Shaping the History al Art
In SoutheutAsla

Art Studies_OJ

198

Essay 15~*05

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J,m Supangkac, "Multtculcural,sm 1
Multimodernism," in Conte111por,1ry~ht.:~ffi~~btf:\L -r~t.:#tff*O):J-·f- x.1/it--O)f±$t:~t--r, 1970~,f-\: t: l::-\'~'-lj110-lj-1{1{V-:1J
lj[ifl:Jl{J¥j7y70)~Uj~i'.f(J~roit:t!:dtJt,:

Art in Asiu: Traditirm.r Temiom,

Apman Poshyananda er al , exh. cat( ew York: As,a Souery Galleries &Sydney: Fine Arts Press , 1996), p. 74.

,r;, ~-;;i.,:,,71:f,H~Lt:ilif\:JHfil'll~

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D11uSen, R11pu.·
S,p,t,h,m T11l1Jun~an,!llo \"11/11nan.
ed Asikin Hasan;,~*0)139Hs*i'.19t:JZ.m-t-551-¥:t.:c;rt.t0),t•Jv-J-•J711: ~§t:.fL-r f.\ip.fia(Jt:~JiLt.:.::1:t:ML-r,
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Cultural Practtce: Some Polem,cal,n Tht Third Text
RwderonArt. C11l1tmandSoaet),ed.

Categories,"

Rasheed Araeen, Sean Cub1tr andZ,auddin Sardar (London & New
York: Continuum, 2002), p. 19.
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Arr Museum, 1996); John Clark,

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f.tie1:-,\ •-rlt. ~x-i>~P.«,,\fodi:rn1t)and B<Jond:Themes111
SoutheastAJJanA rt, ed.T. K. Sabapa-,\1,,JernAJJanArt (Sydney: Craftsman House G • B Arcs International,

1998); Geera Kapur, W'hen \\1/as,\1oJernim1:
EsruJSon Contemporary
C11!t11ral
Praa,,, in India (New Delhi:
Tul,ka, 2000); Apman Poshyananda.

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Alice G. Gu,llermo, "The History

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Th,,iland, ed.Furu,ch, Yasuko andNakamoto Kaw mi, exh. cat. (Tokyo:
Japan Foundation Asia Center, 1995),
pp. 221-231.
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Claire Hair, Art in flldo11,.ria:

15

Posr-Modern,sr Developments mMalaysian Arc in rhe Post-Independence Period," m /\1ndermt)mAJia11Art, ed.John Clark (Sydney.
Wild Peony, 199,), pp. 169-181;
Piyadasa, "Modern Malaysian Arr,

C,111t1111111m
and Change(lrhaca:
Cornell University Press, 1967),
Kusnad,, Sm, Rupa /ndone1iadun
Pe111b111aan11Ja(J akarca: Deparremen
Pend,dikan dan Kebudayaan, 1978).

J ,m Supangkar, "Contemporary Arr:
Whar When Where;· in Queensland
Arr Gallery, TheSeco11d
Aua-Pa,ifa

tt:, ~--t-lJ)rTrad,non

16

19-15-1991. AH isrorical Over-ChangeJ Plr!IXIJ)%,~t,.:~ ~-UiP.@,'.>IRedza Piyadasa,"Modern,srview,'' m Traditwn und Chunge:

Contempnrar;A rt r1Auu ulld thePa,ifa·,ed.CarolineTurner (Sr. LuCJa:
Umvermy of Queensland Press,
1993), pp.58-71; T.K.Sabaparhy
and Redza Piyadasa , ,U,,d..,.,,ArltJt<
nf,\lulaJJtu. D,u.111Buha1add11
P111tak,,(Kuala Lumpur: Mm,srry of
Education Malaysia, 1983); Kwok
Kian Chow,C..ha11nel,&Crmf/11mas:A
Hwnr; ofSmgap,,reArt (Singapore:
Singapore Arr Museum, 1996).
ili:f-l;-1;.,F;j, ',,?IJ) J:HijliJl1;'.l:Jll.lL.
-rIi, -tf';j.;.,t--.1 1)7;.,:iffMIH•ltl:6'.>,,; 1.,,•7,/ ,;.,;Ii-, l--\'>77,1) •7,{f-lJ)J~ ¥,·t..:t.J..:J,
f~~P.«,
SanenroYuliman m D11aS<11i
R11pa(Jakarta, 2001); J,m Supangkar,"The Emergence of IndonesianModernism and m Background;· inA,ian Mr,d,rnimi:D11m, Ottdopmmt

fjR,,<::,,75

and

Tr1m111al,
pp.26-28.

Edward W Said, 0ri<11tal1J111(London:Routledge & Kegan Paul, 1rsi

09

4'-c'-tt 1-F fli-, t:ffl~-c'Wiit
1:9~':l.:/Ji>'iJ-,t:IJ)li.
jllji'f.(;t~::,-;':,:ll)

J..:J,
f~~ft(l,John Clark, "Open and Closed'),b•fx;,f!J),,f ~--y/:l.. -r. -:,tlJiflii'tt'lDiscourses of Modernity m Asian.Q-IJ)/x~!:L.-r.

Arr," m Clark, ,\lodmul) 111
A.11.i11

l::lf t:!:, ,-j:!: -c'i>-5, :IJ);§:P;jcl:.t;,,

Art, pp. 1-1 ~.

-r. 5i'f.l:J:-5Jlii'f.lJ)})k,,jj"li.
Wi~i\1!6'.ifil:.t;,111'.i't(*'J:r.:,,>Ht-lJ

,,,

ttl:

jlljiHl.Q-i>:ftlJ

10

H:lL.t:lUi-'FHJ~!:L. -rtH~l..t:t,IJ)t,.:

Sabaparhy, rRoad ro NowhereJ.

IJ)-c'M

lifJ/tJOJ],
17
11

Clark. wJ#.\[08]. p.290,

t-1"~-tf'li,',,;.,;IJ·*-1v!J)~tfji>'

mf,l!t~1:lft:'-l-lJ)filJB!t..:9HI!:
L.-r::r-·;r:r.;.,•7-(~ij.f,
7--'T-18IJ)~jfrlit.H"Jlilfn•-5

James Elkins, C..hme,eL,ndJ,apePam/-~IJ):r,'ff

Ii. 7v--'F!l!J)~ifrl:Jll.l-t-5AHJJIJ)*-c'M,

1ux1:,,.-5m~1:t.. -rii~j,:•~P.\I
Ill[!,a1 \X'estern
Art Hmr,r:,(Hong Kong:t,~rf!IN:lltt'IH•hHong Kong Univers1ty Press, 2010).
la1 Ii. rpf'i,l!J)!f!J;t!illi~ffll:ffl,,-r.
111illdrmma. the Ph1/ipp111esa11t/Th.i1- t: Ht.Ii. mi'f.~ifrWH'Mx!J)¥!(
fJ;IJIJ'f- :i 7.l.,,{l)f{i/:f,.:"5)t~/:l,. l )Hland, pp.2(>4-21 ,.
jllji'f.lJ)~ifr*#ft~-5:Jt~(l):Jt~•,,r:,ht:,;1.,,.7,1,;.,;li-,I- ' ,,f;.,J:;j.',,71:.t:ilH,.t/U.-rtt-i!iltY-Jt,.:i.,IJ)!:~'1.lttll!tft~h-5
Redza P,yadasa,"The Nanyang:1:1:-:,, --r~1,;n ,-5,-t~'.::.;(1.,,IJ)!flJJ/H·IJ)-/.trr',,7
Academy of Fine Ans:· m Pa111er<111IJ)-{-~·.::.::x.1.,, .f!J)%,l,At..:Mllll -1;.,\ia11yang,19i,;1.,_,7_7,j 1Jt;.,.~-1JM;1J~o:7; i1i"1li retr01pektifpel11kis-pd11k1s
ed. Mu21um Sen, Negara Malaysia
WangHu,,"lmagining Asia: A
fi f· rf!4s:~J!W.
l'fil'-l-~im1Ha(Kuala Lumpur: Muzmm Seni
Genealogical Analysis," in Ed!!,esof-Y?-e;.,~-.1995¥.
pp.17-28,
Negara Malaysia, 1979), p. , I.

J,m Supangkar, lndo11eJJan\lodem
Art a11dBe)Olld.exh.car. (Jakarta:
Indonesia Fine Arcs Foundation,1997); Asrri Wrighr, S011/.Spirit.
and 1\fo11ntui11:Preofmpatiom'7:Yti3-o -;,1{c 7Y70f!ll-r"~il•ht.:~~-

and

12

Poshyananda.lJIJ/tJ[08],pp.28-29,

th. Earth: ,\l1gratumof Conte111pnrar;
Asian Art and Regional Pulitin, trans.
Gao Jin, ed. Xu Jiang (Hangzhou:
Chma Academy of Arr, 2003), p. 381.

ofContemporarylndoneJldnAnlller.r(Kuala Lumpur & New York:

20

13

Clark. ilfllt\[05 ] 0

liiJJ:.p.,81,

Oxford Un,vers,ry Press, 1994).
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flllli>•h t: J.ut!:

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Anne McClintock,"The

Progress: P1tfalls of rhe Term 'PosrColonial,sm,"'Soaa/ Text 3 J/32

l<ifiliJl1;'.1:

ifrf\;1:Jll.l-t-5

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14

litil•t:, :iliRt:-:>t•-r05f$q:t,i:.,agt.i:~ffitiUiUi, Jlf!ii7-f,j!J)liJl~!:folt'A. ~lb-t-5-1;.,J:;j,,_,

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7 U:~l: .t:ilt-5irr f 'c-1<
ifr!J) ~il\lJ)lfl

Clark, Asia11Mod<rnitm:Chmm a11d
Thai Art Compared.198/Jto 1999

JJl~ll'.:IL.n--5

J..:J,
f~~P.(!,(Sydney· Power Publicanons, 2010).

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mflJJ c1:~~~nt.:mflJJt.i:0t! ,;,c,20 15(Spnng 1992), pp.1-15
22

Conrexr: Whar Holds Heterogene-

Jlfm7Y7tJ 1, rY-1-f::,,7171
J r-t-v3-J-1v·Y-1-f>171

r~~J ~lttt~-to.:cAngel of

Susie Lingham, "The Crisis of'F:J-1-MRi't!!J!~~

O

21

0

ities Together," in Text a11dSubtext:
Contm,pnrar;Art a11dA Han Wom,m,ed. Binghui Huangfu (Singapore:
Earl Lu Gallery, 2000), p.16-1.

Shaping the Hl1tcwyof Art
InSoutheast Alia

Art Studies_03

200

Essay__
15

23O)~**'=ilt.to l /:0):ill:v.JO)lf/i~.:b-ot,t;t ~~M~O)At$f91Lr,~i-.
24
Dipesh Chakrabarty, Protina<1l1zrn,.:F.11roj,f:PmtmhmralThm,p,ht,md H1Jt11rm1/
D,jfmn<"<(Pnnceron:Princeton Unl\·erstty Press, 2000).

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:l:it:iJl~tif..:.:ts~~l.,-n ' -o.:!::H{(dl)t,i::i)lC,,.fl -r, ~~(t-Jt~ici),..,_O), ~~iY-J-r•;~1·1,1,.t;t!R.!~t:,MflHR±t!!~RO)ffi~1:Ji:,~80)Jlrit7~J:;}70):>(f~IY-J~~t:.:tsttU·
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j.!f:blfltR±t!!f~i'-ojj!Jt:, Jlfiw7:/7tt 7:;}70)-ft!!

a i::i'-o.:\'-.:z.1.,--~--(,:b,o777l- '·7V-v

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J iY-J· r;f-;1,1-jjlJ

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imh.O)~iffi~

T K.Sabapathy, rcontinuttyJ,±t!!~0)3R>Cf~""'3:~>Cft,*~-~~,'!lr.t!O)~\I~

19601:t=Ri:
19701:f:RO)Mf
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lit:b•t:.:O)~ltJjO):ffi:~t.i:~Uii5<tt,§5}t.:tO)±t!!~O)~UjO)0)1JUIJ~iijt.,~1Jt;tt.,t,i:,;,'?t.:o .:O)±t!!~O)JA~t;t~:b•-C- >C!Jmt:.:tst,-r~li&lJ~~IJlffl.:-ji:t.,-n,t.:o t.:Uti,

26

Contemporary

Art, Development

o

7v-v

%-mt.i:tJO)-(, ~rdl~:b•tt-r~4t:ft't1J.J::iJl'?-n -~, fil70) v ,:,,
-tf·l::-\"'~' -IJ-i::
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Supangkat, lndonw<1n,\fodernArt andi¥ ,'!l1l!NTtl±ll ~ , 71') t°1/0) /J-1-IJ-1,~•711,,-7(1916~~1£>

Beyond the 19~osJO)t7,;,3;.,1:.t,lt~~~00,

0

B,Jond, pp. 6-l-89.

~~IY-Jt:m~"llh.t.:7:/7 i:5 i¥~, ±t!!~IH'\:J:O)flH:i
ftrt¥

tt, ~c;Mf§O)*±~iY-J•J71J"f,'1,.0)m;i\-r:~Urt:.:tstt-0
71•J1::' 1/

27!Y-Jt.i:~1l!i:l-ril!!IJ
iRi' =f-~~~im.l-r, ~4t;t, tttff 9:!t:·-:H'O)-f-V3-j-') -f.'.L.~}i:iftl, -1'~!-;t, V70)-'/5 /JY· 7,.::.•Jv 1{· 1,

Ahmad Masha<l,,"Southeast AsianArt During the 1970s," in Tdah T<rbit(011181111): S11111heJ.11
AJJ,m Con1<111p11-'"1JArt Pr<1ctm.r
Om-mgth, 1960s
loiRl, iliRt:--:>t,-rO)Ja1¥0)~Mf~:ll}~"f 0)~40)U,~~~dl)/v (Gerakan Seni Rupa Bacu .=..:i.-·7-1-·.L.-.Y ;(;., J,, 1975- 1979~) t;t,t-J-i'-oJ:-jt:-0£-l\h.-0ffl:ffO)ffij§fi/:ffi)( f~t;t, R l ,t:~iNj§~t.i:~UimA~Jflt ,-r, ;1.1,1vf-O)rffi#;l=r:
Jf$$ff-(O)~
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1980.r,exh. car.(Singapore: Singaporet.,il't , t,i:,;i c;, tttW 1t1-<iliR~m~l -r~t.:.:i:~1l!~ -t-o.:i:t:

Art Museum, 2007), pp. l·l-2-i.

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J:'?-r, -fl, -riliR!::t;t~*O)-fo:;}.r.7H:i!R~"llh.-otiO)-(t;tt,i: ;v-(t;t, 'f .r..:t·'f-v-1'

28<' •ttO)>Cfta9ffl1:ift }fl O)~=':-C'.:b-o.:i:~it~mlt-t-o.:i:t:J:'? t!7''f ::i7 11,.,-7-f-O)~g

Redza P,yadasa and Sulaiman Esa,
Toudrd, a ,\IJ.<tica/Re.1/1tJ:A DowllJ<nl
ofjomtl; lnillat,d F.xperimmIr,
R,d;:.iPi)uda.ruand Sulumwn F..<a,exh.
cat (Kuala Lumpur: 197 l), pp.1-51.
29

Cecily Briggs & T. K Sabapathy,
Chet,Ch,11-ll1ung:Thwgh11,,,,dPrt,·eue,I R,rhmkmg th. SJ1Jr,ap,,reRnrr) (Singapore: Nanyang Academyof Fine Arts and Singapore Art-r, ~4tt~*~

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l%-tt.:t>-,t.:1:
t ,-j:ffl.~

Jv-7'-C'ib-o roharma Arc Group W1L--?·7-Hf 1v- '1) J(1971~ )~it~dl)-ll' -o~;tt,i:(t.i:-0.fh.t;t, :>ef~agt.i:IR.!MM~""'~~!Y-Jt.i:
i: rArtistsFroncm * ~ ti~ )J (1974~):iJl~\l:fJ~~-:it.:0t;t, 1,~::170)1::··5;1.1-iliR~Uifi!O)t±I.Jlt-(,

1±1*$:iJltJt.:C,U.:/!t9:!iY-Jt,i:i)/j}~t,i:O)t!
O

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Museum, 2000).
30~v-v3~""'""'- ~Y· ~·7t:J:-01i'iffi!Y-Jt.i:-1Y7-

0~c;~m!Y-Jf5:t/i~

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L 1;.

T K. Sahaparhy, "Contemporary
Arr in Singapore: An lnrro<luction:·in Turner, fraditi11nand Chang,,

t.i:f±JJJ.t;t,7:;}7t:.:tstt-0JliRO)~UJ~gO)i r.~"-O)m~~IJ-oi:,.fh.C,t;ti.,J~t:, §,JltO)o-;b1vt,t)(!Jm""'U~rP,ei::O)M

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pp.8.o-92.

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g~l.,J~RIY-Jt:sl ~mt ,-(t 'L .f h.C,!::ffif!;.{l.,-rt ,ot:ti:b•:b•b

Raymundo R Albano, "Jnstallat1ons:
A C.asefor Hangings," in ASEA \A rt F.xhihitum:Third AS EA,. Exhiln11011of Pamtmg <1ndPhotograph)!<)84,
e<l.ASEAN Committee on Culture
and Information (Manila: Cultural
Center of the Philippines, 1981):
np (ongmally published in Philippm, Art 511pple111,n12,
no. I [1981;,
pp. 2 ,);Julie Ewington, "Five Elements: An Abbreviated Account of
Inscallar,on Art m South-East Asia,"
ART and AJJ<1Pacifa
2, no. I 0995):
pp.108-115,f,; ,I}pp. I '\6-141~P.(l,

i , ~*O):ffl.RO)~Ui~

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-rM.:

0

NicolasBoumaud,Rela110n<1/
Amh<1m(Di1on:
LesPressesdu reel,2002);Altermodern:Tate Tmnm<1/,
ed. Bourriaud,exh.cat.(London:
TatePublishing,2009).

B,ennale.A111111a/
Report:A Y"1r ,nExh1b1//()1/J,
ed. Okwu1Enwezor

on Ae,thefln: Proaedmgsof.\_)mpoJ111111
Held m Kuala I..11mp11r.\f,.,/a)Jla.
':\<1/trmal
Art Gallery. O,toher24-2'
1989, ed ASEANCOCIand Bala,{Gwang1u:
Gwang1uB,ennaleFoundation,2008),pp.262-285

SeniLukisNegara(KualaLumpur·
ASEA!\CCX:!.1989).p. I 18.

33

35

39

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Fmt AJ1a-Pacrfo·Tr1enmalo/Conter11porary
Art: ldenllf). Tradition <1nd
Chunge:Conternporary
Art of the Asia
Paafi,-Region!QAG. QueenslandC11l111ral
Centre.South Ba11k.Bmbane
17- 20 Septer11her
1993) (conference

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A -r'i>o,
FloresJTurnsmTrop,cs, ilfr™.
1-1 ,pp.262 285

NUSMuseum,NationalUrnver.aty
ofSingapore,2008);and Flores,

A .. 1vr/il,t!

ll}llitt.:f:Jlff~'l'Slt

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Jono Inanto, "Tradit1on
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WongHoyCheong,"Contrad,ctions ln11-.,pp.6--i-890
and Fallaciesin Searchof a Voice:Contemporary
Art ,n Post-Colonial 44
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34

PatrickD. Flores,Pau Peripher.il:
Cura/ionm SoutheartAsia (Singapore:

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paper,QueenslandArt Gallery,
0111/,1,
p. '2.
Brisbane,199.,J.
;::O):cl:-:>L•'CO)J:l)fJ;,L,J:t!!Jjj11:IJ!lh42
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IolaLenz,,"Negot1atingHome,
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T07'1i, ~Wr~i\:-/J:ll;Jfl;:.:'cl:ilHui,"FourPropos1t1ons:
Look--rtru,.fO)~f'J:O)~llY:Jl:/tUl/lLn •<ilitalY:Jt.:1?J,lUL ~fl:;cO)IJ!lfRil:.t.iL
mgat Contemporary
Art from~{l:;-/J:,!Jlf~~jj(j,S;,,.fhl:Jdr~o-CO)if<~1e1i~~¼'i!l!;i.
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A rt m So111hea.1t
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Supangkat,rcontemporaryArt,
J<hlfhte.,,1985.
1991-2011, ed.IolaLenzi.exh.cat.
DevelopmentBeyondthe 1rosl
9(Singapore:
SingaporeArt Museum, ,,;,,;;,. ..,,(Jvj-11/7 rJljj(j5eO)~n J
11trffl'08;
201I), pp.8-28; 29-38.
JG*¥-,tlt ~.1$. IA, 1991lf,t"O)l;t, r (1-".R~ ~cL •-j) Jflffi0) - ~i'.19t.,:-ftbh1f-r't;t, .:e-~'1/•
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45~JH.tt~tt·i'l!!~ttO)Jl~,

J 1m Supangkar, "Introduction:
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0 -H1,t;t.fpj~1:,~'.iE~t:l;t., iii.: n ,7-,t,O)t t ,-j-~~'IHbn-60)t-·.:.l,V70)Jlrft.fl:jO)~JiU:~JlL,-ri>IJ,~~ ·.::.;(1.~ffl:W.t:-r:'~7->o *K~t:,i>tt 6%,ji;~~JiU:Ill!Mi"6.:tt~'Cf -:>~,-rt,~,7., § o ~-i".f nlJ. iU~~t.1.~ri:ffO)R/.t-r:'t;t.t.1.<~flllO)Rl.t-r:'M,

Con1t111porary
Art of th, J';on-Alrgn,dCo1mtr,es:
Unity m D1t,mty in InternationalArt; Po.rt-Ei,n/Catalogue,
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46

fft!!~J O)~tft J iPC,1:t.::t.:LO)---.:.~.:tt:,,A/{::,,:1J,:1HJ.rmR••t;t.,.fO)ffitJ.lflH!tO)-jt,t:.fh,§ ~t:lfi:t.1,7.,t,O)-r:'~IJ,
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0)'f±~if5cm~t.t.R~~~t1Jt:L%l~i"6J:-jt.t,jlntJ., AA *O)~•§~t=&~~n1,1)1:, pp.21-22.

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ftt:Jlh ,C,n-rM.:o .f nlQ>;t,!JlftO)Jlfm7~7-®0)vlfnt

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6J:-jt:t.1."")n-6 0'AKtJ., o/t.t.<Hmt:Et-r:'O)t.:0,tJ.--J~IJtlt.:~ft~5J--r:':iE

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