Program
1st day

June 25, 2016

9:30～

Open

10:25～10:35

Opening Address（◎ Principal investigator, Presenter ○ Presenter）

Session Ⅰ
The chairman: AKIYAMA Junko (Kyushu National Museum),

WADA Hiroshi (Tokyo National Museum)

10:40～11:00

A gas-phase conservation process of acidic papers using ethanolamines◎ OKAYAMA Takayuki (Tokyo University of Agriculture and Technology),
IWABUCHI Masayuki (Tokyo University of Agriculture and Technology)

11:00～11:20

Research on Gaseous Ammonia in an Exhibition Room of Museum Measured by
Gas Detector Tube
◎ SUGIZAKI Sahoe (Fukushima Museum),
YAMAZAKI Masahiko (Komyo Rikagaku Kogyo K.K.),
MATSUDA Takatsugu (Tohoku Gakuin University)

11:20～11:40

Deformation of packing foam under carbon dioxide treatment◎ FUTAMATA  Satoshi (NIPPON EKITAN Corporation),
HIDAKA Shingo (National Museum of Ethnology),
SUEMORI Kaoru (National Museum of Ethnology),
WADAKA Tomomi (LLC Bunkasozokougei),
KAWAMURA Yukako (Gangoji Institute for Research of Cultural Property),
HASHIMOTO Sachi (Gangoji Institute for Research of Cultural Property),
YOSHIMURA Kenji (NIPPON EKITAN Corporation)

11:40～12:00

Investigation of pest control for medical inheritance: The research of Koan Ogata's
medicine chest◎ TAKAURA-SHIMADA Kayoko (The Museum of Osaka University),
TAKAHASHI Kyoko (The Museum of Osaka University),
OGURI Kazuki (Graduate School of Pharmaceutical Sciences, Osaka University),
MURATA Michihito (Graduate School of Letters, Osaka University)

12:00～13:00

Lunch break

13:00～14:00

Poster session

Session Ⅱ
The chairman: ARAI Kei (Tokyo University of the Arts),

HAYAKAWA Noriko (National Research Institute for Cultural Properties, Tokyo)

14:00～14:20

Reproduction of Wata-enji based on "Wai Tai Mi Yao Fang"◎ KUTSUNA Hiromi (Yinguo.net),
MOURI Chika (Freer and Sackler Galleries, Smithsonian Institution),
KUTSUNA Takahiko (National Museum of Nature and Science)3

14:20～14:40

HPLC Analysis of dyes used in the Shosoin textiles◎ NAKAMURA Rikiya (Office of the Shosoin Treasurehouse),
NARUSE Masakazu (Office of the Shosoin Treasurehouse)

14:40～15:00

Information for Historical textiles from chemical analyses of Amur cork tree
◎ SASAKI Yoshiko (Kyoto Institute of Technology),
SASAKI Ken (Kyoto Institute of Technology)

15:00～15:20

The Painting Techniques by Zinc White in the Modern Japanese Paintings: a Case
Study on the Graduation Works in the Department of Painting of Kyoto City Schoolof Arts and Crafts in 1900 (Meiji 33)◎ KI Shiren (Kyoto City University of Arts),
TAKABAYASHI Hiromi (Kyoto City University of Arts),
TAJIMA Tatsuya (Kyoto City University of Arts)

15:20～15:40

Comparison of discoloration owing to light resistance test of diazotype by various
developing method◎ SATAKE Shoko (University of Tsukuba, and. Criminal Investigation Laboratory, Metroplitan

Police Department)

15:40～15:45

A 5-minute break

Session Ⅲ
The chairman: ISHII Mie (SAGA UNIVERSITY),TANIGUCHI Yoko (University of Tsukuba)

15:45～16:05

Conservation for cultural property of depopulated regions by utilizing crowdfunding◎ MIYAMOTO Akira (Management of Cultural Property),
OKADA Yasushi (Wooden sculpture properties Conservation Laboratory),
MAKINO Takao (Kibi Conservation Studio for Cultural Objects),
WATANABE Shingo (TOUKOKEN Co.,Ltd. the Restoration Studio of Classical Sculpture) ,TAGAWA Shinichiro (Yagami Conservation Studio),
ADACHI Shuichi (TOUKOKEN Co.,Ltd. the Restoration Studio of Classical Sculpture),
SATO Takehiko (Kibi Conservation Studio for Cultural Objects),
NISHIMAKI Ayako (Kibi Conservation Studio for Cultural Objects)

16:05～16:25

International Cooperation Project for Capacity Development in Grand EgyptianMuseum-Conservation Center: Utilization of the Strategic Management Plan and
Evaluation for Effectiveness of Technical Transfer◎ MATSUDA Yasunori (Technical Chief Advisor of JICA GEM-CC Project),
HARADA Rei (JICA Expert of JICA GEM-CC Project),
SUEMORI Kaoru (National Museum of Ethnology),
YAMAUCHI Kazuya (National Research Institute for Cultural Properties, Tokyo)

16:25～16:30

A 5-minute breakSpecial lecture
16:30～17:30

The Tokai University Papyrus Project --the first project in Japan
YAMAHANA Kyoko（Associate Professor, Egyptian Archaeology, Tokai University）

4

18:00～20:00

A social gathering

2nd day

June 26, 2016

9:00～

Open

Session Ⅳ
The chairman: NAKAMURA Rikiya (Office of the Shosoin Treasurehouse),

FURIHATA Junko (Nara National Research Institute for Cultural Properties)

9:30～ 9:50

Structural study of gold lacquered ink stone box using X-ray CT scanner◎ AKADA Masanori (Kyushu National Museum),
SASAKI Yasuyuki (Suntory Museum of Art),KAWABATA Noriko (Kyushu National Museum),
IMAZU Setsuo (Kyushu National Museum)

9:50～10:10

Yutenji-temple Yutensyonin-tyoetu statue restoration and CTscaning examination◎ MAKINO Takao (Kibi Conservation Studio)

10:10～10:30

Conservation Treatment of Rooftiles and Its Durability --Practical Treatments andReuse of the Old Rooftiles of a Historic Building: Condition after 35 years-◎ NISHIURA Tadateru (Kokushikan University),
TAKASHINA Masayuki (Structural Planning for Cultural Heritage, Co.,Ltd..)

10:30～10:50

Snow Accumulation and Temperature Condition around Stone Cultural Heritage in
Cold and Snowy Region◎ ISHIZAKI Takeshi (Tohoku University of Art and Design  Institute for Conservation ofCultural Property)

10:50～11:00

A 10-minute break

11:00～12:00

General meeting

12:00～13:00

Lunch break

13:00～14:00

Poster session

Session Ⅴ
The chairman: OKA Yasuhiro (The Association for Conservation of National Treasures),

KITAMURA Shigeru (Urushi Artist)

14:00～14:20

Structural characteristics of nacre (shell）used in the inlaid mother-of-pearl
technique (Raden): about great green turban and abalone◎ YAZAKI Junko (Pearl Science Laboratory), NANJO Sayaka (Pearl Science Laboratory),
KOBAYASHI Koji (National Research Institute for Cultural Properties, Tokyo),
MATSUDA Yasunori (Pearl Science Laboratory),
KOMATSU HIROSHI (Pearl Science Laboratory)5

14:20～14:40

The influence that the shape of silk yarn for painting gives in color development◎ YAMADA Yuko (National Research Institute for Cultural Properties, Tokyo),
SHIMURA Akira (KATSUYAMA CO.,LTD), AKIMOTO Shigeko (KATSUYAMA CO.,LTD),
KATO Masato (National Research Institute for Cultural Properties, Tokyo),
YOSHIDA Naoto (National Research Institute for Cultural Properties, Tokyo)

14:40～14:45

A 5-minute break

Session Ⅵ
The chairman: AIZAWA Kunihiko (Hyogo Prefectural Museum of Art),HIDAKA Shingo (National Museum of Ethnology)

14:45～15:05

Monitoring and evaluation of air quality in Science Museum of the whale and thesea and the tsunami-affected facilities adapted as temporary storage rooms◎ MATSUI Toshiya (Universiry of Tsukuba), KAWASAKI Emi (Universiry of Tsukuba),
OIKAWA Tadashi (Tohoku History Museum), HAGA Fumie (Tohoku History Muesum),
MASUDA Ryuji (NIPPON MUKI CO.), NAKAJIMA Fumio (NIPPON MUKI CO.),FUSHIMI Takuro (Kumahira CO.),KAWAMUKAI Minako (Yamada town board of Education),
MINATO Satoshi (Science Museum of the whale and the sea),
MICHIMATA Jun (Science Museum of the whale and the sea)

15:05～15:25

Investigation of air quality in tsunami-affected museum and its influence on museum
artifact materials◎ OIKAWA Tadashi (Tohoku History Museum), MATSUI Toshiya (University of Tsukuba),
HAGA Ayae (Tohoku History Museum), KAWASAKI Emi (University of Tsukuba),
MASUDA Ryuji (NIPPONMUKI Co.,Ltd.), NKAJIMA Fumio (NIPPONMUKI Co.,Ltd.),
FUSHIMI  Takuro (Kumahira Co.,Ltd.)

15:25～15:45

Preserving activities for the group of wooden Buddhist statues damaged by thenatural disaster: Measures for preventive conservation and for protection andinheritance by local community◎ ONO Shinnosuke (Toyo Institute of Art and Design),
MATSUDA Yasunori (Toyo Institute of Art and Design),
GOKAN Ayumi (Toyo Institute of Art and Design),
GOMA Sumire (Toyo Institute of Art and Design)

15:45～16:05

The Study on the Records Seriously Damaged by Sever Disaster in Institutional
Archives and their Salvage and Conservation◎ AOKI Mutsumi (National Institute of Japanese Literature),
TAKASHINA Maki (National Institute of Japanese Literature),
HAYASHI Takashi (JOSO City)

16:05～16:15

6

Closing AddressPoster session（◎ Principal investigator, Presenter ○ Presenter）

1st day

June 25, 2016

◆ P001

Surface hardness measurement and Cyanobacterias' surface coverage process in the firstgallery outer wall of Angkor Wat temple, Cambodia.
◎ SONG Wonsuh (Japan Society  for the Promotion of Science),
WARAGAI Tetsuya (Graduate School of Science and Technology, Nihon University),
OGUCHI Chiaki (Graduate School of Science and Engineering, Saitama University)◆ P002

Stabilisation of the wall paintings and protection of tuff structure of Uzumlu church in
Cappadocia◎ TANIGUCHI Yoko (University of Tsukuba), KOIZUMI Keigo (Osaka University),
IBA Chiemi (Kyoto University), WATANABE Kunio (Mie University),
SANO Katsuhiko (D & D Co.), PIAO Chunze (Hytec Inc.)◆ P003

International cooperation in the preservation ofhistoric textiles in the Republic of Armenian:
Report on case studies at the History Museum of Armenia and the Museum of The Holy
Mother Sea of Echmiadjin.
◎ ISHII Mie (National Institute for Cultural Properties, Tokyo)◆ P004 Practical preventive measures and issues on collection management in Museums of Canada◎ SUEMORI Kaoru (National Musuem of Ethnology, Japan)◆ P005

Japan and China collaboration business about the preservation repair of the Tangut
document◎ KINOSHITA Yosuke (Oka Bokkodo Co.,Ltd.), OKA Kozo (Oka Bokkodo Co.,Ltd.),
IMAZU Setsuo (Kyushu National Museum), FAN Yi Ying (Kyushu National Museum),TA La (Inner Mongolia Museum), XU Zheng (Inner Mongolia Museum),
LI Qin (Inner Mongolia Museum), JIN Hui (Inner Mongolia Museum)◆ P006The interpretation of Jataka and its expression in THE INCARNATED NAGARAJAPR E ACHING UNDER A FL AM BOYANTO TR EE from ground floor skorlam of
ShaluMonastery in Tibet.
◎ SHOGAKI Masako (Nara College of Art)

◆ P007

Study on the mosaics of the Western Gallery in Hagia Sophia, Istanbul, Turkey◎ SASAKI Juni (Center for the Global Study of Cultural Heritage and Culture, Kansai University, Institutefor Conservation of Cultural Property, Tohoku University of Art and Design)◆ P008

Cultural properties in post-conflict Kosovo --Present state and obstacles-◎ HIDAKA Midori (The Japan Society for the Promotion of Science)◆ P009ELISA (enzyme-linked immunosorbent assay）Testing for Organic Binding Media of the
Bamiyan Buddhist Mural Paintings◎ TAKASHIMA Miho (The National Museum of Western Art, Tokyo),
TANIGUCHI Yoko (University of Tsukuba)◆ P010The study research and conservation of the wall paintings on the central altar in the
church of Sant'Ippolito d'Asciano. --Consolidation of the paint film and Retouching-◎ MAEKAWA Yoshifumi (National Research Institute for Cultural Properties, Tokyo)
7◆ P011

Application of metal leaves in primitive European oil paintingsin the case of early Norvegian
Altars and "pictura translucida" in the Theophilus's Manuscript◎ TAKAHASHI Kaori (Graduate school -Tokyo University of the Arts)◆ P012

Study of fillers for serious exfoliations of paint layer at an oil painting on boards: the case,boards are sensitive to variations of humidity◎ YONEDA Namiko (restoration-conservation of oil paitings)◆ P013A study on the technique of Italian painting in the 19th century--Case study for the work of Bartolommeo Schermini-◎ SHIRAISHI Sayaka (Tokyo Gakugei University), NOMURA Kurumi (Tokyo Gakugei University),
ASHITATE Maiko (Tokyo Gakugei University), SHINMEN Toshiyasu (Tokyo Gakugei University),HUKUDA Makoto (Art Conservation Lab.), OOKAWA Mika (Art Conservation Lab.),
NINOMIYA Shuji (Tokyo Gakugei University)◆ P014The Restoration report: The ceiling painting of the No.41 room of the State Guest
Houses, Akasaka Palace.
◎ WATANABE Ikuo (Art Restoration Studio 21), MIYATA Junichi (Art Restoration Studio 21),TANAKA Chieko (Art Restoration Studio 21), MIYAZAKI Yasuaki (Art Restoration Studio 21),
MURAYAMA Hiroki (Art Restoration Studio 21), ARIMURA Mari (Art Restoration Studio 21),KIRIU Satoshi (Art Restoration Studio 21), TOMIYAMA Keisuke (Art Restoration Studio 21)◆ P015Lines and Brushes for Works by Tsuguharu Foujita◎ KOYANO Masako (Art Conservation Lab.), OKAWA Mika (Art Conservation Lab.),Louis-Matsuoka Akiko (Atelier Matsuoka), HIRAYAMA Michiko (Hirayama Ikuo Silk Road Museum)◆ P016The Restoration of the Reproduction of Menippus of Diego Velazquez By Hiroshi
Yoshida. Painting Technique of Hiroshi Yoshida in Optical Research and Restoration◎ OGATA Jun (Tokyo Conservation), YAMANO Nobuo (Tokyo Conservation)◆ P017The study on the deterioration of Katsuta Koda's "A scene in the kitchen"◎ YASUDA Mamiko (Tokyo University of the Arts)◆ P018

Restoration of Sakurai Hamae's Red landscape : the results of tests on the tear mendingof canvas◎ NAKAU Eriko (Tohoku University of Art And Design),
YAMAMOTO Kaoru (Tohoku Universityof Art And Design),
NAGAMINE Akari (Tohoku University of Art And Design)◆ P019Relation between the appearance of aging cracks and pigments: in the case of Japaneseoil paintings in early 20th Century◎ INOUE Kanako (Tokyo University of the Arts)◆ P020Consideration about the structure of the deterioration product which occurred to an oil
painting◎ SUZUKAMO Fujiko (Tokyo University of the Arts)◆ P021

Effectiveness of applying varnish for protection from light-induced deterioration on painting
with acrylic pigments◎ ONO Shinnosuke (Toyo Institute of Art and Design),
MATSUDA Yasunori (Toyo Institute of Art and Design),
SUZUKI Yoshiko (Toyo Institute of Art and Design)8◆ P022

Strength Test of Acid Paper Reinforced with Cellulose Nanofibers and Cellulose
derivatives Nanofibers◎ AOKI Shigeo (Cyber University)◆ P023

Strengthening of deteriorated paper by coating of cellulose nanofiber◎ OKAYAMA Takayuki (Tokyo University of Agriculture and Technology),○ KADOYA Chiemi (Tokyo University of Agriculture and Technology),
SONODA Naoko (National Museum of Ethnology),
SEKI Masazumi (Kochi Prefectural Paper Technology Center),
TONOYAMA Mao (Kochi Prefectural Paper Technology Center)◆ P024

Applicability of the use of electrospun cellulose nanofibers as a reinforced treatment for
paper materials◎ SEKI Masazumi (Kochi Prefectural Paper Technology Center),
TONOYAMA Mao (Kochi Prefectural Paper Technology Center),
MOTOMURA Yuki (Tokyo University of Agriculture and Technology)◆ P025Introducing LED lighting at National Museum of Ethnology, Japan; Lighting experimentassuming exhibition of ethnographic objects◎ SONODA Naoko (National Museum of Ethnology),
HIDAKA Shingo (National Museum of Ethnology), SUEMORI Kaoru (National Museum of Ethnology),
MURATA Tadashige (National Museum of Ethnology),
OKUMURA Yasuyuki (National Museum of Ethnology),
KAWAMURA Yukako (Gangoji Institute for Research of Cultural Property),
HASHIMOTO Sachi (Gangoji Institute for Research of Cultural Property),
WADAKA Tomomi (LLC Bunkasozokougei)◆ P026

Verification of characteristics comparison between LED lighting and fluorescent lighting as
exhibition lighting◎ TAKASHINA Maki (National Institute of Japanease Literature),
AOKI Mutsumi (National Institute of Japanease Literature), NAKAZAWA Bunzo (BUNKEN)◆ P027

Air Environment in Museum Display Cases Using a Mock-up Display Case--Measurement and CFD Analysis of Temperature and Humidity in a Mock-up Display
Case-◎ KOTAJIMA Tomoko (National Research Institute for Cultural Properties, Tokyo),
RO Toshitami (National Research Institute for Cultural Properties, Tokyo),
HAYASHI Ryosuke (Okamura Corporation), SUGA Masaharu (Okamura Corporation),
SATO Ruri (Okamura Corporation),
SANO Chie (National Research Institute for Cultural Properties, Tokyo)◆ P028Air Environment in Museum Display Cases Using a Mock-up Display Case--Measurements and CFD Analysis of Air Flow Characteristics-◎ SUGA Masaharu (Okamura Corporation),
RO Toshitami (National Research Institute for Cultural Properties, Tokyo),
KOTAJIMA Tomoko (National Research Institute for Cultural Properties, Tokyo),
HAYASHI Ryosuke (Okamura Corporation), SATO Ruri (Okamura Corporation),
SANO Chie (National Research Institute for Cultural Properties, Tokyo)

9◆ P029

Air Environment in Museum Display Cases Using a Mock-up Display Case--A Measurement for Evaluation of Gas Concentration in Display Cases-◎ RO Toshitami (National Research Institute for Cultural Properties, Tokyo),
KOTAJIMA Tomoko (National Research Institute for Cultural Properties, Tokyo),
HAYASHI  Ryosuke (Okamura Corporation), SUGA Masaharu (Okamura Corporation),
SATOU Ruri (Okamura Corporation),
SANO Chie (National Research Institute for Cultural Properties, Tokyo)◆ P030Shielding performance against acetic acid from temporarily-used wooden box for display◎ SANO Chie (National Research Institute for Cultural Properties, Tokyo),
KOTAJIMA Tomoko (National Research Institute for Cultural Properties, Tokyo),
RO Toshitami (National Research Institute for Cultural Properties, Tokyo)◆ P031

Difference in the organic acid concentration in the location of museum exhibition room
◎ YAMAZAKI Masahiko (KOMYO RIKAGAKU KOGYO K.K.),
MATSUDA Takatsugu (TOHOKU GAKUIN UNIVERSITY),
SUGIZAKI Sahoe (FUKUSHIMA MUSEUM)◆ P032

Correlation analysis in museums between the accuracy of log-data and the put surface
material◎ INOUE Motoko (Tokyo National Museum)◆ P033

Example of Method to Keep Environment in Display Case Low Humidity◎ SANEI Kanako (Tokyo National Museum)◆ P034Heat eradication treatment of a big museum object in exhibition by humidified hot air◎ KIGAWA Rika (Kyushu National Museum),
KITAHARA Hiroyuki (National Research Institute for Cultural Properties, Tokyo),
AKIYAMA Junko (Kyushu National Museum), AKADA Masanori (Kyushu National Museum),
FUJII Yoshihisa (Kyoto University), FUJIWARA Yuko (Kyoto University),
IWAHASHI Kanako (Kyushu National Museum), TOMARI Tomoko (Kyushu National Museum),
MITSUYAMA Fumie (Kyushu National Museum),
YAMASAKI Kumiko (Institute for Environmental Culture),
Tom STRANG (Canadian Conservation Institute), HONDA Mitsuko (Kyushu National Museum),
IMAZU Setsuo (Kyushu National Museum)◆ P035Development of solar disinfestation system; Preliminary experiment for creating insecticidal
treatment atmosphere to attain lethal condition◎ HIDAKA Shingo (National Museum of Ethnology),
SONODA Naoko (National Museum of Ethnology), SUEMORI Kaoru(National Museum of Ethnology),
NISHIZAWA Masaki (National Museum of Ethnology),
MATSUDA Mao (National Museum of Ethnology),
KAWAMURA Yukako (Gangoji Institute for Research of Cultural Property),
HASHIMOTO Sachi (Gangoji Institute for Research of Cultural Property),
WADAKA Tomomi (LLC Bunkasozokougei), KIGAWA Rika (Kyushu National Museum),
KAWAGOE Kazushi (Institute for Environmental Culture)10◆ P036

Preventive insecticidal low temperature treatment of wooden crates using cold storage
freezer◎ AKIYAMA Junko (Kyushu National Museum), KIGAWA Rika (Kyushu National Museum),
AKADA Masanori (Kyushu National Museum), TOMARI Tomoko (Kyushu National Museum),
MITSUYAMA Fumie (Kyushu National Museum),
Tom STRANG (Canadian Conservation Institute), HONDA Mitsuko (Kyushu National Museum),
IMAZU Setsuo (Kyushu National Museum)◆ P037

Facilitating the separating process of heavely insect-damaged documents◎ TOMIKAWA Atsuhiko (Nagasaki Museum of History and Culture)◆ P038

Consideration on the protection effect of transparent shelters for cultural properties◎ KUCHITSU Nobuaki (National Research Institute for Cultural Properties, Tokyo),
MORII Masaaki (National Research Institute for Cultural Properties, Tokyo),
WATANABE Hisae (Tokyo University of the Arts),
SATA Asami (National Research Institute for Cultural Properties, Tokyo)◆ P039Proposal for quantitative evaluation of interventive treatment using Delta Eab image◎ MIZUOCHI Takashii (Toyo Institute of Art and Design),
ONO Shinnosuke (Toyo Institute of Art and Design),
MATSUDA Yasunori (Toyo Institute of Art and Design)◆ P040Acceleration evaluation that occur on the art transport vehicle during trasnportation at theMetropolitan Expressway◎ WADA Hiroshi (Tokyo National Museum)◆ P041

Applications and Effects of Minimal Low Pressure Mount Using Kozo Paper The
Compatibility of Display and Conservation for Ancient Textile Collections at Tokyo National
Museum◎ SUZUKI Haruhiko (Shugo Co.,Ltd. / Tokyo University of the Arts),
YONEKURA Otoyo (paper & book conservator), MITA Kakuyuki (Tokyo National Museum),
SAWADA Mutsuyo (Tokyo National Museum), HIRAKAWA Tomoe (Tokyo National Museum),
SHIMODA Junpei (Tokyo National Museum), TSUCHIYA Yuko (Tokyo National Museum),
KAMBA Nobuyuki (Tokyo National Museum)◆ P042

A Protective Tool to Reduce Wear and Dents in Hanging Scrolls◎ SETOGUCHI Kei (BUNKAZAIHOZON Co,Ltd)◆ P043Development of simple seismic isolation system for art objects◎ KURITA Katsumi (Tokyo Metropolitan College of Industrial Technology),
SATO Yuki (Tokyo Metropolitan College of Industrial Technology),
AOKI Shigeru (Tokyo Metropolitan College of Industrial Technology),
KANAZAWA Mitsuo (Kanazawa seisakusyo Co., Ltd.)◆ P044Mid-infrared hyperspectral imaging of oil paint, toner and paper.
◎ SUGAWARA Shigeru (National Research Institute of Police Science)◆ P045

X-ray CT imaging conditions and image analysis --About a Number of projection-◎ ARAKI Tominori (Tokyo National Museum), MIYATA Masahiro (Tokyo National Museum)11◆ P046

Possibility of the Infinitesimal Analysis Using the Gecko Tape--Experiment of the graded decomposition technique-◎ KAMIYA Yoshimi (Tokyo Metropolitan Industrial Technology Research Institute)◆ P047

Study of Nondestructive Structural Diagnostics on Painting with Terahertz Waves◎ Dai-Ill Kang (National University of Cultural Heritage),
Na-Yeon Baek (National University of Cultural Heritage),
Han-Hyeong Lee (National University of Cultural Heritage)◆ P048Studies on restraining the efflorescence of stone surface◎ HOSHINO Reiko (TSURUMI University),
HASHIMOTO Naoki (Education Department Zushi City Board of Education)◆ P0493D measurement of Hakucyotsuka tomb with SfM photogrammetry◎ OKAMOTO Atsushi (Otemae university Institute of History),
TOMIYAMA Naoto (Kobe Board of Education),
MORISHITA Shoji (Otemae university Institute of history)◆ P050

Trial Report to Earthenware Reconstraction Ingredient◎ IWATSUKI Mayuko (iwadokki)◆ P051

Replica making case report of archaeology material as the current state record◎ ISHIHARA Michitomo (Musashino Conservation of Cultural Property Research center)◆ P052

Scientific Study of Molten Copper Alloy on Earthenware from Kofu Castle Town
◎ MIURA Maiko (Research Institute of Cultual Propertise, TEIKYO UNIVERSITY),
FUJISAWA Akira (Research Institute of Cultual Propertise, TEIKYO UNIVERSITY)◆ P053

Analytical studies of high-tin bronze bowl in 7-8th century◎ FURIHATA Junko (Nara National Research Institute for Cultural Properties),
YOSHIZAWA Satoru (Nara National Museum),
ISAHAYA Naoto (Nara National Research Institute for Cultural Properties)◆ P054

Research on materials and firing temperature of Hizen ceramicsin the 17th century◎ OKAJI Satoko (Tokyo University of the Arts)◆ P055

Study on the Discoloration of Brass Foil and Brass Paint◎ KOMODA Azusa (Tokyo University of The Arts)◆ P056

Deterioration of Japanese paper by Rokusyo and burnt rokusyo : presence of copper ionsin scum solution from the pigment◎ KIDA Keiko (Japan Society  for the Promotion of Science),
KASHIWAYA Akemi (Japan Art Institute), INABA Masamitsu (Tokyo University of the Arts),
HAYAKAWA Noriko (National Research Institute for Cultural Properties, Tokyo)◆ P057

Producing prosess of Ginban and koban at Edo-era mesuring inner stress◎ KIRINO Fumiyoshi (Tokyo University of the Arts),
OHNO Naoshi (Tokyo University of the Arts), TAGUCHI Satoko (Tokyo University of the Arts),
NEZU Akimitsu (Rigaku Co.,Ltd.), YOKOYAMA Ryouichi (Rigaku Co.,Ltd.)12

◆ P058

A Research on the Identification of Wood Species for the Wooden Statues in Nara
National Museum◎ TORIGOE Toshiyuki (Nara National Museum),
SUGIYAMA Jyunji (Research Institute for Sustainable Humanosphere, Kyoto University),
SORIMACHI Hajime (Research Institute for Sustainable Humanosphere, Kyoto University),
TAZURU Suyako (Research Institute for Sustainable Humanosphere, Kyoto University),
OHE Katsuki (Nara National Museum)2nd day

June 26, 2016

◇ P059A Study on Gradation Technology in Yasuyuki Namikawa's Japanese Shippo (Cloisonne
and Enamel Glaze)◎ SHINMEN Toshiyasu (Tokyo Gakugei University),
MUTO Yukari (Kyoto University of Art and Design),
OGAWA Ayako (The National Museum of Art, Osaka),
MIURA Maiko (Research Institute of Cultual Propertise, TEIKYO UNIVERSITY),
NAGANUMA Koyomi (Namikawa Cloisonne Museum of Kyoto),
NINOMIYA Shuji (Tokyo Gakugei University)◇ P060Survey and Study on Heating Process of Urushi for Ryukyuan Tsuikin Technic◎ OGAWA Ayumu (Tokyo University of the Arts), TOMA Shigeru (Urushi Artist),
TATEKAWA Osamu (Adviser for Conservation of Cultural Properties),
UCHIDA Yuka (National Research Institute for Cultural Properties, Tokyo),
HAYAKAWA Noriko (National Research Institute for Cultural Properties, Tokyo)◇ P061

Research on the manufacturing technique and degradation of a cultural property of Ainu
(Kemaushipe）by X-ray analysis◎ SUGIYAMA Tomoaki (Hokkaido museum), IMAZU Setsuo (Kyushu National Museum),
TORIGOE Toshiyuki (Nara National Museum), AKADA Masanori (Kyushu National Museum),
KOBAYASHI Yukio (Former staff of Historical Museum of Hokkaido),
OSADA Yoshihiro (Nibutani Ainu Culture Museum)◇ P062

X-ray CT to Structural Survey of "Acorn Shaped Incense Container, Camellia Motif,
Mother-of-pearl Inlay on Black Lacquer"◎ WATANABE Yuka (Graduate School of Literature, Tsurumi University),
KOIKE Tomio (Tsurumi University)◇ P063The Analysis and Restoration Report of Inkstone Box with Bamboo Blind Design in makie
Attributed IGARASHI Douho.
◎ KOIKE  Tomio (Tsurumi University),
WATANABE Yuka (Graduate School of Literature, Tsurumi University)◇ P064Structural study of gold lacquered ink stone box using X-ray CT scanner◎ AKADA Masanori (Kyushu National Museum), OKUDA Akiko (Hikone Castle Museum),
KAWABATA Noriko (Kyushu National Museum), IMAZU Setsuo (Kyushu National Museum)13

◇ P065

Structure and technique of the Stand,design of pavilion and figures,mother-of-pearl inlay
on black lacquer. --Investigation using X-ray CT and the micro X-ray CT-◎ ONISHI Tomohiro (LLC Onishi lacquer art restoration studio),
AKADA Masanori (kyushu National Museum), KIM M.-J (kyushu National Museum),
MIYAZATO Masako (Urasoe Art Museum)◇ P066

Urushi Museum, Nikko possession cup (2 a.c.) research repairing◎ TAKAMIYA Yoko (Tama Art University)◇ P067

Studies on conservation of urushi works decorated with lead--Effects of each component in treatment liquid on conservation-◎ TAGUCHI Satoko (Tokyo University of the Arts),
MUROSE Tasuku (Mejiro Institute of Urushi Research & Restoration),
KIRINO Fumiyoshi (Tokyo University of the Arts), KOIKE Tomio (Tsurumi University),
MUROSE Kazumi (Mejiro Institute of Urushi Research & Restoration)◇ P068Studies on conservation of urushi works decorated with lead--Prevention of deterioration of lead-◎ MUROSE Tasuku (Mejiro institute of Urusei Research and Restoration),
TAGUCHI Satoko (Tokyo University of the Arts),
KIRINO Fumiyoshi (Tokyo University of the Arts),
KOIKE Tomio (Tsurumi University),
MUROSE Kazumi (Mejiro Institute of Urushi Research and Restoration)◇ P069Colour and its ageing of coated oriental lacquer◎ OGAWA Toshio (Kanazawa Institute of Technology),
OKINO Eijirou (Kanazawa Institute of Technology),
SAKAGUCHI Satoshi (Kanazawa Institute of Technology),
MARUYAMA Tokimi (Kanazawa Institute of Technology)◇ P070A study of the restoration of "National Treasure, Chubon-Chujo, the Wooden wall Paintingof Byodo-in Hoodo Hall" using a present copy
◎ ARAKI Keishin (Kanazawa College of Art), KAMII Monsyo (Byodoin)◇ P071

Studies of the materials used for the colors in Nehan-zu stored at DAIGOJI Temple--Approach to the restoration of symbolism based on chemical analysis◎ TANAKA Naoko (DAIGOJI Temple),
OHBAYASHI Kentaro (KYOTO UNIVERSITY OF ART & DESIGN),
SASAKI Yoshiko (KYOTO INSTITUTE OF TECHNOLOGY)◇ P072

Restoration report of the "Amida Nyorai" hanging scroll and the "Pine and Plum" screenswith gold leaf in Kyoen-ji◎ BANNO Tomohiro (Aichi University of the Arts, Institute for Conservation of Cultural Property),
IWANAGA Terumi (Aichi University of the Arts, Institute for Conservation of Cultural Property),
WAKIYA Sukesaku (Aichi University of the Arts, Institute for Conservation of Cultural Property),
ISOGAI Akiko (Aichi University of the Arts, Institute for Conservation of Cultural Property),○ YASUI Ayako (Aichi University of the Arts, Institute for Conservation of Cultural Property)14◇ P073

The case of conservation of the painting on wood in Kaguraden of Matsudo Jinja. (Shinto
shrine)◎ MIURA Kumiko (Denseisya), ○ OIKAWA Takashi (Oikawa Art Conservation),
ARAI Kei (Tokyo University of the Arts), KUGE Yuki (Tokyo University of the Arts),
NISHIKAWA Ryuji (Tokyo University of the Arts)◇ P074

Revaluation of inspection and the modern times restoration of the historicalness withthe scientific chronological research in Buddha statue cultural properties.
--Example by restoration of Seated Yakushi-Nyorai of Isagozawa Yakushi-do in Yamagata-◎ OKADA Yasushi (Wooden sculpture Cultural properties Conservation Laboratory),
MATSUSHIMA Tomohide (Kochi University),
OHYAMA Motonari (Botanical Gardens, Tohoku University),
TOKANAI Fuyuki (Analysis of mass of Yamagata University high sensitivity accelerator center)◇ P075

One way of local cultural assets restore by an area cooperation--Restoration report of carved wood plate standing statue of Nio, Minamino Koutai Shrine-◎ MAKINO Takao (TOUKOKEN Co.,Ltd. Restoration Studio of Classical Sculpture),○ WATANABE Shingo (TOUKOKEN Co.,Ltd. Restoration Studio of Classical Sculpture),
ADACHI Shuichi (TOUKOKEN Co.,Ltd. Restoration Studio of Classical Sculpture)◇ P076

Condition Survey and Surface Cleaning of the Great Buddha Statue of the Kotokuin
Temple in Kamakura, Japan◎ HEMUKI Naomi (The National Museum of Western Art),OIKAWA Takashi (Oikawa Art Conservation),
IKEDA-KOBAYASHI Hohi (Sculpture/Obejcts Conservation),
ITO Kazuhiro (Yamagishi Bronze Studio),
WATANABE Makiko (The National Reserarch Institute for Cultural Properties, Tokyo),Suzuki Eriko (The Kawasaki City Museum),
MORII Masayuki (The National Reserarch Institute for Cultural Properties, Tokyo),
HAYAKAWA Noriko (The National Reserarch Institute for Cultural Properties, Tokyo),
SATO Takao (Kotoku-in)◇ P077

Scientific Condition Survey on the Great Buddha Statue of Kotokuin Temple in Kamakura◎ FUJISAWA Akira (Reseach Institute of Cultural Properties, Teikyo University),
INUZUKA Masahide (National Research Institute for Cultural Properties, Tokyo),
MASUBUCHI Mariya (National Research Institute for Cultural Properties, Tokyo),
MORII Masayuki (National Research Institute for Cultural Properties, Tokyo),
HAYAKAWA Noriko (National Research Institute for Cultural Properties, Tokyo),
SATO Takao (Kotoku-in)◇ P078Extraction of Indigo Dye by Amedashi Technique in Edo Period Japan◎ MATSUBARA Ami (Tokyo University of the Arts Japanese Painting (Conservation）Graduate Schoolof Fine Arts),
FURIHATA Chikako (Meguro Museum of Art, Tokyo)◇ P079Red Coloring by Natural Dyes with Lac in middle Edo Period◎ NAKAMURA Yasuhito (The study group of the kosode in SENGIREN)◇ P080On the lightfastness of natural carmine lake paints◎ SAKUMA Michiko (Tokyo University of the Arts), SHOBO Satsuki (National Diet Library),
SATO Eisuke (Kyoto City University of  Arts), NISHIKAWA Ryuji (Tokyo University of the Arts)15

◇ P081

Colorant analysis of Nishiki-e woodblock prints dated 1st month of 1869
◎ YAMATO Asuka (Shizuoka City Tokaido Hiroshige Museum of Art),
TSUKADA Masahiko (Tokyo University of the Arts, Graduate School  of Fine Arts)◇ P082

Painting Materials used in "Jyonomai" by Shoen UEMURA Owned by the University Art
Museum, Tokyo University of the Arts
◎ TANAKA Manako (Tokyo University of the Arts),
ARAI Kei (Graduate School of Fine Arts, Tokyo University of the Arts),
NISHIKAWA Ryuji (Tokyo University of the Arts),
KUGE Yuki (Graduate School of Fine Arts, Tokyo University of the Arts)◇ P083

Changes in colorants found in polychrome sculpture made in the late Edo and Meiji
Periods in Yamagata◎ SHIMADZU Yoshiko (National Museum of Japanese History),
OKADA Yasushi (Wooden sculpture Cultural properties Conservation Laboratory)◇ P084The color materials of Research for old clay dolls in Tohoku-area-Analyzing red color
material both of "Tsutsumi-dolls"and"Sagara-dolls"◎ TAKANO Chie (Tohoku University of Art And Design)◇ P085

Resuarch of the structure of the silk in painting on silk with a focus on the early modern
period and Modern--through the investigation of Yamagata museum of Art "Hasegawa Collection"-◎ MORITA Saori (Tohoku University of Art and Design),
SHIMURA Akira (KATSUYAMA CO.,LTD), AKIMOTO Shigeko (KATSUYAMA CO.,LTD)◇ P086

A Study on the Fibrillation of Wisteria Bark during Fabrication-Process of Fujinuno◎ SEMBA Toshiro (Iida Women's Junior College)◇ P087

A Study about Architecture Paintings of Takakura-jinja Shrine Honden, Hyogo Prefecture
Designated Cultural Property◎ TADA Makio (Kawamo Art Research Institute), MORI Masakazu (Ryukoku University)◇ P088The current situation of paint layers of The First Daigokuden Main Hall of the Nara Palace
Site, a Special Historic Site designated by the Japanese Government.
◎ NAGASAKI Noriko (Kyoto University),
WAKIYA Soichiro (Nara National Research Institute for Cultural Properties),
KOHDZUMA Yohsei (Nara National Research Institute for Cultural Properties)◇ P089On the Structure and the Manufacturing Methods of Norimono : Through the Restoration
Example of Norimono finished by Goza
◎ OCHIAI Rima (Akita University of Art)

◇ P090A study of the hand-straps "kute" for loop-manipulation braiding techniques◎ OMURA Mari (Gangoji Institute for Research of Cultural Property)◇ P091The Inhibition Effect of the Urn Orchid (Bletilla striata）Addition into Paste forConservation of Old Documents on Mould Growth◎ ZHU Feiqing (Graduate school -Tokyo University of the Arts)16◇ P092

Degradation of pressure-sensitive tape on paper--Study of method for removing tapes and tape stains from paper using organic solvents-◎ UCHIDA Yuka (Independent Administrative Institution National Research Institute for Cultural
Properties, Tokyo),
HAYAKAWA Noriko (Independent Administrative Institution National Research Institute for Cultural
Properties, Tokyo)◇ P093

Adhesive of bo-enogu, color materials for inpainting◎ YAMADA Yuko (National Research Institute for Cultural Properties, Tokyo),
OHKAWARA Noriko (Kamakura Women's University),
HAYAKAWA Noriko (National Research Institute for Cultural Properties, Tokyo)◇ P094Storage stability of hide glue containing tung oil and bamboo vinegar.
◎ YAMAUCHI Akira (St. Andrew's University),
KINOSHITA Masayo (Amanosan institute for research of cultural heritage),
YAMAUCHI Asao (Osaka Municipal Technical Research Institute),
TANAKA Shigemitsu (Osaka Municipal Technical Research Institute),
KISO Tarou (Osaka Municipal Technical Research Institute)◇ P095

Studies on Properties of Glues◎ UDAKA Kentaro (Japan Society  for the Promotion of Science)◇ P096

Proposal for the use of banana paper for conservation◎ IGUCHI Maya (KOEI-DO Co., Ltd.)◇ P097

Complete enumeration of registrated tangible cultural properties Kusumori kawakita family
housing Kanjoma--Efforts to complete enumeration model building of unspecified cultural assets-◎ MISUMI Nao (Kyushu National Museum), HONDA Mitsuko (Kyushu National Museum),
EJIMA Hisako (Ukiha city Board of education), IKUNO Satomi (Ukiha city Board of education),
KANO Keiko (The Institute of Comparative Studies of Cultures of Societies),
KAWAGOE Kazushi (Institute for Environmental Culture)◇ P098Construction of database of the photographic survey records by Odaka Sennosuke and its
utilization◎ FUTAGAMI Yoko (National Research Institute for Cultural Properties, Tokyo),
FUKUNAGA Hachiro (National Research Institute for Cultural Properties, Tokyo),OYAMADA Tomohiro (National Research Institute for Cultural Properties, Tokyo),
TAKAHASHI Yuta (National Research Institute for Cultural Properties, Tokyo)◇ P099A study on database construction of Hirayama Ikuo's pigment collection◎ NINOMIYA Shuji (Tokyo Gakugei University), NOMURA Kurumi (Tokyo Gakugei University),
SHIRAISHI Sayaka (Tokyo Gakugei University),
HAMADA Midori (Independent Administrative Institution National Research Institute for Cultural
Properties, Tokyo),
ENDO Natsune (Tokyo Gakugei University), OGASAWARA Kozue (Tokyo Gakugei University),
KOYANO Masako (Art Conservation Lab.),
NAKAZAWA Saori (HIRAYAMA IKUO SILK ROAD MUSEUM)

17

◇ P100

Research on Sustainable conservation network--Proposal from theattempt of the daguerreotype conservation network construction-◎ YAMAGUCHI Takako (Tokyo Metropolitan museum of photography),
ARAKI Tominori (Tokyo National Museum), MIKI Mari (Photo Conservator),
TAKAHASHI Norihide (Nihon University)◇ P101Conservation Scientific Studies on Light Resistance of Fluorescent Acrylic Paint◎ YONEMURA Sachio (Tohoku University of Art and Design),
SAITO Rena (Tohoku University of Art and Design),
FUJITSUKA Yuki (Tohoku University of Art and Design)◇ P102Preservation and restoration for contemporary art in the art museum--Restoration report of the Time Based Media work-◎ OGAWA Ayako (The National Museum of Art, OSAKA),UEMATSU Yuka (The National Museum of Art, OSAKA)◇ P103

Conservation of New media art: Japan, Taiwan, and Western◎ TAIRA Yuichiro (Tokyo University of the Arts)◇ P104

Establishing stabilization treatment methods for tsunami-damaged photographs◎ TAKEDA Akiko (Showa Women's University), AKANUMA Hideo (Iwate Prefectural Museum),
KUMAGAI Masaru (Rikuzentakata city museum), HONDA Fumito (Rikuzentakata city museum)◇ P105

A study on mitigation of volcanic eruption risk for cultural heritage in Yamanashi◎ SAIGAN Mai (Yamanashi Prefectural Museum)◇ P106

Preserving and Restoring Activities for Damaged Art Work byTsunami in 2011.Stabilization
Efforts of Art Work on Paper with Blotting Method◎ YONEKURA Otoyo (paper & book conservator),○ NISHIHARA Norie (oil painting & paper conservator),
HOSHI Eriko (Joshibi University of Art and Dsign), TSUCHIYA Yuko (Tokyo National Museum),
KANBA Nobuyuki (Tokyo National Museum)◇ P107

Study about utilization of local art materials after disasters.
◎ YASUDA Yoko (International Research Institute of Disaster Science, Tohoku University)◇ P108Investigation of air quality of tsunami-affected cultural properties◎ HAGA Ayae (Tohoku History Museum), OIKAWA Tadashi (Tohoku History Museum),
MATSUI Toshiya (University of Tsukuba), KAWASAKI Emi (University of Tsukuba),
MASUDA Ryuji (NIPPONMUKI Co.,Ltd.), NKAJIMA Fumio (NIPPONMUKI Co.,Ltd.),
FUSHIMI Takuro (Kumahira Co.,Ltd.)◇ P109Cltural properties in Muroto,Kochi and disaster countermeasures◎ MATSUSHIMA Tomohide (Kochi University)◇ P110"The discussion for the disaster prevention of the cultural properties" as a way of making
the network for the disaster prevention of the local historical materials◎ AMANO Masashi (Tohoku University International Research Institute of Disaster Science),
UCHIDA Toshihide (Kyoto University Art & Design),
YOSHIHARA Daishi (National Research Institute for Cultural Properties, Tokyo),
KAI Yukari (Kumamoto Museun), HAGA Ayae (Tohoku History Museum),
TAITOU Kouhei (Tosa Yamauchi Family Treasury and Archives)18◇ P111

Nagasaki Prefectural Government involved widely in Protecting Cultural Properties from
Disasters and Risk Management: "Cultural Properties Protected by Everyone; Museums
that Protect Everything" Project◎ MATSUSHITA Hisako (Cultural Advancement Division, Nagasaki Prefectural Government),
TAKAO Yumeko (Cultural Advancement Division, Nagasaki Prefectural Government),
INUTSUKA Takuro (Cultural Advancement Division, Nagasaki Prefectural Government),
NAKAMURA Tetsu (Cultural Advancement Division, Nagasaki Prefectural Government),
HONDA Mitsuko (Kyushu National Museum)◇ P112

Action by an engineer to introduce cultural properties◎ HORIE Takeshi (FUCHU-KOBO)◇ P113The Atomic Bomb-Hiroshima:Special Presentation of the Work Under Restoration◎ TANAHASHI Emi (kibi international university)◇ P114A Practice for Establishing a Network on the Reproduction of Japanese Paintings.
◎ KARINO Kayoko (Japan Society for the Promotion of Science)◇ P115

Production of downsized structural model for a guardian statue (Ni-o King at the GreatSouth Gate of the Todaiji-temple): Targeting for education and dissemination◎ MATSUDA Yasunori (Toyo Institute of Art and Design),
ONO Shinnosuke (Toyo Institute of Art and Design),
OSATO Dai (Toyo Institute of Art and Design), MYOCHIN Motoya (Meikodo inc.),
YOSHIDA Yasumasa (Meikodo inc.)◇ P116

Symptomatic conservation efforts for three-dimensional objects in the Tokyo National
Museum◎ NONAKA Terumi (Tokyo National Museum), TUCHIYA Yuko (Tokyo National Museum),
TAKAHASHI Yuji (Tokyo National Museum), ARAKI Tominori (Tokyo National Museum),
MIYATA Masahiro (Tokyo National Museum), KAMBA Nobuyuki (Tokyo National Museum)19

Special poster session
S1

Achieved results of THE YOMIURI AWONIYOSHI PRIZE 1
SEKIGUCHI Kazuya (Osaka Headquarters of the Yomiuri Shimbun),
MIWA Karoku (Japan Conservation Project)

S2

Achieved results of THE YOMIURI AWONIYOSHI PRIZE 2
SEKIGUCHI Kazuya (Osaka Headquarters of the Yomiuri Shimbun),
MIWA Karoku (Japan Conservation Project)

S3

Practice of the museum project（Tokai university Community linking laboratory）1
SHINOHARA Satoshi（Tokai University）

S4

Practice of the museum project（Tokai university Community linking laboratory）2
SHINOHARA Satoshi（Tokai University）

S5

Practice of the museum project（Tokai university Community linking laboratory）3
SHINOHARA Satoshi（Tokai University）

S6

Activities of the disaster control survey subcommittee --2015 report
The disaster control survey subcommittee(HIDAKA Shingo, NAKAMURA Shinya, YONEMURA Sachio, WADA Hiroshi,
KATO Kazutoshi, TAITO Kouhei, MABUCHI Hajime, UCHIDA Toshihide)

20