RYAN CARTERCURRICULUM VITAEEDUCATION
New York University, Ph.D. in Music Composition and Theory
Studies with Elizabeth Hoffman and Matthias Pintscher

2014

Stony Brook University, M.A. in Music Composition
Studies with Daniel Weymouth

2007

Oberlin College Conservatory of Music, B.Mus. in Music Composition
Studies with Richard Hoffmann and Pauline Oliveros

2002

ADDITIONAL TRAINING:
Columbia University, Computer Music Center
Studies with Brad Garton

2009 – 2012

Royal Conservatory of The Hague
Studies with Louis Andriessen and Gilius van Bergeijk

2007 – 2008

DISSERTATION:“Helmut Lachenmann’s Gran Torso and the Analysis of musique concrète instrumentale”
Committee: Elizabeth Hoffman (Chair), Stanley Boorman, Brad Garton,Louis Karchin, Jaime Oliver
FELLOWSHIPS AND ACADEMIC AWARDS:New York University, Dean’s Dissertation Fellowship2013 – 2014

New York University, Henry M. MacCracken Fellowship2008 – 2013

Stony Brook University, Graduate Council Fellowship2005 – 2007

Stony Brook University, Presidential Award

2005 – 2007

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PROFESSIONAL POSITIONS
Hamilton College, Associate Professor
2023 – present
Hamilton College, Assistant Professor
2019 – 2022
Hamilton College, Visiting Assistant Professor
2015 – 2018
Courses taught:• Fundamentals of the Theories of Music
Topics: Introductory music theory through diatonic analysis• Music Theory for Non-Majors
Topics: Introductory music theory, including short compositions• Theories of Music: Counterpoint and Harmony
Topics: Species counterpoint, chromatic harmony and part-writing• Music for Contemporary Media
Topics: Recording techniques, digital audio workstations, digital signal processing,synthesis, mixing and mastering• Seminar in Music Composition
Topics: Acoustic composition, score and part preparation, concert organization• Advanced Music Composition
Topics: Individual lessons in composition• Independent Study
Topics: Individual meetings on producing albums in a variety of genres (electronic dancemusic, experimental electronica, folk, hip hop, jazz fusion, pop)
Virginia Tech, Visiting Scholar
Fall 2014
Course taught:• Digital Sound Manipulation
Topics: Electroacoustic composition, synthesis, digital signal processing, audio
programming
New York University, Instructor in Music
2008 – 2014 and Spring 2015
Courses taught:• The Art of Listening
Topics: The emergence of tonality, trends in 20th-century music, contemporary
experimentalism• Expressive Culture: Sounds
Topics: Acoustic, psychoacoustics, music in society• Harmony and Counterpoint (II through IV)
Topics: Tonal and post-tonal harmony, sight-singing, dictation (from introductory toadvanced)
Stony Brook University, Instructor in Music Theory
2005 – 2007
Course taught:• Elements of Music
Topics: Introductory music theory for non-majors through diatonic part-writing

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ADMINISTRATIVE POSITIONS:New York New Music Ensemble, Director of Operations
2015
Managed concert logistics, venue contracts, performance materials, rehearsal schedules
HONORS AND AWARDS
2022
2020
2019
2018
2017
2015
2014
2013
2012
2011
2009 – 2012
2011
2011
2010
2009
2008
2006 – 2012
2007
2007
2007
2006
2005
2005
2005
2005-present

Red Jasper Award for Music Composition (winner)
Grand Prix Lycéen des Compositeurs (preselection)
New York State Council on the Arts (grant recipient)
MEGA JURY Concurso Internacional de Composición (selection)
LA Phil Prize, Hack Music LA (winner)
Lake George Music Festival Composition Competition (winner)
Mario Merz Prize (nominee)
RED NOTE New Music Festival Composition Competition (finalist)
Left Coast Composition Contest (winner)
JFund Commission from ACF and Jerome Foundation
SCI/ASCAP Student Composition Commission Contest, (regional winner)
Q2 and NPR Music’s favorite “100 Composers Under 40”
Kanter/MIVOS Prize (finalist)
Publikumspreis, Heidelberg Spring Festival (winner)
National Association of Composers/USA Composer’s Competition (winner)
National Endowment for the Arts (grant recipient)Creative Connections Awards from Meet the Composer (4 awards)
Definiens Project Commission Competition (honorable mention)
Lee Ettelson Composer’s Award (winner)
Brian M. Israel Prize (honorable mention)
SCI/ASCAP Student Composition Commission Contest, (regional winner)
Aaron Copland Award (winner)
Gaudeamus Prize (finalist)
Carlsbad Music Festival Composers’ Competition (winner)
ASCAP Plus Award

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COMMISSIONS
2023
2022
2021
2021
2019
2018
2018
2018
2018
2017
2017
2017
2016
2016
2016
2015
2015
2015
2015
2015
2014

Frictionless Objects (clarinet, violin, cello, piano)
commissioned by the Anzû Quartet
A Shared Space (version for brass quintet and percussion quartet, electronics, andaudience participation)commissioned by the San Diego SymphonyConcerto Molto Grosso (for audience and orchestra)commissioned by the Boise Philharmonic
A Shared Space (string and percussion octet, electronics, and audience participation)commissioned by the Boise Philharmonic
Worn Surfaces (bass clarinet and marimba)
commissioned by Transient Canvas
Floating Points (chamber ensemble with audience participation)commissioned by the Society for New Music
Default Mode Network (cello, electronics, and audience participation)commissioned by Seattle Symphony Artist-in-Residence Seth Parker Woods
Motion Access (quartet with audience participation)commissioned by Hub New Music
String Quartet No.6 (string quartet)
commissioned by the Hausmann Quartet
Direct Attention (string quartet with audience participation)commissioned by the JACK Quartet
Puīa Ka Nahele (women’s choir)commissioned by Nā Wai Chamber Choirbreak; (cello and piano)
commissioned by Duo Dillon-Torquati
When All Else Fails (percussion and piano quartet)
commissioned by Yarn/WireSpread Thin (spatialized orchestra)commissioned by Hamilton College Orchestra
A Regression (organ)
commissioned by Samuel Pellman
On the limits of a system and the consequences of my decisions (piano and electronics)
commissioned by Keith Kirchoff
A Slight Shift (eight instruments)
commissioned by the Washington Square Contemporary Music Society
On a better filtering algorithm (six instruments)
commissioned by Present Music
Cumulative Deviance (mobile device ensemble)
commissioned by the Google Mobile Orchestra
Bit Rot (flute, viola, and piano)
commissioned by the Society for New Music
Four or Four Plus One (string quartet with or without fixed media)
commissioned by Quartetto Maurice

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2014
2013
2013
2012
2012
2011
2011
2010
2010
2010
2009
2008
2006
2006
2005
2005
2004

Incidents and Reflections (trombone quartet)
commissioned by The Guidonian Hand
A Robot for a Friend (flute with or without fixed media)
commissioned by the National Flute Association
From this point on (saxophone duo and electronics)
commissioned by Ogni Suono
Trying to Connection (laptop orchestra)commissioned by PLOrk (The Princeton Laptop Orchestra)
dolorem ipsum (for a quartet)
commissioned by the Color Field Ensemble
Competing Demands (piano solo)
commissioned by Alexandria Le
neat little boxes in a row (cello and percussion duo)commissioned by Seth Woods
Skeuomorphic Tendencies (chamber orchestra)commissioned by the 2011 MATA Festival for the Metropolis Ensemble
I fioretti in musica (opera co-composed with Sasha Zamler-Carhart)commissioned by Pioneers Go East Collective for La MaMa ETC
Errata (piano solo)
commissioned by Emanuele Torquati
Headless Monkey Attack (quintet with fixed media)
commissioned by Transit
20 (or so) Variations (trio with fixed media)
commissioned by Present Music
Shuffle Songs (quintet)
commissioned by NOW Ensemble
Doot (soprano, mezzo-soprano, and large ensemble)
commissioned by Carnegie Hall
grip (string quartet)
commissioned by Calder Quartet
Quando consurgam? (children’s choir and large ensemble)
commissioned by Present Music and the Milwaukee Children’s Choir
Toccata and Fugue (solo harpsichord)commissioned by Philip M. Cucchiara for Jory Vinikour
PUBLICATIONSCOMPOSITIONS:
Carter, Ryan. On a better filtering algorithm. SCI Journal of Music Scores/Schott Music
Corporation 58 (2019).
Carter, Ryan. The Rainbows of Kee-Mae-Won. Glendale: Fred Bock Music Company, 2017.
(Distributed worldwide by Hal Leonard Music Company, and previously
published by Alliance Music Publications.)

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Carter, Ryan. A Robot For a Friend. Distributed by Carol Nussbaum Music Company, 2016.
Carter, Ryan. A Robot For a Friend. Distributed by Flute World, 2014.
All other works distributed by Alexander Street Press.
RECORDINGS:
Carter, Ryan. On a Better Filtering Algorithm. KAIROS 0015118KAI, 2022
Carter, Ryan. “On a better filtering algorithm.” Flux: Society of Composers, Inc. Volume 33.
Navona Records NV6252, 2019.
Carter, Ryan. Chamber Works. KAIROS 0015048KAI, 2019.
Carter, Ryan. “Memory Failure.” SEAMUS Electroacoustic Miniatures 2014: Transients.
SEAMUS, 2014.
Churchbuilder. Patty Darling. Shelflife, 2001.
SOFTWARE:
Contributed to rtcmix~ (a Max/MSP object that encapsulates the RTcmix language). 2014.
http://rtcmix.org/rtcmix~/
iMonkeypants (an iOS app for iPhone and iPad) released on App Store. 2012.
https://itunes.apple.com/us/app/imonkeypants/id547532522?mt=8
UPCOMING JOURNAL ARTICLES:
Zavagna, Paolo. Profile of my work in Nuove Musiche issue 6, volume 1 (ant. pub. 2022)
http://www.nuovemusiche.it/call-for-proposals/contenuti/6107
Carter, Ryan and Paolo Zavagna. Co-authored article in Nuove Musiche issue 6, volume 2(ant. pub. 2022)
CONFERENCE PRESENTATIONS AND INVITED TALKS“Audience Engagement with Interactivity on the Web”
Invited Lecture – Columbia University; New York, NY – 03/10/22“Audience Engagement with Interactivity on the Web”
Invited Lecture – Princeton University; Princeton, NJ – 11/08/21

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“Audience Engagement with Interactivity on the Web”
Invited Lecture (delivered over Zoom) – Syracuse University; Syracuse, NY – 04/21/20“Audience Engagement with Interactivity on the Web”
Invited Lecture – Occidental College; Los Angeles, CA – 02/21/20“Audience Engagement with Interactivity on the Web”
Invited Lecture – SUNY, Oswego; Oswego, NY – 10/16/18“Audience Engagement with Interactivity on the Web”
Invited Lecture – University of California-Irvine; Irvine, CA – 04/16/18“Audience Engagement with Interactivity on the Web”
Music Major Seminar – Montana State University; Bozeman, MT – 10/12/17“Latency in the System”
New Music Gathering – San Francisco Conservatory of Music; San Francisco, CA –01/15/15“Latency in the System”
Permutations Series at CNMAT – University of California, Berkeley; Berkeley, CA –04/11/14“Programming Interactive Musical Systems with RTcmix”
Valente Lecture Series – University of California, Davis; Davis, CA – 04/10/14“Programming Interactive Musical Systems with RTcmix”
CCRMA Colloquium Series – Stanford University; Stanford, CA – 04/09/14“Developing Musical iOS Apps with iRTcmix”
SEAMUS National Conference – McNally Smith College of Music; St. Paul, MN –04/19/13“Developing Musical iOS Apps with iRTcmix”
Invited Lecture – New York University; New York, NY – 03/28/13“Developing Musical iOS Apps with iRTcmix”
Expo ’74 “Evening at Columbia” – Columbia University; New York, NY – 10/14/11
CONFERENCE PERFORMANCES
A Limited Number of Contributions
SEAMUS National Conference – DiMenna Center; New York, NY – 04/07/23

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On the expressive potential of suboptimal speakers
Network Music Festival – conducted entirely online – 07/15/20
A Patient Resolve
Electroacoustic Barn Dance – Jacksonville University; Jacksonville, FL – 11/09/18
On the expressive potential of suboptimal speakers
New Music DC – Georgetown University; Washington, DC – 09/15/18
On the expressive potential of suboptimal speakers
New Music Gathering – Boston Conservatory at Berklee; Boston, MA – 05/17/18
On the expressive potential of suboptimal speakers
Electroacoustic Barn Dance – Jacksonville University; Jacksonville, FL – 02/10/18
A Patient Resolve
RTcmix-fest – Columbia University; New York, NY – 10/28/17
On the limits of a system and the consequences of my decisions (Keith Kirchoff, piano)
New York City Electroacoustic Music Festival – Abrons Art Center; New York, NY –06/22/17
On the limits of a system and the consequences of my decisions (Keith Kirchoff, piano)
SEAMUS National Conference – St. Cloud State University; St. Cloud, MN – 04/22/17
On the limits of a system and the consequences of my decisions (Keith Kirchoff, piano)
SCI National Conference – Western Michigan University; Kalamazoo, MI – 03/31/17
On the limits of a system and the consequences of my decisions (Keith Kirchoff, piano)
Electroacoustic Barn Dance – University of Mary Washington; Fredericksburg, VA –11/11/16
On the limits of a system and the consequences of my decisions (Keith Kirchoff, piano)
SPLICE (Summer institute for Performance, Listening, Interpretation, and Creation ofElectroacoustic music)– Western Michigan University; Kalamazoo, MI – 06/28/16
Latency in the System
International Computer Music Conference – University of North Texas; Denton, TX –09/29/15
A Robot for a Friend (Sarah Brady, flute)
National Flute Association Annual Convention – Washington, DC – 08/14/15
From this point on (Ogni Suono: Noa Even and Phil Pierick, saxophones)
World Saxophone Congress – Strasbourg, France – 07/12/15

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A Robot for a Friend (Kelly Sulick, flute)
SEAMUS National Conference – Virginia Tech; Blacksburg, VA – 03/28/15
Latency in the System
International Festival for Innovations in Music Production and Composition – Belgrave
Music Hall; Leeds, UK – 03/12/15
Latency in the System
New Music Gathering – San Francisco Conservatory of Music; San Francisco, CA –01/15/15
A Robot for a Friend (Mimi Stillman, flute)
National Flute Association Annual Convention – Chicago, IL – 08/09/14
Headless Monkey Attack
SEAMUS National Conference – Lawrence University; Appleton, WI – 02/09/12
CATALOG OF WORKS WITH PREMIERE PERFORMANCESORCHESTRAL, CHORAL, AND OPERATIC:
Concerto Molto Grosso (version for audience and chamber orchestra) (2023) 13'
1.1.1.1 – 1.1.2.0 – 2perc – pno – strings (min. 2.2.2.2.1)
Concerto Molto Grosso (for audience and orchestra) (2021) 13'
3.2.2.3 – 4.2.3.0 – timp.3perc – pno – strings (min. 6.5.4.3.2)
Premiere: Boise Philharmonic – Morrison Center; Boise, ID – 05.014.2022
Puīa Ka Nahele (2018) 6’
women’s choir (S.S.A., a cappella)Premiere: Nā Wai Chamber Choir – St. Andrew’s Cathedral; Honolulu, HI – 07.22.2018
Spread Thin (2016) 12’
minimum: 2.2.2.2 – 2.2.2.1 – 3perc – 4.4.3.3.2
Premiere: Hamilton College Orchestra – Hamilton College – 04.30.2017
The Clock Behind Me (2014) 9'
2.2.2.2 – 2.2.1.1 – timp.1perc – pno –6.5.4.3.2
Premiere: Berkeley Symphony Orchestra – Osher Studio; Berkeley, CA – 05.03.2015
Skeuomorphic Tendencies (2011) 9’
1.1.1.1 – 1.1.1 – 2perc – pno – 1.1.2.2.1
Premiere: Metropolis Ensemble – (le) Poisson Rouge; New York, NY – 05.12.20119

I Fioretti in Musica (2010) 90’ (opera co-composed with Sasha Zamler-Carhart)mezzo, counter ten, ten, 2 bar – electronics (live and fixed)
Premiere: Pioneers Go East – La MaMa Experimental Theatre Club; New York, NY –09.30.2010
Quando consurgam? (2007) 16’
children’s choir – 2perc.pno.org.ondes Martenot – 4.4.3.3.2
Premiere: Present Music and the Milwaukee Children’s Choir – Milwaukee, WI –11.17.2007
Abandoned Overture (2006) 4’
2.2.2.2 – 2.2.2.1 – timp.3perc – 4.4.3.3.2
Reading: Stony Brook Symphony Orchestra – Stony Brook University – 12.06.2006
Trataka (2005) 12’
2.2.2.2 – 2.2.2.1 – timp.3perc – 4.4.3.3.2
Premiere: Cleveland Chamber Symphony – Drinko Hall; Cleveland, OH – 05.11.2007
CHAMBER (including works with electronics):
Frictionless Objects (2023) 12’
cl – vln.vc –pno
A Shared Space (2023) indeterminate duration
version for brass quintet, percussion quartet, live electronics, and mobile devices
Premiere: San Diego Symphony – Rady Shell at Jacobs Park; San Diego , CA –04.28.2023
A Shared Space (2021) indeterminate duration
string quartet, percussion quartet, live electronics, and mobile devices
Premiere: Boise Philharmonic – JUMP; Boise, ID – 05.07.2022
Floating Points (2020) 11’
fl.cl – vln.vc – perc.pno – mobile devices
Premiere: Society for New Music – online concert – 01.31.2021
Default Mode Network (2019) 10'
cello, fixed media, and mobile devices
Premiere: Seth Parker Woods, Seattle Symphony Artist-in-Residence – Octave 9 at
Benaroya Hall; Seattle, WA – 02.09.2020
Motion Access (2018) 10'
fl.cl – vln.vc – mobile devices
Premiere: Hub New Music – Peabody Essex Museum; Salem, MA – 12.14.201910String Quartet N.6 (2019) 12'
string quartet
Premiere: Hausmann Quartet – Maritime Museum of San Diego; San Diego, CA –09.15.2019
Direct Attention (2018) 10'
string quartet and mobiles devices
Premiere: JACK Quartet – Wellin Hall; Clinton, NY – 02.23.2019
break; (2018) 10'
vc.pnoPremiere: Duo Dillon-Torquati – The Italian Academy at Columbia University; New
York, NY – 10.03.2018
When All Else Fails (2017) 10'
2perc.2pno
Premiere: Yarn/Wire – Wellin Hall; Clinton, NY – 04.07.2017
On a better filtering algorithm (2016) 10'
2vln.vla.vc.db – perc
Premiere: Present Music – Helen Zelazo Center; Milwaukee, WI – 09.03.2016
On the limits of a system and the consequences of my decisions (2016) 10'
piano and electronics (live and fixed)
Premiere: Keith Kirchoff – Western Michigan University; Kalamazoo, MI – 06.28.2016
A Slight Shift (2016) 9'
fl.cl – perc.pno – 2 vln.vla.vc
Premiere: Washington Square Contemporary Music Society – New York, NY –04.01.2016
Bit Rot (2015) 8'
fl.vla.pno – dancer
Premiere: Society for New Music – Smith Opera House; Geneva, NY – 11.14.2015
From this point on (2015) 12'
2 sop sax and fixed media
Premiere: Ogni Suono – Univerität der Künste; Berlin, Germany – 06.18.2015
Four or Four Plus One (2015) 12'
string quartet with or without fixed media
Premiere: Maurice Quartet – Columbia University; New York, NY – 03.25.201511Incidents and Reflections (2014) 8'
trombone quartet
Premiere: The Guidonian Hand – The Cell; New York, NY – 05.20.2015
A Robot for a Friend (2014) 5'
flute with or without fixed media
Premiere: Competitors at the National Flute Association Convention – 08.07.2014
Blowing Glass (2013) 6'
percussion trio
Premiere: Firehouse Space; New York, NY – 04.21.2016
dolorem ipsum (2013) 9'
sop singer.sop sax.perc.pno
Premiere: Color Field Ensemble – Color Field Festival; Madison, WI – 09.06.2013
Concurrent Threads (2012) 6’
one or more alto flutes
Premiere: Eric Lamb – Krome Gallery; Berlin, Germany – 12.01.2012
neat little boxes in a row (2012) 8’
cello and marimba
Premiere: Seth Parker Woods and Brian Archinal – Elaine MGK; Basel, Switzerland –12.14.2012
Mutable Arrays (2012) 7’
fl.ob.bsn – hn.tpt – perc.pno – vln.vla.vc
Premiere: International Contemporary Ensemble – Skirball Center; New York, NY –04.29.2012
More Broken Parts (2011) 4’
bassoonPremiere: Brad Balliett – Pete’s Candy Story; New York, NY – 12.20.2012
Competing Demands (2011) 6’
piano
Premiere: Alexandria Le – Carnegie Hall (Weill Recital Hall) – 04.11.2012
Headless Monkey Attack (2011) 7’
bcl.perc.pno.vln.vc – fixed media
Premiere: Transit – Tenri Cultural Institute; New York, NY – 05.28.2011
Errata (2010) 10’
piano
Premiere: Emanuele Torquati – Heidelberg Spring Festival; Heidelberg, Germany –04.13.201112Midair Collisions (2010) 9’
double string quartet (or any ensemble of at least vln.vla.vc)
Premiere: JACK Quartet and Mivos Quartet – Tenri Cultural Institute; New York, NY –04.08.2011
impaired contact with reality (2010) 10’
fl(cb fl).cl(cb cl).bsn – tpt.tbn – perc.pno – vln.vc.db – fixed media
Premiere: Argento Ensemble – Skirball Center; New York, NY – 05.10.2010
too many arguments in line 17 (2010) 10’
string quartet
Premiere: JACK Quartet – The Tank; New York, NY – 05.13.2010
Rough Edges (2009) 10’
perc trio
Premiere: TimeTable Percussion – Silver Center; New York, NY – 02.07.2011
20 (or so) Variations (2008) 15’
cl.vc.pno – fixed media
Premiere: Present Music – Discovery World; Milwaukee, WI – 02.21.2009
Quirks and Pathologies (2008) 9’
fl.ob.cl – mandolin.gtr.hp – perc.pno – vln.vla.vc.db
Premiere: Nieuw Ensemble – Amsterdam Conservatory; Amsterdam, Netherlands –06.11.2008
Shuffle Songs (2008) 7’
fl.cl.el gtr.pno.db
Premiere: NOW Ensemble – The Stone; New York, NY – 09.19.2008
Doot (2007) 12’
fl.cl – hn.tpt – perc.pno – sop.mezzo – vln.vla.vc.db
Premiere: Osvaldo Golijov/Dawn Upshaw Professional Training Ensemble –Carnegie Hall (Weill Recital Hall) – 04.15.2007
Filthy Machines (2007) 15’
2perc.2pno
Premiere: Yarn/Wire – Tenri Cultural Institute; New York, NY – 05.31.2008
Impromptu (2006) 5’
brass quintet
Reading: American Brass Quintet – Staller Center; Stony Brook, NY – 11.16.200813

Caffeinated Reflections (2006) 7’
bcl.vc.perc
Premiere: Y Trio – Cornelia Street Café; New York, NY – 11.12.2007
Repeated Beatings (2006) 7’
double bass ensemble
Premiere: Stony Brook Double Bass Studio – Staller Center; Stony Brook, NY –04.25.2006
grip (2006) 15’
string quartet
Premiere: Calder Quartet – Carlsbad Music Festival – 05.06.2006
ELECTRONIC (not including chamber works with electronics):
A Limited Number of Contributions (2022) 10’
mobile devices and optional additional electronics
Shared Spaces (2020) indeterminate duration
live electronics
A Patient Resolve (2018) 25’
live electronics
On the expressive potential of suboptimal speakers (2017) 8'
audience participation on mobile devices
Cumulative Deviance (2015) 8'
mobile device orchestra
Memory Failure (2014) 3'
fixed media
Rectangle Zero (2013) 5’
live electronics
Teeth (2013) 5’
live electronics
Guilty Pleasures (2013) 5’
live electronics
Organ Grinder (2013) 5’
live electronics

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Get It Together (2013) 5’
live electronics
Trying to Connect (2013) 5’
laptop orchestra
scratch.n.sniff (2012) 4’
interactive electronics for iOS devices
Bubble Time (2012) 4’
interactive electronics for iOS devices
Monkey Slide (2012) 5’
interactive electronics for iOS devices
Self-destruct (2012) 4’
interactive electronics for iOS devices
Swirly Face (2012) 5’
interactive electronics for iOS devices
PROGRAMMING LANGUAGES AND OTHER MUSIC TECHNOLOGY EXPERIENCE
Washington Square Computer Music Studio, Coordinator and Supervisor,
2012 – 2013
Selected and installed new audio components, managed equipment inventory andcheck-out procedures
•
•
•
•
•

RTcmix, Csound, SuperCollider
Max/MSP, Pure Data
Pro Tools, Logic Pro X, Reason
C, C++, Objective-C, Xcode, iOS
HTML, CSS, Javascript, jQuery, Tone.js

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SERVICEInternational Computer Music Conference
Adjudicated submissions

2020 - 2023

Sherman Fairchild Foundation grant application committee
Contributed to grant proposal and site visit

2018

International Computer Music Conference
Adjudicated submissions

2018

Book reviewer, Oxford University Press

2017

Society for Electro-Acoustic Music in the United States, Treasurer
Formulated annual budget, paid invoices, filed federal and state taxes

2011 – 2017

Brian M. Israel Prize Jury
Adjudicated submissions

2016

Robert G. Fisk Award at Western Michigan University
Adjudicated submissions

2016

SEAMUS National Conference
Adjudicated paper proposals

2014

New York City Electroacoustic Music Festival, Steering Committee
Adjudicated submissions, assisted with sound reinforcement

2013

First Performance, President and Treasurer
2009 – 2011
Produced concerts of new works by graduate students at New York University
LANGUAGES••••

Native:Fluent:Proficient:
Reading comprehension:

EnglishFrenchGerman, Dutch
Portuguese, Spanish
REFERENCES(available upon request)

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