User Guide

TAL NoiseMaker

Author: Paul Hillier
Version: 1.0
Last Revision Date: 8/14/2012

TAL NoiseMaker
User Guide

Copyright © 2012 by Paul Hillier
All rights reserved. No part of this user guide may be reproduced in any form, except
in the form of brief quotations, without permission of the author/publisher. This
content is provided "as is" with no warranty, guarantee, or promise of content
accuracy. Any use of this content is "at your own risk".
Contact Information
Paul Hillier
151 Exbury Road
Toronto ON M3M1R6Email: paulkhillier@gmail.com
Website: http://paulkhillier.wordpress.com
Acknowledgements and Fair Use Disclaimer
This manual and related content is a final project for Seneca College’s TechnicalCommunications Graduate Certificate Program. This book may contain copyrighted
material, the use of which has not always been specifically authorized by the
copyright owner. This material is distributed without profit and has been made foracademic purposes.
For permission to reproduce the information in this document for commercial
redistribution, please email paulkhillier@gmail.com.

iContents
1 Introduction to TAL NoiseMaker ..................................................................... 1
1.1
Introduction ...........................................................................................................................1
1.2
TAL NoiseMaker Specifications ......................................................................................1
1.2.1 Oscillators ...........................................................................................................................1
1.2.2 Master Effects ....................................................................................................................1
1.2.3 Filters ....................................................................................................................................1
1.2.4 ADSR Envelopes ...............................................................................................................2
1.2.5 LFOs ......................................................................................................................................2
1.2.6 Additional Effects ............................................................................................................2
1.2.7 Miscellaneous ....................................................................................................................2
1.3
Presets ......................................................................................................................................3
1.4
Panels ........................................................................................................................................3
1.5
Components and Elements ..............................................................................................3
1.5.1 Components ......................................................................................................................3
1.5.2 Elements ..............................................................................................................................4
1.6
Legal ..........................................................................................................................................4
2 Installation Guidelines ............................................................................................. 5
2.1
Windows .................................................................................................................................5
2.1.1 TAL-NoiseMaker.zip (32 bit) ........................................................................................5
2.1.2 TAL-NoiseMaker-x64.zip (64 bit) ...............................................................................5
2.2
Macintosh................................................................................................................................6
2.2.1 TAL-NoiseMaker.vst.zip (32 bit) .................................................................................6
2.2.2 TAL-NoiseMaker.component.zip (32 bit) ...............................................................6
2.2.3 TAL-NoiseMaker-x64.component.zip (64 bit) ......................................................6
3 Presets ..................................................................................................................................... 7
3.1
Built-in Presets .......................................................................................................................7
3.1.1 Overview .............................................................................................................................7
3.1.2 Preset Types .......................................................................................................................7
3.1.3 Loading Built-in Presets.................................................................................................7
3.2
Saving and Loading Custom Presets ............................................................................93.2.1 Saving Custom Presets...................................................................................................93.2.2 Loading Custom Presets ...............................................................................................9ii

4 TAL NoiseMaker in Detail ....................................................................................10
4.1
The Synth 1 Panel ............................................................................................................. 10
4.1.1 Overview .......................................................................................................................... 10
4.1.2 OSC 1 ................................................................................................................................. 10
4.1.3 OSC 2 ................................................................................................................................. 11
4.1.4 LFO 1.................................................................................................................................. 12
4.1.5 Master ................................................................................................................................ 14
4.2
The Synth 2 Panel ............................................................................................................. 15
4.2.1 Overview .......................................................................................................................... 15
4.2.2 LFO 2.................................................................................................................................. 16
4.2.3 Filter ................................................................................................................................... 17
4.2.4 ADSR .................................................................................................................................. 19
4.3
The Envelope Editor Panel ............................................................................................ 20
4.3.1 Overview .......................................................................................................................... 20
4.3.2 Drawing a Modulation Envelope ........................................................................... 21
4.3.3 Envelope Editor Settings ........................................................................................... 21
4.4
The Control Panel ............................................................................................................. 22
4.4.1 Overview .......................................................................................................................... 22
4.4.2 Velocity ............................................................................................................................. 22
4.4.3 Pitch Wheel ..................................................................................................................... 23
4.4.4 Master ................................................................................................................................ 23
4.4.5 Chorus ............................................................................................................................... 24
4.4.6 Reverb ............................................................................................................................... 24
4.4.7 Osc Crush ......................................................................................................................... 25
4.4.8 Delay .................................................................................................................................. 25
4.5
The Bottom Panel ............................................................................................................. 26
4.5.1 MIDI Map .......................................................................................................................... 26
4.5.2 Display ............................................................................................................................... 27
4.5.3 Load and Save Presets ................................................................................................ 27
4.5.4 PANIC ................................................................................................................................ 27
5 Index .......................................................................................................................................28iii

TAL – Togu Audio Line ©2012

Introduction

1 Introduction to TAL NoiseMaker
1.1 Introduction
TAL NoiseMaker is a versatile subtractive virtual analog synthesizer that offers an easy-touse interface and a deep sound signature that is ideal for many modern electronic music
genres.
NoiseMaker is an improved version of TAL Elek7ro and has a completely new synth
engine and user interface. NoiseMaker includes two main oscillators, a sub oscillator,
multiple filter types, two LFOs, an envelope editor, and multiple effects.
This user guide will describe NoiseMaker’s components in detail, in order to guide thedevelopment of unique presets that will make your music stand out from the crowd.
Let’s make some noise!

1.2 TAL NoiseMaker Specifications
1.2.1 Oscillators••

Three Oscillatorso Osc 1: +- 24 semitones, fine tune, phase control, saw, pulse, and noise
waveforms, and pulse modulation (PM) for pulse waveformo Osc 2: +- 24 semitones, fine tune, phase control, saw, rectangle, triangle,
and sine waveforms, frequency modulation (FM) controlled by OSC 1
o Sub Osc (rectangle)o Osc 1 & Osc 2 can sync to Sub Osc (when using saw, pulse, rectangle, andtriangle waveforms)
Up to 6 voice polyphony

1.2.2 Master Effects•••

Adjustable master tune and transpose
Monaural and polyphonic portamento
A ring modulator that modulates Osc 1 with Osc 2

1.2.3 Filters••

1

Self-resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12
dB HP, 12 dB BP, Notch, SV 24 dB LP, SV 24 dB HP, SV 24 dB BP, No feedback
delay 24 dB LP)
Negative and positive filter attack, decay, sustain, and release (ADSR)TAL NoiseMaker Specifications

TAL – Togu Audio Line ©2012

1.2.4 ADSR Envelopes••

Volume ADSR envelope
An additional routable ADSR that modulates Filter, Osc 1, Osc 2, PW, and FM(negative and positive)

1.2.5 LFOs
•
•
•
•
•

Two LFO's with free, sync to host, and triggered by note running modes
Modulates filter, Osc 1, Osc 2, FM, PW, LFO rate, pan, and volume
Sine, triangle, saw, square, s&h, and noise patterns
Positive and negative modulation
Phase control

1.2.6 Additional Effects
•
•
•
•
•
•
•
•
•

Adjustable velocity dependent control over volume, filter contour, and cutoff
Adjustable pitch wheel control over cutoff and pitch
One pole high pass (HP) filter
Random note detune
Two-mode Juno chorus
Reverb with adjustable wet/dry, size, pre-delay, and high/low cut
Delay with tempo sync, left/right ping pong, and adjustable wet/dry, rate, andfeedback
Adjustable filter drive
Pre-filter stage adjustable Osc Crush

1.2.7 Miscellaneous••

Midi learn for all knobs
Panic button

2

TAL – Togu Audio Line ©2012

Presets

1.3 Presets
NoiseMaker includes 256 built-in presets that are suitable for many electronic music
genres. See Section 3 “Presets” for more details.

1.4 Panels
NoiseMaker uses panels to display interface components. Click the title of a panel toshow/hide its associated components.
TAL NoiseMaker panels include:
•
•
•
•
•

The Synth 1 Panel – LFO 1, Osc 1 and Osc 2, and Master volume and effects
The Synth 2 Panel – LFO 2, Filter, and ADSR
The Envelope Editor Panel – A dynamic, tempo-synced, custom envelope thatcan control filter, oscillator pitch, FM, ring modulation, and master volume
The Control Panel – Includes sliders that modify mod/pitch wheel values, andmultiple effects such as chorus, reverb, bitcrusher, delay, vintage noise, and filter
drive
The Bottom Panel – Includes a multifunction display, a PANIC button, andcontrols for MIDI map, loading, and saving presets.

1.5 Components and Elements
1.5.1 Components
Multiple components are nested within each interface panel. Components are thebuilding blocks that allow you to modify built-in presets or create your own sounds. In
the example below, OSC1 is the highlighted component of the Synth 1 panel.

3LegalTAL – Togu Audio Line ©2012

1.5.2 Elements
Elements are the knobs, sliders, buttons, etc. that can be directly manipulated using themouse or midi control to alter a sound in real time. In the example below, the Tuneknob is an element of the OSC1 component.

1.6 Legal
TAL NoiseMaker is open source and may be freely distributed. Do not make any
modifications to this software or attempt to sell it.
The plugin uses the open source Jules' Utility Class Extensions (JUCE) framework. JUCE
is a comprehensive C++ class library for developing cross-platform software.
TAL NoiseMaker’s source code was released under the Gnu Public Licence, whichmeans it can be freely copied and distributed, and costs nothing to use in open source
applications.
The source code must be freely released if it is modified or used in any capacity. Pleasecontact Patrick Kunz (pkstar@gmx.ch) if you want use parts of the source code in acommercial product.

4

TAL – Togu Audio Line ©2012

Windows

2 Installation Guidelines
TAL NoiseMaker can be used with 32 and 64 bit Linux, Mac OSX, and Windows
XP/Vista/7 VST hosts. It is also available as a 32 and 64 bit Mac Audio Units component.
Before installation, ensure that you have the correct zip file for your host and operating
system.

Note: If your VST host is open, you may need to re-scan the plugin directory or
restart the application after installation.

2.1 Windows
2.1.1 TAL-NoiseMaker.zip (32 bit)
32 bit VST plugins are compatible with 32 bit and 64 bit Windows operating systems
and are supported by most VST hosts.
To install TAL NoiseMaker:
1. Open TAL-NoiseMaker.zip.
2. Copy TAL-Noisemaker.dll into the VST plugin folder of your host. The default
plugin folder for most VST hosts is C:\Program Files (x86)\VstPlugins\
2.1.2 TAL-NoiseMaker-x64.zip (64 bit)
64 bit VST plugins are only compatible with 64 bit Windows operating systems. Ensure
your VST host supports 64 bit plugins before installing TAL NoiseMaker.
To install TAL NoiseMaker:
1. Open TAL-NoiseMaker.zip.
2. Copy TAL-Noisemaker.dll into the VST plugin folder of your host. The default 64
bit plugin folder for most VST hosts is C:\Program Files\Vstplugins\5Macintosh

TAL – Togu Audio Line ©2012

2.2 Macintosh
2.2.1 TAL-NoiseMaker.vst.zip (32 bit)
To install TAL NoiseMaker:
1. Open TAL-NoiseMaker.vst.zip.
2. Copy the TAL-Noisemaker.vst folder into the VST plugin folder of your host. The
default VST plugin folder for most hosts is /Library/Audio/Plug-Ins/VST/
2.2.2 TAL-NoiseMaker.component.zip (32 bit)
To install TAL NoiseMaker:
1. Open TAL-NoiseMaker.component.zip.
2. Copy the TAL-Noisemaker.component folder into the Audio Units plugin folder ofyour host. The default Audio Units plugin folder for most Audio Units hosts is/Library/Audio/Plug-Ins/Components/
2.2.3 TAL-NoiseMaker-x64.component.zip (64 bit)
To install TAL NoiseMaker:
1. Open TAL-NoiseMaker-x64.component.zip
2. Copy the TAL-Noisemaker-x64.component folder into the Audio Units plugin
folder of your host. The default Audio Units plugin folder for most Audio Units
hosts is /Library/Audio/Plug-Ins/Components/

6

TAL – Togu Audio Line ©2012

Built-in Presets

3 Presets
3.1 Built-in Presets
3.1.1 Overview
TAL NoiseMaker includes 256 built-in presets. A basic single-oscillator saw wave (Startup
Juno Osc TAL) is opened by default.
3.1.2 Preset Types
Built-in presets are arranged according to the type of sound they produce. Preset types
include:
•
•
•
•
•
•
•
•

Arpeggiated (ARP)
Bass (BS)Chords (CH)
Drums (DR)Special Effects (FX)
Keyboards (KB)
Leads (LD)
Pads (PD)

Each preset name also indicates the preset’s author. For example, preset #1 (ARP 2050
Punk TAL) was created by Togu Audio Line (TAL). Try out presets from different authors
to get a feel for the tonal variety that NoiseMaker offers. Preset authors (as of version
3.21) include:••••

Togu Audio Line – Patrick Kunz (TAL)
Frank “Xenox” Neumann – Particular – Sound (FN)The Unshushable Coktor (TUC)
Alexandra Sendy (AS)3.1.3 Loading Built-in Presets
The procedure for loading built-in presets depends on your VST host. Below are theprocedures for FL Studio, Ableton Live, Studio One, and Cockos REAPER.

FL Studio
1. Select
in the step sequencer window to view the interface.
2. Clickon the Fruity Wrapper menu bar, then select Presets.
3. A list of built-in presets appears. Select the preset you wish to use.

7

Built-in Presets

TAL – Togu Audio Line ©2012

Ableton Live

1. Click the midi track NoiseMaker is assigned to. The device editor window appears
in the bottom of the screen.
2. Click the drop-down menu.
3. A list of built-in presets appears. Select the preset you wish to use.

Studio One

1. Clickon the Instrument panel and select TAL-NoiseMaker.
2. A drop-down menu appears on the lower-right. Select the preset you wish to use.

Cockos Reaper

1. Select
on the virtual instrument track.
2. The FX: Track x window opens. Select VSTi: TAL NoiseMaker Plugin.

8

TAL – Togu Audio Line ©2012

Saving and Loading Custom Presets

3. Click the drop-down menu.
4. A list of built-in presets appears. Select the preset you wish to use.

3.2 Saving and Loading Custom Presets
The Load Preset and Save Preset buttons are located on the bottom panel. Use thesebuttons to save custom presets that can be shared with other NoiseMaker users.

3.2.1 Saving Custom Presets
TAL NoiseMaker does not store user presets in a default folder. Choose a folder/paththat will be easily recalled in the future.
To save a custom preset:
1.
2.
3.
4.

Click Save Preset on the bottom panel.
A window opens. Navigate to the directory you wish to save the file.
In the File Name text box, type a unique name for your preset.
Press Enter or click the Save button.

3.2.2 Loading Custom Presets
To load a custom preset:
1. Click Load Preset on the bottom panel.
2. A window opens. Navigate to the directory that contains custom NoiseMaker
presets.
3. Click the *.NoiseMakerpreset file you wish to load.

9

The Synth 1 Panel

TAL – Togu Audio Line ©2012

4 TAL NoiseMaker in Detail
4.1 The Synth 1 Panel

4.1.1 Overview
The Synth 1 panel includes an LFO, two oscillators, a ring modulator, oscillator sync,
portamento, and master volume, polyphony, and tuning controls.
4.1.2 OSC 1

Tune
The Tune knob adjusts oscillator frequency in increments of +/- 24 semitones.

Fine
The Fine knob adjusts oscillator frequency +/- 1 semitone.

10TAL – Togu Audio Line ©2012

The Synth 1 Panel

Note: Adjusting the fine tuning of OSC 1 and OSC 2 produces a fat, aggressive
tone that stands out in a crowded mix. See preset ARP Danger Dance TUC for an
example.
Phase
The Phase knob adjusts the phase of the selected oscillator type. This is audible only
when using the same wave type for both oscillators.

PW (Pulse Width)
The Pulse Width knob adjusts the pulse width positively or negatively when the pulse
waveform is selected. Setting a high or low pulse width greatly reduces the waveform’s
low frequencies. See the figure below for an example.

Select WaveformOsc 1 may use Sawtooth, Pulse, or Noise waveforms. Clickwaveform type from the drop down menu.
4.1.3 OSC 2

11

and select a

The Synth 1 Panel

TAL – Togu Audio Line ©2012

Tune
The Tune knob adjusts oscillator frequency in increments of +/- 24 semitones.

Fine
The Fine knob adjusts oscillator frequency +/- 1 semitone.

Phase
The Phase knob adjusts the phase of the selected oscillator type. This is audible only
when using the same wave type for both oscillators.

FM (Frequency Modulation)
FM modulates Osc 2’s frequency up to 20x. At 20x, FM adds a tone approximately two
octaves higher than the oscillator’s actual pitch.

Select Waveform
Osc 2 may use Sawtooth, Pulse, Triangle, Sine, or Noise waveforms. Clickand select a waveform type from the drop down menu.
4.1.4 LFO 1

Rate
The Rate knob controls LFO modulation frequency (speed). By default, the LFO
frequency is adjusted in hertz (Hz).

Sync
When Sync is selected(centre of button is red), the LFO frequency is adjusted insync with your project’s tempo.

12

TAL – Togu Audio Line ©2012

The Synth 1 Panel

AmountThe Amount knob controls the level of modulation. The LFO amount can be applied
positively or negatively.

Destination
The Destination box applies the LFO to a specific element of the NoiseMaker preset.
Click
•
•
•
•
•
•
•

to select the LFO destination. LFO 1 can modulate:
Filter
Osc 1
Osc 2
Osc 1 and Osc 2
Pulse Width
Frequency Modulation
LFO 2 Rate

Wave Type
The Wave Type box contains six wave types that affect modulation rate and amount.
Clickand drag the mouse up/down to select the LFO wave type.

Phase
The LFO Phase knob adjusts the timing of the LFO in relation to the oscillators. Whenthe Phase knob is at +/- 100%, a tempo-synced LFO will be audibly ahead/behind theoscillator.

Key Trig
The Key Trig box sets the LFO to retrigger itself each time a note is played. Click(centre of button is red) to enable Key Trig.

13

The Synth 1 Panel

TAL – Togu Audio Line ©2012

4.1.5 Master

OSC 1
The OSC 1 knob controls the volume of OSC 1.

OSC 2The OSC 2 knob controls the volume of OSC 2.

SubThe Sub knob controls the volume of the Sub Osc. The Sub Osc produces a sine wavethat adds thickness and bass to complement Osc 1 and Osc 2. Select the preset BS Clean
Flat Bass TAL and adjust the Sub knob for a clear example of the sub-oscillator’scapabilities.

VolumeThe Volume knob controls the master volume.

Ringmod
The Ringmod knob controls the amount of ring modulation applied to Osc 1 and Osc 2.
At 100%, the input levels of Osc 1 and Osc 2 are multiplied such that the original
frequencies disappear totally from the output, leaving only the sum and difference
frequencies. Ring modulation is often used to simulate the sounds of tuned percussion
instruments such as bells and chimes. As demonstrated in the LD Ringing Lead TAL
preset, ring modulation can also be combined with Sync to add high-frequency “bite” toa sound.

Sync
The Sync button hard syncs Osc 1 and Osc 2 to the Sub Osc’s frequency. In cases whereOsc 1 and Osc 2 are detuned to different frequencies, they will play in tune, and may

14

TAL – Togu Audio Line ©2012

The Synth 2 Panelgive the impression of harmony or other unique timbres. Hard sync is possible even if
the sub-oscillator volume is zero.

Note: Sync only affects Saw, Pulse, and Triangle oscillators.
Porta
The Porta knob controls the speed of portamento (a gradual slide) from one note toanother. Clickand selectto enable portamento. Selectenable portamento only when two notes are played at the same time.

to

VoicesThe Voices box controls the polyphony of a preset. Clickand select the desired
polyphony from the drop-down menu. NoiseMaker supports up to six-voice polyphony.

Tune
The Tune knob adjusts the pitch of all oscillators +/- 1 semitone.

Transpose
The Transpose knob transposes the pitch of all oscillators one/two octaves up or one
octave down.

4.2 The Synth 2 Panel

4.2.1 Overview
The Synth 2 Panel includes an LFO, 11 Filter types, amplifier ADSR controls, andadditional Attack/Decay controls that can modulate the Filter, Osc 1, Osc 2, PW, or FM.

15

The Synth 2 Panel

TAL – Togu Audio Line ©2012

4.2.2 LFO 2

Rate
The Rate knob controls LFO modulation frequency (speed). By default, the LFO
frequency is adjusted in Hz.

Sync
When Sync is selected(centre of button is red), the LFO frequency is adjusted insync with your project’s tempo.

AmountThe Amount knob controls the level of modulation. The LFO amount can be applied
positively or negatively.

Destination
The Destination box applies the LFO to a specific element of the NoiseMaker preset.
Click
•
•
•
•
•
•
•

to select the LFO destination. LFO 2 can modulate:
Filter
Osc 1
Osc 2
Osc 1 and 2
LFO 1 Rate
Pan
VolumeWave Type
The Wave Type box contains six wave types that affect modulation rate and amount.
Clickand drag the mouse up/down to select the LFO wave type.

16

TAL – Togu Audio Line ©2012

The Synth 2 Panel

Phase
The LFO Phase knob adjusts the timing of the LFO in relation to the oscillators. Whenthe Phase knob is at +/- 100%, a tempo-synced LFO will be audibly ahead/behind theoscillator.

Key Trig
The Key Trig box sets the LFO to retrigger itself each time a note is played. Click(centre of button is red) to enable Key Trig.
4.2.3 Filter

Filter Types
TAL NoiseMaker includes 11 filter types:
•
•
•
•
•
•
•
•
•
•
•

Low pass 24 dB
Low pass 18 dB
Low pass 12dB
Low pass 6 dB
High pass 12 dB
Band pass 12 dB
Notch
State-variable low pass 24 dB
State-variable high pass 24 dB
State-variable band pass 24 dB
No feedback delay low pass 24 dB

Cutoff
The Cutoff knob controls the amount of frequencies that pass through the filter. In astandard low pass filter, cutoff determines the amount of high frequencies to be cut.

17

The Synth 2 Panel

TAL – Togu Audio Line ©2012

When using a high pass filter, the Cutoff knob controls the amount of low frequencies
that pass through the filter.

Reso
The Reso (resonance) knob intensifies the high frequencies of the filter. Turning theReso knob to 100% (full right) causes the filter to self-oscillate.

Key
The Key knob controls the amount of keyboard tracking. Keyboard tracking raises thefilter cutoff for higher notes on the scale. This is often used to split a sound into
bass/lead sections on the keyboard.

Filter Envelope

The Filter Envelope sliders control the Attack (A), Decay (D), Sustain (S) and Release (R)of the filter.

Cont
The Cont (Contour) knob controls how much of the filter envelope is applied to filter
Cutoff.

Note: The filter envelope is not audible when: a) the filter Cutoff is at 100%; or b)
the Cont knob is at 0 (centred).

18

TAL – Togu Audio Line ©2012

The Synth 2 Panel

4.2.4 ADSR

The ADSR (Envelope) component includes an Amplitude Envelope controlled by four
sliders and an Assignable Envelope controlled by three knobs.

Assignable Envelope
The Assignable Envelope can be assigned to:
•
•
•
•
•
Click

Filter
Osc 1
Osc 2
Osc 1 PW
Osc 2 FMand select a modulation destination from the drop-down menu.

The Assignable Envelope can be modified with the A (Attack) and D (Decay) knobs. The
Dest knob controls the level of modulation that is sent to the assigned destination.

Amplitude Envelope
The Amplitude Envelope sliders control the Attack (A), Decay (D), Sustain (S) andRelease (R) of all oscillators.

19

The Envelope Editor Panel

TAL – Togu Audio Line ©2012

4.3 The Envelope Editor Panel

4.3.1 Overview
The Envelope Editor panel allows visual editing of the following elements:
•
•
•
•
•
•
•

Filter cutoff
Osc 1 pitch
Osc 2 pitch
Osc 1 and Osc 2 pitch
FM
Ring modulation
Track volume

Envelope points are placed on a “grid” that corresponds to the project’s tempo. Click the
Speed button

to adjust the grid speed from x1 (8 beats) to x16 (1/4 beat).

Built-in presets that illustrate the Envelope Editor’s potential include:••••

ARP Super Sync TAL (three-octave arpeggiator using Osc 1 at x8)
ARP Phasing Saws TAL (arpeggiated filter using Filter at x4)
KB Drops TAL (portamento attack using Osc2 at x32)
FX Cool Sci Fi Ramp TAL (one-shot ramp filter using Filter at x4)

20

TAL – Togu Audio Line ©2012

The Envelope Editor Panel

4.3.2 Drawing a Modulation Envelope

Click anywhere on the white line to add a new envelope point. Drag the envelope point
to create your envelope shape. Every point has two control points (small dots) that alsochange the envelope shape.
Double click or drag a point to the bottom to delete it.

Note: The envelope grid corresponds to the project tempo. Placing envelope
points on the grid will ensure a tempo-synced envelope.

4.3.3 Envelope Editor Settings
The Dest button () selects what the envelope modulates.

The Speed button controls the speed/depth of the envelope.
By default, envelopes are looped and tempo-synced. Click the One Shot button todisable the envelope loop. Also, you can click the 120 bpm button to disable tempo-sync
and set the envelope speed to 120bpm. This is useful for testing your envelope before
pressing play on your sequencer.
The Amount button controls the amount of modulation.
Click the unnamed button (editor.

21) at the bottom of the panel to reset the envelope

The Control Panel

TAL – Togu Audio Line ©2012

4.4 The Control Panel

4.4.1 Overview
The Control Panel includes sliders for Velocity sensitivity and Pitch Wheel control, as wellas multiple effects such as:
•
•
•
•
•
•
•
•

High pass filter
DetuneVintage Noise
Filter Drive
Chorus
ReverbOsc CrushDelay

4.4.2 Velocity

These sliders control the velocity sensitivity of Note Volume, Filter Contour, and Filter
Cutoff.
Use the Volume, Cont, and Cutoff sliders to adjust the amount of velocity sensitivity.

22

TAL – Togu Audio Line ©2012

The Control Panel

4.4.3 Pitch Wheel

Within TAL NoiseMaker, the Pitch Wheel can be assigned to filter cutoff, master pitch, ora combination of the two. As shown in the figure below, the Pitch Wheel is found on
the left side of most MIDI controllers.
Use the Cutoff and Pitch sliders to adjust the amount of Pitch Wheel modulation.

4.4.4 Master

Master includes four effects, each controlled by a single slider.

HP
The HP slider controls the cutoff of a single-pole high pass filter. Move the slider
upwards to remove low frequencies from the overall sound signature.

DetuneThe Detune slider controls the level of a subtle detune effect for all oscillators.

23

The Control Panel

TAL – Togu Audio Line ©2012

Vintage Noise
The Vintage Noise slider controls the volume of an independent noise oscillator. Vintage
noise is especially useful for creating drum/percussion sounds.

Filter Drive
The Filter Drive slider adds overdrive/distortion to the Synth 2 panel’s Filter. The soundcharacteristics of Filter Drive vary depending on the amount applied and current filter
settings.
4.4.5 Chorus

Chorus includes two modes that emulate a classic Roland Juno Chorus effect combinedwith detune and phase adjustment.
Click(centre of button is red) above I or II to enable/disable the Chorus effect.

Note: Chorus I and Chorus II can be applied simultaneously.
4.4.6 Reverb

Reverb simulates a plate reverb with full control over wet/dry, reverb size, and pre-delay.
Reverb also includes simple high pass and low pass filters that control which frequenciesof the overall sound pass through the effect.

Wet
The Wet knob controls the amount of effect added to the overall sound. At 100%, theoriginal tones are removed from the preset. This can cause a noticable lag when Pre Del
is also used.

Size
The Size knob controls the size of the “room” used by the reverb effect. Size also affects
the decay of the reverb.

Pre DelThe Pre Del knob controls the time between a note-on and the application of reverb.

24

TAL – Togu Audio Line ©2012

The Control PanelHP
The HP knob controls the amount of high frequencies that pass through the reverb. At
100%, all high frequencies are uneffected.

LP
The LP knob controls the amount of low frequencies that pass through the reverb. At
100%, all low frequencies are unaffected.

Note: The reverb effect is inaudible when HP and LP are at 100%.
4.4.7 Osc Crush

Osc Crush produces distortion by reducing the resolution or bandwidth of TAL
NoiseMaker. The resulting noise may produce a warm or harsh sound depending on
the amount of reduction.
Click and drag the Bits knob from right to left to apply Osc Crush to all oscillators.
4.4.8 Delay

Delay records NoiseMaker’s input and then plays it back after a period of time. The
delayed signal is played back multiple times to create the sound of a repeating, decaying
echo. Delay provides full control over tempo sync, left/right ping pong, and adjustable
wet/dry, rate, and feedback.

Wet
The Wet knob controls the amount of delay added to the overall sound. At 100%, theoriginal tones are removed from the preset.

Delay
The Delay knob controls the speed/rate of the delay. By default, the rate is calculated inmilliseconds (ms).

25The Bottom Panel

TAL – Togu Audio Line ©2012

Sync
When Sync is selected(centre of button is red), the Delay knob controls the delay
speed/rate in sync with your project’s tempo at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, andtripled/dotted notes.

x2 L/RThe x2 L/R buttons double the repeat speed and pan the delay left and right, producing
an effect known as “ping pong”.
Click(centre of button is red) to enable x2 L (top) or x2 R (bottom).

When x2 L is enabled, the delay will bounce from left to right. When x2 R is enabled, thedelay will bounce from right to left. Enabling both will produce a doubling effect attwice the rate set by the Delay knob.

H Cut
The H Cut knob controls the amount of high frequencies that pass through the delay. At
100%, all high frequencies are uneffected.

L Cut
The L Cut knob controls the amount of low frequencies that pass through the delay. At
100%, all low frequencies are unaffected.

Feedb
The Feedb (feedback) knob controls the decay of the delay effect. At over 100%, thedelay will repeate infinitely while increasing in volume.

Note: Setting delay feeback at more than 100% may cause clipping and damage
your speakers.

4.5 The Bottom Panel

4.5.1 MIDI Map

26

TAL – Togu Audio Line ©2012

The Bottom Panel

Use MIDI Map to quickly map TAL NoiseMaker elements to knobs, sliders, or buttons on
your MIDI controller.
To map controls using MIDI map:
1.
2.
3.
4.

Click
(centre of button is red) to turn on MIDI map.
Click and drag up/down the control you wish to assign.
Manipulate the knob/slider/button on your MIDI controller.
Repeat steps 2 and 3 to map more controls.

Note: MIDI Map is not compatible with FL Studio.
4.5.2 Display

The Display element shows parameter values related to the knob/slider you aremanipulating. Display values are numeric (for example, 0.25 = 25%) unless theknob/slider is synced to tempo. In this case, Display will show the note value (forexample 1/2 or 1/8 dotted).
4.5.3 Load and Save Presets

Use the Load Preset and Save Preset buttons to save and recall custom presets. Built inpresets are accessed through your VST host. See Section 3, Presets, for more
information.
4.5.4 PANIC

When the note-off message for a played note is not received by the VST host, the note
will sound on endlessly. This can potentially damage the speakers or other componentsof your sound system. Clicking the Panic button(centre of button is red) will senda note-off command to all keys and stop any notes that are still playing.

27

The Bottom Panel

TAL – Togu Audio Line ©2012

5 Index
Effects
chorus, 3, 26, 28
delay, 3, 26, 29
detune, 3, 26, 27
filter drive. See Filter–filter drive
master effects, 1
osc crush, 3, 26, 29
ping pong, 30
pitch wheel control, 3, 27
portamento, 1, 17
reverb, 3, 26, 28
ring modulator, 1, 17
sync. See Oscillators–sync
velocity control, 3, 26
vintage noise, 26, 28

Envelope Editor
control points, 24
destinations, 23, 24
envelope points, 24
grid, 23
speed, 23, 24

Envelopes
amplitude, 21, 22
assignable, 21, 22

Filterband pass, 1, 20
contour, 3, 21, 26
cutoff, 3, 20, 26, 27
filter drive, 3, 28
filter envelope, 2, 3, 21, 22, 23
filter LFO, 3, 15, 19
filter types, 1, 20
high pass, 1, 3, 20, 26, 27, 28, 29
keyboard tracking, 21
low pass, 1, 20, 28, 29
notch, 1, 20
resonance, 20
self-oscillating, 20

LFOs
amount, 15, 19
destinations, 15, 19
key trig, 16, 19
lfo 1, 3, 4, 15
lfo 2, 3, 4, 18
phase. See Oscillators–phaserate, 15, 18
speed. See LFOs–rate
sync, 15, 18
wave types, 16, 19

MIDI
midi controller, 27, 31
midi map, 3, 30

Open Source
distribution, 5
juce, 5source code, 5Oscillators
default, 8
osc 1, 1, 4, 5, 12
osc 2, 1, 14
osc crush. See Effects–osc crush
phase, 13, 14, 16, 19
polyphony. See Oscillators–voices
pulse width, 13
self-oscillating filter. See Filter–selfoscillating
sub osc, 1, 16
sync, 1, 12, 17transpose, 17tune, 12, 14, 17
vintage noise. See Effects–vintage
noise
voices, 1, 17
volume, 16
waveforms, 13, 14, 17

28

TAL – Togu Audio Line ©2012

Panelsbottom panel, 4, 30
control panel, 4, 26
display values, 31
envelope editor. See Envelope Editor
synth 1, 4, 12
synth 2, 4, 17

Panic
panic button, 3, 31

Presets
built-in presets, 4, 8, 9
custom presets, 10
examples, 13, 16, 17, 23
loading custom presets, 11loading cutsom presets, 31

29

Index
preset authors, 8preset types, 8saving custom presets, 10, 31

TAL
elektro, 1
noisemaker, 1, 4, 5, 6, 8, 12
Patrick Kunz, 5togu audio line, 8

VST hosts
32 bit, 6, 7
64 bit, 6, 7
ableton live, 9
cockos reaper, 9
fl studio, 9studio one, 9

Togu Audio Line
http://kunz.corrupt.ch