B O O KG U I D E
N A R A M AC H I Y A

Nara
Machiya
St yle and Wisdom

Machiya is a residential style withfull of ideas for many people

to live in a limited urban site.
In Nara-machi, rational andsophisticated Nara Machiya has

been formed and passed down to
the generations, throughout thelong history.

1
Elements of Nara Machiya P.1｜
2
FaçadeP.5｜
3Construction Method
P.8｜
4
History and Site-plotting
P.10｜
5
Representative Nara Machiya P.11｜

chapterElements of Nara Machiya

11Elements of Nara Machiya｜Detached room｜

Stands facing the front
street in maximum width.
Openings are designed to
face the street as well as
courtyard.

Stands in the back of
the main building,over the courtyard.

Always made of thickearthen wall in Nara
Machiya.

Depth
About 60 meters at
the deepest site.

｜Backyard｜

Front
streetSome are used asvegetable garden.

Large stores purchase the next door
to expand a Machiya.

｜Corridor｜｜Courtyard｜
Function as lighting & ventilation path, andbeing elaborated in a design together withdrawing room, or Oku-no-ma.

P43Connects Main House and Detached room along Courtyard.
Bathroom and toilets are located.
Bathroom has been installed in ordinary houses only after the Showa era.

1

Courtyard

Different types of Omoya

Many Omoyas in Nara Machiya are facing the front streets
directly as drawn in the left page, but there are different types ofthem as below.

｜Kura (Storehouse)｜

2.5 to 3.0 ken(about 4.5 to 5.5 m)

Basic room layout of Omoya

Three or four rooms align in one row, along the passageway.
Site with larger width has two rows, but rarely three. In case of
three rooms in one row, they are called, in order from the front,
Mise-no-ma (Shop-room), Naka-no-ma (Middle room), and Okuno-ma (Drawing room).

22

Width (Frontage)1

Note : Planning varies, according to the plotting.

Front wallstyle
Build a short wall along the street.

Dropped roof
style
Omoya with two row rooms have one of theroof dropped above, the farther row from thepassageway.

CeilingdesignOku-no-ma(Drawing room)

Tori-niwa (Passageway)｜Omoya (Main house)｜

Omoya ( Main House)
Careful layout of rooms enables to have necessary living spaces, even though
its site is limited.

Site planning
The buildings are placed to make the most effective use of the long and narrow
site, and to keep the good living environment. There are common features toNara Machiya used for various industries, such as commerce, handcraft andaccommodation since early modern times.

P2

2

Naka-no-ma(Middle room)

Mise-no-ma(Shop room)

Front street

Front garden
style
Build a short wall and front garden along the street.

Shopfront
style
Basically, Shopfront building is built between
the street and Main house, but found various
arrangements with or without connections.

The second floor structure is exposedin Middle room and Shop room, but
ceilings in Drawing room often covers it.
Also raises the second floor level to haveenough ceiling height.
2

Elements of Nara Machiya

3

Elements of Nara Machiya

Tsushi (Attic floor)(Attic floor) eiling in Shop room would be lower toChave enough height in attic floor.

Oku-no-ma

Courtyard

4

3

TsushiThe second floor with low ceiling, common
in Nara-machi, mostly used as storage
space.

(Drawing room)Naka-no-ma Mise-no-ma(Middle room)(Shop room)

Courtyard is very important for the lighting & ventilation. This space has
been cultivated by the lifestyle and culture of people in the neighborhood, andbecome the courtyard in Nara-machi with distinctive taste.
Front
street1

Layout and function of courtyard

Lighting

Every Nara Machiya places courtyardon the same depth from the street toassure the lighting and ventilation path Ventilation
for the inner part of the site.

Tori-niwa ( Passageway)

A space with earthen floor that connects the front
street and backyard in Main house. Common to
traditional townhouses to have this space used foroutdoor work as well.

2｜ Multi functions ｜The charm of courtyard cultivated in Nara-machi

Soseki (Foundation stone)S tones taken after foundation from temple or shrine, have used as gardening-Entrance-Kitchen with fire stoves-Approach for gardens (carry-in tools)

stones in courtyards. Those are the reminiscent of the history of Nara-machi
which has been developed from the precincts or estates of the Kofukuji
Temple and Gangoji Temple.

 he space was divided by closets orTfurniture for different uses.

Cha-no-yu (Tea ceremony)｜ Layout of Passageways ｜-Placed on the same sides in adjacent houses to prevent noise transmission; east side in north-tosouth long site, and the south side in east-to-west long site.

Passageways

Passageways

Passageways

Passageways

Passageways｜ Double height, Smoke-dormer & High side light ｜Toro (Stone lantern)
Well

After acquiring the next doors for land expansion, the needless well would
be kept as an ornament for the garden without being demolished. It is areminiscent of the changing of site plotting in Nara-machi.

VOICE

Smoke-dormer

Passageway is double height up to the attic, except thearea right next to Shop room. Smoke-dormer and Highside light are designed for smoke exhaust in the kitchen,
and for ventilation throughout the building.
Shop roomTea ceremony was popular among townspeople throughout early-modern
times in Nara which is associated with Murata Juko*, a tea master in the
middle Muromachi period. The influences are seen in the design of steppingstones and the Sukiya style corridor.
＊He is said to be the founder of Wabi-cha.
It was popular for the wealthy family to place a big lantern in their gardens
like in temple and shrine after late early-modern to modern times.

No noise transmission occurs when rooms are sandwiched by Passageway.

3

Courtyard

Courtyard

Cour t yard is a key for the bet ter way of living- the voices of the people living in Nara Machiya
We don't open the windows facing the street so much, because we don't want to be disturbed by thepeople and cars. Instead, we open up the windows to the courtyard widely without worrying otherpeople's eyes, and enjoy the quiet atmosphere feeling the change of seasons.
Although surrounded by the walls, there is a wind flow, and it's also warmer in winter. In case ofreconstruction, courtyard is to be demolished and replaced by front garden, but it is important to keep
courtyard considering a better way of living.

4

chapter2
1

Smoke-dormer
Roofing tile

FaçadeHanging
window
Folding display
deck

Grouping of lattice

VOICE

Flush lattice

Bay lattice

Fixed lattice

Lattice design matters! - Voices of people living in Nara Machiya

Built flush into thewall, between thecolumns.

Sticks out fromthe wall surface,built like b ay window style.
Bay lattice2

Vertical bars are embeddedin the beams or girders, notremovable.

Bars are within a frame to be
removable. Newer design
than fixed lattice.

Lattice in Nara Machiya
Basic designs
Thick lattice

When we visit other traditional regions, what we feel first is the different atmosphere of lattice.
Lattice is an important element to give the impression of town. Therefore, when you build new latticein Nara-machi, we'll be happy if you follow the style & design of Nara Machiya.

Framed lattice

There are various designs of lattice in Nara Machiya.
Thin lattice

Parent-child lattice

Rectangular timbers joined withrails. Showing the occupationof the owner of the house, they
are called "liquor store lattice" or"rice store lattice".

Thin rectangular bars, madepossible by the developmentof tools. "thread store lattice"or "retired store lattice"

Two different bars. The wide &long ones are the parents andthe thin & short ones are thechildren.

Roof and eaves
The horizontal lines emphasized by the deep eaves parallel to the roadoverlap with each other, create continuity of townscape and unification in
Nara-machi. Eaves are necessary to live comfortably, protecting the housefrom wind and rain.

1

Forms of roof

Main house of Nara Machiya always has its entrance
on the eaves' side. Most of them are gabled roof withsquare tiles, and the pitch is 4.5 to 5 sun (a sun = 3.03cm) in 1 shaku (a shaku = 30.3 cm). Between theadjacent houses, the higher one extends the roof tothe other to cover the gap, and avoids the rain.

2

5

Lo gs, half-split lo gs orprocessed logs with skin
are used for the bars,
embedded in the base.
Fr o m t h e n a m e o f t h eneighborhood, it's called
Horen lattice or Nara
lattice. Some are without
base.

Eaves

Lattice design are grouped into two types : flush lattice and bay lattice. And eachtype is sub-grouped into fixed lattice or framed lattice. The difference is whether it isembedded in or framed on the base.

2

Timber LatticeWing wall

Lattice

Flush latticeSpecial design to Nara-machi and neighbors

Insect-cage-likewindow

Lattice is the heart of façade design in Nara
Machiya. It works well for security. Hard to
be seen from outside, although looking out isclear. Keeps the privacy, but gives lighting,winds and sounds inside the house.
1

FaçadeDesign of roofing tiles

On the both edges of gabled roof, there
are two rows of rounded tiles put onsquare-tile roofing, for wind breaking.
Some Machiya have one more row inthe center. Many characteristic designsof antefix has appeared with the times.

Wind-breaking
rounded tiles

Falcate arabesquedesign tiles

Double-ring tiles

Straight-line tiles

Tap tiles

Horn-shaped tileon the ridge

6

3

chapter

FaçadeDeep eaves

Many Nara Machiya have bay-lattice, which leads to havecanti-girder to hang over them. Deep eaves have become
the characteristics of Nara Machiya as a consequence.
Roof boards on rafters is the standard way, but only laying
thick roof board style is also common.
Deep eaves can keep the good interiorcondition controlling the sun lightdepending on the seasons, and avoid
the rain from hitting on the walls
which make the house last long.
4

3
1

the summer
sun

Eaves

the wintersun

Fixtures under eaves

Fence with carved-wood bars, komayose, and pointed stones embedded in the groundbelow bay-lattice, shika-yoke or protection from deer, are fixed in order to protect
houses from people and animals.
Battari-shogi, is a folding-display-deck that built together with shitomi-do, or hangingwindow. Unfold when it's necessary for displaying products, used as a bench, too.

Construction Method
Framework by traditional method
It is a wooden frame structure making the most of the property of wood.
Columns sit on foundation stones, and joints are fixed with stoppers or wedges.
The method in which each member is connected without metal fixture, isthe way to release an external force caused by earthquake or wind, throughbending or sink deformation of the members.
The picture below is a framework of Nara Machiya, three and a half ken(1 ken = 1.8 meters) in width by five ken in depth.

｜Roof framing｜｜Ridge-holding column｜｜Purlin-holding column｜
There are no girders or beams
on the gable sides. All of them
are through-columns up to theridge or purlins.

｜Floor framing｜

Carved-wood fence3

Deer protection

Folding display deck

Mushiko-mado (Insect-cage-like window)
A ventilation & lighting window on the façade orrear wall on the tsushi, or attic floor. Painted withplaster and various designs.

4Sode-udatsu ( Wing wall)
Partition hanging out on the sides of the second
floor with plaster finish. Some are decorated withpatterns. Originally functioned for fire protection,
but it came to be considered as decoration.

7｜Structural header｜Transfer loads from wall,colums and floor
above to colums on
both ends.

rooms
passageway｜Foothold｜｜Rail｜

Placed between wide-spancolumns under the floor .

Placed longitudinally tohold columns firmly at thefoot where stepping up to
the floor.

｜Penetrating tie beam｜Connects columns horizontallywith stoppers and wedges.

｜Foundation stones｜
Put up a column directly ona natural stone placed on gravel,
where dug ground filledwith cobble stones.

◎There is no thick column such as daikoku-bashira , or a principal post in the center of Nara Machiya,
which normally placed in traditional Japanese house, .

8

2chapter

Construction method

Tsugite & Shikuchi - carpentry works( Lengthening joints & Mortise and Tenon joints)

To assembly beams and columns of the structuralmembers in wooden architecture is called Kigumi. Jointsof members in Kigumi are Tsugite & Shikuchi.
Carpenter's expertise is necessary for processing various
forms of wooden pieces according to the use. Easy totake apart and rebuild without hurting the members byremoving stopper and wedge at the joinery. Outstanding
aspect for recycle and sustainability.
1

1

the street ichi-jo, ni-jo, fromthe north, up to the ninth.

shi-bo120meters

540meters
broad street (Jo) east-west

tsubo
commonspace

The medieval periodHouses were built along the street.
The surrounded inner part wascommon space.

120meters
60meters
120meters

tsubo

narrow street (Koji)

street (Koji)
street (Koji)

broad street (Bo) north-south

540meters

Joints could be weak points in architectural structure, since the wood has to be carved to process.
Therefore carpenters apply proper joinery considering the nature of wood, the balance of structure,and the order of assembling, so as the framework to be able to bare the long-term load and vibration.
Each joint has different procedure and tools for it. Daily effort of practicing the use and maintenanceof tools are necessary. It is the traditional technology that has been passed down and cultivated by
the predecessors.

san-boArea surrounded by Oji (broad street) is called as Bo, and the smaller area divided by
Koji (narrow street running in gridiron pattern) is Tsubo.
From the early to middle of the Edo period, each site began to push back the rearboundary gradually in the ancient grid system, sharing the limited frontage facing thestreet. As a result, an unique form of site called eel's bed, long and narrow, was shaped.

narrow street (Koji)

Technique cultivated and passed down over years- wishes of carpenters work ing on Machiya -

ni-bo

ku-jo

Sakyo

(The left side of Palace)shichi-bo

RokujoStationhachi-joGangoji

Gekyo Temple

Zoning of Jo & Bo gridiron street and the changes

VOICE

9

shichi-jo* Jo & Bo are broad streets.

2

Nishinokyo
Stationroku-joTodaiji
Temple(The out side of Palace）

ichi-boarea of Sakyo to the east.

go-jo

ichi-bo

Wedge

Gekyo R efers to the extended

JR NaraStationUkyo(The right side of Palace)

shi-joni-bo

Shachi-senn

Su zak u- oji st reet, nu mberichi-bo, ni-bo up to the forthon both sides (Ukyo & Sakyo).

Shikuchisan-joKintetsu Nara
Stationroku-bo

TsugiteNara Palace(Heijokyo Palace)go-bo

Bo North-south street. Centering

Saidaiji
Stationsan-boHana-sen,or keyed stopper

Jo-bo gridiron street
ichi-joplan of Heijokyo.
ni-jo
Jo E ast-west street. Numbering

Use different Sen or Kusabi for different joints. Different types of Sen, according to
the form of joints and way of connections. Kusabi that firms up a through tie-beam, isgenerally applied the at the top of it, but is applied at the bottom here in Nara Machiya.

Komi-sen,or embedded stopper

Nara-machi is the outer end (Gekyo) in the east of ancient capital(Heijokyo) in the Nara period (710 - 794). Going through the ups
and downs of the major temples & shrines that remained after the
relocation of the capital, it has formed an industrial town* called
Nanto (Southern Capital) by the Edo period. Current site-plotting still
keeps the original grid of town planning .

Suzaku oji street

Sen & Kusabi (Stopper & Wedge)

History and Site-plotting＊Nara bleached cotton cloth, sake , sumi-ink , itto-bori (wooden sculpture of one-knife carving),
inn management.

Tsugite & Shikuchi

Tsugite is a joint to extend a member ;column & column or beam & beam.
Shikuchi is to joint members in different directions ;column & beam or girder & beam.
2

4

The early modern period
The sites were extended to the back,
60 meters length at the deepest.

◎ Irregular sites and zig-zag streets one often sees are the reminiscent of temple's precincts graduallybroken into townhouses.

10

chapter5

Representative Nara Machiya

Representative Nara Machiya
Listed  by areas (Naramachi, Kitamachi, Takabatake), types of culturalproperties, the year of construction, and  the order of the Japanese syllabary.
(as of January, 2018)

Fujioka Family House

1

4

Nara-machi /Minamijyodo-cho

7Nara-Prefecture-designatedTangible Property

Edo period (early 19th C)

Nara-machi /Minamijyodo-cho

Nara-City-designated
PropertyNara-machi /Shibanoshinya-cho

9Registered Tangible
Cultural Property

Shopfront type of Machiya. Construction dates are known from munafuda ⃰ , and that shows the changes of building. Keeps the very good
appearance of traditional Nara Machiya.

10＊ a wooden plate with construction date, kept at the ridge

Tamura Seihoen Chaho(tea shop)

5

11

Nara-machi /Shonami-cho

Registered Tangible
Cultural Property

Built as an inn. Full two-story height, rare for Machiya in the Edo period.
During the World War Two, the façade on the first floor was renovated,but the passageway inside has remained. Keeps the ver y good
appearance of traditional Nara Machiya.

11

Registered Tangible
Cultural Property

The south Main house : Late Edo period
The north Main house : End of the Edo period
Corridor & storehouse : Early Showa era

Nara-machi /Shonami-cho

Registered Tangible
Cultural Property

End of the Edo period

Nara-machi /Shibanoshinya-cho

Registered Tangible
Cultural Property

Shop : End of the Edo period
Main house : 1937 (Showa 7)

Nara-machi /Registered Tangible
Tsunofuri-cho
Cultural Property
Early Meiji era (former drawing room is in 1951,
Showa 26)

Main house was reduced at the front for expanding the road in the Meiji
era. Its rigid appearance, three Insect-cage-like windows painted withblack plaster and wing walls, shows the townscape on the Sanjo Street
in the old days.

Okada Family House,
Main House & others

Late Edo period

Nara-machi /Nishinoshinya-cho

The shop was reformed to a storehouse style, and the earthen-flooredspace of main house changed to a shopfront style in the middle ofShowa era. The appearance of the Main house is a sophisticated design,modern and well balanced.

Zeitakumame-hompo
Main shop & others

Edo period (late 18th C), expansion in the Meiji era

Late Edo period

The main house is built after the earthquake in 1854. The vacant land in
the south is prepared for possible earthquake. The eaves at the Tsushi,
or attic floor, is quite low. Used to have traditional façade, but renovatedafter the War.

Yoshida Kacho shop
Yoshida Family House,
Main house

Meiji era (middle of Meiji era)

Registered Tangible
Cultural Property

The north & south houses aligned but one is recessed, creating an
unique view. The south is older for its low ceiling height and for having
no rooms on the second floor. The construction year is 1829, known by amuna-fuda. A standard Nara Machiya.

Sakamoto Family House

8

Nara-machi /Bishamon-cho

Typical Nara Machiya with Tsushi attic floor. Facade at the first floor
was renovated in recent years, following the traditional Nara Machiya
designs. Behind the tall wall is a small courtyard, in front of the recessed
part.

Matsuyama Family House,
The north Main house& others

Edo period (late 18th C)

Built as an annex for a retired family member. Façade has the Machiyastyle door and embedded timber lattice. Wall between the eaves arelow. A good example of small townhouse in Nara-machi.

Kioku Family House

6

Important Cultural
Property

A Japanese raw candle shop since Edo period to around 1960. Though it
has a typical merchant's façade and relatively old, the building height israther tall. Timber lattice on the north side, with dropped roof. An importantbuilding as typical Nara Machiya.

Mori Family House

3

Nara-machi /Gangoji-cho

Used to run a business with Machiya-style doors and windows widelyopen. Timber lattice and wall with small door on the north side, and adrawing room in the back. The year of construction is old, and keeps thecharacter of merchant's house. An important building as typical Nara
Machiya.

Hosokawa Family House

2

Masaki Family House,
Main house & others

Nara-machi /Kasasagi-cho

Registered Tangible
Cultural Property

Main house : Early Meiji era
Detached room & corridor : Taisho era
Storehouse : 1930, Showa 5

Built around the end of Edo shogunte government to the Meiji era, when
the owner used to work as a midwife. Very likely as an old Machiya, thefront elevaion is low. There remain some traces that all the lattice doors
used to be operable.
12

Representative Nara Machiya

Representative Nara Machiya
Nara-machi /Imazushi-cho

Registered Tangible
Cultural Property

Chikada Family House

Nakagawa Family House, Main house, corridor, storehouse : 1915 (Taisho 4)
Main house & others
Detached room : Early Showa era

12

Masonry wall : 1915 (Taisho 4)

The south roof over the passageway is dropped. Lattice façade built overthe shop area on the north side. Insect-cage-like windows and wing
walls at Tsushi attic level. Large scale Machiya in the Taisho era, designed
and built well with high quality materials.

Naramachi
Traditional House

13

13

Registered Tangible
Cultural Property

End of the Taisho era

20Nara-machi /Kasasagi-cho

Registered Tangible
Cultural Property

Taisho 15

21

Nara-machi /Tsubai-cho

Registered Tangible
Cultural Property

Taisho to early Showa era

Nara-machi /Kidera-cho

Registered Tangible
Cultural Property

Showa 3A farmer's house, with spacious earthen-floored room and 2x2 gridroom layout. But applying many elements of townhouse, such as
different types of lattice and tiled roof, the house shows a modernizationof farmers' housing.

Showa 10

Kitamachi /Narasaka-cho

Registered Tangible
Cultural Property

Edo period (1862)

Kitamachi /Horen-cho

Registered Tangible
Cultural Property

Showa 6

Takabatake /Takabatake-cho

Nara-City-designatedproperty

Edo period (former 19th C)

Main house, drawing room, and three storehouse stand in a large site of
9 ken (16.2 meters) by 15 ken (27 meters). The original layout of buildings
are well preserved. Lattice façade and cloud shaped Insect-cage-likewindows.

Koda Family House

23

Registered Tangible
Cultural Property

A farmers house with Machiya elements in its appearance. Also its wall
attaching to the next door in the strip site is common to townhouse. Buta huge beam in the earthen-floored space is a feature of farmer's house.

Aota Family House

22

Nara-machi /Kita-Kyobate-cho

A former vegetable & fruit dealer at the northernmost Nara-machi. Usedto stand facing the road. Large opening with lattice and traditional
façade. Historical building in a once prosperous area, as a central of
trade.

Ida Family House

Traditional sumi-ink shop founded in the 16th century. Shopfront, andmany buildings such as office on the south side, factory in the backsupport the traditional ink block manufacturing. Rigid and stately
appearance with black plaster finish. Large scale and high quality
design.

Fujioka Family House

17

Nara-machi /Kidera-cho

Showa 8

Tall Machiya with lattice and large Insect-cage-like windows at Tsushi attic
level. Eaves hang out by canti-girder. The old photo shows the exterior walls
and the attic window used to have black plaster finish.

Yamazaki Family House

Built by Ogawa Matabei, running a sake brewery and a liquor dealer.
Shopfront design Machiya for the shop and residence. The house wasrecessed by 3 meters for a planning of the front road expansion atthat time. Tram plates for a handcar still remain, feature of a modern
merchant.

Kobaien,Shop and others

16

19

Registered Tangible
Cultural Property

Built recessed due to a road expansion plan. Early Showa Machiya
appearance, two-story building with glass-shoji and grill window show
the years of construction. Middle corridor on the second floor is also amodern element.

Yoshioka Family House

Stands on a dead end. Low elevation with glass sliding doors and lattice
makes Machiya-like appearance. Ready-made metal brackets show its
year of build . Now, used as an accommodation for "house hotel".

Ogawa Matabei Store,
Shop & others

15

Nara-machi /Registered Tangible
Nakanoshinya-cho
Cultural Property
Main house : 1917 (Taisho 6)
Detached room : 1913 (Taisho 2)
Outside bench : 1917 (Taisho 6),
Storehouse : Late Edo period

Located in the center of Nara-machi. Shopfront design with Tsushi attic
floor, lattice façade and windows. Free design, such as the north garden
along the house, and a hip roof for the central part whose ridge turning
to different direction.

Kidera-no-Ie /Machiya with veranda

14

18

Nara-machi /Kasasagi-cho

Takabatake /Takabatake-cho

Nara-City-designatedproperty

Edo period (former 19th C)

Typical Nara Machiya façade with lattice embedded in eave-girder,
in both the main house and extended drawing room. For the year of
construction of the extended part being clear, the house is a standard ofother Machiya's chronicle.

Kindly refer to Nara Machiya Tour Map, a separate volume, for the location of each machiya.
14We hope all the people who are engaged in Nara Machiya toknow the good aspects of it, and to pass down the style & ideas
on renovation or rebuilding.

Reference (all in Japanese)
Editorial Council of History of Nara City (Ed). (1974).
History of Nara City (Architecture). Nara City Issue.

Study Group of Historical Environment. (1979). Conservation and Renovation- Survey of Nara San-Shinya. Report of Toyota Foundation Grant Program.

Study Group of Historical Environment. (1979). Traditional Town Planningin Modern Times. Study of Townscape in Nara San-Shinya.

Ueno, H.. (1993). Guidebook for strolling Nara-machi. Nara City Educational
Council.
Current Nara-machi Townscape Exhibition Booklet. (1994). Nara Machiya
Research Association.
Japanese Traditional Houses. (2013). Concerned Government Ministries
Meeting related to Promotion of Japanese Traditional Houses.

Nara-machi Machiya Design Book - for house construction or reform. (2015).
Nara Machidukuri Center Inc..
Issue

The Traditional Culture IKIIKI Committee
Naramachi Traditional House Community Group of Management(Nara Machidukuri Center Inc., NPO Sanga Kuruma-za, Nara Machiya
Research Association)
2-1 Nakanoshinya-cho, Nara City, 630-8333
0742-20-1917 / 0742-26-3477
http://naramachi-nigiwainoie.jp/
Issued on December 2018

This project has suppported by the Agency for Cultural Affairs
Government of Japan in the fiscal 2018