OCCUPANT FONTS

Stainless 2
Stainless was originally derived from Cyrus Highsmith’s slab
serif, Dispatch. It began as a simple experiment but evolved
into its own series. It’s been used in headlines and pull quotes
in publications around the world from Señor Fútbol to the WallStreet Journal. Cem Eskinazi assisted with its re-release as
Stainless 2.

Stainless 2 Extended
Stainless 2 Wide
Stainless 2
Stainless 2 Condensed
Stainless 2 Compressed
50 styles total
Designed by Cyrus Highsmith
Published 1999–2023

www.occupantfonts.com

OCCUPANT FONTS

FLUID ONEBIRD WELTSTEREO HIACTION MA
ISOPROPYLSTAINLESS 2 EXTENDED BOLDSTAINLESS 2 EXTENDED SEMIBOLD

STAINLESS 2 EXTENDED REGULARSTAINLESS 2 EXTENDED LIGHT

STAINLESS 2 EXTENDED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

FLUID ONEBIRD WELTSTEREO HIACTION MA
ISOPROPYLSTAINLESS 2 EXTENDED BOLD ITALICSTAINLESS 2 EXTENDED SEMIBOLD ITALICSTAINLESS 2 EXTENDED ITALICSTAINLESS 2 EXTENDED LIGHT ITALICSTAINLESS 2 EXTENDED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

fluid indexes
bird weights
stereo hired
action visionaced isopropyl
STAINLESS 2 EXTENDED BOLDSTAINLESS 2 EXTENDED SEMIBOLD

STAINLESS 2 EXTENDED REGULARSTAINLESS 2 EXTENDED LIGHT

STAINLESS 2 EXTENDED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

fluid indexes
bird weights
stereo hired
action visionaced isopropyl
STAINLESS 2 EXTENDED BOLD ITALICSTAINLESS 2 EXTENDED SEMIBOLD ITALICSTAINLESS 2 EXTENDED ITALICSTAINLESS 2 EXTENDED LIGHT ITALICSTAINLESS 2 EXTENDED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTENDED EXTRALIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers areexperts who have something to add to the reading
experience. They finely tune the typography
STAINLESS 2 EXTENDED LIGHT 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting application andyou just leave the settings on default, you can set
type that’s more or less adequate. However, good
typographers are experts who have something
to add to the reading experience. They finely

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTENDED REGULAR 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting application andyou just leave the settings on default, you can
set type that’s more or less adequate. However,good typographers are experts who havesomething to add to the reading experience.
STAINLESS 2 EXTENDED SEMIBOLD 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting applicationand you just leave the settings on default, you
can set type that’s more or less adequate.
However, good typographers are experts
who have something to add to the readingwww.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTENDED BOLD 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces
to choose from than ever before, andcomputers make setting type easier thanever. The truth is, if you’re using a goodtypesetting application and you just leave
the settings on default, you can set type
that’s more or less adequate. However,good typographers are experts who have
STAINLESS 2 EXTENDED EXTRALIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers areexperts who have something to add to the reading
experience. They finely tune the typography

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTENDED LIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting application andyou just leave the settings on default, you can set
type that’s more or less adequate. However, good
typographers are experts who have something
to add to the reading experience. They finely
STAINLESS 2 EXTENDED ITALIC 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting application andyou just leave the settings on default, you can
set type that’s more or less adequate. However,good typographers are experts who havesomething to add to the reading experience.

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTENDED SEMIBOLD ITALIC 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces to choose
from than ever before, and computers makesetting type easier than ever. The truth is, if
you’re using a good typesetting applicationand you just leave the settings on default, you
can set type that’s more or less adequate.
However, good typographers are experts
who have something to add to the reading
STAINLESS 2 EXTENDED BOLD ITALIC 18/20 POINTS

We live in a typographic wonderland.
Typographers have more typefaces
to choose from than ever before, andcomputers make setting type easier thanever. The truth is, if you’re using a goodtypesetting application and you just leave
the settings on default, you can set type
that’s more or less adequate. However,good typographers are experts who havewww.occupantfonts.com

OCCUPANT FONTS

CONE HULKASTROLOGYSANTA GEEKROOM PSALM
MANIC GRAD
STAINLESS 2 WIDE BOLDSTAINLESS 2 WIDE SEMIBOLD

STAINLESS 2 WIDE REGULARSTAINLESS 2 WIDE LIGHT

STAINLESS 2 WIDE EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

CONE HULKASTROLOGYSANTA GEEKROOM PSALM
MANIC GRAD
STAINLESS 2 WIDE BOLD ITALICSTAINLESS 2 WIDE SEMIBOLD ITALICSTAINLESS 2 WIDE ITALICSTAINLESS 2 WIDE LIGHT ITALICSTAINLESS 2 WIDE EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

cone hulk pits
astrology one
santa geek cat
rooming psalm
manic graduate
STAINLESS 2 WIDE BOLDSTAINLESS 2 WIDE SEMIBOLD

STAINLESS 2 WIDE REGULARSTAINLESS 2 WIDE LIGHT

STAINLESS 2 WIDE EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

cone hulk pits
astrology one
santa geek cat
rooming psalm
manic graduate
STAINLESS 2 WIDE BOLD ITALICSTAINLESS 2 WIDE SEMIBOLD ITALICSTAINLESS 2 WIDE ITALICSTAINLESS 2 WIDE LIGHT ITALICSTAINLESS 2 WIDE EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 WIDE EXTRALIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers havemore typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truthis, if you’re using a good typesetting application and you
just leave the settings on default, you can set type that’smore or less adequate. However, good typographers
are experts who have something to add to the reading
experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their
STAINLESS 2 WIDE LIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers havemore typefaces to choose from than ever before, andcomputers make setting type easier than ever. The
truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can
set type that’s more or less adequate. However, good
typographers are experts who have something to
add to the reading experience. They finely tune thetypography for specific documents to make it more

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 WIDE REGULAR 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The
truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can
set type that’s more or less adequate. However, good
typographers are experts who have something to
add to the reading experience. They finely tune thetypography for specific documents to make it more
STAINLESS 2 WIDE SEMIBOLD 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers
are experts who have something to add to thereading experience. They finely tune the typography

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 WIDE BOLD 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers areexperts who have something to add to the reading
experience. They finely tune the typography
STAINLESS 2 WIDE EXTRALIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers havemore typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truthis, if you’re using a good typesetting application and you
just leave the settings on default, you can set type that’smore or less adequate. However, good typographers
are experts who have something to add to the reading
experience. They finely tune the typography for specificdocuments to make it more than just adequate. In theirwww.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 WIDE LIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers havemore typefaces to choose from than ever before, andcomputers make setting type easier than ever. The
truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can
set type that’s more or less adequate. However, good
typographers are experts who have something to
add to the reading experience. They finely tune thetypography for specific documents to make it more
STAINLESS 2 WIDE ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The
truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can
set type that’s more or less adequate. However, good
typographers are experts who have something to
add to the reading experience. They finely tune thetypography for specific documents to make it more

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 WIDE SEMIBOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers
are experts who have something to add to thereading experience. They finely tune the typography
STAINLESS 2 WIDE BOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers
have more typefaces to choose from than everbefore, and computers make setting type easierthan ever. The truth is, if you’re using a goodtypesetting application and you just leave thesettings on default, you can set type that’s moreor less adequate. However, good typographers areexperts who have something to add to the reading
experience. They finely tune the typography

www.occupantfonts.com

OCCUPANT FONTSSTRAITED DUCKS
OLITORIES FAIREDZONATED CONDONEATTORNMENT HAG
ENAMELS CLUNKER
STAINLESS 2 BOLDSTAINLESS 2 SEMIBOLD

STAINLESS 2 REGULARSTAINLESS 2 LIGHT

STAINLESS 2 EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTSSTRAITED DUCKS
OLITORIES FAIREDZONATED CONDONEATTORNMENT HAG
ENAMELS CLUNKER
STAINLESS 2 BOLD ITALICSTAINLESS 2 SEMIBOLD ITALICSTAINLESS 2 ITALICSTAINLESS 2 LIGHT ITALICSTAINLESS 2 EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

straited dichroic two
olitories air staddles
zonated condoles salt
attornment hardheads
enamels clunk captain
STAINLESS 2 BOLDSTAINLESS 2 SEMIBOLD

STAINLESS 2 REGULARSTAINLESS 2 LIGHT

STAINLESS 2 EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

straited dichroic two
olitories air staddles
zonated condoles salt
attornment hardheads
enamels clunk captain
STAINLESS 2 BOLD ITALICSTAINLESS 2 SEMIBOLD ITALICSTAINLESS 2 ITALICSTAINLESS 2 LIGHT ITALICSTAINLESS 2 EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTRALIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truth is,
if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voiceof the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge
STAINLESS 2 LIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truthis, if you’re using a good typesetting application and you just leave the settings ondefault, you can set type that’s more or less adequate. However, good typographers
are experts who have something to add to the reading experience. They finely
tune the typography for specific documents to make it more than just adequate.
In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience moreenjoyable. This isn’t meant to discourage beginners from attempting typography.

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 REGULAR 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier than ever.
The truth is, if you’re using a good typesetting application and you just leave thesettings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience.
They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point
size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners
STAINLESS 2 SEMIBOLD 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier thanever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate.
However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of theauthor and make the reading experience more enjoyable. This isn’t meant

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 BOLD 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something to
add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify
the voice of the author and make the reading experience more enjoyable.
STAINLESS 2 EXTRALIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truth is,
if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voiceof the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 LIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truthis, if you’re using a good typesetting application and you just leave the settings ondefault, you can set type that’s more or less adequate. However, good typographers
are experts who have something to add to the reading experience. They finely
tune the typography for specific documents to make it more than just adequate.
In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience moreenjoyable. This isn’t meant to discourage beginners from attempting typography.
STAINLESS 2 ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier than ever.
The truth is, if you’re using a good typesetting application and you just leave thesettings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience.
They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point
size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 SEMIBOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier thanever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate.
However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of theauthor and make the reading experience more enjoyable. This isn’t meant
STAINLESS 2 BOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something to
add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify
the voice of the author and make the reading experience more enjoyable.

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 EXTRALIGHT 10/12 POINTSSTAINLESS 2 LIGHT 10/12 POINTSSTAINLESS 2 EXTRALIGHT ITALIC 10/12 POINTSSTAINLESS 2 LIGHT ITALIC 10/12 POINTS

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something
to add to the reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners fromattempting typography. But it is important to acknowledge that the artof typography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latinalphabet (which is the alphabet used for English) and Latin typography.

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something
to add to the reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners fromattempting typography. But it is important to acknowledge that the artof typography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latinalphabet (which is the alphabet used for English) and Latin typography.

www.occupantfonts.com

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting typeeasier than ever. The truth is, if you’re using a good typesetting
application and you just leave the settings on default, you can set type
that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely
tune the typography for specific documents to make it more than justadequate. In their choice of typefaces and decisions about things likepoint size and spacing, typographers clarify the voice of the author
and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is importantto acknowledge that the art of typography is often subtle, and without
training it can be difficult to see what’s going on. The goal of this book
is to help students train their eyes to see text as typographers do. The
focus of this text is on the Latin alphabet (which is the alphabet used

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting typeeasier than ever. The truth is, if you’re using a good typesetting
application and you just leave the settings on default, you can set type
that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely
tune the typography for specific documents to make it more than justadequate. In their choice of typefaces and decisions about things likepoint size and spacing, typographers clarify the voice of the author
and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is importantto acknowledge that the art of typography is often subtle, and without
training it can be difficult to see what’s going on. The goal of this book
is to help students train their eyes to see text as typographers do. The
focus of this text is on the Latin alphabet (which is the alphabet used

OCCUPANT FONTS

STAINLESS 2 REGULAR 10/12 POINTSSTAINLESS 2 SEMIBOLD 10/12 POINTSSTAINLESS 2 ITALIC 10/12 POINTSSTAINLESS 2 SEMIBOLD ITALIC 10/12 POINTS

We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading
experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers
clarify the voice of the author and make the reading experience moreenjoyable. This isn’t meant to discourage beginners from attempting
typography. But it is important to acknowledge that the art oftypography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train
their eyes to see text as typographers do. The focus of this text is on

We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading
experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers
clarify the voice of the author and make the reading experience moreenjoyable. This isn’t meant to discourage beginners from attempting
typography. But it is important to acknowledge that the art oftypography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train
their eyes to see text as typographers do. The focus of this text is onwww.occupantfonts.com

We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to thereading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice oftypefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage
beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, andwithout training it can be difficult to see what’s going on. The
goal of this book is to help students train their eyes to see text as
We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to thereading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice oftypefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage
beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, andwithout training it can be difficult to see what’s going on. The
goal of this book is to help students train their eyes to see text as

OCCUPANT FONTS

STAINLESS 2 BOLD 10/12 POINTS

We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using agood typesetting application and you just leave the settings ondefault, you can set type that’s more or less adequate. However,good typographers are experts who have something to add tothe reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In theirchoice of typefaces and decisions about things like point sizeand spacing, typographers clarify the voice of the author andmake the reading experience more enjoyable. This isn’t meant
to discourage beginners from attempting typography. But it isimportant to acknowledge that the art of typography is often
subtle, and without training it can be difficult to see what’s goingon. The goal of this book is to help students train their eyes
STAINLESS 2 BOLD ITALIC 10/12 POINTS

We live in a typographic wonderland. Typographers have more
typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using agood typesetting application and you just leave the settings ondefault, you can set type that’s more or less adequate. However,good typographers are experts who have something to add tothe reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In theirchoice of typefaces and decisions about things like point sizeand spacing, typographers clarify the voice of the author andmake the reading experience more enjoyable. This isn’t meant
to discourage beginners from attempting typography. But it isimportant to acknowledge that the art of typography is often
subtle, and without training it can be difficult to see what’s goingon. The goal of this book is to help students train their eyeswww.occupantfonts.com

OCCUPANT FONTS

MOTORISTS STEPWISE
LITHISTIDS REASSURINGFRAISING INTERLINE POSTFEATHERY CARA TELEGRAMSKETCHES HORRORS PRESUMESTAINLESS 2 CONDENSED BOLDSTAINLESS 2 CONDENSED SEMIBOLD

STAINLESS 2 CONDENSED REGULARSTAINLESS 2 CONDENSED LIGHT

STAINLESS 2 CONDENSED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

MOTORISTS STEPWISE
LITHISTIDS REASSURINGFRAISING INTERLINE POSTFEATHERY CARA TELEGRAMSKETCHES HORRORS PRESUMESTAINLESS 2 CONDENSED BOLD ITALICSTAINLESS 2 CONDENSED SEMIBOLD ITALICSTAINLESS 2 CONDENSED ITALICSTAINLESS 2 CONDENSED LIGHT ITALICSTAINLESS 2 CONDENSED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

motorists stepwise clip
lithistids reassuring kid
fraising interline posaunes
feathery cara tachograms northsketches horrors presumed super
STAINLESS 2 CONDENSED BOLDSTAINLESS 2 CONDENSED SEMIBOLD

STAINLESS 2 CONDENSED REGULARSTAINLESS 2 CONDENSED LIGHT

STAINLESS 2 CONDENSED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

motorists stepwise clip
lithistids reassuring kid
fraising interline posaunes
feathery cara tachograms northsketches horrors presumed super
STAINLESS 2 CONDENSED BOLD ITALICSTAINLESS 2 CONDENSED SEMIBOLD ITALICSTAINLESS 2 CONDENSED ITALICSTAINLESS 2 CONDENSED LIGHT ITALICSTAINLESS 2 CONDENSED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED EXTRALIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it can be difficult to see what’s going on. The goal ofthis book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (whichis the alphabet used for English) and Latin typography. Of course, there are many other writing systems in use in our world. There
STAINLESS 2 CONDENSED LIGHT 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents tomake it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography isoften subtle, and without training it can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED REGULAR 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience. They finely tune thetypography for specific documents to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography.
But it is important to acknowledge that the art of typography is often subtle, and without training it canbe difficult to see what’s going on. The goal of this book is to help students train their eyes to see text as
STAINLESS 2 CONDENSED SEMIBOLD 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default, you can set type that’s moreor less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable.
This isn’t meant to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it can be difficult

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED BOLD 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose fromthan ever before, and computers make setting type easier than ever. The truth is, if you’reusing a good typesetting application and you just leave the settings on default, you can
set type that’s more or less adequate. However, good typographers are experts who havesomething to add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of the author andmake the reading experience more enjoyable. This isn’t meant to discourage beginners
from attempting typography. But it is important to acknowledge that the art of typography
STAINLESS 2 CONDENSED EXTRALIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers makesetting type easier than ever. The truth is, if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it can be difficult to see what’s going on. The goal ofthis book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (whichis the alphabet used for English) and Latin typography. Of course, there are many other writing systems in use in our world. There

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED LIGHT ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents tomake it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography isoften subtle, and without training it can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet
STAINLESS 2 CONDENSED ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience. They finely tune thetypography for specific documents to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography.
But it is important to acknowledge that the art of typography is often subtle, and without training it canbe difficult to see what’s going on. The goal of this book is to help students train their eyes to see text as

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED SEMIBOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default, you can set type that’s moreor less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable.
This isn’t meant to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it can be difficult
STAINLESS 2 CONDENSED BOLD ITALIC 18/20 POINTS

We live in a typographic wonderland. Typographers have more typefaces to choose fromthan ever before, and computers make setting type easier than ever. The truth is, if you’reusing a good typesetting application and you just leave the settings on default, you can
set type that’s more or less adequate. However, good typographers are experts who havesomething to add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of the author andmake the reading experience more enjoyable. This isn’t meant to discourage beginners
from attempting typography. But it is important to acknowledge that the art of typography

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 CONDENSED EXTRALIGHT 10/12 POINTS +20 TRACKINGSTAINLESS 2 CONDENSED LIGHT 10/12 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default, you can set type that’s moreor less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t
meant to discourage beginners from attempting typography. But it is important to acknowledge thatthe art of typography is often subtle, and without training it can be difficult to see what’s going on. The
goal of this book is to help students train their eyes to see text as typographers do. The focus of thistext is on the Latin alphabet (which is the alphabet used for English) and Latin typography. Of course,
there are many other writing systems in use in our world. There are other alphabetic systems like
Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There
are logographic systems like Chinese. The rules for Latin typography might not apply to these otherwriting systems. This doesn’t mean that our typographic insights are limited to English. Variants of theWe live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using agood typesetting application and you just leave the settings on default, you can set type that’smore or less adequate. However, good typographers are experts who have something to add
to the reading experience. They finely tune the typography for specific documents to make it
more than just adequate. In their choice of typefaces and decisions about things like point sizeand spacing, typographers clarify the voice of the author and make the reading experience
more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it
is important to acknowledge that the art of typography is often subtle, and without training
it can be difficult to see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latin alphabet (which isthe alphabet used for English) and Latin typography. Of course, there are many other writing
systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic.
There are syllabic systems like Hangul, used for the Korean language. There are logographic
systems like Chinese. The rules for Latin typography might not apply to these other writing

STAINLESS 2 CONDENSED EXTRALIGHT ITALIC 10/12 POINTS +20 TRACKINGSTAINLESS 2 CONDENSED LIGHT ITALIC 10/12 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using a goodtypesetting application and you just leave the settings on default, you can set type that’s moreor less adequate. However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents to make it more thanjust adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t
meant to discourage beginners from attempting typography. But it is important to acknowledge thatthe art of typography is often subtle, and without training it can be difficult to see what’s going on. The
goal of this book is to help students train their eyes to see text as typographers do. The focus of thistext is on the Latin alphabet (which is the alphabet used for English) and Latin typography. Of course,
there are many other writing systems in use in our world. There are other alphabetic systems like
Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There
are logographic systems like Chinese. The rules for Latin typography might not apply to these otherwriting systems. This doesn’t mean that our typographic insights are limited to English. Variants of thewww.occupantfonts.com

We live in a typographic wonderland. Typographers have more typefaces to choose from thanever before, and computers make setting type easier than ever. The truth is, if you’re using agood typesetting application and you just leave the settings on default, you can set type that’smore or less adequate. However, good typographers are experts who have something to add
to the reading experience. They finely tune the typography for specific documents to make it
more than just adequate. In their choice of typefaces and decisions about things like point sizeand spacing, typographers clarify the voice of the author and make the reading experience
more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it
is important to acknowledge that the art of typography is often subtle, and without training
it can be difficult to see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latin alphabet (which isthe alphabet used for English) and Latin typography. Of course, there are many other writing
systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic.
There are syllabic systems like Hangul, used for the Korean language. There are logographic
systems like Chinese. The rules for Latin typography might not apply to these other writing

OCCUPANT FONTS

STAINLESS 2 CONDENSED REGULAR 10/12 POINTS +20 TRACKINGSTAINLESS 2 CONDENSED SEMIBOLD 10/12 POINTS +20 TRACKINGSTAINLESS 2 CONDENSED ITALIC 10/12 POINTS +20 TRACKINGSTAINLESS 2 CONDENSED SEMIBOLD ITALIC 10/12 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truth is,
if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voiceof the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge
that the art of typography is often subtle, and without training it can be difficult to see
what’s going on. The goal of this book is to help students train their eyes to see text as
typographers do. The focus of this text is on the Latin alphabet (which is the alphabet
used for English) and Latin typography. Of course, there are many other writing
systems in use in our world. There are other alphabetic systems like Greek, Hebrew andArabic. There are syllabic systems like Hangul, used for the Korean language. There

We live in a typographic wonderland. Typographers have more typefaces to choose
from than ever before, and computers make setting type easier than ever. The truth is,
if you’re using a good typesetting application and you just leave the settings on default,
you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voiceof the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge
that the art of typography is often subtle, and without training it can be difficult to see
what’s going on. The goal of this book is to help students train their eyes to see text as
typographers do. The focus of this text is on the Latin alphabet (which is the alphabet
used for English) and Latin typography. Of course, there are many other writing
systems in use in our world. There are other alphabetic systems like Greek, Hebrew andArabic. There are syllabic systems like Hangul, used for the Korean language. There

www.occupantfonts.com

We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier thanever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate.
However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of theauthor and make the reading experience more enjoyable. This isn’t meant
to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it
can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the
Latin alphabet (which is the alphabet used for English) and Latin typography.
Of course, there are many other writing systems in use in our world. There are
We live in a typographic wonderland. Typographers have more typefaces tochoose from than ever before, and computers make setting type easier thanever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate.
However, good typographers are experts who have something to add to thereading experience. They finely tune the typography for specific documents
to make it more than just adequate. In their choice of typefaces and decisions
about things like point size and spacing, typographers clarify the voice of theauthor and make the reading experience more enjoyable. This isn’t meant
to discourage beginners from attempting typography. But it is important toacknowledge that the art of typography is often subtle, and without training it
can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the
Latin alphabet (which is the alphabet used for English) and Latin typography.
Of course, there are many other writing systems in use in our world. There are

OCCUPANT FONTS

STAINLESS 2 CONDENSED BOLD 10/12 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something
to add to the reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners
from attempting typography. But it is important to acknowledge that theart of typography is often subtle, and without training it can be difficult
to see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latinalphabet (which is the alphabet used for English) and Latin typography.
STAINLESS 2 CONDENSED BOLD ITALIC 10/12 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces
to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application andyou just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something
to add to the reading experience. They finely tune the typography forspecific documents to make it more than just adequate. In their choiceof typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners
from attempting typography. But it is important to acknowledge that theart of typography is often subtle, and without training it can be difficult
to see what’s going on. The goal of this book is to help students train theireyes to see text as typographers do. The focus of this text is on the Latinalphabet (which is the alphabet used for English) and Latin typography.

www.occupantfonts.com

OCCUPANT FONTS

INLOCKS LAVOLTA HARPERSKREASOTES MERELLS IMPUTATELIFETIMES QUONKS DISMANTLER TANGLEHOOKWORMS SYNDICATES TWIN-TUBS ENCOURAGER
BIOHAZARDS SOLONETZ JERSIAN TAMANDU PERIBOLOI OUTFLOW
STAINLESS 2 COMPRESSED BOLDSTAINLESS 2 COMPRESSED SEMIBOLD

STAINLESS 2 COMPRESSED REGULARSTAINLESS 2 COMPRESSED LIGHT

STAINLESS 2 COMPRESSED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

INLOCKS LAVOLTA HARPERSKREASOTES MERELLS IMPUTATELIFETIMES QUONKS DISMANTLER TANGLEHOOKWORMS SYNDICATES TWIN-TUBS ENCOURAGER
BIOHAZARDS SOLONETZ JERSIAN TAMANDU PERIBOLOI OUTFLOW
STAINLESS 2 COMPRESSED BOLD ITALICSTAINLESS 2 COMPRESSED SEMIBOLD ITALICSTAINLESS 2 COMPRESSED ITALICSTAINLESS 2 COMPRESSED LIGHT ITALICSTAINLESS 2 COMPRESSED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

inlocks lavolta harpers mops
kreasotes merells imputation madlifetimes quonks dismantler tangleweed
hookworms syndicates twin-tubs encourager steep
biohazards solonetz jersian tamandu periboloi outflow martinets
STAINLESS 2 COMPRESSED BOLDSTAINLESS 2 COMPRESSED SEMIBOLD

STAINLESS 2 COMPRESSED REGULARSTAINLESS 2 COMPRESSED LIGHT

STAINLESS 2 COMPRESSED EXTRALIGHT

www.occupantfonts.com

OCCUPANT FONTS

inlocks lavolta harpers mops
kreasotes merells imputation madlifetimes quonks dismantler tangleweed
hookworms syndicates twin-tubs encourager steep
biohazards solonetz jersian tamandu periboloi outflow martinets
STAINLESS 2 COMPRESSED BOLD ITALICSTAINLESS 2 COMPRESSED SEMIBOLD ITALICSTAINLESS 2 COMPRESSED ITALICSTAINLESS 2 COMPRESSED LIGHT ITALICSTAINLESS 2 COMPRESSED EXTRALIGHT ITALIC

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 COMPRESSED EXTRALIGHT 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing, typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet used for English) and Latin typography.
Of course, there are many other writing systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There are
logographic systems like Chinese. The rules for Latin typography might not apply to these other writing systems. This doesn’t mean that our typographic insights are limited to English. Variants of the Latin alphabet areused all around the world to write hundreds of different languages. These include Roman languages like French, Spanish and Italian; Germanic languages like English, Dutch and German; Celtic languages like Irish andWelsh; Slavic languages like Czech and Polish; and many others. Some of these languages use characters that are not used in English, like the Danish Ø or the German ß. Or characters might be dropped, like the K in
STAINLESS 2 COMPRESSED LIGHT 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easier than ever. The truth is, if
you’re using a good typesetting application and you just leave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to see
what’s going on. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet used
for English) and Latin typography. Of course, there are many other writing systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic. There
are syllabic systems like Hangul, used for the Korean language. There are logographic systems like Chinese. The rules for Latin typography might not apply to these other writing
systems. This doesn’t mean that our typographic insights are limited to English. Variants of the Latin alphabet are used all around the world to write hundreds of different

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 COMPRESSED REGULAR 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application and you just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something to add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing, typographers
clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant to discourage beginners from attempting
typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to see what’s goingon. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which isthe alphabet used for English) and Latin typography. Of course, there are many other writing systems in use in our world. There are other alphabetic
systems like Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There are logographic systems like
STAINLESS 2 COMPRESSED SEMIBOLD 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents tomake it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography isoften subtle, and without training it can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 COMPRESSED BOLD 18/20 POINTS +10 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience. They finely tune thetypography for specific documents to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography.
But it is important to acknowledge that the art of typography is often subtle, and without training it canbe difficult to see what’s going on. The goal of this book is to help students train their eyes to see text as
STAINLESS 2 COMPRESSED EXTRALIGHT ITALIC 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts who have something to add to the reading experience. They finely tune the typography
for specific documents to make it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing, typographers clarify the voice of the author and make the reading
experience more enjoyable. This isn’t meant to discourage beginners from attempting typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to
see what’s going on. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet used for English) and Latin typography.
Of course, there are many other writing systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There are
logographic systems like Chinese. The rules for Latin typography might not apply to these other writing systems. This doesn’t mean that our typographic insights are limited to English. Variants of the Latin alphabet areused all around the world to write hundreds of different languages. These include Roman languages like French, Spanish and Italian; Germanic languages like English, Dutch and German; Celtic languages like Irish andWelsh; Slavic languages like Czech and Polish; and many others. Some of these languages use characters that are not used in English, like the Danish Ø or the German ß. Or characters might be dropped, like the K in

www.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 COMPRESSED LIGHT ITALIC 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easier than ever. The truth is, if
you’re using a good typesetting application and you just leave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents to make it more than just adequate. In their choice of typefaces
and decisions about things like point size and spacing, typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to see
what’s going on. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet used
for English) and Latin typography. Of course, there are many other writing systems in use in our world. There are other alphabetic systems like Greek, Hebrew and Arabic. There
are syllabic systems like Hangul, used for the Korean language. There are logographic systems like Chinese. The rules for Latin typography might not apply to these other writing
systems. This doesn’t mean that our typographic insights are limited to English. Variants of the Latin alphabet are used all around the world to write hundreds of different
STAINLESS 2 COMPRESSED ITALIC 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, and computers make setting type easierthan ever. The truth is, if you’re using a good typesetting application and you just leave the settings on default, you can set type that’s more or lessadequate. However, good typographers are experts who have something to add to the reading experience. They finely tune the typography for specificdocuments to make it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing, typographers
clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant to discourage beginners from attempting
typography. But it is important to acknowledge that the art of typography is often subtle, and without training it can be difficult to see what’s goingon. The goal of this book is to help students train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which isthe alphabet used for English) and Latin typography. Of course, there are many other writing systems in use in our world. There are other alphabetic
systems like Greek, Hebrew and Arabic. There are syllabic systems like Hangul, used for the Korean language. There are logographic systems likewww.occupantfonts.com

OCCUPANT FONTS

STAINLESS 2 COMPRESSED SEMIBOLD ITALIC 18/20 POINTS +20 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before, andcomputers make setting type easier than ever. The truth is, if you’re using a good typesetting application and you justleave the settings on default, you can set type that’s more or less adequate. However, good typographers are experts
who have something to add to the reading experience. They finely tune the typography for specific documents tomake it more than just adequate. In their choice of typefaces and decisions about things like point size and spacing,
typographers clarify the voice of the author and make the reading experience more enjoyable. This isn’t meant todiscourage beginners from attempting typography. But it is important to acknowledge that the art of typography isoften subtle, and without training it can be difficult to see what’s going on. The goal of this book is to help students
train their eyes to see text as typographers do. The focus of this text is on the Latin alphabet (which is the alphabet
STAINLESS 2 COMPRESSED BOLD ITALIC 18/20 POINTS +10 TRACKING

We live in a typographic wonderland. Typographers have more typefaces to choose from than ever before,
and computers make setting type easier than ever. The truth is, if you’re using a good typesetting applicationand you just leave the settings on default, you can set type that’s more or less adequate. However, good
typographers are experts who have something to add to the reading experience. They finely tune thetypography for specific documents to make it more than just adequate. In their choice of typefaces anddecisions about things like point size and spacing, typographers clarify the voice of the author and make thereading experience more enjoyable. This isn’t meant to discourage beginners from attempting typography.
But it is important to acknowledge that the art of typography is often subtle, and without training it canbe difficult to see what’s going on. The goal of this book is to help students train their eyes to see text as

www.occupantfonts.com

OCCUPANT FONTS

Cyrus Highsmith
Cyrus is a letter drawer, teacher, author, and graphic artist. He
teaches type design at Rhode Island School of Design (RISD). He
wrote and illustrated the acclaimed primer Inside Paragraphs:
Typographic Fundamentals. In 2015, he received the Gerrit
Noordzij Prize for extraordinary contributions to the fields oftype design, typography, and type education. In 2017, he became
Creative Director for Latin Type Development at Morisawa
USA. He goes to bed very early.

contact
Morisawa USA Inc.
https://www.morisawa-usa.com /Cem Eskinazi
Cem Eskinazi is a Turkish graphic designer, type designer, andeducator. He holds a BS in Marketing Communications from
Emersom College and an MFA in Graphic DEsign from RISD. He
teaches both undergraduate and graduate students at schools
around the world. He runs his design practice from Barcelona,
Spain. His favorite color is yellow.

Stainless is trademark of Morisawa Inc.

Occupant Fonts
Founded by Cyrus Highsmith in 2015, Occupant Fonts is
relatively young compared to his 20+ years of experience as a
type designer. We joined Morisawa in 2017 to be the Japanesetype company’s Latin alphabet counterpart. We focus ondeveloping original typefaces.

www.occupantfonts.com

licensing & information about character sets
https://occupant.typenetwork.com/
copyright©2023 Morisawa Inc. All rights reservered.

The text used in the paragraph showings is from
Inside Paragraphs: Typographic Fundamentals©2012 Cyrus Highsmith
Words in the headline showings were generated
with help from Nina Stössinger’s mighty Word-o-Mat.
Please use this document for evaluation purposes only.