕涸䓽㣐孵㜥讍⯘倛괐怵㤉㹻螩ⵄ嵙 ˙ 覈倛⟃岁㕜Heliodome갉坿䑼㔔㣖ꤿ麌遤鮨麥罜欴欰涸鶵ꨆ⯕䕧捀꫙䠮罜陗㻨涸շ姘峫⟻䗞ո暶ⴽ捀劥㜥怵ⴀ罏랔蚣佖管窍 Eb ㋲矲盘莅ꏈ楪

The program is named after the work written by Argentina Composer, Carlos Guastavinos Tonada
y Cueca (Song and Dance). Guastavino is well-acclaimed by the beautiful melodic lines. Combining
with the rich harmony and delightful rhythm, this work is truly a tasteful treat for the audience. The

Three Pieces written by Paquito DRivera who is one of the most famous jazz clarinetists/composers,brought us a touch of Latin groove. Opera Carmen and Ballet Romeo and Julliet are also featuring

great songs and dance music. Last but not least, theOloidis inspired by the concept houseHeliodome

in France by observing the atmosphere changing under the traces of the sunlight which was especiallyarranged for Eb clarinet and Piano for Ti Huang by French saxophonist Philippe Geiss.

JULY⚺鳵 Presenter (s)㽠僽䠦坿 Taiwan JustMusic 怵ⴀ Performer (s)㋲矲盘 Clarinet | 랔蚣 Ti HUANG ꏈ楪ざ⡲ Collaborative Piano | 薵棇筃 FAN Chen-lin

7.17 FRI. 19:30

LTPO Hakka and British
Music Concertշ㹐䏠薊⧍ո● 갈坽䑺 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻDuration is 120 minutes with a 20-minute intermission.
怵ⴀ刼湡 ProgramӪ 桬厣⸂륌惏䠦坿䎸刼 Ӫ Eric CoatesThe Dambusters March Ӫ Malcolm ArnoldFour Scottish Dances op.59Ӫ Vaughan WilliamsFantasia on GreensleevesӪ Vaughan WilliamsSea songs Ӫ Kenneth AlfordColonel Bogey March Ӫ Edward ElgarPomp and Circumstance March No.4 Ӫ ꀶ ꨎ 颩劆 僱 괐 Ӫ John
BarryJames Bond MedleyӪ Frederick LoeweMy Fair Lady "I Could Have Danced All Night"Ӫ 勛ㆹ谁륌惏僦韍❜갠鑘Ӫ Bill WhelanRiverdance륌惏䠦坿盘䓛坿㕰稡琎㢵䎃俒⻋鿈勠衆俒⻋涮㾝爢⼦斊鸤竤뀿♧姿♧艁⽫ぢ⵹鼠鹎ぢ♴稟呏鷷
姿㼟㹐㹻⨋ꀀ䌟ぢ俒⻋鿪䗱껷䏞涬♳遺娀斊㕜㹻谁遯俒⻋⚥䗱갉坿䑼鼝锞❧隘㕜Ⰹ㢫䭸䳸㹻鿓耢僅來䱇㹐䌏䭸䳸⿻㕜ꥹ濼そ㥏넞갉꤫䢵㥶⽈㡦Ⱏず怵ⴀ捀갉坿剚㟞幑❮럊⟃շ㹐䏠薊⧍ո⡲捀갉坿剚⚺겗刼湡巒覈♧禺⴪薊㕜⡲刼㹻礶廴⡲ㅷ䌟걆錚滞䱳程薊⧍⚆歲⚛诔衽갉坿⫄麨欰崞涸溫谁遯
涸㊥俒⻋涸繡Long Tan Philharmonic Orchestra combines new and old elements to offer a wide variety of culturalexperiences and the spirit of living an aesthetic life infused with music. LTPO wishes to develop longterm programs with students and groups in the artistic field to stimulate education of arts andhumanities while making it a local specialty. LTPO's continuous efforts embody the notion of living a
musical and artistic life.
⚺鳵 Presenter (s)륌惏䠦坿盘䓛坿㕰 Long Tan Philharmonic Orchestra怵ⴀ Performer (s)坿㕰 Orchestra | 륌惏䠦坿盘䓛坿㕰 Long Tan Philharmonic Orchestra 䭸䳸 Conductor | 䓹듳㸙 CHANG Hung-yu 㹐䌏䭸䳸 Guest
Conductor | 鿓耢僅 KUO Lian-chang 㥏넞갉 Soprano | ꤫䢵㥶 CHEN Hui-ju

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Weiwuying Showtime
Sandee CHAN

遺娀斊⚺鳵

35

7.17 FRI. 20:00

ս遺娀斊㼭儘⯕վ꤫棁㧚շ饿鎹䥊嶋鸚⛓⵹ո● 邌怴䑺 Recital Hall● 牱⭆ Tickets NT$ 300, 500

Ⰽ䑼ꤎ㈒牱 Arts TicketꟀ 60 ⴕꗻ搂⚥㜥⠅䜂Duration is 60 minutes without intermission.

չ㥶卓鎹䥊僽♧⦐緶걧䧮䋞劆㸐宕黇♶剚麕劍պꅾ䣔喀卌 (Chungking Express),1994 㽠㖈ꆄ㙹娀く✫
30 ⦐뒉唅緶걧⛓䖕䧮涸痧♧䓹㼠鱀涮遤✫鸏❉䎃麕⿡剤❉姐鼍㣟㖈ꨣ畮剤❉姐㖈ꏗ갉㹔涸瑠孵
酭侕⿡剤❉➃ꐫ麕✫䎃걧剤❉➃䜄䊫㖈⚆歲〥♧⦐錬衆鼩剤❉➃⚛劢鼇乵莅⡹ⴕ❧劢⢵緶걧♳涸傈劍デ鏰䧮➃僽剚隶涸㥪剦⿼ Eric 䖛灇㛆涸し➮僽厬鮿涸䗱酭酤♶♴涸俒㶶僽猽㺙㽠鸮饿衽➛儻繡♶繡뜩剤❉耫갉籏⯝♶✫銴麕劍尝剤劍ꣳ涸〫ⶦ⡹䧮䗱䏁♶〳铞涸剎竤涸㷑栬莅䠮⹛饿鎹䥊嶋㣟⛓⵹鑑衽䪾齡❉姐䪪ⴀ⢵㈖窍⡹聃˘

Before the Memories Fade

If memory is a can, I hope it never expires.Chungking Express, 1994 Just after Takeshi Kaneshiro
finished 30 pineapple cans, my debut album was released. Years pass by. Some songs are lost in thecloud; some are disintegrated in the studio. Some people just missed the timing, some happened to
be in the other end of the world and some did not choose to share the future together.The date on the
can told me: People would change. The guitar sound of Eric HSU, my good companion, is gentle. Words
that ones heart cannot load are secrets. Certain sounds are inevitably going to be expired regardlessthe night may be beautiful or not. What stays infinite are the unspeakable deep down solidarity andaffection. Let me sing you the songs before the memories fade away.

JULY

Last Night When theStars Were Bright7.18 Sat. 19:30 7.19 Sun.14:30

շ僴㢹僤鴇ոЭ 2020 勛㕜⥜私䙂⡲ㅷ● 姏ⷚꤍ Opera House● 牱⭆ Tickets NT$ 800, 1200, 1600, 2000, 2400, 2600, 2800
㻫㸪㈒牱 Arts Tickets
Ꟁ 120 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

չ欰ㄐ僽♧鸮⚮♶倬涸鼇乵պ㥏⡲㹻랔䏭謶㖈倞剅շ僴㢹僤鴇ո⚥䲾㻨涮欰㖈Ⰽ⦐㹻䏭酭涸♲媯㭶㢫䞕佦✲鸏❉佦✲♶⡎《勞荈䏭謶ヰ黩涸溫㻜欰崞捀隡罏䨾♶濼涸僽溫㻜欰崞涸佦✲刿嫲㼭铞醳꧹䖤㢵㖈㛚䭰䧴䜿ꨆ荈魨⭆⧩錚涸ず儘鏪㢵➃胝頾衽㠺⸂ㄤ濨湽剓穅⽿⛳䗳갭⹅侒⨞ⴀ鼇乵Life is a series of endless choices. In her new book Last Night Under The Stars, female writer HUANG
Ting-Wei tells three affairs in two families. Besides basing on true events in the authors daily life, toreaderssurprise, stories in real life are more complicated than they are in the book. In the dilemma of
toconform or not to conform with own values, many people suffer pressure and struggle and must maketheir choices bravely.
⚺鳵 Presenter (s)㻫㸪谁遯竤私肆⟨剤ꣳⰗ぀ KHAM Inc.
怵ⴀ Performer (s)湌醢 | 卌䒊㻳醢⡲➃ | 话㣐땃⾲ⶾⷜ劥 Script Writer | 勛㕜⥜ Hugh K. S. LEE ⷜ劥⥜管 & 㼬怵 Director | 型⯕罇 FAN Kuang-yao 谁遯곃㉏ Artistic Adviser | 桬剢 WANG yueh ⶰ㼬怵 Assistant Director | 齶鹠䂾 CHIU Yi-feng 莻〵湌漛 | ꡠ䠦莻〵 & 䕧⫹鏤鎙 Stage Design | 桬㤘渿
WANG Yi-sheng 莻骪⹛⡲鏤鎙 Choreographer | 䕠⚑⡡ PENG Cheng-you 敚⯕鏤鎙 Lighting Design | 導厣㸪 SHEN Bo-hong 갉坿鏤鎙 musical design| 脌㸙ば HU Yu-jun 剪酤鏤鎙 Clothing designer | 卌⥆⠺ LIN Yu-ling 䎂꬗鏤鎙 Graphic Designer | 嘥ꔩ彂 YANG Zhen-yuan 伢䕧 Photographer | 桬䘋⨀
WANG Zhi-wei 怵㆞ Actors | 齽ꨎ謶 SHAO Yu-wei哀姻纈 LIANG Zheng-qun型⯕罇 FAN Kuang-yao랔ꅷ⭑ HUANG Tsai-yiⷠ㡦字 LIU Shi-min䨥荈螠 DAI Zi-hua齶鹠䂾 CHIU Yi-feng蘟蓇 YIN Fu䕠⚑⡡ PENG Cheng-you勛蓇覂 LI Fu-rong剤䠮錏 Fei F.E.E.L Fei

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⚺鳵 Presenter (s)遺娀斊㕜㹻谁遯俒⻋⚥䗱 National Kaohsiung Center for the Arts (Weiwuying) 怵ⴀ Performer (s)姐䩛 Singer | ꤫棁㧚 Sandee CHAN
し➮ Guitariest | 䖛灇㛆 Eric HSU 窡硁 Overall Plan | 锓㸻谝 Tsung-Fan, TAN 鋕錏 Visual | 랔㢚㧄 Faustine 敚⯕ Lighting | 豤䳓䏭 May SU 갉갠 PA |ⷠ荞㸞 Andy LIU 飬⸔㋲⡙ Sponsor (s)〵抓犷莇俒來㛇ꆄ剚 Taiwan Fuhsing Culture and Education Foundation 僈䳓㕜ꥹ猰䪮 Launch Technologies Co.,
Ltd.

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CHEN Shao-chi
Piano Recital37

7.18 Sat. 14:30

감⯕笻뜩갉坿剚
● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 200䎃➿㈒牱 ERA TicketꟀ 100 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 100 minutes with a 15-minute intermission.

劥㜥갉坿剚僽꤫⸛笻껷㜥ꏈ楪栬㤉剚㼟怵ⴀ䖰䊼峫⯘〢Ⱙ嵠恠ⵌ植➿瘞♶ず儘劍涸갉坿㔋娔⼱娔Ꟛ㨥䱺鍸갉坿涸⸛笻갉坿㷸绢麕玑㾝植麕➃涸罣䗱⿻갉坿㣔⟨2018 䎃殗噠倴⥌纏㕜㼭갉坿须⮛棵ず䎃⟃⮛殯䧭籑罌《倞莇㕜⚥갉坿棵⚛囙栽 108 㷸䎃넞꧆䋑갉坿嫲飓㕜⚥갉坿棵穉ꏈ楪栬㤉暶⮛痧♧そ诔姽갉坿剚䋞劆莅㣐㹻♧饱ⴕ❧㥠涸갉坿劍鏪荈䊹刿⸗⸂劊㣆䟝鼠鹎

Shao-chi started touching music from 4-half years, soon after she demonstrated outstanding talentand strong personal bond and interest in piano music. Year 2018 She graduated from music class of
Xinyi primary school, same year with her excellent performance in the school entrance examination, she
was enrolled to XinXing Junior high school music class. Year 2019 she got excellency first-place award in
Kaohsiung High School Music Competition-Solo Piano Performance.

怵ⴀ刼湡 Program Ӫ 䊼ㆁ : 岁㕜穉刼⡲ㅷ 816 J.S. Bach French Suites V BWV 816Ӫ頺㢵蓸 : 㤉뒊刼⡲ㅷ 2 痧 3 贫 Beethoven Sonatas op.2 Nr.3Ӫ諽齦箻绢刼⡲ㅷ 10 痧 5 ⿻痧 12 贫 Chopin Studies op.10 Nr.5 & op.10 Nr.12Ӫ諽齦箻绢刼⡲ㅷ 25 痧 11 ⿻痧 2 贫 Chopin studies op.25 Nr.11 & op. 25 Nr.2Ӫ 秉⯘·늄俒ꏈ楪穉刼⡲ㅷ 39 痧 4 贫 York BOWEN Suite for Piano no.4, Op.39, Suite Mignonne: III Finale: Moto perpetuoӪ秉⯘·늄俒鍸䪮刼⡲ㅷ 155 York Bowen op.155
ToccataӪ嵙剽⯘䭭岚ꅽ穉刼痧♲贫շ纏㣐ⵄꦑ䟝刼ո Poulenc Napoli Suite III Caprice ItalienӪ勛倛暶 : ⺱暆ⵄ期䟝刼 : 痧 15 贫 Liszt Ungarische Rhapsodien
Nr.15 Rákóczy Marsch⚺鳵 Presenter (s)㼭鞝蔡㹔Ⰹ坿㕰 Chamber Music Group 怵ⴀ Performer (s)ꏈ楪 Piano / ꤫⸛笻 CHEN Shao-chi

The Legend of Wind Lion
GodKinmen Orchestra The
20th Anniversary Concert

7. 18 Sat. 19:30

շ괐柲晆⫄㣼✳⼧剤䧭 ո● 갈坽䑺 Concert Hall● 牱⭆ Tickets NT$ 300

Ⰽ䑼ꤎ㈒牱 Arts Tickets
Ꟁ 100 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 100 minutes with a 15-minute intermission.
怵ⴀ刼湡 Program Ӫ豤俒䣔 SU Wen-chengշ괐柲晆⫄㣼ոThe Legend of Wind Lion God Ӫ豤戔 SU Xiaoշ掻抡ոWar Ӫ桬ꨣ굳 WANG Yun-feiշ㣐惐ո

Flood Tide Ӫꁀ⯕兰 CHENG Kuang-chihշꆄ⫼㖈峕ոThe Quest Ӫ湖❮鰜 LO Leung-faiշ䠦䧗ꆄ㙹ոIn Love with Jincheng ӪⷠꟀ黇 LIU Chang-yuanշ嵳⽫ꗻ耫ոThe Bells of Haiin Temple

ꆄꟌ㕜坿㕰㖈랔⯕⡡䭸䳸莅⼧㢵⡙ⴕ鿈罉䌌涸騗嵳䭸㼬⟃⿻㹻Ꟁ䖕䴂剚ぐ秹㷸吥ꆄꟌ簖佟䏎涸㣐⸂䲀⹛♴乩剤鞮㺢怵ⴀ竤뀿2017 䎃ꏗ醢յ嵳⽫ꗻ耫ն㼠鱀Ⰵ㕠痧 29 㾂⫄谁ꆄ刼栁ս剓⢕ⶾ⡲栁 :⡲刼겳վ「ⵌ넞䏞肥㹁2020 䎃ꆄꟌ㕜坿㕰㼟㾂 20 鹋䎃ꅽ玑烵鋊ⷔ劥갉坿剚鼝锞㼩ꆄꟌ㕜坿㕰涮㾝ⴲ劍顀桐葻㢵涸✳脌怵㤉㹻桬懜穻ず〵怵ⴀ⚛㨽秉濼そ⡲刼㹻ꁀ⯕兰捀ꆄꟌⱄ陗倞刼շꆄ⫼㖈峕ո劍腋宕糵涮㾝⫄䪭ⶾ倞

Since 2000, the Kinmen orchestra has received excellent guidance and support from all the musicteachers, parents, schools, and the government. These efforts have placed Chinese traditional music
into the heart of culture and education in Kinmen and created a journey for strong performing skills andwonderful experiences. One of the remarkable milestones is the nomination of The Bells of Haiin Temple
for The Golden Melody Awards for Traditional Arts and Music. With full appreciation of the past 20 years,
the Kinmen Orchestra will have the honor to perform with Mrs. Wang Ying-jie and celebrate with a newsong from composers Cheng Kuang-chih, to welcome sustainable growth and pass down the innovative
culture!

⚺鳵 Presenter (s)ꆄꟌ㕜坿㕰 Kinmen Chinese Orchestra 怵ⴀ Performer (s)䭸䳸 Conductor | 랔⯕⡡ HUANG Guang-you ✳脌 Erhu | 桬懜穻 WANG
Ying-jie 㨽鎷ⶾ⡲⡲刼㹻 Composer | ꁀ⯕兰 CHENG Kuang-chih 坿㕰 Orchestra | ꆄꟌ㕜坿㕰 Kinmen Chinese Orchestra

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39

TCSO Mahler
Symphony No. 9

7.19 Sun. 15:00〵⻍䋑字❜갠坿㕰㹁劍갉坿剚 110● 갈坽䑺 Concert Hall● 牱⭆ Tickets NT$ 600

Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻ搂⚥㜥⠅䜂Duration is 90 minutes without intermission.
怵ⴀ刼湡 Program Ӫ꼛⹗痧⛰贫❜갠刼 Gustav Mahler: Symphony No.9 in D Major

字꟦荈⚺䚍坿㕰涸㾝怵腋⸂穪㼩僽♧⦐㕜㹻涸俒⻋㕜⸂涸䭸垦㖈ꤷ糵䧭⸆怵ⴀ꼛⹗涸痧♧✳❀Ⱉ贫❜갠刼⛓䖕〵⻍䋑字❜갠坿㕰㖈 2020 䎃㼟捀䝡䌟⢵꼛⹗涸痧⛰贫❜갠刼䖰랱冝饥ぢ⯕僈僽搂侸❜갠刼涸Ⱇ䒭⡎僽蕰〫欽⯕僈莅랱冝䠦䞕莅娦❗⢵溏䖊꼛⹗痧⛰搂毠涸䝡㼟ꐫ㣟鸏焚㣐❜갠刼鏪㢵筅㺙涸䱣䩟莅䫒昰稣眏㛜毕涸繡뜩➃欰劍劆㔋ⴀ涸㣟衆植㻜堾꣖麕䖃⡲ㅷ㥶➃欰駵꼛敚妄痧䱯麕㣰꧹衽ꦑ儘⢵荈Ⰹ䗱涸慨捙⿾乹湬ⵌ㸞姆倴宕䚻鸏❉⧩䖤䧮⦛⢵ⵌ갉坿䑼➫稣涸尐ꬆ䠮「♧妄The performance capacity of civilian orchestras is definitely an indicator of the culture depth of acountry. After Mahler's no. 1, 2, 5, and 6 in the past, TCSO will bring to you the Mahler's Symphony no.9
in 2020. We are familiar with th e formula of many symphonies, i.e., from darkness to brightness. But
if you only focusing on the brightness vs. darkness, love vs. death in the no.9, you might miss many
details such as accumulation of expectations, any time unexpected obstacles, and even suddenly aquick reviewing of his life, etc. Let's again indulge in his fervent love of life, the struggle, and the peace of
Mahler.

JULY⚺鳵 Presenter (s)〵⻍䋑字❜갠坿㕰 Taipei Civic Symphony Orchestra 怵ⴀ Performer (s)䭸䳸 Conductor ̽卌㣔し LIN Tien-chi 坿㕰 Orchestra ̽〵⻍䋑字❜갠坿㕰 Taipei Civic Symphony Orchestra

7.19 Sun. 19:30

䓹呟筅⚥䲿楪栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500

Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 9 0 minutes with a 15-minute intermission.

荩抓倞欰➿⚥䲿楪㹻䓹呟筅⟃䧭擿涸怵㤉䪮䊫莅㻜⸂《䖤薊㕜涽㹻갉坿㷸ꤎ⚥䲿楪怵㤉焚㡦㷸⡙劥妄갉坿剚莅假繡ꏈ楪㹻넞갚㜜ざ⡲㼟欽㤹㖒ⵄ⡲刼㹻脌鼠晋涸շ䎑䟝刼ո䬘Ꟛ䎸䍌ꦑ䖕僽չ岁嫲䲿楪㷸崣պ⡲刼㹻ˌ눛姘殹涸⚥䲿楪㤉뒊刼շ钁镜刼ո⵱僽䋒䬘㨗倛⡲ㅷ⚥剓䳰䗱涸⹛➃儘ⵠ䕱䖁ぢ⚆➃㹒デչ㷑㺑僽䋒䬘㨗倛剓늫僈涸➃欰⽫鎹պ豤耢⡲刼㹻兜繏넞螩㣗涸蓺謠莻ⷜշ繏㺙姘莅蘕뜩衞ո⯕僈莅兎冝涸❜籽鸏僽䠦莅䛶涸㼩嫲刿僽䎃鰋欰ㄐ婶衆涸搂ꣳ䜼䛶The opening of the concert with Fantasy from Johann HUMMEL and closing the evening with theselected pieces from Sergei PROKOFIEV's ballet suite Romeo and Juliet, which arrange by Russian

CHANG Kuei-mien
2020 Viola Recitalviolinist-Vadim BORISOVSKY. In between, Kuei-mien is joined by the award-winning pianist KAO Yunyao, and will play viola sonata, Op.36 from Belgian composer- Henri VIEUXTEMPS, which in praising thebeauty and skillful arrangement of his compositionsfrom BERLIOZ who admired also as a viola player,and scherzo from the F.A.E. sonata from Johannes BRAHMS.

怵ⴀ Performer (s)⚥䲿楪 Viola䓹呟筅 CHANG Kuei-mien ꏈ楪 Piano넞갚㜜 KAO Yun-yao

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7.20 Mon. 19:30

2020 㣐㸞㕜⚥盘坿㕰遺娀斊갉坿剚

2020 DA-AN Band Tour
Concert at Weiwuying● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 100, 300, 500, 800, 1000Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 100 ⴕꗻ⚥㜥⠅䜂 20 ⴕꗻ Duration is 100 minutes with a 20-minute intermission.
怵ⴀ刼湡 Program Ӫ For the beauty of the earth John Rutter Ӫ Trombone Concerto  Satoshi Yagisawa Ӫ Loch Lomond  Frank Ticheli

Ӫ Ami's Harvest Festival  Daisuke Shimizu Ӫ Weathering With You(Symphonic Suite)  Yojiro Noda, arr. Mikio Gohma Ӫ Foorin  Kenshi Yonezu , Paprika荩⻍䋑㣐㸞㕜⚥盘坿㕰倴㕜Ⰹ㢫❧頾渿そ幀栽㕜Ⰹ㢫聃滞⿻갉坿㼠噠➃㡦⛓肥㹁劥妄㖈ス䕔䣔ス䕔鰜Ⰽ⡙䭸䳸涸䌟걆♴㼟껷䏞倴遺娀斊갉坿䑼怵ⴀ㼟䌟⢵괐呔㢵⯋⚂礶䕙鞮㺢涸盘坿⡲ㅷ刿暶鼝Ꟁ贫そ㹻詎⢕輑來䱇ざ⡲怵ⴀ姹鵔넞꧆涸剦⿼⦛⵹⢵翕颣The concert band of Taipei Municipal DA-AN Junior High School enjoys a high reputation and has won
recognition from audience and professionals at home and abroad. Led by the conductors, LU Yen-chingand LU Yan-hui, they will perform at Weiwuying Concert Hall for their very first time. TSAI Chia-jung, thewell-known trombone soloist, will also join them, and together they are going to present wind music
works of great variety and styles.We heartily invite you to enjoy a night with us at Kaohsiung.
⚺鳵 Presenter (s)㣐㸞㕜⚥㹻Ꟁ剚盘坿㕰䖕䴂剚 DA-AN Junior High School Band Fan Club荩⻍耢ざ盘坿㕰 Taipei United Wind Orchestra怵ⴀ Performer (s)坿㕰 Orchestra | 㣐㸞㕜⚥盘坿㕰 DA-AN Junior High School Band 䭸䳸 conductor | ス䕔䣔 LU Yen-chingス䕔鰜 LU Yan-hui Ꟁ贫栬㤉㹻 Trombone Soloist | 詎⢕輑 TSAI Chia-jung

7.23 Thu. 19:30

VIO 䲿楪坿꧌ 2020 ꏈ楪♲ꅾ㤉● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 9 0 minutes with a 15-minute intermission.

2020 䎃 VIO 䲿楪坿꧌涸㹔Ⰹ갉坿剚㼟⟃䗞㤹竤Ⱙ捀⚺겗捀聃滞䌟⢵䗞㕜⡲刼㹻頺㢵蓸涸շ䎖꫙ոꏈ楪♲ꅾ㤉Ⱖ䑞匢痧✳坿畎⤚彂荈頺孒䨾圓䙼蛏绀䨡ⷜշ꼛⯘涯ո涸㥏䊱㜥兞㔔罜䌢鄄颭✮垦겗շ䎖꫙ո刼⚥戴恠㻫䑞涸䫉䞕⚺纏ㄤ넞䏞遼乹涸䨡ⷜ⟃⿻莅㤹㖒ⵄ⡲刼㹻莞⠭暶 1827 䎃䨾陗㻨涸痧✳贫ꏈ楪♲ꅾ㤉䘰匢坿畎㖈幀尐䤨䙭⛓䖕僽搂ꣳ涸䧃莍罜遤匢坿畎⵱䕱䖁劊ぢⰉ䗱蕲汥涸㎒䜂䣯⫊⽿♶導徍
剤衽刿幀ⵠ涸谁遯Ⰹ巒

VIO strings will present the most classical Viennese piano trios at 2020. The pianist SUN Jen-ru will join
Vio strings for the most famous Beethoven Piano Trio No.1 Ghost in D major, Op.70 and SCHUBERT: Piano
Trio No. 2 in E flat major, Op. 100, D. 929 at Concert. The violinist CHANG Chun and the cellist HOU Jou-an

2020 VIOstrings Trioof VIO strings have been devoted in delicate chamber music playing.
怵ⴀ刼湡 ProgramӪ 頺㢵蓸D 㣐锅痧♧贫ꏈ楪♲ꅾ㤉⡲ㅷ♬⼧շ䎖꫙ոPiano Trio No. 2 in E flat major, Op. 100, D. 929

Beethoven: Piano Trio No.1 Ghost in D major, Op.70 Ӫ莞⠭暶꣮ E 㣐锅痧✳贫ꏈ楪♲ꅾ㤉 Schubert:怵ⴀ Performer (s)ꏈ楪 Piano | 㷟䒊㥶 SUN Jen-ru 㼭䲿楪 Violin | 䓹纈 CHANG chun 㣐䲿楪 Cello | ⣶厬㸞 HOU Jou-an

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Forty-year-old.
SHE - CEHN I-chun
Clarinet Recital

7.24 Fri. 19:30

շ40. 糵ո2020 ꤫䚃ば㋲矲盘栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 400䎃➿㈒牱 ERA Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 85 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻ Duration is 85 minutes with a 15-minute intermission.

䎃怏 40 涸鸏♧䎃竤娜鏪㢵䗉䗀妇㋐䮸㥅⛓䖕㼱✫慨䞕㢵✫尐琽㼱✫佞⟤㢵✫顑⟤շ40.

糵ո桐窍㖈✲噠㹻䏭꟦䩧䭨涸㥏➃雊䧮⦛糒糵䱳程欰崞涸繡㥪鸏㜥怵ⴀ䮋鼇✫♶ず坿崣涸坿刼刿暶ⴽ㨽鎷倞ꌴ⡲刼㹻 ヰ㹒㸪ⶾ⡲շ격ո♧刼韍䗚衽➃㖈♶ずꥣ媯鿪剚剤격劆搂锸➃欰㥶⡦鱲隶Ⰹ䗱⾲㨥涸չ격պ㨥穅笞䭰衽剓呍䗱涸荈䊹⛳佅䭰衽荈䊹䭰糵ぢ⵹40-she meaning to keep exploring the beauty of life, continue to pursue the beauty of music, andencourage many women who are struggling between their careers and families.Vow written by CHOUխ
Hsuan-hung, a young talented Taiwanese composer, dedicated to a hard woman, whether you are about
to turn forty, or have already experienced the time. In the year of no doubt, we have the beauty of music
and continue to enjoy the music !
怵ⴀ刼湡 ProgramӪ㤹劥⠭呔շ捀㋲矲盘莅ꏈ楪䨾⡲涸㔋껷㼭刼ոAlban BERG Vier Stücke for Clarinet and Piano, Op.5 Ӫ劫㝱⢆㝝剐㽳շ㋲矲盘㼭⼿㤉刼ոGiuseppe TARTINI

Concertino for Clarinet and Piano Ӫ⽓倛暶⸗将 - 岲䗞倛〳շ捀㋲矲盘莅ꏈ楪䨾⡲涸㤉뒊刼⡲ㅷ 128ոMario Castelnuovo-TEDESCO Sonata for Clarinet andPiano, Op.128 Ӫ〷罌暶띋蒕ⵄ倛暶շꟐ❮螠뜩ոScott MCALLISTER BlingBlingӪヰ㹒㸪շ격ո㨽鎷ⶾ⡲CHOU Hsuan-hung Vow

JULY⚺鳵 Presenter (s)넞꧆䋑盘坿㕰 Kaohsiung City Wind Orchestra怵ⴀ Performer (s)㋲矲盘 Clarinet | ꤫䚃ば CHEN I-chun ꏈ楪 Piano | ✵寲諌 YU Wen-hui

7.24 Fri. 19:30

շ坿⢵坿굳䳓ոSound !

● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 400, 600

延伸活動｜ Extended activitiesշ坿⢵坿굳䳓ո갉坿䘰Ꟑ Sound! Flash Show傈劍 Date | 7.24 Fri. 1330-1345
㖒럊 Place | 嚩埠䑞㜥 Banyan PlazaⰍ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 120 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ 1. 랫ꐘ⯕շ㢹⢵껻ոLI Jin-guang: Tuberose Ӫ 2. 늄嫲麨շ倞♶✫䞕ոBAO Bi-Da: New Everlasting Love Ӫ 3. 勛ㆹ谁շ䱍⚥ꦑ䟝刼ոLI Zhe-yi:
Puppetry caprice Ӫ 4. ⚸㽳˙衞㣗剋շ♶〳腋涸⟤⹡ꨶ䕧⚺겗刼ոDanny ELFMAN: "Mission Impossible" Suite Ӫ 5. 繏銯㽳շ飓笞ꅽ❏涸椚녋䌌٥䎸刼ոGioacchino
Antonio ROSSINIi: "The Barber of Seville" Overture Ӫ 6. 䗞䒼劦⯘շ倞⚆歲❜갠刼٥痧㔋坿畎ոAntonín Leopold Dvořák: New World Symphony mov.4 Ӫ 7. Jun
Run, 闒㸻情շչ橇麉⚆歲պ加楪莅乹坿㐼涸㣐⼿㤉刼ոHSIEH Jun Run: "Around the World" Concerto for Xylophone and Percussion Ӫ 8. 棵⪂僈˙ 䋒⴪갾շ矦僒❜
갠刼ոEdward Benjamin Britten: Simple Symphony Ӫ 9. 勛ㆹ谁շ〢Ⱙ㼭穉刼ոLI Zhe-yi: Classical Suite Ӫ 10. 康㹻鰊管刼շ叆晋麨倛莻刼ոYU Chia-fu (Arranger):Czardas Ӫ 11. 康㹻鰊管刼շ〵抓字闙穉刼ոYU Chi-fu (Arranger): Taiwan Folk Song Suite Ӫ 12. 勛ㆹ谁շ穇莻 I ոLI Zhe-yi: Dancing String I Ӫ 13. ⯘⹪倛䊼· 䗞晋暶շ牟뇬㣼菕➮僽嵳湁ոKlaus BADELT: "Pirates of the Caribbean" Suite❀⦐坿㕰❀珏耫갉N 珏갉坿䟝⫹堾騗〢Ⱙꂂ坿字闙䧮⦛㼟䌟⢵⼧㢵껷荩抓錚滞擿䜫涸⡲ㅷ搂锸僽⯏怏鋷ⴗ䠮涸շ㢹⢵껻ո〢Ⱙ植➿Ⱟ㺂⚛襵涸շ矦僒❜갠刼ո㾝植馄穪䪮谁涸殹➿⡲ㅷշ穇莻 Iո鼩僽孵⹴徟燫涸շ牟뇬㣼菕ոꨶ䕧ꂂ坿鿪腋㖈劥㜥갉坿剚⚥妇颣ⵌ坿⢵坿굳䳓갉坿剚莊鳵涸ⴲ邪僽䋞劆⨞♧⦐չ颣坿䒸騟罏պ㼟鸒⤺갉坿莅〢Ⱙ갉坿涸堀垗䵩䒊饱⢵雊㣐滞剤♧⦐㼟ぐ䒭갉坿鸮穡饱⢵涸堥剚椚鍑妇颣갉坿䖰⢵♶㔮ꨈ⚛⚂ꅾ倞涮植荩抓鞮㺢㢵⯋涸갉坿괐兞The repertoire spans films, classics, and local works, and each one is familiar and intimate to Taiwaneselisteners. We hope that after listening to this series of diverse and rich music, the audience will have abrand-new understanding of Taiwan music stage.
⚺鳵 Presenter (s) 谁❧䠦坿㹔Ⰹ坿㕰 Fantastique Philharmonic String Ensemble 怵ⴀ Performer (s)坿㕰 Orchestra | 谁❧䠦坿㹔Ⰹ坿㕰 Fantastique
Philharmonic String Ensemble倞⻍㙹䋑䠦坿 New Taipei City Philharmonic倞䋞劆坿㕰 New Hope Symphony Orchestra❧坿坿㷸䓛坿㕰 Joy String
Orchestra谁❧䠦坿ꫭ㼱䎃䓛坿㕰 Fantastique Philharmonic Young String Orchestra

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Langeracq With Friends

7.25 Sat. 19:30

濼갉禺⴪갉坿剚 IIշ䃋䉞姐갚ո● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500

Ⰽ䑼ꤎ㈒牱 Arts Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

䧮⦛䋞劆腋㖈㕜殆♴갉坿駈騋⚛莅ぐ㖒⮛猗ざ㈖㕰❜崩2020 䎃痧♧畀湬箎⿼耫㼟⵹䖃⽂荩抓莅㾓匌㹔Ⰹざ㈖㕰♧ず怵ⴀ䋞劆鷴麕俒谁䗂莇⿻㸻來姐刼窍聃滞⦛♶ず涸갉坿峤徴〥㢫⸈Ⰵ荩抓劥㕼字闙⿻谁遯姐刼⫄麨䧮⦛㼩鸏晚㕼㖒涸䠦莅䞕䠮㖈갉坿涸㕜䏞尝剤秼仠〫剤怏怏涸䠦莅⺫㺂湬箎⿼耫㹔Ⰹざ㈖㕰诔衽䝑䳓坿耫⫄麨䠦涸溫箎劍䖊䨾剤䠦㥪갉坿涸剦⿼䎂㸞㋐坿

We hope to sing around the country, and to sing with other choirs. The first concert in 2020, Langeracq
Cantus Chamber Choir will perform with Pingtung Chamber Choir in southern Taiwan. We expect tobring Renaissance music and the sacred music that can give the audience different feeling. And also wewill perform Taiwanese choral works and folk songs to deliver our love and feelings for the lands. Thereis no disturbance but full of love and tolerance in the paradise of Music. Langeracq Cantus Chamber
Choir wish every philharmonic can be peace and joy by the melodies we perform.
⚺鳵 Presenter (s)湬箎⿼耫㹔Ⰹざ㈖㕰 Langeracq Cantus Chamber Choir㾓匌㹔Ⰹざ㈖㕰 Pingtung Chamber Choir谁遯籏湌 Artistic Director | ヰ癯⧉ CHOU Hsiao-chien 㛂遤醢⡲ Executive Director/ | ꁀ傒⾲ CHENG Hsu-yuan
怵ⴀ Performer (s)䭸䳸 Conductor | ヰ癯⧉ CHOU Hsiao-chien꓃⢕镧 CHUNG Chia-yu ꏈ楪 Accompanist | 倷兰瘥 SHIH Zhi-cyuan桬妇䚃 WANG
Hsin-i 坿㕰 Groups | 湬箎⿼耫㹔Ⰹざ㈖㕰 Langeracq Cantus Chamber Choir㾓匌㹔Ⰹざ㈖㕰 Pintung Chamber Choir

7.25 Sat. 14:30 . 19:30 7.26 Sun. 14:30

շ〵抓剤⦐㥪蟛㝸ո

Taiwan Hólíwood:
A Musical Comedy● 姏ⷚꤍ Opera House● 牱⭆ Tickets NT$ 800, 1200, 1500, 1800, 2200, 2600, 3000

udn ㈒牱笪 udn Tickets
Ꟁ 180 ⴕꗻ⚥㜥⠅䜂 20 ⴕꗻDuration is 180 minutes with a 20-minute intermission.

佖管荈ꨶ䕧շ꣚㵉涸㣆⚥䞕➃ո闍鶤 60 䎃➿荩铃晚渿⚆儘➿歑㥏涸㣆䟝莅䋞劆泇䨡坿䊨⡲㹔껷䏞䲀ⴀ軋駊⤛ㅕ갉坿ⷜ⟃갉坿ⷜ䕎䒭ꅾ倞怵糋鸏媯荩抓㥪蟛㝸㼟荩铃耫갚鱲⻋䧭䨔搭♶ず涸銯倰갉坿ⷜ姐刼꤫姻螠♧⡙瘘♴✝㗛鶵⦝滞欰〶つ荩铃晚㜥涸䠦䞕ꨶ䕧㣐管ⷜ鄄⽰㼟姿Ⰵ狲㛔涸ꨶ䕧僈僤㥏剦⿼涯ꨔ搂䞕䬚唳䟝♶ⵌ㾋怪⨋鸫鸮㢹ꨎ倞⡲ㅷ⛳鄄ꥬ㠗啟涸ꨶ䕧䩧䖤衆蔅崩宐滚溏㿋瓛宐湈➮䊫麂✫⩔⩔ꨆ㹻ⴀ饥㣆䟝䧭捀怵㆞涸⼪ꆄ㼭㨱猨剢˘˘佦✲㽠僽㼩黬Ꟛ㨥䔞˘˘Adapted from the movie Forever Love, the play reenacts the dreams and hopes of men and women

who lived in the golden age of Taiwanese movies back in the 60s.The very first feature-length musicalof Studio M is bringing the Taiwan Hollywoodback to life in a razzle-dazzle fashion, and will turn thephonology of Taiwanese into catchy-fetching Western musical notes.
ⷜ撑䬝伢獔㣐䝲

⚺鳵 Presenter (s)泇䨡坿䊨⡲㹔 Studio M ⡲刼 Music 桬䋞俒 WANG, OWEN ⡲鑂 Lyrics ス癯绐鏪㷆ꩯ LU, Hsiao-IHSU, Meng-Lin 管ⷜ管ⷜ⼿⸂鏪㷆ꩯス癯绐 Book by HSU, Meng-Lin in association with LU, Hsiao-I 㼬怵 Director 嘥兞绥 YANG, Ching-Hsiang 管莻 Choreography 䓹峿铇 CHANG,
Hung-Cheng 怵㆞ Cast 卌梅㖠 LIN, Wen-Chi卌㹻뜛 LIN, Chia-Chi疀㹁铿 CHU, Ting-Yiヰ㹻㻫 CHOU, Chia-Kuan蕑〳뜩 MIAO, Ke-Li㷟〳蔊 Sun,
Ke-Fang 鏪 撑 䡹 HSU, Chai-Tzu 剎 䘋 黇 TSENG, Jhih-Yuan (OD) 剎 姃 ꧁ TSENG, Hsin-Yen 鑹 꼏 榄 CHAN, Fu-Hsuan 盘 緛 KUAN, KRIS 詎 齽 呼 TSAI,
Andy詎䛸ꩯ且㛇⸗ TSAI, EN-LINⷠ䒄蔊 LIU, Ting-Fang闒㷆䏭 HSIEH, Meng-Ting겝鴇姹 YEN, Chen-Huan繏⻍㸞 LO, Pei-Am

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7.26 Sun. 15:00

㾓匌耢ざ盘坿㕰✳⼧❀ヰ䎃갉坿剚● 갈坽䑺 Concert Hall● 牱⭆ Tickets NT$ 200, 300, 500

Pingtung Symphonic Band
25th Anniversary ConcertⰍ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 90 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ Saxtory by Jerome NAULAIS Ӫ Danzon No. 2 Arr. Oliver NICKEL Ӫ Suite from Hymn of the Highlands by Philip SPARKE Ӫ Benny Goodman
Memories Arr.Naohiro IWAI㾓匌耢ざ盘坿㕰捀✫姹䣔䧭用 25 ヰ䎃瘼ⷔ✫Ⱘ輑ざ繡⽿⿶♶㣟栬暶䚍涸刼湡鷴麕♶ず겳㘗涸ざ㤉괐呔䌟錚滞翕颣♶ず涸갉坿꺨㹶ꤑ✫盘坿㕰ざ㤉㢫⛳㸞䱖굳莻讍⯘倛괐㔋ꅾ㤉莅盘坿㕰⼿㤉刼չSaxtoryպ欩荛鼝锞ⵌ넞꧆䋑⵹ꆄ㕜㼭盘坿㕰♧饱怵ⴀ雊聃滞坿鶵⦛鿪腋❧「ⵌ갉坿莞剪荈搭涸輑ざ繡⿶腋溏鋅嫦垺坿㐼㖈殹⚥涸栬暶䚍♧ず姹䣔㾓耢盘 25 ヰ䎃 !

In celebration of its 25th anniversary, Pingtung Symphonic Band is featuring a feast of music that offers
the audience an extraordinary experience of performing arts. In addition, the band will also work withVif Saxophone Quartet on the concerto piece Saxtory and with Chien-Chin Primary School Concert
Band. Music lovers should never miss the chance to enjoy the beauty of music through the unique♬剢sound of different musical instruments.

JULY

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8.2 Sun. 14:30

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2020 Salut Taiwan

2020 Salut Taiwanշ㢚笃〵抓ո갉坿剚● 갈坽䑺 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 800, 1000Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻ⚥㜥⠅䜂 20 ⴕꗻ Duration is 120 minutes with a 20-minute intermission.

怵ⴀ刼湡 Program Ӫ䗞䒼劦⯘ Dvořák : 䓛坿㼭㢹刼 Serenade for Strings Op.22 Ӫ䗞䒼劦⯘ Dvořák : Romance Op.11 ( 㼭䲿楪 : Vesselin Paraschkevov )Ӫ㢚笃갉坿㣐飓䖤⚺ : ⼿㤉刼♧껷 Ӫ䗞䒼劦⯘ Dvořák : String Quartet No. 12 in F major, Op. 96 "American"㢚笃〵抓갉坿剚歋⵹笞⛳秝䠦坿盘䓛坿㕰 Vesselin Paraschkevov ⿻ NSO 껷䌏ゟ䏭嫯걆ꌊ⚛鼝锞嫲ⵄ儘㼭䲿楪㹻 Yossif Ivanov ず〵怵ⴀ嫦䎃㖈⯏㻜礶䕙䘑烮涸㢚笃㕜ꥹ갉坿眏穡勲䖕㢚笃鿪剚鼝锞殹㾂갉坿眏⛓礶薊㕰㆞莅㢚笃眏䣔㹔Ⰹ坿㕰⿻꽏㕰갉坿㹻⦛Ⱏ鈷渿莊ꬌ䌢劍䖊䧮⦛㼟騈䠦坿剦⿼⦛껷妄倴
遺娀斊갉坿䑼鋅꬗

Salut Taiwan is led by Vesselin Paraschkevov the former concertmaster of Vienna Philharmonic, and WU
Ting-yuh, chief of National Symphony Orchestra (NSO). Yossif Ivanov, a Belgian violinist, is invited to costar. Annually in the wake of an enriched, phenomenal and bustling Salut Festival International, Salut
Taiwan will invite the elite groups who win out in the competitions of that year to perform with Salut
Chamber Orchestra and resident musicians. Dear fans, this year lets have a rendezvous for the firsttime at Weiwuying National Kaohsiung Center for the Arts.
⚺鳵 Presenter (s)〵抓⪂ⴀ갉坿㹻㹔Ⰹ坿㕰 Taiwan Excellent Musician Chamber Orchestra 怵ⴀ Performer (s) 㼭䲿楪 ViolinYossif Ivanov 
Vesselin Paraschkevov 䭸䳸 Conductor | ゟ䏭嫯 WU Ting-yuh랔䙼榏 HUANG Szu-wei 坿㕰 | 㢚笃眏䣔㹔Ⰹ坿㕰 Salut Taiwan

AUGUST⚺鳵 Presenter (s) 㾓匌耢ざ盘坿㕰 Pingtung Symphonic Band 怵ⴀ Performer (s) 㾓匌耢ざ盘坿㕰 Pingtung Symphonic Band 䭸䳸 Conductor | 䓹鑅
⡡ CHANG Yung-yu  ⼿㤉 Concerto | ⵹ꆄ㕜㼭盘坿㕰 Chien-Chin Primary School Concert Band굳莻讍⯘倛괐㔋ꅾ㤉 Vif Saxophone quartet

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Organ SpectacularMelody CHEN, Tony LIU, Abby CHEN
(10th Anniversary Concert for American
Guild of Organists, Taiwan Chapter)

8.5 Wed. 19:30

Organ Spectacular - ꤫갎蓸ⷠ⥌㸪꤫嫯鈷շ〵抓盘괐楪⼿剚⼧鹋䎃갉坿剚ո● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 200, 300, 500, 700, 1000Ⰽ䑼ꤎ㈒牱 Arts TicketꟀ 90 ⴕꗻ⚥㜥⠅䜂 15 ⴕꗻDuration is 90 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ Johann Sebastian Bach (1685-1750): Ricercar a 6 from Musikalisches Opfer, BWV 1079 䊼饟Ⱉ耫鿈⚺겗垸⟬刼鼇荈շ갉坿涸㤀桐ո
ꨮ呔D 㼭锅⵹㤉莅䋪讍⽓ⵄ❏莻刼 Ӫ Edward Elgar (1857-1934): Nimrod fromӪ Max Reger (1873-1916): Introduction and Passacaglia in D Minor, WoO IV/6

Enigma Variations 蒕晋⸈շ㻞ꏗո鼇荈閱铃隶㤉刼 Ӫ John Knowles Paine (1839-1906): Concert Variations upon OLD HUNDRED ⢆㔔갉坿剚隶㤉刼Ӫ Louis
Vierne (1870-1937): Carillon de Westminster, Op. 54, No. 6 笞羳晋䛸 շ銯併㼉涸ꗻ耫ո Ӫ Camille Saint-Saëns (1835-1921): Danse Macabre 翱呺냍넄⛓莻
Ӫ John Philip Sousa (1854-1932): The Stars and Stripes Forever 豤尪宕䚻涸僤哭偫〵抓盘괐楪⼿剚荞⸂倴盘괐楪갉坿⛓䲀䑞㛆肬盘괐楪怵㤉➃䩞⚛莅㕜ꥹ䱺鮨❜崩⾲鎙ⷔ鼝锞繡㕜盘괐楪㹻⼿剚⵹⟤剚Ꟁ秉缦将⯘⽈㡦⢵〵怵ⴀ搭罜㔔氋䞕涸ꡠ⤚将⯘⽈㡦搂岁䧭遤⛇歋♲⡙〵抓盘괐楪㹻怵ⴀ怵ⴀ㼟䖰栬㤉ⵌꅾ㤉䌟⢵盘괐楪갉坿竤Ⱙ⛓⡲儘麂氋䞕䕧갠劍䖊腋鷴麕坿㐼⛓桬 - 盘괐楪涸갉坿䌟窍㣐㹻䎂㸞莅湺劆
Originally, we had invited Dr. John Walker to perform with Taiwan organists. However, with the COVID-19
pandemic, Dr. Walker is unable to come to Taiwan. Even in the midst of this pandemic, we hope tocontinue this concert and use organ music to bring a sense of peace and hope to everyone. It is ourdesire to use this opportunity as a blessing to Taiwan.

AUGUST⚺鳵 Presenter (s)〵抓盘괐楪⼿剚 The Taiwan Chapter of American Guild of Organists 怵ⴀ Performer (s)盘괐楪栬㤉ꅾ㤉 Pipe Organ | ꤫갎蓸 CHEN
Yun-feng Melodyⷠ⥌㸪 LIU Hsin-hung Tony꤫嫯鈷 CHEN Yu-hsiang Abby

8.6 Thu. 19:30

ꏈ楪㣼䩞ˌ勭㣔㣼 2020 ꏈ楪栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500, 800, 1000Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻ搂⚥㜥⠅䜂 Duration is 90 minutes without intermission.
怵ⴀ刼湡 ProgramӪ䊼饟꣮ B 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 866

J. S. Bach: Prelude and Fugue in B-flat major, BWV 866 Ӫ䊼饟꣮ B 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 890 J. S.
Bach: Prelude and Fugue in B-flat Major, BWV 890 Ӫ諽㡦㝝넞笞㤏痧 21 贫꣮ B 㣐锅⵹㤉刼莅颭呔⡲ㅷ 87 D. Shostakovich: Prelude and Fugue No. 21 in B-flat
Major, Op. 87 Ӫ䊼饟A 㼭锅⵹㤉刼莅颭呔⡲ㅷ BWV 865 J. S. Bach: Prelude and Fugue in a Minor, BWV 865 Ӫ䊼饟꣮ B 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 889 J.
S. Bach: Prelude and Fugue in A Minor, BWV 889 Ӫ諽㡦㝝넞笞㤏痧 2 贫 A 㼭锅⵹㤉刼莅颭呔⡲ㅷ 87 D. Shostakovich: Prelude and Fugue No. 2 in a Minor, Op.
87 Ӫ諽㡦㝝넞笞㤏痧 1 贫 C 㣐锅⵹㤉刼莅颭呔⡲ㅷ 87 D. Shostakovich: Prelude and Fugue No. 1 in C Major, Op. 87 Ӫ䊼饟C 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 870 J.
S. Bach: Prelude and Fugue in C Major, BWV 870 Ӫ䊼饟C 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 846 J. S. Bach: Prelude and Fugue in C Major, BWV 846 Ӫ諽㡦㝝넞笞㤏痧 6 贫 B 㼭锅⵹㤉刼莅颭呔⡲ㅷ 87 D. Shostakovich: Prelude and Fugue No. 6 in b Minor, Op. 87 Ӫ䊼饟B 㼭锅⵹㤉刼莅颭呔⡲ㅷ BWV 893 J. S. Bach:Prelude and Fugue in b Minor, BWV 893Ӫ䊼饟B 㼭锅⵹㤉刼莅颭呔⡲ㅷ BWV 869 J. S. Bach: Prelude and Fugue in b Minor, BWV 869 Ӫ䊼饟꣮ B 㣐锅⵹㤉刼莅颭呔⡲ㅷ BWV 898 J. S. Bach: Prelude and Fugue in B-flat Major, BWV 898ꏈ楪㹻ⷠ㷆䰦㖈繡剓劍䖊㷸欰剎雙隘չ㣔㣼涸갉坿剚搂毠僽䧮聃麕涸갉坿剚⚥殆♴捻⽫剓幀涸⛓♧➮㼩倴䊼饟䨾椚鍑涸幀䏞涮➃幀溁駈⟃慨涮䨾剤➃涸宠濼妝捀➮涸䎃㼱䨾䧭䠮ⵌ뀺⫃刿捀➮涸劢⢵⯏怏䋞ⰶ莅劍䖊պThe Theatre Times 剎雙隘չ㖈滞㢵ꏈ楪㣔䩞涸话嵳⚥勭㣔㣼䊺竤ꑻ鸤✫荈䊹涸魨⟨➮乩⵹遺㻜뀿ㄤ植➿鋕錏谁遯黇黇馄ⴀꏈ楪㹻涸耷噠涮㾝騟箁պ

Tianqi DU 2020 Piano Recital

Pianist LIU Meng-chieh says He is touched by the God of Music and I am very proud of him. The
review of The Theatre Time at Carnegie Hall says, Tianqi DU, age 25, a rising star in Chinas classicalmusic scene. In the sea of up-and-coming piano talent, Tianqi DU has forged his own identity.⚺鳵 Presenter (s)듳㸙㕜ꥹ谁遯剤ꣳⰗ぀ Pro Artist Int'l Co., Ltd. 怵ⴀ Performer (s)ꏈ楪 Piano | 勭㣔㣼 Tianqi DUⰔ剢AUGUST

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8.7 Fri. 20:00

ս遺娀斊㼭儘⯕վշ加걧馄➃ո

遺娀斊⚺鳵

● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500

Ⰽ䑼ꤎ㈒牱 Arts TicketꟀ 60 ⴕꗻ搂⚥㜥⠅䜂Duration is 60 minutes without intermission.

加걧馄➃䧭㕰㔋䎃⟃⢵껷妄넞꧆遺娀斊㼠㜥怵ⴀꤑ✫㼟䌟⢵ Youtube 걽麥㢵껷䬸晦⡲ㅷ刿彋⪔✫倞姐㋲窍넞꧆㼠㜥涸錚滞加걧馄➃歋䎙⦐넞⚥㥪⿼㖈㣐㷸殗噠䖕ꅾ翹穉䧭刼괐⟃⾲加坿㐼佖管䬘♨崩遤姐刼ⶾ㕰䖕䭰糵涮䋒㢵鿈笪騟灶蠝럊ꠗ涸갉坿⡲ㅷչ䧮⦛湱⥌加걧涸耫갉〳⟃捀⚆歲䌟⢵姹坿䧮⦛湱⥌嫦⦐➃鿪〳⟃䭑佹⚆歲䧮⦛僽 Wooden Man 加걧馄➃պNew songs for Kaohsiung! All the way from Taiwan, Wooden Man consists of a few high school friends
Latino songs using just a ukulele, a guitar, and a bass guitar. Despite having only been working together
for two years, they have published several music pieces online as well as toured the country.
⚺鳵 Presenter (s) 遺娀斊㕜㹻谁遯俒⻋⚥䗱 National Kaohsiung Center for the Arts (Weiwuying)怵ⴀ Performers (s) 捦⯘뜩뜩䩛 Ukulele | ➲咱 Santon し➮䩛 Guitar | 媲ꤿ Yin YANG ⡜갉し➮䩛 Bass | ꣚縂 A.H.
飬⸔㋲⡙ Sponsor (s)〵抓犷莇俒來㛇ꆄ剚 Taiwan Fuhsing Culture and Education Foundation僈䳓㕜ꥹ猰䪮 Launch Technologies Co., Ltd.

8.8 Sat. 14:00

2020 Bumper Harvest
Concert2020 ꚻ렽뢶뒊䣔鞮佐● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 1000Ⰽ䑼ꤎ㈒牱 Arts Tickets
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻ Duration is 90 minutes with a 20-minute intermission.
怵ⴀ刼湡 Program Ӫ 륌ꀀ期姹眏 Enjoying in Festivities of the Chinese ⷠ俒ꆄ Liu Wen-jin Ӫ 僱 Spring 湖❮鰜 LO Leung-fai Ӫ 驎寐 Walking on the River 桬⚸紤 . WANG Dan-hong Ӫ䮋㿋 Picking Up the Mountains. 桬⚸紤 . WANG Dan-hong Ӫ寐⽂㥪 Wonderful Jiangnan 澸僱屮 Qu Chun-quan Ӫ蘢꼛 The Ancient TeaHorse Road勛⽈狪 LI Bo-chan Ӫ鞮佐ꚻ렽 Celebrating Abundant Harvest with Gongs and Drums 䕠⥜俒 PENG Xiu-wen Ӫ廭寐䞕 The Customs of XiangjiangRiver ヰ匌劊ヰ谁绥 ZHOU Dong-chao, ZHOU Yi-xiang

攨䠦㕜坿崞⸂⯏尬影꼖鷑军父狸䎂㸞䃪姻㕜坿㕰嫦䎃鿪剚㖈荩抓莊鳵䎃䏞갉坿剚2020 䎃ⴲ⚆歲ぐ㖒⽰黩「氻嫬銔搂铃涸溁䙼㋎ꄁ㊥葻涸錏濼饥麕⡜靽鵔⢵涸䗳㹁僽ぢ♳涸倞㽷꬗鼝锞䝡⢵翕聃䃪姻㕜坿㕰劥䎃䏞涸怵ⴀշꚻ렽뢶뒊䣔鞮佐갉坿剚ո⟃繡뜩涸갉坿乁䣆䗱꫙捀鸏⚆歲牝狸捀䧮⦛ꡠ䧃涸荩抓㕼㖒父犷For the love of traditional Chinese music and to pray for the world. The Chongzheng Chinese Orchestra
holds its annual concert. At the start of 2020, the world has suffered the outbreak of COVID-19.
Reflection on this event awakened our kindness. When these sad times are over, we hope for a return toprosperity. You are invited to our annual Bumper Harvest Concert. With the beautiful music to comfort
our minds, we pray for the world and for our beloved country Taiwan.
⚺鳵 Presenter (s)䃪姻㕜坿㕰 Chongzheng Chinese Orchestra 怵ⴀ Performer (s)坿㕰 Orchestra | 䃪姻㕜坿㕰 Chongzheng Chinese Orchestra 䭸䳸Conductor | 齶猥ꔬ CHIU Ping-yi ㍞ィ Suona | 齶䕔啧 QIU Yan-tang

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AUGUST

AUGUSTⰔ剢

Weiwuying Showtime
Wooden Man

who reunited after graduating from university. Their musical style mainly focuses on covering Pop or

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Diabolo Dance Theatre
ENTRANCE

8.8 Sat. 19:30 8.9 Sun. 14:30

2020 莻ꉁⷜ㜥շ㣼䎑假玑ո● 姏ⷚꤍ Opera House● 牱⭆ Tickets NT$ 500, 700 , 900, 1200, 1500

Ⰽ䑼ꤎ㈒牱 Arts Tickets
Ꟁ 100 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻDuration is 100 minutes with a 15-minute intermission.

⼧✳럊ꗻ耫갠饱鸒䖃㣼䎑⚆歲涸Ⰵ〡⽰㼟Ꟛ㉬鸒䖃㣼䎑⚆歲涸Ⰵ〡⽰㼟Ꟛ㉬鷴麕㼭㥏㷛涸滚漌䌟걆䧮⦛㼦䪪♧⦐傂剤馱⿶鶵➃涸瘸呪 㣼䎑假玑僽♧⦐㣆䟝涸Ⰵ〡鷴麕假遤莅ⱎꦖ䪪㔐㣟衆涸䠦莅⿼铿殹⡹欽秫溫㥪㣼涸꧱滚Ꟛ㉬㸐㽠腋㖈澖꟦럊敎搂湈涸㣆䟝笽佞搂嫲糔秼涸蒀䕙馄⛖⡹涸䟝⫹

When the twelve o'clock bell rings,the entrance to the fantasy world is about to open.
Entrance is about a fantasy world where lost love and friendship are recovered via journey andcuriosity, and you will find a fantastic colorful world that is well beyond your imagination.

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adventures. This fantasy world will inspire you to see things through with eyes of innocence and⚺鳵 Presenter (s)莻ꉁⷜ㜥 | Diabolo Dance Theatre 遺娀斊㕜㹻谁遯俒⻋⚥䗱 | National Kaohsiung Center for the Arts (Weiwuying)怵ⴀ Performer (s)莻ꉁⷜ㜥 | Diabolo Dance Theatre 㼬怵谁遯籏湌 Director | ⷠ坿纈 LIU Le-chun 醢⡲➃ Producer | 鼹㕜螠 PIEN Kuo-hua 갉坿鏤鎙Composer | 嘥椝ꨣ YANG Hsiu-yun 敚⯕鏤鎙 Lighting design| 鮦⯘闉 CHE Ke-chien 剪酤鏤鎙 Costume design| 卌猥韝 LIN Ping-hao 䕧⫹鏤鎙 Visualdesign | 䖛鹠ば HSU Yi-chun 䕙㦳鏤鎙 Makeup design | 峿尃䚃 HUNG Chin-yi 麥Ⱘ鏤鎙 Prop design | 勛⥌㷸 LI Hsin-hsueh 䪮遯籏湌 Technical director| 桬恎字 WANG Han-min怵ⴀ➃㆞ Artist (s)ⷠ蔕 LIU Yun㩉㮵㮵 YAO Ting-ting卌坿催 LIN Le-yunⷠ蔀 LIU Hsinⷠ裄 LIU Wei꤫㹻広 CHEN Chia-yu꤫⭑䏭 CHEN Yi-tingⷠ⛇俒 LIU Nai-wen詎⥃䣔 TSAI Bao-ching勛㸞 LEE Anゟ㉬ꌂ WU Chi-ming䑁蕰䕐 LIAO Re-wen䓹꼖⛓ CHANG Hsing -zhi勛猨槇 LEE Chiuying卌蔒岗 LIN Zhi-ling闒狣梅 XIE Xi-wen꤫鑘鮯 CHEN Shi-xuan倷鑅䗱 SHI Yong-xinゟ䙂䡹 WU Nian-ci莻䙼䠦繫ꪫ USAY, KAWLU

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8.9 Sun. 15:30

넞꧆䋑盘坿㕰շ鰜摖ざ뒊ո● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 800, 1000, 1200, 1500

䎃➿㈒牱 ERA Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 140 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻDuration is 140 minutes with a 20-minute intermission.

怵ⴀ刼湡 Program Ӫ 蚣ꅿ漡〷䩧乹⼿㤉刼 ( 䩧乹栬㤉 / 劫䃪纏 ) Mutsuhito Ogino: Percussion Concerto for Wind EnsembleӪ ヰ㹒㸪չ격պ ( ㋲矲盘栬㤉 /꤫䚃ば ) ( 㨽鎷ⶾ⡲ )Hsuan-Hung chou: "Vow" for Clarinet and Concert BandӪ勛ㆹ谁㔋剢ꨎꟀ痁䎑䟝刼 ( Ꟁ痁栬㤉 / 卌㼿覂 )"Raining in April Fantasy" for Fluteand WindBrassBand Ӫ㤹倛⽓•秝檳繏⫄䪭⽫鎹 ( ꧱矲盘栬㤉 / 峿㼭楪 ) Oscar Navarro: "LEGACY" Concerto for Oboe and Wind Band Ӫ⠭暶•꣚䋪褑暶蒀䕙 ( Ꟁ贫栬㤉 / 矦允鮯 ) Bert Appermont: Colors Ӫ ⟻谑䐁薊䎑䟝涸隶㤉刼 ( ♳⡜갉贫栬㤉 / 넞傤榰 ) Ito Yasuhide: Fantasy Variations for Euphonium and Band ӪⰔ加愯來぀⡜갉贫⼿㤉刼 ( ⡜갉贫栬㤉 / 䑁⨀䓽 ) Yagisawa Satoshi: Tuba Concerto Ӫ螩ⵄ嵙•〷䊼⯘շ剋ㆁ갾ո( 㼭贫栬㤉 / 豤렳奚 )Philip Sparke:շManhattanո
for Trumpet and Concert Band⚺鳵 Presenter (s)넞꧆䋑盘坿㕰 Kaohsiung City Wind Orchestra 怵ⴀ Performer (s)䭸䳸 Conductor | 桬䨞 WANG Chan ꧱矲盘 Oboe | 峿㼭楪 HUNG
Akris H. C. Ꟁ痁 Flute | 卌㼿覂 LIN Shang-jung ㋲矲盘 Clarinet | ꤫䚃ば CHEN I-chun 㼭贫 Trumpet | 豤렳奚 SU Ting-chuan Ꟁ贫 Trombone | 矦允鮯
CHIEN Cheng-hsuan ♳⡜갉贫 Euphonium | 넞傤榰 KAO Min-jui ⡜갉贫 Tuba | 䑁⨀䓽 LIAO Wei-chiang 䩧乹 Percussion | 劫䃪纏 CHU Sung-yee 꽏㕰⡲刼㹻 Composer in Residence | ヰ㹒㸪 CHOU Hsuan-hung 飬⸔㋲⡙ : 㕜谁剚

8.12 Wed . 19:30

TOMIZAWA Naoko
Viola Recital㺢愯湬㶩 2020 ⚥䲿楪栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 85 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 85 minutes with a 15-minute intermission.
怵ⴀ刼湡 ProgramӪ㺢愯湬㶩⚥䲿楪栬㤉刼շ匌괐ոTOMIZAWA Naoko: Solo Viola Cochi Ӫ䋒뉓饟շ嵠恠刼ո⡲ㅷ 85 Max BRUCH: Romanze, Op. 85 Ӫ脌鼠晋շ䎑䟝刼ո⡲ㅷ 94 Johann HUMMEL: Fantasy, Op. 94 Ӫ⯘䬘⯘雊䧮涸䗱⥃䭰ꬆ姺 Rebecca CLARKE: Ill Bid My Heart Be Still Ӫ⯘䬘⯘♧껷〢罉薊呔貽刼锅涸䋪讍⽓꧉莻刼 Rebecca CLARKE: Passacaglia on an Old English Tune Ӫ淼❏⡠䬘շ鰜摖涸䱳䧢ոAstor PIAZZOLLA: Le Grand Tango Ӫ齦㣼շ♲ G 䓛ոKenji BUNCH:
The 3 Gs Ӫ荩抓字闙 Taiwan Folk Songs Ӫ⤜㕜字闙 Russian Folk Songs噲㖒⛓⯕盘䓛坿㕰倴 2017 䎃饱䲀ⴀ禺⴪갉坿剚鎙殥2020 䎃 3 剢㼟㸞䱖噲㖒⛓⯕盘䓛坿㕰⚥䲿楪껷䌏㺢愯湬㶩 2020 ⚥䲿楪栬㤉剚ꤑ䮋鼇㢵껷竤Ⱙ⚥䲿楪坿刼莅荩抓⤜㕜字闙㺢愯湬㶩⛳鋷荈陗㻨⚥䲿楪栬㤉刼շ匌괐ո鼝锞ꏈ楪㹻僤⾲溫繡⟃⿻噲㖒⛓⯕䓛坿㕰捀聃滞䌟⢵㢵껷⚥䲿楪⡲ㅷ⛓礶䕙刼湡
Apex Orchestra's violinist TOMIZAWA Naoko and pianist HOSHIHARA Mami and Apex String Orchestra

will perform the most famous Viola chamber music at the concert, including TOMIZAWA Naoko, Max
BRUCH, Johann HUMMEL, Rebecca CLARKE, Astor PIAZZOLLA, Kenji BUNCH and Taiwan & Russia Folk
Songs.
⚺鳵 Presenter (s)噲㖒⛓⯕盘䓛坿㕰 Presenter: Apex Orchestra怵ⴀ Performer (s)⚥䲿楪 Viola | 㺢愯湬㶩 TOMIZAWA Naoko ꏈ楪 Piano | 僤⾲溫繡 HOSHIHARA Mami ⼿怵 Guest Strings | 噲㖒⛓⯕䓛坿㕰 Apex
String Orchestra

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Kaohsiung City Wind
Orchestra Brilliant Sound➛䎃僽넞꧆䋑盘坿㕰 KCWO 荈 2012 䎃䧭用⟃⢵涸 8 鹋䎃暶ⴽ倴 88 眏昿鋷眏ヰ劣⧺劍䩧鸤㜥歋 KCWO 갉坿㹻二⟤栬㤉怵ⴀ涸갉坿剚ս鰜摖ざ뒊վ 8 ⡙ KCWO ⮛猗怵㤉㹻8 껷⼿㤉刼⚮鸮涸갉坿剚껷껷刼湡㾝植✫ 8 珏坿㐼涸栬暶Ⱖ⚥莅㣐㹻껷妄鋅꬗涸⡲ㅷ歋 KCWO 꽏㕰⡲刼㹻㻨窍㋲矲盘栬㤉怵ⴀ涸盘坿晝⡲ㅷշ격ո⹴䗳䌟窍䠦坿罏湱殹ꨈ䘎涸⼯䖕儘⯕This year is Kaohsiung City Wind Orchestra (KCWO) 8th anniversary. We are going to present the concert,
Brilliant Sound, in this summer. In the concert, we invite 8 amazing musicians to play 8 concertos by
8 different instruments in order to show you different characteristics of instruments in one concert.
Besides, KCWO composer-in-residence, Hsuan-Hung Chou, composed a clarinet solo piece, VOW, for
our 8th anniversary and will be premiered the wind orchestra version in this concert as well.

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2020 NTSO International
Youth Orchestra Camp
Concert8.14 Fri. 19:30

2020 NTSO 㕜ꥹꫭ㼱䎃盘䓛坿㕰䧭卓갉坿剚● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 100Ⰽ䑼ꤎ㈒牱 Arts Tickets
Ꟁ 70 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻDuration is 70 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ蜓劦暶姐ⷜշ눦痁ո䎸刼 W. A. MOZART: Die Zauberflöte Overture Ӫ勭⽓倛շ눦岁䌌涸㷸䖝ո P. DUKAS: L'apprenti Sorcier Ӫ䬘㪮晋շ娦Ⱇ⚺涸㶰ꦿ莻ոM. RAVEL: Pavane pour une Infante defunte Ӫ〷暶䬘寲倛㛇շ抡둷ո穉刼 I. STRAVINSKY: L'oiseau De Feu Suite㕜用荩抓❜갠坿㕰捀䲿⣘⿮莅姻鋊盘䓛坿㕰⛓鎯箻莅怵ⴀ堥剚荈 1991 䎃饱倴嫦䎃冖⧺劍꟦五ⷔꫭ㼱䎃盘䓛坿斊➛䎃䒂翵㤹㖒ⵄ recreation-GROSSES ORCHESTER GRAZ 坿㕰껷䌏㹐䌏䭸䳸꤫繡㸞二⟤斊꥙䭸䳸➛䎃꤫繡㸞䭸䳸㼟䌟걆䨾剤⿮莅갉坿斊涸㷸㶩♧饱䮋䨞⤜㕜⡲刼㹻〷暶䬘寲倛㛇倴♧⦐⚆私⵹ⶾ⡲涸竤Ⱙˌշ抡둷ո穉刼劍劆腋㖈氋䞕⚥歋繡㸞罉䌌䒸걆衽䎃鰋㷸㶩Ⱏず⸗⸂伟䩛ぢ♳瑳灶鷠㞯The International Youth Orchestra Camp presented by the NTSO offers an invigorating environment
for youths to study from professional musicians and most sought-after teachers. This year NTSO keep
inviting Mei-Ann Chen as the conductor of the Camp and will lead the NTSO Youth Orchestra to performthe iconic Firebird Suite composed by Igor Stravinsky.

⚺鳵 Presenter (s)㕜用荩抓❜갠坿㕰 National Taiwan Symphony Orchestra 㕰Ꟁ Director | ⷠ桡鑅 LIU Suan-yung怵ⴀ Performers (s)NTSO 㕜ꥹꫭ㼱䎃盘䓛坿㕰 NTSO International Youth Orchestra 䭸䳸 Conductor | ꤫繡㸞 CHEN Mei-Ann

The Adventures of Pinocchio
Storytelling Concert

8.15 Sat. 15:00

留鑨尪륌շ加⩑㣼麂鎹ո铞剅갉坿剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 75 ⴕꗻ搂⚥㜥⠅䜂 Duration is 75 minutes without intermission.

劥갉坿剚렽⺑㹻ꟀⰟず⿮莅㷛㶩剓秫溫涸ꥣ媯欽搂瓛湈涸䟝⫹⸂ⶾ鸤ⴀ栬♧搂✳涸㼭㸙㸿ⷔ灶齅鱀涸歲ꣳ㖈留鑨涸⚆歲酭䳸扵ぐ珏蒀䕙涸겝俲2020 䎃荩ꫭ盘㼟⟃շ加⩑㣼麂鎹ո⫄麨㼭剦⿼刿㢵姻ぢ涸欰崞넓䝎歋铃锅鞮㺢涸㼭蔅㨱㨱欰⹛侃鶤䵩ꂂ㼠噠粭劥㕬⫹⟃⿻敚⯕鏤鎙瘞涸荆㜥䠮㖈㷛㶩䧭Ꟁ涸麕玑⚥⟃留鑨䧴㺲鎊佦✲扫鱒㊥涸錚䙂⚛⚂㖈佦✲涸ⷜ䞕⚥雊㷛㶩⦛湈䞕涮䳸䟝⫹⸂捀䨾
剤㼭剦⿼䌟⢵竤Ⱙ俒㷸佦✲痧✳䔞留鑨尪륌禺⴪շ加⩑㣼麂鎹ո铞剅갉坿剚This concert encourages parents to participate in the child's most innocent stage, use endlessimagination to create a unique little world, and sway all kinds of colors in the fairy tale world.In 2020,
TYB will produce "The Adventures of Pinocchio" Storytelling Concert to convey more positive life
experience for children, narrated by the rich tone of the little flower "YU Ya-Yun", accompanied byvividly picture book images. In the process of child growth, instilled in fairy tales or fable the concept ofgoodness, and let the children develop their imagination in the plot of the story.
⚺鳵 Presenter (s)荩抓ꫭ䎃盘坿㕰 Taiwan Youth Band怵ⴀ Performer (s)坿㕰 Group | 荩抓ꫭ䎃盘坿㕰 Taiwan Youth Band 䭸䳸 Conductor | 㩉佟륌 YAO Cheng-lung 铞剅➃ Narrator | 㼭蔅㨱㨱 ( 康꧉蔕 )YU
Ya-yun 粭劥 Picture Book | FunPark 留剅㣆䊨䑖 FunPark

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National Tainan Girl's SeniorHigh School Alumnae BandThe 16th Concert
Travel With Music

8.15 Sat. 19:30

荩⽂㥏⚥吥⿼盘坿㕰 痧⼧Ⱉ㾂怵ⴀշ瑭鬪瑭坿 ո● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 200, 400Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 85 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 85 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ㔋껷し兜飓莻刼 / 嘥薵䗞뉓倛暶 Puszta: Four Gipsy Dances/Jan Van der ROOST Ӫ䞄䙂Ⱇ⚺涸䋪ⳝ莻刼 / 蜓ꅽ倛䬘㪮晋 / 秉缦䗞哆⪂ 管刼Pavane Pour Une Infante Défunte/Maurice Ravel/Arr. Johan de MEIJ Ӫ❜갠莻刼/ 鑹㨗倛䊼䛸倛Danza Sinfonica/James BARNES Ӫ䟅눦⛓莻 / 㼭秉榱㣗饟晋哆倛⠭呔 Danse Diabolique/Josef HELLMESBERGER Jr. ӪMovement 1-3 for Wind Orchestra/ 瀖⾲䘞莇 Movement 1-3 for Wind Orchestra/TADAOKI Ishihara⟃盘坿㕰鞮㺢㢵隶涸갉蒀䌟걆聃滞չ瑭鬪պ荛⚆歲ぐ㖒ꦑ衽ぐ㕜栬暶涸갉坿䌟⹛魨넓涸䖒⹛넓뀿殯㕜涸暶蒀莻刼莅괐䞕ず儘չ瑭馊պ儘瑠妇颣傈劥濼そ⡲刼㹻瀖⾲䘞莇涸⡲ㅷ♧荛♲坿畎㸤䧭荛➛噲㼱➃湡漾頗⛓坿刼劥妄갉坿剚㼟僽荩껷怵䳷Ꟛ鸏껷尐㺑 30 䎃莻刼涸牟猽꬗秲Featuring a rich and varied sound, our performance will guide you to explore the world. Invited by thedistinctive melodies, the audience would find themselves stepping into the exotic realms of music.
Meanwhile, you would have the first encounter with the marvelous work – Mvt. 1, 2, and 3 for Wind
Orchestra, by the famous Japanese composer, Tadaoki Ishihara. The musical piece has not been playedfor years, and this time, our band will unveil the mystery for you. So sit back and get ready to travel backin time with us!

AUGUST⚺鳵 Presenter (s)荩⽂㥏⚥吥⿼盘坿㕰 National Tainan Girl's Senior High School Alumnae Band怵ⴀ Performer (s)荩⽂㥏⚥吥⿼盘坿㕰 National Tainan Girl's Senior High School Alumnae Band 䭸䳸 Conductor | 䗞䀥湬埠 NAOKI Tokuoka

8.16 Sun. 14:30

㺂姻⯓⡜갉盘栬㤉剚ˌշ槮樸纏㣐ⵄո● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 80 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 80 minutes with a 15-minute intermission.

劥妄㼟歋殆纏갉坿㹻植⟤慍Ꟍ坿㕰⡜갉盘껷䌏㺂姻⯓捀䠦坿剦⿼䌟⢵ꨈ䖤涸⡜갉盘怵㤉剚㺂姻⯓荈䎓⽰⵹䖃纏㣐ⵄ㷸绢幀䠦⚛擿䜫纏㣐ⵄ鞮㺢谁俒莅嵠恠攨䞕涸字停䚍佦劥㜥刼湡捀纏㣐ⵄ衽そ⡲刼㹻涸⡲ㅷ剤ꯂ檳痧㽳開·繏㝝涸㤉뒊刼莅⼿㤉刼鼩剤鼇荈纏㣐ⵄ姐ⷜ⚥䩾➃䗱䓛涸衽そ鑅㎒锅涸佖管刼劥妄怵ⴀ涸暶蒀⛓♧僽⟃畣楪《➿ꏈ楪㔔姽暶ⴽ鼝锞✫鞫楪怵㤉㹻盘⟻俒ず〵ざ⡲怵ⴀ⡜갉盘军⾩㢵⯋涸갉蒀ꂂ䵩鞫楪齡黇〢교鹠涸楪耫㼟䒸걆聃滞竤麕〢罉涸儘⯕ꦎ麥鹎Ⰵ纏㣐ⵄ鸏⦐⯏怏谁遯莅攨䞕涸俒谁䗂莇涸㕜䏞This concert features exclusively works of Italian composers, from sonatas and concertos by Vivaldi

Lucia YUNG Bassoon Recital- Italia Splendida

and Nino Rota, as well as arrangements of many heart-wrenching arias from Italian operas. One of thespecialties of this concert is the use of the harp, and the harpist Yiwen KUANG appears as guest artist.
The bassoon will lead the audience through the passage of time to the land of Renaissance.
⚺鳵 Presenter (s)姘兜䙼갉坿谁遯 OPUS MUSIC ARTS怵ⴀ Performers (s)⡜갉盘 Bassoon | 㺂姻⯓ Lucia YUNG 鞫楪 Harp | 盘⟻俒 KUANG Yi-Wen

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8.16 Sun. 19:30

100 䪾㣐䲿楪涸繡뜩ⱎꦖ● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 400, 600, 800

䎃➿㈒牱 ERA Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 90 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ J. Klengel : Hymnus for 12 Cellos, Op.57 ⯘⧍呔雙繡鑘⡲ㅷ 57 Ӫ M. Stevens : Hawaii Five-O Theme 〷裦蓸倛繡㕜ꨶ鋕ⷜշ塚䃋陪꾷ո晚걧刼 Ӫ T.Albinoni : Adagio in G Minor ꣚嫲開㽳G 㼭锅䢩匢 盘괐楪齶ⵄ獔 ӪD. Shostakovich: Waltz No.2 諽㡦㝝넞笞㤏痧✳贫螠晋徱 Ӫ J. Brahms :Academic Festival Overture, Op.80 䋒䬘㨗倛㣐㷸䣔Ⱙ䎸刼⡲ㅷ 80 Ӫ Suite from Ancient Tunes of Paiwan(Arr. by Chen, Taichi) ꤫岲し佖管䱖抓停〢闙穉刼ӪChen, Taichi :Symphonic Poem "Songs of Mountain and Cloud" ꤫岲し❜갠鑘շ㿋莅ꨣ⛓姐ո

8.17 Mon. 14:30

갉坿涸粭劥⹛暟坿㕰● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 800

䎃➿㈒牱 ERA Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 90 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ荩抓字闙穉刼 / ⡲刼荩抓字闛ꀶꨎ颩խ管刼瀖䊛❮㣖խTaiwan nursery suite / Arr. Ishigawa Ryota Ӫ䩧乹坿 Show Time! / ⡲刼䂻䃷㖎鰊 Percussion Show Time! /Keisuke Minezaki Ӫ莅⡲ / ⡲刼♬尶ⰗⰩ 綘刼㿋〡㼿➃ Yosaku (Kiminori Nanasawa /Arr.Hisato Yamaguchi) Ӫ ⟓劆㢹瑠僤㞔 /管刼加勠筃 Look up and see the night stars/Arr.AYA Kimura ӪKong, Kong, Kong/ ⡲刼넞堀㸪埠 Kong, Kong, Kong/Takahashi Hiroki Ӫ ⹛暟坿㕰갉걧 / ⡲刼瀖䊛❮㣖 Zoorasianbrass Song / Ishigawa Ryota갉坿涸粭劥⹛暟坿㕰껷妄䌟⢵㢚㷎暶ⴽ㜥㢚傈泇牺Ⱙ ꋜ盘⯌䓍讍⯘倛朶㔋脆胣❏崎韷朄埠䧀剚䌟⢵➊랃垺涸姹坿䣔Ⱙヤ ? 䋞劆腋捀荩抓涸錚滞⦛䌟⢵怏怏涸崞⸂⚛鷴麕갉坿⢵捀⚆歲父犷

ZoorasianBrass 20th anniversary of debut, new program, world premiere! Attention ! New member
appear! With the lead of Okapi, ZoorasianBrass started from brass quintet, but with new members
joined in the past 20 years, what will they bring this time? Full Brassband will definitely bring you awhole new sound experience.

ZoorasianBrass⚺鳵 Presenter (s)䠑⪂谁遯肆⟨剤ꣳⰗ぀ EJ-Arts 怵ⴀ Performer (s)⹛暟坿㕰 | ZoorasainBrassⰔ剢

AUGUST⚺鳵 Presenter (s)䒴昽㣐䲿楪㹔Ⰹ坿㕰 Gong-Jue Cello Orchestra 怵ⴀ Performer (s)坿㕰 Group | 䒴昽㣐䲿楪㹔Ⰹ坿㕰 Gong-Jue Cello Orchestra妇䓛㣐䲿楪㹔Ⰹ坿㕰 Hsin-Hsien Cello Orchestra䕙赙〢闙꥙ Qulivangeraw Ballad Troupe 䭸䳸 Conductor | 卌僅륌 LIN Chang-lung

AUGUSTⰔ剢

A Fabulous Adventure of
100 Cellos劥妄갉坿剚诔歋㣐䲿楪ざ㤉⢵鑣ꅼ㢵⯋涸刼湡♶⫦剤⮛꧉涸〢Ⱙ坿刼⹛➃涸ꨶ䕧ꂂ坿❠猥䭰衽㼤ꅾ⾲⡞字停娜〷俒⻋涸⥌䙂鼝锞䱖抓停䕙赙〢闙꥙♧ず怵ⴀ捀✫腋雊㣐㹻聃鋅刿㢵㿂倴荩抓耫갉ꤑ✫⾲⡞字〢闙莅㣐䲿楪涸㼩㈖㢫歋荩抓倞ꌴ⡲刼㹻꤫岲し䨾ⶾ⡲涸❜갠鑘շ㿋莅ꨣ⛓姐ո㼟倴劥갉坿剚⚥⟃Ⱄ鿈㣐䲿楪涸倰䒭鹎遤怵ⴀ
Along with cello ensemble interpreting multiple repertoires, you will be taken through a journey withnot only elegant classic pieces and touching film soundtracks, but also exclusive performance together
with Qulivangeraw Ballad Troupe to convey our respect to the indigenous history. In order to increaseaudience's exposure to the sound of Taiwan, aside from indigenous folk songs and cello duets, ''Songs ofMountains and Clouds" composed by Taiwanese composer Chen Tai-chi will be performed with eightvoice types of cello on stage.

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8.19 Wed. 19:30

NTUSO Summer
Concert Tour

2020 〵㣐❜갠㢚㷎Ⱇ怵● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 200, 500, 800, 1000䎃➿㈒牱 ERA TicketꟀ 115 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 115 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ蜓劦暶顥⸈峫㭶狲䎸刼 W. A. Mozart: The Marriage of Figaro Overture K. 492 Ӫ頺㢵蓸痧❀贫շ涽䋷ոꏈ楪⼿㤉刼 Ludwig Van Beethoven:
Piano Concerto No. 5 in E major, Op. 73 Ӫ䗞⡱劦⯘痧⛰贫շ倞⚆歲ո❜갠刼 Antonín Leopold Dvořák: New World Symphony No. 9➃莅➃⛓꟦湱鸒欩僽㺂僒䠦䞕⽿⛳䖃䖃㔔娔剢㔔⚆✲罜隶颶Ⰹ䗱䨾庯劆涸宕䚻涸䠦⿶㖈⡦倰⦩蕰欰㖈䨞昰儘➿㖈齡涮ⴀ欰ㄐ臱昈涸䟅荏酭㈔剤棇䞼欰ㄐ涸➃侕涮ㄤ䎂涸껻孵頺㢵蓸꬗㼩䨞昰陗ⴀ꩏也⿶⹛➃涸ꏈ楪⼿㤉刼ꏈ楪怵㤉㹻ˌ脌䘋륌罉䌌⟃楪꒳ⵠ殥ⴀ䗳剚Ꟛ蔅穡卓涸倞⚆歲䎋犷剚⢵荆It is easy to communicate with each other, but love often deteriorates due to years and world events.
Where is the eternal love we desires? If you were born in the age of war, only those who cherish life
will exude the fragrance of peace in the stench of life rotting. Beethoven wrote a shocking and moving
piano concerto in the face of the war. Through the piano player HU, ZHI-LONG will portrayed the newworld that will surely blossom with piano keys. Happiness will come.

AUGUST⚺鳵 Presenter (s)〵㣐❜갠坿㕰 NTUSO 怵ⴀ Performer (s)䭸䳸 Conductor | 蛅俒頻 CHUANG, WEN-CHEN ꏈ楪 Piano | 脌䘋륌 HU, ZHI-LONG 坿㕰
Orchestra | 〵㣐❜갠坿㕰 National Taiwan University Symphony Orchestra

8.20 Thu. 19:30

շ⽓Ꟍո2020 谁劥麥讍⯘倛괐ꅾ㤉㕰䊣鶬갉坿剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 110 ⴕꗻわ⚥㜥⠅䜂 10 ⴕꗻ Duration is 110 minutes with a 10-minute intermission.

魨捀荩抓갉坿禺륌걧㕜用荩⻍谁遯㣐㷸갉坿禺歋㕜剓갥㼺涸㷸欰䨾穉䧭罜殹⚥涸讍⯘倛괐ⴕ鿈⛳♶⢿㢫㖈㣐㹻ぐ荈竤麕㢵䎃涸鳟⹷置罶♴穅뢶翹倴姽♧ず捀✫갉坿⸗⸂⚛⚂剤衽Ⱏず涸黇㣐湡垦 劥㜥怵ⴀ⟃讍⯘倛괐捀⚺넓䱺衽ꂂざⰦ➮涸加盘⟃⿻䩧乹坿㐼ⶾ鸤ⴀ噲暶ⴽ涸耫갠佪卓怵ⴀ

CarmenArt Pondo Saxophone
Ensemble 2020 Tour
Concert岁㕜⡲刼㹻嫲䩞涸竤Ⱙ姐ⷜ⡲ㅷշ⽓Ꟍո涸礩鼇晚媯〥㢫⛳鼝锞㖈넞꧆幀置㢵䎃涸闒佟葻罉䌌二⟤栬㤉㹻怵㤉苣挂➃〡涸շ秣秉㔋兞ոArt Pondo Saxophone Ensemble, one of the best saxophone ensemble in Taiwan, is gathered by
students of Taipei National University of the Arts.
Compared to regular saxophone ensemble concert, we use saxophone as a main basic, and add somewoodwinds and percussion to create an unheard acoustic. In this special concert, we are going toperform Carmen by Georges Bizet and invite Mr. Hsieh Cheng-Liang as a soloist to perform Four Picturesfrom New York.
⚺鳵 Presenter (s)谁劥麥讍⯘倛괐ꅾ㤉㕰 Art Pondo Saxophone Ensemble怵ⴀ Performer (s)谁劥麥讍⯘倛괐ꅾ㤉㕰 Art Pondo Saxophone Ensemble 讍⯘倛괐栬㤉 Solo Saxophone | 闒佟葻 HSIEH Cheng-liangⰔ剢

AUGUST

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8.21 Fri. 19:30

Dominant5շ䓛㢫⛓갉ո● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500

Ⰽ䑼ꤎ㈒牱 Arts Tickets
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 10 ⴕꗻ Duration is 90 minutes with a 10-minute intermission.
怵ⴀ刼湡 Program Ӫ䗞䒼劦⯘ 痧✳贫 A 㣐锅ꏈ楪❀ꅾ㤉⡲ㅷ 81 Dvorak: Piano Quintet No. 2 in A major, Op.81 Ӫ莞剋꣮ E 㣐锅ꏈ楪❀ꅾ㤉⡲ㅷ 44 R.
SCHUMANN: Piano Quintet in E flat major, Op. 44 Ӫ諽岲搭շ⾲⡞字穉刼ոꏈ楪❀ꅾ㤉Dominant52020 䧭用倴넞꧆歋ꏈ楪㹻꼟䎂㼭䲿楪㹻飅厣榏㼭䲿楪㹻랔㤌榏⚥䲿楪㹻䐁龐椚⿻㣐䲿楪㹻꤫笞䢵穉䧭 鸏⡙荩抓갉坿㹻㖈殆繡劍꟦㔔갉坿♳涸箔ⴕ湱翹栬㤉儘ぐ剤䨾Ꟁꅾ㤉儘랿㤏穪⢕䤊衽幀⾩涸䏁豪ㄤ䪮䊫 怵ⴀ幀「坿⿼㋐䠦

Since its inception in 2020, the dominant 5 piano quintet has been consistently praised for the
extraordinary musical integrity it brings to performances. The members of the dominant 5 piano
quintet- violinist po-wai and huan-wei, violist yu-li, cellist wei-hui, pianist FANG ping.
⚺鳵 Presenter (s)Dominant 5 Piano Quintet
怵ⴀ Performer(s)㼭䲿楪 Violin | 飅厣榏 LAI Po-Wei랔㤌榏 HUANG Huan-Wei ⚥䲿楪 Viola | 䐁龐椚 KANG Yu-Li 㣐䲿楪 Cello | ꤫笞䢵 CHEN Wei-Huiꏈ楪 Piano | 꼟䎂 FENG Ping

8.22 Sat. 19:30

䓹姻⪂㣐䲿楪栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 90 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻ Duration is 90 minutes with a 20-minute intermission.
怵ⴀ刼湡 ProgramӪ 頺㢵蓸痧㔋贫㣐䲿楪㤉뒊刼⡲ㅷ 102 ⛓ 1 Ludwig van BEETHOVEN:Cello Sonata, No.4 op.102 No.1 Ӫ 莞⠭暶꣚頺둽㽳㤉뒊刼 F. SCHUBERT: Arpeggione

Sonata Ӫ椚叆〷暶⹪倛㣐䲿楪㤉뒊刼 R.STRAUSS: Cello Sonata頺㢵蓸䍲㣐䲿楪殆♴❀껷㤉뒊刼Ⱖ⚥痧㔋贫刿僽ꬌ䌢竤Ⱙ莞⠭暶捀殹儘涸♧⦐暶婌涸Ⱉ哭䓛չ楮갉楪պ⨞✫♧껷㤉뒊刼ꧪ搭植㖈〫腋㖈⽈暟긭酭溏ⵌ鸏⦐坿㐼⡎莞⠭暶涸갉坿㻜㖈㣖繡✫䨾⟃鿪歋㔋哭䓛涸㣐䲿楪怵ⴀ⛳僽㣐䲿楪剓葾ꨈ涸⡲ㅷ⛓♧♴⼱㜥䓹姻⪂㼟䌟⢵〥♧⡙䗞㕜ꅾꆀ秹㣐䌌 - 椚叆〷暶⹪倛涸㣐䲿楪㤉뒊刼

BEETHOVEN had written five cello sonatas, of which No. 4 is the most famous one. Schubert wrote a
sonata for 6-string Arpeggione. This beautiful sonata is now performed by the four-string cello. In the

CHANG Chen-chieh
Cello Recital

second half of the concert, CHANG Chen-chieh will perform a sonata by Richard STRAUSS-another
German composer. Representing the magnificent scenery of the Alps, this sonata anticipates superb
composition that makes STRAUSS a master.
⚺鳵 Presenter(s)䓛㢫⛓갉㕰 Pro-Art Camerata怵ⴀ Performer(s)㣐䲿楪 Cello | 䓹姻⪂ CHANG Chen-chieh ꏈ楪 Piano | 䖛㎗楑 HSU Chia-chiⰔ剢

AUGUST

AUGUSTⰔ剢

Dominant5 Soul
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8.22 Sat. 14:30/19:30 8.23 Sun.14:30

շ㥠։僽㥶姽繡뜩ո● 嚨埠䑜㜥 Banyan Plaza● 荈歋Ⰵ㜥 Free Admission

Ꟁ 100 ⴕꗻわ⚥㜥⠅䜂 10 ⴕꗻ Duration is 100 minutes with a 10-minute intermission.

〵抓蓺謠莻㕰⿶㔐⢵㓫 㼩蓺謠莻鼩⨢殆㖈觍觍酝㈔繡嵠恠涸⽫韍㌨〵抓蓺謠莻㕰㼟䩧灶䝡㼩蓺謠涸⽫韍〵抓蓺謠莻㕰䱰欽鄄隘捀չ荩抓䬘饟剋㽳開㣗 - 剓䖕涸嵠恠⚺纏ꏈ楪鑘➃պ涸荩抓谁遯㹻諽岲搭涸 D 锅㼭䲿楪⼿㤉刼ⶾ⡲✫չ㥠։僽㥶姽繡뜩պ莻⡲㼟孵⹴煈爐涸갉坿䎑⻋䧭莻⹛涸갉痘♲㣐坿畎ツ植✫莍儘〵抓涸ⵠ蕲葾鳟荩抓嫢鋷㛚嫏⿶影厬涸⽫韍䋞劆鷴麕䧮⦛涸莻⡲⢪䝡䠮「ⵌ㶲肬徱귢䧮⦛Ꟁ㣐涸鸏晚㕼㖒涸㛚嫏⸗⸂莻罏⛳㼟䌟⢵Ⱖ➮⟃䱰欽〢Ⱙ갉坿ⶾ⡲涸䇩倞莻⡲The Taiwan Ballet Company is Back!For many people, the word "ballet" invokes images of tutus andperfectly-sculpted visual aesthetics. If that sounds familiar, then we would like to show you that there's
so much more ballet can be! The Taiwan Ballet Company has set our fully-original ballet piece, She~ isso beautiful to the Violin Concerto in D Minor by Tyzen Hsiao. The three movements evoke life in Taiwan
in the old days -- the grueling hardships faced by past generations struggling to eke out a livelihood,especially the determination and gentleness of Taiwanese mothers.
⚺鳵 Presenter (s)〵抓蓺謠莻㕰 Taiwan Ballet Company 怵ⴀ Performer (s)〵抓蓺謠莻㕰 Taiwan Ballet Company

8.23 Sun.14:30

脌囙 2020 ꏈ楪栬㤉剚● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500, 800, 1200

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻ Duration is 120 minutes with a 20-minute intermission.
怵ⴀ刼湡 Program

HU Jung 2020
Piano RecitalӪ 頺㢵蓸e 㼭锅痧 27 贫ꏈ楪㤉뒊刼⡲ㅷ 90 L. v. Beethoven: Piano Sonata No. 27 in e minor, Op. 90 Ӫ 頺㢵蓸A 㣐锅痧 28 贫ꏈ楪㤉뒊刼⡲ㅷ 101 L. v.

Beethoven: Piano Sonata No. 28 in A Major, Op. 101 Ӫ頺㢵蓸꣮ B 㣐锅痧 29 贫ꏈ楪㤉뒊刼շ恎槈⯘䬘笞ո⡲ㅷ 106 L. v. Beethoven: Piano Sonata No. 29 in B-flat
Major Hammerklavier, Op. 106

脌囙 2011 䎃饱㽠隡倴榰㡦椡喀넞瘞갉坿ꤎ㼠灇ꏈ楪怵㤉䌌✲㕜ꥹ濼そꏈ楪㹻Ⱟ䭸䳸㹻⴪㣗䌏蘘㽠㷸劍꟦脌囙⛳剎莅㢵⡙濼そ갉坿㹻♳栬㤉⿻㹔Ⰹ坿㣐䌌棵2016 䎃 5 剢饱二⟤豤랫⚆姐ⷜꤎ㷸ꤎ⠶㤉♧耷莅鑪㕰剤捀劍Ⰽ䎃涸㢵妄㣐㘗醢⡲莅㹔Ⰹ坿邍怵ꤑ✫㹁劍㖈荩莊遤갉坿剚⟃㢫2015 䎃 11 剢脌囙⛳「鼝㖈㤹㖒ⵄ꩛䛸㙪㨗倛Hohenems莊遤ꏈ楪栬㤉剚鵜劍⵱㢵㖈榰㡦䊣鶬怵ⴀ姽妄➮㼟䌟⢵頺㢵蓸♲껷ꏈ楪㤉뒊刼⺫䭍륔㣐涸痧 29 贫ꏈ楪㤉뒊刼

Hu Jung began studying at Hochschule Luzern with the world-known pianist and conductor Konstantin
Lifschitz in 2011. He received further training in masterclasses with Christian Poltera, Isabelle vanKeulen, Danusha Waskiewicz, Martin Helmchen, Andreas Haefliger. He will play Beethoven's 3 piano
sonatas in this recital, including the great "Hammerklavier".
⚺鳵 Presenter (s)땃⽈谁遯 Blooming Arts 怵ⴀ Performer (s)ꏈ楪 Piano | 脌囙 HU Jung

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AUGUST

AUGUSTⰔ剢

She~is so beautiful

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8.23 Sun. 14:30

2020 TYFC Concert

2020 〵抓ꫭ䎃眏䣔ざ㈖㕰䊣鶬갉坿剚● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program ӪDixit Dominus | W. A. Mozart ӪLetztes Glück | Johannes Brahms ӪHands | Jocelyn Hagen ӪWanting memories | Ysaye M. Barnwell Ӫꚻ耫蕰갠 | 卌㣔⢵ 鑂 | 鏪瀖 刼 | Thomas Caplin 管刼 Ӫ狲暟 | 勛併⹅ 鑘 | 瀖ꫭ㥶 刼 Ӫꫭ㿋笃宐㥪괐⯕ | 脌屮꧆ 鎹陗 | 詎儀㨪 | 管刼 Ӫ♴⼯涸♧룸䨡 | ꤫僈畎 鑂刼| 詎儀㨪 | 管刼չ〵抓ꫭ䎃眏䣔ざ㈖㕰պ姻䒭鼠Ⰵ痧⼧❀䎃ꅽ玑烵䧮⦛䖎囙䎋鼝锞繡㕜銯⻍㷸ꤎ갉坿禺⚺⟤ ThomasHolm, Matthew Oltman 莅껻㜉⯘ⵄざ㈖㕰 (Chanticleer) 囙隘갉坿籏湌 Matthew Oltman 二⟤㹐䌏䭸䳸莅犷晋䷒尪ざ㈖㕰谁遯籏湌豤䣔⤧♧ず䭸㼬⢵荈荩抓ぐ㖒䠦㈖姐涸䎃鰋㷸㶩捀㛆肬㕜ぐ㖒ざ㈖갉坿➃䩞莇渿荩抓ざ㈖갉坿俒⻋稟呏㊥湈䗱⸂ : չꫭպ僽䧮⦛涸そ䧮⦛僽ꫭ䎃䨾⟃㣐耫㈖ⴀ䎃鰋涸䋞劆 !

The Taiwan Youth Festival Choir aims to offer remarkable educational and social experiences in choral
music to the youngsters, targeting love-choiring young singers between the ages of 15 and 22 from allover Taiwan, and around 120 young singers will be together singing as one each summer. This year we
invite guest conductors: Thomas Holm, Matthew Oltman and the Formosa Singers artistic director SU
Ching-chun to join us. It will be a fun and fantastic concert!

AUGUST⚺ 鳵 Presenter (s) 犷 晋 ䷒ 尪 ざ ㈖ 㕰 Formosa Singers  怵 ⴀ Performer (s) 谁 遯 籏 湌 Artistic Director/ 豤 䣔 ⤧ SU Ching-chung  㹐 䌏 䭸 䳸 Guest
Conductor/Thomas Holm, Matthew Oltman ざ㈖㕰 Choir/2020 〵抓ꫭ䎃眏䣔ざ㈖㕰 2020 Taiwan Youth Festival Choir

8.25 Tue. 19:30

շ儘꟦涸ꨫ⟝ո● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 85 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 85 minutes with a 15-minute intermission.

䊼峫⯘갉坿ꦑ衽儘꟦怵隶⟃չ㎗貽暶պ괐呔㶲肬✫ꦑ⛓罜⢵涸〢Ⱙ儘劍1724 䎃岁㕜⡲刼㹻䏨兜貽涮遤✫痧✳ⱁ㣐꒳楪갉坿剚刼꧌➮㼟纏㣐ⵄㄤ岁㕜䕎䒭涸갉坿괐呔䊫㦫㖒輑ざ㖈ず♧刼꧌⚥⚛珖㸐⨞չGoûts réunisպ䠑⽰ㅷ㄂耢ざ涸䠑䙼䏨兜貽鸏❉⮛꧉涸ⶾ⡲չ僽눃⸂涸䧴鏪⟂➃䠮⹛⡎♶ⵌ噲畮攨䞕涸帒宐պ㜖珖峫〳〳ㄤ㎗貽暶괐呔涸Ⱙ眕㎗貽暶괐呔䓽锅갉坿⚥涸䠅䜤㫨坿⟃⿻荈搭涸暶䚍莅䊼峫⯘⵹劍ꎦ꤫涸㼩⡙㓂呔涸耫鿈箁哭䕎䧭僈곏涸㼩嫲

Baroque music is a period or style of Western art music. This era followed the Renaissance music era,
and was followed in turn by the Classical era, with the galant style marking the transition between
Baroque and Classical eras. In 1724 François Couperin issued the brilliantly assimilated Apothéose deCorelli within a second collection of concerts, aptly titled Les goûts-réünis, in which the French and
Italian elements are so subtly blended as to be barely extricable. They "charm and perhaps move, but
without tears of violent passions." The style galant emphasized a pleasing, entertaining and "natural" ofmusic.

Components In Time⚺ 鳵 Presenter (s) 恠 麉 罏 㹔 Ⰹ 坿 㕰 The Wanderer Chamber Ensemble  怵 ⴀ Performer (s) 㣐 ꒳ 楪 Harpsichord | 詎 ⢕ 槼 TSAI Chia-hsuan  ⡜ 갉 盘
Bassoon | 랔㶩㹆 HUANG Tzui 㣐䲿楪 Cello | 랔ㅷ悦 HUANG Pin-chieh ꧱矲盘 Oboe | ꓃癯蠩 CHUNG Hsiao-hsuan

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8.27 Thu. 19:00

2020 넞꧆䋑ꫭ㼱䎃❜갠坿㕰䎃䏞갉坿剚－倞莇넞⚥갉坿棵● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 150, 200, 300, 500, 600

䎃➿㈒牱 ERA TicketꟀ 120 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

2020 Kaohsiung Youth
Symphony Orchestra
Concert

0WFSUVSF

劥㕰⟃㛆肬⪂ⴀ涸넞꧆䋑ꫭ㼱䎃❜갠坿㕰捀⸗⸂湡垦鷴麕鎯箻䲿傻㕰㆞涸怵㤉宐彋⚛㢵倰鼝锞㕜Ⰹ㢫衽そ涸䭸䳸⿻盘穇坿㼠噠➃㡦䭸㼬㕰㆞⛓怵㤉嫦䎃⛳鼝锞㕜Ⰹ⮛猗涸栬㤉㹻莅坿㕰ざ⡲怵ⴀ⟃䲿傻㕰㆞⛓갉坿腋⸂
Kaohsiung Youth Symphony Orchestra seeks to cultivate excellence in the youth of Kaohsiung City.
It sees profond educational values in the training program to finely hone the skills of its members. In
addition to rigorous practice, outstanding directors and soloists from all over are invited as advisor or
co-performer of this orchestra.

AUGUST⚺鳵 Presenter (s)倞莇넞⚥갉坿棵 Presenter: Kaohsiung Youth Symphony Orchestra 怵ⴀ Performer (s)䭸䳸 Conductor | 랔ꐘ貽 HUANG Chin-lan桬䨞 WANG Chan 䩧乹 Percussion/ 鏪铃㹻 HSU Yu-chia ꏈ楪 Piano | ꁀ㸙鮯 CHENG Yu-shang 넞꧆䋑ꫭ㼱䎃❜갠坿㕰 Kaohsiung Youth SymphonyOrchestra, 倞莇넞⚥㕜⚥넞⚥鿈갉坿棵 Koahsiung Hsin Hsing Senior, Junior High School Music Class

8.28 Fri. 19:30

2020 Camerata Taiwan 䊼ꦿ䓛坿㕰շ匌倰갉箔ո● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 300, 500, 900, 1200, 1500

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫ䋪䗞榰㣗倛㛇䓛坿穉刼 Ignacy Jan PaderewskiSuite for Strings in G Major Ӫ諽齦痧✳贫ꏈ楪⼿㤉刼佖管窍ꏈ楪莅䓛坿㕰FrédéricChopinPiano Concerto No. 2 in f minor, Op. 21 (arr. for piano and strings) Ӫ 卌⢕槇隶䕎⚆歲껷怵䊼ꦿ㨽鎷ⶾ⡲Chia-Ying LinAnamorphosen (world
premiere, commissioned by Camerata Taiwan) Ӫ䊼晋䩯⯘㴏麉刼 Béla BartókDivertimento for String Orchestra, Sz. 113, BB 118չ匌倰갉箔պ䧮⦛♧饱䱳程⢵荈Ⰽ⦐匌倰涸갉坿匌姘剤衽괐呔栬Ⱘ涸갉坿䚍呔荩抓䧮⦛涸㹻ꀀ㿂倴䧮⦛涸耫갉䊼ꦿ➛䎃暶ⴽ鼝锞❧隘㕜ꥹ涸荩抓ꫭ䎃⡲刼㹻卌⢕槇捀劥㕰陗㻨ⶾ⡲䧮⦛㼟⚆歲껷怵㥠涸倞⡲շAnamorphosenո䱳㼦㿂倴䧮⦛涸儘➿礶牟䧮⦛⛳㼟䌟⢵岚貽⡲刼㹻䋪䗞榰㣗倛㛇鯱㼱鄄怵ⴀ涸傍劍⡲ㅷշ䓛坿穉刼ոꫭ惯⚥䌟衽倞䠑ꏈ楪㹻꤫⚆⨀㼟怵㤉ず垺⢵荈岚貽涸ꏈ楪鑘➃諽齦շ痧✳贫ꏈ楪⼿㤉刼ո⫙聃諽齦Ⰹ䗱涸冝䧗䙼䢐⛓䞕갉坿剚涸剓䖕䧮⦛㼟䮋䨞⺱暆ⵄ⡲刼㹻䊼晋䩯⯘倴✳䨞⵹㢨涸♶㸞莅筝䓹⚥㻨♴涸竤Ⱙ⛓⡲շ㴏麉刼ո2020 Camerata Taiwan

Between East and Far East. Discovering music from two different eastern region. This year Camerata
Taiwan invites world-renowned young Taiwanese composer to compose a brand new composition
for us. Our concert will feature the world premiere of her composition Anamorphosen, a search forthe spirit of a new generation. This year we will be bringing another earlier work by PADEREWSKI, his
Suite for Strings in G Major. Pianist CHEN Shih-wei will be playing Polish composer Frederic Chopins
Piano Concerto No.2 in F minor, Op.21. And our last piece of the program will be challenging Hungariancomposer Bela BARTOKs classic string ensemble masterpiece Divertimento for String Orchestra.
⚺鳵 Presenter (s)䊼ꦿ谁遯 Bratsche 怵ⴀ Performer (s)䭸䳸 Conductor | 嘥剅巒 YANG Shu-han ꏈ楪 Piano | ꤫⚆⨀ CHEN Shih- wei 坿㕰 Group |䊼ꦿ䓛坿㕰 Camerata Taiwan

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AUGUSTⰔ剢怵ⴀ刼湡 Program Ӫ蜓劦暶❜갠刼痧 40 贫 G 㼭锅⡲ㅷ 550痧♧坿畎 W. A. MOZART:Symphony No. 40 in G minor, KV. 550, 1st mvt Ӫ諽倛㝝넞笞㣼 ❜갠刼痧♬贫痧♧坿畎鼇刼շ⴪㻞呔⹗期䟝刼ոD. SHOSTAKOVICH: Leningrad Rhapsody from Symphony No.7 mvt.˺ Ӫꨮ〷殗㛇痧♲贫〢➿穉刼痧♧坿畎շ纏㣐ⵄո
O. RESPIGHI: Ancient Airs and Dances Suite No. 3, 1st Mvt. Italiana Ӫ 叞〳㣗倛շ⡱繏⧍倛涸私䙂ո⡲ㅷ 70痧㔋坿畎 TCHAIKOVSKY: Souvenir de Florence,
Op. 70, 4th mvt. Ӫ頺㢵蓸շ兜繏碜⥜倛ո䎸刼-7#&&5)07&/0WFSUVSF%JF(FTDIµQGFEFT1SPNFUIFVTӪ繏銯㽳շ㝱晋笞❏涸椚녋䌌ո䎸刼(3044*/**M#BSCJFSFEJ4JWJHMJB

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8.29 Sat. 19:30

շ㊥隶涸㥏➃ո㥏넞갉鿓ꐘ䢵 2020 耫坿栬㈖剚
● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 300, 500, 800

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 72 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 72 minutes with a 15-minute intermission.

㥏넞갉鿓ꐘ䢵Ⱘ剤鞮㺢涸莻〵怵ⴀ竤뀿㼩倴鏪㢵錬蒀暶颶鿪腋⯏ⴕ㾝植劥妄갉坿剚㼟⟃㥏䚍涸錬䏞暶ⴽ⟱ⷔ⟃➃䚍չ㋐䙭ㅶ坿պ㔋㣐⚺겗䮋鼇㢵껷衽そ姐ⷜ㥏넞갉鑅㎒锅⟃鿓ꐘ䢵⮛殯涸㈖⸆
莅邍怵㻜⸂⢵ꅾ倞鑣ꅼ鸏䎙⚆私⟃⢵㢵⡙歑䚍⡲刼㹻瘘♴鶵➃㥏⚺錬⦛⚆歲㔔捀刈僳涸㋐䜤鄄胝〓涸䤨䙭捀荈䊹涸ㄐ麌ㅶ岜䧴飷䖤䠦䞕儘涸䘰坿

Soprano KUO Ching-hui, is highly recognized for her vocal strength and acting skills. The program

anger, sorrow, and happiness. Come and discover how composers give life to their charming heroine
characters. Undoubtedly, it is a delightful concert not to be missed by opera lovers.

⚺鳵 Presenter (s)姘兜䙼갉坿谁遯 OPUS MUSIC ARTS怵ⴀ Performer (s)㥏넞갉 Soprano | 鿓ꐘ䢵 KUO Chig-hui ꏈ楪 Piano | 랔龐俒 HUANG Yu-wen

8.29 Sat. 19:30

NNKIEH Wind Orchestra
12th Anniversary Concert

⽂猰㻜⚥盘坿㕰 12 鹋䎃갉坿剚● 갉坿䑼 Concert Hall● 牱⭆ Tickets NT$ 100, 200, 300

Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

怵ⴀ刼湡 Program Ӫず䗱⼿⸂ Synergy / 繏⠭暶٥䊼⯘ꅽ Robert Buckley Ӫ♬㢨 Seventh Night of July / ꂋ❁呔 Itaru Sakai Ӫ鶔㡦㽳䎑䟝麉遤 Disney Fantasy
on Parade / 埧㾋꧉䗞 管刼 arr. Masanori Taruy Ӫ繡뜩涸㤹榰䀥 Beautiful Oregon/ 鑹㨗㡦٥䊼䛸倛 James Barnes Ӫ痧♲贫㼭❜갠刼չ갠⛓喀պSinfonietta No.3 Distance of Sounds  / 犷䃋䒾ㄤ Hirokazu Fukushima⽂猰㻜⚥盘坿㕰僽荩抓㼱侸乩剤㸤侮管ⵖ⛓넞⚥㕜⚥㕜㼭坿㕰㢵䎃⢵稡琎鞮㺢怵ⴀ⿻㕜Ⰹ㢫❜崩竤뀿「ぐ歲鼝秉怵ⴀ♶倬鸮糵㢵䎃囙栽㕜㷸欰갉坿嫲飓盘坿ざ㤉暶⮛涸婌囙劥妄갉坿剚歋剓攨䞕涸갉坿倞猗⦛㼟竤Ⱙ涸盘坿そ刼溫铇ツ植

NNKIEH Wind Orchestra founded in 2008, now celebrates its 12th anniversary. Our elementary, junior,and high school divisions had won the championship and gold prize in the Taiwan National Student
Competition of Music. In the past seven years, we have won great honors during these competitions
through the collaboration of students and teachers. Every year, we attend overseas international
interactions with other schools, ranging from Japan, Canada, to Italy and France for another memorable
concert. We'll show our enthusiasm through music.
⚺鳵 Presenter (s)㕜用⽂猰㕜ꥹ㻜뀿넞秹⚥㷸 NNKIEH
怵ⴀ Performer (s)갉坿籏湌䭸䳸 Director & Conductor | 卌酕ꐣ LIN Yu-hsi 䭸䳸 Conductor | 䓹用攂 CHANG Li-yi 㹐䌏䭸䳸 Guest Conductor | ⣶㸙䕜
Hou Yui-biau 坿㕰 Orchestra | ⽂猰㻜⚥盘坿㕰 | NNKIEH Wind Orchestra

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La donna è mobile-SopranoKUO Ching-hui2020
Vocal Recitalof La donna è mobile, has been specially crafted to showcase four major themes of womens joy,

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8.30 Sun. 14:30

շFun 聒ո㙹䋑乹坿㕰痧♬㔐Ⱇ怵● 邍怵䑼 Recital Hall● 牱⭆ Tickets NT$ 500䎃➿㈒牱 ERA Ticket | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 120 ⴕꗻわ⚥㜥⠅䜂 15 ⴕꗻ Duration is 120 minutes with a 15-minute intermission.

劥㜥갉坿剚歋剎䠑ꈚ罉䌌䌟걆Ⱖ㔋⡙㷸欰耢ざ怵ⴀ诔歋㼩갉坿涸攨䞕⟃⿻䩧乹坿㐼ⴽⰨ♧呔涸눃⸂
Ⱏず㸤䧭涸♧㜥갉坿剚剤栬㤉刼✳ꅾ㤉♲ꅾ㤉⿻⼿㤉刼瘞♶ず涸乹坿⡲ㅷ邍麨䌌欰⛓꟦涸㼩鑨莅怵㤉罏涸栬涯⯏ⴕ涮䳸ⴀ乹坿涸㢵⯋涮㾝䚍괐呔㢵隶涸䩧乹剤佖管荈〢Ⱙ坿刼䧭偒䖒䜤羮⹛聃涸꼛卌䊼刼湡ⵌ植➿갉坿䋞劆腋诔歋姽㜥갉坿剚莅㣐㹻ⴕ❧ぐ珏乹坿涸〳腋䚍This concert is a joint performance of four students led by the teacher, I-Chung Tseng. With a passion

City Percussion Ensemble Funfor music and the unique charm of percussion instruments, well show the various possibilities of
percussion. The program will show the diverse development of percussion through the cooperation withteacher and students, and the performance forms includes solo, duet, trio, and concerto. With arrangedclassical music and modern compositions, we will give you an unforgettable musical experience thisafternoon, hoping to let more people know and love percussion.
⚺鳵 Presenter (s)㙹䋑乹坿㕰 City Percussion EnsembleⰙ谁갉坿剤ꣳⰗ぀ SixArts music Ltd.
怵ⴀ Performer (s)㙹䋑乹坿㕰 City Percussion EnsembleⰔ剢

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8.28 Fri. 19:30 8.30 Sun. 14:30

眏湡殯⹛鑬䞕锞荛遺娀斊㸽笪剓倞嶋䜂叆溏
For further details regarding the changes of the
program, please visit Weiwuying's official website.

● 姏ⷚꤍ Opera House● 牱⭆ Tickets NT$ 300, 600, 900, 1200, 1600, 2000, 2500, 2800, 3200
Ⰽ䑼ꤎ㈒牱 Arts Tickets | ӹ遺娀斊剚㆞飑牱⮛䟃 Weiwuying Membership Discount Applied.
Ꟁ 160 ⴕꗻわ⚥㜥⠅䜂 20 ⴕꗻ Duration is 160 minutes with a 20-minute intermission.
纏㣐ⵄ俒怵ⴀ⚥薊俒꧱铃㶶䍌 Performed in Italian with both Mandarin and English surtitles.
俒 卌⠭匋 By Pokey LINⰗ⚺ⱄ荆㣔♴娝䗱遺娀斊騗㕜竤Ⱙ醢⡲꩏也㔐娝♲麥閱겗瀷湈㣔♴桬㶩걧곓♧⦐そ㶶界雊Ⱇ⚺䗣㢹劢溭姐ⷜշ勭貽労ո剤衽⡲刼㹻兜㤏㽳煈燫⿶笻뜩涸偒䖒♶⫦僽銯倰姐ⷜ涸剓䖕穅穡罏罜⠶ꦑⰗ⚺涬㜥涸չ藄蛂蔅պ偒䖒❠䧭捀螠➃⚆歲剓꓃䠦涸竤Ⱙそ⡲歋遺娀斊㕜㹻谁遯俒⻋⚥䗱莅䗞㕜蟛蘟姐ⷜꤎ騗㕜Ⱏず醢⡲2015 䎃倴姘崎껷怵2019 䎃涸❏崎껷怵涼栽䖤錚滞莅鐱锸涸攨捙鶬갠㼬怵랫撏꧆桧걆荩抓谁遯ⶾ⡲㕰꥙䩧鸤ⴀ♶ず倴姘繡շ勭貽労ո⯏倊匌倰稇勞涸嵥螠㛜瀵鱲罜ツ植✫⟂➃끇蒈涸㣖贡㣆㞯㔔姽䧭捀䗞㕜蟛蘟姐ⷜꤎ涸㹁湡ⷜ遺娀斊⛳㼟㖈 2020 䎃歋䭸䳸矦俒䕟桧걆㕜Ⰹ㢫涸耫坿そ㹻莅荩抓㖈㖒怵ⴀ㕰꥙ⱄ妄ꥑꅾ涬〵

遺娀斊⚺鳵

怵⵹㼬翕

㼩倴♶剎溏麕姐ⷜ涸剦⿼⢵铞շ勭貽労ո僽姐ⷜ㣐錚㕨涸剓⢕ⰅꟌ煴㼩倴姐ⷜ遤㹻罜鎊姽晝շ勭貽労ո乩剤刿⧩䖤⿾銼㔐㄂涸幀ⴗ䠑巒Ⱇ⚺ⱄ妄䖶꽙鋷䖄遺娀斊鼝锞滞⾇뢶⢵劊翱
The return of Princess Turandot; the return of Weiwuyings co-production with
Deutsche Oper am Rhein
With three riddles, Princess Turandot has beheaded all the princes that adored her across the world.
However, there exists one name that left her sleepless. The opera TURANDOT, with majestic andexquisite melody composed by Giacomo PUCCINI, not only marked an era of Western opera history but,as the traditional Chinese song Mò Li HÚa (Jasmine) was rendered a theme to Princess Turandot,
this opera has become one of the most beloved classics in Chinese-speaking world.

Co-produced by National Kaohsiung Center for the Arts (Weiwuying) and Deutsche Oper am Rhein,
this production was world-premiered in Europe in 2015; and in 2019 it was premiered in Asia: all
enthusiastically received by the audience. Director LI Huan-Hsiung led the Taiwanese artistic team,presenting a fascinatingly intertwining dream, distinctly different from the Western Turandot andflamboyantly piled up with oriental elements. The production has since then become one of therepertoire by Deutsche Oper am Rhein. In 2020, TURANDOT will be grandly staged again in Weiwuying
with CHIEN Wen-pin as conductor; and he will lead international and local renowned opera singers
along with Taiwanese performance teams. For those who has never been to an opera before, TURANDOT
can be the threshold to the field. For serious opera-lovers this production provides different aspects
that deserve thoughtful revisits. And now the princess has returned, come to adore her!

Ⱄ剢

AUGUST

AUGUST

Ⱄ剢

77

Puccini Turandot

兜㤏㽳姐ⷜշ勭貽労ո眏湡殯⹛Program changed劥眏湡歋遺娀斊㕜㹻谁遯俒⻋⚥䗱莅䗞㕜蟛蘟姐ⷜꤎⰟず醢⡲The performance is co-produced by National Kaohsiung Center for the Arts (Weiwuying) and Deutsche Oper am Rhein.

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79
2019 遺娀斊껷怵㣐栽㥪鐱 2020 ꅾ煈㔐娝瘘罏娜䎃⢵溏麕滞㢵醢⡲⚥⯏怏雊➃⥌剪涸ⶾ䠑幀Ⱘ鞮㺢鋕錏佪卓罜갉坿莅䨡ⷜツ植鿪㺢剤䠮厪⸂涸怵ⴀず儘刿雊瘘罏幀幀넓剚ⵌ植➛荩抓㖈怵谁莻〵♳稡琎涸㻜⸂䊺噲捀〳錚眏湡殯⹛Program changed眏湡殯⹛鑬䞕锞荛遺娀斊㸽笪剓倞嶋䜂叆溏
For further details regarding the changes of the
program, please visit Weiwuying's official website.

– 慍Ꟍշ慍Ꟍ鎝㜡ո2019/04

The best thing about Weiwuyings production of Turandot is that it will not disappear like a dreamonce the night is over. –Taipei Times 2019/04

怵⵹㼬翕Pre-talk

8.28 Fri. 18:50-19:10
8.30 Sun. 13:50-14:10
㖒럊 Place● 姏ⷚꤍ✳垚㣐䑺 Opera House 2nd Floor

AUGUSTⰔ剢

AUGUSTⰔ剢⚺鳵 Presenter (s) |遺娀斊㕜㹻谁遯俒⻋⚥䗱 National Kaohsiung Center for the Arts (Weiwuying)勭貽労 Turandot |涽䋷 Altoum |䋫加⯥ Timur |⽓䬘㺢 Calaf |叜⯥ Liu |䊩巒戋 Hangying Laia TSO
䓹桪脒 CHANG Yuh-yin
詎俒嵞 TSAI Wen-hao碜ㆁ⟻晋鏪尪頺ꅽ蘘 Mikheil SHESHABERIDZE卌梥䢵 LIN Ling-hui䭸䳸 Conductor |㼬怵 Director |莻〵鏤鎙 Set |剪酤鏤鎙 Costume |倞㯯넓鏤鎙 New Media |敚⯕鏤鎙㛂遤 Lighting |䎂 Ping |륔 Pang |䕠 Pong |㹒傌㸽 Mandarin |植➿㥏㷛 A Girl in White |䠑韍怵㆞ Extra (Acting) |坿㕰 Orchestra |ざ㈖㕰 Chorus |⯥留ざ㈖㕰 Children Chorus |莻〵坿꥙ Banda |矦俒䕟 CHIEN Wen-pin
랫撏꧆ LI Huan-hsiung哀蕰棁 LIANG Jo-shan
飅㹒グ LAI Hsuan-wu桬⤧⪂ WANG Jun-jieh鿓䒊韝 KUO Chien-hao

ゟ缦遺 Martin NG
卌⨴し Claude LIN랔❏⚥ HUANG Ya-chung勛㟞ꌂ Rios LI⡮䪭覂 YU Cheng-jungゟ⢆蓐 WU Pei-chihゟ⳯俒 WU Kia-wen鿓䕔箰 KUO Yen-wei䓹淏楾 CHANG Hao-yuꁀ纷鴇 CHENG Yu-chen랔꧉繡 HAUANG Ya-mei랔玑㼢 HUANG Cheng-wei
䕠楜烂 PENG Tsung-yen留阌ⵄ TUNG Ching-li嘥兰绥 YANG Zhi-xiang
詎傤⧉ TSAI Min-chien詎稙篞 TSAI Tzu-ying詎鞮傒 CAI Fong-syu豤蛶瘱 SU Wan-chuꟀ囙❜갠坿㕰 Evergreen Symphony Orchestra넞꧆㹔Ⰹざ㈖㕰 Kaohsiung Chamber Choir⚆私ざ㈖㕰 Century Voice Choir넞꧆䋑盘坿㕰 The Kaohsiung City Wind Orchestra⚺銴飬⸔ Major Sponsor (s)꤫㉖䊛⯓欰俒來㛇ꆄ剚 Frank C. CHEN Cultural and Educational Foundation
⼿⸂飬⸔ Co-sponsor (s)猰㦍欰暟猰䪮 SciVision Biotech Inc.  螩ⵄ麨欰䪮 Felixida Biotech Inc., 刓❏㕜ꥹ Dynamic Medical Technologies Lnc.(DMT)暶ⴽ䠮闒 Special thanks : 頿㕰岁➃넞꧆鿪剚涮㾝俒來㛇ꆄ剚 Kaohsiung Metropolitan Development Foundation偒䖒涸涸䗱⚥ 荈䊹 莻ꦑ騈 㿂倴 㔋姿
n
莻ⴀ

iya

Zem

Mon.

Sun.

6.22 8.2✽⹛넓뀿㖒顦㾝錒
Sat. 16:00

7.4

谁遯㹻爚眕怵ⴀ
遺娀斊嚩埠䑞㜥

Weiwuying BANYAN PLAZA

溏溏㔋姿莻僽➊랃衛武營
蒂摩爾古薪舞集
Weiwuying X Tjimur Dance Theatre

Dancing Zemiyan
on the Slope88㣐滚漌莅㣐羮労㜥긭⿼㊥鎙殥

89
遺娀斊⚺鳵

遺娀斊荞⸂䧭捀滞➃涸谁遯⚥䗱湺爢剚♳滞㢵停纈㖈遺娀斊䪪ⵌ荈䊹㸞黠涸倰䒭⿮莅谁遯崞⹛遺娀斊伟䩛㺢齦ꆄ䱾㖈爢㕰岁➃荩⻍䋑鋕ꥻ罏㹻Ꟁ⼿剚荩抓䩛铃缺陼⼿剚涸⼿⸔♴䲿ⴀչ㣐滚漌莅㣐羮労㜥긭⿼㊥鎙殥պ雊鋕ꥻㄤ聃ꥻ剦⿼㖈⿼㊥涸瑠꟦莅滞➃♧ず䠮「遺娀斊涸繡㥪㖈⤛鹎俒⻋䎂奚♳䖃⵹鼠ぢ♧㣐姿Weiwuying is collaborating with Fubon Financial, Parents' Association for the Visually Impaired, andTaiwan Association of Sign Language Interpreters to introduce the Eyes and Ears Project, an inclusive
program specially curated for the visually and hearing impaired. By establishing various facilities andprograms, Weiwuying makes an effort to provide a friendly space for all visitors, taking a step further
towards cultural accessibility and equality.

㜥긭㼬錒 Exploring the Venue劥鎙殥莅荩抓䩛铃缺陼⼿剚 (TASLI) ⿻荩⻍䋑鋕ꥻ罏㹻Ꟁ⼿剚伟䩛ざ⡲䒸걆㣐滚漌㣐羮労剦⿼⦛饥Ⰵ㜥긭䒊眡莅ⰗⰟ瑠꟦⚛鷴麕䩛

Exploring the Venue
Eyes and Ears Project

The project leads visual and hearing impairments into building and public spaces, and give them a deep understanding of Weiwuying
with sign language guides and auxiliary equipment (IPAD, models, Braille, graphics cards, etc.).

䑼ꤎ㼬錒 Exploring the Auditorium雊㣐滚漌㣐羮労剦⿼⦛㻜ꥹ饥Ⰵ䑼ꤎ✫鍑䑼ꤎⰉ涸鏤鎙䊫䙼莅㼠噠ꂂ⪔넓뀿溫㻜涸ⷜ㜥䠮「Weiwuying invites visual and hearing impairments to walk into the venues and experience the professional equipment in theaters.

谁遯⿮莅 Joining the Shows歋㜥긭涸⚺鳵眏湡⚥礶鼇갉坿莻骪䨡ⷜ瘞怵ⴀ鼝锞㣐滚漌㣐羮労剦⿼⦛鋷荆넓뀿Ⱏ❧邍怵谁遯涸繡㥪莅䝿⹛

Weiwuying invites visual and hearing impairments to join the shows, and share the beauty and amazement of performing arts.

* 劥崞⹛䱺「㼠㜥갸秉⛳姹鵔字滞չⰟ䠮넓뀿պ⸈Ⰵ㣐滚漌 / 㣐羮労㼬錒㥶妝㜡そ锞崡 +886-7-2626647 䧴 +886-262-6654*Eyes and Ears Project accepts special appointments and public participation.
To sign up for the Eyes and Ears Project, please call +886-7-262-6647 or +886-7-262-6654.
㣐滚漌㣐羮労㜥긭⿼㊥鎙殥歋㺢齦ꆄ䱾飬⸔
Exploring the Venue - Eyes and Ears Project is supported by Fubon Financial Holding Co., Ltd.

崞⹛

ACTIVITY

ACTIVITY崞⹛铃㼬錒⿻鰊⸔鏤⪔䎂匢ꨶ舡垸㘗럊㶶劥鍸錏㕬⽓瘞涸⼿⸔雊㣐㹻幀䏞钢陏遺娀斊

✫鍑刿㢵

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91

遺娀斊埠峯

遺娀斊⚺鳵

● 嚩埠䑞㜥 Banyan Plaza㋎饱㥪㣼䗱饥鹎埠峯䱳程欰崞馱㄂㖈Ꟛꡀ涸嚩埠䑞㜥涮植ⶾ䠑涸谁遯넓뀿⼯䖕♶㥶⢵遺娀斊嚩埠䑞㜥⨞榮梾溏ꨶ䕧䩧湳殥殥䧴聃갉坿莅ぐ䒭ぐ垺涸➃❜剦⿼ゅCome for an afternoon of yoga, watching movies,
napping, drawing, listening to music, meetingpeople with different gender identifications, andmaking friends with people from South East Asia
in the Weiwuying Wonderland !

ꨣꟌ來㹔遺娀斊糔秼㢚傈魨넓崣㼩
Cloud Gate Dance School X
Weiwuying Summer Party

ACTIVITY崞⹛倯䒭 Method㸼笨㜠せ⿹植㜥湫䱸⿭莃
Registration on the Weiwuying Official Website. Visitors are also
welcome to participate.

8.16 SUN. 16:00-17:20
㖈嚩埠䑞㜥歋ꨣꟌ來㹔罉䌌耢䩛䌟걆衽鋷㶩㹻䏭♧饱鹎遤繡䠮莅ⶾ䠑涸ꅼ佞넓뀿

At Banyan Plaza, Cloud Gate Dance School teachers will崞⹛倯䒭 Method
ꬊ㈑牰崞⹛⚂♶꨽✲⯓㜠せ価锜植㜥湫䱸⿭莃⚛姷鵒ꅿ귫
Events are not ticketed and no registration required. Visitors arealso welcome to picnic on the spot.

껷䌏䭸䳸㹻

7.24-25 Fri. - Sat. 19:30-21:00
䋪晋剋涸갉坿麒娜

8.28-8.29 Fri. - Sat. 19:30-21:00

guide the family visitors to experience the explorationof aesthetics and creativity.

16:00-16:30

喀卌ⱎꦖ崣㼩 (3-5 娔鋷㶩 1 㣐 1 㼭 )16:50-17:20

僤椕ⱎꦖ崣㼩 (6-10 娔鋷㶩 1 㣐 1 㼭 )Weiwuying
Wonderland嫦㜥妄ꣳ 30 穉✫鍑刿㢵➛䎃鼇晚倰ぢ捀չ邍怵谁遯 × 䧭Ꟁպ䮋鼇♶ず겳㘗邍怵谁遯涸䧭Ꟁ佦✲剤ⷜ䞕晚⛳剤私ꏗ晚ꤙ⠶㣐㹻䏞麕䠅䘰涸㢹儻The programming direction this year is performing arts
× growth. Stories of growth selected from various typesof performing arts, including drama and documentary,
will accompany each pleasant evening.

崞⹛

ACTIVITY崞⹛埠峯羮堥ꨶ䕧ꤎ
Earphone Cinema

92

Learning
andParticipation

93

긭Ⰹ㷸绢

遺娀斊⚺鳵

ꠗ隡瓏梖粭劥蔅ꪫꪫ铞佦✲⢵荈㣖瑠㢫僤椕涸蔅ꪫꪫ⢵ⵌ遺娀斊銴⢵铞铞➮麉娜ぐ㖒製꧌涸㣼殯佦✲窍㣐㹻聃㼭剦⿼⦛䘰䌟衽時時㱙㱙♧饱⢵蔅ꪫꪫ㖈ꠗ隡瓏瘞⡹⦛㋅

This reading session is animated by Hualulu, an extraterrestrial character who comes to Weiwuying totell stories he has heard while traveling across different places. Come bring your parents to the Reading
Corner, where Hualulu is waiting for you!

崞⹛

ACTIVITY

ACTIVITY崞⹛շ㷛㶩僽➊랃ո

7.15 Wed. 15:00-16:00
崞⹛㖒럊
崞⹛倰䒭
Place
MethodAt the Reading Corner:
Picture Books with Hualuluշ䓍䓍涸⚆歲ո8.19 Wed. 15:00-16:00● 3 垜ꠗ隡瓏
ꬌ㈒牱崞⹛侣锞植㜥湬䱺⿮莅● Reading Corner
Events are not ticketed. Visitors are welcome toparticipate.

✫鍑刿㢵遺娀斊ꠗ隡瓏歋〵抓犷莇俒來㛇ꆄ剚飬⸔
Weiwuying Reading Corner is supported by Taiwan Fuhsing Culture and Education Foundation.

94

365+
Dance

95

娀斊⢵騥莻

遺娀斊⚺鳵

● 嚩埠䑞㜥 Banyan Plaza꬏鵚姏ⷚꤍ銮⩎牰〡Close to the west-side entrance of the Opera House.

● 崞⹛倰䒭 Method

ꬊ㈑牰崞⹛価锜植㜥湫䱸⿭莃
Events are not ticketed. Visitors are welcome to participate.

蘢긅궤䖕䟝麌⹛ꤑ✫⨴魨䨼Ⱇ㕨崞⹛⚥䗱遺娀斊䲿⣘♧⦐倞鼇乵♶锸遳莻㕜ꥹ垦彋莻⽰莇殹➿莻蓺謠莻㣖噲瘞չ娀斊⢵騥莻պ鸒鸒鿪剤姹鵔⢵ⵌ嚩埠䑞㜥Ⱏ❧莻⹛魨넓涸䘰坿♧饱騥莻⨞麌⹛

In addition to gyms, parks, and activity centers, Weiwuying offers a new alternative for exercising after
meals. From street and ballroom dancing to free dance, contemporary dance, ballet, and tai chi, 365+
Dance has it all! We welcome everyone to Banyan Plaza and share the joy of dancing and exercising
together.

崞⹛

ACTIVITY

ACTIVITY崞⹛莻⹛㣼聞剤孻莻骪ˌ꘮⯘剋
Aerobic Dance - Techmen㢚㢹儻괐肉넓Ꟛ涮ˌ豤ㅷ俒
A Dance a Day - SU Pin-wen

7.1 Wed. 19:00-20:30

8.5 Wed. 19:00-20:30
✫鍑刿㢵

96

Collaboration
between Arts andOther Sectorsˌ谁⟱㷸ˌ繡䠮來肬鎙殥

97
遺娀斊⚺鳵

遺娀斊㕜㹻谁遯俒⻋⚥䗱乩剤❏崎剓㣐涸盘괐楪⟃⿻繡뜩涸袖蟏㕨䒭䏠䌏鏤鎙涸갉坿䑼捀✫雊⿮莅姽鎙殥罜剤堥剚鹎Ⰵⵌ䑼ꤎ涸䌌欰腋鷴麕妇颣谁俒怵ⴀ雊繡䠮來肬悴獵랿⻋䧮⦛鏤鎙涸崞⹛Ⰹ㺂⺫わչ妇颣邍怵넓뀿պչⷜ㜥狲⭑պ⿻չ㕜ꥹ䑼ꤎ➝稲պ

ACTIVITY

崞
⹛

崞⹛㖒럊
㜡そ㼩韍
儘꟦
㜡そ倰䒭

● 갉坿䑼
㕜ぐ簖䋑⛓㕜㼭❀䎃秹欰荛넞⚥耷欰⟃㷸吥捀㋲⡙䲿ⴀ歍锞갸鎙 90 ⴕꗻ鑬稣㜡そ倰䒭锞鋅㸽笪

Place
Participants● Concert Hall
FFifth graders to vocational high school/high school students from the cities/counties in Taiwan.
Applications should be submitted as school.
Approximately 100 minutes.
For more information about registration, please follow the official website.

Duration
Registration Process

ざ⡲㋲⡙ Co-organized by

The Overview of
Outreach Aesthetic
Education Project⚺銴飬⸔ Major Sponsor

⼿⸂飬⸔ Cosponsor

✫鍑刿㢵

崞
⹛

ACTIVITY

National Kaohsiung Center for the Arts (Weiwuying) has the grandest pipe organ in Asia. The Concert
Hall features a unique vineyard style, which will allow students in Southern Taiwan to experience arts
performance as well as to appreciate the optimal acoustic and visual effects. It is our hope that theaesthetic education highly promoted at various schools can be well-extended and fully realized at
Weiwuying. Each session will include enjoying performances, theatre etiquette, and introduction tointernational anditoriums.

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Theater Arts andEducation Projectⷜ㜥谁遯넓뀿來肬鎙殥

99
遺娀斊⚺鳵

麕⿡遺娀斊僽⽂荩抓涸倞Ⱕ鎯箻⚥䗱㥶➛僽㕜㹻涸谁遯俒⻋⚥䗱䖰鮪✲ⵌ谁遯♶隶涸僽遺娀斊䭰糵䪾㛆肬䎃鰋過腠鋕捀䊹⟤㔔姽遺娀斊㼟鷴麕չⷜ㜥谁遯넓뀿來肬պ鎙殥䖰妇颣邍怵⵹涸չ鸒陏铭玑պ怵ⴀ儘涸չⷜ㜥넓뀿铭玑պ⿻怵䖕涸չ❜崩ⴕ❧莅⫄䪭պ雊㷸欰⟃♶ず涸倰䒭莅♶ず涸錬䏞䒊用㼩倴谁遯涸妇颣倰䒭In the past, Weiwuying used to be a training center for military recruits in southern Taiwan. Now, it has
been revamped as a national center for the arts. What stays unchanged throughout its transformationfrom a state organ of national defense to an organization for culture and the arts is its commitment
to education, to the cultivation of young talents. To fulfill this, the Theater Arts and Education Projectat Weiwuying offers the pre-performance "Liberal Arts Course," on-site "Theater Experience," and postperformance "Takeaways" in order to familiarize students with a variety of approaches to the arts.

㜡そ㼩韍
儘꟦
㜡そ倰䒭

넞⚥耷欰莅闍䌌⟃棵秹捀㋲⡙歋來䌌䲿ⴀ歍锞
嫦妄 3 㛔铭籏鎙秉 320 ⴕꗻ
鑬稣㜡そ倰䒭锞鋅㸽笪Participants
Duration
Registration Process

High school students and instructors. Applications should be submitted as classes.
3 classes each time. Total approximately 320 minutes.
For more information about registration, please follow the official website.

⚺銴飬⸔ Major Sponsor

⼿⸂飬⸔ Co- sponsor

✫鍑刿㢵

崞
⹛

ACTIVITY

ACTIVITY

崞
⹛

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㼬錒剪⹡
Tour Service⸈Ⰵ剚㆞
Become Our Valued Friend101

剚㆞栬❧ Member Exclusive Offer䎃䏞⚺鳵眏湡牱ⵚ傍둷䵻⯓飑

Early-bird ticket pre-order for annual Weiwuying-organized program.
栬❧⚺鳵眏湡飑牱 9 䫔饱ꫭ䎃⽓剚㆞剓⡜〳❧ 75 䫔

Maximum 10% off for Weiwuying-organized programmaximum 25% off for Weiwuying Youth.
遺娀斊꽏䏅嶋顥⮛䟃STAGE 5 귭ꂋ긭馱崞遺娀斊鏤鎙翹衆莍䮸⽂귕䏅䧕ㅷ✌ꂷ蝠㶩䩛鸤䨾莇馱 x Simtree ㄳ㉱䏅㕩瀖狪궬騥莻껻宐姘䒭귭䑼㢹꟦㼬錒 Night Time Tour㜥妄嫦傈 13:00, 13:30, 15:30 ぐ♧㜥㜥妄嫦鹋♲ 18:30

顥欽♧菛字滞嫦➃ 100 ⯋顥欽♧菛字滞嫦➃ 100 ⯋儘꟦
Schedule갸鎙 50 ⴕꗻDaily at 13:00, 13:30, 15:30

儘꟦갸鎙 50 ⴕꗻSchedule

Every Wednesday at 18:30

Duration

Approximately 50 minutes

Duration

Approximately 50 minutes

Fee

NT$100 per person

Fee

NT$100 per person˨ 㔋䑼ꤎⷜ㜥Ⰹ鿈瑠꟦⿻錚滞䌏劢わ㖈劥㼬錒遤玑⚥˨ 㥶꨾薊俒㼬錒剪⹡罏10 ➃⟃♳ ( わ ) ⽰〳갸秉锞倴갸秉㼬錒傈⵹ 20 傈䲿ⴀ歍锞湱ꡠ鋊㹁鸄崡㹐剪㼠箁 +886-7-262-6666

˨ The theatre and audience seating area is an active working zone for the performance teams so therefore not part of the guided tour.

Restaurant꧌럊❧⯝顥糵⽓ⱄ鷑鋷⿼⯝顥鳵⽓

Receive free membership renewal with reward points, and gift friends and family free membership with reward
points.
⯝顥剚㆞㼠㿂崞⹛谁遯㹻鵜騅ꨆ䏠锓㼠㿂䊨⡲㖷眏湡㹒デ剚

Member exclusive event.Artists Talk , Exclusive Workshop , Annual Programs Announcement 剚㆞㼠㿂⮛䟃

Weiwuying Program Guide free delivery.

˨ A minimum of 10 (inc.) guests is required to reserve a guided tour in English. Please put in a reservation 20 days in advance and contact thecustomer service for more information +886-7-262-6666.
刿㢵㼬錒须鎝锞鋅遺娀斊㸽笪䑼ꤎ㼬錒Aditorium tour
㜥妄

锞鑬鋅㸽笪

顥欽

♧菛字滞嫦➃ 150 ⯋儘꟦
Schedule갸鎙 60 ⴕꗻPlease refer to website information

Duration

Approximately 60 minutes

Fee

NT$150 per person㜥㖒獆⦶剪⹡
Venue Hire㜥긭獆⦶ 䑼ꤎ⿻粭兞䊨䑖Ⱖ➮瑠꟦湱ꡠ✲㹆锞倴剪⹡儘꟦⢵ꨶ崡鑉ꨶ鑨 +886-7-262-6612~6616
刿㢵歍锞须鎝锞崡遺娀斊㸽笪雊欰崞⯏怏谁遯㽠䖰遺娀斊Ꟛ㨥

official website or contact +886-7-262-6612.

Let life be full of art, starting with the Weiwuying Membership Card.

For more information, please visit Weiwuying

歍鳵剚㆞⽓锞⿮罌㸽笪ս剚㆞㼠⼦վ䧴荛劥㜥긭 3Fս剪⹡⚥䗱վ鳵⽓

For information and application, please visit official website, or visit Service Centre on the 3rd floor of Weiwuying.

⸈
Ⰵ
剚
㆞

BECOME OUR VALUED FRIENDTOUR SERVICE

㼬
錒
剪
⹡

傈꟦㼬錒 Day Time TourSpecial offer at shops in Weiwuying.

Stage5 Bistronomy, Cheer For Select Shop , Jiu Zhen Nan Taiwan Pastry , I-PIN Cheese Cake , SIMTREE Coffee, OREGIN Tea Shop , Perfume Dance

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㜥긭❜鸒
Visit Us荈遤Ꟛ鮦⽂♴Ӫ竤㕜麥 1 贫㕜麥 1 贫넞鸠Ⱇ騟⚥姻❜崩麥♴ ̔䵩䰦麌堚箁չ遺娀斊 (O10)պ♴鮦

荈 6 贫ⴀ〡ⴀ〡〸䩛鼹⽰捀㜥긭䊩鱲䖃뒉㿋倰ぢ ̔湬遤⚥姻♧騟 ̔䵩荩꘮Ӫ竤㕜麥 3 贫鱲䵩倰䒭锞⿮ꠗչ䵩䰦麌պ

遺娀斊㕜㹻谁遯俒⻋⚥䗱

㕜麥 3 贫넞鸠Ⱇ騟鱲㕜麥 10 贫넞鸠Ⱇ騟 ̔
䱺㕜麥 1 贫넞鸠Ⱇ騟 ̔⚥姻❜崩麥♴ ̔䊩鱲䖃뒉㿋倰ぢ̔湬遤⚥姻♧騟 ̔遺娀斊㕜㹻谁遯俒⻋⚥䗱⻍♳

By CarBy Metro

SouthboundTake the Orange line to the Weiwuying Station (O10), Exit 6.

ӪNational Highway No.1

The Center is on your right.

Turn left heading toward Fengshan District

By Train

Exit at Zhongzheng Road interchange ̔̔ Go straight on Zhongzheng 1st Rd ̔䵩荩꘮荛չ넞꧆抡鮦畀պ䖕鱲䵩䰦麌

Arrive at WeiwuyingӪNational Highway No.3

䵩넞꘮

Change to National Highway No.10 ̔䵩넞꘮荛չ䊩斊畀պ䖕鱲䵩䰦麌and then transfer to the Metro system. Please refer to"By Metro" for how to transfer and get here.

Take the National Highway No.1 ̔

By High Speed RailTurn left heading toward Fengshan District

Take Taiwan High-Speed Rail to the Zuoying Station, andExit at Zhongzheng Road interchange ̔鱲䵩倰䒭锞⿮ꠗչ䵩䰦麌պ

Get to the Kaohsiung Main Station via Taiwan Railways,

̔Go straight on Zhongzheng 1st Rd ̔Ӫ竤㕜麥 1 贫䵩굳堥〸鱲䖃뒉㿋倰ぢ ̔湬遤♲㢵♧騟 ̔鱲䵩倰䒭锞⿮ꠗչ䵩䰦麌պ

Northbound䵩Ⱇ鮦Take the exit at Sanduo Road interchange ̔Take a flight to the "Kaohsiung International Airport" and̔ Go straight on Sanduo 1st Rd ̔

Metro" for how to transfer and get here.

㕜麥 1 贫넞鸠Ⱇ騟♲㢵❜崩麥♴ ̔遺娀斊㕜㹻谁遯俒⻋⚥䗱Ӫ竤㕜麥 3 贫㕜麥 3 贫넞鸠Ⱇ騟鱲〵 88 䘰鸠麥騟 ̔

䱺㕜麥 1 贫넞鸠Ⱇ騟 ̔♲㢵❜崩麥♴ ̔〸鱲䖃뒉㿋倰ぢ̔湬遤♲㢵♧騟 ̔遺娀斊㕜㹻谁遯俒⻋⚥䗱

Arrive at Weiwuying䵩굳堥荛չ넞꧆㕜ꥹ菕瑠畀պ䖕鱲䵩䰦麌ӪNational Highway No.1

〳䵩⛨넞꧆䋑Ⱇ鮦 5270 荛遺娀斊㕜㹻谁遯俒⻋⚥䗱畀䧴䵩⛨ 5053A53B88248堚 7A堚 7B堚 8堚 10
堚 11秋 218001랔 2A랔 2B랔 2C 荛䒊鮪畀

Turn right heading toward Fengshan District

ӪNational Highway No.3

Connect to National Highway No.1 ̔Motorcycle Parking

їⱿअParking Lot⦲ἼⱿ࿣‫ڻ‬ᾷ
Taxi Stop၄ⵝ⢙ᖇ᧰ᾷ
MRT Weiwuying Station

ԕⱿᾷBus Stopthen transfer to the Metro system. Please refer to "By

By BusTake a bus and get off at the stop "National KaohsiungCenter for the Arts (Weiwuying)" : Bus lines-52, 70.

̔Go straight on Sanduo 1st Rd ̔

50, 53A, 53B, 88, 248, Orange 7A, Orange 7B, Orange 8,

Arrive at WeiwuyingᓠⱿїⱿ✘

By Flight

Exit at Sanduo Road interchange ̔Turn right heading toward Fengshan District

Bicycle Parking

how to transfer and get here.

Arrive at Weiwuying

Change to Provincial Highway 88 (Taiwan) ̔⎫⯽Ɀїᆅ؊

transfer to Metro system. Please refer to "By Metro" forOr take a bus that stops at Jianjun Station: Bus linesOrange 10, Orange 11, Red 21, 8001, Yellow 2A, Yellow 2B
Yellow 2C.

㜥
긭
❜
鸒

VISIT USVISIT US

㜥
긭
❜
鸒

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眏湡䭸⽂
PROGRAM GUIDE

7 8㕜㹻邍怵谁遯⚥䗱遺娀斊㕜㹻谁遯俒⻋⚥䗱

National Kaohsiung Center for the Arts (Weiwuying)+886-7-262-6666

83075 넞꧆䋑뒉㿋⼦♲㢵♧騟 1 贫
www.npac-weiwuying.org

service@npac-weiwuying.orgⴀ晝傈劍 2020 䎃 6 剢

晝奚䨾剤 All rights reserved ©2020⚺鳵㋲⡙⥃殆崞⹛殯⹛⿻剓穅鍑ꅼ奚