DESIGNART TOKYO 2023
REPORT
DESIGNART TOKYO 2023

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CONTENTS
02

CONCEPT

03

RECORD

04-09

EXHIBITIONS

10-11

OFFICIAL EXHIBITIONS

12OFFICIAL PROGRAMS

13

AWARDS

14

EVENTS

15

SALES RECORD

16

OPENING CEREMONY

17

TOOLS

18-21

ONLINE CONTENT

22-25

PRESS

26

CREDITm
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CONCEPT
THEME

SparksFreeing Your Thoughts

What is DESIGNART TOKYO?

OutlineVenues

Inspiration and connections without borders
DESIGNART TOKYO began in 2017 as a design
and art festival based on the theme “INTO THE
EMOTIONS.” Eminent creatives from around theworld converge in Tokyo, one of the world’s mostculturally diverse cities, to hold various exhibitions
across the city and in various genres, includinginterior design, art, fashion, technology, and food.

Organizer

83 venues (127 exhibitors) – shops and

DESIGNART TOKYO COMMITTEE

galleries in Omotesando, Gaienmae,

One of the major features of the event is one’s
ability to enjoy numerous exhibitions while moving
through the city and, should sparks fly, even buy
pieces on the spot. The event has been known tobe the catalyst of unforeseen chemical reactions
between creative professionals in Japan and thosehailing from abroad, who join up for new projects
or otherwise launch their ambitions into the wider
world.

Designers, projects, brands, shops, museums,

Shibuya, Harajuku, Roppongi, Hiroo,
Dates

Ginza and Tokyo station area.

October 20 – 29, 2023
Participants
gallery etc. from Japan and around the world.
Target Audience
Distributors, companies, buyers, press,
students and the general public interested indesign and art.

With sustainability being the norm and questions
arising about the responsibilities of the creator andthose of the user, creative crafts andmanufacturing will be a driving force that supportssociety into the future. To experience daily life
enriched with long-lived designs and art—
connections for such irreplaceable encounters andwonderment abound without borders when
DESIGNART TOKYO turns the city into a veritablemuseum.

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DESIGNART Gallery ©USAMIRYOA NEW HORIZON ©Nacasa & Partners

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RECORD
This year marked a record number of 108 exhibits and a total of 210,000
visitors. Ten days of creators from around the world, covering a variety ofgenres, sparked their talents.
Total Visitors

Approx. 214,500

Web & Social Media

Press Coverage

Approx. 1,950,000 views

562 articles(during Aug 9th – Nov 16th ）(as of Nov 17th ）Numver of Venues

Number of Exhibitord

Creators and Brands

83 venues

127 exhibitors

Approx. 300

Exhibitors matched through DESIGNART’s matching program

60 pairs

Circulation of the Official Poster

500 copies

Circulation of the Official Guide map

30,000 copies

Online Content
・PR video production and destribution（YouTube、Instagram etc.）
・Online Map（Google Map)
・Instagram Report（Instagram）
・Gift Campaign (Digital stamp rally, SNS hashtag posts）

Social Media Followers *Figures are from Instagram

GenderAge renge

55-64
5.2%

other
5.2%

18-24
10.1%

45-54
17.6%

male
55.8％

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female
44.2%

25-34
34.1%

35-44
30.7%

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EXHIBITIONSPLAN Am
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VENUE &ARTWORK＋

Exhibitors who have arranged both exhibition space and artwork.

KUNSTHÅNDVÆRK - Contemporary Danish Crafts from Bornholm

MA5 GALLERY by SANLORENZO JAPANat HOTEL K5

PATTERN STROKE

The first exhibition in Japan by nine contemporary craft artists from theDanish island of Bornholm was held in a suite at Hotel K5 in Kabuto-cho.

A solo exhibition by painter Nobuto Fukutsu. The exhibition featured works ofvarious landscapes the artist had seen on his travels, mainly painted by pasting
together parts made of patterns.

FENDER FLAGHIP TOKYO
Fender Pick Tables
Fender opened the world's first flagship shop "FENDER FLAGSHIP TOKYO" inHarajuku. During the exhibition, original tables designed in collaboration with Klein
Dytham Architects were exhibited and for sale.

Yamaha Design Laboratory

Time & Style Atmosphere
DRILL DESIGN Collection / Claesson Koivisto Rune Collection
The latest Drill Design work, Diamond back, and other products inspired by theWindsor chair were also exhibited. In addition, an unpublished lounge chair byClaesson Koivisto Rune was also exhibited.

The National Art Center, Tokyoat AXIS Gallery

Yves Saint Laurent, Across the Style

In the exhibition “Where We Are -Yamaha Design Laboratory 60th anniversary
exhibition-” featured prototypes from the last 20 years, as well as the first exhibition in
Japan of Yamaha's latest work, “Items like furniture for life with musical instruments”.

This exhibition, organized with the full cooperation of the Musée Yves Saint
Laurent Paris, marks the first retrospective of the designer’s works ever to bestaged in Japan after his death.

MAHO KUBOTA GALLERY

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The National Art Center, Tokyo
Yves Saint Laurent, Across the Style

2023, Courtesy of the brand© Nacása & Partners

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PLAN A EXHIBITORS
100BANCH / 100BANCH

Knoll Japan / Knoll Japan Showroom

A-TOM Co., LTD. / COURTYARD HIROO Gallery

KOTARO NUKAGA / KOTARO NUKAGA

A-TOM Co., LTD. / SONOAIDA #Shin-yurakucho

LIVING HOUSE. / LIVING HOUSE.SEIBU SHIBUYA

ACTUS / ACTUS AOYAMA SHOPLouis Vuitton Japan Company / ESPACE LOUIS VUITTON TOKYO

ARFLEX JAPAN LTD. / ARFLEX TOKYO

MAKI / MAKI Gallery

artless lnc. / camellia court101 GRIFFON CONFERENCE

Mori Art Museum / Mori Art Museum

Carl Hansen & Søn Japan / Carl Hansen & Søn Japan office

NOMURA Co.,Ltd. / GYRE.FOOD

Cassina ixc. / Cassina ixc. Aoyama shop

ONBEAT / AFRODE CLINIC

CondeHouse / CondeHouse Tokyo Shop

Pernod Ricard Japan / WITH HARAJUKUCOSENTINO JAPAN / COSENTINO CITY TOKYOPERROTIN / PERROTIN TOKYOCROWN Inc. / AREA Tokyo

PRESTIGE JAPAN INC. / Time & Style Atmosphere

CROWN Inc. / Roche Bobois TOKYOPRESTIGE JAPAN INC. / Time & Style Midtown

DAIKYO INCORPORATED / WORLD Kita-Aoyama Bldg.

Ritzwell / Ritzwell OMOTESANDO SHOP & ATELIER

DENTSU INC. / CELINE OMOTESANDOROLF BENZ TOKYO / ROLF BENZ TOKYODREAMBED CO.,LTD. / LIGNEROSET TOKYO SHOP

Sanlorenzo Japan / MA5 GALLERY by SANLORENZO JAPANEBRU Inc. / SCENT

Seiko Watch Corporation / Seiko Seeden one Tokyo / Gallery COMMONSEIKATUGEIJYUTSUSYA / HOUSE@MIKIRIHASSIN

Fender Musical Instruments Corporation / FENDER FLAGSHIP TOKYO

Simmons / eautyrest JINGUMAE(SIMMONS)FFJ Co.,Ltd. / FLEXFORM TOKYO

Sony Group Corp. / Sony Park Mini

franky inc. / moln Minamiaoyama

STELLAR WORKS JAPAN / Stellar Works Showroom

Fujifilm Holdings Corporation / CLAY STUDIO

Straft / MIDORI.so NAKAMEGURO MIDORI.so GALLERYGROHE / GROHE AKASAKA SHOWROOMSUGITA ACE CO.,LTD / Ginza innit

HERMES JAPON Co., Ltd. / Ginza Maison Hermès ForumTHE CONRAN SHOP JAPAN / THE CONRAN SHOP MARUNOUCHI

hide kasuga 1896 / hide k 1896 flagship

The National Art Center, Tokyo / The National Art Center, Tokyo

Hong Kong Trade Development Council / Rand OMOTESANDOTOKYO MIDTOWN / TOKYO MIDTOWN YAESU

inter office / DESIGNART GALLERYTokyo Tatemono Co., Ltd. / BAG -Brillia Art Gallery-

Ishinomaki Laboratory × WOSET / dotcom space TokyoTORY BURCH JAPAN / TORY BURCHISSEY MIYAKE Inc. / A-POC ABLE ISSEY MIYAKE | AOYAMA

True inc. / MAHO KUBOTA GALLERYISSEY MIYAKE Inc. / ISSEY MIYAKE GINZA | 442

TS Aromatique Inc. / è interiors

januka Co., Ltd. / januka shop

USM / USM Modular Furniture Showroom

Japan Finland Design Association / Hyvää Matkaa

Vitra / Artek Tokyo StoreKaori Juzu / HOTEL K5

WELCOME Co., Ltd. / CIBONE | HAY
Y inc. / SHIBUYA Hikarie 8F , Creative Lounge MOV
YAMADA HOLDINGS CO., LTD. / Poltrona Frau Tokyo Aoyama
Yamaha Corporation. / AXIS Gallery

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VENUE ONLY

PLAN B and Venue Sponsor

・Exhibitors who have provided exhibition space only
・Venues that have provided exhibition space throughvenue sponsorship*Exhibitors who exhibited under DESIGNART's matching
coordination.

at NIESSING TOKYOat TOKYO MIDTOWN
Three exhibitions were held by 21B STUDIO (front of Galleria 2F
Aēsop), Yuichiro Morimoto (front of Galleria 2F Iucien pellat-finet) andDaiki Tado (front of Galleria 3F IDÉE SHOP/IDÉE) CAFÉ PARC).

Hiromasa Fukaji exhibited “PloTopia”, a collaborative work inspiredby latest collection, the NIESSING TOPIA VISION series.

Daiki Tado

at PERVERZE THE EMBODIMENT STORE

at SEIBU Shibuya（A Bldg, Movida Bldg）

Artist KOTA KAWAI exhibited special artworks incorporating textiles andmaterials that PERVERZE has used in the past as materials.

Five groups exhibited: Keio University - Yasuto Nakanishi Lab (A Bldg.),
Masafumi Futto, Nomadic Collective, PHAT and Nyokki (Movida Bldg.).

at TIERS Gallery

at Common

Gala Espel (U30), Akira Hojo/Ryoma Maeda, and So Tanaka (U30),
Masato Ozawa exhibited their work.

Gala Espel
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OBJECTRUM, objects made by hand from scrap wood by Tomoya Okoshi, were
exhibited and for sale.

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PLAN B EXHIBITORS
Common / Tomoya Okoshi
NIESSING TOKYO / Kashikey
PERVERZE THE EMBODIMENT STORE / IMCF CO., LTD.
TOKYO MIDTOWN Galleria 2F, front of Aēsop / 21B STUDIOTOKYO MIDTOWN Galleria 2F, front of Lucien pellat-finet / NEWPLAIN
TOKYO MIDTOWN Galleria 3F, front of IDÉE SHOP | IDÉE CAFÉ PARC / Daiki Tado
SEIBU SHIBUYA / Masafumi Futo, Nomadic Collective, Nyokki
PHAT, Yasuto Nakanishi Lab., Keio University
Tokyu Plaza Shibuya / Asemi Co., Ltd., BBmedia Inc., NORIKO HASHIDA DESIGNTIERS GALLERY / Gala Espel, So Tanaka, HOJO AKIRA/Ryoma Maeda, Masato Ozawa
Omotesando Futonten / HaKU Design Studio
BUNKITSU Roppongi / grandpa inc.
JIDA Design Museum / Mai Suzuki
Hibiya OKUROJI / AZUMA PLYWOOD CO.,LTD., ELD Co.,Ltd.
HONOKA, Kaiba Design Node Co., Ltd., MASATO SUZUKI DESIGN

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EXHIBITIONSPLAN CHONOKAat Hibiya OKUROJI

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ARTWORK ONLY
*Exhibitors who exhibited under DESIGNART's matching
coordination.

Leo Koda
at mintdesigns corner gallery“TATAMI ReFAB PROJECT” by HONOKA, winner of the 1st Prize of the
Milano Salone Satellite Award 2023, was exhibited in Hibiya OKUROJI.

“In Fill Out” by Leo Koda, one of the U30 winners, was exhibited atmintdesigns’s new corner gallery in the Aoyama shop.

DESIGNART GALLERY
at escorte Aoyama

ZAMA
at Bo Concept Aoyama StoreDESIGNART GALLERY held an exhibition of the latest creativity from 11
exhibitors from Japan and abroad, curated by DESIGNART.

ZAMA by MOLFO exhibited interior wall art that is expected to havesound absorption, soundproofing, moisture absorption, desorption andthermal insulation properties.

HaKU Design Studio

POPCORNat OMOTESANDO FUTONTEN

at BUNKITSU Roppongi

HaKU Design Studio presented ø [ou], a light that creates unexpected visual
effects with a range of finishes and prismatic effects to express the light in avariety of ways.

POPCORN presented Fly a light “TAKO”, a work with two elements - a lightand an object - inspired by the atmosphere and excitement of flying a kite.

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PLAN C EXHIBITORS
21B STUDIO / TOKYO MIDTOWN Galleria 2F, front of Aēsop

NORIKO HASHIDA DESIGN / Tokyu Plaza Shibuya 3F 111

Ambientec / DESIGNART GALLERY

NST. Co., Ltd. / DESIGNART GALLERY

Asemi Co., Ltd. / Tokyu Plaza Shibuya 3F 111

Nyokki / SEIBU SHIBUYA Movida 7F EVENT HALLASOBI / DESIGNART GALLERY

OK KASEI / DESIGNART GALLERY

Atma / WORLD Kita-Aoyama Bldg.

OPEN OBJECT / WORLD Kita-Aoyama Bldg.

AZUMA PLYWOOD CO.,LTD. / Hibiya OKUROJI

PAN-PROJECTS + REMARE / WORLD Kita-Aoyama Bldg.

BBmedia Inc. / Tokyu Plaza Shibuya 6F URBANCOREPHAT / SEIBU SHIBUYA Movida 7F EVENT HALL

Bumki Song / WORLD Kita-Aoyama Bldg.

Ryosuke Harashima / WORLD Kita-Aoyama Bldg.

CLEVERCLAIRE / WORLD Kita-Aoyama Bldg.

Sanlorenzo Japan株式会社 / DESIGNART GALLERY

Curiosity / WORLD Kita-Aoyama Bldg.

SDANLEY DESIGN WORKS / WORLD Kita-Aoyama Bldg.

CURIOSITY × LUXURY LIVING / DESIGNART GALLERY

Shizuka Tatsuno / WORLD Kita-Aoyama Bldg.

Daiki Tado / TOKYO MIDTOWN Galleria 3F, front of IDÉE SHOP |So Tanaka / TIERS GALLERYIDÉE CAFÉ PARC

Studio Orijeen / WORLD Kita-Aoyama Bldg.

DAIKYO INCORPORATED / WORLD Kita-Aoyama Bldg.

Studio OSOH / WORLD Kita-Aoyama Bldg.

Denis Guidone × Y.S.M / DESIGNART GALLERY

t.c.k.w inc. / DESIGNART GALLERY

Dongwook Choi / WORLD Kita-Aoyama Bldg.

Takuto Ohta / WORLD Kita-Aoyama Bldg.

ELD Co.,Ltd. / Hibiya OKUROJI

the design labo / DESIGNART GALLERY

Funi Ding / WORLD Kita-Aoyama Bldg.

Tomoya Okoshi / Common

Gala Espel / TIERS GALLERYWASARA Co., Ltd. / DESIGNART GALLERY

grandpa inc. / BUNKITSU Roppongi

we+ / WORLD Kita-Aoyama Bldg.

HaKU Design Studio / Omotesando Futonten

Yasuto Nakanishi Lab., Keio University / SEIBU SHIBUYA A Bldg. 7F

HOJO AKIRA | MAEDA RYOMA / TIERS GALLERY

EVENT HALLHONOKA / Hibiya OKUROJI

Yosuke Matsushita / WORLD Kita-Aoyama Bldg.

Kaiba Design Node Co., Ltd. / Hibiya OKUROJI

Zougei / WORLD Kita-Aoyama Bldg.

Kairo Kusamoto / WORLD Kita-Aoyama Bldg.
Kodai Iwamoto / WORLD Kita-Aoyama Bldg.
Leo Koda / MINTDESIGNS AOYAMAMai Suzuki / JIDA Design Museum
marino matière / SieMatic AOYAMA
Masafumi FUTO / SEIBU SHIBUYA Movida 7F EVENT HALL
Masato Ozawa / TIERS GALLERYMASATO SUZUKI DESIGN / Hibiya OKUROJI
Molfo / BoConcept Aoyama StoreNEWPLAIN / TOKYO MIDTOWN Galleria 2F, front of Lucienpellat-finet
NIPPON STEEL CORPORATION / Keshiki（”AA“）
Nomadic Collective / SEIBU SHIBUYA Movida 7F EVENT HALL

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OFFICIAL EXHIBITION
ASIA CREATIVE RELATIONA NEW HORIZON – A showcase of Contemporary Design from East Asia – Powered by THE LIONSThe ASIA CREATIVE RELATION hosted the “Contributing to the World through Creativity” talk session last year, focusing on the need tocreate a platform that can globally benefit the world. This year’s exhibition, “A NEW HORIZON―A showcase of contemporary design from
East Asia” with guest curator Suzy Annetta, founding editor-in-chief of Design Anthology, and spatial designer Kentaro Ishida, further
developed its idea and connection.
The exhibition featured the contemporary works of 19 high-profile designers from East Asia (Japan, Korea, China, and Taiwan), categorized
into four chapters titled Biomorphism, Upcycled, New Belle Epoque, and Future Traditions, to examine the development of future lifestyle in
2050. In addition, DAIKYO INCORPORATED, which rebranded its condominium brand THE LIONS in April of this year, showcased THE
LIONS JOURNEY Residence of the Unknown, a next-generation blueprint for a new lifestyle and wellbeing of the future.

Participating creators (19 groups):
AtMa (Japan)/ Bumki Song (Korea)/ CLEVERCLAIRE (Korea)/ Curiosity (Japan)/ Dongwook Choi (Korea)/ Funi Ding (Hong Kong)/ Kairo Kusamoto (Japan)/
Kodai Iwamoto (Japan)/ OPEN OBJECT( China)/ PAN-PROJECTS + REMARE(Japan)/ Pili Wu(China)/ Ryosuke Harashima(Japan)/ SDANLEY DESIGNWORKS(Taiwan)/ Shizuka Tatsuno(Japan)/ Studio Orijeen(Korea)/ Takuto Ohta(Japan)/ Yosuke Matsushita(Japan)/ we+(Japan)/ Zougei Hiroyuki
Nishimura(Japan)
Space design： KIAS Kentaro Ishida Architects Studio
Sponsor： DAIKYO INCORPORATED / Toyota Motor Corporation
Cooperation： WORLD CO.,LTD. / waki process inc./ Ryokuensha Inc./ SEIKO GIKEN INC. /GRID.Inc© Nacása & Partners

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OFFICIAL EXHIBITIONDESIGNART GALLERY
at escorter Aoyama
The DESIGNART GALLERY took place as an official exhibition at escorter Aoyama , directly connected to Gaienmae Station, highlighting
innovative works and projects proposed by creators across a variety of genres (design, art, interior design) from their unique perspectives.
Atsushi Shindo, in charge of the venue design, created the exhibition fixtures by utilizing discarded acrylic partitions. The exhibition was truly
an opportunity to enjoy the latest works of 11 creators.
Participating creators ：Ambientec / AMUAMI / CURIOSITYLUXURY LIVING / Denis Guidone

Y.S.M / h220430(Satoshi Itasaka) / MUUTO

Original Kolor Design / RECONC (Norihiko Terayama) / SANLORENZO Lounge / Tokio. / WASARA collaborate with maruni
Space design： Atsushi Shindo
Sponsor ： NOMURA CO., Ltd. / Japan Exchange Group, Inc. / Midorikawa Chemical Industry Co., Ltd. /REMARE / NBC Meshtec Inc. / Benjamin Moore Japan
Arakawa & Co., Ltd
Cooperation ：Interoffice/SANLORENZO JAPAN

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OFFICIAL PROGRAMSOFFICIAL CHAMPAGNE
Perrier-Jouët
Perrier-Jouët, the renowned Champagne house with over 200 years ofhistory, adorned the event once again this year as the official
Champagne of DESIGNART TOKYO.
This year, The Pollination Dance, a collaboration with Mexican artistand designer Fernando Laposse on the theme of pollination, wasexhibited at WITH HARAJUKU.

OFFICIAL CAR
TOYOTA CROWN
The 16th generation of the all-new Crown, unveiled in 2022, wasexhibited as the official car at the WORLD Kita-Aoyama Bldg., theInformation Center and the site of the official exhibition “A NEW
HORIZON.” Besides the special display of the new Crown, two cars
decorated with advertising toured the area during the festival.

OFFICIAL BAG
WORLD CO., LTD
At the World Kita-Aoyama Building (where the Information Center islocated), we handed out, in a limited quantity, free special bags withthe “DESIGNART TOKYO 2023” logo produced in collaboration withWorld Co., Ltd. Carrying the bag was a visual identifier as visitors as
they made their way around the exhibition.

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AWARDSUNDER 30This year, the DESIGNART committee again selected promising creators under 30 years old from their unique perspectives for UNDER 30, a
support program for young creators started in 2018. The exhibition of the award winners, selected from among many entries, who will lead thefuture of the design and art world, came under the spotlight.
Selected by Hiroshi Koike / NON-GRID

Selected by Akio Aoki / MIRU DESIGN

Leo Koda｜In Fill Out
Graduated from ECAL in Switzerland and based in Eindhoven, Netherlands. Behindhis playful ideas and lively approach lies a subtle understanding and deep backgroundresearch.

Gala Espel ｜Archaeology of the Future

Selected by Shun Kawakami / artless Inc.

Gala Espel is a French architect and designer based in Paris and Tokyo. She
has won numerous awards. She continually rethinks “design” through amulticultural perspective and in collaboration with artisans.

Selected by Okisato Nagata / TIMELESSMai Suzuki｜"MICHI KUMIKO"
Born in 1998 in Tokyo. Initiated project “生粋 namaiki” by herself, a Japanese
aesthetic sense. She exploers “iki” from various perspectives through the traditional
craft “Kumiko”. She learned the techniques under Kumiko craftman and created
3Dmodels of the parts.
Selected by Astrid Klein and Mark Dytham/ Klein Dytham architecture

So Tanaka ｜ Vnsh

21B STUDIO｜ ink couture project
page: 13.

Based in Tokyo. He inspiredby materials, natural
phenomena, and other fields
od art and philosophy, hecreated furniture and lighting
as abstract poetry using
space as medium. He
exhibited new lighting work,“Vnsh”.

21B Studio is a design collective formed by Daijiro Arimura, Koeda Kobayashi, andShotaro Tokioka. “ink couture project”is the innovative design project to repurpose
non-woven fabrics, used for disposing of ink waste from offset printers, into newmaterial.
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EVENTS
During DESIGNART TOKYO 2023, various related events were held. Talk events and parties organized by exhibitors activated the exchangewith visitors throughout the festival.

DESIGNART TOKYO × DESIGN TOUCH Talk salon
at TOKYO MIDTOWN, MIDTOWN CONFERENCE（MIDTOWN Tower 4F）
A collaborative talk event with DESIGN TOUCH held on the two days prior to the festival, attracted a
total of 126 registrations over the two days, indicating the growing interest in the event.
Saturday, 14th: NEW URBANISM: How to live in the future
Keisuke Toyoda, Project professor at the Institute of Industrial Science, the University of Tokyo/Architect
Kentaro Ishida, Representative of Ishida Architects Studio/Project Associate Professor, Tokyo Instituteof Technology
Facilitator, Ryuko Kida, ELLE DECOR Brand Director
Sunday, 15th: A Creative Resource to Explore
Yoshiyuki Miyamae, A-POC ABLE ISSEY MIYAKE Designer
Kunihiko Morinaga, ANREALAGE Designer
Facilitator, Noriko Kawakami, Journalist /21_21 DESIGN SIGHT Associate Director

PechaKucha Night x DESIGNART TOKYO Special
at THE CORE KITCHEN/SPACE
The presenters of the PechaKucha Night held as a DESIGNART TOKYO Special on
photo: Brian Scott Peterson
Wednesday, October 25th, included Gala Espel and 21B studio from UNDER
30 winners,

Fernando Laposse, a collaborator with Perrier-Jouët from exhibitors, and Edward Cole,
President of Fender Musical Instruments Corporation. The event was packed with many otherdesigners, creators, and visitors.

© Brian Scott Peterson

Today at Appleat Apple Omotesando
At Today at Apple held on Tuesday, October 24th, Suzy Annetta, a curator of A NEW HORIZON,
who is well-versed in the design industry in Asia, joined exhibitors Sdanley Shen , Gwenael
Nicolas of CURIOSITY, and Kazumasa Takada of PAN-PROJECTS for a talk session titled ASIA
CREATIVE RELATION TALK . We had a lot of registrations for the meaningful session wherevisitors could also interact with the participants.

Espace Louis Vuitton Tokyo Special workshop
at Espace Louis Vuitton
During DESIGNART TOKYO 2023, a special workshop was held at the Espace Louis Vuitton
Tokyo art space on the 7th floor of the LouisVuitton Omotesando store on Friday, October 27th
and Saturday,October 28th. At the venue of an ongoing solo exhibition L>espace)(... by Cerith
Wyn Evans, a unique project, Constellation sonore, inspired by his works of art, was executed withworld-renowned musicians from
France, the country of art, and other countries.

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©Takuya Yamauchi

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SALES RECORD
Total Sales Approx. 15 million yen （between 20th Oct – 29th Oct）
This year, exhibitors actively sold their products using online payment systems and their e-commerce sites. Sales promotion for new releases
also contributed to the event’s total sales.
Compared to last year, which featured many concept models and prototypes using sustainable materials, this year’s exhibitions were moresales-oriented, with products designed to attract highly conscious visitors.

tossanaigh at Hibiya OKUROJI

MARINO. at Sie Matic Aoyama

Nobuto Fukutsu
at MA5 GALLERY

Tauko - Into the Forest at Hyvää Matkaa
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© Nacása & Partners
Kotaro Machiyama at alflex tokyo

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OPENING CEREMONY
Opening of DESIGNART TOKYO 2023
Friday October 20th at Wold kita-Aoyama Bldg. and escorte Aoyama

On Friday, October 20th, the first day of the festival, an opening ceremony was held for media representatives in the two main exhibition halls, attended byabout 90 people. This year’s ceremony had an even more international atmosphere than usual, thanks to the participation of many international exhibitors andmedia. The 10-day festival kicked off with excitement, with speeches by the founder Astrid Klein sharing her thoughts on the theme “Sparks,” as well as
sponsors of the festival.

A NEW HORIZON Opening ceremony

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DESIGNART GALLERY Opening ceremony© USAMIRYO

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TOOLS
OFFICIAL GUIDEMAPThe key visual, designed by Shoya Dozono, a computational designer, for the theme “Sparks―Freeing Your Thoughts,” was used widely on
the guide map, website, and posters.
The Official Guide Map introduced selected exhibits, the UNDER 30 winners with comments from the selectors, and official exhibitions. It
also contains a newly redesigned WHAT IS DESIGNART TOKYO? page for new visitors, a convenient map, and special interviews.
The 30,000 copies issued were distributed at approximately 200 locations, including each exhibition site and commercial facilities
throughout Tokyo.
9

DESIGNART TOKYO 2023
HIGHLIGHTS

M a p 48

積彩 / RGB_ Light / DEW
＠100BANCH

最 注目のエキシビション

A wide variety of creators from across genres and from all over the world will exhibit in shops, galleries and event spaces in thecentral area of Tokyo. Here are some must-see works. During this 10-day event, the entire city of Tokyo is transformed into a museumof design and art, featuring a collection of innovative works by high-profile creators, including installations, interior designs,
and art works. Please enjoy these encounters with excitement.
都心エリアに点在するショップ、ギャラリー、イベントスペースなどを舞台に、ジャンルを超え、世界中から集まった多彩なクリエイターたちが展示を行います。
その中から、必ず見ておきたい注目作品をご紹介。話題のクリエイターを起用したインスタレーションやインテリア、プロダクト、クラフトなど
革新的な作品が集結し、東京の街全体が美術館になる10日間 。感動との新しい出会いをお楽しみください。

100BANCH was established in 2017 based on the concept ofan experimental zone for enriching the world 100 years from now.
100BANCH has been supporting innovative projects under the GARAGE
Program by providing them with places for activity. This exhibition features
three groups of creators from 100BANCH, who produce new values thattranscend the boundaries of their fields. Centering around accessories andinterior furniture by Sekisai, the collection also presents lights that create
colorful shadows using RGB_Light by Midori Kawano, and products like
DEW, inspired by Ryoji Takahashi ʼs technology combined with Japaneseculture.
「100 年先の世界を豊かにするための実験区」というコンセプトのもとに 2017 年

SANLORENZOに誕生した100BANCH は、GARAGE Program と称しイノベーティブなプロジェ

TYPE-V Nature Architects projectM a p 35 59

クトに活動場所の提供などの支援をおこなってきました。本展示は 100BANCHのクリエイターから領域を超えた新しい価値をつくりあげる 3 組の展示を開催し

A-POC ABLE ISSEY MIYAKEます。積彩によるアクセサリーや家具の展示を中心に、河野未彩の RGB_Light想 像を超 え 、新 たな 世 界を創りだすによる彩のある影を生むライト、高橋良爾によるテクノロジー×日本的文化からイ

＠A-POC ABLE ISSEY MIYAKE / AOYAMA＠ISSEY MIYAKE GINZA / 442

ンスピレーションをうけた DEW などの作品をご覧いただけます。

Beyond Imagination, Creating a New World

A-POC ABLE ISSEY MIYAKE has re-edited their exhibition
presented at this year ʼs Milan Design Week. Prototypes
suggesting possibilities that go beyond clothing are being
exhibited at A-POC ABLE ISSEY MIYAKE / AOYAMA andISSEY MIYAKE GINZA / 442. In collaboration with Nature
Architect, this project addresses the role of design instructure, materials, and manufacturing and how they areintegrated into the crafting process. The project explores the
new possibilities of a single piece of cloth by combining thelatest design solutions with A-POC ABLE ISSEY MIYAKE ʼscrafting system.

M a p 67KUNSTHÅNDVÆRK

Exhibitors

Per Suntum / ジュエリーアーティスト（人間国宝）
Michael Geertsen / 陶芸家
Charlotte Thorup / 陶芸家
Jakob Jørgensen / 彫刻家・家具デザイナー
Line Depping / 家具デザイナー
Iben Birch Bech / テキスタイルアーティスト
Gerner&Jahncke / 陶芸・ガラスアーティスト
Kaori Juzu / ジュエリーアーティスト

れるかを取り上げます。最新のデザイン・ソリューションと A-POC

ABLE ISSEY MIYAKE のものづくりのシステムを掛け合わせ、一枚を学び部品を 3D モデル 化。伝 統 工 藝とテクノロジーを組
み合わせ、未知なる可能性をデザインする。今回は ｢組子｣を通じてライフアート = ファッションとして表現する。

Leo Koda
レオ コウダThe sensibility and approach of the future generation create new forms
and silhouettes to the traditional Japanese woodcraft of “Kumiko” with
its intricate patterns. I was deeply fascinated by her creation which I
believe will lead to a new trend in “Japanese beauty”.

01.

I feel this work is a well-designed product that applies the propertiesof a 3D printer amidst such circumstances. Additionally, the physicalexperience of boiling, as you do when cooking, and the design
emerging from this experience has a nostalgic charm and fondness ofsoft vinyl toys.

「この作品は 3D プリンターの性質を活かしたデザイン性の高い製品にの新たな 日本的美 の流れに繋がっていくであろうと、とても興味深く感じました。」に着目し、オブジェクトをお湯で 茹でることで膨らませ、ユ

仕上がっていると感じます。また、煮沸というお料理するようなフィジカルな体験から生み出されるデザインは、昔なつかしいソフトビニールグッズ

Selected by Astrid Klein and Mark Dytham / Klein Dytham architecture

Archaeology of the future born in the present
現在で生まれる未来の考古学

They show amazing talent in their ability to discover hidden aspects ineveryday objects and processes, as seen in their works. Through theirworks, they enrich our experience and allows us to see the beauty andsignificance of the mundane.

04.

インスタジオ。「よりやわらかな発 想で、芯のあるアイデア
廃インク清掃で使用した不織布を新たな素材として捉え、

process, implying that these themes
were present in existing works,

project 」を発表する。

So Tanaka

ガラ・エスペルは、パリと東京を拠点に活動するフランスの
建 築家 ・デザイナー。彼女の創作活動はリサーチとクラフ
トに根ざしており、職人とのコラボレーションを通して「デザ

02.

イン」
を絶えず再考する。Archaeology of the Future は、
デジタルツールによって、銀に近未来的なフォルムを与え、生命を吹き込む。そこに静かなディテールが息づき、過去と未来が溶け合う。

Selected by Akio Aoki / MIRU DESIGNAs a designer who advocates conceptual design as a medium toconnect people, her work is charming and sculptural. This work uses
photogrammetry, a common method in archaeology to scan familiar
industrial products. I was awed by this ambitious and challenging
approach.

｢人と人を繋ぐ媒介としてコンセプチュアルデザインを提唱しているデザイナーである彼女の作品は、チャーミングで彫刻的。考古学では一般的な『写真測量』を用いた壮大でチャレンジングなアプローチに驚きを隠せませんでした。｣

なく、既存の作品に内在していることを示「作品の存 在が 静かに作用して空間に微 妙なルールや緊張 感

探求する分野を表していることから、
この展示をご覧いただくことで、一流デザイナーをもたらしてくれ、まるで『関守石』のような印象を受けます。多様な要素をしっかりと考察しながらデザインをされているのでしょう。
そんなデザイナーに出会えたこと自体が、とても嬉しく驚きでもありました。」

into the light itself ”.
武蔵野美術大学を卒業後、東京を拠点に活動。素材、自然現象、他分野の芸術や哲学に触発され、空間を媒体とした
抽象詩としての家具や照明を生み出す。「周囲を照らし、自らも光の中に消えていく照明」という発想をもとに「意識」や「関係性」に主眼を置いた新たな照明作品 vnsh （ヴァニシュ）を発表する。

05.

WEB マガジン｢ Beyond ｣では、
UNDER 30 の特集を掲載中。
彼らの制作に込めた思いに触れることで、作品の解像度はさらに上がります。

サイトへアクセス

A NEW HORIZON 空間デザイナー
Space designed by

Kentaro Ishida 石田 建太朗
Guest Curator

Suzy Annetta

Founding Editor-in-Chief, Design Anthology
Suzy is a design editor and curator and arecognised authority on design in Asia.
She has judged design awards, advised on
selection panels, served on advisory committees,
hosted and participated in interviews andpanel discussions at events, live televisionand podcasts, and has authored, edited andcontributed to books on design.

Chapter 3.

Chapter 4.

Chapter 1.

Chapter 2.

Chapter 3.

Chapter 4.

Biomorphism

Upcycled

New
Belle EpoqueFutureTraditions

The word Biomorphism refers toabstract forms or images that evoke
naturally occurring forms such as
plants, organisms and body parts.
This group showcases work that
relates to these natural forms in acontemporary way, and is suitablefor contemporary or future living
spaces.

These works are made orassembled using recycledmaterials, offcuts or leftovers (suchas recycled or discarded plastic,
construction, post-consumer or
agricultural waste). As we move into
the future, the growing scarcity ofnatural resources will only become
more urgent; these works may point
a way forward.

The Belle Epoque, situated between
wars and other hardships, was aperiod of economic prosperity,
an era of cultural and artistic
exuberance, and a time of excess
and hedonism. This is somewhat
mirrored in our politically unstablepost-pandemic world, in whichpeople crave enjoyment andWith continuing rapid globalisation,
we are seeing skills for the creationof fine art and craft being lost. But
designers in East Asia are playing
a key role in saving and preserving
traditional skills, techniques andmaterials, and by doing so areplaying a role in keeping that
cultural history alive for subsequent
generations.

「バイオモーフィズム」とは、植物や生命

これらの作品は、リサイクル素材、端材、の現在の考え方、そして哲学的アプローチ
や実践についての理解を深めることができます。

The presence of his work itself brings a subtle sense of orderand tension to the space. It gives the impression of a “sekimoriishi” (boundary-guard stone). His design process for creatingsuch work must have involved careful consideration of multiple
factors. It has been a pleasant surprise meeting such adesigner.

Based in Tokyo, He inspired by materials, natural
phenomena, and other fields of art and philosophy,
he creates furniture and lighting as abstract poetry
using space as a medium. He will present a new lighting
work, “vnsh”, which focuses on “consciousness”
and “relationship” based on the idea of “lighting that
illuminates the surroundings and disappears

ンの過程で自然に導き出されたものであり、

唆しています。これらの作品は作家が自ら

an opportunity to gain insight into
the current mindset, philosophicalapproach and practice of theseleading designers.

Selected by
Okisato Nagata / TIMELESS

ソウ タナカ題された 4 つのチャプターはキュレーショ
これらは環境や社会に起因するものでは

not externally imposed. Given thatthese works represent self-driven
fields of inquiry, the viewer is given

M a p 19

展性―つまり、私たちが何と、どのように、
なぜ、共に暮らすことを選ぶのかという問題を表すチャプターに分類しました。
「アップサイクル（Upcycled ）」、「新しい「未来の伝統（ Future Traditions）」とthemselves during the curatorial

を。」をコンセプトに掲げる彼らは今回、オフセット印刷機のナーの作品を未来のライフスタイルの発「バイオモーフィズム（Biomorphism）」、
ベル・エポック（New Belle Epoque）」、

その可 能 性を見 出すデ ザインプロジェクト「ink couture

する、驚くべき才能を感じます。彼らは作品を通して、私たちの経験を豊かにし、一見ありふれたものの美しさや意義に目を向けさせてくれます。」

周 囲を照らす、自らも光の中に消えていく照明

Gala Espel is a French architect and designer working
between Paris and Tokyo.
Her creation is rooted in research and crafts
investigating how to collectively reenvision design.
« Archaeology of the Future » introduces a digital
tool in the making of objects giving life to visionary
silver forms. A space inhabited by evanescent details.
Merging past and future.

な作品を紹介し、デザインと現代ライフスタ
イルの未来のトレンドを考察します。キュ

why of objects we choose to live with.
These chapters, entitled Biomorphism,
Upcycled, New Belle Epoque andFuture Traditions, naturally revealed「彼らのプロジェクトからは、日常的な物やプロセスの隠れた側面を発見

Lighting that illuminates the surroundings and disappears into the light itself
ガラ エスペル未 来 のライフスタイル の可 能 性

レーターのスージー・アネッタは、
デザイthat represent the potentiality of our
future lifestyles — the what, how andwaste from offset printers, into a new material.
有村 大 治郎・コエダ小 林・時岡翔太 郎の 3 名によるデザ表する。

Chapter 2.

４つのチャプターを通して考 察 する、

展は、東アジア（日本、韓国、中国、台湾）出身のデザイナーによるコンテンポラリー

A NEW HORIZON looks at future
trends in design and contemporary
lifestyles. Curator Suzy Annetta has
divided the works into four categories

備えられている。3D プリントの ｢インフィル｣という内部構造

A NEW HORIZON— A showcase of Contemporary Design from East Asia —『 A NE W HORIZON（新たな地平線）』

Showcasing contemporary works
by designers originating from across
East Asia — Japan, South Korea,
Mainland China and Taiwan —21B STUDIO
トゥーワンビースタジオ
21B Studio is a design collective formed by Daijiro
Arimura, Koeda Kobayashi, and Shotaro Tokioka.
“ink couture project.” is the innovative design project torepurpose non-woven fabrics, used for disposing of ink

ニークな色と形を生み出すプロジェクト『 In Fill Out 』を発Gala Espel

東京都北青山3-5-10
10:00 - 18:00「A NEW HORIZON ‒ A showcase of contemporary design from East Asia ‒」を開催します。

The design project created from coincidence

M a p 55

偶然性からつくりだすデザインプロジェクトのような可愛らしさがあり愛着が持てそうです。」

M a p 19

M a p 14

＠ WORLDKITA AOYAMA BLDG.

Suzy Annetta as guest curator and space designer Kentaro Ishida for our special exhibit,
A NEW HORIZON ―A showcase of contemporary design from East Asia.

OFFICIAL
EXHIBITION「クリエイティブで世界に貢献する」をコンセプトに、世界に対し貢献できるプラットホームづくりが必要であるとの考えのもと、昨年はトークセッションをおこなった ASIA CREATIVE RELATION。

After graduate from ECAL, he established his own
design studio in Eindhoven, Netherlands. The project“In Fill Out” explores the unique internal structure
known as “infill” in 3D printing. He expands 3D printed
objects by boiling them in hot water, resulting in uniquecolors and shapes.

Selected by Hiroshi Koike / NON-GRID

15

Chapter 1.

Kentaro Ishida studied architecture in London.
He collaborated with Swiss architectural firm Herzog& de Meuron from 2004-2012. During his collaboration
with H&dM he was leading series of international
projects as an Associate including Perez Art Museum
Miami, Triangle in Paris, and Cultural Complex Luz in
Sao Paulo. He established his architectural studio KIAS,
Kentaro Ishida Architects Studio in 2012. since 2016,
associate Professor at Tokyo Institute of Technology.
ロンドンの Architectural Association School of Architecture（ AA スクール）にて建築を学び、2004 年から12 年までスイスの建築設計事務所ヘルツォーク & ド・ムーロンに勤務。同社アソシエイトとしてペレス・アート・ミュージアム・マイアミ（マイアミ現

Design Anthology 創業編集長、
デザイン・エディター、代美術館）などの海外プロジェクトのリード・デザイナーを務めキュレーター。アジアにおけるデザインの権威である彼る。2012 年に KIAS イシダアーキテクツスタジオを設立。2 016

女はデザイン賞の審査員、選考委員会のアドバイザーな

年より東京工業大学の特任准教授に就任。那須の現代美術館

どを務める。
その他、イベントの登壇やテレビ出演、デザイ

N ʼs YARD や日本橋三越コンテンポラリーギャラリーなど多くのンに関する書籍の執筆、編集、寄稿も多数行っている。

美術空間の設計に携わる。

体、身体部分などの自然から生まれた
抽象的な形態やイメージを指す言葉。
こ
こで展示される作品は、現代的な方法
で自然の形態と結びつけられて制作され、現代、そして未来の生活空間に相応しい作品群です。

余 剰 品（ 再 生プラスチック、廃プラス
チック、建 築 廃 材、消 費 者 廃 棄 物、農業 廃 棄 物 など）を使 用したり、組み立てたりして作り上 げられて いま す。今後 、天然資源の不足はますます深刻に

fulfilment.
ベル・エポックとは、さまざまな困 難に直面した戦間期であった反面、経済的栄華をきわめた時代であり、文化的・芸術的活動が活気にあふれ、過剰な生産や消費、そして快楽主義で彩られた時代

急速なグローバル化が進む世界では、
大 量 生 産によって美 術工芸の技 術が失われつつあります。これに対して、東アジアのデザイナーたちは伝統的な技術
や手法、素材などを保存し、保護するとでした。この過 去の時 代は、政 治 情 勢いう重要な役割を担っており、そうするこなるでしょう。これらのデザイン作品がが不安定で人々が喜びと充足感に飢えとで文化の歴史を後世に伝える役割を

私たちの将 来の方向性を指し示してくるポストコロナの世界を彷彿とさせます。

果たしています。

れるかもしれません。

Dongwook Choi（ South Korea ）AtMa（ Japan）

CLEVERCLAIRE（ South Korea ）Jingjing Naihan Li（ China ）Curiosity（ Japan）

SDANLEY DESIGN WORKS

Kairo Kusamoto（ Japan）

Shizuka Tatsuno（ Japan）

Kodai Iwamoto（ Japan）

Studio Orijeen（ South Korea ）PAN-PROJECTS + REMARE

Studio Osoh（ South Korea ）（ Japan）

we+（ Japan）（ Japan）

Kairo Kusamoto（ Japan）

Studio Osoh（ South Korea ）Takuto Ohta（ Japan）

Bumki Song（ South Korea ）Funi Ding（ Hong Kong）
Jingjing Naihan Li（ China ）Kodai Iwamoto（ Japan）
OPEN OBJECT（ China ）Ryosuke Harashima（ Japan）
Zougei / Hiroyuki Nishimura（ Japan）

we+（ Japan）
Yosuke Matsushita（ Japan）

INFORMATION CENTER
At WORLD Kita-Aoyama Bldg. where the Information Center was located, we
set up a board exclusively for media partners and distributed DMs of eachexhibitor as in previous years. In addition, as a part of the digital stamp rally
campaign, official bags were distributed only at WORLD Kita-Aoyama Bldg.

OFFICIAL SIGNAGESThis year again, flag tapestries, cutting sheets, and poster
displays were distributed to all exhibitors to help visitors
smoothly navigate their way around DESIGNART TOKYO. We
also conducted a digital stamp rally this year, with QR code
stands set up at each venue to encourage visitors to circulate
through the festival.

page: 17.

サンロレンツォSANLORENZO is a shipbuilding company
producing luxury yachts, pioneering in the fieldof yacht interior design with the supervisionof Piero Lissoni and Antonio Citterio. Forming
partnerships with the international art festivals
Art Basel and the Venice Biennale, the company
pursues new possibilities in the luxury lifestylethrough a fusion of ship and “Design” and “Art”
サンロレンツォは、ラグジュアリーヨット製造を手掛

チッテリオらが内装を監修。さらに、国際的なアートの祭典であるアートバーゼルやヴェネチアビエン
ナーレともパートナーシップを結び、船と “ Design ”

and “Art ” の融合によるラグジュアリーライフスタ
イルの新しい可能性を追求しています。

conventional notions of yachtJAPAN によりその DNA と使 命を引きinteriors. The luxurious living

継ぎ、
ヨットショールームとはまた異なる

environment for the owners
has been extended from land
to sea and has succeeded increating extraordinary yachts.
SANLORENZO also has a tight
relationship with the art world andhas partnered with the Venice
Biennale in 2017 and Art Basel in“ Design” and “Art ” across the

今年はそのアイディアと繋がりをさらに躍進させ、ゲストキュレーターにスージー・アネッタ、空間デザイナーに石田建太朗を迎えた特別な展示拠点に活動を行う。遊び心に満ちたアイデアと軽 快なアプ

inspired by his travels.

globe. In Japan, SANLORENZO

ローチで新たなフォルムや陰影を生み出している。この試みは、
これからスイスの ECAL を卒 業後、オランダのアイントホーフェンを

philosophy and Fukutsu ʼs works

Piero Lissoni, Antonio Citterio,and Patricia Urquiola to break

GALLERY を設立。同ギャラリーは、将「『組子』という繊 細な文 様を描く伝 統 木 工芸を、次 世代的感 性とアプ

ローチの裏には、繊細な理解と、背景への深いリサーチがarchitects and designers such as

シップを提 携し、世界 各地で “ Design”と “Art ” を発信しています。

す。DESIGNART TOKYO 2023 では、 Switzerland in 2018 to promote

Last year, Asia Creative Relation held a talk session on “Contributing to the World through Creativity,”
with the conviction that the creation of a new platform to make a difference in the world is essential.
Further expanding the ideas and connections developed in the previous event, this year, we welcome

Selected by Shun Kawakami / artless Inc.

Please enjoy the special exhibition
space created by SANLORENZO ʼs

い、世界で活 躍する存 在へと後 押しを

14

diverse patterns and explores

SANLORENZO

ける造船会社。船内のインテリアデザインに着目した先駆者であり、ピエロ・リッソーニやアントニオ・

his own unique painting style.

has worked together withinternationally renowned

するインキュベーションギャラリーとし

Ryosuke Harashima

じて｢真の豊かさとは何か｣を問う。組子職人のもとで技術

For the first time in the shipbuilding
industry, SANLORENZO

界と深い関係を持っており、2017 年にはヴェネチアビエンナーレ、そして 2018 年

来的に可能性のある若き気鋭アーティ

Powered by THE LIONS

03.

the trajectory of life as life art = fashion.
1998 年東 京 生まれ。｢生粋 namaiki｣ 主宰。“ 粋 ” をさま
ざまな視点から探求し、“ 粋 ” の宿る伝統工藝「組子｣を通M a p 76

Fukutsu will be presented. He is
a noteworthy painter who creates

様々なパターンを生み出し、独自の絵画

OFFICIAL
EXHIBITIONPATTERN STROKE by Nobuto

craftsmanship and ideas isrecognizable at first glance.

ストの 発 掘・サ ポ ートを 積 極 的 に 行

CLEVERCLAIRE

今年も多くのエントリーの中から、選出されたデザイン＆アート界の明日を担う 5 組が注目の展示をおこないます。

only uniqueness with meticulous

打破。オーナーのためのラグジュアリー
な居住環境は、陸から海へと拡張され、てクリエイターの展示をおこなっていま

A NEW HORIZON – A showcase of Contemporary Design from East Asia –Born in 1998 in Tokyo. Initiated project “ 生粋 namaiki ”
by herself, a Japanese aesthetic sense. She explores“iki ” from various perspectives through the traditional
craft of “Kumiko ”. She learned the techniques under
Kumiko craftsmen and created 3D models of the parts.
She through the traditional craft of “kumiko,” to express

DESIGNART TOKYO の発起人たちが、将来が期待される 30 歳以下の 5 組のクリエイターを独自の目線で選出する UNDER 30。

The potential of playful 3D print
プレイフルな 3 Dプリントの可能性

the creators to work internationally.
At Designart Tokyo 2023,を模索する注目の画家、福津宣人によOFFICIAL EXHIBITION
ASIA CREATIVE RELATION

and exhibiting their works as an
incubation gallery that encourages

needs of each client. Even fromfar off the ground, the one andプラットフォームとして、南青山に MA5

we+

Mai Suzuki
鈴木 舞

made motor yachts for over 60
years, respecting the style andロ・リッソーニやアントニオ・チッテリオ、パ*10 月 26 日 - 28 日のみ開催。詳細は DESIGNART TOKYO 2023 Web サイト、各種 SNS をご覧ください。

page.

M a p 74

伝統工藝「組子」の新たな息吹is engaged in discovering andトリシア・ウルキオラらを起用し、今まで日本では、2022 年に SANLORENZO

Dongwook Choi

New perspective of traditional craft of “ Kumiko ”

supporting promising young artists

彫刻、陶芸など 8 組 9 名のボーンホルム島を代表する現代クラフトアーティストによる、日本初の展示となります。

page.

FIVE ARTISTS
UNDE R 30

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11

10

Here we feature young minds shouldering the design and art of tomorrowthat have caught the eye of the founders of DESIGNART TOKYO.
They present their pick of these promising talents in a unique perspective with the condition that they all be under 30.

the yacht showroom. The gallery

SANLORENZO has crafted tailor-にはスイスアートバーゼルとのパートナー

ら芸術と工芸分野の最高評価である“ WORLD CRAFT REGION BORNHOLM （世界工芸地域）の称号を 2017 年に授FIVE ARTISTS
UNDE R 30

別な展示空間をお楽しみください。

独創的なヨットを創り上げることに成功しバルト海に浮かぶデンマークの島の 1 つであるボーンホルム島は、ユネスコが認定する “ World Craft Council （WCC）か

未 来 を 切り拓く５組 の 新 鋭ニークで、多くの 職人技やアイデアが詰ました。またサンロレンツォは、アートの世与された世界初の島です。本展は、同島へ移住したジュエリーアーティストの KAORI JUZU がキュレーターを務め、家具、

and mission and founded MA5GALLERY in Minami Aoyama in
2022 as a different platform from

サンロレンツォは造船業界で初、国際的Bornholm, one of the Danish islands in the Baltic Sea, was the first island in the world to be awarded thetitle of World Craft Region Bornholm in 2017, the highest recognition in the field of arts and crafts by the
UNESCO-acknowledged World Craft Council (WCC). This is the first exhibition in Japan of eight groups of nine
contemporary craft artists representing Bornholm Island, featuring furniture, ceramics, jewelry, etc.
The exhibition is curated by jewelry artist KAORI JUZU, who previously moved to the island.
*The exhibition will be held exclusively from October 26th to 28th only. For more information, please visit the
DESIGNART TOKYO 2023 website and related social media platforms.

JAPAN has inherited its DNA

福津が旅からインスピレーションを受け制作した作品によって創り出される、特のヨット内のインテリアに対する概念を

い可能性を示唆したプロトタイプを展示します。Nature Architectと協業した本プロジェクトを通じて、構造・素材・製造におけるデの布が持つ新たな可能性を探求していくプロジェクトです。

を開催します。サンロレンツォの哲学と、に有名な建築家やデザイナーであるピエ@ HOTEL K5

ザインの役割とそれらがどのようにものづくりのプロセスに統合さる「PATTERN STROKE 模様の筆跡」

ルとニーズを尊重したオーダーメイドのモーターヨットを作ってきたサンロレン

あります。

ボーンホルム島のモノづくり

A-POC ABLE ISSEY MIYAKE は今 年のミラノデザインウィーク
にて発 表した同 展を再 編 集し、A-POC ABLE ISSEY MIYAKE /60 年以上にわたり、一人ひとりのスタイ

ツォは、遠く離 れた地 上からも、そのユまった唯一無二の存在は目を惹くものが-Contemporary Danish Crafts-

AOYAMA 、ISSEY MIYAKE GINZA / 442 にて、衣服にとどまらな

FIVE ARTISTS UNDER 30

SPECIAL
ARTICLE

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5

4

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DESIGNART TOKYO 2023
HIGHLIGHTSDESIGNART TOKYO 2023
HIGHLIGHTS

M a p 30

Nobuto Fukutsu
福津宣人

PATTERN STROKE
模様の筆跡@ MA 5 GALLERY
港区南青山5-10-17
10/13 ‒ 11/5
12:00 ‒ 19:00（水曜定休）

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ONLINE CONTENT
The website UI was updated to enhance access to information on each exhibition.
Active information dissemination via SNS and the introduction of a digital stamp rally
were aimed at improving circulation.
The website, renewed last year, underwent a detailed update of the UI to ensure smooth access to the vast amount of exhibitor information.
Continuing from last year, we also strengthened our use of SNS to introduce exhibitors in each area, post information linked to the map
numbers, and share exhibitor information to promote visitation. The entire festival gained momentum this year through a new digital stamp
rally and active communication between exhibitors and visitors.

OFFICIAL WEB SITE
The updates included the exhibitor information, creator and brand profiles, and event information, along with the use of a search function
based on area and tags, and a visitor-friendly UI for easy access to exhibit information of their interest. The slide display of the featured
exhibits and content images on the top page was changed daily to create a visually appealing interface so that visitors could find a new
exhibitor image at each visit to the website.

DESIGNART TOKYO 2023 Event website：Approx.210,334 PV(during the period of 9th Aug – 16th Nov)

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ONLINE CONTENTOFFICIAL SOCIAL MEDIA
DESIGNART TOKYO’s official social media accounts posted information on all exhibitors before the show. We actively shared it throughout
the festival period, providing archived information for each area and introducing media partners, sponsors, and various contents. We also
made posts on actual exhibition sites linked to the map numbers to provide the latest exhibition scenes.
The video interviews with exhibitors on Instagram were revamped this year, which, with clear thumbnails, linkage to the map numbers, andreorganized interview content, led to a significant increase in the number of views. Tagged posts from exhibitors were also disseminated via
stories, also helping the event gain momentum.

(*All figures are results from 9 Aug - 16 Nov)

Instagram （12,860 follower）

Facebook（6,303 follower）

Twitter（1,751 follower）

Reach / Impressions

271,143 / 1,387,006

Impressions

199,169

Impressions

153,852

Feed

220（6,897 Likes）

Feed

220

Feed

200

Story

638

New followers＋64

New followers＋282

New followers＋2,911

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ONLINE CONTENT
Instagram REPORT
Instagram Reports were presented during the festival, with
reporters using Instagram to interview creators directly at
the venue. The interviews with newly added content wererecorded in advance, instead of live-streaming like in thepast, due to the increased number of exhibitors.
This year’s reporters were DESIGNART TOKYO founderAoki, actress and model Yui Ichinose, interior stylist Masato
Kawai, craft producer Hisako Namekata, Mariko Nishimuraof HEART CATCH Inc., art collector Takahiko Azuma, andinterior writer Yoko Dobashi. Directly delivering the voices ofexhibitors through video contributed to a greater
understanding of the creators and their works, and at thesame time, led to a significant increase in the number ofviews.
Instagram REPORT Total reach ：129,570 reachInstagram REPORT Total views：215,179*Instagram REPORT is available in the archive fromDESIGNART TOKYO's official Instagram account(@designart_tokyo).
*The numbers are current as of 17 November.

PR VIDEO
Starting last year, the X-Large exhibition package includes the
production of a PR video in collaboration with DESIGNART
and we made, upon the exhibitor's requests, for example, ateaser video for pre-show announcements, interviews on the
background of the exhibition, etc.
The videos released on social media before the event drew alarge number of viewers, boosting publicity before theexhibition.

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ONLINE CONTENT
GIFT CAMPAIGN
The newly introduced digital stamp rally, in addition to the usual social media hashtag campaign, offered visitors the opportunity to collectdigital stamps from five or more locations by scanning QR codes at each exhibition site and win special prizes in a drawing. The rally
encouraged visitors to make the rounds of multiple exhibits. This initiative helped a variety of visitors casually enjoy the rally including those
who are not comfortable posting hashtags.

Number of digital stamp rally participants
Number of QR codes placed

89 locations

Total number of participants

1,000 people

Gift entries

516 people

Number of Social media posts (#designarttokyo2023)
Instagram＊*Facebook and Twitter were unable to count the number of posts.

Google MAP
A dedicated Google Map linked from the official website with
map numbers assisted visitors in a smooth tour around the venue.
The map also provided access to exhibition information, making
the tour for the festival even more efficient.

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PRESS
Media Coverage：562 articles（newspapers / magazines / websites / radio / SNS）**The numbers are current as of 28th November

Media Partners：22
DESIGNART TOKYO’s PR team has been actively building relationships with various media this year, working with exhibiting creators,
brands, and companies to distribute information through press releases, social media platforms, and a variety of other content channels.
We have had various domestic and international media announce and report on the festival, with as many as 562 media outlets as ofNovember 28, 2023.
The collaborative distribution of special feature articles on UNDER 30 by media partners increased the expectations for the exhibition
before the festival. The timely information distribution including social media postings through various media, by journalists, influencers, anddesigners, as well as DESIGNART TOKYO’s vigorous communication through our official accounts during the festival period, effectively
resulted in continuous promotion to visitors.
The visit of foreign media representatives to Japan this year demonstrated their interest in the Japanese design and art industry. As we
deepened our relationship with highly influential media in interior design and art, we were successfully able to present the latest trends inTokyo’s design and art scene to the world.

Media Partners

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PRESS
Media Listing (Japan)
Bijutsutecho

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Web Magazine AXIS

NuméroSPUR

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FRAME

DezeenPRESSMedia Listing (International)
designboom

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The Japan Times

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PRESS
Media Listing (Printed media)
ONBEAT vol.19
was the main venue, the number of visitors andshoppers of the other venues also increased by

ターですし、誰もやったことのない実験的な試みをしています。

selling portable lighting brand, and AMUAMI,, a new brand born fromtraditional techniques and playfulness led by Yudai Tachikawa, will

し、大阪の文化を活性化できるのかという課題がありました。そこで以したいと思います。世界的に見れば経済成長率や人口増加率が最も高る空間デザイン」という要望を添えて空間構成を依頼しました。それをMAKING DESIGN: TYPE-V Nature Architects project》を再 編 集し、Umeda Main Store reached nearly 10 million yen.

will include world-class brand companies and up-and-coming

participate. The event will also bring together a number of brands and

前より、自らがが起点となって街全体を盛り上げたいという思いを持っいエリアであるアジア各国を横断するプラットフォームをつくり、ワー実現するため、進藤さんは現在廃棄が進んでいるアクリルパーテーショ

衣服にとどまらない可能性を示唆したプロトタイプを展示します。 まDespite the fact that many Japanese have nevercreators and designers.For example, SANLORENZO JAPAN,

designers who are currently attracting attention, including the Italian-ていた「阪急百貨店」と、そうした部分におけるノウハウを持っている

ルドカップやオリンピックのように持ち回り形式で、さまざまな国で開ンを利活用しながら、美しくもエモーショナルなインスタレーションを作たフランスのシャンパーニュメゾン「ペリエ ジュエ」がアーティストデザ

purchased art before, I assume that by providing

DESIGNART TOKYOがタッグを組み、「Osaka Art & Design」を立ち上催し、継続できればと思っています。今年は主要展示として、A NEW

り、空間構成に活かしています。

イナーのフェルナンドラポッセとコラボレーションし、日本初公開とな

opportunities for them to encounter artworks

HORIZONをテーマに、4つの視座から2050年のライフスタイルインテ

そんな進藤さんを輩出したDESIGNART TOKYO恒例の若手クリリアを見据える アジアの未来のスターデザイナーが集結する展示を開

エイター支援プログラム「UNDER 30」では、DESIGNART TOKYOのるSEEDS OF LIFEを展示します。

based designers Kensaku Oshiro andElisa Ossino, who will collaborate andthat can be purchased for less than 100,000 yen

今年はコロナ禍復帰後、初めてのDESIGNART TOKYOになります

present their new works.

©Ronald Smits

げました。おかげさまで阪急の皆さんや、アートギャラリー、インテリア
ショップ、商業施設の協力で盛況のうちに終了することができました。

or artworks that will become like their favorite

Atsushi Shindo, who was selected as

実は、大阪全体でイベントを実施できる組織体はこれまでもあったの催します。また日本には、欧米では経済合理性によって淘汰されしまう

発起人たちが独自の視点で 、30歳以下の将来が期待されるクリエイ

ので出展者数も来場者数も過去最大規模になる見込みです。これまで

interior decoration which they want to keep byですが、10年以上続いたものはありませんので、万博を機に基盤を作っような工芸的なものづくりも、まだ多く残っています。
コロナの影響もあターを5組選出しています。審査の際は特に、国際的に活躍している人

抑えられていた、海外の人々との深い交流や新しい出会いを作っていく

their side, made art familiar to those who wereていき、万博以後も長年続いていくイベントに育てていきたいと思ってり、日本の工芸職人の方々が窮地に立たされていますので、私たちの足を意識しています。特にLeo KodaさんはスイスのECALを卒業後、オラ良い機会になると思います。また大企業の方でも何をどう売り込んでnot.With the Expo attracting attention to Osaka

space composition of the DESIGNART

います。今回、イベントへの総来場者数はのべ88,425人を記録しまし

元にある日本のものづくりに注目してほしいと思います。DESIGNART

ンダのEindhovenにデザインスタジオを構えています。3Dプリントで作

いいかわからないと思っている企業があると思いますが、そういった企

and Kansai, there has been a tremendous

GALLERY. Shindo has been participating

た。エリア周遊型イベントということもあって、遠方から来る方も多かっTOKYOでは、そうした日本の工芸を盛り上げる動きも続けていきたい

成されたオブジェクトをお湯で茹でるという実験的なものづくりをして業のヒントにもなるような、いまだかつてない実験的で野心的な試みをincrease in interest from overseas creators andです。

います。デザインでもありアートでもある横断的なものづくりという意するクリエイターが集まる新発見があるイベントになるはずです。線香companies who want to do something in Japan. I

味では、DESIGNART TOKYOのコンセプトを象徴するクリエイター

花火のように小さな光も、集まることで大きな打ち上げ花火となり、新think it is important to accept that, communicate「DESIGNART TOKYO 2023」では、青山・表参道エリアの主要展

ようなので、街の活性化にかなり貢献できたという感触があります。
「阪

示として「DESIGNART GALLERY」を開 催します。出 展するのは世です。Gala Espelさんは私が選んだ方で、パリと東京を拠点に活動すしい景色を彩ることができます。そんなことが「DESIGNART TOKYO

with people overseas, and use Osaka and Kansai

急うめだ本店」の9階の展示販売エリアでも売上が1000万円近くにの界的なブランド企業や気鋭のクリエーター、デザイナーです。例えばイるフランス人の建築家でありデザイナーです。未来の化石という発想で2023」でできれば良いと思っています。

as a base for making new announcements to the

ぼったとのことです。また、アートを買ったことのない方も日本では多い

タリアの世界的なヨットブランド「SANLORENZO」の日本総代理店「Archaeology of the Future」という作品を制作してます。考古学では一と思いますが、10万円以下で買えるアート作品や、お気に入りのインテ

SANLORENZOJapanは「Paola Lenti」や「MOROSO」といった家具のリアのように身近に置きたくなるようなアート作品に触れる機会を提ハイブランドと組んで新作の発表を行います。またデンマークの大変注供できたので、アートにあまり馴染みのない層への波及効果もあったと目されている家具ブランド「Muuto」も参加します。日本からはポータブ

one of the UNDER 30 in DESIGNART
TOKYO 2021 will be responsible for the

イタリアの至宝ヨットブランド・SANLORENZOin DESIGNART TOKYO every year as a
product designer. He is a designer who
collaborates with local manufacturers
to design unique technologies withsurprisingly unexpected approaches.

Leo Koda／レオコウダ「In Fill Out」

world. In order to enhance these, I would like to

We asked Shindo, who currently works

utilize the experience of DESIGNART TOKYO

Osaka Art & Design｜DESIGNART TOKYO 2023

for the next Osaka Art & Design. Making the
texts bilingual, gathering management staff fromNight Shower／NOBUTO FUKUTSU （ナイトシャワー／福津 宣人）
at MA5 GALLERY by SANLORENZO

to design the space with the requestof a spatial design with surprise . To

Paris and Tokyo. Her work is based on the idea of fossils of the future
called Archaeology of the Future . She is a creator who implements
digital scanning device , which is common in archaeology, as a

ル照明で一番売れているブランド「アンビエンテック」、立川裕大率いOsaka Art & Design was held from May 31 to June 13 this year, withto communicate globally and to activate Osaka's culture. Hankyu

both internal and overseas, and collaborating

achieve this, Shindo utilized acrylic

る伝統技術と 遊び が生んだ新ブランド「Amuami」が参加するほか、

33 galleries and stores from 20 locations mainly in the Umeda area

Department Store, which had always wanted to be the starting point towith foreign companies etc. While exploring

partitions, which are currently being

design tool for her work. Along with Gala Espel and Leo Koda, 21B

discarded, to create a beautiful and

STUDIO, So Tanaka, and Mai Suzuki are all promising creators, andます。それを受け止めて、海外の人々とコミュニケーションを取り、大阪

イタリア拠点のデザイナーである大城健作とエリーザ・オッシノが組ん

関西を拠点に世界に向けて新しい発表をすることが重要だと思います。第二回ではそこを強化するために

会場風景：「Osaka Art & Design 2023」阪急うめだ本店 2023年
Installation view : Osaka Art & Design,Hankyu Department Store Umeda Main Store , 2023

along with Nakanoshima, Temmabashi, Kyomachibori, Honmachi,

enliven the entire city, and DESIGNART TOKYO, which has expertiseand Shinsaibashi. With the Osaka, Kansai Expo scheduled to bein this area, teamed up and launched "Osaka Art & Design".With theheld in 2025, Osaka and the Kansai region were considering how

cooperation of everyone at Hankyu, art galleries, interior stores, andinternational expansion, I would also like tokeep the humor and surprises that are unique toSparks ~Thought Liberation~ was decided
based on the experiences through the COVID-19©Ryohei Maehara

credit: Gavin Green)「DESIGNART TOKYO 2023」のテーマ「Sparks 〜

space composition. In the UNDER 30

The theme for DESIGNART TOKYO 2023,

event was a great success.
As a matter of fact, there

commercial facilities, the

したりできればと思います。
また国際的な展開を模索する一方で、大阪らしさのあるユーモアやサプライズ

emotional installation to use for the

Osaka.

バイリンガルにしたり、運営スタッフを国内外問わず集めたり、外資系の企業と一緒にプロジェクトを実施

have been organizations that

pandemic. As the pandemic overturned our

could hold events throughout

stereotypes, there were things that we realized

Osaka, but none have lasted

and also we were able to return to our nature.

more than 10 years. Therefore

For this year's event, our aim is to create an opportunity to deepen

program, DESIGNART TOKYO s annual

デンマークの家具ブランド「Muuto」

year, which aims to promote cooperation among Asian countries.

思考の解放〜」は、コロナ禍の経験を踏まえて決定し

we would like to use the Expo

communication, which has become increasingly diluted over the past

We would like to take actions to dispel tensions of not only the war

解 放 〜 」を テ ー マ に 開 催 さ れ る 今 年 の 取 組 み と 、D E S I G N A R T の 新 た な 展 開 とし て 今 年 初 め て 大 阪 で 開 催ました。コロナ禍によって私たちは固定観念を覆さ

as an opportunity to build

few years. The theme Sparks ~Thought Liberation~ expresses mybetween Russia and Ukraine, but also the relationship between

れましたが、だからこそ気付けたことや、本質に帰っa foundation and develop

hope that we will gather together the small glimmering lights within

China and Taiwan in Asia. We hope to create a platform across Asianて実行できたことがあると思います。特に今回は、こthis event that will last longpeople and illuminate those around us with the light we gather. Also I

countries, which has the highest rates of economic growth and

DE SIGNA RT TOK YO, one of the la rgest design and a r t fest iva ls in Japan, fe at ures a va r iet y of present at ions of a r t,

こ数年で希薄になってしまったコミュニケーションを

and will continue even after

want to encourage people to express what they believe without giving

population increase in the world and continue this program by holdingより深める機会にしたいと思っています。
「Sparks 〜

the Expo. A total of 88,425

in to peer pressure.The key visual was designed by the computational

this in various countries in rotation similar to the World Cup and the

So Tanaka ／ソウタナカ 「vnsh(ヴァニシュ)」

Gala Espel／ガラ エスペル「Archaeology of the Future」© Hinako Yoshida

開 催 す る 日 本 最 大 級 の デ ザ イン ＆ ア ートフェ ス ティバ ル D E S I G N A R T T O K Y O 。「 S p a r k s 〜 思 考 のdesign, inter ior design, fashion, and other f ields at va r ious venues in Tokyo. A k io Aok i, the president of DE SIGNA RT ,シャンパーニュメゾン「ペリエ ジュエ」。フェルナンド・ラポッセとのコラボレーションを初公開

for a design office as a spatial designer,

思います。万博で大阪関西に注目が集まっている中で、海外のクリエイ
ターや企業が日本で何かやりたいという関心がものすごく高まっていがあるようにもしたいと思っています。

they are experimenting what no one has done before.
At A-POC ABLE ISSEY MIYAKE / AOYAMA and ISSEY MIYAKEGINZA / 442, the THINKING DESIGN, MAKING DESIGN: TYPE-V

support program for young creators, theNature Architects project held at the flagship store ISSEY MIYAKE

founders of DESIGNART TOKYO select/ MILAN in Milan during the Milan Design Week, will be re-edited to

five groups of promising creators underpresent prototypes that suggest possibilities beyond clothing. The

30 on their own unique perspectives. We

French champagne house Maison Perrier-Jouët will collaborate

are especially conscious of those whowith artist-designer Fernando Laposse to present SEEDS OF LIFE,

are active internationally in the judging

which will be exhibited for the first time in Japan.

process.For example, Leo Koda, whoThis year will be the first DESIGNART TOKYO after the COVID-19

graduated from ECAL in Switzerland andpandemic winding down and we are expecting record-high numbers

has a design studio in Eindhoven, theof exhibitors and visitors. It should be a meaningful opportunity to

Netherlands, is an experimental makerinteract with foreigners and to enjoy new encounters which have beenof objects created by 3D printing and boil

suppressed for a while. Also I hope that encountering unprecedented

them in hot water. His transversal way

experimental and ambitious trails by the creators, will provide some

DESIGNART TOKYO 2023
会期：2023年10月20日（金）〜 10月29日（日）
会場：表参道・外苑前・原宿・渋谷・六本木
広尾・銀座・東京※最新情報は公式サイトをご覧ください。

https://designart.jp/designarttokyo2023/

DESIGNART TOKYO 2023

gave a summa r y of this ye a r's event and Osaka A r t & Design, which was held in Osaka for the f irst t ime this ye a r as an

思考の解放〜」というテーマには、人々の中にあるキ

people visited the event thisdesigner, Shoya Dozono. Furthermore, DESIGNART TOKYO has

Olympics.This year, Asia's future star designers will gather and holdof creation which is both design and art

clues for large companies that struggle to decide what and how to

Date: Oct. 21(Fri.), 2023-Oct. 30(Sun.), 2023
Venue: Omotesando , Gaienmae, Harajuku, Shibuya
Roppongi, Hiroo , Ginza, Tokyo

expansion of DE SIGNA RT TOK YO.

ラリとした小さな光を集めて、その集まった光で周り

year. Since it was a round-been promoting a program called Asia Creative Relation since last

the official exhibition under the theme of A NEW HORIZON, which will

represents the concept of DESIGNART

provide their products to the market. When a small spark of a sparkler

https://designart.jp/designarttokyo2023/の人々を照らしていきたい、そして同調圧力に臆する

tour event, many people
左：DESIGNARTGALLERYの空間デザインを手掛ける進藤 篤
右：「ASIACREATIVERELATION」ゲストキュレーター「Design Anthology」編集長Suzy Annetta

ことなく自分の信じたことを発揮してほしいという思104

Muuto, a Danish furniture brand that is attracting a lot of attention, will
also participate in the exhibition. From Japan, Ambientec, the best-

Omotesando area of DESIGNART TOKYO 2023. Exhibitors

DESIGNART TOKYOの経験を活かして、テキストをさ れ た イベ ント O s a k a A r t & D e s i g n の 総 括 を 、代 表 の 青 木 昭 夫 氏 が 語 っ た 。

such as Paola Lenti and MOROSO to present their new products.

DESIGNART GALLERY will be the official exhibition in the Aoyama/

sales of the exhibition on the 9th floor of Hankyu

Sparks ~Thought Liberation~

ア ート 、デ ザ イン、イン テ リ ア、フ ァ ッ シ ョン な ど が 、東 京 都 内 各 所 で 多 彩 な プ レ ゼ ン テ ー シ ョン を

the official Japanesedistributor of the Italian premium yacht brand
SANLORENZO will be teaming up with high quality furniture brands

Japanese craftsmen are in a tough situation due to COVID-19, so
I want to draw attention to them. I hope that DESIGNART TOKYO
will continue its efforts to promote Japanese craftsmanship.

contribution to the revitalization of the city.The

旗 艦店「ISSEY MIYAKE / MILAN」で開催した《THINKING DESIGN,DESIGNART TOKYO 2023
Sparks 〜思考の解放〜

perspectives.

GINZA / 442」の会場では、ミラノデザインウィーク開催期間中ミラノの©shotaro tokiok

DESIGNART TOKYObe looking into the lifestyle interior design in 2050 from four different

several dozen people per day during the event.
This made me feel that the event made a huge

また「A-POC ABLE ISSEY MIYAKE / AOYAMA、ISSEY MIYAKE

術を驚きのある意外なアプローチでデザインする方です。そこで現在は
空間デザインをするデザイン事務所に勤務する進藤さんに、「驚きのあ© Gala Espel＆along with Hankyu Umeda Main Store, whichているクリエイターです。Gala Espelさん、Leo Kodaさんを筆頭に21B
STUDIO、ソウ タナカ、鈴木舞の５名はいずれも将来有望なクリエイで参加してきました。地方のメーカーとコラボレーションして、独自の技

ら進めています。ロシア・ウクライナ戦争のみならず、アジアでは中国と台湾の緊張状態が続いていますので、その緊張を払拭できる活動をたですし、イベントの中心地である「阪急うめだ本店」以外のスペースで

2023

OSAKA Art ＆ Design

般的な「デジタルスキャン装置」をデザインツールとして導入して制作しに会します。そんな「DESIGNART GALLERY」の空間構成を行うのは、す。実は、進藤さんはDESIGNART TOKYOに毎年プロダクトデザイン

いを込めました。キービジュアルはコンピュテーショナルデザインの堂りました。もともと大阪ならびに関西エリアには、2025年に大阪・関西万博が控えていることもあり、世界に向けてどのような情報を発信

も、イベント期間中は入場者、入店者が、通常よりも一日数十人増えた
会場風景：「Osaka Art & Design 2023」阪急うめだ本店 2023年
Installation view : Osaka Art & Design,Hankyu Department Store Umeda Main Store

で新作を発表するなど、今注目されているブランドやデザイナーが一堂「DESIGNART TOKYO 2021」で「UNDER 30」に選ばれた進藤篤さんで園翔矢さんがデザインしました。またDESIGNART TOKYOでは、アジアの連携をはかる「Asia Creative Relation」というプログラムを去年か「Osaka Art & Design」は今年の5月31日から6月13日に行われ、梅田エ©sanlorenzo

Osaka Art & Design ｜DESIGNART TOKYO 2023

リアを中心に、中之島・天満橋・京町堀・本町・心斎橋の各エリアより20箇所33プログラムのギャラリーやショップが参加したイベントとな

聞き手・構成・文 = 藤田博孝
interview・edit: Hirotaka FUJITA

Osa ka A r t & Desig n ＆ DES IGNA RT TOK YO

105

ELLE DECO Design walk 2023 tabloid

Radio【 Programme overview 】
Programme name: DIG UP!
Broadcast date: Thursday 19th October 18:50-19:00
Navigator: Takumi Fujita【 Programme overview 】
Programme name: GOOD NEIGHBORS
Broadcast date: Thursday 19th October 13:00-16:00
Navigator: Chris Tomoko

106

Osa ka A r t & Desig n ＆ DES IGNA RT TOK YOTOKYO.Gala Espel, who I selected, is a
21B STUDIO／トゥーワンビースタジオ「ink couture project」

came from far away, andOsa ka A r t & Desig n ＆ DES IGNA RT TOK YO

107

108

Mai Suzuki／鈴木舞 「未知を組む組子」

French architect and designer based in

Osa ka A r t & Desig n ＆ DES IGNA RT TOK YO

Tokyo Midtown DESIGN TOUCH*Check website for the latest Information

gathers together, it becomes big fireworks and creates a new colorfulview. That is how I want DESIGNART TOKYO 2023 to be.

Osa ka A r t & Desig n ＆ DES IGNA RT TOK YO

109

tdesign & art festival 2023w
designart.jp/designarttokyo2023/m
info@designart.jp

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