Program
1st day

June 22, 20198:45 〜
9:40 〜 9:50
9:50 〜 9:55

Open
Opening Speech by Teikyo University President
Opening Address（◎ Principal investigator）

Session Ⅰ
The chairman: ONISHI Tomohiro（LLC Onishi lacquer art restoration studio）,
SHIMADZU Yoshiko（National Museum of Japanese History）
10:00 〜 10:20

The starting period of the use of iron-reacted black urushi for conservation.
◎ OKADA Fumio（Kyoto University of Art and Design）,
KITAGAWA Miho（Kyoto Prefectural University）

10:20 ～ 10:40

Analysis of Wrapping code attached to The Thirty volumes of Esoteric Scripture◎ TAKAGI Tamaki（Kyoto Insitute of Technology）,
ASAKAWA Miyuki（NInnaji Temple）, TADA Makiko（Texte,Inc.）

10:40 〜 11:00

Identification of Lotus Fiber in Lampas with Buddhist Motif by Non-destructive
Analysis◎ OHASHI Yuka（Kyushu National Museum）,
TOMIOKA Yuko（Kitakyushu Museum of Natural History & Human History）,
SHIGA Satoshi（Kyushu National Museum）, KIGAWA Rika（Kyushu National Museum）,
MATSUI Kazuyuki（Kitakyushu Museum of Natural History & Human History）

			

11:00 〜 11:10

A 10-minute break

Session Ⅱ
The chairman: AKADA Masanori（Preparatory Office for National Ainu Museum）,
KATO Kazutoshi（Kyushu Historical Museum）
11:10 〜 11:30

			

11:30 ～ 11:50

			

Nondestructive study of articulated iron lobster to clarify inner structure andmanufacturing techniques◎ TANAKA Manako（Showa Women's University）, HOSHINO Masato（JASRI）,, YAGI Naoto（JASRI）,
UESUGI Kentaro（JASRI）,
KUDO Kotaro（Tokyo University of the Arts）
NUNOYAMA Koji（Tokyo University of the Arts）,
HARADA Kazutoshi（Tokyo University of the Arts）,
MIYASAKO Masaaki（Tokyo University of the Arts）
CT-Scan analysis of Tokai University Andes musical instruments– A new research deriving from conservation –◎ YAMAHANA Kyoko（Tokai University）, KITA Rio（Tokai University）,
TSUCHIYA Kazuyoshi（Tokai University）, AWANO Wakae（Tokai University）,
SASAKI Kaito（Tokai University）, OHUCHI Shinnosuke（Tokai University）,
IWAI Yuichiro（Tokai University）, KONO Haruko（Tokai University）

11:50 ～ 12:10

New Knowledge About Kaikei's Scluptures Revealed by X-ray CT Scanner◎ TORIGOE Toshiyuki（Nara National Museum）, IWATA Shigeki（Nara National Museum）,
IWAI Tomoji（Nara National Museum）, YAMAGUCHI Ryuusuke（Nara National Museum）,
ANDOU Mariko（Nara National Museum）

12:10 〜 13:10

Lunch break1

13:10 〜 14:10
14:10 〜 14:20

Poster session
A 10-minute break

Session Ⅲ
The chairman: AKIYAMA Junko（Kyushu National Museum）,
NAKAMURA Rikiya（Office of the Shosoin Treasure House）
14:20 〜 14:40

The Effect of Parenchyma Cell Content on Wet Strength of Kozo Paper◎ HAN Zhiyou（Graduate School of Tokyo University of the Arts）,
INABA Masamitsu（Graduate School of Tokyo University of the Arts）

14:40 ～ 15:00

Conservation Based on Material Dynamics among Japanese Painting Paper,
Lining, and Environments: Comparison of Degradation Behavior by Moist Heat
Method and Sealed Tube Method◎ LEE Kang（Japan Society for the Promotion of Science / University of Tsukuba）,
ENOMAE Toshiharu（University of Tsukuba）,
INABA Masamitsu（Tokyo University of the Arts）

			
			

15:00 ～ 15:20

Influence of Cross-sectional Shape and Pupa Killing Methods on Painting Silk
◎ HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）,
OKABE Michiko（Tokyo National Research Institute for Cultural Properties）,
HAMADA Midori（Saitama Prefectural Museum of History and Folklore）,
YAMABUKI Midori（Tokyo National Research Institute for Cultural Properties）,
KIKUCHI Riyo（Tokyo National Research Institute for Cultural Properties）,
FURUKAWA Shoichi（The Museum Yamato Bunkakan）,
AKIMOTO Shigeko（KATSUYAMA CO., LTD）,
SHIMURA Akira（KATSUYAMA CO., LTD）

15:20 〜 15:30

A 10-minute break

Session Ⅳ
The chairman: IKEDA Kazuhiko（The Association for Conservation of National Treasures）,
OKA Iwataro（Oka Bokkodo Co.,Ltd.）
15:30 〜 15:50

			

15:50 ～16:10

			

16:10 〜 16:30

			2

Evaluation on safety of painting cleaning using 3D morphological measurement
system◎ MATSUDA Yasunori（Toyo Institute of Art and Design）,
SANADA Sae（Toyo Institute of Art and Design）,
ONO Shinnosuke（Toyo Institute of Art and Design）
Study of slaking experiment of Pumice tuff composing stone cultural heritage andits protective measures◎ ARAKI Naruto（Tohoku University of Art & Design）,
YONEMURA Sachio（Tohoku University of Art & Design）,
ISHIZAKI Takeshi（Tohoku University of Art & Design）
Possibility of the restoration with Japanese paper TENGUCHOSHI, in Buddhist
image sculpture◎ MAKINO Takao（KIBI CONSERVATION STUDIO）,
SATOU Takehiko（KIBI CONSERVATION STUDIO）,
NISHIMAKI Ayako（KIBI CONSERVATION STUDIO）,
TOUDOU Miran（KIBI CONSERVATION STUDIO）, ORYU Kazunori（Conservator）,
CHINZEI Hiroyoshi（HIDAKA WASHI Co.,Ltd.）

16:30 〜 16:40

A 10-minute break

Session Ⅴ
The chairman: NAKAMURA Sinya（Kanazawa Gakuin University）,
FUJISAWA Akira（Teikyo University）
16:40 〜 17:00

			

17:00 ～ 17:20

			
			

17:20 〜 17:40

			
			

Conservation of World Cultural Heritage "Huasan Rock Art" in Gvangjsih
Bouxcuengh Swcigih, China◎ NISHIURA Tadateru（Kokushikan University）,
SAWADA Masaaki（Tohoku University of Art and Dsign）,
ISHIZAKI Takesi（Tohoku University of Art and Dsign）,
TAKAMI Masazo（Geological Survey of Hokkaido）,
NAGAMINE Akari（Tohoku University of Art and Dsign）,
DU Yufan（Fudan University）, WANG Jinhua（Fudan University）,
DU Zhiyan（Kyoto University）
Grand Egyptian Museum Joint Conservation Project on the Suggestion of
preventive conservation and grasp of the wood structure of Chariots and Couchesof King Tutankhamen by the X-rays investigation◎ OKADA Yasushi（Wooden sculpture cultural properties conservation laboratory）,
MATSUSHIMA Tomohide（Kochi university）,
KURIMOTO Yasuji（Akita prefectural university）, OHYAMA Motonari（Tohoku university）,
KAWAI Nozomu（Kanazawa university）,
ADACHI Shuichi（Wooden sculpture cultural properties conservation laboratory）,
MOSTAFA Abd El Aziz Hanan（Grand egyptian museum conservation center）,
ABD El Aziz Ahmed Tarek（Grand egyptian museum conservation center）,
MOHAMED Moustafa Mohamed（Grand egyptian museum conservation center）,
MUHAMMAD Somaya（Grand egyptian museum conservation center）,
MAHMOUD Gamal Gilan（Grand egyptian museum conservation center）,
IBRAHIM Ahmed Abd Rabou（Grand egyptian museum conservation center）,
KAMAL Hussein（Grand egyptian museum conservation center）
Grand Egyptian Museum Joint Conservation Project on the Survey of Multispectral
Imaging of Mural Painting of Ini-Sneferu-Ishtef Excavated from the Old Kingdom
Mustafa.
◎ NARITA Akemi（Aichi University of the Arts Cultural property conservation restoration laboratory）,
AHMAD Abd Rabou（The Grand Egyptian Museum Conservation Center）,
TANIGUCHI Yoko（University of Tsukuba）,
MASUDA Kumi（MASUDA CONSERVATION STUDIO）, KOGA Michiko（Conservator）,
TAKAHASHI Kaori（Tokyo University of the Arts）,
MANSOUR Sayed（The Grand Egyptian Museum Conservation Center）,
SHEHATA Mustafa（The Grand Egyptian Museum Conservation Center）,
NISHISAKA Akiko（Higashi Nippon International University）,
KAMAL Hussein（The Grand Egyptian Museum Conservation Center）

			

What determines the correct approach in conservation practice?
– using parchment conservation in the UK as an example◎ UCHIDA Yuki（The Norfolk Record Office, UK）

18:30 〜 20:30

A social gathering

17:40 〜 18:00

3

2nd day June 23, 20198:45 〜Open

Session Ⅵ
The chairman: AIZAWA Kunihiko（21st Century Museum of Contemporary Art, Kanazawa）,
ARAI Kei（Tokyo University of the Arts）
10:00 〜 10:20

			

10:20 ～ 10:40

			
			

10:40 〜 11:00

			

11:00 〜 11:10
11:10 〜 12:10
12:10 〜 13:10
13:10 〜 14:10
14:10 〜 14:20

Restorative Pruning as a Means of Revealing the Intrinsic Value in Gardens:
The Case of Murin-an◎ KATO Tomoki（Ueyakato Landscape Co.,Ltd. / Kyoto University of Art and Design）,
SAKAUE Tomio（Ueyakato Landscape Co., Ltd.）,
DEGUCHI Kenta（Ueyakato Landscape Co.,Ltd）
Revival and utilization of the cultural assent in the provinces– Reproductive project of Oh-Darumae (picture of Bodhidharma) drawn by
Katsushika Hokusai◎ BANNO Tomohiro（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
TSUDA Takako（Nagoya City Museum）, FUJITA Tetsuya（Aichi University of the Arts）,
ISOGAI Akiko（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
YASUI Ayako（Aichi University of the Arts, Institute for Conservation of Cultural Property）,
SAITO Haruka（Aichi University of the Arts, Institute for Conservation of Cultural Property）
Education of conservation for cultural property by including in the exhibition ofcontemporary art◎ MIYAMOTO Akira（Management of Cultural Property Co.,Ltd）,
OYAMA Tatsuaki（Tohoku University of Art and Design Cultural Heritage Conservation Research Center）,
IDO Hiroaki（Tohoku University of Art and Design Cultural Heritage Conservation Research Center）,
MISE Natsunosuke（Tohoku University of Art and Design）,
AIHARA Kenji（Tohoku University of Art and Design）,
MIURA Haruko（halken LLP）, ABE Maiko（Management of Cultural Property Co., Ltd）
A 10-minute breakGeneral meeting
Lunch break
Poster session
A 10-minute break

Session Ⅶ
The chairman: HIDAKA Shingo（National Museum of Ethnology）,
ARAI Kei（Tokyo University of the Arts）
14:20 〜 14:40

			4Investigation of volatile substances from water damaged cultural assets after
being treated by different drying methods. – problem and solutions –◎ OIKAWA Tadashi（Tohoku History Museum）, HAGA Ayae（Tohoku History Museum）,
MORIYA Aya（Tohoku History Museum）, MATSUI Toshiya（University of Tsukuba）,
MATSUSHITA Masakazu（Kobe University）,
AMANO Masashi（National Museum of Japanese History）,
YASUDA Yoko（Tohoku University）

14:40 ～ 15:00

			

Study on selection criteria for emergency measures according to thecharacteristics of the affected school archives◎ KATO Kazutoshi（Kyushu Historical Museum）,
KOKUSHO Tomoko（Amagi Historical Museum）,
KAWABATA Masao（Asakura City Board of Education）,
OTOFUJI Makoto（Asakura City Board of Education）

			Preparing for disasters: HENTF’s challenges working with first responders andcultural stewards at the federal, state, and local levels◎ HIOKI Kazuko（University of Hawaii Manoa Hamilton Library）

15:20 〜 15:30

A 10-minute break

15:00 ～ 15:20

Session Ⅷ
The chairman: MABUCHI Hajime（National Institutes for Cultural Heritage）,
YOSHIDA Naoto（National Institutes for Cultural Heritage）
15:30 〜 15:50

Research of Temperature Distribution and Pest Habitats in the Shoso Repository◎ TAKAHATA Makoto（Office of the Shosoin Treasure House, Imperial Household Agency）,
NAKAMURA Rikiya（Office of the Shosoin Treasure House,Imperial Household Agency）

15:50 ～16:10

Control of Green Organisms at Ammonite House in Amakusa City.
◎ KUCHITSU Nobuaki（Tokyo National Research Institute for Cultural Properties）,
MORII Masayuki（Tokyo National Research Institute for Cultural Properties）,
YAGINUMA Yukako（Tokyo National Research Institute for Cultural Properties）,
HIROSE Koji（Goshoura Cretaceous Museum）

16:10 〜 16:15

Closing Address

5

Poster session
1st day June 22, 20196（◎ Principal investigator）◆ P001

Study of Owari Shippo glaze handed down in the Tsukamoto Kaisuke Family◎ TAKAHASHI Yoshihisa（Tokyo Gakugei University）,
SHINMEN Toshiyasu（Tokyo Gakugei University）,,
MUTO Yukari（Research Center for Japanese Garden Art and Historical Heritage, Kyoto University of Art & Design）
KOBAYASHI Hiromasa（Ama City Shippo Art Village）,
NINOMIYA Shuji（Tokyo Gakugei University）◆ P002

Scientific research of glass container excavated from Hakata site- focus on blown glass◎ FURIHATA Junko（Kyoto National Museum）, HISA Yoichiro（Fukuoka City Archaeology Center）,
INOUE Akiko（Tokai University）, SAITO Tsutomu（National Museum of Japanese History）◆ P003

The Painting Techniques with Zinc White used for "Chouu" by YAMAWAKI Hougen◎ TAKABAYASHI Hiromi（Kyoto City University of Arts）,
WANG Jie（Kyoto City University of Arts）, TOGO Yuri（Kyoto City University of Arts）,
HAYASHI Shizuka（Kyoto City University of Arts）, HINO Saya（Kyoto City University of Arts）,
LI Dongqin（Kyoto City University of Arts）, SAKAI Toshie（Kyoto City University of Arts）,
TACHIBANA Rin（Kyoto City University of Arts）, SHIBATA Akiko（Kyoto City University of Arts）,
OKADA Maki（Kyoto City University of Arts）, TAKENAMI Haruka（Kyoto City University of Arts）,
CHI Chihlien（Kyoto City University of Arts）◆ P004The Color and Chemical Composition of Mineral Pigments used by KONOSHIMA
Oukoku◎ TAKABAYASHI Hiromi（Kyoto City University of Arts）,
CHI Chihlien（Kyoto City University of Arts）,
TAGUCHI Hajime（Kyoto Municipal Institute of Industrial Technology and Culture）,
SHIMAMURA Tetsuro（Kyoto Municipal Institute of Industrial Technology and Culture）◆ P005The Coloring Materials used in Graduation Project Paintings at Kyoto City Specialist
School of Painting in year 44 in Meiji era（1911）◎ CHI Chihlien（Kyoto City University of Arts）,
TAKABAYASHI Hiromi（Kyoto City University of Arts）◆ P006The Mineral Pigments used in the Graduation Project Paintings at Kyoto City School ofArts and Crafts during 1903-1907.
◎ CHI Chihlien（Kyoto City University of Arts）,
TAKABAYASHI Hiromi（Kyoto City University of Arts）◆ P007

Study on the effect of gamma-ray irradiation on natural mineral pigments◎ MATSUSHITA Masakazu（Kobe University）,
AMANO Masashi（National Museum of Japanese History）,
UCHIDA Toshihide（Kyoto University of Art and Design）,
FUJITA Kazuhisa（The Graduate School for the Creation of New Photonics Industries）,
SAKAI Kouichi（LIHITO.Inc.）, FURUTA Masakazu（Osaka Prefecture University）◆ P008Analysis of the Painting Materials Used in Shibai-e Screens – ekin and sagan –◎ MATSUSHIMA Tomohide（Kochi univaersity）,
TAKABAYASHI Hiromi（Kyoto City University of Arts）, NOZUMI Koichi（Kochi university）,
NASU Nozomi（Kochi Prefectural History Folk Museum）

◆ P009

Analysis of discolored colorants of Nishiki-e woodblock prints in the Meiji period◎ YAMATO Asuka（Tokyo University of the Arts）,
YAMAGUCHI Takumi（Shizuoka City Tokaido Hiroshige Museum of Art）,
TSUCHIYA Asuka（Hiroshige Museum of Art）

◆ P010A Study of painting materials and painting techniques of Kanazawa College of Art
possession "Kayozu Folding Screen"◎ ARAKI Keishin（Kanazawa College of Art）, SATO Ichiro（Kanazawa College of Art）

◆ P011

Materials and Techniques used in the Scenes from the Life of St. James the Great（The National Museum of Western Art Collection）◎ TAKASHIMA Miho（The National Museum of Western Art）,
MORI Naoyoshi（Mori Art Conservation）, SATO Hiroko（Mori Art Conservation）◆ P012

Study on pigments and techniques used for Bernard Buffet's work " la Cite et le VertGalant "◎ SHIRAISHI Sayaka（Tokyo Gakugei University）, FUKUDA Makoto（Art Conservation Lab.）,
OKAWA Mika（Art Conservation Lab.）, KOYANO Masako（Art Conservation Lab.）,SHINMEN Toshiyasu（Tokyo Gakugei University）, NINOMIYA Shuji（Tokyo Gakugei University）◆ P013The Synthetic Blue that was mentioned in European Medieval Treaties◎ TAKAHASHI Kaori（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◆ P014

Influence of brass powder pigments on the deterioration of paper◎ KIDA Keiko（Tokyo National Research Institute for Cultural Properties）,
KASHIWAYA Akemi（ Japan Art Institute）, INABA Masamitsu（Tokyo University of the Arts）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）◆ P015

Green Alteration of Azurite in Wall Paintings: Studies on the Alteration Process by
Immersion Test
◎ OSAKO Mizuki（Tokyo University of the Arts, Graduate School of Fine Arts）,
TSUKADA Masahiko（Tokyo University of the Arts, Graduate School of Fine Arts）,
SHINMEN Toshiyasu（Tokyo Gakugei University）◆ P016

Identification of dyes used in the nishiki with large kara-hana patterns on blue ground for
tailoring a biwa lute bag stored in Shosoin◎ NAKAMURA Rikiya（Office of the Shosoin Treasure House）,
TSURU Mami（Office of the Shosoin Treasure House）,
TANAKA Yoko（Office of the Shosoin Treasure House）◆ P017

Colour names and their red dyes in the sample books of textile brought by Chinese ships
in the late Edo period◎ SHIMADZU Yoshiko（National Museum of Japanese History）◆ P018Optimization of Amedashi Technique based on Chemical Analysis ,and Reproduction of
Traditional indigo◎ MATSUBARA Ami（Tokyo university of the arts）,
YAMATO Asuka（Tokyo university of the arts）◆ P019Chemical analysis of lump gum arabic remaining in a paint box from the late Edo period.
◎ YAMAUCHI Akira（St.Andrew's University）,
KISO Taro（Osaka Research Institute of Industrial Science and Technology（ORIST））,
YAMAUCHI Asao（Osaka Research Institute of Industrial Science and Technology（ORIST））,
TANAKA Sigemitsu（Osaka Research Institute of Industrial Science and Technology（ORIST））
7

8◆ P020Research on Preparation of Animal Glue
◎ UDAKA Kentaro（Tokyo National Research Institute for Cultural Properties）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）,
FUJII Yuka（Tokyo National Research Institute for Cultural Properties）,
OBA Shinoko（Tokyo National Research Institute for Cultural Properties）,
OKABE Michiko（Tokyo National Research Institute for Cultural Properties）,
KASHIWAYA Akemi（Nihon Bijutsuin）◆ P021

Changes in viscosity of Gloiopeltis tenax from Goto islands due to extraction condition◎ AIZAWA Marin（Meiji University Graduate school of Science and Technology）,
Hayakawa Noriko（Tokyo National Research Institute for Cultural Properties）,
Honda Takyuki（Meiji University）◆ P022

Py-GC/MS and TMAH-GC/MS Analyses of Lipid, Protein and Carbohydrate in Soybean
Adhesive◎ OHASHI Yuka（Tokyo University of the Arts/ Kyushu National Museum）,
INABA Masamitsu（Tokyo University of the Arts）,
TSUKADA Masahiko（Tokyo University of the Arts）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）◆ P023

Analysis of Steel Parts and its Coating History in Morimura Bridge◎ NAKAMURA Mai（Tokyo University of the Arts, Graduate School of Fine Arts）,
CHOI Jeongyeon（Japan Cultural Heritage Consultancy）,
KIRINO Fumiyoshi（Tokyo University of the Arts, Graduate School of Fine Arts）◆ P024

Inference on Reused Materials for bullets from Hachioji Castle by Lead Isotope Ratio
Analysis◎ MIURA Maiko（Research Institute of Cultural Propeties, Teikyo University）,
FUJISAWA Akira（Research Institute of Cultural Propeties, Teikyo University）,
KANEKO Seiji（Hachioji City Board of Education）,
MURAYAMA Osamu（Hachioji City Board of Education）◆ P025

Report on production of silk canvas samples and drawing experiments and oil / fat
quantitative analysis of silk sample◎ MORITA Saori（Tohoku University of Art and Desig）,
SHIMURA Akira（KATSUYAMA Company,Limited）,
AKIMOTO Shigeko（KATSUYAMA Company,Limited）◆ P026

Bibliographical classification and tendency of the deterioration of modern paper materials
at Chiran Peace museum.
◎ SAKAMOTO Kouta（Chiran Peace Museum）, YAMAKI Satoshi（Ciran Peace Museum）,
KATOU Masato（Tokyo National Research Institute for Cultural Properties）,
OHBAYASHI Kentaro（Kyoto University of Art and Design）,
ARIYOSHI Masaaki（Kochi Prefectural Paper Technology Center）,
HONDA Mitsuko（NPO JCP）, MATSUO Kaoru（NPO JCP）

◆ P027

A consideration about historical positioning and physical properties of the "Wara-banshi"◎ ISOGAI Kyohei（Kyoto University of Art and Desingn Master's Course）,
OBAYASHI Kentaro（Kyoto University of Art and Desingn）◆ P028Water retention characteristics of absorbed papers◎ HAYASHI Mikiko（Tokyo National Research Institute for Cultural Properties）,
SANO Chie（Tokyo National Research Institute for Cultural Properties）

◆ P029

Strengthening process of highly-deteriorated acidic paper using fine cellulose fiber
coating◎ TANAKA Yuki（Tokyo University of Agriculture and Technology）,
OKAYAMA Takayuki（Tokyo University of Agriculture and Technology）,
KOSE Ryota（Tokyo University of Agriculture and Technology）,
SEKI Masazumi（Hirose Paper Mfg. Co., Ltd.）, SONODA Naoko（National Musium of Ethnology）◆ P030

Near infrared hyperspectral imaging of adhesive on ceramic and varnish on printed
material◎ SUGAWARA Shigeru（National Research Institute of Police Science）,
SUGISAKI Sahoe（Fukushima Museum）, NAKAYAMA Yoshihiko（Aoi Electronics Co.Ltd）,
TANIGUCHI Hideya（Aoi Electronics Co.Ltd）, ISHIMARU Ichiro（Kagawa University）◆ P031

Research of duplicated gilt bronze statue of the Buddha using 3D measurement
technique.
◎ OKAMOTO Atsushi（OTEMAE UNIVERSITY Institute of History）,
SUGISAKI Takahide（TEZUKAYAMA university）◆ P032A study on Measurement of “Yasuda Zenjiro” portrait sculpture by Kitamura Sikai Using
Folding Scale,and Outdoor Sculptures Condiition◎ HOSAKA Ryoko（Musashino Art University）◆ P033Practice and Evaluation of Digital Photogrammetry of Buddhist Statue in Nara Prefecture◎ YAMADA Osamu（Graduate School of Fine Arts, Tokyo University of the Arts）,
KAGAMIYAMA Satoko（Nara Prefecture）, KANDA Masaaki（Ryukoku University）◆ P034

The research of 3D motion analysis about the movement of the tools during the firstbacking procedure◎ OKA Iwataro（Oka Bokkodo Co.,Ltd.）, GOTO Akihiko（Osaka Sangyo University）,
TAKAI Yuka（Osaka Sangyo University）, KIYOI Shingo（Osaka Sangyo University）◆ P035A Suggestion for Reducing the Damage caused by Hinge’s corners◎ SETOGUCHI Kei（Cultural Property Conservator）◆ P036Conservation Report on "Hannya the demon "（painting on silk, hanging scroll）drawn
by Sasaki Sengen, the National Gallery of Victoria◎ ODA Momoko（Tokyo National Research Institute for Cultural Properties）,
WON Heejae（Tokyo National Research Institute for Cultural Properties）,
KATO Masato（Tokyo National Research Institute for Cultural Properties）,
KIMISHIMA Takayuki（SHUGO Co., Ltd.）, SHIRAI Keita（SHUGO Co., Ltd.）◆ P037

Improving Efficiency and Accuracy in Large-Scale Material Restoration with Manual
Procedures: Through the Restoration of the Original Script of Tokiwazu-bushi◎ UNO Shigeo（Kyoto City University of Arts）◆ P038The conservation of Okoshi-ezu: Documents relating to daikugashira the Nakais.
◎ SAMI Yoshiyuki（SakataBokujudo Co.,Ltd.）, SHIMIZU Chihiro（SakataBokujudo Co.,Ltd.）◆ P039Structural analysis of Binder17 used in conservation and restoration of Archaeologicalremains after UV degradation test
◎ WATANABE Yurino（Graduate School of Science and Technology, Meiji university）,
Honda Takyuki（Meiji University）

9

10◆ P040

Trials and working environment assessment using gel containing organic solvent toremoving oil stains on wooden surfaces◎ FUJII Yuka（Tokyo National Research Institute for Cultural Properties）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）,
YAMAMOTO Noriko（The Association for Conservation of National Treasures）,
SANO Chie（Tokyo National Research Institute for Cultural Properties）◆ P041

Various recipes of wax-resin for lining used in Japan and the fundamental research toretreat paintings lined with it◎ KUNIKATA Saki（Conservation Course Oil Painting Laboratory, Graduate Department of Conservation,
Graduate School of Fine Arts, Tokyo University of the Arts.）,
KIJIMA Takayasu（Tokyo University of the Arts）◆ P042Treatment report of Ryusei Kishida's 3 paintings– Consideration of varnish removal for Japanese modern art –◎ HAZE Hiroshi（Haze Painting Studio）◆ P043

Investigation on cleaning method for gummy dirt materials covering surface of an acrylic
painting◎ KATAGIRI Mikako（Toyo Institute of Art and Design）,
SANADA Sae（Toyo Institute of Art and Design）,
ONO Shinnosuke（Toyo Institute of Art and Design）,
MATSUDA Yasunori（Toyo Institute of Art and Design）◆ P044

Flattening and making new stretcher for the large-scale contemporary painting storedwith keeping rolled; the case study of IMAI Toshimitsu, "Hommage to Venice Wave"◎ AIZAWA Kunihiko（Hyogo Prefectural Museum of Art）

◆ P045

A study of the treatment method for white surface haze in the contemporary art ;Case study of paintings by Kazuo Shiraga◎ INOUE Kanako（Hyogo Prefectural Museum of Art）,
AIZAWA Kunihiko（Hyogo Prefectural Museum of Art）,
TSUKADA Masahiko（Tokyo University of the Arts Graduate School）◆ P046

Research on the metal nail puller technique using the thermal expansion◎ ONISHI Tomohiro（LLC Onishi lacquer art restoration studio）,
MATSUI Toshiya（University of Tsukuba）◆ P047

Scientific Investigation of Ryukyu lacquerwares made by the Hakue technique◎ YAMABUKI Midori（Tokyo National Research Institute for Cultural Properties）,
KURASHIMA Reo（Tokyo National Research Institute for Cultural Properties）,
INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）,
HAYAKAWA Yasuhiro（Tokyo National Research Institute for Cultural Properties）,
KOBAYASHI Koji（Tokyo National Research Institute for Cultural Properties）◆ P048Analysis and conservation of the Hina miniature Sagejyu Picnic Box with design ofpeony crest and pine-scroll in makie lacquer, owned by Tensho-in Atsuhime, wife of
Tokugawa 13th Shogun Iemochi married on 1856, collection Tokugawa Memorial
Foundation.
◎ KOIKE Tomio（Tsurumi University）,
WATANABE Yuka（Research Student at Graduate School of Tsurumi University）,
NOGUCHI  Asuka（Graduate School of Tsurumi University）

◆ P049

The repair report of wooden statue of Sitting Dainichi Nyorai, Shouden-an temple◎ WATANABE Shingo（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
MAKINO Takao（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
ISHII Tomoya（TOUKOKEN Co. Ltd., Restoration Studio of Classical Sculpture）,
TOKANAI Fuyuki（Analysis of mass of Yamagata University high sensitivity accelerator center）,
KOBAYASHI Akira（Kyushu Historical Museum）◆ P050Study on the material of insect damage in wooden sculpture◎ FUJIMAGARI Takaya（Graduate School of Conservation,Tokyo University of the Arts）,
KOBAYASHI Momoyo（Graduate School of Conservation,Tokyo University of the Arts）,
ZHU Ruolin（Graduate School of Conservation,Tokyo University of the Arts）,
NAKAMURA Mio（Graduate School of Conservation,Tokyo University of the Arts）◆ P051

Cleaning with ultrafine bubbles - Focusing on cleaning of large stone products◎ YAMADA Takashi（Gangoji institute for research of cultural property）,
AMENOMORI Hisateru（Gangoji institute for research of cultural property）,
KANAYAMA Masako（Gangoji institute for research of cultural property）,
OODAIRA Takeshi（The Institute for Solid State Physics, The University of Tokyo）◆ P052

Study of Adhesive Method used for Ceramic Restoration◎ ZHANG Li（Tokyo University of the Arts）, KITANO Mariko（Tokyo University of the Arts）,
ISHIHARA Mititomo（Tokyo University of the Arts）◆ P053Use of Agarose gel for treating albumen prints◎ SHIRAIWA Yoko（Shiraiwa Conservation Studio）,
YAMAGUCHI Takako（Tokyo Photographic Art Museum）◆ P054

Remedial Conservation measures of Ini-Sneferu-Ishtef, wall paintings from the Old
Kingdom Mustafa in the Grand Egyptian Museum Conservation Project◎ TANIGUCHI Yoko（University of Tsukuba）, MASUDA Kumi（Masuda Conservation Studio）,
NARITA Akemi（Aichi University of the Arts）, KOGA Michiko（Conservator）,
NISHISAKA Akiko（Higashi Nippon International University）,
MANSOUR Sayed（Grand Egyptian Museum Conservation Center）,
SHEHATA Mustafa（Grand Egyptian Museum Conservation Center）,
KAMAL Hussein（Grand Egyptian Museum Conservation Center）◆ P055Grand Egyptian Museum Joint Conservation Project on the Conservation and TechnicalAnalysis of Tutankhamun's Costume.
◎ SHIBATA Mina（Architect）, ISHII Mie（Saga University Faculty of Art and Regional Design）,
YOKOYAMA Midori（NHK Cultural Center Saitama）,
IMAN Ngaty（The Grand Egyptian Museum Conservation Center）,
MOHAMED Ayad（The Grand Egyptian Museum Conservation Center）,
NAGMEL Deen Hamza（The Grand Egyptian Museum Conservation Center）,
HUSSEIN Kamal（The Grand Egyptian Museum Conservation Center）◆ P056The Study Research for the Conservation of Mural Paintings in the Tomb ofKhonsuemheb◎ MAEKAWA Yoshifumi（Tokyo National Research Institute for Cultural Properties）,
MURPHY Daniela（Associazione Bastioni）,
FRANCESCHINI Stefania（Associazione Bastioni）, KONDO Jiro（Waseda Univerrsity）,
KAWAI Nozomu（Kanazawa  University）

11

◆ P057

Consideration of expression technique about "Prajnaparamita" from three-storied pagoda
of Alchi Choskhor Gompa in Ladakh region of INDIA. – Possibility of the utilization of thepractical archive study of Photographer INOUE TAKAO's works –◎ SHOGAKI Masako（Nara college of Arts）, YAMASHITA Kohei（Kyoto City University of Arts）,
KASUYA Makoto（Kyoto City University of Arts）, KASUYA Akiko（Kyoto City University of Arts）◆ P058The study research on conservation of mural paintings in Bagan Archaeological Site,
Myanmar – The comparative study of mural paintings between the Pagan dynasty andthe revival period –◎ SHIGIHARA Yumi（Tokyo National Research Institute for Cultural Properties）,
MAEKAWA Yoshifumi（Tokyo National Research Institute for Cultural Properties）,
KYI Lin（Department of Archaeology and National Museum, Ministry of Religious Affairs and Culture,
Republic of the Union of Myanmar）

12◆ P059

Restoration Project of Excavated Articles of Mes Aynak Archaeological Site
◎ KIJIMA Takayasu（Tokyo University of the Arts）,
HIDAKA Midori（Tokyo University of the Arts）, YASUDA Mamiko（Tokyo University of the Arts）,
TAKAHASHI Kaori（Tokyo University of the Arts）,
SUZUMURA Atsuo（Tokyo University of the Arts）, IYOKU Asahi（Tokyo University of the Arts）,
GHAFARI Islamuddin（National Museum of Afghanistan）,
HANIFI M Ghufran（National Museum of Afghanistan）,
HAKIMZADA Abdullah（National Museum of Afghanistan）,
COLOMBO Fabio（Conservator）◆ P060

Report of investigation for restoration of West Theater at Umm Qais in Hashemite
Kingdam of Jordan◎ MATUMOTO Ken（The Institute for Cultural Studies of Ancient Iraq）,
ONO Isamu（Kokushikan university）,
NISHIURA Tadateru（The Institute for Cultural Studies of Ancient Iraq）◆ P061

Materials Used for Copper Alloy Objects Excavated from Aigyrzhal 3 Site in the Kyrgyz
Republic and Their Distribution◎ FUJISAWA Akira（Research Institute of Cultural Properties, Teikyo University）,
KUME Shogo（Tokyo University of the Arts）,
ABDYKANOVA Aida（American University of Central Asia）,
AKMATOV Kunbolot（Kyrgyz-Turkish Manas University）,
SOLTOBAEV Orozbek（Kyrgyz National University）,
TABALDIEV Kubatbek（Kyrgyz-Turkish Manas University）

2nd day June 23, 2019
◇ P062

Study of the Establish for Network of Cultural Heritage Disaster Risk Mitigation in KantoKoshin-Etsu Region.
◎ WADA Hiroshi（Tokyo National Museum）, MUTOBE Katsunori（Tokyo National Museum）,
KIKAWADA Sho（Tokyo National Museum）◇ P063

Discussion about temporary treatments of hanging scroll "Cut Paper Mandala"has been
affected by the tsunami.
◎ OYAMA Tatsuaki（Tohoku University of Art and Design, Institute for Conservation of Cultural property）,
ISHIMORI Hikoichi（Oharahara administrative district, administrative committee member）,
TOBE Yumi（Sitama Prefectural Museum of History and Folklore）◇ P064

Replica productions of A-bomb artifacts that utilize 3D technology.
◎ NASUKAWA Yoshio（Kyoto Kagaku Co., Ltd）, WAKUTA Yuko（Kyoto Kagaku Co.,Ltd）,
SATO Kiyomi（HIROSHIMA PEACE MEMORIAL MUSEUM）◇ P065

Possibilities for acquisition of unreadable literal information on the tsunami stonemonuments applying 3D scanning◎ WADAKA Tomomi（LLC Bunkasozokogei）, HIDAKA Shingo（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）◇ P066

Damages and its countermeasures at Exhibitions and Library of the National Museum of
Ethnology, Japan due to the earthquake in Northern Osaka◎ HIDAKA Shingo（National Museum of Ethnology）,
SONODA Naoko（National Museum of Etnology）, SUEMORI Kaoru（National Museum of Etnology）,
KAWAMURA Yukako（National Museum of Etnology）,
HASHIMOTO Sachi（National Museum of Etnology）,
NISHIZAWA Masaki（National Museum of Etnology）, OZEKI Mao（National Museum of Etnology）,
ISHIDA Itoe（National Museum of Etnology）◇ P067

Damages and its countermeasures at Storages of the National Museum of Ethnology,
Japan due to the earthquake in Northern Osaka◎ SONODA Naoko（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）, SUEMORI Kaoru（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）,
NISHIZAWA Masaki（National Museum of Ethnology）,
OZEKI Mao（National Museum of Ethnology）, ISHIDA Itoe（National Museum of Ethnology）,
WADAKA Tomomi（LLC Bunkasozokogei）◇ P068

Research about preservation of hanging scrolls damaged by West Japan Flood.
◎ YASUDA Yoko（Tohoku University International Research Institute od Disaster Science）,
NISHIMUKAI Kosuke（Hiroshima Prefectural Archives）,
SHIMOMUKAI Yuko（Hiroshima Prefectural Archives）◇ P069Study of the drying method for paper materials damaged by Western Japan floods at
Hiroshima in 2018
◎ AMANO Masashi（National Museum of Japanese History）,
YOSHIKAWA Keita（Kobe University）, KATO Akie（Kobe University）,
NISHIMUKAI Kosuke（Hiroshima Prefectural Archives）,
SHIMOMUKAI Yuko（Hiroshima Prefectural Archives）

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14

◇ P070Conservation of suffered heritages from the Korean dynasty: a consideration throughreproduction of portrait of the founder , Lee Seong-gye◎ MATSUDA Yasunori（Toyo Institute of Art and Design）,
KIM Seolhwa（Toyo Institute of Art and Design）, ONO Shinnosuke（Toyo Institute of Art and Design）◇ P071

Establishment of National Center for the Promotion of Cultural Properties and the role of
the Conservation Section◎ YOSHIDA Naoto（National Center for the Promotion of Cultural Properties, National Institutes for Cultural Heritage）,
MABUCHI Hajime（National Center for the Promotion of Cultural Properties, National Institutes for Cultural Heritage）,
KOBAYASHI Maki（National Center for the Promotion of Cultural Properties, National Institutes for Cultural Heritage）,
ASAHI Mitsuru（National Center for the Promotion of Cultural Properties, National Institutes for Cultural Heritage）◇ P072

Activities of Joint-Use Facilities for Scientific Research in National Museum of Ethnology,
Osaka◎ HASHIMOTO Sachi（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）, SONODA Naoko（National Museum of Ethnology）,
KAWAMURA Yukako（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
NISHIZAWA Masaki（National Museum of Ethnology）◇ P073

About an activity of the comprehensive cultural properties preservation and utilization ontha Buddha statue in the regional area
◎ OKADA Yasushi（Wooden sculpture cultural properties conservation laboratory）,
ADACHI Shuichi（Wooden sculpture cultural properties conservation laboratory）,
ISHII Noriko（Shirataka town board of education）◇ P074"Shufuku-no-Osigototen" 10 years of activity.Our approach in popularizing andcooperating various fields of conservation.
◎ MIURA Kumiko（Denseisya）, SHIMANE Ryuich（Denseisya）,
ISHIHARA Michitomo（Musashino Conservation Laboratory for Cultural Properties）,
YAMAZAKI Makiko（Textile Conservation）,
TAKEDA Eri（Painting Conservation & Restoration Studio）,
NAKAU Eriko（Conservation & Restoration of Paintings）◇ P075The present situation about the tools and materials,manufactured with using traditional
technique◎ KITAMURA Shigeru（URUSHI artist）,
UEKUBO Ryoji（Association for Successors of Traditional Preservation Techniques）,
OHSUGA Tadashi（KOEI-DO Company Limited）,
HIGASHINO Suzuna（KOEI-DO Company Limited）,
CHOI Ryeonsu（KURODA-KOBO Company Limited）,
MATSUDA Kohsuke（MATSUDA Company Limited）◇ P076

Reproduction study of the iron hammering technique of Muneyoshi Yamada◎ AIHARA Kensaku（tokyo university of the arts）◇ P077

Investigation of "reproduction" on ancient sculpture production– by comparing with 3D data between Shuhouou Bosatsu in Toshodaiji temple andBosatsu in Shokeji temple in Kagawa Prefecture –◎ MIYAKI Natsuki（Conservation of Wooden Sculpture）,
YAMADA Osamu（Tokyo University of the Arts）

◇ P078

Educational approach and it effect in the restoration project of Gohyaku Rakan in
Ryutakusan Zenpoji Temple◎ KAKITA Yoshinori（Tohoku university of art and design）,
SASAOKA Naomi（Tohoku university of art and design）,
YONEMURA Satio（Tohoku university of art and design）,
SAWADA Masaaki（Tohoku university of art and design）,
IDO Hiroaki（Tohoku university of art and design）◇ P079Fundamental study on Curling Color Layer Peeled of Wooden Polychrome Sculpture– Through the Gohixyakurakan Statue –◎ SAITO Shiori（Tohoku University of Art & Design）,
YOMEMURA Sachio（Tohoku University of Art & Design）,
KAKITA Yoshinori（Tohoku University of Art & Design）,
SASAOKA Naomi（Tohoku University of Art & Design）,
IDO Hiroaki（Tohoku University of Art & Design）◇ P080Non-destructive Analysis of "Box with Plum Blossom and Blue Wave Pattern in Copperand Mother of Pearl Inlay" from The University Art Museum Collection（Tokyo Universityof the Arts）, and its Application to Reproduction◎ MA Mingxin（Tokyo University of the Arts）, OKUKUBO Kiyomi（Tokyo University of the Arts）◇ P081

Brilliant blue color pursued by Western-influenced painters– Study on reproduction painting of Akita Ranga（a school of Dutch painting originatingin Akita at 18th C）–◎ SASAKI Yoshiko（Kyoto Saga University of Arts）,
INABA Tsukino（Kyoto Saga University of Arts）, NAKA Masaaki（Kyoto Saga University of Arts）◇ P082The techniques of Jan van Eyck: Reconstruction of "the Arnolfini Portrait"◎ HASHIGUCHI Yui（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◇ P083An analysis of Raphael's oil painting techniques through reproduction of 'Madonna andChild with Saint john the Baptist'◎ TAKETANI Yuka（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◇ P084

To complete the unfinished "Nagashino Kassenzu Byoubu" Battle drawing Color patternAnalysis◎ MURAOKA Yukari（Historiographical Institute The University of Tokyo）◇ P085

A study of the practical use of copy painting in interior restoration of historic buildings– The case of the former residence of the Maeda family –◎ FUKUDA Sachie（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◇ P086

Restoration Report of an Oil Painting :The Ceiling Painting of the room No.36 in the Guest House Akasaka Palace◎ WATANABE Ikuo（Art Restoration Studio 21）, KIRIU Satoshi（Art Restoration Studio 21）,
MIYATA Junichi（Art Restoration Studio 21）, TANAKA Chieko（Art Restoration Studio 21）,
MIYAZAKI Yasuaki（Art Restoration Studio 21）, MURAYAMA Hiroki（Art Restoration Studio 21）,
ARIMURA Mari（Art Restoration Studio 21）, TOMIYAMA Keisuke（Art Restoration Studio 21）

15

16

◇ P087

Study on preservation of painting as interior decoration in modern western architecture
in Japan◎ SUZUKAMO Fujiko（State Guest House, Akasaka Palace）,
HIRAGA Amana（Tokyo Institute of Technology）◇ P088A study on the conservation and the restoration of passed down to Toyotomi Hideyori,
which is for the children's furisode, long-sleeved kimono ,with plants and dew designed
on red nerinuki ground belonged to Kyoritsu Women's University Museum Collection◎ TANAKA Yoshie（Kyoritsu Womenn's University）, GOTO Sumiko（Kyoritsu Womenn's University）,
HASEGAWA Saori（Kyoritsu Womenn's University）,
TAKAHASHI Yuko（Kyoritsu Womenn's University）,
NAGASAKI Iwao（Kyoritsu Womenn's University）◇ P089Research related to twill weave of "Gold paint on purple twill weave Mandala of the Two
Realms" owned by Uesugi-jinja Shrine◎ JUNG Hyesun（Tokyo University of the Arts）, ARAI Kei（Tokyo University of the Arts）,
YAMATO Asuka（Tokyo University of the Arts）, TOKOYAMA Kei（K's design lab,Inc）◇ P090Research for preservation and utilization of sound sculpture◎ YASUDA Mamiko（Tokyo University of the Arts）,
FURUKAWA Kiyoshi（Tokyo University of the Arts）,
SAEGUSA Kazumasa（Tokyo University of the Arts）,
KIRINO Fumiyoshi（Tokyo University of the Arts）◇ P091

Concept of the preservation of art works in modern times– Preservation of "fact" that combines material and action –◎ MATSUNAGA Ryota（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◇ P092

An investigation of utensils for Incense as tomb furnishings at tomb of Daimyo in Edo
period – Example of Tadao Matsudaira, a ruler of the domain of Shimabara –◎ TAKAHASHI Yoshiko（Toyohashi university of technology）◇ P093On development of anti-vibration pallet for one-box type commercial vans
– For safecultural property transportation with no air suspension –◎ AMENOMORI Hisateru（Gangoji Institute for Reseach of Cultural Property）,
TSUKAMOTO Toshio（Gangoji Institute for Reseach of Cultural Property）,
TAKIZAWA Hideaki（MORITANI&CO.,LTD.）, YOKOO Junichi（ADVANCE SYSTEM CO.,LTD.）◇ P094

A case study on transportation of large quantity of glass plate negatives Projectfor conservation of the glass plate negatives form "Kamakura Yoshitaro's Ryukyu Survey
Photographs,important cultural property"◎ IKEDA Kazuhiko（SHUGO Co.,Ltd）,
MORI Tatsuya（OKINAWA PREFECTURAL UNIVERSITY OF ARTS）,
KAWASHIMA Syoko（OKINAWA PREFECTURAL UNIVERSITY OF ARTS）,
HORI Manami（SHUGO Co.,Ltd）, SHISHIDO Ryosuke（NIPPON EXPRESS Co.,Ltd）◇ P095Investigation of insect invasion for opening at the night in Kyushu National Museum◎ AKIYAMA Junko（Kyushu National Museum）,
YAMASAKI Kumiko（Institute for Environmental Culture）,
ISHIBASHI Himiko（Institute for Environmental Culture）,
WATANABE Hiroki（Kyushu National Museum）, TOMIMATSU Shiho（Kyushu National Museum）,
MATSUO Mika（Kyushu National Museum）,
KAWAGOE Kazushi（Institute for Environmental Culture）, KIGAWA Rika（Kyushu National Museum）

◇ P096

Countermeasures to suppress bird strikes on glass walls of a museum building:
Survey of the glass from birds eyes views and usage of crying birds voices and lighting◎ KIGAWA Rika（Kyushu National Museum）, AKIYAMA Junko（Kyushu National Museum）,
WATANABE Hiroki（Kyushu National Museum）, TOMIMATSU Shiho（Kyushu National Museum）,
MATSUO Mika（Kyushu National Museum）,
OKABE Hiroto（Kyushu Environment Evaluation Association）,
KAKIMOTO Hironori（Kyushu Environment Evaluation Association）,
OKIDO Hirofumi（Kyushu Environment Evaluation Association）◇ P097Create and maintain spaces suitable for storage of cultural properties in the small
cultural property storage facilities◎ UOSHIMA Jun'ichi（Nara University）◇ P098

Stabilization of temporary storage environment of Ainu ethnic materials in cold district– Focus in storage environment improvement case of closed school –◎ OE Katsuki（Preparatory Office for National Ainu Museum）,
AKADA Masanori（Preparatory Office for National Ainu Museum）,
NAKAI Takanori（Preparatory Office for National Ainu Museum）,
SHIMOMURA Noriko（Preparatory Office for National Ainu Museum）,
YAHATA Tomoe（Preparatory Office for National Ainu Museum）,
TAKEUCHI Hayato（Preparatory Office for National Ainu Museum）,
YAMAGUCHI Syotarou（Preparatory Office for National Ainu Museum）,
SASAKI Shirou（Preparatory Office for National Ainu Museum）,
UCHIDA Yuichi（Agency for Cultural Affairs）◇ P099Collection Management and Storage Facilities in Netherlands:
Towards Sustainable and Shared Museum Storage◎ SUEMORI Kaoru（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）◇ P100Trend of harmful gases in storehouse of new museum◎ TAITO Kohei（Kochi Castle Museum of History）,
YAMAZAKI Masahiko（KOMYO RIKAGAKU KOGYO K.K.）◇ P101

Environmental measures for newly manufactured exhibition case
◎ KAI Yukari（Kumamoto city museum）, TAKAHASHI Koichiro（NOMURA Co.,Ltd.）,
UMETSU Takumi（OKAMURA CORPORATION）,
SATO Ruri（OKAMURA CORPORATION）, NAKAMURA Kan（OKAMURA CORPORATION）◇ P102

Improvement of Air Quality for Free-standing Display Cases in an ArchaeologicalMuseum◎ KAWASAKI Emi（Archaeological Institute of Kashihara, Nara prefecture）,
OKUYAMA Masayoshi（Archaeological Institute of Kashihara, Nara prefecture）,
KATSUKAWA Wakana（The Museum, Archaeological Institute of Kashihara, Nara Prefecture）,
KITAI Toshiyuki（The Museum, Archaeological Institute of Kashihara, Nara Prefecture）,
YOAHIMURA Kazuaki（The Museum, Archaeological Institute of Kashihara, Nara Prefecture）,
KAWAZOE Masashi（KUMAHIRA CO., LTD.）, MATSUI Toshiya（University of Tsukuba）◇ P103

Trend of aldehydes by DNPH-HPLC method and correlation of detector tube
◎ NAKAMURA Mari（Tagawa City Coal Mining Historical Museum）,
YAMAZAKI Masahiko（KOMYO RIKAGAKU KOGYO K.K.）
17

18◇ P104Storage furniture design suitable for individual cultural properties– The case of panel paintings in Nagoya Castle Hommaru Palace –◎ KOBAYASHI Yoshifumi（Tansei Institute Co.,Ltd）,
UEMATSU Misato（Tansei Institute Co.,Ltd）, ICHINOSE Hiroyuki（Tansei Institute Co.,Ltd）,
KONISHI Tsunenori（Nagoya Castle General Administration Office）,
KONDO Masato（Nagoya Castle General Administration Office）,
NINAGAWA Tatsumi（Nagoya Castle General Administration Office）,
KURAMOCHI Masayuki（TANSEISHA Co., Ltd.）, OKAMOTO Shinichi（Kumahira Co., Ltd.）◇ P105

Organic acid emission from Kiri-bako and Kiri and its influence on metals◎ KOTAJIMA Tomoko（Tokyo National Research Institute for Cultural Properties）,
INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）◇ P106

Proposal of a simple test for searching for a surface with high emission of carboxylic acids◎ SANO Chie（Tokyo National Research Institute for Cultural Properties）,
RO Toshitami（SOY-TEC Co.Ltd.）,
YOSHIDA Naoto（National Center for the Promotion of Cultural Properties）◇ P107

Discoloration of Korean traditional pigments by LED light sources◎ KANG Daiill（Dept. of Conservation Science, Korea National University of Cultural Heritage）,
LEE Hwasoo（Dept. of Wood and Paper Science, Chungbuk National University）,
YOO Suryoung（Dept. Heritage Conservation and Restoration, Graduate school of Cultural heritage,,
Korea National University of Cultural Heritage）
SON Yura（Dept. of Conservation Science, Korea National University of Cultural Heritage）◇ P108

Setting temperature conditions of the heat insecticidal treatment system applying solar
energy: Experiments of repeated heat treatment with 47.5℃◎ KAWAMURA Yukako（National Museum of Ethnology）,
SONODA Naoko（National Museum of Ethnology）,
HIDAKA Shingo（National Museum of Ethnology）,
SUEMORI Kaoru（National Museum of Ethnology）,
HASHIMOTO Sachi（National Museum of Ethnology）,, KAWAGOE Kazushi（Institute for Enviromental Culture）,
WADAKA Tomomi（LLC Bunkasozokogei）
TOMIOKA Yasuhiro（IKARI CORPORATION）◇ P109Humidity Controlled Warm Air Treatment to Eradicate Wood-boring Insects– Verification in Japanese historical wooden building Further report –◎ FUJII Yoshihisa（Kyoto University）,
HARADA Masahiko（Association for the Preservation of the Nikko World Heritage Site Shrines and Temples）,
KITAHARA Hiroyuki（Institute of total system）, FUJIWARA Yuko（Kyoto University）,
KIGAWA Rika（Kyushu National Museum）,
SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）,
KOMINE Yukio（Tokyo National Research Institute for Cultural Properties）,
INUZUKA Masahide（Tokyo National Research Institute for Cultural Properties）,
KOTAJIMA Tomoko（Tokyo National Research Institute for Cultural Properties）,
HIDAKA Shingo（National Museum of Ethnology）,
SAITO Akiko（Natural History Museum and Institute, Chiba）,
FUKUOKA Tadashi（The Japanese Association for Conservation of Architectural Monuments）

◇ P110Investigation of Insecticidal Effect under Humidity-controlled Warm-air Treatment◎ KOMINE Yukio（Tokyo National Research Institute for Cultural Properties）,
SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）,
HARADA Masahiko（Association for the Preservation of the Nikko World Heritage Site and Temples）,
KITAHARA Hiroyuki（Institute of Total System）, KIGAWA Rika（Kyushu National Museum）,
FUJII Yoshihisa（Kyoto University）◇ P111

Enzymes for Removal of Microbial Contamination on the Mural Paintings of the
Takamatsuzuka and Kitora Tumuli◎ SATO Yoshinori（Tokyo National Research Institute for Cultural Properties）,
KIGAWA Rika（Kyushu National Museum）, KIDA Keiko（Tokyo University of the Arts）,
KAWANOBE Wataru（Tokyo National Research Institute for Cultural Properties）,
HAYAKAWA Noriko（Tokyo National Research Institute for Cultural Properties）◇ P112

A Study of the Deterioration of Wall Paintings of Decorated Ancient Tombs, in a Natural
Environment: Through an Investigation of the Taishi Tomb
◎ IYOKU Asahi（Tokyo university of the Arts）, KIJIMA Takayasu（Tokyo University of the Arts）◇ P113

Survey and examination about the mural of Kamburi-ana No.11 tunnel tomb
◎ YAMAZAKI Shohei（Tokyo University of the Arts）,
KIJIMA Takayasu（Tokyo University of the Arts）◇ P114The degradation in a quarry and salt weathering -an example Mt. Nokogiri◎ HOSHINO Reiko（TSURUMI university）◇ P115Investigation of impregnated rock protection agent without causing delamination◎ SANO Katsuhiko（D&D corporation）, TANIGUCHI Yoko（University of Tsukuba）,
KOIZUMI Keigo（Osaka University）, WATANABE Kunio（Mie University）,
IBA Chiemi（Kyoto University）, PIAO Chunzu（Hytech Co.）

◇ P116Conservation and Restoration of Scenic Stones at the Imperial Villa Garden Site of theAncient Nara Capital◎ KATO Tomoki（Ueyakato Landscape Co., Ltd. / Kyoto University of Art and Design）,
YOSHIKAWA Daisuke（Ueyakato Landscape Co., Ltd.）,
OGURA Nami（Ueyakato Landscape Co., Ltd.）,
IKEDA Hirohide（Nara City Board of Education Office Cultural Assets Division）,
YOSHIMURA Ryuji（Environmental Dynamics Architect）◇ P117

An attempt to treat efficient separation for stuck papers of deteriorated book
◎ ONO Shinnosuke（Toyo Institute of Art and Design）,
IIJIMA Minami（Toyo Institute of Art and Design）,
MIZUOCHI Takashi（Toyo Institute of Art and Design）,
MATSUDA Yasunori（Toyo Institute of Art and Design）◇ P118

New diagnostic method for checking condition of Manga original paintings using
chemometrics◎ ONO Shinnosuke（Toyo Institute of Art and Design）,
OISHI Takashi（YOKOTE MASUDA MANGA MUSEUM）,
YASUDA Ippei（YOKOTE MASUDA MANGA MUSEUM）,
ISHIDA Mina（YOKOTE MASUDA MANGA MUSEUM）,
FUNATSU Misato（Toyo Institute of Art and Design）,
MIZUOCHI Takashi（Toyo Institute of Art and Design）,
MATSUDA Yasunori（Toyo Institute of Art and Design）
19

◇ P119

Reconstruction of brazing technique through the metallurgical analysis of ancient metal
artifacts◎ YAMAHANA Kyoko（Tokai University, School of Cultural and Social Studies, Department of Asian Civilizations）,
MIYAZAWA Yasuyuki（Tokai University, School of Engeneering, Department of Materials Science）,
SATO Honami（Tokai University, Graduate School of Science and Technology）◇ P120Development of a novel method for semi-nondestructive species identification of leather
using collagen marker peptides◎ KUMAZAWA Yuki（Nippi Research Institute of Biomatrix）,
HATTORI Shunji（Nippi Research Institute of Biomatrix）,
TAGA Yuki（Nippi Research Institute of Biomatrix）◇ P121

Restoration of medicinal minerals collection of Morino-Kyuyakuen（Morino Medicinal
Herb Garden）◎ TAKAHASHI Kyoko（Osaka university Co-Creation Bureau/Museum of Osaka University/Graduate,
School of Pharmaceutical Sciences）
TAKAURA Kayoko（Museum of Osama University）,
OGURI Kazuki（Graduate School of Phramaceutical Sciences, Osaka University）,
UEDA Naomi（Gangoji institute for reseach of cultural property）,
AMENOMORI Hisateru（Gangoji institute for reseach of cultural property）◇ P122

Study of identification and storage methodology of Cetraria Islandica stored in Koan
Ogata's Medicine Chest◎ TAKAURA Kayoko（The Museum of Osaka University / Graduate School of Pharmaceutical Sciences,,
Osaka University）
TAKAHASHI Kyoko（Osaka University Co-Creation Bureau/The Museum of Osaka University / Graduate,
School of Pharmaceutical Sciences）
KUNIMI Erika（School of Pharmaceutical Sciences, Osaka University）,
UEDA Naomi（Gangoji institute for research of cultural property）,
AMENOMORI Hisateru（Gangoji institute for research of cultural property）

Special poster session

20

S1

Introduction to Activities of the Research Institute of Cultural Properties, Teikyo University
Research Institute of Cultural Properties, Teikyo University

S2

Implementation of Practical Study Classes at the Teikyo University, Department ofHistory, Faculty of Liberal Arts, Art History and Cultural Heritage Course
Department of History, Faculty of Liberal Arts, Teikyo University
Research Institute of Cultural Properties, Teikyo University

S3

Works of Tokyo Metropolitan Archeological CenterTokyo Metropolitan Archeological Center

S4

Activities of the disaster control survey subcommittee– 2018 report The disaster control survey subcommittee
The disaster control survey subcommittee