1
日本英文学会第７９回大会
２００７年５月２０日 於：慶應義塾大学三田キャンパス

１９世紀前半における著作権――ワーズワースを軸に

園田 暁子

１．イギリスの著作権法により定められた著作権の保護期間の変遷
１７０９年 出版から１４年、最初の１４年が経った時点で著作者が存命の場合さらに１４年
１８１４年 出版から２８年、もしくは著作者の存命中のいずれか長いほう
１８４２年 出版から４２年、もしくは著作者の死後７年までのいずれか長いほう
２．ワーズワースの著作権に関する基本的考え
The law as it now stands merely consults the interest of the useful drudges inLiterature, or of flimsy and shallow writers, whose works are upon a level with thetaste and knowledge of the age; while men of real power, who go before their age,are deprived of all hope of their families being benefited by their exertions.
(WL, II, 266; 27 Sept 1808; WW to Richard Sharp)
３．ワーズワースの詩作による収入について
Upon the general merits of this question it would be presumptuous in me to enterin a Letter to you. But as to my own interest in it, it may not be superfluous to saythat within the last three years or so my poetical writings have produced for menearly 1,500 pounds, and that much the greatest part of them either would bepublic property to-morrow, if I should die, or would become so in a very few years.
Is this just, or can a state of law which allows the possibility of such injustice befavourable to the production of solid literature, in any department of what is
usually called Belles-Letters?
(WL, VI, 536; 23 Mar 1838; WW to William Ewart Gladstone)
４．自分の死とともに作品の大部分が Public Domain に属してしまうことへの言及
I have myself some claim upon my country as a man who in the most disinterested
way has devoted his life to the service of sound literature; and now, when thesuccess with which this has been done, is generally acknowledged, and apecuniary return might be expected to be made to my family, the Law respecting
copyright steps in, and declares that the greatest part of my productions, shall be
public property the moment I cease to breathe; it would be surely therefore hard, if
under these circumstances, my wish to resign in favor of my son were not compliedwith.
(WL, VI, 16; 24th January 1835; WW to Lord Lonsdale)

2
５．１８３７年６月６日付の著作権法改定案① 複数の著作権法の一本化
文学作品、版画、劇作、講演など、保護する対象により別々の法律であった著作権を一本化② 著作権の保護期間著者の死後６０年までとする（ワーズワースにとってはこれでも妥協であった）③ 外国の作品の著作権保護
イギリス国外で最初に出版された外国人の作品も、出版から１年以内にイギリスにおいて登録されれば英連邦内でも著作権を保護
６．アメリカとの間の国際著作権保護に関するアイディア. . . that the proper way of proceeding, would have been to lay the case before ourforeign Secretary, whose duty it would be to open a communication with theAn(=American) foreign Secry and thro’ that channel, the correspondence would
regularly proceed to Congress.
(WL, VI, 493; 15 Dec 1837; WW to Henry Crabb Robinson)
７．Talfourd の著作権法案が救いうる文学者たちのおかれた状況. . . the Bill has for its main object, to relieve men of letters from the thraldom ofbeing forced to court the living generation, to aid them in rising above degradedtaste and slavish prejudice, and to encourage them to rely upon their own
impulses, or to leave them with less excuse if they should fail to do so.
(Prose Works, 319.)
８．Galignani による「海賊版」が大量に容易にロンドンで入手できることについて
A few years back I went into a Booksellers shop, Piccadilly, where I was unknown
and asked if I could have a copy of Galignani’s Edit: of Wordsworth’sPoems.—Yes—Could I have five?—yes—ten?—yes—100? yes, and so on till 500,
with the same answer, adding as to the latter numbers, “give me only time.”—(WL, VII, 327; 19 April 1842; WW to Lord Mahon)
９．アメリカ議会に提出された請願にサインしなかった理由
First, I cannot speak of my own knowledge to the very important fact of English
books being garbled by American Publishers at all, much less for any sordid
purpose. . .Secondly, I submit whether it would be politic to condemn those
Publishers in such strong language;(WL, VI, 321-22; 16th November 1836; WW to Talfourd)3１０．Henry Reed がワーズワースの詩集をアメリカにおいて編集・出版した動機. . . the Editorship was assumed by me solely for the purpose of placing myself
between you and the reprinters here and thus guarding your works from theerrors and the abuse to which in the present defective state of legislation on
International copyright the writings of foreign authors are more or less exposed.
(Wordsworth and Reed, 5.)
１１．財産を持つことと文学者の社会的ステイタスについて
The apprehensions of evil would be proved to have been vain, and the character ofthe literature of the Country would I trust be considerably improved. Authors as aClass could not but be in some degree put upon exertions that would raise them inpublic estimation—And say what you will, the possession of Property tends tomake any body of men more respectable, however high may be their claims torespect upon other considerations. And as to the real independent Authorship ofthe Country, I mean that in which men act from higher motive than instantimpressions, and immediate gains,—is it not in a deplorable State?
(WL, VI, 636; 25 Oct 1838; WW to Thomas Noon Talfourd)

Selected bibliography
Barker, Juliet. Wordsworth: A Life. London: Viking, 2000.
Barnes, James J. Authors, Publishers and Politicians: The Quest for an Anglo-American
Copyright Agreement, 1815-54. London: Routledge and Kegan Paul, 1974.
Bennett, Andrew. Romantic Poets and the Culture of Posterity. Cambridge: Cambridge UP,1999.
Broughton, Leslie Nathan ed. Wordsworth and Reed: The Poet’s Correspondence with hisAmerican Editor. Ithaca: Cornell UP, 1933.
Eilenberg, Susan. “Mortal Pages: Wordsworth and the Reform of Copyright.” ELH. 56(1989): 351-74.
Seville, Catherine. Literary Copyright Reform in Early Victorian England: The Forming ofthe 1842 Copyright Act. Cambridge: Cambridge UP, 1999.
St. Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge UP,2004.
Wordsworth, William. Complete Poetical Works. Ed. Thomas Hutchinson. Rev. Ernest deSelincourt. Oxford: Oxford UP, 1936.
-----. The Letters of William and Dorothy Wordsworth, Ed. Ernest de Selincours. Rev. Alan
G. Hill. 2nd. ed. Oxford: Clarendon P, 2000. Cited as WL.
-----. The Prose Works of William Wordsworth. Ed. W. J. B. Owen and Jane Worthington
Smyser. 3 vols. Oxford: Clarendon Press, 1974.
Zall, Paul M. “Wordsworth and the Copyright Act of 1842.” PMLA. 70.1 (1955): 132-144.