2017 Product BrochureTHE COMPANYINTRODUCTION

Philosophy by Rog Mogale
Void Acoustics designs, manufactures and distributes
advanced professional audio systems for the installed andlive-sound sectors. The company offers an evolved seriesof audio solutions that encompass loudspeaker systems,
power amplifiers and accessories.
Established in 2002 by founder and principal design
engineer Rog Mogale, Void products are available througha continually evolving distribution network providing
ever greater access and support. Customers value Void’s
superior sound quality, unique designs, dependability andthe outstanding after-sales service that the company iscelebrated for. Void’s passion for excellence encompasses
not only its products, people and services, but a fullawareness of environmental issues as well.

We employ a no-compromise approach when designingand manufacturing our products. This means that we don’t
set an upper price limit for the components we use, nor do
we build to specific budgetary constraints. Simply stated,
our goal is to make the finest products possible. We do thatthrough meticulous engineering and by making use of thebest components available, many of which we manufacture
ourselves. We employ a team of dedicated craftsmen who
assemble our products; we maintain tight tolerances and evenhand-wind our own inductors and assemble our own PCBs.
Very little is out-sourced, giving us numerous advantages.
The biggest benefit is that we have total control from thedesign of the complete product down to the smallest part.
We use the right component for the job instead of accepting
a compromised off-the-shelf component that might happen
to fit, or is ‘close enough.’ The next benefit is accountability.
We track all stages of the manufacture of all parts andmaterials. This allows for a greater level of consistency fromunit to unit, and from a design point of view, evolutionary
improvements occur rapidly. The third major benefit of
keeping manufacturing in-house is cost. By using high levelsof automation in our manufacturing processes, we keep ouroverheads down to a minimum and the cost savings are
passed on to our customers. We’ve looked at all the options
for manufacturing our products and it didn’t take us long torealise that control, accountability, and cost savings whentaken alone, were each good enough reasons to avoid outsourcing and using off-the-shelf components. Taken together,
these three factors make Void what it is today.
Void systems can be found in many of the largest and mostprestigious dance clubs and live concert venues in the world.
All of us in the Void team feel deeply honoured to have ourwork sought after by discriminating sound engineers, systemdesign consultants, hire companies and the many other audio
professionals who lead the industry around the globe. We
work very closely with distributors and customers alike torefine our products and develop concepts for new ones. We
class the input from those who use our products very highly,
and we apply this knowledge to continually improve all that
we do. Company-wide, we take after-sales support seriously

02

and are always happy to liaise with customers and end-users
to help them get the best from their purchase.
A great deal of Void’s income is spent on R&D. Our 4,000
square meter sound research laboratory was completed
in 2007. It implements some of the most advanced test
equipment ever seen and allows complex procedures, suchas resonance mapping, to be carried out. Few other facilities
in the world can offer the same. I feel a tremendous sense of
responsibility and honour in being given the task of heading
our new R&D department. Although it is a never-ending
challenge to design, innovate, test, evaluate and re-design…
until the highest possible standards have been met… it is an
exciting and worthy pursuit. Throughout the company, eachof us is willing to go just that bit further than what manyothers might consider to be ‘good enough.’ I believe it is thisatmosphere of professional pride that has made Void such astrong player in the industry within such a short time.
As the principal designer for Void, I strongly believe thata great change is occurring in professional audio. A shift inconsciousness has started and expectations are increasing
exponentially. I’ve always believed that products should havean impact both sonically and visually. The fact that many
venues spend so much time and money on décor has led me todesign products that reflect and relate to their surroundings.
Why should such venues have to make do with another ‘blackbox’ getting in the way? With the ever increasing awarenessof the society that we live in, products with enlightened visualappeal will soon become the norm. Such products may takethe form of visually striking enclosures intended for clubs andtheme parks; transparent Plexiglas enclosures that blend withthe architecture of the modern concert hall; or perhaps subtle
design styles that meet the needs of theatres, TV studios, andHouses of Worship. Whatever the challenge, Void will always
innovate. By achieving a true blend of sonic excellence withappropriate visual appeal, I am pleased to say that Void canoffer solutions, both now and in the future, to all those whowish to break free of traditions.

INSTALLATIONSINTRODUCTION

Void Acoustics’ comprehensive range
of installation products have become world
renowned for their sonic perfection, reliability
and revolutionary looks. Prominent installations
include many of the largest and most prestigious‘super clubs’ and venues around the world. Voidis proud to be at the cutting edge of aural design,
incorporating ground breaking technologicaladvances with visual styling that harmoniously
complements your surroundings.
Void Acoustics offers the best in contemporarystyled loudspeakers that sound as good as theylook. Each model is the culmination of elegant
styling, innovative design and breathtaking
performance. Void has perfected a range of
products that, for the first time ever, will visuallyand sonically transform your environment.

INTRODUCING THE

INCUBUS SYSTEMThe Incubus has been designed with the sole purpose of being the best
dance club system available and is redefining expectations around theworld.
Providing levels of control
thought impossible, its ability
to deliver both linear frequency
and power shading within asingle mid top enclosure ensures
perfect sound for everyone

Eden, Ibiza

on the dance floor. Incubus
is the number one choice fordiscerning interior designers
because its physical signaturecries out for extreme expression.
Anyone looking to push

both
sonic
and
visualboundaries to the edge,
whilstraising
mankind’s
awareness via elevated formsof entertainment, needs toaudition Incubus.

INTRODUCING THE

INCUBUS SYSTEM
Omni, Taipei
Within a year, OMNI has won numerous internationally acclaimed awards
such as the iF Design Award and LIVE DESIGN Excellence award. We believe
selecting Void Acoustics was one of the many factors that helped us gain thatrecognition. We look forward to a long-term relationship with Void Acoustics"

Alan Hsia - Co-Founder of OMNI“The Void rig at this years’ Dirtybird BBQ series not only looks amazing, it sounds evenbetter. We are super happy to work with Void. The team working with us on site aresome of the nicest guys in the business who I have been working with for more thansix years.”Claude VonStroke“When we first played at Sankeys Ibiza our eyes were wobbling due to thepowerful bass; we were impressed. After playing on the massive Incubus
System we definitley can say; the Void sound is so clear, strong and looks sosexy. We love playing on Void Acoustics sound systems.”
Tube & Berger“I love the Void Acoustics sound system at Eden Ibiza. It shakes you right down to yourbones, whereas most club sound systems barely permeate the skin”

Judge Jules"The Void Acoustics sound system here at Versuz is more than just youraverage club sound system, it goes far beyond this fundamental. Its modern
design looks beautiful, sounds amazing and fits perfectly with our concept"

Thijs Berben - Versuz Manager

INSTALL

INCUBUSAir Array
Air Array is the mid-high element of the Incubus
System and unites many ground breaking
technologies to deliver the best high level,
hi-fidelity sound you will ever experience. Its
radical looks are not just for show, as its form
has taken shape from the need to correctly
fuse all its sections together to form a coherent
radiation pattern over its stated dispersion
angles. Line source behavioral conditions are
met by all sections, allowing both frequency
and power shading to be utilised within a single
enclosure. Such techniques enable soundpressure level in the near field to be attenuatedand matched with that at greater distances,whilst HF absorption is corrected with linear
frequency shading. By employing a line source
configuration, Air Array is the only mid-highenclosure that can provide constant SPL at all
distances with all frequencies arriving at thesame time, wherever you are within its coverage
pattern.
The low-mid section consists of two hyperbolichorns fed from a split manifold driven by
four very high power 12” transducers. Eachtransducer features a heatsink cooling system
to reinforce reliability and reduce power
compression levels, combining to produce
exceptional output levels with the highest
definition imaginable. Four newly developed3” exit compression drivers handle themidrange frequencies and are each driven
by a massive 6” diaphragm to comfortably
reproduce frequencies down to 500Hz. Path
length compensation devices are applied to
the waveguides to seamlessly combine their
outputs eliminating all destructive interference
and ensure constant output within the statedcoverage angles. The high frequency sectionuses six esoteric compression drivers with 1”
throat waveguides which are positioned on aphysical arc to provide a virtual common feed06

In the club
Incubus is designed with thesole purpose of being the best
dance club system available.

Air Array
Specifications
Configuration
4 x 12” LF, 4 x 3” MF
compression driver,6 x 1” HF compression driver

FinishThe Void visual signature is evident
in both the standard gloss red finish
and the weight-saving fibreglass
and Kevlar composite structure.

Frequency
Range ±3dB
90Hz - 26kHz
Max Output
143dB cont149dB peakPower Handling
LF: 3600 Watts RMS
MF: 1000 Watts RMS
HF: 480 Watts RMS
Dispersion@-6dB points
90°H x 45°V

point. This configuration reduces all forms
of destructive interference and maintains aneven frequency response within every degreeof the stated coverage angles. Path lengthcompensation devices housed within the
waveguides marry with the extended upper
response of the compression drivers allowing
the HF to extend all the way up to 26kHz.
Air Array can either be stack-mounted using
a custom steel box frame stand, or flown withthe proprietary load tested flying system. The
Void visual signature is evident in both thestandard gloss red finish and the weight-saving
fibreglass and Kevlar composite structure.

Dimensions
1240 x 944 x 813mm(48.8” x 37.1” x 32”)
Net Weight
144.8kg (319lbs)
including standINSTALL

INCUBUS

Hyperfold
A high percentage of the urge to dancecomes from the upper bass frequencies.
It’s where the kick and finer details of thebass are found. The need for speed andarticulation in this critical region calls fora dedicated enclosure designed with one
purpose in mind. Enter the Hyperfold
upper bass enclosure – it’s quite simply
the mother of all kick cabs.

Incubus Sub
The Incubus Sub’s structurally challenging
design comprises three massive 21” transducers
in a hybrid horn bandpass enclosure. A
combined power handling of 6000 watts RMS
and very high sensitivity result in foundationcracking sub frequencies all the way down
to 29Hz. Designed to work in conjunction
with the Hyperfold upper bass enclosure, theIncubus Sub has been tuned with all forms ofdance music in mind. Lightning quick impulse
response with low group delay and an ‘in yourface’ style of presentation combine to make it anunforgettable experience.

Hyperfold’s
designhas
evolvedover many years, thanks to theimplementation of new technologies
and advanced materials that are
constantly arriving and have contributed
to its existence. Size for size it contains
the highest number of drivers – four highexcursion 15” dedicated low frequency
drive units – and hence displacement
per cabinet volume. And it needs allthat displacement to keep up withthe extraordinary efficiency of all theother elements that go into making
the Incubus System. When arrayed,
Hyperfold cabinets mutually couple in
the upper bass region to deliver gains in
output far beyond the measured 148dB
maximum output from a single unit.
If the Incubus Sub provides the pulse,
Hyperfold is the blood that runs throughthe entire system. Without it there is no
system, no urge to connect with thegreater whole, or to become part of thedance.

“Incubus is thenumber one choice fordiscerning interior designers”

Incubus Sub
Specifications

HyperfoldSpecifications

Configuration
3 x 21” LF

Configuration
4 x 15” LF

Frequency
Range ±3dB
29Hz - 95Hz

Frequency
Range ±3dB
60Hz - 190Hz

Max Output
140dB cont146dB peak

Max Output
142dB cont148dB peakPower Handling6000 Watts RMS

Power Handling4000 Watts RMS

Dispersion@-6dB points
Array dependent

Dispersion@-6dB points
Array dependent

Dimensions
696 x 1476 x 1218mm(27.4” x 58.1” x 47.9”)

Dimensions
738 x 738 x 1218mm(29” x 29” x 47.9”)

Net Weight
220kg (485lbs)

Net Weight
115kg (254lbs)

Get up and dance
The Incubus Sub comprises three massive 21”transducers in a hybrid horn bandpass enclosure,designed for all types of dance music.

It’s a total connection with the fundamental
frequencies that give dance music its pulse– a connection only obtainable by entire
submersion in the purest form of reproduction.
07

INSTALLAIR

Air Motion V2
The revolutionary Air Motion
sculpted loudspeaker arraysets an entirely new standard
in audio aesthetics. Neverbefore has so much style andperformance been brought
together in perfect harmony.

“Air Motion harnesses theexcellent inherent soundquality of the conical horn”

Tri Motion

Tri Motion
Building on the success of the iconic
Air Motion, which has become a stapleof the modern dance scene and whose
acoustic and visual philosophy has
been adopted all around the world,
the smaller and even more daring Tri
Motion extends those principles further,allowing an even larger audience tobathe in the Void experience.
The Tri Motion satisfies the demandfor higher SPLs and more diversified
looks, and the rethink on form has also
allowed for wider horizontal dispersion
and asymmetrical vertical patterncontrol, giving even more coverage
and reducing early reflections from
ceilings to provide higher fidelity. Tri
Motions extra horsepower is generated
by a larger low frequency transducer
08

Air Motion comprises three
optimally designed transducers,
each loaded by an isometricconical horn and housed in askeletonised format free fromrestricting and potentiallyresonant enclosures. Air Motion
harnesses the excellent inherent

sound quality of the conical
horn,
whose
propagation
is based on the spheroid
section and allows for solidradiation angles. The benefits
are twofold: tight beamwidth
control, giving higher output,
and more defined sound quality
due to a decrease in earlyreflections. Constant directivity
is achieved across the horns
entire dispersion, allowing
for an exceptionally balanced
waveform transmission.

Tri Motions creation stems from years of pushing bothsonic and creative frontiers.
and more efficient mid-hi section withgreater power handling.
Tri Motion can be flown using the
proprietary
integralflyingandmounting system, or by means of an
optional floor or subwoofer mounted
ground support system, forming acompletely stable and correctly angled
audio point source. Perfect for thelarger venue requiring cutting edge
performance married with art
gallery aesthetics, Tri Motions
creation stems from yearsof pushing both sonic andcreative frontiers from thecompany that leads themarket in stunning visualdesign.

Air Motion V2Specifications

Tri Motion
Specifications

Configuration
1 x 12” LF, 1 x 8” MF,
1 x 1.5” HF compression driver

Configuration
1 x 15” LF, 1 x 8” MF,
1 x 1.5” HF compression driver

Frequency
Range ±3dB
140Hz - 20kHz

Frequency
Range ±3dB
120Hz - 20kHz

Max Output
134dB cont138dB peak

Max Output
135dB cont139dB peakPower Handling
LF: 500 Watts RMS
HMF: 250 Watts RMS

Power HandlingLF: 700 Watts RMS
HMF: 350 Watts RMS

Dispersion@-6dB points
60°H x 50°V

Dispersion@-6dB points
90°H x 60°V

Dimensions
600 x 850 x 760mm(23.6” x 33.5” x 29.9”)

Dimensions
600 x 800 x 800mm(23.6” x 31.5” x 31.5”)

Net Weight
35.4kg (77.9lbs)

Net Weight
47.1kg (103.8lbs)

Even more power
The daring Tri Motion extends those principles further,allowing an even larger audience to bathe in the Voidexperience.

INSTALL

AIR

Airten V3“Despite its size
it is capable of producing groundbreaking output levels with
unparalleled visual inspiration”

Air 8
The Air 8 is an interior
designer’s
dream
come
true and a sound purist’s
heaven all rolled into one.
The principles are simple:
take highly refined in house
designed components andmarry them with a modern
day work of art. Combine thatin an install friendly packagewith endless possibilities of
enclosure colour to make theonly choice for those seeking
perfection. The Air 8 features
an 8” low frequency driverand 1” coaxially mounted
neodymium high frequency
compression driver providing
increased efficiency to makeits compact and stylish forma must have accessory for any
modern visually conscious
venue with something to say.
Stand alone applications for
the Air 8 include providing
high quality sound for small
bars, lounges, restaurants
and area fill when used witha larger main system in clubs.

The latest version of the Airten
features a brand new lineup of components to provide
improved audio quality, lower
bass extension and increased
output SPL. The original dual
10” configuration has been kept,
with both transducers providing
the low frequencies and a single
coaxial transducer used for the
mid/highs, but the similarities
end there.
All the improvements applied
to the new Airten have been
made possible due to many
recent advances in transducer
technology and a redesigned
rear port.

The enclosure has also
undergone a redesign and now
incorporates the latest in weightsaving composite materials
to provide the elimination ofany energy-robbing enclosure
resonance. An all new ultrahigh power passive crossovercompletes the updates to theAirten V3.
The advancements implemented
in the Airten V3 have made asystem capable of truly groundbreaking output levels normallyassociated with enclosuresover twice the size of Airten
V3, making it an even more
attractive proposition.

“The compact andstylish form of Air 8
make it a musthave accessory
for any visuallyconscious venue
with something
to say”

Airten V3Specifications

Air 8
Specifications

Configuration
2 x 10” LF, 1 x 1.4” HF
compression driver

Configuration
1 x 8” : 1 x 1” Coax

Frequency
Range ±3dB
60Hz - 20kHz

Frequency
Range ±3dB
65Hz - 20kHz

Max Output
125dB cont128dB peak

Max Output
119 dB cont121 dB peakPower Handling
500 Watts RMS

Power Handling
300 Watts RMS

Dispersion@-6dB points
80°H x 80°V

Dispersion@-6dB points
90°H x 90°V

Dimensions
302 x 684 x 337mm(11.9” x 26.9” x 13.3”)

Dimensions
420 x 300 x 172mm(16.54” x 11.2” x 6.7”)

Net Weight
20kg (43lbs)

Net Weight
6.2kg (13.2lbs)

09

INSTALLAIR

Air Stream

Air Vantage
Specifications

Sub Vantage
Specifications

Air Stream
Specifications

Configuration
1 x 12” - 1 x 1.5” coax

Configuration
4 x 15” LF

Frequency
Range ±3dB
140Hz - 20kHz

Frequency
Range ±3dB
40Hz - 160Hz

Configuration
LF: 1 x 15”
MHF: 1 x 12” - 1 x 1.5” coax

Max Output
133 dB cont139 dB peak

Max Output
137 dB cont143 dB peakPower Handling
500 Watts RMS

Power Handling2 x 1600 Watts RMS

Dispersion@-6dB points
70°H x 40°V

Dispersion@-6dB points
Omnidirectional

Dimensions
415 x 718 x 660mm(16.3” x 28.3” x 26”)

Dimensions
730 x 900 x 665mm(28.7” x 35.4” x 26.2”)

Net Weight
23.5kg (51.8lbs)

Net Weight
91.2kg (201lbs)“The Air Stream
compact three-way
monitor offers all thebenefits of its larger
brother the Vantage
Monitor System but ina more compact form”

Frequency
Range ±3dB
54Hz - 20kHz
Max Output
127 dB cont133 dB peakPower HandlingLF: 700 Watts RMS
HF: 500 Watts RMS
Dispersion@-6dB points
70°H x 45°V
Dimensions
512 x 743 x 500mm(20.2” x 29.3” x 19.7”)
Net Weight
42.5kg (93.7lbs)

Air Vantage & Sub Vantage
The dual role midtop is equally athome when used with the Sub formonitoring duties or as a stand alone
mid top with LF enclosures in a mainclub system. The same attributes thatmake it eminently suitable as a DJ
monitor, such as true point source
transmission and a smooth frequency
response, also shine when it comes tofilling a dance floor with high SPL andaccurate sound.
Particular attention was paid when
designing its internal crossover toachieve the best possible phase
response, which has allowed for
prolonged listening periods at very
high SPLs with the minimum offatigue. Venues with low ceilings arealso a prime candidate for10

the midtop, as its diminutive verticaldimensions and tight pattern control
allow for close mounting to a ceiling.
Containing four 15” ultra highpower drivers, the Sub is the perfectcompanion for the midtop whenused as a precision DJ monitor. Its
design uses a newly developed
split manifold arrangement todeliver hyper quick transientsand unparalleled output for its
dimensions.
A fully adjustable mounting bracket
for the midtop is also available, whichallows any desired amount of verticaltilt to be applied. Dual Neutrik
speakON™ NL4s are provided for
driver connections.

Comprised of a single 15” subwoofer withcoax 12” midrange and a 1.5” HF, the stylishly
sculptured 2 way active Air Stream offers all
the benefits of its larger brother the Vantage
but in a more compact form.
Capable of full range operation, the Air
Stream can be used in smaller booths
without the need of additional sub
enclosures. For higher levels of playback
the addition of sub enclosure transforms
the Air Stream into a monitor system
suitable for the larger club or EDM Event.
A single Neutrik speakON™ NL4 is used forconnection.

INSTALL

AIR

Stasys Xair
Stasys Xair
Specifications

Nexus XLSpecifications

Configuration
2 x 18” LF

Configuration
1 x 21” LF

Frequency
Range ±3dB
30Hz - 180Hz

Frequency
Range ±3dB
30 Hz - 250 Hz

Max Output
138dB cont142dB peak

Max Output
135 dB cont139 dB peakPower Handling
3200 Watts RMS

Power Handling2000 Watts RMS

Dispersion@-6dB points
Array dependent

Dispersion@-6dB points
Array Dependent

Dimensions
554 x 1218 x 896mm(21.8” x 48” x 35.3”)

Dimensions
738 x 738 x 860mm(29” x 29” x33.9”)

Net Weight
130kg (286.6lbs)

Net Weight
90kg (198.4lbs)

Derived from the original Stasys X V2 low
frequency enclosure, the Stasys Xair has
been redesigned in a club-focused version
that benefits from several new innovations.
A total rearrangement of the internal
resonant chambers has improved thecooling, leading to a reduction in power
compression. Transient response, phase
response and overall timing capabilities
have also been improved as a result. The
Stasys Xair uses the latest lightweightcone materials, enabling optimum transfer
efficiency while maintaining structural
rigidity.

Bigger & better
Derived from the original Stasys X V2 low
frequency enclosure, the Stasys Xair has beenredesigned in a club-focused version.

Nexus XLThis new low frequency enclosure
expands upon the 5 resonant chamber
theory as used in the ever popular
Stasys X; a dual 18” low frequency
enclosure which has been the
backbone of many Void Acoustics
installations around the world. Refining
the design principle yet further has
led to previously unimagined levelsof performance. Transient response
and articulation were two of the main
design criteria to be addressed first. The
use of a large transducer has provided
very high levels of efficiency and an
extended low frequency response, but
a high moving mass can also lead todegradation in speed and articulation.
Strengthening
materials
have
been
woven into the cone to provide superior
strength whilst lowering the moving
mass considerably. A new dual layer coilarrangement has also been deployed toincrease both power handling and efficiency
whilst lowering the total moving mass tothat of a transducer with a much smaller
shift. Both these measures have allowed thedesign to provide the transient response anddelivery required for modern styles of music,
yet retain the efficiency and extended low
frequency response that only a very largetransducer can provide.

11

INSTALL

NEXUS
Nexus brings the performance andstyling of the future to the here andnow. Its radical styling is born from a
new approach to delivering the best
fidelity and coverage for the club sceneof tomorrow. Virtual Arc technology isimplemented in the mid-hi enclosures
to form a common acoustic centre thatexists rearwards of the array, allowing
the same aural experience to be hadby all that are in the throw of the
Nexus, wherever they are.

“Nexus brings
the performanceand styling of the
future to the here
and now”

Nexus 6
Specifications
Configuration
12 x 6.5” LF, 8 x 1” HF
compression driver
Frequency
Range ±3dB
78Hz - 21kHz
Max Output
137dB cont141dB peakPower HandlingLF: 2 x 1350 Watts RMS
HF: 2 x 320 Watts RMS

Nexus 6
Aimed at the larger venue, the radical
styling of the Nexus 6 is born fromthe innovative internal layout of its 20
transducers. The multi-way Nexus 6
consists of no less than 20 high power
drivers housed in a sculpted fibreglass
enclosure that can be ground stacked
on low frequency elclosures, or flown
independently using the optional
proprietary Void flying system.
Virtual Arc technology is implemented
on every component to form acommon acoustic centre, or virtual
point source, that exists rearwards ofthe array. This approach overcomes all
the disadvantages that compromisea traditional array of multiple soundsources emitting from different
locations. Dispersion, phase, coherency
12

and timing are all controlled andunified due to the common acoustic
feed point and multi-channel access.
Virtual Arc technology ensures thatthe same sound is experienced by allthat are in the throw of the Nexus 6,
wherever they are, due to its wide andcontrolled dispersion. Total summationof all the components in each passband
can also take place within the Nexus 6,
allowing for much higher efficiency,
greater output and improved reliability
due to reduced component stress.
Whether placed on low frequency
enclosures to form a dance stack or
flown independently, the Nexus 6
brings the performance and styling of
the future to the here and now.

Dispersion@-6dB points
110°H x 50°V
Dimensions
1266 x 561 x 430mm(49.8” x 22.1” x 16.9”)
Net Weight
60.5kg (133lbs)

Technology
Virtual Arc technology ensures that thesame sound is experienced by all.

INSTALL

NEXUS

Nexus QAs part of the Nexus LF system, the Nexus Q
delivers the upper bass frequencies via a new
design of enclosure. The four high power 12”
drivers use a front loaded horn to achieve
high efficiency and a rear port with a newly
developed ‘pressure gradient’ arrangement.

Nexus X
Specifications

Nexus QSpecifications

Configuration
8 x 12” LF

Configuration
4 x 12” LF

Frequency
Range ±3dB
36 Hz - 100 Hz

Frequency
Range ±3dB
60 Hz - 150 Hz

Max Output
146 dB cont152 dB peak

Max Output
145 dB cont151 dB peakPower Handling2 x 4000 Watts RMS

Power Handling2 x 2000 Watts RMS

Nexus X

Dispersion@-6dB points
Array Dependent

Dispersion@-6dB points
Array Dependent

The eight thousand Watt Nexus X serves thelower spectrum of the Nexus LF system. It does
this with unmatched displacement via its eight12” drivers, each capable of extreme amountsof excursion with very low distortion.

Dimensions
738 x 738 x 860mm(29” x 29” x 33.9”)

Dimensions
738 x 738 x 860mm(29” x 29” x 33.9”)

Net Weight
137kg (302lbs)

Net Weight
130kg (287lbs)

This configuration provides seven benefits
over all previous loading techniques andresults in an enclosure with unparalleled
output, definition and the total elimination ofcolouration from any turbulent or mechanicalport noise. Dual Neutrik speakON™ NL4s areprovided for driver connections.

Efficiency is also off the chart thanks to the vast
number of transducers all working in unison
in an optimally designed yet deceptively
compact enclosure which uses the latest inmaterial technology to assist in minimisingresonances. Dual Neutrik speakON™ NL4s areprovided for driver connections.

13

INSTALL

INDIGOThe visually stunning Indigo series combines
futuristic looks with esoteric audio performance
to bring inspirational levels of sophistication
every venue will want to be seen with. Indigo has
been created for the new heightened awarenessin style that todays venue designers aspire to.
Boundaries are being pushed in all areas of theentertainment industry, with the visual aspect
becoming evermore important. Indigo not only
fulfills your quest for the ultimate in styling, it will
also bring a new level of sonic richness you neverthought possible.

Visually
Stunning
Indigo has been created for the
new heightened awareness instyle that todays venue designers
aspire to.

Indigo 6s
Specifications

Indigo 6 Pro
Specifications

Indigo Sub
Specifications

Configuration
1 x 6.5” LF, 1 x 1” softdome tweeter

Configuration
1 x 6.5 LF, 1 x 1”
coaxial HF driver

Configuration
1 x 12” LF

Frequency
Range ±3dB
56Hz - 23kHz

Frequency
Range ±3dB
68Hz - 21kHz

Max Output
108dB cont111dB peak

Max Output
115dB cont118dB peakPower Handling
80 Watts RMS

Power Handling
200 Watts RMS

Dispersion@-6dB points
90°H x 90°V

Dispersion@-6dB points
90°H x 90°V
Dimensions
273 x 209 x 163mm(10.7” x 8.2” x 6.4”)
Net Weight
5.2kg (11.4lbs)

Indigo 6s

Indigo 6 Pro

Indigo Sub

Dimensions
273 x 209 x 163mm(10.7” x 8.2” x 6.4”)

The passive two-way Indigo 6s
loudspeaker is compact, efficient andoozes style, perfect for any modern
visually conscious venue.

The Indigo 6 Pro is a higher power
version of the Indigo 6s, providing
increased efficiency and output. Standalone applications for the Indigo 6 Pro
include providing high quality soundfor small bars, lounges, restaurants,
home theatre 5.1 surround and area fillwhen used with a larger main system inclubs.

Interior designers will love the fact thatthey can make full use of the Indigo Subs
stunning looks to enhance a venue. Endlesspossibilities of enclosure colour and texture
are available to provide the best choice in
low frequency reinforcement suitable for avery wide range of applications.

Net Weight
2.2kg (4.8lbs)

The compact Indigo 6s can be usedwithout a subwoofer for small bars,
lounges, restaurants, home theatre 5.1
surround sound and area fill, when usedin conjunction with a larger main system
in clubs. Adding an Indigo Sub extends
the frequency response and expands its
possibilities to include medium sized bars,
lounges, restaurants and fill for larger
areas of clubs that already have a main
dance floor system.
14

The addition of an Indigo Sub extends
the frequency response and expands
the possibilities to include medium
sized bars, lounges, restaurants and fill
for larger areas of clubs that alreadyhave a main dance floor system.

When partnered with the stylish Indigo
6s or Indigo 6 Pro, applications include
medium-sized bars, lounges, restaurants
and fill for larger areas of clubs that alreadyhave a main dance floor system. Home
theatre 5.1 systems can also make use of
the Indigo Sub to provide earth-shatteringlows with very fast response times.

Frequency
Range ±3dB
38Hz - 160Hz
Max Output
117dB cont120dB peakPower Handling
400 Watts RMS
Dispersion@-6dB points
Omnidirectional
Dimensions
517 x 395 x 335mm(20.3” x 15.6” x 13.2”)
Net Weight
21kg (46.3lbs)

INSTALL

XSYS

Xsys 12
The Xsys 12 combines high power components with the latest
in diaphragm technology and neodymium magnet structures
to increase system efficiency, reduce weight and deliver
extremely high SPL. It is equipped with multiple flypoints
and a flyplate to enable it to be easily flown in medium sizedclubs, theatres, cruise ships and themed environments, where
its modern appearance positions it as a true leader in cuttingedge industrial design.

Xsys 15
The Xsys 15 is a full range loudspeaker featuring
a rotatable HF horn, allowing it to be mounted
horizontally or vertically using the multiple flypoints
or flyplate. It is ideally suited to medium sized clubs,
theatres, cruise ships and also portable audio-visualapplications, thanks to its modern appearance andcutting-edge industrial design.

Xsys 12Specifications

Xsys 15
Specifications

Xsys L2
Specifications

Configuration
1 x 12” LF, 1 x 1.5” HF
compression driver

Configuration
1 x 15” LF, 1 x 1.5” HF
compression driver

Configuration
1 x 18” LF

Frequency
Range ±3dB
56Hz - 20kHz

Frequency
Range ±3dB
50Hz - 20kHz

Max Output
126dB cont129dB peak

Max Output
127dB cont130dB peakPower Handling
500 Watts RMS

Power HandlingLF: 600 Watts RMS
HF: 100 Watts RMS

Dispersion@-6dB points
90°H x 50°V rotatable
Dimensions
366 x 696 x 355mm(14.4” x 27.4” x 14”)

Xsys L2

Net Weight
30.2kg (66.4lbs)

Dispersion@-6dB points
90°H x 50°V rotatable
Dimensions
446 x 806 x 462mm(17.5” x 31.7” x 18.2”)
Net Weight
39kg (85.8lbs)

Frequency
Range ±3dB
38Hz - 160Hz
Max Output
126.5dB cont129.5dB peakPower Handling
750 Watts RMS
Dispersion@-6dB points
Omnidirectional
Dimensions
640 x 594 x 630mm(25.2” x 23.4” x 24.8”)
Net Weight
46.8kg (103lbs)

Uniting leading-edge aesthetics with the latest in advanced
transducer technology, the Xsys L2 low frequency enclosure
features tremendous power output with a pure sonicquality that is as aurally attractive as its enclosure is visuallycompelling. Targeted towards modern entertainment andleisure facilities, the Xsys L2 is the ideal companion to the
Xsys 12 and Xsys 15 full range systems. It features a uniquemulti-cavity design that ensures accurate transient response
and high overall efficiency. The Xsys L2 excels at delivering
gripping and dramatic low frequency content that keeps
music lovers and dance club patrons coming back for more.
15

INSTALLCYCLONE

Cyclone 55
The Cyclone 55 is a full range loudspeaker with unique styling offeringhigh levels of fidelity and definition from an ultra compact and visuallyappealing format in a weather protected package that is ideally suited
to coastal outdoor applications ranging from beach bars, resorts andcruise ships to hotels and public spaces. The dedicated bracket enables
the Cyclone 55 to be installed quickly and securely, and its wide rangeof adjustment allows the loudspeaker’s wide dispersion pattern to beaccurately aimed at large audience areas using the least amount ofloudspeakers.

“The Cyclone 55
is a full range
loudspeaker withunique styling”

Cyclone 55
Specifications

Cyclone 10
Specifications

Configuration
2 x 5” LF, 2 x 1” HF
soft dome tweeter

Configuration
1 x 10” LF, 1 x 1” HF
compression driver

Frequency
Range ±3dB
52Hz - 23kHz

Frequency
Range ±3dB
52Hz - 22kHz

Max Output
110dB cont114dB peak

Max Output
123dB cont126dB peakPower Handling
120 Watts RMS

Power Handling
350 Watts RMS

Dispersion@-6dB points
110°H x 70°V

Dispersion@-6dB points
90°H x 60°V

Dimensions
192 x 309 x 207mm(7.6” x 12.2” x 8.1”)

Dimensions
493 x 320 x 230mm(19.4” x 12.6” x 9.1”)

Net Weight
3.2kg (7lbs)

Net Weight
14.5kg (31.9lbs)

Cyclone 10
The Cyclone 10 combines unprecedented audio quality with the iconic aesthetics
associated with Void loudspeakers, all in an weather protected package. Its beautifully
sculpted fibreglass enclosure is paired with a smooth cellulose finish, providing
the end user with years of great sound and trouble free outdoor use even in humid
environments such as beach bars, resorts, cruise ships, hotels and public spaces. The
Easy Hang XL bracket enables the Cyclone 10 to be installed quickly and securely witha wide range of adjustment.

16

EZ Hang XL bracket
The EZ Hang XL bracket enables the Cyclone 10 to be installed
quickly and securely

INSTALLCYCLONE

Cyclone Bass
The Cyclone bass brings a new level of aesthetic to highprofile outside applications. Fitted with a single highpowered 12” driver, the design is suitable for beachbars, restaurants, theme parks and any location wherea corrosive atmosphere exists. Available in a wide rangeof custom colours the design makes use of phoenix
connectors with link out capability for ease of installation.

“Available in a wide range ofcustom colours the Cyclone Bassbrings a new level of aesthetic
to high profile outdoor
applications”

Cyclone Bass
Specifications
Configuration
1 x 12” LF
Frequency
Range ±3dB
40 Hz - 160 Hz
Max Output
123 dB cont126 dB peakPower Handling
600 Watts RMS“Ideally suited
to coastal outdoor
applications ranging frombeach bars, resorts andcruise ships, to hotels andpublic spaces”

Dispersion@-6dB points
Omnidirectional
Dimensions
490 x 380 x 455mm(19.29” x 14.96” x 17.92”)
Net Weight33.5 kg (73.9lbs)

17

INSTALLVENU

The Venu series offers everything
you could ask for from an installation
loudspeaker range, created from thedemands of many leading installation
contractors and engineers around theworld.
Venu is contractor-friendly andfeatures include: rotatable highfrequency horns for correct dispersion
in either vertical or horizontal
mounting positions; birch plywood
enclosures with weather-resistantgrilles and fittings suitable for beachbar and other potentially corrosive
environments; the EZ Hang wall
bracket to support satellite enclosureseither vertically or horizontally; andmultiple M8 flying points.

EZ Hang Bracket

Rotatable Horn

The dedicated bracket enables the Venu
Series to be installed quickly and securely

Allows horizontal or vertical orientationof the loudspeaker

Venu 8

Phoenix Connection

Pluggable terminal blocks with screw
terminals for secure connection with link out

Spring Loaded Grille

Provides easy access to the internal components

18

Venu 6
Specifications

Venu 8Specifications

Venu 10Specifications

Venu 12Specifications

Configuration
1 x 6.5” LF, 1 x 1” HF
compression driver

Configuration
1 x 8” LF, 1 x 1” HF
compression driver

Configuration
1 x 10” LF, 1 x 1” HF
compression driver

Configuration
1 x 12” LF, 1 x 1” HF
compression driver

Frequency
Range ±3dB
72Hz - 22kHz

Frequency
Range ±3dB
60Hz - 22kHz

Frequency
Range ±3dB
52Hz - 22kHz

Frequency
Range ±3dB
50Hz - 22kHz

Max Output
118dB cont121dB peak

Max Output
121dB cont124dB peak

Max Output
123dB cont126dB peak

Max Output
124dB cont127dB peakPower Handling
200 Watts RMS

Power Handling
300 Watts RMS

Power Handling
350 Watts RMS

Power Handling
400 Watts RMS

Dispersion@-6dB points
90°H x 60°V rotatable

Dispersion@-6dB points
90°H x 60°V rotatable

Dispersion@-6dB points
90°H x 60°V rotatable

Dispersion@-6dB points
90°H x 60°V rotatable

Dimensions
372 x 239 x 200mm(14.6” x 9.4” x 7.9”)

Dimensions
415 x 260 x 223mm(16.3” x 10.2” x 8.8”)

Dimensions
469 x 315 x 250mm(18.5” x 12.4” x 9.8”)

Dimensions
522 x 385 x 330mm(20.6” x 15.2” x 13”)

Net Weight
8.5kg (18.7lbs)

Net Weight
11.5kg (25.3lbs)

Net Weight
14.5kg (31.9lbs)

Net Weight
19.5kg (42.9lbs)

INSTALL

VENU

1800 Watts of Power

A 600 Watt module powers the low frequency
enclosure plus two 600 Watt modules capable ofpowering up to four mid high enclosures

speakON™ Outputs
Ultra quick and reliable connections

Venu 210 i
Specifications

Venu Bass
Specifications

Venu SubSpecifications

Venu X
Specifications

Venu 115
Specifications

Venu 215
Specifications

Configuration
2 x 10” LF

Configuration
1 x 12” LF

Configuration
1 x 12” LF

Configuration
2 x 12” LF

Configuration
1 x 15” LF

Configuration
2 x 15” LF

Frequency
Range ±3dB
34Hz - 160Hz

Frequency
Range ±3dB
41Hz - 150Hz

Frequency
Range ±3dB
34Hz - 160Hz

Frequency
Range ±3dB
38Hz - 160Hz

Frequency
Range ±3dB
38Hz - 160Hz

Max Output
123dB cont126dB peak

Max Output
119dB cont123dB peak

Max Output
128dB cont131dB peak

Max Output
123dB cont126dB peak

Max Output
130dB cont133dB peakPower Handling
600 Watts RMS

Power Handling2 x 200 Watts RMS

Power Handling1200 Watts RMS

Power Handling
600 Watts RMS

Power Handling
1400 Watts RMS

Dispersion@-6dB points
Omnidirectional

Dispersion@-6dB points
Omnidirectional

Dispersion@-6dB points
Omnidirectional

Dispersion@-6dB points
Omnidirectional

Dispersion@-6dB points
Omnidirectional

Dimensions
370 x 430 x 490mm(14.6” x 16.9” x 19.3”)

Dimensions
356 x 634 x 360mm(14” x 25” x 14.2”)

Dimensions
370 x 780 x 490mm(14.6” x 30.7” x 19.3”)

Dimensions
370 x 490 x 430mm(14.6” x 19.3” x 16.9”)

Dimensions
446 x 860 x 636mm(17.6” x 33.9” x 25”)

Net Weight
24kg (52.9lbs)

Net Weight
25.4kg (55.9lbs)

Net Weight
44.5kg (98.1lbs)

Net Weight
24kg (52.9lbs)

Net Weight
62.5kg (137.8lbs)

Frequency
Range ±3dB
40Hz - 150Hz

Built in DSP
Provides loudspeakercontrol and advanced
signalprocessing
capabilities

The Venu 210i is a 600 Watt self-powered double 10” reflex-loaded low frequency
enclosure which is capable of powering up to four mid high enclosures from its
built-in dual 600 Watt power modules.
speakON™sockets are provided for ultra quick and reliable connections and aprotected rear connector panel allows the enclosure to be placed against a rearwall without damaging the audio or power connections.
The 210i also features DSP that provides loudspeaker control and advanced
signal processing capabilities all of which can be accessed by the rear USB port.
Add to this the evocative Void sound from the new range of custom designed
components and it’s clear that Venu is the ultimate installation series.

Max Output
124dB cont127dB peakInput
2 x 10KΩ Balanced
Output
600W (for LF)
2 x 600W @ 4Ω
Dispersion@-6dB points
Omnidirectional
DSP
Analog Devices SigmaDSP®
AC Power
90-264V 50-60 Hz PFC
Dimensions
325 x 677 x 535mm(12.8” x 26.7” x 21.1”)
Net Weight
32 kg (70.5 lb)

19

LIVE

MARKETS“It’s no wonder that our loudspeakers andamplifiers are seen in many of the worlds
largest arenas”

Live Markets
Void touring products have become industry
standard across the globe. With countless
numbers of companies prescribing Void as
their system of choice, it’s no wonder that ourloudspeakers and amplifiers are seen in manyof the worlds largest arenas and on tours of all
sizes, shapes and musical styles.

From the largest tours to the smallest working band...
“Void touring products havebecome industry standard
across the globe”

It’s not just the rental sector that’s making useof Void touring products; many prestigious
live venues have benefited from permanently
installing our systems, gaining much loyalty
among their patrons for the consistent soundquality they are now able to achieve.
From the largest tours to the smallest working
band, Void products are proof that the next
generation of sonic weaponry has arrived.

LIVE

MARKETS“Prestigious live
venues have benefited frompermanently installing oursystems”...Void products are proof that the next generation of sonic weaponry has arrived
Live Photos clockwise.
Outlook Festival - Pula, Croatia
ATB at the San Jose Civic Center - USA
Spring Fling - California, USA
Northen Nights - California, USA
Splott Warehouse - Cardiff, Wales
Dirtybird BBQ Tour - USA
Dimensions Festival - Pula, Croatia

1921TOURING

ARCLINE

The Arcline System
For years Void Acoustics has been at the forefront of new technologies. The pioneering spirit at Void has produced
such creations as the Arcline and Stasys series of touring loudspeakers. The latest development in the popular Arcline series combines the latest technological advances with proven versatility. The Void Acoustics research and development team worked tirelessly for over two years to design and optimise the Arcline system. The team overcame
various engineering challenges which created a number of new technologies that make the Arcline system future
proof and perfect for today’s demanding rental houses.
Arcline 8 is a high power three way small to medium format line array enclosure optimised for use in theatres, event
spaces and outdoors. The loudspeaker has been developed using extensive Finite Element Analysis (FEA) modellingto allow end users maximum performance from the smallest footprint.
To extend past the lower cutoff frequency of Arcline 8 the new Arcline system also includes a new low frequency
enclosure, the Arcline 212, which can be flown in the array to increase the low frequency extension of smaller arrays
or can be ground stacked in multiples using the Arcline fly frame to allow a full range, low profile system.
Any touring solution is only as good as its rigging and transportation options. Arcline features an all new rigging
system designed by Void’s mechanical engineers which allows the end user many options for configuration and arraying either flown or ground stacked. The new system also allows for pre -rigging angle selection, array lock and isself-centering for easy box handling and interaction.
The Arcline system is packaged with EASE Focus 3, which is used to simulate and define system configurations. Ease
focus 3 allows the user to realise the sonic performance of the system in three dimensions using features such as
Auto Splay functions, Virtual EQ, and detailed analysis of sound coverage, SPL and frequency response of the system.
All of this makes the Arcline system one of the easiest to array on the market and is deployable by just one person
should manpower limitations dictate. Arcline is cased and transported in multiples using the optional road cases
which further assists with the reduction of setup time and required manpower.

22

Pushing Limits
Arcline sets new standards in sound reinforcementwith a series of highly versatile line array designs

TOURING

ARCLINE

Arcline 8
The new three-way Arcline 8 is versatile,
portable and intuitive to use. This is madepossible by a host of new technologies
that dramatically improve the perceived
sound quality and definition. An all new
advanced rigging system also reduces
setup time and obviates the need formore than one person to rig multiple
enclosures.
The Arcline 8 delivers a true 110 degree
dispersion and results in a highly uniform
polar pattern that allows all of theaudience members to experience uniform
sound quality across the entire soundfield. Traditional high frequency driver
spacing and path length compensation
among line source enclosures has almost
always meant a compromise in highfrequency performance, so a new designof high frequency horn was developed
for the Arcline 8. Extensive FEA modelling
was used both to evaluate and optimise
the waveguide. A new phase shading
device has also been implemented toallow multiple Arcline 8 enclosures toform a true cylindrical wavefront by
splitting two acoustic sources into four,with the acoustic centre positioned
optimally for coupling in both thehorizontal and vertical planes.
The lightweight 15mm (5/8”) birch
plywood enclosure is finished in a
textured TourCoat polyurea finish, andfeatures a unique flying system thatallows rigging angles to be pre-selected
before flying the system. Two Neutrik
speakON™ NL4 connectors provide input
and link through connections.

“Arcline 8 adds a highefficiency horn loaded
low-mid section toassist with low-mid
projection.”

Arcline 8
Specifications

Arcline 212
Specifications

Configuration
2 x 8” LF, 2x 8 MF
2 x 1.4” HF
compression drivers

Configuration
2 x 12” LF

Frequency
Range ±3dB
110Hz - 20kHz
single enclosure
90Hz - 20kHz
three enclosures
Max Output
128 dB cont145 dB peakPower Handling
LF : 500 Watts RMS
MF / HF : 500 Watts RMS
Dispersion@-6dB points
110°H x 12°V

Arcline 212
Designed for the demanding live
market, the Arcline 212 low frequency
enclosure provides new levels of
output for its diminutive size. The
212s compact dimensions coupledwith very high output, an extended
LF response and light weight makeit the perfect choice for your touring
inventory. Arcline 212 featuresdual high power 12” transducers
specifically designed for this compact
enclosure. Arcline 212 is a multirole

arrayable low frequency solution for
the Arcline platform. The 212 can be
flown in the array to increase the LF
extension of smaller arrays or can beground stacked in multiples using theArcline fly frame to allow a full range,
low profile system. Using the cabinets
flexible rigging system and our third
party array calculation software, Ease
Focus 3, you will be hard pushed tofind a space that the Arcline 212 will
not strive to perform in.

Frequency
Range ±3dB
38Hz - 160Hz
Max Output
133 dB cont136 dB peakPower Handling2400 Watts RMS
Dispersion@-6dB points
Array Dependent
Dimensions
368 x 881 x 469mm(14.49” x 34.69” x 18.46”)
Net Weight
63kg (139Ib)

Dimensions
285 x 881 x 469 mm(11.2” x 34.69” x 18.46”)
Net Weight
39kg (85.9lbs)

23

TOURING

STASYS

Stasys 2

Rotatable Badge
Mount speaker horizontal or vertical

The Stasys 2 is the ideal solution for small to
medium size live sound tour productions andas a front of house system in smaller fixedvenues and theatres. It is equipped with multipoint Flytrax flying system and a top hat, andeffectively doubles as a foldback monitor.
The carefully selected components and welldesigned passive crossover give the Stasys
2 a frequency response free from any peaksor resonances, enabling higher than average
output levels before feedback.

90°Rotatable Horn

Stasys 4
The Stasys 4 provides better off-axis
rejection and constant coverage
within its dispersion angle thanconventional horn designs. This criticalfactor enables the creation of a multipurpose loudspeaker that is equally athome as a high level stage monitor as it
is in smaller front of house applications.
The asymmetrical enclosure comesequipped with multiple flying points
and an integral pole mount socket tosuit both portable and permanently
installed applications.

24

Integrated
Handles

Integrated Flytrax& Multiple Wedge
AnglesIntegrated Flytrax& Multiple Wedge
AnglesActive / Passive
Crossover Switching

Stasys 2
Specifications

Stasys 4
Specifications

Configuration
1 x 12” LF, 1 x 1.5” HF
compression driver

Configuration
1 x 15” LF, 1 x 1.5” HF
compression driver

Frequency
Range ±3dB
52Hz - 20kHz

Frequency
Range ±3dB
55Hz - 20kHz

Max Output
127dB cont130dB peak

Max Output
128db cont131dB peakPower Handling
500 Watts RMS

Power HandlingLF: 600 Watts RMS
HF: 100 Watts RMS

Dispersion@-6dB points
90°H x 50°V rotatable
Dimensions
580 x 370 x 364mm (22.8” x
14.6” x 14.3”)
Net Weight
27kg (59.4lbs)

Dispersion@-6dB points
90°H x 50°V rotatable
Dimensions
750 x 440 x 385mm (29.6”
x 17.3” x 15.2”)
Net Weight
38kg (83.6lbs)

TOURING

STASYS

Stasys X V2
The original Stasys X set new standards inthe performance possible from a double
18” low frequency enclosure. Used on tours,in live venues and in world-class nightvenues all around the world, the Stasys X
V2 now benefits from newer technologies
to advance and refine the design further. A
total rearrangement of the internal resonantchambers has improved the cooling to theextent that no external heatsinks are required,
which has led to a significant decrease inpower compression. The systems transient
response, phase response, and overall timing
capabilities have also been vastly improvedby the new internal chamber layout. This
has led to a more uniform response inrelation to distance, and greater behavioral
predictability when arrayed.

Evolution
A phenomenal package with state-of-the-art performance that has well andtruly left tradition behind

Stasys 118 / 218 / 218C
In order to extract the maximum performance from the Stasys
118 and 218 design, the heart of these enclosures was subjectedto the same resonance mapping procedures as all other Stasys
low frequency models. This practice has dictated the type ofmaterials used around the enclosure, optimised the brace
positioning and minimised destructive nodal conditions. All of
this adds up to a structurally superior housing with minimum
mass, the least possible amount of cabinet colouration and vastly
increased output.

World Class

Stasys 118
Specifications

Stasys X V2Specifications

Stasys 218
Specifications

Stasys 218c
Specifications

Configuration
1 x 18” LF

Configuration
2 x 18” LF

Configuration
2 x 18” LF

Configuration
2 x 18” Carbon LF

Frequency
Range ±3dB
35Hz - 200Hz

Frequency
Range ±3dB
30Hz - 180Hz

Frequency
Range ±3dB
32Hz - 200Hz

Frequency
Range ±3dB
30Hz - 200Hz

Max Output
134dB cont139dB peak

Max Output
138dB cont142dB peak

Max Output
134dB cont139dB peak

Max Output
136 dB cont140 dB peakPower Handling1200 Watts RMS

Power Handling
3200 Watts RMS

Power Handling2400 Watts RMS

Power Handling2400 Watts RMS

Dispersion@-6dB points
Array dependent

Dispersion@-6dB points
Array dependent

Dispersion@-6dB points
Array dependent

Dispersion@-6dB points
Array Dependent

Dimensions
586 x 586 x 775mm(23.1” x 23.1” x 30.5”)

Dimensions
554 x 1218 x 896mm(21.8” x 48” x 35.3”)

Dimensions
586 x 1020 x 775mm(23.1” x 40.2” x 30.5”)

Dimensions
586 x 1020 x 775mm(23.1” x 40.2” x x 30.5”)

Net Weight
43.5kg (95.9lbs)

Net Weight
130kg (286.6lbs)

Net Weight
82kg (195.8lbs)

Net Weight
100kg (220.5lbs)

Exhaustive comparative transducer testing and evaluation led
to the birth of a new 18” transducer with a high excursion 4”
voice coil. The sonic properties of differing cone and surroundcombinations were studied, as well as differing coil topographies.
Flux intensities and out of band abnormalities were also
manipulated until the perfect combination was achieved. The
marriage of a technologically advanced enclosure with esoterictransducer performance applied with superlative tuning
techniques has resulted in a phenomenal package with state-ofthe-art performance that has well and truly left tradition behind.

Used on tours, in live venues and clubs throughout the world

25

POWERAMPLIFICATION

Evolution
Evolution Patented technologies and outstandingly high efficiency
make the Bias range of amplifiers the recommended choice“The two channel Bias
V9 amplifier provides reliable premiergrade power and headroom in thesmallest possible package size”

Bias V9

Bias V3

Bias VQ

The two channel Bias V9 DSP amplifierdelivers up to 18,000 Watts in a single
rack space, making it one of the mostpowerful amplifiers in its size and class.
Ideal for subwoofers requiring relatively
high continuous power and ample
headroom, the Bias V9 is the uniqueresult of smart design and attention tosound quality, coupled with extremelyhighefficiency
withreliability,
portability and adaptability in mind.

The two channel Bias V3 DSP
amplifier provides reliable premiergrade power and headroom in thesmallest possible package size. Fully
digitally controlled via Ethernet
using PC control software, the Bias
V3 amounts to a fully integrated,highly sophisticated yet easy to use
power source including state-ofthe-art sound shaping and systemmanagement capabilities.

Delivering 5,000 Watts across fourchannels in a single rack space atunder 8kg net weight, the Bias VQ
DSP amplifier is equally versatile
in touring and permanently
installed
racks.
Patented
technologies and outstandingly
high efficiency make the Bias VQ
the recommended choice for midsized Void Acoustics loudspeakersystems.

26

Bias V9Specifications

Bias V3
Specifications

Bias VQ
Specifications

No. of Channels
2

No. of Channels
2

No. of Channels
4Input
10KΩ Balanced/AES3

Input
10KΩ Balanced/AES3

Input
10KΩ Balanced/AES3

Output2 x 9000 W @ 2Ω

Output2 x 2800W @ 2Ω

Output4 x 1250W @ 4Ω

AC Power
90-264V 50-60 Hz PFC

AC Power
90-264V 50-60 Hz PFC

AC Power
90-264V 50-60 Hz PFC

Frequency Response
20Hz-20Khz (±0.5dB)

Frequency Response
20Hz-20Khz (±0.5dB)

Frequency Response
20Hz-20Khz (±0.5dB)

S/N Ratio> 110dB (20 Hz - 20 kHz)S/N Ratio> 106dB (20 Hz - 20 kHz)S/N Ratio> 110dB (20 Hz - 20 kHz)

Crosstalk separation> 66dB @ 1kHz

Crosstalk separation> 70dB @ 1kHz

Crosstalk separation> 70 dB @ 1kHz

THD+N
< 0.5% from 1W
to full power

THD+N< 0.3% from 1W
to full power

THD+N< 0.05% @ 1/2 full power

IMD< 0.5% from 1W
to full power

IMD< 0.3% from 1W
to full power

Slew rate
50 V/μs @ 8Ω, input
filter bypassed

Slew rate
50 V/μs @ 8Ω, input
filter bypassed

Damping factor> 5000 @ 20-200Hz

Damping factor> 5000 @ 20-200Hz

DSP
Analog Devices SHARC®

DSP
Analog Devices SHARC®

Dimensions (L x H x W)
483 x 44.45 x 475mm(18.98” x 1.75” x 14.09”)

Dimensions (L x H x W)
483 x 44.45 x 380mm(18.98” x 1.75” x 14.09”)

Weight12 kg (26.5 lb)

Weight8 kg (17.6 lb)

IMD< 0.02%
Slew rate
50 V/μs @ 8Ω, input
filter bypassed
Damping factor> 5000 @ 100Hz
DSP
Analog Devices ADAU®
1701 DSP
Dimensions (L x H x W)
483 x 44.45 x 358mm(18.98” x 1.75” x 14.09”)
Weight7.4 kg (16.3 lb)

QUALITY CONTROL

Quality Control
Since the opening of Void Acoustics 4000 sqm
R&D lab and post production test facilities in 2007,
every new product goes though a rigorous testingprocedure with full documentation backup.

0

STASYS 3 MK 2
0

-30

80

0
Curve

60

140

-40

dBR

100

Freq

BW

Q

DI

1.00K

62

5.8

7.7

-30

140

-40

160

-70

Curve

60

Freq

40

-50
160

20

BW

Q

DI

500.00

65

5.5

7.4

1.00K

62

5.8

7.7

2.50K

65

5.5

7.4

5.00K

62

5.8

7.7

10.00K

62

5.8

7.7

15.00K

62

5.8

7.7

20.00K

62

5.8

7.7

100

80

120

0
Curve

60

-20
-30

140

-40

Freq

BW

Q

DI

2.50K

65

5.5

7.4

160

-70

-30

-60

20

-80

-100

-50

0

-100

-80

100

80

-20

-50
-40

-140

-30

-40

-20

-10

-60

0 Deg

-160

-40
-140

-30
-20

-120

7.7

20

-180
180

-60

-50
-40

-20
-10

DI

5.8

-80
-20

-40
-140

-30

Q

62

-70
-160

-60

-40

BW

-90

-80
-20

160

-70

0 Deg

-70
-160

-60

Freq
5.00K

40

-90
-180
180

-90

-70

Curve

60

-80

-100

0 Deg

80

140

-40

-90
-180
180

-90

100
120

-20

-80

-90

dBR

-10

40

-50

-60

20

-80

-100

dBR

-10

40

-50

-60

80

120

-20

-70

100
120

-20

-50

-10

-60

dBR

-10

SPL vs ANGLE

-120

-10

-60

0

-100

-80

100

80

-120

0

-60
-100

-80

100

80

-80
-90
-100

-180
180

0 Deg
0

-90

-30

Curve

60

140

-40

Freq

BW

Q

DI

10.00K

62

5.8

7.7

-160

-20

-60
-70

-30

-40

-120

160

-60

20

-70

-100

160

-60

20

-70

-100

-30

0

SPL vs Freq

-100

40

110

-20

7.7

160

20

-180
180

-60

0 Deg

-160

All amplifier and electronic products also go
though rigorous testing procedures before
dispatch. Tests include frequency response, THD,
full spectral harmonic analysis, dynamic range,
S/N and output power level analysis. Every
amplifier also receives a 72 hour continuous test
driven into the specified minimum recommended
load before dispatch.

-20

-50
-40
-140

-40

-30

-140

-40

-20

-10

-120

-10

-60

0

-80

DI

5.8

-70
-160

-20
-60

Q

62

-90
0 Deg

-40
-40

-120

BW

-100

-120

0

-80

-60
-100

-80

Time vs Freq

mSec

32

105

Every fullrange and mid hi design includes data
for frequency response, THD and polar dispersion.
Premium mid hi designs add 2nd to 7th orderrelative harmonic analysis, 3d impulse response,
3d waterfall, thermal decay and echogram
response to the list of supplied data.

-80

-180
180

-50
-140

Freq
20.00K

40

-50

-70
-60

Curve

60

140

-40

-90

-10

dBSPL

-30

-80

-20

120

-20

-90

-160

dBR

-10

-80

-30

115

7.7

-90
0 Deg

-20

-80

DI

5.8

-80

-180
180

-40

-60
-100

Q

62

-90

-60

0

BW

-80

-50

-10

Freq
15.00K

40

-50

-70

-20

0
Curve

60

140

-40

-90

-140

120

-20

-80

-100

-40

dBR

-10

40

-50

-50

-30

0

120

-20

-70
-60

dBR

-10

-80

All test procedure documents are included in the
product packing for inspection by the customer
upon opening. Supplied documents for all bass
designs comprise of frequency response andgroup delay data, while premium bass designs
add THD, impulse response and thermal decay tothe list of supplied data.

24

100

16
95

8

90

0

85

16KHz

80

-8

75

110.0dB-1670100.0dB

-24
65

4KHz

-32

60
55

20 Hz

50

100

200

500

1K

2K

5K

10K

20K

30K

-40

10 Hz

20

50

100

200

500

1K

2K

5K

10K

90.0dB20K

80.0dB
1KHz

70.0dB

60.0dBMF chamber thermal decay

250Hz

62.5Hz

0.0s

0.2s

0.4s

0.6s

0.8s

1.0s

Temp
(c)

34.0
33.9
33.8
33.7
33.6
33.5
33.4
33.3
33.2
33.1
33.0
32.9
32.8
32.7
32.6
32.5
32.4
32.3
32.2
32.1
32.0
31.9
31.8
31.7
31.6
31.5
31.4
31.3
31.2
31.1
31.0
30.9
30.8
30.7
30.6
30.5
30.4
30.3
30.2
30.1
30.0
29.9
29.8
29.7
29.6
29.5

15.0Hz62.5Hz

250Hz
1KHz

6

4KHz
16KHz

0

1

2

3

4

5

6

7

8

9

10

11

12

13

14

Time (mins)

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

0.0s
0.2s
0.4s
0.6s
0.8s
1.0s
1.2s
1.4s
1.6s
1.8s
2.0s

35

Signal Stop
Point

27

Void Acoustics Research Limited+44(0)1202666006
sales@voidacoustics.com
www.voidacoustics.com
Unit 15, Dawkins Road Industrial Est. Poole, Dorset. BH15 4JY. UK.
Registered in England & Wales No. 07533536

Void Acoustics North America
503-854-7134
sales.usa@voidacoustics.com