修士論文要旨

2011M41003

丹生信行

In Contention 1, I considered the issues of whether Austen described marriage
in terms of sexual equality in Pride and Prejudice and demonstrated how suchcharacteristics of Austen’s writing contains aspects consonant with feminism.
Considering Austen’s sense of feminism, one should recall the awful ofmarriage in Austen time, marriage often amounting to a relationship in which a woman
was not free to choose the man with whom she will marry. The arrangements werecompletely controlled by the woman’s parents. In her depiction, of Elizabeth, anunrestrained woman, Austen revolted at this awful situation for women and criticized
the patriarchal society that generated such sexual inequality. Austen represented her
ideal marriage style by depicting Elizabeth’s straightforward behavior in turning down
men’s proposals. Austen attempted to raise the issue to readers of women’s unequal
situation in marriages by depicting what marriages really were at that time. Thus,
presupposing that Charlotte Bronte insisted on sexual equality by depicting
independent women, Austen insisted on sexual equality by depicting intelligent womenas they really were, which makes readers be evoked a controversy with. Thus, Austen’s
engaging feminism can’t be detracted by these two problems. Austen does indeed
display certain commonalities with feminism.
In Contention 2, I considered if Austen has feminist characteristics considering
her criticism of masculine patriarchal society. Unfortunately, there’s censorship inEngland in Austen era. “One pressure is political censorship that intensified from themid-1790s. Another factor is a certain introverting of British culture, under the impactof the long war with France, which served to defuse some of radical energies.” For thisreason, Austen couldn’t express completely her social commentary. Thus, Austen usedindirect methods, for example, humor, satire, irony, and other methods for the sake ofexpress her criticism toward society. In this chapter, I considered Austen’s social
commentary hidden between lines toward the authoritarian society which generated
and vindicated the sexual inequality system such as entail or ‘expediential marriage’.
Conventional critics have not focused on her social commentary very much on thecharacteristics of her writing (humor, or irony, or satire, etc.). However, there certainlyis criticism toward masculine patriarchal system on the authoritarian society in Prideand Prejudice, as Weisensee, and Ray, and Suzuki points out. Thus, Austen indeed has
feminist characteristics.
In Contention 3, I examined whether Austen’s morality has something to dowith feminism or not. Kirkham means that Austen’s moral education (enlightenment)

for women in the novel is similar to Wollstonecraft’s moral education (enlightenment),
so Austen has an essential of feminism. And, Kirkham says that Austen has feminism
because she described woman (heroine) was the most intelligence person in her novels.
Moreover, Kirkham says: “She [Elizabeth] has judicious critical acumen. […] she isdescribed as the most intelligent character in the entire novel.” (91), that is, Elizabeth is
the most intelligent person in Pride and Prejudice. In almost all the novels written
before Austen’s time, the plot of these novels was that almighty great young man whohad intelligence would save poor young pretty woman. Intelligence supposed that onlymen can possess, but Austen overturned this common sense and depicted woman as
intelligence existence. In Pride and Prejudice, Elizabeth has so much intelligence and iskind of moral guiding position. Austen didn’t write sexist stories in which an almighty
prince who was symbolized from men’s power and men’s superiority to women fell inlove and saved a poor young woman who was symbolized from women’s weakness andwomen’s inferiority to men like Cinderella. On the contrary, Elizabeth is depicted as awoman who has a strong will and significant intelligence. Thus, Austen has theessential of feminism as Kirkham argues.
Upon this; I am desirous to supplement Kirkham’s argument with myargument. Surely, Austen requested that women should have modesty and doself-denial, but at the same time, she also requested that men should have modesty anddo self-restraint. This is the same conception from the argument of Wollstonecraft:“Modesty.―comprehensively considered, and not as a sexual virtue.” (124) and: “Truemodesty, which at least, should render the self-denial mutual” (128). In this chapter, I
researched how Austen’s morals are described and what element of feminism in there.
Austen opposed the trend of society in which women was supposed to be inferior to man,and depicted Elizabeth as a possessor of intelligence more than men in Pride andPrejudice. As Kirkham says, depicting woman as a possessor of intelligence more thanmen makes Austen be admitted to have a sense of feminism. Moreover, Austen’ sense offeminism can be said by her advising modesty to men and women equally, because it isexactly same idea to Wollstonecraft who is said to the pioneer of feminism. Austen
showed a norm of behavior to men and women with equal clarity. Thus, it is apparently
that Austen’s morality has something to do with feminism.
Certainly, Austen may not to be said a feminist in the strict sense of the word.
However, Austen always narrates her novels from a woman’s point of view, andtherefore it can be said that she takes the side of women. The reason that Austen wrote
the novels about marriage is not because she was hoping to portray marriage as the solesource of happiness for women. In fact, she had the ulterior motive of subtly criticizing

patriarchal society by depicting what marriage was really like in that era. Inrepresenting completely new concept of life for women, Elizabeth serves as a proponentof straightforward communication.In this paper, I considered all of these issues
generally, and conclude that Austen does indeed display certain commonalities withfeminism.