Partnerships & Events

Over the past 75 years, ArtReview has grown froma fortnightly broadsheet into the world’s leading
contemporary-art media platform
ArtReview, published in print and digital versions,offers an in-depth and intimate portrait ofcontemporary art in all its forms, and is a widely
read and highly respected source of criticism,news and comment
An ambitious new voice across the region, ArtReview
Asia was launched in 2013, allowing the group
to deepen its exploration of art histories while
exploring the different contexts and diverse
artistic practices of the world’s largest continent

Online, artreview.com brings its readers exclusive digital content, news and comment, while
subscribers have digital access to ten years of
ArtReview’s magazine archive. And through regular
newsletters and social media posts, ArtReview
connects with over a million people every month
Alongside its print and digital reach, ArtReview
has developed a new strand of events, creative
partnerships and consultancy projects. From its
popular ArtReview Bar nights to partnered talks
and public/outreach programmes to special projects
such as bespoke publications and exhibition
curating, ArtReview is continuously innovating
ways to bring art and its audience together

Conversations– ArtReview and ArtReview Asia facilitate conversations and gatherings around the world, frominformal evenings in its bespoke bar venue in
London to curated talks programmes at art fairs,
galleries, museums and other institutions– ArtReview curates talks programmes alongsidemajor art world events and other occasions, fromSingapore Art Week to the Venice Biennale– ArtReview organises artist talks and panels forgalleries and institutions, responding to theircurrent exhibition programmes– ArtReview produces public programmes for the
purposes of outreach and education by biennials
and artist and writer residencies–T he ArtReview Bar hosts talks with artists ranging
from Alexander Singh to John Armleder, music
performances by Christine Sun Kim and Das
Hund, and screenings of films by Hiraki Sawa
and Anand Patwardhan

Conversations

Fondation Beyeler and UBS
Client: UBS
Venue: Fondation Beyeler, Basel
Year: 2017

– Wolfgang Tillmans was in conversation with
Theodara Vischer, senior curator at Fondation
Beyeler, Basel, as part of the Artist Talks series
cohosted by UBS­­– ArtReview used one of its dedicated film crews toshoot three short to-camera pieces by Tillmans,
to film the talk in its entirety and to stream it
on Facebook Live­­– This was complemented by live tweeting of the talk­­– Other talks in the Artist Talks series were promoted via archival material on those artists being
published on artreview.com

Conversations

Richard Saltoun
Client/Venue: Richard Saltoun Gallery, London
Years: 2019–20– In 2019/2020 ArtReview organised two events in
response to 100% Women, a programme of exhibitions at Richard Saltoun Gallery in London– The first talk discussed strategies for addressing
gender imbalance in the artworld, while thesecond looked into representations of mothering– ArtReview organised, promoted and moderated
both events

Conversations

What Can Art Do?
Client: Thanks for Nothing, Paris
Year: 2020

– Thanks for Nothing, in partnership with
Serpentine Galleries’ General Ecology projectand ArtReview, convened its third annual symposium, with gatherings focused on environmental
and ecological practice across art, architecture
and philosophy– ArtReview organised a panel addressing the question: what can art do? Norberto ‘Pewee’ Herman,
cofounder of art platform Green Papaya Art
Projects in Manila, joined critic Marv Recinto ina discussion moderated by ArtReview Asia Senior
Editor Fi Churchman

Conversations

Cromwell Place
Client/Venue: Cromwell Place, London
Year: 2021

– ArtReview convened a roundtable discussion in
partnership with London’s Cromwell Place gallery membership organisation during the capital’s
2021 art week
– Participants in this conversation about the shapeof a postpandemic artworld included Gropius Bau
director Stephanie Rosenthal, academic Shwetal
Patel and gallerist Wendi Knoll– Moderated by ArtReview’s Mark Rappolt, thepanel – Does Art Have Geographical Centres Anymore?
– used the occasion of one of the artworld’s mostimportant annual global gatherings to question
what such gatherings might look like in the future,
while also drawing attention to models such as
the one presented by Cromwell Place itself

Conversations

APENFT
Client: APENFT Foundation
Venue: Zoom
Year: 2022

– ArtReview developed and hosted a series of
conversations in partnership with APENFT Foundation addressing the implications of the NFT
artworld for the broader contemporary art world– Participants in the three discussions included
artists, curators, museum directors and university lecturers, among them Cao Fei, Hans Ulrich
Obrist, Philip Tinari, Alfredo Cramerotti, Mimi
Nguyen and WhaleShark. The discussions weremoderated by ArtReview’s J.J. Charlesworth– ArtReview offers full hosting and technicalsupport services in the development of online
conversations– Additional benefits of ArtReview-organised
conversation series include an impactfulmarketing campaign on artreview.com,
e-newsletters and social media channels

Conversations

Gwangju Biennale Foundation
Client: Gwangju Biennale Foundation
Venue: Korean Cultural Centre UK, London
Year: 2022

– ArtReview organised a talk with Gwangju Biennale Foundation to preview and discuss themes
from soft and weak like water, the next editionof the Gwangju Biennale, which opened in 2023
– Participants in this discussion were Gwangju
Biennale director Sook-Kyung Lee and participating artists Naiza Khan and Taiki Sakpisit,
and ArtReview’s Mark Rappolt– ArtReview later participated in the making ofa video marking the 30th anniversary of the
Gwangju Biennale– ArtReview offers its expertise, contacts andtechnical teams in the creation of conversation series–A dditional benefits of ArtReview-organised
conversation series include an impactfulmarketing campaign on artreview.com,
e-newsletters and social media channels

Conversations

Berggruen Institute
Client/Venue: Berggruen Arts & Culture, Venice
Year: 2022

– ArtReview organised the first in a new series of
conversations in partnership with Berggruen’s
Casa dei Tre Oci in Venice during the vernissage
for the 2022 Biennale Arte– Participants in this discussion were the artists
Shubigi Rao and Wu Tsang, and ArtReview’sMark Rappolt, speaking on the topic Art in theAge of Planetary Consciousness– ArtReview offers its expertise, contacts and technical teams in the creation of conversation series– Additional benefits of ArtReview-organised
conversation series include an impactful marketing campaign on artreview.com, e-newslettersand social media channels

Conversations

Immersive Art or the End of the Gallery?
Client: Exactly.ai
Venue: Shoreditch Arts Club, London
Year: 2023

– ArtReview organised a talk sponsored by Exactly.ai
at the Shoreditch Arts Club as the first instalmentof the ArtReview Culture Club. The panel addressed
topics such as immersive experiences and new
digital frontiers and technologies as tools for artists
to express themselves and expand their audience.

–A rtReview offers its expertise, network and technical teams in the creation of conversation series.
Each appointment of the ArtReview Culture Club can
be sponsored by a brand, offering brand positioning and access to an audience of art professionals
and enthusiasts– Participants in this discussion were interdisciplinary artist Julianknxx, French visual
artist Marguerite Humeau and ArtReview’s
J. J. Charlesworth– Additional benefits of ArtReview-organised
conversation series include an impactful marketing campaign on artreview.com, e-newsletterand social media channels

Conversations

Creative Australia
Client: Creative Australia
Venue: Fondazione Querini Stampalia, Venice
Year: 2024

– ArtReview organised a daylong series of discussions
focused on the Australian Pavilion’s participationin the 2024 Venice Biennale. All talks were livestreamed on artreview.com– Participants in the first set of discussions were
the artist Archie Moore, whose kith and kin project
for the Australian Pavilion was awarded theGolden Lion for Best National Participation in
the 2024 Venice Biennale later that week, and the
project’s curator, Ellie Buttrose– Further discussions, between Lorena Allam,Gülsün Karamustafa and Hank Willis Thomas,
moderated by ArtReview’s Fi Churchman,addressed art’s power to champion prison
law reform– A final afternoon session included Heather
Ahtone and Arissana Pataxó, Denilson Baniwa
and Gustavo Caboco Wapichana discussing
the use of art by First Nations practitioners
to maintain Indigenous language– ArtReview offers its expertise, contacts and technical teams in the creation of conversation series– Additional benefits of ArtReview-organised
conversation series include an impactful marketing campaign on artreview.com, e-newslettersand social media channels

Exhibitions& Commissions

Exhibitions & Commissions

UBS Asia
Client: UBS
Venue: Various venues, Hong Kong
Artists: Ming Wong, Michael Lin
Years: 2016–17– For two consecutive years, ArtReview Asia wasinvited to collaborate with an artist to organisea special event and limited edition for the VIP
guests of UBS Asia during Art Basel Hong Kong– For the opening of the 2016 edition of the fair,
Ming Wong staged the performance of a newsong and presented a music video and accompanying limited-edition vinyl record covers
collaging new work with original 1970s
Hong Kong designs and vinyl that was gifted
to UBS guests– In 2017 Michael Lin produced one of his signatureenvironments, decorated with unique wallpaper.
Lin also produce an exclusive limited-edition
artwork, a boxed set of eight sheets of folded
wallpaper with the same design, for each giftExhibitions & Commissions

ArtReview Asia Xiàn Chǎng
Client: West Bund Art & Design
Venue: West Bund Art Center, Shanghai
Artist: Group exhibition
Years: 2016–18– Part of West Bund Art & Design, ArtReview Asia
Xiàn Chǎng was a special exhibition of solo artist
projects curated by ArtReview Asia from 2016
to 2018– Projects in ArtReview Asia Xiàn Chǎng, by artists
from around the world, occupied spaces inside
the fair venue and in the West Bund area.
In 2017, 29 invited artists from 16 countries
participated, including nine site-specificcommissions– Artists showing included Ding Yi, Rirkrit
Tiravanija, Wang Wei, Damián Ortega, Damien
Hirst, Lynn Chadwick, Sonia Gomes, Robert
Zhao, Miriam Cahn and Matt Mullican

Exhibitions & Commissions

Like a Moth to a Flame
Client: Fondazione Sandretto Re Rebaudengo
Venue: OGR Turin, Italy
Artist: Group exhibition
Year: 2018

– Like a Moth to a Flame was a wide-ranging survey
exhibition curated by CCS Bard’s Tom Eccles
and ArtReview’s Mark Rappolt in collaboration
with Liam Gillick– Presented at the renovated OGR in Turin, a 20,000
sqm arts centre, it marked the 25th anniversary of
the Fondazione Sandretto Re Rebaudengo– The exhibition contained more than 50 major
artworks and hundreds of individual objects fromcollections based in Turin, and demonstrated theimportance of private passions that, over time,
find their way into the civic realm and the public
cultural life of a city

Exhibitions & Commissions

Breaking the Waves
Client: K11 Group
Venues: Chi K11 Art Museum, Shanghai;
K11 MUSEA and K11 HACC, Hong Kong
Artist: Group exhibition
Years: 2021–22­­– ArtReview was engaged by the K11 Group to curate
and design a touring group exhibition for venuesin Shanghai and Hong Kong. The exhibition
featured 14 artists and collectives from aroundthe world, highlighting the role of dialogue andsociability in contemporary art practice. The first
took place at the Chi K11 Art Museum, Shanghai,
and the second at the K11 MUSEA and K11 HACC,
Hong Kong. Both featured a mix of static, interactive and performance works by Larry Achiampong(UK), Chim Pom (JP), Adriano Costa (BR), David
Horvitz (US), Yuko Mohri (JP), Eisa Jocson (PH),Michael Joo (US), Jac Leirner (BR), Ho Tzu Nyen
(SG), Ripon Chowdhury (BG), Laure Prouvost (FR),Slime Engine (CN), Wolfgang Tillmans (DE) and
Zheng Bo (HK)– The exhibitions were accompanied by a 34-pageexhibition guide written and designed by ArtReview,
as well as a series of events and education programmes, social media and online activations

Exhibitions & Commissions

The Standard
Client/Venue: The Standard Hotel, London
Artist: Liam Gillick
Year: 2019– During London Art Week, ArtReview invited
Liam Gillick to create a series of limited editions
for a party at The Standard hotel– The commission included designed drinks matsand napkins, an installation on the windowsof the tenth-floor bar and a playlist devised by
the artist– The event was attended by over 150 guests fromthe artworld, including international collectors,
artists, curators and gallerists

Exhibitions & Commissions

The Edition Hotel
Client: 1-54 Contemporary African Art Fair
Venue: The Edition Hotel, London
Year: 2023

– During London Art Week, ArtReview and 1-54
Contemporary African Art Fair cohosted a party
at The London Edition to celebrate the fairduring London’s most important week in theart world calendar– The event boasted over 500 guests from various
industries including fashion, art, technology
design, finance and more– The party was sponsored by Casamigos, Cîroc,Tanqueray Gin and Whispering AngelExhibitions & Commissions

Chotto Matte, Miami
Client: Delfina Foundation
Venue: Chotto Matte, Miami
Year: 2023

– ArtReview hosted an intimate 50-person dinnerin Miami to celebrate the Art Week and the 2023
Power 100 issue– This event was held in collaboration with Delfina
Foundation, a London-based nonprofit foundation promoting artistic exchange through residencies, partnerships and public programming–T he dinner was supported by renowned JapanesePeruvian fusion restaurant Chotto Matte, withcelebrated rosé brand Whispering Angel andChampagne maison Perrier-Jouët
– Attendees included key personalities within
the art, fashion, film and sports industries fromaround the globe

Exhibitions & Commissions

Beyond Limits:
Unrealised Works of Chris Burden
Client: Ferragamo
Venue: Art SG Art Fair, Singapore
Year: 2024

– ArtReview Asia and Nowness Asia collaborated
to present a series of digital artworks at ART SG,
showcasing unrealised projects by the pioneering
artist Chris Burden– Produced by TRLab in collaboration with theChris Burden Estate and supported by Salvatore
Ferragamo, the collaboration brought forth a
dynamic exploration of art, technology and theenduring legacy of Chris Burden– A publication was designed and produced by
ArtReview Asia as a special supplement to mark theexhibition Chris Burden: Beyond Limits at ART SG.
It was distributed at ART SG and related VIP events
across the city
– I n partnership with Ferragamo ArtReview Asia
hosted a VIP dinner; the event was attended byartists, gallerists, curators and collectors

Brazil

Tate Modern Nought to Sixteen
a history

2000 12 3 4 56 7 8 910 11 12 13
14 15 16
in association with

PublishingPublishing – Catalogues

Armani
Client: Armani
Year: 2010­­– On the basis of ArtReview’s Artist Books series,
Armani commissioned the magazine to produce
a 68-page publication to support its popup
exhibition surveying the work of cult street-artist
Richard Hambleton­­– The publication was distributed with ArtReview
and functioned as the catalogue for visitors to
the exhibition in London

Publishing – Special Editions

Tate Modern Nought to Sixteen
a history

2000 12 3 4 56 7 8 9

Nought to Sixteen: A History
Client: Phillips for Tate Modern
Year: 2016– ArtReview produced a 68-page special supplement
commissioned by Phillips and produced in collaboration with Tate Modern to mark the reopeningof the extended Tate Modern in 2016– The publication was conceptualised and edited
by ArtReview’s editorial team and features essays
by art historians, artists and critics reflecting
on the past and future of the museum– The publication was packaged with the Summer
issue of ArtReview, enjoying both the magazine’s
global distribution and enhanced distribution at
Art Basel. An additional 10,000 copies were distributed at Tate Modern over its reopening weekend

Publishing – Special Editions

Portugal
Client: Consortium of Portuguese galleries
Year: 2018

– ArtReview produced a 68-page special supplement
surveying the booming Portuguese art scene,
supported by Portuguese galleries– The publication was edited by ArtReview’s editorial team and included a series of studio visits
throughout Lisbon and Porto, together withessays on the histories and major themes thatare being explored by the country’s artists– A sneak preview of the publication was given
at ARCOmadrid in February 2018, before being
bagged with the May issue of ArtReview, enjoying
both the magazine’s global distribution andenhanced distribution at ARCOlisboa

Publishing – Catalogues

Art Pioneer Studio
Client: Art Pioneer Studio, Shanghai
Year: 2020

– In 2020 ArtReview was commissioned by Shanghaibased international art consultancy and management company Art Pioneer Studio to create a
special publication documenting a series of public
art commissions­­– Commissioned, edited and designed by ArtReview,the resulting 72-page publication, Contemporary
Public Art in Shanghai, was launched to mark the2020 edition of Shanghai Urban Space Art Season– The dual-language publication (English andMandarin) examined how public art and urban
renewal can enhance a public’s consciousness
and enjoyment of Shanghai’s urban spaces­­– The publication was distributed as a standalone
title in Shanghai and as a supplement to theNovember issue of ArtReview, with full international circulation

Publishing – Special Editions

BrazilClient: Instituto Guimarães Rosa
Year: 2024

– ArtReview produced a 68-page special supplement
commissioned by Instituto Rosa Guimarães, theBrazilian governmental body charged with promoting the country abroad, timed to coincidewith the opening of Brazil’s National Pavilion
at the 60th Venice Biennale, in 2024
– The publication was conceptualised and edited
by ArtReview’s editorial team and presents anarray of voices in contemporary Brazilian art
through essays, interviews, artist projects andexhibition guides– The publication was packaged with the April 2024
issue of ArtReview, enjoying both the magazine’s
global distribution and enhanced distribution
at the Venice Biennale. Additional standalone
copies were distributed by Instituto Rosa
Guimarães in relation to activities supported
by Brazil’s culture ministry internationallyPublishing – Artist Books

Artist Books
Clients: Various leading lifestyle brands
Years: Various– ArtReview has produced a series of artist bookswith artists including Thomas Hirschhorn,
Elmgreen & Dragset, Juergen Teller and Paul
McCarthy– The aim of the publications, which range in
extent from 68 to 164 pages, is to allow the artist
to communicate directly with ArtReview’s global
audience–E ach publication was produced in collaboration with the artist and sponsored by a leading
brand. A numbered, limited-edition versionof the publications was distributed to ArtReview
subscribers and the sponsor’s selected clients– The publication was then distributed with
ArtReview and used by the artists to be partof or to accompany future exhibitions

Media Consultancy

Media Consultancy

Superblue and BMW i
Client: BMW Group Culture
Year: 2021

– Experimental art studio Random International,
working in collaboration with Studio Wayne
McGregor, presented No One is an Island, the digitalworld premiere of a new artwork exploring theintersection of humanity and AI– To coincide with the digital premiere, ArtReview
hosted a conversation between choreographer
and director McGregor and the founders ofRandom International, moderated by ArtReview
editor-in-chief Mark Rappolt– The result of a partnership with Superblue and
BMW i, the artwork premiered digitally onartreview.com in three chapters and was presented
live later in the year of its release– A social media campaign and permanent hostingof the artwork and conversation guarantee exposure both at the time of the premiere and today

Media Consultancy

M+ Museum
Client: West Kowloon Cultural District
Year: 2022

– Opened in November 2021, M+ holds one ofAsia’s largest collections of art and design fromthe twentieth and twenty-first centuries­­– To mark the opening, Hong Kong’s new museumof visual culture, which stands at the heartof the West Kowloon Cultural District, engaged
ArtReview to commission and produce a seriesof texts, videos and social-media activations that
explore the breadth and depth of its collection, and,during a period of restricted tourism and international travel, to engage international audienceswith its activities, programmes and architecture– In addition ArtReview was engaged to provide an
independent, critical review of M+’s place within
Asia’s art ecosystems and review its impact on the
direction of international art historical discourse­­– The partnership features a takeover of ArtReview’sWork of the Week (an in-depth focus on a single
work of art); a series of one-minute videos
distributed online and via ArtReview’s extensivesocial-media channels; and two focus features in
ArtReview’s flagship print publications, ArtReview
and ArtReview Asia­­– The content is collected on a dedicated
M+ microsite/category page on artreview.com

Outreach Programmes

Outreach Programmes,

Glasgow International
Client: Glasgow International
Year: 2021

– Held biannually, Glasgow International (GI) is
Scotland’s
premier
festivalof contemporaryart.
At the entrance to Martine Syms’s
immersive
multi-video
installation
She Mad at
Glasgow’s Tramway, I heard aIn
familiar
the soundtrack
to one of2021 tune:
ArtReview
was invited
tomycollaborate withfavourite TV shows, the all-Black-led
femaleGirlfriends(2000-8).
the eventtositcom
establish
an inauguralwriter-inresidence programme within the festival frame-

Across nine metal stud-wall frames which, painted purple, zigzag through theworkthatareaimed
specificallyto support
gallery, four blocks of flatscreen
monitors
mountedand play consecutively.
As voicesthataretraditionally
underrepresented
in artFresh
Princeof Bel-Air (1990–6),
Black-ish (2014–)
well as Girlfriends, clips from The
and The Cosby Show (1984–92) feature
in Syms’s
two-channel
videoand
S1:E1 Ato
Pilot
for a freshto develop
theirown work
bring
Show About Nowhere (2015). Theperspectives
video is a visual andessay insights
interspersedof ouras a whole
towiththeGIFs
festivalfavourite Black characters. Via a voiceover, Syms talks through the history,
importance of and development of the Black sitcom. Even through the gaze of aBlack-Brit, these shows resonated: they offered a fantasy – the Black American
dream, an alternative to the Black experience in reality. Simultaneously, they
offer an example of the thriving ideals of Americanism that contrast with the lackof aspirational representations of Blackness in Britain – other than Desmond’s (1989–94). Throughout the video, there are ‘commercial breaks’ during which
Syms interviews young Black Americans about the first time they owned atelevision. Such anecdotes create a space in which to dream about the attainabilityof the worlds and lifestyles presented by those shows.

­­– S elected by a jury comprising members of bothorganisations, following an open call for applications, the writer was sponsored to visit the festival
over a three-day period, and was supported by GI
with access to exhibitions and artists. The winner
worked with editorial support and guidance from
ArtReview to produce and publish their thoughtson the festival­­– The resulting article was published across
ArtReview’s print and digital platforms and additionally shared through Glasgow International’s
own channels

Outreach Programmes – Residencies

Casa Wabi
Client: Fundación Casa Wabi
Year: 2017–ongoing– Fundación Casa Wabi is a nonprofit organisationthat encourages a dialogue between contemporary
art and the local communities of Puerto Escondido, Mexico City and Tokyo. Its mission is focusedon building social development through art­­– Organised, publicised and juried by Casa Wabi
in partnership with ArtReview, the residency
programme seeks to promote three key elements
to maintain its mission’s balance: the resident’s
creative inspiration, the way in which they will
relate to the presence of other artists and the foundation’s team, and the active exchange with thecommunities– The Casa Wabi residency programme is now in its
fourth edition

Outreach Programmes – Residencies

K11 Art Village
Client: K11 Art Foundation
Year: 2023–24– K 11 Art Foundation, a nonprofit organisation
based in Hong Kong and China, is a key component of the K11 Group, whose projects combine
culture and commerce in flagships including
K11 MUSEA and K11 Art Malls– ArtReview and K11 Art Foundation have partneredto launch a residency programme at the K11
Art Village in Wuhan. The residency is open to
any artist, regardless of age or background, with
20 artists selected for the programme, whichruns for one year, from June 2023 to May 2024
– A critical aspect of the residency is to develop
dialogue between emerging practitioners in China
and the international art scene

Outreach Programmes – Residencies

Write Now
Client: Hauser & Wirth
Year: 2024–A
 writer residency hosted by Hauser & WirthSomerset, one of two UK locations and close
to 20 global venues run by this premier contemporary art gallery–W rite Now operates in parallel with the gallery’slong-running artist-residency programme inSomerset and provides a writer, mentored by
ArtReview’s editors, the opportunity to interact
with and respond to the work being made byresident artists– In addition to a public presentation of the writer’s
project onsite, the residency concludes with the
publication of a text by the writer on artreview.com

Digital

Digital – Microsite

Modern Forms
Client: Modern Forms
Year: 2018­­– The collaboration between Modern Forms and
ArtReview was published as a dedicated microsite­­– The site uses essays, images and videos indeveloping the theme of ‘Complex Systems’in contemporary art­­– Content includes newly commissioned artist
films, commissioned and archival texts, andsupplementary information on the subject­­– The talks and panel discussions undertaken
as part of the yearlong initiative were also madeavailable as videos through the microsite­­– The design of the site and the publication ofmaterial was managed entirely in-house, meaningthat new content in this rolling project could be
uploaded quickly and easily­­– Since the project’s end, the site has served as anarchive of its activities

Digital – Strategic Online Partnership

June Art Fair
Client: June Art Fair
Year: 2020

– The second annual edition of June Art Fair
took place online, hosted by ArtReview in collaboration with Hauser & Wirth, in response to
the pandemic-related cancellation of that year’s
in-person fairs in Basel, including Art Baseland Liste– Founded in 2019 as an independent project byOslo gallery VI, VII and Copenhagen’s ChristianAndersen, the fair was conceived as a platformto promote emerging artists and encourage therediscovery of underrecognised figures. The firstedition was held in a Herzog & de Meuron-designed
gallery space adjacent to Basel’s Messeplatz– J une Art Fair’s virtual edition was accompanied
by interviews with artists and features on thepresentations, which were published simultaneously on artreview.com

Digital – Microsite

Brent Biennial
Client: Brent Council, London
Year: 2021­­– ArtReview was commissioned by the inaugural
Brent Biennial (Brent 2020) to curate and produce
a public outreach programme for the Museumof All Brent Life, ten new public artworks that
sat at the heart of the exhibition. The project took
place from September 2020 to March 2021, in
the context of a series of lockdowns in London­­– In consideration of this, ArtReview establisheda digital platform and a series of activations
designed to communicate the relevance and accessibility of the biennial to both local and international audiences, as well as advancing the belief– shared by ArtReview and Brent Council alike –that art enriches civic culture, with the aim ofestablishing an archived legacy project to provide
a foundation for future iterations of the biennial­­– Activations included livestreamed and recorded
conversations and discussion panels with thebiennial artists, local people, visiting writers andcritics, as well as commissioned texts by local andvisiting critics relating to the biennial, the importance of local education and cultural infrastructures, and to the histories and present realities
of life in Brent. All the activations are archived
on artreview.com­­– A second iteration of the biennial has subsequently
been launchedDigital – Social Media Takeovers

Swire Properties
Client: Swire Properties
Year: 2021­­– D uring Art Basel Hong Kong 2021, Swire Properties
engaged ArtReview as its digital partner, featuring
an editorial takeover of its Instagram account toexpand its follower base and visibility within art
audiences, and to introduce a greater awareness of
its support of the art among staff and stakeholders­­– In the leadup to and during the fair, ArtReview
posted content daily (stories, grid posts and videos)highlighting Swire’s mission and art collection, as
well as new commissions unveiled by the company
during the week of the fair­­– ArtReview also organised a successful contest for
Swire Properties followers, with the chance to win
Art Basel HK tickets­­– E ach post was written by ArtReview’s editors,
offering a critical and informed perspective on
artworks in Swire’s collection, while maintaining
the magazine’s playful and accessible style­­– The account received increased traffic throughcross-promotion on ArtReview’s social media
accounts and its e-newsletter

Digital – Social Media Takeovers

Mirabaud
Client: Mirabaud
Year: 2021

– ArtReview took over the Geneva-based international banking group Mirabaud’s Instagram
account as guest editor, on the occasion of two
major artworld events sponsored by the firm:
Zurich Art Weekend and FIAC Paris– Curated and written by the editors, the content
and tone of the posts was dynamic and accessible,
seeking to address a nonspecialist audience like
Mirabaud’s clients and introduce them to thecontemporary artworld–F or both events, we posted highlights from thefair and galleries, critics’ guides of the best shows
to see around town and promotional posts about
Mirabaud’s collection and patronage. Both in
Zürich and Paris, ArtReview set up interviews withkey artworld personalities, which were edited into
short videos, offering unique insights into thesecities’ art scenes– I nterviewees included artist JR, collector andLuma founder Maja Hoffmann, Kunsthalle Zürich
director Daniel Baumann and Lorenzo Fiaschi
from Galleria Continua

Digital – Strategic Online Partnership

Asymmetry Art Foundation
Client: Asymmetry Art Foundation
Year: 2022–ongoing– Asymmetry is a London-based nonprofit
dedicated to fostering curatorial practice andfacilitating flows of knowledge and exchange
in and about Asia
– Asymmetry’s activities comprise curatorial
fellowships that place curators in prominent
European institutions, with the aim of furthering an exchange of knowledge of Chinese andSinophone contemporary art– ArtReview’s partnership with Asymmetry seeks
to further such dialogue through a series of contributions by the foundation’s fellows that explore
the future of curatorial practice – offering a platform to new voices and perspectives

Digital – Strategic Online Partnership

ArcualClient: Arcual
Year: 2023

– Arcual launched in November 2022 as a ‘blockchain community by the art community, for theart community’– Founded by artworld leaders Maja Hoffmann’s
LUMA Foundation and MCH Group (the parent
company of Art Basel), Arcual’s goal is to makeblockchain services the core of how artists,galleries and collectors do business– In addition to publishing a series of articles andinterviews with key figures in the Arcual orbit,
ArtReview cohosted a brunch supported by Arcual
at Para Site as part of the official Art Basel Hong
Kong VIP programmeVideo Productions

Video Productions

Gucci
Client: Gucci for Daelim Museum
Year: 2020

– ArtReview offers its expertise, contacts and technical teams in the creation of video segments
and reports for use online or as otherwise requiredby clients­­– For a project with Gucci, ArtReview’s editors in
London and Seoul wrote, directed and produced
a seven-minute film introducing a high-profile
museum exhibition sponsored by the Italianfashion giant and focused on the contemporary
art scene in Korea­­– Narrated by ArtReview’s Seoul-based editor, thefilm establishes a three-decade sweep of art history,
interviews artists and the curator, and references
the involvement of the client’s creative director
in the conception of the exhibition­­– H osted permanently on artreview.com, withextended home-page run for maximum exposureof the project­­– ArtReview’s global reach ensures both local
knowledge and international impact in thesehighly informative and effective yet low-key
film productions­­– Additional benefits of our commercial videos
include impactful marketing campaign onartreview.com, e-newsletters and social media
channelsVideo Productions

Zeno X
Client: Zeno X Gallery, Antwerp
Year: 2021

– Marking the opening of a new exhibition at

Zeno X by painter Luc Tuymans, ArtReview organised, introduced, directed and filmed a conversation between Tuymans and fellow gallery artist
Mark Manders about their latest works andthe connections and differences between theirrespective approaches to artmaking– Shot in Tuymans’s exhibition Seconds in Antwerp

and in Manders’s studio in Ronse (where he waspreparing for an exhibition of new work for ashow at the gallery scheduled for the followingyear), the discussion between the two friends andlongtime admirers of each others’ work offered
an intimate peek behind the scenes of exhibitionmaking and into the thoughts and motivations
that go towards the creation of both an individual
work of art and its presentation in public– Conducted remotely via London, the conversa-

tion was filmed by two teams, edited and thenpresented on artreview.com with an accompanying
social media campaign

Video Productions

Akris
Client: Akris, Zürich
Year: 2023

– ArtReview offers expertise, contacts and technicalteams for conceptualising and producing videos.
The editors create compelling storytelling for ourpartners while ArtReview’s global reach ensuresboth local knowledge and international impact
for productions­­– In partnership with Akris, ArtReview produced
a short film in which creative director Albert
Kriemler and artist Thomas Ruff introduce an
exhibition at the Museum für Gestaltung, Zürich,to celebrate the fashion house’s 100th anniversary­­– ArtReview editor-in-chief Mark Rappolt conducted
the interview within the museum­­– The film was then edited and presented onartreview.com with an accompanying article
and extensive social media campaign­­

Video Productions

Trevor Yeung
Client: M+ Museum, Hong Kong
Year: 2024

– ArtReview offers its expertise, contacts and technical teams in the creation of video segments
and reports for use online or as otherwise requiredby clients– ArtReview’s global reach ensures both local
knowledge and international impact in thesehighly informative and effective yet low-key
film productions– For a project with M+ Museum and the Hong
Kong Arts Development Council highlighting
Hong Kong’s presence in Venice, ArtReview’s
editors directed and produced a film profiling
artist Trevor Yeung and an exhibition of his
work during the 2024 Venice Biennale– Additional benefits of our commercial videos
include impactful marketing campaign onartreview.com, e-newsletters and social media
channels– Hosted permanently on artreview.com, withextended home-page run for maximum exposureof the projectVideo Productions

ART OnO
Client: ART OnO
Year: 2024

– ArtReview offers its expertise, contacts and technical teams in the creation of video segments
and reports for use online or as otherwise requiredby clients– ArtReview’s global reach ensures both local
knowledge and international impact in thesehighly informative and effective yet low-key
film productions– For the inaugural edition of a new contemporary
art fair in Korea, ArtReview directed and produced
a film featuring interviews with its founder,
participating gallerists, artists and visitors– Additional benefits of our commercial videos
include impactful marketing campaign onartreview.com, e-newsletters and social media
channels– Hosted permanently on artreview.com, withextended home-page run for maximum exposureof the projectPartners (Selection)
1-54 African Art FairAlaïa
Almine Rech Gallery
ARCO Madrid
Akris
ArcualArmaniArt Basel
Art Cologne
Art Genève
Artissima
Balenciaga
Berlin Biennale
Bienal de São Paulo
Biennale di Venezia
Bloomberg
BMW
Bonhams
Burberry
Busan Biennale
Berggruen Institute
CelineChanelCHART Art Fair
Christie’s
Contemporary Istanbul
David Zwirner
Dhaka Art Summit
Dior
E. Gutzwiller & Cie

Edition Hotels
Edouard Malingue Gallery
Esther Schipper
Etro
EXPO Chicago
Fondation Beyeler
Fondazione Prada
Fondazione Sandretto
Re Rebaudengo
Fortnum & Mason
FriezeFundación Casa Wabi
Gagosian
Galería Helga de Alvear
Galerie Rudolfinum
Galerie Thaddaeus Ropac
Galleria Continua
Gallery Weekend Berlin
Goodman Gallery
Gropius Bau
Gwangju Biennale
Hammer Museum
Hauser & Wirth
Istanbul Biennial
K11 Art Foundation
KIAF Seoul
Kochi-Muziris Biennale
Kukje Gallery
Lévy Gorvy
Lisson Gallery

Liste Art Fair
M+ Hong Kong
Madrid Gallery Weekend
Manifesta
Margaret Howell
Marian Goodman
Massimo De Carlo
Max Mara
MAXXI
Mirabaud Group
Mendes Wood DM
Miart
MMCA Seoul
Modern Forms
Museo Jumex
National Galleries of Scotland
National Gallery Singapore
NGV Melbourne
Pace
Palais Populaire
Paris Internationale
Paris Photo
PerrotinPhoto London
PorschePrada
Richard Mille
RimowaRoberts Projects
Roche Bobois

Royal College of Art
Sadie Coles Hq
Saint Laurent
SCAD Museum of Art
S.E.A Focus
Sharjah Art Foundation
Silverlens
Singapore Art Book Fair
Sotheby’s
SP-Arte São Paulo
Serpentine Galleries
Sprüth Magers
Standard Hotel S
teirischer Herbst
Sunpride Foundation
Sydney Biennal
Taipei Dangdai
Tang Contemporary Art
Tate
UBS
UCCA Beijing
V-A-C Foundation
Van Cleef & Arpels
Victoria & Albert Museum
West Bund Art & Design
Whispering AngelWhite CubeZONAMACO