UNCOMPRESSED WORL D

VOL . V

AUDIOPHILE SAXOPHONE

PUREST AUDIO-

NATURAL
DYNAMICSPLAYBACK CAREFULLY!
A U D I O P H I L E
R E C O R D I N G S

It is a relatively modern instrument and quite a strange one at that. It was invented in
the year 1840 by the Belgian Adolphe Sax and then patented six years later in France.
An instrument made of metal. Despite this, it does not belong to the family of brass
instruments. Its sister is not the trumpet, tuba or trombone. It is the clarinet, a wood
wind instrument. Its relationship to the clarinet is explained by the way the soundis generated. In both instruments a reed is responsible for the sound. But that is all
the two instruments have in common. The different age of the instruments is also
considerable, as the clarinet was already invented 140 years before the saxophone. The
saxophone first became famous for its use in Jazz. And something else: there is not just
one saxophone. In fact there are more than ten variations. From big to small. From bass
to tenor saxophone and from alto to sopranino saxophone. They all sound different.
And if there was only a single type of saxophone it would sound different with every
musician. That is the fascinating point about this instrument.
In UNCOMPRESSED WORLD Vol. V we have tried to capture this variety of sound. Manymonths were spent in the selection and combination of suitable artists and recordings.
The result is a collage of outstanding quality in every piece. Just relax and enjoy the fullrange of possibilities the saxophone offers.
Mastering insights into UNCOMPRESSED WORLD VOL. V
Over the years we found an excellent working mastering formula for the
UNCOMPRESSED WORLD CD series. Being confronted with a huge variety of different
recordings and formats there is always the task to melt everything down into one
perfect flow over the whole compilation. With our refined mastering settings within Pro
Tools HD system and certain algorithms already used on UNCOMPRESSED WORLD VOL.
I – IV we have set our own standard for maximum transparency and musicality.
Our equipment list on the electronics side for the monitoring of UNCOMPRESSED WORLD
VOL. V included ACCUSTIC ARTS MONO II, TUBE-PREAMP II – MK 2 as well as TUBE-DAC II- MK 2 (HD) in its latest edition. The ACCUSTIC ARTS PROLINE MK 3 speakers in a special
crossover configuration have been in usage for nearfield monitoring.

If you have missed out on UNCOMPRESSED WORLD VOL. I – IV, please feel free to visit
our website at www.accusticarts.de for further details.

Photo by Walter Kircher

Many thanks for your continued support of high quality music and your choice tolisten to ACCUSTIC ARTS AUDIOPHILE RECORDINGS

Sincerely yours

Rasmus Muttscheller

Milan Sajé

Steffen SchunkProducer: Dirk Blümlein

Statements by producer and artist Dirk Blümlein:
The whole Album was recorded in one day at the Klangküche Studio in Stuttgart/
Germany and mixed on a different day. Everything was played live without overdubs.
Torsten Krill was the sound engineer. The band were in two rooms. The drums in one
room and sax/bass in a second room. The bass was recorded without an amplifier
which allowed 100% acoustic separation of all three instruments. An important point
was the visual contact between the rooms necessary for the improvisation.
The recording was made over a Mackie 24 channel console with a Mackie HDR 24.
Analogue outboard equipment was also used such as a Lexicon PCM 90, compressors from Joemeek, BSF and Focusrite Red 7 (as preamp for the bass), cables from
Sommer.
Microphones:
On alto saxophone: Neumann TLM 103
Drums: Bass drum: Electro-Voice RE20, Shure PZM 91
Snare top: Sennheiser 401 Black Fire
Snare bottom: Audio Technica capacitor
Overheads: BPM
Toms: Sennheiser 401
Hi-hat: AKG C 1000
Room: a number of Neumann TLM 103
The alto saxophone was a Selmer Mark 6 manufactured in 1965 with the serial number 124xxx
The CD was mastered by Sven “Samson” Geiger at Neckarklangwerke recording
studio. This included use of an EAR (Esoteric Audio Research) equalizer, a George
Massenburg compressor and the SADiE System. The converters were from Kuhnle.

Torsten Krill

Dirk Blümlein Terzett

Dirk Blümlein Terzett TREESCologne Saxophone Quintet

Cologne Saxophone Quintet SIE SIEHT MICH NICHT
Producers: Philipp Heck, Eva Bauer-Oppelland

The recording was made in 2004 at Bauer Studios in Ludwigsburg/Germany, in thelarge recording room of studio 1. The quintet was positioned in the room in a circle
with a minimum of acoustic separation so that there was good contact between themusicians and the sound mixer, allowing a perfectly balanced sound.

Mic: Neumann U67, U87, U47, AKG C414.
Mixer: AMS Neve VXS analogue console
Reverb: Lexicon 960
Saxophones:
Alexander Reffgen: Selmer Mark VI baritone saxophone (low A) #88000 with Ria 10*
metal mouthpiece and Ponzol reeds
Christian Torkewitz: Selmer Mark VI sopranino saxophone with Vandoren mouthpieceand Vandoren Traditional reeds, Yamaha flute
André Cimiotti: Buffet Crampon RC clarinet with Pomarico crystal mouthpiece andVandoren traditional reeds
Gerit von Stockhausen: Buffet Crampon R13 clarinet with Pomarico crystal mouthpiece and Vandoren V12 reeds
François de Ribaupierre: Selmer Series T bass clarinet (low Eb) with Pomarico crystal
mouthpiece and Vandoren traditional reeds

Meike Goosmann

Photo by Volker Beushausen

Meike Goosmann Quintet I WANNA PLAY
Producer: Meike Goosmann

The saxophonist and bass clarinet Meike Goosmann is an enchanting storyteller. Her“stories without words” come alive when played by her band with a life of their own
in the heads of the audience.
Goosmann plays a jubilant soprano saxophone and composes pieces which arecatchy. Her quintet with piano (Julia Hülsmann), guitar, bass and drums offers music
which Goosmann describes as contemporary European Jazz.

“I wanna play” was recorded and mixed at RBB Studio, Saal 2 at Haus des Rundfunks,
Berlin/Germany.
Meike Goosmann plays a soprano saxophone Yanagisawa S 902, copper/bronze
straight with a curved S-bend, made in 2009.

David FriedmanPeter Weniger
Photo by Uwe NeumannDavid Friedman/Peter Weniger O GRANDE AMOR
Producer: David Friedman and Peter Weniger

Statements by Peter Weniger:
We recorded with a so-called spatial separation technique which means that I was in
one room and David was in a second room. We were able to see each other through alarge window.
We played pieces for the CD “Retro” which spontaneously crossed our minds, which
we both know well. We planned or organised very little beforehand. The concept ofthe dual accompaniment, especially from my side, was mainly created on the spot. It
was important for us to generate an intimate atmosphere.
We just played and did not try to create anything too definite.

Phil Stöckli

Phil Stöckli Quintet SOURCE NATURE
Producer: Phil Stöckli

Phil Stöckli combines contemporary influences from Jazz tradition with his compositions and improvisations. He spent ten years of his musical career in the US with four
years in New York City, where this recording was made. His co-musicians are wellknown in the international Jazz scene.
“Source Nature” was recorded live in the studio. The only overdubs were the saxophone (for the theme), female voice for coloration of the melody in the samba part,and percussion and keyboards. From a musical point of view, the composition consists of an extended A part based on a 7/8 theme and a B part in 4/4 samba rhythm.
The two parts are linked by a rhythmic modulation. Solos are based on form as is
usual for Jazz.

Mic for saxophone: Neumann U47
Outboard equilization/dynamic processors: Universal Audio LA-2A
Preamp: Avalon 737-SP
FX: Lexicon 480
Alto sax: King “Super 20”, serial number 319xxx (1951)

Charlie MarianoCharlie Mariano NAIMA
Producer: Christian von Kaphengst

Statements by Reinhard Kobialka, recording engineer
and Christian von Kaphengst producer and arranger:
At our first and last joint live concert he asked me whether I might like to produce his
next CD. I visited him in his flat in Cologne, we had a coffee together and I was very
impressed by him. He simply handed me a handful of music scores with a note which
said “Just pick!” All I had to do was to select a few pieces. At the time of the recordings he was 80 years old, yet he appeared youthful. He’s not the type to be loud orfull of euphoria. But you can see what he does and doesn’t like. After his solo I said:“Play it again” and he only said “Why?” Charlie played everything with a first takerecording.
The recording of Naima took place at Topaz Studio in Cologne/Germany. The bandplayed live. In the first session due to illness Charlie wasn’t able to record with theband but had to play in his part on the second day. In the second session everything was live and apart from some percussion and small corrections there were no
overdubs.

The saxophone was recorded with a Neumann U67 and an Avalon VT-737SP preamp.
Bass: Universal Audio LA610 preamp
Guitar: in addition to the amplifier a mic was used in front of the electric guitar
Further preamp: SPL GainStation, Chandler Limited TG2
The remaining preamps came from the Alesis X2 mixer and were mixed with it.
Saxophone: Selmer Mark VI alto sax with 8 Star Claude Lakey mouthpiece

Herb Geller

Martin Ehlers

Photo by Steven Haberland, Hamburg

Martin Ehlers Trio feat. Herb Geller REUNION
Producer: Martin Ehlers

Statements by producer and artist Michael Fiedler:
In 2011 Herb Geller was happy to accept the invitation of the Martin Ehlers Trio from
Hamburg to make some studio recordings. He liked the melodic piano compositionsof Martin Ehlers, which he extended with his airy saxophone sound to a Musique
Imaginaire full of fantasy. They are skilfully accompanied without any stress or rushby Thomas Biller (couble bass) and Derek Scherzer (drums), who play emotionallyand sensitively while keeping their reserve, so that one could almost speak of Jazzsongs without words.
The piece along with 2 others on the CD “Fatum” is one of the last works of the saxophonist legend Herb Geller, who passed away in 2013.
Reunion was recorded in March 2011 and mixed in May 2011 at Studio Fattoria
Musica, Osnabrück/Germany by Stephan van Wylick. Mastering took place at Pauler
Acoustics, Northeim/Germany, by Hans-Jörg Maucksch.

The Yamaha soprano saxophone was recorded with a Neumann SM69 from approx.
1970 with a Stagetec TrueMatch RMC converter/preamp.

Producer: Christian Korthals, Philipp Heck, Eva Bauer-Oppelland

The recordings took place December 2011 at studio 1 at Bauer Studios in Ludwigsburg/Germany. The band and the Steinway D grand piano were positioned in thelarge recording room and the soloist was acoustically separated and recorded in thesoloist studio.

Mic: saxophone Neumann U87
Mixer: AMS Neve VXS analogue console
Reverb: Lexicon 960
Saxophones:
Tenor saxophone: Keilwerth SX 90 from the nineties, Vandoren V16 mouthpiece face
6* and Rico select jazz 3S reeds.
Soprano saxophone: Yanagisawa S991, year of manufacture unknown, Lebayle
mouthpiece, face 7, Rico select jazz 3S reeds

Johannes Wohlleben

Tian et al

Tian et al/Christian Korthals ECHO FROM THE PAST

Milan Sajé

Torsten Kamps

Torsten Kamps BOSSA CUARENTA Y TRES
Producer: Torsten Kamps

Statements by Torsten Kamps:
In this case I was the recording engineer and the artist and therefore it was naturallyeasy to find a common approach. For me everything has to be within easy reach. Trialand error over many years has enabled me to optimise the recording chain and so I
am able to concentrate on the music. It’s important with the sax to position the mic
past the hopper. If you play from the front into the mic, much of the sound is lost, thesound has a more treble sound, deeper tines become louder and the balance is lost.
I get the best sound when the mic is directed from the front right position to the left
(upper) hand on the sax. But naturally that is a question of taste.

This title is a saxophone trio, only supported by a bass and a shaker. The recordings should convey an intimate impression that the individual instruments are more
important than a ‘section’ sound. Therefore the mics were placed close in, in an
acoustically damped room with a low source of coloration. The instruments wereplayed softly, in the pianissimo to mezzo forte range. The breathing and key noises
are always part of the performance and therefore they should also be heard on quiet
recordings.
The signal from the Saje mic went to a Vipre tube preamp and from there via an Apogee converter directly to the recording medium.
The three saxophones are:Yanagisawa soprano saxophone (year of manufacture approx. the end of the eighties)
Dave Guardala alto saxophone (approx. 1995)
Selmer SuperAction-II tenor saxophone (1998)

Producer: Michael Kiedaisch, Matthias Stich

The recording was made in March 2008 at Bauer Studios in Ludwigsburg/Germany
and was mixed and mastered there. The piece was originally titled “Frágil”
with Portuguese lyrics (written by Brazilian Renata Gomide). He then gave theinstrumental version (as played here) the title “Zerbechlich”, the German word for„fragile“.

Mixer: AMS Neve VXS analogue console
Reverb: Lexicon 960
Saxophone Matthias Stich: Selmer, super balanced action from the year 1950. The
S-bend is, however, from Yanagisawa (JP) as the original was no longer available.

Matthias StichMichael KiedaischPhoto by MTfoto Stuttgart

Michael Kiedaisch ZERBRECHLICH

Klaus Graf

Joerg Reiter

Joerg Reiter/Klaus Graf ETERNIT Y
Producer: Milan Saje and Joerg ReiterStatements by Milan Sajé, recording engineer:
The recordings were made in Joerg Reiter‘s private studio in March 2014.
The special point of this recording is that Joerg and Klaus recorded their takes without
editing and played more or less live which underlines the special class of thesemusicians. Only the best version was selected. This is now published exclusively on
UNCOMPRESSED WORLD Vol. V.

For the recording of the Steinway & Sons model D grand piano (year of manufacture1958), two Brüel & Kjaer 4011 and two Neumann KM84 mics were used. Restored
Telefunken V676a mic preamps were used.
The saxophone was recorded with a Horch RM 1 tube mic. The mixdown was in Pro
Tools with the inclusion of a Lexicon 224X reverb.

André Cimiotti
Photo by Reiner Witzel

André Cimiotti BREEZE OF HOME
Producer: André Cimiotti

André Cimiotti, whose role models include Charlie Mariano, Maceo Parker and Kenny
Garrett, plays a modern, clear alto saxophone sound. The piece “Breeze Of Home”
also generates a soul feeling. This ballad is special because of the elegant melody
change between his alto saxophone and the trombone played by Günter Bollmann(lead trombonist in the hr-Bigband). The duets between saxophone and trombone are
the trademark of André Cimiotti on the album “This is where I come from”, published
as a 180 g vinyl (with bonus CD).

The recording “Breeze of home” was made at Hansahaus Studio in Bonn/Germany.
Trombone, piano and drums were recorded in a large room (with partitions for pianoand drums), the double bass in a separate room.
Mics: Neumann U47tube (alto saxophone), RCA DX77 (trombone), TLM170 (piano),
Neumann U47tube (bass), Neumann U87, Sanken CU41, Coles 4038, B&K 4012, MD421,
AKG C12, Gefell UM57 (drums)
Preamps: TAB V76, Universal Audio 610, John Hardy, Martech MSS-10
Outboard: API 550, Teletronix 1176, Summit DCL200
Console: SSL 4000
Reverb: EMT 140 Plate
1956 Selmer Mark VI silver-plated alto saxophone #67606 with Meyer Early Babbitt
M5M mouthpiece and Vandoren Java 3 reeds

Initiative H.
Photo by Alex Baret

Initiative H. THE WAY OF THE SUN
Producer: David Haudrechy, Philipp Heck, Eva Bauer-Oppelland

Recorded by Olivier Cussac at Condorcet Studio, Toulouse/France. Audiophile-mixed
and mastered at Bauer Studios Ludwigsburg/Germany. The big band also works withelectronic effects and these were given special consideration during the mixing andmastering to allow them to come into their own.

Mixer: AMS Neve VXS analogue console
Reverb: Lexicon 960
Saxophones:
David Haudrechy: Soprano Saxophone Selmer SérieIII from 2004 in silverGaël Pautric: Baritone saxophone Selmer MK VI 1968 / Hals Selmer solid silver /mouthpiece Lawton 7* B / C bass clarinet Prestige 2009
Ferdinand Doumerc: Keilwerth (vintage saxophone), year of manufacture unknown

Klaus Graf

Klaus Graf Quartett FAR AND NEAR
Producer: Klaus Graf

“Far and Near” was composed in memory of the parents of the composer who
passed away in 2003. The recording of the piece took place in 2006 at the Bauer
Studio in Ludwigsburg/Germany. The recording was made with a Steinway D
274 concert grand piano and a series III Selmer soprano saxophone with a Bari
mouthpiece no. 68. Released on the CD Klaus Graf Quartett “Moving On” at Finetone
Records. Sammy Nestico, Jazz legend, composer and arranger from Los Angeles
wrote the following liner notes:“I’ve just finished listening to one of the most musical performances of a lifetime.
Encompassing the most exciting and fiery renditions, to a sensitivity seldom heard
anywhere. It concludes with a theme called Far and Near that could handsomely bea theme for today’s movies. This is a group of four very exceptional performers,
headed by one of the world’s greatest saxophone players, Klaus Graf.”

Fred Hormain

Fred Hormain TEMPORARY UNIVERSE
Producer: Gints Stankevics

Statements by Fred Hormain:
The difficulty was to find the right mood, to imagine a scenario to feel the music...
Paris, a Jazz club, late midnight, a glass in the hand...
Music is not a performance, but simply a means of expression, with all the humandiversity
Temporary Universe was recorded in France at “Goldhand Studio” Volmerange-lesMines.

Microphone Neumann M149 Jubilee Edition - preamp SSL XLogic Alpha Channel+ Custom made Tube preamp
RME Raydat with Cubase 7.5
Saxophone: Saxophone alto SELMER Mark VI. Year 1964

COMPOSERS, ARTISTS & CO.

Dirk Blümlein Terzett
TREES
Time: 5:10
Composed by Andreas Francke
Produced by Dirk Blümlein
Recorded and mixed by Torsten Krill andDirk Blümlein at Klangküche
Musicians:
Saxophone: Andreas Francke
Bass: Dirk Blümlein
Drums: Eckhard Stromer
Taken from the album “Alles für den
Künstler”
www.dirkie.de
LC 09076
P 2004 Rodenstein Records

clarinet & flute
Christian Torkewitz - tenor and sopranino
saxophone & flute
François de Ribaupierre - tenor saxophone& bass clarinet
Alexander Reffgen - bariton saxophone,bass clarinet & tubax
ISRC: DED810423370
Taken from the album “YO!” (NCD4006)
www.colognesaxophonequintet.com
P 2005 Neuklang

Meike Goosmann Quintet
I WANNA PLAY
Time: 3:03
Composed by: Meike Goosmann
Published by: MV-NRW Musikverlag

Cologne Saxophone Quintet
SIE SIEHT MICH NICHT
Time: 4:18
Written by Jean-Jaques Goldman & Roland
RomaneIli
Copyright Control
Produced by Philipp Heck, Eva BauerOppelland
Recorded, mixed and mastered by Philipp
Heck at Bauer Studios, Ludwigsburg/
Germany
Musicians:
André Cimiotti - alto saxophone & clarinet
Gerit von Stockhausen - alto saxophone,

Taken from the album: “Tender Tales”
Recorded and mixed at rbb Studio,
Germany
Sound supervisor: Wolfgang HoffSound engineer: Peter SchladebachSound editing: Anja Bause
Produced by Meike Goosmann
Musicians:
Soprano Sax: Meike Goosmann
Piano: Julia Hülsmann
Guitar: Jeanfrancois Prins
Drums: Ulrich Moritz
LC 23761
P 2012 Ajazz

COMPOSERS, ARTISTS & CO.

David Friedmann/Peter Weniger
O GRANDE AMOR
Time: 5:27
Written by: Antonio Carlos Jobim

Double Bass: Matt Penman
Guitar: Mike Moreno
Piano: Pete Rende
Percussion: Mathias Künzli
Vocals: Barbara Mendes

Published by: Corcovado Music/Universal
Music Publishing

Taken from the album “Third Eye”

Taken from the album: SKP 9097-2 “Rétro”

P 2002 Phil Stöckli/Fresh Sound Records

Recorded and mixed by Volker Greve at
GREVE Studio, Berlin, Germany

www.philstockli.com

Produced by David Friedman and Peter
WenigerCharlie Mariano

Musicians:
Saxophone: Peter Weniger
Vibraphone: David Friedman

NAIMA
Time: 5:31

LC 10482

Published by: Jowcol Music/Universal Music
Publishing

P 2010 Skip Records GmbH

Written by: John Coltrane

Taken from the album: SKP 9054-2 “Whenthe sun comes out”
Phil Stöckli Quintet
SOURCE NATURE
Time: 6:25
Composed by Phil Stöckli
Copyright Control/Suisa
Produced by Phil Stöckli
Recorded by Paul Wycliff at Skyline
Studios, Clinton, New Jersey
Mixed by Albert Leusink at Cutting Room,
New York City
Musicians:
Alto Sax: Phil Stöckli
Drums: Jeff Ballard

Recorded and mixed by Reinhard Kobialka
at Topaz Studio, Cologne, Germany.
Produced and arranged by Christian vonKaphengst
Musicians:
Alto Sax: Charlie Mariano
Piano, Keyboards: Ulf Kleiner
Guitars: Bruno Müller
Fender Bass: Christian von Kaphengst
Drums: Flo Dauner
Percussion: Roland Peil
LC 10482
P 2005 Skip Records GmbHComposed by: Martin Ehlers

Achim Fink – trombone
Christoph Siegenthaler – pianoAngel Rubio – Spanish guitar
Benjamin Tai Trawinski – double bass
Tobias Möller – drums

Published by: MV-NRW Musikverlag

ISRC: DED811231220

Taken from the album: “Fatum”

Taken from the album “Lost & Found”(NCD4056)

Martin Ehlers Trio feat. Herb Geller
REUNION
Time: 3:32

Recorded by Stephan van Wylick at Fattoria
Musica, Osnabrück, Germany
Produced by Martin Ehlers
Musicians:
Soprano Sax: Herb Geller
Piano: Martin Ehlers
Double Bass: Thomas Biller
Drums: Derek Scherzer

www.christian-korthals.de
P 2012 Neuklang

Torsten Kamps
BOSSA CUARENTA Y TRESLC 11363

Time: 3:17

P 2011 NRW Records

Written by: Torsten Kamps
Copyright Control

Tian Et Al
ECHO FROM THE PAST
Time: 4:02
Written by Christian Korthals
Published by Advance Music Veronica
GruberProduced by Christian Korthals, Philipp
Heck, Eva Bauer-Oppelland
Recorded, mixed and mastered by Philipp
Heck at Bauer Studios, Ludwigsburg/
Germany
Musicians:
Christian “Tian” Korthals - tenor & sopranosaxophone

Recorded by Torsten Kamps at kamps
musik studio Flörsheim/Germany
and mixed by Milan Saje at Audioarts
Sachsenheim/Germany
Produced and arranged by Torsten Kamps
Torsten Kamps: Sopran Sax, Alto Sax, Tenor
Sax, Sample Bass, Shaker
P 2014 Torsten Kamps

Michael Kiedaisch / Matthias StichZERBRECHLICH
Time: 6:01
Written by Matthias StichCOMPOSERS, ARTISTS & CO.

Published by Bauer Studios Verlag

André Cimiotti

Produced by: Michael Kiedaisch, Matthias
Stich

BREEZE OF HOME

Recorded by: Jürgen Frommherz at
Tonstudio Oase, Schallstadt/Germany

Composed by: André Cimiotti

Mixed & Mastered by: Johannes Wohlleben,
Bauer Studios, Ludwigsburg/Germany
Musicians:
Matthias Stich - saxophone
Michael Kiedaisch - vibraphone
Florian Döling - double bass
Matthias Daneck - drums
ISRC: DED810830680
Taken from the album “Nightsongs”(NCD4026)
P 2008 Neuklang

Time: 4:49
Published by: MV-NRW Musikverlag
Produced and arranged by André Cimiotti
Recorded by Oliver Bergner at HansahausStudios, Bonn/Germany
Mixed by Hrólfur Vagnsson at Fattoria
Musica, Osnabrück/Germany
Musicians:
Alto Saxophone: André Cimiotti
Trombone: Günter Bollmann
Piano: Martin Sasse
Bass: Ingo Senst
Drums: Hans Dekker
Taken from the album: “This is where I
come from” (only available on 180g vinyl)

Joerg Reiter/Klaus Graf

LC 23761

ETERNITYP 2012 Ajazz

Time: 3:47
Composed by Joerg Reiter (CopyrightControl)
Recorded and mixed by Milan Saje at Joerg
Reiter Studio Stuttgart/Germany
Performed by Klaus Graf and Joerg Reiter
Produced by Milan Saje and Joerg ReiterExclusively recorded for ACCUSTIC ARTS
AUDIOPHILE RECORDINGSLC 23445
P 2014

Initiative H
THE WAY OF THE SUN
Time: 2:46
Written by David Haudrechy
Published by Bauer Studios Verlag
Produced by David Haudrechy, Philipp
Heck, Eva Bauer-Oppelland
Recorded by Olivier Cussac at Condorcet
Studio, Toulouse/FranceMixed and mastered by Philipp Heck at
Bauer Studios, Ludwigsburg/Germany

Fred Hormain

Musicians:
David Haudrechy – saxophones, direction
Ferdinand Doumerc – saxophones, fluteGaël Pautric – saxophones, bass clarinet
Nicolas Gardel – trumpet
Nicolas Algans – trumpet
Olivier “Lapin” Sabatier – trombone
Lionel Segui – bass trombone
Florent Hortal – guitar
Amaury Faye – keys, piano
Julien Duthu – bass, double bass
Pierre Pollet – drums
Florent “Pepino” Tisseyre – percussions

Time: 3:24

ISRC: DED811404290
Taken from the album “Deus Ex Machina”(NCD4099)
P 2014 Neuklang

Klaus Graf Quartett
FAR AND NEAR
Time: 2:34
Composed by Klaus Graf
Recorded 15./16.10.2006 by Johannes
Wohlleben at Bauer Studios Ludwigsburg/
Germany
Produced by Klaus Graf
Musicians:
Klaus Graf – Saxophone
Olaf Polziehn – Piano
Taken from the album “moving on”
P 2007 Klaus Graf

TEMPORARY UNIVERSE
Written by: Gints Stankevics
Published by: MicRec Publishing
Recorded and mixed by Gints Stankevics
at Elko Studio, Riga, Latvia and Goldhand
Studio, Volmerange-les-Mines, France.
Produced and arranged by Gints Stankevics
Musicians:
Alto Sax: Fred Hormain
Piano, Keyboards: Gints Stankevics
Guitars: Andris Sirants
K-Bass: Guntars Sprincis
Drums: Todd Sorensen
Percussion: Todd Sorensen
P 2014 Elko Studio Recordings