OCCUPANT FONTS

LoupotIn 1938, French designer Charles Loupot drew a groundbreaking
logotype to promote St. Raphaël aperitif wine. Half a century
later, the logo inspired New York designer and illustrator Laurie
Rosenwald to work with Cyrus Highsmith on expanding it into atypeface. At once industrial and calligraphic, Loupot is one of thefew scripts that offers a successful all-caps setting.

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Loupot1 style total
Designed by Cyrus Highsmith & Laurie Rosenwald
Published 1998–2018

OCCUPANT FONTSDISFORMS CZARISTS COSMODROMESINECURE POUTINGS GUSSETEDMILLOCRAT BLESBOKS CHEAPEN
FLAWN PENNINITE CHIMB PUNDITCONCEPTI FUNNEL TAUTENING
STANDEE FUSUS SCUTCHERSRAPLOCHS CONJECTED AACHEN PERONCOLEUS RAIN-TREE CELERIACS
LOUPOT BOLD

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OCCUPANT FONTS

disforms czarists cosmodrome sinecure
poutings gusseted millocrat blesboks cheapen
flawn penninite chimb pundit concepti funnel
tautening standee fusus scutchers raplochs
conjected aachen peron coleus rain-treeceleriacs basher organizers antinomy begones
lavendered skying shanked survivanceencoloured greenhands snabbled toughie
LOUPOT BOLD

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OCCUPANT FONTS

LOUPOT BOLD 24/26 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truth is,
if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers clarify the voice of theauthor and make the reading experience more enjoyable. This isn’t meant to discourage
beginners from attempting typography. But it is important to acknowledge that the artof typography is often subtle, and without training it can be difficult to see what’s goingon. The goal of this book is to help students train their eyes to see text as typographers
do. The focus of this text is on the Latin alphabet (which is the alphabet used for English)
and Latin typography. Of course, there are many other writing systems in use in ourworld. There are other alphabetic systems like Greek, Hebrew and Arabic. There aresyllabic systems like Hangul, used for the Korean language. There are logographic
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OCCUPANT FONTS

Cyrus Highsmith
Cyrus is a letter drawer, teacher, author, and graphic artist. He
teaches type design at Rhode Island School of Design (RISD). He
wrote and illustrated the acclaimed primer Inside Paragraphs:
Typographic Fundamentals. In 2015, he received the GerritNoordzij Prize for extraordinary contributions to the fields oftype design, typography, and type education. In 2017, he became
Creative Director for Latin Type Development at Morisawa
USA. He goes to bed very early.

contact
Morisawa USA Inc.
https://www.morisawa-usa.com /Laurie Rosenwald
Painter, author, principal of rosenworld, a design studio.
Actually there is no studio, Miss Rosenwald usually works alone,
and rosenworld doesn’t exist. In spite of this, rosenworld.com
was launched in 1995. She’s done many, many drawings forThe New Yorker magazine, The New York Times, and other finepublications. Draws circles around other people that can draw
circles.

Antenna is trademark of Morisawa Inc.

Occupant Fonts
Founded by Cyrus Highsmith in 2015, Occupant Fonts isrelatively young compared to his 20+ years of experience as a
type designer. We joined Morisawa in 2017 to be the Japanesetype company’s Latin alphabet counterpart. We focus ondeveloping original typefaces.

Please use this document for evaluation purposes only.

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licensing & information about character sets
https://occupant.typenetwork.com/
copyright©2019 Morisawa Inc. All rights reservered.

The text used in the paragraph showings is from
Inside Paragraphs: Typographic Fundamentals©2012 Cyrus Highsmith
Words in the headline showings were generated
with help from Nina Stössinger’s mighty Word-o-Mat.