№ 1–2018
Terminology in the church-sing manuscriptsof the XV–XVII centuries ………………………………..…….. p. 40–49
Zivar M. Gusseynova— Dr.Sc., professor, head of the Russian Music History
department at the Saint Petersburg State Conservatory. (Saint Petersburg)
E-mail: zivar-g@mail.ru
The article is devoted to consideration of the processes of professionalterminology formation in ancient singing manuscripts. The author establishes theformation principles of a special vocabulary, which is the part of the music andchurch-slavonic vocabulary. They appear as a result of the development of thechurch singing art.
The main basis in revealing the theme is, firstly, on the ancient singing
manuscripts with the terms, secondly, musical-theoretical XV–XVII century
manuals, where the basic terminology were formed. The author takes a versatile
analysis of information, including philology, semantic, comparative aspects. They
enables the identification of the origin, the semantic content and functional
accessory most vocal terms.
The article conclusions are that the formation of musical terminology naturally
due to the practice of the church-singing arts and recorded as directly in thestructure of services and special musical and theoretical manuals. The
terminology reflects the elements of singing associated with the formation of newstyles and theoretical positions, the music editing, establishing authorship chants,connections with the european notation.
Keywords: singing terminology, musical manuscript, church singing, musictheoretical manual, canon.

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***Гусейнова З.М. Терминология церковно-певческих рукописей XV–XVIIвеков // Ученые записки Российской академии музыки имениГнесиных. 2018. № 1. С. 40–49
Gusseynova, Zivar. Terminology in the church-sing manuscripts of theXV–XVII centuries // Scholarly Papers of Russian Gnesins Academy ofMusic. 2018. № 1. P. 40–49