Ɇ5REHUW &RRYHU͈The Universal Baseball Association, Inc.,
J.Henry Waugh, Prop.͈ાࣣɆ

੬εΑΠκΘΣΒθ͈ྃ‫͉̫ٳ‬Ȅ60ාయ͈΃;ϋΗȜ΃σΙλȜ‫׋‬൲ͬ෸ࠊ̱͂̀Ȅ‫ܡ‬ం͈ࡥ೰‫ํ̢༷ܰ͞ࣉ̹̯ͦا‬Ȅಉ੬ͅచ̱̀฽ఘଷഎၛા̥ͣ࿚̞̥̫̳̭̥ͬͥ͂ͣই̹̽͂͘ࣉ̢ͣͦͥȃ̷͈ͦ́͘শయ͉ͅ਋̫ව̧̹ͦͣͦ̀အș̈́ഥൡഎম໻͈ࡠ‫͞ٮ‬໅͈ါள̦ࡐಠ̧̹̹̜͂̈́̽̀͛́ͥȃ႕̢͊Ȅ๬ఱ‫ުॲ̹̱ا‬঩ུ৽͈݅აၑ̷͈͂ۗၯ৽݅എௌै̦૽șͬဲգ̱̞̀ͥম৘Ḙ͈̏ͦ́͘κΘΣΒθএே͈͕̭͍ͧ͂ࡠ‫ٮ‬Ȅ΅ςΑΠ‫ޗ‬എႃၑ͉͂։ৗ̈́൐ဢএே͈‫ޣג‬Ȅ۷௶͈ॽ༷̽̀͢ͅ་ཞ̳ͥম໤͈উ̥ͣ໤ၑ‫̦ڠ‬࿚̞̥̫̹ȶ୲చഎম৘͉֚̾ȷ̞̹͂̽ࣉ̢͈͒݃࿚Ȅ૤ၑ‫ۼ૽̹̱̥ͣͅྶ̦ڠ‬փেུ͈ြ͈̜༷ͤ൝șȄ২͈ٛਅș͈௰࿂̦Ȅ‫ܡ‬ం͈ࣉ̢༷ͬ݃࿚ণ̳ͥউସ͂̈́̽̀อႺ̱̹ȃ̭̠̱̹࿚̞̥̫͈ఉ̩̦εΑΠκΘΣΒθ̞̠֚͂ఱಲၠ͈̥̈́ͅဣ̫ࣺ̞̹̹ͭ́̽͛ȄεΑΠκΘΣΒθ͉ষలͅໝॠ̈́௰࿂̦ࡉ̠̞̹ͣͦͥ̈́̽̀̽͢ͅȃ̱̥̱ȄεΑΠκΘΣΒθ౪୆͈੝‫ࡐ̫̞̤ͩͤ͂̀ͅܢ‬ಠ̜̹͈͉́̽Ȅ‫ܡ‬ୋ͈փྙ͉‫ݹ‬ࢹ̜̞̠́ͥ͂௴̢༷̜́ͥȃLinda Hutcheon͉ȄȶεΑΠκΘΣΒθ͈ల͈֚‫۾‬૤͉Ȅজ̹̻͈୆‫ڰ‬အ৆͈঑෻എඅಭ͈̞̩̥̾ͬ։ৗ‫ا‬Ȫ๱ুட‫ا‬ȫ̳̭̜ͥ͂ͤͅȄজ̹̻̦̩͢ࣉ̴̢ͅɃুட͈̈́͜Ʉ̱͂̀ࠐࡑ̱̞̯̰̀ͥ̈́͘͘ంहȪ̷͈̥͉̈́ͅ঩ུ৽݅Ȅ຿ࡀଷഽȄςαρσȆΪνȜζΣΒθ̢̯͜‫̞̱̥̈́ͦͥͦ͘͜܄‬ȫ͉Ȅ৘ष͉Ƀ໲‫ا‬എ͈̈́͜Ʉ̜́ͤȄজ̹̻̦̩̹͈̜̾̽́̽̀͜Ȅজ̹̻ͅဓ̢̹͈͉̞ͣͦ́̈́͜Ȅ͂࡞̠̭̜͂ͥͅȷ(2)ٜ͂୰̱Ȅ̳͓͉̀૽‫̠̞͂ࢹݹ̹̽ै̦ۼ‬փেͬεΑΠκΘΣΒθ͈आ࡙ͅ௴̢̞̀ͥȃഥൡഎܰํ͈͈͜͞փྙ͉໲‫̀̽͢ͅا‬༒ܽഎͅै̹֚ͣͦਅ͈ȶ‫ࢹݹ‬ȷ̜́ͥ̈́ͣ͊Ȅນય͈ࠪ ࠾ ࡈ ࠖࠕࡦࠪ ࠾ ࡈ֚ࠖࠛ݅എփྙ͜‫̳ͥܦ͂ࢹݹ‬ȃ̷͈ࠫ‫ض‬Ȅܱ࣢ນ࡛ܱ͂࣢ඤယȄນય࡛͂৘ȄͼιȜΐ͂৘ఘ͉ᄘၗ̱Ȅ஠͉̀‫༹߃׿‬എ‫ب‬௨̱͂̀௴̢̠̹ͥͣͦͥ̈́̽͢ͅȃ̷̭̜͈͉ͥͅȄΣȜΙͿഎΣΪςΒθ͂͜࡞̢ͥआ࡙എ̈́փྙ͈ி৐̜̞̠́ͥ͂႖̥̈́͞͞ࡉ༷̜ͥ͜ȃ̱̥̱Ȅఉ̩͈εΑΠκΘΣΒθै‫͉ز‬Ȅ̷̠̱̹‫ͬࢹݹ‬႖ઢഎ́‫ྫݹ‬എ̈́ఠഽ͈͙́ࡉ̞͈͉̞̀ͥ́̈́ȃ͚̱ͧȄ໲‫ܡ̳੄ͤै̦ا‬ୋ͈փྙ̥ٜͣ༶̯̹ͦࠫ‫ض‬Ȅুဇ̈́ே௨Ȇ஻௮ႁ̵ֵ̹̥ͬ͊Ȅ૧̱̞‫͙̱ڢ̭̳ͬ͂੄ͤैͬࢹݹ‬Ḙ̷̏ͅ૧̱̞փྙ͞փ̞̱͉݅̈́࿚ఴͬࡉ̫̠̳̾͂ͥ͢ୟޭഎ̈́উସ̦ࡉͣͦͥȃུა͉́Robert Coover͈The Universal Baseball Association,Inc., J.Henry Waugh, Prop.(1968)ͬಎ૤ͅȄ‫͈̾͜ࢹݹ‬အș̈́௰࿂͞Ȅ૽‫͈ۼ‬ே௨Ȇ஻௮ႁ͂৘ଲ‫ͬ߸۾͈͂ٮ‬໦ଢ଼̱͙̹̞̀ȃˍ
Coover͈ै຦ͅවͥஜͅȄ๞̦ຝ̩‫଻ࢹݹ‬Ȫே௨Ȇ஻௮଻ȫ͂‫ވ‬೒̱̹අৗ̦͙ͣͦͥఈ͈εΑΠκΘΣΒθै‫ै͈ز‬຦ͬତ༎஖͍Ȅ̷͈අಭ̞̾̀ͅ۰ౙͅ૘͙̹̞ͦ̀ȃ႕̢͊ȄKurt Vonnegut͈యນैSlaughterhouse-Five (1969)͉́Ȅలඵষଲ‫ٮ‬ఱ୽̧̹ܳͅΡτΑΟϋఱߗਥͥ͢ͅఉ̩͈ྦྷ‫͈૽ۼ‬๟६̈́ঘͬ࿒̱̹ࠢै‫̦ز‬Ȅ୆̧ॼ̹̽૽‫͈ۼ‬Πρ;ζͬ‫̹̠͛ͅݣ‬Ȅ౗̦͜‫ͥͦޔ‬ঘ͈‫ٽ‬ැͬȶ૤‫ֿ̞̱ڢ‬Ȫ‫ࢹݹ‬ȫȷ̽̀͢ͅ‫̞̱̠̤ͥ̀͂ݣ‬ȃ
Vonnegut͈ఈ͈ఉ̩͈ै຦͜ͅഴા̳ͥSFഎഴા૽໤Πρσέ͹ζΡȜσ૽̦Ȅ̷̠̱̹࿨‫ͬڬ‬౜̞̽̀ͥȃΠρσέ͹ζΡȜσ૽͉Ȅ૽‫૽͈ۼ‬୆̦ঘ̽̀͢ͅਞ̭ͩͥ͂ͬ๛೰̱Ȅষ͈̠͢ͅȄ̳͓͈̀૽୆͈শ‫ͅݛז͉ۼ‬ంह̳ͥ͂୰̞̞̀ͥȃThe most important thing I learned on Tralfamadore was that when a person dies he onlyappears to die. He is still very much alive in the past, so it is very silly for people to cry
at his funeral. All moments, past, present, and future, always have existed, always willexist. The Tralfamadorians can look at all the different moments just the way we can lookat a stretch of the Rocky Mountains, for instance. They can see how permanent all themoments are, and they can look at any moment that interests them. (23)૽͈૽୆͉υΛ΅Ȝ५ྤ͈५໼͙ͬವ̠͛ͥ͢ͅુͅంह̱Ȅ‫ڎ‬ș͈শ‫ͬۼ‬ठఘࡑ̧̞̠́ͥ͂૧̱̞ࡉ༷͉Ȅ࡛৘ͬ౶ͥ૽ș͉͂̽̀ͅ਋̫ව̦̹̩ͦḘ͈̏ࣉ̢༷ͬ୰̞̀ٝͥ৽૽࢖ΫςȜȆάσΈςθ͉‫̞֑ܨͅٯ‬ե̞̯ͦͥͅȃ̭͈̠͢ͅ‫͈ࢹݹ‬փ͉݅Ȅ৽૽࢖ͬੰ̞̭̭͉̀́ຈ̴̷̱͈͜࿒എͬో଼̱͉̞̞̀̈́ȃ̱̥̱Ȅ̠֚͜૽͈৽ါ૽໤΀ς΂ΛΠȆυȜΒ;΁ȜΗȜ̦ঐഊ̳̠ͥ͢ͅȄ̥͉̾̀ΡΑΠ΀έΑ΅Ȝ͈ȸ΃ρζȜΖέ͈߻೵ȹ͈ಎͅ૽୆̞̾̀ͅ౶̧͓̭͉̳͓ͥ͂̀੥̥̜̹̳ͦ̀̽͂ͥশయ͉ਞͩͤȄ͉ࣽ૧̱̞ਅ႒͈‫̦ࢹݹ‬ຈါ̹̈́̽ͅশయ͈̜̈́́ͥȃ̷ͦ࡬ȄVonnegut͉࡛৘͈ଷ࿩ͅป̞ͣͦ̈́૧̱̞‫ݹ‬ࢹ̱͂̀SFͅ‫ڰ‬Ⴙͬࡉ੄̱Ḙ̷̏́૤࿹̱̞‫ͬࢹݹ‬ຝ̧Ȅ૽͈૤ͬք͛Ȅ‫̳̠̤ͥ͂ݣ‬փ݅ͬ࿅̱̞̹॑̀͂࡞̢ͥȃεΑΠκΘΣΒθ໲‫͉ڠ‬Ȅ࡛৘̭̺̭̩ͩͥ͂̈́ͅȄ‫͈ࢹݹ‬ே௨Ȇ஻௮ͅ૧̱̞փ݅ͬॲ͙੄̱̹͂࡞̢ͥȃ̹͘ȄThomas Pynchon͈V. (1964)͈৽૽࢖ΧȜΨȜΠȆΑΞϋΏσ͉Ȅ຿͈ॼ̱̹඾ধͅ
̜ͥඨ͈੫V.ͅ‫̥ͣ੆̴ܱ̥̳̈́ͩͥ۾‬ȄႤঃ͈ఱম࠯͈֮ͅ੄཯̳ͥV.͈ͼΣΏλσͬ̾͜੫ͅ‫̳ͥ۾‬ȶଔაͥ͢ͅீఱ̈́ΌΏΛ·৆࠺ಃ໤ȷ(209)ͬே௨Ȇ஻௮̱̞̀ͥȃ̷̞ͦ́̀Ȅ๞͉ນ࿂ષ͉V.ͅ‫ݖ̳ͥ۾‬۷എܱ੆ͬ௡̞̽̀ͥȃু໦ু૸ͬల२૽ઠ́ࡤͭ́‫ݻ‬ၗͬ౾̧Ȅȶ૽‫ޑ͈ڒ‬ଷഎ౾۟ȷ(51)͂ઠ̱̀Ȅအș̈́૽ș͈࿨‫̲׵ͬڬ‬Ȅ̷̸͈ͦͦণത̥ͣV.ͅ‫̳۾‬ͥૂ༭ͬವ̠̱̞͛͂̀ͥ͢ȃ̱̥̱Ȅ̷͈৘ఠ͉ȶଔა͞থഎߗே͈ਬୟ̦Ȅ૯਄૗͈࢕ా
ͬ༶̩̽̀͂ͤ͘ȷ‫ͅࢹݹ‬ఈ̴̈́ͣȄ๞ু૸͜ȶ໫௡‫ྪ͂ܿ׵‬ȷ
Ȫ52ȫ̜̭́ͥ͂ͬু‫̱̀ژ‬̞ͥȃ̷ͦ͂౶̦ͤ̈́ͣ͜V.ͬே௨Ȇ஻௮̳ͥၑဇͬȄ๞͉ষ͈̠͢ͅ୰ྶ̱̞̀ͥȃ

Finding her: what then? Only that what love there was to Stencil had become directed
entirely inward, toward this acquired sense of animatedness. Having found this he could
hardly release it, it was too dear. To sustain it he had to hunt V.: but if he should Ànd
her, where else would there be to go but back into half-consciousness? He tried not think,therefore, about any end to the search.ȁApproach and avoid. (44)V.͈ே௨Ȇ஻௮ͅ಍਀̳ͥոஜ͈ΑΞϋΏσ͉ȶະ‫ڰ‬อȷ͂ȶ฼ଗેఠȷ̞̠͂̈́ͭͣփ݅
ͬࡉ੄̢̱̞̈́฼͊ঘ̺ͭેఠ̞̹ͅȃ̺̦ȄV.͈೏‫̀̽͢ͅݥ‬ȶুࡨ͈̠̻ͅࡤ͍‫̯ͦ͘ژ‬̹୆ྵۜ‫ژ‬ȷͬ෇ে̱̹͈̜́ͥȃ๞͂̽̀ͅȄম໤͉‫ޭݪ‬എ͉ͅະ‫خ‬౶͈̈́͜Ȅߗ‫͈́̈́͜ݹ‬Ȅޭ౷͈ຕ͈‫̜ͥͅئ‬඼૗͈ಀ᩽‫͈׺‬ঘ‫ٸ͈ڄ‬๧͂൳̲̜́ͥȃ‫ٸ‬۷͈‫͉ͅئ‬ȶߗ‫(ݹ‬nothing)ȷ
(189)̦̜͈͙̜ͥ́ͥȃ̱̥̱Ȅଲ‫༹߃׿ͬٮ‬എ‫ب‬௨̱͂̀௴̢Ȅआ࡙എ̈́‫̞ͥ̀ࡉͬྫݹ‬̺̫͉́ະ࿉̜́ͥȃ̢̹͂ଔ௶͂ே௨͈ॲ໤̜̠́ͧ͂͜Ȅଲ‫ͅٮ‬చ̳ͥু໦ඊু͈ٜ৷Ȇփྙͬ૧̹ͅ஻௮̳̭͉ͥ͂Ȅু໦̦୆̧̞̀ͥબ̱̜́ͥ͂ΑΞϋΏσ͉Ȅ̷͈փ݅ͬࣉ̢̞̹͈̺̀ȃ̷̭͉ͅȄ̥͈̾̀κΘΣΒθै‫ͥͦͣࡉͅز‬ຽ༑എȄ୲చഎ̈́૽୆͈૯৘͈௰࿂͉௴̢̳ͣͦͥ͂ͥউସֺ̢͉̞̈́ȃΑΞϋΏσ͂൳အ̈́අৗ͉ȄͼΗςͺ͈εΑΠκΘΣΒθै‫ز‬Umberto Eco͈Foucault’sPendulum(1988)ͅഴા̳ͥ૽໤΃ΕȜδϋȄασδȄΟͻ΂ΗΛτȜόͻ͈ˏ૽͜ͅ‫ވ‬೒̱̞̀ͥȃ΃ΕȜδϋ̦Ξϋίσܷআ౬͈Ⴄঃͬࡄ‫̹̞̱̀ݪ‬ड੝͈౲‫͉́ٴ‬Ȅ̷͈࿒എ͉ঃ৘͈ౝ‫̹̜̽́ݥ‬ȃ̱̥̱Ȅ๞͈ͣౝ‫͉ݥ‬ষలͅ་ཞ̱Ȅ‫ݖ‬۷എ̈́ম৘ͬ౶ͥఠഽ͉͂஠̩։ৗ͈̞̩̈́̈́̽̀͜ͅȃΞϋίσܷআ౬̦Ⴄঃً͈೾́Ψρ਱ল౬Ȅ߄ဧ࿉ܷআ౬Ȅ΄ȜΗȜܷআ౬͂ఉ̩͈ྴஜ͈๩ྟࠫ২͂‫۾‬Ⴒ̱̦̈́ͣଲ‫ٮ‬ଷ෦͈֮ཝͬ༴̧Ȅ̷͈ࡎͬ՜ͥ๩ྟ͈‫ڕ‬ංْͅॐ̧̱̹̀࿅အͬȄ3૽͉ౝ̞̩̽̀ȃ̺̦Ȅ̷༹͈༷͉஠̩Ᏻփഎ́Ȅ̜ͣͥ͠Ⴄঃષ͈૽໤ͬ‫̧࣏̺ࣺͭے‬െྫࠎ̈́‫͈ࢹݹ‬ே௨Ȇ஻௮̞͂̈́̽̀ͥȃ̭͈തͅ‫̱۾‬Ȅ΃ΕȜδϋ͉ȶ࿇ேͅ‫̳ͥ۾‬βȜΐȷ(370)ً̨̞̭̈́͂ͬͅু‫̞̱ͥ̀ژ‬ȃΟͻ΂ΗΛτȜόͻȜ͉Ȅ֚ਅ͈ȶΊȜθȷ͂ࡉ̱̈́Ȅασδ͉झ୬̱̹୒ාশయ͈ྪ͈య̱ͩͤ͂̀ȶ̧͈࣐ܺͤ୶͈̦֚̾ઁ̩̈́͂͜ࡉ̥̞̾ͦ͊͂͢‫ܢ‬ఞ̱ܾ̞̹̀ͦ̀ȷ͈̜́ͥȃུ̭͈̠͢ͅै຦͉́ȄΞϋίσܷআ౬͈֮ཝȪίρϋȫ͈ே௨Ȇ஻௮͉Ȅȶளୀ̱̞ͣ२໲઀୰ȷ(495)͂պ౾̫̿ͣͦ̀
̤ͤȄ΃ΕȜδϋ̷͉͈փ݅ͬষ͈̠ٜ͢ͅ୰̱̞̀ͥȃBut if there is no cosmic Plan? What a mockery, to live in exile when no one sent you there.
Exile from a place, moreover, that does not exist. . . . When religion fails, art provides.
You invent the Plan, metaphor of the Unknowable One. Even a human plot can Àll thevoid. . . . To live as if there were a Plan: the philosopher's stone. . . . To create an immense
hope that can never be uprooted, because it has no root. . . . To create a truth with a hazyoutline: when somebody tries to clarify it, you excommunicate him. . . . Why write novels?
Rewrite history. The history that then comes true. (529)ȁഥൡഎਕ‫̢ͥޗ̦ޗ‬փྙಉ੬̦୰ංႁͬ৐̞Ȅଲ‫͉ٮ‬փྙ͈̞̈́ȶྫȷ͂‫̧̹̱͂ا‬Ȅ૽͉ু໦͈৽۷͈ଲ‫ͬٮ‬ൎ‫̵̯̀ג‬૧̹̈́ͥࡖேͬ஻௮̱Ḙ̷̏ͅȶ๞͈ͣȮంहȯ͈ാర͂̈́ͥ‫ڰ‬ႁͬ֋঵̱̞̩̀ȷ(622)͈̜́ͥȃ̳̻̈́ͩȄȶ૽͉૰͈ంहͬ૞̧̲̩̈́̈́ͥ͂Ȅ૽͉‫͜ة‬૞̲̩͈͉̩̈́̈́ͥ́̈́Ȅ‫́͜ة‬૞̲ͥȷ(620)ȃȶΡͽȜȆͼΛΠȆξͺΓσέȷ͈শయ͉ͅȄ࡛৘͞૯৘಼͉‫̯ͦק‬Ȅඊু͈ே௨Ȇ஻௮ଲ‫̦ٮ‬ਹ͙͈̜ͬ̾́ͥ͜ȃˎ
Robert Coover͈The Universal Baseball Association, Inc., J.Henry Waugh, Prop.͉́Ȅै຦͈ΗͼΠσ̦‫͈ࢹݹͅܡ‬ଲ‫ͬٮ‬ճা̱̞̀ͥȃΰϋςȜȆ;΁Ȝ̽̀͢ͅଷै̯̹ͦȶξΣό͹Ȝ΍σ࿤‫ފݩ‬ٛȷȪոࣛȄU.B.A.͂ၞઠȫ̞̠͂ழ૕ͬඋ৪ͅଔ௶̵̯̥̜ͥͣ́ͥȃ৘षȄै຦ଲ‫͈ٮ‬ఉ̩͉ΰϋςȜ̦ே௨Ȇ஻௮̱̹͈̜́ͥ͜ȃ̷͈̹͛ȄPaul
Maltby, Neil Berman൝͈๡ບ‫͉ز‬ΰϋςȜ͈ྴஜ͈ͼΣΏλσJ.H.W.͉Ȅΰήρͼࢊ͈૰ͬນ̳ȨYahwehȩͬႲே̵̯ȄΰϋςȜ͉઀୰ଲ‫͈ٮ‬஠ෝ̈́஻௮৪͈࿨‫ͬڬ‬౜̞ٜ̽̀ͥ͂৷̱̞̀ͥȃ̱̥̱Ḙ͈̏ै຦͉Ȅ‫͈ࢹݹ‬ே௨Ȇ஻௮ͅ‫̱̀۾‬এ̞͈͕̥ໝॠ̈́௰࿂ͬఉ‫ڙ‬എͅຝ̞̤̀ͤȄౙ੗̈́‫͈̞̀̾ͅࢹݹ‬ιΗέͻ·Ώοϋ઀୰͉͂࡞̞̦̹̞ȃȁలˍડͬವ͙͛̀̀͜Ȅအș̈́ণത̦වͤ၄ͦȄ̹͘ैಎ́ΰϋςȜ̦ैͥ‫ࢹݹ‬ଲ‫͂ٮ‬ΰϋςȜ͈࡛৘୆‫͈ڰ‬ຝৢ͈ߊ༆̦শ͉ͅະ‫خ‬ෝ͕̈́̓ईह̱̤̀ͤȄ‫͈ࢹݹ‬࿚ఴതͬ຾̧ಬ̱̞ͤ̀ͥͅȃཙ൮͉́ȄΩͼ΂ΣͺȆΩȜ·́෎୽ͬ߫ͤࢩ̬ͥΩͼ΂ΣͺȜΒచΰͼιȜ΃ȜΒ୽́ȄΩͼ΂ΣͺȜΒ͈૧૽ൎ਀ΟͼκϋȆρΎέ΁ȜΡ̦ۖ஠দࣣ̜́͂͘ˎͼΣϋΈͅท̞̽̀ͥે‫̦ޙ‬ຝ̥̞ͦ̀ͥȃ‫ޟ‬໭͈̜ͤ͘ૠ̥̥̱̹ͬͣͣͅΰϋςȜ͉Ȅ͏͂শࠗͬࡉ̀૙ၳॠ‫ى‬ഝ̦໾ͥ͘শ̺࣫͂‫̩̿ܨ‬ȃ‫ٴ‬౲ͬࣛͤȄഝ́ฃ̞໤̳ͬͥ‫͜ۼ‬Ȅ࿤‫͈ݩ‬஖਀൝͈ૂ༭̦୲̴̢࢐॒̱̞̀ͥȃ໐‫ؚͅ‬࿗̹̽๞͉࿤‫͈ݩ‬দࣣે‫ͣুͬޙ‬ΑάȜ΃Ȝ́ͺ΢;ϋΑ̱Ȅদࣣ͈ܱ჏̫ͬ̾Ȅయ௢৪͈͒୊‫۬ͬ׳‬ආ͂൳̲̠͢ͅ‫͐ލ‬ȃ̭͈̠̈́͢ຝৢ͈ഷಎ́Ḙ͉̏ͦΰϋςȜ̦ࣉմ̱̹࿤‫ݩ‬ΊȜθ́Ȅ΍ͼ΋υ̦࿤‫͈ݩ‬ജ‫ࠨͬٳ‬೰̱̞̭̦̀ͥ͂ճা̯ͦͥȃˏ͈̾΍ͼ΋υͬഢ̦̱̀੄̹ˏ͈̾ତল͂Ȅତ̦ນ̳஖਀ଈ͈‫ڰ‬࿬ͅ‫̳ͥ۾‬ΰϋςȜ̦ै̹̽ळ̥̈́σȜσ͉56೒͈ͤழ̵͙ࣣͩͬা̳ȃ̺̦Ḙ̺̫͈̏ͦழ̵͙ࣣͩ͂216೒͈ͤΧϋΟͻ̺̫́Ȅ‫ݩڎ‬౬̦߫ͤࢩ̬ͥদࣣ͈࿅အ͞Ȅ஖਀ଈ͂۷‫͈ݖ‬အঊ̭͕ͬͦ̓୆ș̱̩ท૯଻ͬఝ͍̀મळͅນ̧࡛̺̠̥́ͥͧȃ̤̫͘ͅȄদࣣ͈‫͉ͅۼ‬ȄΰϋςȜু૸̦ໝତ͈࿤‫߸۾ݩ‬৪͈࿨ͬ‫̲̀׵‬ഴા̱̞̀ͥȃ̯͘ͅȄȶU.B.A.ȷ͈‫ڰ‬࿬͈৘ఠ͉Ȅ΍ͼ΋υ͈ତ̦ࠨ̞̠͉͛ͥ͂ͤ͢Ȅ͚̱ͧΰϋςȜ͈‫͈ࢹݹ‬ே௨Ȇ஻௮͈ॲ໤̞̹༷̦͂̽͏̯̱̞͈̺ͩȃఈ༷ȄΰϋςȜ͈࡛৘୆‫͈ڰ‬ಎ͜ͅȄ๞͈ै̹̽‫ݩ‬౬͈ഴા૽໤̷͈͞‫ڰ‬൲̦୲̴̢ෆ͍ࣺ͙Ȅ๞̦࿇ே͂ુͅ൳‫̱̀ݳ‬༥̱̞ͣ̀ͥે‫̞̥ͥ̀̽̈́͂ͣྶ̦ޙ‬ȃΟͼκϋȆρΎέ΁ȜΡ̦‫ܗ‬୥͈ۖ஠দࣣͬో଼̱̹̭͂́ခೀഛ̹͂̈́̽ΰϋςȜ͉Ȅ‫ܨ‬໦̩̱ͬ̀͢ΫȜΠ͈ਈાͅਿ෵̜̬̞̩ͬͅȃ̱̥̱ȄΰϋςȜ͉ȄΫȜΠͅ୆̧ৢ̱͈‫૽ࢹݹ‬໤ΨΑΗͼζȜΒ͈ඵႏ਀ΐͿͼ·ȆήρΛΡςȜ͂ΫȜΠͬई൳̱ȄΫȜΠͬΐͿͼ·̞̠͂ྴஜ́ࡤ͍̥̫ͥȃਈા̞̹ͅ˞‫ິ੽ݭ‬ΰΞͻȜ͉͂Ȅ࿤‫ݩ‬ဥࢊͬঀ̽̀დ̱̥̫Ȅু໦͈࿤‫ݩ‬ΊȜθ͈ࠫ‫̜ͬض‬̹̥͜ఱςȜΈ͈দࣣ͈̠͢ͅდ̱̀໳̵̥̞̠ͥ͂ߓࣣ͈̜̈́́ͥȃ̱̥̱Ȅഝ͈ΐνȜ·δΛ·Α̥ͣ΍ϋΟͻȜȆΏοȜ̦ै̹̽ΨρȜΡ̦ၠͦȄ̷͈‫ظ‬তͅΰϋςȜ͈‫ݩࢹݹ‬౬͈஖਀ଈ͈ၡͤ͘ા̞͂̈́̽̀ͥΐͿͼ·͈ਈા͞஖਀ଈ̦ഴા̳ͥ͂ȄΰϋςȜ̺̫̩́̈́උ৪͜Ȅै຦͈࡛৘ଲ‫ߊ͈ࢹݹ͂ٮ‬༆̦ۖ஠ͅဣٜ̱̱̹̭̀̽͂͘ͅ‫̯̥ͥͦ̿ܨ‬ȃ̭͉ͦȄै৪ু૸͜Ȅै຦͈‫̷̥͈̈́͂ͅۼߗࢹݹ‬වͦঊळࢥ̱͂̀ව̹ͦΰϋςȜ͈‫ͬ͂ࢹݹ‬Ȅ࡬փͅဣ̵ٜ̯̞ٜ̀ͥ͂৷̧́ͥȃ৘ष̷͈๓ȄΰϋςȜ̦ΰΞͻȜͬ๞͈໐‫ؚͅ‬ည̞Ȅ‫ם‬ဎൎ਀Οͼκϋ͈࿨̱̦ͬ̈́ͣ๞੫͂࢐ͩͥຝৢ͉Ȅষ̨͈̠͢ͅ࿤‫ݩ‬͈দ̷ࣣ͈͈̞͂̈́̽̀ͥ͜ȃ. . . that girl, with one swing, he knew then, could bang a pitch clean out of the park.
ȨPlay ball!ȩcried the umpire. And the catcher, stripped of mask and guard, revealed
as the pitcher Damon Rutherford, whipped the uniform off the first lady ballplayer in
Association history, . . . they ran the bases, pounded into Àrst, slid into second heels high,somersaulted over third, shot home standing up, then into the box once more, swing away,and run them all again, andȨDamon!ȩshe cried, andȨDamon!ȩ(29)ոષ͈̠͢ͅȄల֚ડͬࡉ̺̫ͥ́͜ȄΰϋςȜ͈࡛৘୆‫͂ڰ‬๞͈ே௨Ȇ஻௮̱̹ȶU.B.A.ȷ
͈ଲ‫͉͂ٮ‬Ȅশ͉ͅߊ༆̦̱̦̹̞́͘ͅ࢐॒̱̤̀ͤȄ௖ࡽ͈ଲ‫ͬޣג̦ٮ‬ဓ̢ࣣ̞̽̀ͥȃඅͅȶU.B.A.ȷ͈ଲ‫͉ٮ‬Ȅ๞͈փেͬ਌ป̳͕ͥ̓‫ޑ‬ႁ̈́ంह̤͂̈́̽̀ͤȄ̷͈̠̈́࢘͢‫ैͬض‬৪̦փ଎എͅ஬̽̀ै຦ଲ‫ͬٮ‬ຝֺ̢̞̭̦͈̜̀͂ͥ́ͥȃĴ‫̠̹̱͢ͅ੆ܡ‬ȄSlaughterhouse-Five͈ΫςȜȆάσΈςθȄV.͈ΑΞϋΏσȄFoucault’sPendulum͈΃ΕȜδϋȄασδȄΟͻ΂ΗΛτȜόͻ͉Ȅ‫͈ࢹݹ‬ே௨Ȇ஻௮ͅু͈ͣ୆ྵۜ
̲̹ͬۜͤȄ૽șͅ‫̞ͬݣ‬ဓ̢ͥ൝͈փ݅ͬࡉ੄̱̞̹̀ȃΰϋςȜ͜๞ͣ͂൳အͅȄ࿤‫ݩ‬ΊȜθͬ஻մ̱Ȅ̷͈‫ࢹݹ‬ଲ‫ͬ૸ͅٮ‬ൎ̲̭ͥ͂ͤ͢ͅḘ͈̏ͦ́͘పߠ̈́૽୆̥ͣ੝͛̀౎੄
̧̹͈̜́́ͥȃIt was true: the work, or what he called his work, though it was more than that, muchmore, was good for him. . . . It was his Association that kept him young. (5-6)ȨSuddenly, what was dead had life, what was wearisome became stirring, beautiful,unbelievably real. . . . I found out the scorecards were enough. I didnʼt need the games.ȩ
(166)ષܱ͈ΰϋςȜ͈࡞ဩ͉ͅȄ୆̧୆̧̱̹͂ুࡨ͈୆ྵ͈ۜ͒ু‫̞͓ͥ̀ͦͣ੆̦ژ‬ȃ๞͉
࡛ह56प͈ඊ૸́ȄȶΘϋΉσζϋȆΖȜΨȜȆΐΛέ͹ȜήρΛΡ࢖෇୕ྩٛࠗমྩਫ਼ȷ́
ତলͬௌैً̱̮̳̀పߠྀ̈́඾ͬ௣̞̽̀ͥȃFrank W. Shelton̦ঐഊ̳̠ͥ͢ͅȄ๞ͬ۬ආ̳ͥ໗ࡺ࿚͈Zifferblatt(=clock dial)͉Ȅ̷͈ྴஜ̦ճা̳̠ͥ͢ͅȄশ͈̠ࠗ̈́͢ȶܰ௱ୃ̱̯Ȅ૞ှ଻Ȅಉ੬ȷ(80)ͅ‫ث‬౵ͬ౾̧ȄΰϋςȜ̭͈͜‫ث‬౵͜৿̠ͥ͢ͅ୲̴̢۬ণ̱
̞̀ͥȃॽমા͈̭͈́௳ߎ̱̯͂‫ܥ‬٫എ̈́৘ྩ͈ྙ‫̯̈́ܨ‬Ȅਔս͈ଲ‫͈ٮ‬ຫ̱̯͈̥̈́́Ȅ๞͉̭ͦ́͘ͅ‫ْ͞ד‬࿤‫ݩ‬۷୽൝̞̞ͧͧ̈́పߠ̨̱͈ͬদ̧͙̹̀ȃ̺̦Ȅ๞̦อྶ̱̹΍ͼ΋υͥ͢ͅ࿤‫ݩ‬ΊȜθ͕̓ளୀ̱̞ͣଲ‫̭̞͉ͬ͂̈́ٮ‬อࡉ̱̹͈̺ȃ͉́‫࡬ة‬๞͈ȶU.B.A.ȷ͉Ȅ৘૽୆̦ဓ̢ͥ‫͙̱ͬڢ‬ၱ̪͕̓ͅ࿂ฒ̩Ȅ୆̧୆̧̱̹͂୆ྵۜͬဓ̢̞͈̺̠̥̀ͥͧȃΰϋςȜ͉̭͈തͬষ̨͈̠͢ͅুࡨ໦ଢ଼̱̞̀ͥȃ. . . to tell the truth, real baseball bored himȝbut rather the records, the statistics, thepeculiar balances between individual anf team, offense and defense, strategy and luck,accident and pattern, power and intelligence. And no other activity in the world had soprecise and comprehensive a history, so speciÀc an ethic, and at the same time, strange as
it seemed, so much ultimate mystery. (45)࿤‫͉ݩ‬Ȅ஖਀ࡢ૽͂‫ݩ‬౬Ȅࢲࠢ͂৿๵Ȅै୽͂‫׋‬Ȅߘட͂ܰ௱଻Ȅఘႁ͂౶ႁ൝ͅࡉͣͦͥ
‫̈́ྥܗ‬ΨρϋΑȄ̹͌͂̾͂̽͘͘ͅႤঃ͂අ։̈́‫ث‬౵۷Ȅ̷̱̀‫ޭݪ‬എ̈́૰๩଻́͘࠳͇๵̢̞̀ͥȃ̱̥͜ȶU.B.A.ȷ͉́Ȅ‫̠̹̱͢ͅ੆ܡ‬Ȅদࣣ͈஖਀͈੄ાਜ਼Ȅ͈̠̓͢ͅ‫ڰ‬࿬̳̥ͥȄະ಺̥Ȅ̷͈ఈ੨ș͈দࣣ͈ജ‫͉ٳ‬Ȅ΍ͼ΋υ͈Ᏻփഎ̈́ତল̦ࠨ̞͛̀ͥȃ̞̥ͅ๞ඊু͈‫ࢹݹ‬ଲ‫̜̀̽́͜ٮ‬Ȅদࣣͅະ‫خ‬౶଻͂‫̧̦ࠧޥ‬ශ̱Ȅۖ஠ͅ๞͈ଷࢄ͈̜̹͂̽̈́ͣ͊͜ͅȄ̷͈࿂ฒ̯͉ક྽̱̱̠̺̠̀ͧ͘ȃ๞ͅ୆̧୆̧̱̹͂୆ྵۜͬဓ̢ͥలඵ͈ၑဇ͉Ȅ
ȶU.B.A.ȷͅഴા̳ͥ૽ྴ̦ဓ̢ͥ‫ג‬‫̜ͥͅޣ‬ȃȶΰϋςȜ͉ુͅ૽ྴͅ‫̹̽ঀͬܨ‬ȃ૽ྴ̷̭̦࿤‫ݩ‬ΊȜθͅඊඅ଼͈ࢗ͞৐෴ۜȄඊඅ͈ۜૂ̹̳̥̺ͬͣͣ͜ȷ(46-8)ȃ౗̱͜ྴஜ͉ͅ‫ڎ‬ș։̈́ͥࡥခ͈ࢊۜȄͼιȜΐȄܱ‫؛‬൝șͬႲே̱Ȅ஖਀ଈ͈‫ࡉٸ‬Ȅ଻‫ڒ‬Ȅඅৗ̈́̓ͅȄ؈࣐͈̜ͥ୆૸͈૽‫ۼ‬௨ͬே௨Ȇ஻௮̵̯Ȅঞ͔͈̠̽ͣ͢ͅஃถ̈́‫̭ͬ͂ͥ̈́͂ۼߗࢹݹ‬ཡগ̱̩̞̭̺̀ͦ̀ͥ͂ȃȁশ͉ͅȄΰϋςȜু૸͈૤͈ဝͦ͜ȄȶU.B.A.ȷ͈ே௨Ȇ஻௮͈ଷ࿩̞̈́̽̀ͥͅȃ๞͈ै̹̽‫૽ࢹݹ‬໤̦๞͈૤͈ྸ̞ͬ฽‫̱̀ד‬Ȅ‫ܢ‬ఞ೒ͤͅ൲̥̞̈́ાࣣ̦̜̥̺ͥͣȃ႕̢͊ΰϋςȜ͉ȄΟͼκϋ̦ۖ஠দࣣͬో଼̱̹ࢃͅȄΣΛ΃ȜδΛ΃ȜΒ͈୶อൎ਀̱͂̀੝͛ΐοΛ·ȆΉͼΏȜͬ஖̺̦ͭȄഷಎ́་૤̱̀༆̈́ൎ਀ͅ་̢̠̳͂ͥ͢ȃ̳ͥ͂Ȅষ͈̠͢ͅ‫૽͈ࢹݹ‬໤έςϋ̷̦ͦͬஷগ̱̱̠͈̺̀͘ȃ

He(Henry) decided to start rookie pitcher Jock Casey for the Knicks to make the game aneven match, although secretly he knewȝin fact, he hesitated, admitted it out loud:ȨThey
should start their Ace southpaw, Uncle Joe Shannon.ȩ Knick manager Sycamore Flynn
fended off the criticism.ȨIʼm saving Shannon to pitch against Halifax.ȩ(63)̭͉ͦ͂‫ͅݙ‬Ȅ‫͈͉́ͣ̈́ࢹݹ‬ٜ༶̯̹ͦ‫͜ۼߗ̞̱ڢ‬ഴા̳ͥȃ႕̢͊ȄΐͿͼ·͈ਈાͅਓယ̧̱̞͕ͦ̈́̓‫ݩ‬౬‫߸۾‬৪̹̻̦ਬͤ͘Ȅ๱ુে̈́଻എ࣐ևฺ̠ͬΡϋΙλϋ௧̨ͬ߫ͤࢩ̬ȄΰϋςȜ̦̤̤̞ͅ‫͚̱ڢ‬ા࿂̦̜ͥȃ̭͉ͦȄCoover͈Gerald’s Party(1986)͈஠
༎ͅ೒̲ͥະুட̯͂‫ވ‬೒̱̞̀ͥȃಎॲ‫͈ݭٴ‬ΐͿρσΡ͈‫́͜ົؚ‬Ȅ‫ͅົؚ‬ව̧̞ͤͦ̈́೾̤͍̹̺̱̞ତ͈૽ș̦ΩȜΞͻȜͅ੄୘̱̤̀ͤḘ̷͉͕͈̏́͂ͭ̓ഴા૽໤̦଻എ࣐ևͬ߫ͤࢩ̬̤̀ͤȄྶ̥ͣͅεΑΠκΘΣΒθ઀୰͈ະૄၑ̈́‫̞ͥ̀̽ैͬۼߗࢹݹ‬ȃ̭͈̠͢ͅȄఈ͈εΑΠκΘΣΒθै‫͂ز‬൳အȄCoover͜‫ͅࢹݹ‬৘૽୆̦ဓ̢̞ͣͦ̈́୆
ྵ̲ۜͬۜ̀Ḙ̷̏ͅ୆̧̠̳͂ͥ͢૽໤ͬຝ̞̞̦̀ͥȄ̷͈‫͈ࢹݹ‬ே௨Ȇ஻௮͈৘ఠ͉Ȅ஻௮৽࠳ैಎ૽໤͈૤ၑ͈ଷ࿩̥ͣুဇ̭͉͂̈́ͥ͂ະ‫خ‬ෝ͈̜̈́́ͥȃːոષ͈̠͢ͅȄΰϋςȜ̦ȶU.B.A.ȷ͈ଲ‫̦̞ͥ̀̽ैͬٮ‬Ȅ๞͉‫ݖ‬۷എͅ‫ݻ‬ၗ̤̞ͬ̀
ȶU.B.A.ȷ͈ଲ‫ͬٮ‬ವ͛ͣͦͥै৪͉͂ࠨ̱̀̈́ͤං̞̹̈́͛Ȅ๞͈জ୆‫͂ڰ‬ȶU.B.A.ȷ͈ଲ

‫͉ٮ‬ईட֚ఘ͂̈́̽̀ࡽ̞ͅ‫ͬޣג‬ဓ̢̞̀ͥȃ๞̦૦̹̽΍ͼ΋υ̦1̸͈ͧ࿒͂̈́ͤȄȶ1Ȇ
1Ȇ1ɁΫȜϋδȜσ́఑৪͉౿ྵੱͬ໅̠ȷ(70) ͈σȜσ̽̀͢ͅȄΟͼκϋ̦ঘ͆ఱম࠯̦
̭ܳͤȄȶU.B.A.ȷ͈ଲ‫͂ٮ‬ΰϋςȜ͈࡛৘͉ഢ‫̢ͥࠞͬܥ‬ȃඅͅȶU.B.A.ȷ͉́ȄΟͼκῧ̞̠ΪȜυȜ̦ഴા̳ͥஜ͉ȶ‫ފ‬ٛ஠ఘ͈൲̧͉۱ྕ̈́ͤͅȄ‫̧͉ͬܵࢹܥ‬৐̞Ȅྫփྙ̯͞‫ފ‬͈ٛ࿒എ͈ࠧශͅచ̱̀ະྖ̦੄ই̞̹͛̀ȷȃ(104)ȁ̷ͦͬΟͼκϋ̦་̢̩̀ͦͥࠀ‫̫̺̹̞̀̽̈́͂ͅܥ‬Ȅ๞͈ঘཌ͉਀೑̞఑ࠢͬဓ̢̹ȃ̧̭͈͂ȄΰϋςȜ͉๞͈৘૽୆ͅచ̳ͥȶU.B.A.ȷ͈‫ࢹݹ‬ଲ‫͈ٮ‬ంहփ݅ͬ੝͛̀आུ̥ͣ࿚̞ೄ̳̭͂̈́ͥͅȃ๞͈৘୆‫͉ڰ‬࿡ͬഔ̱̀দࣣΊȜθͬ௽̫ͥે‫́ޙ‬Ȅ൚ட̷͉ͦ๞͈মྩਫ਼͈ॽম́ηΑͬๆ̳̞̠͂՛‫̞̱͖ͥ̀ݞͬޣג‬ȃ๞͉ȶ̢̤͉̈́ͭ̀͘ଜ̽໡̹̽
൮͈̤̥̱̈́ി̺ȃୈ૰ພ֭۬ͅ޺̢̯̻ͦ͝ȷ(127)Ȅȶ̭̈́ͭ́ͭ̈́໓ͅু྽̳̭̤ͥ͂ͬ
ஜ͉̱̞͈̥̀ͥȷ(129)Ȅȶ‫އ‬௔̥͈ͣ౎၂ȷ(135)Ȅȶ̺̺ͭͭ঑ၗ྽Ⴈ̞̩̈́̽̀ͅȃ̠̩̱̹ͧ͜࿧ٚ৪̺ȷ(140)Ȅȶ૽͉̽̀͢ͅȤȤ๞͈ΊȜθ֚ͬਅ͈൪๰࣐և͂ࡉ̳̺̠̈́ͧȷ
(140)‫׊‬ș͂ΰϋςȜ͉ুࡨ໦ଢ଼̱̞ͬ̀ͥȃ̷̱̀ಿ‫ۼܢ‬൳̲ΊȜθ̳̭̥ͬͥ͂ͣ୆̲ͥ๦໺͉ȶଡ଼͈ໝॠ̈́ΊȜθȪ͈ྛႁȫͬ৐̵ͩͥ႒͈࠱ట̺ȷ(136) ͂ࢅͤȄȶॽমͬདྷͦ̀ΊȜθଲ‫ࣺ͈̫̺͊͛ͤ͛ͅٮ‬Ȅ̷̠‫̴̥ͣ׿‬Ȅ̷͈ΊȜθ͉ΘϋΉσζϋȆΖȜΨȜȆͺϋΡȆΐͿέ͹ȜήρΛΡ২͈́ॽম̴ͤ̽͂͢͜௳ߎ̱̩̈́ͥȷ(141)͂Ȅ̷͈໅͈‫ͬޣג‬এ̞౶̯͈̜ͣͦͥ́ͥȃ̭͈̠̈́͢ΰϋςȜ͈ईྸ̱̹૤͉ȄȶU.B.A.ȷ͈ଲ‫͜ͅٮ‬൚டൎ‫̞̯ͥ̀ͦג‬ȃΟͼκϋͅ౿ঘੱͬ໅̵̹ͩΉͼΏȜൎ਀͈ਫ਼௺̳ͥ‫ݩ‬౬͈۬ආΏ΃κͺȆέςϋ̦ΑΗΐͺθ́ఘࡑ̳ͥ‫̷ູ̦ͬͦޔ‬ນ̱̞̀ͥȃ̷̭͉ճյͅ༫ͦ̀͘ȶ‫ݴ‬ఱ̈́෱ኸ͈̠́͢Ȅঘ͂ແ෴ࣱ͈̳̞̓ਡ̞ͬอ̱̞̀ͥȷ
ȃ(118)ȁ̹̺͈࿤‫ݩ‬ા͈̈́ͅΊȜΠ̦Ȅව࢛ͤ͂࡞̠͉ͤ͢ΠϋΥσ͈̠̞̈́̽̀ͥ͢ͅȃ๞͉‫ູ́ޔ‬ഷಎ̧̥ͣ֨༐̳̦Ȅࣽြ̹‫ځ‬Ⴙ́͘ક̢̱̠̀͘ȃ༃ͬ਀ౝͤͅ༜̩୶͉ͅȄඏடֲ͞ऒ͈΃Ȝή̦ၛ̻͏̯̦ͤȄͥ́͘൴ș̪̱̞͛ͤͬ̀ͥۜ‫ͅژ‬༛ͣͩͦͥȃ់ᔎ͂૤௫̦গ̠ͥ̈́͘͢઩ࠢȄ‫ેࢮޔ‬ఠ͈̥̈́Ȅ๞͉ȶఉ໦Ḙ̷͉̏੄࢛̺̠ͧȃ̺̦Ȅ੄࢛͉̞̥́̈́͜౶̞ͦ̈́ȃ̴̞̱ͦ̀͜ͅ๞̧͉̥̹́̈́̽ͅȃ̭̭̥ͣ൪̬੄̳̭̺̫͂ͬ‫͈̹̞̀̽ͅܐ‬Ȅ̷̦ͦ੄ြ̥̹͈̺̈́̽ȷȃ(123)ȁडࢃͅȄέςϋ͉ȶ̤͉ͦৃ̸͛ͥȷ͂୊ͅ੄̳̦Ȅ̷͉ͦΰϋςȜ͈࡞ဩ̜́ͥ͜ȃ
ȶU.B.A.ȷ͈‫ࢹݹ‬ଲ‫͈ٮ‬փ̦݅૗̵̜Ḙ̏ͦͬ༶‫ܥ̳ͥܤ‬͉ٛȄ̠֚͜ഽངͦͥȃΰϋςȜ͈൳ၯσȜ͂੝֚͛̀੣ͅΊȜθ̱̹ͬশ͈̭̺͂ȃσȜ̦ΫȜσͬࢋ̭͖̱̽̀Ȅͼϋ·́੥̥̹ͦఱ୨̈́দࣣܱ჏͈লͬະ஛ྶ̧̱̱̹̀̽͂͘ͅȄȶ̠͜ਞ̺ͩͤȃ̳͓̀ਞ̹̺ͩ̽ͭȄ͂๞͉६͛̈́‫ܨ‬໦́ࢅ̹̽ȃξΣό͹Ȝ΍σ࿤‫ފݩ‬͈ٛਫ਼ခ৪͉̭̥࣐̱̓̽̀̽͘ͅ
̹͈̺ȷ(199)͂๞͉এ̠ȃ̱̥̱ু໦́ൎ̬̹΍ͼ΋υ̦া̳ତˎȄ˒Ȅ˒ͬ͏͂ࡉೄ̱̹ΰϋςȜ͉Ȅུෝഎͅˎͬ˒ͅ་̢̱̠̀͘ȃ̷͈ࠫ‫͉ض‬ȶ˒Ȅ˒Ȅ˒Ɂൎ਀͉ρͼ΢Ȝͬ਋̫౿ྵੱͬ໅̠ȃ఑৪͉֚ႏΓȜέȄ௢৪͉֚̾ૺႏȷ(200)͈σȜσͅ‫ڂ‬൚̳ͥȃ̷͈փྙ̳̭͉ͥ͂ͧȄΟͼκϋͅ౿ঘੱͬဓ̢̹ൎ਀ΐοΛ·ȆΉͼΏȜ͂๞͈ਫ਼௺̳ͥΣΛ΃ȜδΛ΃ȜΒ‫ݩ‬౬ͬ໘ਦ͈̹͛ͅߠ໚̵̯̹̞̞̠͂ΰϋςȜ͈‫଼̞ͬܐ‬ਖ̳͈̜̹ͥ́̽͜ȃ΍ͼ΋υ͈̞̥̯͘ௌैͥ͢ͅ‫ܐ‬བ଼ਖͬ஖̥͐Ȅ
ȶU.B.A.ȷͬ༶‫̧̥͓̳ܤ‬ȃΟͼκϋ̦ঘͭ́ոြȶ‫ފ‬ٛ஠ఘ͈ΨρϋΑ̦༲̱̹̠ͦ̀̽́͘͢ȷ(148)ȄΰϋςȜ͉ΣΛ·Αͬߠ໚̵̯̹ͥ͛‫ͅܡ‬σȜσ֑฽ͬๆ̱̞̹̀ȃఈ‫ݩ‬౬͈ൎ਀ଈ͈υȜΞȜΏοϋͬഐ൚ͅႾ̱ͤٝȄ60দ
ࣣͬႲ௽ક‫͈ܨޚ̠̞̳͂ͥا‬कఋͅ‫̺͈̹̞̀̽ۿ‬ȃ̭͈͈͘͘୆‫ͬڰ‬௽̫ͦ͊ٛ২ͬ·Ϋ͈͉̈́ͥͅুྶ͈̥̈́Ḙ͈̏΍ͼ΋υௌै͉डࢃ͈̹͂̓͛͂̈́̽͂࡞̢̠͢ȃ̭̠̱̹ඵ৪఼͈֚ಿ̞๏࿛͈̥̈́́Ȅ
ȶU.B.A.ȷ͈‫ࢹݹ‬ଲ‫͈ٮ‬ே௨Ȇ஻௮ͅ๞̦൩͙গ̹͈͉̽͘ষ͈̠̈́͢ၑဇͥ͢ͅȃ. . . a compact league history, a book about these first fifty-six years. . . . the exposureof some pattern or other. . . . it needed a new ordering, perspective, personal vision,
the disclosure of pattern, because heʼd discovered. . . perfection wasnʼt a thing, a closed
moment, a static fact, but process, yes, and the process was transformation and so Casey
had participated in the perfection, too, . . . even Henry had been affected, . . . (211-12)

ȶU.B.A.ȷ͈56ා‫͈ۼ‬Ⴄঃ͈௙‫͉͂گ‬Ȅඋ৪͈ণത́‫ݖ‬۷എͅࡉͦ͊Ȅˏ͈̾΍ͼ΋υ͈ତ̦ࠨ͛ͥদࣣࠫ‫ږ͈ض‬ၚͅచ̳ͥൡࠗ‫ڠ‬എΟȜῌً̨̞̈́ȃ̱̥̱Ȅષ੆̱̹֨ဥ໲̦া̳̠͢ͅȄΰϋςȜ̷͉̭ͅȶ̹֯ͦΩΗȜϋͬྶ̥̳̭ͣͥ͂ͅȷȄȶ໾̲̹֚ͣͦ੊͞୓എ̈́ম৘͉̩́̈́ȷȄȶ֊ͤ་ًͩͥ೾ȷ̢̠̱̞ͬ͂ͣ͂̀ͥ͢ȃ̷͉ͦȄ‫ํ଼͈ܰܡ‬ȆփྙȆಉ੬ͬ૽‫̦ۼ‬༒ܽഎͅै̹͈̽͜Ȅ࡞֚ͩ͊ਅ͈‫̱̈́ࡉ͂ࢹݹ‬Ḙ̷ً͈̠̏̓̈́͢ͅ೾́‫଼͈ܡ‬փ଼̦݅ၛ̱̹̥ͬ໦ଢ଼̱̠̳͂ͥ͢εΑΠκΘΣΒθै‫ز‬Coover͈փ଎ֺ̢̦ͥ
͈̺ȃȶU.B.A.ȷ͈ଲ‫ͅٮ‬ஆ͚ȶ̹֯ͦΩΗȜϋȷ͈ΰϋςȜ͈ౝ‫͉ݥ‬ȄV.͈ΑΞϋΏσ̦ଔ௶͂ே௨́ੳ਀ͅै̹̽V͈൮໲লͬ̾͜ఉ̩͈੫଻̷͈͂෸ࠊ̞͈̾̀ͅౝ‫͂ݥ‬൳ৗ͈͙̯̈́͂̈́ͦͥ͜ȃႤঃ͈̥̈́́উͬ་̢̀੄཯̳ͥఉ̩͈V͈੫͉Ȅଲ‫̧̹ࠬܳͅٮ‬୆ਡ̞ཕ൲͞୽௔͂߸ͩͤȄȶΧσζΊΡϋ̭̳ͬܳఱ֮ཝȄ̷̹͉͈͘୶૘ͦȷ(141)͂൳শͅȄ๱૽‫ۼ‬‫ا‬Ȅ૽ࢥ‫ا‬Ȅ‫ܥ‬٫‫͈ا‬ഽࣣ̞ͬ૬͛Ȅ̦͉̀͞୲྽ͅঢͥ߃య໲ྶͬયಭ̳͈̱ͥ͂̀͜ै৪
Pynchon͉ຝ̞̹ȃCoover͈ાࣣ͉ȄΰϋςȜ͈ౝ‫ͬݥ‬೒̱̀ম໤͈ࡉ༷ͅ‫ͥͩ۾‬ఉࡓഎٜ̈́৷͂Ȅশ͂‫ͤ֊ͅވ‬་ٜͩͥ৷͈་஗ͬփে̳ͥεΑΠκΘΣΑΠ͈ম৘Ȫ‫ࢹݹ‬ȫͅచ̳ͥউସͬߓ࡛̳͈̱ͥ͂̀͜ຝ̥̞ͦ̀ͥ͂࡞̢̠͢ȃĶષ੆̱̹࿚ఴ͉Ȅडਞડ˔ડ́௙‫̱̀گ‬ຝ̥̞ͦ̀ͥȃ̭̭͉́Ȅै຦͈లˍડ̥ͣల˓ડ
́ͬ͘೒̱̀ഴા̱௽̫̹ΰϋςȜ͉উͬࡉ̵̞̈́ȃ̷͈ၑဇ͉Ȅ
ȶU.B.A.ȷ͈ႤঃͬΰϋςȜ̦ே௨Ȇ஻௮̳ͥ࿨࿒͉ਞͩͤȄࣽഽ̷͉͈ଲ‫ͬٮ‬༆͈ণത̥ͣವ͛Ȅఉ̩͈ٜ৷͈౪୆͂Ȅ̷͈ٜ৷͈་஗̞̠͂փྙȆಉ੬͈౑ͥ਽ྵͬຝ̩̹̜ٜ͛́ͥ͂৷̧́ͥȃ̷̺̥̭ͣȄల˔ડ́߫ͤࢩ̬ͣͦͥȶΟͼκϋܱැদࣣȷ͉ȄΰϋςȜ̦ै̹̽U.B.A.͈শయ̥ͣ100ා͈प࠮̦ࠐً̱̀Ȅଡ଼͈‫ݩ‬౬ଲ‫ݻͬٮ‬ၗͬ౾̞̀‫ݖ‬۷എͅȄఉ‫ڙ‬എͅವ̠͛ͣͦͥ͢ͅജ‫̯ͦٳ‬̞͈̺̀ͥȃ̷̱̀Ȅ̷͈փྙȆփ݅ͬયಭ̳ܻͥ৆͈ࠁ৆́ଡ଼͈দࣣ̦ठ࡛̯͈̜ͦͥ́ͥȃΰϋςȜ̦‫ݩ‬౬͈‫ڰ‬൲ͬ΍ͼ΋ύैͤષ̬̞̹͉̀ࣼͅȄࡢ૽৽݅͂ুࡨಎ૤৽݅ͬນ̳
ȶະྖൂ(the Bogglers)ȷ(216)͂Ȅఈ৪ͬ෇ে̳ͥȶၙ༹৽݅ൂ(the Legalists)ȷ(217)Ȅ̷̱̀૽‫͂ۼ‬২͈ٛ଻ৗͅୈ૰എ̥̾ഓ‫ڠ‬എ‫۾‬૤̵ͬͥ͢ȶழࣣൂ(the Guilds)ȷ͒͂஖਀ଈ͈ୈ૰
͉3౲‫͈ٴ‬་ယͬଛ̬̹̭͉͂Ȅै຦́‫̹̞̯̥̀ͦ͂ͣྶͅܡ‬ȃ̱̥̱Ȅల˔ડ͉̯́ͣͅণത̦ఉအ‫̞̯ͥ̀ͦا‬ȃ̴͘ȄȶU.B.A.ȷͅ‫͈̥̾ܜ̳ͥ۾‬੥ୠ͈੄ๅ̜́ͥȃ൚শ͈ٛಿΨȜΣȜȆΨϋ·υέΠ̦ܱ̱̹ȸU.B.A.͈Ⴄঃȹ͉Ȅ‫ݩ‬౬஠̀ͬ౶ͤ଄̩̱̞̀ͥ஠౶എণത̢̞͂ͥȃ‫ͣ̈́࡬ة‬Ȅ๞͉̜ͣͥ͠ਫ਼ͅ΃ιρͬନ̢̀஠̀ͬࡉ೒̳ၛા̞̹̥̺ͣͅȃ̺̦๞͈૞ှ଻̦͈̓೾ഽ̜̥́ͥ࠿બ̳̹͈ͥ͛঩ၳ̱͂̀Ȅలඵ͈੥໤ȸ݃თ͈૽ȹ(223)̦ΨȜΣȜ͈ഥܱ̱͂̀‫̢̞ͥ̀ͦͣح‬ȃ̷̭͉́ȄȶΨȜΣȜ࿷֚૽̦ۖ஠ͅ‫̹̱੃׫‬Ȅ̷ͦ࡬̜͈૞̲̦̹̞Ρρζ͈̥͈̈́࿷͈֚૯͈૽‫̺ۼ‬ȷ(223)͂༞‫̞̯ͥ̀ͦޑ‬ȃ̾ͤ͘ಫঊ͈̠̈́͢Οͼκϋ͞ΉͼΏȜ֑̞͂ȄΨȜΣȜ͉٥݃৽݅Ȅ݃ැȄ‫ູޔ‬૤̞̹͂̽୆૸͈૽‫ۼ‬͈‫ڳ‬൥ͬఘࡑ̱̞̥̺̀ͥͣȃ̭͈ത̥ͣȄల˓ડྎ́૘̞̠ͦͣͦ̀ͥ͢ͅȄ‫̩ͣޔ‬ΰϋςȜ͈ণത̦ȄΨȜΣȜͬ֯ͦྡྷ̱̀ͅນ࡛̯̞͈ͦ̀ͥ͂͜ଔ௶̯̠ͦ͢ȃষͅત̯ٚͦͥ੥
໤ȸUBA͈ΨρϋΑȹ(224)͉́ȄΨϋ·υέΠ̦ճफ़̯̞̠ͦͥ͂‫ݩ‬౬͈ࡀႁ൰௔͈෸ࠊ̦ત̯ٚͦȄͤ͢ఱ̧̈́ণ࿤̦ജ‫̞̯ͥ̀ͦٳ‬ȃ̯͉ͣͅȄΟͼκϋͬঘͅ೏̞̹̽͞ൎ਀̱͂̀ΰϋςȜ̥ͣ࠹՛̯̞̹ͦ̀ΐοΛ·ȆΉͼΏȜͅ‫͉̱̀۾‬Ȅ100ාࢃͅȸࡧ͈ࣞ૽ȹ(237)̞̠͂੥໤̦৏ຊ̯̜̞̠ͦ̾̾ͥ͂ȃ̹͘ΐοΛ·ȆΉͼΏȜু૸̦੥̞̹͂ଔ௶̯ͦͥȸ๱ఏ‫ͥ͢ͅފ‬ΨρϋΑȹ(239)͜ഴા̳ͥȃ̱̥̱Ḙུ͈͉̏ΉͼΏȜ͈৏ຊ͉̞̥̥́̈́͊ͤȄȶ̻́̽ષ̬ȷ́ȶ٨ᡊͥ͢ͅତ̢୨̞ͦ̈́་ࠁȷ(240)̦̜ͥ͂࡞̞ͩͦ̀ͥȃ̭͈ͦͣ੥໤ո‫́͜ٸ‬ȄΟͼκῧΉͼΏȜ͈ȶచࠨ͈ߙდࠠȷͅ‫͉̱̀۾‬Ȅఉ̩͈੨୰̦̜ͤḘ̷͉̏́ಎ૤૽໤̳́ͣࡽ̞ͅ։̞̹̈́̽̀ͥ͛Ȅȶౙ̈́ͥম৘̳̜̱̩̱̠͈̜́ͣ̈́̽̀́ͥ͘͞ȷ
ȃ(223)ȁ100ාࢃ̤̞͉̀ͅȄΟͼκϋͬ஝ȄΉͼΏȜͬ՛͙̳͂̈́ౙ੗ளཀྵ̈́଎৆͉ൢೲ਋̫වͦඳ̩̞̈́̽̀ͥȃ̱̥̱Ȅ࡛ह́͜Οͼκϋ૞༮৪͉̤ͤȄ๞͉ͣȶୃ݅͂૯৘͈୲చഎ̈́ႁͅளཀྵ́੗ଘ̈́૞ှȷ(222)ͬ౾̞̞̀ͥȃ̷ͦͅచ̳ͥΉͼΏȜ૞༮৪͉ȄȶΉͼΏȜ͈අ։଻͈૰๩Ȅ̷̱̀๞ུ̜ͥͅৗഎ̈́ুဇȷͅ‫ث‬౵ͬ౾̞̞̀ͥȃ̹͘ΉͼΏȜ͉ͅȶ̳͓͈̀‫ٽ‬ැܰ೰͈༶‫ܤ‬ȷ(240)͈අৗ̜̭̥ͥ͂ͣ͜Ȅඋ৪͉͂̽̀ͅȄΟͼκϋ૞༮৪͂ΉͼΏȜ૞༮৪ͬκΘΣΒθ૞༮৪͂εΑΠκΘΣΒθ૞༮৪ٜ͂৷̳̭ͥ͂͜‫خ‬ෝ̜̠́ͧȃ̜͂ͦ͜Ȅၰ৪͉చၛ̱̹අৗ̹ͬ̾͛͜Ȅ฽చ௰͈ၛા͈৪͉௖਀ͬ๡฻̱ࣣ̠ȃΉͼΏȜ૞༮৪͉ȄΟͼκϋ৽̦݅ȶ৯ൽ́୺ଷഎȷ(223)̜́ͥ͂ࠨ͛̾
̫ͥȃ̱̥̱Ḙ͈̏͂ୃ͂৯͉Ȅࡀႁͬ՜ͤȄ̷͈ႁ̦শయ͂‫ͅވ‬ଚ̢̞̭̈́͂̽̀͢ͅࠨ̳ͥ͂ͥ͘փࡉ͜೹া̯ͦͥȃ̷͉ͦఉତ͈૽ș̥ͣॷ൳̯ͦȄ঑঵ͬ਋̫̹બ̥̺͂̈́ͥͣȃȁల˔ડ́ȶΟͼκϋܱැদࣣȷ͈ܻ৆ͬ‫̲ͥ׵‬஖਀̹̻͂̽̀ͅȄ૯௖͈ٜ৷ͬᔛཾ̵̯ͥͅါள͉ఈ̜ͥ͜ͅȃયಭഎ૽໤ȄΟͼκῧΉͼΏȜ̦৘ह̱̹બ͂̈́ͥ֒ఘོ̦̹͛ͣͦ༢͉̭̩̓̈́͜ͅȄΨȜΣȜȆΨϋ·υέΠٛಿ͈ঘ͜ճफ़̥ুफ़̥ະྶ̈́തȄ‫੄͈ݲً̞׿‬ြম̦ນ̳યಭ͈փྙ̦ᔛཾ̤͂̈́̽̀ͤȄਲ̽̀Ȅփྙ̦ࠧශ̱̹ߘட͈੄ြম̥͜౶̞̭ͦ̈́͂൝̜́ͥȃ̭͈̠͢ͅȶΟͼκϋܱැদࣣȷͬ‫̳ͥͅ׵ٳ‬ঢ̹̽΂ςΐ΢σ̈́ૂ༭ͅ‫̳ͥ۾‬ఉ̩͈ΟȜΗٜ͂৷̷͈͞૯̦ܺະྶ̈́ેఠ̹͂̈́̽100ාࢃ͈শ̦Ȅల8ડ͈෸ࠊ̜ͥͅȃ̭̭ܻ́৆͈
ਹါ̈́࿨‫ͬڬ‬౜̹̽εȜσȆΠτϋΙ͉Ȅ੨୰͈ంहͅई၄̱Ȅ̷͈փྙȆփ݅ͬ‫̵੄ࡉ͜ة‬̞̈́͘͘Ȅ‫͍ލ̞̱ͧޔ‬୊̜̬ͬͥఱ۷ਤ͈̥̈́́ζ;ϋΡͅ؋̱ͣͦͥ͞ȃ̧̭͈͂Ȅ๞͈ෞၔͅ‫ݲ‬ြ̳͈͉ͥষ͈̠̈́͢এ̞̜́ͥȃHe is afraid. Not only of what he must do. But of everything. . . . He stares at the sky,beyond which is more sky, overwhelming in its enormity. He, Paul Trench, is utterlyabsorbed in it, entirely disappears, is Paul Trench no longer, is nothing at all: so why does
he even walk up there? Why does he swing? Why does he run? Why does he suffer whenout and rejoice when safe? Why is it better to win than to lose? Each day: the dread. . . .
He wants to quitȝbut what does he mean,Ȩquitȩ? The game? Life? Could you separatethem? (238)ࡉષ̬ͥఱߗ͈๞༷͉̯ͣ̈́ͥͅ‫̞̱̈́̀ض‬ȶྫȷ̞̠͂ఱߗ̦ࢩ̦ͤȄܻ৆͈փྙ̺̫̩́̈́Ḙ͈̏ͦ́͘ΠτϋΙͬΠτϋΙ̧̹̱̹ͣ͛̀փྙ̳ͣક྽̱̱̠̀͘ȃ̷̭͉́࿤‫ݩ‬͈σȜσ͞࿒എ͜փྙͬ৐̞Ȅ࿤‫͂ݩ‬৘૽୆͈ߊ༆͜ဣٜ̱̱̠̀͘ȃ஠͈̀փྙ̦ક̢Ȅྫ͈̥̈́́‫ູͅޔ‬ၛ̻ᡘ͚εȜσȆΠτϋΙ͉̯͘ͅεΑΠκΘΣΒθ͈ࡔ໓ࠊͬఘࡑ̱̞̀ͥ͂࡞̢̠͢ȃΰϋςȜ͈ȶU.B.A.ȷ͈‫͈ࢹݹ‬ே௨Ȇ஻௮͉Ȅଲ‫ࢹݹͬٮ‬ȪΏηνρȜ·σȫ͂ࡉ̱̈́̀आ࡙എ̈́‫෇͈ྫݹ‬েͅ‫ݳ‬ೄͤȄ๞ͅ୆͈փ݅ͬဓ̢ͥু໦͈̈́ͤࡖேͅ୆̧̠͂͢஖఼̱Ȅփ঎̳ͥεΑΠκΘΣΒθ͈উସͬߓય̱̞̹̀ȃ̷̱̀Ȅ
ల8ડ͉́εȜσȆΠτϋΙ̦Ȅ̷͈आ࡙എ̈́‫ͬྫݹ‬փে̳ͥεΑΠκΘΣΒθ͈੄อതͬયಭ̱̞̹̀͂࡞̢͈̜ͥ́ͥȃ͍ࠫ
René Magritteْٰ͈ȶ̵͈ͅ‫ޢ‬ȷ͉́Ȅ൫ྶ̈́୒ߗͅຖ̞̽̀ͥ‫ݴ‬ఱ̈́‫̦܉‬ຝ̥̞ͦ̀ͥȃٰ̭͈̞̾̀ͅArthur Kroker͂David Cook͉ȶ‫ͼ͈ݙ‬ιȜΐ͉̜̦́ͥȄεΑΠκΘϋ͈ఘࡑ͈‫ࢹͥ̈́͂ړ‬௮͈ۖᝈ̈́યಭȷ(79)̱͂̀௴̢̞̀ͥȃȶ૸ఘͬၗ̹ͦ‫͉͂܉‬੗ଘܱ̈́࣢Ȟఘࠏո‫ة͈ٸ‬໤̞̥́̈́ͣ͜Ȅ֚Ⴒ͈࿒എ͈ಎ̧͉ࣺ͚̭͉̞͛͂́̈́ͅȷȃਲ̽̀Ȅুட͈̱̭̈́͂̀ͦ́͘͜‫۾‬Ⴒັ̫ٜ̀৷̯̞̹ͦ̀փྙȆಉ੬͈‫ࢹ߸۾‬௮͉෫‫̯ͦܤ‬Ȅ૧̱̞ȶआ࡙എ̈́փྙ஻௮ȷܑ̦͈̜̀ͣͦͥ́ͥȃεȜσȆΠτϋΙ͉ಢഽȶ̵͈ͅ‫ޢ‬ȷͬఱߗͅࡉ̞̾͛̀ͥે‫̜ͥͅޙ‬ȃ̺̦ఈ༷͉́Ȅȶ୆͈ଲ‫͉ٮ‬Ȅ‫̷͈ͅܡ‬ड૬໐͈‫ͦڬ‬࿒̳ͣ͜૒ྦྷ౷‫ا‬̯̞ͦ̀ͥȷ̳͂ͥࢹ௮৽͈݅௴̢༷̦̜ͥȃεȜσȆΠτϋΙ̦ठ࡛̱̠̳͂ͥ͢ΰϋςȜ͈ே௨Ȇ஻௮̱̹ȶU.B.A.ȷ͈ଲ‫͉ͅٮ‬ȄΰϋςȜ̦ඊুͅैͤષ̬̹‫͈ࢹݹ‬ଲ‫̜̦͂ͥٮ‬൳শͅȄ̷͈‫͉ͅړ‬΍ͼ΋υ͈ତ̦া̳Ᏻփഎ࡛̈́৘͂Ȅ๞̦ྴັ̫࣐ͥևͬ೒̱̀ൎ‫̯ͦג‬̹࡛৘͈ΏηνρȜ·σ͈ଲ‫̦ٮ‬ईह̱̞̹̀ȃ̷̱̀Ḙ͈̏ΏηνρȜ·σ͉ͅࢹ௮৽݅എ૒ྦྷ౷̦૫ව̱Ȅ࡛৘ͅచ̳ͥ‫଼͈ܡ‬փྙȆಉ੬̦฽‫̹̞̯̀ͦד‬ȃ̭̠̱̹തͬࣉၪ̳ͥ͂Ȅ100ාࢃܻͅ৆ͬठ࡛̳ͥ஖਀ଈ͉͂̽̀ͅȶഥ୰̞̠̥͂႒߿̞̠̥͂Ȅಿ̞Ⴄঃ͉ͅȄ̶̥̈́ྦྷਤ͈૯৘Ȅ̷ͦ͜आ࡙എ̈́૯৘̦̜ͥȷ(233)͂૰დഎ௰࿂̷̭ͬͅඋ͙̭৾ͥ͂͜‫خ‬ෝ̜́ͥȃ̺̦ల˔ડ́‫ٳ‬াً̯ͦͥ‫͈ݲ‬ఉ̩͈ૂ༭͉Ȅ॒௚̱Ȅশ͉ͅྭ੖̱ࣣ̞Ȅ୲చഎȆຽ༑എ૯৘ͬນ̳̭͂ͬະ‫خ‬ෝ̱̱̠̀͘ͅ௰࿂̜ͥ͜ȃུ̭͈̠͢ͅै຦͉Ȅ໲‫ا‬എॲ໤͈փྙͬȶ‫ࢹݹ‬ȷ̱͂̀ವ͛ͥփে͈౪୆͂Ȅ̳͓͈̀փྙ͉आ࡙എͅྫ̷̜̞̠͈́ͥ͂ၔ༐̱͈փে̽̀͢ͅȄ‫଼͈ܡ‬փྙ̥ٜͣ༶̯̹ͦ૽ș̦୆ͅփ݅ͬဓ̢ͥඊু̈́‫ͬࢹݹ‬ே௨Ȇ஻௮̱Ḙ̷̏ͅ୆̧̭ͥ͂ͬুͣփ঎̳̠̹ͥ̈́̽͢ͅউସ̷ً͈͂೾ͬȄ
ȶU.B.A.ȷͬ೒̱̀
ຝ̞̞̹̀͂࡞̢ͥȃ̷ͦ͂൳শͅȄ࡛৘͈৘ఘͅచ̳ͥఉࡓഎ̈́ࡉ༷͂Ȅ̷͈ୃ͂໅͈ၰ࿂̦ຝ̥̞̹ͦ̀ȃ̭͈ͦͣম໻̷̭̦εΑΠκΘΣΒθ౪୆‫͈ܢ‬ల֚‫۾‬૤ম̜̹́̽͂ຊ৪͉ࣉ̢̞̀ͥȃ४ચ໲ࡃ
Berman, Neil,ȨCooverʼs Universal Baseball Association: Play as Personalized Mythȩ, Modern Fiction
Studies, 24.2 (1978), 209-22
Coover, Robert, Gerald’s Party, New York: Linden Press/Simon & Schuster ( 1986)
Coover, Robert, The Universal Baseball Association, Inc., J.Henry Waugh, PropȄNew York: Random
House ( 1968)
Eco, Umberto, Foucault’s Pendulum (Il pendolo di Foucault), trans. William Weaver, New York:Harcourt Brace & Company (1989)
Hutcheon, Linda, The Politics of Postmodernism, London: Routledge ( 1989)
Kroker, Arthur/Cook, David, The Postmodern Scene, New York: St.Martinʼs Press (1988), 79-90
Maltby, Paul, dissident postmodernists, Philadelphia: Univ. of Pennsylvania (1991), 88-89

Pynchon, Thomas, V., New York: Bantam Book (1964)
Shelton, W. Frank,ȨHumor and Balance in Cooverʼs The Universal Baseball Association” Critique 5(August 1975), 78-90
Vonnegut, Jr. Kurt, Slaughterhouse-Five or The Children’s Crusade, New York: A Delta Book (1969)