Introduction

Playing the Piano

Rhythm Section

ES8

Owner’s Manual

RecorderUSB Functions

Settings

AppendixThank you for purchasing this Kawai ES8 digital piano.
This owner’s manual contains important information regarding the usage and operation of the ES8 digital piano.
Please read all sections carefully, keeping this manual handy for future reference.

 About this Owner’s Manual
Before attempting to play the ES8 digital piano, please read the Introduction chapter from page 10 of this owner’s manual. This
chapter explains the name and function of each part, how to set-up the instrument, and how to perform basic operations.
The Playing the Piano chapter (page 16) provides an overview of the instrument’s most commonly used functions, such as selecting
and combining sounds, and splitting the keyboard into separate sections. This chapter also explains how to apply reverb and effects
to sounds, transpose the pitch of the keyboard, and how to use the metronome feature.
The Rhythm Section chapter (page 36) explains how performances can be enhanced with backing accompaniments, while theRecorder section (page 48) provides instructions on how to record and play back pieces stored in the instrument’s internal memory,and MP3/WAV audio files saved to a USB memory device. Additional functions to load and save songs and registration memories
from/to USB devices are further explained in the USB Functions chapter (page 67).
The Settings section (page 76) details the various options and settings that can be used to adjust the sound and operation of
the ES8 digital piano, in addition to explaining the instrument’s useful MIDI capabilities. Finally, the Appendix section (page 133)
includes listings for all internal sounds, demo songs, and Rhythm Section data, in addition to troubleshooting recommendations,
MIDI reference information, and full specification details.

3

Important Safety Instructions

Important Safety Instructions
SAVE THESE INSTRUCTIONSINSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONSWARNINGCAUTIONTO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOTEXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.

RISK OF ELECTRIC SHOCK
DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sufficient magnitude to constitute a risk ofelectric shock to persons.

The exclamation point within an equilateraltriangle is intended to alert the user to thepresence of important operating and maintenance(servicing) instructions in the leteratureaccompanying the product.

Examples of Picture Symbols
denotes that care should be taken.
The example instructs the user to take care not to allow fingers to be trapped.
denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.

Read all the instructions before using the product.
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install inaccordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prongs areprovided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.

10) Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from theapparatus.
11) Only use attachments/accessories specified by the
manufacturer.
12) Use only with the cart, stand, tripod, bracket, or tablespecified by the manufacturer, orsold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms orwhen unused for long periods of time.
14) Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has beendamaged in any way, such as power-supply cord orplug is damaged, liquid has been spilled or object
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.

WARNING - When using electric products, basic precautions should always be followed,including the following:

WARNING
The product should be connected toan AC outlet of the specified voltage.

Indicates a potential hazard that could result in death orserious injury if the product is handled incorrectly.
120V

230V

240V

● If you are going to use an AC power cord,
make sure that its has the correct plug shapeand conforms to the specified power voltage.
● Failure to do so may result in fire.

Do not insert or disconnect the power
cord plug with wet hands.

Doing so may cause electric shock.

Take care not to allow any foreign
matter to enter the product.

Entry of water, needles or hair pins may resultin breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects filled with liquids, such asvases, shall be placed on the product.

When using the headphones, do notlisten for long periods oftime at high volume levels.

Doing so may result in hearing problems.

Do not lean against the keyboard.

Doing so may cause the product to fall over,resulting in injury.

Do not use the product in wet areas,or areas close to water.

Doing so may cause a short circuit, leading to anelectric shock, or a fire.

Do not disassemble, repair or modify
the product.

Doing so may result in product breakdown, electric
shock or short-circuit.

When disconnecting the AC power cord's
plug, always hold the plugand pull it to remove it.

● Pulling the AC power cord itself may damage
the cord, causing a fire, electric shock or
short-circuit.

The product is not completely disconnected from thepower supply even when the power switch is turned
off. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.

● Failure to do so may cause fire in case oflightning.
● Failure to do so may over-heat the product,
resulting in fire.

This product may be equipped with a polarized line plug (one blade wider
than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an electrician toreplace your obsolete outlet.
Do not defeat the safety purpose of the plug.

This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet even in a
power switch off condition.

CAUTION

Indicates a potential hazard that could result in injury or
damage to the product or other property if the productis handled incorrectly.

Do not use the product in the following areas.
● Areas, such as those near windows, where the product is
exposed to direct sunlight● Extremely hot areas, such as near a heater● Extremely cold areas, such as outside● Extremely humid areas● Areas where a large amount of sand or dust is present● Areas where the product is exposed to excessive vibrations

Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (notin tropical climates).

● Do not stand the main unit on its side for extended periods of time.
● Do not attempt to play the main unit at unusual angles.
Doing so may place stress on the keyboard action, resulting in breakdown of the product.
Use only the AC adaptor included with this instrument to power the instrument.
● Do not use other AC adaptors to power this instrument.
● Do not use the included AC adaptor or AC power cord to power other equipment.
Before connecting cords, make surethat the power to this productand other devices is turned
OFF.

OFF

Failure to do so may cause breakdown of thisproduct and other devices.

Do not drag the product on the floor.
Take care not to drop the product.

Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.

Do not place the product near electricalappliances such as TVs and radios.

● Doing so may cause the product to generate
noise.
● If the product generates noise, move theproduct sufficiently away from the electricalappliance or connect it to another AC outlet.

When connecting the AC power cordand other cords, take care
not to get them tangled.

Failure to do so may damage them, resulting in
fire, electric shock or short-circuit.

Do not wipe the product with benzene
or thinner.

● Doing so may result in discoloration or deformationof the product.
● When cleaning the product, put a soft cloth inlukewarm water, squeeze it well, then wipe theproduct.

Do not stand on the product or exert
excessive force.

● Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.

Do not place naked flame, such as lighted
candles on the product.

Doing so may cause the illumination to fall over,resulting in fire.

Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.

Failure to do so may over-heat the product,
resulting in fire.

The product should be located so that its location or position does not interfere with its proper ventilation. Ensure aminimum distance of 5cm around the product for sufficient ventilation.

The product should be serviced by qualified service personnel when:● The power supply cord or the plug has been damaged.
● Objects have fallen, or liquid has been spilled into the product.
● The product has been exposed to rain.
● The product does not appear to operate normally or exhibits a marked change in performance.
●The product has been dropped, or the enclosure damaged.

Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and thencontact the shop from which the product was purchased.
CAUTION:To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise etpousser jusqu'au fond.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it
separately by taking it to an appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative
effects on the environment and human health which could otherwise arise due to inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)

Instruction for AC power cord (U.K.)

IMPORTANTTHE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE :NEUTRALBROWN : LIVEAs the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Do not plug either terminal of the power cord to the the ground AC outlet on the wall.

Canadian Radio Interference Regulations

This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference Regulations,
C.R.C., c. 1374.

FCC Information (U.S.A)
CAUTION : Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
NOTE : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used inaccordance with the instructions, may cause harmful interference to radio communications. However, there is no guaranteethat interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

Declaration of Conformity
Products :Model Number :Responsible Party Name :Address :TelephoneElectronic Piano
ES8
Kawai America Corporation
2055 East University Drive Rancho
Dominguez, CA 90220
310-631-1771

This device complies with Part 15 of the FCC Rules. Operation is subject to thefollowing two conditions:(1) this device may not cause harmful interference, and(2) this device must accept any interference received, including interference that
may cause undesired operation.

This applies only to products distributed by Kawai America Corporation.

The nameplate label is located on
the underside of the instrument,
as indicated below.
NameplateTable of Contents
Important Safety Instructions. . . . . . . . . . . . . . . . . . . . . . . . 4

RecorderTable of Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Song Recorder (Internal memory). . . . . . . . . . . . . . . . . . . . . . . . . 48

Introduction
Welcome to the Kawai ES8. . . . . . . . . . . . . . . . . . . . . . . . . . . 10
1. Package Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
2. Feature Highlights. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Part Names and Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Setting Up the Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Basic Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Playing the Piano
Selecting Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

2. Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
3. Recording a Song with the Rhythm Section. . . . 52
4. Erasing a Part/Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Audio Record/Playback (USB memory) . . . . . . . . . . . . . . . . . . 54
1. Recording an Audio file. . . . . . . . . . . . . . . . . . . . . . . . 54
2. Playing an Audio file. . . . . . . . . . . . . . . . . . . . . . . . . . . 56
3. Overdubbing an Audio file . . . . . . . . . . . . . . . . . . . . 58
4. Playing a MIDI file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
5. Converting a MIDI file to an Audio file. . . . . . . . . 62

Demo Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

6. Recording an Audio filewith the Rhythm Section. . . . . . . . . . . . . . . . . . . . . . 64

Dual Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

7. Converting a Song to an Audio file. . . . . . . . . . . . 65

Split Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

8. Deleting an Audio/MIDI file. . . . . . . . . . . . . . . . . . . . 66

Four Hands Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Enhancing the Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
1. Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
2. Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
3. Amp Simulator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Panel Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Metronome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Registration Memories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Rhythm Section
Rhythm Section Basic Operation. . . . . . . . . . . . . . . . . . . . 36
Rhythm Section Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Rhythm Section Parts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Rhythm Section Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
1. Rhythm Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
2. Auto Fill-in. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
3. One Finger Ad-lib. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
4. ACC Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
		 Bass Inversion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
		 Preset Chord. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

8

1. Recording a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

USB Functions
USB Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
1. Load Internal Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
2. Load Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
3. Save SMF Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
4. Save Internal Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
5. Save Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
6. Rename File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
7. Delete File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
8. Format USB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Settings
Settings Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Basic Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
1-1. Tone Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
		Brilliance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
		 User EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
1-2. Wall EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
1-3. Speaker Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
1-4. Phones Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
1-5. Line Out Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Settings (cont.)

MIDI Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

1-6. Audio Recorder Gain. . . . . . . . . . . . . . . . . . . . . . . . . . . 85

MIDI Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

1-7. Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

4-1. MIDI Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

1-8. Damper Hold. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

4-2. Send Program Change Number. . . . . . . . . . . . . . 126

1-9. F-20 Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

4-3. Local Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

1-10. Four Hands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

4-4. Transmit Program Change Numbers. . . . . . . . . 128

1-11. Startup Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

4-5. Multi-timbral Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . 129

1-12. Factory Reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

		 Channel Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Virtual Technician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

USB MIDI (USB to Host connector) . . . . . . . . . . . . . . . . . . . . . . . . . 131

2-1. Touch Curve. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Power Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

2-2. Voicing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

5. Auto Power Off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

		 User Voicing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
2-3. Damper Resonance. . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
2-4. Damper Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
2-5. String Resonance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
2-6. Key-off Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  1002-7. Fall-back Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
2-8. Hammer Delay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
2-9. Topboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
2-10. Decay Time. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  104

Appendix
Connecting to Other Devices. . . . . . . . . . . . . . . . . . . . . . . 133
Rear Connectors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Front Connectors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Demo Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Program Change Number List . . . . . . . . . . . . . . . . . . . . . 137
Drum Sound Mapping List. . . . . . . . . . . . . . . . . . . . . . . . . . 139

2-11. Minimum Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Rhythm Section Style List. . . . . . . . . . . . . . . . . . . . . . . . . . . 140

2-12. Temperament . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Rhythm Section Chord Types. . . . . . . . . . . . . . . . . . . . . . . 141

		Stretch Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Rhythm Section Preset Chord Sequences. . . . . . . . . . 145

		Stretch Curve. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Settings List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

		User Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

		Temperament Key. . . . . . . . . . . . . . . . . . . . . . . . . . . 110

MIDI Exclusive Data Format . . . . . . . . . . . . . . . . . . . . . . . . 151

		User Temperament. . . . . . . . . . . . . . . . . . . . . . . . . . 111

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . 152

2-13. User Key Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Owner’s Manual Conventions . . . . . . . . . . . . . . . . . . . . . . 153

2-14. Half-Pedal Adjust. . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
2-15. Soft Pedal Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Key Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
3-1. Lower Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
3-2. Lower Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
3-3. Split Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
3-4. Layer Octave Shift. . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
3-5. Layer Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
3-6. Dual Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

9

Welcome to the Kawai ES8

1 Package Contents
Introduction

The Kawai ES8 digital piano package contains the following items:

 ES8 digital piano AC power adaptor (PS-154)

 Foot pedal (F-10H)

 Music rack/rest

 Owner’s manual

Introduction

Playing the Piano

Rhythm Section

ES8

Owner’s Manual

RecorderUSB Functions

Settings

Appendix

10

2 Feature Highlights‘Responsive Hammer III’ weighted-key action, with Ivory Touch key surfaces and Let-off simulation

Introduction

The new Responsive Hammer III (RHIII) action recreates the distinctive touch of an acoustic grand piano, with its realistic
movement and accurate 3-sensor technology providing a smooth, natural, and highly responsive piano playing experience.
The weight of the keyboard is appropriately graded to mirror the heavier bass hammers and lighter treble hammers of an
acoustic piano, while structural reinforcements within the action assembly ensure greater stability during fortissimo andstaccato passages.
The ES8 digital piano also features Kawai’s Ivory Touch key surfaces that gently absorb finger moisture to assist the player’s
performance, while, let-off simulation recreates the subtle ‘notch’ sensation felt when softly playing the keys of a grand piano,
satisfying the expectations of the most discerning pianists.
Shigeru Kawai SK-EX, SK-5, and Kawai EX instruments reproduced with Harmonic Imaging sound technology
The ES8 digital piano captures the rich, expressive sound of the Kawai SK-EX, SK-5, and EX grand pianos, with all 88 keys ofthese exceptional instruments meticulously recorded, analysed and faithfully reproduced using Harmonic Imaging™ soundtechnology. This unique process accurately recreates the broad dynamic range of the original grand pianos, affording
pianists an extraordinary level of expressiveness ranging from the softest pianissimo to the strongest, boldest fortissimo.
The instrument’s built-in Virtual Technician feature allows various characteristics of these acoustic piano sounds to be shaped
at the touch of a button, with settings to adjust string and damper resonance, in addition to subtle hammer, damper, and key
release noises. This personalised piano sound is further enhanced with atmospheric reverberation effects, delivering a rich,vibrant piano tone with breathtaking realism and authenticity.
Strong selection of additional instrument sounds
Supplementing the realistic acoustic piano voices, the ES8 digital piano also features a strong selection of additional
instrument sounds, ranging from electric pianos and drawbar and church organs, to string, choir, and mallet instruments,
inviting musicians to add greater variety to their performances.
Furthermore, the Dual playing mode also allows two different sounds, such as grand piano and strings, to be layered together,while the Split and Four Hands modes divide the keyboard into two independent sections. The volume balances for eachplaying mode can also be adjusted quickly and easily using the real-time panel controls.
Professional accompaniment styles
Featuring a variety of styles ranging from pop and rock ballads, to jazz-funk, dance, and latin flavours, the Rhythm Section
function of the ES8 digital piano provides solo performers with professionally arranged backing accompaniment at thetouch of a button. In addition, the 100 preset chord progressions and One Finger Ad-lib™ solo phrases allow musicians tobreathe life into their repertoire, while maintaining control over each performance.
USB to Device functionality, with MP3/WAV file recording and playback
The ES8 digital piano is equipped with USB connectors that not only allow the instrument to be connected to a computerfor MIDI use, but also to load and save data to USB memory devices directly. This USB to Device feature allows registration
memories and songs recorded and stored in internal memory to be saved to USB for posterity, or standard MIDI files (SMF)
downloaded from the internet to be conveniently played back without additional hardware.
USB memory devices can also be used to play back MP3 or WAV audio files, allowing musicians to learn the chords or melody
for a new piece, or to simply play along with their favourite songs. It is even possible to save performances as MP3 or WAV
files for emailing to friends and family, listening to on a smartphone, or for further editing using an audio workstation.
Wide range of connectivity options
The ES8 digital piano features a variety of standard connectivity options, with Line-level output jacks that allow the instrument
to be enjoyed in larger settings such as churches and schools. Standard MIDI and USB to Host connectors ensure flexibility
when using computers and other electronic instruments, while the Line-in stereo jack provides a convenient method of
mixing in audio from a laptop, tablet, or other digital device.

11

Part Names and Functions

b

c

d

e

f

g

Introductionata MASTER VOLUME slider

f EXIT button

This slider controls the master volume level of the instrument’s
built-in speakers or headphones, if connected.

This button is used to exit the current function, or return to theprevious screen, and can also be used as a shortcut to jump to
the Line Out Volume setting.

* This slider does not affect the LINE OUT level. For information about
adjusting the LINE OUT level, please refer to page 84.

b TRANSPOSE button
This button is used to adjust the pitch of the instrument’s
keyboard in semi-tone steps.

c SPLIT button
This button is used to select and adjust the instrument’s Split/
Four Hands mode functions.
When pressed simultaneously, the TRANSPOSE and SPLIT
buttons are also used to select the instrument’s Demo mode.

d REGISTRATION button
This button is used to store and recall one of the 28 different
Registration memories. Each Registration can store sound,
Rhythm Section, reverb/effects, and Virtual Technician settings,
as well as various other panel and menu options.

e SOUND buttons
These buttons are used to select the sound(s) that will be heard
when playing the instrument’s keyboard.
These buttons are also used to select Registration memories.

12g MENU buttons
These buttons are used to navigate through the instrument’s
various function and settings menus.

h LCD display
The LCD display provides important information relating to
the currently selected sound, style, function, and setting.
* A protective plastic film is attached to the display during production.
Please remove this film before attempting to play the instrument.

i VALUE/BALANCE buttons
These buttons are used to adjust values, change settings, andanswer on-screen prompts.
These buttons are also used to increase or decrease the volume
balance when using Dual or Split playing modes.

j EFFECTS and REVERB buttons
These buttons are used to turn the instrument’s reverb andeffects functions on/off, and to adjust effect/reverb settings.
When pressed simultaneously, the EFFECTS and REVERB buttons
are also used to adjust the instrument’s AMP settings.

i

j

k

l

m

n

o

p

q

Introduction

h

r s

t

k  (RESET) button

p METRONOME button

This button is used to reset the instrument’s song recorder, andto rewind songs and MP3/WAV/SMF files to the beginning.

This button is used to turn the instrument’s metronome function
on/off, and to adjust metronome settings.

This button is also used to select the Rhythm Section part.

q USB buttonl  (REC) and / (PLAY/STOP) buttons

This button is used to access the instrument’s USB functions.

These buttons are used to record and playback songs stored in
the instrument’s internal memory, or MP3/WAV/SMF files saved
to a USB memory device.

When pressed simultaneously, the METRONOME and USB
buttons are used to toggle the instrument’s Panel Lock feature.

m  (REW) and  (FWD) buttons

This switch is used to turn the instrument on/off.

These buttons are used to move the playing position of thecurrent recorder song or MP3/WAV/SMF backward or forward.
These buttons are also used to select the recorder song andRhythm Section style.

n AB (LOOP) button
This button is used to enable the instrument’s A-B Loop function,
allowing passages of a recorder song or MP3/WAV/SMF file to beplayed back repeatedly.
This button is also used to select the Rhythm Section ACC mode.

o RHYTHM SECTION button
This button is used to select the instrument’s Rhythm Section
function, featuring drum rhythms and accompaniment styles.

r POWER button* The ES8 digital piano features a power saving mode that can turn off the
instrument automatically after a specified period of inactivity. For more
information, please refer to the Auto Power Off setting on page 132.

s USB to Device port
This port is used to connect a FAT or FAT32 formatted USB
memory device to the instrument in order to load/save recordedsong data, registration memories, and MP3/WAV/SMF files etc.

t PHONES jacks
These jacks, located on either side of the keyboard, are used
to connect stereo headphones to the instrument. Two pairs ofheadphones can be connected and used simultaneously.
* For more information about connectors/jacks, please refer to page 133.

13

Setting Up the Piano
Upon unboxing the instrument, please follow the instructions below which explain how to attach the music rest,
connect the F-10H (or optional F-20) foot pedal, and if desired, connect a pair of headphones.

Introduction

 Attaching the music rest
Insert the legs of the music rest into the holes located at the rearof the ES8 digital piano, taking care not to scratch the rear of the
instrument.
To prevent possible damage, avoid applying excessive force
when attaching/detaching the music rest from the instrument.

 Connecting the F-10H foot pedal
Connect the included Kawai F-10H foot pedal to the DAMPER
pedal jack located on the rear panel of the instrument.
The foot pedal will function as a damper pedal, sustaining thesound after hands are lifted from the keyboard. This pedal iscapable of responding to ‘half pedaling’.

 Connecting the optional F-20 double pedal
Connect the optional Kawai F-20 double pedal to the DAMPER/
SOFT pedal jack located on the rear panel of the instrument.
The right pedal will function as a damper pedal, sustaining thesound after hands are lifted from the keyboard. This pedal isalso capable of responding to ‘half pedaling’.
The left pedal will function as a soft pedal, softening the soundand reducing its volume.
* When ‘Jazz Organ’ or ‘Drawbar Organ’ sounds are selected, the soft
pedal can also be used to alternate the speed of the rotary speakereffect between ‘Slow’ and ‘Fast’ modes.
* The ‘F-20 Mode’ setting can be used to change the default pedalling
behaviour, allowing the F-10H and F-20 pedals to be connected
simultaneously to create a triple pedal system. For more information,please refer to page 87.

 Connecting headphones
Use the jacks located on either side of the keyboard to connect
stereo headphones to the ES8 digital piano.
Two pairs of headphones can be connected and usedsimultaneously. When a pair of headphones is connected,
sound will not be produced by the built-in speakers.

14

Basic Operation
The following instructions explain how to connect the instrument to the power outlet, turn on the power, adjust thevolume to a comfortable level, and begin playing the piano.

Connect the included AC power adaptor to the ‘DC IN’ jacklocated on the rear panel of the instrument, indicated below.

Introduction

1. Connecting the power adaptor
Connect the AC power adaptor to an AC outlet.

2. Turning on the instrument’s powerPress the POWER button located on the right side of the
instrument’s control panel.
The instrument will turn on, and the words ‘SK ConcertGrand’will be shown in the LCD display, indicating that the SK
ConcertGrand sound is selected. The LED indicator for the
PIANO 1 button will also turn on.

SK ConcertGrand
LED indicator on:
Sound category is selected.

* The ES8 digital piano features a power saving mode that can turn off the
instrument automatically after a specified period of inactivity. For more
information, please refer to the Auto Power Off setting on page 132.

3. Adjusting the volume
The MASTER VOLUME slider controls the volume level of the
instrument’s speakers, or headphones if connected.
Move the slider to the right to increase the volume, and to theleft to decrease the volume.
Use this slider to set the volume to a comfortable listening level- the middle is often a good starting point.

Left:
DecreasevolumeRight:
Increasevolume* This slider does not affect the LINE OUT level. For information about
adjusting the LINE OUT level, please refer to page 84.

4. Play the piano
Begin playing the piano.
The rich sound of a Kawai SK-EX Concert Grand Piano will beheard as the keys are pressed.

15

Selecting Sounds
The ES8 digital piano features a wide selection of realistic instrument sounds suitable for various musical styles.
Sounds are arranged into seven categories, with multiple sounds assigned to each category button. For a complete
listing of the available instrument sounds, please refer to page 137 of this owner’s manual.
By default, the ‘SK ConcertGrand’ sound will be selected automatically when the instrument is turned on.

Playing the Piano

 Sound categories and variations
PIANO 1PIANO 2

E. PIANOORGAN

1SK ConcertGrand1

SK-5 GrandPiano

1

Classic E.P.

1

Drawbar Organ

2

EX ConcertGrand

2

Upright Piano2

60’s E.Piano

2

Jazz Organ

3

Jazz Clean

3

Pop Grand 2

3

Modern E. P.

3

Principal Oct.

4

Warm Grand

4

Modern Piano

4

Classic E.P.2

4

Church Organ

5

Pop Grand

5

Rock Piano

HARPSI / MALLETS

STRINGS / CHOIR

BASS

1

Harpsichord

1

Slow Strings

5

Choir Ooh/Aah

1

Wood Bass

2

Vibraphone2

String Pad

6

Choir Aah

2

Electric Bass

3

Clavi

3

Warm Strings

7

New Age Pad

3Fretless Bass

4

Marimba4

String Ensemble

8

Atmosphere

4

W. Bass & Ride

1. Selecting a sound category
Press the desired SOUND button.
The LED indicator for the button will turn on to indicate that thiscategory has been selected, and the name of the sound will beshown in the LCD display.

Classic E.P.

Example: To select the E.PIANO category, press
the E.PIANO button.

2. Changing the selected sound variation
Several sound variations are assigned to each category button.
Press a SOUND button repeatedly to cycle through the different
sound variations.
×3

SK-5 GrandPiano

Example: To select the ‘Pop Grand 2’ sound, press
the PIANO2 button three times.

Pop Grand 2
The  or  VALUE buttons can also be used to select sounds,
and cycle through the different sound variations.

16

Demo SongsThe Demo function provides an excellent introduction to the varied capabilities of the ES8 digital piano.
There are 29 different demonstration songs available, highlighting the instrument’s rich selection of high quality
sounds, convenient Rhythm Section feature, and powerful speaker system.
For a complete listing of the available demonstration songs, please refer to page 136 of this owner’s manual.
* Kawai regrets that sheet music for Kawai original demo songs is not available.

1. Entering demo mode
Press the TRANSPOSE and SPLIT buttons simultaneously.

DEMO
Main Demo
Demo song name

Playing the Piano

The LED indicators for both buttons will start to flash to indicatethat demo mode is in use, and the Main Demo song will start
to play.

* When the Main Demo song has finished, a sound demo song will beselected at random, and will start to play.
* During demo mode, pedals connected to the ES8 will not beeffective.

2. Selecting a demo song
While Demo mode is selected and the demo songs are playing:
Press the desired SOUND button.

Press the selected sound category button repeatedly to cycle
through the different demo songs in that category.

×4

The LED indicator for the button will start to flash, and the first
demo in the selected sound category will start to play.

Example: To select the Warm Grand demo song,press the PIANO1 button four times.

DEMO
Warm GrandIn addition, press the RHYTHM SECTION button to play theRhythm Section demo song.
* When the Rhythm Section song has finished, the Main Demo song
will be re-selected, and will start to play.

The  or  VALUE buttons can also be used to cycle through allof the different demo songs.

3. Stopping the demo song and exiting demo mode
While Demo mode is selected and the demo songs are playing:
Press the EXIT or PLAY/STOP button.

or

The LED indicators will stop flashing, the demo songs will stop
playing, and the instrument will return to normal playing mode.

17

Dual Mode
The Dual Mode function allows two sounds to be layered together, creating a more complex sound.
For example, a piano sound layered with strings, or a church organ combined with a choir, etc.

1. Entering Dual mode
Press and hold a SOUND button to select the main sound, thenpress another SOUND button to select the layered sound.

Playing the Piano

Main sound

SK ConcertGrand
Slow Stringsldho

The LED indicators for both SOUND buttons will turn on toindicate that Dual mode is in use, and the respective soundnames will be shown in the LCD display.

Example: To layer the ‘Slow Strings’ sound with the ‘SK
ConcertGrand’ sound, press and hold the PIANO1 button,then press the STRINGS/CHOIR button.

Layered sound

2. Changing the main/layered sounds
To select a different variation for the layered sound:ldho

SK ConcertGrand
String Ensemble

×2

Press and hold the main SOUND button, then press the layered
SOUND button repeatedly to cycle through the different soundvariations.

Example: To change the layered ‘Slow Strings’ sound tothe ‘String Ensemble’ sound, press and hold the PIANO1
button, then press the STRINGS/CHOIR button twice.

To select a different variation for the main sound:ldhoJazz Clean
String Ensemble

×3

Press and hold the layered SOUND button, then press the main
SOUND button repeatedly to cycle through the different soundvariations.

Example: To change the main ‘SK ConcertGrand’ soundto the ‘Jazz Clean’ sound, press and hold the STRINGS/CHOIR button, then press the PIANO1 button three times.

To layer two variations assigned to the same SOUND button:* Preferred Dual mode sound combinations can be stored to a
Registration memory for convenient recall. Please refer to page 34
for more information.

18

ld
ho

Classic E.P.
60's E.Piano

×2

Press and hold a SOUND button, then press the  or  VALUE
buttons to select the layered sound variation.

Example: To layer the ‘Classic E.P.’ and ‘60’s E.Piano’sounds together, press and hold the E.PIANO button, thenpress the VALUE  button twice.

3. Adjusting the main/layered sound volume balance
While Dual mode is in use:
Press the  or  VALUE/BALANCE buttons to adjust the volume
balance between the main and layered sounds.
The volume balance will briefly be shown in the LCD display.
* The default Dual mode volume balance is 9-9.

VALUE Increase layeredsound volume/
decrease mainsound volume.

VALUE Increase mainsound volume/
decrease layeredsound volume.

* The preferred Dual mode volume balance can also be stored to a
Registration memory for convenient recall. Please refer to page 34
for more information.

×5

SK ConcertGran 5
Slow Strings
9

Playing the Piano

SK ConcertGran 9
Slow Strings
9

Example: To decrease the volume of the mainsound to 5, press the VALUE  button five times.

* The Layer Octave Shift setting can be used to adjust the octave rangeof the layered sound. Please refer to page 120 for more information.
* The Layer Dynamics setting can be used to adjust the dynamic
sensitivity of the layered sound. Please refer to page 121 for more
information.

4. Exiting Dual mode
While Dual mode is in use:
Press a single SOUND button.
The LED indicator for the button will turn on, the name ofthe selected sound will be shown in the LCD display, and the
instrument will return to normal (single voice mode) operation.

SK ConcertGrand19

Split Mode
The Split Mode function divides the keyboard into two sections, allowing each section to be played with a different
sound. For example, a bass sound in the lower section, and a piano sound in the upper section.

1. Entering Split mode
Press the SPLIT button.
The LED indicator for the SPLIT button will turn on to indicatethat Split mode is in use.
* The default split point is set between keys F#3 and G3.

Playing the Piano

The LED indicator for the upper section sound button will turnon, and the LED indicator for the lower section sound button
will start to flash. The respective sound names will also be
shown in the LCD display.
Upper section soundSplitenabledSK ConcertGrand/Wood Bass
Lower section soundDefault Split mode:
The previously selected sound is used for the upper section,and the ‘Wood Bass’ sound is selected for the lower section.

2. Changing the upper/lower section sounds
To select a different sound for the upper section:
Press the desired SOUND button.

×2

Jazz Organ/Wood Bass

Example: To select the ‘Jazz Organ’ sound for the upper
section, press the ORGAN button twice.

To select a different sound for the lower section:* The Lower Octave Shift setting can be used to adjust the octave rangeof the lower section. Please refer to page 117 for more information.
* The Lower Pedal setting can be used to enable/disable the damper
pedal for the lower section. Please refer to page 118 for more
information.
* Preferred Split mode upper/lower sound combinations can be stored
to a Registration memory for convenient recall. Please refer to page
34 for more information.

20

ld
ho

Jazz Organ/W.Bass & Ride

×4

Press and hold the SPLIT button, then press the desired SOUND
button.

Example: To select the ‘W. Bass & Ride’ sound for the lower
section, press and hold the SPLIT button, then press the
BASS button four times.

3. Changing the split point
Press and hold the SPLIT button, then press the desired split key
on the keyboard.
The name of the pressed key will briefly be shown in the LCD
display, and will become the new split point.
* Split Mode and the Rhythm Section share the same split point.

Split Point= F4
Example: To set the split point to key F4, press
and hold the SPLIT button, then press the F4 key.

Upper sectionholdPlaying the Piano

Lower section

New split point

4. Adjusting the upper/lower sound volume balance
While Split mode is in use:
Press the  or  VALUE/BALANCE buttons to adjust the volume
balance between the upper and lower sections.
The volume balance will briefly be shown in the LCD display.
* The default Split mode volume balance is 9-9.

VALUE Increase lower
section volume/
decrease upper
section volume.

VALUE Increase upper
section volume/
decrease lower
section volume.

Jazz Organ
6/W.Bass & Ride 9* The preferred Split mode upper/lower volume balance can also be
stored to a Registration memory for convenient recall. Please refer topage 34 for more information.

×4

Jazz Organ
9/W.Bass & Ride 9

Example: To decrease the volume of the upper section
sound to 6, press the VALUE  button four times.

5. Exiting Split mode
While Split mode is in use:
Press the SPLIT button.
The LED indicator for the SPLIT button will turn off, and the
instrument will return to normal (full keyboard) operation.

Jazz Organ

21Four Hands Mode
The Four Hands Mode function divides the keyboard into two sections in a similar way to that of the Split Modefunction. However, with Four Hands Mode enabled, the octave/pitch of each section is automatically adjusted tocreate two separate 44-key instruments with the same playing range. This function is intended to allow two people
to practise together or perform piano duets using a single instrument.

1. Entering Four Hands mode
Press and hold the SPLIT button, then press the damper pedal.
The LED indicator for the SPLIT button will start to flash to
indicate that Four Hands mode is in use.

Playing the Pianoldho* The default four hands mode split point is set between keys E4 andF4.

Press thedamper pedal

The LED indicator for the PIANO1 button will turn on, and the‘SK ConcertGrand’ sound will automatically be selected for boththe upper and lower sections.
Upper section sound

Four
Hands
enabledSK ConcertGrand/SK ConcertGrand

Default Four Hands mode:
The ‘SK ConcertGrand’ sound is selected for boththe upper and lower sections.

Lower section sound

2. Changing the upper/lower section sounds
To select a different sound for the upper section:
Press the desired SOUND button.

Classic E.P.
/SK ConcertGrand
Example: To select the ‘Classic E.P.’ sound for theupper section, press the E.PIANO button.

To select a different sound for the lower section:* If the included F-10H foot pedal is connected to the instrument, thepedal will function as a damper pedal for the upper section only.
However, if the optional F-20 double pedal is connected, the right(sustain) and left (soft) pedals will function as independent damper
pedals for the upper and lower sections respectively.
* Preferred Four Hands mode upper/lower sound combinations can be
stored to a Registration memory for convenient recall. Please refer topage 34 for more information.

22

ld
ho

Classic E.P.
/Upright Piano

×2

Press and hold the SPLIT button, then press the desired SOUND
button.

Example: To select the ‘Upright Piano’ soundfor the lower section, press and hold the SPLIT
button, then press the PIANO2 button twice.

3. Changing the Four Hands mode split point
Press and hold the SPLIT button, then press the desired split key
on the keyboard.
The name of the pressed key will briefly be shown in the LCD
display, and will become the new Four Hands mode split point.
* The Four Hands Mode split point can be changed independently of
the Split Mode and Rhythm Section split point.

Split Point= C5
Example: To set the split point to key C5, press and holdthe SPLIT button, then press the C5 key.

Upper section

Playing the Pianohold

Lower section

New split point

4. Adjusting the upper/lower sound volume balance
While Four Hands mode is in use:
Press the  or  VALUE/BALANCE buttons to adjust the volume
balance between the upper and lower sections.
The volume balance will briefly be shown in the LCD display.
* The default Four Hands mode volume balance is 9-9.

VALUE Increase lower
section volume/
decrease upper
section volume.

VALUE Increase upper
section volume/
decrease lower
section volume.

Classic E.P.
9
/Upright Piano 6* The preferred Four Hands mode upper/lower volume balance canalso be stored to a Registration memory for convenient recall. Pleaserefer to page 34 for more information.

×4

Classic E.P.
9
/Upright Piano 9

Example: To decrease the volume of the lower section
sound to 6, press the VALUE  button four times.

5. Exiting Four Hands mode
While Four Hands mode is in use:
Press the SPLIT button.
The LED indicator for the SPLIT button will stop flashing, and the
instrument will return to normal (full keyboard) operation.

Classic E.P.

23

Enhancing the Sound
The ES8 digital piano offers a variety of features to adjust and enhance the character of a particular sound. Some ofthese features (e.g. Reverb), are enabled automatically when a sound is selected, however players may also wish tochange the strength or type of enhancement to suit their personal preferences or different styles of music.

1 Reverb
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. Some sound types, such as acoustic piano, enable reverb automatically in order to improve acoustic realism.
The ES8 digital piano features six different reverb types.

Playing the Piano

 Reverb types
Reverb type

Description

Room

Simulates the ambiance of a small rehearsal room.

LoungeSimulates the ambience of piano lounge.

Small Hall

Simulates the ambiance of a small hall.

Concert Hall

Simulates the ambiance of a concert hall or theater.

Live Hall

Simulates the ambiance of a live hall or stage.

Cathedral

Simulates the ambiance of a large cathedral.

1. Turning Reverb on/off
Press the REVERB button to turn reverb on/off.
The LED indicator for the REVERB button will turn on to indicate
when reverb is in use, and the current status will briefly beshown in the LCD display.

Room

On

2. Entering the Reverb settings menu
Press and hold the REVERB button.

Reverb Type= Roomhold

The reverb settings menu will be shown in the LCD display.

 Reverb settings

24

Reverb setting

Description

Range

Type

Changes the type of environment.

–

Depth

Adjusts the depth of the environment (i.e. amount of reverberation to apply).

1~10

Time

Adjusts the decay length/speed of the reverberation.

1~10

3. Adjusting the Reverb settings (type/depth/time)
While the reverb settings menu is shown, to change the reverb type:

Reverb Type= Room×2

Press the  or  VALUE buttons to cycle through the different
reverb types.

Example: To change the reverb type from ‘Room’
to ‘Small Hall’, press the VALUE  button twice.

Playing the Piano

Reverb Type= Small Hall
To change the reverb depth:
Press the  or  MENU buttons to select the ‘Reverb Depth’
page, then press the  or  VALUE buttons to decrease or
increase the reverb depth setting.

Reverb Depth
= 5

ho
ld

* The reverb depth setting can be adjusted within the range of 1~10.

Example: To increase the reverb depth, press the
MENU  button to select the ‘Reverb Depth’ page,then press and hold the VALUE  button.

Reverb Depth= 10
To change the reverb time:* The reverb time setting can be adjusted within the range of 1~10.

Reverb Time
= 5

ho
ld

Press the  or  MENU buttons to select the ‘Reverb Time’page, then press the  or  VALUE buttons to decrease or
increase the reverb time setting.

Example: To reduce the reverb time, press the
MENU  button to select the ‘Reverb Time’ page,then press and hold the VALUE  button.

Reverb Time= 2
To exit the reverb settings menu and return to normal playing
mode, press the EXIT button or wait 4 seconds.
* Reverb settings are independent for each sound variation.
* Any changes made to the reverb type, settings, or on/off status willremain until the power is turned off.
* Preferred reverb settings can be stored to a Registration memory forconvenient recall. Please refer to page 34 for more information.

25

Enhancing the Sound

2 Effects
In addition to reverb, various other effects can be applied to the selected sound, altering the tonal character andfeeling of the instrument. As with reverb, some sound types enable certain effects automatically in order to enhancetonal quality. The ES8 digital piano features eleven different effect types, and four combination effects.

Playing the Piano Effect types
Effect type

Description

Stereo Delay

Adds an echo effect to the sound, playing through both speakers (stereo) simultaneously.

Ping Delay

Adds a ‘ping pong’ echo effect to the sound, giving the impression that it is ‘bouncing’ from left to right.

Triple Delay

Similar in principle to Ping Delay, but with an additional centre echo.

ChorusLayers a slightly detuned version of the sound over the original, thus enriching its tonal character.

Classic Chorus

Similar in principle to Chorus, but intended for vintage electric piano sounds.

TremoloContinuously varies the volume at a constant speed, adding a vibrato type effect to the sound.

Classic Tremolo

Similar in principle to Tremolo, but intended for vintage electric piano sounds.

Auto Pan

Alternates the sound output from left to right across the stereo field using a sine wave.

Classic Auto Pan

Similar in principle to Auto Pan, but intended for vintage electric piano sounds.

Rotary* Pressing the  and  MENU buttons simultaneously alternates the speed of the rotary simulation between ‘Slow’and ‘Fast’ effect modes. If the optional F-20 double pedal is connected, the left (soft) pedal can also be used.

Phaser

Applies a cyclic phase change to the sound, giving the impression that the sound is moving.

Simulates the sound of a rotary speaker commonly used with vintage electronic organs.

Combination Effects

Different combinations of the above effects, applied simultaneously.
* Combination effect types: Phaser+Chorus, Tremolo+Chorus, Phaser+AutoPan, Chorus+Chorus

1. Turning Effects on/off
Press the EFFECTS button to turn effects on/off.
The LED indicator for the EFFECTS button will turn on to indicate
when effects are in use, and the current status will briefly beshown in the LCD display.

ChorusOn

2. Entering the Effects settings menu, selecting the Effect typePress and hold the EFFECTS button.
The first page of the effects settings menu will be shown in the
LCD display.

Press the  or  VALUE buttons to cycle through the different
effect types.

26

ld
ho

Effect Type= Stereo DelayEffect type

Setting 1

Setting 2

Setting 3

Setting 4

Stereo Delay / Ping Delay / Triple Delay

Dry / Wet

Time

Feedback

High Damp

ChorusDry / Wet

Speed

Feedback

DepthClassic Chorus

Mono / Stereo

Speed

–

–

TremoloDry / Wet

Speed

–

–

Classic Tremolo

Dry / Wet

Speed

–

–

Auto PanDry / Wet

Speed

–

–

Classic Auto Pan

Dry / Wet

Speed

–

–

RotaryAccel. Speed

Rotary Speed

ChorusBalancePhaserDry / Wet

Speed

Feedback

Depth

Combination Effects

Dry / Wet

Speed

Playing the Piano Effect settings

3. Selecting and adjusting the Effect settings
While the effects settings menu is shown in the LCD display:Press the  or  MENU buttons to cycle through the different
effects settings pages.
×2

Effect Type= Stereo Delay

Example: To select the ‘Delay Time’ effects
setting, press the MENU  button twice.

Delay Time
= 5
Press the  or  VALUE buttons to adjust the value of theselected effects setting.
hold* Effect settings can be adjusted within the range of 1~10.

Delay Time= 5

Example: To increase the ‘Delay Time’ effects
setting, press and hold the VALUE  button.

Delay Time= 10
To exit the effects settings menu and return to normal playing
mode, press the EXIT button or wait 4 seconds.
* Effects settings are independent for each sound variation.
* Any changes made to the effect type, settings, or on/off status willremain until the power is turned off.
* Preferred effects settings can be stored to a Registration memory forconvenient recall. Please refer to page 34 for more information.

27

Enhancing the Sound

3 Amp Simulator
The ES8’s Amp Simulator (Amp Sim) attempts to reproduce the sound, response, and overdrive characteristics ofa typical amp/speaker combination, giving electric piano and drawbar organ sounds an authentic vintage quality.
Once enabled, the amplifier type can be selected, with adjustable drive, level, and Low/Hi EQ settings. As with theReverb and Effects functions, selecting certain sounds will enable the Amp Sim automatically.

1. Turning the Amp Sim on/off
Press the EFFECTS and REVERB buttons simultaneously.

Playing the Piano

The amp sim settings menu will be shown in the LCD display.

Amp Sim= Off
Press the  or  VALUE buttons to turn the amp sim on/off.

hold* If Dual or Split/Four Hands modes are selected, the Amp Sim will notaffect the layered or lower section sounds.

 Amp Sim settings
Amp Sim setting

Description

Range

Type

Selects the amplifier/speaker type.

See below

Drive

Adjusts the drive (overdrive) level of the selected amplifier.

1~10

Level

Adjusts the volume level of the selected amplifier.

1~10

EQ Low

Adjusts the low frequency EQ level of the selected amplifier.

–6 dB~+6 dB

EQ High

Adjusts the high frequency EQ level of the selected amplifier.

–6 dB~+6 dB

2. Changing the Amp Sim type
While the amp sim settings menu is shown in the LCD display:Press the  or  MENU buttons to select the Amp Sim Typesetting, then press the  or  VALUE buttons to cycle throughthe different amp sim types.

Amp Sim Type
= S.Case I Amp Sim types

28

Amp Sim type

Description

S. Case I

A distantly miked suitcase type speaker, suitable for vintage electric piano sounds.

S. Case II

A closely miked suitcase type speaker, suitable for vintage electric piano sounds.

L. Cabinet

A speaker enclosed within a wooden cabinet, suitable for vintage drawbar organ sounds.

3. Adjusting the Amp Sim settings (drive/level/eq low/eq high)While the amp sim settings menu is shown in the LCD display:

To exit the amp sim settings menu and return to normal playing
mode, press the EXIT button or wait 4 seconds.

Example: To increase the drive of the amp sim, press
the MENU  button to select the ‘Amp Sim Drive’
page, then press and hold the VALUE  button.

Playing the Piano

Amp Sim Drive
= 5

ho
ld

Press the  or  MENU buttons to cycle through the different
amp sim settings pages, then press the  or  VALUE buttons
to adjust the value of the selected amp sim setting.

* Amp sim settings are independent for each sound variation.
* Any changes made to the amp sim type, settings, or on/off status willremain until the power is turned off.

* Preferred amp sim settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

Panel Lock
The Panel Lock function allows the state of all panel buttons to be temporarily locked, preventing sounds and othersettings from being changed. This function may prove useful in teaching environments, ensuring that students are
not distracted by changing sounds etc.

1. Activating the Panel Lock
Press the METRONOME and USB buttons simultaneously.
The Panel Lock screen will be shown in the LCD display, and the
instrument will stop responding to panel button presses.

Panel LockOn
If panel buttons are pressed while the Panel Lock is activated, areminder message will briefly be shown in the LCD display.

Panel Lock
Press METRO.+USB* When activated, the Panel Lock will remain even after the power isturned off/on.

2. Deactivating the Panel Lock
Press the METRONOME and USB buttons simultaneously again.
A message will be shown in the LCD display to indicate that
the Panel Lock has been deactivated, and the instrument will
resume responding to panel button presses as normal.

Panel LockOff
29

Transpose
The Transpose function allows the pitch of the ES8 digital piano’s keyboard to be raised or lowered in semi-tone
intervals. This is particularly useful when accompanying instruments tuned for different keys, or when a songlearned in one key must be played in another key.

 Adjusting the Key Transpose value: Method 1
Press and hold the TRANSPOSE button, then press the  or 
VALUE buttons to adjust the key transpose value.

Key Transpose
= 0
(C)

×4

Playing the Pianoldho

The LED indicator for the TRANSPOSE button will turn on toindicate that the transpose function is in use, and the key
transpose value will briefly be shown in the LCD display.

Example: To increase the key transpose value from 0 (off)to +4 (i.e. raise the keyboard pitch by 4 semi-tones), press
and hold the TRANSPOSE button, then press the VALUE 
button four times.

Key Transpose= +4 (E)* The keyboard pitch can be raised or lowered by up to 12 semi-tones.
* To reset the key transpose value to 0, press and hold the TRANSPOSE
button, then press the  and  VALUE buttons simultaneously.

 Adjusting the Key Transpose value: Method 2
Press and hold the TRANSPOSE button, then press a key within
the range of C2 to C4.

ldho

The LED indicator for the TRANSPOSE button will turn on toindicate that the transpose function is in use, and the key
transpose value will briefly be shown in the LCD display.

Key Transpose
= 0
(C)

C2

C4

Example: To change the key transpose from C (off) to A
(i.e. lower the keyboard pitch by three semi-tones), press
and hold the TRANSPOSE button, then press the A key.

Key Transpose= -3 (A)* The keyboard pitch can be adjusted within the range of C2 to C4.

 Turning Key Transpose on/off
Press the TRANSPOSE button to turn the key transpose function on/off.
* The specified key transpose setting will be retained even after the ke transpose function is turned off. This allows the key transpose function to beturned on and off freely, without the need to adjust the value each time.
* The specified key transpose setting will return to the default value of 0 after the power is turned off.
* Preferred key transpose settings can be stored to a Registration memory for convenient recall. Please refer to page 34 for more information.

30

Using the Song Transpose function it is also possible to transpose recorder songs stored in internal memory, and
SMF song files stored on a USB memory device. This allows the pitch of the song to be adjusted without affecting
the pitch of the keyboard.

 Selecting the Song Transpose/Key Transpose settings
Press and hold the TRANSPOSE button, then press the  or 
MENU buttons to alternate between the key transpose and songtranspose settings.

Playing the Pianoldho Adjusting the Song Transpose value
While the Song Transpose screen is shown in the LCD display:

Song Transpose= 0(C)Song Transpose= +2 (D)×2

Press the  or  VALUE buttons to adjust the song transpose
value.

Example: To increase the song transpose value from0 (off) to +2 (i.e. raise the song pitch by 2 semi-tones),press and hold the TRANSPOSE button, then press the
VALUE  button twice.

* The song pitch can be raised or lowered by up to 12 semi-tones.
* To reset the song transpose value to 0, press the  and  VALUE
buttons simultaneously.
* The song transpose value will automatically reset to 0 when adifferent song is selected.

31

Metronome
The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo.
The time signature, volume, and tempo of the metronome can all be freely adjusted.

1. Turning the Metronome on/off
Press the METRONOME button.
The LED indicator for the METRONOME button will turn on toindicate that the metronome function is in use, and a 1/4 beatwill start to count.

Playing the Piano

The current metronome tempo in beats per minute (BPM) andbeat of the bar will also be shown in the LCD display.
Metronome tempo

Tempo
ÄÅÅÅ

Œ=120

Current beatPress the EXIT or METRONOME button again to stop the metronome.

or

The LED indicator for the METRONOME button will turn off, thebeat will stop counting, and the LCD display will return to thenormal playing mode screen.

2. Adjusting the Metronome settings (tempo/beat/volume)
While the Metronome tempo screen is shown in the LCD display, toadjust the metronome tempo:

Tempo
ÄÅÅÅ

Œ=120

ho
ld

Press the  or  VALUE buttons to adjust the value of themetronome tempo.

Example: To decrease the tempo of the metronome,press and hold the VALUE  button.

Tempo
ÄÄÄÅ

Œ= 90

* The metronome tempo can be adjusted within the range of 10~400
beats per minute (BPM).
* To reset the metronome tempo to 120, press the  and  VALUE
buttons simultaneously.

To adjust the metronome beat (time signature):* There are ten different types of beat (time signature) available:
1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.

32* To reset the metronome beat to 4/4, press the  and  VALUE buttons
simultaneously.

×2

Press the  or  MENU buttons to select the ‘Beat’ page, thenpress the  or  VALUE buttons to cycle through the different
metronome beat (time signature) types.
Example: To change the beat (time signature) from
1/4 to 3/4, press the MENU  button to select the ‘Beat’page, then press and the VALUE  button twice.

2. Adjusting the Metronome settings (tempo/beat/volume)
To adjust the metronome volume:
Press the  or  MENU buttons to select the ‘Volume’ page,then press the  or  VALUE buttons to adjust the value of themetronome volume.

VolumeÄÅÅÅ

5VolumeÄÄÄÅ

10Playing the Piano

Example: To increase the volume of the tempo,
press the MENU  button to select the ‘Volume’
page, then press and the VALUE  button.

* The metronome volume can be adjusted within the range of 0~10.
* To reset the metronome volume to 5, press the and  VALUE buttons
simultaneously.
* Any changes made to the metronome tempo, beat, or volume settingssettings will remain until the power is turned off.
* Preferred metronome settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

 Changing sounds while the Metronome is in use
Press the desired SOUND button.
The LED indicator for the button will turn on to indicate that thiscategory has been selected.
The name of the sound will briefly be shown in the LCD display,
before returning to the metronome screen.

Example: To select the ‘Classic E.P’. sound,press the E.PIANO button.

Classic E.P.

Tempo
ÄÄÄÅ

Œ= 90

 Jump to Recorder shortcut
While the Metronome function is in use:
Press the REC button.
The Recorder standby screen will be shown in the LCD display,
and the metronome will count. A one bar count-in will also be
played before the recording begins.
* Please refer to page 48 for more information about the instrument’s
Recorder functions.

33

Registration Memories
The Registration function allows the current instrument setup (sound/style selection, all settings, etc.) to be stored
to a registration memory, and conveniently recalled at the touch of a button. Each of the seven registration buttons
contain four banks (A, B, C, and D), allowing up to 28 different registration memories to be stored.
Registrations can also be loaded from/saved to USB memory devices. Please refer to page 67 for more information.

Playing the Piano Settings stored in Registration memories
GeneralSettings

Selected sound

Basic Settings*

Dual Mode / Split Mode (sounds, volume balance, split point)

Virtual Technician

Reverb, Effects, Amp Simulator (type, settings)

Rhythm Settings

Transpose (Key Transpose only)

Key Settings

Metronome (Beat, Tempo, Volume)

MIDI Settings* Wall EQ, Speaker Volume, Phones Volume, Line Out Volume, Audio Recorder Gain, and Power Settings will not be stored to Registration memories.

 Selecting a Registration memory
Press the REGISTRATION button.
The LED indicator for the REGISTRATION button will turn on
to indicate that the registration function is in use, and theregistration selection screen will be shown in the LCD display.
Bank (A, B, C, or D)

Press the SOUND buttons to select the desired registration
memory. Press the same SOUND button repeatedly to cycle
through the four banks (A, B, C, and D).

Registration 4¤¤Jazz Organ/Fretless Bass
Alternatively, press the  or  VALUE buttons to cycle throughall 28 different registration memories.

 Exiting Registration mode (restore previous settings)
To return to normal playing mode without selecting the registration(i.e. restore the previous panel settings):
Press the REGISTRATION button.

34

The LED indicator for the REGISTRATION button will turn off,
and the instrument will return to normal playing mode.

×2⁄SK ConcertGrand

Example: To select registration memory 4B, press
the ORGAN button (memory #4) twice.

 Exiting Registration mode (retain new settings)
To return to normal playing mode with the current registration
memory settings selected:
Press the EXIT button.
The LED indicator for the REGISTRATION button will turn off,
and the instrument will return to normal playing mode.

 Storing a Registration memory

Playing the Piano

To store a registration memory to the current banks (e.g. bank A):
Press and hold the REGISTRATION button, then press and hold a
SOUND button.
ldho

The current instrument setup will be stored to the registration
memory assigned to the pressed SOUND button, and aconfirmation message will briefly be shown in the LCD display.

Example: To store the current instrument setup
to memory 6A, press and hold the REGISTRATION
button, then press the STRINGS/CHOIR button.

Registration 6⁄
StoredTo store a registration memory to a different banks (e.g. bank D):
Press and hold the REGISTRATION button, press the same
SOUND button repeatedly to cycle through the four banks (A, B,
C, and D), then press and hold the SOUND button.

hold

The current instrument setup will be stored to the registration
memory and bank specified, and a confirmation message will
be briefly shown in the LCD display.

×4

ld
ho

* The  or  VALUE buttons can also be used to change the bank.

ldhoRegistration 3›
Press & hold [3]Example: To store the current instrument setup
to memory 3D, press and hold the REGISTRATION
button, press the E.PIANO button four times, thenpress and hold the same E.PIANO button.

Registration 3›
Stored Resetting all Registration memories
Press and hold the SPLIT and REGISTRATION buttons, then turnthe instrument’s power off/on.
All registration memories will be reset to the factory default
settings.

ld
ho

ld
ho

35

Rhythm Section Basic Operation
The ES8’s Rhythm Section feature contains 100 built-in accompaniment styles, covering a wide range of musicalgenres. Each style can be used simply as a drum or percussion track, or as a full musical accompaniment with bass,
guitar, organ, brass, etc. parts. In addition, each style includes separate introduction, fill-in, variation, and ending
passages, allowing musicians to enliven their performances at the touch of a button.
For a complete listing of the available Rhythm Section styles, please refer to page 140 of this owner’s manual.

Rhythm Section

 Rhythm Section pattern types
Pattern type

Description

No. of bars

Count-in (drums only)

A short introduction pattern used to count-in the Basic/Variation pattern.

1 or 2Basic

A simple, unobtrusive backing accompaniment pattern.

4 or 8

Variation

A more complicated version of the basic pattern, with additional phrases etc.

4 or 8Fill-in

A short pattern that can be used when repeating phrases or as a bridge between the Basicand Variation patterns.

1

EndingA short pattern used to bring the currently playing accompaniment style to an end.

1

1. Entering the Rhythm Section
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on
to indicate that the Rhythm Section is in use.
Information about the currently selected style will also be
shown in the LCD display.
Selected style
Chord
name

FnkShuffle1 All
C
œ=106

Style
part(s)Style tempo

The entire keyboard can be used to play the melody, with the ES8 detecting and changing the Rhythm Section chord/key
automatically.
Full keyboard:
Used to control the accompaniment, and play the melody.

36

2. Playing with the Rhythm Section
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, andthe count-in drum pattern will start to play.
After the Count-in, the Rhythm Section will change to the Basicpattern. During this time, playing full fingered chords will alsochange the accompaniment’s chords, while single notes play
the melody.

Count-in

Basic

Fill-in

After 8 bars of the Basic pattern have been played, the Rhythm
Section will automatically play the Fill-in pattern.
* Please refer to page 42 for more information about the Rhythm
Section’s Auto Fill-in function.

3. Adding the full backing accompaniment

Rhythm Section

Play with all 88 keys of the keyboard freely.
The full backing accompaniment will begin to play in the key
specified, and the name of the chord will be shown in the LCD
display.
* The Rhythm Section recognises 15 different chords types, including
most inversions. Please refer to page 141 for more information.
* When the Bass Inv. setting is set to ‘On’, the On-Bass chord can berecognised when playing bass notes with the left hand. Please referto page 46.

Example: To play the backing accompaniment in the
key of G minor, press the G, B  and D keys in the lower
section simultaneously.

* When the ACC Mode setting is set to ‘1 Finger Chord’, the Rhythm
Section accompaniment can be changed by playing single notes’s.
Please refer to page 44.

4. Stopping and exiting the Rhythm Section
Press the PLAY/STOP button again.
The Rhythm Section will play the ending pattern, the backing
accompaniment will stop, and the LED indicator for the PLAY/
STOP button will turn off.
Press the RHYTHM SECTION button again to return to normal
playing mode.

 Jump to Recorder function
While the Rhythm Section function is in use:
Press the REC button.
The Recorder selection screen will be shown in the LCD display,with the current Rhythm Section pattern/settings pre-selected.
* Please refer to page 48 for more information about the instrument’s
Recorder functions.

37

Rhythm Section Basic Operation

Rhythm Section Style
The ES8 digital piano features 100 different accompaniment styles, ranging from Pop, Rock, Ballads, and Jazz, toFunk, Dance, Latin, and World Music styles.
For a complete listing of the available Rhythm Section styles, please refer to page 140 of this owner’s manual.

 Selecting the Rhythm Section style
While the main Rhythm Section screen is shown in the LCD display:Press the  or  RHYTHM (REW or FWD) buttons to cycle
through the different Rhythm Section styles.

FnkShuffle1 AllC
œ=106Rhythm Section

LatinGroove AllC
œ=120
Each style features both a ‘basic’ and ‘variation’ pattern. If the‘variation’ pattern is selected, a ≈ symbol will be shown in the
LCD display.
Variation pattern

LatinGroove≈ AllC
œ=120* The selected Rhythm Section style setting will remain until the poweris turned off.
* The preferred Rhythm Section style can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

 Jump to Rhythm Section genre
It is also possible to cycle through the different Rhythm Section
genres, instead of individual styles.
Press and hold the RHYTHM SECTION button, then press the or  RHYTHM (REW or FWD) buttons to cycle through thedifferent Rhythm Section genres.
ldhoLatinGroove≈ AllC
œ=120

FunkyBeat4
All
C
œ=130
38

Rhythm Section Parts
Each Rhythm Section style consists of several different instrument parts. It is possible to specify whether the
Rhythm Section should play drums only, bass and drums, or a full backing accompaniment.

 Rhythm Section parts
R.S. Parts

LCD display

Description

Drums

Drum

The Rhythm Section will play a drum track only.

Bass & Drums

B+Dr

The Rhythm Section will play both bass and drum tracks.

All Parts (default)

All

The Rhythm Section will play a full backing accompaniment (drums, bass, guitar, etc.)

 Changing the Rhythm Section parts
While the main Rhythm Section screen is shown in the LCD display:

Rhythm Section

Press the PART (RESET) button to cycle through the different
Rhythm Section part settings.

LatinGroove AllC
œ=120

LatinGroove B+DrC
œ=120
* The selected Rhythm Section parts setting will remain until the poweris turned off.
* The preferred Rhythm Section parts setting can be stored to a
Registration memory for convenient recall. Please refer to page 34
for more information.

39

Rhythm Section Settings
 Adjusting the Rhythm Section tempo
While the main Rhythm Section screen is shown in the LCD display:Press the  or  VALUE buttons to decrease or increase thetempo of the Rhythm Section.
* The Rhythm Section and Metronome share the same tempo setting.

 Rhythm Section settings
Page no. Setting

Description

Default setting

1

Rhythm Volume

Adjust the volume of the Rhythm Section

52Auto Fill-in

Specify how frequently an Auto Fill-in will be played.

8 bars3

O.F. Ad-lib

Turn the ‘One Finger Ad-lib’ feature on or off.

Off

4

ACC Mode

Specify the chord input mode used for the Rhythm Section accompaniment.

NormalBass Inv.

Turn the ‘Bass Inv.’ (On-Bass chord detection) function on or off.

Off

Preset Chord

Select the preset chord progression type.

Chord 1

Rhythm Section* The Bass Inv. page will only appear when ACC Mode is set to ‘Normal’.
* The Preset Chord page will only appear when ACC Mode is set to ‘Preset Chord’.

 Selecting and adjusting the Rhythm Section settings
Press the  or  MENU buttons to select the Rhythm Settings
menu, then press the VALUE  button to enter the Rhythm
Settings menu.
Press the  or  MENU buttons to cycle through the different
Rhythm Section settings pages.

4 RhythmSettings≥Press VALUE�

4-1 Rhythm Vol.
= 5
Press the  or  VALUE buttons to adjust the value of theselected Rhythm Section setting.

4-1 Rhythm Vol.
= 5

4-1 Rhythm Vol.
= 10
* Any changes made to the Rhythm Section settings will remain until
the power is turned off.
* Preferred Rhythm Section settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

40

1 Rhythm Volume
The Rhythm Volume setting is used to adjust the volume level of the Rhythm Section accompaniment, relative tothe main keyboard sound.

 Adjust the Rhythm Volume setting
While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the Rhythm Volume
settings page, then press the  or  VALUE buttons to adjust
the volume level of the Rhythm Section.

4-1 Rhythm Vol.
= 5

Rhythm Section

4-1 Rhythm Vol.
= 10
* The Rhythm Volume setting can be adjusted within the range of
1~10.
* Any changes made to the Rhythm Volume setting will remain until
the power is turned off.
* The preferred Rhythm Volume setting can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

 Jump to Rhythm Volume setting shortcut
It is also possible to access the Rhythm Volume setting directly while
the Rhythm Section is in use.
Press and hold the MENU  or MENU  buttons.
The Rhythm Volume setting will be shown in the LCD display.
ldho

FnkShuffle1 AllCœ=108

4-1 Rhythm Vol.
= 5
Press the  or  VALUE buttons to adjust the Rhythm Volume
setting.
To exit the Rhythm Volume setting and return to the previous
screen, press the EXIT button twice.

41

Rhythm Section Settings

2 Auto Fill-in
The Auto Fill-in setting is used to specify how many bars of the Rhythm Section should be played before a fill-in
passage is automatically added. This function can be turned off if the Auto Fill-in feature is not required.

 Auto Fill-in settings
Auto Fill-in setting

Description

Off

The Rhythm Section will not play a fill-in passage automatically.

4 barsThe Rhythm Section will play an automatic fill-in passage after every 4 bars.

8 bars (default)

The Rhythm Section will play an automatic fill-in passage after every 8 bars.

12 bars

The Rhythm Section will play an automatic fill-in passage after every 12 bars.

16 bars

The Rhythm Section will play an automatic fill-in passage after every 16 bars.

 Changing the Auto Fill-in setting

Rhythm Section

While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the Auto Fill-in settings
page, then press the  or  VALUE buttons to change thevalue.

4-2 Auto Fill-in= 8 bars

4-2 Auto Fill-in= 16 bars* Any changes made to the Auto Fill-in setting will remain until thepower is turned off.
* The preferred Auto Fill-in setting can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

42

3 One Finger Ad-lib
The One Finger Ad-lib setting is used to turn the Rhythm Section’s One Finger Ad-lib function on or off.
When turned on, One Finger Ad-lib allows various musical phrases to be performed at any time by pressing one of
the topmost 17 keys on the keyboard. Each phrase will play for one bar, and will match the key/chord currently usedby the Rhythm Section accompaniment.

Topmost 17 keys:
One Finger Ad-lib

One Finger Ad-lib setting

Description

Off (default)

A One Finger Ad-lib phrase will not be played when pressing one of the topmost 17 keys.

On

A One Finger Ad-lib phrase will be played when pressing one of the topmost 17 keys.

Rhythm Section

 One Finger Ad-lib settings

 Changing the One Finger Ad-lib setting
While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the One Finger Ad-lib
settings page, then press the  or  VALUE buttons to turn the
One Finger Ad-lib feature on or off.

4-3 O.F. Ad-lib= Off

4-3 O.F. Ad-lib= On* Any changes made to the One Finger Ad-lib setting will remain until
the power is turned off.
* The preferred One Finger Ad-lib setting can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

43

Rhythm Section Settings

4 ACC Mode
The ACC Mode setting is used to select the Rhythm Section’s chord input method.
By default, the entire keyboard can be used to play the melody, with the ES8 detecting and changing the Rhythm
Section chord/key automatically. However, selecting the ‘1 Finger Chord’ mode allows the Rhythm Section chord/
key to be changed by playing single notes in the lower section, with the upper section reserved for playing the
melody.
Finally, when the ‘Preset Chord’ mode is selected, the Rhythm Section will follow the preset chord sequencespecified on the Preset Chord settings page. For a complete listing of the available Rhythm Section Preset Chord
sequences, please refer to page 145 of this owner’s manual.
* The default split point is set between keys F#3 and G3.
* The Rhythm Section and Split Mode share the same split point. Please refer to page 21 for information about changing the split point.

Rhythm Section

 ACC Mode settings
ACC Mode setting

Rhythm Section play/control mode

Normal (default)

Full keyboard plays melody, and controls Rhythm Section key.

1 Finger Chord

Upper section plays melody, lower section controls Rhythm Section key.
Playing single notes in the lower section can change the accompaniment’s chords easily.

Preset Chord

Full keyboard plays melody, Rhythm Section changes key automatically.

 Normal
Full keyboard:
Used to control the accompaniment, and play the melody.

 1 Finger Chord
Lower section:
Used to control the accompaniment.

Upper section:
Used to play the melody.

Split point: adjustable, please refer to page 21.

44 Preset Chord
Full keyboard:
Used to play the melody only. The accompaniment is controlled automatically.

 Changing the ACC Mode setting
While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the ACC Mode settings
page, then press the  or  VALUE buttons to cycle throughthe different chord recognition methods.

Rhythm Section

4-4 ACC Mode
= Normal

4-4 ACC Mode
= 1 Finger Chord* The Auto Fill-in feature will be disabled when the ‘Preset Chord’method is selected. However, the Rhythm Section will automaticallyplay a ﬁll-in pattern at the end of the ﬁnal bar of the specified Preset
Chord sequence.

* Any changes made to the ACC Mode setting will remain until thepower is turned off.
* The preferred ACC Mode setting can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

45

Rhythm Section Settings

Bass Inversion
The Bass Inversion setting is used to play ‘On-Bass’ chords or bass lines with the left hand.
By default, the bass part of the Rhythm Section will follow the detected chord’s root. However, when the Bass
Inversion setting is set to ‘On’, the bass part of the Rhythm Section will follow the lowest key played on the keyboard,
allowing ‘On-Bass’ chords to be played.
An ‘On-Bass’ chord is chord that has a different bass note to the chord’s root. This is typically indicated by theaddition of slash and the letter of the bass after the root note letter. For example, a C chord over a G bass will beshown as ‘C/G’, while a B b7 chord over a C bass will be shown as ‘B b/C’.
* This setting will only appear when the ACC Mode setting is set to ‘Normal’. Please refer to page 44 for more information.

Rhythm Section

 Bass Inv. settings
Bass Inv. setting

Description

Off (default)

The bass part of the Rhythm Section will follow the detected chord’s root.

On

On-Bass chord recognition is enabled, and the bass part of the Rhythm Section will follow the lowest key
played on the keyboard.

 Off
Full keyboard:
Used to control the accompaniment, and play the melody.

 On
Full keyboard:
Used to control the accompaniment, and play the melody.
Lower section:
Used to specify the bass note.

Split point: adjustable, please refer to page 21.

The lowest key played on the keyboard will be recognised as the bass note. However, when the lowest key is played in the upper
section of the keyboard, or when three other keys are played around the lowest key, the notes will be detected as a chord, and the
On-Bass note will not be specifed.

46

 Changing the Bass Inv. setting
While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the Bass Inv. settings
page, then press the  or  VALUE buttons to turn the Bass Inv.
setting on or off.

4-4 Bass Inv.
= Off

4-4 Bass Inv.
= On
* This setting will only appear when the ACC Mode setting is set to‘Normal’. Please refer to page 44 for more information.

Rhythm Section

Preset Chord
The Preset Chord setting is used to specify which preset chord sequences the Rhythm Section will follow.
For a complete listing of the available Rhythm Section Preset Chord sequences, please refer to page 145 of thisowner’s manual.
* This setting will only appear when the ACC Mode setting is set to ‘Preset Chord’. Please refer to page 44 for more information.

 Changing the Preset Chord setting
While the Rhythm Settings menu is shown in the LCD display:Press the  or  MENU buttons to select the Preset Chord
settings page, then press the  or  VALUE buttons to cycle
through the different Preset Chord sequences.

4-4 Preset Chord= Chord1

4-4 Preset Chord= Chord7* The A-B LOOP button can also be used to quickly turn the Preset
Chord function on/off without entering the ACC Mode settings page.
* When selecting a different style, the Preset Chord setting will reset tothe default Preset Chord sequence for that style.
* The preferred Preset Chord setting can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

47

Song Recorder (Internal memory)
The ES8 digital piano allows up to 10 different songs to be recorded, stored in internal memory, and played back at
the touch of a button. Each song consists of two separate tracks - referred to as ‘parts’ - that can be recorded andplayed back independently. This allows the left-hand part of a song to be recorded first on one track, and the righthand part to be recorded later on the other track.

1 Recording a Song
1. Entering song recorder mode
Press the REC button.
The LED indicator for the REC button will start to flash, and theInternal Song Recorder screen will be shown in the LCD display.
Song No.

Part No.

Song1 Part=1-Standby- œ=120
Song tempo* If a USB memory device is connected, press the MENU  button to
select the ‘Int. Recorder’ function.
* The Recorder shares the song tempo setting with the Metronome andRhythm Section functions.

2. Selecting the song/part to be recorded
Press the REW or FWD buttons to select the internal songmemory (1~10) to be recorded to.

RecorderPart has been recorded

Song1 Part=1*-Standby- œ=120
Then press the  or  VALUE buttons to select the part number(1 or 2) to be recorded.
* If a part has already been recorded, a * symbol will be shown.

When recording part 1 and part 2 separately, select the song and part number
carefully in order to prevent accidentally overwriting a previously recorded part.

3. Starting the song recorder
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and recording will start.

or

The current bar and beat will also be shown in the LCD display.

Song1
2-3
48

Part=1
œ=120
Bar and beat no.

* Recording can also be started by pressing the PLAY/STOP button,allowing a rest period or empty bar to be inserted at the beginning of
the song.

4. Stopping the song recorder
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons will turnoff, the recorder will stop, and the part/song will be stored ininternal memory.
After a few seconds, the Internal Song Player screen will be shownin the LCD display, indicating that the song is ready for playback.

Song1
1-1

Part=1*
œ=120

To play back the recorded song, please refer to the ‘Playing a Song’instructions on page 50.

* The maximum recording capacity is approximately 90,000 notes, withbutton and pedal presses also counted as one note.
* If the maximum recording capacity is reached during recording, therecorder will stop automatically.
* Recorder songs will remain in memory after the power is turned off.

 Recording a second partTo record a second part, repeat the above instructions, selecting the part that has not been recorded to.

 Recording with the metronome
It is also possible to record songs with the metronome activated. This is useful when recording parts separately, or wishing tomaintain correct timing throughout complex passages. Note that the metronome will not be heard when the song is played back.

Recorder* Please refer to page 32 for more information about using the instrument’s Metronome function with the Recorder.

 Changing panel settings while recording
In some cases, it may be desirable to make changes to the selected sound or style while recording a song. The tables below list thevarious functions which will and will not be remembered during recording.

Panel operations remembered during recording

Panel operations NOT remembered during recording*

Changes made to the sound type. (SOUND buttons etc.)

Changes made to the reverb settings.

Switching between dual/split modes.

Changes made to the effects settings.
Changes made to the tempo.
Changes made to the volume balance in dual/split mode.
Changes made to transpose, tuning, touch, etc.
* Make changes to desired effects, reverb, and tempo settings etc.
before recording a new song.

5. Exiting song recorder mode
Press the EXIT button to exit the Internal Song Recorder.
The instrument will return to normal playing mode.

49

Song Recorder (Internal Memory)

2 Playing a SongThis function is used to playback recorder songs stored in internal memory. To playback a song/part immediately
after recording, start this process from step 2.

1. Entering song play mode
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, and theInternal Song Player screen will be shown in the LCD display.
Song No.

Part No.

Song1
1-1

Part=1*
œ=120Song tempo* If a USB memory device is connected, press the MENU  button to
select the ‘Int. Recorder’ function.

2. Selecting the song/part to be played backPress the REW or FWD buttons to select the internal songmemory (1~10) to be played back.
Part has been recorded

Recorder

Song2
1-1

Part=1&2*
œ=120* If a part has already been recorded, a * symbol will be shown.

To select the part(s) of the song to be played back:Press the  or  MENU buttons to select the Song Part setting,then press the  or  VALUE buttons to select the desiredpart(s).

Song Part= 1*
3. Starting song playback
Press the PLAY/STOP button.
The selected song/part(s) will start to play, and the current bar
and beat will also be shown in the LCD display.

Song2
4-1

Part=1&2*
œ=120
Bar and beat no.

50

 Controlling song playback
While the song is playing:
Press the REW or FWD buttons to rewind or advance the playing
position of the song. When the playing position is reset, thesebuttons allow the song memory to be selected.
Press the A-B LOOP button twice to set the start and end pointsof the loop.

PLAY/STOP
Pause/resume
song playback.

* Pressing the A-B LOOP button for a third time will turn off the loop.

Press the PLAY/STOP button to pause and resume song playback.
Press the RESET button to return to the beginning of the song.

REW and FWD
Rewind/advance
playing position, or
select song memory
when song is reset.

RESET
Reset song tobeginning.

A-B LOOP
Set start/end
points of loop.

 Adjusting the playback tempo
While the song is playing:
Press the  or  VALUE buttons to adjust the playback tempo.

hold* The playback tempo can be adjusted within the range of 10~400
beats per minute (BPM).

 Adjusting playback settings (playback menu)

RecorderThe playback menu features settings to adjust the song volume,and pitch (transpose), and change the selected playing part(s).
While the song is playing:
Press the  or  MENU buttons to enter the playback menu
and select the desired setting, then press the  or  VALUE
buttons to adjust the setting value.

Song Volume= 100* The song volume setting can be adjusted within the range of 1~100.
* The song pitch can be raised or lowered by up to 12 semi-tones.
* The song part setting cycles through part 1, part 2, and parts 1&2.

Press the EXIT button to return to the Internal Song Play screen.

4. Exiting song play mode
Press the EXIT button to exit the Internal Song Player.
The instrument will return to normal playing mode.

51

Song Recorder (Internal Memory)

3 Recording a Song with the Rhythm Section
It is also possible to record songs while using the Rhythm Section. This feature can be used to record backing
accompaniments (including chord changes) for favourite songs, allowing the player to concentrate on the melody
or improvised solos using the full keyboard.
The Rhythm Section can only be recorded to Part 1 of each song memory.

1. Entering the Rhythm Section
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on
to indicate that the Rhythm Section is in use.
Make any changes to the Rhythm Section settings (style, volume,
tempo, parts, ACC mode etc.)* Please refer to page 40 for more information.

2. Entering song recorder mode
Press the REC button.
The LED indicator for the REC button will start to flash, and theInternal Song Recorder screen will be shown in the LCD display.

Recorder* If a USB memory device is connected, press the MENU  button to
select the ‘Int. Recorder’ function.

3. Selecting the song to be recorded
Press the REW or FWD buttons to select the internal songmemory (1~10) to be recorded to.
* Part 1 must be selected in order to record the Rhythm Section. The
Rhythm Section will not be recorded if Part 2 is selected.

4. Starting the song recorder
Press a key on the keyboard, or press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and recording will start with the Rhythm Section playing.
Press the PLAY/STOP button to stop the recording.

52or4 Erasing a Part/SongThis function is used to erase recorder parts that have been recorded incorrectly or songs that are no longer listened
to. Once a part/song has been erased from memory it cannot be recovered.

1. Entering song erase mode
Press the REC and PLAY/STOP buttons simultaneously.
The LED indicators for the REC and PLAY/STOP buttons will start
to flash, and the Erase Song screen with the currently selectedsong and part number will be shown in the LCD display.

Delete≥REC
Song1 Part=1*
2. Selecting a song and part(s) to be erased
Press the REW or FWD buttons to select the internal songmemory (1~10) to be erased.

Delete≥REC
Song2 Part=1&2*
Parts have been recorded

RecorderThen press the  or  VALUE buttons to select the partnumber(s) (1, 2, or 1&2) of the selected song to be erased.
* If a part has already been recorded, a * symbol will be shown.

3. Erasing the selected song and part(s)Press the REC button.
A confirmation message will be shown in the LCD display,
prompting to confirm or cancel the erase operation.

Are you sure?
≥Press VALUE�
Press the VALUE  button to confirm the erase operation andreturn to the Internal Song Player screen.
orPress the EXIT button to to cancel the erase operation.
* If cancelled, press the PLAY/STOP button to return to the Play Internal
screen, or REC button to return to the Record Internal screen.

 Erasing all recorder songs from memory
Press and hold the PLAY/STOP and REC buttons, then turn the
instrument’s power off/on.
All recorder songs stored in memory will be erased.
ld
ho

ld
ho

53

Audio Record/Playback (USB memory)
The ES8 digital piano is also capable of recording performances as digital audio - saving the data to a USB memory
device in either MP3 or WAV format. This useful function allows professional quality recordings to be produced
directly on the instrument - without the need for additional sound equipment - then emailed to band members,
listened to away from the instrument, or edited and remixed further using an audio workstation.

 Audio Recorder format specifications
Audio Format

Specifications

BitrateMP3

44.1 kHz, 16 bit, Stereo

192 kbit/s (fixed)

WAV

44.1 kHz, 16 bit, Stereo

1,411 kbit/s (uncompressed)
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT.

1 Recording an Audio file
1. Entering USB recorder mode
Connect a USB memory device to the USB port.
Press the REC button, then press the MENU  button to selectthe ‘USB Recorder’ function.

RecorderThe LED indicator for the REC button will start to flash, and the
USB Recorder screen will be shown in the LCD display.

2. Selecting the audio recorder file format
Press the  or  VALUE buttons to select the desired audio
recorder file format (MP3 or WAV).

New Song
Format = MP3* MP3 audio files require less storage space than WAV audio files.
* A 1 GB USB memory device can store over 12 hours of MP3 audio data.

3. Starting the audio recorder
Press a key on the keyboard.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and recording will start.

or

The recording status will also be shown in the LCD display.

New Song
00´10"
Recording time

54

MP3
-REC-

* Recording can also be started by pressing the PLAY/STOP button,allowing a rest period or empty bar to be inserted at the beginning of
the song.

4. Stopping the audio recorder, saving to USB
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons will turnoff, and recording will stop.
A confirmation message will be shown in the LCD display,
prompting to save the recorded audio file.

Save to USB?
Yes≥REC No≥STOP
Press the REC button to continue, or the PLAY/STOP button tocancel the save operation.

REC
Continue (Yes)

PLAY/STOP
Cancel (No)* If cancelled, the audio recorder will return to the previous screen.

5. Naming the recorded audio file, confirming saveAfter pressing the REC button to continue the save:
The filename entry screen will be shown in the LCD display.

Filename:≥REC
Jazzy Tune MP3

 or  MENU
Move cursor.

 or  VALUE
Select character.

RecorderPress the  or  VALUE buttons to cycle through the characters,
and the  or  MENU buttons to move the cursor.
Press the REC button again to save the recorded audio file withthe specified filename.
After a few seconds, the Audio Player screen will be shown in
the LCD display, indicating that the song is ready for playback.

Jazzy Tune.MP300´00" VOL.100
To play back the recorded audio file, please refer to the ‘Playing an
Audio File’ instructions on page 56.

 Overwriting a file

* “Audio-000.MP3” or “Audio-000.WAV” will be used as the default
name for the recorded audio files, with the number increasing
automatically.
* Saved files are limited to a maximum name length of 11 characters.
* The saved audio file will be stored in the root folder of the USB
memory device. It is not possible to store the file in a different folder.
* The audio recorder will only record sounds produced by the
instrument. Devices connected via the LINE IN jacks will not berecorded.

If the specified filename already exists:
A confirmation message will be shown in the LCD display,
prompting to confirm or cancel the overwrite operation.

Overwrite file?
Yes≥REC No≥STOP
Press the REC button to confirm the overwrite, or the PLAY/STOP
button to cancel.
* If cancelled, the audio recorder will return to the saving screen (step 4).

REC
Continue (Yes)

PLAY/STOP
Cancel (No)55

Audio Record/Playback (USB Memory)

2 Playing an Audio file
The ES8 digital piano is also capable of playing MP3 and WAV audio files stored on a USB memory device directly
through the instrument’s speaker system. This function is particularly useful when attempting to learn the chords
or melody to a new piece, or to simply play along with one’s favourite song.

 Audio Player supported format specifications
Audio Format

Specifications

BitrateMP3

32 kHz/44.1 kHz/48 kHz, Mono/Stereo

8~320 kbit/s (fixed & variable)

WAV

32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 16 bit-

MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT.

 Preparing the USB memory device
First, prepare a selection of MP3 or WAV audio files, copying thedata to a USB memory device.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
Please refer to page 134 for more information.

1. Entering USB playback mode
Connect a USB memory device to the USB port.

RecorderPress the PLAY/STOP button, then press the MENU  button to
select the ‘USB Recorder’ function.
The LED indicator for the PLAY/STOP button will turn on, andthe file selection screen will be shown in the LCD display.

 File selection screen
The file selection screen provides a listing of relevant files andfolders stored on the connected USB device.
The ‚ symbol is used to indicate the selected file/folder.
The < > symbols are used to indicate a folder.
An example of a typical file/folder listing screen is shown below.
The visible screen height has been extended for the purpose ofthis illustration.

[Parent Dir]<Jazz MP3s>
<MIDI Files>
CardovaMID
I Got You
MP3
‚Man's World MP3
Root Down
WAV
56

Selection cursor

Previous folder
FoldersFiles or  VALUE
Move cursor.

 MENU
Select file/folder.

* Files and folders will be listed in alphabetical order, with folders
shown at the top of the screen.
* When the USB Recorder function is selected, MP3, WAV, MID, and KSO
files will be shown.
* The LCD display is capable of showing filenames with a maximum
length of 11 characters (+3 character suffix). Filenames longer than 11
characters will be truncated automatically.

2. Selecting and playing an audio file
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the file.
The audio play screen will be shown in the LCD display.

Man's World.mp3
00´00" VOL.050
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on and theselected audio file will start to play.
* To activate the ‘Chain Play’ mode, press and hold the PLAY/STOP
button when selecting the file. The contents of the current folder
will be played in alphabetical order after the initial file has finishedplaying.

* If the selected audio file contains embedded metadata (e.g. ID3 tags)
such as artist name and song title, this information will be shown
beside the filename, on the top line of the LCD display.

 Controlling audio file playback
While the audio file is playing:
Press the REW or FWD buttons to rewind or advance the playing
position of the audio file. When the playing position is reset,
these button allow the file/folder to be selected.
PLAY/STOP
Pause/resume
audio playback.

* Pressing the A-B LOOP button for a third time will turn off the loop.

Press the PLAY/STOP button to pause and resume playback.
Press the RESET button to return to the beginning of the audio
file.

REW and FWD
Rewind/advance
playing position,or select file/folder
when song is reset.

RESET
Reset audio tobeginning.

RecorderPress the A-B LOOP button twice to set the start and end pointsof the loop.

A-B LOOP
Set start/end
points of loop.

 Adjusting the audio file playback volume
Press the  or  VALUE buttons to adjust the playback volume.
* The playback volume can be adjusted within the range of 1~100.

hold* There may be a noticeable difference in volume between audio file
playback and the ES8 keyboard sound. When playing back MP3/WAV
audio data, please adjust the volume of the audio file as desired.

3. Exiting USB playback mode
Press the EXIT button to exit the USB Recorder.
The instrument will return to normal playing mode.

57

Audio Record/Playback (USB Memory)

3 Overdubbing an Audio file
This function allows the sound of the ES8 to be recorded (overdubbed) to an existing MP3 or WAV audio file.

1. Entering USB recorder mode
Connect a USB memory device to the USB port.
Press the PLAY/STOP button, then press the MENU  button to
select the ‘USB Recorder’ function.
The LED indicator for the PLAY/STOP button will turn on, andthe file selection screen will be shown in the LCD display.

2. Selecting an audio file
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the file.
The audio play screen will be shown in the LCD display.

Man's World.mp3
00´00" VOL.050

Recorder3. Selecting Overdubbing mode
Press the REC button.
Overdubbing mode will be selected automatically.

Rec Mode≥REC= Over Dubbing* To record a new song, press the  or  VALUE buttons to select New
Song mode.

Press the REC button again.

Over Dubbing
Format = MP3

58

4. Selecting the audio recorder file format
Press the  or  VALUE buttons to select the desired audio
recorder file format (MP3 or WAV).

Over Dubbing
Format = MP3
5. Starting the audio recorder
Press a key on the keyboard, or press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turnon, the selected audio file will begin to play, and overdubbing
will start.

or* The name of the selected audio file will be used as the default namefor the overdubbed audio file.

Recorder* Saved files are limited to a maximum name length of 11 characters.

59

Audio Record/Playback (USB Memory)

4 Playing a MIDI file
The ES8 digital piano also supports the playback of Standard MIDI File (SMF) song files stored on a USB memory
device, allowing a vast selection of widely accessible music to be heard through the instrument’s exquisite Harmonic
Imaging XL sound engine.

 Song Player supported format specifications
Song Format

Specifications

MID

Format 0, Format 1

 Preparing the USB memory device
First, prepare a selection of MID (SMF) song files, copying thedata to a USB memory device.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ filesystems.
Please refer to page 134 for more information.

1. Entering USB playback mode
Connect a USB memory device to the USB port.

RecorderPress the PLAY/STOP button, then press the MENU  button to
select the ‘USB Recorder’ function.
The LED indicator for the PLAY/STOP button will turn on, andthe file selection screen will be shown in the LCD display.
* Please refer to page 56 for information about the file selection
screen.

2. Selecting and playing a MIDI file.
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the MIDI file.
The MIDI player screen will be shown in the LCD display.

Cardova.mid/Mete
1-2
œ=120
Bar and beat no.

Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on and theselected MIDI file will start to play.
* To activate the ‘Chain Play’ mode, press and hold the PLAY/STOP
button when selecting the file. The contents of the current folder
will be played in alphabetical order after the initial file has finishedplaying.

60* The ES8 digital piano does not contain the full General MIDI/GM2
sound bank selection. Consequently, some SMF song files may not be
reproduced entirely accurately when played through the instrument.

 Controlling MIDI file playback
While the MIDI file is playing:
Press the REW or FWD buttons to rewind or advance the playing
position of the MIDI file. When the playing position is reset,
these button allow the file/folder to be selected.
Press the A-B LOOP button twice to set the start and end pointsof the loop.

PLAY/STOP
Pause/resume
audio playback.

* Pressing the A-B LOOP button for a third time will turn off the loop.

Press the PLAY/STOP button to pause and resume playback.
Press the RESET button to return to the beginning of the MIDI
file.

REW and FWD
Rewind/advance
playing position,or select file/folder
when song is reset.

RESET
Reset audio tobeginning.

A-B LOOP
Set start/end
points of loop.

 Adjusting the MIDI file playback tempo
Press the  or  VALUE buttons to adjust the playback tempo.

 Adjusting playback settings (playback menu)hold* The playback tempo can be adjusted within the range of 10~400.

RecorderThe playback menu features settings to adjust the MIDI file’s
volume, and pitch (transpose), and select the ‘Minus One’ part.
While the MIDI file is playing:
Press the  or  MENU buttons to enter the playback menu
and select the desired setting, then press the  or  VALUE
buttons to adjust the setting value.

Song Volume= 100* The song volume setting can be adjusted within the range of 1~100.
* The song pitch can be raised or lowered by up to 12 semi-tones.
* The minus one part setting can be set to channels 1~16 or set to Off.

Press the EXIT button to return to the song player screen.

3. Exiting USB playback mode
Press the EXIT button to exit the USB Recorder.
The instrument will return to normal playing mode.

61

Audio Record/Playback (USB Memory)

5 Converting a MIDI file to an Audio file
This function allows MIDI files or ES8 recorder songs stored on a USB memory device to be played back and saved(converted) as an audio file (to the USB device) in either MP3 or WAV format.

1. Entering USB recorder mode
Connect a USB memory device to the USB port.
Press the PLAY/STOP button, then press the MENU  button to
select the ‘USB Recorder’ function.
The file selection screen will be shown in the LCD display.

2. Selecting a MIDI file
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the MIDI file.
The MIDI player screen will be shown in the LCD display.

Cardova.mid/Mete
1-2
œ=120

Recorder3. Selecting Convert To Audio mode
Press the REC button.
ConvertToAudio mode will be selected automatically.

Rec Mode≥REC= ConvertToAudio* To record a new song, press the  or  VALUE buttons to select New
Song mode.

Press the REC button again.

ConvertToAudio
Format = MP362

4. Selecting the audio recorder file format
Press the  or  VALUE buttons to select the desired audio
recorder file format (MP3 or WAV).

ConvertToAudio
Format = MP3
5. Starting the Conversion
Press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and conversion will start.
The conversion status will also be shown in the LCD display.

Song000.MID
00´00" Convert* Notes played on the keyboard will also be recorded to the audio file.
* When the end of the song is reached, the conversion will stop and thesave confirmation screen will be shown automatically.
* The name of the selected MIDI file will be used as the default name forthe recorded audio file.

Recorder* Saved files are limited to a maximum name length of 11 characters.

63

Audio Record/Playback (USB Memory)

6 Recording an Audio file with the Rhythm Section
The ES8 digital piano also allows MP3 or WAV audio files to be recorded while using the Rhythm Section. Thisfeature can be used to produce high quality digital audio recordings with full accompaniment backing, which canthen be shared with friends and family.

1. Entering the Rhythm Section
Press the RHYTHM SECTION button.
The LED indicator for the RHYTHM SECTION button will turn on
to indicate that the Rhythm Section is in use.
Make any changes to the Rhythm Section settings (style, volume,
tempo, parts, ACC mode etc.)* Please refer to page 40 for more information.

2. Entering USB recorder mode, selecting the audio file format
Connect a USB memory device to the USB port.
Press the REC button, then press the MENU  button to selectthe ‘USB Recorder’ function.
The USB Recorder screen will be shown in the LCD display.

RecorderNew Song
Format = MP3
Press the  or  VALUE buttons to select the desired audio
recorder file format (MP3 or WAV).

3. Starting the audio recorder
Press a key on the keyboard, or press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and recording will start with the Rhythm Section playing.
Press the PLAY/STOP button to stop the recording.

4. Naming and saving the recorded audio file
Please follow the ‘Recording an Audio File’ instructions on page 55 from step 4.

64

or7 Converting a Song to an Audio file
The ES8 digital piano allows recorder songs stored in internal memory to be played back and saved (converted) as
an audio file to a USB device in either MP3 or WAV format.

1. Selecting a song
After recording a song to internal memory:
Connect a USB memory device to the USB port.
Press the PLAY/STOP button, then press the MENU  button to
select the ‘Int. Recorder’ function.
The LED indicator for the PLAY/STOP button will turn on and theInternal Song Player screen will be shown in the LCD display.

Song1
1-1

Part=1*
œ=120

Press the REW or FWD buttons to select the desired internalsong memory, and the  or  VALUE buttons to select thedesired part(s).

2. Selecting the Convert to Audio function

RecorderPress the USB button.
The Convert to Audio function will be shown in the LCD display.

ConvertToAudio
Format = MP3
Press the  or  VALUE buttons to select the desired audio fileformat for the converted song.

3. Starting the conversion
Press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turnon, and conversion will start.
The conversion status will also be shown in the LCD display.

Song1 Part=1*00´00" Convert* Notes played on the keyboard will also be recorded to the audio file.
* When the end of the song is reached, the conversion will stop and thesave confirmation screen will be shown automatically.

4. Naming and saving the converted audio file
Please follow the ‘Recording an Audio File’ instructions on page 55 from step 4.

65

Audio Record/Playback (USB Memory)

8 Deleting an Audio/MIDI file
This function is used to delete MP3/WAV audio files or MIDI song files stored on a USB device.
Once a file has been deleted from the USB device it cannot be recovered.

1. Entering USB playback mode
Connect a USB memory device to the USB port.
Press the PLAY/STOP button, then press the MENU  button to
select the ‘USB Recorder’ function.
The LED indicator for the PLAY/STOP button will turn on, andthe file selection screen will be shown in the LCD display.
* Please refer to page 56 for information about the file selection
screen.

2. Selecting the audio/MIDI file to be deleted.
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the audio/MIDI file.
The USB player screen will be shown in the LCD display.

RecorderAudio-000.MP300´00" VOL.050
3. Deleting the selected audio/MIDI file
Press the REC button and PLAY/STOP buttons simultaneously.
The LED indicators for the REC and PLAY/STOP buttons will start
to flash, and the Delete screen will be shown in the LCD display.

Delete≥REC
Audio-000.MP3
Press the REC button.
A confirmation message will be shown in the LCD display,
prompting to confirm or cancel the erase operation.

Are you sure?
≥Press VALUE�
Press the VALUE  button to confirm the erase operation andreturn to the Internal Song Player screen.
Press the EXIT button to to cancel the erase operation.
* If cancelled, press the PLAY/STOP button to return to the Play Internal
screen, or REC button to return to the Record Internal screen.

66

orUSB Menu
The USB Menu contains functions to load/save registration memories and recorder songs from/to a USB memory
device. This menu also allows files to be renamed and deleted, and for the USB memory device to be formatted.

 USB Menu functions
Page no. Function

Description

1

Load Int. Song

Load a recorder song from a USB memory device into the instrument’s internal memory.

2

Load Regist

Load registration memories (single or all) from a USB memory device into the instrument.

3

Save SMF Song

Save a recorder song stored in internal memory to a USB memory device as an SMF (MIDI) file.

4

Save Int. Song

Save a recorder song stored in internal memory to a USB memory device.

5

Save Regist

Save registration memories (single or all) from the instrument to a USB memory device.

6

Rename File

Rename a file stored on a USB memory device.

7

Delete File

Delete a file stored on a USB memory device.

8

Format USB

Format a USB memory device, erasing all stored data.

1. Entering the USB Menu
Connect a USB memory device to the USB port.
Press the USB button.
The LED indicator for the USB button will turn on, and the firstpage of the USB Menu will be shown in the LCD display.

1 Load Int. Song
≥Press VALUE�
2. Selecting the desired USB Menu function

USB Functions

Press the  or  MENU buttons to cycle through the different
USB Menu function pages.

3 Save SMF Song
≥Press VALUE�
Press the VALUE  button to select the function.

3. Exiting the USB Menu
Press the EXIT or USB button to exit the USB Menu.
The LED indicator for the USB button will turn off, and the
instrument will return to normal playing mode.

67

USB Menu

1 Load Internal SongThe Load Internal Song function is used to load recorder songs stored on a USB memory device into the
instrument’s internal memory.

1. Selecting the Load Int. Song function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Load Int. Song function.

1 Load Int. Song
≥Press VALUE�The file selection screen will be shown in the LCD display, listingsong files stored on the USB memory device.

‚Kendo Strut KSO
FnkyMiracle KSO* Please refer to page 56 for information about the file selection
screen.

Recorder song

2. Selecting the song file to be loaded
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the song file.
The memory selection screen will be shown in the LCD display.

‚FnkyMiracle KSO
Simple Song KSO

3. Selecting the song memory
Press the  or  VALUE buttons to select the internal songmemory for the song to be loaded into.
* If a song memory contains song data, a * symbol will be shown.

Load to:= Song1*≥REC
Contains song data

USB Functions

4. Loading the selected song
Press the REC button to load the selected song.
A confirmation message will be shown in the LCD display.

Are you sure?
≥Press VALUE�

Press the VALUE  button to confirm the load operation.
Press the EXIT button to to cancel the load operation.
To play back the loaded song, please refer to the ‘Playing a Song’instructions on page 50.

68

Completed.

2 Load Registration
The Load Registration function is used to load registration memories stored on a USB memory device into the
instrument’s internal memory. There are two types of registration file: ‘Single’ and ‘All’.

 Registration file types
Registration type

Description

File extension

SingleA file containing a single registration memory.

KM6

All

A file containing all 28 registration memories.

KM3

1. Selecting the Load Regist function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Load Regist function.

2 Load Regist≥Press VALUE�The file selection screen will be shown in the LCD display, listing
the registration files stored on the USB memory device.

‚Rhodes+Bass KM6
PianoStrngs KM6* Please refer to page 56 for information about the file selection
screen.

Registration file

2. Selecting the registration file to be loaded

The memory selection screen will be shown in the LCD display.

‚Rhodes+Bass KM6
PianoStrngs KM6

USB Functions

Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the registration file.

3. Selecting the registration memory
Press the  or  VALUE buttons to select the registration
memory for the registration to be loaded into.
* If an ‘All Registration’ file is selected, this step will be skipped.

Load to:
= 1⁄

≥REC

4. Loading the selected registration
Press the REC button to load the selected registration.
A confirmation message will be shown in the LCD display.

Are you sure?
≥Press VALUE�

Press the VALUE  button to confirm the load operation.
Press the EXIT button to to cancel the load operation.
To use the loaded registration, please refer to the Registration
instructions on page 34.

Completed.

69

USB Menu

3 Save SMF SongThe Save SMF Song function is used to save recorder songs stored in the instrument’s internal memory to a USB
memory device as a Standard MIDI File (SMF).

1. Selecting the Save SMF Song function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Save SMF Song function.
The song selection screen will be shown in the LCD display.

3 Save SMF Song
≥Press VALUE�

Save SMF= Song1*≥REC

Save SMF= Song3*≥REC

Filename:
Song-000≥RECMID

2. Selecting the song to be saved
Press the  or  VALUE buttons to select the internal songmemory to be saved.
Press the REC button to continue.
The filename entry screen will be shown in the LCD display.

3. Naming the SMF song
Press the  or  VALUE buttons to cycle through the characters,
and the  or  MENU buttons to move the cursor.
* Saved files are limited to a maximum name length of 11 characters.

Filename:≥REC
Streetlife MID* The saved SMF file will be stored in the root folder of the USB memory
device. It is not possible to store the file in a different folder.

USB Functions

4. Saving the SMF song
Press the REC button again to save the SMF song with thespecified filename.
A confirmation message will be shown in the LCD display.
Press the VALUE  button to confirm the save operation.
Press the EXIT button to to cancel the save operation.

70

Are you sure?
≥Press VALUE�

Completed.

4 Save Internal SongThe Save Internal Song function is used to save recorder songs stored in the instrument’s internal memory to a USB
memory device in the ES8’s native song format.

1. Selecting the Save Int. Song function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Save Int. Song function.
The song selection screen will be shown in the LCD display.

4 Save Int. Song
≥Press VALUE�SaveInt.Song≥REC= Song1*

2. Selecting the song to be saved
Press the  or  VALUE buttons to select the internal songmemory to be saved.
Press the REC button to continue.

SaveInt.Song≥REC= Song4*

The filename entry screen will be shown in the LCD display.

3. Naming the song
Press the  or  VALUE buttons to cycle through the characters,
and the  or  MENU buttons to move the cursor.
* Saved files are limited to a maximum name length of 11 characters.

Filename:
Song-000≥REC
MID

Filename:
Soulful≥REC
MID* The saved song will be stored in the root folder of the USB memory
device. It is not possible to store the file in a different folder.

Press the REC button again to save the recorded song with thespecified filename.
A confirmation message will be shown in the LCD display.
Press the VALUE  button to confirm the save operation.
Press the EXIT button to to cancel the save operation.

USB Functions

4. Saving the song

Are you sure?
≥Press VALUE�

Completed.

71

USB Menu

5 Save Registration
The Save Registration function is used to save registration memories stored in the instrument to a USB memory
device. There are two types of registration file: ‘Single’ and ‘All’.

 Registration file types
Registration type

Description

File extension

SingleA file containing a single registration memory.

KM6

All

A file containing all 28 registration memories.

KM3

1. Selecting the Save Regist function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Save Regist function.
The memory selection screen will be shown in the LCD display.

5 Save Regist≥Press VALUE�

Save Regist ≥REC
= All

2. Selecting the registration memory to be saved
Press the  or  VALUE buttons to select the registration
memory to be saved.
* The ‘All’ option will save all registration memories to a single file.

Save Regist ≥REC
= 2¤

Press the REC button to continue.

USB Functions

The filename entry screen will be shown in the LCD display.

Filename:≥REC
OneReg-000 KM6

3. Naming the registration file
Press the  or  VALUE buttons to cycle through the characters,
and the  or  MENU buttons to move the cursor.
* Saved files are limited to a maximum name length of 11 characters.

Filename:≥REC
Donny Wurly KM6* The saved registration will be stored in the root folder of the USB
memory device. It is not possible to store the file in a different folder.

4. Saving the registration file
Press the REC button again to save the recorded registration
with the specified filename.

Are you sure?
≥Press VALUE�A confirmation message will be shown in the LCD display.
Press the VALUE  button to confirm the save operation.
Press the EXIT button to to cancel the save operation.

72

Completed.

6 Rename FileThe Rename File function is used to rename song, audio, and registration files stored on a USB memory device.

1. Selecting the Rename File function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Rename File function.
The file selection screen will be shown in the LCD display, listing
song, audio, and registration files stored on the USB memory
device.

6 Rename File
≥Press VALUE�‚Audio-002
Audio-003

MP3
MP3‚Audio-003
Audio-004

MP3
MP3

Filename:
James'G≥REC
MP3* Please refer to page 56 for information about the file selection
screen.

2. Selecting the file to be renamed
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the file.
The filename entry screen will be shown in the LCD display.

3. Renaming the selected file
Press the  or  VALUE buttons to cycle through the characters,
and the  or  MENU buttons to move the cursor.
* Files are limited to a maximum name length of 11 characters.

Press the REC button to rename the file.
A confirmation message will be shown in the LCD display.

USB Functions

4. Confirming the rename

Are you sure?
≥Press VALUE�

Press the VALUE  button to confirm the rename operation.
Press the EXIT button to to cancel the rename operation.

Completed.
5. Exiting the Rename File function
Press the EXIT button to exit the Rename File function.
The LED indicator for the USB button will turn off, and the
instrument will return to normal playing mode.

73

USB Menu

7 Delete FileThe Delete File function is used to delete song, audio, and registration files stored on a USB memory device.
Once a file has been deleted from the USB device it cannot be recovered.

1. Selecting the Delete File function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Delete File function.
The file selection screen will be shown in the LCD display, listing
song, audio, and registration files stored on the USB memory
device.

7 Delete File
≥Press VALUE�‚Audio-002
Audio-003

MP3
MP3‚Audio-003
Audio-004

MP3
MP3* Please refer to page 56 for information about the file selection screen.

2. Selecting the file to be deleted
Press the  or  VALUE buttons to move the selection cursor,
then press the MENU  button to select the file.

3. Confirming the delete
A confirmation message will be shown in the LCD display.
Press the VALUE  button to confirm the delete operation.
Press the EXIT button to to cancel the delete operation.

Are you sure?
≥Press VALUE�USB Functions

Completed.
4. Exiting the Delete File function
Press the EXIT button to exit the Delete File function.
The LED indicator for the USB button will turn off, and the
instrument will return to normal playing mode.

74

8 Format USB
The Format USB function is used to format the connected USB memory device, erasing all stored data.
The USB Format function will erase all data stored on the connected USB memory device.
Exercise caution when using this function in order to prevent accidental data loss.

1. Selecting the Format USB function
Connect a USB memory device, then press the USB button toenter the USB Menu.
Press the  or  MENU buttons then the VALUE  button to
select the Format USB function.
An initial confirmation message will be shown in the LCD display.

8 Format USB≥Press VALUE�Format ?
Yes≥REC No≥STOP

2. Confirming the format operation (initial confirmation)
Press the REC button to confirm the format operation.
Press the PLAY/STOP button to to cancel the format operation.

Are you sure?
≥Press VALUE�

If the REC button is pressed, a final confirmation message will beshown in the LCD display.

3. Confirming the format operation (final confirmation)

Are you sure?
≥Press VALUE�USB Functions

Press the VALUE  button to confirm the format operation.
Press the EXIT button to to cancel the format operation.

Formatting...
30%

Completed.
4. Exiting the Format USB function
Press the EXIT button to exit the Format USB function.
The LED indicator for the USB button will turn off, and the
instrument will return to normal playing mode.

75

Settings Menus
The Settings menus contain a variety of options to adjust the ES8’s operation and sound. Settings are groupedby category, providing convenient access to relevant controls. Once adjusted, settings can be stored to one of
the instrument’s 28 registration memories, or selected as the default power-on settings with the Startup Setting
function.

 Entering the Settings menus
While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons.
The first settings menu (Basic Settings) will be shown in the LCD
display.

1 Basic Settings≥Press VALUE�
Press the  or  MENU buttons to cycle through the different
settings menus, then press the VALUE  button to enter theselected menu.

 Exiting the Settings menus
Press the EXIT button to return to the main settings menu.
Press the EXIT button again to return to normal playing mode.

 Overview of Settings menus
1. Basic Settings

3. Key Settings

Tone Control, Speaker Volume, Phones Volume, Line Out Volume,

Lower Octave Shift, Lower Pedal On/Off, Split Balance,

Audio Rec Gain, Tuning, Damper Hold, F-20 Mode, Four Hands,

Layer Octave Shift, Layer Dynamics, Dual BalanceStartup Setting, Factory Reset

4. Rhythm Settings
2. Virtual Technician

Rhythm Volume, Auto Fill-in, One Finger Ad-lib, ACC Mode,

Touch Curve, Voicing, Damper Resonance, Damper Noise,

Bass Inversion, Preset Chord

Settings

String Resonance, Key-off Effect, Fallback Noise, Hammer Delay,
Topboard, Decay Time, Minimum Touch, Temperament,

5. MIDI Settings

Stretch Tuning, Stretch Curve, User Tuning, Temperament Key,

MIDI Channel, Send Program Change No., Local Control,

User Temperament, User Key Volume, Half-Pedal Adjust,Transmit Program Change No., Multi-timbral Mode, Channel Mute

Soft Pedal Depth

6. Power Settings
Auto Power Off

76

Basic Settings
The Basic settings menu contains settings to adjust the pitch, tuning, and general sound of the instrument.
This menu also allows favourite panel settings to be stored, or reset back to the original factory configuration.

 Basic Settings
Page no. Setting

Description

Default setting

1-1

Tone Control

Change the EQ settings of the instrument’s sound.

Off

1-2

Wall EQ

Optimise the instrument’s speaker system based on instrument placement.

Off

1-3

Speaker Volume

Change the maximum volume level of the speaker output.

Normal

1-4

Phones Volume

Change the maximum volume level of the headphones output.

Normal

1-5Line Out Volume

Adjust the output volume of the Line Out connectors.

10

1-6

Audio Rec Gain

Increase or decrease the recording level of the MP3/WAV audio recorder.

+9 dB

1-7

TuningIncrease or decrease the pitch of the instrument in 0.5 Hz steps.

440.0 Hz

1-8

Damper Hold

Change the effect of pressing the sustain pedal on organ, string, etc. sounds.

Preset1-9

F-20 Mode

Change the function of the optional F-20 double pedal.

Damper/Soft

1-10

Four Hands

Enable the ‘Four Hands Mode’ function.

Off

1-11

Startup Setting

Store current panel settings as the default (power-on) configuration.

-

1-12

Factory Reset

Restore all panel settings to the original factory configuration.

-* Default settings will be shown in the first LCD display illustration (i.e. Step 1) for each setting explanation below.

 Entering the Basic Settings menu
While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons.
The Basic Settings page will be shown in the LCD display.

1 Basic Settings≥Press VALUE�
Press the VALUE  button to enter the Basic Settings menu.
The first page of the Basic Settings menu will be shown in the
LCD display

Settings

 Selecting the desired setting
After entering the Basic Settings menu:
Press the  or  MENU buttons to cycle through the different
settings pages.
Settings page no.

1-1 Tone Control
= Off

77

Basic Settings

1-1 Tone Control
The Tone Control function allows the overall sound character of the ES8 digital piano to be adjusted to ensure thebest sound quality within the area that the instrument is located. There are six different preset Tone Control types
available, with an additional ‘User’ setting allowing finer control over the different frequency bands.

 Tone Control types
Tone Control type

Description

Off (default)

The Tone Control is turned off, and the sound character is unchanged.

Brilliance

Adjust the overall brightness of the sound, independently of the ‘Voicing’ Virtual Technician setting.

Loudness

Emphasises frequencies to retain the instrument’s sound character when playing at low volume levels.

Bass boost

Emphasises low-range frequencies, creating a deeper sound.

Treble boost

Emphasises high-range frequencies, creating a brighter sound.

Mid cut

Reduces mid-range frequencies, creating a clearer sound.

User EQ

Allows the low, mid, and high-range frequency bands to be adjusted separately.

1. Selecting the Tone Control setting
After entering the Basic Settings menu (page 77):
The Tone Control setting will be selected automatically.

1-1 Tone Control= Off

2. Changing the Tone Control typePress the  or  VALUE buttons to cycle through the different
Tone Control types.
* Any changes made to the Tone Control type or User Tone Control
settings will remain until the power is turned off.
* Preferred Tone Control settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Tone Control setting

Settings

Press the EXIT button to exit the Tone Control setting and returnto the main settings menu.

78

1-1 Tone Control= Off

1-1 Tone Control= Bass Boost

Brilliance
The Brilliance setting allows the overall brightness of the ES8 digital piano’s sound to be adjusted, independently ofthe ‘Voicing’ Virtual Technician setting.

1. Entering the Brilliance setting mode
Press the  or  VALUE buttons to select the Brilliance settingmode.

1-1 Tone Control= Brilliance

Then press the  or  MENU button, Brilliance setting screen
will be shown in the LCD display.

1-1 Brilliance= 0
2. Adjusting the Brilliance setting
Press the  or  VALUE buttons to adjust the Brilliance setting.
* Brilliance can be adjusted within the range of -10~+10.

1-1 Brilliance= +5

3. Exiting the Brilliance setting

Settings

Press the EXIT button to exit the Brilliance setting and return tothe main settings menu.

79

Basic Settings

User EQ User EQ setting
User EQ bands

Description

Low

Adjusts the low range frequency band (20~100 Hz).

Mid-low

Adjusts the mid-low range frequency band (355~1000 Hz).

Mid-high

Adjusts the mid-high range frequency band (1120~3150 Hz).

High

Adjusts the high range frequency band (5000~20000 Hz).

1. Selecting the User EQ setting
While the Equaliser type screen is shown in the LCD display:Press the  or  VALUE buttons to cycle through the different
equaliser types. When the ‘User’ type is selected, press the
MENU  button.
The User EQ setting screen will be shown in the LCD display.

1-1 Tone Control= User EQ

1-1 User Low= 0 dB

2. Adjusting the User EQ bands (low/mid/high)Press the  or  MENU buttons to cycle through the different
User EQ bands, then press the  or  VALUE buttons to adjust
the value of the selected band.

1-1 User Low= 0 dB* Each User EQ band can be adjusted within the range of –6 dB~+6 dB

1-1 User High= +6 dB
3. Exiting the User EQ setting

Settings

Press the EXIT button to exit the User EQ settings screen andreturn to the main settings menu.

801-2 Wall EQ
The Wall EQ setting optimises the ES8 digital piano’s speaker system depending on whether the instrument isplaced beside a wall, or in an area away from a wall.
* This setting does not affect the headphones or Line Out output.

 Wall EQ settings
Wall EQ

Description

Off (default)

Optimise the speaker system for placing the ES8 digital piano in an area away from a wall.

On

Optimise the speaker for placing the ES8 digital piano beside a wall.

1. Selecting the Wall EQ setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Wall EQ setting.

1-2 Wall EQ= Off

2. Changing the Wall EQ setting
Press the  or  VALUE buttons to turn the Wall EQ setting on
or off.
* Any changes made to the Wall EQ setting will remain until the poweris turned off.
* Preferred Wall EQ settings will not be stored to a Registration memory,
but can be stored to the instrument’s Startup Setting for convenient
recall. Please refer to page 89 for more information.

1-2 Wall EQ= Off

1-2 Wall EQ= On

3. Exiting the Wall EQ setting

Settings

Press the EXIT button to exit the Wall EQ setting and return tothe main settings menu.

81

Basic Settings

1-3 Speaker Volume
The Speaker Volume setting allows the maximum volume level of the ES8 digital piano’s speaker output to be
reduced, providing finer adjustment control over the master volume. This setting can also function as a volume
limiter, preventing the instrument from being played too loudly in the home or classroom etc.
* This setting does not affect the headphones or Line Out volume.

 Speaker Volume settings
Speaker Volume

Description

Normal (default)

The instrument’s speakers will output sound at the normal volume level.

Low

The instrument’s speakers will output sound at a reduced volume level.

1. Selecting the Speaker Volume setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Speaker Volume
setting.

1-3 Speaker Vol.
= Normal

2. Changing the Speaker Volume setting
Press the  or  VALUE buttons to alternate between ‘Normal’and ‘Low’ speaker volume settings.
* Any changes made to the Speaker Volume setting will remain until
the power is turned off.
* Preferred Speaker Volume settings will not be stored to a Registration
memory, but can be stored to the instrument’s Startup Setting forconvenient recall. Please refer to page 89 for more information.

3. Exiting the Speaker Volume setting

Settings

Press the EXIT button to exit the Speaker Volume setting andreturn to the main settings menu.

82

1-3 Speaker Vol.
= Normal

1-3 Speaker Vol.
= Low

1-4 Phones Volume
The Phones Volume setting allows the maximum volume level of the headphones output to be increased.
The default setting for Phones Volume is ‘Normal’ in order to protect an individual’s ears from excessive volumelevels. The ‘High’ setting may be selected when using headphones with a high impedance, or in situations where it
is desirable to increase the maximum volume level of the headphones output.
* This setting does not affect the speaker or Line Out volume.

 Phones Volume settings
Phones Volume

Description

Normal (default)

The instrument’s headphone connectors will output sound at the normal volume level.

High

The instrument’s headphone connectors will output sound at an increased volume level.

1. Selecting the Phones Volume setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Phones Volume
setting.

1-4 Phones Vol.
= Normal

2. Changing the Phones Volume setting
Press the  or  VALUE buttons to alternate between ‘Normal’and ‘High’ phones volume settings.
* Any changes made to the Phones Volume setting will remain until thepower is turned off.
* Preferred Phones Volume settings will not be stored to a Registration
memory, but can be stored to the instrument’s Startup Setting forconvenient recall. Please refer to page 89 for more information.

1-4 Phones Vol.
= Normal

1-4 Phones Vol.
= High

3. Exiting the Phones Volume setting

Settings

Press the EXIT button to exit the Phones Volume setting andreturn to the main settings menu.

83Basic Settings

1-5 Line Out Volume
The Line Out Volume setting allows the level of the instrument’s Line Out output to be adjusted. This setting may
be useful when connecting the ES8 digital piano to mixers and other audio equipment.
* This setting does not affect the speaker or headphone volume.

1. Selecting the Line Out Volume setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Line Out Volume
setting.

1-5 LineOut Vol.
= 10

2. Adjusting the Line Out Volume setting
Press the  or  VALUE buttons to adjust the Line Out Volume
setting.
* The Line Out Volume setting can be adjusted within the range of
0 (no sound) to 10 (full volume).
* Any changes made to the Line Out Volume setting will remain until
the power is turned off.
* Preferred Line Out Volume settings will not be stored to a Registration
memory, but can be stored to the instrument’s Startup Setting forconvenient recall. Please refer to page 89 for more information.

1-5 LineOut Vol.
= 10

1-5 LineOut Vol.
= 3

3. Exiting the Line Out Volume setting
Press the EXIT button to exit the Line Out Volume setting andreturn to the main settings menu.

 Jump to Line Out Volume setting shortcut
It is also possible to access the Line Out Volume setting directly
using the following shortcut:
Press and hold the EXIT button.

Settings

LineOut Vol.
= 10
Press the  or  VALUE buttons to adjust the Line Out Volume
setting.
To exit the Line Out Volume setting and return to the previous
screen, press the EXIT button or wait 4 seconds.

84

ld
ho

The Line Out Volume setting will briefly be shown in the LCD
display.

1-6 Audio Recorder Gain
The Audio Recorder Gain setting allows the recording level of MP3/WAV audio files to be adjusted. While theinstrument’s default audio recorder level is optimised to capture the broad dynamic range of a grand piano, there
may be occasions where it is desirable to increase or decrease this gain setting for certain types of music.

1. Selecting the Audio Recorder Gain setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Audio Recorder
Gain setting.

1-6 AudioRecGain= +9 dB

2. Adjusting the Audio Recorder Gain setting
Press the  or  VALUE buttons to adjust the Audio Recorder
Gain setting.
* The Audio Recorder Gain can be adjusted within the range of 0 dB~+15
dB.
* Increasing the Audio Recorder Gain may result in distorted recordings
when playing loud/fortissimo passages.
* Any changes made to the Audio Recorder Gain setting will remain
until the power is turned off.

1-6 AudioRecGain= +9 dB

1-6 AudioRecGain= +14 dB

* Preferred Audio Recorder Gain settings will not be stored to a
Registration memory, but can be stored to the instrument’s Startup
Setting for convenient recall. Please refer to page 89 for more
information.

3. Exiting the Audio Recorder Gain setting

Settings

Press the EXIT button to exit the Audio Recorder Gain setting
and return to the main settings menu.

85

Basic Settings

1-7 Tuning
The Tuning setting allows the overall pitch of the ES8 digital piano to be raised and lowered in 0.5 Hz steps, and may
therefore prove useful when playing with other pitched instruments.

1. Selecting the Tuning setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Tuning setting.

1-7 Tuning= 440.0 Hz

2. Adjusting the Tuning setting
Press the  or  VALUE buttons to decrease or increase thevalue of the Tuning setting in 0.5 Hz steps.
* The Tuning setting can be adjusted within the range of 427.0 Hz~453.0
Hz.
* Any changes made to the Tuning setting will remain until the power isturned off.
* Preferred Tuning settings can be stored to a Registration memory forconvenient recall. Please refer to page 34 for more information.

3. Exiting the Tuning setting

Settings

Press the EXIT button to exit the Tuning setting and return tothe main settings menu.

86

1-7 Tuning= 440.0 Hz

1-7 Tuning= 437.5 Hz

1-8 Damper HoldThe Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained
continuously when the sustain (damper) pedal is pressed, or whether these sounds should decay, naturally.

 Damper Hold settings
Damper Hold

Description

Preset (default)

Organ sounds will gradually decay, even while the sustain pedal is pressed, but other String, etc. sounds will
be sustained coutinuously while the suatain pedal is pressed.

On

Organ, string, etc. sounds will be sustained coutinuously while the suatain pedal is pressed.

Off

Organ, string, etc. sounds will gradually decay, even while the sustain pedal is pressed.

* Any changes made to the Damper Hold setting will remain until the power is turned off.
* Preferred Damper Hold settings can be stored to a Registration memory for convenient recall. Please refer to page 34 for more information.

1-9 F-20 Mode
The F-20 Mode setting is used to change the default pedalling behaviour of the optional F-20 double pedal. Whenthe included F-10H and optional F-20 pedals are connected simultaneously, this setting allows the combined pedals
to be used as a triple pedal system.

 F-20 Mode
F-20 Mode

Description

Damper/Soft (default)

The right pedal will function as a Damper pedal, the left pedal will function as a Soft pedal.
The right pedal will function as a Sostenuto pedal, the left pedal will function as a Soft pedal.
* This setting is recommended when connecting the included F-10H and optional F-20 pedals simultaneously.

Damper/Soste.

The right pedal will function as a Damper pedal, the left pedal will function as a Sostenuto pedal.

Damper/Rhythm

The right pedal will function as a Damper pedal, the left pedal will function as a Rhythm Start/Stop pedal.

Fill-In/Rhythm

The right pedal will function as a Fill-In pedal, the left pedal will function as a Rhythm Start/Stop pedal.

Part/Rhythm

The right pedal will function as a Part toggle pedal (All  Drum  B+Dr), the left pedal will function as a
Rhythm Start/Stop pedal.

Vari./Rhythm

The right pedal will function as a Variation toggle pedal with Fill-In, the left pedal will function as a Rhythm
Start/Stop pedal.

Settings

Sostenuto/Soft* If the F-20 Mode setting is set to Damper/Soft or Sostenuto/Soft and the Rotary speaker effect is enabled, pressing the Soft pedal will alternate thespeed of the rotary simulation between ‘Slow’ and ‘Fast’ effect modes.
* Any changes made to the F-20 Mode setting will remain until the power is turned off.
* Preferred F-20 Mode settings can be stored to a Registration memory for convenient recall. Please refer to page 34 for more information.

87

Basic Settings

1-10 Four Hands
The Four Hands setting provides an alternative method to enabling the Four Hands Mode function, and may prove
useful in teaching environments or situations where this function should be enabled automatically every time theES8 digital piano is turned on.
* Please refer to page 22 for information about the Four Hands Mode function.

 Four Hands settings
Four Hands

Description

Off (default)

Four Hands Mode will be turned off by default.

On

Four Hands Mode will be turned on by default.

1. Selecting the Four Hands setting
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Four Hands setting.

1-10 Four Hands= Off

2. Changing the Four Hands setting
Press the  or  VALUE buttons to turn the Four Hands setting
on or off.
* When enabled, the LED indicators for the SPLIT and SOUND buttons
will start to flash.
* Any changes made to the Four Hands setting will remain until thepower is turned off.
* Preferred Four Hands settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

3. Exiting the Four Hands setting

Settings

Press the EXIT button to exit the Four Hands setting and returnto the main settings menu.

88

1-10 Four Hands= Off

1-10 Four Hands= On

1-11 Startup Setting
The Startup Setting function allows preferred panel settings to be stored in the instrument’s memory, andautomatically recalled as the default settings every time the ES8 digital piano is turned on.

 Settings stored in Startup Setting memory
GeneralSettings

Selected sound

Basic Settings

Dual Mode / Split Mode (sounds, volume balance, split point)

Virtual Technician

Reverb, Effects, Amp Simulator (type, settings)

Rhythm Settings

Transpose (Key Transpose only)

Key Settings

Metronome (Beat, Tempo, Volume)

MIDI Settings* Auto Power Off setting is stored to Startup Setting automatically.

1. Selecting the Startup Setting function
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Startup Setting
function.

1-11 StartupSet.
Save? ≥Press REC

2. Storing current settings to Startup Setting memory
Press the REC button.
A confirmation message will be shown in the LCD display.

1-11 StartupSet.
Save? ≥Press REC

Press the VALUE  button to confirm the store operation.
Press the EXIT button to to cancel the store operation.
* After storing the Startup Setting, the instrument will exit the settings
menu and return to normal playing mode.

Are you sure?
≥Press VALUE�

Completed.
3. Exiting the Startup Setting function

Settings

Press the EXIT button to exit the Startup Setting function andreturn to the main settings menu.

 Recalling individual Startup Setting values
After selecting a setting:Press the  and  VALUE buttons simultaneously.
The selected setting will be restored to the default (power on)
value.

89

Basic Settings

1-12 Factory Reset
The Factory Reset function clears any settings stored using the Startup Setting function above, restoring the ES8
digital piano back to its factory default settings.
* This function does not clear registration memories or recorder songs stored in internal memory.

1. Selecting the Factory Reset function
After entering the Basic Settings menu (page 77):
Press the  or  MENU buttons to select the Factory Resetfunction.

1-12 FactryReset
Reset?≥Press REC

2. Restoring factory settings
Press the REC button.
A confirmation message will be shown in the LCD display.

1-12 FactryReset
Reset?≥Press REC

Press the VALUE  button to confirm the reset operation.
Press the EXIT button to to cancel the reset operation.
* After performing a factory reset, the instrument will exit the settings
menu and return to normal playing mode.

Are you sure?
≥Press VALUE�

Completed.
3. Exiting the Factory Reset function

Settings

Press the EXIT button to exit the Factory Reset function andreturn to the main settings menu.

90Virtual Technician
An experienced piano technician is essential to fully realise the potential of a fine acoustic piano. In addition to
meticulously tuning each note, the technician also performs numerous regulation and voicing adjustments thatallow the instrument to truly sing.
The Virtual Technician settings of the ES8 digital piano simulate these refinements digitally, allowing performers toshape various aspects of the instrument’s character to suit their personal preferences.

 Virtual Technician
Page no. Setting

Description

Default setting

2-1

Touch Curve

Adjust the touch sensitivity of the keyboard.

Normal2-2

Voicing

Adjust the tonal character of the instrument.

NormalUser Voicing

Adjust the individual voicing of each of the 88 keys.

0

2-3

Damper Resonance

Adjust the resonance that is heard when pressing the damper pedal.

52-4

Damper Noise

Adjust the volume of the sound that is heard when pressing the damper pedal.

52-5String Resonance

Adjust the resonance that is heard when notes are held.

52-6Key-off Effect

Adjust the volume of the sound that is heard when keys are released.

5

2-7

Fall-back Noise

Adjust the volume of the sound that is heard when the key action falls back.

5

2-8

Hammer Delay

Adjust the delay of the hammer striking strings when playing pianissimo.

Off

2-9

Topboard

Adjust the position of the grand piano topboard.

Open 32-10

Decay Time

Adjust the decay time of the piano sound while the keys are pressed.

5

2-11

Minimum Touch

Adjust the minimum key velocity required to produce a sound.

1

2-12

Temperament

Adjust the tuning system to suit Renaissance and Baroque periods etc.

Equal Temp.

Stretch Tuning

Select how stretch tuning is applied to piano sounds and other sounds.

Piano Only

Stretch Curve

Adjust the level of stretch tuning for equal temperaments.

NormalUser Tuning

Adjust the individual tuning of each of the 88 keys.

0

Temperament Key

Adjust the key of the selected tuning system.

C

User Temperament

Adjust the tuning of each note in the scale to a custom temperament.

0

2-13

User Key Volume

Adjust the individual volume of each of the 88 keys.

0

2-14

Half-Pedal Adjust

Adjust the point at which the damper pedal begins to sustain the sounds.

5

2-15

Soft Pedal Depth

Adjust the depth/effectiveness of the soft pedal.

3

Settings* Default settings will be shown in the first LCD display illustration (i.e. Step 1) for each setting explanation below.

91Virtual Technician
 Entering the Virtual Technician menu
While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons to select the Virtual Technician
menu.

2 Virtual Tech.
≥Press VALUE�
Press the VALUE  button to enter the Virtual Technician menu.
The first page of the Virtual Technician menu will be shown in
the LCD display

 Selecting the desired setting
After entering the Virtual Technician menu:
Press the  or  MENU buttons to cycle through the different
settings pages.
Settings page no.

Settings

2-1 Touch Curve= Normal92

2-1 Touch Curve
As with an acoustic piano, the ES8 digital piano produces a louder sound when the keys are struck with force, anda softer sound when the keys are played gently. The volume and tonal character change in relation to the strengthand speed of playing – on a digital piano this system is referred to as ‘touch sensitivity’.
The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are six
different preset touch curve settings available, with two additional ‘User’ settings allowing performers to customise
the instrument’s responsiveness to suit their individual playing style.

 Touch Curve types
Touch Curve

Description

Heavy +

Requires considerably more striking force to achieve a loud volume.

Heavy

Requires a heavier touch to produce a loud volume. Ideally suited to those with stronger fingers.

Normal (default)

Reproduces the standard touch sensitivity of an acoustic piano.
A louder volume is produced even when playing with a soft touch. For those still developing finger strength.

Light* This touch curve is recommended for children and organ players.

Light +

Requires less striking force to achieve a forte note. For players with a very delicate touch.
A constant volume is produced regardless of how hard the keys are struck.

Off (constant)* This touch curve intended for playing sounds of instruments that have a fixed dynamic range (e.g. organ and harpsichord).

User 1 / User 2

A custom touch curve, created to suit an individual’s personal playing style.

 Touch Curve graph

f
d

c

b

a

GentleKeyboard PressureaHeavy +

b

Heavy

c

Normal (default)

d

Light

e

Light +f

Off (constant)

StrongSettingseSoftSound Volume

Loud

The illustration below provides a visual representation of the different Touch Curve settings.

 Jump to Touch Curve setting shortcut
It is also possible to access the Touch Curve setting directly while a piano sound is selected in Single Mode (i.e. not Dual Mode, Split Mode,
Four Hands Mode, or Rhythm Section Mode):
Press and hold the MENU  or MENU  buttons.
The Touch Curve setting will be shown in the LCD display.
Press the  or  VALUE buttons to change the Touch Curve setting.
To exit the Touch Curve setting and return to the previous screen, press the EXIT button twice.

93

Virtual Technician

2-1 Touch Curve (cont.)
1. Selecting the Touch Curve setting
After entering the Virtual Technician menu (page 92):
The Touch setting will be selected automatically.

2-1 Touch Curve= Normal

2. Changing the Touch Curve typePress the  or  VALUE buttons to cycle through the different
touch curve types.
* Any changes made to the Touch Curve type or User Touch settings
will remain until the power is turned off.
* Preferred Touch Curve settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

2-1 Touch Curve= Normal

2-1 Touch Curve= Heavy+ Creating a User Touch Curve
Press the  or  VALUE buttons to select the User 1 or User 2
touch curve, then press the REC button.
A message will be shown in the LCD display, prompting for the
keyboard to be played.
Play the piano dynamically from very soft to very loud, allowing
the instrument to examine the personal playing technique.

2-1 Touch Curve= User1≥PressREC

Start playing
Soft ≥ Loud

* More than one attempt may be required in order to create an accurate
User Touch Curve.
* Reducing the master volume fader to the lowest position before
creating the User Touch Curve may help to reduce user distractions,thus improving accuracy.

Press the PLAY/STOP button.
A confirmation message will be shown in the LCD display.

Press PLAY/STOP
when finished.

Touch analysis
complete.

Settings

Press the REC button to confirm the store operation.
Press the PLAY/STOP button to to cancel the store operation.
* The user touch curve will be stored to the ‘User1’ or ‘User2’ touch
types and selected automatically.

3. Exiting the Touch Curve setting
Press the EXIT button to exit the Touch Curve setting and returnto the main settings menu.

94

Save?
Yes≥REC

No≥STOP2-2 Voicing
On an acoustic piano, the shape, density, and texture of the hammers all influence the tonal character of the
instrument’s sound. Technicians utilise a variety of tools such as needles, files, and brushes to manipulate thesehammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.
The Voicing setting recreates various hammer properties, allowing the overall tonal character of the ES8 digital
piano to be adjusted. There are six different preset voicing settings available (applied uniformly to all keys), with anadditional four ‘User’ settings that allow players to perform custom adjustments on each individual key.
While the default ‘Normal’ voicing setting should be appropriate for a broad range of musical genres, it may bedesirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone
for modern styles.
* This Virtual Technician setting will affect all sounds.

 Voicing types
Voicing type

Description

Normal (default)

The normal tonal character of an acoustic piano throughout the entire dynamic range.

Mellow 1

A softer, more mellow tonal character throughout the entire dynamic range.

Mellow 2

An even soften tonal character than Mellow 1.

Dynamic

A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.

Bright 1

A bright tonal character throughout the entire dynamic range.

Bright 2

An even brighter tonal character than Bright 1.

User 1~4

A custom tonal character, allowing each key to be individually voiced.

1. Selecting the Voicing setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Voicing setting.

2-2 Voicing= Normal

2. Changing the Voicing type

* Any changes made to the Voicing settings will remain until the poweris turned off.
* Preferred Voicing settings can be stored to a Registration memory forconvenient recall. Please refer to page 34 for more information.

2-2 Voicing= NormalSettings

Press the  or  VALUE buttons to cycle through the different
voicing types.

2-2 Voicing= Dynamic

3. Exiting the Voicing setting
Press the EXIT button to exit the Voicing setting and return tothe main settings menu.

95

Virtual Technician

User Voicing
The User Voicing function allows each of the 88 keys to be voiced individually.

1. Selecting the User Voicing memory
After selecting the Voicing setting (page 95):
Press the  or  VALUE buttons to select one of the User Voicing
memories.
* Up to four different User Voicing memories can be created andstored.

Press the REC button.

2-2 Voicing= User1≥PressREC

UserVoicing
C4= 0≥PressSTOPThe User Voicing screen will be shown in the LCD display.

2. Selecting the note, adjusting the user voicing value
Press the desired key to be tuned, then press the  or  VALUE
buttons to set the desired voicing value.

UserVoicing
C4= 0≥PressSTOP

The desired key can also be selected by pressing the  or 
MENU buttons.
* The User Voicing value can be adjusted within the range of -5~+5, withlower values creating a mellower sound and higher values creating abrighter sound.
* Any changes made to the User Voicing setting will remain until thepower is turned off.
* Preferred User Voicing settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

3. Exiting the User Voicing function
Press the STOP button to exit the User Voicing setting and returnto the Voicing setting.

Settings* The User Voicing settings are saved automatically.

96

UserVoicing C#2= -4 ≥PressSTOP

2-3 Damper Resonance
Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When anote or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played
vibrate, but also the strings of other notes, vibrating in sympathetic resonance.
The ES8 digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume of thisresonance sound to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

1. Selecting the Damper Resonance setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Damper Resonancesetting.

2-3 Damper Reso.
= 5

2. Adjusting the Damper Resonance volume
Press the  or  VALUE buttons to adjust the volume of theDamper Resonance setting.
* The Damper Resonance volume can be adjusted within the rangeof Off, 1~10, with higher values resulting in a more pronounced
resonance.
* Any changes made to the Damper Resonance setting will remain until
the power is turned off.
* Preferred Damper Resonance settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-3 Damper Reso.
= 5

2-3 Damper Reso.
= 2

3. Exiting the Damper Resonance setting

Settings

Press the EXIT button to exit the Damper Resonance setting andreturn to the main settings menu.

97Virtual Technician

2-4 Damper Noise
When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of thedamper head touching and releasing the strings.
The ES8 digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this sound to be
adjusted. The speed at which the damper pedal is pressed will also influence the prominence of the damper noise,with fast pedalling creating a very pronounced sound.
* This Virtual Technician setting will affect acoustic piano sounds only.

1. Selecting the Damper Noise setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Damper Noisesetting.

2-4 Damper Noise= 5

2. Adjusting the Damper Noise volume
Press the  or  VALUE buttons to adjust the volume of theDamper Noise setting.
* The Damper Noise volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Damper Noise setting will remain until thepower is turned off.
* Preferred Damper Noise settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Damper Noise setting

Settings

Press the EXIT button to exit the Damper Noise setting andreturn to the main settings menu.

98

2-4 Damper Noise= 5

2-4 Damper Noise= 22-5 String ResonanceString Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate‘sympathetically’ with other notes of the same harmonic overtone series.
The ES8 digital piano recreates this phenomenon, with the String Resonance setting allowing the volume of thisresonance to be adjusted.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Demonstrating String ResonanceTo experience the string resonance phenomenon, gently hold down the ‘C’ key as shown in the illustration below, then press any of
the keys marked with a  symbol. In addition to the sound of each note played, it should also be possible to hear the strings of thefirst ‘C’ key resonating ‘sympathetically’, thus demonstrating String Resonance.
C

F G

A

B

F G

C

E

G

C

E

G

#

A

C D E

G

#

C

ho
ld

C

#

1. Selecting the String Resonance setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the String Resonancesetting.

2-5 String Reso.
= 5

2. Adjusting the String Resonance volume* The String Resonance volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced resonance.
* Any changes made to the String Resonance setting will remain until
the power is turned off.
* Preferred String Resonance settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-5 String Reso.
= 5

2-5 String Reso.
= 8

Settings

Press the  or  VALUE buttons to adjust the volume of theString Resonance setting.

3. Exiting the String Resonance setting
Press the EXIT button to exit the String Resonance setting andreturn to the main settings menu.

99Virtual Technician

2-6 Key-off Effect
When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force andreleased quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before
the vibrations are stopped.
In addition, the speed at which keys are lifted will also affect the character of the sound. For example, when lifting
the keys quickly (e.g. staccato playing) the ‘release’ portion of the sound will be noticeably shorter than when lifting
the keys slowly (e.g. legato playing).
The ES8 digital piano reproduces both characteristics, with the Key-off Effect setting allowing the volume of the
key-off sound to be adjusted, and the key-off release speed detection to be turned on or off.
* This Virtual Technician setting will affect acoustic piano and electric piano sounds.

1. Selecting the Key-off Effect setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Key-off Effectsetting.

2-6 KeyOffEffect= 5

2. Adjusting the Key-off Effect volume
Press the  or  VALUE buttons to adjust the volume of the
Key-off Effect setting.
* The Key-off Effect volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced effect.
* When the Key-off Effect setting is set to Off, the key-off release speed
detection will also be disabled, and the speed at which keys are lifted
will not affect the character of the sound.
* Any changes made to the Key-off Effect setting will remain until thepower is turned off.
* Preferred Key-off Effect settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

Settings

3. Exiting the Key-off Effect setting
Press the EXIT button to exit the Key-off Effect setting and returnto the main settings menu.

100

2-6 KeyOffEffect= 5

2-6 KeyOffEffect= 10

2-7 Fall-back Noise
When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e.
‘falling back’) to the neutral position after a key is released.
The ES8 digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this sound tobe adjusted.
While the default value is intended to simulate the natural volume level of the keys as they return to their neutral
position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume
when playing very soft pieces, where the fall-back noise may become too prominent.
* This Virtual Technician setting will affect acoustic piano and harpsichord sounds.

1. Selecting the Fall-back Noise setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Fall-back Noisesetting.

2-7 Fallback Ns.
= 5

2. Adjusting the Fall-back Noise volume
Press the  or  VALUE buttons to adjust the volume of theFall-back Noise setting.
* The Fall-back Noise volume can be adjusted within the range of Off,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Fall-back Noise setting will remain until thepower is turned off.
* Preferred Fall-back Noise settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-7 Fallback Ns.
= 5

2-7 Fallback Ns.
= Off

3. Exiting the Fall-back Noise setting

Settings

Press the EXIT button to exit the Fall-back Noise setting andreturn to the main settings menu.

101Virtual Technician

2-8 Hammer Delay
When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key beingpressed and the hammer striking the strings.
If desired, the ES8 digital piano can recreate this delay, with the Hammer Delay setting allowing the delay length tobe adjusted.
While the default value of ‘Off’ is intended to replicate a well-regulated concert grand piano, with an immediateconnection between the keyboard and hammers, some players may find it desirable to introduce a minor delay, inorder to mimic different types of piano or instruments with a slightly worn keyboard action.
* This Virtual Technician setting will affect acoustic piano sounds only.

1. Selecting the Hammer Delay setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Hammer Delaysetting.

2-8 Hammer Delay= Off

2. Adjusting the Hammer Delay value
Press the  or  VALUE buttons to adjust the value of theHammer Delay setting.
* The Hammer Delay value can be adjusted within the range of Off,
1~10, with higher values resulting in an increased delay.
* Any changes made to the Hammer Delay setting will remain until thepower is turned off.
* Preferred Hammer Delay settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Hammer Delay setting

Settings

Press the EXIT button to exit the Hammer Delay setting andreturn to the main settings menu.

102

2-8 Hammer Delay= Off

2-8 Hammer Delay= 5

2-9 Topboard
When playing an acoustic grand piano, the position of the instrument’s topboard (lid) affects both the volume and‘openness’ of the tone produced. A fully open topboard allows sound waves to reflect off the polished lid surface
and project into the room, while a closed lid has the opposite effect, resulting in a darker, more opaque tone.
The ES8 digital piano attempts to simulate these characteristics, with four different topboard positions.
* This Virtual Technician setting will affect acoustic piano sounds only.

 Topboard positions
Topboard position

Description

ClosedSimulates the character of a closed topboard, with minimum sound projection.

Open 1

Simulates the character of a partially open topboard, with limited sound projection.

Open 2

Simulates the character of a half open topboard, with reduced sound projection.

Open 3 (default)

Simulates the character of a fully open topboard, with maximum sound projection.

1. Selecting the Topboard setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Topboard setting.

2-9 Topboard= Open3

2. Changing the Topboard position
Press the  or  VALUE buttons to cycle through the different
Topboard types.
* Any changes made to the Topboard setting will remain until thepower is turned off.
* Preferred Topboard settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

2-9 Topboard= Open3

2-9 Topboard= Closed

3. Exiting the Topboard setting

Settings

Press the EXIT button to exit the Topboard setting and return tothe main settings menu.

103Virtual Technician

2-10 Decay Time
When playing an acoustic grand piano, the length of the instrument influences the speed at which held notes decay,
with longer grand pianos (i.e. longer strings) characterised by longer decay times.
The ES8 digital piano attempts to simulate this characteristic, with the Decay Time setting allowing the length of
decay while keys are pressed to be adjusted.
* This Virtual Technician setting will affect all sounds.

1. Selecting the Decay Time setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Decay Timesetting.

2-10 Decay Time= 5

2. Adjusting the Decay Time volume
Press the  or  VALUE buttons to adjust the volume of the
Decay Time setting.
* The Decay Time volume can be adjusted within the range of
1~10, with larger values resulting in increased decay times.
* Any changes made to the Decay Time setting will remain until thepower is turned off.
* Preferred Decay Time settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.
* The Decay Time setting can be set independently for each sound.

3. Exiting the Decay Time setting

Settings

Press the EXIT button to exit the Decay Time setting and returnto the main settings menu.

1042-10 Decay Time= 5

2-10 Decay Time= 9

2-11 Minimum Touch
The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By
default, this setting attempts to recreate the extremely fine touch sensitivity of a concert grand piano, allowing
a very soft sound to be produced with the slightest of key touches. However, it may be desirable to reduce thissensitivity, when wishing to recreate the feeling of a small grand piano or an upright piano.
* This Virtual Tecnician setting will affect piano sounds, and the Classic E.P., 60’s E.P. and Classic E.P. 2 sounds.

1. Selecting the Minimum Touch setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Minimum Touch
setting.

2-11 Minim.Touch= 1

2. Adjusting the Minimum Touch volume
Press the  or  VALUE buttons to adjust the volume of the
Minimum Touch setting.
* The Minimum Touch volume can be adjusted within the range of 1~20,
with larger values requiring greater key force in order to produce asound. For example, a value of 10 will require the keyboard to beplayed with a velocity of 10 or above in order to produce a sound.
* Any changes made to the Minimum Touch setting will remain until
the power is turned off.

2-11 Minim.Touch= 1

2-11 Minim.Touch= 9* Preferred Minimum Touch settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Minimum Touch setting

Settings

Press the EXIT button to exit the Minimum Touch setting andreturn to the main settings menu.

105Virtual Technician

2-12 Temperament
The Temperament setting allows the tuning system used by the ES8 digital piano to be changed from the modern‘Equal Temperament’ standard to one of the various temperaments popularised during the Renaissance andBaroque periods. It is also possible to create customised temperaments using the User Temperaments function.

 Temperament types
Temperament type

Description

Equal Temperament(Equal)This is the most popular tuning method that divides the scale into twelve equal semi-tones.
This produces the same chordal intervals in all twelve keys, and has the advantage of limitlessmodulation of the key. However, the tonality of each key becomes less characteristic and no chord
is in pure consonance.

Pure Temperament(Pure Major/Pure minor)

This temperament, which eliminates dissonances for thirds and fifths, is still popular in choral
music because of its perfect harmony. Any key modulation will result in dissonances.
* The key of the temperament, and major/minor setting must be correctly matched.

Pythagorean Temperament(Pythagorean)This temperament, which uses mathematical ratios to eliminate dissonance for fifths, is very limited
for use with chords, but produces very characteristic melodic lines.

Meantone Temperament(Meantone)

This temperament, which uses a mean between a major and minor whole tone to eliminate
dissonance for thirds, was devised to eliminate the lack of consonances experienced with certain
fifths for the Mersenne pure temperament.
It produces chords that are more beautiful than those played with equal temperament.

These two temperaments are placed in between Meantone and Pythagorean. For music with
Werckmeister III Temperament
few accidentals, this temperament produces the beautiful chords of the mean tone, but as(Werkmeister)
accidentals increase, the temperament produces the characteristic melodies of the Pythagorean
Kirnberger III Temperament
temperament.
(Kirnberger)
It is used primarily for classical music written in the Baroque era to revive the original characteristics.
User Temperament(User)

User defined temperament created by raising or lowering the pitch for each semi-tone.

1. Selecting the Temperament setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Temperamentsetting.

2-12 Temperament= Equal2. Changing the Temperament type

Settings

Press the  or  VALUE buttons to cycle through the different
temperament types.
* Any changes made to the Temperament settings will remain until thepower is turned off.
* Preferred Temperament settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Temperament setting
Press the EXIT button to exit the Temperament setting andreturn to the main settings menu.

1062-12 Temperament= Equal2-12 Temperament= Meantone

Stretch Tuning
The Stretch Tuning setting specifies whether stretch tuning should be applied for acoustic piano sounds only, allsounds, or disabled entirely.
Stretch tuning is a piano-specific tuning method used by acoustic piano technicians in which the lower octaves are
tuned slightly flatter and the upper octaves are tuned slightly sharper to match the natural harmonics of an acoustic
piano.
* This setting is only effective when Temperament is set to Equal Temperament.

 Stretch Tuning setting
Stretch Tuning

Description

Piano Only (default)

Stretch tuning is applied to acoustic piano sounds only.

Off

Stretch tuning is disabled.

On

Stretch tuning is applied to all sounds.

1. Selecting the Stretch Tuning setting
After selecting the Equal Temperament type (page 106):
Press the  or  MENU buttons to select the Stretch Tuning
setting.

2-12 StretchTune= Piano Only

2. Selecting the Stretch Tuning typePress the  or  VALUE buttons to cycle through the Stretch
Tuning setting.
* Any changes made to the Stretch Tuning setting will remain until thepower is turned off.
* Preferred Stretch Tuning settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-12 StretchTune= Piano Only

2-12 StretchTune= Off

3. Exiting the Stretch Tuning setting

Settings

Press the EXIT button to exit the Stretch Tuning setting andreturn to the main settings menu.

107Virtual Technician

Stretch Curve
The Stretch Curve setting specifies the degree of stretch tuning to be applied to the sound. It is also possible tocreate custom tuning methods using one of the four User Tuning types.
* This setting is only effective when Stretch Tuning is set to On/Piano Only, and Temperament is set to Equal Temperament.

 Stretch Curve setting
Stretch Curve

Description

Normal (default)

Normal stretch tuning.

Wide

Wide stretch tuning.

User 1~4

User defined tuning methods.

1. Selecting the Stretch Curve setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Stretch Curve
setting.

2-12 S.Curve= Normal

2. Selecting the Stretch Curve typePress the  or  VALUE buttons to cycle through the different
Stretch Curve types.
* Any changes made to the Stretch Curve setting will remain until thepower is turned off.
* Preferred Stretch Curve settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.
* The Stretch Curve setting can be set independently for each sound.

3. Exiting the Stretch Curve setting

Settings

Press the EXIT button to exit the Stretch Curve setting and returnto the main settings menu.

1082-12 S.Curve= Normal

2-12 S.Curve= WideUser Tuning
The User Tuning function allows each of the 88-keys to be tuned individually.
* This function is only effective when Stretch Tuning is set to On/Piano Only, Temperament is set to Equal Temperament, and Stretch Curve is set toUser 1~4.

1. Selecting the User Tuning memory
After selecting the Stretch Curve setting (page 108):
Press the  or  VALUE buttons to select one of the User Tuning
memories.

2-12 S.Curve= User1≥PressREC* Up to four different User Tuning memories can be created and stored.

Press the REC button.

UserTuning
C4= 0≥PressSTOPThe User Tuning screen will be shown in the LCD display.

2. Selecting the note, adjusting the user tuning value
Press the desired key to be tuned, then press the  or  VALUE
buttons to set the desired tuning value.

UserTuning
C4= 0≥PressSTOP

The desired key can also be selected by pressing the  or 
MENU buttons.
* The User Tuning value can be adjusted within the range of –50~+50.
* Any changes made to the User Tuning setting will remain until thepower is turned off.

UserTuning
C#2= -4 ≥PressSTOP* Preferred User Tuning settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

3. Exiting the User Tuning function
Press the STOP button to exit the User Tuning setting and returnto the Stretch Curve setting.

Settings* The User Tuning settings are saved automatically.

109

Virtual Technician

Temperament Key
The Temperament Key setting allows the key of the selected temperament to be specified. When using atemperament other than Equal temperament, use this setting to specify the key signature of the piece.
* This setting will only affect the ‘balance’ of the tuning system, the pitch of the keyboard will remain unchanged.

 Changing the Temperament Key setting
After selecting a temperament other than Equal temperament
types:

2-12 Temper. Key= C

Press the  or  MENU buttons to select Temperament Key
setting.
Press the  or  VALUE buttons to select the desired
temperament key.

Settings* The temperament key can be set within the range of C to B.

110

2-12 Temper. Key= F

User Temperament
The User Temperament setting allows custom temperaments to be created.
* This setting is only available when User Temperament is selected.

1. Selecting the User Temperament
After selecting the User Temperament type (page 106):
Press the MENU  button.

2-12UserTemp. C= 0

2. Selecting the note, adjusting the user temperament value
Press the  or  MENU buttons to select the desired note to be
adjusted.
Press the  or  VALUE to adjust the cent value for the selected
note.
* The User Temperament value can be adjusted within the range of–50~+50.
* Any changes made to the User Temperament setting will remain until
the power is turned off.

2-12UserTemp. C= 0

2-12UserTemp. E= +5* Preferred User Temperament settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the User Temperament function

Settings

Press the EXIT button to exit the User Temperament setting andreturn to the main settings menu.

111Virtual Technician

2-13 User Key Volume
The User Key Volume settings allows the volume of each of the 88-keys to be adjusted individually.

1. Selecting the User Key Volume setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the User Key Volume
setting.

2-13 UserKeyVol.
= Off

2. Selecting the User Key Volume memory
Press the  or  VALUE buttons to select the User Key Volume
memories.
* Up to four different User Key Volume memories can be created andstored.

Press the REC button to adjust the User Key Volume memory.

2-13 UserKeyVol.
= Off

2-13 UserKeyVol.
= User1≥PressREC

UserKeyVol.
C4= 0≥PressSTOP
3. Selecting the note, adjusting the User Key Volume
Press the desired key to be adjusted, then press the  or 
VALUE buttons to select the desired volume value.
The desired key can also be selected by pressing the  or 
MENU buttons.
* The User Key Volume setting can be set independently for each sound.

4. Exiting the User Key Volume function

Settings

Press the STOP button to exit the User Key Volume setting andreturn to the User Key Volume memories selection.
* The User Key Volume settings are saved automatically.

112

UserKeyVol. C#1= +5 ≥PressSTOP

2-14 Half-Pedal Adjust
The Half-Pedal Adjust setting allows the point at which the damper/sustain pedal becomes effective (i.e. when thedampers of the piano begin to lift from the strings) to be adjusted. This setting may be useful for pianists that
habitually rest their right foot on the damper/sustain pedal, but do not necessarily wish to sustain the sound.
* This Virtual Technician setting will affect all sounds.

1. Selecting the Half-Pedal Adjust setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Half-Pedal Adjust
setting.

2-14HalfPedalAdj= 5 [R.Cal]≥REC

2. Adjusting the Half-Pedal Adjust volume
Press the  or  VALUE buttons to adjust the volume of theHalf-Pedal Adjust setting.
* The Half-Pedal Adjust volume can be adjusted within the range of
1~10, with higher values resulting in a later damper pedal point.
* Any changes made to the Half-Pedal Adjust setting will remain until
the power is turned off.
* Preferred Half-Pedal Adjust settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-14HalfPedalAdj= 5 [R.Cal]≥REC

2-14HalfPedalAdj= 9 [R.Cal]≥REC

3. Exiting the Half-Pedal Adjust setting

Settings

Press the EXIT button to exit the Half-Pedal Adjust setting andreturn to the main settings menu.

113

Virtual Technician

2-14 Half-Pedal Adjust (cont.)
 Calibrating the right pedal of the optional double pedal
Depending on the brand and model of the double pedal connected to the ES8, it may be necessary to use the calibration function toensure that the right (damper) pedal’s minimum and maximum range of values are detected correctly.
* This procedure is not required when using the included F-10H single pedal or the optional F-301 triple pedal unit.

Press the REC button while the Half-Pedal Adjust parameter isshown in the LCD display.

A message will be shown in the LCD display, prompting for theright (damper) pedal to be pressed and released.
Slowly depress the right (damper) pedal to the maximum
position, then slowly release the pedal.
Repeat this process a few times to ensure that the right (damper)
pedal’s minimum and maximum range of values are detected
correctly.

2-14HalfPedalAdj= 10 [R.Cal]≥REC

R.Pedal Calib.
Press ≥ Release

Press PLAY/STOP
when finished.

The full range of operation for the connected right (damper)
pedal will be calculated, allowing the Half-Pedal adjust to be set
correctly.

R.Pedal Calib.
complete.

Settings

Press the PLAY/STOP button to complete the right (damper)
pedal calibration.

114

2-15 Soft Pedal Depth
The Soft Pedal Depth setting adjusts the effectiveness (i.e. depth/strength) of the soft pedal.
* This Virtual Technician setting will affect all sounds.

1. Selecting the Soft Pedal Depth setting
After entering the Virtual Technician menu (page 92):
Press the  or  MENU buttons to select the Soft Pedal Depth
setting.

2-15SoftPedalDep= 3

2. Adjusting the Soft Pedal Depth volume
Press the  or  VALUE buttons to adjust the volume of the Soft
Pedal Depth setting.
* The Soft Pedal Depth volume can be adjusted within the range of
1~10, with higher values resulting in a softer sound.
* Any changes made to the Soft Pedal Depth setting will remain until
the power is turned off.
* Preferred Soft Pedal Depth settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

2-15SoftPedalDep= 3

2-15SoftPedalDep= 9

3. Exiting the Soft Pedal Depth setting

Settings

Press the EXIT button to exit the Soft Pedal Depth setting andreturn to the main settings menu.

115

Key Settings
The Key Settings menu contains settings to adjust the instrument’s operation when using the Dual or Split playing
modes.

 Key Settings
Page no. Setting

Description

Default setting

3-1

Lower Octave

Raise the pitch of the lower section in octave steps when using Split mode.

0

3-2

Lower Pedal

Enable/disable sustain pedal for the lower section when using Split mode.

Off

3-3

Split Balance

Adjust the volume balance between the upper and lower sections.

9:9

3-4

Layer Octave

Raise the pitch of the layered sound in octave steps when using Dual mode.

0

3-5

Layer Dynamics

Adjust the dynamic sensitivity of the layered sound when using Dual mode.

10

3-6

Dual Balance

Adjust the volume balance between the main and layered sounds.

9:9* Default settings will be shown in the first LCD display illustration (i.e. Step 1) for each setting explanation below.

 Entering the Key Settings menu
While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons to select the Key Settings menu.

3 Key Settings≥Press VALUE�
Press the VALUE  button to enter the Key Settings menu.
The first page of the Key Settings menu will be shown in the
LCD display

 Selecting the desired setting
After entering the Key Settings menu:
Press the  or  MENU buttons to cycle through the different
settings pages.
Settings page no.

Settings

3-1 Lower Octave
= 0

116

3-1 Lower Octave Shift
The Lower Octave Shift setting allows the pitch of the lower section when using Split mode to be raised in octave
steps.

1. Selecting the Lower Octave Shift setting
After entering the Key Settings menu (page 116):
The Lower Octave Shift setting will be selected automatically.

3-1 Lower Octave= 0

2. Changing the Lower Octave Shift value
Press the  or  VALUE buttons to decrease or increase thevalue of the Lower Octave Shift setting.
* The pitch of the lower section can be raised by up to 3 octaves.

3-1 Lower Octave= 0* Any changes made to the Lower Octave shift setting will remain until
the power is turned off.
* Preferred Lower Octave Shift settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3-1 Lower Octave= +3

3. Exiting the Lower Octave Shift setting
Press the EXIT button to exit the Lower Octave Shift setting andreturn to the main settings menu.

It is also possible to access the Lower Octave Shift setting directly
while Split Mode or Four Hands Mode are in use:.
Press and hold the MENU  or MENU  buttons.

Settings

 Jump to Lower Octave Shift setting shortcut

SK ConcertGrand/Wood Bass

The Lower Octave Shift setting will be shown in the LCD display.
Press the  or  VALUE buttons to adjust the Lower Octave
Shift setting.

3-1 Lower Octave= 0

To exit the Lower Octave Shift setting and return to the previous
screen, press the EXIT button twice.

117

Key Settings

3-2 Lower Pedal
The Lower Pedal setting determines whether or not the sustain pedal will affect (i.e. sustain) the lower sound whenusing Split mode.

 Lower Pedal settings
Lower Pedal

Description

Off (default)

In Split mode, lower section sounds will not be sustained when the sustain pedal is pressed.

On

In Split mode, lower section sounds will be sustained when the sustain pedal is pressed.

1. Selecting the Lower Pedal setting
After entering the Key Settings menu (page 116):
Press the  or  MENU buttons to select the Lower Pedal
setting.

3-2 Lower Pedal= Off

2. Changing the Lower Pedal setting
Press the  or  VALUE buttons to turn the Lower Pedal setting
on or off.

3-2 Lower Pedal= Off* Any changes made to the Lower Pedal setting will remain until thepower is turned off.
* Preferred Lower Pedal settings can be stored to a Registration memory
for convenient recall. Please refer to page 34 for more information.

3. Exiting the Lower Pedal setting

Settings

Press the EXIT button to exit the Lower Pedal setting and returnto the main settings menu.

118

3-2 Lower Pedal= On

3-3 Split Balance
The Split Balance setting allows the volume balance between the upper and lower sections when using Split mode
to be adjusted.
* The Split Balance setting can also be used adjusted directly while Split mode is in use. Please refer to page 21 for more information.

1. Selecting the Split Balance setting
After entering the Key Settings menu (page 116):
Press the  or  MENU buttons to select the Split Balancesetting.

3-3 SplitBalance= 9:9

2. Adjusting the Split Balance setting
Press the  or  VALUE buttons to adjust the volume balance
between the upper and lower sections.
After increasing to the maximum volume (9) of one section, thevolume of the other section will start to decrease.
* Any changes made to the Split Balance setting will remain until thepower is turned off.
* Preferred Split Balance settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3-3 SplitBalance= 9:9

3-3 SplitBalance= 2:9

3. Exiting the Split Balance setting

Settings

Press the EXIT button to exit the Split Balance setting and returnto the main settings menu.

119Key Settings

3-4 Layer Octave Shift
The Layer Octave Shift setting allows the pitch of the layered sound when using Dual mode to be raised or loweredin octave steps.

1. Selecting the Layer Octave Shift setting
After entering the Key Settings menu (page 116):
Press the  or  MENU buttons to select the Layer Octave Shiftsetting.

3-4 Layer Octave= 0

2. Changing the Layer Octave Shift value
Press the  or  VALUE buttons to decrease or increase thevalue of the Layer Octave Shift setting.
* The pitch of the layered sound can be raised or lowered by up to 2
octaves.
* Some layered sounds may not produce a tone when the octave range
is raised beyond a certain value.
* Any changes made to the Layer Octave shift setting will remain until
the power is turned off.

3-4 Layer Octave= 0

3-4 Layer Octave= +2* Preferred Layer Octave Shift settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Layer Octave Shift setting
Press the EXIT button to exit the Layer Octave Shift setting andreturn to the main settings menu.

Settings

 Jump to Layer Octave Shift setting shortcut
It is also possible to access the Layer Octave Shift setting directly
while Dual Mode is in use.
Press and hold the MENU  or MENU  buttons.

SK ConcertGrand
Slow Strings

The Layer Octave Shift setting will be shown in the LCD display.
Press the  or  VALUE buttons to adjust the Layer Octave Shiftsetting.
To exit the Layer Octave Shift setting and return to the previous
screen, press the EXIT button twice.

120

3-4 Layer Octave= 0

3-5 Layer Dynamics
When using Dual mode, sometimes simply adjusting the volume balance between the two layered sounds is notenough to create the desired sound character, especially if both sounds are very dynamic. Layering two equally
dynamic sounds can prove difficult to control and play comfortably.
The Layer Dynamics Function allows the dynamic sensitivity of the layered sound to be reduced, in order to improvethe blend between the two combined sounds. In addition to reducing the volume of the layered sound, limiting its
dynamic sensitivity also allows the layered sound to be controlled more easily in relation to the main sound.

1. Selecting the Layer Dynamics setting
After entering the Key Settings menu (page 116):
Press the  or  MENU buttons to select the Layer Dynamics
setting.

3-5 LayerDynamic= 10

2. Adjusting the Layer Dynamics setting
Press the  or  VALUE buttons to decrease or increase thevalue of the Layer Dynamics setting.
* The layer dynamics value can be adjusted within the range of off,
1~10.
* Any changes made to the Layer Dynamics setting will remain until thepower is turned off.
* Preferred Layer Dynamics settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3-5 LayerDynamic= 10

3-5 LayerDynamic= 5

3. Exiting the Layer Dynamics setting

Settings

Press the EXIT button to exit the Layer Dynamics setting andreturn to the main settings menu.

121

Key Settings

3-6 Dual Balance
The Dual Balance setting allows the volume balance between the main and layered sounds when using Dual mode
to be adjusted.
* The Dual Balance setting can also be used adjusted directly while Dual mode is in use. Please refer to page 19 for more information.

1. Selecting the Dual Balance setting
After entering the Key Settings menu (page 116):
Press the  or  MENU buttons to select the Dual Balancesetting.

3-6 Dual Balance= 9:9

2. Adjusting the Dual Balance setting
Press the  or  VALUE buttons to adjust the volume balance
between the main and layered sections.
After increasing to the maximum volume (9) of one sound, thevolume of the other sound will start to decrease.
* Any changes made to the Dual Balance setting will remain until thepower is turned off.
* Preferred Dual Balance settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Dual Balance setting

Settings

Press the EXIT button to exit the Dual Balance setting and returnto the main settings menu.

122

3-6 Dual Balance= 9:9

3-6 Dual Balance= 9:5

MIDI Settings
MIDI Overview
The term MIDI is an acronym for Musical Instrument Digital Interface, an international standard for connecting
musical instruments, computers, and other devices to allow the exchange of performance data.

 MIDI Terminals
MIDI terminal

Function

MIDI IN

Receiving note, program change, and other data.

MIDI OUT

Sending note, program change, and other data.

 MIDI channels
MIDI uses channels to exchange data back and forth between MIDI devices. There are receive (MIDI IN) and transmit (MIDI OUT)
channels. Most musical instruments or devices with MIDI functions are equipped with both MIDI IN and OUT jacks and are capable oftransmitting and receiving data via MIDI. The receive channels are used to receive data from another MIDI device, and the transmit
channels are used to transmit data to another MIDI device.
The illustration below shows three musical instruments, connected together using MIDI.

Transmitting instrument a

Receiving instrument b

Receiving instrument cTransmitting instrument a sends transmit channel and keyboard information to receiving instruments b/c.
The information arrives at the receiving instruments b/c.
Receiving instruments b/c will respond to MIDI data that is sent if their receive channel is the same as the transmit channel of thetransmitting instrument a. If the channels do not match, the receiving instruments b/c will not respond to any data that is sent.
For both receiving and transmitting, channels 1~16 can be used.

 Recording/playing with a sequencer

Settings

When connected to a sequencer (or a computer running MIDI
sequencing software), the ES8 digital piano can be used torecord and playback multi-track songs, with separate sounds
playing simultaneously on each channel.

Sequencer

123

MIDI Settings
 MIDI Functions
The ES8 digital piano supports the following MIDI functions:

Transmit/receive note information

Transmit/receive program change information

Transmit/receive note information to/from a MIDI-connectedmusical instrument or device.

Transmit/receive program change data to/from a MIDIconnected musical instrument or device.

Transmit/receive channel settings

Transmit/receive pedal data

Specify transmit/receive channels within the range of 1 to 16.

Transmit/receive sustain, sostenuto, and soft pedal data to/from a MIDI-connected musical instrument or device.

Transmit/receive exclusive data

Receive volume data

Transmit/receive front panel or menu function settings as
exclusive data.

Receive MIDI volume data sent from a MIDI-connectedmusical instrument or device.

Multi-timbral mode setting* Please refer to the ‘MIDI Implementation Chart’ on page 150 for
further information regarding the MIDI capabilities of the ES8 digital
piano.

Receive multiple channel MIDI data from a MIDI-connectedmusical instrument or device.

 MIDI Settings
Page no. Setting

Description

Default setting

5-1

MIDI Channel

Specify the channel that is used to transmit/receive MIDI information.

1

5-2

Send PGM Change #Send a MIDI program change number from 1 to 128.

1

5-3

Local Control

Specify whether internal sounds will be heard when the keyboard is pressed.

On

5-4

Trans. PGM Change

Specify whether program change data is sent when sounds are changed.

On

5-5

Multi-timbral Mode

Specify whether the instrument can receive Multi-timbral MIDI information.

Off

Channel Mute

Specify which channels (1~16) are activated to receive MIDI information.

Play All* Default settings will be shown in the first LCD display illustration (i.e. Step 1) for each setting explanation below.

 Entering the MIDI Settings menu

Settings

While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons to select the MIDI Settings
menu, then press the VALUE  button to enter the menu.

5 MIDI Settings≥Press VALUE�The first page of the MIDI Settings menu will be shown in the
LCD display.

 Selecting the desired setting
After entering the MIDI Settings menu:
Press the  or  MENU buttons to cycle through the different
settings pages.

124

Settings page no.

5-1 MIDI Channel= 1

4-1 MIDI Channel
The MIDI Channel setting allows the transmit/receive channel to be specified. The selected channel will function as
both the transmit and receive channel (separate transmit/receive channels cannot be specified).

1. Selecting the MIDI Channel setting
After entering the MIDI Settings menu (page 124):
The MIDI Channel setting will be selected automatically.

5-1 MIDI Channel= 1

2. Changing the MIDI Channel value
Press the  or  VALUE buttons to decrease or increase thevalue of the MIDI Channel setting.
* The MIDI Channel setting can be adjusted within the range of 1~16.

5-1 MIDI Channel= 1* Any changes made to the MIDI Channel setting will remain until thepower is turned off.
* Preferred MIDI Channel settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

5-1 MIDI Channel= 5

3. Exiting the MIDI Channel setting
Press the EXIT button to exit the MIDI Channel setting and returnto the main settings menu.

 Omni mode
When the ES8 digital piano is turned on, the instrument is automatically set to ‘omni mode on’, allowing MIDI information to bereceived on all MIDI channels (1~16). When the MIDI Channel setting is used to specify a transmit/receive channel, the instrument
will be set to ‘omni mode off’.

Using Split mode with Multi-timbral mode enabled

Using Dual mode with Multi-timbral mode enabled

Notes played in the lower section of the keyboard will betransmitted on the channel that is 1 channel higher than thespecified channel. For example, if the MIDI channel is set to3, notes played in the lower section of the keyboard will betransmitted on channel 4.

Notes played will be transmitted on two channels: thespecified channel and the channel that is 1 channel higher.

Settings

 Multi-timbral mode and Split/Dual mode

For example, if the MIDI channel is set to 3, notes played on
the keyboard will be transmitted on channels 3 and 4.

* If the specified MIDI channel is 16, the lower section / layered part will be transmitted on channel 1.

125

MIDI Settings

4-2 Send Program Change Number
The Send Program Change Number function is used to send a Program Change Number (1~128) to the connected
MIDI device.

1. Selecting the Send Program Change Number function
After entering the MIDI Settings menu (page 124):
Press the  or  MENU buttons to select the Send Program
Change Number function.

5-2 Send PGM#
= 1
≥VALUE�+�

2. Specifying and transmitting a Program Change Number
Press the  or  VALUE buttons to decrease or increase theProgram Change Number.
* The program change number can be set within the range of 1~128.

Press the  and  VALUE buttons simultaneously to send thespecified Program Change Number.

3. Exiting the Program Change Number function

Settings

Press the EXIT button to exit the Program Change Number
function and return to the main settings menu.

126

5-2 Send PGM#
= 1
≥VALUE�+�

5-2 Send PGM#
= 15
Sent.

4-3 Local Control
The Local Control setting determines whether the instrument will play an internal sound when the keys are pressed.
This setting is useful when using the ES8 digital piano to control an external MIDI device.

 Local Control settings
Local Control

Description

Off

The instrument will transmit information to an external MIDI device only.

On (default)

The instrument will play an internal sound and transmit information to an external MIDI device.

1. Selecting the Local Control setting
After entering the MIDI Settings menu (page 124):
Press the  or  MENU buttons to select the Local Control
setting.

5-3 LocalControl= On

2. Changing the Local Control setting
Press the  or  VALUE buttons to turn the Local Control setting
on or off.

5-3 LocalControl= On* Any changes made to the Local Control setting will remain until thepower is turned off.
* Preferred Local Control settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

5-3 LocalControl= Off

3. Exiting the Local Control setting

Settings

Press the EXIT button to exit the Local Control setting andreturn to the main settings menu.

127

MIDI Settings

4-4 Transmit Program Change Numbers
The Transmit Program Change Numbers setting determines whether the ES8 digital piano will transmit programchange information via MIDI when the instrument’s panel buttons are pressed.

 Transmit Program Change Numbers settings
Transmit PGM#

Multi-timbral setting

Effect of pressing panel buttons

On (default)

Off, On1

SOUND buttons will send PGM# shown in the left column*.

On

On2

SOUND buttons will send PGM# shown in the right column*.

Off

Off

Program Change information will not be transmitted via MIDI.
* Please refer to the ‘Program Change Number List’ on page 137.

1. Selecting the Transmit Program Change Numbers setting
After entering the MIDI Settings menu (page 124):

5-4 Trans. PGM#
= On

Press the  or  MENU buttons to select the Transmit Program
Change Numbers setting.

2. Changing the Transmit Program Change Numbers setting
Press the  or  VALUE buttons to turn the Transmit Program
Change Numbers setting on or off.

5-4 Trans. PGM#
= On

* Any changes made to the Transmit Program Change Numbers setting
will remain until the power is turned off.
* Preferred Transmit Program Change Numbers settings can be stored
to a Registration memory for convenient recall. Please refer to page
34 for more information.

5-4 Trans. PGM#
= Off

 Program Change Numbers and Dual/Split mode

Settings

 When using Dual or Split mode, On/Off information and soundtype settings for are transmitted as exclusive data, however
program change numbers will not be transmitted.

128

 Program change numbers will also be transmitted when
Multi-timbral mode is set to On1 or On2.

4-5 Multi-timbral Mode
The Multi-timbral Mode setting determines whether or not the ES8 digital piano is able to receive MIDI information
on more than one MIDI channel simultaneously. This allows the instrument to play back multi-track, multi-timbral
performance data sent from an external MIDI device.

 Multi-timbral Mode settings
Multi-timbral Mode

Effect on sound heard

Off

Only data received from the designated system channel will be sent to the panel setting.
The sound shown in the left column is selected*.

On1 (default)

Data received from all MIDI channels (ch1~ch16) will be sent to 16 multi timbral tracks.
The sound shown in the left column is selected*.

On2

Data received from all MIDI channels (ch1~ch16) will be sent to 16 multi timbral tracks.
The sound shown in the right column is selected*.
* Please refer to the ‘Program Change Number List’ on page 137.

1. Selecting the Multi-timbral Mode setting
After entering the MIDI Settings menu (page 124):
Press the  or  MENU buttons to select the Multi-timbral
Mode setting.

5-5 Multi Timbre= On1

2. Changing the Multi-timbral Mode setting
Press the  or  VALUE buttons to change the Multi-timbral
Mode setting.

5-5 Multi Timbre= On1* Any changes made to the Multi-timbral Mode setting will remain until
the power is turned off.
* Preferred Multi-timbral Mode settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

5-5 Multi Timbre= Off

3. Exiting the Multi-timbral Mode setting

Settings

Press the EXIT button to exit the Multi-timbral Mode setting
and return to the main settings menu.

129

MIDI Settings

Channel Mute
The Channel Mute setting determines which MIDI channels (1~16) are activated to receive MIDI information when
Multi-timbral mode is enabled.
* This setting is only available when the Multi-timbral Mode setting is set to ‘On1’ or ‘On2’.

 Channel Mute settings
Channel Mute

Description

Play (default)

The instrument will receive MIDI information on the specified MIDI channel.

Mute

The instrument will not receive MIDI information on the specified MIDI channel.

1. Selecting the Channel Mute setting
After setting the Multi-timbral Mode to ‘On1’ or ‘On2’:
Press the  or  MENU buttons to select the Channel Mutesetting for each MIDI channel.

5-5 Ch 1 Mute
= Play2. Changing the Channel Mute setting
Press the  or  VALUE buttons to alternate between ‘Play’ and‘Mute’ settings* Any changes made to the Channel Mute setting will remain until thepower is turned off.
* Preferred Channel Mute settings can be stored to a Registration
memory for convenient recall. Please refer to page 34 for more
information.

3. Exiting the Channel Mute setting

Settings

Press the EXIT button to exit the Channel Mute setting andreturn to the main settings menu.

130

5-5 Ch 1 Mute
= Play5-5 Ch 1 Mute
= MuteUSB MIDI (USB to Host connector)
The ES8 digital piano features a ‘USB to Host’ type connector, allowing the instrument to be connected to a computer
using an inexpensive USB cable and utilised as a MIDI device. Depending on the type of computer and operating
system installed, additional driver software may be required for USB MIDI communication to function correctly.

 USB MIDI driver
Operating System
Windows ME
Windows XP (no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista (SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7 (no SP, SP1)
Windows 7 64-bit
Windows 8
Windows 8 64-bit
Windows 8.1
Windows 8.1 64-bit

Windows 98 se
Windows 2000
Windows Vista (no SP)

USB MIDI Driver Support

Additional USB MIDI driver software NOT required.
The standard (built-in) Windows USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
* After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows XP) or ‘USB-MIDI’(Windows Vista/Windows 7/Windows 8/Windows 8 64-bit) device is correctly selected in the application
software.

Additional USB MIDI driver software required.
Please download the USB MIDI driver from the Kawai Global website: http://www.kawai-global.com* After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected in the application
software.

Windows Vista 64-bit (no SP)

USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.

Mac OS X

Additional USB MIDI driver software NOT required.
The standard (built-in) Mac OS X USB MIDI driver will be installed automatically when the
instrument is connected to the computer.

Mac OS 9

USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.

 USB MIDI information
both connected simultaneously, the USB MIDI port will begiven priority.

 Ensure that the instrument is turned OFF before attempting
to connect the USB MIDI cable.

 When connecting the instrument to a computer using the USB
MIDI port, there may be a short delay before communications
begin.

 If the instrument is connected to a computer via a USB hub
and USB MIDI communication becomes unreliable/unstable,please connect the USB MIDI cable directly to the one of thecomputer’s USB ports.

 Disconnecting the USB MIDI cable suddenly, or turning the

instrument on/off while using USB MIDI may cause computer
instability in the following situations:– while installing the USB MIDI driver– while starting up the computer– while MIDI applications are performing tasks
– while the computer is in energy saver mode

 If there are any further problems experienced with USB MIDI

communication while the instrument is connected, pleasedouble-check all connections and relevant MIDI settings in
the computer’s operating system.

* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is registered trademark of Microsoft Corporation.
* ‘Macintosh’ is registered trademark of Apple Computer, Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.

131

Settings

 If the instrument’s MIDI IN/OUT jacks and USB MIDI port arePower Setting

5 Auto Power Off
The ES8 digital piano features a power saving function that can be used to automatically turn off the instrument
after a specified period of inactivity.
* This setting will be stored automatically, and recalled every time the instrument is turned on.

 Auto Power Off settings
Auto Power Off

Description

Off

The Auto Power Off function is disabled.

30 min.

The instrument will turn off automatically after 30 minutes of inactivity.

60 min.

The instrument will turn off automatically after 60 minutes of inactivity.

120 min.

The instrument will turn off automatically after 120 minutes of inactivity.

1. Selecting the Auto Power Off setting
While the normal playing mode screen is shown in the LCD display:Press the  or  MENU buttons to select the Power Settings
menu, then press the VALUE  button to enter the menu.

6-1 AutoPowerOff= Off

The Auto Power Off setting will be selected automatically.

2. Changing the Auto Power Off setting
Press the  or  VALUE buttons to change the Auto Power Off
setting.

6-1 AutoPowerOff= Off* The Auto Power Off setting will be stored automatically, and recalled
every time the instrument is turned on.

6-1 AutoPowerOff= 60 min.
3. Exiting the Auto Power Off setting

Settings

Press the EXIT button to exit the Auto Power Off setting andreturn to the main settings menu.

132

Connecting to Other Devices
The rear side of the ES8 digital piano features a variety of jacks that allow the instrument be connected
to MIDI devices, computers, speakers, and mixers. It is also possible to connect external audio
sources, such as an MP3 player, tablet, or a secondary keyboard, to the ES8’s amplifier and speakersystem. The illustration below provides a visual overview of the instrument’s connectors and typicalapplications.

Connect the instrument to external
speakers, amplifiers, mixers, etc.

Connect the instrument to other MIDI
instruments, modules, devices, etc.

USB
type ‘B’USB
type ‘A’

ComputerConnect the audio fromother devices to the
instrument’s speakers.

TabletConnect the F-10H footpedal to the instrument.

Appendix

Connect the instrument
to a computer or tablet tosend or receive MIDI data.

Connect the F-20 double
pedal to the instrument.

Before connecting the ES8 digital piano to other devices, ensure that the power to both the instrument and theother device is turned off. If connections are established while the power is turned on, extraneous noise that candamage the ES8 digital piano may activate the instrument’s amplifier protection circuit, preventing any soundfrom being produced. If this occurs, turn the power off and then on again to reset the amplifier protection circuit.
Do not connect the LINE IN STEREO and LINE OUT jacks of the ES8 digital piano together with the same cable. An
audio loop (oscillation sound) will occur, resulting in damage to the unit.

133

Connecting to Other Devices

Rear Connectors
 LINE OUT jacks (1/4” phone jack) SPEAKER ON/OFF switch

These jacks are used to connect the stereo output of the
instrument’s sound to external speakers, amplifiers, mixers,
recording devices, and similar equipment. Mono signals will be
output only if a cable is connected to the L/MONO jack. The
MASTER VOLUME slider does not affect the LINE OUT level.

This switch is used to turn the ES8’s built-in speakers on or off,
and may be useful when connecting the instrument to external
speakers or an amplification system via the LINE OUT jacks.
Please note that when headphones are connected, sound will
not be produced by the built-in speakers, regardless of the
SPEAKER switch position.

* The Line Out Volume setting can be used to adjust the level of theLINE OUT signal. Please refer to page 84 for more information.

 LINE IN STEREO jacks (1/8” mini jack) DAMPER & DAMPER/SOFT jacks

This jack is used to connect the stereo output from an external
audio device, such as a CD or MP3 player, to the instrument’s
amplifier (incl. LINE OUT) and speaker system. To adjust the LINEIN level, please use the volume controls on the device itself.

These jacks are used to connect either the F-10H foot pedal or
F-20 double pedal unit to the instrument.

 MIDI IN/OUT jacks

 USB to Host port (‘B’ type)

These jacks are used to connect the ES8 digital piano to external
MIDI devices, and also to a computer with a MIDI interface as analternative to the ‘USB to Host’ port.

This USB port is used to connect the ES8 digital piano to acomputer using an inexpensive USB cable. When connected, theinstrument can be used as a standard MIDI device, allowing it tosend a receive MIDI data. Connect a ‘B’ type USB connector to
the instrument, and an ‘A’ type USB connector to the computer.
With additional conversion adaptors, this port may also be used
to connect the ES8 digital piano to tablets such as the Apple
iPad and other mobile devices.

* Please refer to page 123 for more information about MIDI.

* Please refer to page 14 for more information about pedal functions.

* Please refer to page 131 for more information about USB MIDI.

Appendix

Front Connectors
 PHONES jacks (1/4” phone jack) USB to Device port (‘A’ type)

These jacks are used to connect stereo headphones to the ES8
digital piano. Two pairs of headphones can be connected andused simultaneously. When a pair of headphones is connected,
sound will not be produced by the speakers.

This USB port is used to connect a USB memory device to theES8 digital piano. This allows MP3/WAV audio files, and SMF
song files to be played directly. It is also possible to record
performances to MP3/WAV audio files, and save recorder songs
stored in internal memory for posterity.

 USB device information
 The ‘USB to Device’ functionality of the ES8 digital piano It may be necessary to format the USB memory device before

 The ‘USB to Device’ port is intended for connecting USB

 Avoid removing the USB memory device while data is being

conforms to USB2.0 Hi-Speed standards. Older USB devices
can still be used, however data transfer speed will be limited
to the maximum transfer speed of the device.

memory devices, however USB floppy drive devices can also
be used to save recorder songs stored in internal memory, orplay SMF song files.

it can be used with the ES8 digital piano. If so, please refer tothe USB Format function instructions on page 75. Formatting
the device will erase all data.

loaded or saved, files are being renamed or deleted, or thedevice is being formatted.

 Other USB devices, such as computer mice, keyboards, or134battery chargers etc. cannot be used with this instrument.

Troubleshooting
The table below summarises issues that may be experienced with the ES8 digital piano, explaining the typicalcause(s), and recommended solution(s).
Possible Cause and Solution

Page no.

The instrument does not turn on.

Check that the AC power adaptor is firmly attached to the instrument, andconnected to an AC outlet.

p. 15

The instrument turns itself off after aperiod of inactivity.

Check that the ‘Auto Power Off’ setting is not enabled.

p. 132Check that the MASTER VOLUME slider is not set to the lowest position.

p. 15

Check that a pair of headphones (or headphone adaptor plug) are notconnected to the PHONES jacks.

p. 14

Check that the SPEAKER ON/OFF switch (rear connectors) is not set to Off.

p. 134Check that the Local Control setting in the MIDI Settings menu is set to On.

p. 127Check that the MASTER VOLUME slider is set to an appropriate level,
reducing the volume if excessive distortion is heard.

p. 15

If connecting the instrument to an amplifier/mixer using the Line Out jacks,
reduce the value of the ‘Line Out Volume’ setting in the Basic Settings menu.

p. 84

Sound

The instrument is turned on, however
no sound is produced when the keys arepressed.

The sound distorts when playing at very
loud volume levels.

Strange sounds or noises are heard whenplaying with piano sounds.

MP3/WAV/SMF Audio

USB

Phones

The top 18 notes of the keyboard sustain
far longer than neighbouring notes, evenwhen the damper pedal is not pressed.

The ES8 digital piano attempts to reproduce the rich variety of tones
created by an acoustic grand piano as accurately as possible. This includes
string resonances and damper noises, and other subtle characteristics that
contribute to the overall piano playing experience.
While these additional tones are intended to enhance the realism of the
instrument, it is possible to reduce their prominence, or disable the effects
altogether using the settings in the Virtual Technician menu.
This is the correct behaviour, and intended to reproduce the undamped
notes (typically the top two octaves) of an acoustic grand piano.

p. 91

–

Check the technical specifications of the headphones.
The headphone volume is too low.

A USB memory device is not detected,
cannot be saved to, or does not appear
to function when connected to the ‘USB
to Device’ port.

If the ‘Nominal Impedance’ specification of the headphones is less than 100 Ω(ohms), set the ‘Phones Volume’ setting in the ‘Basic Settings’ menu to ‘High’.

p. 83

Check that the USB memory device is formatted to use the FAT/FAT32
filesystem, and not set to ‘Write Protect’ mode.

p. 134

Disconnect the USB device, turn the instrument off then on, then reconnect
the USB device. If the USB device still does not function, it may bedamaged or incompatible. Please try using a different USB device.

The instrument pauses briefly whenconnecting a USB memory device.

This is recognised behaviour when using very large capacity (e.g. 8GB+)
USB memory devices.

p. 134

No sound can be heard when playing
an MP3/WAV audio file stored on a USB
memory device.

Check that the audio player volume is not set to 0.

p. 57

Check that the format of the audio file is supported and listed in the ‘Audio
Player supported format specifications’ table.

p. 56

Check that the format of the audio file is supported and listed in the ‘Audio
Player supported format specifications’ table.

p. 56

An MP3/WAV audio file stored on a USB
memory device sounds strange, or does
not play back correctly.

Appendix

Power

Issue

The file transfer speed of the USB memory device may be too slow to play
the audio file. Please try using a different USB memory device, ensuringthat it conforms to USB2.0 Hi-Speed standards.

The ES8 digital piano does not contain the full General MIDI sound bank
An SMF MIDI file stored on a USB memory
selection. Consequently, some SMF song files may not be reproduced
device sounds strange when played back.
entirely accurately when played through the instrument.

p. 60

When recording MP3/WAV audio files, thevolume is too low/too high (distorted).

p. 85

Adjust the ‘Audio Recorder Gain’ setting in the ‘Basic Settings’ menu.

135

Demo Song List
Sound NameSong Title

Composer

Main Demo

Original

Kawai

SK ConcertGrand

Grande Polonaise Brillante Op.22

ChopinEX ConcertGrand

Polonaise-Fantaisie

ChopinJazz Clean

Original

Kawai

Warm Grand

Sonata No.30 Op.109

Beethoven

Pop Grand

Original

Kawai

PIANO 1PIANO 2SK-5 GrandPiano

Lieder Ohne Worte No.18 “Duetto”

Mendelssohn

Upright Piano

Alpenglühen Op.193

OestenModern Piano

Original

Kawai

Rock Piano

Original

Kawai

Classic E.Piano

Original

Kawai

Modern E.P.

Original

Kawai

Drawbar Organ

Original

Kawai

Jazz Organ

Original

Kawai

Church Organ

Chorale Prelude “Wachet auf, ruft uns die Stimme”

J. S. BachHarpsichord

French Suite No. 6

J. S. BachVibraphone

Original

Kawai

Clavi

Original

Kawai

Slow Strings

Original

Kawai

String Pad

Original

Kawai

String Ensemble

Le quattro stagioni: La primavera

A. Vivaldi

Choir Ooh/Aah

Original

Kawai

Choir Aah

Londonderry Air

Irish folk song

New Age Pad

Original

Kawai

Wood Bass

Original

Kawai

Electric Bass

Original

Kawai

Fretless Bass

Original

Kawai

W. Bass & Ride

Original

Kawai

Original

Kawai

E. PIANOORGAN

HARPSI / MALLETS

Appendix

STRINGS / CHOIRBASSRHYTHM SECTION
Rhythm Section Demo

* Kawai regrets that sheet music for Kawai original demo songs is not available.

136

Program Change Number List
Sound Name

Multi-timbral mode = off/on1

Multi-timbral mode = on2

Program Number

Program Number

Bank MSBBank LSBSK ConcertGrand

1

1

121

0

EX ConcertGrand

2

1

95

27

Jazz Clean

3

1

121

1

Warm Grand

4

1

121

2

Pop Grand

5

1

95

28

SK-5 GrandPiano

6

1

95

30

Upright Piano

7

1

95

25

Pop Grand

8

1

95

31

Modern Piano

9

2

121

0

Rock Piano

10

2

121

1

Classic E.Piano

11

5

121

0

60’s E.Piano

12

5

121

3

Modern E.Piano

13

6

121

0

Classic E.Piano 2

14

5

121

1

Drawbar Organ

15

17

121

0

Jazz Organ

16

18

121

0

Principal Oct.

17

20

95

24

Church Organ

18

20

121

0

Harpsichord

19

7

121

0

Vibraphone

20

12

121

0

Clavi

21

8

121

0

Marimba

22

13

121

0

Slow Strings

23

45

95

1

String Pad

24

49

95

8

Warm Strings

25

49

95

1

String Ensemble

26

49

121

0

Choir Ooh/Aah

27

54

95

53

PIANO 1PIANO 2

E. PIANODRAWBAR

HARPSI / MALLETS

Choir Aah

28

53

121

0

New Age Pad

29

89

121

0

Atmosphere

30

100

121

0

Wood Bass

31

33

121

0

Electric Bass

32

34

121

0

Fretless Bass

33

36

121

0

W. Bass & Ride

34

33

95

1

Appendix

STRINGS / CHOIRBASS & GUITAR

137

Program Change Number List

Sound Name

Multi-timbral mode = off/on1

Multi-timbral mode = on2

Program Number

Program Number

Bank MSBBank LSB

Concert Grand RS

35

1

95

22

Studio Grand RS

36

1

95

23

Studio Grand 2 RS

37

1

95

24

Classic E.Piano RS

38

5

95

3

Vibraphone RS

39

12

121

1

String Ensemble RS

40

49

95

2

Wood Bass RS

41

33

95

2

Electric Bass RS

42

34

95

1

Fretless Bass RS

43

36

95

1

Drawbar Organ 2 RS

44

17

95

1

Jazzer RS

45

18

95

1

Perc. Organ RS

46

18

121

1

Rock Organ RS

47

19

121

0

Nylon Acoustic RS

48

25

121

0

Ballad Guitar RS

49

26

95

6

Modern Jazz Gtr RS

50

27

95

10

Cutting Guitar RS

51

28

95

3

Cutting Guitar 3 RS

52

28

95

5

Appendix

MIDI

Muted Electric RS

53

29

121

0

OverdriveGuitar RS

54

30

121

0

Wood Bass 4 RS

55

33

95

5

Electric Bass 3 RS

56

34

95

6

FingerSlap Bass RS

57

34

121

1

Pick Bass RS

58

35

121

0

Synth Bass 2 RS

59

40

121

0

Synth Bass 4 RS

60

40

121

1

Strings sf. RS

61

49

95

9

StringEnsemble2 RS

62

50

121

0

Euro Hit RS

63

56

121

3

Synth Brass RS

64

63

121

0

Jump Brass RS

65

63

121

3

SequencedAnalog RS

66

82

121

4

Bright Warm Pad RS

67

90

95

1

Bowed Pad RS

68

93

121

0

Multi Sweep RS

69

96

95

1

Brightness 2 RS

70

101

95

1

GtrCuttingNoise RS

71

121

121

1

GtrCuttingNoise2 RS

72

121

95

1

Analog Set RS

73

26

120

0

Ambience Set RS

74

33

120

0

Platinum Set RS

75

1

120

0

Ballad Set RS

76

9

120

0

* RS = Rhythm Section / Selectable when Multi-timbral Mode = On1 / On2

138

Drum Sound Mapping List

C3

C4

C5

C6

Analog Set RS
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
SticksSquare Click
Metronome Click
Metronome Bell
Analog BD2
Analog BD1
Analog Rim
Analog SD1
Hand Clap
Analog SD2
Analog LowTom2
Analog HHC
Analog Low Tom1
Analog HHP
Analog Mid Tom2
Analog HHO
Analog Mid Tom1
Analog Hi Tom2
Analog Crash1
Analog Hi Tom1
Ride Cymbal 1
Chinese Cymbal
Ride Cup
Tambourine
Splash Cymbal
Analog Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Analog Hi Conga
Analog Mid Conga
Analog Low CongaHigh Timbale
Low Timbale
High Agogo
Low AgogoCabasaAnalog Maracas
Short Whistle
Long Whistle
Short Guiro
Long Guiro
Analog Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
ShakerJingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo

Ambience Set RS
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
SticksSquare Click
Metronome Click
Metronome BellAmbi BD2
Ambi BD1
Ambi Rim
Ambi SD1
Ambi Clap
Ambi SD2
AmbiLowTom2
Ambi HHC
AmbiLowTom1
Ambi HHP
AmbiMidTom2
Ambi HHO
AmbiMidTom1
AmbiHiTom2
Ambi Crash1
AmbiHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
Tambourine
Funk Splash
Cowbell
Funk Crash2
Vibra-slap
Ambi Ride2
High Bongo
Low Bongo
Mute Hi CongaOpen Hi Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low AgogoCabasaMaracasShort Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
ShakerJingle BellBar Chimes
Castanets
Mute Surdo
Open Surdo

Platinum Set RS
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
SticksSquare Click
Metronome Click
Metronome Bell
Plat BD2
Plat BD1
Plat Rim
Plat SD1
Ambi Clap
Plat SD2
FunkLowTom2
Funk HHCFunkLowTom1
Funk HHP
FunkMidTom2
Funk HHOFunkMidTom1
FunkHiTom2
Funk Crash1
FunkHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
Tambourine
Funk Splash
Cowbell
Funk Crash2
Vibra-slap
Ambi Ride2
High Bongo
Low Bongo
Hi Conga
Mid Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low AgogoCabasaMaracasShort Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
ShakerJingle BellBar Chimes
Castanets
Mute Surdo
Open Surdo

Ballad Set RS
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
SticksSquare Click
Metronome Click
Metronome BellBala BD2
Bala BD1
Plat Rim
Bala SD1
Ambi Clap
Bala SD2
FunkLowTom2
Funk HHCFunkLowTom1
Funk HHP
FunkMidTom2
Funk HHOFunkMidTom1
FunkHiTom2
Ambi Crash1
FunkHiTom1
Ambi Ride1
Chinese Cymbal
Ambi Cup
Tambourine
Funk Splash
Cowbell
Funk Crash2
Vibra-slap
Ambi Ride2
High Bongo
Low Bongo
Hi Conga
Mid Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low AgogoCabasaMaracasShort Whistle
Long Whistle
Short Guiro
Long Guiro
Claves
Hi Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
ShakerJingle BellBar Chimes
Castanets
Mute Surdo
Open Surdo

Appendix

C2

C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#

139

Rhythm Section Style List
Genre

Style Name

Genre

Style Name

16th Swing

Funk Shuffle 1

8th Straight

8 Beat 1

Funk Shuffle 2

8 Beat 2

Hip Hop 1

Smooth Beat

Hip Hop 2

Pop 1

Hip Hop 3

Pop 2

Hip Hop 4

Ride Beat

16 Shuffle 1
16 Shuffle 2
16th Funk

16th StraightSlip Beat
8th Rock

16 Shuffle 3

8 Beat 3

Funky Beat 1

Rock Beat 1

Funky Beat 2

Rock Beat 2

Funky Beat 3

Rock Beat 3

Funk 1Rock Beat 4

Funk 2

Blues/RockFunk 3Heavy Beat

Jazz FunkHard Rock16 Beat 1

Surf Rock16 Beat 2
16 Beat 3

R&B
8th Swing

16th Dance/Techno

8th Fast Shuffle

Rim Beat

Motown 2

Roll Beat

Gospel Shuffle

Light Ride 1

Ragtime

Surdo Samba

Appendix

Country 2 Beat
Triplet/Waltz

Triplet Rock 2

Light Samba

Bembe

Songo

Rock Shuffle

Samba

BoogieMerenge

Triplet 1

Funky Beat 4

Triplet 2

16 Beat 5

ReggaeDisco 1

Gospel Ballad

Disco 2

Waltz
Jazz

Ride Swing

Techno 3

Fast 4 Beat

Heavy Techno

Afro Cuban

Ballad 1

Jazz Waltz 1

Ballad 2

Jazz Waltz 2

Ballad 4

5/4 Swing
Latin

H.H. Bossa Nova

Ballad 5

Ride Bossa Nova

Light Ride 2

BeguineElectro Pop 1

Mambo

Electro Pop 2

Cha Cha

16 Shuffle 4

Tango

Slow Jam

Habanera

Slow RockR&B Ballad
Triplet 50’s Ballad
Triplet R&B Ballad140

H.H. Swing

Techno 2

Ballad 3

8th Ballad

Triplet Rock 1

Latin Groove

Techno 1

16th Ballad

Motown 1

16 Beat 4

Dixie Rock
16th Latin

Jazz RockRhythm Section Chord Types
The tables below list chord types recognised by the ES8 digital piano’s Rhythm Section. Each chord can be playedby pressing the notes marked with a  symbol in the diagrams below. When the ACC Mode setting is set to ‘1 Finger
Chord’, the common Major, Minor, M7, and 7, chord types can also be played by pressing just the notes marked witha  symbol.
Notes

Chord Name

Notes

Chord Name

C Maj

D  Maj
(C )

D Maj

C sus4D  sus4(C )

D sus4C aug

D  aug
(C )

D aug

C min

D  min
(C )

D min

C M7

D  M7
(C )

D M7

C6

D 6
(C )

D6

C m7

D  m7
(C )

D m7

C mM7

D  mM7
(C )

D mM7

C m6

D  m6
(C )

D m6

C7

D 7
(C )

D7

C 7(5)D  7(5)(C )

D 7(5)

C 7( 5)D  7( 5)(C )

D 7( 5)C 7sus4

D  7sus4(C )

D 7sus4

C m7(5)D  m7(5)(C )

D m7(5)C dim

D  dim
(C )

D dim





Notes

Appendix

Chord Name141

Rhythm Section Chord Types
Chord Name

Appendix

Chord Name

Notes

Chord Name

E  Maj
(D )

E Maj

F Maj

E  sus4(D )

E sus4F sus4E  aug
(D )

E aug

F aug

E  min
(D )

E min

F min

E  M7
(D )

E M7

F M7

E 6
(D )

E6

F6

E  m7
(D )

E m7

F m7

E  mM7
(D )

E mM7

F mM7

E  m6
(D )

E m6

F m6

E 7
(D )

E7

F7

E  7(5)(D )

E 7(5)F 7(5)E  7( 5)(D )

E 7( 5)F 7( 5)E  7sus4(D )

E 7sus4

F 7sus4

E  m7(5)(D )E m7(5)

F m7(5)E  dim
(D )

E dim

F dim



142

Notes





Notes

NotesChord Name

Notes

Chord Name

G  Maj
(F )

G Maj

A  Maj(G )G  sus4(F)G sus4A  sus4(G )G  aug
(F )

G aug

A  aug(G )G  min
(F )

G min

A b min(G )

G  M7(F )

G M7

A  M7
(G )

G 6
(F )

G6

A 6
(G )

G  m7(F )G m7

A  m7(G )

G  mM7
(F )

G mM7

A  mM7(G )

G  m6(F )G m6

A  m6
(G )

G 7
(F )

G7

A 7
(G )

G  7(5)(F )

G 7(5)A  7(5)(G )G  7( 5)
(F )

(5)

G7

A  7( 5)(G )

G  7sus4(F )

G 7sus4

A  7sus4(G )G  m7(5)(F )G m7(5)A  m7(5)(G )G  dim
(F )

G dim

A  dim
(G )



Notes



Appendix

Chord Name

143

Rhythm Section Chord Types

Appendix

Chord Name

Chord Name

Notes

Chord Name

A Maj

B  Maj
(A )

B Maj

A sus4B  sus4(A )

B sus4A aug

B  aug
(A )

B aug

A min

B  min
(A )

B min

A M7

B  M7
(A )

B M7

A6

B 6
(A )

B6

A m7

B  m7
(A )

B m7

A mM7

B  mM7
(A )

B mM7

A m6

B  m6
(A )

B m6

A7

B 7
(A )

B7

A 7(5)B  7(5)(A )

B 7(5)

A 7( 5)B  7( 5)(A )

B 7( 5)A 7sus4

B  7sus4(A )

B 7sus4

A m7(5)B  m7(5)(A )B m7(5)A dim

B  dim
(A )

B dim



144

Notes





Notes

Rhythm Section Preset Chord Sequences
The table below lists Preset Chord sequences utilised by the ES8 digital piano’s Rhythm Section when the ‘ACC
Mode’ setting is set to ‘Preset Chord’.
The Preset Chord sequences can last for 8, 12, or 16 bars, with the bar number and chord name written in the spaces
below. If a chord name is not written, the previous chord will continued to be played. The more complicated chord
names, such as ‘F#m7(b5)’, may appear in a simplified form when shown in the LCD display. If two chords are listed(e.g. ‘D/C’), the first letter indicates the key of the chord, while the second letter indicates the key of the bass part.
Chord pattern
1 (9)No. of bars

Chord1

8

Chord2

12

Chord3

8

C

Chord4

8

C7

Chord5

8

C7

Chord6

16

Cm7
EM7

Chord7

12

Chord88CM7Chord98

C7

Chord10

16

Chord11

8

C7

Chord12

8

Cm7
AM7

Chord13

8

Chord148

Chord15

8

Chord1616

2 (10)
Bm7(5)CM7
Fm7(5)

B7

B7

Dm7

3 (11)

4 (12)

Am7

Gm7

Em7

A7

G7sus4

D7(5)

G7sus4

Cm7

G7sus4

G7

Cm7

Am7

Dm7

G7sus4

CM7

Em7

Am7

Dm7

G7sus4

CM7
B7

Dm7

F7

C7

Dm7

C7

C7
AM7

Chord19

16

Chord20
Chord21

CM7

8

AM7

C

B7
B7

8

C

G

Chord228

Chord23

8

Chord24

8

CM7
A/B

Gm7

C7

Cm7

F7

Chord25

8

F7

Chord26

8

CM7

Chord27

8

C7sus4

Chord28

16

Chord298

Fm7(5)

B7(5)

C7

FM7

Dm7
EM7

Gaug

B7

CM7

Gm7

CmM7

Cm7
B7

Am7(5)

8

C

Dm

B7

Chord32

8

C

G7

Am

Chord33

8CG7

Chord34

16
8

Chord37

16

Chord38

8

C7
C

AM7

F7
AM7

C

Em7

Am7

Em7

Em7

Chord39

8

C7

Chord40

8C7Chord41

8

C7

Chord428C7Chord43

8

C7

G

FM7

G7

FM7

F7

Cm7
AM7

F7
Fdim

Gaug
G7(5)

Dm7
B7

BM7

Fm7
B7sus4

CM7
Fm7(5)Cm

Dm7(5)
Dm7(5)C7sus4
G7
Gaug

Cm7

F7

Dm7
G7

CM7
F/A

Am7

B7

Em7
AM7

CmM7

Cm7
G7(5)

Am7(5)G7(5)

G7

Am

C7

Bm7
A/B

Cm7
E7

Bm7(5)

AM7

C

AM7

Em7

Em7
B7sus4

Gm7/C

F/C

D7

F7

G7

G7(5)

F

C

B

Gm7

Fm7

C

G7sus4

G7

D7

Bm7
A/B

B/C
A/C

D7
B

Gsus4/C

E7

A7

EM7

Em7

Chord44

12

Dm7

G7

C6

Chord45

8

C

Am

F

C

C

Am

F

Chord46

8

Em7

Am7

Dm7

G7

Em7

Dm7

G7

Chord47

8

FM7

Em7

FM7

Am7

Fm7

Dm7

G7sus4

Chord48

8

FM7

Em7

FM7

Em7

A7
EM7

G

C7sus4

FM7

DM7

Dm7

C7
C7

G7(5)

C7

C7

EM7

Em7

Am7

B7

G7

F7

C7

B

G7

Cm7

D7

G7

D7

Gm7(5)

F7

Am7

Dm7(5)/A

Dm7

C7

F

C

G7
Am7

G7
CM7

G7

Fm7

G7

F/C

G

Gm7

C7

F7

D7

EM7

G7sus4

Dm7

F

F7

G7(5)

G7sus4Fm7(5)

Dm

Am7/G

G7

Gm7

A7

G7
B

C

B7

F7

C7

CM7

E

G7sus4

F7

F7

A
AM7

F7

F

CM7

G7

AM7
B/C

G7(5)
AM7
AM7

B7

C7

FmM7

A7

Fm7

F7

Cm7
AM7

FM7

Dm7

C7

AM7
AM7

G7(5)
G7(5)

Am7

F7

Gm7
G7(5)

G7

CM7

G7

G7

C7

G7sus4

BM7

C7

A7
E7

Dm7

B/C

F7

C7

A7
EM7

Em7
AM7

Chord31

8

C7
A7

Gm7

C7
B7

16

Chord35

G7

G7

F

B6
A/B

Chord30

Chord36

A7

Dm7

C7

D/C
B

EM7
EM7

G7

Em7

Am7

C7

G7(5)

CM7

Fm7

B7

CM7

A7

Gm7

C7

Fm7

8 (16)
G7sus4G7sus4

Gm7

C

Cm

Dm7

Gm7

AM7

Cm7
AM7

7 (15)
Dm7

A7

C7

F7

DM7
G7(5)

A7

8

Am7

E7
E7

C7

B7

A7

Am7

8

6 (14)Em7

F

CM7

Chord17

5 (13)
FM7
Fm7(5)

F7
B7

Em7

Chord18

C7

AppendixPreset Chord

B7

Em7

AM7

FM7

G7

E7

Dm7

G7sus4145

Appendix

Rhythm Section Preset Chord Sequences
Preset Chord

No. of bars

Chord49

8

Chord50

8

CM7
AM7

2 (10)

3 (11)

4 (12)

5 (13)

FM7

CM7
Bm7

FM7
AM7

Bm7
DM7

Gm7

Gm/B

8

C

8

F

Chord53

8

Chord54

8

Chord55

8

CM7
Fm7(5)

Chord56

8

Chord57

8

C

Chord58

8

CM7

FM7

Dm7

G7sus4

Chord59

8

FM7

CM7

FM7

CM7

Chord60

8

C

F

C

F

Chord61

8

C

Chord62

8

C

Am

Dm

G

C

Am

Dm

Chord63

8

Cm7

Gm7

Cm7

Gm7

Cm7

Gm7

Cm7

Chord64

8

C

Chord65

16

Chord66

8

Chord67

16

Chord68

16

Chord69

8

FmM7

Em7

CM7

FM7

16

Chord81

16

Chord82

8

Chord83

8C

G7

G7(5)

CM7

Gm7

C7

G7sus4G7G7sus4G7

Dm7

G7sus4

G7

Dm7

Fm7

G7sus4

Am

G7

Dm

G

G

Am

G

Em

Am

Dm

Gm7

Fm7

G7(5)

G7

F

G

C

Am
A7

Dm

G7
Am7

D7

Fm7

Fdim

G7(5)

Dm

G

C

D7

G7sus4B7sus4

Dm7

B7
B

G7

B

F

A7

C7
F7

C

CM7

Esus4

C

G7

G

F

F

G7

C7

C7
B7
C

G7

C

G7

D7

C

G7

F

C

G7

C

C

C7

F

C

C

C7

F

C

C7

F7

C7
E

C

B7sus4

C7sus4

G

C6
G7

F7
G

C7

F

D
B7sus4FA7sus4

F

C7

F7

Dm7

G7

C

C

CM7

C7

F

Fm6

Em7

C

CM7

C7

F

Fm6

Em7

F

G7

Em7

Am7

Dm7

F

Fm6

Em7

A7

D7sus4

C

F

C

G7

C
B

C

D7

G

F

D7

A7

G7

C

Dm7

G7
A

A7sus4

G7sus4

B

C

G

Em7

A7

Dm7

A7

Fm6

C

G7

C

CM7

C7

D7

G7sus4

F

C

G7

C9

Dm9

G13

C9

C

CM7

C7

C

CM7
B7
F7

C

Em7(5)
EM7

Bm7
B7

Fm7
B7

D7

CM7

C7

Cm

G7

Fm

Cm

A7(13)

Cm7

Am7

Cm7
EM7

FM7

Dm

DmM7

Dm7

Dm7
Em7

Fm7
A7

Em7
DM7

C7

D7

Cdim

Dm7

Dm7

G7

F

Fm

GM7
BM7

Am7

A7

C7(5)

D7
Dm7(5)
B7

AM7
Fm7

Fm7
Gm7

C

A7(13)

B7

EM7
C7

Dm7

G7
E6
AM7
C7(5)

Fm7
Fm7

G7
A7

G7(5)

B7

Dm7
D6

G7

Cm7

C7

G7

G7

G7(5)G7

G7(5)

Fm7(5)

G7

G7(5)

C

C

D7

Dm7

G7

C

C

C

D7

Dm7

G7

C

DM7

Cm7

Cm
G7

G7
G7

G13

A7
E6

E7
EM7

Gm7

CM7

Dm9

G7

Am
G7

DM7

G

C

Dm7

F13

Dm7

G7sus4

C

D7

C

G7

Dm7

C9

GM7
BM7

F7
G

G7

A7

C

Cdim

G7

C6

F13

D7

G7
C

C

C9

Fm7

G7

C6
Am7

Cm7

C

G7

Em7

Fm7
Cm7

F7
F

G7

F7
B7

D7

C

F

D7

C7

F7

Cm
B

C

G7

C7

E7sus4
C7

C

F

F7

Dm7

Cm7
EM7

C

G7

F7

Cm7
Am7

G7

C

Am7

C

G7

G7

F7

C7

C7sus4

D7

Em

Em7

C

G7

CM7

F7

8

16

G7sus4G7

8

Chord100

A7

G7

Dm7

C7

Chord84

16

Am7

G7sus4

Dm7

Dm7

Chord85

Chord99

G7

C

Chord80

16

Em7

C7

C

C7
B7

8

8

Em7(5)

G7

F

F

G7

Chord79

Chord97FM7E7sus4

F7

16

8

G7

Cm7

Cm

Chord78

Chord96

C/G

F7
E7

C

C

16

F/A

Dm7

FM7
G7

F7

C

8

Chord95

G/B

F

Cm7

C

Chord77

16

C

Am

Cm7

C7

Chord94

G7

Dm7
D7/F

C7

8

16

Am7

C7

Chord76

Chord93Em7

G7sus416

12

G7sus4

FM7

D7

Chord75

Chord92

Dm7
C7

Am7

8

16

G7

E7

Chord74

Chord91

Dm7

Fm7

12

C/G

A7(5)

F78 (16)

Dm7(5)Fm7(5)

D7

F

C7

GM7

Am7

Am7

Chord738D7/F

7 (15)

AM7

D7

C

C7

Chord90C/E

6 (14)Cm7

A6

G7sus4

8

16

Am7
Am7

E7

Am7

D7

Chord72

Chord89

F

E7
E7

A7

Am7

Dm7

16

Bm7(5)

A7

C

B7

Fm7

C7

Chord88

C/G

CM7

C

8

8

F/A

F

Cm7

8

Chord87

CM7

FM7

G/B

E7/G
BM7

C/G

Em7

Chord70

12

Fdim
BM7

F7

Chord71

Chord86

G/B

F/A

Chord51
Chord52

Chord98

146

Chord pattern
1 (9)

Cm

A7

Cm6

G7
C7

Fm

Cm

Cm7

Cm
D7

G7

Settings List
The tables below list all of the settings/functions that can be adjusted from the ES8 digital piano’s panel interface,in addition to available ranges/types, default settings, and Registration/Startup Setting storing capabilities.
No.

Setting Name

Range / TypeDefault Setting

Registration

Startup Setting

1. Basic Settings
1-1

Tone Control

Off, Brilliance, Loudness, Bass Boost, Treble Boost, Mid Cut, User

Off





Brilliance–10 - +100User Low–6 dB - +6dB

0 dB





User Mid Low–6 dB - +6dB

0 dB





User Mid High

–6 dB - +6dB

0 dB





User High–6 dB - +6dB

0 dB





1-2

Wall EQ

Off, On

Off

-



1-3

Speaker Volume

Normal, Low

Normal-

1-4

Phones Volume

Normal, High

Normal-

1-5Line Out Volume

0 - 10

10

-



1-6

Audio Rec. Gain

0 dB - +15 dB

+9 dB

-



1-7

Tuning427.0 Hz - 453.0 Hz

440.0 Hz





1-8

Damper Hold

Preset, On, Off

Preset

1-9

F-20 Mode

Damper/Soft, Sostenuto/Soft, Damper/Soste.

Damper/Soft





1-10

Four Hands

Off, On

Off





1-11

Startup Setting

-

-

-

-

1-12

Factory Reset

-

-

-

-

2-1

Touch Curve

Light+, Light, Normal, Heavy, Heavy+ Off, User1/2

Normal2-2

Voicing

Normal, Mellow 1, Mellow 2, Dynamic, Bright 1, Bright 2, User 1~4

Normal

2-3Damper Resonance

Off, 1 - 10

5





2-4

Damper Noise

Off, 1 - 10

5





2-5

String Resonance

Off, 1 - 10

5





2-6

Key-off Effect

Off, 1 - 10

5





2-7

Fall-back Noise

Off, 1 - 10

5





2-8

Hammer Delay

Off, 1 - 10

Off





2-9

Topboard

Close, Open1,Open2,Open3

Open3





2-10

Decay Time1 - 10

5





2-11

Minimum Touch

1 - 20

1





2-12

Temperamanet

Equal, Pure Major, Pure minor, Pythagorean, Meantone,
Werkmeister, Kirnberger, User

Equal





Stretch Tuning

Piano Only, Off, On

Piano Only

Stretch Curve

Normal,Wide, User1/2/3/4

Normal

Temperament Key

C-B

C





User Temperament-50 - +50 for each note C - B

0





2-13

User Key Volume

Off, User1/2/3/4

Off





2-14

Half Pedal Adjust

1 - 10

5





2-15

Soft Pedal Depth

1 - 103Appendix

2. Virtual Technician

3. Key Settings
3-1

Lower Octave Shift

0 - +3

0





3-2

Lower Pedal On/Off

Off, On

Off





3-3

Split Balance

1:9 - 9:9 - 9:1

9:9





3-4

Layer Octave Shift-2 - +2

0





3-5

Layer Dynamics

Off, 1 - 10

10





3-6

Dual Balance

1:9 - 9:9 - 9:1

9:9





147

Settings List
No.

Setting Name

Range / TypeDefault Setting

Registration

Startup Setting

4. Rhythm Settings
4-1

Rhythm Volume

1 - 10

5





4-2

Auto Fill-in

Off, 4, 8, 12, 16

8





4-3

One Finger Ad-lib

Off, On

Off





4-4

ACC Mode

Normal, 1 Finger Chord, Preset Chord

NormalBass Inv.

Off, On

Off

Preset Chord

Chord 1 - Chord 100

Style’s default

5. MIDI Settings
5-1

MIDI Channel

1 - 16

1





5-2

Send Program Change Number

-

1





5-3

Local Control

Off, On

On





5-4

Transmit Program Change Number

Off, On

Off





5-5

Multi Timbral Mode
Channel Mute

Off, On1, On2

Off





Play, Mute for each channel 1 - 16

All PlayOff, 30 min., 60 min., 120 min.

Off / 30min.*-**

6. Power Settings
6-1

Auto Power Off

Appendix* Depend on the destination.
** Auto Power Off setting is stored to Startup Setting automatically.

148

Setting Name

Range / TypeDefault Setting

Registration

Startup Setting

Key Transpose On/Off (button)

Off, OnOffKey Transpose ValueSong Transpose Value–12 (C) - +12 (C)

0





–12 (C) - +12 (C)

0

-

-

Split On/Off (button)

Off, On

Off

Split Point

A0 - C8

G3



Rhythm Section On/Off (button)

Off, On

Off

RhythmPlease refer to page 140.

FnkShuffle1





Part

All, B+Dr, Drum

All





ACC Mode

Normal, 1 Finger Chord, Preset Chord

Normal

Metronome On/Off (button)

Off, On

Off

-

-

Tempo

10 - 400 BPM

120 BPM





Beat

1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8

5/5





Volume0 - 105Transpose

Split

Rhythm Section

Metronome Menu

Internal Recorder : Playback Mode Menu
Tempo (main screen)

10 - 400 BPM

120 BPM--Song Volume

1 - 100

100--

Song Transpose–12 (C) - +12 (C)

0 (C)

-

-

Song Part1, 2, 1&2

1&2

-

-

USB Recorder : SMF Playback Mode Menu
Volume (main screen)1 - 100

100--

Song Tempo

10 - 400 BPM

120 BPM--Song Transpose–12 (C) - +12 (C)

0 (C)

-

-

Minus One Part

Off, 1 - 16

Off

-

-

Reverb On/Off (button)

Off, On

Off

Reverb TypeRoom, Lounge, Small Hall, Concert Hall, Live Hall, Cathedral

Sound’s default



Reverb Depth

1 - 105

Reverb Time1 - 105Effects On/Off (button)

Off, OnOff

Effect Type

Stereo Delay, Ping Delay, Triple Delay, Chorus, Classic Chorus,
Tremolo, Classic Tremolo, Auto Pan, Classic Auto Pan, Phaser, Rotary,
Chorus+Chorus, Chorus+Tremolo, Phaser+Pan, Phaser+Chorus

Sound’s default

Effect Parameter 1

Dependent on type*

Effect’s default

Effect Parameter 2

Dependent on type*

Effect’s default

Effect Parameter 3 (dependent on type)

Dependent on type*

Effect’s default

Effect Parameter 4 (dependent on type)

Dependent on type*

Effect’s default



Reverb Menu

Appendix

Effects Menu

* Please refer to page 27 for more information about Effects parameters.

Amp Simulator Menu
Amp Sim On/Off (button)

Off, OnOff

Amp Type

S.Case I, S.Case II, L.Cabinet

Sound’s default





Drive

1 - 10

5





Level

1 - 105



EQ High–6 dB - +6dB

0 dB





EQ Low–6 dB - +6dB

0 dB





149

Specifications
Keyboard
Sound Source
Internal Sounds

88 weighted keys with Ivory Touch key surfaces
Responsive Hammer III (RHIII) action with Let-Off
Harmonic Imaging XL™ (HI-XL), 88-key piano sampling
34 voices

PIANO1:PIANO2:
E.PIANO:ORGAN:HARPSI / MALLETS:STRINGS / CHOIR:BASS:Polyphony
Keyboard Modes

max. 256 notes
Dual Mode, Split Mode, Four Hands Mode (Volume/Balance adjustable)

ReverbType:
Parameters:

Effects

Type:
Parameters:

Amp Simulator

Virtual Technician

Type:

Appendix

Display
Jacks

Normal, Mellow 1, Mellow 2 , Dynamic, Bright 1, Bright 2, User1~4

Resonance,
Noise & Effects:

Damper Resonance, Damper Noise, String Resonance, Key-off Effect, Fall-back Noise,
Hammer Delay, Topboard, Decay Time, Soft Pedal Depth

Temperament:

Equal, Pure Major, Pure minor, Pythagorean, Meantone, Werckmeister, Kirnberger,
User Temperament, Key of Temperament

WeightStretch Tuning, Stretch Curve/User Tuning, User Key Volume, Half-Pedal Adjust, Minimum Touch

10 song, 2 track recorder – approximately 90,000 note memory capacity
Playback:

MP3, WAV, SMF

Record:MP3, WAV

Other:

Over Dubbing, Convert Song to Audio, Load Internal Song, Save Internal Song, Save SMF Song,
Load Registration, Save Registration, Rename File, Delete File, Format USB

1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8
Styles:(Volume/Tempo adjustable)

100 rhythms (x 2 variations), 4-part accompaniment, 100 preset chord sequences
Rhythm Volume, Auto Fill-in, One Finger Ad-lib, ACC Mode, Preset Chord, Rhythm Parts SelectMain demo song, Rhythm Section demo song, 27 sound demo songs
Key/Song Transpose, Tone Control (incl. Brilliance, UserEQ), Wall EQ, Speaker Volume, Phones Volume, Line Out Volume,
Audio Recorder Gain, Tuning, Damper Hold, F-20 Mode, Four Hands, Startup Setting, Factory Reset, Lower Octave Shift,
Lower Pedal On/Off, Split Balance, Layer Octave Shift, Layer Dynamics, Dual Balance, MIDI Channel, Send PGM#,
Local Control, Transmit PGM#, Multi-timbral Mode, Channel Mute, Auto Power Off, Speakers On/Off
16 x 2 characters LCD
MIDI (IN/OUT), USB to Host, USB to Device, LINE IN STEREO, LINE OUT (L/MONO, R),
DAMPER (for F-10H), DAMPER/SOFT (for F-20), PEDAL (for F-301), Headphones x 2
Speakers:
Output Power:

Dimensions

S.Case I, S.Case II, L.Cabinet

Voicing:

Speaker System

Power Consumption

Dry/Wet, Time, Speed, Feedback, HighDamp, Depth. Parameters dependent on effect type.

Light+, Light, Normal, Heavy, Heavy+, Off (Constant), User 1, User 2

Settings:

Other Functions

Stereo Delay, Ping Delay, Triple Delay, Chorus, Classic Chorus, Tremolo, Classic Tremolo,
Auto Pan, Classic Auto Pan, Phaser, Rotary. Combination effects x 4

Touch Curve:

Rhythm Section

Demo Songs

Reverb Depth, Reverb Time

Drive, Level, EQ Low, EQ HighUSB Functions

Metronome

Room, Lounge, Small Hall, Concert Hall, Live Hall, Cathedral

Parameters:

Others:Internal Recorder

SK ConcertGrand, EX ConcertGrand, Jazz Clean, Warm Grand, Pop Grand
SK-5 GrandPiano, Upright Piano, Pop Grand 2, Modern Piano, Rock PianoClassic E.P., 60’s E.Piano, Modern E.P., Classic E.P.2
Drawbar Organ, Jazz Organ, Principal Oct., Church Organ
Harpsichord, Vibraphone, Clavi, Marimba
Slow Strings, String Pad, Warm Strings, String Ensemble,
Choir Ooh/Aah, Choir Aah, New Age Pad, Atmosphere
Wood Bass, Electric Bass, Fretless Bass, W. Bass & Ride

(8 x 12 cm) x 2
15 W x 2

35 W
1362 (W) x 361 (D) x 149 (H) mm / 54” (W) x 14 1/2” (D) x 6” (H)
22.5 kg / 49.6 lbs.
Specifications are subject to change without notice.

150

MIDI Exclusive Data Format
1st byte

2nd byte

3rd byte

4th byte

5th byte

6th byte

7th byte

8th byte

9th byte

10th byte

1

2

3

4

5

6

7

8

9

10

Byte

ID

Description

1 F0

Start code

2 40

Kawai ID number

3 00 - 0F

MIDI channel

4 10, 30

Function code (30 when setting Multi-timbre On/Off )5 04

Indicates that the instrument is an electric piano

6 0C

Indicates that the piano is a ES8 model

7 data 1
8 data 2

See table below

9 data 3
End codedata 1

data 2

data 3Function

00

00

-

Multi-timbre Off

01

00

-

Multi-timbre On 1

02

00

-

Multi-timbre On 2

0F

00 - 7F-

Split Point: A0 - C8

14

00 - 7F-

Dual/Split balance

16

1F - 60-

Tune, 40: 440 Hz

1700, 7F-

00: Program Change Off, 7F: Program Chage On

18

00 - 07-

00: Light, 01: Normal, 02: Heavy, 03: Off, 04: Light +, 05: Heavy +,06: User1, 07: User2

1900 - 03-

Lower Octave Shift

2000 - 2100 - 21

Dual, data 2: Right sound, data 3: Left sound21

00 - 2100 - 21

Split, data 2: Upper sound, data 3: Lower sound22

00 - 2100 -21

Four Hands, data2: Upper sound, data3: Lower sound25

00 - 0800 - 0B

data2: Temperament
00: Equal(Stretch Of f ), 01: Pure Major, 02: Pythagorean, 03:Meantone,
04: Werkmeister, 05: Kirnberger, 06: Equal(Stretch On), 07: Pure Minor,
08: Equal(Piano Only), 09:User,
data3: Key

2600, 7F00 - 0F

Multi-timbre, data 2: 00 (Mute), 7F (Play), data 3: Channel

Appendix

10 F7

151

MIDI Implementation Chart Kawai ES8 digital piano
Date: March 2015 Version: 1.0

Function
Basic channel

Mode

Note number

Velocity

After touch

Transmit

Receive

1

1

Settable1 - 161 - 16

At power-up

Mode 3Mode 1

MessageÎMode 1, 3

Alternativeâââââââââ

Î

9 - 120**

0 - 127

Rangeâââââââââ

0 - 127

Note onNote offKey specificÎÎ

Channel specific

Î

Î

Î

Î


Î
Î
Î

 *2
 *3









Bank Select *1
VolumePanpotExpression Pedal
Sustain Pedal
Sostenuto Pedal
Soft Pedal

 0-127



*1





On/Off Selectable

Song positionÎÎSong selection

Î

Î

Tune

Î

Î

Clock

Î

Î

CommandsÎÎ

Local On / OffÎAll notes OffÎ (123 - 127)

Active sensing

Î



Reset

Î

Î

At power-up

Pitch bend
0, 32
7
10
11
64
66
67

Control change

Program change

True

Exclusive

CommonAppendix

Real time

Other functions

Remarks* The default for the OMNI
mode is On.
Specifying MIDI channels
automatically turns it Off.
**	The value depends on theTranspose setting.

ââââââââ

*1 Please refer to the Program Change Number List on page 137.
*2 Applicable only when the optional F-301 triple pedal unit is connected.
*3 Applicable only when the optional F-20 double pedal unit or F-301 triple pedal unit is connected.

152

Mode 1: omni mode On, Poly

Mode 2: omni mode On, Mono

 : Yes

Mode 3: omni mode Off, Poly

Mode 4: omni mode Off, Mono

Î : NoOwner’s Manual Conventions
This owner’s manual utilises a number of illustrative conventions in order to explain the ES8’s various functions.
The examples below provide an overview of the button LED indicator states and press types, and the appearanceof difference kinds of text.

 Button LED indicator states

LED indicator off:Sound/Function is not selected.

LED indicator on:
Sound/Function is selected.

LED indicator flashing:Sound/Function is selected in a
temporary state.

 Button press types

ld
ho

ld
ho

Press and hold:Select a function’s settings.

Press multiple times:
Cycle through sounds or settings.

Press and hold, then press X:
Combine two sounds, or store
registration memories etc.

 Text appearance
Normal instruction and explanation text
is written in regular type at 9 pt. size.

LCD display text
looks like this.

* Notes about functions are marked with anasterisk and written in 8 pt. size.

Captions explaining the LCD display
or button functions, are written inbold type at 8.5 pt. size.

Reminders about previous operations are
written in italic type at 9 pt. size.

Example operations are written in italic typeat 8 pt. size, and enclosed within a grey box.

153

Appendix

Press twice:
Select a sound or function.

×4

×2

Normal press:
Select a sound or function.

Appendix

User Notes

154

Copyright © 2017 Kawai Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.

ES8 Owner’s Manual
818337
KPSZ-0790 R102
OW1090E-S1702
Printed in Indonesia