SWAM Saxophones

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A: sample-based saxophone libraries often link dynamics to fingering, but these two elements are fully independent Not always.
Saxophone fingering patterns usually follow some sort of chord-based pattern that provides a rhythmic basis for the notes. The
more advanced players with experience in a wide array of saxophones do use a significant amount of dynamics. Some are here
or here for example. A: The way a saxophone works is based primarily on the diameter of the tubing as well as the size/pressureof the lip, side, belly, bell and reed. So, it's possible to take a a medium side blowing saxophone and put it into a small single
reed mouthpiece, and get a "full" horn sound. If you put a saxophone made for a small reed mouthpiece into a small reedmouthpiece, it'll still only sound like a small reed saxophone. I've done this and you can hear it on my Instagram here: How
important dynamics is to the sound of a saxophone is largely up to how loud the performer is. In most cases, a saxophone reallydoesn't need to be as loud as a trumpet or trombone because the mouthpiece isn't much larger than a small reed mouthpiece, andthe sax player is much closer to the mouthpiece than they are to the reed. It's only when a saxophone is relatively quiet that thereed becomes important. So in your question, I'd say it really depends on the performer. But, in general, you can create different
sounds with less reed by keeping the saxophone fairly quiet and by hitting things like lips, bell and mouthpiece harder. Coastal
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SWAM Saxophones