Program
Oral presentation（◎ Principal investigator）

Session Ⅰ
The chairman: WADA Hiroshi（Tokyo National Museum）,

YOSHIDA Naoto（National Center for the Promotion of Cultural Properties）

O 01

Preservation Treatment of the Inscribed Natural Stone in the Harsh Environment of theSummit, and the Condition of the Stone After 30 Years◎ NISHIURA Tadateru（Kokushikan university）,
EBISAWA Takao（The Ethos. Co.Ltd）O 02

An outline of the preservation work carried out to “Oobotoke (the large Buddha)” in
the Hirado Gensoji temple in Kumagaya City, Saitama Prefecture--Transferring “Oobotoke” to a temporary building for rebuilding of the temple-◎ MAKINO Takao（KIBI CONSERVATION STUDIO）,
SATOU Takehiko（KIBI CONSERVATION STUDIO）,
NISHIMAKI Ayako（KIBI CONSERVATION STUDIO）,
GOTOU Rika（KIBI CONSERVATION STUDIO）,
WATANABE Shingo（TOUHOKU CLASSICAL SCULPTURE CONSERVATION RESEARCH CENTER）,
ISHII Tomoya（TOUHOKU CLASSICAL SCULPTURE CONSERVATION RESEARCH CENTER）,
SUZUKI Shingo（IWASHIRO SCULPTURE CONSERVATION STUDIO）,
KIJIMA Kazuya（GENSOUJI-Temple CONSERVATION COMMITTEE）,
YAMASHITA Yuuki（KUMAGAYA-City KOUNANN HERITAGE CENTER）

O 03

Preservation and Restoration of Mito Kairakuen Kobuntei Fusuma Paintings Responses and Issues for Local Preservation and Utilization Preservation◎ ARAI Kei（Tokyo University of the Arts）,
KUGE Yuki（Copying and Restoring Oriental Paintings）,
YAMATO Asuka（Tokyo University of the Arts）,
YATSU Yuki（Tokyo University of the Arts）,
TERAKADO Taizo（Taiseido）,
TAKASHIMA Natsumi（Taiseido）,
MATSUSHIMA Shino（Taiseido）

Session Ⅱ
The chairman: MABUCHI Hajime（National Center for the Promotion of Cultural Properties）,
KATO Kazutoshi（Kyushu Historical Museum）

O 04

Improvement of exhibition environment following the opening of the National Ainu
Museum◎ OE Katsuki（National Ainu Museum）,
AKADA Masanori（National Ainu Museum）,
KOTAJIMA Tomoko（National Ainu Museum）,
SHIMOMURA Noriko（National Ainu Museum）,
TAMURA Masato（National Ainu Museum）,
SASAKI Shiro（National Ainu Museum）
1

O 05

Inovation of Japanese Shippo Works◎ MUTO Yukari（Kyoto University of the Arts）

Session Ⅲ
The chairman: ONISHI Tomohiro（LLC Onishi lacquer art restoration studio）,
HIDAKA Shingo（National Museum of Ethnology）

2

O 06

Examination and restoration for damaged pearls by a flood of the Kumamoto torrential
rain disaster (2020)◎ TAZAWA Sayaka（Pearl Science Laboratory）,
SAKAMOTO Sachiko（Pearl Science Laboratory）,
YAZAKI Junko（Pearl Science Laboratory）,
MATSUDA Yasunori（Pearl Science Laboratory）

O 07

Methods and tasks of restoration of Tsunami-displaced Kagura masks based on few
sources -Restoration report of the Kagura masks in the collection of the Motoyoshi
Houin Kagura society◎ WATANABE Shingo（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
MAKINO Takao（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
ISHII Tomoya（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
SUZUKI Shingo（Iwashiro conservation studio for cultural sculpture）,
KISHINAMI Hitoshi（Motoyoshi Houin Kagura society）,
SAITOU Naoto（Motoyoshi Houin Kagura society）

O 08

Conservation of a Metal Decorated and Lacquered Wooden Carrying Box "OI"
Damaged by Tsunami: Restoration and Reconstruction of Missing Parts by Based on
Old Research Records◎ NONAKA Terumi（Tokyo National Museum）,
MIYATA Masahiro（Tokyo National Museum）,
TSUCHIYA Ryoko（Tokyo National Museum）,
NAKANO Chisato（Tokyo National Museum）,
HOSHI Eriko（Joshibi University of Art and Design）,
MATSUMOTO Tatsuya（Japanese Lacquerware Conservator）,
OKUMURA Koki（Fine Metalwork Artist）,
WATANABE Akio（Fine Woodwork Artist）,
NAKAMURA Hirotomo（Fine Metalwork Artist）,
IGARASHI Makoto（Fine Woodwork Artist）

O 09

Conservation of Tsunami-damaged Polychrome Wooden Japanese Mathematical
Tablets "SANGAKU" for Exhibition -Restoration of Missing Parts Using 3D Technology◎ OKADA Yasushi（Wooden Sculpture Cultural Properties Conservation Laboratotry）,
YAMADA Osamu（Tokyo University of the Arts）,
HOSHI Eriko（Joshibi University of Art and Design）,
NONAKA Terumi（Tokyo National Museum）,
NAKANO Chisato（Tokyo National Museum）

O 10

Microorganisms in Disaster Remains of the Earthquake Damaged by Tsunami and Fire:
The Case of the Former Kadonowaki Elementary School Building in Ishinomaki City
◎ KAWASAKI Emi（Archaeological Institute of Kashihara, Nara prefecture）,
KATAYAMA Yoko（Tokyo National Research Institute for Cultural Properties）,
MATSUI Toshiya（University of Tsukuba）,
TAKAHASHI Hiroko（Ishinomaki City）

Session Ⅳ
The chairman: AIZAWA Kunihiko（21st Century Museum of Contemporary Art, Kanazawa）,
ARAI Kei（Tokyo University of the Arts）

O 11

The style and pigments of Kano school folding screen at the 17th century-Based on folding screen by Kano Hidenobu owned by Ryukoku university ◎ YAMADA Takashi（Ryukoku university）,
KITANO Nobuhiko（Ryukoku university）,
OOGURI Koutarou（Ryukoku university）,
HONDA Takayuki（Meiji university）,
OOKUBO Osamu（Gangoji institute for research of cultural property）,
SATOU Noritake（Association for the Preservation of the Nikko World Heritage Site Shrines and Temples）

O 12

The application of non-destructive analysis by FT-IR spectroscopy for the plant
identification of Japanese traditional textile◎ HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）,
YAGI Yagi（Tokyo University of Agriculture and Technology）,
YAMABUKI Midori（Tokyo National Research Institute for Cultural Properties）,
KIKUCHI Riyo（Agency for Cultural Affairs）,
YASUNAGA Takuyo（Tokyo National Research Institute for Cultural Properties）,
TAKAYANAGI Masao（Tokyo University of Agriculture and Technology）

O 13

Scientific analysis of vivianite and indigo used as the blue pigments painted on the
Shosoin Treasures◎ TSURU Mami（Office of the Shosoin Treasure House）,
NAKAMURA Rikiya（Office of the Shosoin Treasure House）

O 14

Effects of the fine cellulose fiber coating on paper properties of naturally-degraded acidic
paper◎ OKAYAMA Takayuki（Tokyo University of Agriculture and Technology）,
TANAKA Yuki（Tokyo University of Agriculture and Technology）,
KOSE Ryota（Tokyo University of Agriculture and Technology）,
JIN Hailan（Northeast Forestry University）,
SEKI Masazumi（Kochi Prefectural Paper Research Center）,
SONODA Naoko（National Museum of Ethnology）

3

O 15

Identification of animal species from glues: methods using LC-ESI-MS and MALDI-TOF/
TOF-MS◎ TAKASHIMA Miho（The National Museum of Western Art, Tokyo）,
KUMAZAWA Yuki（Nippi Research Institute of Biomatrix）,
TAGA Yuki（Nippi Research Institute of Biomatrix）,
NAKAZAWA Takashi（Nara Women's University）,
TANIGUCHI Yoko（University of Tsukuba）

Session Ⅴ
The chairman: NAKAMURA Rikiya（Office of the Shosoin Treasure House）,

HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）

4

O 17

Green Alteration of Azurite in Wall Paintings: Tendencies about the Alteration andFormation of Basic Copper Chloride by Pigment Immersion Test
◎ OSAKO Mizuki（Tokyo University of the Arts, Graduate School of Fine Arts）,
TSUKADA Masahiko（Tokyo University of the Arts, Graduate School of Fine Arts）,
SHINMEN Toshiyasu（Tokyo Gakugei University）

O 18

Development of synchrotron radiation X-ray absorption edge subtraction radiography as a
new nondestructive element imaging technique for oil paintings◎ ABE Yoshinari（Tokyo Denki University / Tokyo University of Science）,
HORIGUCHI Asuka（Tokyo University of the Arts）,
TSUKADA Masahiko（Tokyo University of the Arts）,
TSUKAMOTO Takayuki（Ohara Museum of Art）,
TAKAOKA Chikako（Ohara Museum of Art）,
HOSHINO Masato（Japan Synchrotron Radiation Research Institute）,
UESUGI Kentaro（Japan Synchrotron Radiation Research Institute）,
YAGI Naoto（Japan Synchrotron Radiation Research Institute）,
NAKAI Izumi（Tokyo University of Science）

O 19

Report on the process and results from the X-ray CT survey of the black lacquer
Sansui person Raden paper box in the Urasoe Art Museum to the change of therestoration plan
◎ ONISHI Tomohiro（LLC Onishi lacquer art restoration studio）,
WATANABE Hiroki（Kyushu National Museum）,
TOYAMA Ayano（Urasoe Art Museum）

Poster session◆ P001The Method of Penetration Adhesive in Porcelain Restoration◎ CAI Yuanchen（Graduate School,Tokyo University of the Arts）,
KITANO Mariko（Graduate School,Tokyo University of the Arts）,
ISHIHARA Michitomo（Graduate School,Tokyo University of the Arts）,
ZHAO Yining（Graduate School,Tokyo University of the Arts）◆ P002On the restoration of “Rainbow,” a mural painting by Takayoshi Ito at Nagakute City
Nagakute Junior High School - the fading effect on pigment caused by direct sunlight.
◎ NARITA Akemi（Aichi University of the Arts Institute for Conservation of Cultural Property）,
SHIRAKAWA Noriyori（Aichi University of the Arts Institute for Conservation of Cultural Property）,
IIDA Honoka（Aichi University of the Arts Institute for Conservation of Cultural Property）◆ P003Comparison Between the Natural Ageing and Accelerated Ageing of Paper Using
Volatile Organic Compounds Generated from Japanese Hanging Scrolls◎ LEE Kang（Japan Society for the Promotion of Science / University of Tsukuba）,
MICHEL Sablier（Museum National d'Histoire Naturelle）,
ENOMAE Toshiharu（University of Tsukuba）,
INABA  Masamitsu（Tokyo University of the Arts）◆ P004 The assimilation and transformation of the literati-style of hanging scroll mounts in early

to late modern period Japan: analysis of Sencha-tea ceremony records◎ ODA Momoko（Research Center for Japanese Garden Art & Historical Heritage, Kyoto University of the Arts）◆ P005

A study on the structure and preservation of mural paintings as interior decoration in
Japanese modern western architecture◎ SUZUKAMO Fujiko（State Guest House, Akasaka Palace）,
HIRAGA Amana（Tokyo Institute of Technology）◆ P006

Specify the color to complete the unfinished Nagashino battle map folding screen◎ MURAOKA Yukari（The University of Tokyo, Historiographical Institute, Conservation Laboratory）◆ P007

Conservation and preservation of the interactive art work as a part of the museum
construction; the case study of Leandro Erlich, The Swimming Pool
◎ AIZAWA Kunihiko（21st Century Museum of Contemporary Art, Kanazawa）,
KODAMA Kenzo（21st Century Museum of Contemporary Art, Kanazawa）◆ P008The Modular Cleaning Program and its application◎ KUNIKATA Saki（Tokyo University of the Arts）,
Amber KERR（Smithsonian American Art Museum）◆ P009Flattening of canvas painting with thick paint◎ HAZE Hiroshi（Haze Painting Studio）◆ P010Analysis and Conservation of Rectanguler Inkstone Box, Crane and Chrysanthemum
Design in Makie lacquer.
◎ MATSUMOTO Takumi（Graduate School of Tsurumi University）,
TAKAHASHI Nai（Graduate School of Tsurumi University）,
KOIKE Tomio（Tsurumi University）,
YAZIMA Ritsuko（Machida City Museum）

5

6◆ P011

Report on repairmen and research of "Shakyamuni and Sixteen Deities" and "Amitabha
Tathagata" designated as cultural properties by Tokai City.
◎ IKAI Kazuyuki（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
IWATA Akiko（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
SAITOU Haruka（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
ITOU Sachiyo（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
NARITA Akemi（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
AOKI Satoshi（Tenri University Sankokan Museum）◆ P012

Consideration on the Morphology and Design Method of Onna-norimono◎ OCHIAI Rima（TOHOKU SEIKATSU BUNKA UNIVERSITY）◆ P013Development of Cultural Properties Remaster System:
Using Ink That is Approximately Reproduced Sumi by Traditional Soot and Animal Glue,and Mechanical Processing on Paper◎ UDAKA Kentaro（Tokyo National Research Institute for Cultural Properties）,
TERASHI Taro（Toppan Printing CO., LTD.）,
KATO Kiyotaka（Tohoku Shigyosya Co., Ltd.）,
TAIRA Yuichiro（Tokyo University of the Arts）,
MASE Yasuo（JIT Inc.）◆ P014

Restoration For Uchishiki-rug of Gold Brocade with Design of Wild Pink, Vine, andKamon-tipe Circles◎ YANO Toshiaki（RESTORATION FOR CULTURAL PROPERTIES SENGIREN CO.,LTD.）,YAMAKAWA Aki（Kyoto National Museum）,
TAGAWA Machiko（KODAIJI SHO MUSEUM）,
HATAKEYAMA Kanoe（（Belonged to）RESTORATION FOR CULTURAL PROPERTIES SENGIREN CO.,LTD.）◆ P015

Restoration for uchishiki-rug with embroidered design of cherry tree
◎ TAGAWA Machiko（KODAIJI SHO MUSEUM）,
YAMAKAWA Aki（Kyoto National Museum）,
YANO Toshiaki（RESTORATION FOR CULTURAL PROPERTIES SENGIREN CO.,LTD.）,
MATUMOTO Eriko（（Belonged to）RESTORATION FOR CULTURAL PROPERTIES SENGIREN CO.,LTD.）◆ P016

Case study on the restoration of "Kaisho-sonan memorial monument" in Touni, Kamaishi
City, Iwate Prefecture◎ WADAKA Tomomoi（LLC Bunkasozokogei）,
HIDAKA Shingo（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
TEZUKA Arata（Kamaishi City Culture and Sports Department）◆ P017

The research of reproduction of standing Eleven-headed Avalokitesvara in Shorinji
Temple◎ ZHU Ruolin（Tokyo University of the arts）

◆ P018

Investigation of the Influence of Air Environment on Lead Corrosion◎ INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）,
KOTAJIMA Tomoko（National Ainu Museum）,
TAKAHASHI Yoshihisa（Tokyo National Research Institute for Cultural Properties）,
CHI Chih Lien（Tokyo National Research Institute for Cultural Properties）◆ P019Relationship between mechanical properties and surface condition of lacquer coating
films mixed with protein◎ KURASHIMA Reo（Tokyo National Research Institute for Cultural Properties）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）◆ P020Studies on the yellowing phenomenon of white oil paints in dark storage, focusing on thechanges in the fatty acid composition◎ KANG Boyoon（Tokyo University of Arts）,
TSUKADA Masahiko（Tokyo University of Arts）◆ P021

A study of the national treasure "Kichijoten gazo"(Yakushi-ji temple) on painting materials
and techniques◎ IIDA Honoka（Aichi University of the Arts Institute for Conservation of Cultural Property）,
IWANAGA Terumi（Aichi University of the Arts）,
BANNO Tomohiro（Aichi University of the Arts）,
NAKAGAMI Keiko（Aichi University of the Arts Institute for Conservation of Cultural Property）,
NARITA Akemi（Aichi University of the Arts Institute for Conservation of Cultural Property）,
NAKAMURA Rikiya（Office of the Shosoin Treasure House）,
TURU Mami（Office of the Shosoin Treasure House）,
TANIGUCHI Yoko（University of Tsukuba）◆ P022

Conservation of the Metallic Embroidery on a Court Robe of the Meiji Empress:
Chemical Analysis and Stitching Techniques◎ SASAKI Yoshiko（Kyoto Saga University of Arts）,
SAKURAI Aya（SENGIREN  CO., LTD）,
YANO Toshiaki（SENGIREN CO., LTD.）,
NAKA Masaaki（Kyoto Saga University of Arts）,
SASAKI Ken（Kyoto Institute of Technology）,
MONICA Bethe（Medieval Japanese Studies Institute）◆ P023

Takashina Takakane's Painting Learning in the Female Expressions of Kasuga Gongen
Genki-e and Genjo Sanzo-e◎ LIU Mengru（Kyoto City University of Arts）,
TAKENAMI Haruka（Kyoto City University of Arts）◆ P024Inspection of the collapse of the Yakushido Sekibutsu based on past photos and 3D
laser scanning data
◎ SHIRAISHI Sayaka（Tokyo National Research Institute for Cultural Properties）,
KUCHITSU Nobuaki（Tokyo National Research Institute for Cultural Properties）

7

8◆ P025

Reduction of organic acid emission from Kiri wood box under humidity controlled heat
treatment◎ IZUMITA Ayako（Kyushu National Museum）,
WATANABE Hiroki（Kyushu National Museum）,
TOMIMATSU Shiho（Kyushu National Museum）,
MATSUO Mika（Kyushu National Museum）,
KIGAWA Rika（Kyushu National Museum）◆ P026

Analysis of orpiments used in Yakusha-e during the Kaei period◎ YAMATO Asuka（Tokyo University of the Arts）,
TSUKADA Masahiko（Tokyo University of the Arts）◆ P027

Color Materials Research and Colorings in the Assumptive Restoration of Shibai-e
Screens◎ MATSUSHIMA Tomohide（Kochi university）,
NOZUMI Koichi（Kochi university）◆ P028

Scientific research on the harnesses excavated from Funabaru tumulus, Fukuoka◎ MURAKUSHI Madoka（University of Tsukuba）,
IWAHASHI Yuki（Koga Municipal Board of Education）,
KAI Koji（Koga Municipal Board of Education）,
NISHI Yukiko（Koga Municipal Board of Education）,
KATO Kazutoshi（Kyushu Historical Museum）,
MOMOSAKI Yusuke（Fukuoka University）◆ P029Characterization of kozo fiber as material for conservation applying process for
producing nanocellulose◎ KIDA Keiko（Tokyo University of the Arts）,
KASEYA Yuko（Natural History Museum and institute, Chiba.）,
HANDA Masaki（Handa Kyuseido Co., Ltd.）,
INABA Masamitsu（Tokyo National Research Institute for Cultural Properties）,
NISHIDA Noriyoshi（Ehime Institute of Industrial Technology, Paper Technology Center）,
FUJIMOTO Manato（Ehime Institute of Industrial Technology, Paper Technology Center）,
TONOYAMA Mao（Kochi Prefectural Paper Technology Center）,
KOSE Ryota（Tokyo University of Agriculture and Technology）,
OKAYAMA Takayuki（Tokyo University of Agriculture and Technology）◆ P030

Simple measurement on the thickness of mucus taken from Tororoawoi (Abelmoschus
manihot) used for Japanese papermaking◎ SHIMADA Chika（National Institute of Technology, Fukui College）◆ P031The Artificial Blue Mentioned in Medieval Treaties◎ TAKAHASHI Kaori（Tokyo University of the Arts）,
TSUCHIYA Yuko（Tokyo University of the Arts）

◆ P032

Analysis and Conservation of Carved Red Lacquer Box with Peony design.
◎ TAKAHASHI Nai（Graduate School of Tsurumi University）,
MATSUMOTO Takumi（Graduate School of Tsurumi University）,
KOIKE Tomio（Tsurumi University）,
YAZIMA Ritsuko（Machida City Museum）,
NOGUCHI Asuka（Akita Senshu Museum of Art）

◆ P033

Optical photographing of the Japanese folk cultural property "Umamioka-Watamuki
Shrine Sairei-togyozu-ema" in Hino, Shiga◎ SUEMORI Kaoru（National Museum of Ethnology, Osaka, Japan）,
HIDAKA Shingo（National Museum of Ethnology, Osaka, Japan）,
SONODA Naoko（National Museum of Ethnology, Osaka, Japan）,
KAWAMURA Yukako（National Museum of Ethnology, Osaka, Japan）,
HASHIMOTO Sachi（National Museum of Ethnology, Osaka, Japan）,
ISHII Rika（LLC Bunkasozokogei）,
WADAKA Tomomi（LLC Bunkasozokogei）◆ P034

Investigation on the internal structure of double-chambered whistling bottles made in
Peru applied X-ray CT images◎ KAWAMURA Yukako（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）,
ARATA Megumi（Tenri University Sankokan Museum）,
KATO Kazutoshi（Kyushu Historical Museum）,
WADAKA Tomomi（LLC Bunkasozokogei）◆ P035Investigation on the colorants used in "Umamioka-Watamuki Shrine Sairei-togyozu-ema"
in Hino, Shiga◎ HASHIMOTO Sachi（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
ISHII Rika（LLC Bunkasozokogei）,
WADAKA Tomomi（LLC Bunkasozokogei）◆ P036

Material survey of Prayer beads owned by Aoriyae,who was female shaman of Ryukyu
Kingdom◎ SHIGA Satoshi（Kyushu National Museum）◆ P037

Materials analysis of the colorants used in "Seitei Kacho Gafu" by Watanabe Seitei◎ TSUKADA Masahiko（Tokyo University of the Arts）,
HIRATO Toto（Tokyo University of the Arts）,
CAO Zhi Jian（Tokyo University of the Arts）,
KIDA Keiko（Tokyo University of the Arts）

9

◆ P038

Differences in physical properties between the filling part by leaf-casting and the original
part - Through aged simulation after repair treatment ◎ OHBAYASHI Kentaro（Kyoto Univercity of the arts）,
FAN Yiying（Kyoto Univercity of the arts）◆ P039Reaction of Sodium Chloride Crystal and Azurite Pigment: Investigation of Green
Alteration of Azurite with and without of Deliquescence◎ OSAKO Mizuki（Tokyo University of the Arts, Graduate School of Fine Arts）,
TSUKADA Masahiko（Tokyo University of the Arts, Graduate School of Fine Arts）,
SHINMEN Toshiyasu（Tokyo Gakugei University）◇ P040 Construction experiment for the filling treatment of wall painting in the tomb ofKhonsuemheb◎ MAEKAWA Yoshifumi（Tokyo National Research Institute for Cultural Properties）,
DANIELA Murphy（Associazione Bastioni）,
STEFANIA Franceschini（Associazione Bastioni）,
KONDO Jiro（Waseda University）,
KAWAI Nozomu（Kanazawa University）◇ P041

Consideration of Chinese Traditional Lacquer Foundation Materials and Cross-section
Investigation -Based on "Kyushokuroku" and Previous Research◎ MA Mingxin（Tokyo University of the Arts）,
MATSUMOTO Tatsuya（Tokyo University of the Arts）◇ P042

Manufacturing techniques and materials of Buddha 'stucco' heads from Afghanistan◎ TANIGUCHI Yoko（University of Tsukuba）,
MOMII Motomitsu（Tokyo Art Club）,
TAKASHIMA Miho（National Museum of Western Art）,
TAKAHASHI Kaori（Tokyo University of the Arts）,
ARAKI Tominori（Tokyo National Museum）,
MIYATA Masahiro（Tokyo National Museum）,
KUROSAWA Masanori（University of Tsukuba）,
KUMAZAWA Yuki（Nippi Research Institute of Biomatrix）,
TOKANAI Fuyuki（Yamagata University）◇ P043 Development of the Archive Project of INOUE Takao's Materials:

Reproduction of the Mural painting expression "Prajnaparamita" in the Three-Storied
Pagoda of Alchi Choskhor Gompa in Ladakh Region of India◎ SHOGAKI Masako（kyoto city university of arts）,
YAMASHITA Kohei（kyoto city university of arts）,
KASUYA Akiko（kyoto city university of arts）,
KASUYA Makoto（kyoto city university of arts）,
OKADA Maki（the Archival Research Center at Kyoto City University of Arts）◇ P044 Report of investigation for restoration of West Theater at Umm Qais in Hashemite

Kingdam of Jordan -Consideration of vault restoration ◎ MATUMOTO Ken（The Institute for Cultural Studies of Ancient Iraq）,
ONO Isamu（Kokushikan university）,
NISHIURA Tadateru（The Institute for Cultural Studies of Ancient Iraq）

10

◇ P045

The Expressive Techniques of Buddha on the Preaching Scenes Mural Paintings at theCave 127th of the Maijishan Cave-Temple Complex◎ WANG Jie（Kyoto City University of Arts）,
TAKABAYASHI Hiromi（Kyoto City University of Arts）,
TAKENAMI Haruka（Kyoto City University of Arts）,
UNO Shigeo（Kyoto City University of Arts）,
ZHANG Qiang（Art Institute of Maijishan Cave-Temple Complex）◇ P046

Efforts to preserve and utilize Nakajima Ki-84 (The Army Type-4 Fighter Aircraft "Hayate")
at Chiran Peace museum◎ YAMAKI Satoshi（Chiran Peace Museum）,
HABA Eriko（Chiran Peace Museum）,
KANDA Shigeyoshi（JAPAN AERONAUTIC ASSOCIATION）,
FUJIKURA Takumi（JAPAN AERONAUTIC ASSOCIATION）,
NAKAMURA Taizo（Old military aircraft preservation and restoration）◇ P047

Construction of a database of three-dimensional measurement data for cultural assets◎ OKAMOTO Atsushi（OTEMAE UNIVERSITY Institute of History）◇ P048 Consideration about a well-known campaign for the next repairing put into effect after

repairing completion◎ ARAKI Keishin（Kanazawa College of Art）

◇ P049Reproduction using 3D prototyping based on three-dimensional measuring:
A Japanese Important Cultural Properties of Iyozane domaru type gusoku style armor
with black lacing from the Kunosan Toshogu collection.
◎ AIHARA Kensaku（Tokyo University of the Arts）,
YAMADA Osamu（Tokyo University of the Arts）,
OHNO  Shiito（NISHIOKA KOUBOU）◇ P050Investigation of experience the Buddhist structure of using VR at museum◎ KATO Kazutoshi（Kyushu Historical Museum）,
MURAKAMI Hiroaki（Toppen Co.,Ltd）,
SAKAMOTO Yoshihiro（Toppen Co.,Ltd）,
ISHIMARU Ryo（Toppen Co.,Ltd）,
TAKEHIRO Yuji（Toppen Co.,Ltd）,
YOSHINAGA Koga（Toppen Co.,Ltd）◇ P051Documentation of conditions of Tripitaka Koreana using image analysis software◎ KIM Heakyoung（digital archives research center, ryukoku university）,
OKADA Yoshihiro（digital archives research center, ryukoku university）,
YOO Woo Sik（WaferMasters, Inc., California, USA）

◇ P052Demonstration of high-definition and high-speed digitization of over 5 billion pixels of theceiling painting "Sokokuji Hatto Banryuzu"◎ MAGARA Ryota（Sabia Inc）,
AOI Seiya（Sabia Inc）,
TANIGUCHI Masaaki（Sabia Inc）,
OKUMURA Koji（Sabia Inc）
11

12

◇ P053

Research on the simulation of earthquake countermeasures for cultural properties using
3D models◎ WADA Hiroshi（Tokyo National Museum）,
MATSUI Toshiya（University of Tsukuba）◇ P054The Attempt at Network Configuration for Continuous Cultural Property Disaster
Prevention Focusing on Universities in Areas Seto, Nagakute, Toyota◎ BANNO Tomohiro（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
ISOGAI Akiko（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
YASUI Ayako（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
OTSUKA Eiji（Aichi Prefectural University）◇ P055

Summary of Conservation and Restoration Activities in the Tokyo National Museum to
Reconstruct the Rikuzentakata City Museum Damaged by Tsunami◎ NONAKA Terumi（Tokyo National Museum）,
WADA Hiroshi（Tokyo National Museum）,
ARAKI Tominori（Tokyo National Museum）,
MIYATA Masahiro（Tokyo National Museum）,
TSUCHIYA Ryoko（Tokyo National Museum）,
NAKANO Chisato（Tokyo National Museum）,
KUMAGAI Masaru（Rikuzentakata City Museum）,
ASAKAWA Takanori（Rikuzentakata City Museum）◇ P056

Support for restoration activities of materials damaged by the Great East Japan
Earthquake by residents◎ KODANI Ryusuke（Tohoku History Museum）,
MORIYA Aya（Tohoku History Museum）,
NARITA Mitsuru（Ishinomaki City Board of Education）,
SATO Asami（Ishinomaki City Board of Education）,
IKEDA Kazuhiko（Syugo co.）,HINO Katsunori（Syugo co.）◇ P057

Assessment of the Seismic Behavior of Museum Exhibits and Mounts Subjected toStrong Ground Motion with Three-Dimensional Motion Analysis System◎ KIKAWADA Sho（Tokyo National Museum）◇ P058

Examination of the statue "Mother and Child" in open air space in Futaba town, strickenarea by tohoku earthquake and nuclear disaster◎ KOYANO Masako（Art Conservation Lab.）,
NINOMIYA Shuji（Tokyo Gakugei University）,
TORIYAMA Rei（O Art Museum）,
YOSHINO Takamitsu（The board of education, Futaba town）,
HASHIMOTO Mari（Art Conservation Lab.）◇ P059Investigation of a Simple Odor and Peeling Control Method for Disaster-Affected Objects◎ MORIYA Aya（Tohoku History Museum）,
OIKAWA Tadashi（Tohoku History Museum）,
MATSUI Toshiya（Tsukuba University）

◇ P061

Preparing a Calibration Curve as a Measurement Standard for Residual Chloride in
Wooden Cultural Properties Damaged by Seawater◎ HOSHI Eriko（Joshibi University of Art and Design）,
NONAKA Terumi（Tokyo National Museum）,
TSUCHIYA Ryoko（Tokyo National Museum）,
NAKANO Chisato（Tokyo National Museum）◇ P062Illumination Environment and Green Organisms at Jikitetsudo Cave in Hitachiota City.
◎ KUCHITSU Nobuaki（Tokyo National Research Institute for Cultural Properties）,
INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）◇ P063

ATP Rapid Hygiene Monitoring in Museums;
Evaluation of the Activity of Mold Colonies and Characteristics of Measuring Devices◎ MABUCHI Hajime（National Center for the Promotion of Cultural Properties）,
SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）◇ P064

Examination of identification method by DNA barcoding for Anobiidae beetles in culturalproperty buildings◎ KOMINE Yukio（Biological researcher）,
SHINOZAKI Yabana Satoko（Tokyo National Research Institute for Cultural Properties）,
SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）,
HARADA Masahiko（Association for the Preservation of the Nikko World Heritage Site and Temples）,
SAITO Akiko（Natural History Museum and Institute, Chiba）,
KIGAWA Rika（Kyushu National Museum）,
FUJII Yoshihisa（Kyoto University）◇ P065

Sterilization by gamma-ray irradiation of mold generated on water-damaged papermaterials◎ MATSUSHITA Masakazu（KOBE Univercity）,
UCHIDA Toshihide（Kyoto University of the Arts）,
FUJITA Kazuhisa（The Graduate School for the Creation of New Photonics  Industries）,
FURUTA Masakazu（Graduate School of Engineering, Osaka Prefecture University）◇ P066

Organic acid generation from oxygen scavengers used for anoxia pest control method◎ SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）,
OKABE Michiko（Tokyo National Research Institute for Cultural Properties）,
INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）◇ P067

Reviving Bio-media Art with Cyanobacteria◎ TAIRA Yuichiro（Tokyo University of the Arts）,
IWASAKI Hideo（Waseda University）,
YAMASHITA Rinzo（Independent（Restorer））◇ P068A Case report on ventilation measures and maintenance of restoration work environment
from the perspective of infection prevention against COVID-19◎ AIKAWA Yu（Tokyo National Museum）,
WADA Hiroshi（Tokyo National Museum）

13

14

◇ P069Preventive infection control measures against COVID-19 at National Museum of
Ethnology, Osaka, Japan◎ HIDAKA Shingo（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
HASIHIMOTO Sachi（National Museum of Ethnology）,
WADAKA Tomomi（LLC Bunkasouzogei）◇ P070Observation of Temperature and Relative Humidity in the Exhibition Rooms and the
Display Cases: One Year from the Opening of the National Ainu Museuming of the
National Ainu Museum◎ KOTAJIMA Tomoko（National Ainu Museum）,
OE Katsuki（National Ainu Museum）,
SHIMOMURA  Noriko（National Ainu Museum）,
TAMURA Masato（National Ainu Museum）,
SASAKI Shiro（National Ainu Museum）◇ P071

Research on vibration isolation and vibration isolation of hand trucks used in museums
and other buildings◎ AMENOMORI Hisateru（Gangoji Institute for Research of Cultural Property）,
TSUKAMOTO Toshio（Gangoji Institute for Research of Cultural Property）◇ P072Pretreatment condition for paulownia wood used in paulownia storage boxes◎ NAKAMURA Rikiya（Officce of the Shosoin Treasure House）,
TAKAHATA Makoto（Officce of the Shosoin Treasure House）,
OKA Iwataro（Association for Successors of Traditional Preservation Techniques）,
KOJIMA Shusuke（Association for Successors of Traditional Preservation Techniques）◇ P073

Evaluation of Organic Acid Concentration in Chemical Absorbent Depending on
Installation Positions inside Show Cases◎ NAKAMURA Mari（Tagawa City Coal Mining Historical Museum）,
YAMAZAKI Masahiko（KOMYO RIKAGAKU KOGYO K.K.）◇ P074

Improvement of Storage Environment in the Small Treasure House without Air
Conditioning Equipment: The Case Study of Seki Kasuga Shinto Shrine, Gifu Prefecture◎ ONODERA Yuko（Tokyo National Research Institute for Cultural Properties）,
KOMINE Yukio（Tokyo National Research Institute for Cultural Properties）,
MORISHIMA Kazuki（Seki Protection Center for Cultural Properties）,
SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）◇ P075

Transition of Organic Acid and Ammonia Concentration in the Display Cases of the
National Ainu Museum◎ OE Katsuki（National Ainu Museum）,
KOTAJIMA Tomoko（National Ainu Museum）,
AKADA Masanori（National Ainu Museum）,
SHIMOMURA Noriko（National Ainu Museum）,
TAMURA Masato（National Ainu Museum）,
SASAKI Shiro（National Ainu Museum）

◇ P076

Investigation of Moisture Absorption and Desorption Characteristics of Wood-based
Materials in Storages where Air Conditioners are Not Operating◎ HAGA Ayae（Education bureau of Miyagi Prefecture）,
OIKAWA Tadashi（Tohoku History Museum）,
MORIYA Aya（Tohoku History Museum）◇ P077

Impact of increased ventilation as a countermeasure against new coronavirus (COVID-19)
infections on the indoor environment: Case study at the National Museum of Ethnology,
Osaka, Japan◎ SONODA Naoko（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）,
WADAKA Tomomi（LLC Bunkasozokogei）◇ P078Organic acid suppressive effect by aluminum packaging of display case interior material◎ YAMAZAKI Masahiko（KOMYO RIKAGAKU KOGYO K.K.）,
HIROKAWA Mamoru（SEN-OKU HAKUKOKAN MUSEUM）,
SANEKATA Yoko（SEN-OKU HAKUKOKAN MUSEUM）,
SAKAI Saori（SEN-OKU HAKUKOKAN MUSEUM）,
MORISHITA Aiko（SEN-OKU HAKUKOKAN MUSEUM, TOKYO）,
HASHIMOTO Asako（SEN-OKU HAKUKOKAN MUSEUM, TOKYO）

15

Special poster session
S1

Environmental Management for Damaged Objects Storage Room in Miyagi Prefecture
HAGA Ayae（Miyagi Prefectural Government）,
MORIYA Aya（Tohoku History Museum）,
OIKAWA Tadashi（Tohoku History Museum）

S2

Conservation Activities for Damaged Objects in Miyagi Prefecture
MORIYA Aya（Tohoku History Museum）,
OIKAWA Tadashi（Tohoku History Museum）,
HAGA Ayae（Miyagi Prefectural Government）

S3

10 Years of Fukushima and the Disaster Ⅰ

S4

10 Years of Fukushima and the Disaster Ⅱ

S5

10 Years of Fukushima and the Disaster Ⅲ

S6

10 Years of Fukushima and the Disaster Ⅳ

S7

10 Years of Fukushima and the Disaster Ⅴ

S816

Fukushima's Historical Materials Network: A Decade of Preservation
ABE Koichi（Fukushima University）
Museum Activities Against Earthquake and Nuclear Disaster
UCHIYAMA Daisuke（Fukushima Museum）,
HOMMA Hiroshi（Fukushima Cultural Property Center, Shirakawa Branch）

Challenging for Archiving Regionality of TOMIOKA:
Preservation of Historical,Cultural Heritage and Disaster Records by Local Government
within the Area Affected by the Fukushima Nuclear Reactor Accident
MOMMA Takeshi（Tomioka Town）,
SANPEI Hidefumi（Tomioka Town）
Current Conditions and Problems for Material Preservation in Okuma, where the 1F Is
LocatedSUGAI Yuji（Okuma Town）

Damage and Countermeasure of Typhoon Hagibis in Fukushima
NAKAO Mariko（Fukushima Cultural Property Center, Shirakawa Branch）,
KANNO Yoshiaki（Date City）,
SAITO Yumiko（Shirasawa Fureai Culture Hall）,
SUZUKI Masafumi（Motomiya City Museum of History and Folklore）
Koki Kyubutsu Hozon-Kata, the Edict for the Preservation of Ancient Artifacts Announced
in 1871: Advance on the Protection of Cultural Properties in the Meiji Period
SUGIZAKI Sahoe（Fukushima Museum）