『ザポーリア』とコウルリッジの演劇理論
日本英文学会第８０回大会 2008/5/25
橋本健広
1. はじめに
2. 書斎劇3. コウルリッジの演劇論とシェイクスピア論に見られる演劇の構造
引用 1.
willing suspension of disbelief for the moment (Biographia Literaria 6, vol. 2)
引用 2. （poetic faith）
the reader is prepared for something to be developed (Lectures 1808-1819 on Literature 359, vol. 1)
This feeling was much stronger than historic faith in as much as by the former the mind was prepared toexercise it. (Lecture on Literature 362-363)
引用 3.
The reason is aloof from Time & Space --- the Imagination an arbitrary controll over both --- and if only thePoet have such power of exciting our internal emotions, as to make us present to the Scene in imagination
chiefly, he acquires the right & privilege of using Time & Space, as they exist in Imagination, obedient only to
the Laws which the Imagination acts by --- (Lectures on Literature 467)
引用 4.（コウルリッジがつけた注釈）* For the best acount of the War-wolf or Lycanthropus, see Drayton’s Moon-calf, Chalmers’ English Poets, Vol.
IV, p. 133. (1.1.225fn)
4. 『ザポーリア』と war-wolf
4-A. Drayton の war-wolf
引用 5.（下線は発表者）
He learnt an hearb of such a wondrous power,
That were it gather 'd at a certaine howre,......................................
......................................
That with thrice saying a strange Magique spell,
Which but to him, to no man they would tell,
When as so e'r that simple he would take,It him a war-wolfe instantly would make,
Which put in practise he most certaine prov'd,
When to a Forrest he himselfe remov'd,
Through which there lay a plaine and common Roade,
Which he the place chose for his chiefe abode,And there this Monster set him downe to theeve,
Nothing but stolne goods might this Fiend releeve;
No silly woman, by that way could passe,
But by this Woolfe she surely ravisht was,
And if he found her flesh were soft and good,
What serv'd for Lust, must also serve for foode.
Into a Village he sometime would gett,......................................
......................................

1053

1060

1070

And let the Shepheards doe the best they could;
Yet would he venter oft upon the Fold:And taking the fatt'st Sheepe he there could finde:
Beare him away, and leave the Dogs behinde:

1083(Drayton, “The Moone-Calfe,” 1627)

引用 6.
The fable of the War-woolfe I apply,
To a man, given to blood, and cruelty,
And upon spoile doth only set his rest;

1220(Drayton, “The Moone-Calfe,” 1627)

4-B. 森に潜む魔物
登場人物
郊外に住むもの

森に隠れるもの城（反エメリック側）

Bethlen（捨てられた王子）

Zapolya（女王・ベスレンの母）

Casimir（キウプリリの息子・公爵） Emerick（簒奪王・前王の弟）

Bathory（山男・ベスレンのKiuprili（イリリヤの将軍）

Sarolta（カシミア候爵の妻）

育て親）城（エメリック側）
Laska（グリシンの許嫁・カシミアの世話係）

Glycine（村娘・軍人の孤児）

引用 7. （迷信の夢・コウルリッジの注釈）
GLY.
and all because I dreamt
That the war-wolf* had gor’d him as he hunted
In the haunted forest! (1.1.224-6)(*は注釈。引用 4 を参照)

引用 8. （迷信と現実・迷信が駆りたてる行為）
GLY. Madam, that wood is haunted by the war-wolves,Vampires, and monstrous --SAROL. (with a smile.) Moon-calves, credulous girl!
Haply some o’ergrown savage of the forest
Hath his lair there, and fear hath framed the rest. (1.1.337-340)
引用 9. （迷信）GLY.
there the plant grows
That being eaten gives the inhuman wizard
Power to put on the fell Hyæna’s shape. (1.1.451-3)
引用 10. （狼男の暗喩）
ZAPO. Wolf-like to prowl in the shepherd’s fold by night;
At once for food and safety to affrighten
The traveler from his road --- (2.1.62-4)
4-C. 人間の心の中に潜む魔物
引用 11. （ラスカの妄想・エメリックの気取った話し方）
LASK. As Bathory’s son,
The fool that ran into the monster’s jaws.
EMER. Well, ‘tis a loyal monster if he rids us
Of traitors! But ar’t sure the youth’s devoured?
LASK. Not a limb left an please your majesty!
And that unhappy girl--EMER.
Thou followed’st her

Pestalts（暗殺者）

Into the wood? (LASKA bows assent.)
Henceforth then I’ll believe
That jealousy can make a hare a lion.
LASK. Scarce had I got the first glimpse of her veil
When, with a horrid roar that made the leaves
Of the wood shake--EMER.
Made thee shake like a leaf!
LASK. The war-wolf leapt; at the first plunge he seized her;Forward I rushed!
EMER.
Most marvelous!
LASK.
Hurled my javelin
Which from his dragon-scales recoiling--EMER.
Enough! (3.1.18-31)
引用 12. （嘲笑）PESTA. (With a sneer.) What! The girl
Whom Laska saw the war-wolf tear in pieces? (4.2.46-7)
引用 13. （人の心に潜む悪・エメリックの邪心）
SAROL.
‘tis the inner man transform’d:
Beasts in the shape of men are worse than war-wolves. (1.1.478-9)
RUD. (aside.) Lewd, ingrate tyrant! (1.1.489)
引用 14. （エメリックの邪心）
SAROL. This is the hour, that fiends and damned spirits
Do walk the earth, and take what form they list!
Yon devil hath assumed a king’s! (3.2.91-93)
引用 15. （人の心に潜む悪の暗喩・転移）
BATHO. The royal brute hath overleapt his prey,(4.2.24)
引用 16. （暗喩）
CHORAL SONG. For the shepherds must go
With lance and bow
To hunt the wolf in the woods to day. (4.2.61-63)
5. 媒介の機能
Coleridge

Drayton“The moone-calfe”

Zapolya“war-wolf”
媒介

引用 17
he was sometimes prone to respond very directly to the author he was reading. (Beer 46)
one is impressed by his extraordinary ability to project himself into the viewpoints of other people.(Beer 46)
6. 終りに参考文献
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