ELENA KNOX

CV

elenakno x.com
Current appointment
2016–
Adjunct researcher, Watanabe Laboratory, Department of Intermedia Art and Science, Waseda University,
Tokyo, Japan[2019–20 Special researcher, Department of Intermedia Art and Science, Waseda University and RIKEN
Position partially funded by Japan Science and Technology Agency (JST)][2016–18 JSPS postdoctoral research fellow, Department of Intermedia Art and Science, Waseda University
Position funded by Japan Society for the Promotion of Science]2011–
Co-director, Lull Studio
2008– Director, Rhubarb Academic Editing
Education
2011–15 PhD Media Art, UNSW Art & Design, University of New South Wales (Dean’s medal)
2008
Bachelor of Arts (First Class Honours), University of Sydney
2003
Radical Approaches to Performance Art, masterclass, La Pocha Nostra (Mexico/USA)
2002
Certificate IV in Audio Engineering, SAE Institute1995
Associate Diploma in Expressive and Performing Arts, University of New South Wales
1992
Associate Diploma of Music (violoncello), Australian Music Examinations Board
Solo exhibitions & major performances
2023
azarashi banashi (あざらし話), ANOMALY, Tokyo, Japan, 6/3–24
2021–22 Actroid Series II, TOKAS, Tokyo, Japan, 12/4–1/16
2020
Volcana Brainstorm: hot lava version, Yokohama Triennale, Japan, 7/3–10/11
2019
Volcana Brainstorm, Koganecho Bazaar, Kanagawa, Japan, 9/20–11/4
2018
The Female is Future, Gallery Hashimoto, Tokyo, 6/1–23
2017
Snoösphere, immersive installation (Lull Studio), UNSW Galleries, Sydney, 9/20–11/11
2015
Beyond Beyond the Valley of the Dolls, video art, UNSW Galleries, Sydney, 1/7–24
2012
Bild-Lilli, 1-hour solo performance, Tower Theatre, Malthouse, Melbourne, 7/18–8/4
2011
Fleshed Out: an exhibition of video poetry, Ariel Booksellers, Sydney, 8/31–9/28
2007
Lapdog, 1-hour solo performance, Old Fitzroy Theatre, Sydney, 1/7–21
2003
dis Miss!, 1-hour solo performance, Studio, Sydney Opera House, 3/3
2001Lull, 1-hour solo performance, Stables Theatre, Sydney, 5/6–20
Group exhibitions & screenings
2024
GeoPoiesis, XIII Festival Internacional de la Imagen, Bogotá, Colombia
Gravitational Lensing, Shapeshifters Cinema, Oakland, California, USA
SHErobots, TU Delft Library, Delft, Netherlands
2023
Ars Electronica: Who Owns the Truth?, Linz, Austria
Living Togetherness, Taiwan International Video Art Exhibition, Taipei, Taiwan
Foundation: A Web3 Media Art Festival, Videotage Hong Kong, distant.gallery
Videoaktion #4, Attaque[e]r le Visible, Raum für drastische Maßnahmen, Berlin, Germany
Stopover, KOCA, Tokyo, Japan
Vacations on the Subconscious, Alphabet Art Centre, Cologne and online
2022
Echigo-Tsumari Art Triennale, Niigata, JapanCan You Fuck It? The Fembot Phenomenon, Apex Art (NY) International Open Call winner, Ningen, Tokyo, Japan
Multiplicities, Spectra, Australian Network for Art & Technology (ANAT), Science Gallery, Melbourne, Australia
Life / Likeness (ICC Annual), NTT InterCommunication Center, Tokyo Opera City, Tokyo, Japan
Volcana Brainstorm (fantastic sketch edition), Festival of the Fantastic in Australian and Japanese Arts,
Yokohama, JapanSHErobots, Tin Sheds Gallery, Sydney, Australia#BreaktheBias International Women’s Day Poetry Event, Knox.Live, Sydney, Australia
2021
Art Machines 2: Constructing Contexts, Singing Waves Gallery, Run Run Shaw Creative Media Centre, Hong Kong
Athens Digital Art Festival, Athens, Greece
Artists’ Breath, Ichihara Lakeside Museum, Chiba, Japan
Soi Convent[ion] pavilion, Bangkok Biennial, Bangkok, Thailand
Les Femmes Folles, Feminist Connect, online (USA)Artists’ Breath, MonET (Museum on Echigo-Tsumari), Niigata, Japan
Best of Zebra Poetry Film Festival, Goethe Institut Montréal, Canada
Ghostliness, Studio Shiori Watanabe, Tokyo, Japan
Interdisciplinary Art Festival Tokyo (IAFT), Blockhouse, Tokyo, Japan
2020
Bangkok Art Biennale, Bangkok, Thailand
Echoes of Monologues, ANOMALY, Tokyo, Japan
Interdisciplinary Art Project Kobe, Kobe, Japan
Digital Power: Activism, Advocacy and the Influence of Women Online, Siggraph, New York, USA / online

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2019

2018

2017

2016

2015

2014

2013
2012
2011
2010
2009

Future and the Arts, Mori Art Museum, Tokyo, Japan
AS-Helix: The Integration of Art and Science in the Age of Artificial Intelligence, National Museum of China, Beijing,
China
POST-LIFE: Art and Technology in the Age of Intelligence, Suzhou Hanshan Art Museum, Suzhou, China
Women in Media Technology, open air screenings Miltiadou Street, Athens, Greece
Synthetic Mediart, Taipei Expo Park, Taipei, Taiwan
Juried exhibition, International Symposium on Electronic Art (ISEA), Asia Culture Center, Gwangju, South Korea
A tribute to the 15 years of Athens Digital Arts Festival: highlights from ADAF’s history, Athens, Greece
La Piscina, Muratcentoventidue Artecontemporanea, Bari, Italy
Stacks and Sleeves, Gallery Lane Cove and Galerie PomPom, Sydney, Australia
Algorithmic Art: Shuffling Space and Time, City Hall, Hong Kong
Beijing Media Art Biennale, CAFA Art Museum, Beijing, China
9 Tomorrows, PowerLong Art Center, Hangzhou, China
A Better Version of You, Goethe Institut, Beijing, China
I Must Confess, Bangkok Biennial, Bangkok, Thailand
Festival Nuovo Cinema Europa, Genova, Italy
International Video Poetry Festival, Athens, Greece
Ex Machina and featured short artist films, NYU Shanghai, China
8th Cairo Video Festival, Cairo, Egypt
Video Vortex XI, Kochi-Muziris Biennale, Kochi, India
Athens Digital Arts Festival, Athens, Greece
Artificial Intelligence Art and Aesthetics Exhibition, Okinawa Institute of Science and Technology, Onna, JapanA Better Version of You, Artsonje Center for Contemporary Art, Seoul, South Korea
Les Femmes Underground International Film Festival, San Diego, USA
Richterfest, Moscow, Russia
Dublin Feminist Film Festival, Dublin, Ireland
LA Underground Film Forum (Honorable Mention award), Los Angeles, USA
Festival Silêncio, Lisbon, Portugal
Blue Magpie Experimental Film Series, Hsinchu City, Taiwan
Possible Futures, Simultan Festival XII, Timisoara, Romania
Video Art Experimental Film Festival (VAEFF), Tribeca, New York City, USA
Refugee!, artvideoKOELN, refugee.engad.org
Noisefloor Festival, Stoke-on-Trent, UK
International Music Video Underground, Paris, France
Juried exhibition, International Symposium on Electronic Art (ISEA), Hong Kong://self~imaging, ArtVideoKoeln, CologneOFF, tour to CeC, Shillong, India
re:fuse, chi K11 Art Space, Hong Kong
Alter, Gus Fisher Gallery, Auckland, New Zealand
Off the Wall, Arts + Literature Laboratory, Madison, Wisconsin, USA
Sight (Site) Uncovered, The Galeries, VIVID Sydney, Australia
Körpersprache, Haus für Poesie, Literaturwerkstatt, Berlin, Germany
FemFlix, Sydney College of the Arts, Sydney, Australia
Electronic Vibes, K11 Art Foundation, Hong Kong
Voyeurism, 107 Projects, Sydney, Australia
7th Cairo Video Festival, Cairo, Egypt
Streaming Festival (selected 10-year highlights), The Box (Visualcontainer), Milan, Italy
Motion, Bega Valley Regional Art Gallery, Bega, Australia
Runway, Screenspace, Melbourne, Australia
Zebra Poetry Film Festival, Berlin, Germany
Film Cunst, Brenda May Gallery, Sydney, Australia
Sync!!, 107 Projects, Sydney, Australia
DisSentience (opening performance), Tin Sheds Gallery, Sydney, Australia
Sizzle, Ensemble Offspring, Sydney, Australia
Sydney Underground Film Festival, Sydney, Australia
International Streaming Festival, Den Haag, Netherlands
Zebra Poetry Film Festival, Berlin, Germany
Down Under Film Festival, Berlin, Germany
Façade Videofestival, Center for Contemporary Art, Plovdiv, Bulgaria
International Streaming Festival, Den Haag, Netherlands
Zebra Poetry Film Festival, Berlin, Germany
Queerpixels, Queerscreen and Sydney Mardi Gras, Australia
Athens Video Art Festival, Athens, Greece
St Kilda Film Festival, Melbourne, Australia
Literaturwerkstatt Showcase, Akademie der Künste, Berlin, Germany
World AIDS Day public art program, Athens Central Metro Station, Syntagma, Greece

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2008

2007
2006
2005
2004
2003
2002
1999
1997

Sydney Underground Film Festival, Sydney, Australia
This Is Not Art, Newcastle, Australia
Zebra Poetry Film Festival, Berlin, Germany
Red Hot Shorts, Australian Centre for the Moving Image (ACMI), Melbourne, Australia
Six Quick Chicks, Official Festival Bar, Sydney Mardi Gras, Australia
Australian Poetry Festival
Child’s Eye 2030, Art and About, City of Sydney, Australia
Music for the Eyes (tribute to Norman Lindsay), Studio, Sydney Opera House& Campbelltown Arts Centre, Australia
Music for the Eyes (tribute to Erik Satie), Studio, Sydney Opera House, Australia
The Living Museum of Fetishized Identities, La Pocha Nostra, Performance Space, Sydney, Australia
This Will Only Take a Minute, Phatspace, Sydney, Australia
Identities on Trial, Women & Theatre Program, New York University, USA
Club Raw, La Pocha Nostra, Castle Theatre, Aberystwyth, Wales
Caught Short, TAP Gallery, Sydney, Australia
Holy Smoke (actor), dir. Jane Campion, Miramax, Venice Film Festival, New York Film Festival, etc.
Hating Alison Ashley (actor), Theatre South, Wollongong and NSW regional tour, Australia
Wiggin’ Out, Festival of Contemporary Art, Canberra, Australia
Crackle, Sydney Spring Festival of New Music, Eugene Goosens Auditorium, ABC, Sydney, Australia

Public art
2016
Beholder, video art, International Commerce Centre (118-storey building façade), Hong Kong
2015
Disco Infono, Telstra Corporation for Sydney Mardi Gras, public audiovisual installation in telephone booths
Nemesis Clock, New South Wales Justice Department, Coffs Harbour Court House atrium, Coffs Harbour
2014
Telstra Innovation Fund, campaign direction & public audiovisual installation, State of Origin series
2007
Poem projection, AMP Building Circular Quay, Red Room Company for Art and About, City of Sydney
2004
Bus, Toilet Doors 2004, Red Room Company, Australia-wideAwards & scholarships
2021
International Open Call Winner, Apex Art, New York City
2019
Present Future Art and Technology Award, MANA Shanghai, shortlisted artist
2016–18 Japan Society for the Promotion of Science (JSPS), Art–Science Fellowship, Tokyo2017
LA Underground Film Forum, Los Angeles, honorable mention
2016
Australian Art Music Awards, Excellence in Experimental Music, Intone: Voice Abstractions (co-curator), Clan
Analogue Recordings, finalist
International Symposium on Electronic Art, Beholder, Open Sky Program, honorable mention
Vice Chancellor Award for Outstanding Research at Western Sydney University, Growing Up Queer (project
artist), with Professor Kerry Robinson, Dr Peter Bansel, Dr Nida Denson and Cristyn Davies
2015
Dean’s Award for Excellence in Postgraduate Research, UNSW Art & Design (best in 2014–15 cohort)2012
Green Room Award (Innovation in Cabaret), Bild-Lilli, finalist
2011–14 Australian Postgraduate Award
2008
Chiasmus Press ‘Undoing the Novel’, USA, finalist
2002
Aria Awards, Best World Music Album, CODA There is a Way to Fly, finalist
1998
Ian Reed Foundation Prize for Radio Drama, Australia, finalist
Australian Film, Television and Radio School (AFTRS) scriptwriting scholarship
1995
Melbourne National Poet’s Competition, highly commended
1994
ICI Young Australian Playwright of the Year Award, finalist
Grants2021–22 Australia Japan Foundation for Protective Seal / あざらし話
2016–18 Japan Ministry of Education, Culture, Sports, Science and Technology, KAKENHI Grant-in-Aid for Scientific
Research
2016
Australia Council for the Arts, Visual Arts Board, Lull Studio (principal) for Snoösphere
2014
Postgraduate Research Student Support Scheme (PRSS) grant, UNSW Art & Design
College of Fine Art (COFA) travel grant, presentation of artwork in Tokyo and Osaka2012
Besen Foundation grant toward presentation of Bild-Lilli
2011
ARC@COFA grant toward presentation of Fleshed Out
2008
Australian Embassy Berlin, visiting artist grant
Ian Potter Foundation, travel grant, USA
Australian Society of Authors grantAustralia Council for the Arts, Literature Board, Write in Your Face grant2005
Ian Potter Foundation, travel grant, UK
2003
Australia Council for the Arts, Literature Board, New Writing grantAustralia Council for the Arts, New Media Arts Board, Skills and Arts Development grantAustralia Council for the Arts, Theatre Board, Skills and Arts Development grant3

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2002

2001

Playworks Australia, Dramaturgy for Imminent Productions grantAustralia Council for the Arts, Music Board, bUzz grant
Myer Foundation grant toward presentation of dis Miss!
Playworks Australia, Dramaturgy for Promising Scripts grant

Residencies
2019
Australia House, Echigo Tsumari Art Field, Niigata, Japan
Koganecho Bazaar, Yokohama, Japan
Galleri Svalbard, Svalbard and Jan Mayen
2016
International Symposium on Electronic Art (ISEA), K11 Art Foundation and Videotage residency, Wuhan, China
2008
Sydney Olympic Park Authority, Artists at the Armory residency, Newington Armory, Sydney, Australia
2007
Australian Society of Authors, funded 1-year mentorship and 1-month residency in Chicago, USA
Australian Film, Television & Radio School (AFTRS) and Australia Council for the Arts Literature Board, LAMP:
Story of the Future residential lab, Stradbroke Island, Australia
2003
Centre for Performance Research, Aberystwyth University, Aberystwyth, Wales
Figtree Theatre residency, Sydney, Australia
2001
Varuna Writers Centre residency, Blue Mountains, Australia
Invited talks, panels & readings (selected)
2023
Communing with the Parahuman: Gender, Presence and Persona in Techno-Science, Artificial Companions:
Fantasies, Imaginaries and Play, UNSW Sydney and Queensland University of Technology, presented by ARC
Centre of Excellence For Automated Decision Making And Society, 13 September
Feminist A.I.: Keylecture by Elena Knox, Ars Electronica, Kunstuniversität Linz, Linz, Austria, 9 September
The Masters, Fictions-Science: manipuler les voix, IRCAM, Centre Pompidou, Paris, 13 January
2022
The Masters, NTT InterCommunication Center, Tokyo Opera City, 26 November
COMPANION: Gender, Sexuality, Ethics. SHErobots, panel discussion: Elena Knox, Petra Gemeinboeck, Belinda
Dunstan, Lain Loke, Dagmar Reinhardt. Online and University of New South Wales, Sydney, 17 November
Retrodreaming (narrator), experimental film, dir. Alisa Berger, New Orleans Film Society, 4 November
2020
INTEL: Podcast Series, Elena Knox, Australia Council for the Arts, Episode 4, 14 May
29th AI Art & Aesthetics Commemoration of Publishing, Pepper Atelier Akihabara, Softbank, 3331 Arts Chiyoda,
Japan, 24 February
Future and the Arts, televised panel discussion, Mori Art Museum, Tokyo, Japan, 13 January, https://mori.art.museum/en/learning/3529
2019Sound::Gender::Feminism::Activism, Tokyo University of the Arts, Japan, 5 October
Volcana Brainstorm, BioClub Tokyo, Japan, 23 July
International Symposium on Electronic Art, Gwangju, South Korea, 22 June
Gender & Tech. Neue Ideen für eine diversere Zukunft, KulturSymposium: Recalculating the Route, Goethe
Institut, Weimar, Germany, 20 June
2018
Alter versus deep belief. Ultravirus festival, Sydney, Australia, 10 November
Like a person: A gynoid speaks its mind. Symposium: Robots and Artificial Intelligence in Contemporary JapaneseSociety, Sophia University, Tokyo, Japan, 10 June
Like a person: A gynoid speaks its mind. NYU Shanghai, China, 29 March
Alter versus deep belief. AI Aesthetics and the Machine symposium, Okinawa Institute of Science andTechnology, Japan, 8 January
2017
Gendering very humanlike robots: An artist’s perspective. Kanagawa University, Japan, 16 November
Canny: Unpacking the fixations of the hive mind. What Gender is Code?, Goethe Institut, Beijing, China, 28
October
Canny: Unpacking the fixations of the hive mind. Cyberfeminism: Faceless Agency, Goethe Institut, Seoul, Korea,
27 October
Like a person: Humanoid robots in performance. Human Meets Robot: A Talk Series on Social Robotics, JapanFoundation, Sydney, 21 September
2015
Gender in Contemporary Art and Performance, Sydney Fringe Festival. Panel discussion: Liam Benson, Paul
Capsis, Christine Dean, Elena Knox, Owen Leong, Salote Tawale
2012
Long night of readings, Literaturwerkstatt, Berlin
2009
National Young Writers Festival, Newcastle, Australia. Panel discussion No False Idols Down the YouTube:
Marieke Hardy, Elena Knox, Lulu Browett, Cathy Vallance
2008
Trope, Sydney Writers Festival
Trope, Melbourne Writers Festival
2007
Salon Anthology launch, Bangarra Theatre, Sydney Writers Festival
2005
The Articulate Practitioner, Magdalena Project, University of Wales, UK, 21 July

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Publications
Scholarly
Book chapters
Knox, E. (in press, 2024) A robot’s homecoming. In D. White, E. E. Cook & A. de Antoni (eds) Affect as Cultural Critique:
Methods for Ethnographic Discovery. University of Toronto Press.
Knox, E. (accepted, 2023) Should a robot be “sexy”? Women make art about fembots. In T. C. Bächle & C. Katzenbach (eds)
Artificial Intelligence and the Human – Cross-Cultural Perspectives on Science and Fiction. London/New York: Routledge.
Knox, E. (2022) Funeral rites for obsolete robots in the temple of technology: A tale of contemporary zoomorphism. In E.
Mingazova, B. Dupont & C. Guesse (eds) Obsolescence Programmée: Perspectives Culturelles. Liège: Clinamen, Presses
Universitaires de Liège.
Knox, E. (2022) Safeguarding the sex robots. In D. Reinhardt, L. Loke & D. Turnbull Tillman (eds) SHErobots: Tool, Toy,
Companion. Sydney: Sydney University Press.
Knox, E. (2019) To make up a whole world. Catalog essay, Femufacture, Japan Foundation, Sydney.
https://jpf.org.au/events/femufacture
Knox, E. (2016) “Face robots” onscreen: Comfortable and Alive. In J. Koh, B. Dunstan, D. Silvera-Tawil & M. Velonaki (eds)
Cultural Robotics. Lecture Notes in Artificial Intelligence (LNAI) 9549 (pp. 133–142). Berlin: Springer.
Knox, E. & Davies, C. (2008) An easy alliance: A dialogue on methodology. In H. Crawford (ed) Artistic Bedfellows: Histories,
Theories, and Conversations in Collaborative Art Practices (pp. 108–115). Lanham: University Press of America.
Journal articles* peer reviewed* Knox, E. (2019) Gynoid Survival Kit. Queer STS Forum 4: 21–48. https://10.17605/OSF.IO/6NYRT* Knox, E. (2019) Affective ovation: Re-performing the dehumanised woman onscreen. Studies in Theatre andPerformance 39(1): 70–86.
* Knox, E. (2017) Terminal_emulator. Design Ecologies 5 (Time Crimes): 13-31.
* Knox, E. (2016) Degrees of freedom. Fibreculture 28, special issue: ‘Creative Robotics’.
http://twentyeight.fibreculturejournal.org/2017/01/18/fcj-204-degrees-of-freedom* Knox, E. (2015) Reinventing the Wheel: The hostess trope in the twenty-first century. Australian and New Zealand Journalof Art 15(2): 150–163.
Knox, E. (2015) Reinventing the wheel. Runway: Australian Experimental Art 28. http://runway.org.au/reinventing-thewheel* Knox, E. (2015) The hostess at the border: An emergent anachronism. IAFOR Academic Review 1(4): 20–22.
Waterson, S., Knox, E. & Davies, C. (2011) Trope. Electronic Literature Organization: Electronic Literature Collection 2,
http://collection.eliterature.org/2
Knox, E. (2007) The water closet. Hecate 33(2): 129–133.
Conference papers (published)* Knox, E. & Watanabe, K. (2018) AIBO robot mortuary rites in the Japanese cultural context. IEEE/RSJ International
Conference on Intelligent Robots and Systems (IROS), Madrid, Spain, 2 October.
* Knox, E. & Watanabe, K. (2017) Ethical considerations of gendering very humanlike androids from an interdisciplinary
perspective. 26th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN), Lisbon,
Portugal, 29 August.
Knox, E. (2014) The hostess at the border: An emergent anachronism. Proceedings of the Asian Conference on Cultural
Studies (Osaka, Japan): 285–291.
Conference papers (presented, unpublished)
Knox, E. (2022) Funeral rites for obsolete robots in the temple of technology. Artificial Intelligence and the Human—CrossCultural Perspectives on Science and Fiction, Alexander von Humboldt Institut für Internet und Gesellschaft, Japanese–
German Centre Berlin, Germany, 12 May.
Knox, E. & Watanabe, K. (2019) Transformational affects of death in artificial life: AIBO robot mortuary rites in Japan.
Society for East Asian Anthropology (SEAA), Tokyo, Japan, 3 August.
Knox, E., Watanabe, K. (2019) A new companion species: Attachment to robots as pets, confidantes, gurus and lovers.
European Robotics Forum, Bucharest, Romania, 20 March.
Webb, L., Knox, E., Leong, D. & Watanabe, K. (2019) Snoösphere: Sensory modulation in a synthesized night garden.
Darkness, Island Dynamics, Longyearbyen, Svalbard, 16 January.
Knox, E. (2018) Young girl saves world. Mechademia: Manga Nexus: Movement, Stillness, Media, Kyoto International
Manga Museum, Kyoto, Japan, 25 May.
Knox, E. (2018) Regular sex: On the prospective regulation of sex robots. 17th Annual STS Conference Graz: Critical Issues
in Science, Technology and Society Studies, Graz, Austria, 7 May.
Knox, E. (2014) Uncanny futures. Conquest of Space symposium, College of Fine Art, Sydney, 14 August.
Knox, E. (2009) East of Idol: following Alsumaria’s Iraq Star. Critical Animals, This Is Not Art, Newcastle, Australia, 1–4
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Knox, E. (2008) East of Idol: following Iraq Star. Architectures of the Moving Image, Society for Cinema and Media Studies(SCMS), Philadelphia, USA, 6–9 March.
Knox, E. (2005) a/gender. The Articulate Practitioner, Magdalena Project, University of Wales, Aberystwyth, UK, 18–22 July.
Knox, E. (2003) Yellow Monday (playscript & performance). Identities on Trial, Women and Theatre Program annual
conference, New York University, USA, 29–30 July.
Dissertation* Knox, E. (2015) Beyond Beyond the Valley of the Dolls: Gynoids’ performance of hospitality. Doctoral dissertation, PhD
Media Art (Dean’s Medal awarded), UNSW Art & Design, University of New South Wales, Australia.
Fiction & music
PoetryKnox, E. (2002) Fat Bad Plan. Sydney and Tokyo: Vagabond Press. (book)Knox, E. (2009) Salacia. Overland 196(Spring): 43.
Knox, E. (2009) Bus. In J. Featherstone (ed) Poems to Share. Sydney: Red Room Company.
Knox, E. (2009) Palinpoem for Pete’s sake. In J. Gherkin, P. Lally, G. Brookes & S. Kazim (eds) Publish You. London:
Alternative Press.
Knox, E. (2007) The muckrakers. Cordite 25.
Knox, E. (2007) Double drummer. In B. Cassidy & K. Schwartz (eds) The Salon Anthology: New Writing and Art 2005–2007.
Sydney: Non-Generic.
Knox, E. (2007) Up front. In B. Cassidy & K. Schwartz (eds) The Salon Anthology: New Writing and Art 2005–2007. Sydney:
Non-Generic.
Knox, E. (2007) The water closet. In J. Stuart (ed) The Material Poem. Sydney: Non-Generic.
Knox, E. (2006) Palinpoem for Pete’s sake. In I. Alvarez (ed) A Slice of Cherry Pie. Cardiff: The Private Press & New Jersey:
Bloof Books. Included on Oxford University summer school syllabus.
Knox, E. (2005) Hydroponics. Sport 33: 136.
Knox, E. (2004) Jitterbug at lunch. Southerly 64(3): 114.
Knox, E. (2004) Hangover waltz. Southerly 64(3): 115.
Knox, E. (2004) Polka for drink drivers. Southerly 64(3): 115.
Knox, E. (2004) Hornpipe. Southerly 64(3): 116.
Knox, E. (2004) Yellow Monday. Divan 5.
Knox, E. (2004) Piñata. LINQ (Literature in Northern Queensland) 31(1): 64.
Knox, E. (2004) Retroflexion. Going Down Swinging 22: 35.
Knox, E. (2004) Alimony. Shampoo 22.
Knox, E. (2004) Steer. Shampoo 22.
Knox, E. (2003) Clinch. Slope 18. New Hampshire, USA.
Knox, E. (2003) Pheromone tango. Slope 18. New Hampshire, USA.
Knox, E. (2003) Sync. Slope 18. New Hampshire, USA.
Knox, E. (2003) White ghost. Slope 18. New Hampshire, USA.
Knox, E. (2002) Supercondor. Famous Reporter 26: 171.
Knox, E. (2002) The flick. Sidewalk 10: 24–5.
Knox, E. (2002) Incubus. Hermes 18: 10.
Knox, E. (2001) Froth. Tangent. University of Sydney.
Full-length playscripts (produced)
Knox, E. (2012) Bild-Lilli. Helium season. Melbourne: Malthouse.
Knox, E. (2007) Lapdog. Cabaret season. Sydney: Old Fitzroy Theatre.
Knox, E. (2003) Dis Miss! Scratch Night series. Sydney: Sydney Opera House.
Knox, E. (2001) Lull. Launchpad series. Sydney: Stables Theatre.
Knox. E. (1994) And They All Lived. Ticketed public rehearsed reading. Sydney: Sydney Theatre Company.
Full-length manuscripts (shortlisted)
Knox, E. (2008) VTV. Finalist, Chiasmus Press ‘Undoing the Novel’ contest, USA.
Albums (selected)
Wife Beats (2013) Actual Russian Brides (E. Knox, L. Webb), Clan Analogue Recordings.
Miss Sled (2010) Actual Russian Brides (E. Knox, L. Webb), Brigade Music Berlin.
Contributor to:
Intone: Voice Abstractions (2015) Su Veneer (track 6: E. Knox), Clan Analogue Recordings.
Headspace (2012) Actual Russian Brides (track 15: E. Knox, L. Webb), Clan Analogue Recordings.
The Unravelling Man Remixes (2011) Telafonica (remix: Actual Russian Brides Version) (track 3: L. Webb, E. Knox), 4-4-2
Music.
New Weird Australia Broadcast Two (2010) Actual Russian Brides (track 9: E. Knox, L. Webb), New Weird Australia.
The Quest for Love aboard the Belafonte (2009) Telafonica (remix: Jaunty Bering Sea Version) (track 2: L. Webb, E. Knox),
4-4-2 Music.
For Our Animal Friends (2004) CODA (track 3: N. Wales, N. Radom, E. Knox, V. Serret), Silent Recordings.

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There is a Way to Fly (2002) CODA (tracks 7, 8 + 11: N. Wales, N. Radom, E. Knox, V. Serret), Silent Recordings.
Curator of:Intone: Voice Abstractions (2015) Curated by E. Knox & L. Webb, Clan Analogue Recordings.
Selected music projects
Actual Russian Brides (co-composition, vocals): album release Miss Sled (2010) on Brigade Music Berlin; EP release Wife
Beats (2013) Clan Analogue Recordings. Selected shows: Madame Claude, Miss Hecker, L.U.X., Banja Luka (Berlin),
Sinkkasten (Frankfurt am Main), Lichtung (Köln), Red Rattler Theatre, Excelsior, Tin Sheds, Sizzle for Ensemble Offspring.
Radio: Triple J, 2SER, RRR, FBI, Eastside FM. Curated Intone: Voice Abstractions (2015) for Clan Analogue Recordings(shortlisted Excellence in Experimental Music, Australian Art Music Awards 2016)
CODA (co-composition, cello, vocals): Big Day Out, Sydney (1995), Basement, Harbourside Brasserie, soundtracks include
Legs on the Wall’s From Here To There (1995)
Cello: Bangarra Dance Theatre Boomerang (2005), Walkabout (2002) and Corroborree (2001), Numinous Dance Theatre for
Sydney Mardi Gras Senesino (1998), Sydney Theatre Company Pentecost (1996), National Institute of Dramatic Art (NIDA)
Elegies (1996), Sydney Mardi Gras The Stars Come Out, State Theatre (1996), National Institute of Dramatic Art (NIDA)
Ghetto (1995), PACT Theatre Inner City Stories (1995), various TVC
Backing: Leonardo’s Bride, Died Pretty, Southend, Apartments, Welcome Mat, Big Heavy Stuff, Mercy Bell, Jen Cloher,
Antenna for Mushroom Records 25th birthday at Melbourne Cricket Ground, Recovery (ABC), MTV
Composition & sound design: Sydney Theatre Company Blueprints (2002), Short Sweet + Dance Null Symmetry (2007),
Australian Mercedes Fashion Week: Wayne Cooper/Justine Taylor (2003), Throne The Chairs, Edge Theatre (1996)
Orchestral & chamber: SBS Television Youth Orchestra, NSW Conservatorium of Music Cello Ensemble, Sydney Youth
Orchestra, Opus IV String Quartet, Nota Bene String Quartet
Academic & related positions
2019–20 Special researcher, Waseda Research Institute, RIKEN, Tokyo, Japan
2016–18 JSPS postdoctoral research fellow, Department of Intermedia Art and Science, Waseda University, Tokyo, Japan.
Position funded by Japan Society for the Promotion of Science2016
Co-editor, with Dr Petra Gemeinboeck and Professor Jill Bennett, Creative Robotics, special issue of Fibreculture
http://fibreculturejournal.org : digital media + networks + transdisciplinary critique2015
Lecturer, UNSW Art & Design, University of New South Wales, Memory & Self (convener) and The Mind Lab
2014–16 Project artist, Growing Up Queer, Sexualities and Genders Research Group, Western Sydney University
2014
Tutor, UNSW Art & Design, Professional Practice2013–16 Research Assistant, National Institute for Experimental Arts (NIEA), UNSW Art & Design
2011–
Director, Rhubarb Academic Editing, http://rhubarbrhubarb.net
2009–14 Research Assistant, Religion and Society Research Centre, School of Social Sciences and Psychology,
Western Sydney University
2006–8 Media and technology consultant, Dean’s Unit and School of Education, University of Western Sydney
Research experience
Japan Society for the Promotion of Science, Postdoctoral Research Fellowship, hosted by Waseda University, Tokyo
Project title: Gender and Sexuality Aesthetics in Android Robots
Sexualities and Genders Research Group, School of Social Sciences & Psychology, Western Sydney University, 2012–14
Invited artist, core teamRoles: Design of technology engagement program; Delivery of program; Production of final artworks
Performing Queer involved focus groups and creative workshops with groups of gender variant and sexuality
diverse young people, and a national survey targeting this group. It included development of video resources
and a performed ethnography to be used as professional development and community education resources. A
research report titled Growing Up Queer: Issues Facing Young Australians Who Are Gender Variant and Sexually
Diverse was published in 2014 and received widespread national media attention.
National Institute for Experimental Arts, UNSW Art & Design, University of New South Wales, 2013–
Research assistant and copy editor, research grants manager, tutor, lecturer
Remote Avant Garde: Aboriginal Art under Occupation by Assoc Prof Jennifer Biddle, Duke University Press
Curating Sydney by Prof Jill Bennett and Dr Saskia Beudel, UNSW Press 2014. Australian Research Council (ARC)and Wellcome Trust (UK) grant outcome. Roles: Researching and writing up public art projects for 34 breakout
texts to be printed in book; Artist and publisher liaison; Sourcing, collating, compositing and coordinating 100
colour images from institutions and artists
Curating Cities: A Database of Eco-Public Art, ongoing online database of eco public art. Australian ResearchCouncil (ARC) and Wellcome Trust (UK). Roles: Editing and publishing of entries, artist and writer liaison

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Religion and Society Research Centre, School of Social Sciences & Psychology, Western Sydney University, 2008–
Research assistant to Prof Adam Possamai (Director), Prof Julia Day Howell and Prof Rob Stones
Religious reform in Indonesia; global Sufism; pilgrimage; religious spectacle; Islam in Australia and South East
Asia; Catholic charismatic movements; religious cosmopolitanism; Indigenous religions; secularisation
Editing of manuscripts including books, journal articles, grants and professorial promotion applications. In
particular, multiple books authored and edited by Prof Possamai and Prof Bryan S. Turner, Presidential
Professor of Sociology at The Graduate Center at the City University of New York
Dean’s Unit and School of Education, University of Western Sydney, 2006–8
Media and technology consultant to Whitlam Professor Ivor Indyk
Bibliography
多角的な視点捉えた、現代社会の揺らぎ, Lula Magazine, 2023.6.9, https://lulamag.jp/art-culture/exhibition/elenaknox/azarashi-banashi/2023
ANOMALY / エレナ・ノックス「あざらし話」, ArtSticker Promenade,2023.6.3, https://artsticker.app/events/8879
Yuiko Shibutani, 今週末に見たいアートイベント TOP5: カンディンスキーやクレーほか抽象絵画 250 点が大集結「ABSTRACTION 展」、アザラシ型 AI ロボットが環境問題を見つめる「エレナ・ノックス展」(Top 5 art
events to see this weekend: "ABSTRACTION": 250 abstract paintings by Kandinsky, Klee and others; Elena Knox’s
exhibition where seal-type AI robots look at environmental problems), Art News Japan, 2023.6.2,
https://artnewsjapan.com/article/1092
エレナ・ノックス「あざらし話」, 美術手帖 (BijutsuTecho), 2023.6.1, https://bijutsutecho.com/exhibitions/11849
科学、物語、地元の人々との交流、気象データを融合させた、エレナ・ノックス 個展 「あざらし話」Neol
Magazine, 2023.5.19, https://neol.jp/art-2/121584
Masanobu Matsumoto, 13 art exhibitions you want to visit this summer, The New York Times Style Magazine Japan,
2022.8.12, https:// tjapan.jp/art/17559725
Celina Lei, Situating ‘Australian art’ in Japan and beyond, Arts Hub, Features, 2022.5.23, https://
artshub.com.au/news/features/situating-australian-art-in-japan-and-beyond-2551012
新潟・越後妻有「大地の芸術祭 2022」作品・作家, Discover Japan, 2022.7.13, https://discoverjapanweb.com/article/90778「それヤレんの？」：フェムボット現象, 美術手帖 (BijutsuTecho), 2022.7.10,
https://bijutsutecho.com/exhibitions/10311
Akane Naniwa, 女性型ロボット「フェムボット」をテーマにした展覧会＠人間レストラン, Numéro Tokyo,
2022.7.29, https://numero.jp/news-20220729-canyoufuckit
Apex Art, apexart 2021–22 International Open Call results, e-flux, 2021.4.13, https://eflux.com/announcements/372143/apexart-2021-22-international-open-call-results
Apex Art, Winners of apexart 2021–22 international open call announced, Hyperallergic, 2021.4.9,
https://hyperallergic.com/636009/apexart-2021-2022-international-open-call-winners
Bruce Scott, Art and identity, Prestige Thailand, 2020.11
Stephen Sarrazin, Elena Knox and androids at the door, SZ Bureau, 2020.11.17; translated to French for Turbulence,
2021.1, https://szbureau.com/2020/11/17/elena-knox-and-androids-at-the-door
Lekha Shankar, Anish Kapoor, other Indians, join artists from 35 nations at Bangkok Art Biennale, Deccan Chronicle,
2020.10.14, https://deccanchronicle.com/entertainment/theatre/141020/anish-kapoor-other-indians-join-artists-from35-nations-at-bangkok-a.html
Kong Rithdee, Art as our escape, Bangkok Post, 2020.9.16, https://www.bangkokpost.com/life/arts-andentertainment/1986235/art-as-our-escapeAustralia Council for the Arts, It’s a little early: Elena Knox, INTEL: Podcast Series, Episode 4, 2020.5.14,
https://soundcloud.com/user-237947641/podcast-04-elena-knox-final-master
Koichiro Osaka, 7th Yokohama Triennale, "Afterglow", e-flux – Criticism, 2020.8.9, https://www.eflux.com/criticism/346966/7th-yokohama-triennale-afterglow
Jennifer Pastore, Yokohama Triennale 2020 photo report, Tokyo Art Beat, 2020.11.6,
https://tokyoartbeat.com/en/articles/-/yokohama-triennale-2020-photo-report
コラム ヨコハマトリエンナーレ 2020 ラクス・メディア・コレクティヴからのメッセージ＋会場レポート, 日
美 (NichiBi), NHK, 2020.8.30, http://www.nhk.or.jp/nichibi-blog/column/434948.html
Yokohama Triennale 2020“Afterglow”, ART iT, 2020.8.18, https://www.art-it.asia/en/top_e/admin_expht_e/210794
Kenichiro Mogi, Yokohama Triennale 2020 review, Ken Mogi Brain World, 2020.8.14,
https://youtube.com/watch?v=1c6swkLbckY
ヨコハマトリエンナーレ 2020 AFTERGLOW-光の破片をつかまえる, Ayae's Log, 2020.7.21,
http://blog.ayae.net/2020/07/2020-afterglow.html

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CV

elenakno x.com
ヨコハマトリエンナーレ 2020 が開幕！ 今だからこそ考えたいテーマがつまった展覧会, Yokohama Visitor’s
Guide, 2020.7.28, https://welcome.city.yokohama.jp/blog/detail.php?blog_id=49
能町みね子が『ヨコトリ』で考えた、わからない物事との対峙, CINRA, 2020.9.7, https://cinra.net/article/interview202009-nomachimineko_kngsh『ヨコハマトリエンナーレ 2020』プロット 48 のピアノとエビとポルノ（感想）, Theory of Art, 2020.8.16,
http://theory-of-art.blog.jp/archives/32952997.html
プロット 48「ヨコハマトリエンナーレ 2020AFTERGLOW 光をつかまえる展」3, アートのみかた, 2020.8.19,
https://ameblo.jp/arttmitabi/entry-12618856901.html
ヨコハマトリエンナーレ 2020 が開幕。アートが提示するコロナの時代のその先とは, 美術手帖 (BijutsuTecho),2020.7.17, https://bijutsutecho.com/magazine/news/report/22348
今こそ芸術に学ぶ ヨコハマトリエンナーレ、17 日開幕, カナロコ, 2020.7.17, https://kanaloco.jp/news/life/entry412330.html
Taiichi Hanafusa, Twitter review, 2020.7.20, https://twitter.com/hanapusa/status/1285101591587024896
Stéphane Baillargeon, Pourquoi les robots anthropoïdes reproduisent-ils les clichés sexistes?, Société, Le Devoir, 2019.8.22,
https://ledevoir.com/societe/561062/pourquoi-les-robots-anthropoides-reproduisent-les-cliches-sexistes
Artificial Intelligence Art and Aesthetics Exhibition – Archive Collection, 176 page full-color book, Artificial Intelligence Art
and Aesthetics Research Group, Japan, 2019
AI と美学・芸術, Journal of the Japanese Society for Artificial Intelligence, Vol. 6, 2018.11
Investigating human–robot relations through art, Waseda University, Japan, 2018.11.21,
https://www.waseda.jp/top/en/news/62492
ZHANG Ying Jun, Entering a 'different space' about the future 九个明天：进入关于未来的“异度空间”, Vogue, China, 2018.5,
http://mini.vogue.com.cn/voguemini/news_19556bb100a11fc5.html
What kind of experience is "invading the future"? “入侵未来”是一种怎样的体验?, ArtNest, China, 2018.9.1,
https://mp.weixin.qq.com/s/OTwraLnbJDMeM7InJLfnaQ
Sci-fi artists with VR 写科幻的艺术家们, The Robb Report, China, 2018.5.22,
https://mp.weixin.qq.com/s/TZWLemxAuHVWcFMt290qSQ
YING Hu, Hangzhou has an exhibition that challenges sensibility, but curators are not willing to call it "technical art", Q Daily,
China, 2018.5.14, http://qdaily.com/articles/53062.html
TING Yu, There are 9 tomorrows, and the artists have foreseen everything 未来有九个明天，艺术家们已经预见了一切,
Wallpaper, China, 2018.5.12, https://mp.weixin.qq.com/s/ZEipM8WG6PJZSfMq-PsVOA
Detonating the future, Phoenix Art, China, 2018.5.10, https://mp.weixin.qq.com/s/33-4auwiOC1ixdtbivPPHA
九个明天 · 国际科技艺术大展 ＋ 现场演出, Contemporary Art Survey, China, 2018.5.2,

https://mp.weixin.qq.com/s/fshqzaJ9LDKQOrKiyOa1Eg
Jacqueline Millner, Snoösphere, Lull Studio, The Senses and Society (Taylor & Francis), Vol. 13.2, pp250-253, 2018
Kazuhisa Kuwahara, サービスロボットはなぜ美しい女性？気鋭の豪アーティストが問いかける, Aera, Asahi
Shimbun, 2018.6.14, https://dot.asahi.com/aera/2018061300024.html
美術手帖 (BijutsuTecho), エレナ・ノックス, 2018.6.1, https://bijutsutecho.com/exhibitions/2080
Ty Lawson, Art and technology create ‘a better version of you’, Culture, CGTN, 2018.4.4,
https://news.cgtn.com/news/30636a4d326b7a6333566d54/share_p.html
YANG Xin Xin, 科技，会让我们缺氧吗？Beijing Youth Daily, 2018.3.30, http://epaper.ynet.com/html/201803/30/content_283077.htm
Phoenix Art, 媒体科技串联生活与艺术品味, March 29, 2018, http://art.ifeng.com/2018/0329/3414716.shtml
ZHOU Rui Xuan, 芯片、AI 新鲜呈现 北京歌德学院“变身”最新科技展览中心, Oushinet, 2018.3.29,
http://oushinet.com/qj/qjnews/20180329/287865.html
DING Xiao Jie, A Better Version of You: 一个关于未来的科技展会, 99Art, 2018.3.29,
http://news.99ys.com/news/2018/0329/18_211693_1.shtml
SHEN Li, Art exhibition disguised as a tech fair opens in Beijing, CCTV Culture Express, 2018.3.27,
https://news.cgtn.com/news/3267444f306b7a6333566d54/share_p.html
Leon, A Better Version Of You: 连续 9 天为你呈现未来世界, Time Out, 2018.3.27, https://bit.ly/2tqhQBa
YANG Gao, A Better Version of You – 科技展会开幕 带你领略世界科技革新成果, Artron, 2018.3.24,
https://news.artron.net/20180324/n992173.html
GJ Cabrera, State of the arts: Find a better version of you at Goethe-Institut, The Beijinger, 2018.3.23,https://thebeijinger.com/blog/2018/03/23/sota-better-version-you
Chu Chu, 对自己不满意？这里有一个关于你的“更好的版本”, Lens Magazine, 2018.1.2, https://bit.ly/2Kbaj3w
Sherry, 在一场艺术展览上，我最终被一家科技公司的产品虏获, Creators, Vice, 2017.12.26,
http://thecreatorsproject.vice.cn/read/a-better-version-of-human9ELENA KNOX

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Kristina Mah, Luke Hespanhol & Lian Loke, Designing conviviality with HCI: A case study of Snoösphere, Digital Outreach:
Designing Technologies for Diversity, Participation and Social Inclusion, OZCHI, 2017.11.28
Katie Sutherland, Autism and the arts: Making a space for different minds, The Conversation, 2017.10.23,
https://theconversation.com/amp/autism-and-the-arts-making-a-space-for-different-minds-84768
Sarah Ward, Review: Snoösphere, Concrete Playground, 2017.9.23,
https://concreteplayground.com/sydney/event/snoosphere-big-anxiety, also ‘Best Things To Do’
AFP, Snoösphere, Image of the Day, across Singapore Straits Times, Egypt Today, MSN Lifestyle, AVAX News, Daily
Telegraph, MySinchew, Voa Indonesia, and more, 2017.9.21
Lin Evlin, Snoösphere: The art installation tackling mental illness, Lateline, ABC, 2017.9.20,
http://abc.net.au/lateline/snoosphere:-the-art-installation-tackling-mental/8965984, excerpted on ABC News
Lian Loke, Snoösphere: Transforming pathology into play, Artlink Magazine, Issue 37, Vol. 3, pp40-43, 2017.9.1,
https://artlink.com.au/articles/4618/snoC3B6sphere-transforming-pathology-into-play
Jill Bennett, The Big Anxiety, Limelight Magazine, 2017.9.19, https://limelightmagazine.com.au/features/the-big-anxietyfestival-of-arts-science-people
Brooke Boland, Art and science join forces at the inaugural Big Anxiety Festival, ArtsHub, 2017.9.19,
https://artshub.com.au/news/sponsored-content/art-and-science-join-forces-at-the-inaugural-big-anxiety-festival254447-2357352
Steve Dow, Future femme, Art Guide Australia, 2016.6.24, http://artguide.com.au/art-plus/future-femme
Julian McKinnon, Art at the dawn of the post-human era, Art News New Zealand, Spring 2016,
http://artnews.co.nz/spring-2016
Nick Atkinson, Artists focus on the future, New Zealand Herald weekend magazine, 2016.4.23,
https://nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=11627031
Prudence Gibson, Review: Elena Knox, Beyond Beyond the Valley of the Dolls, Das Superpaper, Sydney, 2015,
http://dasplatforms.com/writing/elena-knox-beyond-beyond-the-valley-of-the-dolls
Prudence Gibson, Live like tomorrow doesn’t exist: Elena Knox’s art, in After the Passions: Object Oriented Ontology, Art
and Art Writing. Chapter 8. Doctoral dissertation, School of Arts and Media, University of NSW, 2014
Christine Moffat, Review: Elena Knox is Bild-Lilli, Theatre Press, 2012.7.23, http://theatrepress.com.au/2012/07/23/reviewelena-knox-is-bild-lilli
Liza Dezfouli, Bild-Lilli: Lull Studios and Malthouse Theatre, Australian Stage, 2012.7.23,
http://australianstage.com.au/201207235635/reviews/melbourne/bild-lilli-%7C-lull-studios-and-malthousetheatre.html
College of Fine Art, University of New South Wales, Adult doll, Incubate, Vol. 8, p64, 2012
Robin Usher, All dolled up, this story is one out of the toy box, The Age, 2012.7.17,
http://theage.com.au/entertainment/stage/all-dolled-up-this-story-is-one-out-of-the-toy-box-20120716-226dl.html
Sally Bennett, Barbie's secret history revealed at Malthouse Theatre, 2012.6.25, Herald Sun, http://heraldsun.com.au/entertainment/barbies-secret-history-revealed-at-malthouse-theatre/story-e6frf96f-1226407926070
Artist Profile, Arts Hub, 2012.6.25, http://au.artshub.com/au/news-article/profiles/arts/elena-knox-190093
Dave Bonta, Videopoetry: What is it, who makes It, and why?, AWP panel: Poetry Video in the Shadow of Music Video—
Performance, Document, and Film, 2012.3.1, Hilton Hotel, Chicago,
http://discussion.movingpoems.com/2012/02/videopoetry-what-is-it-who-makes-it-and-why
Mark Hobby, The frame and its attachment: the video-poetry of Elena Knox, liftout catalog essay, Fleshed Out: an
exhibition of videopoetry, Ariel Booksellers, 2012
Thomas Zandegiacomo del Bel, Elena Knox, poetry film and ZEBRA Poetry Film Festival, catalog essay, Fleshed Out: an
exhibition of videopoetry, Lull Studios, Green and Gold Press, 2011
Rebecca Conroy, Review: Fleshed Out, The Art Life, 2012.1.27, http://theartlife.com.au/2012/fleshed-out
Bernadette Burke, Review: Fleshed Out, Arts Hub, 2011.9.7, http://au.artshub.com/au/news-article/reviews/visualarts/fleshed-out-185509
Cristyn Davies, Imagining otherwise: Performance art as queer time and space, in Queer and Subjugated Knowledges:
Generating Subversive Imaginaries, ed. Kerry Robinson, Bentham Books, 2011
South Sydney Herald, Local author wins ASA mentorship, 2007.12/ 2008.1
Clara Iaccarino, A diva at your service, Sydney Morning Herald, 2007.1.1
Cristyn Davies, Disturbing the dialectics of the public toilet, Hecate: An Interdisciplinary Journal of Women's Liberation, Vol.
33.2, 2007, http://academia.edu/352669/Disturbing_the_dialectics_of_the_public_toilet
Lisa-Maree Botticelli, Music for the Eyes, The Program, 2006.6.29
Cristyn Davies, The poetics of hip hop: Elena Knox in dis Miss!, Southerly, Vol. 64.3, 2004
Diana Simmonds, Risky show business, Sunday Telegraph, 2003.3.2
Stephen Dunne, Review: Lull & The Golden Mullet, Sydney Morning Herald, 2001.5.18

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