ࡔࡀࠊࡑࡇࡀ be ືモࡢᩥ࡛ㄒࡽࢀ࡚࠸ࡿ࡜࠸࠺ࡇ࡜ࡣὀ┠࡟್ࡍࡿࠋࡇࡢࡼ࠺࡞ be ືモࡢከ⏝ࡀ♧ࡍࡢࡣࠊㄒࡾᡭࡀࡇࡢࡼ࠺࡞஦᯶ࢆࠕࡍ࡛࡟ࡑ࠺࡛࠶ࡿ≧ែࠖ࡜ࡋ࡚ㄒࡗ࡚࠸ࡿࡇ࡜ࢆ♧ࡍࠋࡑࡇ࡟ࡣ yes ࠿ no ࠿ࢆࡵࡄࡿⴱ⸨ࡀ࠶ࡿࡋࠊࡕࡻࡗ
࡜ࡋࡓ㆟ㄽࡢ┒ࡾୖࡀࡾࡶ⏕ࡲࢀ࡚ࡣ࠸ࡿࡀࠊ⫢ᚰ࡞ࡢࡣࡇࡢࡼ࠺࡟ is ࢆ㏻ࡋ࡚ㄒࡿࡇ࡜࡛ࠊㄒࡾᡭࡀࠕࡑࢀࡣࡶࡣࡸ⮬ศࡀᡭࢆฟࡍࡇ࡜ࡢ࡛ࡁ࡞࠸ࡇ࡜࡛࠶ࡿࠊ࡝࠺࡟ࡶ࡞ࡽ࡞࠸ࡇ࡜࡛࠶ࡿࠖ࡜࠸࠺ࡼ࠺࡞࠶ࡁࡽࡵࢆ♧ࡋ࡚࠸ࡿ࡜࠸࠺ࡇ࡜࡞ࡢ࡛࠶ࡿࠋࡇࡢ࠶ࡁࡽࡵ࡜㛵㐃ࡋ࡚ࠊリࡢཱྀㄪ࡟ࡣ࠶ࡿ࠾ࡶࡋࢁ࠸≉ᚩࡀぢࡽࢀࡿࠋඛ࡯࡝ࡶゐࢀࡓࡀࠊࡇࡢリ࡛ࡣ “the leaves cry”࡜࠸࠺⠇ࡀఱᗘ࠿⧞ࡾ㏉ࡉࢀࡿࠋࣜࣇࣞ࢖ࣥࡢࡼ࠺࡟ 3 ᅇ࡯࡝ฟ࡚ࡃࡿࠋࡇࡢ cry ࡣືモࡢᙧࢆ࡜ࡗ࡚࠾ࡾࠊࡑࡢືモࢆ it࡛ཷࡅ࡚ྡモ໬ࡍࡿ࡜࠸࠺ࡢࡀࠊࡇࡢリࡢࡦ࡜ࡘࡢࣃࢱࣥ࡟࡞
ࡗ࡚࠸ࡿࠋูࡢゝ࠸᪉ࢆࡍࡿ࡜ࠊືモ cry ࡢ࢔ࢡࢩࣙࣥ࡟ࡇࡵ
ࡽࢀࡓᛮ᝿࡞ࡾほᛕ࡞ࡾࢆリࡢ୰࡛ᑡࡋࡎࡘྡモ࡬࡜ⴠ╔ࡉࡏ࡚࠸ࡃࠊ࡜࠸࠺ࡢࡀㄒࡾࡢ┠ⓗࡢࡼ࠺࡟ࡶㄞࡵࡿࠋ
ࡋ࠿ࡋࠊᐇ㝿࡟ࡣ࡝࠺ࡔࢁ࠺ࠋcry ࡜࠸࠺ㄒࡣືモࠊྡモྜࢃࡏ࡚ఱᗘࡶฟ࡚ࡃࡿࡀࠊ cry ࡀྡモ࡜ࡋ࡚ᐃ╔ࡋ⌮ゎࡉࢀ࡚ࠊࡑࡢࡇ࡜࡟ࡼࡗ࡚⚾ࡓࡕࡀ࠶ࡿ῝࠸┿┦࡟㐩ࡍࡿ࡜࠸࠺ࡇ࡜ࡣ㉳ࡁ࡚࠸࡞࠸ࡼ࠺࡛࠶ࡿࠋࡴࡋࢁࠊఱᗘࡶฟ࡚ࡃࡿ cry ࡜࠸࠺ㄒࡑࡢࡶࡢࡢ࣓ࢬ࣓ࣜࢵࢡ࡞ຠᯝ࡟㣧ࡳ㎸ࡲࢀࡿࡼ࠺࡟ࡋ
࡚ࠊcry ࡟ࡘ࠸࡚ᛮ⪃೵Ṇࡍࡿ࡜࠸࠺ࡢࡀ᭱⤊ⓗ࡞リࡢ฿㐩Ⅼ࡛࠶ࡿ࡜ᛮ࠼ࡿࠋఱࡋࢁࠊ⚾ࡓࡕࡀࡓ࡝ࡾ╔ࡃࡢࡣࠊⴥࡗࡥࡢ
ኌ࡟ࡘ࠸࡚ࠕ࠶࠶ࠊࡑ࠺࠿ࠊ㒊ศࡣ඲య࡟ᚑᒓࡋ࡞࠸ࡅ࡝ࠊ࡛
ࡶ㒊ศࡀ඲య࠿ࡽᒧ❧ࡍࡿࡇ࡜ࡶ࡞࠸ࡢ࠿ࠖ࡜࠸࠺ㄆ㆑࡟ࡍࡂ࡞࠸ࡢ࡛࠶ࡿࠋఱ࡜ࡶࡥࡗ࡜ࡋ࡞࠸ᮊᮋ࡜ࡋࡓ⤖ㄽ࡛ࡣ࡞࠸ࡔࢁ࠺࠿ࠋࡑࢇ࡞⤖ㄽࡼࡾࡶࠊ⧞ࡾ㏉ࡉࢀࡿ cry ࡢㄒࡢ᪉ࡀࡼ࡯
࡝㢌࡟ṧࡿࠋࡇࡢリࡀ࠸ࡗࡓ࠸ఱࢆࡋࡼ࠺࡜ࡋ࡚࠸ࡿࡢ࠿ぢ࠼࡟ࡃ࠸ࡇ࡜

2 Web ⱥㄒ㟷ᖺ March, 2013

3 Web ⱥㄒ㟷ᖺ March , 2013

㐃㍕ծॖƱ૨‫ ܖ‬Ü ᛖǓƷžɠ‫ݗ‬ſǛǊƙƬƯ➨㸰㸰ᅇ㸦᭱⤊ᅇ㸧࢛࢘ࣞࢫ࣭ࢫࢸ࢕࣮ࣦࣥࢬࡢ↓ឡ᝿ୗ㜿㒊බᙪ
Abe Masahiko⧞ࡾ㏉ࡍ࡯࡝ゝⴥࡀῶࡗ࡚࠸ࡃ㐣ཤࡢసရࡢ཯᚟ࡣࠊ⮬ศ࡟ࡣ᪂ࡋࡃゝ࠺ࡇ࡜ࡣ࡞࠸ࠊࡓࡔࠊ௒ࡲ࡛ゝࡗ࡚ࡁࡓࡇ࡜ࢆ⧞ࡾ㏉ࡍࡔࡅࡔࠊ࡜࠸࠺㌟᣺ࡾࢆ♧ࡍࠋ᪂ࡋ࠸ࡇ࡜ࢆゝࡗࡓࡾࠊ᪂ࡋ࠸᝟ሗࢆ⧞ࡾฟࡍࡇ࡜࡟ᑐࡍࡿ᢬ᢠࡢጼໃࡀࡑࡇ࡟ࡣぢ࠼ࡿࠋ᪂ࡋ࠸ࡇ࡜࡞࡝࡞࠸ࠊゝࢃࢀࡿ࡭ࡁࡇ࡜ࡣࡍ࡛࡟ゝࢃࢀ࡚ࡋࡲࡗࡓ࡜࡜࠸࠺ㅉᛕࡀㄞࡳྲྀࢀࡿࠋࡋ࠿ࡋ ࠊࠕಶูࡢࡶࡢࡀࡓ࡝ࡿ㐨ࠖ࡜࠸࠺リࡢㄞࡳ࡝ࡇࢁࡣࡲࡉ࡟ࡑࡢ࠶ࡓࡾ࡟࠶ࡿࠋ௒୍ᗘࡇࡢリࢆぢ࡚Ẽ࡙ࡃࡢࡣࠊリࡢ኱஦࡞㒊ศࡀ is ࡜࠸࠺ be ືモ࡟౫Ꮡࡋ࡚࠸ࡿ࡜࠸࠺ࡇ࡜࡛࠶ ࡿ ࠋ ࡜ ࡾࢃ ࡅ ࠊ “one is part of everything,” “There is aconflict, there is a resistance involved;” “It is not a cry ofdivine attention,” “It is the cry of leaves that do not transcendthemselves,” ࡜࠸࠺ࡼ࠺࡞⟠ᡤࡣリࡢෆᐜⓗ࡟ࡶ኱஦࡞࡜ࡇࢁծॖƱ૨‫ܖ‬2ծॖƱ૨‫ܖ‬3ࡢព࿡ࡣࡇࡢ࠶ࡓࡾ࡟ぢฟࡏࡿࠋࡇࡢリࡣ⾲ྥࡁࡋࡼ࠺࡜ࡋ࡚࠸ࡿ⾜Ⅽࠊࡍ࡞ࢃࡕ cry ࡟ࡘ࠸࡚⪃࠼ࡿࠊ࡜࠸࠺ࡇ࡜࡟ࡘ࠸
࡚ࡣᐇ࡟୰㏵༙➃࡞ࡢ࡛࠶ࡿࠋcry ࡟ࡘ࠸࡚ㄒࡿࡼ࠺࡛࠸࡚ࠊcry ࡜࠸࠺ㄒࡑࡢࡶࡢࢆㄒࡾᑾࡃࡍ๓࡟ࠊࡑࡢㄒ࡟㣧ࡳ㎸ࡲࢀ࡚࠸ࡿࡢ࡛࠶ࡿࠋࡑࢇ࡞ㄒࡾࡢᡂࡾ⾜ࡁ࠿ࡽࡣࠊࢫࢸ࢕࣮ࣦࣥࢬࡢゝⴥ࡟ࡘ࠸࡚ࡢ࠶ࡿ⯆࿡῝࠸஦ᐇࡀぢ࠼࡚ࡃࡿࠋ୍⯡࡟ゝⴥ࡜࠸࠺ࡶࡢࡣ
⧞ࡾ㏉ࡏࡤ⧞ࡾ㏉ࡍ࡯࡝ቑ࠼ࠊ㇏࠿࡟࡞ࡗ࡚࠸ࡃࠋࡔ࠿ࡽᙉㄪࡋࡓ࠸ࡇ࡜ࠊᮃࡲࡋ࠸ࡇ࡜ࠊᐇ⌧ࡉࡏࡓ࠸ࡇ࡜࡟ࡘ࠸࡚ࠊேࡣ⧞ࡾ㏉ࡋゝⴥ࡟ࡋࠊኌ࡟ࡍࡿࠋゝⴥ࡜࠸࠺ࡢࡣࡑࡢࡼ࠺࡟ࡓࡃࡉࢇཱྀ࡟ࡉࢀࡿࡇ࡜࡟ࡼࡗ࡚ࠊ⌧ᐇ࡟ാࡁ࠿ࡅࡓࡾࠊఱ࠿ࢆ⏕ࡳฟࡋࡓࡾࡍࡿస⏝ࢆᣢࡘ࡜ᮇᚅࡉࢀ࡚࠸ࡿࠋ࡛ࡶࠊࢫࢸ࢕࣮ࣦࣥࢬࡢリ࡛ࡣ࡝࠺ࡔࢁ࠺ࠋゝⴥࡀ࠸ࡃࡽ⧞ࡾ㏉ࡉࢀ࡚ࡶࠊ㈰ࡸ࠿࡟ቑṪࡋ࡚࠸ࡃ࡜࠸࠺ឤࡌࡣ࡞࠸ࠋࢃࡊ࡜ࡶࡓࡘ࠸ࡓࡼ࠺࡞ࠊ๓࡟㐍ࡲ࡞࠸ࡼ࠺࡞౑ࢃࢀ᪉ࢆࡋ࡚࠸ࡿ̿ࡸࡸẚ႘ࡇ࡜ࡶ࠶ࡗ࡚ࠊゝⴥࡣ⧞ࡾ㏉ࡉࢀࢀࡤࡉࢀࡿ࡯࡝㸬㸬㸬㸬㸬ⓗ࡞ゝ࠸᪉ࢆࡍࡿ࡜ ̿ῶࡗ࡚࠸ࡃࡼ࠺࡟ᛮ࠼ࡿࠋࡑࢀࡣࢫࢸ࢕࣮ࣦࣥࢬࡢ⧞ࡾ㏉ࡋࡀ㇏✨ࡉࡸቑṪ࡬࡜⤖ࡧࡘࡃࡼࡾࡶࠊ䛂ᅇᖐࠖࢆ♧၀ࡋ࡚࠸ࡿ࠿ࡽ࡛࠶ࡿࠋཎⅬ࡬ࡢᅇᖐ࡛࠶ࡿࠋ⧞ࡾ㏉ࡋࢆ㏻ࡋࠊࢫࢸ࢕࣮ࣦࣥࢬࡣゝⴥࡢ⾲ࡍࡶࡢࢆࡑࡂⴠ࡜ࡋࠊࡑࢀࢆ୍␒᰿ᮏࡢ㉳※ࡢ㒊ศ࡬࡜ᕪࡋᡠࡑ࠺࡜ࡋ࡚࠸ࡿࡼ࠺࡟ぢ࠼ࡿࠋ1 ࡑࡇ࡛ࡣゝⴥࡢከ㔞ࡉࡣ㇏✨ࡉࡢ┦࡟࠾࠸࡚࡜ࡽ࠼ࡽࢀࡿࡢ࡛ࡣ࡞ࡃࠊᑡ࡞ࡉࡸḞஈࡸࡉࡽ࡟ࡣ↓࡜࠸࠺┦࡟࠾࠸࡚࡜ࡽ࠼ࡽࢀ࡚࠸ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡀࡇࡢ஧ࡘࡢリࡢ⯙ྎ࡜ࡋ࡚෤࡜࠸࠺Ꮨ⠇ࢆ㑅ࢇࡔࡢࡶࡑࡢ࠶ࡓࡾ࡜㛵ಀࡀ࠶ࡾࡑ࠺ࡔࠋ࡞ࡐࢫࢸ࢕࣮ࣦࣥࢬࡢリࡣ㢌࡟ධࡗ࡚ࡇ࡞࠸ࡢ࠿ࡇࡢࡼ࠺࡞ゝⴥࡢḞஈឤࢆࡶࡗ࡜ࡶࡼࡃ⾲ࡍࡢࡀࢫࢸ࢕࣮ࣦ
ࣥࢬ᭱ᬌᖺࡢࠕᒾࠖ “The Rock” ࡜࠸࠺సရ࡛࠶ࡿࠋࡇࡢリࡢෆᐜࢆᙉᘬ࡟ゎ㔘ࡋࡼ࠺࡜ࡍࢀࡤࠊせࡍࡿ࡟ ձࠕࡍ࡭࡚ࡣᗁ᝿࡛࠶ࡾ᰿ᮏ࡟࠶ࡿࡢࡣ⹫↓ࡔࠖ࡜࠸࠺ࡇ࡜ࠊղࠕࡋ࠿ࡋࠊࡑࡢ⹫↓࠿ࡽ⌧ᐇࢆⓎ⏕ࡉࡏࡿࡢࡀ᝿ീຊ࡛࠶ࡾリࡔࠖ࡜࠸࠺
ࡇ࡜࡟࡞ࡿࠋࡇ࠺ࡲ࡜ࡵࡿ࡜ࡈࡃࡩࡘ࠺ࡢࡇ࡜࡟⪺ࡇ࠼ࡿ࠿ࡶࡋࢀ࡞࠸ࡀࠊᐇ㝿ࡢリ࡛ࡣࡇࡢෆᐜࢆᅵྎ࡟ࡋ࡚ゝⴥࡢ࡛ࣞ࣋ࣝ࠸ࢁ࠸ࢁ࡜୙ᛮ㆟࡞ࡇ࡜ࡀ㉳ࡁ࡚࠸ࡿࠋ䛂ᒾ ࠖ ࡣ ୕ ࡘ ࡢ ࢭ ࢡ ࢩ ࣙ ࣥ ࠿ ࡽ ࡞ ࡿ ࠋࠕ 70 ᖺ ᚋ ࠖ Seventy
Years Later ࡜㢟ࡉࢀࡓ᭱ึࡢࢭࢡࢩ࡛ࣙࣥࡣࠊࡍ࡭࡚ࡣ᫬ࡀࡓ࡚ࡤ⁛ࡧࡿ࡜࠸࠺ࡼ࠺࡞ࡇ࡜ࡀࡲࡎㄒࡽࢀࡿࠋࡍ࡭࡚ࡣᗁࡢࡼ࠺࡞ࡶࡢࡔ࡜࠸࠺ࡢ࡛࠶ࡿࠋ

It is an illusion that we were ever alive,
Lived in the houses of mothers, arranged ourselvesBy our own motions in a freedom of air.
⚾ࡓࡕࡀ⏕ࡁ࡚࠸ࡓ࡞࡝࡜࠸࠺ࡢࡣᗁẕࡓࡕࡢ࠸ࡿᐙ࡟ఫࡳ ᛮ࠺ࡲࡲ✵Ẽࡢ⮬⏤ࢆㅻḷࡋ࡞ࡀࡽ㌟ࢆື࠿ࡋ࡚࠸ࡓ࡞ࢇ࡚ࡇࡢ㎶ࡣࡑࢀ࡯࡝Ἴ஘ࡣ࡞࠸ࠋ࡜ࡇࢁࡀࠊㄞࡳ㐍ࡵ࡚࠸ࡃ࠺ࡕ࡟ෑ㢌࡛᝿ᐃࡉࢀ࡚࠸ࡓࡢ࡜ࡣ㏫ࡢࡇ࡜ࡀゝࢃࢀࡿࡼ࠺࡟࡞ࡿࠋ㞼⾜ࡁࡀ኱ࡁࡃ࠿ࢃࡿࡢࡣᅄ㐃┠ࡢ᭱ᚋࡢ࠶ࡓࡾ࠿ࡽࡔࠋ

The meeting at noon at the edge of the field seems likeAn invention, an embrace between one desperate clod

4 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬45 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬5ࣛ࢖ࣛࢵࢡࡀ⌧ࢀဏࡁฟࡍ ࡲࡿ࡛ᬯ࠸ど⏺ࡀᬕࢀࡿ࠿ࡢࡼ࠺࡟ࡇࡇ࡟ࡁࡽࡧࡸ࠿࡞ගᬒࡀ࠶ࡿ࡜ኌࢆ࠶ࡆ࡞ࡀࡽ ႐ࡧ࡜࡜ࡶ࡟

And another in fantastic consciousness,
In a queer assertion of humanity:
A theorem proposed between the two ̿
Two figures in a nature of the sun,In the sun’s design of its own happiness,ど⏺ࡢㄌ⏕࡟❧ࡕ఍࠸ࠋAs if nothingness contained a métier,
A vital assumption, an impermanence
In its permanent cold, an illusion so desired
That the green leaves came and covered the high rock,That the lilacs came and bloomed, like a blindness cleaned,
Exclaiming bright sight, as it was satisfied,
In a birth of sight.
࠾᫨ࡢ㔝ཎࡢ➃࡛ࡢฟ఍࠸ࡶࡲࡿ࡛ࡘࡕࡃࢀࡘࡃࡾࡶࡢࡳࡓ࠸ࡔ࡝࠺ࡋࡼ࠺ࡶ࡞࠸ᅵሢࡀࡘࡕࡃࢀูࡢᅵሢ࡜ᦶヅ୙ᛮ㆟࡞ព㆑ࡢ୰࡛ฟ఍࠺ጁ࡟ே㛫ࡽࡋࡉࢆ㝿ࡔࡓࡏࡘࡘ୧⪅ࡢ㛫࡟ᥖࡆࡽࢀࡓᐃ⌮̿ኴ㝧ࡢୗ࡞ࡽ࡛ࡣࡢ஧ࡘࡢീኴ㝧ࡢᥥࡁฟࡋࡓᖾ⚟࡟ࡘࡘࡲࢀࡲࡿ࡛↓࡟ࡶᢏᕦࡀ࠶ࡿ࠿ࡢࡼ࠺࡟
኱஦࡞๓ᥦࡀ ࠶ࡿ㠀Ọ㐲ࡀỌ㐲ࡢᐮࡉࡢ୰࡟ ࡑࡢᗁࡀ⇕Ⅿ࡟ồࡵࡽࢀ࡚ࡘ࠸࡟⥳ࡢⴥࡀ⌧ࢀ㧗ࠎ࡜ࡑࡧ࠼ࡿᒾࢆそ࠺
6 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬6⌧ᐇ࡞࡝ࠕࡘࡃࡾࡶࡢࠖࡶࡋࡃࡣࠕࡡࡘ㐀ࠖ invention ࡔ࡜࠸࠺ࡢࡔࡀࠊࡇࡢࡡࡘ㐀࡜࠸࠺ㄒࢆࡁࡗ࠿ࡅ࡟ゝⴥࡀ࡝ࢇ࡝ࢇᒎ㛤ࡋࠊࡴࡋࢁࠕࡡࡘ㐀ࠖࡀᮃࡲࡋ࠸ࡇ࡜࡛࠶ࡿ࠿ࡢࡼ࠺࡞ヰ࡟࡞ࡗ࡚ࡃࡿࠋࡇࡇ࡛ࡶẼ࡟࡞ࡿࡢࡣࡓ࠸࡬ࢇ⣲ᮔ࡞ࡇ࡜࡛࠶ࡿࠋ࡜ࡃ࡟ࢫࢸ࢕࣮ࣦࣥࡢᚋᮇࡢリ࡛ࡣࡼࡃ࠶ࡿࡢࡔࡀࠊゝⴥࡢࡦ࡜ࡘࡦ࡜ࡘࡣࡑࢀ࡯࡝㞴ࡋࡃࡣ࡞࠸ࡋࠊࡲࡋ࡚ࡸᩥᵓ㐀ࡀ」㞧࡛ᵓᩥࡀ࡜ࢀ࡞࠸࡜࠿ࠊ࡝ࢀࡀ࡝ࢀ࡟࠿࠿ࡗ࡚࠸ࡿ࠿୙᫂࡜࠸࠺ࡇ࡜ࡶ࡞࠸ࠋ࡛ࡶࠊ࡝࠺ࡶ⡆༢࡟ࡣ㢌࡟ධࡗ࡚ࡇ࡞࠸ࡢ࡛࠶ࡿࠋㄞࢇ࡛࠸ࡿ࡜ࠊࡲࡿ࡛ゝⴥࡀᑡࡋࡎࡘ㏨ࡆ࡚࠸ࡃࡼ࠺࡟ឤࡌࡽࢀࡿࠋࡑࡶࡑࡶࡇࡢ㒊ศࡣ㢌࡟ධࡗ࡚ࡇ࡞࠸ࡼ࠺࡞௙᥃ࡅࢆࡉࢀ࡚࠸ࡿࡢ࡛ࡣ࡞࠸࠿̿ࡋ࠿ࡶ࠿࡞ࡾ⊂≉࡞ࡸࡾ᪉࡛ࠋࡔ࡜ࡋࡓࡽࠊ⚾ࡓࡕࡣࡇࡇ࡛ࢃ࠿ࡗࡓࡩࡾࢆࡍࡿࡢ࡛ࡣ࡞ࡃࠊࡴࡋࢁ䛂࡝࠺ࡶ㢌࡟ධࡗ࡚ࡇ࡞࠸ࠖ࡜࠸࠺ឤぬࢆࡇࡑయ㦂ࡍ࡭ࡁ࡞ࡢ࠿ࡶࡋࢀ࡞࠸ࠋࡑࡢࠕ௙᥃ࡅࠖࢆ☜ㄆࡋ࡚ࡳࡼ࠺ࠋࡇࡢᘬ⏝⟠ᡤࡣ඲యࡀࡦ࡜ࡘࡢࢭࣥࢸࣥࢫ࡟࡞ࡗ࡚࠸ࡿࠋⱥㄒ࡜ࡋ࡚◚⥢ࡋ࡚࠸ࡿࢃࡅ
࡛ࡣ࡞࠸ࡀࠊ᭩࠿ࢀ᪉ࡀᑡࡋጁ࡛࠶ࡿࠋฟࡔࡋࡣ The meeting. . . seems like an invention ࡜࠸࠺ࡩ࠺࡟ࠊࡋࡗ࠿ࡾ୺ㄒ࣭ືモ࣭┠ⓗㄒࡢ࠶ࡿᵓᩥࡔࡀࠊࡑࡢᚋࠊ᭱ᚋࡢ invention ࢆゝ࠸᥮࠼ࡿᙧ࡛ྠ᱁ࡀ⥆࠸࡚࠸ࡃࠋࡇࡢྠ᱁㐃㙐ࡀࡉࡽ࡟ࠊ As if
7 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬7

nothingness contained a métier ࡜࠸࠺୍⠇ࢆ⤖ࡧ┠࡟ࡋ࡚ࠊ䛂ᢏᕦࠖmétier ࢆゝ࠸᥮࠼ࡿᙧࡢྠ᱁࡟ཷࡅ⥅ࡀࢀ࡚࠸ࡃࠋ
ྠ᱁࡟ࡋ࡚ࡶࠊ as if ᵓᩥࡢ㐃㙐࡟ࡋ࡚ࡶࠊᚋᮇࢫࢸ࢕࣮ࣦ
ࣥࢬࡢリࡢࢺ࣮ࣞࢻ࣐࣮ࢡ࡜࠸ࡗ࡚ࡶ࠸࠸ࡼ࠺࡞≉ᚩ࡛ࡣ࠶ࡿ
ࡀࠊ2 ࢫࢸ࢕࣮ࣦࣥࢬࡢሙྜࠊࡇࡢࡼ࠺࡞୪ิ㐃㙐ⓗ࡞᭩ࡁ᪉ࡀࡉࢀࡿ࡜ࠊㄒࡾᡭࡀࡇࡕࡽ࡟ఱ࠿ࢆఏ࠼ࡼ࠺࡜ࡍࡿᵓ࠼ࡀࡺ
ࡿࡴࡼ࠺࡟ឤࡌࡽࢀࡿࠋࡓ࡜࠼ࡤྠ᱁⾲⌧ࡣ࣐ࣟࣥὴࡢసရ࡞࡝࡛ࡣゝⴥࡢᛣ℀ࡢࡼ࠺࡞ໃ࠸ࢆ⾲⌧ࡍࡿ᱁ዲࡢṊჾ࡜ࡋ࡚⏝࠸ࡽࢀ࡚࠸ࡿࡀࠊࢫࢸ࢕࣮ࣦࣥࢬࡢྠ᱁ࡣゝⴥࡀే⨨ࡉࢀ࡚࠸࡚ࡶࠊ࣐ࣟࣥὴࡢリࡢࡼ࠺࡟ព࿡ࡀ㞷ࡔࡿࡲᘧ࡟ࡩࡃࢀ࠶ࡀࡗ
࡚࠸ࡃࠕ㏣ຍࠖࡸࠕቑṪࠖࡢឤぬ࡟ࡣ⤖ࡧࡘ࠿࡞࠸ࠋඛ࡟ࡶゐࢀࡓࡇ࡜ࡔࡀࠊࢫࢸ࢕࣮ࣦࣥࢬࡢゝⴥࡢే⨨ࡣ㊊ࡋ⟬ⓗ࡛ࡣ࡞࠸ࡢ࡛࠶ࡿࠋྠ᱁࡟࡞ࡗ࡚࠸ࡿㄒྠኈࡀ࡞ࡐࡑࡶࡑࡶྠ᱁࡟ࡉ
ࢀ࡚࠸ࡿࡢ࠿ࡀぢ࠼࡟ࡃࡃࠊྠ᱁ࢆࡓ࡝ࡗ࡚࠸ࡗ࡚ࡶࠊࠕព࿡3ࡀቑຍࡋ࡚࠸ࡃࠖ࡜࠸࠺༳㇟ࢆ୚࠼࡞࠸ࠋ࣐ࣟࣥὴࡢリ࡛ࡣࠊྠ᱁࡟ࡼࡿゝⴥࡢໃ࠸ࡢྥࡇ࠺࡟ᙉຊ࡞ㄒࡾᡭࡢ࢚ࢦࡀぢ࠼ࡿࡇ࡜ࡀ࠶ࡿࠋྠ᱁ࢆ⥆ࡅ࡚ᩥࡢᵓ㐀࡟↓⌮ࢆࡉࡏᩥ❶࡟㈇Ⲵࢆ࠿ࡅࢀࡤ࠿ࡅࡿ࡯࡝ࠊࡑࢀ࡯࡝↓⌮ࢆࡏࡡࡤ࡞ࡽ࡞࠸ㄒࡾᡭࡢಶᛶࡸពᚿࡀᾋ࠿ࡧୖࡀࡿࡢ࡛࠶ࡿࠋࡇ
ࢀ࡟ᑐࡋࢫࢸ࢕࣮ࣦࣥࢬࡢྠ᱁ࡣ㏫࡛ࠊ୺ㄒࡸືモࡀ㐲ࡃ⨨ࡁཤࡾ࡟ࡉࢀࡓࡇ࡜࡛ࠊྡモࡸᚑᒓ⠇ࡔࡅࡀࡺࡿࡺࡿ࡜㐃㙐ࡍࡿࠋࡑࡇ࡛┠❧ࡘࡢࡣࠊఏࢃࡗ࡚ࡶఏࢃࡽ࡞ࡃ࡚ࡶ࠸࠸࡜࠸࠺ࡼ࠺࡞ࠊఏ㐩ࡢពᛮࢆ༙ࡤᨺᲠࡍࡿࡼ࠺࡞ᢞࡆࡸࡾ࡞ጼໃ࡛࠶ࡿࠋࡇࢀࡣ୺ㄒ࣭ືモ࣭┠ⓗㄒ࡜࠸࠺࠸࠿࡟ࡶࠕᩥࠖࡽࡋ࠸ᵓᡂࡀࠊྡモࢆ୰ᚰ࡟ࡋࡓྠ᱁㐃㙐࡟࡜ࡗ࡚࠿ࢃࡽࢀࡓࡇ࡜࡛ࠊ
㸬㸬㸬㸬 㸬㸬㸬㸬䛂ఱ࠿ࢆㄒࡿࠖ࡜࠸࠺ጼໃࡑࡢࡶࡢࡀ㠀⾜Ⅽ໬࣭㠀୺య໬ࡉࢀ
࡚ࡋࡲ࠸ࠊㄒࡾࡀㄡ࠿࡟ࡼࡿ୺యⓗ࡞⾜Ⅽ࡞ࡢ࡛ࡣ࡞ࡃࠊࡲࡿ
8 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬8࡛ゝⴥࡑࡢࡶࡢࡀ຾ᡭ࡟⮬Ⓨⓗ࡟ࡘࡽ࡞ࡗࡓࡼ࠺࡟ぢ࠼ࡿࡓࡵ࡛ࡣ࡞࠸࠿࡜ᛮ࠺ࠋࡑࡢࡼ࠺࡞≧ἣ࡛ࡣࠊᩥࡢෆᐜࡀ⚾ࡓࡕㄞ⪅ࡢ㢌࡟ධࡗ࡚ࡇ࡞࠸࡜࠸࠺ឤぬࡣࠊࡸࡸ≉Ṧ࡞ࢽࣗ࢔ࣥࢫࢆᣢࡘࠋၥ㢟࡟࡞ࡗ࡚࠸ࡿࡢࡣࠊព࿡ࡀࢃ࠿ࡽ࡞࠸࡜࠿㞴ゎࡔ࡜࠸࠺ࡇ࡜ࡼࡾࡶࠊ㸬㸬ព࿡ࡢ᪉ྥࡀぢ࠼࡙ࡽ࠸࡜࠸࠺ࡇ࡜࡛࠶ࡿࠋࡑࢀࡣࡘࡲࡾࡣࠊ
ㄒࡾᡭࡢጼໃࡀぢ࠼࡞࠸࡜࠸࠺ࡇ࡜࡞ࡢ࡛࠶ࡿࠋࡔ࠿ࡽࡇࡑࠊ
࡝ࡇ࡟ࡇࡕࡽࢆㄏᑟࡋࡼ࠺࡜ࡋ࡚࠸ࡿࡢ࠿ࡀࢃ࠿ࡽ࡞࠸ࠋࠕ㢌࡟ධࡗ࡚ࡇ࡞࠸ࠖ࡜࠸࠺஦ែࡢཎᅉࡣࡑࡇ࡟࠶ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡀࠕゝ࠸ࡓ࠸ࡇ࡜࡞࡝࡞࠸ࠖ࡜࠸࠺ጼໃࢆྲྀࡗ࡚࠸ࡿࡇ࡜ࡢព࿡ࡣࠊࡇࡢ࠶ࡓࡾ࡟ぢࡘࡅࡿࡇ࡜ࡀ࡛ࡁࡑ࠺
ࡔࠋࢫࢸ࢕࣮ࣦࣥࢬࡀࠕゝ࠸ࡓ࠸ࡇ࡜ࡀ࡞࠸ࠖ࡜ゝ࠸࡞ࡀࡽゝⴥࢆ⥆ࡅ࡚࠸ࡃࡇ࡜࡛≺ࡗ࡚࠸ࡿࡢࡣࠊࠕ⚾ࠖ࡜ࠕ࠶࡞ࡓࠖࡢ㛫ࡢ࠿࠿ࢃࡾྜ࠸ࢆᴟຊᾘࡍࡇ࡜࡞ࡢ࡛࠶ࡿࠋ࣐ࣟࣥὴࡢリ࡛ࡣ࢔࣏ࢫࢺࣟࣇ࢕࡞࡝ࡢ࿧ࡧ࠿ࡅࢆ㏻ࡋ࡚ㄒࡾᡭࡀୡ⏺ࢆ I㻛
thou relationshipࠕࠑ ⚾࣭Ợࠒ㛵ಀࠖ࡟ᘬࡁ㎸ࡳࠊ⮬ศࡢㄒࡾ࡟⚄ヰⓗ࡞ຊࢆ୚࠼ࡼ࠺࡜ࡋ࡚࠸ࡿ࡜ゝࢃࢀࡿࡀࠊࢫࢸ࢕࣮ࣦ
ࣥࢬࡣࡲࡉ࡟ࡇࡢ I㻛thou relationship ࠿ࡽ⮬⏤࡟࡞ࢁ࠺࡜ࡋ
࡚࠸ࡿࠋ4 ࡞ࡐࢫࢸ࢕࣮ࣦࣥࢬࡣࡑࢇ࡞ࡇ࡜ࢆࡋࡓ࠸ࡢ࠿㸽ࡑࡇ࡛ࡦ࡜ࡘ⪃࠼ࡽࢀࡿࡢࡣࠊࢫࢸ࢕࣮ࣦࣥࢬࡣࡑ࠺ࡍࡿࡇ࡜࡛ㄒࡾ࡟క࠸ࡀࡕ࡞ࠕ࠶࡞ࡓࡢࡓࡵ࡟ෆᐜࢆᥦ౪ࡍࡿࠖ࡜࠸࠺
ࢪ࢙ࢫࢳ࣮ࣕࢆᚭᗏⓗ࡟ࡑࡂⴠ࡜ࡋࡓ࠸ࡢ࡛ࡣ࡞࠸࠿࡜࠸࠺ࡇ
࡜࡛࠶ࡿࠋㄞ⪅ࡢࡓࡵ࡟࡞࡝ࠊఱࡶࡋࡓࡃ࡞࠸࡜ゝࢃࢇࡤ࠿ࡾ
ࡢែᗘ࡞ࡢ࡛࠶ࡿࠋ

ኻㄒ࡬࡜฿㐩ࡍࡿࡓࡵ࡟
ఱ࡜࠸࠺ࡇ࡜ࡔࢁ࠺ࠋࢫࢸ࢕࣮ࣦࣥࢬࡣㄞ⪅ࡀ᎘࠸࡞ࡢ࠿ࠋ
9 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬9ㄞ⪅ࢆ࿚ࡗ࡚࠸ࡿࡢ࠿ࠋࡑࢀ࡜ࡶࠊㄡ࠿࡟ྥࡅ࡚ㄒࡿ࡜࠸࠺ࡇ
࡜ࡀⱞ③࡞ࡢ࠿ࠋࡓࡋ࠿࡟ࢫࢸ࢕࣮ࣦࣥࢬ⮬㌟ࠊ⮬ศࡢリࡣู࡟ࢃ࠿ࡗ࡚ࡶࡽ࠼࡞ࡃ࡚ࡶ࠸࠸ࠊ⮬ศࡉ࠼ࢃ࠿ࡗ࡚࠸ࢀࡤ࠸࠸ࡢࡔࠊ࡜࠸࠺ࡼ࠺࡞ࡇ࡜ࢆゝࡗ࡚࠸ࡿࠋ5 ࢫࢸ࢕࣮ࣦࣥࢬࡣ᪥ᖖ⏕ά࡛ࡶࡓ࠸࡬ࢇ↓ཱྀࡔࡗࡓࡼ࠺࡛ኵே࡜ࡶ஧༑ᖺࡃࡽ࠸࡯
࡜ࢇ࡝ཱྀࢆࡁ࠸࡚࠸࡞࠿ࡗࡓࡑ࠺ࡔࡋࠊ6 ࠶ࡿࢡࣛࣈ࡟ຍධࡋࡓ࡜ࡁࡶࠊ࡯࡜ࢇ࡝ㄡ࡜ࡶཱྀࢆࡁ࠿࡞࠸ࡶࡢࡔ࠿ࡽ࿘ࡾࡢேࡀ᛹ࡋࢇ࡛ࠊ࠸ࡗࡑࡸࡵ࡚ࡶ࠺࠾࠺࠿ࠊ࡜࠸࠺ヰࡲ࡛ฟࡓࠋ7࡛ࡶࠊࡑࢀ࡛ࡍ࡭࡚ࡀㄝ࡛᫂ࡁࡿࢃࡅ࡛ࡣ࡞࠸ࠋඛ࡯࡝ᘬ⏝ࡋࡓ⟠ᡤࡢ᭱ᚋࡢ᪉ࢆぢࡿ࡜ࠊso that ᵓᩥࢆ⤒㐣ࡋࡓࡢࡕ࡟ྠ᱁㐃㙐࠿ࡽ࠸ࡗࡓࢇ୺ㄒ࣭ືモࡢ࠶ࡿᵓᩥ࡬࡜ᡠࡗ࡚࠸ࡃ࡜ࡇࢁࡀ࠶ࡿࠋࡇࡇࡣࠕᒾࠖࡢ୰࡛ࡶࡶࡗ࡜ࡶ⨾ࡋ࠸㒊ศࡢࡦ࡜ࡘࡔࢁ࠺ࠋᒾࢆそ࠺⥳ࡢ࢖࣓࣮ࢪࢆ㏻ࡋ࡚ࠊᗁ࡟ࡍࡂ࡞࠸⌧ᐇࡀࠊࡋ࠿ࡋࠊ࠸ࡃࡽᗁ࡟ࡍࡂ࡞ࡃ࡚ࡶࡓ࠸࡬ࢇឡ࠾ࡋ࠸ࡶࡢ࡛࠶ࡿࡇ࡜ࢆㄒࡗ࡚࠸ࡿࠊࡑࡋ࡚ࡑࢇ࡞ᗁࢆ⏕ࡳฟࡋ࠺ࡿ᝿ീຊࢆࠊ႐ࡧ࡜࡜ࡶ࡟᝿㉳ࡋ࡚࠸ࡿࠊࡑࢇ࡞⟠ᡤ࡛࠶ࡿࠋࡑࡢ୰࡛ࡶ᭱ᚋࡢ㒊ศ࡛ࡩࡓࡓࡧྠ᱁㐃㙐ࡀࡣࡌࡲࡿ࡜ࡇࢁ࡟ὀ┠ࡋ࡚ࡳࡼ࠺ࠋ
ࡇࡇ࡛ࡣ being ࡜࠿ alive ࡜࠸ࡗࡓㄒࡀఱᗘࡶ⧞ࡾ㏉ࡉࢀ࡚࠸ࡿ 䛂 ⰼ┒ࡾ࡜ࢪࣕࢥ࢘ࡢ㤶ࡾࡣ㸭⏕ࡁ࡚࠸ࡓ ⤯࠼㛫ࡢ࡞࠸⏕ࡁࡿ࡜࠸࠺≧ែ࡛㸭Ꮡᅾࡢಶูࡢ࠶ࡾ᪉࡛ ࠶ࡢ⦾ⱱࡋࡓୡ
⏺࡜ࡋ࡚ࠖ“The blooming and the musk 㻛 Were being alive,
an incessant being alive, 㻛 A particular of being, that grossuniverse.” ࠋࡇࡢ㒊ศࡢ⧞ࡾ㏉ࡋࡣࠕࡑࡢ୍▐㝈ࡾࡢ࿨ࠖࡢ౯್ࢆᙉㄪࡍࡿ࡜࡜ࡶ࡟リࢆࡦ࡜ࡘࡢ┒ࡾୖࡀࡾ࡟ᣢࡗ࡚࠸ࡃࢃ
ࡅࡔࡀࠊྠ᫬࡟኱஦࡞ࡢࡣࠊ⧞ࡾ㏉ࡋ࡟ࡼࡗ࡚ㄒࡾᡭࡀࠊࡑࡢ
┤๓ࡲ࡛ࡢᒎ㛤࡜ఙࡧᗈࡀࡾࡢឤぬ࡟ࣈ࣮ࣞ࢟ࢆ࠿ࡅ࡚࠸ࡿࡇ࡜࡛ࡶ࠶ࡿࠋࡲࡿ࡛ゝⴥࡢ㝈⏺Ⅼ࡟㐩ࡋ࡚ࠊ࡯࡜ࢇ࡝ኻㄒ≧ែ࡟㝗ࡗࡓ࠿ࡢࡼ࠺ࡔࠋࡇࡇ࡛ࡢ⧞ࡾ㏉ࡋࡣࠊゝⴥࡀࡶࡣࡸฟ࡚
ࡇ࡞࠸ࡺ࠼ࡢ⧞ࡾ㏉ࡋ࡛ࡶ࠶ࡿࠋ᪂ࡋ࠸ゝⴥࡣࡶ࠺࡞࠸ࠊྠࡌ
ゝⴥࢆ⧞ࡾ㏉ࡍࡋ࠿࡞࠸ࠋࡑࢀࡣḞዴ࡜႙ኻࢆ♧၀ࡍࡿ⧞ࡾ㏉ࡋ࡛࠶ࡾࠊࡑࡢྥࡇ࠺࡟ࡣゝⴥࡢࢮࣟᆅⅬࡢࡼ࠺࡞ࡶࡢࡀ࠺࠿ࡀ࠸▱ࢀࡿࠋࡇࢇ࡞ࡇ࡜ࡀ㉳ࡁࡿࡢࡶㄒࡾᡭࡀࡇࡇ࡛ࠊbeing ࡜࠸࠺ཎึⓗ࡞ᴫᛕ࡟ᡭࢆఙࡤࡋࠊ኱ඖࡢ୍Ⅼ࡟ࡓ࡝ࡾ╔ࡇ࠺࡜ࡋ࡚࠸ࡿࡓࡵ࡛࠶ࡿࠋ኱ඖࡢ୍Ⅼ࡟⮳ࡿࡓࡵ࡟ࡣ࡝ࢇ࡝ࢇྲྀࡾᡶ࠸ࠊ๐
㝖ࡋࠊᤞ࡚ࡿᚲせࡀ࠶ࡿࠋࡑࢀࢆ㌟ࢆࡶࡗ࡚ᐇ⾜ࡍࡿᚲせࡀ࠶ࡗࡓࠋࡑ࠺࠸࠺ࢪ࢙ࢫࢳ࣮ࣕࢆࢫࢸ࢕࣮ࣦࣥࢬࡣリࡢ୰࡛⾜࠾࠺࡜ࡋ࡚࠸ࡿࡢ࡛࠶ࡿࠋࡔ࠿ࡽࠊㄒࡾᡭ࡜ㄞ⪅࡜ࡣ␯㐲࡟࡞ࡿᚲせࡶ࠶ࡗࡓࠋࡑࡶࡑࡶㄒࡾᡭ࡜ㄞ⪅ ࡶࡋࡃࡣ⪺ࡁᡭ ࡢ཭ዲⓗ࡞㛵ಀࡣࠊㄒࡾᡭࡀ࡝ࢇ࡝ࢇㄞ⪅࡟ゝⴥࡸゝⴥࡢෆᐜࢆ୚
࠼ࡿࠊࡑࡢ㉗୚ࡢࢪ࢙ࢫࢳ࣮ࣕ࡟ࡼࡗ࡚ಖドࡉࢀ࡚ࡁࡓࠋࡋ࠿ࡋࠊࢫࢸ࢕࣮ࣦࣥࢬࡣࡇࡇ࡛ࡣ㉗୚࡝ࡇࢁ࠿ࠊ๝ዣࡋࡼ࠺࡜ࡋ

10 Web ⱥㄒ㟷ᖺ March, 201311 Web ⱥㄒ㟷ᖺ March , 2013

As if nothingness contained a métier,
A vital assumption, an impermanence
In its permanent cold, an illusion so desired
That the green leaves came and covered the high rock,That the lilacs came and bloomed, like a blindness cleaned,
Exclaiming bright sight, as it was satisfied,
In a birth of sight. The blooming and the musk
Were being alive, an incessant being alive,
A particular of being, that gross universe.

ծॖƱ૨‫ܖ‬10ծॖƱ૨‫ܖ‬11࡚࠸ࡿࠋ๝ࡂྲྀࡾࠊዣ࠸ࠊᤞ࡚ࡼ࠺࡜ࡍࡿࠋࡔ࠿ࡽㄒࡾᡭࡣ⪺ࡁᡭ࡜⦕ࢆษࡿ࠿ࡢࡼ࠺࡞ጼໃࢆྲྀࡿࡢ࡛࠶ࡿࠋᩥᏛࡢㄒࡾࡣ㛗ࡽࡃㄒࡾᡭ࡜⪺ࡁᡭ࡜ࡢ㛫ࡢࠊ㉗୚ࢆ㊊ࡀ࠿ࡾ࡟ࡋࡓࠕឡࠖࡢࡋࡀࡽࡳ࡟࡜ࡽࢃࢀ࡚ࡁࡓࡀࠊࡑࡢࡼ࠺࡞ࡋࡀࡽࡳࢆᤞ࡚ཤࡿࡇ࡜࡛ࡇࡑ㐩ࡍࡿࡇ࡜ࡢ࡛ࡁࡿቃᆅ࡟ࢫࢸ࢕࣮ࣦࣥࢬࡣ⮳ࢁ࠺࡜ࡋࡓࡢ࡛࠶ࡿࠋ࡞ࡐㄞ⪅ࢆឡࡉ࡞࠸ࡢ࠿㸽䛂ᒾࠖࡢࡩࡓࡘ┠ࡢࢭࢡࢩࣙࣥࡢෑ㢌ࡣ୍ぢࠊㄞ⪅࡟ᑐࡍࡿാࡁ࠿ࡅࡀ㢧♧ࡉࢀ࡚࠸ࡿࡼ࠺࡟ࡶぢ࠼ࡿࠋOf their fresh culls might be a cure of the ground.
The fiction of the leaves is the icon
Of the poem, the figuration of blessedness,
And the icon is the man.
ࡶࡋࡃࡣ⚾ࡓࡕ⮬㌟ࡢ἞⒵࡛

ࡑࢀࡣࡍ࡞ࢃࡕᅵࡢ἞⒵ ᛀ༷ࢆ㉸࠼ࡓ἞⒵ࡑࢀ࡛ࡶ࡞࠾ⴥࡣ ࡶࡋⷣࢆࡘࡅࡿ࡞ࡽⰼࢆဏ࠿ࡏࡿ࡞ࡽ ᐇࢆࡘࡅࡿ࡞ࡽ

It is not enough to cover the rock with leaves.
We must be cured of it by a cure of the groundࡑࡋ࡚ࡶࡋ⚾ࡓࡕࡀ᦬ࡳ❧࡚ࡢⴥࡢ᭱ึࡢⰍࢆཱྀ࡟ࡍࡿ࡞ࡽ ⴥࡶᅵࡢ἞⒵࡜࡞ࡿ࠿ࡶࡋࢀ࡞࠸
ⴥࡢ⹫ᵓࡣリࢆ࠶ࡽࢃࡍ㇟ᚩ

ᒾࢆⴥ࡛そ࠼ࡤ῭ࡴࢃࡅ࡛ࡣ࡞࠸
἞⒵ࡢᚲせࡀ࠶ࡿ ᅵࡢ἞⒵࡛

⮳⚟ࡀᙧ࡞ࡍࡶࡢ
ࡑࡋ࡚ࡑࡢ㇟ᚩࡣே㛫ࡇ࠺ࡋ࡞ࡃࡕࡷ࡞ࡽ࡞࠸ࠊ࡜ࠊࡲࡿ࡛⪺ࡁᡭ࡟ᙉຊ࡟ാࡁ࠿
ࡅ࡚ࡃࡿ࠿ࡢࡼ࠺ࡔࠋ୍✀ࡢឡࡢࢪ࢙ࢫࢳ࣮࡛ࣕ࠶ࡿࠋࡋ࠿
ࡋࠊࡑࡢඛࢆ⥆ࡅ࡚ぢ࡚࠸ࡃ࡜ࠊcure ࡜࠿ ground ࡜࠸ࡗࡓゝⴥࡀఱᗘࡶฟ࡚ࡃࡿࠋ

Or a cure of ourselves, that is equal to a cureOf the ground, a cure beyond forgetfulness.
And yet the leaves, if they broke into bud,If they broke into bloom, if they bore fruit,

In this plenty, the poem makes meanings of the rock,Of such mixed motion and such imagery
That its barrenness becomes a thousand things

And if we ate the incipient colorings
12 Web ⱥㄒ㟷ᖺ March, 2013ఱࢆゝࡗ࡚ࡶྠࡌゝⴥ࡟ᡠࡗ࡚ࡁ࡚ࡋࡲ࠺ࠋࡦࡓࡍࡽᅇᖐࡍ
ࡿࡢ࡛࠶ࡿࠋ cure ࡜࠸࠺ㄒࡀࢺ࣮ࢺࣟࢪ࣮ࡢࡼ࠺࡟ఱᗘࡶฟ
࡚ࡁࡓࡾࠊif ⠇ࡀ⧞ࡾ㏉ࡉࢀࡿࡇ࡜࡛ࠊఱࢆゝࡗ࡚ࡶྠࡌᆺ࡟
ᕪࡋᡠࡉࢀࡿ࡜࠸࠺ឤぬࡀᙉㄪࡉࢀࠊࡸࡀ࡚ㄒࡾࡣከ㔞ࡉࡀࡓ࡝ࡾ╔ࡃඛࡀḞዴ࡟࡯࠿࡞ࡽ࡞࠸࡜࠸࠺ㄆ㆑࡟㐩ࡍࡿࠋከ㔞ࡉ࡜ࡣ↓࡛ࡶ࠶ࡿࠊ࡜࠸࠺ቃᆅ࡛࠶ࡿࠋ

And so exists no more. This is the cureծॖƱ૨‫ܖ‬1213 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬13

Of leaves and of the ground and of ourselves.
His words are both the icon and the man.
ࡇࡢ㇏✨ࡢ୰࡛ リࡣᒾࡢព࿡ࢆ⏕ࡳฟࡍࡑࡇ࡟ࡣࡉࡲࡊࡲ࡞ືࡁࡸീࡀ࠶ࡩࢀᒾࡢ୙ẟࡉࡣᗄ༓ࡢࡶࡢ࡬࡜ኚㇺࡋࡶࡣࡸ୙ẟࡉ࡞࡝࡞࠸ ࡇࢀࡀⴥࡢ἞⒵ᅵࡢ἞⒵ ⚾ࡓࡕࡢ἞⒵ேࡢゝⴥࡣ㇟ᚩ࡛ࡶ࠶ࡾே㛫࡛ࡶ࠶ࡿ

icon ࡜࠿ man ࡜࠸ࡗࡓࡦ࡝ࡃཎ⌮ⓗ࡛᰿※ⓗ࡞࣮࣮࢟࣡ࢻ࡟ᅇᖐࡋ࡚࠸ࡃㄒࡾࢆぢ࡚࠸ࡿ࡜ࠊࡇࡢㄒࡾᡭࡀ♧ࡑ࠺࡜ࡋ࡚ࡿࡢࡀࠊ࡝ࡇ࡟ࡶࡓ࡝ࡾ╔࠿࡞࠸ࠊྠࡌሙᡤ࡟ᡠࡗ࡚ࡃࡿࡼ࠺࡞≧ែࡢࡇ࡜ࡔ࡜ࢃ࠿ࡗ࡚ࡃࡿࠋࡑࡇ࡛㝿ࡔࡗ࡚࠸ࡿࡢࡣࠊ࡝ࢇ࡞࡟ゝⴥࢆࡘࡽࡡࠊㄒࡾࢆ㐍⾜ࡉࡏ࡚ࡣ࠸࡚ࡶࠊゝⴥࢆᤞ࡚ࡿࡇ࡜࡟ࡶࡗ࡜ࡶ㔜ࡁࢆ⨨ࡇ࠺࡜ࡍࡿែᗘ࡛࠶ࡿࠋ༢ㄒࢆᤞ࡚ࠊᵓᩥࢆᤞ࡚ࠊㄞࡳᡭ࡜ࡢ㛵ಀᛶࢆᤞ࡚ࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡢリࡣࡑࢇ࡞ゝⴥࡢ౑࠸᪉ࡢ୰࡟⏕ࡳฟࡉࢀ࡚࠸ࡿࠋࡑ࠺⪃࠼࡚ࡃࡿ࡜ࠊࢫࢸ࢕࣮ࣦࣥࢬ࡜࠸࠺リேࡀࠕゝ࠸ࡓ࠸ࡇ࡜࡞࡝࡞࠸ࠖ࡜ゝࢃࢇࡤ࠿ࡾࡢ᣺ࡿ⯙࠸ࢆࡍࡿࡢࡶࡶࡗ࡜ࡶ࡞ࡇ࡜࡟ᛮ࠼࡚ࡃࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡢリࡣࠊゝⴥࢆቑࡸࡍࡇ࡜ࡢ୰࡟⏕ࡎࡿࡢ࡛ࡣ࡞ࡃࠊࡴࡋࢁᴟ㝈ࡲ࡛ゝⴥࢆῶࡽࡋ࡚࠸ࡃ㐣⛬ࡢ୰࡟⏕ࡳฟࡉࢀࡿࡢࡔ࠿ࡽࠋࡑ࠺ࡍࡿࡇ࡜࡛ࢫࢸ࢕࣮ࣦࣥࢬࡣ࠾ࡑࡽࡃࠊゝⴥࢆί໬ࡋࡼ࠺࡜ࡋ࡚࠸ࡿࡢ࡛ࡣ࡞࠸࠿࡜ᛮ࠺ࠋఱ࠿ࢆゝ࠺ࡓࡵࡢࡶࡢ࡛ࡣ࡞ࡃࠊఱ࠿ࢆゝࢃ࡞࠸ࡓࡵ࡟ࡇࡑㄒࡿࠋఱࢆゝࡗ࡚ࡶࠊゝⴥࡀඖࡢᆅⅬ࡟ᡠࡗ࡚ࡁ࡚ࡋࡲ࠺ࠊ᭱ึࡢ୍Ṍࠊ᭱ึࡢ୍ゝ࡟❧ࡕ㏉ࡗ࡚ࡋࡲ࠺ࠋࡋࡓࡀࡗ
14 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬14࡚ࠊ௒ࡲ࡛࡟᭩࠸ࡓリࢆ⮬ᕫᶍೌࡍࡿ࠿ࡢࡼ࠺࡟⧞ࡾ㏉ࡍࡢࡶࠊࡈࡃ⮬↛࡞ࡇ࡜࡞ࡢ࡛࠶ࡿࠋ௒ࡲ࡛᭩࠸ࡓゝⴥࢆ⧞ࡾ㏉ࡋㄒࡿࡇ࡜࡛ࠊࡑࢀࡽࢆᤞ࡚ࠊί໬ࡍࡿࡢ࡛࠶ࡿࠋ
ࡑ࠺ࡸࡗ࡚ྰᐃࡋࠊ๐㝖ࡋࠊᤞ࡚ࡿࡇ࡜࡛ࠊཎⅬࡢ࡜ࡇࢁ࡟
࠶ࡿඖࡢゝⴥࡣ௒ࡲ࡛࡟࡞࠸㍤ࡁࢆⓎࡍࡿࠋࢫࢸ࢕࣮ࣦࣥࢬࡢ
リࡣࡲࡉ࡟ࡇࡢወ㊧ⓗ࡞㍤ࡁࡢࡓࡵ࡟ࡇࡑ࠶ࡿ࡜࠸ࡗ࡚ࡶ㐣ゝ࡛ࡣ࡞࠸ࡔࢁ࠺ࠋㄒࡾᡭ࡜ㄞ⪅ࡣࢃࡎࡽࢃࡋ࠸༠ຊ㛵ಀࡸࡽㄏᝨࡸࡽᩍ⫱ᛶࡸࡽ࡜࠸ࡗࡓࠕឡࠖ࡟‶ࡕࡓ࠿࠿ࢃࡾྜ࠸᪉ࢆ࡝
ࢇ࡝ࢇᤞ࡚ཤࡗࡓ࠶ࡆࡃࠊࡓ࠸࡬ࢇ㌟㍍࡟࡞ࡿࠋࡑࡋ࡚ࠊࡣࡌࡵ࡚఍࠺⪅ྠኈ࡞ࡽ࡛ࡣࡢࠊࡲࡪࡋ࠸ࡼ࠺࡞㦫ࡁ࡟ࡦࡓࡿࠋ⚾ࡓࡕࡣࢫࢸ࢕࣮ࣦࣥࢬࡢリࢆㄞࡴ࡜ࡁ࡟ࡣࠊリࢆࡣࡌࡵ࡚ㄞࢇࡔ࠿ࡢࡼ࠺࡞ឤືࢆ࠾ࡰ࠼ࡿࡇ࡜ࡀ࡛ࡁࡿࡢ࡛࠶ࡿࠋゝⴥ࡜ࡣࡌࡵ࡚ฟ఍ࡗࡓࡼ࠺࡞ࠊࡲࡿ࡛ぢࡓࡇ࡜ࡢ࡞࠸ࡶࡢ࡜㐼㐝ࡋࡓ࠿ࡢࡼ࠺࡞ࠊࡑࢇ࡞ឤぬࢆ୚࠼ࡿࡇ࡜ࡢ࡛ࡁࡿᩘᑡ࡞࠸リேࡢࡦ࡜ࡾ࡛ࢫࢸ࢕࣮ࣦࣥࢬࡣ࠶ࡿࡢࡔࠋ䚾ὀࠒ
1 ࡑ࠺࠸࠺ព࿡࡛ࡣ J࣭ࣄࣜࢫ࣭࣑࣮ࣛࡀࠕᒾࠖࡢᢈホࢆ᭩ࡃ࡟࠶ࡓࡗ࡚ࠊᚭᗏࡋ࡚ゝⴥࡢㄒ※࡟ࡇࡔࢃࡗࡓࡇ࡜࡟ࡣព࿡ࡀ࠶ࡿࠋ2 䛂⛅ࡢ࣮࢜ࣟࣛࠖ “Auroras of Autumn” ࡜࠿ࠕࢽ࣮࣭ࣗ࣊࢖ࣦ

ࣥࡢࡩࡘ࠺ࡢኤ࡭ࠖ “Ordinary Evening at New Haven” ࡜࠸ࡗࡓᚋᮇࡢ௦⾲స࡛ࡣྠ᱁ࡀࡓ࠸࡬ࢇ㔜せ࡞ᙺ๭ࢆᯝࡓࡋ࡚࠸ࡿࠋ
3 ࡓ࡜࠼ࡤ J࣭ࣄࣜࢫ࣭࣑࣮ࣛࡣࡑࡢ࠶ࡓࡾࢆࠕ⣠୰⣠ࠖ Mise enabyme ࡜࠸࠺⣠❶Ꮫࡢ⏝ㄒ࡛ㄝ᫂ࡋ࡚࠸ࡿ 32 ࠋࡇࢀࡣࣇࣛ
ࣥࢫㄒ࡛ ‘placing into infinity’ ࢆព࿡ࡋ࡚࠸ࡿࡀࠊせࡍࡿ࡟⤮᯶ࡢ୰ᚰࡢ㒊ศ࡟ࠊࡩࡓࡓࡧ⤮᯶඲యࡢ࣑ࢽࢳࣗ࢔ࡀ⌧ࢀ࡚ࠊỌ㐲࡟⤮᯶ࡀ⦰ᑠ෌⏕⏘ࡉࢀ࡚࠸ࡃࡼ࠺࡞ࣃࢱࣥࡢࡇ࡜ࢆᣦࡋ࡚࠸ࡿࠋ஧ࡘࡢ㙾ࢆྥ࠿࠸ྜࢃࡏ࡟ࡋ࡚❧ࡗࡓ࡜ࡁࡢຠᯝ࡜ྠ

15 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬15ࡌ࡛࠶ࡿࠋ࣑࣮ࣛࡣࠕᒾࠖࡀ࠸ࢁ࠸ࢁ࡞ព࿡࡛ࠊࡇࡢ↓㝈࡟ᚋ㏥ࡋ࡚࠸ࡃ mise en abyme ࡢ࢖࣓࣮ࢪ࡛࡜ࡽ࠼ࡽࢀࡿ࡜ゝࡗ࡚࠸ࡿࠋࡲࡎࡦ࡜ࡘ┠࡟࣑࣮ࣛࡀ࠶ࡆࡿࡢࡣḟࡢࡼ࠺࡞Ⅼ࡛࠶ࡿࠋ

The poem repeatedly takes some apparently simple word, aword not noticeably technical or tricky “found,” “exclaiming,”“ground,” or “cure” and plays with each word in turn, placing
it in a context of surrounding words so that it gives way
beneath its multiplying contradictory meanings and reveals achasm below, a chasm which the word, for example the word
“cure,” cures in all senses of the word. 34ࡉࡽ࡟࣑࣮ࣛࡣྠ᱁ࡸే⨨ࡢၥ㢟ࡶ࡜ࡾ࠶ࡆࡿࠋ

There are other ways, however, in which “The Rock” is amise en abyme. One is the sequence of phrases in apposition.
This is a constant feature of Stevens’ poetic procedure: “Theblooming and the musk 㻛 Were being alive, an incessant beingalive, 㻛 A particular of being, that gross universe”; “They bud
the whitest eye, the pallidest sprout, 㻛 New senses in theengenderings of sense, 㻛 The desire to be at the end ofdistances, 㻛 The body quickened and the mind in root.” 34ࡑ ࡋ ࡚ ࣑ ࣛ ࣮ ࡣ ࡇ ࢀ ࢆ ࡜ ࡽ ࠼ ࡚ The relation among theelements in such a series is undecidable, abyssed. 34 ࡜ゝ࠺ࠋ࡜࠸࠺ࡢࡶࡑࡶࡑࡶࡇࢀࡽࡢせ⣲ࡀ࡝࠺ࡋ࡚ే⨨ࡉࢀ࡚࠸ࡿࡢ࠿ࡀぢ࠼࡟ࡃ࠸࠿ࡽ࡛࠶ࡿࠋ

Since the phrases often have the same syntactical pattern andare objects of the same verb most often the verb “to be” , it
16 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬16

seems as if they must be equivalents of one another, or at least
figures for one another, but can “eye,” “sprout,” “senses,”“desire,” “body,” and “mind” really be equivalent ? . . . Perhaps
each new phrase cancels the previous one ? Sometimes theparallel in syntax is misleading, as when the phrase “that grossuniverse” is placed in apposition with the subsidiary word
“being” in the phrase before, rather than with the apparently
parallel word “particular.” The sequence plays with various
incongruent senses and grammatical functions of the word
“being.” 34ࡇࡢ࠶ࡓࡾࠊࡲࡗࡓࡃࡑࡢ࡜࠾ࡾ࡛ࠊࡇࡇ࠿ࡽ࣑࣮ࣛࡢᑟࡁ
ࡔࡍࣛࣅࣜࣥࢫ࡜࠿ࠊỴᐃ୙ྍ⬟࡜࠿ࠊ୙ᅾࡢ୰ᚰ࡜࠸ࡗࡓぢ᪉ࡶ㨩ຊⓗ࡛࠶ࡾࠊࢫࢸ࢕࣮ࣦࣥࢬࡢリࢆㄞࡴ࡟࠶ࡓࡗ࡚ࡶࡓ࠸ ࡬ ࢇ ᭷ ⏝ ࡞ ࡢ ࡔ ࡀࠊ ᣋ ㄽ ࡛ ࡣ ࡇ ࡢ ࡼ ࠺ ࡞ ㄽ Ⅼࢆ ㋃ ࡲ ࠼ ࡓ ୖ࡛ࠊᑡࡋ㐪࠺㆟ㄽ࡟㐍ࡳࡓ࠸ࠋ4 ࡇࡢ࠶ࡓࡾ࡟ࡘ࠸࡚ࡣࢪࣙࢼࢧ࣭࣮ࣥ࢝ࣛࡢ࢔࣏ࢫࢺࣟࣇ࢕ㄽࡀཧ⪃࡟࡞ࡿࠋ The Pursuit of Sign ཧ↷ࠋ5 ࢫࢸ࢕࣮ࣦࣥࢬࡢḟࡢࡼ࠺࡞Ⓨゝࡀྠ൉࡟グ᠈ࡉࢀ࡚࠸ࡿࠋ . . .
“>I@t isn’t necessary for you or anybody else to understand mypoetry. I understand it; that’s all that’s necessary.” CharlesO’Dowd; Brazeau, 43
6 ኵ፬ࡢ୙௰ࡢཎᅉࡣ཮᪉࡟࠶ࡗࡓ࡜ࡶゝ࠼ࡿࠋ௨ୗࠊ୺࡞ドゝࢆࣈࣞ࢖ࢰ࣮ࡢⴭస࠿ࡽᘬ⏝ࡍࡿࠋ “She was odd.

In whatpeople would call today a suburban community, mainly
professional people, she dressed in an extremely odd way.”
Robert Halloran and Elizabeth Halloran Chickering;
Breazeau, 238 “I always had the impression that he and hiswife were not very well suited to each other and were certainly
not very compatible. I’m speaking strictly from hearsay that17 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬17his wife had some emotional problems. He never discussed it.
That certainly was the general impression. Just knowing him, I
think he would be a pretty difficult man to live with in adomestic situation. If his wife had any neurotic tendencies tostart with, living with him for a few years might accentuate>them@.” Clifford Burdge, Jr.; Brazeau, 28 “Never in my life
when I’ve taken him home >did he@ invite me in the house andsay, ‘Come in and have a drink.’ I don’t know if he dared’cause the rumors around >were@ that he and his wife used tofight like cats and dogs.” Arthur Polley; Brazeau, 65 “Inever heard >Mr. and Mrs. Stevens@ snap at each other. I justnever heard them talk much to each other. Unless they wereafraid of being overheard, all this time I was there I very
seldom heard them speak.” Josephine M.: Brazeau, 235 ࡞࠾ࠊࢫࢸ࢕࣮ࣦࣥࢬࡶࠊ⮬ศࡢࡇࡢࡼ࠺࡞ᛶྥ࡟ࡘ࠸࡚ࡣ༑ศ⌮ゎࡋ࡚࠸ࡓࠋ “I detest ‘company’ and do not fear any protest ofselfishness for saying so. People say one is selfish for notsharing one’s good things ̿ a naively selfish thing in them.
The devil take all of that tribe. It is like being accused ofegoism. Well, what if one be an egoist ̿ one pays the penalty.
from his dairy, April 9, 1906; Holly Stevens, 163 64 “I donot get on well with my equals, not at all with my superiors.
Ergo, I have no friends.” “Excerpts from Letters of Wallace
Stevens from 1904 ̿ ” >Notebook, in Elsie Stevens’ hand, inHuntington Library@, 43; Lensing, 49 “I want to keep
everybody at arm’s length in Hartford where I want nothing
but the office and home as home” Copy of a letter to Norman
Holmes Pearson, April 21, 1952, Huntington Library; Brazeau,114
7 “ ‘He never joins in conversation, and he just sits there and18 Web ⱥㄒ㟷ᖺ March, 2013ծॖƱ૨‫ܖ‬18

looks at us and listens.’ This man was delegated to try to bow
Stevens out of the club.” Anthony Simans; Brazeau, 75䚾ᩥ ⊩ࠒBevis, William W. Mind of Winter: Wallace Stevens, Meditation,and Literature Pittsburgh: U. of Pittsburgh P., 1988
Brazeau, Peter. Parts of a World: Wallace Stevens Remembered;An Oral Biography New York: Random House, 1983
Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature,
Deconstruction Ithaca, NY: Cornell U. P., 1981
Lensing, George. Wallace Stevens: A Poet’s Growth Baton
Rouge: Louisiana State U. P., 1986
Miller, J. Hillis. “Stevens’ Rock and Criticism as Cure,” inWallace Stevens. Ed. by Harold Bloom New York: Chelsea
House, 1985 , 2749.
Hoffman, Tyler. “Wallace Stevens and the Spoken Word,”
Wallace Stevens Journal 33. 1 Spring 2009 , 97110.
Stevens, Holly. Souvenirs and Prophecies: The Young Wallace
Stevens New York: Knopf, 1977
Stevens, Wallace . Collected Poetry and Prose. Ed. by Frank
Kermode and Joan Richardson New York: Library ofAmerica, 1997
̿. Letters of Wallace Stevens. Sel. and ed. by Holly
Stevens Berkeley: U. of California P., 1996
Qian, Zhaoming. “Late Stevens, Nothingness, and theOrient,” Wallace Stevens Journal 25. 2 Fall 2001 , 16472.
ᮾி኱Ꮫ෸ᩍᤵ19 Web ⱥㄒ㟷ᖺ March , 2013ծॖƱ૨‫ܖ‬19