Patricia Croninwww.patriciacronin.net
www.shrineforgirls.org

Born: 1963, Beverly, Massachusetts
Lives and works in Brooklyn, NY
EDUCATION:
1991
Skowhegan School of Art, Skowhegan, ME
1988
M.F.A., Brooklyn College of The City University of New York, Brooklyn, NY
1986
B.F.A., cum laude, Rhode Island College, Providence, RI
1985
Yale University, Norfolk Summer School of Music and Art, Norfolk, CT
PERMANENT PUBLIC INSTALLATIONS:
2022- Memorial To A Marriage, LGBTQ+ VR Museum, Bristol, England and Copenhagen, Denmark
2018-

Aphrodite Reimagined, monumental sculpture Commission, Tampa Museum of Art,
Tampa, FL

2012-

Memorial To A Marriage, 2/3rd to scale bronze, Kelvingrove Art Gallery and Museum,
Glasgow, Scotland

2002-

Memorial To A Marriage, monumental outdoor sculpture, Cronin Kass plot, Woodlawn
Cemetery, Bronx, NY (marble 2002-2010, bronze 2010-present)

SOLO EXHIBITIONS:
2018-19 Patricia Cronin, Aphrodite and the Lure of Antiquity (Conversations with the Collection),
Tampa Museum of Art, Tampa, FL (curated by Seth Pevnick) (catalogue)
2017

Shrine For Girls, Dublin, The Lab Gallery, Dublin, Ireland (curated by Sheena Barrett)(catalogue)
Tack Room, Platform Section, The Armory Show, New York, NY (curated by Eric Shiner)

2016

Shrine For Girls, New York, The FLAG Art Foundation, New York, NY

2015

Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th
International Art Exhibition – la Biennale di Venezia, Venice, Italy (curated by Ludovico
Pratesi) (catalogue)

2013

Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo,
Rome, Italy (curated by Ludovico Pratesi) (catalogue)

2012

Dante: The Way of All Flesh, fordPROJECT, New York, NYPatricia Cronin, All Is Not Lost, Newcomb Art Museum, Tulane University, New Orleans,
LA (catalogue) (Best Show in a University Art Gallery Award Nomination, International
Association of Art Critics (AICA))
Bodies and Soul, ConnerSmith, Washington, D.C.
2011 -

Memorial To A Marriage, Permanent Installation, Woodlawn Cemetery, Bronx, NY

2009-10 Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY(catalogue)
2009

Battaglia al Castello di Civitella Ranieri, Civitella Ranieri Gallery, Umbertide, Italy

2007

An American in Rome, American Academy in Rome Art Gallery, Rome, Italy

2004

Patricia Cronin, The Domain of Perfect Affection, 1993 to 2003, UB Art Gallery,
University at Buffalo, Buffalo, NY (curated by Sandra Firmin) (catalogue)

2002

Memorial To A Marriage, Deitch Projects, New York, NY
Memorial To A Marriage, Grand Arts, Kansas City, MO (catalogue)

1999

The Domain of Perfect Affection, University of North Carolina at Chapel Hill, NC

1998

Tack Room, White Columns, New York, NY
Pony Tales, Arthur Roger Gallery, New Orleans, LA

1997

Pony Tales, Wooster Gardens/Brent Sikkema, New York, NY

TWO AND THREE PERSON EXHIBITIONS:
2003 Patricia Cronin & Kurt Kauper, The Armory Show, Deitch Projects, New York, NY
1998

Patricia Cronin & Deborah Kass, Art Resources Transfer, Inc., New York, NY

1996

Patricia Cronin & Lee Gordon, Arthur Roger Gallery, New Orleans, LA

1995

Patricia Cronin & Lee Gordon, Richard Anderson Gallery, New York, NY
Love in the Time of Post-Feminism, South Florida Art Center, Miami, FL (curated by Amy
Cappellazzo)

2

1994 The Long Weekend (Ellen Cantor, Patricia Cronin, Marilyn Minter), Trial Balloon, New York,NY

SELECTED GROUP EXHIBITIONS:
2023 Reproductive Freedom, The Bunker Art Space, West Palm Beach, FL (curated by Laura
Dvorkin and Maynard Monrow)
Retinal Hysteria, Venus Over Manhattan, New York, NY (curated by Robert Storr)
Friends and Lovers, The FLAG Art Foundation, New York, NY
LGBTQ+ VR Museum, British Film Institute Flare Film Festival, London, England (curated
by Antonia Forster)45, Arthur Roger Gallery, New Orleans, LA
2022 LGBTQ+ VR Museum, Wales Millennium Centre, Cardiff, Wales (curated by Antonia
Forster)Wrongs & RIGHTS, Rudin Family Gallery, Brooklyn Academy of Music, Brooklyn, NY(curated by Laura Dvorkin and Maynard Monrow)
A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9, David Zwirner, New York, NY(curated by Ei Arakawa, Kerstin Brätsch, Nicole Eisenman, and Laura Owens)
LGBTQ+ VR Museum in We are Queer Britain, Queer Britain Museum, London, UK
LGBTQ+ VR Museum, Tribeca Film Festival, New York, NY (curated by Antonia Forster)(New Voices Award in Immersive Competition)
Women’s Work, Lyndhurst Castle, Tarrytown, NY (curated by Howard Zar) (catalogue)
2021 LGBTQ+ VR Museum, QLD XR Festival, Brisbane, Australia (curated by Antonia Forster)
E Pluribus: Out of Many: 190th Annual Exhibition, National Academy of Design, New York,NY (curated by Dr. Kelli Morgan) (online)
LGBTQ+ VR Museum, Open City Docs Festival, London, UK (curated by Antonia Forster)Horses?, Chart Gallery, New York, NY

Mary Magdalene, Catharijneconvent Museum, Utrecht, The Netherlands (curated by Dr.
Lieke Wijnia) (catalogue)

32020 Nasty Women, Gavlak Gallery, Los Angeles, CA

HerStory: Stories of Ancient Heroines and Everyday Women, Tampa Museum of Art,
Tampa, FL
Life During Wartime: Art in the Age of Coronavirus. University of South Florida
Contemporary Art Museum (curated by Christian Viveros-Fauné) (online)
Oh Love, Flag Art Foundation, New York, NY (curated by Glenn Fuhrman) (online)
How Can We Think Of Art At A Time Like This?, Artatatimelikethis.com (curated by Barbara
Pollack and Anne Verhallen) (online)
Love is Love, Pyramid Hill Sculpture Park and Museum, Cincinnati, OH
2019 The F Bomb, Daniels Art Center, Bard College at Simon's Rock, Great Barrington, MA(curated by Maura Reilly)
Identities: Reimagining Closets while Embracing Memories, Gulf & Western Gallery, Tisch
School of Art, New York University, New York, NY (curated by Deborah Willis)

Look Both Ways: The Illicit Liaison between Image and Information, The School of Visual
Arts Chelsea Gallery, New York, NY (curated by Debbie Millman)
Queer Forms, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN
NOMEN: AMERICAN WOMEN ARTISTS FROM 1945 TO TODAY, Phillips, New York, NY(curated by Arnold Lehman)
Pride: A Large-Scale Exhibition Marking the #stonewall50 Anniversary, Postmasters, New
York, NY (curated by Ruben Natal-San Miguel and Magda Sowon)
About Face: Stonewall, Revolt and New Queer Art, Wrightwood 659, Chicago, IL (curated
by Jonathan Katz) (catalogue)
The Academic Body, American Academy in Rome Gallery, Rome, Italy (curated by Mark
Robbins and Peter Benson Miller) (catalogue)
Every Woman Biennale, La MaMa Galleria, New York, NY

Notebook, 56 Henry Gallery, New York, NY

4

2018

Eye to I: Self-Portraits from 1900 to Today from the Permanent Collection, Smithsonian
National Portrait Gallery, Washington, DC (curated by Brandon Brame Fortune)(catalogue) (traveled to Boca Raton Museum of Art, Boca Raton, FL; AlbuquerqueMuseum of Art, Albuquerque, NM; Springfield Art Museum, Springfield, MO; and Art
Museum of South Texas, Corpus Christi, TX through 2021)

2017 Recent Acquisitions, Smithsonian National Portrait Gallery, Washington, DC
Picturing Women: Contemporary Artists Respond to Representations of Women in theActon Collection, Villa La Pietra, NYU/Florence, Florence, Italy
Expanded Visions: Fifty Years of Collecting, Leslie-Lohman Museum of Gay and LesbianArt, New York, NY
2016 Coming To Power: 25 Years of Sexually X-plicit Art By Women, Maccarone, New York, NY
2014 Global Positioning Systems: Forms of Commemoration, Perez Art Museum Miami, Miami,
FL
Classical Nudes and the Making of Queer History, Leslie-Lohman Museum of Gay andLesbian Art, New York, NY (catalogue)

Sylvan Cemetery: Architecture, Art, and Landscape at Woodlawn, Miriam and Ira D.
Wallach Art Gallery, Columbia University, New York, NY
It Begins On Paper, Catinca Tabacaru Gallery, New York, NY
Look At Me: Portraiture From Manet to the Present, Leila Heller Gallery, New York, NY(curated by Beth DeWoody and Paul Morris) (catalogue)
The Last Brucenniel, Vito Schnabel and The Bruce High Quality Foundation, New York, NY
Selections from the Sara M. & Michelle Vance Waddell Collection, Art Academy of
Cincinnati, Cincinnati, OH
2013

Come Together: Surviving Sandy, Year 1, Dedalus Foundation, Industry City,
Brooklyn, NY (curated by Phong Bui)
NYC 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY(curated by Massimiliano Gioni, Jenny Moore, Margot Norton and Gary CarrionMurayari)
Gatsby Revisited in the Age of "The One Percent,” Contemporary Art Galleries, University5

of Connecticut, Storrs, CT
2012

Watch Your Step, The FLAG Art Foundation, New York, NY
Twisted Sisters, Dodge Gallery, New York, NY (curated by Janet Phelps)

2011

Sentimental Education, Gavlak Gallery, Palm Beach, FL
Sex Drive, Atlanta Center for Contemporary Art, Atlanta, GA
Place, Stephan Stoyanov Gallery, New York, NY
Annual Summer Exhibition, The Fields Sculpture Park, Art Omi International Arts Center,
Ghent, NY
Sex Drive, Cantor Fitzgerald Gallery, Haverford College, Philadelphia, PA
Put Up or Shut Up, New York Academy of Art, New York, NY

2010

The Narcissism of Minor Difference, The Decker Gallery, Maryland Institute College of Art,
Baltimore, MD

Because We Are, Station Museum of Contemporary Art, Houston, TX
Behind The Green Door, Harris Lieberman Gallery, New York, NY
Single Lady, Jenny Salomon, Brooklyn, NY
Look Again, Marlborough Gallery, New York, NY
2009

Naked, Paul Kasmin Gallery, New York, NY
Sh(out):Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland
Better History, 7 Eleven Gallery, New York, NY

2008

Great Women Artists: Selections from the Permanent Collection, Neuberger Museum,
SUNY Purchase, Purchase, NY
Better History, 7 Eleven Gallery @ The American Standard, Miami, FL

Just Different, Cobra Museum, Amstelveen, The Netherlands

6

If Love Could Have Saved You… You Would Have Lived Forever, Bellwether, New York, NY
30th Anniversary Show, Arthur Roger Gallery, New Orleans, LA
2007

Breast Cancer, College of Design, Architecture, Art and Planning, University of Cincinnati,
Cincinnati, OH
Open House: Cincinnati Collects, Contemporary Art Center, Cincinnati, OH
Trying to Land 2, Museo D’Arte Contemporanea Roma, (MACRO), Rome, Italy
Spazi Aperti, Accademia di Romania, Rome, Italy
Neo-Integrity, Derek Eller Gallery, New York, NY
Open Video Project, Blue Room, Rialto Sant’ Ambrogio, Rome, Italy
Stars and Stripes, Galleria Biagiotti Progetto Arte, Florence, Italy
What F Word?, Cynthia Broan Gallery, New York, NY

2006

Twice Drawn, Tang Teaching Museum, Skidmore College, Saratoga Springs, NY
Couples Discourse, Palmer Museum of Art, Penn State University, University Park, PA
The Title Of This Show Is Not GAY ART NOW, Paul Kasmin Gallery, New York, NY

2005

High Drama: Eugene Berman and the Legacy of the Melancholic Sublime, Georgia
Museum of Art, Athens, GA (traveled to McNay Art Museum, San Antonio, TX, Long
Beach of Art, Long Beach, CA, and Allentown Museum, Allentown, PA) (curated byMichael Duncan) (catalogue)
Welcome Home, Arthur Roger Gallery, New Orleans, LA
It’s Not About Sex, Luxe Gallery, New York, NY
Very Early Pictures, Luckman Gallery, Cal State L.A, Los Angeles, CA (traveled to Arcadia
University Art Gallery, Glenside, PA)

2004

Open House: Working in Brooklyn, Brooklyn Museum, Brooklyn, NY

2003

Collaborations with Vincent Katz, Alessandra Bonomo Gallery, Rome, Italy

7

Arthur Roger Gallery 25th Anniversary Exhibition, Arthur Roger Gallery, New Orleans, LA
2002

Family, Aldrich Museum of Contemporary Art, Ridgefield, CT
Looking At America, Yale University Art Gallery, New Haven, CT
Queer Visualities, University Art Gallery, Stony Brook/SUNY, Stony Brook, NY

2001

Faculty Exhibition, Neiman Gallery, Columbia University, New York, NY

2000

Here, Kitty, Kitty, Atlanta Contemporary Art Center, Atlanta, GA
The Standard Model:(GAME FACE), Geoffrey Young Gallery, Gt. Barrington, MA

1999

horsePLAY, Real Art Ways, Hartford, CT

1998

Work on Paper, Weatherspoon Art Museum, Greensboro, NC
Drawings, John Graham & Sons Gallery, New York, NY

1997

The Name of the Place, Casey Kaplan Gallery, New York, NY

1996

The Strange Power of Cheap Sentiment (Or A Beintot to Irony), White Columns, New York,NY
Gender, Fucked, Center on Contemporary Art, Seattle, WA

1995

Pervert, Irvine Art Gallery, University of California, Irvine, CA
Way Cool, Exit Art/First World, New York, NY

1994

Up the Establishment: Reconstructing the Counterculture, Sonnabend Gallery, New York,NY
Stonewall 25: Imaginings of the Gay Past, Celebrating the Gay Present, White Columns,
New York, NY
Sworn Statements, Geoffrey Young Gallery, Great Barrington, MA

1993

Coming to Power: 25 Years of Sexually X-plicit Art By Women, David Zwirner, New York,NY (curated by Ellen Cantor and Patricia Cronin) traveled to Real Art Ways, Hartford, CT)
Love In A Cold Climate (21st Century Sex), Dooley LaCappellaine, New York, NY

8

The Return of the Cadavre Exquis, The Drawing Center, New York, NY

Songs of Retribution, Richard Anderson Gallery, New York, NY (curated by Nancy Spero)
AWARDS, FELLOWSHIPS and RESIDENCIES (partial list):
2022
LGBTQ+ Citation of Merit, President of the Borough of The Bronx, Bronx, NY
New Voices Award in Immersive Technology Competition, Tribeca Film Festival, New
York, NY
2021
Edith Windsor Portrait Commission, Nomination, Finalist, Johns Hopkins University,
Baltimore, MD
2018-20 Outdoor Plinth Sculpture Commission Competition, Nomination, Finalist and Winner,
Monument For A Feminist Future, Smithsonian National Portrait Gallery,
Washington, DC (cancelled due to Covid)
2019
American Academy in Rome, Visiting Artist, Rome, Italy
2018
Leonard and Claire Tow Professorship, Brooklyn College of The City Universityof New York, Brooklyn, NY (2018-2020)
Elected Academician, National Academy of Design, New York, NY
Outdoor Sculpture Commission, Inaugural Artist in Conversations with the Collection:
Contemporary Artists Respond to Classical Antiquity bi-annual series, Tampa
Museum of Art, Tampa, FL
American Academy in Rome, Visiting Artist, Rome, Italy
2017
The Lab Gallery Residency, St. Patrick’s Lodge, Dublin, Ireland
Tow Faculty Research Travel Fellowship, Brooklyn College of The City University of New
York, Brooklyn, NY
2015
American Academy in Rome, Visiting Artist, Rome, Italy
2014
American Academy in Rome, Visiting Artist, Rome, Italy
2013
Leonard and Claire Tow Professorship, Brooklyn College of The City University of New
York, Brooklyn, NY (2013-2015)
American Academy in Rome, Visiting Artist, Rome, Italy
International Association of Art Critics (AICA) Award Nomination for Best Show in a
University Art Gallery, New York, NY
2012
The Andy Warhol Foundation for the Visual Arts, New York, NY
American Academy in Rome, Visiting Artist, Rome, Italy
2010
American Academy in Rome, Visiting Artist, Rome, Italy
PSC-CUNY Research Award, The Research Foundation of CUNY, New York, NY
2009
Civitella Ranieri Foundation Fellowship, Umbertide, Italy
Anonymous Was A Woman Award, New York, NY
PSC-CUNY Research Award, The Research Foundation of CUNY, New York, NY
Excellence in Creative Achievement Faculty Award, Brooklyn College of The City
University of New York, Brooklyn, NY
2008
McMillan/Stewart Award in Painting, Maryland Institute College of Art, Baltimore, MD
2007
Louis Comfort Tiffany Foundation Grant, New York, NY

9New York Foundation for the Arts Artist Fellowship in Printmaking/Drawing/Books Arts,
Deutsche Bank Fellow, New York, NY
2006-07 Rome Prize in Visual Art, American Academy in Rome, Rome, Italy
PSC-CUNY Research Award, The Research Foundation of CUNY, New York, NY
2004
Distinguished Alumni Award, Rhode Island College, Providence, RI
2001
Artist Project Award, Grand Arts Foundation, Kansas City, MO
1998
Pollock-Krasner Foundation, Inc. Grant, New York, NY
1996
Art Matters, Inc. Grant, New York, NY
1995
Pollock-Krasner Foundation, Inc. Grant, New York, NY
1991
Skowhegan School of Art, Fellowship, Skowhegan, ME
Artists Space, Artist Grant, New York, NY
1988
The Millay Colony for the Arts, Fellowship, Austerlitz, NY
Artists Space, Artist Grant, New York, NY
1987
Women’s Research and Development Fund Grant Award, Brooklyn College of The City
University of New York, Brooklyn, NY
1986
1st Prize, Undergraduate Art Awards, Rhode Island College, Providence, RI
1985
Ellen Battell Stoeckel Fellowship, Yale University Summer School of Music & Art,
Norfolk, CT
COLLECTIONS:
Avery Architectural & Fine Arts Library, Columbia University, New York, NY
Bellevue Hospital, New York, NY
Deutsche Bank, New York, NY
Dikeou Collection, Denver, CO
Fuhrman Family Collection, New York, NY
Gallery of Modern Art, Glasgow, Scotland
Kelvingrove Art Gallery and Museum, Glasgow, Scotland
Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY
LGBTQ+ VR Museum, Bristol, England and Copenhagen, Denmark
National Gallery of Art, Washington, DC
Perez Art Museum Miami, Miami, FL
The Ned NoMad, Soho House, New York, NY
Smithsonian National Portrait Gallery, Washington, DC
Tampa Museum of Art, Tampa, FL
Woodlawn Cemetery, Bronx, NY
PROFESSIONAL BOARD MEMBERSHIPS AND LEADERSHIP POSITIONS:
2024-present Trustee, Carolee Schneemann Foundation
2024-present Trustee, The Woodlawn Cemetery Conservancy
2023-present Artistic Director, LGBTQ+ VR Museum
2022-present Trustee, Augustus St. Gaudens Memorial Foundation
2021-present Member, Presidents Council, American Academy in Rome
2017-present, Member, New York University, Women and Migrations Working Group

10

2010-present Member, AICA – International Association of Art Critics
2007-present Member, Society of Fellows, American Academy in Rome
1988-present Member, College Art Association
2021-2022
Lead Contributor and Advisor, LGBTQ+ VR Museum
2020- 2022 Advisor, Fellowship Program, Augustus St. Gaudens Memorial Foundation
2015-2017
Chair, Juror, College Art Association’s Artist Lifetime Achievement Award
2012-2015
Trustee, American Academy in Rome
2012-2015
President, Society of Fellows, American Academy in Rome
2010-2012
Board Trustee Member, Civitella Ranieri Foundation
1993-1995
Member, Women’s Action Collation (WAC)
1992-1995
Member, Women’s Health Action Mobilization (WHAM)
CREATIVE PROJECTS, PODCASTS, AND MEDIA:
2023 White, Tamara, “Episode 4: Sara Vance Waddell,” B + S With Friends Podcast, Bader+
Simon Gallery, March 7. https://open.spotify.com/episode/3PlGNFk7FBysgU3LvghNvZ
Mighty, Roberto, Woodlawn Cemetery, Bronx, NY in World’s Greatest Cemeteries series,
PBS, Season 2, Episode 206, 26min 46sec. https://www.pbs.org/video/woodlawncemetery-bronx-ny-s6vt8r/
Terkildsen, Thomas, The LGBTQ+ VR Museum is Coming to Denmark, Danish Radio,
Copenhaen, Denmark, January 10.
2022 20th Anniversary Commemoration of Memorial To A Marriage. Woodlawn Cemetery,Bronx, NY, November 6.
Lee, Bob. Open BXRx Monday: November 7th. Bronxnet, November 3.
https://bronxnet.org/your-bronx/articles/open-bxrx-monday-november-7th/
Bye, Kent. Tribeca XR: “LGBTQ+ VR Museum” Curates Touching Objects & Stories & Wins
Inaugural Tribeca New Voices Award, Voices of VR Podcast, July 6.
https://voicesofvr.com/1108-tribeca-xr-lgbtq-vr-museum-curates-touching-objectsstories-wins-inaugural-tribeca-new-voices-award/
Carlin, Dave. Virutal Reality LGBTQ+ Museum Wows Art Lovers at Tribeca Festival. CBS
New York, June 10. https://www.cbsnews.com/newyork/news/lgbtq-museum-vr-virtualreality/
News 12 Staff. Road Trip Close to Home: National LGBTQ+ Landmark Cemetery in the
Bronx, NY. News 12 Connecticut, June 9. https://connecticut.news12.com/road-trip-closeto-home-national-lgbtq-landmark-woodlawn-cemetery-in-the-bronx
Why Design Matters with Art Legends: Debbie Millman, Roxane Gay, Deborah Kass,

11

Marilyn Minter, and Patricia Cronin, Clubhouse.com, February 18.
2021 Antiquities Circle Lecture: Patricia Cronin Aphrodite Reimagined, Tampa Museum of Art,May 24th. https://www.youtube.com/watch?v=dsj_57STkIE&t=4s
Queer Narrative: Patricia Cronin & Sarp Kerem Yavuz in Interviews On, For and About theQueer Body in Eight Parts, Hook.com (curated by Eric Shiner) (online)
Queer Narrative: Patricia Cronin & Sarp Kerem Yavuz in Conversation, Hookart.com,
March 3. https://hookart.com/queer-body/narrative
Art For Romantics: Patricia Cronin, Memorial To A Marriage, The Art Doctor, February
11. https://www.youtube.com/watch?v=Obmp6G2YHdg
2020 Patricia Cronin; Memorial To A Marriage, UK Arts, Online Archive.
https://artuk.org/discover/artworks/memorial-to-a-marriage-293689
Flum, Liza. Memorial to a Marriage: After Patricia Cronin, Zocalo Public Square, April 3.
https://www.zocalopublicsquare.org/2020/04/03/memorial-to-a-marriage/chronicles/
poetry/Jackson, Yuki. She Is Risen poem inspired by Aphrodite Reimagained, Cosmonauts
Avenue Magazine, February 2. https://cosmonautsavenue.com/yuki-jackson/
2019 Capaldi, Eleanor. Memorial To A Marriage, Glasgow Museums, May 16.
https://www.youtube.com/watch?v=DeP0IRQG2Kc&feature=youtu.be&fbclid=IwAR2hTh
el6bMKs3nvDLaYPseqygEIycFnkp6c5QdIIxCWTvHukQQ6ag0FcXU
Chavez, Sarah, Doughty, Caitlin and Hung, Louise. Dude Where’s My Monument, Deathin the Afternoon podcast, April 8.
https://deathintheafternoon.libsyn.com/dude-wheres-my-monument.
Interview with Patricia Cronin, National Portrait Gallery, Smithsonian Institution YouTube
Channel, February 4. https://www.youtube.com/watch?v=64Fw50tuA1U
2018 Dolkart, Andrew, Lustbader, Ken, and Shockley, Jay, eds. NYC LGBT Historic Sites Project.
Online Archive. https://www.nyclgbtsites.org/site/woodlawn-cemetery/
Quash, Ben, and Sliwka, Jennifer, eds. The Visual Commentary on Scripture Online Archive,
Kings College London/ The Visual Commentary on Scripture Foundation. November 6.
https://thevcs.org/esther-pleads-her-people
Visual Assault: Lorna Simpson, Patricia Cronin & Zoe Buckman, BBC4 Radio Documentary,12

October 11.
“Patricia Cronin” Design Matters with Debbie Millman, podcast, October 14.
https://www.designmattersmedia.com/podcasts/Patricia-Cronin
Tampa Museum of Art Kicks off the Season of Love!, TV segment on ABC Action News
Tampa, FL. August 21.
Patricia Cronin and Deborah Kass, 2018 Honorees, Art Bridge Foundation, New York, NY.
2017 Shrine for Girls at the LAB, Dublin, TV segment on Art In Ireland TV, Dublin, Ireland.
August.
2016 Shrine For Girls, the inspiration for fashion label TOME’s Resort ’17 line, New York, NY.
2015 Patricia Cronin and Deborah Kass, Artist Honorees, 21st ArtWalk, The Coalition For The
Homeless, New York, NY.
Asper, Colleen, “Found in Translation – Chasing Dante’s Inferno with Mary Jo
Bang and Patricia Cronin.” TheWeeklings.com, March 31.http:///casper/2013/03/31/found-in-translation/.

2014 Handler, Chelsea. "Germany Will Have A Lesbian Cemetery" TV segment featured
Memorial To A Marriage. Chelsea Lately Show, E! Channel. April 2.
Mayes, Tom. "Art in Old Places: Artist Patricia Cronin Confronts the Present with thePast," video interview. National Trust for Historic Preservation Blog, February 7.
Patricia Cronin and Deborah Kass Honored by New Ohio Theatre to benefit Paula Vogel's"And Baby Makes Seven" play. New York, NY.
2013 “The Art of Handwriting” exhibition, Smithsonian Institution, Archives of American
Art, Washington, D.C., Contributor to the Harriet Hosmer section (travelled to Florence
Griswold Museum, Old Lyme, CT, Norton Art Museum, West Palm Beach, FL., Texas A&M
University, College Station, TX).
2010 “Music Off The Walls,” Brooklyn Philharmonic Orchestra String Quartet Concert at the
Brooklyn Museum inspired by exhibition “Patricia Cronin: Harriet Hosmer, Lost andFound.”
Leon, Ernesto, “Patricia Cronin: Comunidad Gay – Ser – Lesbiana – Discriminacion,” Video
Interview with Ernesto Leon, June 20.

13

“Interview with Patricia Cronin,” Living Arts, KPFT Radio Houston, June 18.
2005 “Hippolyta,” a Play written by Vincent Katz, inspired by Pony Tales and Tack Room, and
Set Design by Patricia Cronin, performed June 9 – 26, in The Republic of Poetry at the
Medicine Show, New York, NY.
2004 “Patricia Cronin: A Perfect Affection,” 30 minutes documentary film, The Gallery
Channel, HD TV, produced by Lovett Productions.
2002 “Classified,” Curated Artist Project, Zing Magazine, Winter.
1994 “Lesbian Subjectivities,” Panel Organizer, The Drawing Center, New York, NY.
1991-2 “Coming to Power: 25 Years of Sexually X-plicit Art By Women,” Exhibition Co-curator(with Ellen Cantor), David Zwirner, New York, NY (traveled to Real Art Ways, Hartford, CT).
PUBLICATIONS (Interviews):
2021 Robotham, Joanna. “A Conversation with Patricia Cronin and Joanna Robotham” inPatricia Cronin, Aphrodite and the Lure of Antiquity, Tampa: Tampa Museum of Art. 34pp.
Millman, Debbie. “What Matters: Patricia Cronin Reflects on Her Rascally Childhood Art
Installations,” PRINT Magazine, March 18. https://www.printmag.com/post/whatmatters-patricia-cronin-on-her-wily-childhood-art-installations
Ottaviano, Lia. “Daydreams and Fantasies: In Conversation with Patricia Cronin,” Lesbians
are Miracles Magazine, March 11. https://www.lesbiansaremiracles.com/patricia-cronin2020 Rubenstein, Bradley. “Interview with Patricia Cronin“ in Press Eject and Give Me The Tape:
Dialogues, Interviews, and Exchanges 2001-2020, Brooklyn: Meridian Art Publishers,
128 pp.
2019 Brara, Noor. “She Was Brave, Like Me’: Deborah Kass and Patricia Cronin on How Activism
Sparked Their Romance, and the Art They Crave to See,” Artnet News, December 18.
https://news.artnet.com/art-world/kass-cronin-art-and-modern-love-1732572
2018 Yepez, Grace. “Artist Patricia Cronin on Memorial To A Marriage.” Facetoface Smithsonian
National Portrait Gallery Blog, March 8. http://npg.si.edu/blog/memorial-marriage-artistpatricia-conin
2017 Jordan, Eliza. “Patricia Cronin: Value, Justice, and Success.” Whitewall, Women in the Arts
Issue, Spring.
2016 Sexton, Elaine. “Shrine For Girls: A Micro-Interview with Patricia Cronin.” Tupelo

14

Quarterly. October 30. http://www.tupeloquarterly.com/patricia-cronin/Peterson, Lars Byrresen. “Hijabs, Saris and Aprons in Mourning of….” Visionaire Magazine,
July 26. https://www.visionaireworld.com/blog/hijabs-saris-aprons-mourning/
Simmons, William J. “Patricia Cronin’s Complications.” Interview Magazine, June 9.
http://www.interviewmagazine.com/art/patricia-cronin-shrine-for-girls
2015 Lauren, Amanda. “People We Love: Patricia Cronin.” Ravishly. October 19.
http://www.ravishly.com/people-we-love/people-we-love-patricia-cronin
Rubenstein, Bradley. “Shrine For Girls: Patricia Cronin + Bradley Rubenstein.” Culture
Catch. October 14. http://www.culturecatch.com/art/patricia-cronin
McNay, Anna and Kennedy Martin. “Patricia Cronin: ‘A Silent Protest Can Be
Quite Powerful,’” Studio International, June 23.
http://www.studiointernational.com/index.php/patricia-cronin-shrine-for-girls-venicebiennale-video-interview
Gonzalez Pendergast, Isabel. “Patricia Cronin’s ‘Shrine For Girls,’ Venice Biennale,” LITRO
Magazine, June 8. http://www.litro.co.uk/2015/06/patricia-cronins-shrine-for-girlsvenice-biennale/, 2015
Haynes, Clarity. “From Grief to Action: Patricia Cronin on Her ‘Shrine for Girls,’“
Hyperallergic, May 25. http://hyperallergic.com/208620/from-grief-to-action-patriciacronin-on-her-shrine-for-girls/
2014 Nikulina, Svetlana. "Croninatrix: An Interview with New York Artist Patricia Cronin,"Book Magazine (Russia), Porno Issue, Issue #5, Jan-Feb.
2013 Dalamangas, Rachel Cole. Interview: Patricia Cronin. Zing Chat, April.
http://www.zingmagazine.com/chat.html.
2012 “Patricia Cronin in Conversation with Phong Bui,” The Brooklyn Rail, November.
2010 “The Second Life of Harriet Hosmer,” with Cassandra Langer, The Harvard Gay andLesbian Review, January–February, Volume 17, Issue 1.
2003 Castro, Jan Garden, “Making The Personal Monumental: A Conversation With Patricia
Cronin,” Sculpture, January/February.

1993 Cronin, Patricia, “A Conversation on Lesbian Subjectivity and Painting with Deborah Kass,”
M/E/A/N/I/N/G (#14).

15

PUBLICATIONS (Authored Books, Essays and Reviews):
2023 Cronin, Patricia. “Take a Power Seat and Stop & Smell the Roses: The Performance of Art,
Power and Loss in Devon Dikeou’s Artistic Ouevre”,” in Devon Dikeou: Mid-Career
Smear, New York: Zing Magazine. Forthcoming.
2022 Cronin, Patricia. “Mr. President, How Long Must We Wait for Liberty?”: The Female Body
and Society,” in Panorama: Journal of the Association of Historians of American Art, edited
by Watson, Keri and Jentleson, Katherine. https://journalpanorama.org/article/art-andreproductive-rights/mr-president-how-long-must-we-wait/
Cronin, Patricia. “Shrine For Girls: Social Justice and Aesthetic Responsibilities,” in Womenand Migration: Responses in Art and History, edited by Brooks Nelson, Kalia, Toscano,
Ellyn, and Willis, Deborah, New York: NYU Global Institute for Advanced Study and OpenBook Publishers, 408 pp.
2019 Cronin, Patricia. “Moving Mountains: Harriet Hosmer’s Nineteenth-Century Italian
Migration to Become the First Professional Woman Sculptor,” in Women and Migration:
Responses in Art and History, edited by Brooks Nelson, Kalia, Toscano, Ellyn, and Willis,
Deborah, New York: NYU Global Institute for Advanced Study and Open Book Publishers.
2018 Cronin, Patricia. “The Necessity of Art in the 2018 MFA Exhibition.” Brooklyn College MFA
Exhibition catalogue, Brooklyn.
2015 Cronin, Patricia. “Linda Nochlin.” The Brooklyn Rail. July/August 2015.
2013 Cronin, Patricia. The Zenobia Scandal: A Meditation on Male Jealousy. New York:
ZingMagazine Books, 132 pp.
2012 “LA Raw: Radical California,” Artnet.com, March 26.
“’Til Death Do Us Part,” Here Come the Brides!: Reflections on Lesbian Love andMarriage, eds. Bilger, Audrey and Kort, Michele, San Francisco: Seal Press, 448 pp.
“Jenny Saville – Metamorphosis: A Love Story,” Artnet.com, January 5.
“Dante’s Inferno/The Way of All Flesh,” M/E/A/N/I/N/G online, 25th anniversary Issue.
2011 “’Til Death Do Us Part,” Huffington Post.com, Oct. 5.
“Patricia Cronin’s Rome Secrets,” City Secrets Rome, ed. Robert Kahn, New York: Fang Duff
Kahn, 426 pp.

16

2010 “Two Artists Reflect on the Contemporary Memorial: Patricia Cronin - Memorial To A
Marriage and Judith Shea – Legacy Collection,” Public Art Review, Issue 43, Fall/Winter.

“A Salute to Carolee Schneemann,” with Jonas Mekas, and Irving Sandler, The Brooklyn
Rail, April.
2009 Cronin, Patricia, written and illustrated by, preface: Maura Reilly, introduction: Gerdts,
William H., Harriet Hosmer: Lost and Found, A Catalogue Raisonné, Charta Art Books,
Milan, 104 pp.
2008 Cronin, Patricia, Harriet Hosmer: Lost and Found (an excerpt from the Harriet Hosmer
Catalogue Raisonné), Bomb Magazine, Fall.
2001 Cronin, Patricia, “Obsessions: What A Girl Wants,” College Art Association Art Journal,
Vol. 60, No. 4, Winter.
2000 Cronin, Patricia, “A Conversation on Lesbian Subjectivity and Painting with Deborah Kass.”
In Bee, Susan and Schor, Mira, eds., M/E/A/N/I/N/G: An Anthology of Artists’ Writings,
Theory, and Criticism, Durham and London: Duke University Press, 467 pp.
1994 Cronin, Patricia, Guest Editor, Art Papers, “Representing Lesbian Subjectivities,”
November/December.
1993 Cronin, Patricia. “Trash,” Skin Two, 130pp.
SELECTED BIBLIOGRAPHY: Books, Catalogues and Academic Publications:2025 Princenthal, Nancy and Sretenović, Vesela, eds., Anonymous Was A Woman 25th
Anniversary, New York: Anonymous Was A Woman Foundation and Grey Art Gallery, NYU,
300 pp. Forthcoming.
2024 Katz, Jonathan, About Face: Stonewall, Revolt and New Queer Art, New York: The
Monacelli Press, 256 pp. (forthcoming)
Rolls-Bentley, Gemma, Queer Art: From Canvas to Club, and the Spaces Between, London:
Frances Lincoln, 240 pp. (forthcoming)
2023 Pieraccini, Lisa C. “Etruscans in Unexpected Places: Space, Temporality and Visual Agency”
in Zampieri, Chiara, Piperno, Martina and & Van den Bossche, Bart eds., Modern
Etruscans: Close Encounters With a Distant Past. Leuven (Belgium): Leuven University
Press, 189 pp.
Watson, Keri and Navaroli, Keidra Daniels. This Is America: Re-Viewing the Art of theUnited States. New York: Oxford University Press, 416 pp.

17

Meier, Alison. Grave, Object Lessons Series, New York: Bloomsbury Publishing Inc.,
156 pp.
2022 Cometto, Maria Teresa. Emma e L’Angelo di Central Park, Rome: Neri Pozza 208 pp.
Zar, Howard. Women’s Work, Tarrytown: Lyndhurst Castle, 108 pp.
Westheimer, Ruth K. The Art of Arousal: A Celebration of Erotic Art Throughout History(Revised Edition). New York: Abbeville Press, 192 pp.
Millman, Debbie. Why Design Matters: How The World’s Most Creative People Create,
New York: HarperCollins, 368 pp.
2021 Shaya, Josephine. Lingering Tropes and Noteworthy Narratives in Recent Archaeology
Exhibitions, American Journal of Archaeology, Vol. 125, No. (October), pp. 639-655.
Waltz, Charlotte. Proclaiming What Has Been Hidden: The Many Faces of the Invisibilised
Irish Women, Association for Feminist Anthropology: Anthropolgy News.
Pevnick, Seth; Robotham, Joanna; and Van Oppen, Branko, eds. Patricia Cronin, Aphrodite
and the Lure of Antiquity, Tampa: Tampa Museum of Art, 34 pp.
Anderson, Joanne. “The Magdalene: Cultural Icon” in Mary Magdalene: Chief Witness,Sinner, Feminist, Wijnia, Lieke, editor. Zwolle and Utrecht: Waanders Publishers andMuseum Catharijneconvent, 144 pp.
2020 McGowan, Elizabeth. "The Sleeping Hermaphrodite: Reception and Interpretation in
Three Eras" in Roman Sculpture in Context (Selected Papers in Ancient Art andArchitecture, Vol. 6) De Staebler, Peter D. and Hrychuck Kontokosta, Anne, eds. Boston:Archaeological Institute of America, 290pp.
Rubenstein, Bradley. Press Eject and Give Me The Tape: Dialogues, Interviews, andExchanges 2001-2020, Brooklyn: Meridian Art Publishers, 128 pp.
2019 Pratesi, Ludovico. Contemporaneo 30x30: Trenta Mostre in Trent’ Anni, Rome:
Castelvecchi Editore, 75 pp.
Parness, Noam and Casals, Gonzalo, eds. Queer Holdings: A Survey of the Leslie-Lohman
Museum Collection, Munich: Hirmer Publishers, 264 pp.

Miller, Peter Benson and Robbins, Mark, eds. The Academic Body, Rome: American
Academy in Rome, 132 pp.

18

Fortune, Brandon Brame. Eye to I: Self-Portraits from the National Portrait Gallery,
Washington: National Portrait Gallery, Smithsonian Institution and Hirmer Publishers,
336 pp.
Thormod, Kaspar. Artistic reconfigurations of Rome: An alternative guide to the Eternal
City, 1989-2014, Spatial Practices Series, Amsterdam: Brill|Rodopi, 250 pp.
Brooks Nelson, Kalia., Toscano, Ellyn., and Willis, Deborah, eds. Women and Migration:
Responses in Art and History, New York: NYU Global Institute for Advanced Study andOpen Book Publishers, 672 pp.
Furhman, Glenn. 10th Anniversary of The FLAG Art Foundation, New York: Gregory Miller& Co., 256 pp.
2018 Murphy, Michael J. and Bjorngaard, Brytton, eds. Living Out Loud: An Introduction to
LGBTQ History, Society, and Culture, 1st Edition, London: Routledge, 276 pp.
Lepine, Alya. “A Threefold Cord of Pain.” The Visual Commentary on Scripture, Kings
College London, November 6. http://thevcs.org.
Stokstad, Marilyn and Cothren, Michael. Art A Brief History, 7th edition, London: Pearson
Educational/Prentice Hall, 500 pp.
2017 Hertling, Pati and Tolentino, Julie, eds. Ellen Cantor “I’m Still Coming,” Coming to Power
Exhibitions 2016 & 1993 Archives/ Artworks/ Interviews. New York: Capricious, 199 pp.
Hirsch, Marianne. "Touching Memory: from Art to Action" in Post-Memory issue, Esprit
Journal (France), October, 192 pp.
Kinsella, Tina. “MISERCORDIA: Making ‘Maternal Emotions’ Manifest with Patricia Cronin’s
Shrine for Girls”. Dublin: The LAB Gallery, 8 pp.
Stokstad, Marilyn and Cothren, Michael. Art History, 6th edition, London: Pearson
Educational/Prentice Hall, 1,248 pp.
2016 Dunn, Thomas. "Remembering a Queer (After) Life” in Queerly Remembered: Rhetorics
for Representing the GLBTQ Past. Columbia: University of South Carolina Press, 232 pp.
Switzer, Stacey and Fischer, Annie, eds. Problems and Provocations: Grand Arts (19952015). Kansas City: Grand Arts, 448 pp.
Savig, Mary. Pen to Paper: Arists’ Handwritten Letters from the Smithsonian Archives of19

American Art. Princeton: Princeton Architectural Press, 208 pp.
Deneberg, Risa. Whirlwind @ Lesbos. Sequim: Headmistress Press, 74 pp. (Cover)Latimer, Tirza. "Having it Both Ways: Queer/Feminist Art/History." In Jones, Amelia
and Erin Silver eds. Otherwise: Imagining Queer Feminist Art Histories (Rethinking Arts
Histories Series), Manchester: Manchester University Press, 312 pp.
2015 Bui, Phong. “Foreword” in Patricia Cronin: Shrine For Girls, Venice, Milan: Silvana
Editoriale, 64 pp.
Pratesi, Ludovico. “Patricia Cronin Shrine For Girls: A Work of Reflection” in Patricia
Cronin: Shrine For Girls, Venice, Milan: SilvanaEditoriale, 64 pp.
Reilly, Maura. “Patricia Cronin’s Social Sculpture: Shrine for Girls” in Patricia Cronin:
Shrine For Girls, Venice, Milan: SilvanaEditoriale, 64 pp.
Enwezor, Okwui. All the World's Futures: 56 International Art Exhibition. La Biennale diVenezia, Milan: Marsilio, 960 pp.
Lancaster, Lex Morgan. “Close Proximity, Intimate Distance: the Abstracting Effects of
Photographic Contact.” The Wet Archive, Chasen Museum, University of Wisconsin,
Madison, https://wetarchive.wordpress.com/essays-2/.
2014 Katz, Jonathan David. Classical Nudes and the Making of Queer History, New York: Leslie
Lohman Museum of Gay and Lesbian Art, 142 pp.
Bui, Phong and Flam, Jack. Come Together: Surviving Sandy, New York: Skira Rizzoli,
228 pp.
Deitch, Jeffrey. Live The Art: Fifteen Years of Deitch Projects, New York: Rizzoli
Publications, 448 pp.
Casid, Jill H., "Alter-Ovid—Contemporary Art on the Hyphen." In Miller, John F. andCarole E. Newlands, eds. A Handbook to the Reception of Ovid, Hoboken: John
Wiley & Sons Inc., 536 pp.
Dabakis, Melissa. A Sisterhood of Sculptors: American Artists in Nineteenth-Century
Rome. University Park: The Pennsylvania State University Press, 269 pp.
DeWoody, Beth and Morris, Paul. "Look At Me: Portraiture From Manet to thePresent." New York: Leila Heller Gallery, 160 pp.

20

2013 Miller, Peter Benson. "Roma Sparita." In Patricia Cronin: Le Macchine, Gli Dei e
I Fantasmi, Musei Capitolini, Centrale Montimartini Museo. Milano: Silvana
Editoriale, 64 pp.
Pratesi, Ludovico. "Le Macchine, gli Dei e I Fantasmi: Reasons for the
Exhibition." In Patricia Cronin: Le Macchine, Gli Dei e I Fantasmi, Musei
Capitolini, Centrale Montimartini Museo. Milano: Silvana Editoriale, 64 pp.
Gioni, Massimiliano; Carrion-Murayari, Gary; Moore, Jenny; and Norton, Margot,
NYC 1993: Experimental, Jet Set, Trash and No Star, New York: New Museum,132 pp.
Lord, Catherine and Meyer, Richard, Art and Queer Culture (Themes andMovements Series), London: Phaidon Press, 412 pp.
2012 Molesworth, Helen, “All is not lost: Love and Death in the work of Patricia
Cronin,” Patricia Cronin: All Is Not Lost, New Orleans: Tulane University, 72 pp.
Nemerov, Alexander, “Ghosts and Sculpture: Harriet Hosmer and Patricia Cronin”
Patricia Cronin: All Is Not Lost, New Orleans: Tulane University, 72 pp.
Sandell, Richard, “Museums and the Human Rights Frame,” in Museums,
Equality and Social Justice, eds. Nightingale, Eithne and Sandell, Richard,
London: Routledge, 235 pp. (chapter and cover)
Zaytoun, Constance. "Nostalgic for a Future: Hannah Wilke's Intra-Venus Tapes
and Patricia Cronin's Memorial to a Marriage." Monuments and Moving Targets:
Civic Engagement by Female Performance Artists in the 21st Century Panel,
Association for Theatre in Higher Education Conference, 2012.
2011 Berry, Ian, and Shear Jack, eds., Twice Drawn: Modern and Contemporary
Drawings in Context, Saratoga Springs: The Frances Young Tang Teaching Museum and Art
Gallery, Skidmore College, Del Monico Prestel Press, 304 pp.
“Between the Lines: A Collection of Drawings by Contemporary Artists,” New York: RX Art,
Inc., 144 pp.
Dunn, Thomas R., “Queerly Remembered: Tactical and Strategic Rhetorics for
Representing the GLBTQ Past”, unpublished Ph.D. dissertation, University ofPittsburgh, Department of Communication and Rhetoric, 114 pp.

Zaytoun, Constance, “’Enough Already!’ Let the Sun Shine-in Where the Sun
Don’t Shine: A Feminist Nostalgia and A Place for Greatness,” unpublished Ph.D.

21

dissertation, New York University, Department of Performance Studies, 136 pp.
Reed, Christopher, “Art and Homosexuality: A History of Ideas,” New York: Oxford
University Press, 285 pp.
Rocio de la Villa, “Artistas Heroinas,” Heroinas, Madrid: Museo Thyssen-Bornemisza,335 pp.
Casid, Jill H., “Landscape In, Around and Under the Performative,” Women &Performance, 21:1, Winter, 165 pp.
2010 Watson, Keri W., “Parody as Political Tool in Patricia Cronin’s Memorial to a
Marriage,” Mosaic: A Journal for the Interdisciplinary Study of Literature, 43:2, June,
201 pp.
Harithas, James, and Gonzalez, Tim, “Because We Are,” Houston: Station Museum ofContemporary Art, 30 pp.
Culkin, Kate, “Harriet Hosmer: A Cultural Biography,” Amherst and Boston: University of
Massachusetts Press, 219 pp.
Heartney, Eleanor, “Look Again,” New York: Marlborough Gallery, 28 pp.
2009 McGlashan, Sean, “Sh(OUT): Contemporary Art and Human Rights,” Glasgow: Modern
Gallery of Art, 52 pp.
2008 Wagner, Frank, Just Different, Amstelveen: Cobra Museum, 39 pp.
Perman, Cindy, New York Curiosities: Quirky Characters, Roadside Oddities &Other Offbeat Stuff, Guilford, CT: Globe Pequot Press, 328 pp.
2007 McClinton, Miranda, What F Word?, New York: Cynthia Broan Gallery, 52 pp.
Mayerson, Keith, Neo-Integrity, New York: Derek Eller Gallery, 100 pp.
Franklin, Carmela and Prescott, Dana, American Academy in Rome: The School of Fine Arts
2007, Rome: Palombi Editori, 72 pp.
Spaziaperti, Rome: Accademia di Romania in Roma, 84 pp.
2006 Robinson, Joyce Henri, Couples Discourse, University Park: Penn State Press, 136 pp.
2005 Duncan, Michael, High Drama: Eugene Berman and the Legacy of the22Melancholic Sublime, New York: Hudson Hills, 164 pp.
Fredericks, Keri Whitehead, Remodeling Marriage: An Examination of Parody in
Patricia Cronin’s Memorial to a Marriage, Cleveland: Cleveland Museum of Art
2004 Kotik, Charlotta, and Mosaka, Tumelo, Open House: Working In Brooklyn, Brooklyn:
Brooklyn Museum, 240 pp.
Goodman, Fred, The Secret City: Woodlawn Cemetery and the Buried History of
the City Of New York, New York: Broadway Books, 256 pp.
Rosenblum, Robert, and Firmin, Sandra, Patricia Cronin: The Domain of Perfect
Affection: 1993 to 2003, Buffalo: UB Art Gallery, University at Buffalo, SUNY, 44 pp.
2003 Baker-Vande Brake, Amanda, Documenting Memory: Patricia Cronin’s Memorial
to a Marriage, New York: Masters Thesis, New York University, Department of
Performance Studies, 28 pp.
Valdez, Sarah, Harris, Jane, et al., CURVE: The Female Nude Now, New York: Rizzoli,
200 pp.
2002 Frankel, David, “Liebestod,” Patricia Cronin: Memorial To A Marriage, Kansas City:
Grand Arts, 4 pp.
Gross, Jennifer, Looking At America, New Haven: Yale University Art Gallery, 2 pp.
Klein, Richard, Hough, Jessica, and Philbrick, Harry, Family, Ridgefield: Aldrich Museum ofContemporary Art, 92 pp.
2000 Bramlette, Teresa, Here Kitty, Kitty, Atlanta: Atlanta Contemporary Art Center, 26 pp.
Hammond, Harmony, Lesbian Art in America, New York: Rizzoli, 235 pp.
1998 Rosen, Michael J., Horse People: Writers & Artists on the Horses They Love,
New York: Artisan, 160 pp.
1996 Hammond, Harmony, and Lord, Catherine, Gender, Fucked, Seattle: Bay Press, 32 pp.
Smyth, Cherry, Damn Fine Art: New Art by Lesbians, London: Cassell Publishers, 152 pp.
1995 Lord, Catherine, Pervert, Irvine: The Art Gallery, University of California, Irvine, 48 pp.
1994 Hammond, Harmony, “Against Cultural Amnesia,” Art Papers, November/December.

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1993 Editors, Sex-Quake Show: Art After the Apocalypse, New York: 1st Art-Genes Portable
Museum, Summer, 136 pp.
1992 Chalker, Rebecca and Downer, Carol, A Women’s Book of Choices: Abortion, Menstrual
Extraction, RU-486, New York: Four Walls Eight Windows, 272 pp.
SELECTED BIBLIOGRAPHY: Articles and Reviews:
2023 Editors. “CUNY Names 12 Distinguished Professors.” Campus News. August 8.
https://cccnews.info/2023/08/08/cuny-names-12-distinguished-professors/
Editors. “CUNY Board of Trustees Names Three Brooklyn College Faculty Members
Distinguished Professors.” Brooklyn College News, July 17.
https://www.brooklyn.edu/bc-news/cuny-board-of-trustees-names-three-brooklyncollege-facultymembers-distinguished-professors/
Braiker, Brian. “Brooklyn’s 50 Most Fascinating People 2023.” Brooklyn Magazine, July 3.
https://www.bkmag.com/brooklyns-50-most-fascinating-people-2023/
Editors. In My Own Words: The Oral History Project, Rhode Island College. PCI Publishing,
336 pp.

Editors. “Whitehot Recommends: Ruben Natal-San Miguel: Women R Beautiful at the
Griffin Museum.” Whitehot Magazine, March. https://whitehotmagazine.com/articles/rbeautiful-at-griffin-museum/5722
Mitchell, Bea. “BFI Flare Expanding to World’s First Virtual LGBTQ+ VR Museum,”
Blooploop. Feb. 27. https://blooloop.com/museum/news/bfi-flare-lgbtq-virtual-museum/
Editors. “British Film Institute Flare’s Inaugural Immersive Programme Includes theWorld’s First Virtual LGBTQ+ Museum,” British Film Institute, February 22.
https://www.bfi.org.uk/news/bfi-flares-inaugural-immersive-programme-includesworlds-first-virtual-lgbtq-museum
de Semlyen, Phil. “BFI Flare: Seven Movies To See At The UK’s Biggerst Queer Film
Festival,“ Timeout London, February 15. https://www.timeout.com/london/news/bfiflare-seven-movies-to-see-at-the-uks-biggest-queer-film-festival-021523
Editors. “Full Programme announced For 37th BFI Flare: London LGBTQIA+ Film Festival
2023, “ British Film Institute, February 15. https://www.bfi.org.uk/news/full-programme37th-bfi-flare-london-lgbtqia-film-festival-2023
2022 Alleyne, Allyssia. “From Augmented Reality to Immersive Experiences,” Technology Is

24

Rewiring Museums.” Sotheby’s Magazine, December 13.
https://www.sothebys.com/en/articles/from-augmented-reality-to-immersiveexperiences-museums-are-applying-technology-in-ambitious-ways
Editors. A Conversation with Antonia Forster.” XR Association, Fall.
https://xra.org/initiative/a-conversation-with-antonia-forster/
Rutherford, Rachel. Experience impressive LGBTQ+ VR Museum in Wales for Free. Wales
Online, November 30. https://www.walesonline.co.uk/special-features/experiencebronimpressive-lgbtq-vr-museum-25584659
Lee, Bob. “Open BXRx Monday: November 7th.” Bronxnet, November 3.
https://bronxnet.org/your-bronx/articles/open-bxrx-monday-november-7th/
Lauren, Amanda. “A Look Inside Newly Opened The Ned NoMad Membership Club And
Hotel Through Renowned Curator Richie Akiva,” Forbes, July 30.
https://www.forbes.com/sites/amandalauren/2022/07/30/a-look-inside-newly-openedthe-ned-nomad-membership-club-and-hotel-through-renowned-curator-richie-akiva/?sh=2332c57162d4
Jaehnig, Jon. “The History and Future of the LGBTQ+ Museum,” AR Post, June 29.
https://arpost.co/2022/06/29/history-and-future-of-the-lgbtq-vr-museum/
Charr, Manuel. “LGBTQ+ VR Museum Brings Queer History to the Metaverse,” Museum
Next, June 24. https://www.museumnext.com/article/lgbtq-vr-museum-brings-queerhistory-to-the-metaverse/
Eltahawy, Mona and Hossain, Samiha. “Global Roundup: Armenia Trans Activist, Feminists
in Lebanon Parliament, Singapore Gay Rights Rally, Nepal Pride Parade, Virtual LGBTQ+
Museum,” Feminist Giant, June 20. https://www.feministgiant.com/p/global-rounduparmenia-trans-activist?utm_source=substack&utm_medium=email&utm_content=share
Pruszkiewicz, Katarzyna. “The World’s First Virtual LGBTQ+ Museum Was Established,”
NOIZZ, June 18. https://noizz.pl/spoleczenstwo/powstalo-wirtualne-muzeumlgbtq/ge4wzbl
Neale, Matthew. “I Visited the World’s First Virtual LGBTQ+ Museum: The LGBTQ+ VR
Museum is one example of queer people carving out their own space in an often hostile
world,” VICE News, June. 17. https://www.vice.com/en/article/qjk43p/lgbtq-vr-museum
Moscow, Wendy. “Tribeca Film Festival 2022 – “Immersive Exhibition” – Part II,” Unpaid
Film Critic, June 16. https://unpaidfilmcritic.wordpress.com/2022/06/16/tribeca-filmfestival-2022-immersive- exhibition-part-ii-wendy-moscow/

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Carlin, Dave. “Virutal Reality LGBTQ+ Museum Wows Art Lovers at Tribeca Festival,” CBS
New York, June 10. https://www.cbsnews.com/newyork/news/lgbtq-museum-vr-virtualreality/
Palmer, Flossie. “The Bristol Brains Behind Worlds’s First LGBTQ+ VR Museum.” Bristol
24/7 News, June 9. https://www.bristol247.com/news-and-features/news/the-bristolbrains-behind-worlds-first-lgbtq-vr-museum/News 12 Staff. “Road Trip Close to Home: National LGBTQ+ Landmark Woodlawn
Cemetery in the Bronx,” News 12 Connecticut, June 9. https://connecticut.news12.com/
road-trip-close-to-home-national-lgbtq-landmark-woodlawn-cemetery-in-the-bronxHart, Aimee. “The Worlds’ First VR LGBTQ+ Museum Debuts This Week,” Gayming: The
Home of Queer Geek Culture, June 6. https://gaymingmag.com/2022/06/the-worlds-firstvr-lgbtq-museum-debuts-this-week/
Lykkegaard, Anne Thora. “Danish Researcher’s wild virtual LGBTQ+ Museum Has Been
Nominated for a Prestigious Award,” Kultur Monitor, May 6.
https://kulturmonitor.dk/kulturarv/art8758791/Dansk-forskers-vilde-virtuelle-LGBTQmuseum-er-nomineret-til-prestigefyldt-pris

Preble, Micaela. “Who Is Patricia Cronin?,” Masterworks, March 16.
https://insights.masterworks.com/art/artists/patricia-cronin/who-is-patricia-cronin/
2021 Kelly, AJ. “Almost 20 Years of Patricia Cronin’s Memorial To A Marriage,” AfterEllen.com,
October 19. https://afterellen.com/almost-20-years-of-patricia-cronins-memorial-to-amarriage/
Marijnen, Marina. “Maria Magdalena – Kroongetuige, Zondaar, Feminist,” Historiek Online
Geschiedenismagazine, July 23.
https://historiek.net/maria-magdalena-kroongetuige-zondaar-feminist/143394/
Editors. “Alumna Lieke Wijnia Curates New Exhibition at Museum Catharijneconvent,”
Utrecht University Alumni News, July 20. https://www.uu.nl/en/news/alumna-liekewijnia-curates-new-exhibition-at-museum-catharijneconvent
Freeman, Nate. “5. “Horses?” at Chart, New York” in “Editors Picks: 10 Events for Your Art
Calendar This Week, From a Show of Cringeworthy Art to a Christie’s Conference on
NFTs,” Artnet News, July 12. https://news.artnet.com/art-world/editors-picks-july-122021-1980818
Van der Goot, Yko. “De Vele Verschijningen van Maria Magdalena,” Biografie Portaal,

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July 4. https://biografieportaal.nl/recensie/de-vele-verschijningen-van-maria-magdalena/
Olson, Mathew. “How a VR Museum Will Tell LGBTQ+ Stories,” The Information, June 28.
https://www.theinformation.com/articles/how-a-vr-museum-will-tell-lgbtq-stories
Street, Shawna. “The Faces of Mary Magdalene: From Fallen Woman to Feminist Icon,”Light Home, June 25. https://www.lighthome.in/entertainment/music/the-faces-of-mary-magdalene-from-fallen-woman-to-feminist-icon-culture/
Bakker, Lois. “Maria Magdalena, de Workshop en Tentoonstelling,” Toekomst Religieus
Erfgoed, June. https://www.toekomstreligieuserfgoed.nl/artikelen/maria-magdalena-de-workshop-en-tentoonstelling
Rubinstein, Raphael. “The Miraculous: New York 58. (Woodlawn Cemetery in the Bronx),”
The Brooklyn Rail, June. https://brooklynrail.org/2021/06/miraculous/58-WoodlawnCemetery-in-the-Bronx
Editor. “Tampa Museum of Art announces acquisition of Aphrodite Reimagined andcelebration of Greek culture,” ArtDaily, March 25. https://artdaily.com/news/134195/
Tampa-Museum-of-Art-announces-acquisition-of-Aphrodite-Reimagined-and-celebrationof-Greek-culture#.YNyPjhNKgWO

Takac, Balasz. “The Importance of Patricia Cronin's Memorial to a Marriage,” Widewalls,
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2020 McNay, Anna. “The impact of Covid-19 on Artists, Part 3: Building Communities andFinding Inner Resilience.” Studio International, September 4. https://www.studioInternational.com/index.php/impact-of-covid-19--on-artists-part-3- building
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27Vartanian, Hrag. “Venture Out to See Seven Queer Public Artworks Across NYC.”
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April 15. https://news.artnet.com/art-world/artists-coronavirus-1833540
Marcius, Chelsia Rose. “Everlasting Love Showcased on Woodlawn Cemetery’s “Stories ofLove” Trolley Tour,” New York Daily News, February 12. https://www.nydailynews.com/
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Bauld, Laura. “LGBT Histories At Kelvingrove Art Gallery And Museum,” People Make
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Ring, Jennifer. “Tampa Museum Of Art Taps Committee To Help Celebrate Its 100-Year
Anniversary,” Creative Loafing, November 12. https://www.cltampa.com/arts
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https://tampamagazines.com/tampa-museum-art-turns-100/“Tadao Ando’s Favorite Architecture,” Christies Magazine, September – September –October.

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White, Katie. “Botticelli Is Buried at the Feet of His Muse – and 9 Other Unusual Stories
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Cronin’s Sculpture,” Brooklyn College Magazine, Spring, Volume 6, Number 1.
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Capaldi, Eleanor. “Memorial To A Marriage,” EMC Letters, poem inspired by Memorial To
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Duffy, Maggie. “Gifts From The Gods,” Bay Magazine of Tampa Bay Times, February.

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2018 Carey, Jean Marie. “Something in the Way: Season of Love (Patricia Cronin, Yayoi Kusama,
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Munoz-Alonso, Lorena. “Sotheby’s Eric Shiner to Curate Section of Large-Scale Works atArmory,” Artnet News, January 11. https://news.artnet.com/market/armory-showlaunches-section-for-large-scale-works-812375
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Vartanian, Hrag. “Marriage Equality for All! #LoveWins,” Hyperallergic, June
26. http://hyperallergic.com/218117/marriage-equality-for-all-lovewins/
Meier, Allison. “A Guide to the 20th-Century Artists’ Graves of New York City,”Hyperallergic, June 26. http://hyperallergic.com/210513/a-guide-to-the-20th-centuryartists-graves-of-new-york-city/
Reilly, Maura. “Personal But Highly Political Highlights From the 2015 Venice Biennale,”Hyperallergic, June 22. http://hyperallergic.com/216252/personal-but-highly-politicalhighlights-from-the-2015-venice-biennale/
Symonds, Alexandria. “Mickalene Thomas’s Adventures in Italy,” The New York Times
Magazine T Blog. June 17. http://tmagazine.blogs.nytimes.com/2015/06/17/mickalenethomas-italy-travel-diary/?hpw&rref=tmagazine&action=click&pgtype=Homepage&
module=well-region&region=bottom-well&WT.nav=bottom-well&_r=0
Blizzard, Christina. “Glasgow’s New Auld Vibe: Industrial Port City Now Bustling Cultural
Hub, Toronto Sun, June 14. http://www.torontosun.com/2015/06/11/glasgows-newauld-vibe-industrial-port-city-now-bustling-cultural-hub
Kalra, Vandana. “Coming Apart at the Seams: American Artist Patricia Cronin On Creating‘Shrine For Girls,’” The Indian Express, June 13.

Ugolini, Paola. “L’Altra Venezia in Tre Sedi Fuori Dal Coro,” Exibart, June 7.
http://www.exibart.com/notizia.asp?IDNotizia=46017&IDCategoria=1

38

Meier, Alison. “The Art of Accumulation at a New Orleans Shrine to the Plague Saint,”
Hyperallergic, June 3. http://hyperallergic.com/211351/the-art-of-accumulation-at-aneworleans-shrine-to-the-plague-saint/
Privato, Manuela. “L’Arte Moltiplica l’arte nella Biennale Segreta,” Il Mattino, June 2.
unsigned. “Patricia Cronin, Shrine for Girls, La Biennale di Venezia, Venice,” Aesthetica,
May 27. http://www.aestheticamagazine.com/patricia-cronin-shrine-for-girls-la-biennaledi-venezia-venice/
Quick, Harriet. “IFashion APP,” Modern Weekly (China), May 25.
Cembalest, Robin. “Poignant Shrine for Girls in Tiny Venice Church Speaks for Those Who
Can’t,” Let My People Show, May 21.
Gayford, Martin. “More Marx than Dante: Martin Gayford Finds a Few Nice Paintings
Amid the Dead Trees, Old Clothes and Agitprop of the Venice Biennale,” The Spectator,
May 16.
Kazad. “Violence Against Girls and Women Remembered at Venice,” Artcentron, May 15.
http://artcentron.com/2015/05/15/violence-against-girls/
Due, Irene. “Venice Biennale 2015 Review,” The Triad, May 14. www.thetriad.org.uk/
2015/05/14/venice-biennale-2015/
Gleadell, Colin, “Venice Biennale: Gas Masks, Marx, and Cigarettes in the Wrong Places,”
CNN, May 13.
Unsigned. “Apron Entrepreneur’s work displayed at Venice Biennale show in American
Artist’s Shrine,” South Wales Evening Post, May 13.
Yablonsky, Linda. “Back to the Futures,” Artforum, May 12. http://artforum.com/diary/
id=52149
Cembalest, Robin. “Venice Highlights 2015: Pavilions and Collateral Events,” Art inAmerica, May 11.
Mack, Von Gerhard. “Die Kunstler Geben Sich Politisch,” NZZ am Sonntag, May 10.

Reyburn, Scott. “Venice Biennale Expands Its Scope,” The International New York Times,
May 8.

39

Moon, Grace. “A Shrine For Girls, Installation by Patricia Cronin, Velvet Park, May 7.
http://www.velvetparkmedia.com/blogs/shrine-girls-installation-patricia-croninCole, Michal. “Venice Biennale Satellite Exhibitions: Following The Political Trail,” Artlyst,
May 7. http://www.artlyst.com/articles/venice-biennale-satellite-exhibitions-followingthe-political-trail
Vartanian, Hrag. “Your Concise Guide to the 2015 Venice Biennale,” Hyperallergic, May 5.
Azzarello, Nina. “Patricia Cronin Remembers the Repressed with Shrine For Girls,” Design
Boom, May 4. http://www.patriciacronin.net/press/design-boom-venice.pdf
Mion, Carlo. “Opening BiennaleArte in Diretta Live con Instagram,” La Nova di Venezia e
Mestre, May 4.
http://nuovavenezia.gelocal.it/venezia/cronaca/2015/05/04/news/opening-biennaleartein-diretta-live-con-instagram-1.11355836?refresh_ce
Haveles, Kate. “Beyond the Biennale: 21 Top Shows to See Around Venice,” Artsy, May 3.
www.artsy.net/article/artsy-editorial-venice-biennale-2015-21-top-museum-showsevents

Belcove, Julie. “Patricia Cronin and the Body Politic: the American Artist on the Essential
Role of Art in Feminism,” Financial Times Weekend, May 2.
Lister, David. “Venice Biennale 2015: Why This Year Could Be More Political Than the
General Election,” The Independent, May 1
Editors, “Venice Biennale Guide 2015,” The Art Newspaper, May.
Criara, Silvia. “Gli Artivisti,” Marie Claire Italy, May. 2015.
Frank, Priscilla. “Heartbreaking 'Shrine For Girls' Pays Tribute To Young Female Martyrs
Around The World,” The Huffington Post, April 14. http://www.huffingtonpost.com/
2015/04/14/patricia-cronin-shrine-for-girls-venice_n_7058554.html
Munoz-Alonzo, Lorena. “Artist Patricia Cronin Dedicates Altars to Suffering Girls at Venice
Biennale,” Artnet, April 7. https://news.artnet.com/in-brief/patricia-cronin-shrine-forgirls-venice-biennale-285715
Meriam, Mary. “Subverting the “Girlie” Calendar: April,” Ms. Magazine Blog, April 1.
http://msmagazine.com/blog/2015/04/01/subverting-the-girlie-calendar-april/40

Editors. “AAR Shines at Venice Biennale,” American Academy in Rome Magazine, Spring.
Yablonsky, Linda. “Worlds Upon Worlds,” Artforum, Jan. 14.
2014 Moreno, Isabella Bolivar. “Memorial To A Marriage,” in The Contemporary Art ofMemory, ArtOfMemorySites.com, December 5.
https://artofmemorysites.wordpress.com/2014/12/05/memorial-to-a-marriage/
Solomon, Deborah. “Bye, Hornet’s Nest: It’s Back to New York: Jeffrey Deitch Has Big
Plans Now That He’s Left Los Angeles,” The New York Times, October 2.
Johnson, Ken. “The Artist Next Door: ‘Crossing Brooklyn,’ Local Talent at Brooklyn
Museum,” The New York Times, October 2.
Meier, Allison. “Exhuming the Artistic Afterlife from One of NYC’s Historic
Cemeteries.” Hyperallergic, September 15. http://hyperallergic.com/148447/
exhuming-the-artistic-afterlife-from-one-of-nycs-historic-cemeteries/
MacAdam, Barbara A. “Till Death Do Us Art.” Art News, September.
Kahn, Eve. M. “Designs That Outlived Their Benefactors.” The New York Times,
August 21.
Castle, Terry. “The Woman in the Gallery.” The New York Review of Books, August
14, Volume LXI, Number 13.
Ha, J. “Artists in Need of Career Guidance Welcome.” The Art Newspaper, June 18.
Dalamangas, Rachel Cole. Deja Zing: Patricia Cronin Takes a View from Above inLuxury Real Estate Paintings.“ Zing: April 30. http://www.zingtumblr.com/
post/84390311303/deja-zing-patricia-cronin-takes-a-view-from-above-in
Mayes, Tom. "Art in Old Places: Artist Patricia Cronin Confronts the Present with the
Past." Preservation Nation Blog, February 7. http://blog.preservation.org/2014/02/
07/art-in-old-places-artist-patricia-cronin-confronts-present-past/#.UzM-WutKL9I
Caswell-Pearce, Sara. "The Fine Art of Collecting [De Mystified]." EXPRESS Cincinnati,
February.
Swanson, Carl. "Jeffrey Deitch Curates Jeffery Deitch: The Return of the Art
World's Most Essential Zelig." New York Magazine, January 12.
http://www.vulture.com/2014/01/jeffrey-deitch-returns-to-the-art-world.html

41

2013 Buglioni, Maila. “Patricia Cronin alla Centrale Montemartini: Incorporee Figure.” Art A
Part of Cult(ure), November 20.

Di Forti, Massimo. “I Fantasmi di Patricia Cronin alla Centrale Montemartini.” Il
Messaggero, November 11.
Andioni, Guila. “Patricia Cronin: Presenze e assenze.” Artribune.com, November 8.
Napoleoni, Marta. “Patricia Cronin – Le Macchine, gli Dei e I Fantasmi.” Exibart.com,
November 8.
Small, Rachel, "The Unsinkable Art World." Interview, October.
Cirinei, Cecilia. "In Mostra Patricia Cronin Con Sei Opera Monumentali." la Repubblica,
October 14.
"Neoclassico: Le Macchine, Gli Gei, I Fantasmi." IO Donna Il Femminile Del Corriere DellaSera, October 12.
Sassi, Edoardo. "Dedicato a te, Harriet Hosmer: 'Fatasmi' d'arte nella personale di Patricia
Cronin." Corriere Della Sera, October 11.

"Omaggio alla Hosmer di Patricia Cronin." Corriere Della Sera, October 7.
Jun, Christine. "The DA-ZED Guide to Porn Art, As Cameron's Porn Ban Becomes Policy,
We Count 26 Intersections of Radical Art and Grot." Dazed & Confused Magazine, August
2. http://www.dazedigital.com/photography/article/16798/1/
the-dazed-guide-to-porn-art.
Meier, Allison. “The Tombs of Artists As a Last Statement From The Grave." Hyperallergic,
August 1. http://hyperallergic.com/76916/the-tombs-of-artists-a-last-statement-fromthe-grave.
Laster, Paul. “Parrish Art Museum Midsummer Party.” Art in America, July 13.
http://www.artinamericamagazine.com/the-scene/parrish-art-museum-midsummerparty.
Pollack, Barbara. “1993.” Modern Weekly (China). April.
Best, Kenneth. “Contemporary Art Galleries Revisit Gatsby with ‘Age of the One
Percent’ Exhibit.” UConn Today, April 1. http://today.uconn.edu/blog/2013/04/
contemporary-art-galleries-revisit-gatsby-with-age-of-the-one-percent-exhibit/.

42

Kley, Elizabeth. “Patricia Cronin, fordPROJECT.” ARTnews, March.
Budick, Ariella. “NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New
York.” Financial Times, February 27.
Wolin, Joseph R. “Anna Plesset, A Still Life.” Time Out New York, February 14-20.
Pollack, Barbara. “Love Potions: Art and the Heart.” ARTnews, February.
Kremintz, Jill. “Katz X Katz.” New York Social Diary, January 23.
http://www.nysocialdiary.com/node/1908974.
2012 Moon, Grace. “Velvetpark’s Official Top 25 Significant Queer Women of 2012,” Velvet
Park, December 21. http://www.velvetparkmedia.com/blogs/velvetparks-official-top-25significant-queer-women-2012.
Duray, Dan, “Look at This! Patricia Cronin at fordProject.” GalleristNY.com, November 29.
http://galleristny.com/2012/11/look-at-this-patricia-cronin-at-ford-project/.
Moon, Grace. “Art for the Weekend: Patricia Cronin, Daphne Fitzpatrick, Julia
Kunin.” Velvet Park, November 19, 2012. http://www.velvetparkmedia.com/blogs/art-weekend-patricia-cronin-daphne-fitzpatrick-julia-kunin.
Russeth, Andrew. “How Are New York’s Art Types Riding Out Hurricane Sandy?”
GalleristNY.com, October 29.
Sheets, Hillary M. “Riffing on Forefathers and Mothers.” The New York Times,
October 26. http://www.nytimes.com/2012/10/28/arts/design/deborah-kasssbefore-and-happily-ever-after-retrospective.html?ref=design&_r=0.
Meier, Allison. “From Da Bronx to Eternity.” Hyperallergic, July 3.
http://hyperallergic.com/53757/from-da-bronx-to-eternity/.
Scarpello, Lauren. “Review: ‘Patricia Cronin: All Is Not Lost.’” Pelican Bomb,
June 7. http://pelicanbomb.com/home/post/242.
Zaytoun, Constance. "Nostalgic for a Future: Hannah Wilke's Intra-Venus Tapes
and Patricia Cronin's Memorial to a Marriage." Monuments and Moving Targets:
Civic Engagement by Female Performance Artists in the 21st Century Panel,
Association for Theatre in Higher Education Conference, 2012.

Compton, Kelly, “Contemporary Masterworks on View Nationwide,” Fine Art Connoisseur,
Vol. 9, no.3., June.

43

Brookhardt, Eric D. “Review: work by Patricia Cronin at Newcomb Gallery.” Bestof New Orleans. May 31, 2012. http://www.bestofneworleans.com/blogofneworleans/
Archive/2012/05/31review-work-by-patricia-cronin-at-newcomb-gallery.
Denson, G. Roger, “When Walls Come Falling Down: Left Political Art Timeline, 1989 –
2000,” The Huffington Post, April 16. http://www.huffingtonpost.com/g-rogerdenson/9892000_b_1422848.html.
Halperin, Julia, “A Curator’s Diary: Armory Week with FLAG Director Stephanie Roach,”
Artinfo.com, March 9.
Jenkins, Mark, “Patricia Cronin,” The Washington Post, February 24.
Anderson, John, “Reviewed: Patricia Cronin at Conner Contemporary,” Washington City
Paper, Feb. 15.
Nania, Rachel, “Patricia Cronin Exhibits Bodies and Soul at Conner Contemporary Art,
ArtSee: Coloring DC, February 7.
Kremintz, Jill, “Götterdämmerung by Dana Schutz,” New York Social Diary, Jan. 17.

2011 Tauches, Karen, “Art, Sex, and Politics in an Age of Conservative Heteronomativity,”
Burnaway.org, October 26.
Horodner, Stuart, “Sex Drive,” atlantacontemporary.blogspot.com, October 18.
Meier, Allison, “From Courbet to the Bronx, The Love That Date Not Speak Its
Names Gets Marriage Memorial,” Hyperallergic.com, Oct. 10.
Finch, Charlie, “Cattelan’s Dingleberries,” Artnet.com, Oct. 3.
Rocchio, Patrick, “Funerary Sculpture Celebrates Same-sex Couples at Woodlawn
Cemetery,” Bronx Times-Reporter, Sept. 26.
Cembalest, Robin, “Legally Bronze!,” Let My People Show Blog, Sept. 23.
Unsigned, “Legally Bronze!,” Niborama: The Art Blog of Cre8tive Youth*ink, Sept. 22.
Simon, Stephanie, “Your Weekend Starts Now 9/21/11,” NY1 TV station, Sept. 21.

Bolcer, Julie, “Love and Marriage, On Display For Eternity,” The Advocate, Sept. 21.

44

Russell, Legacy, “Memorial To A Marriage: Artist Patricia Cronin Casts Eternity,”
BOMBlog.org, Sept. 19.

Kort, Michelle, “Eternal Portrait of a Lesbian Marriage,” Ms. Magazine blog, Sept. 19.
Cicalese, Erin Gregory, “Artist Patricia Cronin set to Unveil her Latest Work ‘Memorial
To A Marriage’ on September 20th at Woodlawn Cemetery,” BoogieDowner, Sept. 15.
Samuels, Tanyanika, “Bronze version of ‘Memorial to Marriage’ sculpture of artistand her wife returning to Woodlawn,’ New York Daily News, Sept. 15.
Milosheff, Peter, “Patricia Cronin Sculpture Installation at Woodlawn Cemetery,”
The Bronx Times, Sept. 13.
Russeth, Andrew, “Artists Patricia Cronin and Deborah Kass to Rest Forever inBronx Cemetery,” Wall St. Journal, Sept. 13
Russeth, Andrew, “Artists Patricia Cronin and Deborah Kass to Rest Forever inBronx Cemetery,” New York Observer, Sept. 12.
McManus, Bridget, “Afternoon Delight: A “Bridesmaids” blooper reel, out artist
Patricia Cronin’s new sculpture,” AfterEllen.com, Sept. 12.
Kazakina, Katya, “Facebook’s Precursor, $15 Million Southampton Mansion:
Hot Art,” Bloomberg News, Aug. 3.
Miller, Leigh Anne, “The Lookout: A Weekly Guide to Shows You Won’t Want to Miss,” Art
In America, June 16.
Griffin, Amy, “Sculpture in the Fields,” Times Union, June 16.
Hirsch, Faye, “Seeing Queerly,” Art In America, February.
Sozanski, Edward, “Art: A Swing Through Some Galleries,” The Philadelphia Inquirer,
February 13.
Salvato, Ed “Baltimore’s LGBT Heart,” http://edsalvato.wordpress.com, February 8.
Azfar, Farid, “Just One Kiss, Then Another,” http://news.haverford.edu/blogs/
sexdrive/category/essays/, January 30.

Unsigned, “A Love Set in Stone,” www.cherrygrrl.com, January 24.

45

2010 Boyd, Robert, “My Top 10 Houston Art Shows,” http://thegreatgodpanisdead.
blogspot.com, December 28.

Britt, Douglas, “Houston Was Treated To Great Art Shows in 2010,” Houston Chronicle,
December 21.
Unsigned, “People in the News,” College Art Association News, November.
Kass, Deborah, “The Cube Show,” www.artfagcity.com, Oct. 10.
Moon, Grace, “Patricia Cronin: Memorial To A Marriage,” Velvet Park.com, Sept. 6.
Bergeron, Michael, “Because We Are,” Free Press Houston, June 20.
Britt, Douglas, “Gay Identity Unfiltered,” Houston Chronicle, June 18.
Britt, Douglas, “Gay Identity, Unfiltered,” http://www.chron.com, June 18.
Britt, Douglas, “Exhibit on ‘Queer Identity’ Requires Unusual Preparations,”
http://blogs.chron.com, June 18.
Unsigned, College Art Association News, Volume 36, Number 2, March.
Deliso, Meredith, “Music off the Walls,” 24sevenbrooklyn.blogspot.com, January
13.
Giovanniello, Sarah, “Patricia Cronin and Harriet Hosmer Meet Across Generations,”
Community: Feminist.Bloggers@brooklynmuseum.org, January 22.
2009 Johnson, Kjerstin, “Sm{art}: Support Lesbian Art and Archives,” Bitch Media, December 16.
Unsigned, College Art Association News, Volume 34, Number 6, November.
Yablonsky, Linda, “Warren Piece,” Artforum.com, September 15.
Wolin, Joseph R., “Patricia Cronin, Harriet Hosmer, Lost and Found,” Time Out New York,
August 27 – September 2.
Unsigned, College Art Association News, Volume 34, Number 4, July.
Weingarten, Judith, “Zenobia, Lost and Found,” Zenobia Empress of the East
(http://judithweingarten.blogspot.com), July 10.

46

Cotter, Holland, “Patricia Cronin: Harriet Hosmer, Lost and Found,” The New York Times,
June 19.

Wolff, Rachel, “Art Talk: Neoclassic Revival,” Art News, Summer.
Brennan, T. Corey, “At Brooklyn Museum, ‘Harriet Hosmer, Lost and Found’, an exhibitionof watercolors by Patricia Cronin FAAR’07,” Society of Fellows Blog,
June 5.
Poundstone, William, “Hosmermania,” Los Angeles County Museum on Fire,
lacmaonfire.blogspot.com, June 1.
Finch, Charlie, “The Lady Hosmer,” artnet.com, May 29.
Deliso, Meredith, “Hooked on Hosmer,” Brooklyn Heights Courier, May 28.
Jeffrey, Moira, “Art Review: Sh(OUT): Contemporary Art and Human Rights,” Scotland on
Sunday, April 19.
Miller, Phil, “Children Banned From Explicit Gallery Display,” The Herald, April 9.
Miller, Phil, “Explicit Images To Go On Show In Gallery,” The Herald, April 2.
Smith, Mark, “Mapplethorpe’s Ugly Image Risks Pandering To Gay Stereotypes,” The
Herald, April 2.
Unsigned, “Brooklyn Museum Announces Watercolors by Conceptual Artist Patricia
Cronin,” ArtDaily.org, March 22.
2008 Gouveia, Georgette, “Review: For the Wonder of Women’s Art,“ New York’s Lower
Hudson Valley, December 7.
http://www.lohud.com/apps/pbcs.dll/article?AID=/20081207/
Schwendener, Martha, “Dykes! Tutus! Off-ramps! The Guggenheim Mounts a Catherine
Open Retrospective,” The Village Voice, October 8.
McClemont, Doug, “Doug McClemont on Catherine Opie at the Guggenheim, New York,”
www.saatchi-gallery.co.uk, October 7.
Asper, Colleen, Review If Love Could Have Saved You, You’d have Lived Forever,
www.Artcritical.com, August 13.

47

Johnson, Joshua, Review If Love Could Have Saved You… at Bellwether, The Zine,
www.ArtCal.net, August 11.

Johnson, Ken, ‘If Love Could Have Saved You, You Would Have Lived Forever’ Review, The
New York Times, July 25.
Finch, Charlie, “The Eyes Have It,” Artnet.com, May 8.
2007 Unsigned, “Brooklyn Museum What’s Happening,” November-December.
Unsigned, “50 Essential New York Secrets,” Time Out New York, November 1-7.
Finch, Charlie, “Another Show, Another Opening,” Artnet.com, September 10.
Yablonsky, Linda, “Remembering Murray,” Artforum.com, August 30.
Drucks, Acmim, “Desperately Seeking Harriet: The American artist Patricia
Cronin on the trail of a forgotten sculptress,” www.deutsche-bank-kunst.com /art/
2007/3/e/.
Lorello, Kristen, “Rome Open City,” Artnet.com, July 17.

Laurenzi, Laura, “E dove sono I Sette Colli? La ‘vacanza’ romana di Laura,” La
Republica, June 10.
“Il bon ton presidenziale dei Prodi cibi gourmet e doni made in Italy,” Epolis
Roma, June 10.
Poggi, Natalia, Il Tour de force di Laura in Una Citta Irreale, Il Tempo, June 10.

(Scheda) Bush a Roma: Patricia Cronin, L’Arte Della Sensualita, Pittura Oggi,
June 9.
Casadio, Giovanna, “Per La First Lady arte e niente shopping,” La Republica, June 9.
“American Academy Announces Rome Prizes,” Artforum.com, April 23.
“Patricia Cronin: Lost and Found,” EternallyCool.com, April 3.
Cotter, Holland, “What “F” Word?”, The New York Times, March 7.
Adams, Brooks, “Robert Rosenblum,” Art in America, February.

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2006 Walcott, Karen, “A Shared Language,” Centre Daily Times, November 24.

Robinson, Walter, “Rome Prize Winners,” Artnet.com, May 11.
Ebony, David, “The Melancholy Gang: Eugene Berman and His Circle,” Art in America,
March.
“Rome Prizes for Patricia Cronin and John Kelly,” Queer Caucus For Art, College Art
Association, May.
Gehman, Geoff, “Controversial Tombstone A Monument To The Triumph Of Love,” The
Morning Call, February 6.
Finch, Charlie, “A Visit With Deb and Pattie,” Artnet.com, January 18.
2005 Hill, Lori, “The Really Early Years,” Philadelphia City Paper, September 22-29.
Harvey, Doug, “Premature Exhibitionism: Pictures from a Gone World,” LA Weekly, June
10-16.
Cotter, Holland, “Trade,” The New York Times, February 25.
Castro, Jan Garden, “Open House: Working in Brooklyn,” Sculpture, January/
February.
Greenfield, Beth, “Don’t Miss: Something Old, Something New: Patricia Cronin,”Time Out New York, January 6-12.
Sicha, Chorie, “Sculpture Then and Now,” The New York Times, Arts & LeisureSection, Sunday, January 2.
2004 Nadelman, Cynthia, “The New Realism,” Art News, December.
Jordon, Susan, “Out In Front: Living MEMORIAL,” Curve, November.
Hirsch, Faye, “Patricia Cronin, The Domain of Perfect Affection 1993-2003,” Art
in America, October.
Volk, Gregory, “Big Brash Borough,” Art in America, September.

Beer, Tom, “From Here To Eternity,” New York News Day, July 7.

49Ollman, Leah, “An Open-Armed Welcome,” The Los Angeles Times, June 4.
Maine, Keith, “Brooklyn Sprawl,” Artnet.com, May 27.
Saltz, Jerry, “Borough Hall,” The Village Voice, May 5.
Yablonsky, Linda, “Brooklyn Sprawl,” Time Out New York, April 29-May 6.
Cotter, Holland, “Brooklyn-ness, a State of Mind and Artistic Identity in the UnChelsea,” The New York Times, April 16.
Huntington, Richard, “Cool, Collected,” The Buffalo News, April 2.
Robinson, Walter, Patricia Cronin in Buffalo, Artnet.com, March 23.
Bolonik, Kera, “Not Your Mother’s Lesbian,” New York Magazine, January 12.
Santomauro, Jenny, “Hooves of Desire: ‘Patricia Cronin: The Domain of Perfect Affection,
1993-2003’ at UB Art Gallery, Art Voice, April 22.
Cupailuolo, Christine, “Brave Grave,” Ms. Magazine, Spring.

2003 Rosenblum, Robert, “The Best of 2003,” Artforum, December.
Strong, Lester, “The Out 100,” OUT Magazine, December.
De Santis, Linda, “Katz & Clemente Ecco L’unione Tra Poesia e Pittura,” La
Republica, December 27.
Ferrario, Rachel, “Il Colore Dei Versi,” Corriere Della Sera, December 23.
Saltz, Jerry, “Forever Yours,” The Village Voice, October 29.
Perlman, Lani, “Dying To Make A Statement,” The Riverdale Press, October 2.
Unsigned, “Galleries - Patricia Cronin,” The New Yorker, September 1.
Szabo, Julia, “The Body Beautiful,” Grace Magazine, May/June.
Humm, Andy, “Woodlawn Lesbian Memorial Big Attraction,” Gay City News, March 7-13.

DePalma, Anthony, “A Daring (and Icy) Duet,” The New York Times, Sunday,
February 23.

50

Gronlund, Melissa, “Art Talk: Plot Twist,” Art News, January.

2002 Cotter, Holland, “Tammy Rae Carland,” The New York Times, December 5.
Unsigned, “Galleries - Patricia Cronin,” The New Yorker, December 2.
Swetala, Christopher, “Sanctioned in Stone,” Review, November/December.
Braff, Phyllis, “Looking at Those Images, Again and Again,” The New York Times,
November 24.
Szabo, Julia, “Grave Subjects,” The New York Post, November 3.
Hackman, Kate, “Open & Opening: Patricia Cronin,” Review, September/October.
Thorson, Alice, “Larger Than Life: ‘Memorial To A Marriage’ Makes a Statement from
Beyond the Grave About Same-seks Relationships,” The Kansas City Star, September 22.
Kaufman, Gind, “Death Becomes Them,” The Pitch, September 19-25.
Sims, Carol, “The Aldrich Takes on ‘Family’,” Antiques and the Arts Weekly, May 3.
2000 Rau, David D.J., “horsePLAY Review,” New Art Examiner, February.
Hill, Alma E., “Beware: Animal Show is Puzzling,” The Atlanta Journal-Constitution,
February 5.
1999 Pollack, Barbara, “ARTtalk: The Mane Event,” Art News, November.
Damsker, Matthew. “Horsing Around at Real Art Ways, Hartford Courant, October 2.
Unsigned. “Endview,” Endeavors: The University of North Carolina at Chapel Hill, Fall,
Vol. XVI, Number 1.
Barakat, Christine, Round Up: Art Imitates Barn Life, Equus, April.
1998 Liebmann, Lisa, “The Best of 1998,” Artforum, December.
Canning, Susan, “Tack Room,” Sculpture Magazine, October.

Cotter, Holland, “Patricia Cronin & Deborah Kass,” The New York Times,
April 17.

51

Cotter, Holland, “A Tour Through Chelsea, The New Center of Gravity,” The New
York Times, May 15.
Saltz, Jerry, “Inventory,” Time Out New York, May 14-21.
1997 Cotter, Holland, “The Name of the Place,” The New York Times, January 31.
Frankel, David, “The Name of the Place,” Artforum, May.
Frankel, David, “Pony Tales,” Artforum, April.
Katz, Vincent, “Pony Tales,” Art in America, September.
Levin, Kim, “Pony Tales,” The Village Voice, February 11.
Yablonsky, Linda, “She Digs A Pony,” OUT Magazine, December/January.
Atkins, Robert, “Goodbye Lesbian/Gay History, Hello Queer Sensibility:
Mediating on Curatorial Practice,” College Art Association Art Journal, Vol. 55,
No. 4.

1996 d’Adesky, Anne-christine. “Patricia Cronin,” XXX Fruit, Vol. No. 2.
1995 Murphy, Timothy. This Generation: Nine Gay Artists… And a Thousand Ways to Define“Queer Art,” Homo Xtra, Vol. 5, #46, November 11.
MacMillian, Ian, “Body of Work: A New Exhibitionism Stalks the Gallery, Attitude,
November.
Hess, Elizabeth. “Never-Never Wasteland,” The Village Voice, May 23.
Cotter, Holland, Review “Patricia Cronin and Lee Gordon,” The New York Times, May 5.
Curtis, Cathy, “Exposing ‘Pervert,’ UCI Show Reveals Fresh Views of Homosexuality That
Are No Threat to the Open-Minded,” The Los Angeles Times, May 3.
Walsh, Daniella, “Gays, Lesbians Put on Bold Show,” The Orange County Register, April 28.
Katz, Vincent, “Girlfriends: Up Close and Personal with Artist Patricia Cronin,” Paper, April.

Atkins, Robert, “Very Queer Indeed,” The Village Voice, January 31.

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1994 Atkins, Robert, “Queer For You,” The Village Voice, June 28.
Cotter, Holland, “Gay Pride (and Anguish) Around the Galleries, The New York Times,
June 24.
Saltz, Jerry, “A Year In The Life: Tropic Of Painting,” Art In America, October.
Lennox, Lillian, ed. Vulvamorphia, New York: Lusitania: A Journal of Reflection andOceanography, Vol.#6.
1993 Hess, Elizabeth, “Basic Instincts,” The Village Voice, June 1.
Paice, Kim, “Coming To Power,” Art+Text, Fall.
TEACHING:
2003–present Brooklyn College of The City University of New York, Brooklyn, NY.
Associate Professor of Art (tenured, 2009); Full Professor (2010);
Distinguished Professor (2023-). Leonard and Claire Tow Professorship (2013-14
and 2018-2020).
2002-2003

Yale University, New Haven, CT. Visiting Critic.

2000-2002

School Of Visual Arts, New York, NY. Adjunct Assistant Professor.

1999-2002

Columbia University, New York, NY. Adjunct Assistant Professor.

1999-2000

Maryland Institute, College Of Art, Baltimore, MD. Adjunct AssistantProfessor.
University Of North Carolina At Chapel Hill, Chapel Hill, NC. Visiting
Assistant Professor/Artist in Residence.

1995-1998

The New School For Social Research, New York, NY. Adjunct AssistantProfessor.
Cooper Union, New York, NY. Adjunct Assistant Professor.

1995-1996

Pratt Institute, Brooklyn, NY. Visiting Assistant Professor.

INVITED LECTURES:
2022 20th Anniversary of Memorial To A Marriage: Patricia Cronin in Conversation with Eric
Shiner, Arts Students League, New York, NY.

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“Emma Stebbins and Her Competitors” in Emma e L’Angelo Di Central Park Book Launch
Panel Discussion, Italian Cultural Institute, New York, NY.
The LGBTQ+ Experience in Literature, Art & Media: Representation, Storytelling, andHistoric Censorship, Gender Fairness Committee, New York State Courts, Bronx, NY(online).
2021 “Memorial To A Marriage and Art Historical Inspirations,” in Etruscans: Past, Present andFuture course, University of California, Berkeley, CA (online).
“Patricia Cronin Aphrodite Reimagined,” in Antiquities Circle Lecture, Tampa Museum ofArt, Tampa, FL (online).
“Edith Windsor and Contemporary Portraiture,” Johns Hopkins University, Baltimore, MD(online).
“Patricia Cronin, Aphrodite, and the Lure of Antiquity,” Keynote lecture on the occasion of
Pompeii: The Immortal City exhibition, Orlando Science Center, Orlando, FL (online).
2020 “Curatorial Activism, A Conversation with Maura Reilly, Patricia Cronin, Cecilia FajardoHill, Nur Sobers-Khan, and Jasmine Wahi,” in New Social Experiment Series, The Brooklyn
Rail, Brooklyn, NY (online).
“Patricia Cronin + Kalup Linzy Conversation,” Life During Wartime: Art in the Age of theCoronavirus, University of South Florida Contemporary Art Museum, Tampa, FL (online).
“Patricia Cronin, Lesbian Bodies in Queer Times,” Queer@Kings Lecture Series, Kings
College London, London, United Kingdom (online).
“Shrine For Girls: Social Justice and Aesthetic Responsibilities,” Women and Migration(s)Working Group Webinar Series, New York University, Washington, D.C. (online).
2019 “Patricia Cronin and the Lure of Antiquity,” with Guggenheim Museum curator, Vivien
Greene. Co-Sponsored by Civitella Ranieri Foundation’s 25th Anniversary Celebration,
Center for Italian Modern Art, New York, NY.
“Visible Body, A Conversation with Patricia Cronin, Mark Robbins and Stefan Sagmeister,”in New Work in the Arts & Humanities: The Body series, American Academy in Rome,
Rome, Italy.
“All Bound Up Together,” Greenberg Steinhauser Forum in American Portraiture, Votes
For Women Study Day Conference, Smithsonian National Portrait Gallery, Washington, D.C.

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“Patricia Cronin: Social Justice and Aesthetic Responsibilities,” Parsons School of Art, New
York, NY.

2018 “Patricia Cronin: Intersectional Feminism and Aesthetic Responsibilities,” Intersectionality
and Feminism in the Arts Conference, New York University, Villa La Pietra, Florence, Italy.
“Patricia Cronin,” Thirty on Thursdays Gallery Talk Series, Tampa Museum of Art, Tampa,
FL.
“Memorial To A Marriage,” 50th Anniversary New Acquisitions Exhibition Lecture,
Smithsonian National Portrait Gallery, Washington, D.C.
2017 “On The Road to Aphrodite, Reimagined,” Antiquities Circle Lecture Series, Tampa
Museum of Art, Tampa, FL.
“Moving Mountains: Harriet Hosmer’s 19th century Italian Migration to become the First
Professional Woman Sculptor,” Women and Migrations Conference, New York University,
Villa La Pietra, Florence, Italy.
“Shrine For Girls, Dublin,” The Lab Gallery/Dublin City Council, Dublin, Ireland.
“Shrine For Girls, Dublin,” Arts and Trauma Seminar, The Lab Gallery/Dublin City Council,
Dublin, Ireland.
“Patricia Cronin: Social Justice and Aesthetic Responsibilities,“ Picturing Women:
Constructions of Gender in the Acton Collection and Contemporary Society Series. New
York University, Villa La Pietra, Florence, Italy.
“Tack, Quack and Wack,” Armory Live, The Armory Show, New York, NY.
“Context is Everything: Political Art In and Out of the Museum,” on Museums, Artists, andSocial Change panel, College Art Association Annual Conference, New York, NY.
2016 “Shrine For Girls: A Conversation with Maura Reilly,” The FLAG Art Foundation, New York,NY.
“Shrine For Girls: Social Justice and Aesthetic Responsibilities,” Yale University School of
Art at Norfolk, Norfolk, CT.
“Shrine For Girls: Feminist Politics at the Venice Biennale,” Faculty Day, Brooklyn College/
CUNY, Brooklyn, NY.
“Shrine For Girls: Social Justice and Aesthetic Responsibilities,” The Mark Grote Annual55

Visiting Artist Lecture, Loyola University, New Orleans, LA.
2015 “Shrine For Girls,” Chiesa San Gallo, Venice Biennale. Venice, Italy.
“Legacy of Rape: Art, Law and Social Justice,” Panel Discussion, Institute for Research on
Women, Gender, and Sexuality, Columbia University. New York, NY.
2014 "Ghosts in the Machine," Massachusetts College of Art. Boston, MA.
"Ghosts in the Machine," Lunch Bag Lecture, National Portrait Gallery/Smithsonian
American Art, Washington, D.C.
"Ghosts in the Machine," Mellon Fellowship Seminar Lecture. The Graduate Center, The
City University Of New York. New York, NY.
2013 “Patricia Cronin, Le Macchine, Gli Dei e I Fantasmi,” Panel Discussion with Ludovico
Pratesi and Peter Benson Miller,” American Academy in Rome, Rome, Italy.
2012 “Patricia Cronin: All Is Not Lost,” Conversation with Contemporary Art Curator Sean
McGlashan, St. Mungo Museum of Religious Life and Art, Glasgow, Scotland.
“Contemporary Art and Social Justice: Developing a Research Network to Advance 21stCentury Museum Ethics in Theory and Practice” Conference, Victoria and Albert Museum,London, England.
“Dante Figures Now,” Brown Bag Lecture, Ph.D. Museum Studies Program, University ofLeicester, Leicester, England.
“Patricia Cronin: Memorial To A Marriage and Harriet Hosmer,” Persectives Lecture, MA
Museum and Gallery Studies Program, University of Leicester, Leicester, England.
“Patricia Cronin: All Is Not Lost,” Lecture and Conversation with V&A Sculpture Curator
Amy Mechowski, Victoria and Albert Museum, London, England.
“All Is Not Lost,” Newcomb Art Museum, Tulane University, New Orleans, LA.
“All Is Not Lost,” Penn State, State College, PA.
“Where the Bodies Lie: Landscapes of Memory, Mourning and Concealment” Panel,College Art Association Annual Conference, Los Angeles, CA.

Organizer, 2nd Civitella Ranieri Foundation Advisory Council Reading Event, KGB Bar, New
York, NY.

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2011 “Sex Drive Panel Discussion,” Atlanta Center for Contemporary Art, Atlanta, GA.

Organizer, Inaugural Civitella Ranieri Foundation Advisory Council Reading Event, KGB Bar,
New York, NY.
Guest Critic, Final Reviews, New York Academy of Art, New York, NY.
“White Marmorean Flock,” on The Feminist Breast: Women, Nudity and Portraiture Panel,College Art Association Annual Conference, New York, NY.
2010 “That Is Then, This Was Now: Harriet Hosmer’s Rome and Memorial To A Marriage,”
Fordham University, Lincoln Center Campus, New York, NY.
“Patricia Cronin & Harriet Hosmer,” Rhode Island School of Design, Graduate Painting
Program, Providence, RI.
2009 “Harriet Hosmer,” Brooklyn Museum, Brooklyn, NY.
“La Battaglia al Castello di Civitella Ranieri,” Civitella Ranieri Center Art Gallery,Umbertide,
Italy.

Through Biography” panel organized by Ad Hoc Vox with Jenifer P. Borum, Patricia Cronin,
Wayne Koestenbaum & Gail Levin, The Drawing Center, New York, NY.
2008 “Virgins, Whores And Warriors,” Maryland Institute, College Of Art, Baltimore, MD.
“Something Old, Something New, 19th And 21st Century Sculpture Practices,” Sarah
Lawrence College, Bronxville, New York.
“Something Old, Something New, 19th And 21stCentury Sculpture Practices,” The
Educational Alliance, New York, NY.
2007 “Subverting Watercolor,” Elizabeth Sackler Feminist Art Center, Brooklyn Museum,
Brooklyn, NY,“Harriet Hosmer’s Rome,” American Academy In Rome, Rome, Italy.
2006 Rhode Island School Of Design Rome Program, Rome, Italy.
Temple University Rome Program, Rome, Italy.
Cornell University Rome Program, Rome, Italy.

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2005 Long Beach Museum, Long Beach, CA. “High Drama.”

The Dahesh Museum Of Art, New York, NY. “Something Old, Something New, 19th And
21st Century Sculpture Practices.”2004 “Lee Bontecou: A Retrospective,” Museum Of Modern Art, New York, NY.
“Inter-Sexions: Queering The Visual” Conference, The Graduate Center, The City
University Of New York. New York, NY.
University At Buffalo, SUNY, Buffalo, NY.
2003 Museum Of Fine Arts/Boston, Boston, MA.
“Digital Art And Sculpture,” Brooklyn College, CUNY, Brooklyn, NY.
“Digital Figurative Sculpture,” International Sculpture Center, Mercerville, NJ.
The School Of The Museum Of Fine Arts/Boston, Boston, MA.
Association For Gravestone Studies, Green Mountain College, Poultney, VT.
2002 “Memorial To A Marriage,” Grand Arts, Kansas City, MO.
2001 Fordham University, Bronx, NY.
Parsons School Of Design, New York, NY.
Empire State College/SUNY, Studio Program, New York, NY.
Nexus Contemporary Art Center, Atlanta, GA. “The Artist As Pet Obsessive.”1999 The School Of The Museum Of Fine Arts/Boston, Boston, MA.
Real Art Ways, Hartford, CT.
The School Of The Museum Of Fine Arts/Boston, Boston, MA.
University Of North Carolina, Greensboro, Greensboro, NC.

1998 Christie’s, New York, NY. Faculty.

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The Brooklyn Museum of Art, Brooklyn, NY.
1997 School Of Visual Arts, New York, NY.
New York Studio Program, New York, NY.
“Pony Tales,” The Downtown Arts Festival, Brent Sikkema/Wooster Gardens Gallery, New
York, NY.
1996 Rhode Island College, Providence, RI.
The New School For Social Research, New York, NY.
1995 SUNY/Purchase, Purchase, NY.
College Art Association Annual Conference, San Antonio, TX.
1994 The Drawing Center, New York, NY. “Lesbian Subjectivities,” Panel Organizer.
School Of Visual Arts, New York, NY.
New York University, New York, NY.
1993 School Of Visual Arts, New York, NY.
William Patterson College, Wayne, NJ.

59